document_title: A Series of Unfortunate Events (TV series)

question_text: who played violet in a series of unfortunate events netflix

root

text: Premise

text: When a mysterious fire kills their parents, the Baudelaire children are placed into the care of their distant relative Count Olaf, an actor who is determined to claim the family fortune for himself. Following Olaf's failed attempt and his plot being exposed, the Baudelaires set out to elude Olaf and uncover the mystery behind a secret society from their parents' past.

tag: p

text: Cast and characters

text: Main

text:
Neil Patrick Harris as Count Olaf,[4] an actor determined to claim the Baudelaire fortune for himself. He has one eyebrow and a tattoo resembling an eye on his left ankle, which is frequently used to identify him when he is disguised.
Patrick Warburton as Lemony Snicket,[5] the narrator tasked with explaining the events during the lives of the Baudelaires.
Malina Weissman as Violet Baudelaire,[6] the eldest Baudelaire sibling and an inventor talented in mechanics.
Louis Hynes as Klaus Baudelaire,[6] the middle Baudelaire child, interested in literature and books.
K. Todd Freeman as Arthur Poe,[7] the family banker and executor of the Baudelaire parents who is in charge of placing the Baudelaires in the care of a suitable guardian.
Presley Smith as Sunny Baudelaire,[8] the infant child of the Baudelaires with unnaturally strong teeth. Tara Strong voices Sunny's babbling, the meaning of which is often translated in subtitles.[9]
Lucy Punch as Esmé Squalor, a wealthy financial advisor, who becomes an ally and love interest for Count Olaf.[10]
Avi Lake as Isadora Quagmire,[11] Duncan and Quigley's sister who loves writing poetry.
Dylan Kingwell as Duncan Quagmire, Isadora's brother. Duncan is a keen journalist.[11]

tag: ul

text: Recurring

text:
Will Arnett as Father,[12][13] a man who is trying to return home to his three children.
Cobie Smulders as Mother,[13] a woman who is trying to return home to her three children.
Usman Ally as the Hook-Handed Man,[14] a member of Count Olaf's theatre troupe with hooks instead of hands.
Matty Cardarople as the Henchperson of Indeterminate Gender,[14] another member of Count Olaf's theatre troupe.
Cleo King as Eleanora Poe, Arthur Poe's wife and the editor-in-chief of The Daily Punctilio, who loves pursuing sensationalist headlines.
John DeSantis as the Bald Man,[15] a large bald-headed man who is another member of Count Olaf's theatre troupe.
Jacqueline and Joyce Robbins as the White-Faced Women,[14] two elderly twins who are members of Count Olaf's theatre troupe.
Sara Canning as Jacquelyn, Mr. Poe's standoffish assistant and a member of the Baudelaire family's secret society. She possesses a spyglass.
Patrick Breen as Larry Your-Waiter, a member of the Baudelaire family's secret society who is seen working as a waiter at various establishments the Baudelaires visit, including the Anxious Clown and Café Salmonella.
Sara Rue as Olivia Caliban, a librarian at Prufrock Preparatory School who later enlists as a member of the Baudelaire family's secret society when she becomes invested in the Baudelaires' plight.[10][16][17]
Nathan Fillion as Jacques Snicket, the dashing adventurer brother of Lemony Snicket who enlists Olivia Caliban to help the Baudelaires.[10]

text: Guest

text: Introduced in season 1

text:
Joan Cusack as Justice Strauss,[18] a judge and Count Olaf's neighbor who helps the Baudelaires and is hopeful to adopt them.
Luke Camilleri as Gustav Sebald,[14] a member of the Baudelaire family's secret society and Monty's former assistant.
Aasif Mandvi as Montgomery "Uncle Monty" Montgomery,[19] a distant relative of the Baudelaires and enthusiastic herpetologist who claims to have spent his childhood with their late parents. He is a member of the Baudelaire family's secret society and possesses a spyglass.
Alfre Woodard as Aunt Josephine Anwhistle,[20] a distant relative of the Baudelaires at Lake Lachrymose who has many rational and irrational fears and a love of grammar. She is a member of the Baudelaire family's secret society.
Don Johnson as Sir,[21] the cigar-smoking owner of Lucky Smells Lumbermill.
Catherine O'Hara as Georgina Orwell,[22] an optometrist and Count Olaf's ex-girlfriend who hypnotizes the Lucky Smells Lumbermill workers so they never leave, also causing them to believe the Baudelaire parents set fire to Paltryville. O'Hara previously portrayed Justice Strauss in the 2004 film adaptation.
Rhys Darby as Charles,[12] Sir's partner.
Timothy Webber as Jimmy, a worker at Lucky Smells Lumbermill.
Chris Gauthier as Phil, an optimistic worker who befriends the Baudelaires during their stay at the Lucky Smells Lumbermill.
Loretta Walsh as Norma Rae, a worker at Lucky Smells Lumbermill.
Trent Redekop as Cesar, a worker at Lucky Smells Lumbermill.

text: Daniel Handler cameos as a fish head salesperson at Lake Lachrymose. Barry Sonnenfeld does a picture cameo as the late Ike Anwhistle in "The Wide Window" and appears as him in a flashback scene in "The Carnivorous Carnival" Pt. 1.[citation needed]

text: Introduced in season 2

text:
Barry Sonnenfeld as the voice of Mr. Tammerlane, a person that Arthur Poe talks to on the phone.
Roger Bart as Nero Feint, the violin-playing vice-principal of Prufrock Preparatory School and struggling musician with an egotistic personality and a love for excessive punishments.[10]
Kitana Turnbull as Carmelita Spats, an obnoxious, tutu-wearing student at Prufrock Preparatory School.[23]
Bronwen Smith as Miss Tench, Prufrock Preparatory School's gym teacher who is replaced in the post by a disguised Count Olaf while on her way back to Prufrock Preparatory School with the pep squad and the sports team.[17]
Malcolm Stewart as Mr. Remora, a teacher at Prufrock Preparatory School who specializes in teaching his personal anecdotes and is always seen eating a banana.[17]
BJ Harrison as Mrs. Bass, a teacher at Prufrock Preparatory School who specializes in measuring objects. She later becomes a bank robber.[17]
Tony Hale as Jerome Squalor, the timid husband of Esmé Squalor.[10]
Ithamar Enriquez as Hector, a skittish handyman and citizen of the Village of Fowl Devotees who befriends the Baudelaires.[16]
Mindy Sterling as Elder Anabelle, a member of the Village of Fowl Devotees' group of Elders.[17]
Carol Mansell as Elder Jemma, a member of the Village of Fowl Devotees' group of Elders.[17]
Ken Jenkins as Elder Sam, a member of the Village of Fowl Devotees' group of Elders.[17]
Lossen Chambers as Mrs. Morrow, an inhabitant of the Village of Fowl Devotees that wears a pink robe.
Kevin Chamberlin as Mr. Lesko, an inhabitant of the Village of Fowl Devotees that wears plaid pants.
John Bobek as the bearded leader of the Volunteers Fighting Disease.[17]
Kerri Kenney-Silver as Babs, the Head of Human Resources and Hospital Administration at Heimlich Hospital.[17]
David Alan Grier as Hal, a visually-disabled file clerk who is employed in the Library of Records at Heimlich Hospital.[24]
Robbie Amell as Kevin, an ambidextrous "freak" who works at the Caligari Carnival.[25]
Kevin Cahoon as Hugo, a hunchbacked "freak" who works at the Caligari Carnival.[17]
Bonnie Morgan as Colette, a contortionist "freak" who works at the Caligari Carnival.[17]
Allison Williams as a yet-unidentified woman who arrives to see the Caligari Carnival engulfed in flames.[26]

text: Neil Patrick Harris' husband David Burtka and their children Harper and Gideon cameo as the heckler Mr. Willums and his children, respectively, within the "Carnivorous Carnival" episodes.[27][28]

text: Episodes

text:
Season
Episodes
Originally released

1
8
January 13, 2017 (2017-01-13)

2
10
March 30, 2018 (2018-03-30)

tag: table

text: Season 1 (2017)

text: The first season adapts the first four books of the novel series: The Bad Beginning, The Reptile Room, The Wide Window and The Miserable Mill.[29]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original release date

1
1
"The Bad Beginning: Part One"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Violet, Klaus, and Sunny Baudelaire receive the news that their parents have perished in a house fire from well-meaning but inept banker Arthur Poe. While exploring the ruins, Klaus finds a broken spyglass with an insignia of an eye embedded on the front. Shortly afterwards, they are sent to live with their distant relative Count Olaf, a cruel and vain amateur actor, who forces them into servitude. One night, the siblings prepare puttanesca for Olaf's theatre troupe only for him to demand roast beef upon arriving home. The children state that they were never asked to prepare roast beef, angering Olaf and prompting him to slap Klaus across the face when he protests about the sleeping arrangements. Meanwhile, a mother and father are held against their will by a mysterious captor.

2
2
"The Bad Beginning: Part Two"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires attempt to convince Mr. Poe of Olaf's actions, only to be sent away when Poe dismisses their claims. When Olaf gives Violet the starring role in his latest theatrical production, which ends with the two main characters being married, the siblings realize that Olaf intends to acquire their fortune by marrying Violet for real. Klaus confronts Olaf, who threatens to kill Sunny if Violet doesn't follow through with his plans. At the very last minute, however, Violet signs the marriage certificate with her left hand, invalidating the proceedings due to the fact that she is right-handed. Mr. Poe's mysterious secretary Jacquelyn reveals they were intended to be put in the care of their distant relative Montgomery Montgomery. Meanwhile, Jacquelyn's ally Gustav is mysteriously drowned, after being hit by a poisoned dart.

