document_title: Here Comes the Sun

question_text: what movie has the song here comes the sun

text: Here Comes the Sun

text: Composition[edit]

text: "Here Comes the Sun" is one of Harrison's best-known Beatles compositions alongside "Something" and "While My Guitar Gently Weeps". The early months of 1969 were a difficult period for Harrison: he had quit the band temporarily, he was arrested for marijuana possession, and he had his tonsils removed.

text: Harrison states in his autobiography, I, Me, Mine:

text: "Here Comes the Sun" was written at the time when Apple was getting like school, where we had to go and be businessmen: 'Sign this' and 'sign that.' Anyway, it seems as if winter in England goes on forever, by the time spring comes you really deserve it. So one day I decided I was going to sag off Apple and I went over to Eric Clapton's house. The relief of not having to go see all those dopey accountants was wonderful, and I walked around the garden with one of Eric's acoustic guitars and wrote "Here Comes the Sun".[2]

text: As Clapton states in his autobiography, the house in question is known as Hurtwood Edge. When interviewed in the Martin Scorsese documentary George Harrison: Living in the Material World, Clapton said he believed the month was April. Data from two meteorological stations in the London area show that April 1969 set a record for sunlight hours for the 1960s. The Greenwich station recorded 189 hours for April, a high that was not beaten until 1984. The Greenwich data also show that February and March were much colder than the norm for the 1960s, which would account for Harrison's reference to a "long, cold, lonely winter".[3]

text: Musical structure[edit]

text: The song is in the key of A major. The main refrain uses a IV (D chord) to V-of-V (B chord) progression (the reverse of that used in "Eight Days a Week" and "Sgt. Pepper's Lonely Hearts Club Band").[4] The melody in the verse and refrain basically follows the pentatonic scale from E up to C♯ (scale steps 5, 6, 1, 2, 3).[4]

text: One feature is the increasing syncopation in the vocal parts.[5] Another feature is the guitar flat-picking that embellishes the E7 (V7) chord from 2:03 to 2:11, creating tension for resolution on the tonic A chord at "Little darlin' ".[6] The bridge involves a ♭III-♭VII-IV-I-V7 triple descending 4th (or Tri-Plagal) progression (with an extra V7) as the vocals move from "Sun" (♭III or C chord) to "sun" (♭VII or G chord) to "sun" (IV or D chord) to "comes" (I or A chord) and the additional 4th descent to a V7 (E7) chord.[7] The lyric here ("Sun, sun, sun, here it comes") has been described as taking "on the quality of a meditator's mantra".[8] The song also features extreme 4/4 (in the verse) and a sequence of 11/8 + 4/4 + 7/8 (which can also be transcribed as 11/8 + 15/8) in the bridge, phrasing interludes which Harrison drew from Indian music influences.[4][9] In the second verse (0:59–1:13) the Moog synthesizer doubles the solo guitar line and in the third verse the Moog adds an obbligato line an octave above.[5] The last four bars (2:54–3:04) juxtapose the guitar break with a repeat of the bridge.[5]

text: Recording[edit]

text: Harrison, Paul McCartney and Ringo Starr recorded the rhythm track in 13 takes on 7 July 1969.[10] John Lennon did not contribute to the song as he was recovering from a car crash.[11][12] Towards the end of the session Harrison spent an hour re-recording his acoustic guitar part. He capoed his guitar on the 7th fret, resulting in the final key of A major (in fact, slightly above A major due to the track being varispeeded by less than a semitone). He also used the same technique on his 1965 song "If I Needed Someone", which shares a similar melodic pattern. The following day he taped his lead vocals, and he and McCartney recorded their backing vocals twice to give a fuller sound.[5]

text: A harmonium and handclaps were added on 16 July.[13] Harrison added an electric guitar run through a Leslie speaker on 6 August, and the orchestral parts (George Martin's score for two piccolos, two flutes, two alto flutes and two clarinets) were added on 15 August.[5] "Here Comes the Sun" was completed four days later with the addition of Harrison's Moog synthesizer part.[14] The master tapes reveal that Harrison recorded a guitar solo that was not included in the final mix at that time.[15][16]

text: Release and reception[edit]

text: Abbey Road was released on 26 September 1969 with "Here Comes the Sun" sequenced as the opening track on side two of the LP.[17] Along with "Something", which was issued as a single from the album, the song established Harrison as a composer to match Lennon and McCartney.[18][19][20] According to author Alan Clayson, Harrison's two Abbey Road compositions received "the most widespread syndication" of all the tracks on the album, partly through the number of cover versions they attracted.[21] Nine years later, Harrison recorded "Here Comes the Moon" as a lyrical successor to the song.

