document_title: Darth Vader

question_text: who does anakin skywalker fall in love with

text: Darth Vader

text: Creation and development

text: Concept and writing

text: In the first draft of The Star Wars, tall, grim general "Darth Vader" was already close in line with his final depiction,[10] and the protagonist "Anikin Starkiller" had a role similar to Luke Skywalker's as the 16-year-old son of a respected warrior.[11]

text: After the success of the original Star Wars (1977), series creator George Lucas hired science fiction author Leigh Brackett to write the sequel with him. They held story conferences and, by late November 1977, Lucas had produced a handwritten treatment. The treatment is similar to the final film, except that Vader does not reveal he is Luke's father. In the first draft that Brackett would write from this, Luke's father appears as a ghost to instruct Luke.[12] Lucas was disappointed with the script, but Brackett died of cancer before he could discuss it with her.[13] With no writer available, Lucas had to write the next draft himself. In this draft, he made use of a new plot twist: Vader claiming to be Luke's father. According to Lucas, he found this draft enjoyable to write, as opposed to the year-long struggles writing the first film.[14]

text: The new plot element of Luke's parentage had drastic effects on the series. Michael Kaminski argues in his book that it is unlikely that the plot point had ever seriously been considered or even conceived of before 1978, and that the first film was clearly operating under an alternate storyline where Vader was a separate character from Luke's father.[15] After writing the second and third drafts in which the plot point was introduced, Lucas reviewed the new backstory he had created: Anakin had been Obi-Wan Kenobi's brilliant student and had a child named Luke, but was swayed to the dark side by Palpatine. Anakin battled Kenobi on the site of a volcano and was badly wounded, but was then reborn as Vader. Meanwhile, Kenobi hid Luke on Tatooine while the Galactic Republic became the tyrannical Galactic Empire and Vader systematically hunted down and killed the Jedi.[16] This change in character would provide a springboard to the "Tragedy of Darth Vader" storyline that underlies the prequel trilogy.[17]

text: After deciding to create the prequel trilogy, Lucas indicated the series would be a tragic one depicting Anakin's fall to the dark side. He also saw that the prequels could form the beginning of one long story that started with Anakin's childhood and ended with his death. This was the final step towards turning the film series into a "saga".[18]

text: For the first prequel, Star Wars: Episode I – The Phantom Menace (1999), Lucas made Anakin nine years old to make the character's separation from his mother more poignant.[11] Movie trailers focused on Anakin and a one-sheet poster showing him casting Vader's shadow informed otherwise unknowing audiences of the character's eventual fate.[19] The movie ultimately achieved a primary goal of introducing audiences to Anakin.[1]

text: Michael Kaminski, in The Secret History of Star Wars, offers evidence that issues in Anakin's fall to the dark side prompted Lucas to make massive story changes, first revising the opening sequence of the third prequel, Revenge of the Sith (2005), to have Palpatine kidnapped and his apprentice, Count Dooku, killed by Anakin as the first act in the latter's turn towards the dark side.[20] After principal photography was complete in 2003, Lucas made even more massive changes in Anakin's character, re-writing his entire turn to the dark side; Anakin's fall from grace would now be motivated by a desire to save his wife, Padmé Amidala, rather than the previous version in which that reason was one of several, including that he genuinely believed that the Jedi were plotting to take over the Republic. This fundamental re-write was accomplished both through editing the principal footage, and new and revised scenes filmed during pick-ups in 2004.[21]

text: During production of the Clone Wars TV series, Ahsoka Tano was developed to illustrate how Anakin develops from the brash, undisciplined Padawan apprentice in Attack of the Clones (2002) to the more reserved Jedi Knight in Revenge of the Sith.[22] Clone Wars supervising director and Rebels co-creator Dave Filoni said that giving Anakin responsibility for a Padawan was meant to place the character in a role that forced him to become more cautious and responsible. It would also give him insight into his relationship with Obi-Wan and depict how their relationship matured. Ahsoka and Anakin's relationship was seen as an essential story arc spanning both the animated film and Clone Wars television series.[23] Filoni began thinking about the final confrontation between Ahsoka and Vader ever since he created Ahsoka;[24] different iterations had different endings,[25] including one in which Vader kills Ahsoka just as she slashes open his helmet to reveal Anakin's scarred face.[26]

text: Ahsoka's presence in Star Wars Rebels was necessary to allow Darth Vader to encounter the show's lead characters without the latter being "destroyed"; Ahsoka can "stand toe-to-toe" with Vader.[27]

text: In Rebels Recon of the episode The Holocrons of Fate, Filoni reveals that he has always felt that one of the reasons for Anakin's turn to the dark side was the lack of compassion of the Jedi; in their dedication to selflessness, they "almost forgot to care".[28]

text: Design

text: The original design of Darth Vader's costume did not originally include a helmet. The idea that Vader should wear a breathing apparatus was first proposed by concept artist Ralph McQuarrie during preproduction discussions for Star Wars with George Lucas in 1975. In an interview with Star Wars Insider Magazine, McQuarrie stated that Lucas's artistic direction was to portray a malevolent figure in a cape with Samurai armour. "For Darth Vader, George [Lucas] just said he would like to have a very tall, dark fluttering figure that had a spooky feeling like it came in on the wind." McQuarrie noted that the script indicated that Vader would travel between spaceships and needed to survive in the vacuum of space, and he proposed that Vader should wear some sort of space suit. Lucas agreed, and McQuarrie combined a full-face breathing mask with a Samurai helmet, thus creating one of the most iconic designs of space fantasy cinema.[29][30] McQuarrie's 1975 production painting of Darth Vader engaged in a lightsaber duel with Deak Starkiller (a character prototype for Luke Skywalker) depicts Vader wearing black armour, a flowing cape and an elongated, skull-like mask and helmet. Its similarity to the final design of Vader's costume demonstrates that McQuarrie's earliest conception of Vader was so successful that very little needed to be changed for production.[31]

text: Working from McQuarrie's designs, the prop sculptor Brian Muir created the helmet and armour used in the film.[32][33]

text: The sound of the respirator function of Vader's mask was created by Ben Burtt using modified recordings of scuba breathing apparatus used by divers.[34] The sound effect is trademarked in the U.S. Patent and Trademark Office under Trademark #77419252 and is officially described in the documentation as "The sound of rhythmic mechanical human breathing created by breathing through a scuba tank regulator."[35]

text: Commentators have often pointed to the influence of Akira Kurosawa’s films such as The Hidden Fortress (1958) on George Lucas, and Vader's Samurai-inspired costume design is held up as a significant example of the Japanese influences on Star Wars.[36]

text: Portrayals

text: Darth Vader was portrayed by bodybuilder David Prowse in the original film trilogy, and by stunt performer Bob Anderson during the character's intense lightsaber fight scenes.[10][37] Lucas originally intended for Orson Welles to voice Vader (after dismissing using Prowse's own voice due to his English West Country accent, leading to the rest of the cast nicknaming him "Darth Farmer").[38] After deciding that Welles's voice would be too recognizable, he cast the lesser-known James Earl Jones instead.[39][40] Jones initially felt his contributions to the films were too small to warrant recognition and his role was uncredited at his request until the release of Return of the Jedi (1983).[10] When Jones was specifically asked if he had supplied Vader's voice for Revenge of the Sith—either newly or from a previous recording—Jones answered, "You'd have to ask Lucas about that. I don't know".[41] The character has also been voiced by Scott Lawrence and Matt Sloan for several video games. Hayden Christensen and Gene Bryant alternately portray Vader in Revenge of the Sith.[42][43] During the production of Revenge of the Sith, Christensen asked Lucas if a special Vader suit could be constructed to fit his own body, rather than have a different actor don one of the original sets of Vader armor worn by Prowse.[44] Brock Peters provided the voice of Darth Vader in the NPR/USC radio series. Both Spencer Wilding[45] and Daniel Naprous portrayed Vader in Rogue One (2016), with Jones reprising his role as the character's voice.[46]

text: During production of Return of the Jedi, the casting crew sought an experienced actor for the role of Anakin Skywalker since his death was unquestionably the emotional climax of the film, and Sebastian Shaw was selected for the role.[47] When Shaw arrived at the set for filming, he ran into his friend Ian McDiarmid, the actor playing the Emperor. When McDiarmid asked him what he was doing there, Shaw responded, "I don't know, dear boy, I think it's something to do with science-fiction."[48] His presence during the filming was kept secret from all but the minimum cast and crew, and Shaw was contractually obliged not to discuss any film secrets with anyone, even his family. The unmasking scene, directed by Richard Marquand, was filmed in one day and required only a few takes, with no alteration from the original dialogue.[47] Lucas personally directed Shaw for his appearance in the final scene of the film, in which he is a Force Ghost of Anakin. Shaw's image in this scene was replaced with that of Christensen in the 2004 DVD release. This last attempt to tie the prequel and original trilogies together proved to be possibly the most controversial change in the Star Wars re-releases.[49][50] Shaw received more fan mail and autograph requests from Return of the Jedi than he had for any role in the rest of his career. He later reflected that he very much enjoyed his experience filming for Return of the Jedi and expressed particular surprise that an action figure was made of him from the film.[47]

text: When The Phantom Menace was being produced, hundreds of actors were tested for the role of young Anakin[51] before the producers settled on Jake Lloyd who Lucas considered met his requirements of "a good actor, enthusiastic and very energetic". Producer Rick McCallum said that Lloyd was "smart, mischievous and loves anything mechanical—just like Anakin."[52][53] During production of Attack of the Clones, casting director Robin Gurland reviewed about 1,500 other candidates for the role of the young adult Anakin before Lucas eventually selected Hayden Christensen for the role.[54] When Revenge of the Sith was being produced, Christensen and Ewan McGregor began rehearsing their climactic lightsaber duel long before Lucas would shoot it. They trained extensively with stunt coordinator Nick Gillard to memorize and perform their duel together. As in the previous two prequel films, McGregor and Christensen performed their own lightsaber fighting scenes without the use of stunt doubles.[55]

text: Anakin has also been voiced by Mat Lucas for the 2003 micro-series Star Wars: Clone Wars, and by Matt Lanter in the CGI animated film Star Wars: The Clone Wars, the television series of the same name and for Anakin's cameos in Star Wars Rebels. For Vader's appearances in the Star Wars Rebels animated series, James Earl Jones has reprised the voice role.[56][57] Both Lanter and Jones contributed their voices for the second-season finale of Rebels, at times with identical dialogue spoken by both actors blended together in different ways.[58]

text: Appearances

text: Darth Vader appears in seven of the nine live-action Star Wars films and The Clone Wars animated film and spinoff series. He has a recurring role in Star Wars expanded universe material.

