document_title: Thor: Ragnarok

question_text: when did thor ragnarok come out in the uk

text: Thor: Ragnarok

text: Plot[edit]

text: Two years after the battle of Sokovia,[N 1] Thor has been unsuccessfully searching for the Infinity Stones, and is now imprisoned by the fire demon Surtur in Muspelheim. Surtur reveals that Thor's father Odin is no longer on Asgard, and that the realm will soon be destroyed in the prophesied Ragnarök, once Surtur unites his crown with the Eternal Flame that burns in Odin's vault. Thor defeats Surtur and claims his crown, believing he has prevented Ragnarök.

text: Thor returns to Asgard to find his brother Loki posing as Odin. Thor forces Loki to help him find their father, and with directions from Stephen Strange on Earth, they locate Odin in Norway. Odin explains that he is dying, and that his passing will allow his firstborn child, Hela, to escape from a prison she was sealed in long ago. Hela had been the leader of Asgard's armies, and had conquered the Nine Realms with Odin, but had been imprisoned and written out of history after Odin feared that she had become too ambitious. Odin subsequently dies, and Hela, released from her imprisonment, appears. She destroys Thor's hammer Mjolnir, and when Thor and Loki attempt to flee through the Bifröst Bridge, she pursues them and forces them out into space to die. Hela arrives in Asgard, destroying its army and killing the Warriors Three; resurrects the ancient dead who once fought with her, including her giant wolf Fenris; and appoints the Asgardian Skurge as her executioner. She plans to use the Bifröst to expand Asgard's empire, but Heimdall covertly steals the sword that controls the Bridge, and hides away with the rest of Asgard's citizens.

text: Thor crash-lands on Sakaar, a garbage planet surrounded by wormholes. He is captured by a slave trader named Scrapper 142, and sold to serve as a gladiator for the planet's ruler, the Grandmaster, with whom Loki has already become ingratiated. Thor recognizes 142 as one of the Valkyrior, a legendary force of female warriors who were killed defending Asgard from Hela long ago. Thor is forced to compete in the Grandmaster's Contest of Champions, facing his old friend Hulk. Summoning lightning, Thor gets the upper hand on Hulk, but the Grandmaster sabotages the fight to ensure Hulk's victory. Still enslaved, Thor attempts to convince Hulk and 142 to help him save Asgard, but neither is willing. He soon manages to escape the palace and finds the Quinjet that brought Hulk to Sakaar. Hulk follows Thor to the Quinjet, where a recording of Natasha Romanoff makes him transform back into Bruce Banner for the first time since Sokovia.

text: The Grandmaster orders 142 and Loki to find Thor and Hulk, but the pair come to blows and Loki forces her to relive the deaths of her fellow Valkyrie at the hands of Hela. Deciding to help Thor, she takes Loki captive to prove her goodwill. Unwilling to be left behind, Loki provides the group with the means to steal one of the Grandmaster's ships. They then liberate the other gladiators who, led by Korg and Miek, stage a revolution. Loki attempts to betray his brother to gain a reward from the Grandmaster, but Thor anticipates this and leaves him behind, where Korg and the gladiators soon find him. Thor, Banner, and 142 escape through a wormhole to Asgard, where Hela's forces are attacking Heimdall and Asgard's citizens. Banner becomes Hulk again, fighting Fenris, while Thor and 142 battle Skurge and the resurrected warriors. Loki and the gladiators arrive to help, and the citizens board their large ship; a repentant Skurge sacrifices himself to allow their escape. Thor, facing Hela, loses an eye and then has a vision of Odin that helps him realize only Ragnarök can stop Hela. While Hela is distracted, Loki locates Surtur's crown and places it in the Eternal Flame. Surtur is reborn and destroys Asgard, seemingly killing Hela.

text: Thor and the others escape with Asgard's remaining citizens aboard the Grandmaster's vessel. Thor, crowned king, decides to take his people to Earth. In a mid-credits scene, they are intercepted by a large spacecraft.[N 2] In a post-credits scene, the Grandmaster encounters a group of his former subjects, who are still rebelling.

text: Cast[edit]

text:
Chris Hemsworth as Thor:
The crown prince of Asgard based on the Norse mythological deity of the same name, who has become a "lone gunslinger" searching for the Infinity Stones.[4][6] Hemsworth had become "a bit bored" with the character after portraying Thor four times previously, and wanted to take some risks and experiment: the character has shorter hair in the film, wears a different outfit, his hammer Mjolnir is destroyed,[7] and he loses an eye. Director Taika Waititi added that "stripping" the character down like this allowed him to become a refugee at the end of the film.[8] Waititi also wanted to use more of Hemsworth's comedic talents showcased in films like Vacation (2015) and Ghostbusters (2016),[9] and cited Kurt Russell's portrayal of Jack Burton from Big Trouble in Little China as an influence on the character.[10]
Tom Hiddleston as Loki:
Thor's adoptive brother and nemesis based on the deity of the same name.[11][12] Hiddleston was interested in how Loki's attitude has changed, saying, "he is always a trickster. It is trying to find new ways for him to be mischievous".[13] As the ruler of Asgard since the end of Thor: The Dark World, Hiddleston notes that "Loki has devoted most of his efforts to narcissistic self-glorification. Not so much on good governance."[14] He also added that "the idea that Thor might be indifferent to Loki is troubling for him, because that's a defining feature of his character ... 'My brother doesn't love me; I hate my brother.' And the idea his brother's like, yeah, whatever, it's an interesting development."[15]
Cate Blanchett as Hela:
Odin's first child, Thor's older sister and the goddess of death, based on the deity Hel,[12][16][17] who is inadvertently released from her prison.[18] Screenwriter Eric Pearson did not pitch the idea of Hela being Thor's sister to the producers, including it instead in one of his drafts at the encouragement of executive producer Brad Winderbaum. The decision to make Hela related to Thor, as opposed to Loki as in the comics and Norse mythology, came from needing more impact with Hela and Thor's final confrontation. By making the change, Pearson felt Hela became "the thing that [represents] what it is to rule Asgard, [Thor's] family, what he's been told, what he hasn't been told."[19] Blanchett talked about the difficulty of playing the role in a motion capture suit rather than costume, feeling the character's headdress is "such a huge part of when she comes into the height of her powers in the film".[20] Hela's design was taken from Thor: God of Thunder by Jason Aaron, while the character Gorr from that comic, who has the ability "to manifest an infinite number of weapons", inspired a similar ability for Hela.[21] Blanchett worked with stuntwoman Zoë Bell and Hemsworth's personal trainer Luke Zocchi, and studied capoeira for the role.[18][7]
Idris Elba as Heimdall:
The all-seeing, all-hearing Asgardian former sentry of the Bifröst Bridge, based on the deity of the same name, who has gone into self-imposed exile during Loki's reign.[12][22][23] After Hela invades Asgard, he helps to hide its vulnerable citizens. Describing Heimdall's character arc in the film, Winderbaum says, "he's gone from this elder statesmen, the gatekeeper to Asgard, to this badass warrior-wizard character who lives in the hills and kicks a lot of ass throughout the entire film."[23]
Jeff Goldblum as Grandmaster:
One of the Elders of the Universe,[14][24] who rules the planet Sakaar,[9] and enjoys manipulating lesser life-forms.[12][25] Goldblum described the character as "a hedonist, a pleasure-seeker, an enjoyer of life and tastes and smells". He also said that Waititi encouraged improvisation in order for Goldblum to "make [the character his] own".[26] Waititi explained that Grandmaster does not have blue skin in the film as the character does in the comics, because Goldblum had already played a blue-colored character in Earth Girls Are Easy, and because Waititi did not want to detract from Goldblum's personality by concealing his appearance.[27] Grandmaster is the brother of Benicio del Toro's Collector from Guardians of the Galaxy, and producer Kevin Feige expressed interest in seeing the two together in a future film.[28]
Tessa Thompson as Valkyrie:
A tough, hard-drinking Asgardian slave trader,[9] based on the mythological being Brynhildr,[29] who was once a legendary warrior of the Valkyrior and now works for the Grandmaster under the designation "Scrapper 142".[23] Thompson said the various versions of the character from the comics "left us a lot of leeway" in creating the film version.[21] Waititi "wanted to make sure we weren't making a female character that was boring and pretty",[30] and Feige said Marvel wanted to pair Thor with a love interest more his equal than Jane Foster.[31] Co-screenwriters Craig Kyle and Christopher Yost's original draft of the film had more of a romantic relationship between Thor and Valkyrie. When Pearson started working on the film, he moved away from that storyline, instead focusing more on "the mutual respect" between the characters and Valkyrie "dealing with her PTSD. She's someone who's drowning her sorrows in the bottle, and I just thought that was such a cool thing that you don't often see".[19] Thompson was inspired by pictures of Linda Hamilton as Sarah Connor in Terminator 2: Judgment Day while training for the role,[30] and worked with dialect coach Andrew Jack to create an Asgardian-sounding accent that was different enough to sound like she had been away from there for a long time.[32] Thompson will appear in future MCU films.[12][33]
Karl Urban as Skurge:
An Asgardian warrior,[12][25] who guards the Bifröst Bridge in Heimdall's absence and chooses to join Hela to survive.[22][20] Urban shaved his head for the role, and worked out to "get into the zone and feel" the part even though his body is hidden under a costume.[34] Urban said Skurge "makes a deal with the devil" and becomes Hela's "henchman. He does the dirty jobs. And that sort of is something he has to—it plays on his conscience."[22]
Mark Ruffalo as Bruce Banner / Hulk:
A genius scientist who, because of exposure to gamma radiation, transforms into a monster when enraged or agitated. In the two years since Avengers: Age of Ultron, he has become a successful and popular gladiator on Sakaar.[35][9] He is in "perma-Hulk mode", having suppressed the Banner side for a few years, and forming the vocabulary "of a toddler",[14] with the level of Hulk's speech being "a big conversation" between Waititi and Marvel since it was taking into account future appearances for the character.[36] Ragnarok begins an arc for the character that continues in Avengers: Infinity War and its untitled sequel, stemming from discussions Ruffalo had with Feige.[37] Ruffalo felt Hulk was "much more of a character than the green rage machine you've seen in the Avengers movies. He's got a swagger."[9] Waititi provided additional motion capture for the Hulk after Ruffalo had completed his scenes.[38]
Anthony Hopkins as Odin:
The king of Asgard, father of Thor, and adoptive father of Loki, based on the deity of the same name.[12] The character is in exile on Earth, and was originally intended to be a "crazy-looking" hobo on the streets of New York City, but Waititi ultimately felt that this was tragic rather than funny given the character's death during the sequence. The sequence was changed to take place in Norway, to "honor" the character's past and be more authentic to his role as a king of Asgard.[39] Waititi was surprised by the improvisational ability of Hopkins after he was told "to be funny and to really destroy what's come before [with the role] and recreate it."[38]

text: Additionally, Tadanobu Asano, Ray Stevenson, and Zachary Levi reprise their roles as Hogun, Volstagg, and Fandral, respectively, members of the Warriors Three.[40][23] They are all killed early in the film, which Feige called "noble ends" that served to establish the threat of Hela and the danger she poses to the main characters.[41] Benedict Cumberbatch reprises his role as Stephen Strange from the film Doctor Strange.[42] Rachel House, who has appeared in several of Waititi's films, plays Topaz, the Grandmaster's bodyguard,[43][20] while Waititi portrays Korg, a gladiator who befriends Thor. Waititi provided a motion-capture performance for the character, who is made of rocks, and wanted to do something different by having the character be soft-spoken,[44][45] ultimately basing Korg's voice on that of Polynesian bouncers.[46] Waititi also provided the motion-capture performance for the fire demon Surtur, based on the mythological being Surtr, with Clancy Brown providing the voice for that character.[47] Thor co-creator Stan Lee makes a cameo appearance as a man on Sakaar who cuts Thor's hair.[48] There are also several cameos in a sequence where Asgardian actors perform a play based on the events of The Dark World: Sam Neill, with whom Waititi previously worked on Hunt for the Wilderpeople, plays the Odin actor;[49][50] Luke Hemsworth, brother of Chris, plays the Thor actor;[50] and Matt Damon plays the Loki actor.[50]