3
3
"The Reptile Room: Part One"
Mark Palansky
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires are sent to live with their herpetologist uncle Montgomery Montgomery, who has recently come across a reptile he calls the Incredibly Deadly Viper. While attempting to learn more about Montgomery, Klaus discovers that the hedge maze in Montgomery's garden is exactly the same shape as the tattoo on Olaf's ankle. Olaf poses as Montgomery's new assistant Stephano and attempts to kidnap the Baudelaires, but Monty assures the Baudelaires that he recognizes Stephano as a threat. The four arrive at a movie theatre, where Monty deciphers a code sent for him through the subtitles of the film, using a spyglass identical to Klaus'. The message instructs him to bring the children to Peru. He fires Stephano shortly afterwards, believing him to be a spy sent to steal his research.

4
4
"The Reptile Room: Part Two"
Mark Palansky
Emily Fox
January 13, 2017 (2017-01-13)

Immediately after dismissing "Stephano," Montgomery notices that the door to his Reptile Room is ajar and investigates, only to be attacked by an unseen figure. The next day, the Baudelaires discover Olaf standing next to Montgomery's corpse. Olaf threatens to kill Sunny unless the siblings accompany him to Peru, but is prevented from carrying out his plan when Mr. Poe accidentally crashes into their car when they are trying to leave. Olaf's theatre troupe then arrives disguised as police and nurses, and claim Monty was killed by the Incredibly Deadly Viper, despite Monty's claim of it being completely harmless. While searching for proof of the snake's innocence, Klaus discovers a statue in Monty's hedge maze, and a photograph of Monty, both of them carrying spyglasses identical to Klaus'. Violet proves Olaf to be the murderer; however, he escapes via the hedge maze with Klaus' spyglass. While pursuing him, the Baudelaires meet Jacquelyn, who is posing as a statue. She tells them to seek answers on the spyglasses from their Aunt Josephine while she hunts down Olaf via underground passageways.

5
5
"The Wide Window: Part One"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Mr. Poe takes the Baudelaires to live with their Aunt Josephine, an irrationally frightened woman who lives in a dilapidated house overlooking Lake Lachrymose. She refuses to answer questions about their parents, so the siblings pursue answers themselves around her house, and discover their parents were members of a secret organization, with spyglasses being used as useful devices. They are also shocked to find out that Josephine was once fierce and formidable, and developed her phobias after the death of her husband. Olaf, who has followed the Baudelaires, disguises himself as a sailor named Captain Sham before pretending to fall in love with Josephine. Despite the siblings' warnings, Josephine accepts his invitation to take her out for a fried egg sandwich. Later that night, the siblings discover that Josephine has jumped out the library's bay window and left a note informing them that "Captain Sham" is their new guardian.

6
6
"The Wide Window: Part Two"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

As Mr. Poe prepares to hand the Baudelaires over to "Captain Sham," the siblings discover the note has several grammatical errors, something Josephine would never do since she was obsessed with proper grammar. Mr. Poe takes the children to a restaurant and prepares to complete the transfer, but allows the siblings to leave after Larry, a waiter secretly a member of their parents' organization, triggers their allergy to peppermint. After returning to the house, the siblings decipher Josephine's suicide note and discover she is still alive moments before a hurricane sends the house teetering over the cliff. Escaping with a photograph of their parents standing in front of a lumber mill, the siblings find Josephine at a nearby cave, only to be confronted by Olaf, who abandons Josephine to be eaten alive by the leeches that inhabit Lake Lachrymose. Upon returning to shore, Olaf escapes after being unmasked in front of Mr. Poe while the Baudelaires sneak away and set out to find the lumber mill in the photograph.

7
7
"The Miserable Mill: Part One"
Bo Welch
Joe Tracz
January 13, 2017 (2017-01-13)

Upon arriving at the Lucky Smells Lumber Mill, the Baudelaires are forced to work by the owner Sir, who blames their parents for starting a fire that destroyed the entire town. While investigating the workers' unnaturally happy behavior, Klaus' glasses are broken by the Hook-Handed Man posing as Foreman Flacutono, and he visits local optometrist Georgina Orwell, who puts him into a hypnotic trance. Later that day, the siblings learn that two visitors are waiting to see them. Believing that their parents are still alive, the three are shocked to instead find Orwell and her receptionist "Shirley St. Ives," who is a poorly-disguised Olaf. Meanwhile, the mother and father who were previously held captive are revealed to be the parents of the Quagmire triplets, with whom they are reunited.

8
8
"The Miserable Mill: Part Two"
Bo Welch
Tatiana Suarez-Pico
January 13, 2017 (2017-01-13)

The Baudelaires discover the entire mill is under a hypnotic trance, ensuring they do not leave their jobs. Orwell and Olaf use a still-hypnotized Klaus to murder Sir's aide Charles, but Violet figures out how to break everyone's trance in the nick of time. The workers then storm the mill, causing Orwell to fall into the furnace and die. Sir, Olaf, and the Hook-Handed Man all escape in the chaos. Charles reveals the truth about the Baudelaires' role in the town, where they actually helped to fight the fire. The three siblings are reunited with Mr. Poe, and Jacquelyn sends Klaus the broken spyglass that Olaf stole from him. Poe then sends the three siblings to a dreary boarding school, which two of the three Quagmire siblings are also sent to, due to their house being burnt down by an unknown woman. The Quagmires' parents are revealed to be members of the organization. In the final scene, Lemony Snicket, Count Olaf, the Baudelaires and Mr. Poe sing the song "That's Not How the Story Goes."

text: Season 2 (2018)

text: The second season adapts books five through nine of the novel series: The Austere Academy, The Ersatz Elevator, The Vile Village, The Hostile Hospital, and The Carnivorous Carnival.[32]

text:
No.
overall
No. in
season
Title [b]
Directed by
Written by
Original release date

9
1
"The Austere Academy: Part 1"
Barry Sonnenfeld
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires are introduced to life at Prufrock Preparatory School, an unpleasant institution run by an unpleasant vice-principal named Nero and terrorized by an equally unpleasant student named Carmelita Spats. The school's only redeeming qualities are its friendly librarian, Olivia Caliban, and the surviving Quagmire triplets, Duncan and Isadora. During a lunch break, Klaus and Isadora discover that they are holding two halves of the same spyglass. The newfound friends quickly realize that they must track down a book on secret organizations to find the answers they seek—a book Jacquelyn sent Larry to give them, but which he carelessly misplaced. Meanwhile, Count Olaf and his troupe lurk around the grounds of the school, unable to enter the front doors due to an advanced computer system programmed by Nero to detect Olaf's presence. However, with Carmelita's help, Olaf finally gains entry and locks Larry in the cafeteria's walk-in refrigerator. He then dons his latest disguise: the school's new turban-wearing gym teacher.

10
2
"The Austere Academy: Part 2"
Barry Sonnenfeld
Joe Tracz
March 30, 2018 (2018-03-30)

Olaf is able to convince Nero to put the Baudelaires under a grueling exercise program, making the siblings run endless laps at night to prevent them from scheming against him, while also causing them to perform poorly in class from lack of sleep. Due to their slumping grades, Nero threatens to expel the Baudelaires if they fail a comprehensive exam to be given in front of the entire school, but because they must still exercise under Olaf's program, they know they will likely fail. The Quagmires offer to help, and that night take their place during exercises; however, their identity is discovered, and while hiding in the library, they find the copy of the book on secret organizations and read up on the purpose of the spyglass before they are caught by the Hook-Handed Man. The next day, with Mr. Poe in attendance, the Baudelaires readily pass the exam, and through it reveal Olaf's identity. Olaf and his gang then escape with the Quagmires, who try to shout the initials "V.F.D." from the backseat of Olaf's car. Meanwhile, Larry is rescued from the refrigerator with the help of Lemony's brother, Jacques, while Olivia walks off with the book on secret organizations that the Quagmires left behind.

11
3
"The Ersatz Elevator: Part 1"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

While a citywide manhunt for Count Olaf is underway, Mr. Poe takes the Baudelaires to the penthouse of Jerome Squalor and his trendy financial advisor wife Esmé. While being introduced to the Squalors, they find Olaf has already arrived, posing as a foreign auctioneer named Gunther. The Baudelaires theorize that Olaf is trying to kill Jerome so that he can marry Esmé and become their legal guardian again. They search the penthouse for the Quagmires to no avail, but Klaus becomes suspicious of an extra elevator that only seems to serve the penthouse. Meanwhile, Olivia tries to convince Mr. Poe about Olaf's scheme, which leads Jacquelyn to contact Jacques, who enlists her into their society. Esmé suggests they go out for lunch at a fashionable salmon-themed restaurant Cafe Salmonella, where Larry works to prolong their visit, giving Jacques and Olivia time to search the Squalor's building for the Quagmires. When the Baudelaires manage to sneak away and examine the second elevator, they learn that it is merely an empty shaft. With a makeshift parachute, they descend it to find the Quagmires locked in a cage at its bottom.

12
4
"The Ersatz Elevator: Part 2"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires do not have the tools to free the Quagmires, so they ascend the shaft by turning the parachute into a hot-air balloon. They try to warn Esmé of Olaf's scheme, but learn too late that she is in cahoots with him and that they are planning to smuggle the Quagmires out of the city. Esmé pushes them down the elevator shaft, where they are caught in a net midway down. Sunny helps them to escape safely, and afterwards they find a secret passage that leads to the ashen ruins of their home. At the auction in Veblen Hall, the Baudelaires start a bidding war on a box labeled "V.F.D.", which they believe contains the Quagmires. Though they win the item, they find the box contains only doilies. In the aftermath, Olaf and his troupe escape with the Quagmires, who are hidden inside a red herring statue. The Baudelaires ask Jerome to help track down Olaf, but he is far too timid to do so, and gives up his guardianship of them. Mr. Poe tells the children that a village with the initials "V.F.D." is willing to raise them.

