document_title: Sin senos sí hay paraíso (season 3)

question_text: when does sin senos si hay paraiso season 3 come out

text: Sin senos sí hay paraíso (season 3)

text: Premise[edit]

text: The season begins with the expected results of the departmental beauty contest of Colombia,[6] and revolves around the doubts that remained in the previous season, about the curse that persecutes the daughters of "Las Chicas del Barrio", the spell of Albeiro (Fabián Ríos) and the confusion of Catalina, La Grande (Carmen Villalobos), for her love for El Titi (Gregorio Pernía) and Albeiro.[7] As well as the conflict between Hernán Darío (Juan Pablo Urrego), and Catalina, La Pequeña (Carolina Gaitán) about Mariana's pregnancy, and the return of Martín (Juan Alfonso Baptista), who has returned to take revenge on Catalina, La Grande for having handed him over to the authorities.[6]

text: Synopsis[edit]

text: The time has come to choose the most beautiful girl in the region. The catwalk has become a battlefield. The support of the Marín family towards Catalina La Pequeña (Carolina Gaitán) and Yésica Beltrán (Majida Issa) towards her daughter is immense since she is willing to do anything to see her daughter Daniela (Johanna Fadul) crowned as queen of the region. Yésica, who attends the event in disguise of her sister, has come in contact with the juries and seeks to bribe them to tilt their vote in favor of Daniela. But Catalina La Pequeña one stands out not only for her beauty but for her intelligence. The result of this contest will define the course of their lives. The relationship of Catalina La Pequeña and Hernán Darío (Juan Pablo Urrego) is threatened by Mariana's obsession. She will give birth to a beautiful girl and continue to claim that she is the daughter of Hernán Darío. Catalina La Pequeña doubt of the paternity of Hernán Darío and will do everything in his power to decipher the identity of the true father. It will not be an easy battle and Mariana will do everything possible to snatch the love of her life to Catalina La Pequeña.

text: On the other hand, the fearsome curse of the witch Abigail materializes. Catalina La Grande (Carmen Villalobos) and her friends know that their daughters are in danger. Adriana, Vanessa's daughter died, as did Martina, Paola's daughter, and now Catalina La Grande will have to redouble her efforts to take care of Mariana, while Ximena will take care of the steps of her daughter, Valentina. In this battle against evil they will have many allies but there is no lack of enemies.[8]

text: Cast[edit]

text: Main[edit]

text:
Carmen Villalobos as Catalina Santana[9]
Catherine Siachoque as Hilda Santana[10][9]
Fabián Ríos as Albeiro Marín[9]
Majida Issa as Yésica Beltrán[9]
Carolina Gaitán as Catalina Marín[9]
Roberto Manrique as Santiago Sanín[9]
Gregorio Pernía as Aurelio Jaramillo[9]
Javier Jattin as Tony Campana[9]
Juan Pablo Urrego as Hernán Darío[9]
Francisco Bolívar as José Luis Vargas[9]
Juan Alfonso Baptista as Martín Cruz[9]

text: Recurring[edit]

text:
Estefanía Gómez as Vanessa Salazar[9]
Mauricio Mejía as Carlos[9]
Marilyn Patiño as Lucía Barrios[9]
Jennifer Arenas as Valentina Fonseca[9]
Stephania Duque as Mariana Sanín[9]
Johan Esteban Díaz as Sebastián Sanín[9]
Manuel Antonio Gómez as Esteban Calvo[9]
Elianis Garrido as Dayana Muriel[9]
Carolina Sepúlveda as Ximena Fonseca[9]
María Alejandra Pinzón as Paola Pizarro[9]
Andrea Pita as Laura[11]
Patricia Maldonado as Abigail
Luis Fernando Bohórquez as Coronel Granados
Emilia Ceballos as Yamile
Rubén Arciniegas as El Chalo
Ricardo Henao as Gabriel
Alejandra Monsalve as Sandra
Milena Granados as Margarita

text: Special guest stars[edit]

text:
Dennis Fernando as Himself
Juan Angel Esparza as Carmelo Villa[11]
Juan Pablo Llano as Daniel Cerón
Eileen Roca as Zoraya[9]
Johanna Fadul as Daniela Barrera[12]

text: Episodes[edit]