text: Production[edit]

text: Development[edit]

text: While promoting the release of Thor: The Dark World in October 2013, Chris Hemsworth stated that he was contracted for another Thor film and two more Avengers films, and would be happy to continue portraying Thor beyond that if people wanted more.[51] Kevin Feige added that there was "a story we'd like to tell", building from certain elements at the end of The Dark World.[52] In January 2014, Marvel announced that Craig Kyle and Christopher Yost would write the screenplay for a third film, with Feige again producing;[53] the story was being outlined that July.[54] In October 2014, while talking about Avengers: Age of Ultron, Hemsworth said that his next film "won't be Thor 3—that will be the following year".[55]

text: On October 28, 2014, Feige announced that the film would be titled Thor: Ragnarok, would be released on July 28, 2017, and would see Hemsworth and Tom Hiddleston reprising their roles of Thor and Loki, respectively.[4][11] Feige called the film "a very important movie" in Phase Three of the Marvel Cinematic Universe (MCU).[4] He also confirmed that, in the context of the film, the word Ragnarok means "the end of all things",[56] and felt that "people will [not] read into that title alone what the movie's going to be."[57] In February 2015, Marvel pushed back the release date to November 3, 2017.[58] In April, Feige was expecting a draft for the film soon,[59] and a month later he stated that a director, additional screenwriter, and further casting announcements would be revealed "towards the end of the summer",[60] with filming set for June 2016.[61] The Dark World director Alan Taylor explained that he would not be returning, as "the Marvel experience was particularly wrenching because I was sort of given absolute freedom while we were shooting, and then in [post-production] it turned into a different movie. So, that is something I hope never to repeat and don't wish upon anybody else."[62] During the 2015 San Diego Comic-Con International, Jaimie Alexander said that she would reprise her role as Sif in "a very pivotal part" of the film.[63][64]

text:
I think the overall sense that I'm trying to give to the audience and what I want the audience to leave the cinema carrying with them is a sense of joy really... Sometimes I would stop and think, I'm doing a movie that's got Thor and Doctor Strange and The Incredible Hulk and Loki and every character is so strange and different... Civil War it's just humans, humans with human problems. Ours is creatures and beings and all these sorts of really different characters.

—Taika Waititi, director of Thor: Ragnarok[65]

text: By October 2015, Taika Waititi entered negotiations to direct Thor: Ragnarok. Other directors under consideration included Ruben Fleischer, Rob Letterman, and Rawson Marshall Thurber.[66] Marvel presented the prospective directors with "the ten different ideas that we had for the movie", asking them all to come back with a clearer picture of what the film should be.[67] Waititi created "a sizzle reel for the tone, and some joke stuff" using clips from other films,[67][68] including Big Trouble in Little China,[69] and scoring it with Led Zeppelin's "Immigrant Song".[70] This is a practice that Marvel discourages because it "oftentimes can be really terrible", but they thought Waititi's reel was "amazing",[67] particularly its use of that song which Feige felt "defined what Taika was going to do with this"; it was later used in the film itself, and to market it.[70] On why he decided to pursue directing the film, after stating in 2012 that he had no interest in "big features, where the art of the project was sacrificed for profit", Waititi said he felt "like a guest in Marvel's universe but with the creative freedom to do what I want".[71] Waititi was confirmed as director of the film by multiple news outlets later in the month.[72][73][74]

text: Hemsworth had asked Marvel if the film could be made in Australia, where he lives, and was told that they would "look into it".[75] In October, Australia's Minister for Foreign Affairs Julie Bishop announced that filming would take place in the country,[76] exclusively throughout the state of Queensland, including at Village Roadshow Studios in Oxenford, Gold Coast. According to Premier Annastacia Palaszczuk, the production was to spend over $100 million in Queensland and employ 750 Queenslanders.[77]

text: Also in October, Mark Ruffalo was finalizing a deal to reprise his role as Bruce Banner / Hulk from previous MCU films,[35] and soon confirmed that he would appear.[78] Hulk was last seen at the end of Age of Ultron traveling in a Quinjet, which was originally planned to be shown near Saturn. Feige explained that this was changed to an Earth-based location to leave Hulk's fate ambiguous and dispel rumors that a film based on "Planet Hulk" was in development, since Marvel Studios had no plans to adapt the storyline at the time.[79] According to executive producer Brad Winderbaum, the idea to include Hulk in Ragnarok came early on in development on that film, when the production team looked at the "Planet Hulk" storyline and felt it was a "no brainer" to integrate Hulk into the Thor franchise and explore "the idea of a planet where there's gladiatorial games as a Thor predicament. [That storyline] was a really cool idea to us."[80] Feige further explained that initial discussions had focused on doing "something totally different with Thor", and that centered on continuing the relationship with Loki and ideas for Hela, Valkyrie, Balder, and Beta Ray Bill, "but we were like, 'We need something big.'" This turned to discussing Thor going to space, and jokingly calling it "Planet Thor", which led to including Hulk in the film and revealing that he ultimately went to space at the end of Age of Ultron.[79]

text: In November, Hemsworth indicated that he wanted a lighter tone compared to the previous Thor films, especially the second one, similar to Guardians of the Galaxy. Hemsworth said, "I feel we had less of the sort of the naivety or fun or humor that the first [Thor] might have had. I wish we had more of that in the second [movie] ... We've done regal. We've done Shakespeare, and we've shown that. I think now it's time to go, 'Ok, cool. Let's try something different.'"[81] At the end of that month, Stellan Skarsgård, who portrayed Erik Selvig in the previous Thor films, said that he was contracted to appear should Marvel want to include him, but he was uncertain at the time if they did.[82] He later confirmed that he would not appear in Thor: Ragnarok.[83] In December 2015, Stephany Folsom was hired to work on the script, and Cate Blanchett entered final negotiations to join the cast,[16][84] while Hemsworth said that in order to prevent the character or film from becoming "predictable", there was "definitely a goal to do something unexpected... and really mix it up... I think we want to get back to more of a sense of adventure and fun in the" film.[85] Feige revealed that Thor: Ragnarok would take "place within the cosmos primarily which is to say, frankly, very little Earth", a departure from the previous Thor films.[57][86] He expanded, saying there were only three scenes on Earth,[87] with "80 to 90 percent [taking] place in the cosmos. Tonally and geographically there are a lot of different planets outside of the nine realms that we visit" in the film.[88]

text: Pre-production[edit]

text: In January 2016, with the film beginning pre-production,[77][89] Ruffalo described it as a "road movie" and indicated that additional filming would take place in Sydney.[90] Waititi stated that he was working on the script "a little bit", mainly adding humor to the screenplay,[91] with Eric Pearson joining the project. Pearson felt joining presented many challenges, as "there were so many puzzle pieces already there," such as having Blanchett as Hela (who was confirmed in the role a month later[92]) and including Hulk, Valkyrie, and Skurge, that "they dumped all the puzzle pieces out in front of me and said, 'Build a puzzle', basically." He was also told not to be restrained by anything from the previous films, and from Waititi, to make the film fun and Thor "be the coolest character."[93] Alexander said in early March that she was no longer sure if she would appear in the film, due to scheduling conflicts with her television series Blindspot.[94] Though she later indicated that this was not the case,[95][25] Alexander ultimately did not appear in the film,[96] and confirmed that this was due to scheduling conflicts with Blindspot.[97]

text: In April, Tessa Thompson joined the cast as Valkyrie,[33][12] and Natalie Portman was confirmed to not be returning from the previous films as love interest Jane Foster.[88][98] Marvel never asked any of the screenwriters to add the Earth-based characters from the previous films to the script,[99] and Feige later explained that Foster and Thor have broken up between films.[31] In May, Marvel confirmed Blanchett and Thompson's castings, while announcing the casting of Jeff Goldblum as Grandmaster and Karl Urban as Skurge. The announcement also confirmed that Idris Elba and Anthony Hopkins would reprise their respective roles of Heimdall and Odin from the previous films.[12] In early June, Palaszczuk and Marvel Studios executive David Grant announced that filming would begin on July 4, 2016,[100] with Weta Workshop creating props for the film.[34] Before the sets created for Marvel's Doctor Strange were demolished, Waititi wrote and filmed a scene for Ragnarok where Thor meets Benedict Cumberbatch's Stephen Strange. Marvel and Doctor Strange director Scott Derrickson felt the scene was "kind of perfect" to show Strange joining the wider MCU, so the scene also appears during the credits of Doctor Strange.[42][101][102]

text: Waititi consulted with theoretical physicist Clifford Johnson, who previously consulted on the second season of Agent Carter, on space travel and allowed Johnson to view early drafts of the script. Johnson gave Waititi physics ideas that could "wink at some of the classic old [Thor] stuff".[103] Comic artist and Thor co-creator Jack Kirby was one of Waititi's major visual inspirations for the film.[104] Winderbaum also called Walt Simonson's "Ragnarok" story arc an inspiration for "really fun elements ... both stylistically and narratively", as well as Thor: God of Thunder by Jason Aaron, which was the inspiration for Hela's design and abilities.[21] Waititi said the planet Sakaar, which is featured in the "Planet Hulk" storyline, was "the biggest shift for the film and these characters",[104] with Winderbaum describing it as "the toilet of the universe", surrounded by "wormholes that have been spitting things out into this place for eons".[80] Also featured is Muspelheim, one of the Nine Realms ruled by Surtur. Production designer Dan Hennah described the realm as a Dyson sphere, with the realm drawing power out of a dying star to energize its inhabitants.[105] Hennah hoped to give Asgard "more of a humanity" than in previous films, by adding smaller building perspectives to help the realm seem more practical and utilitarian, given more of the general population is seen in the film. For Saakar's gladiator arena, Hennah looked at Roman gladiators, but feeling Roman gladiators had "been done so often" he "sort of went all alien with it. We toyed with a lot of different concepts, but we ended up with one where the arena itself is surrounded by bleachers which have standing up bleachers, not sitting down."[106]

text: Waititi said that the film would reinvent the franchise, saying, "A lot of what we're doing with the film is, in a way, kind of dismantling and destroying the old idea and rebuilding it in a new way that's fresh. Everyone's got a slightly new take on their characters, so in that way, it feels like [this is] the first Thor."[9] He added that he had seen the other films and respected them, but wanted to focus on making a "standalone film because this could be the only time I do this. I just want to make it [my] version of a Marvel film in the best way possible."[10] The events of Ragnarok are set four years after the events of Thor: The Dark World, two years after the events of Avengers: Age of Ultron,[4][107] and around the same time as the events of Captain America: Civil War and Spider-Man: Homecoming, with Winderbaum noting that "things happen on top of each other now in Phase Three."[6] The events of Ragnarok also set up Avengers: Infinity War,[9] and Hemsworth spoke to Infinity War directors Anthony and Joe Russo before receiving the script for Ragnarok to see how it would link to Infinity War. He said Ragnarok "definitely bleeds nicely into those [films]",[6] and Winderbaum likened Ragnarok's impact on the larger MCU to that of Captain America: The Winter Soldier, saying it would break down ideas regarding Asgard that were previously established similar "to how Winter Soldier broke down S.H.I.E.L.D."[6]

text: Filming[edit]