13
5
"The Vile Village: Part 1"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

Mr. Poe drops the Baudelaires off at the Village of Fowl Devotees, where the whole community will care for them collectively. The Baudelaires take up residence with Hector, a kindly handyman prone to fainting spells who is secretly building a self-sustaining hot-air mobile home, and soon begin finding clues written by the Quagmires themselves. Olaf, Esmé, and the troupe also arrive at the village, with Esmé disguising herself as the town's new chief of police. Jacques and Olivia also arrive and detain Olaf at the local jailhouse; the next day, the villagers learn of Olaf's capture and hold a town hall meeting, where Olaf appears in the disguise of Detective Dupin, tricking everyone into believing Jacques is Olaf. Jacques is sentenced to death, but Olivia convinces Esmé to free her and Jacques in exchange for the location of the Sugar Bowl, an object with ties to Esmé's past. Jacques stays behind to confront Olaf; however, the villain is unfazed by Jacques' offer of a truce, and he and Esmé incapacitate and kill him. The next morning, as the Baudelaires try to break into the jail to rescue Jacques, they are informed that "Olaf" has been murdered.

14
6
"The Vile Village: Part 2"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

The disguised Olaf and Esmé quickly convince Mr. Poe and the town that the Baudelaires murdered Jacques/"Olaf," and they are promptly condemned to be burned at the stake. While in jail, the children instruct Hector to prepare his hot-air mobile home to help them escape. While Violet creates a battering ram to weaken the jail wall, Klaus deduces from their clues that the Quagmires are hidden inside a crow fountain in the village square. Larry and Jacquelyn arrive on the scene to distract the villagers long enough for the children to escape via a fire truck and follow Hector. The Baudelaires cover for the Quagmires as they use the truck's ladder to climb aboard the mobile home. As they do so, Olaf, Esmé, and the villagers arrive, and Esmé begins damaging Hector's home with a harpoon gun. Realizing their danger, the Baudelaires tell Hector to escape with the Quagmires. In thanks, the Quagmires try to throw their friends their notes about the secrets of V.F.D., but Esmé shoots them with a harpoon, scattering the pages and harming a crow. While the villagers accost the disguised villains over the injured bird, the Baudelaires collect as many of the ruined pages as they can and make their escape.

15
7
"The Hostile Hospital: Part 1"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

The Baudelaires hitch a ride with volunteer singing candy stripers heading to Heimlich Hospital. They learn that there is a Library of Records that collects and stores esoterica. After sneaking past the hospital's administrator Babs, they meet Hal, the man who runs the library. He welcomes their help, but forbids them to read material in storage. While Hal shows them the ropes, a film reel labeled "Snicket" arrives and catches the children's attention. Meanwhile, believing the Sugar Bowl to be in the hospital, Olaf and his troupe infiltrate the building. Desperate for answers, the children are forced to steal Hal's keys to access the library, where they find the film. It contains a debriefing of Jacques by a V.F.D. volunteer, with Jacques informing the interviewer that someone has survived a fire, which may or may not be the one that killed the Baudelaire's parents. However, before they can watch any further, they are interrupted by Esmé; as they try to escape, the library is ruined. Violet is captured by Olaf while Klaus and Sunny hide in a chute, in possession of the film.

16
8
"The Hostile Hospital: Part 2"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

Olaf and Esmé hide Violet under a false name; to find her, Klaus disguises himself as "Dr. Faustus," with Sunny hidden in a sling underneath his coat. They eventually deduce which room Violet is in, but this is a trap laid by Olaf, who forces Klaus to operate on Violet inside an operating theater. Esmé promises to call off the scheme if Klaus can give her what he stole from the Library of Records, and he does so—only, it's not the Sugar Bowl that she has been searching for. Olaf, however, is interested in the Snicket film, and dashes off to watch it to learn its secret. Furious at its revelations, he burns the film, which also starts a fire in the hospital. The Baudelaires successfully evacuate the hospital, and realize that their only chance to escape safely is in the trunk of Olaf's car. Elsewhere, an unknown person recovers the Sugar Bowl from the hospital.

17
9
"Carnivorous Carnival: Part 1"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

A flashback to a masked ball at the V.F.D. headquarters shows Lemony trying to warn Beatrice about Olaf. In the present, Olaf and his troupe arrive at the Caligari Carnival to speak with its fortune-teller, Madame Lulu, about the fire's survivor. Lulu, who is really Olivia in disguise, tells them to wait for the answer in the morning. The Baudelaires overhear this, and hoping to speak to Lulu as well, assume the identities of circus freaks, with Violet and Klaus as a two-headed person and Sunny as a wolf child. After calling V.F.D., Olivia is able to tell Olaf the next day that one of the Baudelaire parents did indeed survive the fire. Olaf then presents a freak show that proves disastrous, so he sets off to find a pack of roaming lions to help attract a larger crowd. This gives an opportunity for the children to sneak into Lulu's tent, where they discover films, books, and disguises belonging to the Volunteer Fire Department—the secret organization their parents and guardians belonged to. Olivia then appears and reveals her true identity to them.

18
10
"Carnivorous Carnival: Part 2"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

Olivia explains to the Baudelaires that "Madame Lulu" is an alias used by V.F.D. agents to gather information. While Olivia admits she had to lie to Olaf about one of the children's parents surviving the fire, Jacques had asserted that there was a survivor, and they should head to the V.F.D. headquarters in the Mortmain Mountains to find them. Meanwhile, Olaf plans to throw one of the freaks into a pit filled with the hungry lions he has corralled, while Esmé connives to have Lulu killed. The next day, Olaf selects Violet and Klaus for the pit. When Olivia is told to push the children to the lions, she instead pushes them to safety, and is sent tumbling into the pit by Olaf for her troubles. As the children try to collect the V.F.D. materials from Lulu's tent, Olaf arrives and forces them to burn the tent down. Then, after placing Violet and Klaus in a towed caravan and taking Sunny in his car, Olaf has the other freaks cut the towing rope on a steep mountain path. At the same time, the last operative to pose as Madame Lulu arrives at the burning carnival.

text: Season 3

text: The third season will adapt the final four books of the novel series[32] in seven episodes: The Slippery Slope, The Grim Grotto and The Penultimate Peril will be adapted into two episodes each, and The End will conclude the series with a longer single episode.[35] Barry Sonnenfeld will direct the episodes for The Penultimate Peril.[35] Liza Johnson and Jonathan Teplitzky will also direct episodes in the season.[36][37][38]

text: Production

text: Development

text: The thirteen A Series of Unfortunate Events novels, written by Daniel Handler under the pen name Lemony Snicket from 1999 to 2006, achieved success in young adult fiction around the same time as the Harry Potter novels. As such, the Snicket books had been optioned to be filmed before they were published.[39] This led to the development of a 2004 feature film, Lemony Snicket's A Series of Unfortunate Events, which covered the narratives of the first three novels in the series. Barry Sonnenfeld, who has expressed his love for the series, was originally slated to direct the feature film, and had hired Handler to write the screenplay.[40] About 10 months into production, shortly after the casting of Jim Carrey as Olaf, there was a "big crisis", according to Handler, which caused producer Scott Rudin to walk away and Sonnenfeld left the production under unclear terms.[39] With the film's completion in flux, its producing studios Paramount Pictures and DreamWorks fired Handler. While the film was eventually completed and released, sequels which would adapt the other novels in the series became unlikely due to "corporate shakeups" within DreamWorks, according to Handler, and the child actors that portrayed the Baudelaire children grew too old to star in a sequel.[40]

text: In November 2014, Netflix, in association with Paramount Television, announced its plans to adapt the novels into an original television series, with the author of the series, Daniel Handler, serving as executive producer.[41]

text: In September 2015, it was announced that Barry Sonnenfeld and Mark Hudis had agreed to helm the series. Hudis would serve as showrunner, Sonnenfeld as director, and both as executive producers,[42] with Handler writing some of the scripts along with working with the series' writing team.[32] However, in January 2016, Netflix announced that Hudis had left the project, with a replacement showrunner not named at the time.[4]

text: The first season consists of eight episodes,[5] with two episodes adapting each of the first four books of the series.[29] Handler considered this more in line with how he had written the books in the manner of a serialized melodrama, citing The Perils of Pauline as one of his influences in writing the book series.[43] In January 2017, Handler revealed that he was writing the series' second season, to consist of ten episodes adapting the fifth through ninth books of the series. A third season would adapt the remaining novels of the series, which Handler hoped "to get the go-ahead to do" since "given how quickly young actors age and change, we're trying to film everything as quickly as possible."[32] In March 2017, Netflix revealed the series had been renewed for a second season by releasing a video on their social media pointing to a viral marketing website, where a letter written by Snicket revealed the decision.[44] A month later, the series was "quietly" renewed for a third season,[45] which Harris confirmed would be the final one for the series.[46]

text: Casting

text: On December 3, 2015, an open casting call was announced for the roles of Violet and Klaus Baudelaire.[47] In January 2016, Netflix announced that Neil Patrick Harris had been cast as Count Olaf and Malina Weissman and Louis Hynes were cast as Violet and Klaus.[4][6] Handler had first considered Harris for the role of Olaf after seeing him perform the opening number "It's Not Just for Gays Anymore", at the 65th Tony Awards in 2011, noting "I just immediately saw someone who could pull off a million things at once" as was necessary for the character of Olaf, who utilizes various disguises and accents in his quest to steal the Baudelaire fortune.[48]

