document_title: History of Washington, D.C.

question_text: where did the us locate the first national government

question_tokens: where did the us locate the first national government

text: History of Washington, D.C.

text: Early settlement[edit]

text: Archaeological evidence indicates Native Americans settled in the area at least 4,000 years ago, around the Anacostia River.[2] Early European exploration of the region took place early in the 17th century, including explorations by Captain John Smith in 1608.[3] At the time, the Patawomeck (loosely affiliated with the Powhatan) and the Doeg lived on the Virginia side, as well as on Theodore Roosevelt Island, while the Piscataway (also known as Conoy) tribe of Algonquians resided on the Maryland side.[4] Native inhabitants within the present-day District of Columbia included the Nacotchtank, at Anacostia, who were affiliated with the Conoy.[5] Another village was located between Little Falls and Georgetown,[4] and English fur trader Henry Fleet documented a Nacotchtank village called Tohoga on the site of present-day Georgetown.[6]

text: The first colonial landowners in the present-day District of Columbia were George Thompson and Thomas Gerrard, who were granted the Blue Plains tract in 1662, along with Saint Elizabeth, and other tracts in Anacostia, Capitol Hill, and other areas down to the Potomac River in the following years. Thompson sold his Capitol Hill properties in 1670, including Duddington Manor, to Thomas Notley; The Duddington property was handed down over the generations to Daniel Carroll, of Duddington.[7] As European settlers arrived, they clashed with the Native Americans over grazing rights. In 1697, Maryland authorities built a fort within what is now the District of Columbia. In that same year, the Conoy relocated to the west, near what is now The Plains, Virginia, and in 1699 they moved again, to Conoy Island near Point of Rocks, Maryland.[8][9]

text: Georgetown was established in 1751 when the Maryland legislature purchased sixty acres of land for the town from George Gordon and George Beall at the price of £280,[10] while Alexandria, Virginia was founded in 1749. Situated on the fall line, Georgetown was the farthest point upstream to which oceangoing boats could navigate the Potomac River. The strong flow of the Potomac kept a navigable channel clear year-round; and, the daily tidal lift of the Chesapeake Bay, raised the Potomac's elevation in its lower reach; such that fully laden ocean-going ships could navigate easily, all the way to the Bay. Gordon had constructed a tobacco inspection house along the Potomac in approximately 1745. Warehouses, wharves, and other buildings were added, and the settlement rapidly grew. The Old Stone House, located in Georgetown, was built in 1765 and is the oldest standing building in the District. It did not take long before Georgetown grew into a thriving port, facilitating trade and shipments of tobacco and other goods from colonial Maryland.[11] With the economic and population growth of Georgetown came also the founding of Georgetown University in 1789, at its founding drawing students from as far away as the West Indies.[12]

text: Founding[edit]

text: Establishment[edit]

text: The United States capital was originally located in Philadelphia, beginning with the First and Second Continental Congress, followed by the Congress of the Confederation upon gaining independence. In June 1783, a mob of angry soldiers converged upon Independence Hall to demand payment for their service during the American Revolutionary War. Congress requested that John Dickinson, the governor of Pennsylvania, call up the militia to defend Congress from attacks by the protesters. In what became known as the Pennsylvania Mutiny of 1783, Dickinson sympathized with the protesters and refused to remove them from Philadelphia. As a result, Congress was forced to flee to Princeton, New Jersey, on June 21, 1783.[13] Dickinson's failure to protect the institutions of the national government was discussed at the Philadelphia Convention in 1787[citation needed]. The delegates therefore agreed in Article One, Section 8, of the United States Constitution to give the Congress the power:

text: To exercise exclusive Legislation in all Cases whatsoever, over such District (not exceeding ten Miles square) as may, by Cession of Particular States, and the Acceptance of Congress, become the Seat of the Government of the United States, and to exercise like Authority over all Places purchased by the Consent of the Legislature of the State in which the Same shall be, for the Erection of Forts, Magazines, Arsenals, dock-Yards and other needful Buildings;[14]

text: James Madison, writing in Federalist No. 43, also argued that the national capital needed to be distinct from the states, in order to provide for its own maintenance and safety.[15] The Constitution, however, does not select a specific site for the location of the new District. Proposals from the legislatures of Maryland, New Jersey, New York, and Virginia all offered territory for the location of the national capital. Northern states preferred a capital located in one of the nation's prominent cities, unsurprisingly, almost all of which were in the north. Conversely, Southern states preferred that the capital be located closer to their agricultural and slave-holding interests.[16] The selection of the area around the Potomac River, which was the boundary between Maryland and Virginia, both slave states, was agreed upon between James Madison, Thomas Jefferson, and Alexander Hamilton. Hamilton had a proposal for the new federal government to take over debts accrued by the states during the Revolutionary War. However, by 1790, Southern states had largely repaid their overseas debts. Hamilton's proposal would require Southern states to assume a share of Northern debt. Jefferson and Madison agreed to this proposal and in return secured a Southern location for the federal capital.[17]

text: On December 23, 1788, the Maryland General Assembly passed an act, allowing it to cede land for the federal district. The Virginia General Assembly followed suit on December 3, 1789.[18] The signing of the federal Residence Act on July 16, 1790, mandated that the site for the permanent seat of government, "not exceeding ten miles square" (100 square miles), be located on the "river Potomack, at some place between the mouths of the Eastern-Branch and Connogochegue".[19][[20] The "Eastern-Branch" is known today as the Anacostia River. The Connogocheque (Conococheague Creek) empties into the Potomac River upstream near Williamsport and Hagerstown, Maryland. The Residence Act limited to the Maryland side of the Potomac River the location of land that commissioners appointed by the President could acquire for federal use.[19]

text: The Residence Act authorized the President to select the actual location of the site.[19] However, President George Washington wished to include the town of Alexandria, Virginia within the federal district. To accomplish this, the boundaries of the federal district would need to encompass an area on the Potomac that was downstream of the mouth of the Eastern Branch.

text: The U.S. Congress amended the Residence Act in 1791 to permit Alexandria's inclusion in the federal district. However, some members of Congress had recognized that Washington and his family owned property in and near Alexandria, which was just seven miles (11 km) upstream from Mount Vernon, Washington's home and plantation. The amendment therefore contained a provision that prohibited the "erection of the public buildings otherwise than on the Maryland side of the river Potomac".[21][22]

text: The final site was just below the fall line on the Potomac, the furthest inland point navigable by boats (see: Atlantic Seaboard fall line). It included the ports of Georgetown and Alexandria. The process of establishing the federal district, however, faced other challenges in the form of strong objections from landowners such as David Burns who owned a large, 650-acre (260 ha) tract of land in the heart of the district.[21] On March 30, 1791, Burns and eighteen other key landowners relented and signed an agreement with Washington, where they would be compensated for any land taken for public use, half of remaining land would be distributed among the proprietors, and the other half to the public.[21]

text: Pursuant to the Residence Act, President Washington appointed three commissioners (Thomas Johnson, Daniel Carroll, and David Stuart) in 1791 to supervise the planning, design and acquisition of property in the federal district and capital city.[18] In September 1791, the three commissioners agreed to name the federal district as "The Territory of Columbia," and the federal city as the "City of Washington."[23][24]

text: On March 30, 1791, Washington issued a presidential proclamation that established "Jones's point, the upper cape of Hunting Creek in Virginia" as the starting point for the federal district's boundary survey. The proclamation also described the method by which the survey should determine the district's boundaries.[25] Working under the general supervision of the three commissioners and at the direction of President Washington, Major Andrew Ellicott, assisted by his brothers Benjamin and Joseph Ellicott, Isaac Roberdeau, Isaac Briggs, George Fenwick, and an African American astronomer, Benjamin Banneker, then proceeded to survey the borders of the Territory of Columbia with Virginia and Maryland during 1791 and 1792.[26]

text: The survey team enclosed within a square an area containing the full 100 square miles (260 km2) that the Residence Act had authorized. Each side of the square was 10 miles (16 km) long. The axes between the corners of the square ran north–south and east–west.[27] The center of the square is within the grounds of the Organization of American States headquarters west of the Ellipse.[28]

text: The survey team placed sandstone boundary markers at or near every mile point along the sides of the square (see: Boundary Markers of the Original District of Columbia). Many of these markers still remain. The south cornerstone is at Jones Point.[29] The west cornerstone is at the west corner of Arlington County, Virginia.[30] The north cornerstone is south of East-West Highway near Silver Spring, Maryland, west of 16th Street.[31] The east cornerstone is east of the intersection of Southern Avenue and Eastern Avenue.[32]

text: On January 1, 1793, Andrew Ellicott submitted to the commissioners a report that stated that the boundary survey had been completed and that all of the boundary marker stones had been set in place. Ellicott's report described the marker stones and contained a map that showed the boundaries and topographical features of the Territory of Columbia, The map identified the locations within the Territory of the planned City of Washington and its major streets, as well as the location of each boundary marker stone.[27][33]

text: Plan of the City of Washington[edit]

text: In early 1791, President Washington appointed Pierre (Peter) Charles L'Enfant to devise a plan for the new city in an area of land at the center of the federal territory that lay between the northeast shore of the Potomac River and the northwest shore of the Potomac's Eastern Branch.[34][36] L'Enfant then designed in his "Plan of the city intended for the permanent seat of the government of the United States..." the city's first layout, a grid centered on the United States Capitol, which would stand at the top of a hill (Jenkins Hill) on a longitude designated as 0,0°. The grid filled an area bounded by the Potomac River, the Eastern Branch (now named the Anacostia River), the base of an escarpment at the Atlantic Seaboard Fall Line along which a street (initially Boundary Street, now Florida Avenue) would later travel, and Rock Creek.[34][36][37][38][39]

text: North-south and east-west streets formed the grid. Wider diagonal "grand avenues" later named after the states of the union crossed the grid. Where these "grand avenues" crossed each other, L'Enfant placed open spaces in circles and plazas that were later named after notable Americans.

text: L'Enfant's broadest "grand avenue" was a 400-foot-wide (122 m) garden-lined esplanade, which he expected to travel for about 1 mile (1.6 km) along an east–west axis in the center of an area that the National Mall now occupies.[34] A narrower avenue (Pennsylvania Avenue) connected the "Congress house" (the Capitol) with the "President's house" (the White House).[34] In time, Pennsylvania Avenue developed into the capital city's present "grand avenue".