text: Principal photography began on July 4, 2016,[100][108] under the working title Creature Report,[109][3] at Village Roadshow Studios in Oxenford, Gold Coast, Queensland, Australia,[77] exclusively using all nine of the studios' sound stages.[110] Additional filming was to occur throughout the state of Queensland,[77] including Tamborine National Park.[23] The Brisbane central business district, where filming took place from August 22 to 25,[26][109][111] was used to double as New York City.[112] Javier Aguirresarobe served as cinematographer on the film, with Dan Hennah as production designer.[108][113] Aguirresarobe described working on the film as "a rare combination of satisfaction and frustration", feeling that he was mostly there to service the director and visual effects supervisor, but felt "very happy to have been able to respond to such incredible technical requirements".[114]

text: Later in July, regarding the film's plot and "buddy-style comedy" nature, Waititi said that the script had changed from then and it was still unclear what the final film would look like, but there "are buddy elements to it between Thor and the Hulk".[71] He said it would be a "'70s/'80s sci-fi fantasy" and "the most 'out there' of all the Marvel movies",[115] with the tone closest to that of Big Trouble in Little China.[69] Inspiration for the road-trip aspect of the film that Thor and Hulk embark on included 48 Hrs., Withnail and I and Planes, Trains and Automobiles.[9] Waititi also asked the heads of each department to watch Flash Gordon before they began work on the film.[116] Concept art released at San Diego Comic Con 2016 revealed that the characters Surtur and Fenris Wolf would appear in the film.[117][118]

text: By August, over 100 set and construction workers were given termination notifications, with some complaining that they had been promised work until October or November 2016, and that members of the crew from New Zealand were receiving preferential treatment over the Australian locals. However, Premier Palaszczuk stated that the work for set builders simply "finished", and that other jobs would become available as the actors arrived for filming.[119] Many of the sets that were constructed for the film were for Sakaar, including the Grandmaster's palace and surrounding junkyard, as well as sets for Asgard based on the aesthetics of the previous Thor films.[23] Waititi, who is Māori, made hiring Indigenous and Aboriginal Australians, along with New Zealanders, a priority for the various departments, saying, "It's a responsibility you have to the Indigenous people. You're coming to a country and you're bringing money into the economy and creating jobs but I think you have an even bigger responsibility to look after the people that have less opportunities." He added that having these people on the crew "feel very much like family" and "helps calm me down and makes me feel relaxed". The Indigenous and Aboriginals were hired as part of an initiative by Screen Australia's Indigenous Department, whose mission is "to give Aboriginal and Torres Strait Islanders a foot in the door of the film industry".[120]

text: In mid-September 2016, concept art seen during the media's set indicated Midgard Serpent would appear,[121] and that Sif and the Warriors Three, allies of Thor in the previous two films, would be addressed in Ragnarok.[32] Towards the end of the month, Sam Neill, who worked with Waititi in Hunt for the Wilderpeople, revealed he had a role in the film.[49] Shortly after, Waititi teased the inclusion of the character Korg in the film,[122] who Waititi portrays through motion-capture.[44] In mid-October, Waititi revealed that new camera technology had been used for a shot in the film, and that he had hoped to include John C. Reilly's Nova Corpsman Rhomann Dey in the film, but there was "no real way to pull it off".[115] He also revealed that the character Miek would appear in the film;[123] he is not portrayed by an actor in the film, as he does not speak, and is depicted as "a larva-like creature... [with] cybernetic legs and arms".[44] Principal photography wrapped on October 28, 2016.[124] Second unit filming took place on Dirk Hartog Island off the coast of Australia, and in the South Island of New Zealand.[23] The interior set of the Avenger Quinjet was one that had been built for The Avengers and was shipped to Australia for filming.[3] According to Waititi, 80 percent of the dialogue in Thor: Ragnarok was improvised, in order to create a "very loose and collaborate mood" among the cast and an attempt to replicate the tone and sensibility from his previous films. He stated, "My style of working is I'll often be behind the camera, or right next to the camera yelling words at people, like, 'Say this, say this! Say it this way!'"[125]

text: Post-production[edit]

text: In January 2017, it was revealed that Pearson would be receiving sole screenwriting credit on the film, with Marvel noting that the story for Ragnarok was conceived by Kyle, Yost and Folsom.[126] These credits were later updated the following September, with Pearson as the screenwriter and also given a story credit with Kyle and Yost, who were credited as a writing team. Folsom took issue with Marvel marketing the film with these credits, noting the Writers Guild of America (WGA) had yet to determine the final credits for the film.[127] She later said that Marvel had given her a story credit on the film, but was denied by the WGA due to their regulation that a maximum of two individuals can receive story credit, with an allowance for a writing team to count as one individual; Pearson and the team of Kyle and Yost received the story credit on Ragnarok. Folsom added that she planned to appeal the decision, and that Marvel has been supportive of her throughout her attempt to receive credit.[128] By the end of the month, the writing credits were updated once again, this time removing the story credits and giving Pearson, Kyle, and Yost the screenwriting credit.[129][96]

text: In February 2017, Rachel House said she had a small role in the film, having worked with Waititi before.[43] Additional filming took place in Atlanta in July 2017, over three weeks,[130][131] including filming the film's post-credit scenes.[132] One scene, shown during the credits, introduces the spaceship Sanctuary II that belongs to Thanos, the villain of Avengers: Infinity War and its untitled sequel.[5] Another scene shown at the end of the credits, features the Grandmaster. Goldblum and Waititi improvised multiple different versions of the scene, including one that was not used but involved the singing of the Sakaarian national anthem, which was "made up on the spot".[133] Also filmed in Atlanta was the completion of a sequence where Asgardian actors perform a play based on the events of The Dark World. It was revealed that Neill appears in the sequence as the Odin actor, and Hemsworth's brother Luke portrays the Thor actor.[134] Explaining the sequence, Waititi said, "if I was Loki and I was ruling Asgard, I would write a play about myself and force everyone to go and see it—change the details of the play and get a huge celebrity to play myself." For the Loki actor, they "really wanted someone good and someone who's funny", and Chris Hemsworth suggested that Matt Damon, who Hemsworth knows, take on the role, and his cameo was filmed "on a lark".[50] Damon was in New York City at the time, and flew to Atlanta just to shoot the cameo.[134]

text: Also changed during reshoots was the location of the sequence where Thor and Loki find Odin on Earth, and Hela subsequently destroys Thor's hammer. Originally intended to take place in a New York City alley, Waititi decided that the environment was distracting from the emotions of the sequence, and so the scene was changed to take place in Norway. He felt this gave more weight to the scenes, made Odin's storyline more "authentic", and also allowed the characters and the audience to "chill out for a second, and have that moment, because the rest of the film basically just runs at a clip".[39] By the time the reshoots for the film were completed, the film had been cut down from Waititi's initial version of two-hours-and-forty-minutes to around ninety minutes, with that expected to increase slightly with the newly filmed scenes. However, after the film's 2017 Comic Con panel, it was decided to add back a lot of the jokes that had been removed, with the final runtime being two-hours-and-ten-minutes.[116] Joel Negron and Zene Baker served as editors on the film.[23][3] Waititi described the process of deciding exactly what jokes to keep as "very tricky ... sometimes it would be funny in the beginning of the film and then not funny at all [or] it was funny in the wrong places and in the end, we had to just keep testing jokes and testing parts of the film".[135] Ragnarok also clarifies that an Infinity Gauntlet seen in Thor was a fake. Feige expanded, saying that it had been included in Thor as an easter egg, since Marvel Studios was "working on The Avengers and trying to get just put that all together for the conclusion of Phase One." However, shortly after The Avengers released and the studio began to solidify plans for Avengers: Infinity War, they realized that the gauntlet seen in Thor could not be the actual one, creating an internal theory that it was fake; this resulted in the scene in Ragnarok, which was created "just [to have] the opportunity to call it a fake".[134]

text: Visual effects[edit]

text: Visual effects for the film were created by: Industrial Light & Magic's (ILM) San Francisco and Vancouver studios,[136] with help from Base FX, Animatrik, and Virtuos; Framestore; Method Studios Vancouver; Digital Domain; Rising Sun Pictures; Luma Pictures; D Negative; Iloura; Image Engine; Trixter; The Secret Lab; WhiskeyTree Inc; Fin Designs + Effects; and Perception.[23] Previsualization work was provided by The Third Floor and Day for Nite.[23][137]

text: Rising Sun Pictures produced more than 170 visual effects shots for Thor: Ragnarok. They worked on the Valkyrie flashback sequence, with the sequence's surreal ethereal appearance achieved through a combination of motion capture, computer graphics, a 900 fps high-speed frame rate, and a special 360° lighting rig containing 200 strobe lights to bathe the scene in undulating patterns of light and shadow. Rising Sun also helped create the various CGI aspects of Hela, such as her "hair wipe transition" to her horns, and her original introductory sequence where she destroys Mjolnir in New York City. When that sequence changed to take place in Norway, ImageEngine stepped in to work on the sequence, as Rising Sun was focused on the palace fight sequence.[138]

text: ILM, who worked on previous incarnations of the Hulk, had to add much more detail to the character's facial features in Ragnarok due to the Hulks increased dialogue. ILM visual effects supervisor, Chad Wiebe stated, "We went back to scratch and got Mark [Ruffalo] in the chair doing a new Medusa [Performance Capture]. We went for a full range of motion, we captured about 90 different expressions in the Medusa, and from there we built an entirely new library that would allow him to cover a full range of normal human visual characteristics."[139] To help create the Hulk, a person on set was covered in green body paint, and would replicate the intended motions of the character to aid the visual effect artists.[80] Additionally, stunt actor Paul Lowe, who is under five feet tall, stood in for Hemsworth during some of his interactions with the Hulk so that the Hulk's stunt men would be proportionally correct. In some instances when Thor and the Hulk interacted, a digital double was used for Thor, also created by ILM, to have greater flexibility for the shots. ILM worked on all of the Hulk moments in the film outside the final fight sequence, which was completed by Framestore using ILM's assets, as Framestore was primarily responsible for rigging that sequence. Framestore completed nearly 460 shots, which featured digital doubles of Thor and Hela, Fenris, Korg, Miek, the giant Surtur at the end of the film, and over 9,000 buildings for Asgard, based on assets D Negative had from The Dark World, resulting in over 263 character, vehicle, prop, and crowd rigs.[139]

text: Luma Pictures produced over 200 shoots in eight sequences, particularly for the characters Korg (receiving assets from Framestore) and Miek. Method Studios provided over 450 shots, including Thor's opening fight against Surtur in Muspelheim and Hela's fight against the Asgardian guards. D Negative worked on over 190 shots, creating the environment for the planet Sakaar, including its junkyard landscape and wormholes, with the wormholes also being created through a collaboration with Digital Domain.[139]

text: Music[edit]

text: By August 2016, Mark Mothersbaugh was hired to score the film.[140][141] The synthesized score is influenced by the work of Jean-Michel Jarre.[20] Waititi would have asked the band Queen to work on the soundtrack for the film if their lead singer Freddie Mercury was still alive, because the film is "a cool bold, colorful cosmic adventure" which would have suited the "feel" of the band.[142] Additional music featured in the film include "Immigrant Song" by Led Zeppelin and "Pure Imagination" from the film Willy Wonka & the Chocolate Factory. Patrick Doyle's themes from Thor and Brian Tyler's themes from The Dark World and Avengers: Age of Ultron, as well as Joe Harnell's "The Lonely Man" theme from The Incredible Hulk series, are also used in the film.[23] Hollywood Records released the film's soundtrack digitally on October 20, 2017, and physically on November 10, 2017.[143]

text: Release[edit]

text: Thor: Ragnarok had its world premiere at the El Capitan Theatre in Los Angeles on October 10, 2017,[144][145] and its Australian premiere took place on October 13, on the Gold Coast.[146] It was released in the United Kingdom on October 24, 2017,[147] with additional international releases on October 25,[107] and in Australia on October 26.[148] The film was released in the United States and Canada on November 3,[58] in 4,080 theaters, of which over 3,400 were 3D, 381 were IMAX and IMAX 3D, and 204 were D-Box.[149] The film opened in 1,187 IMAX theaters globally, which was a November opening weekend record.[150] It was originally scheduled for release on July 28, 2017.[4]