text: In Japan, "Here Comes the Sun" was issued on a single in 1970, as the B-side to McCartney's Abbey Road track "Oh! Darling".[22] While the Beatles never released the track on a single in Britain, new rules implemented to the UK Singles Chart in 2007 allowed any song to enter the charts based on download sales. This allowed several songs recorded by the Beatles to list on the charts when the group's back catalogue became available for download on iTunes in 2010, including "Here Comes the Sun", which peaked at number 58 on 27 November that year.

text: Writing for Rolling Stone in 2002, Mikal Gilmore likened "Here Comes the Sun" to the McCartney-written "Let It Be" and Lennon's "Imagine", as Harrison's "graceful anthem of hope amid difficult realities".[23] While expressing regret at having underestimated Harrison as a songwriter, Martin described "Here Comes the Sun" as being "in some ways one of the best songs ever written".[24]

text: Cultural references and legacy[edit]

text: In 1977, astronomer and science populariser Carl Sagan attempted to have "Here Comes the Sun" included on a disc of music accompanying the Voyager space mission.[25] Titled the Voyager Golden Record, copies of the disc were put on board both spacecraft in the Voyager program in order to provide any entity that recovered them with a representative sample of human civilization. Writing in his book Murmurs of Earth, Sagan recalls that the Beatles favoured the idea, but "[they] did not own the copyright, and the legal status of the piece seemed too murky to risk." When the probes were launched in 1977, the song was not included.[26]

text: The track has appeared in many critics' lists of the Beatles' best recordings. Among these, the NME placed it at number 4 in the magazine's 2015 list of "the 100 Greatest Beatles Songs".[27] In a similar poll compiled by Mojo in 2006, where the song appeared at number 21, Danny Eccleston described it as "perhaps the best song – outside 'Jerusalem' – that religion can claim credit for", adding: "Those who professed surprise at Harrison's immediate elevation to Most Successful Solo Beatle status [in 1970] clearly weren't listening to this."[28] "Here Comes the Sun" appeared at number 28 on Rolling Stone's 2010 list, where the editors commented: "Along with 'Something,' it gave notice that the Beatles now had three formidable composers."[29]

text: "Here Comes the Sun" was played as the entrance music for Ivanka Trump at the 2016 Republican National Convention. The George Harrison estate complained about the song being used to support Donald Trump's presidential campaign, saying it was "offensive and against the wishes of the George Harrison estate".[30] The Harrison family later tweeted: "If it had been Beware of Darkness, then we MAY have approved it! #TrumpYourself."[31]

text: Cover versions[edit]

text: Steve Harley & Cockney Rebel[edit]

text:
"Here Comes the Sun"

Single by Steve Harley & Cockney Rebel

from the album Love's a Prima Donna

B-side
"Lay Me Down"

Released
30 July 1976 (1976-07-30)

Format
7-inch single

Genre
Pop, rock

Length
2:55

Label
EMI

Songwriter(s)
George Harrison

Producer(s)
Steve Harley

Steve Harley & Cockney Rebel singles chronology

"White, White Dove"
(1976)
"Here Comes the Sun"
(1976)
"(I Believe) Love's a Prima Donna"
(1976)

"White, White Dove"
(1976)
"Here Comes the Sun"
(1976)
"(I Believe) Love's a Prima Donna"
(1976)

text: In 1976, "Here Comes the Sun" was covered by the British rock band Steve Harley & Cockney Rebel, and released as the lead single from their fifth studio album, Love's a Prima Donna.[32][33] The lineup on their version was Steve Harley on vocals and guitar, Jim Cregan on lead guitar and backing vocals, Jo Partridge on guitar and backing vocals, George Ford on bass guitar and backing vocals, Duncan Mackay on keyboards, and Stuart Elliott on drums. Additional backing vocals were provided by Yvonne Keeley, John G. Perry and Tony Rivers, while Lindsey Elliott played percussion.

text: "Here Comes the Sun" was the first cover version that Steve Harley & Cockney Rebel had chosen to record.[34][35] The song peaked at number 10 on the UK Singles Chart[33] and number 7 in Ireland.[36] It was the band's last top 40 single.