text: Featured films

text: Original trilogy

text: Darth Vader first appears in Star Wars as a ruthless cyborg and former Jedi serving the Galactic Empire. He is tasked, along with Imperial commander Grand Moff Tarkin, with recovering the secret technical plans for the Death Star, which were stolen by the Rebel Alliance. Vader captures and tortures Princess Leia Organa, who has hidden the plans inside the droid R2-D2 and sent it to find Vader's old Jedi Master Obi-Wan Kenobi on the planet Tatooine. During Leia's rescue, Vader kills Obi-Wan in a lightsaber duel. Having placed a tracking device aboard the Millennium Falcon, Vader is able to track down the Rebels' base on the planet Yavin 4.[59] During the Rebels' attack on the Death Star, Vader attempts to shoot down Luke Skywalker's X-wing fighter, but Han Solo intervenes and sends Vader's ship spiraling off course, allowing Luke to destroy the Death Star.

text: In The Empire Strikes Back, Vader becomes obsessed with finding Luke[59] and leads the Imperial attack on the Rebel base on Hoth, but the Rebels escape. While conversing with the Emperor, Vader convinces him that Luke would be valuable to the Empire if he could be turned to the dark side of the Force. Vader hires a group of bounty hunters to follow Luke and his friends, and negotiates with Bespin administrator Lando Calrissian to set a trap for them so that Luke will follow them.[59] After Han, Leia, Chewbacca, and C-3PO arrive, Vader tortures Han, freezes him in carbonite and gives him to bounty hunter Boba Fett.[59] When Luke arrives, Vader defeats Luke in a lightsaber duel, severing his opponent's hand. Vader then tells Luke that he is his father[59] and asks Luke to help him overthrow the Emperor so they can rule the galaxy together. Horrified, Luke escapes through an air shaft. Vader telepathically tells Luke that it is his destiny to join the dark side.

text: In Return of the Jedi, Vader and the Emperor are supervising the second Death Star's construction. Unknown to Vader, the Emperor intends to replace him with Luke as his apprentice.[59] Thinking that there is still good in his father, Luke surrenders to Vader in hopes that he can be redeemed. Vader brings Luke to the Emperor onboard the Death Star. While there, the Emperor tempts Luke to join the dark side by appealing to the young Jedi's fear for his friends, which leads to Vader dueling with Luke once again.[59] Realizing that Leia is Luke's twin sister, Vader threatens to turn her to the dark side if Luke will not submit. Furious, Luke overpowers Vader and severs his father's robotic hand. The Emperor orders Luke to kill Vader and take his place. Luke refuses, however, and the Emperor tortures him with Force lightning. Moved by Luke's pleas for help, Vader throws the Emperor down the Death Star's reactor core to his death; he is mortally wounded by the Emperor's lightning in the process.[59][60] After asking Luke to remove his mask, the redeemed Anakin Skywalker tells his son that there was good in him after all before he dies.[60] Luke escapes the Death Star with his father's remains, and ceremonially burns them in a pyre. Anakin's spirit reunites with those of Obi-Wan and Yoda to watch over Luke and his friends as the Rebels celebrate the Death Star's destruction and the fall of the Empire.[60]

text: Prequel trilogy

text: Anakin first appears in the prequel trilogy in Star Wars: Episode I – The Phantom Menace, which takes place 32 years before the original Star Wars, as a young slave[61] living on the planet Tatooine with his mother Shmi. Anakin was conceived without a father and he can foresee the future. Also a gifted pilot and mechanic, Anakin has built his own protocol droid, C-3PO. Jedi Master Qui-Gon Jinn meets Anakin after making an emergency landing on Tatooine. Qui-Gon senses Anakin's strong connection to the Force and becomes convinced that the boy is the "Chosen One" of Jedi prophecy who will bring balance to the Force. After winning his freedom in a podrace, Anakin leaves for Coruscant to be trained as a Jedi, but is forced to leave Shmi behind. During the journey, Anakin forms a bond with Padmé Amidala, the young queen of Naboo. Qui-Gon asks the Jedi Council for permission to train Anakin, but they sense fear in the boy and refuse. Eventually, Anakin helps thwart the Trade Federation's invasion of Naboo by destroying their command ship. After Qui-Gon is killed in a lightsaber duel with Sith Lord Darth Maul, Obi-Wan promises to train Anakin, with the Council's reluctant approval.[60] Palpatine, newly elected as the Republic's Supreme Chancellor, befriends Anakin and promises to "watch your career with great interest".

text: Anakin is Obi-Wan's Padawan apprentice in Star Wars: Episode II – Attack of the Clones, which takes place 10 years after The Phantom Menace. Having rescued Padmé, who is now a senator, from an assassination attempt, Anakin travels with her to Naboo, where they fall in love. Sensing that Shmi is in pain, Anakin travels to Tatooine to rescue her. While there, Anakin learns she was kidnapped by Tusken Raiders. Anakin locates Shmi at the Tusken campsite, where she dies in his arms. Anakin, enraged, massacres the Tuskens and returns to the Lars homestead to bury Shmi.[60] Anakin travels with Padmé to Geonosis to rescue Obi-Wan from Sith Lord Count Dooku, Qui-Gon's old master and leader of the Separatists, a conspiracy of star systems bent on seceding from the Galactic Republic. Dooku captures them, however, and sentences them to death. However, a cadre of Jedi arrives with the Kaminoan clone army to halt their executions. Obi-Wan and Anakin confront Dooku during the ensuing battle, but the Sith Lord beats them both in a lightsaber duel and severs Anakin's arm. Yoda intervenes and rescues the Jedi. By the end of the film, Anakin is fitted with a robotic arm and marries Padmé in secret.

text: In Star Wars: Episode III – Revenge of the Sith, set three years after Attack of the Clones, Anakin is now a Jedi Knight and a hero of the Clone Wars. He and Obi-Wan lead a mission to rescue Palpatine from Separatist commander General Grievous on board his starship. When the Jedi encounter Dooku, Anakin subdues the Sith Lord, and on Palpatine's command, kills him in cold blood. They rescue Palpatine and return to Coruscant. Anakin reunites with Padmé, who tells him she is pregnant. Anakin has visions of Padmé dying in childbirth and becomes determined to prevent them from coming true.[60] Palpatine tells Anakin that the dark side holds the power to cheat death, and eventually reveals that he is the Sith Lord Darth Sidious, the mastermind of the war. Although Anakin informs Jedi Master Mace Windu of Palpatine's treachery, he follows Windu to make sure Palpatine is captured alive. When he realizes that Windu is going to kill Palpatine, Anakin intervenes on the Sith Lord's behalf, allowing Palpatine to kill Windu. Desperate to save Padmé, Anakin pledges himself to the dark side and becomes Palpatine's Sith apprentice, Darth Vader.[60] On Palpatine's command, Vader leads a legion of clones to kill everyone at the Jedi Temple and massacres the remaining Separatist leaders hiding on the volcanic planet Mustafar. Padmé confronts Vader and implores him to abandon the dark side, but Vader refuses. When Obi-Wan disembarks from Padmé's ship, Vader accuses his wife of conspiring against him and uses the Force to choke her into unconsciousness. After a long and ferocious lightsaber duel, Obi-Wan defeats Vader, severing his legs and arm and leaving him at the bank of a lava river, where he is horribly burned. Palpatine finds Vader and takes him back to Coruscant, where his apprentice's mutilated body is rebuilt with the black armored suit first depicted in the original trilogy. When Vader asks for Padmé, Palpatine says she died in the heat of his anger; Vader screams in agony, his spirit broken. Vader is last seen supervising the construction of the first Death Star alongside Palpatine and Wilhuff Tarkin.

text: The Clone Wars (film)

text: In the 2008 film The Clone Wars, Yoda assigns Ahsoka Tano as Anakin's Padawan apprentice to teach him a greater sense of responsibility, and Anakin is initially frustrated by this decision. Their early interactions are "playfully contentious", with Anakin calling her "Snips" for her "snippy" attitude and Ahsoka calling him "Skyguy" as a pun on his surname.[60] After earning Anakin's respect during a dangerous mission, Ahsoka joins him on a quest to rescue Jabba the Hutt's infant son. Her impetuousness both annoys and endears her to her master, and, by the end of the film, Anakin reveals a newfound affection for his apprentice.

text: Anthology films

text: Vader appears in the first anthology film Rogue One, played by Spencer Wilding[62] and Daniel Naprous.[63] with James Earl Jones once again voicing the character.[64] In this film, Vader meets with Imperial weapons engineer Orson Krennic, who asks him for an audience with the Emperor regarding the Death Star which Krennic lost command of to Tarkin. Vader refuses, however, and uses the Force to choke him as a way of putting him in his place and orders him to ensure the Death Star project has not been compromised. At the end of the film, Vader boards the disabled Rebel flagship Profundity with a cadre of Imperial stormtroopers and kills several Rebel soldiers as he attempts to recover the plans. However, the Alderaanian blockade runner Tantive IV (which was docked with the Profundity) escapes with the plans, setting the stage for the events of A New Hope.