text: Marketing[edit]

text: At the 2016 San Diego Comic-Con, a physical model of Hulk's gladiator armor was revealed,[151] concept art and rough animatics were shown,[117] and a "mockumentary" short titled Team Thor was screened. Directed by Waititi, it showed what Thor and Banner were doing during the events of Captain America: Civil War,[117][152] with Daley Pearson appearing as Thor's Australian flatmate Darryl Jacobson. The short released online in August 2016,[152] and with the digital download of Captain America: Civil War the following month.[153] Team Thor: Part 2 was released on the home media of Doctor Strange in February 2017, with Pearson reprising his role.[152][154] Footage and concept art for the film were shown at CinemaCon 2017.[155]

text: On April 10, 2017, the first teaser trailer was released. Sandy Schaefer of Screen Rant felt it was "a strong start" for the film, as it "quickly establishes the high stakes for the movie" while also having "a distinctly playful vibe" by setting it to "Immigrant Song".[156] The Verge's Chaim Gartenberg said, "between the extravagant costumes, wild makeup, and brilliantly colored '80s aesthetic, it's possible that this may be the weirdest Marvel movie to date."[157] Michael Arbeiter for Nerdist was pleased with the teaser, stating, "nothing in the MCU thus far can hold a candle to the imagination promised by this ... have any of [the previous MCU films] felt this beholden to what we've always known and loved as the adventure genre?"[158] The teaser was viewed 136 million times in 24 hours, the third-highest in that time frame behind The Fate of the Furious (139 million) and It (197 million). It also became Disney and Marvel's most viewed trailer within that time period, surpassing Beauty and the Beast (127 million) and Captain America: Civil War (94 million), Disney and Marvel's previous record holders, respectively.[159] The line from the trailer of Thor saying Hulk "is a friend from work" was suggested to Hemsworth by a Make-A-Wish child visiting the set on the day the scene was filmed.[160]

text: Props and costumes from the film were on display at D23 Expo 2017 along with set pieces for photo opportunities.[161] The costumes were also on display at the 2017 San Diego Comic-Con,[162] where Waitti and cast members promoted the film. Exclusive clips were shown, along with a new trailer.[14][24] Ethan Anderton of /Film felt "the blend of comedy and bright, vibrant comic book action" in the trailer was "incredible". He also enjoyed the chemistry between Hemsworth and Ruffalo.[163] Collider's Haleigh Foutch was "in love with this trailer" and "all in" on the film. She said, "Waititi is embracing the fantastical and goofy elements of Thor and translating them into thrilling cinema."[164] Germain Lussier for io9 called the trailer "a two-and-a-half-minute ball of action, awesomeness, humor, and insanity that may be the most purely fun Marvel movie trailer we've ever seen."[165] The poster also released was praised, being called "quite stunning", "insanely colorful", "perfectly symmetrical",[166] and "glorious", with Matt Goldberg of Collider feeling it "really [lets] you know that this Thor movie is going to be radically different than the first two".[167] Due to the Comic-Con presentation, Thor: Ragnarok generated over 264,000 new conversations on social media from July 17 to 23, the most out of any film during that time period, according to comScore and its PreAct service.[168] It retained this for two more weeks.[169][170]

text: In August 2017, Marvel partnered with car manufacturer Renault on a commercial supporting the release of the Kwid in Brazil. Directed by Jonathan Gurvit and shot in São Paulo, it features the Hulk destroying a satellite headed towards the city. Framestore worked on visual effects for the commercial, building on the foundation they had from working on the character in previous films.[171][172] Also in August, Marvel, in partnership with Dolby Laboratories, Synchrony Bank, American Association for the Advancement of Science (AAAS), Broadcom Masters, and Society for Science & the Public, announced "Superpower of STEM Challenge", aimed at females aged 15 through 18 in STEM (Science, Technology, Engineering, and Mathematics education) fields, to "create an original Do-It-Yourself project that can be replicated by others" and "help their family, community or the world be safer, healthier or happier". Five winners would attend the film's world premiere, receive a tour of Walt Disney Studios, and a $500 saving account from Synchrony Bank, with one grand prize winner attending "an immersive three-day mentorship in New York City with Disney Imagineering" to create a "professional-level video teaching other young people how to recreate" their winning project. They were also given the opportunity to demonstrate the project on Good Morning America.[173]

text: For the week of August 21, Ragnarok once again had the most social media conversations according to comScore and its PreAct service. New clips of Thor and Hulk fighting, released on the same day as the Floyd Mayweather Jr. vs. Conor McGregor fight, helped generate the 57,000 new conversations for the week.[174] From September 25 to October 15, Ragnarok had the second-most social media conversations according to comScore and its PreAct service.[175][176] For the week of October 16, the film was once again the first in social media conversations due to the release of extended clips and plot details. Ragnarok earned over 1.65 million conversations to date.[177] Beginning October 6, 2017, Disney California Adventure showed a sneak peek of the film at the Sunset Showcase Theater in Hollywood Land. The sneak peek was presented in 3D with "special in-theater effects", while props and costumes from the film were also on display.[178] Ahead of the United States release of the film, Hemsworth, Hiddleston, Blanchett, Goldblum, Ruffalo, and Thompson appeared with James Corden on The Late Late Show with James Corden to present a "4D" version of the film, which was actually a stage play. The cast performed various scenes from the film live in low-budget costumes and with cardboard stage props.[179] Additional promotional partners included Red Robin, United Healthcare, and Screenvision Media.[150]

text: Home media[edit]

text: Thor: Ragnarok was released on digital download by Walt Disney Studios Home Entertainment on February 20, 2018, and is scheduled to be released on Ultra HD Blu-ray, Blu-ray, DVD and On-Demand on March 6. The digital and Blu-ray releases include behind-the-scenes featurettes; audio commentary; deleted scenes; a blooper reel; and Team Darryl, a continuation of the "mockumentary" short films Team Thor and Team Thor: Part 2, in which the Grandmaster moves in with Darryl after Thor leaves.[180]

text: Reception[edit]

text: Box office[edit]

text: As of February 19, 2018[update], Thor: Ragnarok has grossed $314.6 million in the United States and Canada, and $538.8 million in other territories, for a worldwide total of $853.5 million.[2] In September 2017, a survey from Fandango indicated that Ragnarok was the most anticipated fall film.[181] For the weekend of November 3, 2017, the film earned $25.4 million from IMAX showings, which was the largest November opening weekend record, surpassing Doctor Strange (2016), and the third largest for an MCU film.[150] By the end of its third weekend globally, the film had earned $650.1 million, which surpassed the total grosses for Thor ($449.3 million) and Thor: The Dark World ($644.6 million),[182][183] and became the ninth highest-grossing film of 2017.[184]

text: Thor: Ragnarok earned $46.8 million on its opening day in the United States and Canada (including $14.5 million from Thursday night previews), and had a total weekend gross of $122.7 million, which was the top film for the weekend, the sixth best November opening, and the largest opening for all Thor films. IMAX contributed $12.2 million, which was the second-best IMAX opening of 2017 and the third-best November opening. The film's earnings on Sunday ($32.1 million), was the second-best Sunday in November after The Hunger Games: Catching Fire ($34.5 million).[150] Box office projections for the film had it grossing $100–125 million in its opening weekend.[185][186] Ragnarok remained the number one film in its second weekend, having earned a total of $211.6 million, which surpassed the entire runs of Thor ($181 million) and The Dark World ($206.4 million).[187] In its third weekend, Thor: Ragnarok fell to third at the box office, coming in behind Justice League and Wonder,[188] and fourth in its fourth and fifth weekends.[189][190] The film's domestic total by its fifth weekend, $291.4 million,[190] surpassed its projected total domestic gross of $280 million.[191] Thor: Ragnarok was fifth in its sixth weekend,[192] and seventh in its seventh weekend, the final weekend it remained in the top 10.[193]

text: Outside the United States and Canada, the film opened in 36 markets in its first weekend, ranking first in all, and earning $109.1 million, $6 million of which came from 189 IMAX screens. The United Kingdom opening ($16.2 million) was the best October opening for any non-James Bond film. South Korea ($15.7 million), Australia ($8.4 million), Brazil ($8.1 million), Indonesia ($5.5M), Taiwan ($5.4M), the Philippines ($3.8M), Malaysia ($3.5M), New Zealand, Vietnam, Argentina, Colombia, Chile, Bosnia, Bulgaria, Croatia, and South Africa had the best October opening weekend ever, while France ($7.7 million) had the second-best October opening weekend. Brazil also had the third best debut for an MCU film, while New Zealand's opening was the biggest of 2017 overall.[194] In its second weekend, Ragnarok opened in 19 more markets, opening number one in all, with the largest November openings ever in China ($56.3 million, including $6 million from 446 IMAX screens), Mexico ($10.8 million), Germany ($8.9 million), and India ($5.5 million). Ragnarok also remained at number one in many existing markets. The film earned an additional $13.2 million from 788 IMAX screens, which was the best November opening ever.[195] In its third weekend, the film remained at number one in over 30 countries, and became the highest-grossing superhero film in the Czech Republic.[183] By its fifth weekend, Ragnarok had become the highest grossing superhero film of all time in central and eastern Europe.[196] As of December 10, 2017[update], the film's largest markets were China ($112 million), the United Kingdom ($40.4 million), and South Korea ($35.1 million).[184]

text: Critical response[edit]

text: The review aggregator website Rotten Tomatoes reported a 92% approval rating based on 321 reviews, with an average score of 7.5 out of 10. The website's critical consensus reads, "Exciting, funny, and above all fun, Thor: Ragnarok is a colorful cosmic adventure that sets a new standard for its franchise – and the rest of the Marvel Cinematic Universe."[198] Metacritic, which uses a weighted average, assigned a score of 74 out of 100 based on 51 critics, indicating "generally favorable reviews".[199] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, making it the best of the Thor series and the 12th MCU film to earn the score.[150]

text: Sheri Linden of The Hollywood Reporter said, "With Taika Waititi at the helm, the clash-of-worlds CGI extravaganza blasts free of the previous installment's leaden Dark World. Giant fire monsters in stygian underworlds notwithstanding, even the story's central bad guys are silly fun, hammed to the hilt by Cate Blanchett and Jeff Goldblum."[200] Alonso Duralde of TheWrap wrote, "Both the banter and the fighting, it should be noted, are excellent, so whether you go to superhero movies for the glossy escapism or the pulse-pounding action, you'll get your large soda's worth."[201] Peter Travers of Rolling Stone rated the film three stars out of four, described the film as "the most fun you'll ever have at a Marvel movie" while praising the film's changing tone and direction as well drawing a similarity on its tone and humor to the Guardians of the Galaxy.[202] The San Francisco Chronicle's Mick LaSalle lauded the performances of Hemsworth, Hiddleston, Blanchett, Thompson, Goldblum and Ruffalo in which he described that the film "has confidence in its characters and in its own invention, and so it avoids repetition and stays fresh" while calling the film "fun" and that it "sustains its energy, keeps its sense of humor and succeeds in coming up with yet another variation on the old evil-about-to-destroy-the-entire-universe plot".[203] Richard Roeper of the Chicago Sun-Times also similarly praised the film while calling the performances of the ensemble cast "outstanding" and Waititi's direction "goofy and campy and marvelously self-referential". He also said the soundtrack that was used in the climactic battle sequence, particularly Led Zeppelin's "Immigrant Song" as being "perfectly synced".[204]