text: Other artists[edit]

text: In August 1971, Harrison performed the song at the Concert for Bangladesh,[37] accompanied by Pete Ham of the group Badfinger.[38] He also played it during his appearance on Saturday Night Live in November 1976, as a duet with Paul Simon.[39] A live version from his 1991 Japanese tour with Eric Clapton appears on Harrison's Live in Japan double album.[22]

text: Booker T. & the M.G.'s included the song on their 1970 Abbey Road tribute album, McLemore Avenue.[40] That same year, "Here Comes the Sun" was covered by Peter Tosh and released as a single, although it was not widely available until its inclusion on Can't Blame the Youth in 2004. We Five released a version on their 1970 album Catch the Wind.[41]

text: American folk singer Richie Havens had a US hit with his 1971 version, which peaked at number 16 on the Billboard Hot 100 chart.[42] Nina Simone recorded "Here Comes the Sun" as the title track to her 1971 covers album.[43]

text: Sandy Farina covered "Here Comes the Sun" on the Martin-produced soundtrack to the 1978 film Sgt. Pepper's Lonely Hearts Club Band.[22] In 1980, on their album Flaming Schoolgirls, the Runaways recorded "Here Comes the Sun". Dave Edmunds, Debbie Gibson and Raffi sang a live cover version in a Japanese television special aired in 1990.[44] On their 1994 debut album, Who Is, This Is?, ska-punk band Voodoo Glow Skulls recorded a version of the song.[45]

text: Linda Eder released a version of "Here Comes the Sun" in 2002 on her Gold album. On 29 November that year, Joe Brown performed the song at the Concert for George tribute,[46] which was organised by Clapton and held at the Royal Albert Hall in London.[47] Brown's performance was included on the subsequent live album from the event[48] and in David Leland's concert film.[49]

text: Sheryl Crow sang "Here Comes the Sun" in the 2007 animated film Bee Movie. Swedish heavy metal band Ghost released a version of the song as a bonus track on the Japanese edition of their 2010 album Opus Eponymous. Marina Prior recorded the song for her 2012 album Both Sides Now. Malaysian singer Yuna recorded her version for the 2012 film Savages. It can be heard in the ending credits.

text: Naya Rivera and Demi Lovato performed the song, as Santana Lopez and Dani respectively, in Glee's fifth season episode "Tina in the Sky with Diamonds". Their duet version appears on the album Glee Sings the Beatles, released in September 2013. Writing for MTV, Jocelyn Vena commented that the two singers sang "in perfect harmony over a plucky guitar."[50] Idolator also pointed out "their beautiful harmonies" as a highlight.[51]

text: Paul Simon has often performed "Here Comes the Sun" in concert,[52] as a tribute to Harrison.[53] In September 2014, Simon played the song live on the TBS television show Conan as part of the show's "George Harrison Week" initiative.[52][54]

text: Personnel[edit]

text: According to Ian MacDonald, the lineup on the Beatles' recording was as follows.[11]

text: The Beatles

text:
George Harrison – lead and backing vocals, acoustic and electric guitars, harmonium, Moog synthesizer, handclaps
Paul McCartney – backing vocal, bass, handclaps
Ringo Starr – drums, handclaps

text: Orchestra

text: Uncredited – four violas, four cellos, double bass, two piccolos, two flutes, two alto flutes, two clarinets


document_title: Twilight (2008 film)

question_text: where did they film the first twilight movie

root

text: Twilight (2008 film)

text: Plot

text: Bella Swan, a seventeen-year-old outcast, moves to Forks, a small town located by Washington's Olympic Peninsula, to live with her father, Charlie, who is the police chief of town. Her mother, Renée, is remarried to a minor league baseball player, and they travel often to attend games. At her new high school, Bella makes several new friends, but she is also intrigued by the mysterious and aloof Cullen siblings. Bella sits next to Edward Cullen in biology class on her first day of school, but he seems to be repulsed by her. After a week of absence from school, Edward returns to school, and begins socializing with Bella normally. A few days later, Bella is nearly struck by a van in the school parking lot. Edward saves her by instantaneously covering a distance of over thirty feet, and putting himself between Bella and the van, stopping it with only his hand, and making a conspicuous dent on the van. He subsequently refuses to explain his actions to Bella, and warns her against befriending him.