text: Prior to the hallway scene being filmed. During the finale for Rogue One Orson Krennic would survive the Death Star's assault on Scariff and Vader then murdered him for failing to stop the theft of the Death Star plans. However this scene was cut from Rogue One due to the difficulty explaining Krennic surviving the explosion the Death Star caused.[65]

text: Virtual reality film

text: In the 2015 Star Wars Celebration, it was announced David S. Goyer is helping to develop a virtual reality film based on Darth Vader. It is said that the audience as "visitor" will be able to walk, pick up, push and open things, and might even have some effect in the story.[66]

text: Television series

text: The Clone Wars (2008–2014)

text: Anakin is a lead character in all seasons of The Clone Wars. As a Jedi Knight, he goes on several missions with both Obi-Wan and Ahsoka throughout the war. While continuing to teach Ahsoka the ways of the Jedi, Anakin has developed a close bond with her and they take risks to protect or save one another. Some of Anakin's actions taken out of concern for Ahsoka violate the Jedi code, such as torturing prisoners who may know her location when she goes missing.[67] During the third season, Anakin experiences a vision of his future as Darth Vader.[68]

text: Rebels (2014)

text: Darth Vader is a recurring character in the first season of Star Wars Rebels, which takes place 14 years[69] after The Clone Wars concludes. Vader leads a squadron of Force-sensitive Imperial Inquisitors who are actively searching for and killing any remaining Jedi and Force-sensitive children. In the second season premiere, Vader discovers that Ahsoka has joined the Rebel Alliance, and the Emperor orders him to hunt her down.

text: During their first confrontation in which Vader wipes out most of Phoenix Squadron's troops, Ahsoka is overwhelmed to recognize Anakin under "a layer of hate" in Darth Vader.[25] Later in the season, Ahsoka has a vision in which Anakin blames her for allowing him to fall to the dark side. Vader makes a brief cameo at the end of "Shroud of Darkness" in which he is brought to the Jedi temple on Lothal. In the season finale, Ahsoka duels with her former master inside a Sith Temple, allowing her friends to escape Vader and the temple's destruction. As the episode concludes, Vader escapes from the temple's ruins. Filoni said that it was "an elected decision" not to feature Vader for the third season.[70]

text: Forces of Destiny (2017)

text: Anakin appears in the episode The Padawan Path. He is voiced again by Matt Lanter.[71]

text: In The Padawan Path, Anakin is waiting along with Yoda in the Jedi temple for Ahsoka, for her ceremony.

text: Comics

text: In 2015, Marvel released a 25-issue series called Darth Vader (2015),[72] which focused on the title character in the aftermath of the destruction of the Death Star, as well as his life after learning about the existence of his son,[73] the series happens parallel to the comic series Star Wars (2015) and has a cross-over with it titled Vader Down.[74]

text: The Obi-Wan & Anakin 5-issue mini-series written by Charles Soule, depicts the lives of both Jedi between The Phantom Menace and Attack of the Clones. At New York Comic Con 2015, Dan Brooks of StarWars.com held an interview with Soule, who described the story as "pretty unexplored territory."[75]

text: A second series named exactly as the previous series Darth Vader (2017), is also written by Charles Soule. It begins moments after Vader wakes up for the first time in his black suit at the end of the film Episode III: Revenge of the Sith. The series will focus on exploring the title character's reaction to Padme's death, his adjustment to his mechanical suit, how he creates his red lightsaber, as well as how he hunts Jedi, and the beginning of the Inquisitor program shown in the animated series Star Wars Rebels.[76]

text: Star Wars canon literature

text: Star Wars: Lords of the Sith was one of the first four canon novels to be released in 2014 and 2015.[77] In Lords of the Sith, Vader and Palpatine find themselves hunted by revolutionaries on the Twi'lek planet Ryloth.[78][79]

text: Legends

text: In April 2014, most of the licensed Star Wars novels and comics produced since the originating 1977 film Star Wars were rebranded by Lucasfilm as Star Wars Legends and declared non-canon to the franchise.[77][80][81]

text: Star Wars: Clone Wars microseries

text: Anakin is a lead character in all three seasons of the Clone Wars microseries, which takes place four months after the conclusion of Attack of the Clones. Anakin becomes a Jedi Knight and is quickly promoted to a General of the Republic's Clone Army, due in part to Palpatine's influence. Among other missions, he fights a duel with Dark Jedi Asajj Ventress, helps Obi-Wan capture a Separatist-controlled fortress and rescues Jedi Master Saesee Tiin during a space battle. During the third season, Anakin frees the planet Nelvaan from Separatist control and sees a cryptic vision of his future as Darth Vader. In the season finale, Anakin and Obi-Wan go on a mission to rescue Palpatine from General Grievous, leading to the opening of Revenge of the Sith. Series creator and director Genndy Tartakovsky admitted that he was bothered that Lucasfilm declared Clone Wars non-canon, but said that he was proud of what he did and how much the microseries and the characters influenced later works.[82]

text: Literature

text: Vader is featured prominently in novels set in the Star Wars universe. In the 1978 novel Splinter of the Mind's Eye by Alan Dean Foster, Vader meets Luke Skywalker for the first time and engages him in a lightsaber duel that ends with Luke cutting off Vader's arm and Vader falling into a deep pit.[10] (In 1999's Vader's Quest, however, Vader encounters Luke for the first time after hiring a bounty hunter to find the pilot who destroyed the Death Star.) Shadows of the Empire (1996) reveals that Vader is conflicted about trying to turn his son to the dark side of the Force, and knows deep down that there is still some good in him.

text: Anakin Skywalker's redeemed spirit appears in The Truce at Bakura (1993), set a few days after the end of Return of the Jedi. He appears to Leia, imploring her forgiveness. Leia condemns him for his crimes and exiles him from her life. He promises that he will be there for her when she needs him, and disappears. In Tatooine Ghost (2003), Leia learns to forgive her father after learning about his childhood as a slave and his mother's traumatic death. In The Unifying Force (2003), Anakin tells his grandson Jacen Solo to "stand firm" in his battle with the Supreme Overlord of the Yuuzhan Vong.

text: Upon the release of the prequel films, the Expanded Universe grew to include novels about Vader's former life as Anakin Skywalker. Greg Bear's 2000 novel Rogue Planet and Jude Watson's Jedi Apprentice and Jedi Quest series chronicle Anakin's early missions with Obi-Wan, while James Luceno's 2005 novel Labyrinth of Evil, set during the Clone Wars, depicts Anakin battling Separatist commander General Grievous. In Luceno's Dark Lord: The Rise of Darth Vader (2005), set a few months after the events of Revenge of the Sith, Vader disavows his identity as Anakin Skywalker as he systematically pursues and kills the surviving Jedi and cements his position in the Empire. The novel reveals that Vader plans to eventually overthrow Palpatine and that he betrayed the Jedi because he resented their supposed failure to recognize his power.

text: In The Dark Nest trilogy (2005), Luke and Leia uncover old recordings of their parents in R2-D2's memory drive; for the first time, they see their own birth and their mother's death, as well as their father's corruption to the dark side. In Bloodlines (2006), Han and Leia's son Jacen - who has himself turned to the dark side - uses the Force to "watch" Darth Vader slaughter the children at the Jedi Temple.

text: Vader also appears in a series of tongue-in-cheek children's books by Jeffrey Brown.[83] In Brown's series, a somewhat hapless Vader sets out to be a father to a young Luke and Leia, with some scenes directly based on their darker film counterparts (for example, one scene shows Vader, Luke and Leia at the carbonite freezing chamber on Bespin, with Vader pronouncing the freezer adequate for making ice cream).

text: Comics

text: Vader appears in several comic books such as Dark Horse Comics' Star Wars Tales and Marvel Comics' Star Wars (1977–1986) series.

text: Anakin Skywalker is a major character in Dark Horse's Star Wars: Republic series (1998-2006).

text: Video games

text: Darth Vader and Anakin Skywalker appear in a variety of video games such as the Lego Star Wars series and the Battlefront series. Vader plays a central role in Star Wars: The Force Unleashed (2008). He is a playable character in the first level of the game, where he and his armies invade Kashyyyk to hunt down a Jedi who had survived the Order's destruction. Vader kills the Jedi and kidnaps the man's young Force-sensitive son, whom he raises as his secret apprentice, Starkiller. Vader sends Starkiller on various missions throughout the galaxy, with an ultimate goal to assassinate Palpatine so that Vader can rule the galaxy himself. Toward the end of the game, however, it is revealed that Vader isn't planning to overthrow Palpatine at all; he is merely using his apprentice to expose the Empire's enemies. At the game's climax, the player chooses between attacking Palpatine to help his Rebel friends escape the Death Star or killing Vader to become the Emperor's new apprentice. He also appears in the sequel Star Wars: The Force Unleashed II as the final boss.

text: Other

text: Darth Vader features in the 1981 radio drama adaptation of Star Wars, voiced by the actor Brock Peters. Vader makes his first appearance on the planet Ralltiir, where he treats Princess Leia Organa with suspicion. In later extended scenes, he is heard interrogating and torturing Leia on board his Star Destroyer and aboard the Death Star.[84][85][86]

text: Vader appears in Star Tours – The Adventures Continue, where he is voiced by Jones. Vader is featured as a combatant in the popular series Death Battle, in which he is pitted against Marvel Comics villain Doctor Doom. He loses the fight due to Doom's superior weaponry and abilities.