text: Matt Zoller Seitz of RogerEbert.com gave the film three out of four stars, praising Hemsworth's performance especially: "When he bumbles and stumbles, there's a touch of Cary Grant to his embarrassment. And when he's playing things more or less straight, there's an average guyness to his reactions.... Hemsworth's charisma holds [Thor: Ragnarok] together whenever it threatens to spin apart, which unfortunately is often."[205] Justin Chang of Los Angeles Times praised Blanchett's performance of Hela, drawing a comparison of the portrayal of her character to other iconic villains such as Maleficent and Chernabog, and the similar themes and tone to Flash Gordon, Star Wars, and Willy Wonka & the Chocolate Factory.[206] The Daily Telegraph's Robbie Collin gave the film four out of five, hailed it as "one of [Marvel's] best films to date" while commending the performances and describing Mark Mothersbaugh's musical score as "turbo-charged".[207] Michael Phillips of the Chicago Tribune commended the performances of Hiddleston and Thompson as being "wonderfully matched". He also noted a similar directing style of Waititi to Edgar Wright's "parodic work" and at the same time, labelled the film as "an unusually lively and buoyant" and "qualified victory" while acknowledging the effect of a "Marvel Fatigue factor" towards the audiences.[208]

text: Conversely, Peter Debruge of Variety said, "Thor: Ragnarok is easily the best of the three Thor movies – or maybe I just think so because its screenwriters and I finally seem to agree on one thing: the Thor movies are preposterous", but praised Goldblum's performance as "the best part of the film".[209] Stephanie Zacharek of Time magazine stated negatively that "Thor: Ragnarok is packed tight with zooming space vehicles and noisy thunder battles, but the movie's extravagant excess is more narcotizing than energizing." Zacharek further added that "Even poor Thor seems lost in all of it, and he's supposed to be its star" while criticizing the film's visual effects as being "an instance of fun overkill" and "a special-effects coma".[210] Manohla Dargis of The New York Times called the film's story "an uninteresting thicket of brawls, machinations and useful coincidences", adding that Marvel "could have gone grimmer, broodier, and sterner, but that isn't its onscreen way", choosing instead to show the character as a "playfully sustained joke". Dargis stated that Hemsworth "looks happier and far more relaxed in Ragnarok than he did in the previous Thor vehicles, which is perhaps Mr. Waititi's truest achievement here."[211]

text: Accolades[edit]

text:
Year
Award
Category
Recipient(s)
Result
Ref(s)

2017
Washington D.C. Film Critics Awards
Best Motion Capture Performance
Taika Waititi
Nominated
[212]

2018
British Academy Film Awards
Rising Star Award
Tessa Thompson
Nominated
[213]

Golden Tomato Awards
Best Wide Release 2017
Thor: Ragnarok
10th Place
[214]

Best Comic Book/Graphic Novel Movie 2017
Thor: Ragnarok
3rd Place

Critics' Choice Awards
Best Action Movie
Thor: Ragnarok
Nominated
[215]

Best Actor in a Comedy
Chris Hemsworth
Nominated

Best Visual Effects
Thor: Ragnarok
Nominated

NAACP Image Awards
Outstanding Supporting Actress in a Motion Picture
Tessa Thompson
Nominated
[216][217]

Outstanding Supporting Actor in a Motion Picture
Idris Elba
Won

Costume Designers Guild Awards
Excellence in Sci-Fi/Fantasy Film
Mayes C. Rubeo
Pending
[218]

16th Visual Effects Society Awards
Outstanding Virtual Cinematography in a Photoreal Project
Hubert Maston, Arthur Moody, Adam Paschke, Casey Schatz for "Valkyrie's Flashback"
Nominated
[219]

Outstanding Compositing in a Photoreal Feature
Gavin McKenzie, David Simpson, Owen Carroll, Mark Gostlow for "Bridge Battle"
Nominated

text: Future[edit]

text: By the release of Ragnarok, Waititi and Marvel held discussions concerning a spin-off Marvel One-Shot short film following the characters Korg and Miek, but it was unfeasible due to Marvel's commitment to producing three feature films a year. Feige said Marvel has plans for those characters, but did not specify.[220] In January 2018, Hemsworth indicated his interest in continuing to play Thor, despite his contract with Marvel Studios scheduled to end after the fourth Avengers film,[221] saying the next month "if there's another great script that comes along" he would consider playing the character again.[222] He and Waititi have had discussions on what they would want in a potential fourth Thor film.[223]

text: Notes[edit]

text:
Jump up ^ As depicted in the 2015 film Avengers: Age of Ultron.[4]
Jump up ^ According to producer Kevin Feige, the spaceship seen in the mid-credits scene is the Sanctuary II, which belongs to Thanos.[5]

tag: ol


document_title: List of Test cricket records

question_text: who has scored the most test runs in cricket

root

text: List of Test cricket records

text: Listing criteria

text: In general the top five are listed in each category (except when there is a tie for the last place among the five, when all the tied record holders are noted).

tag: p

text: Listing notation

text:
(300–3) indicates that a team scored 300 runs for three wickets and the innings was closed, either due to a successful run chase or if no playing time remained
(300–3 d) indicates that a team scored 300 runs for three wickets, and declared its innings closed
(300) indicates that a team scored 300 runs and was all out

tag: ul

text:
(100) indicates that a batsman scored 100 runs and was out
(100*) indicates that a batsman scored 100 runs and was not out

text: (5–100) indicates that a bowler has captured 5 wickets while conceding 100 runs

text: indicates a current Test cricketer

text: Cricket is played during the summer months in most countries. Domestic cricket seasons in Australia, New Zealand, South Africa, India, Pakistan, Sri Lanka, Bangladesh, Zimbabwe and the West Indies may therefore span two calendar years, and are by convention said to be played in (e.g.) "2008–09". A cricket season in England is described as a single year. e.g. "2009". An international Test series may be for a much shorter duration, and Cricinfo treats this issue by stating "any series or matches which began between May and September of any given year will appear in the relevant single year season and any that began between October and April will appear in the relevant cross-year season".[23] In the record tables, a two-year span generally indicates that the record was set within a domestic season in one of the above named countries.

text: Team records

text: Team wins, losses and draws

text:
Team

First Test match

Matches

Won

Lost

Tied

Drawn

% Won

 Afghanistan
14 June 2018
1
0
1
0
0
0.00

 Australia
15 March 1877
812
383
219
2
208
47.16

 Bangladesh
10 November 2000
108
10
82
0
16
9.25

 England
15 March 1877
1004
361
298
0
345
35.95

 India
25 June 1932
527
146
164
1
216
27.70

 Ireland
11 May 2018
1
0
1
0
0
0.00

 New Zealand
10 January 1930
426
92
170
0
164
21.59

 Pakistan
16 October 1952
415
134
123
0
158
32.28

 South Africa
12 March 1889
427
161
142
0
124
37.70

 Sri Lanka
17 February 1982
274
88
101
0
84
32.11

 West Indies
23 June 1928
535
171
188
1
174
31.96

 Zimbabwe
18 October 1992
105
11
67
0
27
10.47

ICC World XI
14 October 2005
1
0
1
0
0
0.00

Last updated: 11 September 2018[24]

tag: table

text: Result records

text: Greatest win margins (by innings)

text:
Margin

Teams

Venue

Season

Innings and 579 runs

 England (903–7 d) beat  Australia (201 & 123)
The Oval, London
1938

Innings and 360 runs

 Australia (652–7 d) beat  South Africa (159 & 133)
New Wanderers Stadium, Johannesburg
2001–02

Innings and 336 runs

 West Indies (614–5 d) beat  India (124 & 154)
Eden Gardens, Kolkata
1958–59

Innings and 332 runs

 Australia (645) beat  England (141 & 172)
Brisbane Cricket Ground
1946–47

Innings and 324 runs

 Pakistan (643) beat  New Zealand (73 & 246)
Gaddafi Stadium, Lahore
2002

Last updated: 12 December 2016[25]

text: Greatest win margin (by runs)

text:
Margin

Teams

Venue

Season

675 runs

 England (521 & 342–8 d) beat  Australia (122 & 66)
Brisbane Exhibition Ground
1928–29

562 runs

 Australia (701 & 327) beat  England (321 & 145)
The Oval, London
1934

530 runs

 Australia (328 & 578) beat  South Africa (205 & 171)
Melbourne Cricket Ground
1910–11

492 runs

 South Africa (488 & 344-6 d) beat  Australia (221 & 119)
Wanderers Stadium, Johannesburg
2018

491 runs

 Australia (381 & 361–5 d) beat  Pakistan (179 & 72)
WACA Ground, Perth
2004–05

Last updated: 3 April 2018[26]

text: Matches that finished with scores level

text:
Result

Teams

Venue

Season

Tie

 Australia (505 & 232) vs  West Indies (453 & 284)
The Gabba
1960–61

Tie

 India (397 & 347) vs  Australia (574–7 d & 170–5 d)
MA Chidambaram Stadium, Madras
1986–87

Draw

 Zimbabwe (376 & 234) vs  England (406 & 204–5)
Queens Sports Club, Bulawayo
1996–97

Draw

 India (482 & 242–9) vs  West Indies (590 & 134)
Wankhede Stadium, Mumbai
2011–12

Last updated: 15 June 2016[27][28][29]

text: Narrowest win margin (by wickets)

text:
Margin

Teams

Venue

Season

1 wicket

 England (183 & 263–9) beat  Australia (324 & 121)
The Oval, London
1902

 South Africa (91 & 287–9) beat  England (184 & 190)
Old Wanderers, Johannesburg
1905–06

 England (382 & 282–9) beat  Australia (266 & 397)
Melbourne Cricket Ground
1907–08

 England (183 & 173–9) beat  South Africa (113 & 242)
Newlands Cricket Ground, Cape Town
1922–23

 Australia (216 & 260–9) beat  West Indies (272 & 203)
Melbourne Cricket Ground
1951–52

 New Zealand (249 & 104–9) beat  West Indies (140 & 212)
Carisbrook, Dunedin
1979–80

 Pakistan (256 & 315–9) beat  Australia (337 & 232)
National Stadium, Karachi
1994–95

 West Indies (329 & 311–9) beat  Australia (490 & 146)
Kensington Oval, Bridgetown
1998–99

 West Indies (273 & 216–9) beat  Pakistan (269 & 219)
Antigua Recreation Ground, St. John's
1999–00

 Pakistan (175 & 262–9) beat  Bangladesh (281 & 154)
Ibn-e-Qasim Bagh Stadium, Multan
2003

 Sri Lanka (321 & 352–9) beat  South Africa (361 & 311)
Paikiasothy Saravanamuttu Stadium, Colombo
2006

 India (405 & 216–9) beat  Australia (428 & 192)
Punjab Cricket Association Stadium, Mohali
2010–11

Last updated: 15 June 2016[30]

text: Narrowest win margin (by runs)

text:
Margin

Teams

Venue

Season

1 run

 West Indies (252 & 146) beat  Australia (213 & 184)
Adelaide Oval
1992–93

2 runs

 England (407 & 182) beat  Australia (308 & 279)
Edgbaston, Birmingham
2005

3 runs

 Australia (299 & 86) beat  England (262 & 120)
Old Trafford, Manchester
1902

 England (284 & 294) beat  Australia (287 & 288)
Melbourne Cricket Ground
1982–83

5 runs

 South Africa (169 & 239) beat  Australia (292 & 111)
Sydney Cricket Ground
1993–94

Last updated: 15 June 2016[31]

text: Victory after following-on

text:
Margin

Teams

Venue

Season

10 runs

 England (325 & 437) beat  Australia (586 & 166)
Sydney Cricket Ground
1894–95

18 runs

 England (174 & 356) beat  Australia (401–9 d & 111)
Headingley, Leeds
1981

171 runs

 India (171 & 657–7 d) beat  Australia (445 & 212)
Eden Gardens, Kolkata
2000–01

Last updated: 15 June 2016[32]

text: Most consecutive wins

text:
Wins

Team

First win

Last win

16

 Australia
 Zimbabwe at Harare, 14 October 1999
 India at Mumbai, 27 February 2001