text: L'Enfant's plan included a system of canals, one of which would travel near the western side of the Capitol at the base of Jenkins Hill.[34] To be filled in part by the waters of Tiber Creek, the canal system would traverse the center of the city and would enter both the Potomac River and the Eastern Branch.

text: On June 22, L'Enfant presented his first plan for the federal city to President.[40][41][42] On August 19, he appended a new map to a letter that he sent to the President.[37][41]

text: President Washington retained one of L'Enfant's plans, showed it to Congress, and later gave it to the three Commissioners.[36][43] The survey map may be one that L'Enfant appended to his August 19 letter to the President.[44]

text: L'Enfant subsequently entered into a number of conflicts with the three commissioners and others involved in the enterprise. During a contentious period in February 1792, Andrew Ellicott, who had been conducting the original boundary survey of the future District of Columbia (see: Boundary Stones (District of Columbia)) and the survey of the federal city under the direction of the Commissioners, informed the Commissioners that L'Enfant had not been able to have the city plan engraved and had refused to provide him with the original plan (of which L'Enfant had prepared several versions).[45][46][47][48]

text: Ellicott, with the aid of his brother, Benjamin Ellicott, then revised the plan, despite L'Enfant's protests.[45][46][47][49] Some of Ellicott's revisions, such as the straightening of the longer avenues, created minor changes to the city's layout, including the removal of Square No. 15 from L'Enfant's original plan.

text: Ellicott stated in his letters that, although he was refused the original plan, he was familiar with L'Enfant's system and had many notes of the surveys that he had made himself. It is therefore possible that Ellicott recreated the plan.[50]

text: Shortly thereafter, Washington dismissed L'Enfant. Ellicott gave the first version of his own plan to James Thakara and John Vallance of Philadelphia, who engraved, printed and published it. This version, printed in March 1792, was the first Washington city plan that received wide circulation.[51]

text: After L'Enfant departed, Ellicott continued the city survey in accordance with his revised plan, several larger and more detailed versions of which were also engraved, published and distributed. As a result, Ellicott's revisions became the basis for the capital city's future development.[45][46][52][53][54][55]

text: In 1800, the seat of government was finally moved to the new city, and on February 27, 1801, the District of Columbia Organic Act of 1801 placed the District under the jurisdiction of Congress. The act also organized the unincorporated territory within the District into two counties: the County of Washington on the northeast bank of the Potomac, and the County of Alexandria on the southwest bank. On May 3, 1802, the City of Washington was granted a municipal government consisting of a mayor appointed by the President of the United States.

text: 19th century[edit]

text: Economic development[edit]

text: The District of Columbia relied on Congress for support for capital improvements and economic development initiatives.[56] However, Congress lacked loyalty to the city's residents and was reluctant to provide support.[56] Congress did provide funding for the Washington City Canal in 1809, after earlier private financing efforts were unsuccessful. Construction began in 1810 and the canal opened in late 1815, connecting the Anacostia River with Tiber Creek.[57]

text: Construction of the Chesapeake and Ohio Canal (C&O) began in Georgetown in 1828. Construction westward through Maryland proceeded slowly. The first section, from Georgetown to Seneca, Maryland, opened in 1831.[58] In 1833 an extension was built from Georgetown eastward, connecting to the City Canal. The C&O reached Cumberland, Maryland in 1850, although by that time it was obsolete as the Baltimore and Ohio Railroad (B&O) had arrived in Cumberland in 1842.[59]:1 The canal had financial problems, and plans for further construction to reach the Ohio River were abandoned.[60]:7

text: War of 1812[edit]

text: During the War of 1812, British forces conducted an expedition between August 19 and 29, 1814, that took and burned the capital city. On August 24, the British routed an American militia, which had gathered at Bladensburg, Maryland to protect the capital (see Battle of Bladensburg). The militia then abandoned Washington without a fight. President James Madison and the remainder of the U.S. government fled the capital shortly before the British arrived.

text: The British then entered and burned the capital during the most notably destructive raid of the war. British troops set fire to the capital's most important public buildings, including the Presidential Mansion (the White House), the United States Capitol, the Arsenal, the Navy Yard, the Treasury Building, and the War Office, as well as the north end of the Long Bridge, which crossed the Potomac River into Virginia. The British, however, spared the Patent Office and the Marine Barracks. Dolley Madison, the first lady, or perhaps members of the house staff, rescued the Lansdowne Portrait, a full-length painting of George Washington by Gilbert Stuart as the British approached the Mansion.[61]

text: The aftermath of the war kicked off a mild crisis with many northerners pushing for a relocation of the capitol with a vote brought to the floor of Congress proposing the removal of the government to Philadelphia. It was defeated 83 to 74 votes and the seat of government remained in Washington, D.C.[62]

text: Railroads arrive in Washington[edit]

text: The B&O opened a rail line from Baltimore to Washington in 1835.[63]:157 Passenger traffic on the Washington Branch had increased by the 1850s, as the company opened a large station in 1851 on New Jersey Avenue NW, just north of the Capitol.[64]:92 Further railroad development continued after the Civil War, with a new B&O line (the Metropolitan Branch) connecting Washington to the west, and the introduction of competition from the Baltimore and Potomac Railroad in the 1870s. In 1907, Union Station opened as the city's central terminal.[64]:227

text: Retrocession[edit]

text: Almost immediately after the "Federal City" was laid out north of the Potomac, some residents south of the Potomac in Alexandria County, D.C., began petitioning to be returned to Virginia's jurisdiction. Over time, a larger movement grew to separate Alexandria from the District for several reasons:

text:
Alexandria's economy had stagnated as competition with the port of Georgetown, D.C., had begun to favor the north side of the Potomac, where most members of Congress and local federal officials resided.
The Residence Act prohibited federal offices from locating in Virginia.
Alexandria was a center for slave trading. There was increasing talk of abolition of slavery in the national capital. Alexandria's economy would suffer if slavery were outlawed in the District of Columbia.
There was an active abolition movement in Virginia, and the pro-slavery forces held a slim majority in the Virginia General Assembly. (Eighteen years later, in the Civil War, the most anti-slavery counties would secede from Virginia to form West Virginia.) If Alexandria and Alexandria County were retroceded to Virginia, they would provide two new pro-slavery representatives.
The Alexandria Canal, which connected the C&O Canal to Alexandria, needed repairs, which the federal government was reluctant to fund.
Alexandria's residents had lost representation and the right to vote at any level of government.

text: After a referendum, Alexandria County's citizens petitioned Congress and Virginia to return the area to Virginia. By an act of Congress on July 9, 1846, and with the approval of the Virginia General Assembly, the area south of the Potomac (39 square miles; 101 km²) was returned, or "retroceded," to Virginia effective in 1847.[65]

text: The retroceded land was then known as Alexandria County, Virginia, and now includes a portion of the independent city of Alexandria and all of Arlington County, the successor to Alexandria County. A large portion of the retroceded land near the river was an estate of George Washington Parke Custis, who had supported the retrocession and helped develop the charter in the Virginia General Assembly for the County of Alexandria, Virginia. The estate (Arlington Plantation) would be passed on to his daughter (the wife of Robert E. Lee), and would eventually become Arlington National Cemetery.

text: Civil War era[edit]

text: A portion of the Washington Aqueduct opened in 1859, providing drinking water to city residents and reducing their dependence on well water. The aqueduct, which was built by the US Army Corps of Engineers, opened for full operation in 1864, using the Potomac River as its source.[66]

text: Washington remained a small city of a few thousand residents, virtually deserted during the summertime, until the outbreak of the Civil War in 1861. President Abraham Lincoln created the Army of the Potomac to defend the federal capital, and thousands of soldiers came to the area. The significant expansion of the federal government to administer the war—and its legacies, such as veterans' pensions—led to notable growth in the city's population – from 75,000 in 1860 to 132,000 in 1870.

text: Slavery was abolished throughout the District on April 16, 1862 – eight months before Lincoln issued the Emancipation Proclamation—with the passage of the Compensated Emancipation Act.[67] The city became a popular place for freed slaves to congregate.

text: Throughout the war, the city was defended by a ring of military forts that mostly deterred the Confederate army from attacking. One notable exception was the Battle of Fort Stevens in July 1864 in which Union soldiers repelled troops under the command of Confederate General Jubal A. Early. This battle was only the second time that a U.S. President came under enemy fire during wartime when Lincoln visited the fort to observe the fighting.[68] (The first had been James Madison during the War of 1812.) Meanwhile, over 20,000 sick and injured Union soldiers were treated in an array of permanent and temporary hospitals in the capital.

text: On April 14, 1865, just days after the end of the war, Lincoln was shot in Ford's Theatre by John Wilkes Booth during the play Our American Cousin. The next morning, at 7:22 am, President Lincoln died in the house across the street, the first American president to be assassinated. Secretary of War Edwin M. Stanton said, "Now he belongs to the ages."