text: Characteristics

text: In Attack of the Clones, Anakin Skywalker feels "smothered" by Obi-Wan Kenobi and is incapable of controlling his own life.[87] By Revenge of the Sith, however, his "father-son" friction with his master has matured into a more equal, brotherly relationship.[88] Once he becomes Darth Vader, each evil act he commits shatters any hope or connection towards his previous life, which makes it harder for him to return to the light,[89] but he ultimately escapes the dark side and redeems himself by sacrificing his life to save his son, Luke Skywalker, and kill the Emperor in Return of the Jedi.[90]

text: Eric Bui, a psychiatrist at University of Toulouse Hospital, argued at the 2007 American Psychiatric Association convention that Anakin Skywalker meets six of the nine diagnostic criteria for borderline personality disorder (BPD), one more than necessary for a diagnosis. He and a colleague, Rachel Rodgers, published their findings in a 2010 letter to the editor of the journal Psychiatry Research. Bui says he found Anakin Skywalker a useful example to explain BPD to medical students.[91] In particular, Bui points to Anakin's abandonment issues and uncertainty over his identity. Anakin's mass murders of the Tusken Raiders in Attack of the Clones and the young Jedi in Revenge of the Sith count as two dissociative episodes, fulfilling another criterion. Bui hoped his paper would help raise awareness of the disorder, especially among teens.[91]

text: Cultural impact

text: Darth Vader's iconic status has made the character a synonym for evil in popular culture; psychiatrists have even considered him as a useful example to explain borderline personality disorder to medical students.[91] Anakin's origin story in The Phantom Menace has been compared to signifiers of African American racial identity,[92] and his dissatisfaction with his life has been compared to Siddartha's before he became Gautama Buddha.[93] A Mexican church advised Christians against seeing The Phantom Menace because it portrays Anakin as a Christ figure.[94] The slime-mold beetle Agathidium vaderi is named after Vader,[95] and several buildings across the globe are regularly compared to him.[96][97][98][99][100][101] A grotesque of Darth Vader looms over the east face of the Washington National Cathedral's northwest tower.[102] During the 2007–08 NHL season, Ottawa Senators goaltender Martin Gerber performed so well in an all-black mask that fans endearingly termed him "Darth Gerber".[103] In 2015, a statue of Vladimir Lenin in Odessa, Ukraine, was converted into one of Darth Vader due to a law on decommunization.[104]

text: Many commentators and comedians have also evoked his visage to satirize politicians and other public figures, and several American political figures have been unflatteringly compared to the character, including General George Custer, the subject of the acrylic painting Darth Custer by Native American artist Bunky Echohawk.[105] In 2005, Al Gore referred to Tele-Communications Inc.'s John C. Malone as the "Darth Vader of cable",[106] and political strategist Lee Atwater was known by his political enemies as "the Darth Vader of the Republican Party".[107]

text: On June 22, 2006, US Vice President Dick Cheney referred to himself as the Darth Vader of the Bush administration. Discussing the administration's philosophy on gathering intelligence, he said to CNN's John King, "It means we need to be able to go after and capture or kill those people who are trying to kill Americans. That's not a pleasant business. It's a very serious business. And I suppose, sometimes, people look at my demeanor and say, 'Well, he's the Darth Vader of the administration.'"[108] Jon Stewart put on a Darth Vader helmet to address Dick Cheney as a "kindred spirit" on The Daily Show on January 25, 2007.[109] Cheney's wife, Lynne, presented Stewart with a Darth Vader action figure on her appearance on the show on October 10, 2007. Both Stewart and Stephen Colbert have occasionally referred to Cheney as "Darth Cheney". In the satirical cartoon show Lil' Bush, Dick Cheney's father is portrayed as being Darth Vader. At her presidential campaign event on September 19, 2007, Hillary Clinton also referred to Cheney as Darth Vader. At the 2008 Washington Radio and Television Correspondents' Association Dinner, Cheney joked that his wife Lynne told him that the Vader comparison "humanizes" him. George Lucas told The New York Times columnist Maureen Dowd, however, that Cheney is more akin to Emperor Palpatine, and that a better stand-in for Vader would be George W. Bush.[110] An issue of Newsweek referenced this quote, and compared Bush and Cheney to Vader and Palpatine, respectively, in a satirical article comparing politicians to various Star Wars and Star Trek characters.[111]

text: Many films and television series have paid homage to Darth Vader. Marty McFly in Back to the Future (1985), dressed in a radiation suit, calls himself "Darth Vader from the planet Vulcan" to convince the past version of his father to ask his mother to a dance. Rick Moranis plays "Dark Helmet" in the Star Wars parody Spaceballs (1987). In Chasing Amy (1997), Hooper X speaks at a comic convention about Darth Vader being a metaphor for how poorly the science fiction genre treats black people; he is especially offended that Vader, the "blackest brother in the galaxy", reveals himself to be a "feeble, crusty old white man" at the end of Return of the Jedi. The character was also parodied in the Nickelodeon cartoon Rocko's Modern Life in the episode "Teed Off".[112][better source needed] On another Nickelodeon cartoon, Jimmy Neutron, Darth Vader's infamous line, "I am your father", was interpolated in the mini-episode "New Dog, Old Tricks".[113] The line was also alluded to in Toy Story, a film franchise also owned by Disney.[114]

text: The character has gained much positive reception as a classic film villain. Darth Vader ranked number two on Empire magazine's 2008 list of The 100 Greatest Movie Characters.[115] Premiere magazine also ranked Vader on their list of The 100 Greatest Movie Characters of All Time.[116] On their list of the 100 Greatest Fictional Characters, Fandomania.com ranked Vader at number 6.[117] Darth Vader was also the No. 1 supervillain on the Bravo series Ultimate Super Heroes, Vixens and Villains.[118] Darth Vader was also ranked as No. 1 in IGN's list of top 100 Star Wars characters.[119] Furthermore, Darth Vader's quote in The Empire Strikes Back – "No, I am your father" (often misquoted as "Luke, I am your father"),[120] – is one of the most well known quotes in cinema history. The line was selected as one of the 400 nominees for the American Film Institute's 100 Years... 100 Movie Quotes, a list of the greatest American movie quotes.[121] Vader received the Ultimate Villain recognition at the 2011 Scream Awards.[122]

text: In 2010, IGN ranked Darth Vader 25th in the "Top 100 Videogames Villains".[123]

text: In Ukraine, the Internet Party of Ukraine regularly lets people named Darth Vader take part in elections.[124][nb 1]

text: Family tree

text:
This Star Wars-related article describes a work or element of fiction in a primarily in-universe style. Please help rewrite it to explain the fiction more clearly and provide non-fictional perspective. (November 2016) (Learn how and when to remove this template message)

[hide]

v
t
e

Skywalker family tree

Aika
Lars[a]

Cliegg
Lars[b]

Shmi
Skywalker[c]

Jobal
Naberrie[d]

Ruwee
Naberrie[d]

Beru
Whitesun[e]

Owen
Lars[f]

Anakin
Skywalker[g][h]

Padmé
Amidala[i]

Bail
Organa[j][k]

Breha
Organa[l]

Luke
Skywalker[m][n]

Leia
Organa[o]

Han
Solo[p]

Ben
Solo[p][q]

References:

Jump up ^ Hidalgo, Pablo (2016). Star Wars Character Encyclopedia: Updated and Expanded.
Jump up ^ "Databank: Cliegg Lars". StarWars.com. Retrieved December 3, 2015.
Jump up ^ "Databank: Shmi Skywalker Lars". StarWars.com. Retrieved December 3, 2015.
^ Jump up to: a b Attack of the Clones (2002) and Revenge of the Sith (2005)
Jump up ^ "Databank: Beru Lars". StarWars.com. Retrieved December 3, 2015.
Jump up ^ "Databank: Owen Lars". StarWars.com. Retrieved December 3, 2015.
Jump up ^ "Databank: Anakin Skywalker". StarWars.com. Retrieved December 4, 2015.
Jump up ^ "Databank: Darth Vader". StarWars.com. Retrieved December 4, 2015.
Jump up ^ "Databank: Padmé Amidala". StarWars.com. Retrieved December 4, 2015.
Jump up ^ Adopted father of Leia Organa, as established in Revenge of the Sith (2005).
Jump up ^ "Databank: Bail Organa". StarWars.com. Retrieved December 3, 2015.
Jump up ^ Adopted mother of Leia Organa, as established in Revenge of the Sith (2005).
Jump up ^ "Databank: Luke Skywalker". StarWars.com. Retrieved December 4, 2015.
Jump up ^ In the alternate Star Wars expanded universe (Legends), Luke is married to Mara Jade and has a son, Ben Skywalker.
Jump up ^ "Databank: Princess Leia Organa". StarWars.com. Retrieved December 4, 2015.
^ Jump up to: a b The Force Awakens. 2015.
Jump up ^ In the alternate Star Wars expanded universe (Legends) continuity, Han and Leia have three children: Jaina, Jacen and Anakin Solo.

text: Notes

text: Jump up ^ Two men named Darth Vader were candidates at the 25 May 2014 Kiev mayoral election and the Odessa mayoral election of the same day.[125][126][127] A man named Darth Vader earlier had submitted documents to be registered as a presidential candidate in the 25 May 2014 Ukrainian presidential election; but his registration was refused because his real identity could not be verified.[128][129][130] In the 2014 Ukrainian parliamentary election Darth Vader and Star Wars characters such as Chewbacca, Princess Amidala and Yoda ran for seats in the Ukrainian parliament.[124] Candidates named Darth Vader reappeared in the 2015 Ukrainian local elections.[131]

tag: ol


document_title: Beauty and the Beast (2017 film)

question_text: who played belle's father in the new beauty and the beast

question_tokens: who played belle 's father in the new beauty and the beast

root

text: Beauty and the Beast (2017 film)

text: Plot[edit]

text: In Rococo-era France, an enchantress disguised as a beggar arrives at a ball and offers the host, a coldhearted prince, a rose for shelter. When he refuses, she transforms him into a beast and his servants into household objects, and erases the castle from the memories of their loved ones. She casts a spell on the rose and warns the prince that the curse will never lift unless he learns to love another, and earn their love in return, before the last petal falls.

tag: p

text: Years later, in the village of Villeneuve, Belle dreams of adventure and brushes off advances from Gaston, an arrogant former soldier. Lost in the forest, Belle's father Maurice seeks refuge in the Beast's castle, but the Beast imprisons him for stealing a rose. Belle ventures out in search for him and finds him locked in the castle dungeon. The Beast agrees to let her take Maurice's place.

text: Belle befriends the castle's servants, who treat her to a spectacular dinner. When she wanders into the forbidden west wing and finds the rose, the Beast, enraged, scares her into the woods. She is cornered by wolves, but the Beast rescues her and is injured in the process. A friendship develops as Belle nurses his wounds. The Beast shows Belle a gift from the enchantress, a book that transports readers wherever they want. Belle uses it to visit her childhood home in Paris, where she discovers a plague doctor mask. Belle realises that she and her father were forced to leave her mother's deathbed as her mother succumbed to the plague.

text: In Villeneuve, Gaston sees rescuing Belle as an opportunity to win her hand in marriage and agrees to help Maurice. When Maurice learns of his ulterior motive and rejects him, Gaston abandons him to the wolves. Maurice is rescued by the beggar Agathe, but when he tells the townsfolk of Gaston's crime, Gaston convinces them to send Maurice to an insane asylum.

text: After sharing a romantic dance with the Beast, Belle discovers her father's predicament using a magic mirror. The Beast releases her to save Maurice, giving her the mirror to remember him with. At Villeneuve, Belle proves Maurice's sanity by revealing the Beast in the mirror to the townsfolk. Realizing that Belle loves the Beast, Gaston has her thrown into the asylum carriage with her father and rallies the villagers to follow him to the castle to slay the Beast. Maurice and Belle escape and Belle rushes back to the castle.

text: During the battle, Gaston abandons his companion LeFou, who then sides with the servants to fend off the villagers. Gaston attacks the Beast in his tower, who is too depressed to fight back, but regains his will upon seeing Belle return. He overpowers Gaston but spares his life before reuniting with Belle. However, Gaston fatally shoots the Beast from a bridge, but it collapses when the castle crumbles and he falls to his death. The Beast dies as the last petal falls and the servants become inanimate. When Belle tearfully professes her love to him, Agathe reveals herself as the enchantress and undoes the curse, repairing the crumbling castle and restoring the Beast's and servants' human forms and the villagers' memories. The Prince and Belle host a ball for the kingdom, where they dance happily.

text: Cast[edit]

text:
Emma Watson as Belle, a beautiful and benevolent bibliophile who develops feelings for the Beast and begins to see the humanity within him.