text:
No.overallNo. inseasonTitle Original air dateUS viewers(millions)1781"Catalina gana el reinado"12 June 2018 (2018-06-12)1.68[13]
While everyone is anxiously awaiting the results of the finalists for Miss Risaralda's contest, La Diabla tries to get her sister out of the event as soon as possible. On the other hand Hilda asks Albeiro what was done to him since his attitude is very strange; but right at that moment Albeiro is out of control because he needs to be next to La Diabla, since the spell they did to him brings him crazy. In another place, Catalina Santana and the rest of the agents find out that there are two women who are very similar to Daniela's aunt so one of them can be La Diabla. After listening to the answers of the finalists, one of the women members of the jury tells her partner that they have her threatened with death if she does not choose Daniela as the winner. After knowing the results of the contest winner, Daniela decides to go to her room and cuts her wrists.
1792"La Diabla pierde a Daniela"13 June 2018 (2018-06-13)1.46[14]
After finding Daniela seriously wounded, La Diabla takes her daughter to a hospital to be treated as soon as possible; but seeing with her own eyes that doctors can not do anything for her daughter, she decides to take her daughter to her home where she expects her daughter to be seen by her trusted doctor, but it's too late. Elsewhere, Albeiro asks Hilda and his daughter for help since he can not get La Diabla out of his head. After her participation in the beauty contest, Dayana tells Titi that she is not happy with the judges' decision. Mariana is taken to the hospital after she feels labor pains. Hilda looks for her eldest daughter to tell her that she believes someone is doing witchcraft on Albeiro.
1803"Asignan refuerzos a Catalina"14 June 2018 (2018-06-14)1.47[15]
The head of the T.E.A is looking for Catalina to tell him that Martin managed to escape from the maximum security prison and that because of this situation he will have a new shooting guard, since Martin will not take long to get revenge for what they did to him. In another place, Catalina Marin tells her mother that she feels very sad with the arrival of the baby of her boyfriend and that of her niece. When she meets her daughter, Hernán Darío learns that Mariana decided to name her daughter Catalina. Dayana goes to the hospital to give a very important reason to Catalina Santana about El Titi. After reuniting with Albeiro, La Diabla asks him what he is feeling for Hilda and her daughters.
1814"La Diabla embalsama a Daniela"15 June 2018 (2018-06-15)1.22[16]
Upon meet with Villa, Martín informs him of the route used by La Diabla and his partner to send drugs to the United States. After knowing the baby of La Diabla, Albeiro he becomes attached to him and promises to be by his side since he always yearns to have a son. Catalina Santana looks for Vanessa to tell her that she was finally able to tell Santiago about the witch's curse and Dayana tells El Titi that she was able to convince Catalina Santana to visit him. La Diabla takes Daniela's body out to take a walk the streets of the neighborhood where they lived for a couple of years. After seeing a letter from Martin himself in his room Catalina Santana goes into despair.
1825"La pesadilla de Catalina"18 June 2018 (2018-06-18)1.49[17]
After finding Martin's letter in his room, Catalina Santana begins to look for him throughout his house, but while walking through the corridors she remembers the words of his her friends and Catalina Santana calls Santiago to ask him not to neglect Mariana and her granddaughter since they both may be in danger. On the other hand Catalina Marín asks Hernán Darío what is going to happen now with the arrival of her daughter as she thinks that this would bring problems for the dreams they have as a couple. Jota tells his wife that he is sure that something bad is happening to Albeiro and that he will not rest until he knows what it is. Valentina asks her mother for an explanation of why she is obsessing about taking care of her at all times. Meanwhile, Ximena tells Paola and Vanessa that they must meet with La Diabla in order to discover the reason for the curse. Zoraya appears in the hospital and finds Santiago together with Catalina Santana.
1836"Albeiro quiere casarse"19 June 2018 (2018-06-19)1.43[18]
After leaving the clinic, Mariana asks her mother to think things through as she has the right to make her life with Hernán Darío. On the other hand, listening to the doctor's instructions La Diabla tells Yamile that for a few more days she will stay by her son's side. Vanesa Paola and Ximena propose to Jota that they let them go to look for La Diabla to talk about the curse that falls on their daughters. Realizing that Albeiro is in danger, Catalina Santana decides to risk his integrity as long as he does not commit a madness and Margarita arrives at the house of dona Hilda to ask for her help as she discovered who was the person who took her brother and his wife.
1847"Se rompe el hechizo de Albeiro"20 June 2018 (2018-06-20)1.42[19]
After hearing that La Diabla hired a belly to get pregnant, Albeiro questions she him for having made that decision. When opening one of the windows of her room Valentina is kidnapped by Martin. Catalina Marín looks for her godfather to tell her that she can not take it anymore to see Hernan Dario with her daughter and she is also sure that her father is doing witchcraft. In another place Catalina Santana takes advantage of the visit to her mother's house to ask her if she is still in love with Albeiro; But after talking about the situation he is going through, Hilda asks her daughter if she still feels something for him. Realizing that Valentina is not in her room Ximena is looking for her friends to help her find her.
1858"Le disparan a Albeiro"21 June 2018 (2018-06-21)1.53[20]
After having shot the witch, La Diabla learns that Albeiro can stop loving her and because of this La Diabla calls her man of trust to ask her to look for her husband and tie him up before he escapes. On the other hand, Catalina Santana tells Tony that they should get more escorts since her daughter is in serious danger or else she will be forced to leave the country. After this Catalina Santana gathers the women of her family to tell them that Martín is in the city; but also wants to talk about the curse that falls on the girls in the neighborhood. Elsewhere, Yamile tries to take advantage of the fact that La Diabla is not at home to try to escape and Martin tells Valentina that if she behaves well nothing bad will happen to her.
1869"Catalina va por La Diabla"22 June 2018 (2018-06-22)1.15[21]
After Albeiro received several shots, La Diabla calls his trusted doctor to heal his wounds. On the other hand, Yamile tells Hilda that La Diabla made a deal with her to have a child because she wanted to deceive the man she is living with. Elsewhere Tony introduces Catalina Santana to the two new escorts who will take care of the safety of his daughter and granddaughter. Martín visits Valentina to tell her that for a couple of hours she will be alone but when he returns he does not want to take any surprise. El Calvo meets with El Cerdo to ask him to help him with important information he needs about La Diabla.
18710"Entre la espada y la pared"25 June 2018 (2018-06-25)1.62[22]
Daniel communicates with the Colonel Granados to tell him that his research team found the house of the witch Abigail and is sure that this woman could help them a lot to clarify the death of the neighborhood girls and also help them resolve the disappearance of Valentina. In another place, Hernán Darío tells to Catalina Marín that he is going to be absent from classes again since he has to visit his daughter and after a long journey Yamile manages to locate the house of La Diabla. For his part, La Diabla prepares a very special surprise to welcome Chalo and Cerdo communicates with El Calvo to tell him that he is in serious trouble since La Diabla is beginning to suspect that Yamile escaped from his house with his son.
18811"El Titi quiere casarse"26 June 2018 (2018-06-26)1.47[23]
While talking with Catalina Santana about her daughter, Santiago takes advantage of the moment to tell her the true reasons why she is living with Zoraya; but also wants to know if the relationship they had still has some salvation. On the other hand, El Calvo receives a message from La Diabla where he says he accepts that he will return to work for her, but in return he must comply with two very important conditions. When returning to his house, Santiago realizes that Zoraya cut his wrists and El Chalo asks La Diabla to tell him the truth of what is happening on his house, since he himself heard the shots. Upon entering the witch's house, authorities discover a dead woman and Paola confirms that this woman is Abigail.
18912"La Diabla se sale con la suya"27 June 2018 (2018-06-27)1.51[24]
Realizing that her sister left the house, Dayana orders her mother to look for her throughout the neighborhood, because if she does not fulfill her part of the deal she would be in serious trouble with El Titi. Elsewhere, Mariana tells her mom that she does not believe in the truce Catalina Marín proposed and is more certain that she is planning to do something against she and his baby. After talking with La Diabla, El Calvo looks for ways to get Yamile's son out of the house without raising any suspicion. Colonel Granados meets with Catalina Santana to show him some evidence that they managed to find in the office of the witch Abigail and also tells him that La Diabla is apparently behind his death.
19013"El Titi complica a Catalina"28 June 2018 (2018-06-28)1.42[25]
When going to the place mentioned with Catalina Santana, Dayana asks him to cover his face for security reasons. On the other hand La Diabla communicates with El Calvo so that they meet as soon as possible; But as she prepares to leave the house, Hilda tells her that she knows he is hiding something from her since lately she has noticed that her way of being changed radically. When seeing herself again with Catalina Santana, El Titi welcomes the one she also hopes to be her home. While reviewing the witch Abigail's house, the Colonel Granados discovers a note that speaks of the curse that Catalina mentioned earlier. On the other hand, Sandra tells her friend that she helped her get a geneticist to talk about the DNA test she wants to do to her niece's baby.
19114"La Diabla mata a Chalo"29 June 2018 (2018-06-29)1.30[26]
After receiving a call La Diabla tells El Calvo that there was a change of plans and now she needs your help to end Chalo and in return Hilda's life would be forgiven. On the other hand, the doctor who is seeing Albeiro tries to explain to Chalo why he is in the Diabla house. After talking to geneticist Catalina Marín, she tells her friend Sandra that she is thinking about which sample she can take to test her niece's DNA without Mariana suspecting and Tony tells her boss that she feels very distressed already. that Catalina Santana is in serious danger on the house of El Titi. Finally, Liseth communicates with her mother to tell her that she can not go home because she will not allow her sister to sell her for any reason.
19215"La Diabla tiene cómo negociar"2 July 2018 (2018-07-02)1.40[27]
Upon learning that Chalo took Daniela's body from his altar and burned it, La Diabla despairs and starts looking for him in every corner of his estate. In another place, Catalina communicates with Hernán Darío to ask her to stay with Mariana and her daughter because she does not want them to be unprotected. On the other hand, Hilda tells Margarita that she feels very bad about what happened with Esteban; but just at that moment Esteban he communicates with Hilda to talk about what he truly feels towards her. In the middle of the investigation of the witch's house Abigail, the Colonel Granados shows Ximena and her friends a room where they discovered a chest with some photos; which leads them to discover a secret of their past.
19316"Catalina y su misión peligrosa"3 July 2018 (2018-07-03)1.33[28]
After finishing with Chalo, La Diabla tells Calvo that only three people can know where his body was buried. On the other hand, El Titi prepares a very special breakfast for Catalina Santana and thus welcome her home; but she asks him to let her look for her children, since she has to say goodbye to them. Ximena tells her best friend that she could not sleep all night thinking about the curse; but at that moment Paola arrives to tell them that she finally discovered why the witch Abigail retaliated against her. On the other hand Liseth tells Catalina Marín and Hernan Dario that she thought about seeing her mother and La Diabla tells Albeiro that she has something very important to be able to negotiate with the TEA.
19417"Catalina se juega la vida"4 July 2018 (2018-07-04)0.99[29]
Upon returning home, Catalina Santana tries to explain to Mariana why she is risking everything to save other people's lives. On the other hand, La Diabla confesses to Calvo that he had to resort to witchcraft to have Albeiro by his side. Liseth realizing that Dayana found her, tries to run away since she is not willing to let her own sister prostitute her. After talking to her daughter and her ex-husband, Catalina Santana, she communicates with her boss to tell her that she has a plan that could help them capture the Titi once and for all and now she needs your approval to be able to carry it out. On the other hand, Ximena, Paola and Vanessa tell Daniel and his wife about the curse they have over them and now they need their help to find Laura's family.
19518"La Diabla contacta a El Titi"5 July 2018 (2018-07-05)1.43[30]
Upon learning that the plan did not work, Catalina Santana asked her escort to take care of putting a GPS in Cabra's truck, since she has no choice but to return to the house of El Titi. On the other hand, El Calvo one realizes that there are two policemen waiting in the door of the church and Dayana tells her boss that her sister refused to see him; but while I was chasing her to fulfill her obligation, she was hit by a car. Later the head of the TEA communicates with the Colonel Granados to ask again for help as one of his agents managed to place a device inside one of the trucks of the Titi. Albeiro thinks it is time to look for Hilda and take her baby with her.
19619"Catalina le da el sí a El Titi"6 July 2018 (2018-07-06)1.28[31]
After reuniting with Dayana, La Diabla requires her to communicate with her boss as soon as possible and after receiving a call El Titi tells Catalina Santana that the person who contacted her was one of her enemies. On the other hand, Albeiro tries to escape from the house of La Diabla in the company of his son. Miguel and Tony meet with the Colonel Granados to mount the operation that will help them capture El Titi as soon as possible; but in the middle of the conversation the Colonel Granados tells the agents that he has everything ready to enter the house where the Diabla is hidden. In another place, Catalina Marín and Hernán Daríio threaten Dayana with reporting her to the authorities when she learned that Liseth had an accident because of her.
19720"Catalina salva a Mariana"9 July 2018 (2018-07-09)1.47[32]
Upon realizing that a strange man entered the house, Mariana communicates with her mother to inform her of the situation and after learning of this fact; Catalina Santana communicates with Tony to demand an explanation of why he failed to comply with his orders and left his daughter and granddaughter unprotected. Elsewhere, La Diabla tells El Calvo that they are going to look for Albeiro at Hilda's house since she is sure that he can be in this place and now he does not mind being in danger. On the other hand, Hilda meets her daughter at the hospital and tells her that her father is seriously injured; but also came home with a baby in his arms.
19821"Catalina amenaza a El Titi"10 July 2018 (2018-07-10)1.51[33]
When discovering the very Titi in the house of Catalina Santana, Tony communicates with his team to tell them the situation as he believes that this is the perfect opportunity to capture him. In the middle of a tense discussion, Mariana looks for her mother and seeing her El Titi is surprised that Mariana is the daughter of the woman he is in love with. On the other hand Margarita looking for Jota and Vanessa to tell them that Albeiro returned to the house but because he was in very poor condition had to transfer him to the hospital and she La Diabla and Calvo took his nephew out of his hands. Upon meeting Mariana's daughter, Titi asks Catalina to enlist everything they need, since the three of them are going to live with him.
19922"Catalina caza a La Diabla"11 July 2018 (2018-07-11)1.48[34]
Realizing that Albeiro is in grave danger, Hilda her daughter and the rest of her friends go to the clinic to prevent the Bald from ending his life. On the other hand, the Titi flees from his home to ask Villa for help since the authorities can find him at any time. After capturing El Calvo, the Colonel Granados is responsible for preparing an operation for this subject to direct them to the place where La Diabla is hidden; but he refuses to give them any information until he talks to Hilda. In another place, Mariana communicates with her dad to tell her that she had to flee from her house and now she is in a hotel with her baby and Tony asks his team to think of a strategy before facing El Titi.
20023"Catalina captura a La Diabla"12 July 2018 (2018-07-12)1.60[35]
After capturing Calvo, Catalina Santana is in charge of directing the operation to arrest La Diabla; but when she sees, he assures Catalina Santana that she is immortal and is not willing to be separated from her son. Elsewhere, the Titi tells Villa that La Diabla sought him to propose that they be seen as soon as possible. After helping with the capture of La Diabla, Catalina asks her boss to let her leave the operation to catch El Titi as it could do a lot of damage to his family. On the other hand, Mariana tells her dad that there is no time to go back to live in Miami with her daughter and Hernan Dario and upon entering the house of the Titi and discover that this escape, Miguel asks Catalina for an explanation.
20124"La Diabla nunca se rinde"13 July 2018 (2018-07-13)1.31[36]
After being stopped by the police La Diabla asks the Colonel Granados to contact her with someone from the TEA since she knows the exact location of where El Chalo is located. Upon learning that Carlos may be involved with the curse that falls on his daughter and the neighborhood girls, Hilda decides to go with his friends to help them find their whereabouts as soon as possible. In another place Mariana tells her mom that she organized a small meeting so she can talk alone with her dad and Miguel communicates with his superior to tell him that La Diabla is apparently telling him the truth and if he knows where one is of the most important drug traffickers in the world.
20225"Un ultimátum para La Diabla"16 July 2018 (2018-07-16)1.38[37]
For the deal between the TEA and La Diabla comes true, she has to be extradited to the United States. Dayana wants Catalina, La Mediana's head and seduces Villa to kill her.
20326"Martín planea cocinar a Lucía"17 July 2018 (2018-07-17)1.36[38]
Pregnant and kidnapped by Martín, Lucía does not know the hell that awaits her, when the cannibal prepares her dish for the day. Santiago asks Catalina to marry him again, with a ring.
20427"Catalina vuelve con Santiago"18 July 2018 (2018-07-18)1.47[39]
Santiago bursts with happiness, when the love of his life and the mother of his children, agrees to marry him again. They decide to recover their family. La Diabla arrives at the maximum security bunker.
20528"Albeiro piensa en Catalina"19 July 2018 (2018-07-19)1.42[40]
Very confused with his feelings, Albeiro can not get Catalina out of his head and loneliness makes him call her, to hear her voice. Meanwhile, she spends a night of passion with Santiago.
20629"Albeiro deja atrás a Catalina"20 July 2018 (2018-07-20)1.23[41]
Albeiro admits to Santiago, that Catalina has always been his great love, but he will not stir up the past. He is aware that Hilda is now his reality. Carlos Jaramillo appears in a madhouse.
20730"Nachi no se alejará de su hija"23 July 2018 (2018-07-23)1.53[42]
Catalina and Santiago tell Hernán Darío that they are returning to Miami and fear for the life of their daughter and granddaughter. They offer help with the visa, so he can visit the girl.
20831"Nacho no es padre"24 July 2018 (2018-07-24)1.42[43]
Catalina delivers the DNA results to Nachito and now nothing stands between them. La Diabla does not accept the proposal of the TEA: they offer a reduced sentence of five years.
20932"Hernán Darío encara a Mariana"25 July 2018 (2018-07-25)1.53[44]
Mariana refuses to corroborate with another DNA test, that Hernán Darío is the father of Catalina, La Bebé. Hilda talks to Albeiro about Carlos and agrees to help him.
21033"Catalina sufre por Ximena"26 July 2018 (2018-07-26)1.62[45]
Dayana leaves her mom's house to move in Villa's house. Elsewhere, Hernan Dario visits the laboratory, where Catalina "the small" got the DNA results, and a doctor confirms him that the DNA results are genuine. Elsewhere, Paola shows her concern about Ximena's disappearance and calls Catalina to learn if she knows about Ximena. Catalina then goes to look for Ximena at her house. While knocking on the main door, the colonel comes about and tells her on Ximena's death, making Catalina burst into tears. After a while, Catalina makes a call to Jota, unable to utter a word. Albeiro learns about Catalina's mysterious phone call and makes a call back to Catalina to ask her about the call. She informs him on Ximena's death and then Albeiro informs Hilda, Jota, Paola and Vanessa on Ximena's death, making them burst into tears. When Jota makes a mention about the links between the episode and the second curse, all of them get a shock. Elsewhere, Dayana tells Titi about her plan to kill Villa.
21134"Titi pasa el dato a Catalina"27 July 2018 (2018-07-27)1.40[46]
Titi calls Catalina to warn her that her sister is in danger, because the number 2 narco-trafficker from Mexico issued an order to kill her daughter, forcing Catalina to come back to work for TEA. Meanwhile, after confirmation on the authenticity of the DNA results, Hernan Dario proposes to Catalina (the small) and then both have sex. Elsewhere, Albeiro and Hilda go to the mental hospital to pick Carlos up but he turns aggressive after remembering some episodes. Meanwhile, Jota and Paola go to the old house only to find the old man, Manuel, who told them about the curse, in skeleton form and they rush to the police station. Elsewhere, Catalina goes to visit her daughter to warn her about the death threat. Catalina "the small" connects many episodes together to conclude Dayana is behind the death threat.
21235"Mariana se quita la máscara"30 July 2018 (2018-07-30)1.48[47]
Catalina slaps Mariana, after admitting that her granddaughter is from another man. In addition, she rubs her past, because she worked in prostitution. Zoraya points to Santiago with a gun.
21336"El Titi en la mira de Catalina"31 July 2018 (2018-07-31)1.61[48]
Catalina discovers that El Titi got involved with her daughter and that he is the biological father of her granddaughter. Now more than ever, she goes with everything and is determined to capture him. Mariana asks to ally with Dayana.
21437"Mariana renuncia a su hija"1 August 2018 (2018-08-01)1.60[49]
Aware that she can not be a good mother, Mariana flees, to live the life she wants. She says goodbye with a letter and lets her parents take care of her baby. Paola disappears.
21538"El Titi se entera que es padre"2 August 2018 (2018-08-02)1.55[50]
El Titi is speechless, when Mariana says he is a father and the idea of having an heiress intrigues him. He's willing to give his daughter his last name, Catalina Jaramillo. Paola is in the hands of Laura.
21639"Mariana tiene aliados"3 August 2018 (2018-08-03)1.38[51]
With thirst for revenge, Mariana with El Titi and Dayana plan to bombard the house of Hernán Darío and make it fly in pieces with Catalina, La Mediana. La Diabla has a hidden enemy.
21740"Emboscada contra La Diabla"6 August 2018 (2018-08-06)1.43[52]
El Titi and Villa have the data, that La Diabla will be extradited to the United States and to make sure she will not betray them, they decide to kill her, before she gets on the plane. Daniel wakes up in the hospital.
21841"La Diabla camino a su fin"7 August 2018 (2018-08-07)1.52[53]
The TEA moves to La Diabla in a caravan. The thugs who El Titi hired wait for her, to shoot her with a bazooka and execute the most powerful drug trafficker.
21942"La Diabla sobrevive el ataque"8 August 2018 (2018-08-08)1.48[54]
After receiving the impact of the bazooka, in the middle of a bloody scene, La Diabla with her disfigured face, flees without knowing where to go. Mariana learns that her daughter is in danger.
22043"Explota la casa de Nachito"9 August 2018 (2018-08-09)1.49[55]
El Titi and Mariana spend tremendous fright, knowing that their baby is in danger and run to rescue her. Catalina, La Mediana and the girl are saved. Nachito is seriously injured.
22144"Nachi al borde de la muerte"10 August 2018 (2018-08-10)TBD
The doctors fight to save the life of Hernán Darío, after the impact of the bomb. Unconscious, he remembers what he has lived. Catalina, La Grande is reunited with her father.