text: Post-Civil War era[edit]

text: By 1870, the District's population had grown 75% from the previous census to nearly 132,000 residents.[69] Despite the city's growth, Washington still had dirt roads and lacked basic sanitation. The situation was so bad that some members of Congress suggested moving the capital further west, but President Ulysses S. Grant refused to consider such a proposal.[70]

text: In response to the poor conditions in the capital, Congress passed the Organic Act of 1871, which revoked the individual charters of the cities of Washington and Georgetown, and created a new territorial government for the whole District of Columbia.[71] The act provided for a governor appointed by the President, a legislative assembly with an upper-house composed of eleven appointed council members and a 22-member house of delegates elected by residents of the District, as well as an appointed Board of Public Works charged with modernizing the city.[72]

text: President Grant appointed Alexander Robey Shepherd, an influential member of the Board of Public Works, to the post of governor in 1873. Shepherd authorized large-scale municipal projects, which greatly modernized Washington. However, the governor spent three times the money that had been budgeted for capital improvements and ultimately bankrupted the city.[73] In 1874, Congress abolished the District's territorial government and replaced it with a three-member Board of Commissioners appointed by the President, of which one was a representative from the United States Army Corps of Engineers. The three Commissioners would then elect one of themselves to be president of the commission.[74]

text: An additional act of Congress in 1878 made the three-member Board of Commissioners the permanent government of the District of Columbia. The act also had the effect of eliminating any remaining local institutions such as the boards on schools, health, and police.[75] The Commissioners would maintain this form of direct rule for nearly a century.[76]

text: The first motorized streetcars in the District began service in 1888 and spurred growth in areas beyond the City of Washington's original boundaries.[77] In 1888, Congress required that all new developments within the District conform to the layout of the City of Washington.[78] The City of Washington's northern border of Boundary Street was renamed Florida Avenue in 1890, reflecting growth of suburban areas in the County of Washington.[77] The city's streets were extended throughout the District starting in 1893.[78] An additional law passed in 1895 mandated that Washington formally absorb Georgetown, which until then had maintained a nominal separate identity, and renamed its streets.[79] With a consolidated government and the transformation of suburban areas within the District into urban neighborhoods, the entire city eventually took on the name Washington, D.C.[77]

text: In the early 1880s, the Washington City Canal was covered over. Originally an expansion of Tiber Creek, the canal connected the Capitol with the Potomac, running along the north side of the Mall where Constitution Avenue is today. However, as the nation transitioned over to railroads for its transport, the canal had become nothing more than a stagnant sewer, and so it was removed.[57]

text: Some reminders of the canal still exist. South of the Capitol, a road named Canal Street connects Independence Avenue, SW, and E Street, SE (although the northernmost section of the street was renamed Washington Avenue to commemorate the state of Washington).[80] A lock keeper's house built in 1835 at the eastern terminal of the C&O Canal (where the C&O emptied into Tiber Creek and the Potomac River) remains at the southwest corner of Constitution Avenue, NW, (formerly B Street, NW) and 17th Street, NW (see: Lockkeeper's House, C & O Canal Extension).[81] The western end of the City Canal emptied into the Potomac and connected with the C&O Canal near the lock keeper's house.[82][83]

text: One of the most important Washington architects of this period was the German immigrant Adolf Cluss.[84] From the 1860s to the 1890s, he constructed over 80 public and private buildings throughout the city, including the National Museum, the Agriculture Department, Sumner and Franklin schools.

text: The Washington Monument, a tribute to George Washington and the world's tallest stone structure, was completed in 1884.[85]

text: 20th century[edit]

text: In 1901, the Senate Park Improvement Commission of the District of Columbia (the "McMillan Commission"), which Congress had formed the previous year, formulated the McMillan Plan, an architectural plan for the redevelopment of the National Mall.[86] The commission was inspired by L'Enfant's 1791 plan for the city, which had not been fully realized. The members of the commission also sought to emulate the grandeur of European capitals such as Paris, London, and Rome. They were also strongly influenced by the City Beautiful movement, a Progressive ideology that intended to build civic virtue in the poor through important, monumental architecture. Several of the Commission members, including Daniel Burnham and Frederick Law Olmsted, Jr. had in fact participated in the 1893 World Columbian Exposition, which was widely popular and helped to spread interest in the City Beautiful movement.

text: The McMillan Plan in many respects was an early form of urban renewal that removed many of the slums that surrounded the Capitol, replacing them with new public monuments and government buildings. The Plan proposed a redesign of the National Mall and the construction of the future Burnham-designed Union Station. World War I interrupted the execution of the Plan, but construction of the Lincoln Memorial in 1922 largely completed it.

text: Although the McMillan Plan resulted in the demolition of some slums in the Federal Triangle area, substandard housing was a much larger problem in the city during the early 1900s, with large portions of the population living in so-called "alley dwellings."[87] Progressive efforts eventually led to the creation of the Alley Dwelling Authority in 1934. The agency, led by John Ihlder, was an early example of a public housing agency, and was responsible for demolishing slum housing and building new units that were affordable, modern, and sanitary.

text: During his first administration (which started in 1913), President Woodrow Wilson introduced segregation into several federal departments, for the first time since 1863. He supported some cabinet appointees in their request for segregation of employees and creation of separate lunchrooms and restrooms. He was highly criticized for this, especially as he had attracted numerous votes from blacks. The policy held for decades.[88]

text: One advantage of federal rule over the District of Columbia was that the public school teachers were considered federal workers. Although the schools were segregated, black and white teachers were paid on an equal scale. The system attracted highly qualified teachers, especially for the M Street School (later called Dunbar High School), the academic high school for African Americans.[89]

text: In July 1919, whites, including uniformed sailors and soldiers, attacked blacks in Washington during Red Summer, when violence broke out in cities across the country. The catalyst in Washington was the rumored arrest of a black man for rape; in four days of mob violence, white men randomly beat black people on the street, and pulled others off streetcars for attacks. When police refused to intervene, the black population fought back. Troops tried to restore order as the city closed saloons and theaters, but a summer rainstorm had a more dampening effect. A total of 15 people were killed: 10 whites, including two police officers; and five blacks. Fifty people were seriously wounded and another 100 less severely wounded.[90] The NAACP protested to President Wilson.[91]

text: In 1922, Washington was hit by its deadliest natural disaster when the Knickerbocker Storm dumped 18 inches (46 cm) of snow, causing the roof to collapse at the Knickerbocker Theater, a silent movie house. Ninety-eight people were killed, including a U.S. Congressman; 133 were injured.[92]

text: On July 28, 1932, President Herbert Hoover ordered the United States Army to forcibly evict the "Bonus Army" of World War I veterans who gathered in Washington, D.C., to secure promised veterans' benefits early. U.S. troops dispersed the last of the "Bonus Army" the next day.

text: During the Great Depression of the 1930s, the city's population grew rapidly with the creation of additional Federal agencies under the New Deal programs of President Franklin D. Roosevelt, during which most of the Federal Triangle buildings were constructed. World War II brought further population increases and a significant housing shortage, as existing residents were urged to rent rooms to the influx of Federal staffers who arrived from throughout the country. During the war, as many as 200,000 railroad passengers passed through Union Station in a single day.[93] The Pentagon was built in nearby Arlington to efficiently consolidate Federal defense offices under one roof. One of the largest office buildings in the world, it was built rapidly during the early years of the war, partially opening in 1942, and complete in 1943.[94]

text: Civil rights[edit]

text: President Harry Truman ended de jure racial discrimination in the Armed Forces and federal workplaces in 1948. Parks and recreation facilities in Washington remained segregated until 1954. Public schools were desegregated soon after.[95]

text: When the city's Board of Education began building the John Phillip Sousa Junior High, a group of parents from the Anacostia neighborhood petitioned to have the school admit black and white students. When it was constructed, the board declared that only whites could enroll. The parents sued in a case decided in the landmark Supreme Court ruling Bolling v. Sharpe. Partly due to the District's unique status under the Constitution, the court decided unanimously that all of D.C.'s public schools had to be integrated. In the wake of this and the landmark 1954 Supreme Court case Brown v. Board of Education, the Eisenhower administration decided to make D.C. schools the first to integrate, as an example to the rest of the nation.

text: In 1957, Washington became the first major city in the nation with a majority African-American population.[96] Like many cities, it had received thousands of black people from the South in the Great Migration, starting during World War I and accelerating in the 1940s and 1950s. With the buildup of government and defense industries during World War II, many new residents found jobs. In the postwar years, whites who were better established economically began to move to newer housing in adjoining states in the suburbanization movement that occurred around most major cities. They were aided by the extensive highway construction undertaken by federal and state governments.

text: On August 28, 1963, Washington took center stage in the Civil Rights Movement, with the March on Washington and Dr. Martin Luther King, Jr.'s famed "I Have a Dream" speech at the Lincoln Memorial. Following the assassination of King on April 4, 1968, in Memphis, Washington was devastated by the riots that broke out in the U Street neighborhood and spread to other black areas, including Columbia Heights. The civil unrest drove many whites and middle-class blacks to move out of the city core. There had already been a steady movement of some residents to suburban locations in the search for newer housing and to avoid school integration. In the late 1960s and early 1970s, many businesses left the downtown and inner city areas, drawn to suburban malls and following residential development. Marks of riots scarred some neighborhoods into the late 1990s.

text: Home rule[edit]

text: The District elects a delegate to the House of Representatives, who has the usual rights of membership, such as seniority and committee membership, except there is no formal vote. The Twenty-third Amendment to the United States Constitution, ratified on March 29, 1961, gives the people a voice in the electoral college of the size of the smallest state (three votes).

text: In 1973, Congress passed the District of Columbia Home Rule Act, ceding some of its power over the city to a new, directly elected city council and mayor. Walter Washington became the first elected mayor of Washington, D.C.

text: The first 4.6 miles (7.4 km) of the Washington Metro subway system opened on March 27, 1976, following years of acrimonious battles with Congress over funding and highway construction, including a rejected proposal to build a north-central freeway. The Washington Metropolitan Area Transit Authority had been created in 1973 through a merger of several local bus companies. Several new Metro stations such as Friendship Heights, Van Ness, Gallery Place, Columbia Heights, U Street, and Navy Yard – Ballpark eventually became catalysts for commercial development. The Kennedy Center opened, as well as several new museums and historic monuments on and around the National Mall.

text: In 1978, Congress sent the District of Columbia Voting Rights Amendment to the states for ratification. This amendment would have granted the District representation in the House, Senate, and Electoral College as if it were a state. The proposed amendment had a seven-year limit for ratification, and only sixteen states ratified it in this period.

text: The city's local government, particularly during the mayoralty of Marion Barry, was criticized for mismanagement and waste.[97] Barry defeated incumbent mayor Walter Washington in the 1978 Democratic Party primary. Barry was then elected mayor, serving three successive four-year terms. During his administration in 1989, The Washington Monthly magazine claimed that the District had "the worst city government in America".[98] After being imprisoned for six months on misdemeanor drug charges in 1990, Barry did not run for reelection.[99] In 1991, Sharon Pratt Kelly became the first black woman to lead a major U.S. city.[100]

text: Barry was elected again in 1994 and by the next year the city had become nearly insolvent.[99] In 1995, Congress created the District of Columbia Financial Control Board to oversee all municipal spending and rehabilitate the city government.[101] Mayor Anthony Williams won election in 1998. His administration oversaw a period of greater prosperity, urban renewal, and budget surpluses.[102] The District regained control over its finances in 2001 and the oversight board's operations were suspended in September of that year.[103]

text: Williams did not seek reelection in 2006. Council member Adrian Fenty defeated Council Chairwoman Linda Cropp in that year's Democratic primary race to succeed Williams as mayor and started his term in 2007. Shortly upon taking office, Fenty won approval from the city council to directly manage and overhaul the city's under-performing public school system.[104] However, Fenty lost a Democratic Party primary to former Council Chair Vincent Gray in August 2010. Mayor Gray won the general election and assumed office in January 2011 with a pledge to bring economic opportunities to more of the city's residents and under-served areas.[105]

text: 21st century[edit]

text: On September 16, 2013, the Washington Navy Yard shooting occurred when lone gunman Aaron Alexis fatally shot twelve people and injured three others in a mass shooting at the headquarters of the Naval Sea Systems Command (NAVSEA) inside the Washington Navy Yard in the Southeast quadrant of the city.[106][107][108] The attack, which took place in the Navy Yard's Building 197, began around 8:20 a.m. EDT and ended when Alexis was killed by police around 9:20 a.m. EDT. It was the second-deadliest mass murder on a U.S. military base, behind only the Fort Hood shooting in November 2009.