tag: p

text: After much research, Bella concludes that Edward is seemingly human, but has mysterious powers resembling to a vampire. He eventually confirms this, but says he and the other Cullens only consume animal blood. The pair fall in love, and Edward introduces Bella to his vampire family. Carlisle Cullen, the family patriarch, is a doctor working at the hospital in Forks. His wife is Esme. Alice, Jasper, Emmett, and Rosalie, are their informally adopted children. Edward and Bella's relationship is soon put in jeopardy, when three nomadic vampires—James, Victoria, and Laurent—arrive at Forks. James, a tracker vampire with incredible hunting instincts, is instantly intrigued by Edward's protectiveness over a human, which incites him to hunt Bella for sport. Edward and the other Cullens put their lives on the line in an effort to protect Bella, but James tracks her to Phoenix, where she is hiding with Jasper and Alice. James lures Bella into a trap by falsely claiming that he is holding her mother hostage. James attacks Bella by biting her wrist, infecting her with vampire venom. After a ferocious battle, Edward subdues James just as the other members of the Cullen family arrive. Alice, Emmett, and Jasper kill James, decapitating and burning him, as Edward removes the venom from Bella's wrist, preventing her from turning into a vampire. In the aftermath of the battle, Bella has suffered a broken leg, and ends up in the hospital, but her mother comes in to visit. Upon returning to Forks, Edward accompanies Bella to the high school prom, where he refuses to grant her request that he would transform her into a vampire. As the couple dance, they are unaware that James' mate, Victoria, is secretly watching, plotting revenge for her lover's death.

text: Cast

text:
Kristen Stewart as Bella Swan, a seventeen-year-old girl who moves to the small town of Forks, Washington from Phoenix, Arizona and falls in love with Edward Cullen, a vampire. Her life is endangered after James, a sadistic vampire, decides to hunt her.[9]
Robert Pattinson as Edward Cullen, a 108-year-old vampire who was changed in 1918 and still appears to be seventeen. He is Bella's love interest and eventually falls in love with her. He has the ability to read minds, with the exception of Bella's, along with superhuman speed.[9][10]

tag: ul

text:
Peter Facinelli as Carlisle Cullen, a compassionate 300-plus-year-old vampire who looks to be in his early 30s. He serves as the town's physician and is the Cullen family patriarch.[11]
Elizabeth Reaser as Esme Cullen, Carlisle's vampire wife and the matriarch of the Cullen family.[12]
Ashley Greene as Alice Cullen, Jasper Hale's mate, a vampire who can see the future based on decisions that people make.[12]
Kellan Lutz as Emmett Cullen, physically the strongest vampire of the family.[12]
Nikki Reed as Rosalie Hale, Emmett Cullen's mate, a vampire described as the most beautiful person in the world. She is hostile toward Bella throughout the film, worried that Edward's relationship with a human puts their clan at risk.[6]
Jackson Rathbone as Jasper Hale, a Cullen family member who can manipulate emotions. He is the newest member of the Cullen family, and thus has the most difficulty maintaining their "vegetarian" diet of feeding only on animal rather than human blood.[12]
Billy Burke as Charlie Swan, Bella's father and Forks' Chief of Police.[13]
Cam Gigandet as James Witherdale, the leader of a group of nomadic vampires that intends to kill Bella. He is Victoria's mate and a gifted tracker, due to his unparalleled senses.[6]
Rachelle Lefèvre as Victoria Sutherland, James' mate who assists him in hunting Bella.[6]
Edi Gathegi as Laurent Da Revin, the most civilized member of James' coven.[14]
Sarah Clarke as Renée Dwyer, Bella's mother who lives in Arizona with her new husband, Phil.[14]
Taylor Lautner as Jacob Black, an old childhood friend of Bella and a member of the Quileute tribe.[15]
Christian Serratos as Angela Weber, one of Bella's new friends in Forks.[14]
Michael Welch as Mike Newton, one of Bella's new friends who vies for her attention.[6]
Anna Kendrick as Jessica Stanley, Bella's first friend in Forks.[9]
Gregory Tyree Boyce as Tyler Crowley, another one of Bella's classmates, also vying for Bella's attention. He nearly hits Bella with his van.
Justin Chon as Eric Yorkie, another one of Bella's classmates who vies for her attention.[9]
Solomon Trimble as Sam Uley. Solomon Trimble was credited as "Jacob's friend" in the film, but was widely recognized as playing the part of Sam.[16][17][18][19]
Krys Hyatt as Embry Call. She was recognized as playing the part of Embry in the Twilight film, though his role was uncredited.[20]
Gil Birmingham as Billy Black
Matt Bushell as Phil Dwyer
José Zúñiga as Mr. Molina
Ned Bellamy as Waylon Forge
Ayanna Berkshire as Cora
Katie Powers as Waitress
Trish Egan as Ms. Cope

