document_title: List of The Magic School Bus characters

question_text: who was the teacher in the magic school bus

text: List of The Magic School Bus characters

text: Main characters[edit]

text: The school is known as Walkerville Elementary, named for the fictional town of Walkerville, where it is located. The original book series had a larger number of students in Ms. Frizzle's class (19 instead of 8); 11 characters were omitted from the TV adaptation, the TV tie-in books, and the CD-ROM series.

text: Ms. Valerie Frizzle[edit]

text: Valerie[1] Felicity[2] Frizzle is a third grade teacher at Walkerville Elementary. She is normally referred to as Ms. Frizzle, but her students often call her "The Friz". While she is eccentric and somewhat strange, The Friz is intelligent, kind, resourceful, happy, funny, supportive, loving and somewhat motherly. She loves making jokes revolving around the lesson she teaches, even if she is the only one laughing. She makes flamboyant entrances to start the class, causing some to remark "How does she do that?" A redhead, she wears wacky dresses that reflects the subject of each adventure and earrings that glow before a field trip begins. She usually winks before the earrings glow (in the original books, her dress on the last page usually hinted at the plot of the next book; the very last book sees it covered with question marks.) She enjoys singing, seems unafraid of danger, and often refers to her relatives or ancestors during trips. She can make a lot of jokes like Carlos, and she also admires Carlos' jokes. She appears to be very attached to the bus, almost as if having a nostalgic connection to it. She also loves to surprise the students and although she denies that she knows everything, she seems to never be in the dark about her students' activities. To Arnold, she is strange, but he and his friends still love and respect her. Some of Ms. Frizzle's ongoing catchphrases are, "Bus, do your stuff!", "Take chances, make mistakes, get messy!", "Hit it Liz!" and most notably, "WAHOOOOO!"

text: She appears in The Magic School Bus Rides Again as Professor Valerie Felicity Frizzle, Ph.D, with Tomlin once again providing her voice. In this series, she answers phone calls in the fictional call-in segments, along with her pet monkey named Goldie.

text: Ms. Fiona Frizzle[edit]

text: Fiona Felicity Frizzle is Valerie Frizzle's younger sister and the class' new teacher. She borrows a lot of her big sister's catchphrases, including "Bus, do your stuff!", among many others. Similar to her sister, her skirt and necklace often change each episode based on the topic. As a parallel to her sister's "as I always say" catchphrase, she often quotes random relatives and friends of hers.

text: Liz[edit]

text: Liz is the class pet Jackson's Chameleon who goes on most of the field trips with Ms. Frizzle and the students, often getting herself into dangerous comedic situations. She appears to get jealous when the bus receives more attention than she does. In the episode "Gets Ants In Its Pants", she is visibly annoyed and disappointed when she does not get the recognition she deserves.

text: Liz is mute, but often does things that one would not expect from a chameleon in real life, such as driving the bus. When she goes to Herp Haven for a brief period her packing list includes claw polish, scale moisturizer and fang-paste. If Ms. Frizzle has to leave the students for a brief period for any reason, or if the class must split up, she leaves Liz in charge, acting as a sort of substitute teacher. In "In a Pickle", she is the supposed "Judge" in Ms. Frizzle's trial for stealing Keesha's 1st prize cucumber/turning it into a pickle (she wears the wig, and the outfit, and carries the gavel).

text: While Liz does not speak on the show, she speaks in the CD-ROMs (although it appears that only the player can hear her). She is also seen at the end of most episodes with the producers of The Magic School Bus.

text: Arnold Perlstein[edit]

text: Arnold Perlstein is a bespectacled Jewish American boy. He is often seen as somewhat of a coward but is actually braver than he's given credit for (in "The Busasaurus," he scares off a T. Rex to save the class). Arnold also inspires the class with ideas and they call him a genius. In the episode "Shows and Tells," he mentions that his great-aunt is the famous archaeologist Arizona Joan, a parody of Indiana Jones. In spite of his dislike of Ms. Frizzle's wacky field trips, he is on several occasions fiercely loyal to the teacher herself, as in "Lost in Space" where he defends her against his cousin Janet. Another example of this is in "In a Pickle" where he acts as a lawyer for Ms. Frizzle, taking his job almost too seriously. He has an intense interest in and knowledge of rocks and minerals and an extensive rock collection. Because of this, he becomes the only child to be a member of GRANITE, the Great Rock Admirers' National Institute of Tectonics Experts ("Goes Cellular"). In "Cracks a Yolk," he and Dorothy Ann share the only kiss on the series when she kisses him on the cheek. It is implied in the episodes "For Lunch" and "Holiday Special" that he has a crush on Wanda and vice versa, but in "Wet All Over," he has a crush on a girl in another class named Tiffany. It's also hinted in "The Busasaurus" that Phoebe has a crush on him as well. In "Goes to Seed" he mentions he's allergic to pepper and pollen. In some of the books and on the TV series, Arnold has orange hair, but he has blond hair in the computer games and other books. His middle name is mentioned in Ms. Frizzle's Adventures: Medieval Castle. In most episodes, he usually says "I knew I should have stayed home today", or a variant of it. He has a bossy, rude, & know-it-all cousin named Janet. Also in "Gets Lost In Space" Arnold nearly dies in space because Janet is trying to fit stuff she collected into the bus that can't fit and Arnold removes his helmet to show her what would happen to her if she stayed on Pluto with her belongings, but due to this being a kids show, the producers instead had him catch a cold.

text: Carlos Ramon[edit]

text: Carlos Ramon is the Mexican American class joker, always making a pun or joke about whatever situation the class is in. He is a hands-on learner, preferring to invent unique devices, such as an instrument or rain catcher, rather than learn from a book like Dorothy Ann. Carlos tries to be funny by telling several jokes, but they often backfire and cause the kids to groan "Carlos!" in an aggravated manner. By contrast, Ms. Frizzle seems to enjoy his jokes, sometimes even complimenting him on being observant in the process of making them up. He is kind and outgoing, but he can have a bossy side as well. Despite this, Carlos is good-hearted and has a brotherly instinct about him. In "The Magic School Bus Going Batty", his father also makes puns, to which the other kids' parents would respond, "Mr. Ramon!" also in unison. In the episode called "Get Ready, Set, Dough," Carlos has the responsibility of making chocolate cake for Ms. Frizzle's birthday. In "Getting Energized" he entertains a crowd and can even do impressions of Arnold Schwarzenegger. In one of the producer segments, one of the kids points out that Carlos's bad puns must come from the producers as heard in one of the phone calls.

text: Dorothy Ann[edit]

text: Dorothy Ann is the class reader of Australian and German descent, always looking for a fact in one of her many books and is the brain of the class. She is usually called "D.A." by the others. She always carries her pink sachel, which holds her books. In the episode "Blows its Top," Dorothy Ann loses her books, but realizes she does not need them to learn about things. She appears to love astronomy, especially in "Out of This World" and "Sees Stars", where she is shown to have a telescope. In "Sees Stars", D.A. is celebrating her birthday, but she is sick and stays home that day, making her the second and last student after Ralphie to be sick in an episode. She appears to enjoy physics too, as she is seen with a physics book in "Plays Ball." She usually wears her blonde hair in pigtails tied in red hairbands, and in the episode "Goes On Air," she takes off her hair ties, her pigtails staying in place (as pointed out by Arnold). In the beginning of "Out of This World," she has a nightmare about an asteroid crashing into her school and in the climax, she is the captain of the ship and she has her own ideas to save our planet. Dorothy Ann's last name has never been mentioned in canon, the books or the TV show. It's also revealed that she has a little sister named Evan. She is one of three kids known to have siblings, the other two being Carlos and Wanda. When reading about different facts, D.A. usually begins by saying, "According to my research the..." In the original series, she pronounced "research" with the accent on the second syllable. In The Magic School Bus Rides Again, she pronounces it with the accent on the first syllable, as it is usually pronounced. In The Magic School Bus Rides Again, her book sachel is replaced by a purple tablet computer.

text: Jyoti Kaur[edit]

text: Jyoti Kaur is an Indian-American girl who replaced Phoebe in The Magic School Bus Rides Again. She has a robot she made called Naniben, whose name is Gujarati for "little sister".

text: Keesha Franklin[edit]

text: Keesha Franklin is an African American girl who is considered to be the most level-headed and realistic student in the class. She is usually the most sarcastic one as well. Because of her skepticism, she often argues with Ralphie, who tends to live in his imagination more than in real life. She is the only person to participate in every single field trip. When a situation went poorly, Keesha would often say, "Oh bad. Oh bad. Oh bad, bad, bad!" Her other catchphrase is, "Let's get the facts!" Keesha takes dance lessons.

text: Phoebe Terese[edit]

text: Phoebe Terese is the new student in Ms. Frizzle's class, and she's also an Irish-American girl who often refers to how things were at her old school (which is actually called "Phoebe's Old School," as seen in "Goes to Seed"). The caring soul of the class, Phoebe is sweet, gentle, kind, and a little bit shy as her biggest fear is stage fright, shown in the episode "Gets Planted." Phoebe is an animal activist, as seen in "All Dried Up," "Cold Feet," "Spins a Web," "Goes Upstream," "Ups and Downs," and "Getting Energized." Her love of animals also includes bugs ("Butterfly and Bog Beast," "Spins a Web"). She has shown a poor ability in growing plants (not growing one herself in "Goes to Seed" and growing a pitiful bean plant in "Gets Planted"). Her father is blind as seen in "Going Batty," and like her, he makes references to her old school. Phoebe's mother is never seen or mentioned in the show. In the episode "The Busasaurus", it is hinted she has a crush on Arnold by quoting "Gee, what a guy!" when he tries to save Dr. Skeledon's dinosaur egg from an Ornithomimus. Phoebe is usually paired up with Arnold the most out of all the other classmates in various situations. In the original books, her parents are never mentioned or seen, and it's implied she's being raised by her grandparents (The Magic School Bus In the Time of the Dinosaurs and The Magic School Bus and the Electric Field Trip). It is revealed in The Magic School Bus Rides Again that she transferred back to her old school.[5]

text: Ralphie Tennelli[edit]

text: Ralphie Tennelli is the Italian American class athlete. While in class, he likes to daydream. He is the only field trip student to wear a baseball cap. He plays a lot of sports, including soccer, basketball, hockey, and baseball. Ralphie is Italian, mentioning in the episode "Ups and Downs" that his mother's calzones "go down like rocks". He has a distaste for anchovies, which, as he tells the class in "Gets Eaten," his dad puts on pizza to keep him from eating it. He often serves as the leader of the students, despite a tendency to jump to wrong conclusions (as seen in "Goes Batty") and ignore better judgment (as seen in "In the City"). He also occasionally rivals Carlos when it comes to jokes. His catchphrases are "Is it just me, or..." and "I think I'm gonna be sick".