text: In March 2016, K. Todd Freeman was cast as Mr. Poe,[7] followed shortly after by the casting of Patrick Warburton as Lemony Snicket,[5] and Aasif Mandvi as Uncle Monty.[19] In September 2016, it was revealed that Dylan Kingwell and Avi Lake were cast as the Quagmire siblings, Duncan and Isadora, respectively.[11] In November 2016, Handler revealed Catherine O'Hara, Don Johnson, and Alfre Woodard had been cast as Dr. Georgina Orwell,[22] Sir,[21] and Aunt Josephine, respectively;[20] O'Hara had previously portrayed Justice Strauss in the 2004 film adaptation of A Series of Unfortunate Events.[22] It was also revealed that Presley Smith would play Sunny Baudelaire,[8] whose quasi-nonsensical lines are voiced by Tara Strong,[9] and Rhys Darby would play Charles, Sir's partner.[12]

text: Filming

text: Production began in May 2016 in Vancouver, British Columbia,[49][50] and in August 2016 several cast members expressed through social media that filming had finished.[51] Filming for the second season began in April 2017.[52] The third season began filming on January 5, 2018.[53]

text: One aspect of the series of books that the production team wanted to be captured in the series was the notion of a lack of specific time period or geography for the settings; Handler stated that he wrote enough for establishing set pieces, but purposely left more specific details vague "in order for young readers to fill in the blanks themselves." Sonnenfeld wanted to capture that same sense of ambiguous time and place, and he and his team worked to try to define a set of subjective rules of what elements could be included. Sonnenfeld brought on Bo Welch, production designer for Edward Scissorhands, which Handler considered to capture the same sense of a "familiar but completely imaginary" suburban setting he had in mind for his books. While the production team used computer-generated imagery where needed, they attempted to avoid this use where possible, such as by using large painted backdrops, by key scenic artist John E. Wilcox, rather than employing green screen filming.[43]

text: Music

text: In April 2016, Nick Urata was initially reported to be composing music for the series.[54] Once the first season was released, it was revealed that Urata collaborated with Daniel Handler to compose the main title theme, "Look Away", as well as various original songs that appear throughout the series, with Handler contributing the lyrics. The first season's original score was composed by James Newton Howard, with his frequent collaborators Sven Faulconer and Chris Bacon filling in to score certain episodes.[55] In the second season, Jim Dooley joined the production as composer and subsequently wrote the music for all ten episodes.[56]

text: "Look Away", the theme song for the opening titles of the series, is performed by Neil Patrick Harris.[55] In keeping with the tone of the book series, the song warns the viewer against continuing to watch the unpleasant story any further.[57] The lyrics of one verse of the song change for each pair of episodes, comprising a brief synopsis of those episodes' premise. [58]

text: Visual effects

text: Zoic Studios created visual effects for the series, including the effects for many of Sunny Baudelaire's actions.[59] Tippett Studio also did work on the series, including the effects for the destruction of Josephine's house, landscape shots of Lake Lachrymose and some of the more movement heavy Sunny Baudelaire shots.[60]

text: Release

text: All eight episodes of the first season of A Series of Unfortunate Events were released worldwide on Netflix on January 13, 2017,[18] in Ultra HD 4K.[61] The second season was released on March 30, 2018.[62]

text: Marketing

text: On July 5, 2015 a video titled "An Unfortunate Teaser" was uploaded to YouTube by a user named "Eleanora Poe". Netflix quickly released a statement saying "This was not released from Netflix." Media outlets were almost unanimous in agreement that the trailer was fan-made.[63][64][65][66] However, Caitlin Petrakovitz of CNET argued that the trailer may be real and that Netflix's carefully worded denial was a marketing campaign, noting the user name "Eleanora Poe" being the same as a character from the series, and that a vinyl record seen in the trailer was of The Gothic Archies, a band who provided the theme music for the audio books of A Series of Unfortunate Events.[67] The trailer was later revealed to be a spec promo, similar to a spec script, by an independent commercial director, whom Netflix contracted to make a title sequence for the series after the video's popularity, though they did not go ahead with the concept.[68]

text: In October 2016, Netflix released the first teaser trailer for A Series of Unfortunate Events, where Warburton narrates the events of the series as Lemony Snicket.[18] A trailer, featuring footage from the series and Neil Patrick Harris's character, Count Olaf, was released by Netflix in November 2016,[69] followed shortly by the first full trailer.[8] The second trailer was released in December 2016,[70] followed by a "holiday-themed" trailer from Count Olaf leading fans to a viral marketing website for the fictional Valorous Farms Dairy, which featured four holiday e-cards for download.[71]

text: Reception

text: Audience viewership

text: As Netflix does not reveal subscriber viewership numbers for any of their original series, Symphony Technology Group compiled data for the first season based on people using software on their devices that measure television viewing by detecting a program's sound. According to Symphony, 3.755 million viewers age 18-49 were watching an episode of A Series of Unfortunate Events over the average minute in its first weekend of release.[72]

text: Critical response

text: Season 1

text: The first season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the season an approval rating of 94% based on 62 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "Enjoyably dark, A Series of Unfortunate Events matches the source material's narrative as well as its tone, leaving viewers with a wonderfully weird, dry, gothic comedy."[73] On Metacritic the season has a score of 81 out of 100, based on 23 critics, indicating "universal acclaim".[74]

text: Erik Adams of The A.V. Club awarded the season a B and praised it for treating "mature themes like grief, loss, and disappointment with sardonic honesty." Adams compared the program positively to the Adam West Batman series, calling it "kids stuff with adult sophistication, driven by two-part stories, outrageous visuals, and the scenery-chewing of big-name guest stars".[75] Ben Travers of Indiewire gave the series an A-, saying that it "proves as inspirational and endearing as it claims to be forlorn and heartbreaking". Brian Lowry of CNN praised the showrunners for "infusing the show with a lemony-fresh feel, conjuring a series similar to the fantastical tone of Pushing Daisies". Lowry wrote that "the show proves a good deal of fun" and that "Harris dives into his over-the-top character with considerable gusto." He also argued that the series improved upon the 2004 film.[76]

text: Several critics praised the television series as a better adaptation of the books than the 2004 feature film, which starred Jim Carrey as Count Olaf. Kelly Lawler of USA Today felt the television format gave the stories more room to develop, the addition of Warburton as the fourth wall-breaking Snicket helped to convey some of the wordplay humor used in the books, and Harris's portrayal of Olaf was "much more dynamic, and creepier" than Carrey's version.[77] The Verge's Chaim Gartenburg said that the show follows the books much more faithfully than the film, and "nails down the tone that made the stories so special".[78] Los Angeles Times writer Robert Lloyd felt that the backgrounds of Sonnenfeld and Welch made them "the right people for this job, set in a milieu that is hard to fix in time, except to say it is not now", in capturing the tones of the book compared to the feature film.[79]

text: Nick Allen of RogerEbert.com, on the other hand, gave the series a negative review, calling it "an unfunny parody of sadness" that is "never as clever as it wants to be" and would only appeal to fans of the books.[80] Caroline Framke of Vox Media praised the series for its unique and weird visuals, but found the show's tone, pacing and performances to be haphazard and considered the show to be "literally, a series of unfortunate events".[81]

text: Season 2

text: As with the first season, the second season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the second season an approval rating of 100% based on 10 reviews, with an average rating of 7.8/10.[82] Clarisse Loughrey of The Independent praised the show as one that "essentially deals with thoughtful, intelligent young people battling to speak up against an illogical world." While observing that the "show may revel in the miserable", she opined "that the purpose of its own morbidity is to offer the assurance that hope lives in even the darkest of places." Loughrey also credited the show's expanded storyline for the Baudelaires' adult allies for "plumping up" the episodes' narrative arcs and deepening the show's emotional impact.[83]

text: Tristram Fane Saunders of The Telegraph awarded the second season four out of five stars. He described the show as a "gothic treat [that] also offers a wicked line in absurdist humour, and the most gorgeously toybox-like set designs you’ll find anywhere outside a Wes Anderson film."[84] Radio Times reviewer Huw Fullerton praised the series for its faithfulness to the original novels. While praising the improved CGI used to make Presley Smith's character Sunny Baudelaire react better to situations, he criticized the addition of supporting "good" characters such as Nathan Fillion's Jacques Snicket and Sara Canning's Jacquelyn for "undercutting the bleakness and loneliness that characterized the novels."[85]

text: Rohan Naahar of the Hindustan Times described A Series of Unfortunate Events as "one of the most lavish originals in Netflix's bottomless catalogue, created by fans, for fans." He also praised Neil Patrick Harris' performance as Count Olaf.[86] The Den of Geek reviewer Michael Ahr praised tortoise-shell 'amphibiophones' and stone marimbas score for giving the television series its primal sound.[87] IGN reviewer Jonathon Dornbush criticized the second season's formulaic plot structure and lack of the insightful observations compared to the first season. He also praised several of the second season's episodes particularly "The Ersatz Elevator", "The Hostile Hospital", and "The Carnivorous Carnival" for smartly twisting the story formula and deepening the novel series' mythology. Dornbush also praised the performance of guest stars such as Lucy Punch and Patrick Warburton and awarded the second season 7.2 stars.[88]

text: Awards and nominations

text:
Year
Award
Category
Nominee
Result
Ref

2017
Leo Awards
Best Visual Effects in a Dramatic Series
Luis Alejandro Guevara, Bob Habros, Cale Jacox, Ron Simonson, Jeffrey De Guzman
Nominated
[89]

Best Make-Up in a Dramatic Series
Rita Ciccozzi, Krista Seller, Tanya Hudson, Gitte Axen
Won

Best Hairstyling in a Dramatic Series
Julie Mchaffie, Dianne Holme, Jenine Lehfeldt
Won

Best Guest Performance by a Female in a Dramatic Series
Sara Canning
Nominated

Saturn Awards
Best New Media Television Series
A Series of Unfortunate Events
Nominated
[90]

Creative Arts Emmy Awards
Outstanding Music Composition for a Series
James Newton Howard
Nominated
[91]