Daisy Duczmal portrays an infant Belle.

Dan Stevens as The Prince / Beast, a cold-hearted prince who is transformed into a hideous beast and forced to earn back his humanity by learning to truly love and be loved in return.[9][10]

Adam Mitchell[3] portrays the younger version of the Prince.

Luke Evans as Gaston, a narcissistic and arrogant hunter and veteran of the French Royal Army who is willing to go as far as it takes to have Belle as his trophy wife.
Kevin Kline as Maurice, Belle's protective widowed father.[11]

Jolyon Coy portrays the young Maurice.

Josh Gad as LeFou, Gaston's flamboyant and long-suffering sidekick who bolsters his friend's ego but gets very little in return.[12]
Ewan McGregor as Lumière, the Beast's charismatic bouteiller who has been transformed into a candelabra.[13]
Stanley Tucci as Maestro Cadenza, the neurotic court composer and Madame de Garderobe's husband who has been transformed into a harpsichord.[14]
Ian McKellen as Cogsworth, the Beast's gruff but loyal majordomo and the head of the household staff who has been transformed into a mantel clock.[15]
Emma Thompson as Mrs. Potts, the castle's motherly head housekeeper who has been transformed into a teapot.[11]
Audra McDonald as Madame de Garderobe, a world-renowned opera singer and Cadenza's wife who has been transformed into a wardrobe.[16]
Gugu Mbatha-Raw as Plumette, one of the castle maids and Lumière's lover who has been transformed into a feather duster.[17]
Nathan Mack as Chip, Mrs. Potts' plucky son who has been transformed into a teacup.[18]
Hattie Morahan as Agathe, an impoverished hermit and resident of Villeneuve who, in reality, is the Enchantress responsible for cursing the Prince.[19] Morahan also narrates the prologue.

Rita Davies portrays the Enchantress in her beggar woman form.

Adrian Schiller as Monsieur D'Arque, the sly warden of the local asylum who is bribed by Gaston to have Maurice institutionalized.[19]
Gerard Horan as Monsieur Jean Potts, an absent-minded potter and resident of Villeneuve who is later revealed to be Mrs. Potts' husband and Chip's father.
Haydn Gwynne as Clothilde, a fishmonger and resident of Villeneuve who is later revealed to be Cogsworth's wife.
Michael Jibson as the Tavern Keeper, the owner and keeper of Villeneuve's local tavern where Gaston and the village residents drink.
Ray Fearon as Père Robert, Villeneuve's local chaplain who encourages Belle to borrow the books in the chapel's meager library.
Sophie Reid, Rafaëlle Cohen, and Carla Nella as the Village Lasses, a trio of women who fawn over Gaston and have a jealousy for Belle.
Jimmy Johnston, Dean Street, and Alexis Loizon as Tom, Dick, and Stanley, a trio of men who serve as Gaston's henchmen.
Zoe Rainey as Belle's mother, Maurice's late wife who contracted the plague and died when Belle was an infant.
Clive Rowe as Cuisinier, the castle's head chef who has been transformed into a stove.
Gizmo as Frou-Frou, Maestro Cadenza's and Madame de Garderobe's pet Yorkshire Terrier who has been transformed into a footstool.
Thomas Padden as Chapeau, the Prince's valet who has been transformed into a coat rack.
Tom Turner[4] as The King, the Prince's father who, following his wife's death, raised his son to be just as selfish and arrogant as he was.
Harriet Jones as The Queen, the Prince's mother who died of an illness when he was a child.
Dale Branston as Baker, Villeneuve's residential baker.
Chris Andrew Mellon as Nasty Headmaster, the unnamed headmaster of an all boys school in Villeneuve that disapproves of Belle teaching a young girl how to read.
Vivian Parry as the Village Lass' Mother, an unnamed seamstress who is the mother of the Village Lasses.

tag: ul

text: Cast notes[edit]

text: ^ In the initial theatrical release, Mitchell was miscredited as Rudi Gooman in the cast, but listed under his real name in the soundtrack credits.[20]

text: ^ In the initial theatrical release, Turner is miscredited as Henry Garrett in the cast.[20]

text: Stephen Merchant also appeared in the film as Monsieur Toilette, a servant who was turned into a toilet. This character was cut from the film, but is featured in the deleted scenes.[21]

text: Production[edit]

text: Development[edit]

text: Previously, Disney had begun work on a film adaptation of the 1994 Broadway musical.[22][23] However, in a 2011 interview, composer Alan Menken stated the planned film version of the Beauty and the Beast stage musical "was canned".[24]

text: By April 2014, Walt Disney Pictures had already begun developing a new live-action version and remake of Beauty and the Beast after making other live-action fantasy films such as Alice in Wonderland, Maleficent, Cinderella and The Jungle Book.[25] In June 2014, Bill Condon was signed to direct the film from a script by Evan Spiliotopoulos.[26] Later in September of that same year, Stephen Chbosky (who had previously directed Watson in The Perks of Being a Wallflower) was hired to re-write the script.[27]

text: Before Condon was hired to direct the film, Disney approached him with a proposal to remake the film in a more radical way as Universal Studios had remade Snow White and the Huntsman (2012). Condon later explained that "after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially, they said, 'We're interested in a musical to a degree, but only half full of songs.' My interest was taking that film and doing it in this new medium—live-action—as a full-on musical movie. So I backed out for a minute, and they came back and said, 'No, no, no, we get it, let's pursue it that way.'"[28] Walt Disney Pictures president of production Sean Bailey credited Walt Disney Studios chairman Alan F. Horn with the decision to make the film as a musical: "We worked on this for five or six years, and for 18 months to two years, Beauty was a serious dramatic project, and the scripts were written to reflect that. It wasn't a musical at that time. But we just couldn't get it to click and it was Alan Horn who championed the idea of owning the Disney of it all. We realized there was a competitive advantage in the songs. What is wrong with making adults feel like kids again?"[29]

text: Casting[edit]

text: In January 2015, Emma Watson announced that she would be starring as Belle, the female lead.[30] Watson was the first choice of Walt Disney Studios chairman Alan F. Horn, as he had previously overseen Warner Bros. which released the eight Harry Potter films that co-starred Watson as Hermione Granger.[29] Two months later, Luke Evans and Dan Stevens were revealed to be in talks to play Gaston and the Beast respectively,[31][32] and Watson confirmed their casting the following day through tweets.[9][33] The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière and Cadenza, respectively.[12][11][16][15][17][13][14][34]

text: Susan Egan, who originated the role of Belle on Broadway, commented on the casting of Watson as "perfect".[35] Paige O'Hara, who voiced Belle in the original animated film and its sequels, offered to help Watson with her singing lessons.[36]

text: According to The Hollywood Reporter, Emma Watson was reportedly paid $3 million upfront, together with an agreement that her final take-home pay could rise as high as $15 million if the film generated gross box office income similar to Maleficent's $759 million worldwide gross.[37]

text: Filming[edit]

text: Principal photography on the film began at Shepperton Studios in Surrey, England, on May 18, 2015.[11][38][39] Filming with the principal actors concluded on August 21.[40][41] Six days later, co-producer Jack Morrissey confirmed that the film had officially wrapped production.[42]

text: The Beast was portrayed with a “more traditional motion capture puppeteering for the body and the physical orientation", where actor Dan Stevens was "in a forty-pound gray suit on stilts for much of the film". The facial capture for the Beast was done separately in order to "communicate the subtleties of the human face" and "[capture the] thought that occurs to him" which gets "through [to] the eyes, which are the last human element in the Beast.” The castle servants who are transformed into household objects were created with CGI animation.[6]

text: Before the release of the film, Bill Condon refilmed one certain sequence in the "Days of the Sun" number, due to confusion among test audiences caused by actress Harriet Jones, who looked similar to Hattie Morahan, who portrayed Agathe. In the original version of the scene, it was Jones' character, the Prince's mother, who sings the first verse of the song, with Rudi Goodman playing the young Prince and Henry Garrett playing his father; but in the reshot version of the scene, the singing part is given to the Prince (now played by Adam Mitchell). The King was also recast to Tom Turner, although Harriet Jones was still the Queen, albeit with dark hair. Both Goodman and Garrett's names were mistakenly featured in the original theatrical release's credits, but was later corrected in home releases.[20]

text: Music[edit]

text: When released in 1991, Beauty and the Beast marked a turning point for Walt Disney Pictures by appealing to millions of fans with its Oscar-winning musical score by lyricist Howard Ashman and composer Alan Menken. In Bill Condon's opinion, that original score was the key reason he agreed to direct a live-action version of the movie. "That score had more to reveal", he says, "You look at the songs and there's not a clunker in the group. In fact, Frank Rich described it as the best Broadway musical of 1991. The animated version was already darker and more modern than the previous Disney fairytales. Take that vision, put it into a new medium, make it a radical reinvention, something not just for the stage because it's not just being literal, now other elements come into play. It's not just having real actors do it".[43]