text: Production

text: Development

text: Stephenie Meyer's paranormal romance novel Twilight was originally optioned by Paramount Pictures' MTV Films in April 2004, but the screenplay that was subsequently developed was substantially different from its source material.[2][21] When Summit Entertainment reinvented itself as a full-service studio in April 2007, it began development of a film adaptation anew,[22] having picked up the rights from Paramount (who coincidentally had made an unrelated film with the same title in 1998) in a turnaround.[23] The company perceived the film as an opportunity to launch a franchise based on the success of Meyer's book and its sequels.[12][24] Catherine Hardwicke was hired to direct the film and Melissa Rosenberg was hired to write the script in mid-2007.[25]

text: Rosenberg developed an outline by the end of August, and collaborated with Hardwicke on writing the screenplay during the following month. Rosenberg said Hardwicke "was a great sounding board and had all sorts of brilliant ideas.... I'd finish off scenes and send them to her, and get back her notes."[26] Due to the impending Writers Guild of America strike, Rosenberg worked full-time to finish the screenplay before October 31.[26] In adapting the novel, she "had to condense a great deal." Some characters from the novel were not featured in the screenplay, whereas some characters were combined into others.[27] "[O]ur intent all along was to stay true to the book", Rosenberg explained, "and it has to do less with adapting it word for word and more with making sure the characters' arcs and emotional journeys are the same."[28] Hardwicke suggested the use of voice over to convey Bella's internal dialogue[26] — since the novel is told from her point of view — and she sketched some of the storyboards during pre-production.[29]

text: Adaptation from source material

text: The filmmakers behind Twilight worked to create a film that was as faithful to the novel as they thought possible when converting the story to another medium, with producer Greg Mooradian saying, "It's very important to distinguish that we're making a separate piece of art that obviously is going to remain very, very faithful to the book.... But at the same time, we have a separate responsibility to make the best movie you can make."[30] To ensure a faithful adaptation, Meyer was kept very involved in the production process, having been invited to visit the set during filming and even asked to give notes on the script and on a rough cut of the film.[31] Of this process, she said, "It was a really pleasant exchange [between me and the filmmakers] from the beginning, which I think is not very typical. They were really interested in my ideas",[32] and, "...they kept me in the loop and with the script, they let me see it and said, 'What are your thoughts?'... They let me have input on it and I think they took 90 percent of what I said and just incorporated it right in to the script."[31] Meyer fought for one line in particular, one of the most well-known from the book about "the lion and the lamb", to be kept verbatim in the film: "I actually think the way Melissa [Rosenberg] wrote it sounded better for the movie [...] but the problem is that line is actually tattooed on peoples' bodies [...] But I said, 'You know, if you take that one and change it, that's a potential backlash situation.'"[31] Meyer was even invited to create a written list of things that could not be changed for the film, such as giving the vampires fangs or killing characters who do not die in the book, that the studio agreed to follow.[31][32] The consensus among critics is that the filmmakers succeeded in making a film that is very faithful to its source material,[33][34] with one reviewer stating that, with a few exceptions, "Twilight the movie is unerringly faithful to the source without being hamstrung by it."[35]

text:
They could have filmed [the script developed when the project was at Paramount] and not called it Twilight because it had nothing to do with the book... When Summit [Entertainment] came into the picture, they were so open to letting us make rules for them, like "Okay, Bella cannot be a track star. Bella cannot have a gun or night vision goggles. And, no jet skis...."

Twilight author Stephenie Meyer[21]