text: Timothy "Tim"[edit]

text: Tim is African American, and is the most observant and artistic student. He can usually be found documenting what the class is doing, either by drawing or filming them, such as Liz posing on a crater on Mercury, his Ralphie-inspired comic book The Adventures of Weatherman, and getting footage of the swamp for evidence to argue Carlos's case. His grandfather owns a honey bee farm outside of Walkerville, and as a small job, Tim delivers the honey at the start of winter. Like Dorothy Ann, his last name is never mentioned in canon (the books or the TV show). He is known to say "We've been Frizzled!" In The Magic School Bus Rides Again, he speaks with a Jamaican accent.

text: Wanda Li[edit]

text: Wanda Li is the toughest and most boisterous Chinese American tomboy and the smallest member of the class. Always willing to jump into adventure and going where "no kid has gone before," she serves as a foil to Arnold. She wants to solve all problems that face her. Despite her tough exterior, she loves ballet, especially The Nutcracker ("Holiday Special"). Wanda's favorite singer is Molly Cule (a play on the word molecule), and, like Ralphie, she loves sports. Despite coming across as brash and bossy, she truly does care about her friends, such as in "Holiday Special," where she is disappointed that Arnold could not come along to see The Nutcracker due to his grandmother being ill. Wanda has black hair and white skin. She wears a red vest, decorated with yellow flowers, over a short sleeve pink t-shirt with matching red pants, white socks and black Mary Jane shoes. In some of the later books, her last name is Chen, as opposed to Li (which it is on the TV series), and she has an older brother named Henry, whereas on the TV series, she only has a younger brother, William. When the class is in a problematic situation, Wanda usually cries out, "What are we gonna do? What are we gonna do? What are we gonna do?" Her other catch phrase is "Come on, you weasley wimps!"

text: The Bus[edit]

text: The bus is "very unusual" and sometimes seems to have a mind of its own. It is capable of shrinking and expanding, as well as transforming itself into many kinds of items, most commonly as robotic animals in order to blend in with the environment in safari-type field trips. When it shrinks, so do its passengers, and occasionally, when the bus returns to its normal size when something was left behind, the other item is set back to normal too ("Gets Eaten").

text: It is usually completely under Ms. Frizzle's or Liz's control, although in certain episodes the bus exhibits independent, even irrational, behavior: in "The Magic School Gets Ready, Set, Dough," the bus malfunctions and shrinks in size despite Ms. Frizzle trying to fix it. In "The Magic School Bus Holiday Special", the bus disassembles itself into raw materials (while scowling), after having done so to several other structures (though Wanda did angrily slam her fists in the bus's hood before it self-disassembled); and in "The Magic School Bus In The City", the bus, after becoming a bear, wanders off from the class into the city looking for food.

text: Its abilities are due to unspecified, magical additions, the origins of which are never fully explained, although it would appear that the new components are subtle enough to avoid attracting much attention from outsiders as the bus is often seen undergoing inspection without anyone commenting on its additions. The Bus is capable of transforming into multiple objects, ranging from a speck of pollen to a time machine to a small planet. It is interesting to note that some of the bus' technologies also have specific names. For example, the device that allows the bus to shapeshift is called the "Mesmerglober", and the device that allows it to change size is called the "Shrinkerscope", (a portable version is called the Porta-shrinker). Another device is called the Apidemonflemonjab, which is what caused the bus to malfunction in "Gets Ready, Set, Dough." Its exact function is never specified.

text: In some transformations, the bus itself comes in different colors, such as it turning green when it turned into an alligator. The dew-dinger is the device used to indicate whether the Shrinkerscope is wet, in which case it won't work. Some episodes have featured the class having to deal with problems in the Bus itself, such as a field trip to a bakery being jeopardized when the bus shrank unexpectedly, and another trip requiring the class to shrink down and travel through the bus itself after its engine was clogged by an inspector's peanut butter sandwich.

text: Relatives[edit]

text: Janet[edit]

text: Janet is Arnold's know-it-all, conceited cousin. She is very unpopular among the class, though she did manage to manipulate them into siding with her (and turning on Phoebe) when it came to naming the school mascot ("Butterfly and the Bog Beast"). Janet is so self-seeking that she usually tries to digress the class in some way to gain something for herself. She at first didn't believe Arnold's stories about his field trips until she went with the class and realizes that it's all true. She initially appeared in the book The Magic School Bus Lost in the Solar System, where it was stated she went to another school, but on the TV series, she attends a different class instead of a different school. Janet seems to be an only child, as Arnold mentions that she is his only cousin in "Butterfly and the Bog Beast."

text: She made nine appearances in the series & video games:

text:
"Gets Lost In Space"
"Butterfly and the Bog Beast"
"Gets a Bright Idea"
"Goes Upstream"
"Works Out"
"Gets Swamped"
"Sees Stars"
"Makes a Stink"
"The Magic School Bus Rides Again"

text: Dorothy Ann's family[edit]

text: The Li family[edit]

text: The Ramon family[edit]

text: The Franklins, Tennellis, Tereses, and Perlsteins[edit]

text: Tim's family[edit]

text: Others[edit]


document_title: Journey to the Center of the Earth (2008 theatrical film)

question_text: journey to the center of the earth actors names

root

text: Plot[edit]

text: Max Anderson (Jean-Michel Paré) is being pursued by a Giganotosaurus when he finds a fissure vent. When he tries to jump across, he falls while calling out his brother's name. Ten years later, Max's 13-year-old son, Sean Anderson (Josh Hutcherson), visit Max's brother, volcanologist Trevor Anderson (Brendan Fraser). In a box of items that belonged to Max is a book, Journey to the Center of the Earth by Jules Verne. Notes written by Max are found inside the book.

tag: p

text: In Trevor's volcanology laboratory, a device shows activity on Snæfell, a dormant volcano in Iceland. Trevor and Sean travel to Iceland to investigate. They try to contact Icelandic volcanologist Sigurbjörn Ásgeirsson, but instead encounter his daughter Hannah Ásgeirsson (Anita Briem) since her father had died some years earlier.[3] It turns out that Sigurbjörn and Max were both Vernians, a group of people who believe the works of Jules Verne to be fact and not fiction.

text: Hannah offers to help them climb the volcano. While the group is hiking up the volcano, a lightning storm forces them to take shelter in a cave. The cave entrance collapses, trapping them in what appears to be an abandoned mine. The trio then rides on out-of-control mine carts, in which the tracks start to branch off in three ways. Hannah and Trevor save each other from dead-ends and Sean reunites with them. They reach the bottom of a volcanic vent, but the floor of the vent breaks, and they begin to fall towards the center of the Earth. The vent eventually becomes a water slide which drops them safely into a lake in the center of the Earth, which turns out to be a completely separate world contained within the Earth.

text: The group starts seeking a way back to the surface. Along the way, they find evidence that someone had been there a hundred years ago. Trevor remarks that some instruments found are Lidenbrock's (the name of a character in the book), suggesting that another group had previously made the journey, somehow returned to the surface and recounted the tale of their adventure to Verne. They find some of Max's things as well. While Trevor and Sean are examining what they've found, Hannah finds Max's body. They bury Max on the beach of the underground ocean and Trevor reads a letter to Sean found in Max's journal. Trevor discovers that his brother died due to dehydration because of hot magma surrounding the center of the Earth.

text: Using information from Max's journal, Trevor determines that they must find a geyser that can send them to the surface before the temperature rises to 200 °F (about 93 °C). Further, they must reach the geyser within 48 hours or the water for the geyser will have evaporated. They build a raft and begin crossing the underground ocean, but soon encounter a pack of Xiphactinus. They use makeshift clubs to bat them away, then a shoal of Elasmosaurus attacks the Xiphactinus, allowing the trio to escape. The raft's sail becomes loose. Sean tries to hold on, but is blown away and separated from the two adults.

text: A little bird guides Sean towards the river. Meanwhile, Trevor and Hannah decide to take a rest, but are attacked by carnivorous plants. Hannah is captured and starts being strangled by the plants. Trevor defeats the plant that is holding Hannah by the neck, and they continue towards the geyser.

text: When they arrive at the river, Trevor calls out to Sean but gets no response. Trevor says he is going to look for Sean, but tells Hannah she should continue on to the geyser and save herself. Before he goes, Hannah kisses Trevor in case he does not return. Meanwhile, Sean has entered an arid, bone-filled land. He hears roars, looks up and sees a 80-foot  Giganotosaurus coming after him. Trevor saves him, and the dinosaur falls through the fragile floor while trying to catch them. When they get to a river, they find Hannah sailing a boat fashioned from a Tyrannosaurus skull. They sail to a volcano with magma rising in its crater, but they are too late; the water needed for the geyser has evaporated.

text: Sean notices that the crater walls are wet. Trevor hears water flowing on the other side of the walls and sees that the crater walls contain magnesium. After he uses a flare to ignite the magnesium, the resulting water-magma collision triggers the geyser, shooting them up and out of the center of the Earth through Mount Vesuvius. When they fall, they accidentally destroy some of the vines in a vineyard. To make amends with the vineyard's farmer, Sean gives the owner a diamond that he found while in the center of the Earth. Trevor sees that Sean has many more diamonds in his backpack.

text: After the adventure, Sean visits Trevor and Hannah in their new home, purchased using some of the diamonds Sean took from the cave; Trevor is also using them to fund his late brother's laboratory. Trevor hands Sean a book about another strange land, Atlantis: The Antediluvian World by Ignatius L. Donnelly, and suggests they get together during Sean's Christmas break. Sean reveals that he has brought the little bird back from the center of the Earth to keep as a pet. However, the bird happily flies away, possibly reproducing his extinct species.

text: Cast[edit]

text:
Brendan Fraser as Professor Trevor 'Trev' Anderson, a volcanologist and Sean's uncle
Josh Hutcherson as Sean Anderson, Trevor's nephew
Anita Briem as Hannah Ásgeirsson
Seth Meyers as Professor Alan Kitzens
Jean-Michel Paré as Maxwell 'Max' Anderson, Sean’s father and Trevor's brother
Jane Wheeler as Elizabeth 'Liz' Anderson, Sean's mother and Max's wife
Giancarlo Caltabiano as Leonard
Garth Gilker as Sigurbjörn Ásgeirsson

tag: ul

text: Production[edit]

text: Development and filming[edit]

text: On September 22, 2001, Walden Media announced that Eric Brevig was hired and set to direct Journey to the Center of the Earth based on the book of the same name by Jules Verne. Michael D. Weiss, Mark Levin and Jennifer Flackett wrote the script for the film. Beau Flynn and Charlotte Huggins produced the film with the budget of $60 million for release in 2008. On April 16, 2003, it was announced that Brendan Fraser, Anita Briem, Josh Hutcherson, Seth Meyers, Jean-Michel Paré, Jane Wheeler, Giancarlo Caltabiano and Garth Gilker joined the film. On 9 December 2005, it was announced that Andrew Lockington would compose the music for the film. On March 2006, development and filming of the film was completed in Canada and Iceland. On April 20, 2006, principal photography and production began. On January 2, 2007, New Line Cinema acquired distribution rights to the film. Journey to the Center of the Earth was filmed in 2006. The film transposes the novel into the present day and is mostly live action, with only the landscape and creatures supplied by computer-generated graphics.[4] The film is projected using Real D Cinema and Dolby 3D.[5]

text: Josh Hutcherson's character, Sean, is named after the professor and conservation biologist Dr. Sean Anderson.[6]

text: Release[edit]

text: Marketing[edit]

text: The first trailer was shown before screenings of Meet the Robinsons, the re-release of The Nightmare Before Christmas and the release of Beowulf, with the Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, and during the 2008 Kids' Choice Awards. Warner Bros. marketed the film like a theme park attraction.[7] However, the studio had to slightly tweak the campaign (including dropping "3D" from the title) when it became clear that the film would be shown in 3-D in far fewer theaters than anticipated.[8]

text: Theme parks[edit]

text: In May 2009, the film premiered as "Journey to the Center of the Earth 4-D" at Stone Mountain Park in Georgia.[9] It also opened in the motion simulator at Dollywood under the same name on June 12, 2009.[10] It also featured in the new 4D Cinema at the Weston Super-Mare Grand Pier in the U.K. It was also shown in Movieworld on the Gold Coast.