16

 Australia
 South Africa at Melbourne, 26 December 2005
 India at Sydney, 2 January 2008

11

 West Indies
 Australia at Bridgetown, 30 March 1984
 Australia at Adelaide, 7 December 1984

9

 Sri Lanka
 India at Colombo, 29 August 2001
 Pakistan at Lahore, 6 March 2002

9

 South Africa
 Australia at Durban, 15 March 2002
 Bangladesh at Dhaka, 1 May 2003

Last updated: 15 June 2016[33]

text: Team scoring records

text:
Most runs in an innings

Score

Teams

Venue

Season

952-6 d

 Sri Lanka (v  India)
Ranasinghe Premadasa Stadium, Colombo
1997

903-7 d

 England (v  Australia)
The Oval, London
1938

849

 England (v  West Indies)
Sabina Park, Kingston
1929–30

790–3 d

 West Indies (v  Pakistan)
Sabina Park, Kingston
1957–58

765–6 d

 Pakistan (v  Sri Lanka)
National Stadium, Karachi
2008–09

Last updated: 14 September 2017[34]

text:
Fewest runs in a completed innings

Runs

Teams

Venue

Date

26

 New Zealand (v  England)
Eden Park, Auckland
25 March 1955

30

 South Africa (v  England)
St. George's Park, Port Elizabeth
13 February 1896

 South Africa (v  England)
Edgbaston, Birmingham
14 June 1924

35

 South Africa (v  England)
Newlands Cricket Ground, Cape Town
1 April 1899

36

 Australia (v  England)
Edgbaston, Birmingham
29 May 1902

 South Africa (v  Australia)
Melbourne Cricket Ground
12 February 1932

Last updated: 14 September 2017[35]

text:
Highest fourth-innings totals to win

Score

Teams

Venue

Season

418–7

 West Indies (v  Australia)
Antigua Recreation Ground, St. John's
2002–03

414–4

 South Africa (v  Australia)
WACA Ground, Perth
2008–09

406–4

 India (v  West Indies)
Queen's Park Oval, Port of Spain
1975–76

404–3

 Australia (v  England)
Headingley, Leeds
1948

391–6

 Sri Lanka (v  Zimbabwe)
Ranasinghe Premadasa Stadium, Colombo
2017

Last updated: 14 September 2017[36]

text: Individual records

text: Individual records (batting)

text: Career runs

text:
Most career runs

Runs

Player

Period

15,921 (329 innings)

 Sachin Tendulkar
1989–2013

13,378 (287 innings)

 Ricky Ponting
1995–2012

13,289 (280 innings)

 Jacques Kallis
1995–2013

13,288 (286 innings)

 Rahul Dravid
1996–2012

12,472 (291 innings)

 Alastair Cook
2006–2018

Last updated: 11 September 2018[37]

text:
Most career runs – progression of record

Runs

Player

Record held until

Duration of record

239

 Charles Bannerman
4 January 1882
4 years, 295 days

676

 George Ulyett[a]
13 August 1884
2 years, 222 days

860

 Billy Murdoch[b]
14 August 1886
2 years, 1 day

1,277

 Arthur Shrewsbury
23 January 1902
15 years, 162 days

1,293

 Joe Darling[c]
18 February 1902
26 days

1,366

 Syd Gregory[d]
14 June 1902
116 days

1,531

 Archie MacLaren[e]
13 August 1902
60 days

3,412

 Clem Hill
27 December 1924
22 years, 136 days

5,410

 Jack Hobbs
29 June 1937
12 years, 184 days

7,249

 Wally Hammond
27 November 1970
33 years, 151 days

7,459

 Colin Cowdrey[f]
23 March 1972
1 year, 117 days

8,032

 Garfield Sobers
23 December 1981
9 years, 275 days

8,114

 Geoffrey Boycott
12 November 1983
1 year, 324 days

10,122

 Sunil Gavaskar
25 February 1993
9 years, 105 days

11,174

 Allan Border
25 November 2005
12 years, 273 days

11,953

 Brian Lara
17 October 2008
2 years, 327 days

15,921

 Sachin Tendulkar
current
10 years, 11 days

Last updated: 15 June 2016[38]

Notes:

^[a]  Ulyett finished his career with 949 runs
^[b]  Murdoch finished his career with 908 runs
^[c]  Darling finished his career with 1,657 runs
^[d]  Gregory finished his career with 2,282 runs
^[e]  MacLaren finished his career with 1,931 runs
^[f]  Cowdrey finished his career with 7,624 runs

text: Most runs in each batting position

text:
Batting position

Player

Runs

Average

Opener
 Alastair Cook
11845
44.87

Number 3
 Kumar Sangakkara
11679
60.83

Number 4
 Sachin Tendulkar
13492
54.40

Number 5
 Shivnarine Chanderpaul
6883
56.42

Number 6
 Steve Waugh
3165
51.05

Number 7
 Adam Gilchrist
3948
46.45

Number 8
 Daniel Vettori
2227
39.77

Number 9
 Stuart Broad
1292
20.51

Number 10
 Stuart Broad
547
13.34

Number 11
 Muttiah Muralitharan
623
11.33

Last updated: 11 September 2018[39]

text: Highest career batting average

text:
Average

Player

Period

99.94 (80 innings)

 Donald Bradman
1928–1948

61.87 (31 innings)

 Adam Voges
2015–2016

61.37 (117 innings)

 Steve Smith
2010–

60.97 (41 innings)

 Graeme Pollock
1963–1970

60.83 (40 innings)

 George Headley
1930–1954

60.73 (84 innings)

 Herbert Sutcliffe
1924–1935

Qualification: 20 innings.

Note: If the qualification is removed, the record Test batting average is  Andy Ganteaume's 112.00; Ganteaume was dismissed for 112 runs in his only Test innings.[40] A very few one-Test wonders have never been dismissed, leaving them without a defined Test batting average. Notable players who played only a single Test innings without a dismissal are  Stuart Law (54*, innings declared) and  Andy Lloyd (10*, retired hurt).[41][42]

Last updated: 5 September 2018[43]

text: Innings or series

text:
Highest individual score (see also List of Test cricket triple centuries)

Score

Player

Opponent

Venue

Season

400*

 Brian Lara
 England
Antigua Recreation Ground, St. John's
2003–04

380

 Matthew Hayden
 Zimbabwe
WACA Ground, Perth
2003–04

375

 Brian Lara
 England
Antigua Recreation Ground, St. John's
1993–94

374

 Mahela Jayawardene
 South Africa
Sinhalese Sports Club Ground, Colombo
2006

365*

 Garfield Sobers
 Pakistan
Sabina Park, Kingston
1957–58

Last updated: 15 June 2015[44]

text:
Highest individual score – progression of record

Score

Player

Opponent

Venue

Season

Test match Number

165*

 Charles Bannerman
 England
Melbourne Cricket Ground
1876–77
Test No. 1

211

 Billy Murdoch
 England
The Oval, London
1884
Test No. 16

287

 R. E. Foster
 Australia
Sydney Cricket Ground
1903–04
Test No. 78

325

 Andy Sandham
 West Indies
Sabina Park, Kingston
1929–30
Test No. 193

334

 Don Bradman
 England
Headingley, Leeds
1930
Test No. 196

336*

 Wally Hammond
 New Zealand
Eden Park, Auckland
1932–33
Test No. 226

364

 Len Hutton
 Australia

The Oval, London
1938
Test No. 266

365*

 Garfield Sobers
 Pakistan
Sabina Park, Kingston
1957–58
Test No. 452

375

 Brian Lara
 England
Antigua Recreation Ground, St. John's
1993–94
Test No. 1259

380

 Matthew Hayden
 Zimbabwe
WACA Ground, Perth
2003–04
Test No. 1661

400*

 Brian Lara
 England
Antigua Recreation Ground, St. John's
2003–04
Test No. 1696

Last updated: 15 June 2016[45]

text:
Most runs in a match

Runs

Scores

Player

Match

456

333 and 123

 Graham Gooch
v  India at Lord's, 1990

426

334* and 92

 Mark Taylor
v  Pakistan at Peshawar, 1998–99

424

319 and 105

 Kumar Sangakkara
v  Bangladesh at Chittagong, 2013–14

400

400*

 Brian Lara
v  England at St John's, Antigua, 2003–04

380

247* and 133

 Greg Chappell
v  New Zealand at Wellington, 1973–74

380

 Matthew Hayden
v  Zimbabwe at Perth, 2003–04

Last updated: 15 June 2016[46]

text:
Most runs in a series

Runs

Player

Series

974 (7 innings)

 Donald Bradman
v  England, 1930

905 (9 innings)

 Wally Hammond
v  Australia, 1928–29

839 (11 innings)

 Mark Taylor
v  England, 1989

834 (9 innings)

 Neil Harvey
v  South Africa, 1952–53

829 (7 innings)

 Viv Richards
v  England, 1976

Last updated: 15 June 2016[47]

text: Calendar year and between dismissals

text:
Most runs in a calendar year

Runs

Player

Average

Year

1788

 Mohammad Yousuf
99.33
2006

1710

 Vivian Richards
90.00
1976

1656

 Graeme Smith
72.00
2008

1595

 Michael Clarke
106.33
2012

1562

 Sachin Tendulkar
78.10
2010

Last updated: 15 June 2015[48]

text:
Most runs between consecutive dismissals

Runs

Player

Innings

Scores

Season

614

 Adam Voges
3
269*, 106*, 239
2015-16

497

 Sachin Tendulkar
4
241*, 60*, 194*, 2
2003-04

490

 Garfield Sobers
2
365*, 125
1957-58

489

 Michael Clarke
2
259*, 230
2012-13

473

 Rahul Dravid
4
41*, 200*, 70*, 162
2000-01

Last updated: 21 December 2017[49][50]

text: Highest scores at each batting position

text:
Batting position

Player

Score

Opponent

Venue

Date

Opener
 Matthew Hayden
380
 Zimbabwe
WACA Ground
9 October 2003

Number 3
 Brian Lara
400*
 England
Antigua Recreation Ground
10 April 2004

Number 4
 Mahela Jayawardene
374
 South Africa
Sinhalese Sports Club Ground
27 July 2006

Number 5
 Michael Clarke
329*
 India
Sydney Cricket Ground
3 January 2012

Number 6
 Ben Stokes
258
 South Africa
Newlands Cricket Ground
2 January 2016

Number 7
 Donald Bradman
270
 England
Melbourne Cricket Ground
1 January 1937

Number 8
 Wasim Akram
257*
 Zimbabwe
Sheikhupura Stadium
17 October 1996

Number 9
 Ian Smith
173
 India
Eden Park
22 February 1990

Number 10
 Walter Read
117
 Australia
Kennington Oval
11 August 1884

Number 11
 Ashton Agar
98
 England
Trent Bridge
10 July 2013

Last updated: 18 November 2017[51]

text: Innings as captain

text:
Highest individual score as captain

Score

Player

Opponent

Venue

Season

400*

 Brian Lara
 England
Antigua Recreation Ground, St. John's
2003–04

374

 Mahela Jayawardene
 South Africa
Sinhalese Sports Club Ground, Colombo
2006

334*

 Mark Taylor
 Pakistan
Arbab Niaz Stadium, Peshawar
1998

333

 Graham Gooch
 India
Lord's, London
1990

329*

 Michael Clarke
 India
Sydney Cricket Ground, Sydney
2012

Last updated: 15 June 2015[52]

text: Innings carrying the bat

text:
Highest individual score (see also List of cricketers who have carried the bat in international cricket)