tag: div

text: However, as is most often the case with film adaptations, differences do exist between the film and source material. Certain scenes from the book were cut from the film, such as a biology room scene where Bella's class does blood typing. Hardwicke explains, "Well [the book is] almost 500 pages—you do have to do the sweetened condensed milk version of that.... We already have two scenes in biology: the first time they're in there and then the second time when they connect. For a film, when you condense, you don't want to keep going back to the same setting over and over. So that's not in there."[36] The settings of certain conversations in the book were also changed to make the scenes more "visually dynamic" on-screen, such as Bella's revelation that she knows Edward is a vampire—this happens in a meadow in the film instead of in Edward's car as in the novel.[36] A biology field trip scene is added to the film to condense the moments of Bella's frustration at trying to explain how Edward saved her from being crushed by a van.[30] The villainous vampires are introduced earlier in the film than in the novel. Rosenberg said that "you don't really see James and the other villains until to the last quarter of the book, which really won't work for a movie. You need that ominous tension right off the bat. We needed to see them and that impending danger from the start. And so I had to create back story for them, what they were up to, to flesh them out a bit as characters."[26] Rosenberg also combined some of the human high school students, with Lauren Mallory and Jessica Stanley in the novel becoming the character of Jessica in the film, and a "compilation of a couple of different human characters" becoming Eric Yorkie.[27] About these variances from the book, Mooradian stated, "I think we did a really judicious job of distilling [the book]. Our greatest critic, Stephenie Meyer, loves the screenplay, and that tells me that we made all the right choices in terms of what to keep and what to lose. Invariably, you're going to lose bits and pieces that certain members of the audience are going to desperately want to see, but there's just a reality that we're not making 'Twilight: The Book' the movie."[30]

text: Casting

text:
When they told me Rob was probably the one, I looked him up and thought, "Yeah, he can do a version of Edward. He’s definitely got that vampire thing going on." And then, when I was on set and I got to watch him go from being Rob to shifting into being Edward, and he actually looked like the Edward in my head, it was a really bizarre experience. [...] He really had it nailed.

Twilight author Stephenie Meyer[21]

text: Kristen Stewart was on the set of Adventureland when Hardwicke visited her for an informal screen test that "captivated" the director.[2] Hardwicke had trouble finding an actor otherworldly enough to play vampire Edward Cullen. Then she got a call about a guy in London. "I looked at a couple pictures and was like, ‘I’m not sure,’?" Hardwicke says. "He had been fired from his last job, he was unemployed, he was in debt." Pattinson flew to Los Angeles on his own dime to read with Stewart.[37] Shiloh Fernandez, Jackson Rathbone, Ben Barnes, and Robert Pattinson were the final four up for the role of Edward.[38] Hardwicke did not initially choose Robert Pattinson for the role of Edward Cullen, but after an audition at her home with Stewart, he was selected.[2] Hardwicke said, "Kristen was like, ‘It’s got to be Rob!’ She felt connected to him from the first moment. That electricity, or love at first sight, or whatever it is." Hardwicke gave him the part, but he had to make a promise. "You’ve got to realize that Kristen is 17 years old," Hardwicke told him, "She’s underage. You’ve got to focus, dude, or you’re going to be arrested. I made him swear on a stack of Bibles."[37] Pattinson was unfamiliar with the novel series prior to his screen test but read the books later on.[39] Meyer allowed him to view a manuscript of the unfinished Midnight Sun, which chronicles the events in Twilight from Edward's point of view.[40] Fan reaction to Pattinson's casting as Edward was initially negative; Rachelle Lefèvre remarked that "[e]very woman had their own Edward [that] they had to let go of before they could open up to [him], which they did."[39] Meyer was "excited" and "ecstatic" in response to the casting of the two main characters.[41] She had expressed interest in having Emily Browning and Henry Cavill cast as Bella and Edward, respectively, prior to pre-production.[42]

text: Peter Facinelli was not originally cast as Carlisle Cullen. "[Hardwicke] liked me, but there was another actor that the studio was pushing for", Facinelli said.[11] For unknown reasons, that actor was not able to play the part and Facinelli was selected in his place.[11] The choice of Ashley Greene to portray Alice Cullen was the subject of fan criticism due to Greene being 7 inches (18 cm) taller than her character as described in the novel. Meyer had also stated that Rachael Leigh Cook resembled her vision of Alice.[43] Nikki Reed had previously worked with Hardwicke on Thirteen, which they wrote together, and Lords of Dogtown. Reed commented, "I don't want to say it's a coincidence, because we do work well together, and we have a great history. I think we make good work, but it's more that the people that hire [Hardwicke] to direct a film of theirs [have] most likely seen her other work."[44]