text: Home media[edit]

text: Journey to the Center of the Earth was released on DVD and Blu-ray on October 28, 2008, in standard 2-D format as well as a magenta / green anaglyph. It opened at #2 at the DVD sales chart, selling 843,224 units in the 1st week which translates to $13,238,617 in revenue.[11] As per the latest figures, 1,642,994 DVD units have been sold, bringing in $25,346,260 in revenue. This doesn't include Blu-ray Disc sales / DVD rentals.[11] The 2008 2-disc BD edition of the movie doesn't conform to the – only later established – Blu-ray 3D specifications, which means that this version doesn't take advantage of any dedicated 3D HDTVs, although it can be watched on 3D HDTVs,  as well as on any other TV in anaglyph 3D, by using red-cyan paper glasses (four pairs are included). A 3D Blu-ray version was released on January 17, 2012.[citation needed]

text: Reception[edit]

text: Critical response[edit]

text: The film received mixed to positive reviews. It received a 61% approval rating by Rotten Tomatoes, based on 158 reviews with an average rating of 6/10. The website's critical consensus reads, "Modern visuals and an old fashioned storyline make this family adventure/comedy a fast-paced, kitschy ride."[12] Metacritic gave the film a 57 out of 100, based on 35 reviews, indicating "mixed or average reviews."[13]Roger Ebert gave the film 2 stars out of 4. Peter Travers gave it 2.5 stars and Owen Glieberman gave it a B-.

text: Box office[edit]

text: Journey to the Center of the Earth grossed $101.7 million in the US and $139.2 million foreign sales, with a total of $242 million worldwide.[1]

text: The film opened at #3 in North America, behind Hellboy II: The Golden Army and Hancock. The film grossed $21,018,141 in 2,811 theaters in its first week of release with an average of $7,477. 57 percent of the opening gross was taken from theaters which showed the film in 3-D. In second weekend it dropped to $12,340,435 and in third to $9,717,217.[7]

text: Accolades[edit]

text:
Award
Year
Category
Result
Cast/Crew

Teen Choice Awards
2008
Choice Summer Movie: Action Adventure
Nominated

Young Artist Award
2009
Best Performance in a Feature Film – Leading Young Actor
Nominated
Josh Hutcherson

BMI Film & TV Awards
2009

Won
Andrew Lockington

World Soundtrack Awards
2009
Discovery of the Year
Nominated
Andrew Lockington

tag: table

text: International releases[edit]

text:
Brazil - July 11, 2008
Canada - July 11, 2008
Ireland - July 11, 2008
United Kingdom - July 11, 2008
United States - July 11, 2008
Chile - August 7, 2008
Singapore - August 7, 2008

text: Sequel[edit]

text: In March 2009, Walden Media announced a sequel to Journey to the Center of the Earth, Journey 2: The Mysterious Island, with Josh Hutcherson, Dwayne Johnson, Michael Caine, Luis Guzman, and Vanessa Hudgens. Jane Wheeler was replaced by Kristin Davis. Journey 2 was filmed between November 2010 and February 2011 and was released in February 2012.  Like the first film, the sequel was shot in 3D, and the script is loosely based on a Verne novel – this time The Mysterious Island.

text: Journey to the Center of the Earth: 4-D Adventure[edit]

text: Journey to the Center of the Earth 4-D Adventure is a 15-minute 4D film shown at various 4D theatres all over the world. It retells the condensed story of the film with the help of 3D projection and sensory effects, including moving seats, wind, mist and scents. Produced by SimEx-Iwerks,[14] the 4D experience premiered in 2009. Locations included Warner Bros. Movie World (2010–2012),[15] Dollywood (2009–2012),[16] Enchanted Kingdom (2009–),[17] Stone Mountain, and Rainbows End.


document_title: Wonder Woman (2017 film)

question_text: who plays ares in the wonder woman movie

text: Wonder Woman (2017 film)

text: Plot[edit]

text: In present-day Paris, Diana Prince receives a photographic plate of her during World War I, which prompts her to recall her past. The daughter of Queen Hippolyta, Diana was raised on the hidden island of Themyscira, home to the Amazonian race of warrior women created by Zeus to protect mankind. Hippolyta shares the Amazonian history with Diana, including how Ares became jealous of humanity and worked to orchestrate its destruction. When the rest of the gods of Mount Olympus attempted to stop him, Ares killed all but Zeus, who managed to hurt Ares enough to force a retreat. Zeus left the Amazons a weapon, the "Godkiller", to prepare them for Ares' return.

text: Initially forbidding Diana to train, Hippolyta agrees to allow her sister Antiope to train Diana, so long as she trains her harder than any other warrior in the army. As a young woman in 1918, Diana rescues American pilot Captain Steve Trevor after his plane crashes off Themyscira's coast. The island is soon invaded by a German cruiser pursuing Steve. The Amazons engage and kill all of the German sailors, but Antiope sacrifices herself to save Diana. Interrogated with the Lasso of Hestia, Steve reveals that a war is consuming the outside world, and that he is an Allied spy. He has stolen a notebook with valuable information from the Spanish chief chemist Isabel Maru, who is attempting to engineer a deadlier form of mustard gas under the orders of General Erich Ludendorff. Believing Ares is responsible for the war, Diana arms herself with the "Godkiller" sword, the lasso and her armor before leaving Themyscira with Steve to find and destroy Ares.

text: Arriving in London, the two deliver Maru's notebook to the Supreme War Council, including Sir Patrick Morgan, who is trying to negotiate an armistice with Germany. Diana translates Maru's notes and reveals that the Germans plan to release the deadly gas at the warfront. Although forbidden by his commanders to act, Steve, with secret funding from Sir Patrick, recruits spy Sameer, marksman Charlie, and smuggler Chief to help prevent the gas from being released. When the team reaches the Western Front in Belgium, they are halted by the enemy lines. Diana pushes alone through No Man's Land and captures the enemy trench, allowing the Allied forces to help her liberate the village of Veld. The team briefly celebrates, while Diana and Steve grow closer romantically and spend the night together.

text: The team learns a gala will be held at the nearby German High Command. Steve and Diana each infiltrate the party, he intending to locate the gas and destroy it, she intending to kill Ludendorff, believing he is Ares and that killing him will end the war. Steve stops her to avoid jeopardizing the mission; Ludendorff then unleashes the gas on Veld, killing its inhabitants. Outraged, and blaming Steve for intervening, Diana pursues Ludendorff to a base where the gas is being loaded into a bomber aircraft bound for London. Diana fights and kills Ludendorff but is confused when his death does not stop the war.

text: Sir Patrick then appears and reveals himself as Ares. He tells Diana that although he has subtly given humans ideas and inspirations, it is ultimately their decision to cause violence as they are inherently corrupt. When she tries to kill him with the Godkiller sword, he destroys it, revealing Diana is the true "Godkiller", as Zeus' daughter, but fails to persuade Diana to help him destroy humankind to restore paradise on Earth. While the two battle, the rest of Steve's team destroy Maru's laboratory. Steve pilots the bomber carrying the gas to a safe altitude and detonates it, sacrificing himself in the process. Ares attempts to harness Diana's rage and grief at Steve's death by convincing her to kill Maru, but memories of her experience with Steve cause her to decide that humans have good within them. She spares Maru and redirects Ares' lightning on him, killing him. Later, the team celebrates the end of the war. In the present day, Diana sends an email to Bruce Wayne thanking him for the photographic plate of her and Steve, and reaffirms her mission to protect the world.

text: Cast[edit]

text: Gal Gadot as Diana Prince / Wonder Woman:

text: Chris Pine as Steve Trevor:

text: Robin Wright as Antiope:

text: Danny Huston as General Erich Ludendorff:

text: David Thewlis as Sir Patrick / Ares:

text: Connie Nielsen as Hippolyta:

text: Elena Anaya as Isabel Maru / Doctor Poison:

text: Lucy Davis as Etta Candy:

text: Saïd Taghmaoui as Sameer:

text: Ewen Bremner as Charlie:

text: Eugene Brave Rock as Chief Napi:

text: Lisa Loven Kongsli as Menalippe:

text: Additionally, James Cosmo appears as Field Marshal Haig, Mayling Ng as Orana, Florence Kasumba as Acantha, Madeleine Vall Beijner as Egeria, Hayley Jane Warnes as Aella and Ann Wolfe as Artemis, all of whom are Amazons.[61][62][63][64] Dutch model Doutzen Kroes portrays the Amazon Venelia.[63] Samantha Jo was cast as Amazonian Euboea, and previously played the Kryptonina, Car-Vex, in Man of Steel.[65] Zack Snyder also makes a brief cameo appearance in the film as an unnamed soldier.[66]

text: Production[edit]

text: Background[edit]

text: Development for a live action Wonder Woman feature film began in 1996, with Ivan Reitman attached as producer and possible director.[67] In 1999 the project became attached to Jon Cohen, who adapted Wonder Woman for producer Joel Silver, with the hope that Sandra Bullock would star.[68] By 2001, Todd Alcott was hired to write the screenplay, with Silver Pictures backing the project.[69] At that time, performers such as Mariah Carey and Catherine Zeta-Jones were also rumored to be possible candidates for the role of Wonder Woman.[70] Leonard Goldberg, however, focused on Bullock[71] who said that she was approached for the role. In addition, wrestler Chyna also expressed interest. Lucy Lawless, the star of Xena: Warrior Princess, was also under consideration, though she stated that she would have been more interested if Wonder Woman was portrayed as a "flawed hero."[72] The screenplay went through various drafts written by Alcott, Cohen, Becky Johnston, and Philip Levens,[73] and by August 2003, Levens had been replaced by screenwriter Laeta Kalogridis.[74]

text: In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film,[75] with a reported salary was of $2 to $3 million.[76] Since Whedon was directing Serenity at the time, and required time to research Wonder Woman's background, he did not begin the screenplay until late 2005.[77][78][79] Early drafts of his screenplay included Steve Trevor as the narrator, a fierce battle between Diana and her mother over Trevor's welfare, and after leaving Themyscira, his need to frequently rescue a Diana rendered helpless by the modern world.[80] Whedon was not able to complete a final version of his screenplay however, and left the project in 2007.[81][82]