document_title: Bridget Jones's Diary (film)

question_text: bridget jones diary who does she end up with

root

text: Bridget Jones's Diary (film)

text: Plot[edit]

text: Bridget Jones (Renée Zellweger) is 32 years old, single, very accident-prone, and worried about her weight. She works in publicity at a book publishing company in London where her main focus is fantasising about her boss, Daniel Cleaver (Hugh Grant). At a New Year party hosted by her parents, she re-encounters Mark Darcy (Colin Firth), the barrister son of her parents' friends. They had known each other as children. After their initial encounter, Mark thinks that Bridget is a fool and vulgar and Bridget thinks that he is arrogant and rude, and is disgusted by his novelty Christmas jumper. After overhearing Mark grumble to his mother about her attempts to set him up with "a verbally incontinent spinster who smokes like a chimney, drinks like a fish and dresses like her mother", she decides to turn her life around. She starts her own diary, which covers all her attempts to stop smoking, lose weight and find her Mr. Right.

tag: p

text: Bridget and Daniel begin to flirt heavily at work, first over email, ahead of an important book launch, at which Bridget bumps into Mark and his glamorous but haughty colleague Natasha (Embeth Davidtz). Bridget leaves with Daniel and they have dinner, despite the fact that he is a notorious womaniser with a questionable personality, of which Bridget is aware. Bridget learns from Daniel that he and Mark have a history and, as a result, hate each other. Daniel informs Bridget of their falling-out, telling her that Mark broke their friendship by sleeping with Daniel's fiancée.

text: Bridget is invited to a family party, and she takes Daniel along as her "plus one". They spend the day before the party at a country house hotel, where Mark and Natasha are also staying. Daniel, having to spend the day working, is not able to attend and sends Bridget to the party alone. However, his dubious character becomes clearer to Bridget when she returns home from the party to find Daniel with another woman, a colleague of his, Lara (Lisa Barbuscia), and Bridget cuts ties with him soon after. Bridget begins to search for a new job and after landing a job in television, quits her role at the publishing house without giving notice. Daniel makes a desperate attempt to convince Bridget to stay, only for her to retort that she would "rather have a job wiping Saddam Hussein's arse."

text: Bridget has a long-standing invitation to a friend's dinner party, where she is the only single person and distraught to see Mark and Natasha seated at the table. During the party, Mark privately confesses to Bridget that, despite her faults, he likes her "just as you are." He later helps Bridget to achieve an exclusive TV interview in a landmark legal case.

text: Bridget begins to develop feelings for Mark, and he comes to her rescue at her birthday dinner party at her flat in Borough, which she is disastrously attempting to cater for herself. Daniel drunkenly visits, temporarily claiming Bridget's attention. Mark leaves the party, but returns to face Daniel. Mark punches Daniel and the two fight. They end up in a nearby restaurant and finally smash through the window, landing on the street. Mark wins the battle and knocks Daniel out. Bridget chides Mark for being mean and he leaves, but after an insensitive appeal by Daniel, she also rejects him emphatically.

text: In the meantime, Bridget's mother, Pamela (Gemma Jones) temporarily leaves Bridget's father, Colin (Jim Broadbent) and begins an affair with a perma-tanned shopping channel presenter named Julian. After the affair is over and she has reconciled with Colin, she returns to the Jones family home and unintentionally reveals a truth: that Mark and Daniel's falling-out resulted from Daniel (who was Mark's best friend at Cambridge University) seducing Mark's wife, not the other way around, as Daniel had led Bridget to believe.

text: At the Darcys' ruby wedding anniversary party the same day, Bridget confesses her feelings for Mark, only to find out that he and Natasha are both leaving to accept jobs in New York. Bridget interrupts the toast to their pending engagement with a stuttering but moving speech about England losing one of its finest men. Her words clearly have an effect on Mark, but he still flies to New York, though with obvious misgivings. Bridget's friends rally to repair her broken heart with a surprise trip to Paris, and just as they are about to leave, Mark appears at Bridget's flat.