text: Kellan Lutz was in Africa shooting the HBO miniseries Generation Kill when the auditions for the character of Emmett Cullen were conducted. The role had already been cast by the time that production ended in December 2007, but the actor who had been selected "fell through"; Lutz subsequently auditioned and was flown to Oregon, where Hardwicke personally chose him.[45] Rachelle Lefèvre was interested in pursuing a role in the film because Hardwicke was attached to the project as director; there was also "the potential to explore a character, hopefully, over three films"; and she wanted to portray a vampire.[46] She "thought that vampires were basically the best metaphor for human anxiety and questions about being alive."[46] Christian Serratos initially auditioned for Jessica Stanley, but she "fell totally in love with Angela" after reading the novels and successfully took advantage of a later opportunity to audition for Angela Weber.[47] The role of Jessica Stanley went to Anna Kendrick, who got the part after two mix-and-match auditions with various actors.[48]

text: Filming and post-production

text: On a bed in Catherine Hardwicke's house is where Pattinson kissed Stewart for the first time for the Twilight screen test. "That bed made Pattinson who he is right now," says Reed. That’s also where Hardwicke auditioned Evan Rachel Wood, when she had her get into her bed with Nikki Reed for the film Thirteen. When asked about her lair, Hardwicke says, "MTV came and did an episode in my house filming the bed. It’s legendary."[37] Principal photography took 44 days,[4] after more than a week of rehearsals,[49] and completed on May 2, 2008.[5] Similar to her directorial debut Thirteen, Hardwicke opted for an extensive use of hand-held cinematography to make the film "feel real".[11][50] Meyer visited the production set three times and was consulted on different aspects of the story;[51] she also has a brief cameo in the film.[52] Cast members who portrayed vampires avoided sunlight to make their skin pale, though makeup was also applied for that effect, and wore contact lenses: "We did the golden color because the Cullens have those golden eyes. And then, when we're hungry, we have to pop the black ones in," Facinelli explained.[11] They also participated in rehearsals with a dance choreographer and observed the physicality of different panthera to make their bodily movements more elegant.[11][43][53]

text: Scenes were filmed primarily in Portland, Oregon.[6] Stunt work was done mainly by the cast.[54] The fight sequence between Gigandet and Pattinson's characters in a ballet studio, which was filmed during the first week of production, involved a substantial amount of wire work because the vampires in the story have superhuman strength and speed.[53] Gigandet incorporated mixed martial arts fighting moves in this sequence, which involved chicken and honey as substitutes for flesh.[55] Bella, the protagonist, is unconscious during these events, and since the novel is told from her point of view, such action sequences are illustrative and unique to the film.[39] Pattinson noted that maintaining one's center of gravity is difficult when doing wire work "because you have to really fight against it as well as letting it do what it needs to do."[39] Lefèvre found the experience disorienting since forward motion was out of her control.[39]

text: Instead of shooting at Forks High School itself, scenes taking place at the school were filmed at Kalama High School[56] and Madison High School.[57] Other scenes were filmed in St. Helens,[58] and Hardwicke conducted some reshooting in Pasadena, California, in August.[4][59] Twilight was originally scheduled to be theatrically released in the United States on December 12, 2008, but its release date was changed to November 21 after Harry Potter and the Half-Blood Prince was rescheduled for an opening in July 2009.[60] Two teaser trailers, as well as some additional scenes, were released for the film, as well as a final trailer, which was released on October 9.[61][62] A 15-minute excerpt of Twilight was presented during the International Rome Film Festival in Italy.[63] The film received a rating of PG-13 from the Motion Picture Association of America for "some violence and a scene of sensuality".[64]

text: Music

text: The score for Twilight was composed by Carter Burwell,[65][66] with the rest of the soundtrack chosen by music supervisor Alexandra Patsavas.[67] Meyer was consulted on the soundtrack, which includes music by Muse and Linkin Park, bands she listened to while writing the novels.[68][69] The original soundtrack was released on November 4, 2008, by Chop Shop Records in conjunction with Atlantic Records.[8] It debuted at number 1 on the Billboard 200.[70]

text: Release

text: Box office

text: Twilight grossed over $7 million in ticket sales from midnight showings alone on November 21, 2008.[71] The film is fifth overall on Fandango's list of top advance ticket sales, outranked only by its sequel the following year, Star Wars: Episode III – Revenge of the Sith (2005), The Dark Knight (2008), and Harry Potter and the Half-Blood Prince (2009).[71] It grossed $35.7 million on its opening day.[72] For its opening weekend in the United States and Canada, Twilight accumulated $69.6 million from 3,419 theaters at an average of $20,368 per theater.[73] The film grossed $192,769,854 in the United States and Canada, and $199,846,771 in international territories for a total of $392,616,625.[3] Its opening weekend gross was the highest ever of a female-directed film, surpassing that of Deep Impact (1998).[74]