text: Although Whedon stated in May 2005 that he would not cast the part of Wonder Woman until he finished the script,[83] actors such as Kate Beckinsale were linked to the part.[84] A few years later in 2010 however, Whedon admitted that he did have an actress in mind for the part, stating that "Wonder Woman was basically Angelina Jolie."[80][85] A few years later in May 2017, Indie Ground Films leaked a version of Whedon's script in-progress online.[86] Some reacted negatively to it on social media in June 2017, shortly after the release of Patty Jenkins version of the film.[87][88][89][90][91] When asked about this response to his script, Jenkins said in a June 2017 interview that she has not read it and that Whedon is "in the DC universe now, and I don't think there's any reason to go there [...] It was what it was. I'm lucky that I'm the person who got to do it. But I don't see what would be beneficial about comparing what he would've done versus what I would have done."[92][93]

text: A day before Whedon's departure from Wonder Woman, Warner Bros. and Silver Pictures purchased a spec script for the film written by Matthew Jennison and Brent Strickland. Set during World War II, the script impressed executives at Silver Pictures.[82] However, Silver stated that he had purchased the script because he did not want the rights reverting; while stating the script had good ideas, Silver did not want the film to be a period piece.[94] By April 2008, Silver hired Jennison and Strickland to write a new script set in contemporary times that would not depict Wonder Woman's origin, but explore Paradise Island's history.[95] In November 2008, Beyoncé met with representatives from DC Comics and Warner Bros., to discuss her interest in portraying Wonder Woman.[96]

text: In 2010, Warner Bros. stated that a film was in development, along with films based on DC Comics superheroes the Flash and Aquaman.[97] Both Wonder Woman and Aquaman were still under consideration for solo film subjects as of June 2013.[98] DC Chief Diane Nelson said Wonder Woman "has been, since I started, one of the top three priorities for DC and for Warner Bros. We are still trying right now, but she's tricky."[99] On October 5, 2013, WB chairman Kevin Tsujihara said he wanted to get Wonder Woman in a film or on TV.[100] Shortly afterward, Paul Feig said he had pitched the studio an idea for Wonder Woman as an action-comedy film.[101][102] The studio then began to search for female directors to direct the film.[103] While Michelle MacLaren was the studio's initial choice to direct (and while she initially indicated interest),[104][105][106] she eventually left the project due to creative differences.[107]

text: Development[edit]

text: In 2015, Patty Jenkins accepted an offer to direct Wonder Woman,[108] based on a screenplay by Allan Heinberg and a story co-written by Heinberg, Zack Snyder, Geoff Johns and Jason Fuchs.[109] Of this version, Gadot stated that,

text: for a long time, people didn't know how to approach the story. When Patty and I had our creative conversations about the character, we realized that Diana can still be a normal woman, one with very high values, but still a woman. She can be sensitive. She is smart and independent and emotional. She can be confused. She can lose her confidence. She can have confidence. She is everything. She has a human heart.[5]

text: This version was conceived of as a prequel to the first live-action, theatrical appearance of Wonder Woman, in the 2016 film, Batman v Superman: Dawn of Justice,[110] placing Wonder Woman in the 1910s and World War I (a decision which differs from her comic book origins as a supporter of the Allies during World War II).[111] As for story development, Jenkins credits the stories by the character's creator William Moulton Marston in the 1940s and George Perez's seminal stories in the 1980s in which he modernized the character.[112] In addition, it follows some aspects of DC Comics' origin changes in The New 52 reboot, where Diana is the daughter of Zeus.[10][113] Jenkins cited Richard Donner's Superman as an inspiration.[114]

text: Casting[edit]

text:
"I remember when I read in the news that Wonder Woman had been cast and my heart sank [...] I'm sure we wouldn't have made the same choice. And then I started paying attention to her, and watching her and looking at her and it was just unbelievable. Frankly, I think they did a better job than I could have because I don't know that I would have scoured the earth as hard to find her [...] They were looking for all the same things I would have looked for—all the values that Wonder Woman stands for exuding from someone in an honest way, and boy did they find it [...] She shares every quality with Wonder Woman and that's no joke. It's one of those rare things. You need someone who can appear to be Wonder Woman on screen [...] Every once in a while, there's superhero casting that transcends, because that person is so authentic to the character that it becomes identified with them, like Lynda Carter or Christopher Reeve."

– Director Patty Jenkins[115] in response to the interview questions: "Let’s talk a bit about Gal. You inherited her from Zack Snyder. Was it difficult to not get to choose your own Wonder Woman?" and "What is it about Gal that makes her such a good fit?"

tag: div

text: In late 2013, Zack Snyder cast Gal Gadot in the role of Wonder Woman for the 2016 film, Batman v Superman: Dawn of Justice over Élodie Yung and Olga Kurylenko.[116][117][118][119] Some fans initially reacted to this choice by criticizing Gadot's appearance.[120] Snyder would later comment on his decision to cast Gadot, stating that he

text: tested a bunch of actresses, as you can imagine. But the thing with Gal is that she's strong, she's beautiful, and she's a kind person, which is interesting, but fierce at the same time. It's that combination of being fierce but kind at the same time that we were looking for.[121]

text: Gadot described Diana as having "the heart of a human so she can be emotional, she's curious, she's compassionate, she loves people. And then she has the powers of a goddess. She's all for good, she fights for good."[5] She also said that Diana has "many strengths and powers, but at the end of the day she's a woman with a lot of emotional intelligence".[122] As to how her character is different from her appearance in Batman v Superman: Dawn of Justice, Gadot said "We go back 100 years to when she's more naive", further explaining, "She's this young idealist. She's pure. Very different to the experienced, super-confident, grown-up woman you've seen".[123] Gadot underwent a diet and training regimen, practiced different martial arts and gained 17 pounds of muscle for the role.[124][125] Gadot was previously offered a different role (as a villain) in Man of Steel, which she declined because she was pregnant at the time; this allowed her to later be cast as Wonder Woman in the film's follow-up.[126] Gadot signed a three-picture deal.[118] She was only paid a base salary of $300,000 for the film itself.[127]

text: Chris Pine was cast as Steve Trevor,[19][128] a character he described as a "rogue-ish, cynical realist who's seen the awful brutish nature of modern civilization" and added that he is a "worldly guy, a charming guy".[129] He signed a multi-picture deal.[19] Lucy Davis' performance as Etta Candy is the first live-action cinematic portrayal of the character.[130] As well, Elena Anaya's performance as Doctor Poison is the cinematic debut of that character. Nicole Kidman was in negotiations for the role of Queen Hippolyta, but was forced to drop out due to scheduling conflicts with Big Little Lies.[131][132]

text: Filming[edit]

text: Production began on November 21, 2015,[133][134] under the working title Nightingale.[135][136] Among the film sets were Lower Halstow, Kent,[137] Australia House,[138] and the Sassi di Matera,[139] Castel del Monte[139] and Camerota[140] in Southern Italy. Matthew Jensen was the director of photography,[141] filming in the United Kingdom, France and Italy.[142] Production in London ended on March 13, 2016.[143] On March 20, 2016, filming was underway in Italy. In late April, filming took place at a museum in France, where a Wayne Enterprises truck was spotted alongside Gadot.[144] Production ended on May 9, 2016.[145] Patty Jenkins and director of photography Matt Jensen revealed that the film's look was inspired by painter John Singer Sargent.[146] Reshoots took place in November 2016, while Gadot was five months pregnant. A green cloth was placed over her stomach to edit out her pregnancy during post-production.[147]

text: To find the perfect location to shoot the Amazon island of Themyscira, the birthplace of Wonder Woman herself, the film's producers searched all over the world, finally settling on the Amalfi Coast: a stretch of coastline on the Tyrrhenian Sea, located in the Province of Salerno in Southern Italy.[148] It was chosen because most beaches in the world that sit below big cliffs disappear beneath the tide for part of every day. Production designer Aline Bonetto and her location manager Charles Somers considered 47 countries and visited several of them before they found what they were looking for. Bonetto explained that, "Italy had beautiful weather, a beautiful blue-green sea, not too much tide, not too much wave. Our effects team added some cliffs in post-production, and it was the perfect way to go".[149]

text: Post-production[edit]

text: Bill Westenhofer served as the visual effects supervisor for the film,[150] and Martin Walsh served as editor.[141]

text: Music[edit]

text: On November 3, 2016, Rupert Gregson-Williams was hired to write and compose the film's music.[151] He was joined by Evan Jolly, Tom Howe,[152] Paul Mounsey,[153] and Andrew Kawczynski,[154] who provided additional music. The soundtrack was released on CD, digital, and vinyl the same day as the film.[155]

text: Australian musician Sia sang a song for the film, titled "To Be Human", featuring English musician Labrinth. Written by Florence Welch and Rick Nowels, the track is also featured on the soundtrack.[156]

text: Additional music featured in the film are: "Another Little Drink Wouldn't Do Us Any Harm" by Clifford Grey and Nat Ayer and performed by Edgar Trevor and Cecil Cooper; "Molly O'Morgan" written by Fred Godfrey and Will Letters and performed by Ella Retford; "It's a Long Way to Tipperary" written by Jack Judge and Harry Williams; "Sous les ponts de Paris" written by Jean Rodor and Vincent Scotto and performed by Lucienne Delyle; "I'll Walk Beside You" written by Edward Lockton and Alan Murray and performed by Ewen Bremner; "Green Grow the Rushes, O" written by Robert Burns and performed by Ewen Bremner; and "Schatzwalzer Op. 4" written by Johann Strauss II and performed by the Berlin String Quartet.[157] Also features samples from the movie's soundtrack "Is She with You" from Batman v Superman: Dawn of Justice composed by Hans Zimmer and Junkie XL.