Score

Player

Opponent

Venue

Season

244*

 Alastair Cook
 Australia
Melbourne Cricket Ground, Melbourne
2017–18

223*

 Glenn Turner
 West Indies
Sabina Park, Kingston
1972

216*

 Marvan Atapattu
 Zimbabwe
Queens Sports Club, Bulawayo
1999–00

206*

 Bill Brown
 England
Lord's, London
1931

202*

 Len Hutton
 West Indies
The Oval, London
1950

Last updated: 29 December 2017[53]

text: Most runs in an over

text:
Runs

Sequence

Batsman

Bowler

Venue

Season

28

4–6–6–4–4–4
 Brian Lara
 Robin Peterson
Wanderers Stadium, Johannesburg
2003–04

4–6–2–4–6–6
 George Bailey
 James Anderson
WACA, Perth
2013–14

27

6–6–6–6–2–1
 Shahid Afridi
 Harbhajan Singh
Gaddafi Stadium, Lahore
2005–06

26

4–4–6–0–6–6
 Mitchell Johnson
 Paul Harris
Wanderers Stadium, Johannesburg
2008–09

4–0–6–6–6–4
 Brian Lara
 Danish Kaneria
Multan Cricket Stadium
2006–07

4–4–4–4–6–4
 Craig McMillan
 Younis Khan
Seddon Park, Hamilton
2000–01

4–6–6–0–4–6
 Brendon McCullum
 Suranga Lakmal
Hagley Oval, Christchurch, New Zealand
2014–15

4–4–6–6–6–0
 Hardik Pandya
 Malinda Pushpakumara
Pallekele International Cricket Stadium,Sri Lanka
2017

Last updated: 14 August 2017[54]

text: Centuries

text:
Most Test centuries

Centuries

Player

Matches

Innings

Inns/Century

51

 Sachin Tendulkar
200
329
6.4

45

 Jacques Kallis
166
280
6.2

41

 Ricky Ponting
168
287
7.0

38

 Kumar Sangakkara
134
233
6.1

36

 Rahul Dravid
164
286
7.9

Last updated: 15 June 2016[55]

text:
Fastest Test centuries

No. of balls

Player

Opponent

Venue

Season

54

 Brendon McCullum
 Australia
Hagley Oval, Christchurch
2015–16

56

 Viv Richards
 England
Antigua Recreation Ground, St. John's
1985–86

 Misbah-ul-Haq
 Australia
Sheikh Zayed Cricket Stadium, Abu Dhabi
2014

57

 Adam Gilchrist
 England
WACA Ground, Perth
2006–07

67

 Jack Gregory
 South Africa
Old Wanderers, Johannesburg
1921–22

Last updated: 15 June 2016[56]

text:
Most Test double centuries

Double centuries

Player

Matches

12

 Donald Bradman
52

11

 Kumar Sangakkara
130

9

 Brian Lara
131

7

 Wally Hammond
85

 Mahela Jayawardene
149

Last updated: 15 June 2016[57]

text:
Most Test triple centuries

Triple centuries

Player

Matches

2

 Donald Bradman
52

 Virender Sehwag
104

 Chris Gayle
103

 Brian Lara
131

Last updated: 11 December 2016[58]

Note:
21 other players have scored a triple century in a Test: see List of Test cricket triple centuries for more details[59]

text:
Most Test quadruple centuries

Quadruple centuries

Player

Matches

1

 Brian Lara
131

Last updated: 15 June 2016[60]

text: Half Centuries

text:
Most Test 50+

50+

Player

Matches

Innings

119

 Sachin Tendulkar
200
329

103

 Jacques Kallis
166
280

103

 Ricky Ponting
168
287

99

 Rahul Dravid
164
286

96

 Shivnarine Chanderpaul
164
280

Last updated: 15 June 2016[61]

text:
Fastest Test half-centuries

No. of balls

Player

Opponent

Venue

Season

21

 Misbah-ul-Haq
 Australia
Sheikh Zayed Stadium, Abu Dhabi
2014/15

23

 David Warner
 Pakistan
Sydney Cricket Ground
2016/17

24

 Jacques Kallis
 Zimbabwe
Newlands Cricket Ground, Cape Town
2004/05

25

 Shane Shillingford
 New Zealand
Sabina Park, Kingston
2014

26

 Shahid Afridi
 India
M Chinnaswamy Stadium, Bangalore
2004/05

 Mohammad Ashraful
 India
Sher-e-Bangla Cricket Stadium, Mirpur
2007

 Dale Steyn
 West Indies
St. George's Park, Port Elizabeth
2014/15

Last updated: 5 September 2018[62]

text: Most fours in career

text:
Fours

Player

Innings

2058+
 Sachin Tendulkar
329

1654
 Rahul Dravid
286

1559
 Brian Lara
232

1509
 Ricky Ponting
287

1491
 Kumar Sangakkara
233

Key: + means the complete career records aren't known
Last updated: 15 February 2016[63]

text: Individual records (bowling)

text: Career

text:
Most wickets in a career

Wickets

Player

Matches

Average

800

 Muttiah Muralitharan
133
22.72

708

 Shane Warne
145
25.41

619

 Anil Kumble
132
29.65

564

 James Anderson
143
26.84

563

 Glenn McGrath
124
21.64

Last updated: 11 September 2018[64]

text:
Most wickets in a career – Progression of record

Wickets

Player

Matches

Average

Record held until

Duration of record

8[a]

 Alfred Shaw
1
10.75
31 March 1877
16 days

14

 Tom Kendall
2
15.35
4 January 1879
1 year, 279 days

94[b]

 Fred Spofforth
18
18.41
12 January 1895
16 years, 8 days

100

 Johnny Briggs
25
13.51
4 February 1895
33 days

101

 Charles Turner
17
16.53
2 March 1895
26 days

103

 Johnny Briggs
26
13.92
21 March 1896
1 year, 19 days

112[c]

 George Lohmann
18
10.75
14 January 1898
1 year, 299 days

118

 Johnny Briggs
33
17.75
2 January 1904
5 years, 353 days

141

 Hugh Trumble
32
21.78
13 December 1913
9 years, 345 days

189

 Sydney Barnes
27
16.43
4 January 1936
22 years, 22 days

216

 Clarrie Grimmett
37
24.21
24 July 1953
17 years, 201 days

236

 Alec Bedser
51
24.89
26 January 1963
9 years, 186 days

242[d]

 Brian Statham
67
24.27
15 March 1963
48 days

307

 Fred Trueman
67
21.57
1 February 1976
12 years, 323 days

309

 Lance Gibbs
79
29.09
27 December 1981
5 years, 329 days

355

 Dennis Lillee
70
23.92
21 August 1986
4 years, 237 days

373[e]

 Ian Botham
94
27.86
12 November 1988
2 years, 83 days

431

 Richard Hadlee
86
22.29
8 February 1994
5 years, 88 days

434

 Kapil Dev
131
29.64
27 March 2000
6 years, 48 days

519

 Courtney Walsh
132
24.44
8 May 2004
4 years, 42 days

532[f]

 Muttiah Muralitharan
91
22.87
15 October 2004
160 days

708

 Shane Warne
145
25.41
3 December 2007
3 years, 49 days

800

 Muttiah Muralitharan
133
22.72
Current
10 years, 329 days

Notes
^[a] Allen Hill took the first Test wicket, but only two in the First Test match. Alfred Shaw (3/51 & 5/35) and Tom Kendall (1/54 & 7/55) both took eight wickets, but as Australia batted first Shaw was the first to take five wickets in an innings and the first to take eight Test wickets. Kendall overtook him in the Second Test and Shaw subsequently increased his total to 12 wickets (15.35) in seven Tests[65]

^[b] Johnny Briggs equalled Fred Spofforth's record of 94 Test wickets on 29 December 1894 in the Second Test at Melbourne, as did Charles Turner two days later. Briggs overtook Turner and Spofforth in the Third Test at Adelaide, which Turner missed, and became the first man to claim 100 Test wickets on 1 February 1895 in the Fourth Test at Sydney. Turner became the second three days later and ended with a total of 101 wickets (16.53) in 17 Tests[66][67]

^[c]  Johnny Briggs equalled George Lohmann's record of 112 Test wickets on 3 January 1898 in the Second Test at Melbourne and overtook him in the next match at Adelaide.

^[d] Fred Trueman overtook Brian Statham's then record of 242 Test wickets and Statham subsequently increased his total to 252 wickets (24.84) in 70 Tests

^[e] Richard Hadlee overtook Ian Botham's then record of 373 Test wickets and Botham subsequently increased his total to 383 wickets (28.40) in 102 Tests

^[f] Shane Warne overtook Muttiah Muralitharan's then record of 532 Test wickets and Muralitharan subsequently increased his total to 800 wickets (22.72) in 133 Tests[68]

text:
Best career average

Average

Player

Balls

Wickets

10.75

 George Lohmann
3,830
112

12.70

/ John Ferris[a]
2,302
61

15.54

 Billy Barnes
2,289
51

16.42

 Billy Bates
2,364
50

16.43

 Sydney Barnes
7,873
189

Qualification: 2000 balls bowledLast updated: 15 June 2016[69]

Note: If the qualification is removed, the best career average record is at 0.00 runs per wicket (i.e. no runs were conceded). This record is shared by Englishmen A N Hornby, Wilf Barber and New Zealander, Bruce Murray who took one wicket without conceding a run[70]

^[a]  John Ferris was one of a few cricketers to play Test cricket for more than one country. He played in eight Tests for Australia from 1886–87 and a single Test for England in South Africa in 1891–92.[71]

text:
Best career strike rate

Strike rate

Player

Balls

Wickets

34.1

 George Lohmann
3,830
112

37.7

 /  J. J. Ferris
2,302
61

38.7

 Shane Bond
3,372
87

41.4

 Dale Steyn
17,286
417

41.6

 Sydney Barnes
7,873
189

Qualification: 2000 balls bowledLast updated: 2 September 2017[72]

text:
Most 5 wickets in an innings

5 wickets in an innings

Player

Matches

67

 Muttiah Muralitharan
133

37

 Shane Warne
145

36

 Richard Hadlee
86

35

 Anil Kumble
132

34

 Rangana Herath
92

Last updated: 25 July 2018[73]

text:
Most 10 wickets in a match

10 wickets in a match

Player

Matches

22

 Muttiah Muralitharan
133

10

 Shane Warne
145

9

 Richard Hadlee
86

 Rangana Herath
92

8

 Anil Kumble
132

Last updated: 25 July 2018[74]

text: Series

text:
Most wickets in a series

Wickets

Player

Series

49 (4 Tests)

 Sydney Barnes
v  South Africa 1913–14

46 (5 Tests)

 Jim Laker
v  Australia, 1956

44 (5 Tests)

 Clarrie Grimmett
v  South Africa 1935–36

42 (6 Tests)

 Terry Alderman
v  England, 1981

41 (6 Tests)

 Terry Alderman
v  England, 1989

 Rodney Hogg
v  England, 1978–79

Last updated: 15 June 2016[75]

text: Innings

text:
Best figures in an innings

Bowling figures

Player

Opponent

Venue

Season

10–53

 Jim Laker
 Australia (2nd innings)
Old Trafford, Manchester
1956

10–74

 Anil Kumble
 Pakistan
Feroz Shah Kotla Ground, Delhi
1998–99

9–28

 George Lohmann
 South Africa
Old Wanderers, Johannesburg
1895–96

9–37

 Jim Laker
 Australia (1st innings)
Old Trafford, Manchester
1956

9–51

 Muttiah Muralitharan
 Zimbabwe
Asgiriya Stadium, Kandy
2001–02

Last updated: 15 June 2016[76]

text:
Best figures in an innings – progression of record

Bowling figures

Player

Opponent

Venue

Season

7–55

 Tom Kendall (in the inaugural Test match)
 England
Melbourne Cricket Ground
1876–77