text: Condon initially prepared on only drawing inspiration from the original film, but he also planned to include most of the songs composed by Alan Menken, Howard Ashman and Tim Rice from the Broadway musical, with the intention of making the film as a "straight-forward, live-action, large-budget movie musical".[44] Menken returned to score the film's music, which features songs from the original film by him and Howard Ashman, plus new material written by Menken and Tim Rice.[45] Menken said the film will not include songs that were written for the Broadway musical and instead, created four new songs.[46] However, an instrumental version of the song "Home", which was written for the musical, is used during the scene where Belle first enters her room in the castle.[47]

text: On January 19, 2017, it was confirmed by both Disney and Céline Dion - singer of the original 1991 Beauty and the Beast duet song, with singer Peabo Bryson - that Dion would be performing one of the new original songs "How Does a Moment Last Forever" to play over the end titles.[48] She originally had doubts about whether or not to record the song due to the recent death of her husband and manager René Angélil, who had previously helped her secure the 1991 pop duet. While ultimately accepting the opportunity, she said: "[The] first Beauty and the Beast decision was made with my husband. Now I'm making decisions on my own. It's a little bit harder. I couldn't say yes right away, because I felt like I was kind of cheating in a way".[18] She eventually felt compelled to record the song because of the impact Beauty and the Beast has had on her career. According to Dion, "I was at the beginning of my career, it put me on the map, it put me where I am today".[9] Also, Josh Groban was announced to be performing the new original song "Evermore" on January 26, 2017.[49][50][51][52]

text: The 2017 film features a remake of the 1991 original song Beauty and the Beast recorded as a duet by Ariana Grande and John Legend.[53][54] Grande and Legend's updated version of the Beauty and the Beast title song is faithful to the original, Grammy-winning duet, performed by Céline Dion and Peabo Bryson for the 1991 Disney film.[55]

text: Emma Thompson also performed a rendition of "Beauty and the Beast", which was performed by Angela Lansbury in the original 1991 animated film release.[56]

text: Disney debuted the music video for Ariana Grande and John Legend's interpretation of the title song "Beauty and the Beast" on Freeform television network on March 5, 2017, and it has since attained over 100 million video views on the Vevo video hosting service.[56]

text: Release[edit]

text: On March 16, 2015, Disney announced the film would be released in 3D on March 17, 2017.[11] The first official presentation of the film took place at Disney's three-day D23 Expo in August 2015.[57]

text: The world premiere of Beauty and the Beast took place on February 23, 2017, at Spencer House in London, England;[58] and the film later premiered at the El Capitan Theatre in Hollywood, California, on March 2, 2017. The stream was broadcast onto YouTube.

text: A sing along version of the film released in over 1,200 US theaters nationwide on April 7, 2017.[59] The United Kingdom received the same version on April 21, 2017.[citation needed]

text: Marketing[edit]

text: Disney spent around $140 million for marketing the film worldwide.[60] Following an announcement on May 22, 2016,[61] Disney premiered the first official teaser trailer on Good Morning America the next day.[62] In its first 24 hours, the teaser trailer reached 91.8 million views, which topped the number of views seen in that amount of time in history, including for the teasers for other films distributed by Disney such as Avengers: Age of Ultron, Star Wars: The Force Awakens and Captain America: Civil War.[63] This record has since been broken by Thor: Ragnarok and It.[64] The first official teaser poster was released on July 7, 2016.[65] On November 2, 2016, Entertainment Weekly debuted the first official image on the cover of their magazine for the week along with nine new photos as well.[66][67] One week later, Emma Watson and Disney debuted a new poster for the film.[68] On November 14, 2016, the first theatrical trailer was released again on Good Morning America.[69] The trailer reached 127.6 million views in its first 24 hours, setting a new record as the trailer with the most views in one day, beating out Fifty Shades Darker.[70] This record has since been broken again by The Fate of the Furious.[71] A TV spot with Watson singing was shown during the 74th Golden Globe Awards.[72] Disney released the final trailer on January 30, 2017.[73]

text: Home media[edit]

text: Beauty and the Beast was released on Blu-ray, DVD and Digital HD on June 6, 2017.[74] The film debuted at No. 1 on the NPD VideoScan overall disc sales chart, with all other titles in the top 20, collectively, selling only 40% as many units as Beauty and the Beast.[75] The movie regained the top spot on the national home video sales charts during its third week of release.[76] The movie became available on Netflix on September 19, 2017.

text: Reception[edit]

text: Box office[edit]

text: Beauty and the Beast grossed $504 million in the United States and Canada and $758.6 million in other territories for a worldwide gross of $1.262 billion.[a] With a production budget of $160 million, it is the second-most expensive musical ever made; only Hello, Dolly! (1969) with a budget of $25 million ($165 million in 2016 dollars) cost more.[4] In just ten days, it became the highest-grossing live-action musical of all time, beating the nine-year-old record held by Mamma Mia!. It is currently the second biggest musical ever overall, behind Disney's Frozen (2013).[78] Worldwide, the film proved to be a global phenomenon, earning a total of $357 million over its four-day opening weekend from 56 markets. Critics said the film was playing like superhero movies amongst women. It was the second biggest March global opening, behind only Batman v Superman: Dawn of Justice, the thirteenth-biggest worldwide opening ever and the seventh-biggest for Disney.[79] This includes $21 million from IMAX plays on 1,026 screens, a new record for an IMAX PG title.[80] It surpassed the entire lifetime total of the original film in just six days.[81][82]

text: Beauty and the Beast is the 300th digitally remastered release in IMAX company's history, which began with the re-release of Apollo 13 in 2002. Its robust global debut helped push the company past $6 billion for the first time,[83] and led to analysts believing that the film had a shot of passing $1 billion worldwide from theatrical earnings.[84][85][86][87] On April 12, it passed the $1 billion threshold, becoming the first film of 2017, the fourteenth Disney film, and the twenty-ninth film overall to pass the mark. It became the first film since Rogue One (also a Disney property) in December 2016 to make over a billion dollars, and did so on its twenty-ninth day of release.[88][89][90] It is currently the highest-grossing film of 2017,[91] the highest-grossing March release,[92] the highest-grossing remake of all-time,[93] and the fifth biggest Disney film.[94] Even after inflation adjusted, it is still ahead of the $425 million gross ($760 million in 2017 dollars) of the original film.[93]

text: North America[edit]

text: In the United States and Canada, Beauty and the Beast topped Fandango's pre-sales and became the fastest-selling family film in the company's history, topping the studio's own animated film Finding Dory released the previous year. Early tracking had the film grossing around $100 million in its opening weekend, with some publications predicting it could reach $130 million.[95][96][97] By the time the film's release was 10 days away, analysts raised projections to as high as $150 million.[98][99] It earned $16.3 milion from Thursday previews night, marking the biggest of 2017 (breaking Logan's record), the biggest ever for a Disney live-action film (breaking Maleficent's record), the second biggest ever for both a G or PG-rated film (behind the sixth Harry Potter film Harry Potter and the Half-Blood Prince which also starred Watson), and the third biggest ever in the month of March (behind Batman v Superman: Dawn of Justice and The Hunger Games).[100] An estimated 41% of the gross came from IMAX, 3D and premium large format screenings which began at 6 pm, while the rest – 59% – came from regular 2D shows which began at 7 p.m.[101] The numbers were considered more impressive given that the film played during a school week.[102]

text: On its opening day, the film made $63.8 million from 4,210 theaters across 9,200 screens, marking the third biggest in the month of March, trailing behind Batman v Superman ($81.5 million) and The Hunger Games ($67 million).[103][104] It was also the biggest opening day ever for a film that wasn't PG-13, displacing the $58 million opening Wednesday of Harry Potter and the Half-Blood Prince. Its opening day alone (which includes Thursday's previews) almost matched the entire opening weekend of previous Disney live-action films, Maleficent ($69.4 million) and Cinderella ($67.9 million).[105] Unlike all previous four Disney live-action films witnessing a hike on their second day, Saturday, Beauty and the Beast actually fell -2%, but nevertheless, the dip was paltry, and the grosses are so much bigger compared to the other titles.[83] Earning a total of $174.8 million on its opening weekend, it defied all expectations and went on to set numerous notable records.[106] This includes the biggest opening of the year as well as the biggest for the month of March and pre-summer/spring opening, beating Batman v Superman,[107][108] the biggest start ever for a PG title (also for a family film), surpassing Finding Dory,[109] the biggest debut of all time for a female-fueled film, ahead of The Hunger Games: Catching Fire,[110] the biggest for a Disney live-action adaptation, ahead of Alice in Wonderland[110] and the biggest musical debut ever, supplanting Pitch Perfect 2. Furthermore, it is also Watson's highest-opening, beating Harry Potter and the Deathly Hallows – Part 2 same with Emma Thompson, director Bill Condon's biggest debut ever ahead of The Twilight Saga: Breaking Dawn – Part 2 and the biggest outside of summer, save for Star Wars: The Force Awakens, not accounting for inflation.[106]

text: It became the forty-third film to debut with over $100 million and the fifteenth film to open above $150 million. Its three-day opening alone surpassed the entire original North American run of the first film ($146 million; before the 3D re-release), instantly becoming the second biggest film of the year, behind Logan ($184 million), and also the second highest-grossing musical, behind Grease's $188 million cumulative gross in 1978.[111] 70% of the total ticket sales came from 2D showings signifying that people who don't go to theaters frequently came out in bulk to watch the film. About 26% of the remaining tickets were for 3D. IMAX accounted for 7% ($12.5 million) of the total weekend's gross, setting a new record for a PG title, ahead of Alice in Wonderland ($12.1 million) while PLF repped 11% of the box office.[83] 70% of the film's opening day demographic was female, dropping to 60% through the weekend.[110] According polling service PostTrak, about 84 percent of American parents who saw the film on its opening day said they would "definitely" recommend it for families.[112][113] The film's opening was credited to positive word of mouth from audiences, good reviews from critics, effective marketing which sold the title not just as a family film but also as a romantic drama, the cast's star power (especially Emma Watson), lack of competition, being the first family film since The Lego Batman Movie a month earlier, nostalgia, and the success and ubiquity of the first film and Disney's brand.[112][114]