text: Terrorism and security[edit]

text: This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2013) (Learn how and when to remove this template message)

text: The Washington area was a main target of the September 11, 2001 attacks. American Airlines Flight 77 was hijacked by five Islamic terrorists and flew into the Pentagon in Arlington County, Virginia, just across the Potomac River from Washington, killing 125 people inside the building, as well as 64 on board the airliner, including the five terrorists. United Airlines Flight 93, which was also hijacked and which went down in an open field near Shanksville, Pennsylvania, supposedly intended to target either the White House or the U.S. Capitol.

text: Since September 11, 2001, a number of high-profile incidents and security scares have occurred in Washington. In October 2001, anthrax attacks, involving anthrax-contaminated mail sent to numerous members of Congress, infected 31 staff members, and killed two U.S. Postal Service employees who handled the contaminated mail at the Brentwood sorting facility. An FBI and DOJ investigation determined the likely culprit of the anthrax attacks to be Bruce Edwards Ivins, a scientist, but he committed suicide in July 2008 before formal charges were filed.[109]

text: During three weeks of October 2002, fear spread among residents of the Washington area, during the Beltway Sniper attacks. Ten apparently random victims were killed, with three others wounded, before John Allen Muhammad and Lee Boyd Malvo were arrested on October 24, 2002.

text: In 2003 and 2004, a serial arsonist set over 40 fires, mainly in the District and the close-in Maryland suburbs, with one fire killing an elderly woman. A local man was arrested in the serial arson case in April 2005 and pleaded guilty.

text: The toxin ricin was found in the mailroom of the White House in November 2003 and in the mailroom of U.S. Senate Majority Leader Bill Frist in February 2004.

text: After the September 11 attacks, security was increased in Washington. Screening devices for biological agents, metal detectors, and vehicle barriers became more commonplace at office buildings as well as government buildings. After the 2004 Madrid train bombings, local authorities decided to test explosives detectors on the vulnerable Washington Metro subway system.

text: When U.S. forces in Pakistan raided a house suspected of being a terrorist hideout, they found information several years old about planned attacks on Washington, D.C., New York City, and Newark, New Jersey. It was directed to intelligence officials. On August 1, 2004, the Secretary of Homeland Security put the city on Orange (High) Alert. A few days later, security checkpoints appeared in and around the Capitol Hill and Foggy Bottom neighborhoods, and fences were erected on monuments once freely accessible, such as the Capitol. Tours of the White House were limited to those arranged by members of Congress. Screening devices for biological agents, metal detectors, and vehicle barriers became more common at office buildings as well as government buildings and in transportation facilities. This ultra-tight security was referred to as "Fortress Washington"; many people objected to "walling off Washington" based on information several years old. The vehicle inspections set up around the U.S. Capitol were removed in November 2004.

text: Statehood movement[edit]

text: On November 8, 2016, Washington voters were asked to advise the Council to approve or reject a proposal, which included advising the council to petition Congress to admit the District as the 51st State and to approve a constitution and boundaries for the new state. The voters of the District of Columbia voted overwhelmingly to advise the Council to approve the proposal, with 86% of voters voting to advise approving the proposal.[110] Challenges, including Republican opposition in Congress and constitutional issues, continue to cause problems for the movement.

text: Changing demographics[edit]

text: New migration patterns have appeared. Washington has a steadily declining black population, due to many African Americans' leaving the city for suburbs. At the same time, the city's Caucasian and Hispanic populations have steadily increased.[111] Since 2000 there has been a 7.3% decrease in the African-American population, and a 17.8% increase in the European-American population.[112] In addition, many African Americans are going to the South in a New Great Migration, because of family ties, increased opportunities and lower cost of living.[113] They still are a majority in the city, comprising 51 percent of the population.


document_title: 70th Academy Awards

question_text: who won the oscar for best actor in 1997

root

text: 70th Academy Awards

text: Winners and nominees[edit]

text: The nominees for the 70th Academy Awards were announced on February 10, 1998, at the Samuel Goldwyn Theater in Beverly Hills, California, by Robert Rehme, president of the Academy, and actress Geena Davis.[10] Titanic received the most nominations with a record-tying fourteen (1950's All About Eve, and later 2016's La La Land, also achieved this distinction); Good Will Hunting and L.A. Confidential came in second with nine apiece.[11][12]

tag: p

text: The winners were announced during the awards ceremony on March 23, 1998. With eleven awards, Titanic tied with Ben-Hur for the most academy awards in Oscar history.[13] It also became the first film to win Best Picture without a screenplay nomination since 1965's The Sound of Music.[14] Best Actress winner Helen Hunt became the first actor to win an Oscar while concurrently starring in a television series;[15] Jack Nicholson became the fourth performer to win at least three acting Oscars.[16] Both won for their roles in As Good as It Gets, making it the seventh film to win both lead acting awards.[17] Nominated for their performances as Rose DeWitt Bukater in Titanic, Best Actress nominee Kate Winslet and Best Supporting Actress nominee Gloria Stuart became the first pair of actress nominated for portraying the same character in the same film.[18][19] At age 87, Stuart also became the oldest performer nominated for a competitive Oscar.[20]

text: Awards[edit]

text: Winners are listed first, highlighted in boldface, and indicated with a double dagger ().[21]

text:
Best Picture
Titanic – James Cameron and Jon Landau, producers
As Good as It Gets – James L. Brooks, Bridgit Johnson and Kristi Zea, producers
The Full Monty – Uberto Pasolini, producer
Good Will Hunting – Lawrence Bender, producer
L.A. Confidential – Arnon Milchan, Curtis Hanson and Michael Nathanson, producers

Best Director
James Cameron – Titanic
Peter Cattaneo – The Full Monty
Gus Van Sant – Good Will Hunting
Curtis Hanson – L.A. Confidential
Atom Egoyan – The Sweet Hereafter

Best Actor
Jack Nicholson – As Good as It Gets as Melvin Udall
Matt Damon – Good Will Hunting as Will Hunting
Robert Duvall – The Apostle as Euliss "Sonny" Dewey, a.k.a. "The Apostle E.F."
Peter Fonda – Ulee's Gold as Ulysses "Ulee" Jackson
Dustin Hoffman – Wag the Dog as Stanley Motss

Best Actress
Helen Hunt – As Good as It Gets as Carol Connelly
Helena Bonham Carter – The Wings of the Dove as Kate Croy
Julie Christie – Afterglow as Phyllis Mann
Judi Dench – Mrs Brown as Queen Victoria
Kate Winslet – Titanic as Rose DeWitt Bukater

Best Supporting Actor
Robin Williams – Good Will Hunting as Dr. Sean Maguire
Robert Forster – Jackie Brown as Max Cherry
Anthony Hopkins – Amistad as John Quincy Adams
Greg Kinnear – As Good as It Gets as Simon Bishop
Burt Reynolds – Boogie Nights as Jack Horner

Best Supporting Actress
Kim Basinger – L.A. Confidential as Lynn Bracken
Joan Cusack – In & Out as Emily Montgomery
Minnie Driver – Good Will Hunting as Skylar Satenstein
Julianne Moore – Boogie Nights as Amber Waves/Maggie
Gloria Stuart – Titanic as Rose Dawson Calvert

Best Screenplay Written Directly for the Screen
Good Will Hunting – Matt Damon and Ben Affleck
As Good as It Gets – Mark Andrus and James L. Brooks
Boogie Nights – Paul Thomas Anderson
Deconstructing Harry – Woody Allen
The Full Monty – Simon Beaufoy

Best Screenplay Based on Material Previously Produced or Published
L.A. Confidential – Brian Helgeland and Curtis Hanson from the novel by James Ellroy
Donnie Brasco – Paul Attanasio based on the book Donnie Brasco: My Undercover Life in the Mafia by Joseph D. Pistone with Richard Woodley
The Sweet Hereafter – Atom Egoyan adapted from the novel by Russell Banks
Wag the Dog – David Mamet and Hilary Henkin from the novel American Hero by Larry Beinhart
The Wings of the Dove – Hossein Amini adapted from the novel by Henry James

Best Foreign Language Film
Karakter (Netherlands) in Dutch – Mike van Diem
Beyond Silence (Germany) in German – Caroline Link
Four Days in September (Brazil) in Portuguese – Bruno Barreto
Secrets of the Heart (Spain) in Spanish  – Montxo Armendáriz
The Thief (Russia) in Russian  – Pavel Chukhray

Best Original Song
"My Heart Will Go On" from Titanic – Music by James Horner; Lyrics by Will Jennings
"Go the Distance" from Hercules – Music by Alan Menken; Lyrics by David Zippel
"Journey to the Past" from Anastasia – Music by Stephen Flaherty; Lyrics by Lynn Ahrens
"How Do I Live" from Con Air – Music and Lyrics by Diane Warren
"Miss Misery" from Good Will Hunting – Music and Lyrics by Elliott Smith

Best Documentary Feature
The Long Way Home – Rabbi Marvin Hier and Richard Trank
4 Little Girls – Spike Lee and Sam Pollard
Ayn Rand: A Sense of Life – Michael Paxton
Colors Straight Up – Michèle Ohayon and Julia Schachter
Waco: The Rules of Engagement – Dan Gifford and William Gazecki

Best Documentary Short Subject
A Story of Healing – Donna Dewey and Carol Pasternak
Alaska: Spirit of the Wild – George Casey and Paul Novros
Amazon – Kieth Merrill and Jonathan Stern
Family Video Diaries: Daughter of the Bride – Terri Randall
Still Kicking: The Fabulous Palm Springs Follies – Mel Damski and Andrea Blaugrund