text: Critical reception

text: Twilight received mixed reviews from critics. Based on 209 reviews collected by Rotten Tomatoes, the film has a rating of 48%, with a weighted average score of 5.4/10.[75] The site's critical consensus reads: "Having lost much of its bite transitioning to the big screen, Twilight will please its devoted fans, but do little for the uninitiated."[75] On Metacritic, which assigns a weighted mean rating out of 100 reviews from film critics, it has an average score of 56 from the 37 reviews.[76] New York Press critic Armond White called the film "a genuine pop classic",[77] and praised Hardwicke for turning "Meyer's book series into a Brontë-esque vision."[78] Roger Ebert gave the film two-and-a-half stars out of four and wrote, "I saw it at a sneak preview. Last time I saw a movie in that same theater, the audience welcomed it as an opportunity to catch up on gossip, texting, and laughing at private jokes. This time the audience was rapt with attention".[79] In his review for the Los Angeles Times, Kenneth Turan wrote, "Twilight is unabashedly a romance. All the story's inherent silliness aside, it is intent on conveying the magic of meeting that one special person you've been waiting for. Maybe it is possible to be 13 and female for a few hours after all".[80] USA Today gave the film two out of four stars and Claudia Puig wrote, "Meyer is said to have been involved in the production of Twilight, but her novel was substantially more absorbing than the unintentionally funny and quickly forgettable film".[81] Entertainment Weekly gave the film a "B" rating and Owen Gleiberman praised Hardwicke's direction: "She has reconjured Meyer's novel as a cloudburst mood piece filled with stormy skies, rippling hormones, and understated visual effects".[82]

text: Home media

text: Wikinews has related news: "Twilight" DVD sells 3 million copies in first day

tag: table

text: The film was released on DVD in North America on March 21, 2009, through midnight release parties, and sold over 3 million units in its first day.[83] It was released on April 6, 2009 in the UK.[84][85] Bonus features include about 10 to 12 extended or deleted scenes, montages and music videos, behind-the-scenes interviews, a "making-of" segment, and commentary featuring Hardwicke, Stewart, and Pattinson.[86][87] The Blu-ray disc edition of the film was released on March 21, 2009, in select locations, but was made more widely available at further retailers on May 5, 2009.[88] As of July 2012, the film has sold 11,242,519 units, earning $201,190,019.[89]

text: The film and the next two installments of the Twilight Saga will be rereleased as a triple feature with extended cuts on January 13, 2015.

text: Video game

text: A movie trivia video game developed by Screenlife and published by Konami for the Wii, Nintendo DS, PC and iPhone was released alongside the second film.

text: Accolades

text: Since its release, Twilight has received numerous nominations and awards. In January 2009, Carter Burwell was nominated for Film Composer of the Year by the International Film Music Critics Association.[90] Robert Pattinson won Bravo TV's A-List Award for A-List Breakout.[91] At the 2009 MTV Movie Awards, Pattinson, who was nominated alongside Taylor Lautner, also won an award for Male Breakthrough Performance, "Decode" was nominated for Best Song from a Movie, Twilight won an award for Best Movie, Kristen Stewart won for Best Female performance, Stewart and Pattinson were awarded Best Kiss, and Pattinson and Cam Gigandet won an award for Best Fight.[92] Christian Serratos won a Young Artist Award for Best Performance in a Feature Film: Supporting Young Actress.[93] For the 2009 Teen Choice Awards, held on August 9, the film and its actors received a combined total of 12 nominations, nine of which the film won.[94] At the 2009 Scream Awards, the film was nominated for nine awards, four of which it won.[95] The film won two ALMA Awards for makeup and hairstyling.[96] It also won the Public Choice Award at the World Soundtrack Awards, where Carter Burwell was also nominated for Composer of the Year.[97] Catherine Hardwicke received a Young Hollywood Award for her directing.[98] In addition, the film was nominated for Best Fantasy Film at the 35th Saturn Awards[99] and two Grammy Awards.[100]

text: Sequel

text: MTV reported in February 2008 that Summit Entertainment intended to create a series of at least three films based on Meyer's books.[9] The studio had optioned New Moon, the second book in the series, by October 2008,[101] and confirmed their plans to make a film based on it November 22, 2008.[102][103] Because Catherine Hardwicke had wanted more preparation time than Summit's schedule for the production and release of the sequel would provide,[104][105] Chris Weitz was selected to direct it in December 2008.[106][107]