text: On Monday, its fourth day of release, the film fell precipitously by 72% earning $13.5 million. The steep fall was due to a limited marketplace where only 11% K-12 and 15% colleges were off per ComScore. Nevertheless, it is the second biggest March Monday, behind Batman v Superman ($15 million).[115] This was followed by the biggest March and pre-summer Tuesday with $17.8 million, a +32% increase from its previous day. The same day, the film passed $200 million in ticket sales.[116] It earned $228.6 million in the first week of release, the sixth-biggest seven-day gross of all time.[117] In its second weekend, the film continued to maintain the top positioning and fell gradually by 48% earning another $90.4 million to register the fourth-biggest second weekend of all time, and the third-biggest for Disney.[118] In terms of percentage drop, its 48% decline is the third-smallest drop for any film opening above $125 million (behind Finding Dory and The Force Awakens).[78] The hold was notable considering how the film was able to fend off three new wide release; Power Rangers, Life, and CHiPs.[119] As a result, it passed the $300 million threshold becoming the first film of 2017 the pass said mark.[120] The film grossed $45.4 million in its third weekend, finally being overtaken for the top spot by newcomer The Boss Baby ($50.2 million).[121] On April 4, 2017, its nineteenth day of release, it passed the $400 million threshold becoming the first film of 2017 to do so.[122] By its fourth weekend, the film began was playing in 3,969 cinemas, a fall of 241 theaters from its previous weekend. Of those, approximately 1,200 cinemas were sing-along versions. It earned $26.3 million (-48%) and retained second place. By comparison, previous Disney films Moana (−8%) and Frozen (−2%) both witnessed mild percentage declines the weekend their sing-alone versions were released.[123] Its seventh weekend of release was in contemporaneous with another Emma Watson-starring new film The Circle.[124] That weekend, The Circle was number four, while Beauty and the Beast was at number six.[125] By May 28, the film had earned over $500 million in ticket sales becoming the first (and currently only) film of 2017, the third female-fueled film (after The Force Awakens and Rogue One: A Star Wars Story followed by Wonder Woman) and the eighth overall film in cinematic history to pass the mark.[126][127][128]

text: It has already become the biggest March release, dethroning The Hunger Games (2012),[129] the biggest musical film (both animated and live-action),[130] as well as the biggest film of 2017.[131]

text: Outside North America[edit]

text: Internationally, the film began playing on Thursday, March 16, 2017. Through Sunday, March 19, it had a total international opening of $182.3 million from 55 markets, 44 of which were major territories, far exceeding initial estimations of $100 million and opened at No. 1 in virtually all markets except Vietnam, Turkey, and India. Its launch is the second biggest for the month of March, behind Batman v Superman ($256.5 million). In IMAX, it recorded the biggest debut for a PG title (although it carried varying certificate amongst different markets) with $8.5 million from 649 screens, the second biggest for a PG title behind The Jungle Book.[132] In its second weekend, it fell just by -35% earning another $120.6 million and maintaining its first position hold. It added major markets like France and Australia.[133] It top the international box office for three consecutive weekends[134] before finally being dethroned by Ghost in the Shell and The Boss Baby in its fourth weekend. Despite the fall, the film helped Disney push past the $1 billion thresold internationally for the first time in 2017.[135][90]

text: It scored the biggest opening day of the year in Hong Kong and the Philippines, the biggest March Thursday in Italy ($1 million, also the biggest Disney Thursday debut), the biggest March opening day in Austria, and the second biggest in Germany ($1.1 million), Disney's biggest March in Denmark, the biggest Disney live-action debut in China ($12.6 million), the UK ($6.2 million), Mexico ($2.4 million) and Brazil ($1.8 million) and the third biggest in South Korea with $1.2 million, behind only Pirates of the Caribbean: At World's End and Pirates of the Caribbean: On Stranger Tides.[136][137] In terms of opening weekend, the largest debut came from China ($44.8 million), followed by the UK ($24.3 million), Korea ($11.8 million), Mexico ($11.8 million), Australia ($11.1 million), Brazil ($11 million), Germany ($10.7 million), France ($8.4 million), Italy ($7.6 million), Philippines ($6.3 million), Russia ($6 million) and Spain ($5.8 million).[132][133]

text: In the United Kingdom and Ireland, the film recorded the biggest opening ever for a PG film, the biggest Disney live-action opening of all time, the biggest March opening weekend, the biggest opening for a musical (ahead of 2012's Les Misérables), the number one opening of 2017 to date and the fifth-biggest ever overall with £19.7 million ($24.5 million) from 639 theatres and almost twice that of The Jungle Book (£9.9 million).[138] This included the second biggest Saturday ever (£7.9 million), only behind Star Wars: The Force Awakens.[139] It witnessed a decline in its second weekend, earning £12.33 million ($15.4 million). Though the film was falling at a faster rate than The Jungle Book, it had already surpassed the said film and its second weekend is the third biggest ever (behind the two James Bond films Skyfall (2012) and Spectre).[140][133] In India, despite facing heavy competitions from four new Hindi releases, two Tamils films and a Malayalam and a Punjabi release, the film managed to take an occupancy of 15% on its opening day, an impressive feat despite tremendous competitions.[141][142][143] It earned around ₹1.5 crore (US$230,000) nett on its opening day from an estimated 600 screens which is more than the three Hindi releases – Machine, Trapped and Aa Gaya Hero – combined.[144] Disney reported a total of ₹9.26 crore (US$1.4 million) gross for its opening weekend there. It was ahead of all new releases and second overall behind Bollywood film Badrinath Ki Dulhania.[145][146][147] In Russia, despite receiving a restrictive 16 rating, the film managed to deliver a very successful opening with $6 million.[148]

text: In China, expectations were high for the film. The release date was announced on January 24, giving Disney and local distributor China Film Group Corporation ample time – around two months – to market the film nationwide. The release date was strategically chosen to coincide with White Day. Preliminary reports suggested that it could open to $40–60 million in its opening weekend. Largely driven by young women, its opening day pre-sales outpaced that of The Jungle Book.[149] The original film was however never widely popular in the country.[150] Although China has occasionally blocked gay-themed content from streaming video services, in this case, Chinese censors decided to leave the gay scene intact. According to local box office tracker Ent Group, the film grossed an estimated $12.1 million on its opening day (Friday), representing 70% of the total receipts. Including previews, it made a total of $14.5 million from 100,000 screenings, which is 43% of all screenings in the country.[151] It climbed to $18.5 million on Saturday (102,700 showings) for a three-day total of $42.6 million, securing 60% of the total marketplace. Disney on the other hand reported a different figure of $44.8 million.[152][153] Either ways, it recorded the second biggest opening for a Disney live-action film,[150] with $3.4 million coming from 386 IMAX screens.[132] Japan – a huge Disney market – served as the film's final market and opened there on April 21[133] It debuted with a better-than-expected $12.5 million on its opening weekend helping the film push past the $1.1 billion threshold. An estimated $1.1 million came from IMAX screenings, the fourth-biggest ever in the country.[154][155] The two day gross was $9.7 million, outstripping Frozen's previous record of $9.5 million.[156] Due to positive reviews, good word-of-mouth and benefitting from the Golden Week, the film saw a 9% increase on its second weekend. The hold was strong enough to fend off newcomer The Fate of the Furious from securing the top spot. The total there is now over $98 million after seven weekends[157][158][159] and is the biggest film release of the year and overall the eleventh biggest of all time.[160] It topped the box office there for eight consecutive weekends.[161][162]

text: The only markets where the film did not top the weekend charts were Vietnam (behind Kong: Skull Island), Turkey (with two local movies and Logan ahead) and India (where Badrinath Ki Dulhania retained No. 1).[132] It topped the box office for four straight weekends in Germany, Korea, Austria, Finland, Poland, Portugal, Brazil, Venezuela, Bolivia, Switzerland and the UK (exclusive of previews).[135][163] In the Philippines, it emerged as the most commercial successful film of all time – both local and foreign – with over $13.5 million.[164] In just five weeks, the film became one of the top 10 highest-grossing film of all time in the United Kingdom and Ireland, ahead of all but one Harry Potter film (Deathly Hallows – Part 2) and all three The Lord of the Rings movies (which also starred Ian McKellen).[165] It is currently the eighth biggest grosser with £70.1 million ($90 million), overtaking Mamma Mia! to become the biggest musical production ever there.[154][166] The biggest international earning markets following the UK are Japan ($108 million), China ($85.8 million), Brazil ($41.5 million), Korea ($37.5 million), and Australia ($35 million).[161] In Europe alone, the cumulative total is $267 million to become the second-highest-grossing film in the past 1 year (behind Rogue One: A Star Wars Story).[167][154][157]

text: Critical response[edit]

text: Beauty and the Beast received generally positive reviews, with praise for the faithfulness to the original film with a few elements of the Broadway musical version, cast performances, visuals, Jacqueline Durran's costume designs, Alan Menken's musical score and songs, though the designs of the Beast and the servants' household object forms received mixed reviews.[168][169] On review aggregator Rotten Tomatoes, the film has an approval rating of 71% based on 294 reviews, with an average rating of 6.6/10. The site's critical consensus reads, "With an enchanting cast, beautifully crafted songs, and a painterly eye for detail, Beauty and the Beast offers a faithful yet fresh retelling that honors its beloved source material."[170] On Metacritic, the film has a score of 65 out of 100, based on 47 critics, indicating "generally favorable reviews".[171] In CinemaScore polls, audiences gave the film an average grade of "A" on an A+ to F scale.[172][173]