Best Live Action Short Film
Visas and Virtue – Chris Tashima and Chris Donahue
Dance Lexie Dance – Tim Loane
It's Good to Talk – Roger Goldby and Barney Reisz
Sweethearts? – Birger Larsen and Thomas Lydholm
Wolfgang – Anders Thomas Jensen and Kim Magnusson

Best Animated Short Film
Geri's Game – Jan Pinkava
Famous Fred – Joanna Quinn
The Old Lady and the Pigeons – Sylvain Chomet
Redux Riding Hood – Steve Moore and Dan O'Shannon
Rusalka – Alexander Petrov

Best Original Dramatic Score
Titanic – James Horner
Amistad – John Williams
Good Will Hunting – Danny Elfman
Kundun – Philip Glass
L.A. Confidential – Jerry Goldsmith

Best Original Musical or Comedy Score
The Full Monty – Anne Dudley
Anastasia – Music by Stephen Flaherty; Lyrics by Lynn Ahrens; Orchestral score by David Newman
As Good as It Gets – Hans Zimmer
Men in Black – Danny Elfman
My Best Friend's Wedding – James Newton Howard

Best Sound Effects Editing
Titanic – Tom Bellfort and Christopher Boyes
Face/Off – Mark Stoeckinger and Per Hallberg
The Fifth Element – Mark Mangini

Best Sound
Titanic – Gary Rydstrom, Tom Johnson, Gary Summers and Mark Ulano
Air Force One – Paul Massey, Rick Kline, Doug Hemphill and Keith A. Wester
Con Air – Kevin O'Connell, Greg P. Russell and Art Rochester
Contact – Randy Thom, Tom Johnson, Dennis S. Sands and William B. Kaplan
L.A. Confidential – Andy Nelson, Anna Behlmer and Kirk Francis

Best Art Direction
Titanic – Art Direction: Peter Lamont; Set Decoration: Michael D. Ford
Gattaca – Art Direction: Jan Roelfs; Set Decoration: Nancy Nye
Kundun – Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
L.A. Confidential – Art Direction: Jeannine Oppewall; Set Decoration: Jay Hart
Men in Black – Art Direction: Bo Welch; Set Decoration: Cheryl Carasik

Best Cinematography
Titanic – Russell Carpenter
Amistad – Janusz Kamiński
Kundun – Roger Deakins
L.A. Confidential – Dante Spinotti
The Wings of the Dove – Eduardo Serra

Best Makeup
Men in Black – Rick Baker and David LeRoy Anderson
Mrs Brown – Lisa Westcott, Veronica Brebner and Beverley Binda
Titanic – Tina Earnshaw, Greg Cannom and Simon Thompson

Best Costume Design
Titanic – Deborah Lynn Scott
Amistad – Ruth E. Carter
Kundun – Dante Ferretti
Oscar and Lucinda – Janet Patterson
The Wings of the Dove – Sandy Powell

Best Film Editing
Titanic – Conrad Buff, James Cameron and Richard A. Harris
Air Force One – Richard Francis-Bruce
As Good as It Gets – Richard Marks
Good Will Hunting – Pietro Scalia
L.A. Confidential – Peter Honess

Best Visual Effects
Titanic – Robert Legato, Mark Lasoff, Thomas L. Fisher and Michael Kanfer
The Lost World: Jurassic Park – Dennis Muren, Stan Winston, Randal M. Dutra and Michael Lantieri
Starship Troopers – Phil Tippett, Scott E. Anderson, Alec Gillis and John Richardson

tag: table

text: Academy Honorary Award[edit]

text: Stanley Donen[22]

tag: ul

text: Films with multiple nominations and awards[edit]

text:
The following 16 films received multiple nominations:

Nominations

Film

14

Titanic

9

Good Will Hunting

L.A. Confidential

7

As Good as It Gets

4

Amistad

The Full Monty

Kundun

The Wings of the Dove

3

Boogie Nights

Men in Black

2

Air Force One

Anastasia

Con Air

Mrs Brown

The Sweet Hereafter

Wag the Dog

The following four films received multiple awards:

Awards

Film

11

Titanic

2

As Good as It Gets

Good Will Hunting

L.A. Confidential

text: Presenters and performers[edit]

text: The following individuals presented awards or performed musical numbers.[23][24]

text: Presenters[edit]

text:
Name(s)
Role

Norman Rose
Announcer for the 70th annual Academy Awards

Robert Rehme (AMPAS President)
Gave opening remarks welcoming guests to the awards ceremony

Cuba Gooding Jr.
Presenter of the award for Best Supporting Actress

Elisabeth Shue
Presenter of the award for Best Costume Design

Dustin Hoffman
Presenter of the 70 years of Best Picture winners montage

Neve Campbell
Presenter of the performances of Best Original Song nominees "Journey to the Past" and "Go the Distance"

Arnold Schwarzenegger
Presenter of the film Titanic on the Best Picture segment

Mira Sorvino
Presenter of the award for Best Supporting Actor

Cameron Diaz
Presenter of the award for Best Sound

Mike Myers
Presenter of the award for Sound Effects Editing

Sigourney Weaver
Presenter of the film As Good as It Gets on the Best Picture segment

Helen Hunt
Presenter of the award for Best Visual Effects

Fay Wray
Introducer of presenters Ben Affleck and Matt Damon

Ben AffleckMatt Damon
Presenters of the awards for Best Live Action Short Film and Best Animated Short Film

Geoffrey Rush
Presenter of the award for Best Actress

Antonio Banderas
Presenter of the award for Best Original Dramatic Score

Jennifer Lopez
Introducer of the special dance number to the tune of the nominees for Best Original Musical or Comedy Score and presenter of the award for Best Original Musical or Comedy Score

Drew Barrymore
Presenter of the award for Best Makeup

Alec Baldwin
Presenter of the film L.A. Confidential on the Best Picture segment

Samuel L. Jackson
Presenter of the award for Best Film Editing

Ashley Judd
Presenter of the segment of the Academy Awards for Technical Achievement and the Gordon E. Sawyer Award

Martin Scorsese
Presenter of the Honorary Academy Award to Stanley Donen

Matt Dillon
Presenter of the film Good Will Hunting on the Best Picture segment

 Madonna
Introducer of the performances of Best Original Song nominees "How Do I Live", "Miss Misery" and "My Heart Will Go On" and presenter of the award for Best Original Song

Djimon Hounsou
Presenter of the Best Documentary Short

Robert De Niro
Presenter of the Best Documentary Feature

Whoopi Goldberg
Presenter of the In Memoriam tribute

Meg Ryan
Presenter of the award for Best Art Direction

Robin Williams
Presenter of the 70 Years of Oscars montage

Frances McDormand
Presenter of the award for Best Actor

Sharon Stone
Presenter of the award for Best Foreign Language Film

Jack LemmonWalter Matthau
Presenters of the awards for Best Screenplay Based on Material Previously Produced or Published and Best Original Screenplay/Screenplay Written Directly for the Screen

Denzel Washington
Presenter of the award for Best Cinematography

Susan Sarandon
Presenter of the Oscar Family Album segment

Geena Davis
Presenter of the film The Full Monty on the Best Picture segment

Warren Beatty
Presenter of the award for Best Director

Sean Connery
Presenter of the award for Best Picture

text: Performers[edit]

text:
Name(s)
Role
Performed

Jerry Goldsmith
Composer
"Fanfare for Oscar"

Bill Conti
Musical arranger
Orchestral

Billy Crystal
Performer
Opening number: Titanic (to the tune of "The Ballad of Gilligan's Isle" from Gilligan's Island), As Good As It Gets (to the tune of "Let's Call the Whole Thing Off" from Shall We Dance), Good Will Hunting (to the tune of "Night and Day" from The Gay Divorcee), L.A. Confidential (to the tune of "Fascinating Rhythm" by George Gershwin) and The Full Monty (to the tune "Hello, Dolly!" from Hello, Dolly!)[25]

Michael Bolton
Performer
"Go the Distance" from Hercules

Aaliyah
Performer
"Journey to the Past" from Anastasia

Trisha Yearwood
Performer
"How Do I Live" from Con Air

Elliott Smith
Performer
"Miss Misery" from Good Will Hunting

Celine Dion
Performer
"My Heart Will Go On" from Titanic

text: Ceremony information[edit]

text: In December 1997, the Academy hired veteran Oscar telecast producer Gil Cates to oversee the 1998 ceremony.[26] “Gil has become the consummate Oscar show producer, consistently garnering top television ratings for the telecast,” said AMPAS president Robert Rehme in a press release announcing the selection. “His shows are full of wit, charm and surprise.”[26] A few days later, actor and comedian Billy Crystal was chosen to emcee the upcoming telecast. Cates explained his reason to bring back the veteran comedian saying, "Billy's performance last year was spectacular. There is nobody like him."[27] In an article published in USA Today he initially requested to Cates and AMPAS five months after the previous year's ceremony that he would like to take a break from hosting duties. However, pressure from the Academy, Cates, and several friends and family members made him reconsider his decision.[28] His sixth stint would make him second only to Bob Hope in number of ceremonies hosted.[29]

text: To commemorate the seventieth anniversary of the Academy Awards, 70 actors who have received both competitive and honorary awards appeared seated onstage together during a segment called Oscar's Family Album.[30] Each former winner was acknowledged by announcer Norman Rose with the films he or she won for. At the end of the segment newly minted winners Kim Bassinger, Helen Hunt, and Robin Williams joined them. This marked the largest gathering of former winners since the 50th ceremony held in 1978.[31]

text: Several others participated in the production of the ceremony. Bill Conti served as musical director for the telecast.[32] Dancer Daniel Ezralow choreographed a dance number showcasing the nominees for Best Original Comedy or Musical Score.[33] Bart the Bear made a surprise appearance during the presentation of the Best Sound Effects Editing award with Mike Myers.[34]

text: Box office performance of nominees[edit]

text: At the time of the nominations announcement on February 10, the combined gross of the five Best Picture nominees was $579 million with an average of $116 million per film.[35] Titanic was the highest earner among the Best Picture nominees with $338.7 million in domestic box office receipts.[35] The film was followed by As Good as It Gets ($92.6 million), Good Will Hunting ($68.9 million), L.A. Confidential ($39.7 million), and finally The Full Monty ($38.7 million).[35]