text: When they are about to kiss for the first time, Bridget goes to her bedroom to change into sexier underwear. While Bridget is changing, Mark peeks at her diary, in which she has written many insults about him. Bridget returns to find that he has left. Realising that he had read her diary and that she might potentially lose him again, Bridget runs outside after him in the snow with a thin sweater and tiger skin-print underwear. Unable to find him, she is disheartened and is about to return home when Mark appears having bought a new diary for Bridget in order "to make a fresh start." They kiss in the snow-covered streets. Bridget then notes that "nice boys don't kiss like that," to which Mark, contrary to his uptight nature, retorts "Oh yes they fucking do."

text: Cast[edit]

text:
Renée Zellweger as Bridget Jones
Colin Firth as Mark Darcy
Hugh Grant as Daniel Cleaver
Jim Broadbent as Mr. Colin Jones
Gemma Jones as Mrs. Pamela Jones
Celia Imrie as Una Alconbury
James Faulkner as Uncle Geoffrey
Shirley Henderson as Jude
James Callis as Tom
Sally Phillips as Sharon "Shazzer"
Lisa Barbuscia as Lara
Donald Douglas as Admiral Darcy
Charmian May as Mrs. Darcy
Paul Brooke as Mr. "Tits Pervert" Fitzherbert
Embeth Davidtz as Natasha Glenville
Patrick Barlow as Julian
Felicity Montagu as Perpetua
Neil Pearson as Richard Finch
Dolly Wells as Woney

tag: ul

text: Also, Salman Rushdie and Jeffrey Archer[2] have cameos in the film, which pokes fun at Archer's hack writer reputation. Honor Blackman also has a cameo[3] as a party guest. Christopher Kouros also made an appearance as the singing Greek chef in the restaurant fight scene.

text: Andrew Davies, screenwriter of the 1995 television adaptation of Pride and Prejudice, collaborated on the screenplays for the 2001 and 2004 Bridget Jones films, in which Crispin Bonham-Carter (Mr. Bingley) and Lucy Robinson (Mrs. Hurst) appeared in minor roles. The self-referential in-joke between the projects convinced Colin Firth to accept the role of Mark Darcy,[4] as it gave him an opportunity to ridicule and liberate himself from his Pride and Prejudice character.[5]

text: Production[edit]

text: Working Title Films acquired the film rights of the novel in 1997 before it became a best-seller.[6]

text: Casting[edit]

text: Actresses who were considered for the role of Bridget Jones were Helena Bonham Carter,[7] Cate Blanchett,[7] Emily Watson,[8] Rachel Weisz[9] and Cameron Diaz.[10] Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time.[11] Kate Winslet[7] was also considered, but the producers decided she was too young. Zellweger's participation to the film was announced in late May 2000 which concluded a two-year search. Producer Eric Fellner explained that she "brings enormous character and conviction to the part".[12] Maguire said of Zellweger, "I saw in Renee a gift few people have, that she was able to straddle comedy and emotion."[7] Zellweger worked on her accent with Barbara Berkery, who had helped Gwyneth Paltrow for Shakespeare in Love.[7] She also gained 20 pounds for the part.[13] To prepare for the role, Zellweger worked at the producers' request at London book publishers Picador as a trainee in the publicity department.[6] Before the film was released, a considerable amount of controversy surrounded the casting of the American Zellweger as what some saw as a quintessentially British heroine.[14][15] However, her performance, including her south-eastern English accent, is widely considered to be of a high standard.[16][17][18] In July 2000, the leading male roles were given to Colin Firth and Hugh Grant.[19] The director of the film, Sharon Maguire, is one of Fielding's friends, on whom the film's character "Shazza" or "Shazzer" (English shorthand for Sharon[20]) was reportedly based. In the film, Shazza is played by Sally Phillips.

text: Filming[edit]

text: Principal photography began on 1 August 2000 and concluded on 5 November 2000. The crew spent six weeks shooting in and around London.[6] Locations used included Shad Thames where Bridget and Daniel have their first date, the Royal Courts of Justice, St Pancras railway station and Tower Bridge.[6] Scenes were filmed at Stoke Park in Buckinghamshire where Bridget and Daniel ventured to for their mini-break.[21] Wrotham Park in Hertfordshire served as the Darcys' home.[6] Stansted Airport doubled as JFK Airport in New York, while Syon House in Brentford featured as the venue for the anniversary party. The crew filmed for four days at Snowshill in Gloucestershire which featured as the home of Bridget Jones's family.[6][22] After six weeks of shooting on location, the crew moved to Shepperton Studios in Surrey.[6]

text: Reception[edit]

text: The film holds an 80% approval rating on aggregate review site Rotten Tomatoes with an average score of 6.9/10, based on 158 reviews. The site's critical consensus reads: "Though there was controversy over the choice of casting, Zellweger's Bridget Jones is a sympathetic, likable, funny character, giving this romantic comedy a lot of charm."[23] Another review aggregator, Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, calculated an average score of 66, based on 33 reviews, considered to be "generally favorable reviews".[24] Critic Roger Ebert gave the film 3.5 out of 4 possible stars.[25]

text: The film is recognised by American Film Institute in these lists:

text:
2008: AFI's 10 Top 10:

Nominated Romantic Comedy Film[26]

text: Awards and nominations[edit]

text: Renée Zellweger was nominated for the Academy Award for Best Actress, the BAFTA Award for Best Actress in a Leading Role, the Broadcast Film Critics Association Award for Best Actress, the Empire Award for Best Actress, the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, the MTV Movie Award for Best Kiss (shared with Colin Firth), the Satellite Award for Best Actress – Motion Picture Musical or Comedy, the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role, the Teen Choice Award for Choice Chemistry (shared with Hugh Grant), the Teen Choice Award for Choice Liplock (shared with Grant), and the Dallas–Fort Worth Film Critics Association Award for Best Actress. Firth won the European Film Awards Audience Award for Best Actor and the European Film Award – Jameson People's Choice Award – Best Actor and was nominated for the BAFTA Award for Best Actor in a Supporting Role and the Satellite Award for Best Actor – Motion Picture Musical or Comedy.

text: Grant won the Evening Standard British Film Awards' Peter Sellers Award for Comedy and was nominated for the Empire Award for Best British Actor, the Satellite Award for Best Supporting Actor – Motion Picture Musical or Comedy, and the European Film Award – Jameson People's Choice Award – Best Actor.

text: Richard Curtis, Andrew Davies, and Helen Fielding were nominated for the BAFTA Award for Best Adapted Screenplay.

text: The film was nominated for the BAFTA Award for Best British Film, the Golden Globe Award for Best Motion Picture – Musical or Comedy, and the Satellite Award for Best Film – Musical or Comedy.

text: Soundtrack[edit]

text: Bridget Jones's Diary 2: More Music from the Motion Picture and Other V.G. Songs[edit]

text:
Bridget Jones's Diary 2: More Music from the Motion Picture and Other V.G. Songs

Soundtrack album by Various artists

Released
29 October 2001 (2001-10-29)

Genre
Mixed

Length
72:53

Label
Mercury Records

Producer
Dave Allen

Various artists chronology

Bridget Jones's Diary: Music from the Motion Picture
Bridget Jones's Diary 2: More Music from the Motion Picture and Other V.G. Songs
Bridget Jones: The Edge of Reason soundtrack

tag: table

text: Track listing[edit]

text:
"Me and Mrs. Jones" by The Dramatics
"Someone Like You" by Van Morrison
"My Lovin' (You're Never Gonna Get It)" by En Vogue
"My Funny Valentine" by Elvis Costello
"Ain't No Mountain High Enough" by Diana Ross
"Yes" by McAlmont and Butler
"Woman" by Neneh Cherry
"Without You" by Nilsson
"Do What You Gotta Do" by Nina Simone
"Say What You Want" by Texas
"Brass in Pocket" by The Pretenders
"Out of Reach (Acoustic Version)" by Gabrielle
"Will You Love Me Tomorrow" by The Shirelles
"Let's Get It On" by Marvin Gaye
"Waterfalls" by TLC
"Angels" by Robbie Williams
"It Should Have Been Me" by Yvonne Fair
"Ooo Baby Baby" by Smokey Robinson & The Miracles
"I Don't Want to Talk About It" by Dina Carroll
"Passionate Kisses" by Mary Chapin Carpenter

tag: ol

text: Chart positions[edit]

text:
Chart (2001)
Peak
position

Austrian Albums (Ö3 Austria)[27]
67

German Albums (Offizielle Top 100)[28]
97

text: DVD and VHS release[edit]

text: The VHS was released in 2001 containing over 35 minutes of bonus material which includes: Deleted Scenes, Exclusive Interviews, Bridget's Guide to "Getting It Right". There was also a VHS of "The Making of Bridget Jones". In 2001, the film was released on DVD containing brand new bonus material and in 2011 a Blu-ray version of the film was released. A Collective Edition of the film was released in 2004 with new bonus material including; The Bridget Phenomenon, The Young And The Mateless, Portrait Of The Makeup Artist, Domestic and International TV Spots, Bridget Jones: The Edge Of Reason Theatrical Trailer, Bridget Jones's Diary Reviews and A Guide to Bridget Britishism.

text: Connection to Pride and Prejudice[edit]

text: Fielding has stated in many interviews that her novel was based upon both Jane Austen's work Pride and Prejudice and its popular 1995 BBC adaptation. This was also reflected in the decision to cast Colin Firth as Darcy, since he played the 'real' Mr. Darcy in the BBC adaptation of Pride and Prejudice. This is not the film's only connection to that serial – the screenplay was co-written by Andrew Davies, who had written the adaptation of Austen's novel for the BBC.[29]

text: Musical adaptation[edit]

text: The film version is currently being adapted into a musical, set to hit London's West End, although no date has been set. British musician Lily Allen has written the score and lyrics, and Stephen Daldry, best known for his Tony award-winning work on the West End and Broadway productions of Billy Elliot, will be directing, joined by his co-worker Peter Darling, who will serve as choreographer.

text: An official cast for the production has not yet been announced, but workshops for the show have already begun with television actress and current star of Legally Blonde, Sheridan Smith, in the title role.[30]


document_title: Muller v. Oregon

question_text: who won the case in mueller v. oregon

question_tokens: who won the case in mueller v. oregon

text: Muller v. Oregon

text: Background[edit]

text: Curt Muller, the owner of a laundry business, was convicted of violating Oregon labor laws by making a female employee work more than ten hours in a single day. Muller was fined $10. Muller appealed to the Oregon Supreme Court and then to the U.S. Supreme Court, both of which upheld the constitutionality of the labor law and affirmed his conviction.