Gold Derby TV Awards
Comedy Actor
Neil Patrick Harris
Nominated
[92]

Hollywood Music in Media Awards
Main Title Theme – TV Show/Limited Series
Nick Urata and Daniel Handler
Won
[93]

2018
Satellite Awards
Best Actor in a Series - Comedy or Musical
Neil Patrick Harris
Nominated
[94]

text: Notes

text:
^ Jump up to: a b Netflix and critics name the first two episodes as "The Bad Beginning", following the title of the book, while the episode itself displays the name of "A Bad Beginning" after the opening credits.[30][31]
Jump up ^ Netflix names the episodes of the second season as Part 1 and Part 2, while the episodes themselves display the names as Part One and Part Two after the opening credits, following the format of the first season.
^ Jump up to: a b Netflix names the ninth and tenth episodes as "Carnivorous Carnival", while the episodes themselves display the name of "The Carnivorous Carnival" after the opening credits, following the title of the book.[33][34]

tag: ol


document_title: Star Wars: Episode II – Attack of the Clones

question_text: star wars episode ii attack of the clones characters

text: Plot[edit]

text: Ten years after the Trade Federation's invasion of Naboo, the Galactic Republic is threatened by the Separatist movement organized by former Jedi Master Count Dooku. Senator Padmé Amidala comes to Coruscant to vote on a motion to create an army to assist the Jedi against this threat. Narrowly avoiding an assassination attempt upon arrival, she is placed under the protection of Jedi Knight Obi-Wan Kenobi and his now 19 year old apprentice, Anakin Skywalker. The two Jedi thwart a second attempt on her life and subdue the assassin, Zam Wesell, a shape-shifter who is soon killed by her bounty hunter client before she can reveal his identity. The Jedi Council assigns Obi-Wan to identify and capture the bounty hunter, while Anakin is assigned to escort Padmé back to Naboo, where the pair develop a romantic attraction towards each other.

text: Obi-Wan's investigation leads him to the remote ocean planet Kamino, where he discovers an army of clones are being produced for the Republic, with bounty hunter Jango Fett serving as their genetic template. Obi-Wan deduces Jango to be the bounty hunter he is seeking, and follows him and his clone son, Boba, to the desert planet Geonosis via a homing beacon placed on their ship, the Slave I. Meanwhile, Anakin becomes troubled by premonitions of his mother, Shmi, in pain, and travels to Tatooine with Padmé to save her. They meet Owen Lars, Anakin's stepbrother and the son of Shmi's new husband, Cliegg Lars. Cliegg tells Anakin that Shmi was abducted by Tusken Raiders weeks earlier and is likely dead. Determined to find her, Anakin ventures out and finds Shmi at the Tusken campsite, where she dies in Anakin's arms. Enraged, Anakin massacres the Tuskens and returns to the Lars homestead with Shmi's body. After revealing his deed to Padmé, Anakin says that he wants to prevent death.

text: On Geonosis, Obi-Wan discovers a Separatist gathering led by Count Dooku, whom Obi-Wan learns had authorized Padmé's assassination and is developing a battle droid army with Trade Federation Viceroy Nute Gunray. Obi-Wan transmits his findings to Anakin to relay to the Jedi Council, but is captured mid-transmission. With knowledge of the droid army, Supreme Chancellor Palpatine is voted emergency powers to send the clones into battle. Anakin and Padmé journey to Geonosis to rescue Obi-Wan, but are also captured. The three are sentenced to death, but are eventually saved by a battalion of Jedi (many of whom are killed) and clone troopers led by Mace Windu and Yoda; Jango Fett is killed by Mace during the rescue. As the clone and droid armies battle, Obi-Wan and Anakin intercept Dooku, and the three engage in a lightsaber battle. Dooku injures Obi-Wan and severs Anakin's right arm, but Yoda arrives and duels Dooku. The battle ends in a stalemate, as Dooku flees to Coruscant, where he delivers blueprints for a superweapon to his Sith master, Darth Sidious. As the Jedi gravely acknowledge the beginning of the Clone Wars, Anakin is fitted with a robotic arm and secretly marries Padmé on Naboo, with C-3PO and R2-D2 as their witnesses.

text: Cast[edit]

text:
Ewan McGregor as Obi-Wan Kenobi: A Jedi Master and mentor of Anakin Skywalker.
Natalie Portman as Padmé Amidala: The former Queen of Naboo, who has recently been elected the planet's senator.
Hayden Christensen as Anakin Skywalker: Obi-Wan's Padawan apprentice, who has grown into a powerful but arrogant Jedi.
Ian McDiarmid as Chancellor Palpatine / Darth Sidious: A former senator of Naboo and secretly a Sith Lord who has recently been elected Supreme Chancellor of the Galactic Republic.
Samuel L. Jackson as Mace Windu: A Jedi Master sitting on the Jedi Council who warily watches the Galactic Senate's politics.
Christopher Lee as Count Dooku / Darth Tyranus: A former Jedi Master who now leads a Separatist movement and is Darth Sidious' new Sith apprentice.
Anthony Daniels as C-3PO: A protocol droid built by Anakin for his mother.
Kenny Baker as R2-D2: An astromech droid often seen on missions with Anakin and Obi-Wan.
Frank Oz voices Yoda: The centuries-old Jedi Grand Master of an unknown species who, in addition to sitting on the Jedi Council, is the instructor for young Jedi.

text: Ahmed Best, Pernilla August, Oliver Ford Davies, Andy Secombe, Silas Carson and Liam Neeson reprise their roles as Jar Jar Binks, Shmi Skywalker, Sio Bibble, Watto, Nute Gunray and Qui-Gon Jinn, respectively from The Phantom Menace, with the latter returning in an uncredited voice role cameo while Silas Carson also portrayed Ki-Adi-Mundi, a member of the Jedi Council. Alethea McGrath portrays Jocasta Nu, the chief librarian of the Jedi Archives. Temuera Morrison portrays Jango Fett, a Mandalorian bounty hunter who provides his DNA to use for cloning purposes in the creation of the clone army. Jimmy Smits portrays Bail Organa, a senator of the Republic, and Jay Laga'aia portrays Captain Typho, the head of security for Padmé Amidala. Daniel Logan portrays a young Boba Fett, Jango's son, who is created from his "father"'s DNA. Leeanna Walsman portrays Zam Wesell, a shape-shifting Clawdite bounty hunter and partner of Jango's, who is given the task of assassinating Padmé. Jack Thompson portrays Cliegg Lars, a moisture farmer who freed and married Shmi, thus becoming the stepfather of Anakin Skywalker. Joel Edgerton and Bonnie Piesse appear as Owen Lars, the son of Cliegg Lars and stepbrother of Anakin Skywalker, and Beru Whitesun, Owen's girlfriend. Ayesha Dharker appears as Jamillia, the Queen of Naboo, and Rose Byrne and Verónica Segura appear as Dormé and Cordé, Padmé's handmaidens and the latter who serves as a decoy to the senator and is killed during an assassination attempt.

text: A large search for the new Anakin Skywalker was performed across the United States. Lucas auditioned various actors, mostly unknown, before casting Christensen. Among the many established actors who auditioned were Jonathan Brandis, Ryan Phillippe,[8] Colin Hanks,[9] and Paul Walker.[10] Leonardo DiCaprio also met with Lucas for the role, but was "definitely unavailable" according to DiCaprio publicist Ken Sunshine.[11] Co-star Natalie Portman later told Time magazine that Christensen "gave a great reading. He could simultaneously be scary and really young."[12]

text: Production[edit]

text: Writing[edit]

text: After the mixed critical response to The Phantom Menace, Lucas was hesitant to return to the writing desk. In March 2000, just three months before the start of principal photography, Lucas finally completed his rough draft for Episode II. Lucas continued to iterate on his rough draft, producing a proper first and second draft. For help with the third draft, which would later become the shooting script, Lucas brought on Jonathan Hales, who had written several episodes of The Young Indiana Jones Chronicles for him, but had limited experience writing theatrical films. The final script was completed just one week before the start of principal photography.

text: As an in-joke, the film's working title was Jar Jar's Big Adventure, a sarcastic reference to the negative fan response to the Episode I character.[13]

text: In writing The Empire Strikes Back, Lucas initially decided that Lando Calrissian was a clone and came from a planet of clones which caused the "Clone Wars" mentioned by Obi-Wan Kenobi in A New Hope;[14][15] he later came up with an alternate concept of an army of clone shocktroopers from a remote planet which were used by the Republic as an army in the war that followed.[16]

text: Filming[edit]

text: Principal photography occurred between June 26, 2000 and September 20, 2000 at Fox Studios Australia in Sydney. Location shooting took place in the Tunisian desert, at the Plaza de España in Seville, London, China, Vancouver, San Diego, and Italy (Villa del Balbianello on Lake Como, and in the former royal Palace of Caserta). At his own personal request, Samuel L. Jackson's character Mace Windu received a lightsaber that emitted an amethyst glow, as opposed to traditional blue and green for "good guys" and red for "bad guys".[17] Reshoots were performed in March 2001. During this time, a new action sequence was developed featuring the droid factory after Lucas had decided that the film lacked a quick enough pace in the corresponding time-frame. The sequence's previsualization was rushed, and the live-action footage was shot within four and a half hours.[18] Because of Lucas' method of creating shots through various departments and sources that are sometimes miles and years apart from each other, Attack of the Clones became the first film ever to be produced through what Rick McCallum called "virtual filmmaking".[18]