text: Of the top 50 grossing movies of the year, 40 nominations went to 15 films on the list. Only Titanic (1st), As Good as It Gets (16th), Good Will Hunting (20th), and In & Out (24th) were nominated for directing, acting, screenwriting, or Best Picture.[36] The other top 50 box office hits that earned nominations were Men in Black (2nd), The Lost World: Jurassic Park (3rd), Air Force One (5th), My Best Friends Wedding (7th), Face/Off (9th), Con Air (12th), Contact (13th), Hercules (14th), The Fifth Element (25th), Anastasia (30th), and Starship Troopers (34th).[36]

text: Critical response[edit]

text: The show received a positive reception from most media publications. Television critic Howard Rosenberg of the Los Angeles Times lauded Crystal's performance writing that he "would earn top billing as that unusual comedian as artful at doing musical comedy as jokes."[37] San Francisco Chronicle columnist John Carman raved,"It was the best Oscar show in two decades." He also gave high marks for the host, commenting, "But last night, Crystal was back in razor form."[38] The Seattle Times television editor Kay McFadden praised Crystal commenting that "he possesses nearly impeccable timing and judgment." In addition, she noted that while the ceremony dragged on, "Last night was one of television's smartest live ceremonies in recent memory."[39]

text: Some media outlets were more critical of the show. Ray Richmond of Variety complained that the ceremony proved to be a "Yawner of an Oscarcast." He added that Crystal's "off-the-cuff one-liners sank faster than the great ship herself."[40] Boston Globe television critic Matthew Gilbert bemoaned,"There was hardly a spontaneous moment during last night's Oscarcast."[41] Film critic Carrie Rickey from The Philadelphia Inquirer lamented that the inevitable Titanic sweep "sank a telecast loaded with montages of previous years' Oscar highlights."[42]

text: Ratings and reception[edit]

text: The American telecast on ABC drew in an average of 57.25 million people over its length, which was a 29% increase from the previous year's ceremony.[43] An estimated 87.50 million total viewers watched all or part of the awards.[44] The show also earned higher Nielsen ratings compared to the previous ceremony with 35.32% of households watching over a 55.77 share.[45] In addition, it garnered a higher 18–49 demo rating with a 24.90 rating over a 44.30 share among viewers in that demographic.[45] It was, and remains to date, the highest viewership for an Academy Award telecast since figures were compiled beginning with the 46th ceremony in 1974.[46]

text: In July 1998, the ceremony presentation received eight nominations at the 50th Primetime Emmys.[47] Two months later, the ceremony won five of those nominations for Outstanding Individual Performance in a Variety or Music Program (Billy Crystal), Outstanding Directing for a Variety or Music Program (Louis J Horvitz), Outstanding Lighting Direction (Electronic) for a Drama Series, Variety Series, Miniseries, or Movie (Bob Barnhart, Robert Dickinson, Matt Ford, Andy O'Reilly), Outstanding Music Direction (Bill Conti), and Outstanding Sound Mixing for a Variety Series or Special (Patrick Baltzell, Robert Douglass, Edward J. Greene, Tommy Vicari).[48][49]

text: In Memoriam[edit]

text: The annual In Memoriam tribute was presented by actress Whoopi Goldberg. The montage featured an excerpt of "Appassionata" from The Passage composed by Michael J. Lewis.[50]

text:
Lloyd Bridges
Richard Jaeckel
Saul Chaplin - Composer/Musical Director
Stanley Cortez- Cinematographer
William Hickey
Paul Jarrico - Screenwriter
Dorothy Kingsley - Screenwriter
Sydney Guilaroff - Hairstylist
William H. Reynolds - Editor
Billie Dove
Jacques Cousteau - Filmmaker
Stubby Kaye

Red Skelton
Dawn Steel - Executive
Toshiro Mifune
Brian Keith
Chris Farley
Leo Jaffe - Executive
Samuel Fuller - Director
Burgess Meredith
J. T. Walsh
Robert Mitchum
James Stewart


document_title: One Day at a Time

question_text: who did julie marry on one day at a time

text: One Day at a Time

text: Background[edit]

text: The series was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The series was based on Whitney Blake's own life as a single mother, raising her three children (Including future actress Meredith Baxter) after her divorce from her first husband.[1]

text: Plot[edit]

text: Ann Romano, a divorced mother, moves from their home in Logansport, Indiana to Indianapolis with her daughters, the rebellious Julie and the wisecracking Barbara. Ann frequently struggles with maintaining her role as mother while affording her daughters the freedom she never had as a young woman. David Kane, Ann's divorce lawyer and neighbor, takes a romantic interest in her, but she isn't ready to remarry. Dwayne Schneider, the building's quirky superintendent (most often referred to only by his last name), provides usually unwanted advice to the tenants.

text: After David takes a job in Los Angeles, the focus squarely rests on Ann's dilemmas as a single mother and career woman as well as the girls' growing pains, with Schneider becoming a more welcomed part of the family. Ann's strained relationship with her ex-husband Ed slowly mends, as does the girls' relationship with his new wife, Vickie. Julie and Barbara advance through high school and into the working world, and Julie eventually marries flight attendant Max Horvath. Alex, the orphaned son of Ann's deceased boyfriend, moves in, changing the dynamics in the female-dominated apartment. Later in the series run, Julie gives birth to a daughter, "Little Annie" Horvath, Barbara marries dental student Mark Royer, and Ann's mother Katherine moves nearby.

text: In the penultimate episode, Ann decides to take a job in London, leaving her daughters in Indianapolis to raise families of their own. In the series finale, Schneider also leaves town, moving to Florida to take care of his niece and nephew.

text: Production[edit]

text: For its entire run, the series was taped in Hollywood before a studio audience. Originally, it was taped at CBS Television City. Shortly after its premiere, the series began taping at Metromedia Square, where it remained until 1982. From 1982 to 1984, the series was taped at Universal Studios Hollywood.

text: Like many sitcoms developed by Norman Lear, One Day at a Time often tackled serious issues in life and relationships, particularly those related to second wave feminism. Stories depicting such events as weddings, births, and other important milestones frequently stretched over two-, three-, and four-part episodes.

text: Theme song and opening credits[edit]

text: The theme song for One Day at a Time, "This is It", was composed by Brill Building songwriter Jeff Barry and his wife Nancy Barry, and performed by recording artist Polly Cutter. The opening credits were originally seen over a filmed sequence showing Ann, Julie, and Barbara excitedly moving into their new home. Later, the opening credits sequence mostly consisted of clips of each cast member taken from previous episodes.

text: Casting[edit]

text: Actors Bonnie Franklin, Pat Harrington, Jr., and Valerie Bertinelli were the only cast members to remain with the series throughout its entire run. Lead actress Mackenzie Phillips was fired after the fifth season due to growing problems with substance abuse. She later returned in a frequent recurring role. Original cast member Richard Masur was written out early in the second season but returned as a guest star in the sixth-season finale.

text: After Masur's departure, the producers tried going in a different direction. Instead of Ann Romano being romantically involved with a man, it was decided to give Ann a comedic foil. For that role, producer Norman Lear chose actress and comedienne Mary Louise Wilson, who had just completed a successful run on Broadway as "Tessie Tura" in a revival of Gypsy starring Angela Lansbury. Wilson was signed to play Ginny Wroblicki, a cocktail waitress who moves into Schneider's apartment building, and immediately becomes Ann's best friend and confidante. According to her memoir, My First Hundred Years in Show Business, prior to being cast as Ginny, Wilson had never seen One Day at a Time and immediately sat down and watched an episode one night in her apartment. She did not find the sitcom funny at all and was not given a script until the first read-through of her first episode. Wilson also did not take to Franklin "who took her role as arbiter over moral issues very seriously" and who considered herself "our foremost authority on Broadway". She also thought that Harrington's character of Schneider was not funny at all, although she admitted Harrington, himself, was hilarious offscreen. Wilson wrote that "aside from Lear, nobody thought I was funny...To make matters worse each character, according to the show's formula, had to have a 'serious' moral dilemma at some point, and I was given some problem about an illegitimate child to work out in these increasingly sentimental scenes that made my bowels shrink." At the end of the second season of One Day at a Time, Wilson begged her agent to ask Lear to release her from her contract. Wilson later admitted, "I felt terribly wrong to be so miserable. I knew this was the kind of break actors longed for." Wilson was also unaccustomed to working on a sitcom with four cameras in front of a live audience where "you said your line when the red light on the camera went on...and there follows a pause longer than the river Styx before the light on camera four goes on" at which the character you're speaking to says the next line. After the meeting with her agent, Wilson impulsively changed her mind and agreed to stay with the series but it was too late. Her agent had already informed Norman Lear of Wilson's unhappiness. As a result, Lear released Wilson from the show after she had completed 14 episodes, and Ginny Wroblicki was never seen, referred to, or heard from again[2] except in a fifth-season episode ("Retrospective") made up mainly of clips from earlier in the series..

text: For the next two seasons, the central cast of Ann, Julie, Barbara, and Schneider was supplemented by recurring characters, including William Kirby Cullen as Julie's boyfriend Chuck Butterfield; Howard Morton and K Callan as Chuck's parents; John Putch as Barbara's awkward friend Bob Morton; Scott Colomby as Barbara's boyfriend Cliff Randall; and John Hillerman and Charles Siebert as Ann's bosses, Mr. Connors and Mr. Davenport, respectively. Dick O'Neill and Nedra Volz made three appearances together as Orville and Emily, residents of the retirement home where the main characters put on a semi-regular variety show. Joseph Campanella also made several appearances as Ann's ex-husband and the girls' father, Ed Cooper.

text: Michael Lembeck joined the series as Julie's husband, Max, in the fifth season, but he was written out as a consequence of Phillips' firing. (But later returned in Season 7 along with Philips) A steady stream of regulars was added in the ensuing seasons, including Ron Rifkin as Ann's boyfriend, Nick; Glenn Scarpelli as Nick's son, Alex; and Boyd Gaines as Barbara's boyfriend, later husband, Mark. Shelley Fabares, who'd previously guest starred as Ann's rival co-worker Francine Webster, appeared more frequently, eventually becoming a regular. Nanette Fabray, who played Ann's mother, also made more frequent appearances before becoming a regular cast member in the final season. Howard Hesseman joined the series for a short time as Mark's father, Sam, who would become Ann's second husband.