text: Judgment[edit]

text: In Justice David Josiah Brewer's unanimous opinion, the Court upheld the Oregon regulation. The Court did not overrule Lochner, but instead distinguished it on the basis of "the difference between the sexes". The child-bearing physiology and social role of women provided a strong state interest in reducing their working hours.

text: That woman's physical structure and the performance of maternal functions place her at a disadvantage in the struggle for subsistence is obvious. This is especially true when the burdens of motherhood are upon her. Even when they are not, by abundant testimony of the medical fraternity continuance for a long time on her feet at work, repeating this from day to day, tends to injurious effects upon the body, and as healthy mothers are essential to vigorous offspring, the physical well-being of woman becomes an object of public interest and care in order to preserve the strength and vigor of the race.208 U.S. at 412.

text: "When the constitutionality of the Oregon ten-hour law for women was challenged, Florence Kelley committed The National Consumers League to it's [sic] defense. As Kathryn Kish Sklar has explained, NCL's research director, Josephine Goldmark, prepared a pathbreaking brief, of which only 2 pages consisted of traditional abstract legal reasoning, and over 100 pages offered sociological evidence. Her brother-in-law, the future Supreme Court Justice Louis D. Brandeis, argued the case in the U.S. Supreme Court. Goldmark and Brandeis's innovation would come to be known as a "Brandeis Brief," and many others would later be modeled on it."[5]

text: Goldmark and her team were able to assemble 98 out of the 118 pages of the brief, meaning much of the credit for the brief goes to her.[6]

text: Significance of the case[edit]

text: Groups like the National Consumer League (which included Florence Kelley and Josephine Goldmark as feminists) and the state won shorter hours for women. However, many equal-rights feminists opposed the ruling, since it allowed laws based on stereotyped gender roles that restricted women's rights and financial independence. While it provided protection from long hours to white women, it did not extend to women of color, food processors, agricultural workers, and women who worked in white-collar jobs. The government interest in public welfare outweighed the freedom of contract that is displayed in the 14th Amendment and the effects of Muller v. Oregon did not change until the New Deal days in the 1930s. It was also a watershed in the development of maternalist reforms.[7][8][9][10]

text: The ruling was criticized because it set a precedent to use sex differences, and in particular women's child-bearing capacity, as a basis for separate legislation, supporting the idea that the family has priority over women's rights as workers.[4]

text: "Until the late 1930s, when the Fair Labor Standards Act created gender-neutral workplace protections, the Equal Rights Amendment championed by the NWP would have demolished the gains for women workers won in Muller. This dispute between feminists who valued protection and feminists who valued equality continued until the latter group gained the upper hand in the 1970s."[11]


document_title: Monster Trucks (film)

question_text: where does the movie monster trucks take place

text: Monster Trucks (film)

text: Plot[edit]

text: Terravex Oil is in the midst of a fracking operation near a lake in North Dakota, overseen by CEO Reece Tenneson and geologist Jim Dowd. The operation releases three subterranean creatures and destroys the drilling rig. Two are captured by Terravex, but one of them escapes the site. Meanwhile, high school senior Tripp Coley is looking for something to do to escape the life of his family; his parents are divorced, his mother Cindy is in a relationship with Rick the town's sheriff, who fails to take him seriously, and has taken up a part-time job at a local junkyard, where he builds a pickup truck in hopes of being able to leave his town. One night, Tripp encounters the escaped creature in the junkyard and captures it, but the creature escapes before he can seek authorities.

text: The next day Tripp, along with classmate Meredith, finds the creature has a diet of oil and it takes shelter within the hood of his truck. He quickly befriends him, names him Creech, and promises to help him get home. Tripp modifies the truck to give Creech more control over the truck as a makeshift engine, and Meredith becomes quite impressed and surprised at Creech's speed and talent. Meanwhile, Tenneson is still concerned about the incident at the drilling rig that exposed Creech, since similar experiments have revealed the other two creatures. He decides to protect the company's image by drilling poison into a hole leading to the underwater tunnels, and by sending hired mercenary Burke to kill their captured creatures, to the objection of Jim, as he finds the monsters have significant intelligence and emotions. Tripp and Meredith go see Tripp's father Wade to seek help.

text: However, when Tripp goes to check on Wade, he realizes he sold him out to Burke, and Tripp and Meredith escape in the truck with Creech, but not before destroying Wade's trailer. Tripp, Meredith and Creech are chased by Burke and his team and Rick. Tripp, Meredith and Creech manage to escape by jumping over a train, and camp at a hunting cabin owned by Meredith's father near the lake, while Rick chastises Burke for attempting to follow them himself.

text: When Creech gets the sense something bad will happen to the other creatures, he heads to the Terravex headquarters where the other creatures are being held captive. Tripp and Meredith follow Creech using Meredith's cellphone, as Trip left his phone in the truck. When they arrive, they find Creech's parents, but are attacked by Terravex workers. Creech arrives and is captured; Tripp and Meredith are taken to Tenneson, and he tells them to forget about Creech and his parents and has Burke escort them out.

text: Sympathetic to the creatures' plight, Jim decides to help Tripp and Meredith rescue the creatures. With the help of Tripp's junkyard boss, Mr. Weathers, they acquire two more trucks, one being a repossession from a rich teen who had failed to make payments, and another being the birthday present of his friend Sam Geldon, whose father owns a local car dealership. They modify the trucks for Creech's parents to control similar to Creech in Tripp's truck. Jim helps the group by stealing the Terravex truck on which the monsters, Creech's parents, are loaded on. At the dealership, the creatures take control of the modified trucks and the group make their escape up the mountain leading to the tunnels.

text: Terravex gives chase up the mountain and the group escape by using the trucks to jump over the edge of the mountain. On the way, Rick helps Tripp and the group escape from Burke. After realizing the poison has been inserted, Tripp gets into a head-on battle with Burke, who attempts to push him into the drilling hole, but ends when Tripp and Creech overturn Burke's truck, destroying the poison machine and killing Burke when his truck is thrown into the equipment, only for Tripp to fall into the hole. Creech saves him from drowning before he and his parents depart back home and Terravex is exposed by the group for the experimentation that was harming the creatures' habitat. Tenneson is arrested, Tripp and Rick develop on good terms and together build a new engine for the truck, and Tripp and Meredith begin a relationship.

text: Cast[edit]

text:
Lucas Till[8] as Tripp Coley, a high school senior.
Jane Levy[8] as Meredith, Tripp's tutor and love interest.
Amy Ryan[9] as Cindy Coley, Tripp's mother.
Rob Lowe[10] as Reece Tenneson, the film's main antagonist.
Danny Glover[11] as Mr. Weathers, Tripp's paraplegic boss.
Barry Pepper[12] as Rick, the local sheriff and Cindy's new live-in boyfriend.
Holt McCallany[13] as Burke, Reece's henchman and one of the film's villains.
Frank Whaley[11] as Wade Coley, Tripp's estranged father and Cindy's ex-husband.
Thomas Lennon[14] as Dr. Jim Dowd, a scientist.
Tucker Albrizzi[15] as Sam Geldon, Tripp's friend.
Samara Weaving as Brianne
Daniel Bacon as Technician

text: Production[edit]

text: On July 31, 2013, Paramount Animation announced that they were developing a new live-action/animated franchise, with an entry film titled Monster Trucks, and Jonathan Aibel and Glenn Berger set to write film's script.[4] Chris Wedge was set to direct the film, which was produced by Mary Parent, with an initial release date set for May 29, 2015.[4][16] Production took place in Vancouver Film Studios in Vancouver, British Columbia.[17] On February 19, 2014, Jane Levy and Lucas Till joined the cast of the film.[8][18] On March 24, Amy Ryan was cast in a role,[9] and later that week, Holt McCallany joined the cast as a villain.[13] On April 1, Frank Whaley and Danny Glover joined the cast of the film.[11] Later that month, Thomas Lennon joined as well,[14] and on April 14, Barry Pepper joined the cast.[12] On April 24, Tucker Albrizzi, who starred in Big Time Rush, joined the cast,[15] with Rob Lowe added five days later.[10][19]

text: In December 2013, it was announced that the film's production would begin in early April 2014 in Vancouver,[20] with filming wrapping up in mid-July, and the studio Vancouver Film Studios was booked for the production.[17] Principal photography began on April 4, 2014, in Kamloops, British Columbia.[21] Filming was spotted on May 13, 2014 in downtown Chilliwack, Canada.[22][23]

text: Release[edit]

text: The release date was shifted several times. It was initially set for May 29, 2015, but on January 26, 2015, the film was pushed back to December 25, 2015, a date first assigned for Mission: Impossible – Rogue Nation.[24] On May 5, 2015, the film was pushed back again, to March 18, 2016.[25] On November 10, 2015, the film's release date was pushed back again, to January 13, 2017.[26]

text: On September 21, 2016, The Hollywood Reporter stated Paramount would take a $115 million writedown on the film due to its expected poor performance at the box office.[27]

text: Home media[edit]

text: Monster Trucks was released on Digital HD on March 28, 2017[28] and on Blu-ray and DVD on April 11, 2017.[29]

text: Reception[edit]

text: Box office[edit]

text: Monster Trucks grossed $33.4 million in the United States and Canada and $31.1 million in other territories, for a worldwide total of $64.5 million.[3]

text: In North America, Monster Trucks was released alongside the openings of The Bye Bye Man and Sleepless, as well as the wide releases of Silence, Patriots Day and Live by Night, and was expected to gross $8–10 million from 3,119 theaters in its opening weekend.[30] It ended up making $11 million ($14.2 million over the four-day MLK weekend), finishing 7th at the box office.[31]

text: Due to its $125 million budget, as well as additional amounts spent on promotion, the film was labeled a box office bomb.[5][6][7] Deadline Hollywood calculated the film lost the studio $123.1 million, when factoring together all expenses and revenues.[32]

text: Critical response[edit]

text: On review aggregator website Rotten Tomatoes the film has an approval rating of 31% based on 85 reviews and an average rating of 4.5/10. The website's critical consensus reads, "Despite flashes of inspiration, the singularly high-concept Monster Trucks shows that it takes more than monsters and trucks to create a compelling feature film."[33] On Metacritic, the film has a score of 41 out of 100 based on 23 critics, indicating "mixed or average reviews".[34] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[35]


document_title: Bud, Not Buddy

question_text: who is the author of bud not buddy

question_tokens: who is the author of bud not buddy

text: Bud, Not Buddy

text:
Bud, Not Buddy

Front cover of Bud, Not Buddy.