text: Like The Phantom Menace, Attack of the Clones furthered technological development, effectively moving Hollywood into the "digital age" with the use of the HDW-F900, developed by Sony and Panavision, a digital camera using an HD digital 24-frame system. This spawned controversy over the benefits and disadvantages of digital cinematography that continues as more filmmakers "convert" to digital filmmaking while many filmmakers oppose it. In contrast to previous installments, for which scenes were shot in the Tunisian desert in temperatures up to 125 °F (51 °C), the camera would still run without complications. Lucas had stated that he wished to film The Phantom Menace on this format but Sony was unable to build the cameras quickly enough.[19] In 2002, Attack of the Clones became the third film to be released that was shot entirely on a 24p digital camera (preceded by 2001's Jackpot and Vidocq).[20] The cameras record in the 16:9 HDCAM format (1080p), although the image was cropped to a 2.40:1 widescreen ratio. The area above and below the 2.40 extraction area was available for Lucas to reframe the picture as necessary in post-production. Despite Lucas' efforts to persuade movie theaters to switch to digital projectors for viewing of Episode II, few theaters did.[21]

text: Visual effects[edit]

text: The film relied almost solely on digital animatics as opposed to storyboards in order to previsualize sequences for editing early on in the film's production. While Lucas had used other ways of producing motion-based storyboards in the past, after The Phantom Menace the decision was made to take advantage of the growing digital technology.[18] The process began with Ben Burtt's creation of what the department dubbed as "videomatics", so called because they were shot on a household videocamera. In these videomatics, production assistants and relatives of the department workers acted out scenes in front of greenscreen. Using computer-generated imagery (CGI), the previsualization department later filled in the green screen with rough background footage. Burtt then cut together this footage and sent it off to Lucas for changes and approval. The result was a rough example of what the final product was intended to be. The previsualization department then created a finer version of the videomatic by creating an animatic, in which the videomatic actors, props, and sets were replaced by digital counterparts to give a more precise, but still rough, look at what would eventually be seen. The animatic was later brought on set and shown to the actors so that they could understand the concept of the scene they were filming in the midst of the large amount of bluescreen used. Unlike most of the action sequences, the Battle of Geonosis was not storyboarded or created through videomatics but was sent straight to animatics after the department received a small vague page on the sequence. The intent was to create a number of small events that would be edited together for pacing inside the finished film. The animatics department was given a free hand regarding events to be created within the animatic; Lucas only asked for good action shots that he could choose from and approve later.[18]

text: In addition to introducing the digital camera, Attack of the Clones emphasized "digital doubles" as computer-generated models that doubled for actors, in the same way that traditional stunt doubles did. It also furthered the authenticity of computer-generated characters by introducing a new, completely CGI-created version of the character Yoda. Rob Coleman and John Knoll prepared two tests featuring a CGI-animated Yoda using audio from The Empire Strikes Back. Yoda's appearance in Episode V also served as the reference point for the creation of the CGI Yoda; Lucas repeatedly stated to the animation department that "the trick" to the animation of the CGI Yoda was to make him like the puppet from which he was based, in order to maintain a flow of continuity. Frank Oz (voice and puppeteer for Yoda in the original trilogy and The Phantom Menace) was consulted; his main piece of advice was that Yoda should look extremely old, sore, and frigid.[22] Coleman later explained the process of making the digital Yoda like the puppet version, by saying "When Frank [Oz] would move the head, the ears would jiggle. If we hadn't put that in, it wouldn't look like Yoda."[23] Because of the acrobatics of the lightsaber fight between Count Dooku and Yoda, the then 78-year-old Christopher Lee relied on a stunt double to perform the most demanding scenes instead. Lee's face was superimposed onto the double's body in all shots other than close-ups, which he performed himself. Lucas often called the duel crucial to the animation department, as it had such potential to be humorous rather than dramatic.[22]

text: Music[edit]

text: The soundtrack to the film was released on April 23, 2002 by Sony Classical Records.[24] The music was composed and conducted by John Williams, and performed by the London Voices and London Symphony Orchestra.[25] The soundtrack recreates "The Imperial March" from the film The Empire Strikes Back for its first chronological appearance in Attack of the Clones, even though a hint of it appeared in the previous movie in one of the final scenes. A music video for the main theme "Across the Stars" was produced specifically for the DVD.[26]

text: On March 15, 2016, a limited edition vinyl version of the soundtrack was released. Only 1,000 copies were pressed initially.[27]

text: Themes[edit]

text: Lucas has noted that Palpatine's rise to power is very similar to that of Adolf Hitler in Nazi Germany; as Chancellor of Germany, the latter was granted "emergency powers", as is Palpatine.[28] Comparisons have been made to Octavian – who became Augustus, the first emperor of Rome – and to Napoleon Bonaparte, who rose to power in France from 1796 to 1799. Octavian was responsible for the deaths of hundreds of political opponents well before he was granted tribunician powers; Bonaparte was appointed First Consul for life (and later Emperor) by the French Consulate after a failed attempt on his life and the subsequent coup of 18 Brumaire in 1799.[29] References to the American Civil War can also be discerned.[29]

text: English scholar Anne Lancashire describes Attack of the Clones as "thoroughly political in its narrative", to the point that interpersonal relations are made subordinate to the political drama that unfolds, and "a critique of the increasing role played by economic and political appetite in contemporary First World international politics in general". In this political drama, the Trade Federation, the former idealist Dooku and Palpatine "[represent] the economic and political greed and ambition (...) of the political and business classes", while the Jedi have become a force of aggression, and the cityscape of Coruscant has devolved into a dystopian environment that references 1982's Blade Runner.[29]

text: War journalism, combat films, and footage of World War II combat influenced the documentary-style camera work of the Battle of Geonosis, even to the point that hand-held shakes were digitally added to computer-generated sequences.[29]

text: The prequel trilogy films often refer to the original trilogy in order to help connect the films together. Lucas has often referred to the films as a long poem that rhymes.[30] Such examples include the line "I have a bad feeling about this", a phrase used in each film, and lightsaber duels which almost always occur over a pit. As with Attack of the Clones, The Empire Strikes Back was the middle film in a trilogy, and of the original trilogy films, The Empire Strikes Back is the object of the most references in Attack of the Clones. In both films, an asteroid field is the backdrop of a major star battle in the middle of the film. Obi-Wan escapes Jango Fett by attaching his spacecraft to an asteroid in order to disappear from the enemy sensors; Han Solo uses a similar tactic by attaching the Millennium Falcon to a Star Destroyer in The Empire Strikes Back. As a retcon, John Knoll confirms on the film's DVD commentary that Boba Fett, who would later catch Solo in the act in The Empire Strikes Back, "learned his lesson" from the events of Attack of the Clones.[28]

text: Release[edit]

text: After a teaser trailer premiered with the film Monsters, Inc., a new trailer for the film aired on the Fox Network on March 10, 2002 between Malcolm in the Middle and The X-Files,[31] and was made available on the official Star Wars web site the same day. The outplacement firm Challenger, Gray & Christmas from Chicago predicted before the film's release that U.S. companies could lose more than $319 million in productivity due to employees calling in sick and then heading to theaters to see the film.[32]

text: The film premiered as part of the inaugural Tribeca Film Festival at the BMCC Performing Arts Center, 199 Chambers St. in New York City[33] at a Sunday, May 12 set of screenings benefitting the Children's Aid Society, a charity supported by George Lucas.[34] Attack of the Clones was then screened out of competition at the 2002 Cannes Film Festival,[35] before getting a worldwide theatrical release on May 16, 2002. The film was also later released in IMAX theaters; the film had not been filmed for IMAX but was "up converted" with the digital remastering process. Because of the technical limitations of the IMAX projector, an edited, 120-minute version of the film was presented.[36]

text: Before the film's release, there was a string of controversies regarding copyright infringement. In 2000, an underground organization calling itself the Atlas Group, based in Perth, Western Australia offered a copy of the screenplay, with an asking price of US$100,000, to various fan sites and media organizations, including TheForce.Net. The scheme was subsequently reported to Lucasfilm Ltd. by the fan site.

text: An unauthorized copy was allegedly made at a private showing, using a digital recorder that was pointed at the screen. This copy spread over the internet, and analysts predicted up to a million fans would have seen the film before the day of its release.[37] In addition, authorities seized thousands of bootlegs throughout Kuala Lumpur before the film opened.[38]

text: Home media[edit]

text: Star Wars Episode II: Attack of the Clones was released on DVD and VHS on November 12, 2002. The DVD features an audio commentary from director George Lucas, producer Rick McCallum, editor and sound designer Ben Burtt, ILM animation director Rob Coleman, and ILM visual effects supervisors Pablo Helman, John Knoll, and Ben Snow. Eight deleted scenes are included along with multiple documentaries, which include a full-length documentary about the creation of digital characters and two others that focus on sound design and the animatics team. Three featurettes examine the storyline, action scenes, and love story, and a set of 12 short web documentaries cover the overall production of the film.[39]

text: The Attack of the Clones DVD also features a trailer for a mockumentary-style short film known as R2-D2: Beneath the Dome. Some stores offered the full mockumentary as an exclusive bonus disc for a small extra charge. The film gives an alternate look at the "life" of the droid R2-D2. The story, which Lucas approved, was meant to be humorous.[40]

text: The DVD was re-released in a prequel trilogy box set on November 4, 2008.[41]

text: The Star Wars films were released by 20th Century Fox Home Entertainment on Blu-ray Disc on September 16, 2011 in three different editions.[42]

text: On April 7, 2015, Walt Disney Studios, 20th Century Fox, and Lucasfilm jointly announced the digital releases of the six released Star Wars films. Walt Disney Studios Home Entertainment released Attack of the Clones through the iTunes Store, Amazon Video, Vudu, Google Play, and Disney Movies Anywhere on April 10, 2015.[43]

text: 3D re-release[edit]