text: Release[edit]

text: Wonder Woman had its world premiere on May 25, in Los Angeles.[158] The film's London premiere, which was scheduled to take place on May 31, 2017 at the Odeon Leicester Square, was cancelled due to the 2017 Manchester Arena bombing.[159] The film had its Latin America premiere in Mexico City on May 27. It was released in most of the world, including in IMAX,[160] on June 2, 2017, after originally being scheduled for June 23.[161][162] Belgium, Singapore and South Korea received the film first, with May 31 openings.[163][164][165] On April 17, it was announced that Wonder Woman would be released in China on June 2, the same day as its North American release.[166]

text: Marketing[edit]

text: The success of the superhero television series Supergirl informed the marketing and promotion strategy used for Wonder Woman.[167] According to Time Warner chief marketing officer Kristen O'Hara, they wanted to approach the Wonder Woman marketing campaign in a light manner, similar to how they did with Supergirl. O'Hara elaborated that the modest campaign route they took for Supergirl aided in establishing a large central fanbase among women well in advance of the series, which reportedly generated 5 million female superhero fans in one week.[167] They were then able to model over time, and grow that audience leading up to the 15 months later release of Wonder Woman.[167] Though neither the film nor the series are aimed exclusively at women, the latter's campaign gave them their first opportunity to begin collecting data about female superhero fans.[167] In May 2017, a promo for Wonder Woman was released during the season finale of Supergirl, featuring a remix of the song "These Boots Are Made for Walkin'" and Supergirl (Melissa Benoist) wearing Wonder Woman's boots.[168] The promo included an appearance by Lynda Carter, star of the 1970s Wonder Woman, who plays the American president on Supergirl.[168]

text: The costs for television advertisements for Wonder Woman are higher in comparison to that of previous DCEU film Suicide Squad. Warner Bros. has spent over $3 million on advertisements for Wonder Woman, whereas they spent $2.6 million on advertisements for Suicide Squad.[169]

text: Ticket selling site Fandango reported that Wonder Woman rounded the final leg of its marketing campaign as the most anticipated blockbuster of summer 2017, according to a poll conducted by 10,000 voters, the biggest survey in company history.[170] Separately, Fandango also found that 92% of people surveyed said that they are looking forward to seeing a film that features a standalone woman superhero, and 87% wished Hollywood would make more women-led superhero films.[171]

text: In May 2017, NASCAR driver Danica Patrick drove her No. 10 car with a Wonder Woman paint scheme at the Go Bowling 400 in Kansas and at the Monster Energy Open in Charlotte.[172]

text: Home Media[edit]

text: The film was released digitally on August 29, 2017 and will be available on Blu-ray and DVD on September 19, 2017.[173]

text: Controversies[edit]

text: Bans[edit]

text: On May 31, Wonder Woman was banned in Lebanon after the Campaign to Boycott Supporters of Israel asked the Lebanese government's Ministry of Economy and Trade to block the film because its star, Gal Gadot, had served in the Israeli military.[174] The Lebanese government did not, however, ban Gadot's Fast & Furious films which did screen in Lebanon.[175][176] On June 7, Variety reported that a Tunisian court suspended the theatrical release of Wonder Woman after a lawsuit brought by the Al-Chaab party and the Tunisian Association of Young Lawyers to have the film blocked due to Gadot's Israeli citizenship, military service, and public comments in support of the Israeli military during the 2014 war in Gaza.[177] Jordan was reportedly also considering a ban of the film and suspended screenings pending a decision,[178] but on June 11, Al Bawaba reported that the government decided not to do so, as there was no legal precedent for it.[179]

text: Women-only screenings[edit]

text: Some men were unhappy with women-only screenings held at the Alamo Drafthouse Cinema in Austin, with some opponents of the gender-restricted screening stating on platforms such as Facebook that such screenings were discriminatory against men.[180][181][182]

text: A gay Albany Law School professor initiated a complaint with Austin's Equal Employment and Fair Housing Office claiming discrimination against male prospective customers and employees of the theater.[183] The chain responded with an online statement saying the event "may have created confusion—we want everybody to see this film" and announced a similar event at their Brooklyn location. Tickets sold out in less than an hour, prompting the chain to schedule additional screenings.[180] On July 18, Alamo Drafthouse proposed settlement offers of a Wonder Woman DVD to the complainants, stating "Respondent did not realize that advertising a 'women's only' screening was a violation of discrimination laws"[184]

text: Reception[edit]

text: Box office[edit]

text: As of September 13, 2017[update], Wonder Woman has grossed $410.7 million in the United States and Canada and $405.8 million in other territories for a worldwide total of $816.5 million, against a production budget of $149 million.[4] Estimates for the number the film needed to surpass internationally in order to cover its production and promotional costs and break even ranged from $300 million[185] to $460 million.[186]

text: North America[edit]

text: In May 2017, early tracking had Wonder Woman opening with $65–75 million, and possibly as high as $105 million.[187][188][189][190][185] The film opened Friday, June 2, 2017, across 4,165 theaters and made $38.7 million on its opening day, including $3.7 million in IMAX. It was the biggest single-day gross for a woman-directed film, ahead of the $35.9 million opening Friday of Catherine Hardwicke's Twilight in 2008 and the biggest opening day for a woman-led comic book superhero film, ahead of Ghost in the Shell ($7 million).[191] This included $11 million it made from Thursday previews, also the best start for a film directed by a woman, surpassing Fifty Shades of Grey's $8.6 million which was directed by Sam Taylor-Johnson, and the third biggest of the year, behind Beauty and the Beast and Guardians of the Galaxy Vol. 2. Of that, $1.5 million came from IMAX screenings.[192][193]

text: Earning a total of $103.3 million on its opening weekend, the film recorded a number of records: the biggest domestic opening of all-time for a female director (surpassing previous record holder Fifty Shades of Grey by Sam Taylor-Johnson), the biggest DC Comics release without Batman or Superman (ahead of Constantine), the sixth-biggest non-sequel comic book superhero debut ever, as well as the sixth-biggest June debut weekend.[194] Its three-day opening alone made it the highest-grossing woman-led comic book superhero film ever (surpassing Ghost in the Shell).[195] It was also the 16th superhero film to cross $100 million in its domestic box office launch.[196] About 9% ($9 million) of the opening weekend came from IMAX screenings from 343 theaters.[197] In its second week the film grossed $58.5 million, again topping the box office. It marked a 43.3% drop for its second weekend at the box office, better than the average 50–60% decline superhero films tend to see, and was a better second weekend than Batman v Superman: Dawn of Justice ($51.3 million) and Suicide Squad ($43.5 million).[198] In its third weekend it grossed $40.8 million, finishing second behind newcomer Cars 3 ($53.5 million). It was the second best third weekend ever for Warner Bros. and was nearly double what Batman v Superman ($23.3 million), Suicide Squad ($20.9 million) and Man of Steel ($20.7 million) made in their third weekends. It earned $24.9 million and $15.7 million in its fourth and fifth weekends respectively, dropping just 39% and 36% despite facing rough competition from opening films Transformers: The Last Knight and Despicable Me 3.[199] It eventually became the highest-grossing film directed by a woman, surpassing the previous records of Jennifer Yuh Nelson's Kung Fu Panda 2 and Phyllida Lloyd's Mamma Mia!.[8] By August 8, the film had garnered $400 million in ticket sales, becoming the second female-fueled film (after Disney's Beauty and the Beast), Warner Bros.' third-biggest movie (after Christopher Nolan's The Dark Knight and The Dark Knight Rises), holding the record of the highest origin superhero film; supplanting the previous record held by Spider-Man (2002) and also becoming the highest-earning film with a female director in terms of domestic earnings, surpassing Frozen (2013).[200][201]

text: International[edit]

text: Internationally, the film was released day-and-date with its North American debut in 55 markets (72% of its total release), and was projected to debut with anywhere between $92–118 million.[185] It ended up opening to $125 million, including $38 million in China, $8.5 million in Korea, $8.4 million in Mexico, $8.3 million in Brazil and $7.5 million in the UK.[202] In its second week of release, the film brought in another $60 million, including holding the top spot on France, the UK, Australia and Brazil.[203] As of June 25, 2017, the biggest markets of Wonder Woman outside North America are China (US$90 million) followed by Brazil (US$34 million), UK (US$28 million) and Australia (US$24 million). In the Philippines, it broke 2017 box office record for highest earning non-holiday opening day – earning $4.7 million and becoming the 6th most successful commercial film of all time as well overtaking the record set by Batman v Superman: Dawn of Justice.[204][205][206] The film opened in its last market, Japan, on August 25 and debuted to $3.4 million, helping the international gross cross the $400 million mark.[207]

text: Critical response[edit]

text: Wonder Woman received largely positive reviews, with some critics calling it the best film in the DC Extended Universe, and praising Jenkins' direction and the performances and chemistry of Gadot and Pine.[7][211] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 92% based on 340 reviews, with an average rating of 7.6/10. The site's critical consensus reads, "Thrilling, earnest, and buoyed by Gal Gadot's charismatic performance, Wonder Woman succeeds in spectacular fashion."[212] It is the highest-rated superhero film on the site.[213][note 1] On Metacritic, which assigns a normalized rating, the film has a score of 76 out of 100, based on 50 critics, indicating "generally favorable reviews".[214] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[215]

text: Critics commented favorably on Gadot's performance and Chris Pine's Steve Trevor.[216][217][210] Andrew Barker of Variety found the film to be more lighthearted than recent DC Comics films: "Never prone to stewing in solitude, and taking more notes from Richard Donner than from Christopher Nolan, Patty Jenkins' Wonder Woman provides a welcome respite from DC's house style of grim darkness—boisterous, earnest, sometimes sloppy, yet consistently entertaining—with star Gal Gadot proving an inspired choice for this avatar of truth, justice, and the Amazonian way."[218] Vox stated "Trevor is the superhero girlfriend comic book movies need".[219] The San Francisco Chronicle's Mick LaSalle lauded the performances of Gadot, Pine, Huston, and Thewlis, commending the film's "different perspective" and humor.[220] Richard Roeper of Chicago Sun-Times described Gadot's performance as inspirational, heroic, heartfelt and endearing and the most "real" Wonder Woman portrayal.[221]

text: A. O. Scott of The New York Times wrote that it "briskly shakes off blockbuster branding imperatives and allows itself to be something relatively rare in the modern superhero cosmos. It feels less like yet another installment in an endless sequence of apocalyptic merchandising opportunities than like ... what's the word I'm looking for? A movie. A pretty good one, too."[222] Michael Phillips of Chicago Tribune compared the film to Captain America: The First Avenger, noting that as with "the first Captain America movie over in the Marvel Comics universe, DC's Wonder Woman offers the pleasures of period re-creation for a popular audience. Jenkins and her design team make 1918-era London; war-torn Belgium; the Ottoman Empire; and other locales look freshly realized, with a strong point of view. There are scenes here of dispossessed war refugees, witnessed by an astonished and heartbroken Diana, that carry unusual gravity for a comic book adaptation."[223] Katie Erbland of IndieWire commended its thematic depth, explaining that "Wonder Woman is a war movie. Patty Jenkins' first—and we hope not last—entry into the DC Expanded Universe is primarily set during World War I, but while the feature doesn't balk at war-time violence, it's the internal battles of its compelling heroine that are most vital."[224] Alonso Duralde of TheWrap similarly felt that, "Diana's scenes of action are thrilling precisely because they're meant to stop war, not to foment it; the idea of a demi-god using love to fight war might sound goofy in the abstract, but Jenkins makes the concept work."[225] Ann Hornaday of The Washington Post praised Gadot and Pine's performances and the film's detailed plot and compared of some slow-motion action sequences to The Matrix.[226] Stephanie Zacharek of Time magazine hailed the film as a "cut above nearly all the superhero movies that have been trotted out over the past few summers" while praising Gadot's performance as "charming" and "marvelous" and commending Jenkins' direction of the film as a step forward for women in directing big-budget blockbuster films in Hollywood.[227]