Author
Christopher Paul Curtis

Country
United States

Language
English

Genre
Adult humor, Multicultural fiction, Historical fiction

Publisher
Delacorte Books for Adult Readers

Publication date

1999

Media type
Print (hardback & paperback)

Pages
245 pages

ISBN
0-385-32306-9

OCLC
40744296

LC Class
PZ7.C94137 Bu 1999

text: Bud, Not Buddy is a children's novel written by Christopher Paul Curtis, published in 1999. The book received the 2000 Newbery Medal for excellence in American children's literature. Christopher Paul Curtis was also recognized with the 2000 Coretta Scott King Award, an award given to outstanding African-American authors. Bud, Not Buddy was also recognized with the William Allen White Children's Book Award for grades 6-8. [1][2][3]

text: Bud Caldwell is a ten-year-old orphan, living in Flint, Michigan, in 1936. Since the death of his mother four years earlier, Bud has been living in an orphanage and had short stints in several foster homes. The few items he has left of his mother include a blanket, a bag of rocks, a photograph of his mother as a child, and flyers that show Herman E. Calloway and his jazz band, the Dusky Devastators of the Depression.

text: Plot[edit]

text: The story opens with Bud being placed with a new foster family, the Amoses. Bud soon meets Todd Amos, their 12-year-old son, who teases him mercilessly and calls him Buddy. After a fight with Todd, Bud is forced to spend the night in the garden shed. In the shed, he mistakes a hornet nest for a vampire bat and hits the nest with a rake. This upsets the hornets and Bud gets stung. During his adrenaline rush, he breaks through the window of the shed.

text: After escaping the shed, Bud takes revenge on Todd by making him wet his bed by putting Todd's hand in warm water. He escapes and sleeps under a Christmas tree for the night. His friend Bugs wakes him up so they can go to the West.

text: Bud runs away with Bugs. They try to hop on a train, but Bud fails to make it and is left behind. Bud starts walking to go to Grand Rapids, Michigan. On the way, he meets Lefty Lewis, who gives him a ride in his car to Grand Rapids to find his father, as he calls him, Herman E. Calloway. He stays with Lefty for a short while, then leaves to find his father.

text: Bud later discovers that Herman E. Calloway is his grandfather when he meets the band. The band treats Bud with kindness, but Herman treats Bud with great animosity. Bud delivers the news that Bud's mom, Angela, is dead. This brings great grief to Herman.

text: The story ends with Bud receiving a horn from the band, and Bud thinks he will have a bright future. It also ends with Bud finding out that the dead girl's room that he sleeps in was his mother's room.

text: Stage adaptation[edit]

text: Bud, Not Buddy was adapted for the stage by Reginald Andre Jackson[4] for Black History Month, in Fremont, California. The production premiered in 2006 at the Langston Hughes Cultural Arts Center. It has been produced several times, including at the Children's Theatre Company in Minneapolis, Main Street Theatre in Houston, the University of Michigan-Flint and Children's Theatre of Charlotte Jackson's adaptation was published by Dramatic Publishing in 2009. It won the Distinguished Play Award (Adaptation) from The American Alliance for Theatre and Education in 2010.[4]

text: Children's literature portal

text:
Awards

Preceded by
Holes
Newbery Medal recipient
2000
Succeeded by
A Year Down Yonder

Preceded by
Heaven
Coretta Scott King Author Award
2000
Succeeded by
Miracle's Boys

Preceded by
Holes
Winner of the
William Allen White Children's Book Award
Grades 6–8
2002
Succeeded by
Dovey Coe


document_title: Body water

question_text: where is most water in the body found

question_tokens: where is most water in the body found

text: Body water

text: Location[edit]

text: By weight, the average human adult male is approximately [1]60% water and the average adult female is approximately 50%. There can be considerable variation in body water percentage based on a number of factors like age, health, weight, and sex. In a large study of adults of all ages and both sexes, the adult human body averaged ~65% water. However, this varied substantially by age, sex, and adiposity (amount of fat in body composition). The figure for water fraction by weight in this sample was found to be 58 ±8% water for males and 48 ±6% for females.[2] The body water constitutes as much as 73% of the body weight of a newborn infant, whereas some obese people are as little as 45% water by weight.[3] This is due to how fat tissue does not retain water as well as lean tissue. These statistical averages will vary with factors such as type of population, age of people sampled, number of people sampled, and methodology. So there is not, and cannot be, a figure that is exactly the same for all people, for this or any other physiological measure.

text: Most of animal body water is contained in various body fluids. These include intracellular fluid; extracellular fluid; plasma; interstitial fluid; and transcellular fluid.[4]  Water is also contained inside organs, in gastrointestinal, cerebrospinal, peritoneal, and ocular fluids.  Adipose tissue contains about 10% of water, while muscle tissue contains about 75%.[5][6]

text: In Netter's Atlas of Human Physiology, body water is broken down into the following compartments:[4]

text:
Intracellular fluid (2/3 of body water) is fluid contained within cells. In a 72-kg body containing 40 litres of fluid, about 25 litres is intracellular,[7] which amounts to 62.5%. Jackson's texts states 70% of body fluid is intracellular.[8]
Extracellular fluid (1/3 of body water) is fluid contained in areas outside of cells. For a 40-litre body, about 15 litres is extracellular,[7] which amounts to 37.5%.
Plasma (1/5 of extracellular fluid). Of this 15 litres of extracellular fluid, plasma volume averages 3 litres,[7] or 20%.
Interstitial fluid (4/5 of extracellular fluid)
Transcellular fluid (a.k.a. "third space," normally ignored in calculations) contained inside organs, such as the gastrointestinal, cerebrospinal, peritoneal, and ocular fluids.

text: Measurement[edit]

text: Dilution and equilibration[edit]

text: Total body water can be determined using Flowing afterglow mass spectrometry measurement of deuterium abundance in breath samples from individuals.  A known dose of deuterated water (Heavy water, D2O) is ingested and allowed to equilibrate within the body water. The FA-MS instrument then measures the deuterium-to-hydrogen (D:H) ratio in the exhaled breath water vapour.  The total body water is then accurately measured from the increase in breath deuterium content in relation to the volume of D2O ingested.

text: Different substances can be used to measure different fluid compartments:[9]

text:
total body water: tritiated water or heavy water.
extracellular fluid: inulin
blood plasma: Evans blue

text: Intracellular fluid may then be estimated by subtracting extracellular fluid from total body water.

text: Bioelectrical impedance analysis[edit]

text: Another method of determining total body water percentage (TBW%) is via Bioelectrical Impedance Analysis (BIA). In the traditional BIA method, a person lies on a cot and spot electrodes are placed on the hands and bare feet. Electrolyte gel is applied first, and then a weak current of frequency 50kHz is introduced. This AC waveform allows the creation of a current inside the body via the very capacitive skin without causing a DC flow or burns, and limited in the ~20mA range current for safety.[10]

text: BIA has emerged as a promising technique because of its simplicity, low cost, high reproducibility and noninvasiveness. BIA prediction equations can be either generalized or population-specific, allowing this method to be potentially very accurate. Selecting the appropriate equation is important to determining the quality of the results.

text: For clinical purposes, scientists are developing a multi-frequency BIA method that may further improve the method's ability to predict a person's hydration level. New segmental BIA equipment that uses more electrodes may lead to more precise measurements of specific parts of the body.

text: Calculation[edit]

text: In humans, total body water can be estimated based on the premorbid (or ideal) body weight and correction factor.

text:
T
B
W
=
w
e
i
g
h
t
∗
C

{\displaystyle TBW=weight*C}

.

text: C is a coefficient for the expected percentage of weight made up of free water. For adult, non-elderly males, C = 0.6. For adult elderly males, malnourished males, or females, C = 0.5. For adult elderly or malnourished females C = 0.45. A total body water deficit (TBWD) can then be approximated by the following formula:

text: Where [Na]t = target sodium concentration (usually 140 mEq/L), and [Na]m = measured sodium concentration.

text: The resultant value is the approximate volume of free water required to correct a hypernatremic state. In practice, the value rarely approximates the actual amount of free water required to correct a deficit due to insensible losses, urinary output, and differences in water distribution among patients. [11]

text: Functions[edit]

text: Water in the animal body performs a number of functions: as a solvent for transportation of nutrients; as a medium for excretion; a means for heat control; as a lubricant for joints; and for shock absorption.[5]

text: Changes[edit]

text: The usual way of adding water to a body is by drinking.  Water also enters the body with foods, especially those rich in water, such as plants, raw meat, and fish.

text: The amount of this water that is retained in animals is affected by several factors. Water amounts vary with the age of the animal. The older the vertebrate animal, the higher its relative bone mass and the lower its body water content.

text: In diseased states, where body water is affected, the fluid compartment or compartments that have changed can give clues to the nature of the problem, or problems. Body water is regulated by hormones, including anti-diuretic hormone, aldosterone and atrial natriuretic peptide.

text: Loss of water[edit]

text: Volume contraction is a decrease in body fluid volume, with or without a concomitant loss of osmolytes. The loss of the body water component of body fluid is specifically termed dehydration.[12]

text: Sodium loss approximately correlates with fluid loss from extracellular fluid, since sodium has a much higher concentration in extracelluliar fluid (ECF) than intracellular fluid (ICF). In contrast, K+ has a much higher concentration in ICF than ECF, and therefore its loss rather correlates with fluid loss from ICF, since K+ loss from ECF causes the K+ in ICF to diffuse out of the cells, dragging water with it by osmosis.[citation needed]


document_title: The Twilight Zone

question_text: who owns the rights to the twilight zone

text: The Twilight Zone

text: Television history[edit]

text: Background[edit]

text: This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2013) (Learn how and when to remove this template message)

text: As a boy, Rod Serling was a fan of pulp fiction stories.  As an adult, he sought topics with themes such as racism, government, war, society, and human nature in general. Serling decided to combine these two interests as a way to broach these subjects on television at a time when such issues were not commonly addressed.[5]

text: Throughout the 1950s, Serling established himself as one of the most popular names in television.  He was as famous for writing televised drama as he was for criticizing the medium's limitations. His most vocal complaints concerned censorship, which was frequently practiced by sponsors and networks. "I was not permitted to have my senators discuss any current or pressing problem," he said of his 1957 production The Arena, intended to be an involving look into contemporary politics. "To talk of tariff was to align oneself with the Republicans; to talk of labor was to suggest control by the Democrats. To say a single thing germane to the current political scene was absolutely prohibited."