text: On September 28, 2010 (2010-09-28), it was announced that all six films in the series were to be stereo-converted to 3D, and re-released in chronological order beginning with The Phantom Menace which was released on February 10, 2012 (2012-02-10). Attack of the Clones was originally scheduled to be re-released in 3D on September 20, 2013 (2013-09-20),[44] but was postponed due to Lucasfilm's desire to focus on Star Wars: The Force Awakens.[45][46][47] However, the 3D presentation of the film was shown at Celebration Europe II in July 2013.[48]

text: Reception[edit]

text: Critical response[edit]

text: On review aggregator Rotten Tomatoes the film has an approval rating of 65% based on 243 reviews, with an average rating of 6.7/10. The site's critical consensus reads, "Star Wars Episode II: Attack of the Clones benefits from an increased emphasis on thrilling action, although they're once again undercut by ponderous plot points and underdeveloped characters."[49] On Metacritic, the film holds a score of 54 out of 100, based on 39 critics, which indicates "mixed or average reviews".[50] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[51]

text: Numerous critics characterized the dialogue as "stiff" and "flat".[52] The acting was also disparaged by some critics.[53] Conversely, other critics felt fans would be pleased to see that Jar Jar Binks has only a minor role.[54] Additionally, Jar Jar's attempts at comic relief seen in The Phantom Menace were toned down; instead, C-3PO reprised some of his bumbling traditions in that role. McGregor referred to the swordplay in the film as "unsatisfactory" when comparing it to the climactic duel in Revenge of the Sith as it neared release.[55] ReelViews.net's James Berardinelli gave a positive review, saying "in a time when, more often than not, sequels disappoint, it's refreshing to uncover something this high-profile that fulfills the promise of its name and adds another title to a storied legacy."[56]

text: Roger Ebert, who had praised the previous Star Wars films, gave Episode II only two out of four stars, noting "[As] someone who admired the freshness and energy of the earlier films, I was amazed, at the end of Episode II, to realize that I had not heard one line of quotable, memorable dialogue." About Anakin and Padme's relationship, Ebert stated "There is not a romantic word they exchange that has not long since been reduced to cliché."[53] Leonard Maltin, who also liked all of the previous installments, only awarded two stars out of four to this endeavor as well, as seen in his Movie and Video Guide from the 2002 edition onward. Maltin cited an "overlong story" as reason for his dissatisfaction and added "Wooden characterizations and dialogue don't help."[57]

text: Following suit with the series' previous installments, the Academy Awards nominated Attack of the Clones' Rob Coleman, Pablo Helman, John Knoll, and Ben Snow for Best Visual Effects at the 2003 Academy Awards, but the award ultimately went to The Lord of the Rings: The Two Towers.[58] Natalie Portman was also honored at the Teen Choice Awards,[59] and the film received an award for Best Fight at the MTV Movie Awards.[60] In contrast, the film also received seven nominations from the Golden Raspberry Awards for Worst Picture, Worst Director (George Lucas), Worst Screenplay (George Lucas), Worst Supporting Actor (Hayden Christensen), Worst Supporting Actress (Natalie Portman), Worst Screen Couple (Hayden Christensen and Natalie Portman) and Worst Remake or Sequel.[61] It took home two awards for Worst Screenplay (George Lucas) and Worst Supporting Actor (Hayden Christensen).[62]

text: Box office[edit]

text: The film grossed $310,676,740 in North America and $338,721,588 overseas for a worldwide total of $649,398,328. Though a huge financial success, it was nevertheless overshadowed by the even greater box-office success of The Phantom Menace three years earlier.[5] It was not the top grossing film of the year, either in North America (where it finished in third place) or worldwide (where it was fourth), the first time that a Star Wars film did not have this distinction. In North America it was outgrossed by Spider-Man and The Lord of the Rings: The Two Towers, both of which were more favourably received by critics. Worldwide, it was also outgrossed by Harry Potter and the Chamber of Secrets, though Attack of the Clones performed better than The Chamber of Secrets in North America. Adjusted for inflation, Attack of the Clones is the lowest-performing live-action Star Wars film at the North American box office, though is still among the 100 highest-grossing films of all time when adjusted for inflation. It sold an estimated 52,012,300 tickets in the US in its initial theatrical run.[63]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipients and nominees
Result

Visual Effects Society[64]
February 19, 2003
Best Visual Effects in an Effects Driven Motion Picture
John Knoll, Ben Snow, Pablo Helman, Rob Coleman
Nominated

Best Character Animation in a Live Action Motion Picture
Rob Coleman, Hal Hickel, Chris Armstrong, James Tooley
Nominated

Best Matte Painting in a Motion Picture
Paul Huston, Yusei Uesugi, Jonathan Harb
Won

Best Models and Miniatures in a Motion Picture
Brian Gernand, Russell Paul, Geoff Campbell, Jean Bolte
Nominated

Best Visual Effects Photography in a Motion Picture
Patrick Sweeney, Marty Rosenberg, Carl Miller, Fred Meyers
Nominated

Best Effects Art Direction in a Motion Picture
Alex Jaeger, Doug Chiang, Erik Tiemens, Ryan Church
Nominated

text: Novelizations[edit]

text: Two novels based on the movie were published, a tie-in junior novel by Scholastic,[65] and a novelization written by R. A. Salvatore, which includes some unique scenes.[66] A four-issue comic book adaptation was written by Henry Gilroy and published by Dark Horse Comics.[67]

text: Sequel[edit]


document_title: Nicky, Ricky, Dicky & Dawn

question_text: who plays dawn on nicky ricky dicky and dawn

text: Nicky, Ricky, Dicky & Dawn

text: Plot[edit]

text: The series focuses on quadruplets Nicky, Ricky, Dicky, and Dawn Harper, 10-years-old at the start of the series,[1] who have nothing in common and often fight, but must work together to solve everyday situations.

text: Characters[edit]

text:
Tom (Brian Stepanek) is the father of the quadruplets. It is a running gag in the series that he cares more about his possessions than his children, but he loves his family and is a kid at heart.
Anne (Allison Munn) is the mother of the quadruplets who usually gets caught up in Tom's new obsessions.
Nicky (Aidan Gallagher) is the youngest of the quadruplets. He is shown to be quite comedic, quirky, and easily confused.
Ricky (Casey Simpson) is the second oldest of the quadruplets. He is the smart one of the group, always seen carrying a book or doing his homework. He is also a neat freak and a bit of a goody two-shoes, though he occasionally tries to prove to Dawn and his brothers that he can bend rules as well.
Dicky (Mace Coronel) is the easy-going quadruplet who cares a great deal about his appearance. He always takes the easy way out.
Dawn (Lizzy Greene) is the oldest of the quadruplets. Although she's always seen bothering her brothers, she does care about them deeply. There is a consistent rivalry for the leader spot of the quads between her and Ricky.
Josie (Gabrielle Elyse) is a worker at Tom's sporting shop and babysitter for Nicky, Ricky, Dicky and Dawn. She only appears in the first season.
Mae (Kyla-Drew Simmons) is the quads' friend and Dawn's best friend. She once called herself "the fifth quad". In the first two seasons, she is a recurring character, but is promoted to a main character in the third season.

text: Production[edit]

text: The series was originally picked up for 13 episodes on March 13, 2014, but was later increased to 20 episodes.[2] The series premiered on September 13, 2014. On November 18, 2014, the series was renewed for a second season.[3] The second season premiered on May 23, 2015. On February 9, 2016, Nickelodeon renewed Nicky, Ricky, Dicky & Dawn for a third season of 14 episodes. It was also confirmed that Matt Fleckenstein would step down as show runner.[4] Actress Lizzy Greene announced on her Twitter account that production for season three started on April 26, 2016.[5] The third season premiered on January 7, 2017. The series was renewed for a fourth season and had its episode order for the third season increased from 14 to 24 by Nickelodeon on March 20, 2017.[6] On October 4, 2017, it was announced that Mace Coronel would be leaving both Nicky, Ricky, Dicky & Dawn and Nickelodeon.[7]

text: Episodes[edit]

text:
Season
Episodes
Originally aired

First aired
Last aired

1
20
September 13, 2014 (2014-09-13)
March 24, 2015 (2015-03-24)

2
25
May 23, 2015 (2015-05-23)
August 6, 2016 (2016-08-06)

3
23
January 7, 2017 (2017-01-07)
August 5, 2017 (2017-08-05)[8]

text: Ratings[edit]

text:
Season
Episodes
First aired
Last aired
Avg. viewers
(millions)

Date
Viewers
(millions)
Date
Viewers
(millions)

1
20
September 13, 2014 (2014-09-13)
1.60[9]
March 24, 2015 (2015-03-24)
1.75[10]
1.75

2
25
May 23, 2015 (2015-05-23)
1.11[11]
August 6, 2016 (2016-08-06)
1.31[12]
1.46

3
23
January 7, 2017 (2017-01-07)
1.58[13]
TBA
TBD
1.47

text: Awards and nominations[edit]

text: This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2017) (Learn how and when to remove this template message)

text:
Year
Award
Category
Result
Refs

2015
Nickelodeon Kids' Choice Awards
Favorite TV Show
Nominated

2017
Nickelodeon Kids' Choice Awards
Favorite TV Show – Kids' Show
Nominated


document_title: Four Weddings and a Funeral

question_text: who played tom in four weddings and a funeral

text: Four Weddings and a Funeral

text: Plot[edit]

text: The film follows the adventures of a group of friends through the eyes of Charles, a good-natured but socially awkward man living in London, who becomes smitten with Carrie, an American whom Charles keeps meeting at four weddings and a funeral.

text: The first wedding is in Somerset and is that of Angus and Laura, at which Charles is the best man. Charles and his single friends wonder whether they will ever get married. Charles meets Carrie and spends the night with her. Carrie pretends that, now they have slept together, they will have to get married, to which Charles endeavours to respond before realising she is joking. Carrie observes that they may have missed an opportunity and then returns to America.