text: Elise Jost of Moviepilot observed that "Gadot's take on Wonder Woman is one of those unique cases of an actor merging with their story, similar to Robert Downey Jr.'s Tony Stark. Gal Gadot is Wonder Woman, and Wonder Woman is Gal Gadot."[210] Jost praised Gadot's interpretation of Wonder Woman as the one in which Gadot "absolutely nails the character's unwaveringly positive outlook on life. She's a force of nature who believes in the greater good; her conviction that she's meant to save the world is stronger than her bullet-deflecting shield. She's genuine, she's fun, she's the warm source of energy at the heart of the movie."[210] The Federalist suggests that Wonder Woman is "a story of Jesus". "The movie is wrapped up in faux Greek mythology, true, but there's no mistaking the Christology here."[228] "Perhaps Christ in the form of a beautiful and kick-ass Amazon is all that our contemporary society can handle right now", stated M. Hudson, a Christian feminist.[228] On HuffPost cultural critic, G. Roger Denson, who regards the superhero genre as a source of contemporary "Mainstream Mythopoetics" ("the making of new yet vitally meaningful, if not symbolic, stories filled with imagery reflecting, yet also shaping and advancing, the political, legal, moral and social practices of today"), wrote that the "No Man's Land" scene "that people are crying over in theaters and raving about afterward happens to be among the most powerfully mythopoetic scenes ever filmed at the same time it is one of the oldest myths to have been utilized by artists and writers after it had been invented by early military strategists and leaders." Specifically "used by director Patty Jenkins", the scene raises "the esteem for powerful yet compassionate women as heroes and leaders to a level equal with that of men for having won over a huge and adoring popular audience around the world".[229]

text: Steve Rose in The Guardian criticized the film for failing to explore the material's potential for "patriarchy-upending subversion".[230] Peter Travers of Rolling Stone criticized the film's over-reliance on exposition: "Wonder Woman is hobbled by a slogging origin story and action that only comes in fits and starts. Just when Gadot and director Patty Jenkins...are ready to kick ass, we get backstory."[231]

text: "Gas was intended to win the war. On that much Wonder Woman is absolutely right." said David Hambling in Popular Mechanics.[232] Rachel Becker of The Verge stated that despite the scientific liberties of using a "hydrogen-based" chemical weapon as a plot device, the film succeeds in evoking real and horrifying history. "First off, mustard gas is such a horrible, terrifying weapon, it doesn't need to be made more potent. But if you were a chemist bent on raining destruction on the Allied forces, you wouldn't do it by replacing the sulfur atom in mustard gas with a hydrogen atom. You'd know that sulfur is the linchpin holding together this poisonous molecule."[233]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref.

Golden Trailer Awards
June 6, 2017
Best of Show
Wonder Woman
Won
[234]
[235]

Best Fantasy / Adventure

Best Summer 2017 Blockbuster Poster

Teen Choice Awards
August 13, 2017
Choice Action Movie
[236]
[237]
[238]

Choice Action Movie Actor
Chris Pine

Choice Action Movie Actress
Gal Gadot

Choice Movie Ship
Gal Gadot & Chris Pine
Nominated

Choice Liplock
Chris Pine & Gal Gadot

Choice Summer Movie
Wonder Woman

Choice Summer Movie Actor
Chris Pine

Choice Summer Movie Actress
Gal Gadot

Dragon Awards
September 3, 2017
Best Science Fiction or Fantasy Movie
Wonder Woman
Won
[239]

text: Sequel[edit]

text: Gadot's third appearance as Wonder Woman is to occur in the film Justice League which is scheduled to be released on November 17, 2017.[240] The film will get an IMAX release.[241]

text: While originally signed for three feature films, with Wonder Woman being her second, Gadot has extended her contract beyond that.[242] Jenkins, who was initially signed for only one film,[243] has expressed interest in returning to direct the sequel,[244] and in August 2017 Deadline.com reported she was nearing a "historic" deal to return.[245] In an interview with Variety, Geoff Johns revealed that he and Jenkins are writing the treatment for a Wonder Woman sequel and that he has a "cool idea for the second one". On July 22, 2017, at San Diego Comic Con, Warner Bros. officially announced a sequel would be released on December 13, 2019, and would be titled Wonder Woman 2.[9][246][247] On August 19, 2017, actress Geena Davis stated that she would like very much to play a role in Wonder Woman 2 and that she is in talks with Jenkins about that matter.[248] On September 11, 2017 it was reported that Jenkins officially signed the deal to return as director, with confirmation that Gadot will be returning as the titular role.[249] Days later, the studio hired Dave Callaham to co-write the film's script with Jenkins and Johns.[250]

text: Notes[edit]

text: Jump up ^ This is by an adjusted Tomatometer with at least 20 reviews each that, uses a weighted Bayesian based formula to account for the differences in ratings.

tag: ol


document_title: Army–Navy Game

question_text: where will this year's army-navy game be played

question_tokens: where will this year 's army-navy game be played

text: Army–Navy Game

text: Series history[edit]

text: Army and Navy first met on the field on November 29, 1890. They played 30 times between that date and November 26, 1927. The series has been renewed annually since 1930. The game has been held at several locations throughout its history, including Baltimore and New York City, but has most frequently been played in Philadelphia, roughly equidistant from the two academies. Historically played on the Saturday after Thanksgiving (a date on which most other major college football teams end their regular seasons), the game is now played on the second Saturday in December and is traditionally the last game of the season for both teams and the last regular-season game played in Division I FBS football. With the permanent expansion of the regular season to 12 games starting in 2006, several conference championship games joined the Army–Navy Game on its then-current date of the first weekend of December. In 2009, the game was moved from the first Saturday in December to the second Saturday; this means that it no longer conflicts with conference championship games and once again is the last non-bowl contest in college football.[5]

text: This game has inter-service "bragging rights" at stake. For much of the first half of the 20th century, both Army and Navy were often national powers, and the game occasionally had national championship implications. However, as the level of play in college football improved nationally, and became fueled by prospects of playing in the National Football League (NFL), the high academic entrance requirements, height and weight limits, and the five-year military commitment required has reduced the overall competitiveness of both academies. Since 1963, only the 1996, 2010, 2016 and 2017 games have seen both teams enter with winning records. Nonetheless, the game is considered a college football institution. It has aired nationally on radio since 1930, and has been nationally televised every year since 1945. The tradition associated with the game assures that it remains nationally broadcast to this day.

text: Arguably, one of the reasons this game has maintained its appeal is that the players are playing solely for the love of the game. Most players are required to fulfill a post-graduation active duty military commitment and, by the time this ends, many players are deemed too old to consider playing competitively again. Nevertheless, some participants in the Army–Navy Game have gone on to professional football careers. Quarterback Roger Staubach (Navy, 1965) went on to a Hall of Fame career with the Dallas Cowboys that included starting at quarterback in two Super Bowl victories including being named the Most Valuable Player of Super Bowl VI. Wide receiver and return specialist Phil McConkey (Navy, 1979) was a popular player on the New York Giants squad that won Super Bowl XXI. Running back Napoleon McCallum (Navy, 1985) was able to complete his commitment to the Navy and play for the then-Los Angeles Raiders in 1986. After satisfying his Navy commitment, he joined the Raiders full-time.

text: The game is especially emotional for the seniors, called "first classmen" by both academies, since it is typically the last competitive regular season football game they will ever play (though they sometimes play in a subsequent bowl game). During wartime the game is even more emotional, as some seniors may face combat and perhaps die after they graduate. Recognition of those who share the uniform and are deployed overseas is an important part of the day.

text: At the end of the game, both teams' almae matres are played and sung. The winning team stands alongside the losing team and faces the losing academy's students; then the losing team accompanies the winning team, facing their students.[6] This is done in a show of mutual respect and solidarity. Since the winning team's alma mater is always played last, the phrase "to sing second" has become synonymous with winning the rivalry game.

text: The rivalry between Annapolis and West Point, while friendly, is intense. The cadets live and breathe the phrase "Beat Navy!" while for midshipmen the opposite phrase, "Beat Army!" is ingrained. They have become a symbol of competitiveness, not just in the Army–Navy Game, but in the service of their country, and are often used at the close of (informal) letters by graduates of both academies. A long-standing tradition at the Army-Navy football game is to conduct a formal "prisoner exchange" as part of the pre-game activities. The prisoners are the cadets and midshipmen currently spending the semester studying at the sister academy. After the exchange, students have a brief reprieve to enjoy the game with their comrades.[7]

text: The game is the last of three contests in the annual Commander-in-Chief's Trophy series, awarded to each season's winner of the triangular series between Army, Navy, and Air Force since 1972. In years when Navy and Army have each beaten Air Force before the Army–Navy Game (1972, 1977, 1978, 1996, 2005, 2012 and 2017) the Army-Navy game has also determined whether Army or Navy would win this trophy. In years when Air Force has split its two games, the Army-Navy game determines whether the trophy is shared or won outright by the winner of the game.

text: The rivalries Army and Navy have with Air Force are much less intense than the Army–Navy rivalry, primarily due to the relative youth of the USAFA, established in 1954, and the physical distance between the USAFA and the other two schools. The Army–Air Force and Navy–Air Force games are usually played at the academies' regular home fields, although on occasion they have been held at a neutral field.

text: Navy won 14 Army-Navy games in a row from 2002 to 2015, the longest winning streak in the history of the series.[8] On December 10, 2016, Army snapped its 14-game losing streak against Navy with a 21–17 victory.

text: Venues[edit]

text: Though the game has been played 118 times, only six of those games have ever been held on the campus of either academy. Neither team has ever played at an on-campus stadium nearly large enough to accommodate the large crowds that usually attend the game, as well as the media and dignitaries. Army's Michie Stadium only seats 38,000 people, while Navy's Navy–Marine Corps Memorial Stadium only seats 34,000. The game's popularity grew enough early on that when it was revived in 1899, it was played at a neutral site, the Franklin Field in Philadelphia. Except for the 1942 and 1943 games, which were played on-campus due to World War II travel restrictions, it has been played at a neutral site every year since.

text: Traditionally, the game is played in Philadelphia, due to the historic nature of the city and the fact that it is approximately halfway between West Point and Annapolis. Additionally, Philadelphia has always had a stadium large enough to accommodate the crowds. Philadelphia's John F. Kennedy Stadium (JFK) hosted the game from 1936 to 1979 (except for three years in World War II) – more than any other venue in the history of the series. It even hosted the game for several years after the 1971 construction of nearby Veterans Stadium, which finally became the game's host in 1980. The Pennsylvania Railroad and its successors offered game-day service to all Army–Navy games (except several during World War II) at John F. Kennedy Stadium, using a sprawling temporary station constructed each year on the railroad's nearby Greenwich freight yard. The service, with 40-odd trains serving as many as 30,000 attendees, was the single largest concentrated passenger rail movement in the country.[9][10]

text: Franklin Field, on the campus of the University of Pennsylvania, hosted the game in the early twentieth century before it was moved to JFK. New York's Polo Grounds holds the record for most games hosted outside of Philadelphia. The city of Baltimore has hosted a number of games throughout the history of the series as well, even though Baltimore is closer to Annapolis.