text: Notable guest stars throughout the series run include Norman Alden, Robby Benson, Carla Borelli, Charlie Brill, Dennis Burkley, Jack Dodson, Elinor Donahue, David Dukes, Greg Evigan, Conchata Ferrell, Corey Feldman, Alice Ghostley, Lee Grant, Mark Hamill, Jim Hutton, Terry Kiser, Richard Kline, Christopher Knight, Jay Leno, Robert Mandan, Robert Morse, Denise Nicholas, J. Pat O'Malley, Jo Ann Pflug, Eve Plumb, Susan Richardson, William Schallert, Suzanne Somers, Ellen Travolta, Dick Van Patten, and Keenan Wynn.

text: Main cast[edit]

text:
Actor
Character
Seasons

1
2
3
4
5
6
7
8
9

Bonnie Franklin
Ann Romano
Main

Mackenzie Phillips
Julie Cooper Horvath
Main

Recurring

Richard Masur
David Kane
Main

Guest

Valerie Bertinelli
Barbara Cooper Royer
Main

Pat Harrington, Jr.
Dwayne Schneider
Main

Mary Louise Wilson
Ginny Wroblicki

Main

Michael Lembeck
Max Horvath

Main

Recurring
Main

Ron Rifkin
Nick Handris

Main

Glenn Scarpelli
Alex Handris

Main

Boyd Gaines
Mark Royer

Recurring
Main

Shelley Fabares
Francine Webster

Guest

Guest
Recurring
Main
Recurring

Nanette Fabray
Katherine Romano

Guest
Recurring
Main

Howard Hesseman
Sam Royer

Recurring
Main

text: Episodes[edit]

text:
Season
Episodes
Originally aired

First aired
Last aired

1
15
December 16, 1975
March 30, 1976

2
24
September 28, 1976
March 22, 1977

3
24
September 27, 1977
April 3, 1978

4
26
September 18, 1978
April 14, 1979

5
26
September 30, 1979
April 13, 1980

6
21
November 9, 1980
May 10, 1981

7
25
October 11, 1981
May 16, 1982

8
26
September 26, 1982
May 23, 1983

9
22
October 2, 1983
May 28, 1984

text: Reception[edit]

text: Ratings[edit]

text: One Day at a Time was best known in the 1980s as a staple of the CBS Sunday-night lineup, one of the most successful in TV history, along with Archie Bunker's Place, Alice, and The Jeffersons.

text: The series consistently ranked among the top twenty (if not the top ten) programs in the ratings. However, the network moved the show around on the prime time schedule eleven times. By the end of the 1982–83 season, viewership was beginning to slip and the series ended season eight ranking at No. 16. At this time, Bonnie Franklin and Valerie Bertinelli were anxious to move on, but agreed to do a ninth (and final) season. (Although both were offered contracts for two seasons: a ninth and a tenth according to Bertinelli in her autobiography Losing It: And Gaining My Life Back One Pound at a Time.)

text:
TV Season
Time slot (ET)
Nielsen ratings[3]

Rank
Rating

1975–76
Tuesday at 9:30 pm
12
23.1

1976–77
8
23.4 (Tied with The ABC Sunday Night Movie and Baretta)

1977–78
Tuesday at 9:30 pm (Episodes 1-15)
Monday at 9:30 pm (Episodes 16-24)
10
23.0

1978–79
Monday at 9:30 pm (Episodes 1-13)
Wednesday at 9:00 pm (Episodes 14, 16-23)
Wednesday at 9:30 pm (Episode 15)
Sunday at 8:30 pm (Episodes 24-26)
18
21.6

1979–80
Sunday at 8:30 pm (Episodes 1-17, 19-26)
Sunday at 8:00 pm (Episode 18)
10
23.0

1980–81
Sunday at 8:30 pm (Episodes 1-9, 11-16, 19-21)
Sunday at 8:00 pm (Episode 10)
Sunday at 9:00 pm (Episode 17)
Sunday at 9:30 pm (Episode 18)
11
22.0

1981–82
Sunday at 8:30 pm
10
22.0

1982–83
Sunday at 9:30 pm (Episodes 1-18)
Monday at 9:30 pm (Episodes 19-26)
16
19.1

1983–84
Sunday at 8:30 pm (Episodes 1-6, 8-13)
Sunday at 9:00 pm (Episode 7)
Wednesday at 8:00 pm (Episodes 14-19)
Monday at 9:00 pm (Episodes 20-22)
N/A
N/A

text: Awards and honors[edit]

text:
1981, 1982: Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film to Valerie Bertinelli
1982: Outstanding Directing in a Comedy Series to Alan Rafkin[4]
1984: Primetime Emmy Award for Outstanding Supporting Actor – Comedy Series to Pat Harrington[5]

text: Syndication[edit]

text: CBS aired daytime reruns of the show for three years. From September 17, 1979, to February 1, 1980, it aired on the daytime schedule at 3:30 pm Eastern time; with the cancellation of Love of Life to accommodate the expansion of The Young and the Restless to one hour, it was moved on February 4, 1980, to 4 pm Eastern due to Guiding Light moving to 3 pm. On September 28, 1981, it moved to 10 am Eastern time, and on September 20, 1982, it was replaced by The $25,000 Pyramid.

text: Soon after, the show entered off-network syndication, airing on local stations around the country, and nationally on WGN, TBS, and the E! Network.

text: Logo TV started airing episodes in April 2017.

text: As of July 23, 2017, the series airs Sunday nights on the digital broadcast network Antenna TV.[6] It also can be seen on the satellite service FeTV.

text: Cast reunions[edit]

text: The One Day at a Time Reunion was a 60-minute CBS retrospective special which aired on Tuesday February 22, 2005, at 9:00 pm ET, reuniting Bonnie Franklin, Mackenzie Phillips, Valerie Bertinelli, and Pat Harrington to reminisce about the series and their characters. Regular cast members Richard Masur, Shelley Fabares, Nanette Fabray, Michael Lembeck, and Glenn Scarpelli shared their feelings about their time on the show in separate interviews. The special was included as a bonus on One Day at a Time: The Complete First Season DVD set.

text: On February 26, 2008, Franklin, Phillips, Bertinelli, and Harrington reunited once again to talk about life on the set, Phillips' drug problems, and the show's theme song on NBC's Today Show as part of a week-long segment titled "Together Again: TV's Greatest Casts Reunited".

text: Bertinelli, Harrington, and (on tape) Franklin appeared on the September 10, 2008, episode of Rachael Ray to celebrate Ray's 40th birthday.

text: In 2011, Franklin reunited again with Bertinelli on an episode of Hot in Cleveland which marked one of Franklin's last acting roles before her death in 2013. Mackenzie Phillips and Pat Harrington Jr. also made individual cameos on the series.

text: One Day at a Time was awarded the Innovation Award on the 2012 TV Land Award show on April 29. Accepting the award were Valerie Bertinelli, Bonnie Franklin, Pat Harrington Jr., Richard Masur, Mackenzie Phillips, and Glenn Scarpelli.

text: DVD release[edit]

text: On April 24, 2007, Sony Pictures Home Entertainment released the first season of One Day at a Time on DVD in Region 1.

text: On September 7, 2017, it was announced that Shout! Factory had acquired the rights to the series and released One Day at a Time - The Complete Series on DVD in Region 1 on December 5, 2017.[7] Season 2 is scheduled for release on March 27, 2018.[8]

text:
DVD Name
Ep #
Release Date

The Complete First Season
15
April 24, 2007

The Complete Second Season
24
March 27, 2018

The Complete Series
209
December 5, 2017

text: Remake[edit]

text: Gloria Calderon Kellett and Mike Royce developed a new version of the series, with a Latino cast, for Netflix, beginning in 2017. The ensemble is led by Justina Machado, with Rita Moreno, Stephen Tobolowsky, Isabella Gomez, Marcel Ruiz, and Todd Grinnell in supporting roles. Pam Fryman directed the pilot episode.[9][10][11][12][13]


document_title: The Secret Life of Pets

question_text: name of bird in secret life of pets

question_tokens: name of bird in secret life of pets

text: The Secret Life of Pets

text: Plot[edit]

text: A Jack Russell Terrier named Max lives with his owner Katie in a Manhattan apartment. While she is at work during the day, he hangs out with other pets in the building: tabby cat Chloe, pug Mel, dachshund Buddy, and budgerigar Sweet Pea. One day, Katie adopts Duke, a large mongrel from the pound, leaving Max jealous because of her divided focus on Duke. Enraged by Max's attitude towards him, Duke tries to abandon Max in an alley, but they are both attacked by cats led by Sphynx cat Ozone who removed both dogs' collars and leave them to be caught by Animal Control. Duke fears that he will be put down if he goes back to the pound. To her desperation, Gidget, a white Pomeranian actually discovers that Max is missing.

text: Meanwhile, he and Duke are rescued by a white rabbit named Snowball, the leader of "The Flushed Pets" – a gang of sewer-dwelling animals who hate humans because their owners mistreated them. After Max and Duke pretend to despise humans as much as they do by saying they killed their owners, the Flushed Pets invite them to join. Before they can prove their loyalty by allowing a one-fanged viper to bite them, Snowball learns from the cats that Max and Duke are domesticated. The two dogs escape the sewers and board a ferry to Brooklyn, inadvertently killing the viper in the process; Snowball vows to kill them and leads the Flushed Pets after them.

text: Meanwhile, Gidget recruits a red-tailed hawk named Tiberius to find him, but mistakenly returns carrying Ozone, whom Gidget coerces into telling what he knows about the dogs. They then enlisted Mel, Buddy, Chloe, guinea pig Norman and Sweet Pea. On the way, they meet Pops, an old Basset Hound, who helps Gidget and the pets find Max. Meanwhile, Max and Duke raid a sausage factory for food. Gidget and co. encounter Snowball, who vows to kill them as well, and Norman is captured as the rest of Gidget's team flees.