text: The second wedding is that of Bernard and Lydia, a couple who became romantically involved at the previous wedding. Charles encounters Carrie again, but she introduces him to her fiancé, Sir Hamish Banks, a wealthy politician. At the reception, Charles finds himself seated with several ex-girlfriends who relate embarrassing stories about his inability to be discreet and afterwards bumps into Henrietta, known among Charles' friends as "Duckface", with whom he had a particularly difficult relationship. Charles retreats to an empty hotel suite, seeing Carrie and Hamish leave in a taxicab, only to be trapped in a cupboard after the newlyweds stumble into the room to have sex. After Charles awkwardly exits the room, Henrietta confronts him about his habit of "serial monogamy", telling him he is afraid of letting anyone get too close to him. Charles then runs into Carrie, and they end up spending another night together.

text: A month later, Charles receives an invitation to Carrie's wedding. While shopping for a present, he coincidentally encounters Carrie and ends up helping her select her wedding dress. Carrie lists her more than thirty sexual partners. Charles later awkwardly tries confessing his love to her and hinting that he would like to have a relationship with her, to no avail.

text: The third wedding is that of Carrie and Hamish. Charles attends, depressed at the prospect of Carrie marrying Hamish. At the reception, Gareth instructs his friends to seek potential mates; Fiona's brother, Tom, stumbles through an attempt to connect with a woman until she reveals that she is the minister's wife, while Charles's flatmate, Scarlett, strikes up a conversation with an American named Chester. As Charles watches Carrie and Hamish dance, Fiona deduces his feelings about Carrie. When Charles asks why Fiona is not married, she confesses that she has loved Charles since they first met years earlier. Charles is appreciative and empathetic but does not requite her love. During the groom's toast, Gareth dies of a heart attack.

text: At Gareth's funeral, his partner Matthew recites the poem "Funeral Blues" by W. H. Auden, commemorating his relationship with Gareth. Charles and Tom discuss whether hoping to find your "one true love" is just a futile effort and ponder that, while their clique have always viewed themselves as proud to be single, Gareth and Matthew were a "married" couple all the while.

text: The fourth wedding is ten months later. Charles has decided to marry Henrietta. However, shortly before the ceremony, Carrie arrives, revealing to Charles that she and Hamish are separated. Charles has a crisis of confidence, which he reveals to his deaf brother David and Matthew. During the ceremony, when the vicar asks whether anyone knows a reason why the couple should not marry, David, who was reading the vicar's lips, asks Charles to translate for him, and says in sign language that he suspects the groom loves someone else. The vicar asks whether Charles does love someone else, and Charles replies, "I do." Henrietta punches Charles and the wedding is halted.

text: Carrie visits Charles to apologise for attending the wedding. Charles confesses that, while standing at the altar, he realised that for the first time in his life he totally and utterly loved one person, "and it wasn't the person standing next to me in the veil." Charles makes a proposal of lifelong commitment without marriage to Carrie, who accepts.

text: Henrietta marries an officer in the Grenadier Guards; David marries his girlfriend Serena; Scarlett marries Chester; Tom marries his distant cousin Deirdre (whom he met, for the second time in 25 years, at Charles's wedding); Matthew finds a new partner; Fiona marries Prince Charles; and Charles and Carrie have a young son.

text: Cast[edit]

text:
Hugh Grant as Charles
Andie MacDowell as Carrie
James Fleet as Tom
Simon Callow as Gareth
John Hannah as Matthew
Kristin Scott Thomas as Fiona
David Bower as David
Charlotte Coleman as Scarlett
Timothy Walker as Angus
Sara Crowe as Laura
Rowan Atkinson as Father Gerald
David Haig as Bernard
Sophie Thompson as Lydia
Corin Redgrave as Sir Hamish Banks
Anna Chancellor as Henrietta

text: Production[edit]

text: The film was shot mainly in London and the Home Counties, including Hampstead, Islington where the final moments take place on Highbury Terrace, Greenwich Hospital, Betchworth in Surrey, Amersham in Buckinghamshire, St Bartholomew-the-Great (wedding number four) and West Thurrock in Essex.[4] Exterior shots of guests arriving for the funeral were filmed in Thurrock, Essex overlooking the River Thames with the backdrop of the Dartford River Crossing and at stately homes in Bedfordshire (Luton Hoo for wedding two's reception) and Hampshire.[5]

text: Music[edit]

text: The original score was composed by British composer Richard Rodney Bennett. The movie also featured a soundtrack of popular songs, including a cover version of The Troggs' "Love Is All Around" performed by Wet Wet Wet that remained at number 1 on the UK Singles Chart for fifteen weeks and was then the ninth (now twelfth) biggest selling single of all time in Britain. This song would later be adapted into "Christmas Is All Around" and sung by the character of Billy Mack in Richard Curtis' 2003 film Love Actually, in which Grant also stars.

text: Reception[edit]

text: Critical response[edit]

text: The film was very well received with critics, currently holding a 95% "Certified Fresh" approval on reviews aggregator Rotten Tomatoes, with the site's consensus stating, "While frothy to a fault, Four Weddings and a Funeral features irresistibly breezy humor, and winsome performances from Hugh Grant and Andie MacDowell."[6] Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it "delightful and sly", and directed with "light-hearted enchantment" by Newell. He praised Grant's performance, describing it as a kind of "endearing awkwardness".[7]

text: The film had its detractors. Writing for the Chicago Reader, Jonathan Rosenbaum called the film "generic" and "standard issue", stating that the audience shouldn't "expect to remember it ten minutes later".[8] Time magazine writer Richard Corliss was less scathing, but agreed that it was forgettable, saying that people would "forget all about [the movie] by the time they leave the multiplex," even joking at the end of his review that he had forgotten the film's name.[9] The character of Carrie was voted one of the most annoying film characters of all time in a British online poll.[10]

text: Box office[edit]

text: The film earned £27.8 million in the United Kingdom.[11] Upon its North American limited release on 11 March 1994, Four Weddings and a Funeral opened with $138,486 in five theatres.[12] But upon its wide release on 15 April 1994, the film topped the box office with $4,162,489.[13] The film would continue to gross $52.7 million in North America with an additional $193 million internationally, earning $245.7 million worldwide.[1]

text: Accolades[edit]

text: Wins[edit]

text:
Best Film
Best Direction (Mike Newell)
Best Actor (Hugh Grant)
Best Supporting Actress (Kristin Scott Thomas)

text: Best Foreign Film

text: Best Comedy Film

text: César Award for Best Foreign Film

text: Most Promising Actor (Hugh Grant)

text:
Best Actress (Kristin Scott Thomas)
Best Screenplay (Richard Curtis)

text: Best Actor in a Musical or Comedy (Hugh Grant)

text:
British Film of the Year
British Director of the Year (Mike Newell)
British Producer of the Year (Duncan Kenworthy)
British Screenwriter of the Year (Richard Curtis)

text: Best Original Screenplay (Richard Curtis)

text: Film – Screenplay (Richard Curtis)

text: Nominations[edit]

text:
Best Picture (lost to Forrest Gump)
Best Original Screenplay – Richard Curtis (lost to Quentin Tarantino and Roger Avary for Pulp Fiction)

text:
Best Film Music – Richard Rodney Bennett (lost to Backbeat)
Best Original Screenplay – Richard Curtis (lost to Quentin Tarantino and Roger Avary for Pulp Fiction)
Best Supporting Actor – Simon Callow (lost to Samuel L. Jackson for Pulp Fiction)
Best Supporting Actor – John Hannah (lost to Samuel L. Jackson for Pulp Fiction)
Best Supporting Actress – Charlotte Coleman (lost to Kristin Scott Thomas for this film)

text: Outstanding Directoring – Feature Film – Mike Newell (lost to Robert Zemeckis for Forrest Gump)

text:
Best Musical or Comedy (lost to The Lion King)
Best Screenplay – Richard Curtis (lost to Quentin Tarantino and Roger Avary for Pulp Fiction)
Best Actress in a Musical or Comedy – Andie MacDowell (lost to Jamie Lee Curtis for True Lies)

text: Recognition[edit]

text: The film was voted the 27th greatest comedy film of all time by readers of Total Film in 2000. In 2004, the same magazine named it the 34th greatest British film of all time. It is number 96 on Bravo's "100 Funniest Movies".

text: Television series[edit]

text: It was reported in November 2017 that writer/director Richard Curtis was developing an anthology television series based upon the film with producers including Mindy Kaling and Matt Warburton for streaming service Hulu.[14]


document_title: Ek Anek Aur Ekta

question_text: who directed the iconic animated short educational film ek anek aur ekta

text: Ek Anek Aur Ekta

text: Summary[edit]

text: The film was intended to teach the value of unity and teamwork to children (Unity in Diversity). It also contains the message of how India is stronger if its citizens stand united, regardless of cultural differences. It begins with a group of children playing in a garden with one of them asking his elder sister, "Didi, yeh anek kya hota hai?", or in English, "Sis, what do you mean by Many?". The rest of the film is the sister's reply, using a metaphorical story of how a group of birds escape a bird catcher by uniting to recruit their friends, a group of mice.

text: The team[edit]

text: The film was directed by Vijaya Mulay. The film's design, animation and creation was done by Bhimsain Khurana.[2] The lyrics of Hind Desh ke Niwasi were written by Pandit Vinay Chandra Maudgalya. Sadhna Sargam[3] sang Ek Chidiya, Anek Chidiyan. The assistants were S.M. Hasan, Mahesh Taavre and Girish Rao. The film won the National Film Award for Best Educational Film.,[4] and it was the first film from the animation studios of then Center for Education Technology.[5] The film also won the Best Children's Film award in Japan.[6] The film is considered to be one of India's greatest examples of animation story-telling, and well remembered by the 80s generation as a classic illustration of Anekta mein Ekta.[7]