text: The Rose Bowl is the only site west of the Mississippi River to host the Army–Navy game; it did so in 1983. The city of Pasadena, California, paid for the travel expenses of all the students and supporters of both academies – 9,437 in all.[11] A substitute, however, for Bill XXII – the Navy mascot – and four rented Army mules were brought in.[11] The attendance was 81,000.[12][13] The game was held at the Rose Bowl that year because there are a large number of military installations and servicemen and women, along with many retired military personnel, on the West Coast.[11] The game has been held one other time in a non-East Coast venue, at Chicago's Soldier Field, which played host to the 1926 game. In October 1984, the $100,000 in costs to transport the cadets and midshipmen to the California game earned the Department of Defense a "Golden Fleece Award" from United States Senator William Proxmire, a Democrat from Wisconsin.[14]

text: Currently the game is played primarily at Lincoln Financial Field in Philadelphia, the home of the Philadelphia Eagles. Since the 1980s, the game has been held roughly once every three or four years at a site other than Philadelphia. In addition to the Rose Bowl, these sites have included Giants Stadium in East Rutherford, New Jersey (replaced in 2010 by MetLife Stadium, which is scheduled to host the game for the first time in 2021), M&T Bank Stadium in Baltimore and FedExField in Landover, Maryland. These are still considered neutral-site games, but provide locations that are closer to one academy or the other.

text: Future venues[edit]

text: All games through 2020 will be held at Lincoln Financial Field in Philadelphia. MetLife Stadium in East Rutherford, New Jersey will host the 2021 game. The game will then return to Lincoln Financial Field for 2022. Games beyond 2022 have yet to be awarded.[15]

text: Total games by venue and geography[edit]

text:
Venue
Games
Army victories
Navy victories
Tie games
First game
Most recent game

John F. Kennedy Stadium (Philadelphia)
41
16
22
3
1936
1979

Franklin Field
18
11
7
0
1899
1935

Veterans Stadium
17
11
5
1
1980
2001

Lincoln Financial Field
11
1
10
0
2003
2017

Polo Grounds
9
5
3
1
1913
1927

Giants Stadium
4
1
3
0
1989
2002

M&T Bank Stadium
4
1
3
0
2000
2016

The Plain
2
0
2
0
1890
1892

Worden Field
2
1
1
0
1891
1893

Municipal Stadium (Baltimore)
2
2
0
0
1924
1944

Yankee Stadium
2
2
0
0
1930
1931

Osborne Field
1
0
0
1
1905
1905

Soldier Field
1
0
0
1
1926
1926

Thompson Stadium
1
0
1
0
1942
1942

Michie Stadium
1
0
1
0
1943
1943

Rose Bowl
1
0
1
0
1983
1983

FedExField
1
0
1
0
2011
2011

text:
City
Games
Army victories
Navy victories
Tie games
First game
Most recent game

Philadelphia
87
39
44
4
1899
2017

New York City
11
7
3
1
1913
1931

Baltimore
6
3
3
0
1924
2016

East Rutherford, New Jersey
4
1
3
0
1989
2002

West Point, New York
3
0
3
0
1890
1943

Annapolis, Maryland
3
1
2
0
1891
1942

Princeton, New Jersey
1
0
0
1
1905
1905

Chicago
1
0
0
1
1926
1926

Pasadena, California
1
0
1
0
1983
1983

Landover, Maryland
1
0
1
0
2011
2011

text:
State
Games
Army victories
Navy victories
Tie games
First game
Most recent game

Pennsylvania
87
39
44
4
1899
2017

New York
14
7
6
1
1890
1943

Maryland
10
4
6
0
1891
2016

New Jersey
5
1
3
1
1905
2002

Illinois
1
0
0
1
1926
1926

California
1
0
1
0
1983
1983

text:
CSA
Games
Army victories
Navy victories
Tie games
First game
Most recent game

Philadelphia–Reading–Camden, PA–NJ–DE–MD
87
39
44
4
1899
2017

New York–Newark, NY–NJ–CT–PA
19
8
9
2
1890
2002

Washington–Baltimore–Arlington, DC–MD–VA–WV–PA
10
4
6
0
1891
2016

Chicago–Naperville, IL–IN–WI
1
0
0
1
1926
1926

Los Angeles–Long Beach, CA
1
0
1
0
1983
1983

text: Game results[edit]