text: Leslie Felperin of The Hollywood Reporter wrote: "It's a Michelin-triple-starred master class in patisserie skills that transforms the cinematic equivalent of a sugar rush into a kind of crystal-meth-like narcotic high that lasts about two hours." Felperin also praised the performances of Watson and Kline as well the special effects, costume designs and the sets while commended the inclusion of Gad's character of LeFou as the first LGBT character in Disney.[174] Owen Gleiberman of Variety, in his positive review of the film, wrote: "It's a lovingly crafted movie, and in many ways a good one, but before that it's an enraptured piece of old-is-new nostalgia." Gleiberman compared Steven's character of the Beast to a royal version of the titular character in The Elephant Man and the 1946 version of the Beast in Jean Cocteau's original adaptation.[175] A. O. Scott of The New York Times praised the performances of both Watson and Stevens, and wrote: "It looks good, moves gracefully and leaves a clean and invigorating aftertaste. I almost didn't recognize the flavor: I think the name for it is joy."[176] Likewise, The Washington Post's Ann Hornaday complimented Watson's performance, describing it as "alert and solemn" while noting her singing ability as "serviceable enough to get the job done".[177] Richard Roeper of Chicago Sun-Times awarded the film three and a half stars, lauded the performances of Watson and Thompson which he drew a comparison to Paige O'Hara's and Angela Lansbury's performances in the 1991 animated version while appreciating the performances of the other cast and also pointing out on its usage of the combination of motion capture and CGI technology as a big advantage which he stated: "Almost overwhelmingly lavish, beautifully staged and performed with exquisite timing and grace by the outstanding cast".[178] Mike Ryan of Uproxx praised the cast, production design and the new songs while noting the film doesn't try anything different, saying: "There's certainly nothing that new about this version of Beauty and the Beast (well, except it isn't a cartoon anymore), but it's a good recreation of a classic animated film that should leave most die-hards satisfied."[179] In her A- review, Nancy Churnin of The Dallas Morning News praised the film's emotional and thematic depth: "There's an emotional authenticity in director Bill Condon's live-action Beauty and the Beast film that helps you rediscover Disney's beloved 1991 animated film and 1994 stage show in fresh, stirring ways."[180]

text: Brian Truitt of USA Today commended the performances of Evans, Gad, McGregor and Thompson alongside Condon's affinity with musicals, the production design, visual effects featured in some of the song numbers including new songs made by the composers Alan Menken and Tim Rice, particularly Evermore which he described the new song with a potential for an Academy Award for Best Original Song.[181] Peter Travers of Rolling Stone rated the film three out of four stars which he deemed it as an "exhilarating gift" while he remarked that "Beauty and the Beast does justice to Disney's animated classic, even if some of the magic is M.I.A (Missing in Action)."[182] Stephanie Zacharek of Time magazine gave a positive review with a description as "Wild, Vivid and Crazy-Beautiful" as she wrote "Nearly everything about Beauty and the Beast is larger than life, to the point that watching it can be a little overwhelming." and added that "it’s loaded with feeling, almost like a brash interpretive dance expressing the passion and elation little girls (and some boys, too) must have felt upon seeing the earlier version."[183] The San Francisco Chronicle's Mick LaSalle struck an affirmative tone, calling it one of the joys of 2017, stating that "Beauty and the Beast creates an air of enchantment from its first moments, one that lingers and builds and takes on qualities of warmth and generosity as it goes along" while referring the film as "beautiful" and also praised the film for its emotional and psychological tone as well Steven's motion capture performance.[184] Tim Robey of The Daily Telegraph gave the film four stars out of five and wrote that "It dazzles on this chocolate box of a picture that feels almost greedy yet to make this film work, down to a sugar-rush finale to grasp the nettle and make an out-an-out, bells-and-whistles musical" while he praised the performances of Watson, McKellen, Thompson, McGregor, Evans and Gad.[185] Mark Hughes of Forbes also similarly praised the film which he wrote that "it could revive the story in a faithful but entirely new and unique way elevating the material beyond expectations, establishing itself as a cinematic equal to the original" and also complimented the importance of undertaking a renowned yet problematic masterpiece as well addressing changes in the elements of the story while acknowledging the film's effectiveness in resonating to the audiences.[186]

text: Several critics regarded the film as inferior to its 1991 animated predecessor. David Sims of The Atlantic wrote that the 2017 film "feels particularly egregious, in part, because it’s so slavishly devoted to the original; every time it falls short of its predecessor (which is quite often), it’s hard not to notice".[187] Michael Phillips of the Chicago Tribune said that the 2017 film "takes our knowledge and our interest in the material for granted. It zips from one number to another, throwing a ton of frenetically edited eye candy at the screen, charmlessly." Phillips wrote that the film featured some "less conspicuously talented" performers who are "stuck doing karaoke, or motion-capture work of middling quality", though he praised Kline's performance as the "best, sweetest thing in the movie; he brings a sense of calm, droll authority".[188] Peter Bradshaw of The Guardian praised Watson's performance and wrote that the film was "lit in that fascinatingly artificial honey-glow light, and it runs smoothly on rails – the kind of rails that bring in and out the stage sets for the lucrative Broadway touring version." In the same newspaper, Wendy Ide criticized the film as "ornate to the point of desperation" in its attempt to emulate the animated film.[189][190]

text: Chris Nashawaty of Entertainment Weekly gave the film a B-, writing that while the film looks "exceptionally great", he sensed that the new songs were "not transporting". He felt the film needed more life and depth, but praised Watson's and Steven's performances as the "film’s stronger elements".[191] Dana Schwartz of The Observer felt that some of the characters, such as Gaston and the Beast, had been watered down from the 1991 film, and that the additional backstory elements failed to "advance the plot or theme in any meaningful way" while adding considerable bloat. Schwartz considered the singing of the cast to be adequate but felt that their voices should have been dubbed over, especially for the complex songs.[192]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref.

MTV Movie & TV Awards
May 7, 2017
Movie of the Year
Beauty and the Beast
Won
[193]

Best Actor in a Movie
Emma Watson

Best Kiss
Emma Watson and Dan Stevens
Nominated

Best Duo
Josh Gad and Luke Evans

Golden Trailer Awards
June 6, 2017
Best Animation/Family
Beauty and the Beast
[194]

Best Original Score

Best Animation/Family TV Spot

Best Fantasy Adventure TV Spot

Teen Choice Awards
August 13, 2017
Choice Movie: Fantasy
Won
[195]
[196]

Choice Movie: Fantasy Actor
Dan Stevens
Nominated

Choice Movie: Fantasy Actress
Emma Watson
Won

Choice Movie Villain
Luke Evans

Choice Movie Ship
Emma Watson and Dan Stevens

Choice Liplock

Choice Scene Stealer
Josh Gad
Nominated

Choice Hissy Fit
Luke Evans

Dan Stevens

tag: table

text: Controversies[edit]

text: Gay character[edit]

text: Controversy erupted after director Bill Condon said there was a "gay moment" in the film, when LeFou briefly waltzes with Stanley, one of Gaston's friends.[197] Afterwards in an interview with Vulture.com, Condon stated, "Can I just say, I’m sort of sick of this. Because you’ve seen the movie—it's such a tiny thing, and it’s been overblown." Condon also added that Beauty and the Beast features much more diversity than just the highly-talked-about LeFou: "That was so important. We have interracial couples—this is a celebration of everybody's individuality, and that’s what’s exciting about it.”[198] GLAAD president and CEO Sarah Kate Ellis praised the move stating, "It is a small moment in the film, but it is a huge leap forward for the film industry."[199]

text: In Russia, Vitaly Milonov agitated the culture minister for banning the film,[200] but instead it was given a 16+ rating (children under the age of 16 can only be admitted to see it in theaters with accompanying adults).[201] Additionally, a theater in Henagar, Alabama did not screen the film because of the subplot.[202] In Malaysia, the Film Censorship Board insisted the "gay moment" scene be cut, prompting an indefinite postponement of its release by Disney, followed by their decision to withdraw it completely if it could not be released uncensored.[203][204][205] The studio moved the release date to March 30, to allow more time for Malaysia's censor board to make a decision on whether or not to release the film without changes.[206] The distributors and producers then submitted an appeal to the Film Appeal Committee of Malaysia, which allowed the film to be released without any cuts and a P13 rating on the grounds that the "gay element" was minor and did not affect the positive elements featured in the film.[207][208] In Kuwait, the movie was withdrawn from cinemas by National Cinema Company which owns most of the cinemas in the country. A board member of the company stated that the Ministry of Information's censorship department had requested it to stop its screening and edit it for things deemed offensive by it.[209]

text: There were also a number of boycotts against the film. A call to boycott on LifePetitions received over 129,000 signatures,[210] while the American Family Association featured a petition to boycott with the film, asking the public to help crowdfund a CGI version of Pilgrim's Progress instead.[211]

text: Belle and the Beast's relationship[edit]

text: Disney has sought to portray Belle as an empowered young woman,[212] but a debate questioning whether it is possible to fall in love with someone who is holding you prisoner, and whether this is a problematic theme, has resulted.[213] As was the case with the original animated film, one argument is that Belle suffers from Stockholm syndrome (a condition that causes hostages to develop a psychological alliance with their captors as a survival strategy during captivity). Emma Watson studied whether Belle is trapped in an abusive relationship with the Beast before signing on and concluded that she does not think the criticism fits this version of the folk tale.[214][215] Watson described Stockholm Syndrome as "where a prisoner will take on the characteristics of and fall in love with the captor. Belle actively argues and disagrees with [Beast] constantly. She has none of the characteristics of someone with Stockholm Syndrome because she keeps her independence, she keeps that freedom of thought", also adding that Belle defiantly "gives as good as she gets" before forming a friendship and romance with the Beast.[216]

text: Psychiatrist Frank Ochberg, who coined the term "Stockholm syndrome", said he does not think Belle exhibits the trauma symptoms of prisoners suffering from the syndrome because she does not go through a period of feeling that she is going to die.[217] Some therapists, while acknowledging that the pairing's relationship does not meet the clinical definition of Stockholm syndrome, argue that the relationship depicted is dysfunctional and abusive and does not model healthy romantic relationships for young viewers.[218][219] Constance Grady of Vox writes that Jeanne-Marie Leprince de Beaumont's Beauty and the Beast was a fairy tale originally written to prepare young girls in 18th century France for arranged marriages, and that the power disparity is amplified in the Disney version.[220] Anna Menta of Elite Daily argued that the Beast does not apologize to Belle for imprisoning, hurting, or manipulating her, and his treatment of Belle is not painted as wrong.[221]

text: Notes[edit]

text: ^ Jump up to: a b Beauty and the Beast at Box Office Mojo. Retrieved August 14, 2017.