text: "The Time Element" (1958)[edit]

text: CBS purchased a teleplay in 1958 that writer Rod Serling hoped to produce as the pilot of a weekly anthology series. "The Time Element" marked Serling's first entry in the field of science fiction.

text: Plot[edit]

text: Several years after the end of World War II, a man named Peter Jenson (William Bendix) visits a psychoanalyst, Dr. Gillespie (Martin Balsam). Jenson tells him about a recurring dream in which he tries to warn people about the "sneak attack" on Pearl Harbor before it happens, but the warnings are disregarded. Jenson believes the events of the dream are real, and each night he travels back to 1941.  Dr. Gillespie insists that time travel is impossible given the nature of temporal paradoxes. While on the couch, Jenson falls asleep once again and dreams that the Japanese planes shoot and kill him. In Dr. Gillespie's office, the couch Jenson was lying on is now empty. Dr. Gillespie goes to a bar where he finds Jenson's picture on the wall. The bartender tells him that Jenson had tended there, but he was killed during the Pearl Harbor attack.

text: Production[edit]

text: With the "Time Element" script, Serling drafted the fundamental elements that would distinguish the series still to come: a science-fiction/fantasy theme, opening and closing narration, and an ending with a twist. "The Time Element" was purchased immediately, but shelved indefinitely.

text: This is where things stood when Bert Granet, the new producer for Westinghouse Desilu Playhouse, discovered "The Time Element" in CBS' vaults while searching for an original Serling script to add prestige to his show. "The Time Element" (introduced by Desi Arnaz) debuted on November 24, 1958, to an overwhelmingly delighted audience of television viewers and critics alike. "The humor and sincerity of Mr. Serling's dialogue made 'The Time Element' consistently entertaining," offered Jack Gould of The New York Times. Over 6000 letters of praise flooded Granet's offices. Convinced that a series based on such stories could succeed, CBS again began talks with Serling about the possibilities of producing The Twilight Zone. "Where Is Everybody?" was accepted as the pilot episode and the project was officially announced to the public in early 1959.  Other than reruns at the time "The Time Element" was not aired on television again until it was shown as part of a 1996 all-night sneak preview of the new cable channel TVLand. It is available in an Italian DVD boxed set titled Ai confini della realtà – I tesori perduti.  The Twilight Zone Season 1 Blu-ray boxed set released  on September 14, 2010, offers a remastered high-definition version of the original Desilu Playhouse production as a special feature.[6]

text: Original series (1959–1964)[edit]

text: The series was produced by Cayuga Productions, Inc., a production company owned and named by Serling. It reflects his background in Central New York State and is named after Cayuga Lake, on which Ithaca College is located.

text: Aside from Serling, who wrote or adapted nearly two-thirds of the series' total episodes, writers for The Twilight Zone included leading authors such as Charles Beaumont, Ray Bradbury,[7] Earl Hamner, Jr., George Clayton Johnson, Richard Matheson, Reginald Rose, and Jerry Sohl. Many episodes also featured new adaptations of classic stories by such writers as Ambrose Bierce, Jerome Bixby, Damon Knight, John Collier, and Lewis Padgett.

text: Twilight Zone's writers frequently used science fiction as a vehicle for social comment, as networks and sponsors who censored controversial material from live dramas were less concerned with seemingly innocuous fantasy and sci-fi stories. Frequent themes on The Twilight Zone included nuclear war, McCarthyism, and mass hysteria, subjects that were avoided on less serious primetime television. Episodes such as "The Monsters Are Due on Maple Street" and "I Am the Night—Color Me Black" offered specific commentary on current events and social issues. Other stories, such as "The Masks", "I Dream of Genie", or "Mr. Denton on Doomsday" were allegories, parables, or fables that reflected the moral and philosophical choices of the characters.

text: Despite his esteem in the writing community, Serling found the series difficult to sell. Few critics felt that science fiction could transcend empty escapism and enter the realm of adult drama. In a September 22, 1959, interview with Serling, Mike Wallace asked a question illustrative of the times: "...[Y]ou're going to be, obviously, working so hard on The Twilight Zone that, in essence, for the time being and for the foreseeable future, you've given up on writing anything important for television, right?" While Serling's appearances on the show became one of its most distinctive features, with his clipped delivery still widely imitated today, he was reportedly nervous about it and had to be persuaded to appear on camera. Serling often steps into the middle of the action while the characters remain oblivious to him, but on one notable occasion, they are aware of his presence: In the episode "A World of His Own", a writer (Keenan Wynn) with the power to alter his reality objects to Serling's narration, and promptly erases Serling from the show.

text: In season two, due to budgetary constraints, the network decided – against Serling's wishes – to cut costs by shooting some episodes on videotape rather than film. The requisite multicamera setup of the videotape format precluded location shooting, severely limiting the potential scope of the storylines, and the experiment was abandoned after just six episodes ("Twenty Two", "Static", "The Whole Truth", "The Lateness of the Hour", "The Night of the Meek", and "Long Distance Call").

text: The original series contains 156 episodes. The episodes in seasons one through three are 30 minutes long. Season four (1962–63) consists of one-hour episodes. Season five returned to the half-hour format.

text: First revival (1985–1989)[edit]

text: It was Serling's decision to sell his share of the series back to the network that eventually allowed for a Twilight Zone revival. As an in-house production, CBS stood to earn more money producing The Twilight Zone than it could by purchasing a new series produced by an outside company. Even so, the network was slow to consider a revival, turning down offers from the original production team of Rod Serling and Buck Houghton and later from American filmmaker Francis Ford Coppola.

text: CBS gave the new Twilight Zone a greenlight in 1984 under the supervision of Carla Singer, then Vice President of Drama Development. While the show did not come close to matching the enduring popularity of the original, some episodes – particularly Allan Brennert's love story "Her Pilgrim Soul" and J. Neil Schulman's Profile in Silver [8][9] – were critically acclaimed. In a tribute to the original series, the opening credits include a brief image of Rod Serling. Four episodes are remakes of those from the original series: "Night of the Meek", "Shadow Play", "The After Hours" and "A Game of Pool", while "Dead Woman's Shoes" is an adaptation of "Dead Man's Shoes".  Unlike the original series and the second revival, this series does not include the opening monologue during the title sequence.  As well, the narration is all strictly voice-over and the narrator never appears on-screen.

text: Rod Serling's Lost Classics (1994)[edit]

text: In the early 1990s, Richard Matheson and Carol Serling produced an outline for a two-hour made-for-TV movie which would feature Matheson adaptations of three yet-unfilmed Rod Serling short stories. Outlines for such a production were rejected by CBS until early 1994, when Serling's widow discovered a complete shooting script ("Where the Dead Are") authored by her late husband, while rummaging through their garage. Serling showed the forgotten script to producers Michael O'Hara and Laurence Horowitz, who were significantly impressed by it. "I had a pile of scripts, which I usually procrastinate about reading. But I read this one right away and, after 30 pages, called my partner and said, "I love it," recalled O'Hara. "This is pure imagination, a period piece, literate – some might say wordy. If Rod Serling's name weren't on it, it wouldn't have a chance at getting made."

text: Eager to capitalize on Serling's celebrity status as a writer, CBS packaged "Where the Dead Are" with Matheson's adaptation of "The Theatre", debuting as a two-hour feature on the night of May 19, 1994, under the name Twilight Zone: Rod Serling's Lost Classics. The title represents a misnomer, as both stories were conceived long after Twilight Zone's cancellation. Written just months before Serling's death, "Where the Dead Are" starred Patrick Bergin as a 19th-century doctor who stumbles upon a mad scientist's medical experiments with immortality. "The Theatre" starred Amy Irving and Gary Cole as a couple who visits a cineplex where they discover the feature presentation depicts their own lives. James Earl Jones provided opening and closing narrations.

text: Critical response was mixed. Gannett News Service described it as "taut and stylish, a reminder of what can happen when fine actors are given great words." USA Today was less impressed, even suggesting that Carol Serling "should have left these two unproduced mediocrities in the garage where she found them." Ultimately, ratings proved insufficient to justify a proposed sequel featuring three scripts adapted by Matheson.

text: Second revival (2002–2003)[edit]

text: A second revival was attempted by UPN in 2002, hosted by Forest Whitaker. Broadcast in a one-hour format with two half-hour stories, it was canceled after one season. "It's Still a Good Life" is a sequel to "It's a Good Life", "The Monsters Are on Maple Street" is an adaptation of "The Monsters Are Due on Maple Street" and "Eye of the Beholder" is a remake of an episode from the original series, with Serling still credited as writer.

text: Third revival[edit]

text: In December 2012, it was reported that Bryan Singer was developing and executive producing a third revival television series for CBS Television Studios. A writer for the series was not chosen and the program was not pitched to any networks. CBS, which broadcast the original series and first revival, was reportedly interested.[10][11][12][13][14] In February 2013, Singer told TG Daily that the project was still in development and that he hoped to direct the pilot and have A-list actors appear on the revival.[15] The following month, he told IGN that a writer with whom he had previously worked was in negotiations to join the revival and that he felt "passionate" towards the original series and the planned revival.[16]

text: In February 2016, it was reported that Ken Levine would write and direct the pilot episode of the revival series. It was also reported that the series would be interactive.[17][18] In November 2017, it was reported that Jordan Peele was developing a reboot of the series for streaming service CBS All Access with Marco Ramirez serving as potential showrunner.[19] In December 2017, CBS All Access ordered the third The Twilight Zone revival to series. It was announced that the series would be produced by CBS Television Studios in association with Monkeypaw Productions and Genre Films. Jordan Peele, Marco Ramirez, and Simon Kinberg will serve as executive producers for the series and collaborate on the premiere episode. Win Rosenfeld and Audrey Chon will also serve as executive producers.[4]

text: Other media[edit]