text:
Army victories
Navy victories
Ties

text:
Year
Winner
Score
Location
City
Series

1890
Navy
24–0
"The Plain" USMA
West Point, New York
Navy 1–0

1891
Army
32–16
Worden Field USNA
Annapolis, Maryland
Tied 1–1

1892
Navy
12–4
"The Plain"
West Point, New York
Navy 2–1

1893
Navy
6–4
Worden Field
Annapolis, Maryland
Navy 3–1

1899
Army
17–5
Franklin Field
Philadelphia
Navy 3–2

1900
Navy
11–7
Franklin Field
Philadelphia
Navy 4–2

1901
Army
11–5
Franklin Field
Philadelphia
Navy 4–3

1902
Army
22–8
Franklin Field
Philadelphia
Tied 4–4

1903
Army
40–5
Franklin Field
Philadelphia
Army 5–4

1904
Army
11–0
Franklin Field
Philadelphia
Army 6–4

1905
Tie
6–6
Osborne Field
Princeton, New Jersey
Army 6–4–1

1906
Navy
10–0
Franklin Field
Philadelphia
Army 6–5–1

1907
Navy
6–0
Franklin Field
Philadelphia
Tied 6–6–1

1908
Army
6–4
Franklin Field
Philadelphia
Army 7–6–1

1910
Navy
3–0
Franklin Field
Philadelphia
Tied 7–7–1

1911
Navy
3–0
Franklin Field
Philadelphia
Navy 8–7–1

1912
Navy
6–0
Franklin Field
Philadelphia
Navy 9–7–1

1913
Army
22–9
Polo Grounds
New York
Navy 9–8–1

1914
Army
20–0
Franklin Field
Philadelphia
Tied 9–9–1

1915
Army
14–0
Polo Grounds
New York
Army 10–9–1

1916
Army
15–7
Polo Grounds
New York
Army 11–9–1

1919
Navy
6–0
Polo Grounds
New York
Army 11–10–1

1920
Navy
7–0
Polo Grounds
New York
Tied 11–11–1

1921
Navy
7–0
Polo Grounds
New York
Navy 12–11–1

1922
Army
17–14
Franklin Field
Philadelphia
Tied 12–12–1

1923
Tie
0–0
Polo Grounds
New York
Tied 12–12–2

1924
Army
12–0
Municipal Stadium
Baltimore
Army 13–12–2

1925
Army
10–3
Polo Grounds
New York
Army 14–12–2

1926
Tie
21–21
Soldier Field
Chicago
Army 14–12–3

1927
Army
14–9
Polo Grounds
New York
Army 15–12–3

1930
Army
6–0
Yankee Stadium
Bronx, New York
Army 16–12–3

1931
Army
17–7
Yankee Stadium
Bronx, New York
Army 17–12–3

1932
Army
20–0
Franklin Field
Philadelphia
Army 18–12–3

1933
Army
12–7
Franklin Field
Philadelphia
Army 19–12–3

1934
Navy
3–0
Franklin Field
Philadelphia
Army 19–13–3

1935
Army
28–6
Franklin Field
Philadelphia
Army 20–13–3

1936
Navy
7–0
Municipal Stadium
Philadelphia
Army 20–14–3

1937
Army
6–0
Municipal Stadium
Philadelphia
Army 21–14–3

1938
Army
14–7
Municipal Stadium
Philadelphia
Army 22–14–3

1939
Navy
10–0
Municipal Stadium
Philadelphia
Army 22–15–3

1940
Navy
14–0
Municipal Stadium
Philadelphia
Army 22–16–3

1941
#11 Navy
14–6
Municipal Stadium
Philadelphia
Army 22–17–3

1942
Navy
14–0
Thompson Stadium
Annapolis, Maryland
Army 22–18–3

1943
#6 Navy
13–0
Michie Stadium
West Point, New York
Army 22–19–3

1944
#1 Army
23–7
Municipal Stadium
Baltimore
Army 23–19–3

1945
#1 Army
32–13
Municipal Stadium
Philadelphia
Army 24–19–3

1946
#1 Army
21–18
Municipal Stadium
Philadelphia
Army 25–19–3

1947
#12 Army
21–0
Municipal Stadium
Philadelphia
Army 26–19–3

1948
Tie
21–21
Municipal Stadium
Philadelphia
Army 26–19–4

1949
#4 Army
38–0
Municipal Stadium
Philadelphia
Army 27–19–4

1950
Navy
14–2
Municipal Stadium
Philadelphia
Army 27–20–4

1951
Navy
42–7
Municipal Stadium
Philadelphia
Army 27–21–4

1952
Navy
7–0
Municipal Stadium
Philadelphia
Army 27–22–4

1953
#18 Army
20–7
Municipal Stadium
Philadelphia
Army 28–22–4

1954
#6 Navy
27–20
Municipal Stadium
Philadelphia
Army 28–23–4

1955
Army
14–6
Municipal Stadium
Philadelphia
Army 29–23–4

1956
Tie
7–7
Municipal Stadium
Philadelphia
Army 29–23–5

1957
#8 Navy
14–0
Municipal Stadium
Philadelphia
Army 29–24–5

1958
#5 Army
22–6
Municipal Stadium
Philadelphia
Army 30–24–5

1959
Navy
43–12
Municipal Stadium
Philadelphia
Army 30–25–5

1960
#7 Navy
17–12
Philadelphia Stadium
Philadelphia
Army 30–26–5

1961
Navy
13–7
Philadelphia Stadium
Philadelphia
Army 30–27–5

1962
Navy
34–14
Philadelphia Stadium
Philadelphia
Army 30–28–5

1963
#2 Navy
21–15
Philadelphia Stadium
Philadelphia
Army 30–29–5

1964
Army
11–8
John F. Kennedy Stadium
Philadelphia
Army 31–29–5

1965
Tie
7–7
John F. Kennedy Stadium
Philadelphia
Army 31–29–6

1966
Army
20–7
John F. Kennedy Stadium
Philadelphia
Army 32–29–6

1967
Navy
19–14
John F. Kennedy Stadium
Philadelphia
Army 32–30–6

1968
Army
21–14
John F. Kennedy Stadium
Philadelphia
Army 33–30–6

1969
Army
27–0
John F. Kennedy Stadium
Philadelphia
Army 34–30–6

1970
Navy
11–7
John F. Kennedy Stadium
Philadelphia
Army 34–31–6

1971
Army
24–23
John F. Kennedy Stadium
Philadelphia
Army 35–31–6

1972
Army
23–15
John F. Kennedy Stadium
Philadelphia
Army 36–31–6

1973
Navy
51–0
John F. Kennedy Stadium
Philadelphia
Army 36–32–6

1974
Navy
19–0
John F. Kennedy Stadium
Philadelphia
Army 36–33–6

1975
Navy
30–6
John F. Kennedy Stadium
Philadelphia
Army 36–34–6

1976
Navy
38–10
John F. Kennedy Stadium
Philadelphia
Army 36–35–6

1977
Army
17–14
John F. Kennedy Stadium
Philadelphia
Army 37–35–6

1978
Navy
28–0
John F. Kennedy Stadium
Philadelphia
Army 37–36–6

1979
Navy
31–7
John F. Kennedy Stadium
Philadelphia
Tied 37–37–6

1980
Navy
33–6
Veterans Stadium
Philadelphia
Navy 38–37–6

1981
Tie
3–3
Veterans Stadium
Philadelphia
Navy 38–37–7

1982
Navy
24–7
Veterans Stadium
Philadelphia
Navy 39–37–7

1983
Navy
42–13
Rose Bowl
Pasadena, California
Navy 40–37–7

1984
Army
28–11
Veterans Stadium
Philadelphia
Navy 40–38–7

1985
Navy
17–7
Veterans Stadium
Philadelphia
Navy 41–38–7

1986
Army
27–7
Veterans Stadium
Philadelphia
Navy 41–39–7

1987
Army
17–3
Veterans Stadium
Philadelphia
Navy 41–40–7

1988
Army
20–15
Veterans Stadium
Philadelphia
Tied 41–41–7

1989
Navy
19–17
Giants Stadium
East Rutherford, New Jersey
Navy 42–41–7

1990
Army
30–20
Veterans Stadium
Philadelphia
Tied 42–42–7

1991
Navy
24–3
Veterans Stadium
Philadelphia
Navy 43–42–7

1992
Army
25–24
Veterans Stadium
Philadelphia
Tied 43–43–7

1993
Army
16–14
Giants Stadium
East Rutherford, New Jersey
Army 44–43–7

1994
Army
22–20
Veterans Stadium
Philadelphia
Army 45–43–7

1995
Army
14–13
Veterans Stadium
Philadelphia
Army 46–43–7

1996
#23 Army
28–24
Veterans Stadium
Philadelphia
Army 47–43–7

1997
Navy
39–7
Giants Stadium
East Rutherford, New Jersey
Army 47–44–7

1998
Army
34–30
Veterans Stadium
Philadelphia
Army 48–44–7

1999
Navy
19–9
Veterans Stadium
Philadelphia
Army 48–45–7

2000
Navy
30–28
PSINet Stadium
Baltimore
Army 48–46–7

2001
Army
26–17
Veterans Stadium
Philadelphia
Army 49–46–7

2002
Navy
58–12
Giants Stadium
East Rutherford, New Jersey
Army 49–47–7

2003
Navy
34–6
Lincoln Financial Field
Philadelphia
Army 49–48–7

2004
Navy
42–13
Lincoln Financial Field
Philadelphia
Tied 49–49–7

2005
Navy
42–23
Lincoln Financial Field
Philadelphia
Navy 50–49–7

2006
Navy
26–14
Lincoln Financial Field
Philadelphia
Navy 51–49–7

2007
Navy
38–3
M&T Bank Stadium
Baltimore
Navy 52–49–7

2008
Navy
34–0
Lincoln Financial Field
Philadelphia
Navy 53–49–7

2009
Navy
17–3
Lincoln Financial Field
Philadelphia
Navy 54–49–7

2010
Navy
31–17
Lincoln Financial Field
Philadelphia
Navy 55–49–7

2011
Navy
27–21
FedExField
Landover, Maryland
Navy 56–49–7

2012
Navy
17–13
Lincoln Financial Field
Philadelphia
Navy 57–49–7

2013
Navy
34–7
Lincoln Financial Field
Philadelphia
Navy 58–49–7

2014
Navy
17–10
M&T Bank Stadium
Baltimore
Navy 59–49–7

2015
#21 Navy
21–17
Lincoln Financial Field
Philadelphia
Navy 60–49–7

2016
Army
21–17
M&T Bank Stadium
Baltimore
Navy 60–50–7

2017
Army
14–13
Lincoln Financial Field
Philadelphia
Navy 60–51–7

2018

Lincoln Financial Field
Philadelphia

2019

Lincoln Financial Field
Philadelphia

2020

Lincoln Financial Field
Philadelphia

2021

MetLife Stadium
East Rutherford, New Jersey

2022

Lincoln Financial Field
Philadelphia

text: Notable games[edit]

text: Navy Midshipman (and later Admiral) Joseph Mason Reeves wore what is widely regarded as the first football helmet in the 1893 Army–Navy Game. He had been advised by a Navy doctor that another kick to his head would result in intellectual disability or even death, so he commissioned an Annapolis shoemaker to make him a helmet out of leather.[16]

text: On November 27, 1926, the Army–Navy Game was held in Chicago for the National Dedication of Soldier Field as a monument to American servicemen who had fought in World War I. Navy came to the game undefeated, while West Point had only lost to Notre Dame, so the game would decide the National Championship. Played before a crowd of over 100,000, the teams fought to a 21–21 tie, but Navy was awarded the national championship.[17]

text: In both the 1944 and 1945 contests, Army and Navy entered the game ranked #1 and #2 respectively.[18] The 1945 game was labeled the "game of the century" before it was played. Army defeated a 7–0–1 Navy team 32–13. Navy's lone tie was against Notre Dame.[19]

text: In 1963, shortly after the assassination of President John F. Kennedy, Jacqueline Kennedy urged the academies to play after there had been talk of cancellation. Originally scheduled for November 30, 1963, the game was played on December 7, 1963 also coinciding with the 22nd anniversary of Pearl Harbor Day.[20] In front of a crowd of 102,000 people in Philadelphia's Municipal Stadium, later named John F. Kennedy Stadium, junior (second class Midshipman) quarterback Roger Staubach led number two ranked Navy to victory which clinched a Cotton Bowl national championship matchup with Texas played on January 1, 1964. Army was led by junior (second class Cadet) quarterback Rollie Stichweh. Stichweh led off the game with a touchdown drive that featured the first use of instant replay on television. Army nearly won the game after another touchdown and two point conversion, Stichweh recovered the onside kick and drove the ball to the Navy 2 yard line. On 4th down and no timeouts, crowd noise prevented Stichweh from calling a play and time expired with the 21–15 final score. Staubach won the Heisman Trophy that year and was bumped off the scheduled cover of Life magazine due to the coverage of the assassination. Stichweh and Staubach would meet again in 1964 as First Class where Stichweh's Army would defeat Staubach's Navy. Staubach went on to serve in the Navy and afterward became a Pro Football Hall of Fame quarterback with the Dallas Cowboys. Stichweh served five years in Vietnam with the 173rd Airborne Brigade. Stichweh was inducted into the Army Sports Hall of Fame in 2012.[21][22]

text: On December 10, 2016, Army beat Navy 21–17, snapping Navy's 14-year winning streak. This followed the death earlier in the season of Brandon Jackson, a defensive back from the Army side who died in a car accident on September 11, 2016.[23] Army players wore Jackson's number 28 on their uniforms in remembrance of their late teammate.[24]


document_title: Age of marriage in the United States

question_text: what age can you get married in pennsylvania

text: Age of marriage in the United States

text: Unlike most Western countries, half of the US states do not have a legal minimum age of marriage. While in most US states, individuals age 18 have a right to marriage (with two exceptions—Nebraska (19) and Mississippi (21)), all states allow minors to marry in certain circumstances, such as parental consent, judicial consent, pregnancy, or a combination of these situations. Most states allow parties aged 16 and 17 to marry with parental consent alone. In most states, children under 16 can be married too. In the 25 states [1] which have an absolute minimum age set by statute, this age varies between 13 and 17, while in 25 states there is no statutory minimum age if other legal conditions are met. Although in such states there is no set minimum age by statute, the traditional common law minimum age is 14 for boys and 12 for girls - ages which have been confirmed by case law in some states.[2] Over the past 15 years, more than 200,000 minors married in US, and in Tennessee girls as young as 10 were married in 2001.[3]

text:
State
Minimum age
Notes

Statutory age when all exceptions are taken into account[2]
General age

 Alabama[4]
16
18

 Alaska[5]
14
18

 Arizona[6]
none
18
No minimum age with approval of a superior court judge and parental consent.

 Arkansas[5]
none
18

 California[7]
none
18
No minimum age with approval of a superior court judge and parental consent.

 Colorado[5][8][9]
none
18
No minimum age with judicial approval and parental consent.

 Connecticut[10]
16
18
Since 2017, the minimum age is 16 with parental and judicial consent.[10]

 Delaware[5]
none
18

 District of Columbia[5]
16
18

 Florida[5]
none
18
No minimum age in case of pregnancy[11]

 Georgia[5]
16
18

 Hawaii[5]
15
18
15 with parental or judicial consent.

 Idaho[5]
none
18

 Illinois[5]
16
18

 Indiana[12]
15
18
15 in the case of pregnancy with both parental and judicial consent.

 Iowa[5]
16
18

 Kansas[5]
15
18

 Kentucky[5]
none
18

 Louisiana[5]
none
18

 Maine[5]
none
18

 Maryland[5]
15
18

 Massachusetts[5]
none[13]
18
Consent can be just judicial, but is normally both parental and judicial. In the absence of any statutory minimum age, one opinion is that the traditional minimum common law marriageable age of 12 for girls and 14 for boys may still be in effect.[14][15]

 Michigan[citation needed][16]
none
18
16 with parental consent

 Minnesota[5]
16
18

 Mississippi
none
21
females 15–21 and males 17–21 can marry with parental consent alone[17]

 Missouri[5]
none
18
Parental consent required for ages 15–17. Judicial consent required below age 15.

 Montana[5]
16
18

 Nebraska[5]
17
19

 Nevada[5]
none
18

 New Hampshire[18]
13 for females, 14 for males
18
In cases of "special cause" with parental consent and court permission.

 New Jersey[citation needed]
none
18
16 with parental consent and in case of pregnancy.

 New Mexico[5]
none
18

 New York[19]
17
18
Since 2017, the minimum age is 17 with parental and judicial consent.

 North Carolina
14
18

  North Dakota[5]
14
18
14 With parental consent

 Ohio[20]
none
18
18 for males regardless of parental consent. 16 for females with parental consent, 18 for females without parental consent.[20]

 Oklahoma[5]
none
18

 Oregon[5]
17
18
Consenting parent or guardian must accompany the applicant when applying for the marriage license.

 Pennsylvania[citation needed]
none
18
Under 16 years of age if a Judge of the Orphans Court "decides that it is to the best interest of the applicant and authorizes the issuance of the license."[21]

 Rhode Island[5]
none
18

 South Carolina[5]
16
18

 South Dakota[5]
16
18

 Tennessee[5]
none
18

 Texas[22]
16
18
Since 2017, the minimum age is 18, however emancipated minors aged 16–17 have an exemption to legally marry.[23][24][25]

 Utah[26]
15
18
15 with court approval and parental consent.

 Vermont[5]
16
18

 Virginia
16
18
In 2016, VA made 18 the minimum age; and 16 with court approval in special cases[27][28]

 Washington[5]
none
18
May be waived by superior court judge.[29]

 West Virginia[5]
none
18
No minimum with both parental and judicial consent

 Wisconsin[5]
16
18

 Wyoming[5]
none
18