7–44

 Fred Spofforth
 England
The Oval, London
1882

7–28

 Billy Bates
 Australia
Melbourne Cricket Ground
1882–83

8–35

 George Lohmann
 Australia
Sydney Cricket Ground
1886–87

8–11

 Johnny Briggs
 South Africa
Newlands Cricket Ground, Cape Town
1888–89

8–7

 George Lohmann
 South Africa
St. George's Park, Port Elizabeth
1895–96

9–28

 George Lohmann
 South Africa
Old Wanderers, Johannesburg
1895–96

10–53

 Jim Laker
 Australia
Old Trafford, Manchester
1956

Calculated at the conclusion of each Test
 Last updated: 15 June 2016

text: Match records

text:
Best figures in a match

Bowling

Player

Opponent

Venue

Season

19–90

 Jim Laker
 Australia
Old Trafford, Manchester
1956

17–159

 Sydney Barnes
 South Africa
Old Wanderers, Johannesburg
1913–14

16–136

 Narendra Hirwani
 West Indies
M. A. Chidambaram Stadium, Chennai
1987–88

16–137

 Bob Massie
 England
Lord's, London
1972

16–220

 Muttiah Muralitharan
 England
The Oval, London
1998

Last updated: 15 June 2016[77]

text: Innings as captain

text:
Best figures in an innings as captain

Bowling figures

Player

Opponent

Venue

Season

9–83

 Kapil Dev
 West Indies
Sardar Patel Stadium, Ahmedabad
1983

8–60

 Imran Khan
 India
National Stadium, Karachi, Karachi
1982

8–63

 Rangana Herath
 Zimbabwe
Harare Sports Club, Harare
2016

8–106

 Kapil Dev
 Australia
Adelaide Oval, Adelaide
1985

7–37

 Courtney Walsh
 New Zealand
Basin Reserve, Wellington
1995

Last updated: 16 March 2017[78]

text: Match records as captain

text:
Best figures in a match

Bowling

Player

Opponent

Venue

Season

13–55

 Courtney Walsh
 New Zealand
Basin Reserve, Wellington
1995

13–135

 Waqar Younis
 Zimbabwe
Southend Club Cricket Stadium, Karachi
1993

13–152

 Rangana Herath
 Zimbabwe
Harare Sports Club, Harare
2016

12–100

 Fazal Mahmood
 West Indies
Bangabandhu National Stadium, Dhaka
1959

11–79

 Imran Khan
 India
National Stadium, Karachi
1982

Last updated: 15 June 2016[79]

text: Individual records (fielding)

text: Most catches in Test career

text:
Catches

Player

Matches

210

 Rahul Dravid
164

205

 Mahela Jayawardene
149

200

 Jacques Kallis
166

196

 Ricky Ponting
168

181

 Mark Waugh
128

Note:The list excludes catches made as wicket-keeper[80] Last updated: 15 June 2016

text: Individual records (wicket-keeping)

text:
Most dismissals

Dismissals

Player

Matches

555 (532 catches + 23 stumpings)

 Mark Boucher
147

416 (379 catches + 37 stumpings)

 Adam Gilchrist
96

395 (366 catches + 29 stumpings)

 Ian Healy
119

355 (343 catches + 12 stumpings)

 Rod Marsh
96

294 (256 catches + 38 stumpings)

 MS Dhoni
90

Last updated: 15 June 2016[81]

text:
Most catches

Catches

Player

Matches

532

 Mark Boucher
147

379

 Adam Gilchrist
96

366

 Ian Healy
119

343

 Rod Marsh
96

265

 Jeff Dujon
81

Last updated: 15 June 2016[82]

text:
Most stumpings

Stumpings

Player

Matches

52

 Bert Oldfield
54

46

 Godfrey Evans
91

38

 Syed Kirmani
88

 MS Dhoni
90

37

 Adam Gilchrist
96

Last updated: 15 June 2016[83]

text: Individual records (as an all-rounder)

text:
10 Wickets and a Century in a Test match

Player

Runs

Wickets

Date

Opponent

Venue

 Ian Botham[84]

114

13/109

15 February 1980

 India

Mumbai, India

 Imran Khan[84]

117

11/180

3 January 1983

 India

Faisalabad, Pakistan

 Shakib Al Hasan[84]

137

10/124

3 November 2014

 Zimbabwe

Khulna, Bangladesh

Last updated: 15 June 2016[85]

text: Individual records (other)

text:
Most matches played

Matches

Player

Period

200

 Sachin Tendulkar
1989–2013

168

 Steve Waugh
1985–2004

 Ricky Ponting
1995–2012

166

 Jacques Kallis
1995–2013

164

 Rahul Dravid
1996–2012

 Shivnarine Chanderpaul
1994–2015

Last updated: 15 June 2016[86]

text:
Most matches played as captain

Matches

Player

Won

Lost

Drawn

Tied

109

 Graeme Smith
53
29
27
0

93

 Allan Border
32
22
38
1

80

 Stephen Fleming
28
27
25
0

77

 Ricky Ponting
48
16
13
0

74

 Clive Lloyd
36
12
26
0

Last updated: 15 June 2016[87]

text:
Most matches won as captain

Won

Player

Lost

Drawn

Ties

Matches

53

 Graeme Smith
26
26
0
109

48

 Ricky Ponting
16
13
0
77

41

 Steve Waugh
9
7
0
57

36

 Clive Lloyd
12
26
0
74

32

 Allan Border
22
38
1
93

Last updated: 15 June 2016[88]

text: Partnership records

text: Highest partnership for each wicket

text:
Partnership

Runs

Team

Players

Opposition

Venue

Season

1st wicket

415
 South Africa
Graeme Smith (232)
Neil McKenzie (226)
 Bangladesh
Chittagong Divisional Stadium
2008

2nd wicket

576
 Sri Lanka
Sanath Jayasuriya (340)
Roshan Mahanama (225)
 India
Ranasinghe Premadasa Stadium, Colombo
1997–98

3rd wicket

624
 Sri Lanka
Kumar Sangakkara (287)
Mahela Jayawardene (374)
 South Africa
Sinhalese Sports Club Ground, Colombo
2006

4th wicket

449
 Australia
Adam Voges (269*)
Shaun Marsh  (182)
 West Indies
Bellerive Oval, Hobart
2015–16

5th wicket

405
 Australia
Sid Barnes (234)
Donald Bradman (234)
 England
Sydney Cricket Ground
1946–47

6th wicket

399
 England
Ben Stokes  (258)
Jonny Bairstow  (150*)
 South Africa
Newlands Cricket Ground, Cape Town
2015–16

7th wicket

347
 West Indies
Denis Atkinson (219)
Clairmonte Depeiaza (122)
 Australia
Kensington Oval, Bridgetown
1954–55

8th wicket

332
 England
Jonathan Trott (184)
Stuart Broad  (169)
 Pakistan
Lord's, London
2010

9th wicket

195
 South Africa
Mark Boucher (78)
Pat Symcox (108)
 Pakistan
New Wanderers Stadium, Johannesburg
1997–98

10th wicket

198
 England
Joe Root  (154*)
James Anderson  (81)
 India
Trent Bridge, Nottingham
2014

Last updated: 15 June 2016[89]

text: Highest partnerships

text:
Runs

Team

Players

Opposition

Venue

Season

624 (3rd wicket)

 Sri Lanka
Kumar Sangakkara (287)
Mahela Jayawardene (374)
 South Africa
Sinhalese Sports Club Ground, Colombo
2006

576 (2nd wicket)

 Sri Lanka
Sanath Jayasuriya (340)
Roshan Mahanama (225)
 India
Ranasinghe Premadasa Stadium, Colombo
1997–98

467 (3rd wicket)

 New Zealand
Andrew Jones (186)
Martin Crowe (299)
 Sri Lanka
Basin Reserve, Wellington
1990–91

451 (2nd wicket)

 Australia
Bill Ponsford (266)
Donald Bradman (244)
 England
The Oval, London
1934

451 (3rd wicket)

 Pakistan
Mudassar Nazar (231)
Javed Miandad (280*)
 India
Niaz Stadium, Hyderabad
1982–83

Last updated: 15 June 2016[90]


document_title: Cast Your Fate to the Wind

question_text: who wrote the song cast your fate to the wind

text: Cast Your Fate to the Wind

text: This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2018) (Learn how and when to remove this template message)

text:
"Cast Your Fate to the Wind"

Single by Vince Guaraldi Trio

from the album Jazz Impressions of Black Orpheus

B-side
"Samba de Orpheus"

Released
July 1962 (U.S.)

Genre
Jazz

Length
2:58

Label
Fantasy 563X

Songwriter(s)
Vince Guaraldi

text:
"Cast Your Fate to the Wind"

Single by Sounds Orchestral

from the album Cast Your Fate to the Wind

B-side
"To Wendy with Love"

Released
February 1965 (U.S.)

Genre
Jazz rock

Length
3:00

Label
Parkway 942

Songwriter(s)
Vince Guaraldi, Carel Werber

Producer(s)
John Schroeder

Sounds Orchestral singles chronology

"Cast Your Fate to the Wind"
(1965)
"Moonglow"
(1965)

"Cast Your Fate to the Wind"
(1965)
"Moonglow"
(1965)

text: "Cast Your Fate to the Wind" is an American jazz instrumental selection whose music was composed, and which was originally recorded, by Vince Guaraldi; later, lyrics for it were written by Carel Werber. It won a Grammy Award for Best Original Jazz Composition in 1963.[1] It was included on the album Jazz Impressions of Black Orpheus, which the Vince Guaraldi Trio released on the Fantasy Records label on April 18, 1962.[2] On at least some copies of the album, the title on the label contained a printing error; it read "Cast Your Faith To The Wind," an unintentionally comic twist to the sentiment of the song. Fantasy also released Guaraldi's recording of the song as a single in the U.S., where it reached #22 on the Billboard Hot 100 pop chart and #9 on the Easy Listening chart.

text: The tune has been covered by many artists in a wide range of genres, including both male and female solo vocalists, pop, folk, and rock groups, as well as many instrumental performers . In Australia, a vocal version by Mel Tormé was a hit in 1963. In 1965 the British easy listening group Sounds Orchestral redirected the song away from much of the jazz influenced midsection to more of a nightclub sound and concluded the tune with a short piano section. That version attained #5 in the UK, #10 on the US Billboard Hot 100 chart, and #1 on the US Easy Listening chart.[3] In 1966, North Hollywood singer Shelby Flint released a version of the song.

text: The West Coast folk-rock bands We Five and The Sandpipers, along with pop singer Johnny Rivers, recorded vocal versions of the song, and there were further instrumental recordings from Earl Klugh, George Benson, David Benoit, Chet Atkins, George Winston and Nelson Rangell.[4][5] In 1970, the rock group James Gang covered the song as part of a three-song medley ("The Bomber Medley") on their album James Gang Rides Again. Quincy Jones rendered an orchestral arrangement of the song on his 1971 album Smackwater Jack. In 1976 an easy listening version was recorded by guitarist Harald Winkler and the Norman Candler Orchestra.

text: The song was featured in the 1987 film Good Morning, Vietnam and also in the 1988 film The In Crowd. In 2007, the alternative-rock band They Might Be Giants spoofed the song's title by issuing "Cast Your Pod to the Wind," a bonus disc to their album The Else.[6] It consisted of songs which, before then, had only been heard on their podcasts. Allen Toussaint's version is the first ending theme for the 2013 film The Wolf of Wall Street.

text: The song has been rendered, with French lyrics, as both "Ne tremble pas mon pauvre coeur" (1965) recorded by Marianne Mille (fr) and also as "Le nez dans le vent" (1967) recorded by Shirley Théroux (fr).

text: Lee Mendelson cited "Cast Your Fate to the Wind" as the song he heard on the radio that prompted him to hire Guaraldi for A Charlie Brown Christmas; the hiring would begin a long collaboration between Guaraldi and Mendelson that would see Guaraldi compose for numerous Peanuts television specials until his death in 1976.