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2013) (Learn how and when to remove this template message)

text: Film[edit]

text: Twilight Zone: The Movie is a 1983 feature film produced by Steven Spielberg. It starred Dan Aykroyd, Albert Brooks, John Lithgow, and the late Vic Morrow and Scatman Crothers. The film remade three classic episodes of the original series and included one original story. John Landis directed the prologue and the first segment, Steven Spielberg directed the second, Joe Dante the third, and George Miller directed the final segment. Landis's episode became notorious for a helicopter accident during filming that caused the deaths of Morrow and two child actors.

text: Potential film[edit]

text: Actor Leonardo DiCaprio is planning to make a new movie with Warner Bros., citing The Twilight Zone as his favorite TV series. Unlike the first film, which was an anthology feature, it will be a big-budget, SFX-laden continuous story possibly based on classic episodes of the series such as "The Eye of the Beholder", "To Serve Man", or any of the 92 scripts written by Rod Serling, to which Warner Bros. owns the rights.[20][21][22][23][24] One plot leaked from the script tells about a pilot who time-travels 96 years into the future.[25] Cloverfield director Matt Reeves was signed in 2011 to direct the movie, but left in 2012 to direct Dawn of the Planet of the Apes.[26] On August 16, 2013, Joseph Kosinski was announced to direct.[27] The studio hired Aron Eli Coleite to pen the screenplay for the film and will not be an anthology but use various elements from the Twilight Zone universe.[28] In June 2017, Christine Lavaf was hired to pen the script.[29]

text: Games[edit]

text: In 1964, Ideal released a board game, The Twilight Zone Game, at the height of the show's popularity. The game consisted of a cardboard playing surface, four colored playing pieces, a colored spinning wheel, and 12 "door" playing cards.[30] In 1988, Gigabit Systems, Inc. published a text adventure video game for Amiga and the PC.[31] In March 1992, Midway Games released a wide-body pinball game, Twilight Zone, based on the original TV series, as a Bally title. Conceived by Pat Lawlor, it uses Golden Earring's hit song "Twilight Zone" (1982) as its theme song. The game sold 15,235 units.[32] On September 17, 2014, Legacy Interactive and Spark Plug Games released a casual adventure game based on The Twilight Zone.[33]

text: Literature[edit]

text: Serling novelized several of his original scripts, which were published in the anthologies Stories from the Twilight Zone (1960), More Stories from the Twilight Zone (1961) and New Stories from the Twilight Zone (1962); these have all been reprinted several times, including in an omnibus, The Twilight Zone: Complete Stories (1980). In 1995, DAW Books published the anthology books Journeys to the Twilight Zone (16 stories edited by Carol Serling including Rod Serling's "Suggestion"), Return to the Twilight Zone (18 stories edited by Carol Serling including Rod Serling's "The Sole Survivor"), and Adventures in the Twilight Zone (24 stories edited by Carol Serling including Rod Serling's "Lindemann's Catch"). In September 2009, Tor Books published Twilight Zone: 19 Original Stories on the 50th Anniversary, to mark the 50th anniversary of the series. It contains stories by 20 authors such as R. L. Stine and Timothy Zahn, and an introduction by Carol Serling.

text: Comic books[edit]

text: Western Publishing published a Twilight Zone comic book, first under their Dell Comics imprint for four issues, one in 1961 and three further issues in 1962, with the first two published as part of their long-running Four Color anthology series as issue numbers 1173 and 1288, and then two further one-shots numbered separately in Dell's unique fashion as 01-860-207 and 12-860-210 (numbered as 01-860-210 on the inside) respectively. Western then restarted the series under their Gold Key imprint with a formal issue No. 1, which ran 92 issues from 1962 to 1979, with the final issue being published in 1982. Several of the stories were reprinted in their Mystery Comics Digest, which mentioned the title on the covers. A wide range of artists worked on the title, including Jack Sparling, Reed Crandall, Lee Elias, George Evans, Russ Jones, Joe Orlando, Jerry Robinson, Mike Sekowsky, Dan Spiegle, Frank Thorne, and Alex Toth. In 1990, NOW Comics published a new comic series with using the title logo from the 1985 revival. The publisher made great efforts to sign established sci-fi/fantasy writers, including Harlan Ellison, adapting his story "Crazy as a Soup Sandwich".

text: In 2008, students at the Savannah College of Art and Design partnered with Walker & Co. to create graphic novels based on eight episodes of the series through 2009. The first four, "Walking Distance", "The After Hours", "The Monsters Are Due on Maple Street", and "The Odyssey of Flight 33", were released in December 2011. The other four were "The Midnight Sun", "Deaths-Head Revisited", "The Big Tall Wish" and "Will the Real Martian Please Stand Up?"[34] Comics publisher Dynamite Entertainment ran a multiple-issue series, written by J. Michael Straczynski and with art by Guiu Vilanova, beginning in December 2013.

text: Music[edit]

text: Television series[edit]

text:
Bernard Herrmann composed season one's moody title theme. Other music contributors for the original television show are Jerry Goldsmith, Leonard Rosenman, Nathan Scott, Fred Steiner, Nathan Van Cleave, and Franz Waxman.[35]
CBS television CBS session musicians Howard Roberts
Avant garde composer Marius Constant wrote the well-known theme introduced in the second season.
The Grateful Dead performed the theme for the 1985 revival series.
Jonathan Davis of Korn composed the theme music for the 2002 revival series.

text: Film[edit]

text: Jerry Goldsmith composed the music for Twilight Zone: The Movie (1983).

text: Influence in popular music[edit]

text: This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2015) (Learn how and when to remove this template message)

text: The Marketts' biggest hit, "Out of Limits",[36] originally entitled "Outer Limits", was named after the 1963 TV series, The Outer Limits. Rod Serling sued the Marketts for quoting the four-note motif from The Twilight Zone, without his approval, which resulted in the change of the title to "Out of Limits".[37] It reached number 3 on the Billboard Hot 100 chart in 1964. It sold over one million copies, and was awarded a gold disc.[38]

text: Many other musicians have written and performed music based on the Twilight Zone, including: 2 Unlimited (Twilight Zone), Anthrax (Intro to Reality), Average White Band,[39] John Cale,[40] Dr. John,[41] David Dubowski (To Serve Man), Golden Earring (Twilight Zone), Michael Hurley,[42] Tech N9ne,[43] Iron Maiden (Twilight Zone), Mekong Delta (Twilight Zone), Van Morrison (Twilight Zone), Rush (The Twilight Zone),[44] Raymond Scott, Sly & Robbie, Magneto Dayo, The Manhattan Transfer (Twilight Zone), The Residents, The Ventures (Twilight Zone), Panic! at the Disco[45] and John Williams.

text: Radio[edit]

text: Beginning in 2002, episodes of the original The Twilight Zone were adapted for radio, with Stacy Keach taking Serling's role as narrator and produced by Carl Amari of Falcon Picture Group. Each episode features a current Hollywood celebrity, including Jason Alexander, Blair Underwood, Lou Gossett, Jr., Michael York, Jim Caviezel, Jane Seymour, Don Johnson, Sean Astin, Luke Perry and others in the title roles. The series is broadcast on hundreds of radio stations from coast-to-coast and over Sirius/XM. The station list and episodes for download, including 3 Free episodes are available at the official website at www.twilightzoneradio.com

text: Scripts[edit]

text: Beginning in 2001, Gauntlet Press began publishing collections of original scripts from The Twilight Zone by Charles Beaumont, Richard Matheson, and Rod Serling. A ten-volume signed, limited edition series of all 92 of Rod Serling's scripts, authorized by his wife, Carol Serling, began yearly publication in 2004. Many of the scripts contain handwritten edits by Serling himself and differ in significant ways from the aired versions; most volumes contain an alternate version of a selected script. The script for "The Monsters Are Due on Maple Street" has been published into 7th grade reading books in the form of a play.

text: Stage productions[edit]

text: Live theatre productions of the original episodes can be seen in Los Angeles and Seattle, where Theater Schmeater has continuously produced a late night series, "The Twilight Zone – Live" with permission of the Serling estate, since 1996. In 2009, Masquerade, A Chennai based theater group produced 'Dystopia', loosely based on the episodes "The Obsolete Man" and "Five Characters in Search of an Exit".[46] In 2011, the Penn State University theatre group, No Refund Theatre, produced a stage adaptation of The Twilight Zone. It included the episodes "The Eye of the Beholder", "The Midnight Sun", and "Nothing in the Dark". It was directed by Anthony Arbaiza.

text:
In 2017, Bethesda-Chevy Chase High School produced a live adaptation directed by Adam Graham with permission from CBS, with two shows containing four episodes each. These episodes included "Will The Real Martian Please Stand Up?" and "The Monsters Are Due On Maple Street." as well as more technically challenging episodes such as "Penny For Your Thoughts" and "The Eye of the Beholder."
In December 2017 the Almeida Theatre in London are staging the World Premiere production of 'The Twilight Zone'. Adapted by Anne Washburn and directed by Laurence Olivier Award winner Richard Jones, and will be based on stories from the original series by Rod Serling, Charles Beaumont and Richard Matheson.

text: Theme park attractions[edit]

text: The Twilight Zone Tower of Terror is a theme park attraction based on the original Twilight Zone series. Designed by Walt Disney Imagineering, the attraction is a fixture at two Disney parks: Disney's Hollywood Studios in Florida and Walt Disney Studios Park in Paris.  The attraction at Disney California Adventure previously carried the same theme, but has been altered to adopt a theme from the Guardians of the Galaxy franchise.  Tokyo DisneySea in Japan has a different variation of the ride that does not carry the Twilight Zone name, due to cultural differences and constraints in licensing for the Oriental Land Company, owner and operator of the Tokyo parks. The ride also served as the inspiration for a 1997 ABC's The Wonderful World of Disney original movie simply titled "Tower of Terror".

text: Syndication[edit]

text: The Twilight Zone original series is currently in syndication on MeTV Network[47] and Syfy, and the 2002 revival is syndicated on the El Rey Network.