text: Meanwhile, Duke tells Max about his previous owner, Fred, an elderly man who adopted him as a puppy and loved spending time with him. One day, Duke got lost while chasing a butterfly and was caught by Animal Control, but Fred never came to claim him. Max convinces him to visit Fred's house in a nearby neighborhood, confident Fred will still love him and take him back. When they arrive at Fred's house, they learn from the resident cat Reginald that Fred has died. Heartbroken, Duke accuses Max of attempting to get rid of him and barks at the new homeowners who had just returned to the house, who call Animal Control. The handlers catch Max, but Duke interferes long enough for Max to escape and ends up being captured instead.

text: While trying to rescue Duke as he follows the Animal Control van, Max is attacked by Snowball who tries to kill him. However, when his gang is captured, Snowball realizes that he and Max must work together to rescue them. They drive a city bus into the van on the Brooklyn Bridge, stopping traffic. The Flushed Pets encircle Max, unaware of his partnership with Snowball, but Gidget and her team save him. When Gidget is using her kung-fu fighting skills, Max starts to fall in love with her. The van gets stuck in scaffolding and the Flushed Pets escape. Once Max got the keys to Duke's cage, the van plummets into the East River with him inside. Max is unable to free Duke, so Snowball jumps into the river to retrieve the keys, allowing them to escape the sinking van. Once out of the river, Snowball realizes how good being heroic feels.

text: The entire group returns to the apartment block by pig-driven taxi. Max expresses his love for Gidget, who returns his affection. Snowball and the Flushed Pets then come up with a new plan to annihilate all humans, but a little girl named Molly arrives to adopt Snowball and the remaining Flushed Pets return to the sewers. At first, Snowball resists, but gives in and lets himself become a domesticated pet. The domesticated pets return to their homes and embrace their owners, and Max and Duke finally reunite with Katie, sparking a true friendship.

text: In a mid-credits scene, Buddy and Mel show up in costume at a party in poodle Leonard's apartment. Leonard's owner returns and Tattoo crashes to the floor on the chandelier.

text: Cast[edit]

text:
Louis C.K. as Max, a Jack Russell Terrier.[8]
Eric Stonestreet as Duke, a large, brown, shaggy mongrel.[8]
Kevin Hart as Snowball, a white rabbit.[8]
Jenny Slate as Gidget, a white Pomeranian and Max's love interest.
Ellie Kemper as Katie, Max and Duke's friendly owner.[1][9]
Lake Bell as Chloe, an obese and apathetic grey tabby cat[9] who is one of Max's friends.
Dana Carvey as Pops, an elderly Basset Hound,[10] who is paralyzed in his back legs.
Hannibal Buress as Buddy, a laid-back dachshund[9][11] and one of Max's friends.
Bobby Moynihan as Mel, an hyperactive pug and one of Max's friends.
Steve Coogan as Ozone, a Cockney-accented Sphynx cat.

Steve Coogan also voices Reginald, a malevolent Himalayan cat.

Albert Brooks as Tiberius, a curmudgeonly red-tailed hawk.[9][11]
Chris Renaud as Norman, a guinea pig who keeps getting lost trying to find his apartment.
Michael Beattie as Tattoo, a slow-witted tattooed pig who is one of the Flushed Pets.
Sandra Echeverría as Maria, a character from the La Pasión de la Pasión telenovela that Gidget watches.
Jaime Camil as Fernando, a character from the La Pasión de la Pasión telenovela that Gidget watches.
Kiely Renaud as Molly, a little girl who adopts Snowball.

text: Production[edit]

text: In January 2014, it was announced that Louis C.K., Eric Stonestreet, and Kevin Hart had joined the cast of the film, with Chris Renaud set to direct from a screenplay written by Brian Lynch, Cinco Paul and Ken Daurio, while Illumination Entertainment would produce, and Universal Pictures would distribute the film and was originally titled Max.[12][8] In June 2014, Albert Brooks, Hannibal Buress, Bobby Moynihan, Lake Bell and Ellie Kemper joined the cast.[9] The animation was created entirely in France by Illumination MacGuff.[13]

text: Music and soundtrack[edit]

text:
The Secret Life of Pets (Original Motion Picture Soundtrack)

Soundtrack album by Alexandre Desplat

Released
July 1, 2016 (2016-07-01)

Recorded
2016

Genre

Film score
Jazz
Classical

Length
51:31

Label
Back Lot Music

Producer
Dominique Lemonnier

Alexandre Desplat soundtrack chronology

Florence Foster Jenkins
(2016)Florence Foster Jenkins2016
The Secret Life of Pets
(2016)
The Light Between Oceans
(2016)The Light Between Oceans2016

text: The original score for the film was composed by Alexandre Desplat.[14] The soundtrack was released on July 1, 2016 by Back Lot Music.[15]

text: All music composed by Alexandre Desplat, except "We Go Together" by The Sausage Factory Singers.

text:
[show]Track listing

No.
Title
Length

1.
"Meet the Pets"
2:37

2.
"Katie's Leaving"
0:55

3.
"Meet Duke"
3:36

4.
"Fetch Me a Stick"
3:09

5.
"Telenovela Squirrels"
1:24

6.
"Hijack!"
2:00

7.
"Gidget Meets Tiberius"
4:56

8.
"Initiation Time"
1:01

9.
"Rooftop Route"
1:27

10.
"The Viper"
1:49

11.
"You Have an Owner?"
3:04

12.
"Good Morning Max"
1:21

13.
"Sewer Chase"
1:09

14.
"Who's With Me?"
1:21

15.
"Me Like What Me See"
0:54

16.
"Traveling Bossa"
1:56

17.
"Flushed Out To Brooklyn"
2:47

18.
"Sausages!"
1:13

19.
"Duke's Old House / Captured"
3:03

20.
"Brooklyn Bridge Showdown"
2:34

21.
"Rescuing Duke"
2:46

22.
"Wet But Handsome / Blue Taxi"
1:24

23.
"Max and Gidget"
1:36

24.
"Welcome Home"
1:57

25.
"We Go Together" (originally from Grease)
1:24

Total length:
51:31

text: Release[edit]

text: The film was originally scheduled to be released on February 12, 2016, but was pushed back to July 8, 2016.[2] It was released in 2D, 3D, and IMAX 3D using DMR.[16][better source needed] The Secret Life of Pets premiered at the 2016 Annecy International Animated Film Festival on June 16, 2016, and was screened at VidCon.[17] The film is accompanied by a Despicable Me short film entitled Mower Minions.

text: Home media[edit]

text: The Secret Life of Pets was released on Digital HD on November 22, 2016, and on Blu-ray, Blu-ray 3D, Ultra HD Blu-ray, and DVD on December 6, 2016. In addition to the short film Mower Minions, which was released theatrically with the feature film, the releases also include two short films: Norman Television and Weenie.[18]

text: Reception[edit]

text: Box office[edit]

text: The Secret Life of Pets grossed $368.4 million in Canada and the U.S., and $507.1 million in other countries for a worldwide total of $875.5 million, against a production budget of $75 million.[4] Its internationally takings helped push Universal Pictures [International] past $1 billion for the tenth consecutive year,[19] and aided Illumination Entertainment to pass the $4 billion mark for the first time since 2010.[20]

text: Worldwide, it is the fifth highest-grossing original film of all time (behind Avatar, Zootopia, The Lion King, and Finding Nemo),[21] the sixth highest-grossing film of 2016,[22] the 12th highest-grossing animated film of all time, and the 50th highest-grossing film of all time. Deadline.com calculated the net profit of the film to be $374.6 million, when factoring together all expenses and revenues for the film, making it the most profitable release of 2016.[23]

text: North America[edit]

text: In Canada and the United States, the film was projected to gross around $70 million in its opening weekend, with some predictions going as high as $100 million.[24][25][26] It received the widest release for an animated film as well as for a PG-rated film (breaking Shrek Forever After's record) and the seventh widest of all time overall, across 4,370 theaters, the widest release since The Dark Knight Rises.[25][27][28][29] It made $5.3 million from Thursday night previews in 3,009 theaters, which is the second biggest of all time for Illumination, behind only Minions ($6.2 million), and the third biggest of all time for an animated film, behind Finding Dory ($9.2 million) and Minions.[26][30] This was followed by a record-breaking $38.5 million opening day gross (including previews), the biggest for an original film.[31][32] In its opening weekend, it exceeded expectations and grossed $104.4 million, finishing first at the box office.[33] Its debut is the sixth biggest for an animated film, the sixth highest weekend debut in July, and the fourth biggest opening weekend for Universal Pictures.[34] It also set the record for largest opening for an original film, eclipsing the $90.4 million debut of Inside Out.[35][36]

text: In its second weekend, the film made $50.8 million (-51.3%) while maintaining the top spot, despite facing stiff competition with newcomer Ghostbusters.[37] Although it slipped into second place when overtaken by Star Trek Beyond in its third weekend, it was still able to fend off the two other new releases—Lights Out and Ice Age: Collision Course—by earning another $29.6 million.[38] It passed $300 million on its twenty-sixth day—the same day it crossed $400 million worldwide[39]—becoming the seventh film of 2016,[40] the seventh Universal Pictures film (the first for the year),[41] and the twelfth animated film overall to reach the benchmark.[42]

text: Outside North America[edit]

text: Internationally, The Secret Life of Pets received a scattered release from June to September in a total of 69 markets, and faced competition from other animated films such as Finding Dory and Ice Age: Collision Course in the course of its release.[43][44][45] In total, it had number-one openings in 45 markets and recorded the biggest opening for an original animated film in 17 territories, and the No. 1 animated film of 2016 to date in 13 markets.[20][46] It topped the international box office in its ninth weekend after earning $43.8 million in 53 markets (dethroning Suicide Squad).[47] However, this wasn't the film's biggest single weekend gross. Its biggest weekend gross was actually in its seventh weekend when it grossed $69.3 million. That weekend it was No. 3 behind Suicide Squad ($133.3 million) and Chinese film Time Raiders ($64.6 million).[48]

text: It was released in the United Kingdom and Norway two weeks ahead of its U.S. release, where it grossed a combined total of $14.1 million in the two markets.[43] Prior to its official debut in the UK and Ireland on June 24, the film had two days worth of previews on June 18 and 19, from which it made £3.63 million ($5.2 million) in two days. This figure was later counted in the film's official opening weekend.[49] It went on to score the fourth biggest original animation opening weekend ever there, with £9.58 million ($13.4 million) from 592 theaters, trailing behind Inside Out, Monsters, Inc., and Up. Excluding previews, its total three-day opening was $8.1 million.[50][51] This was amidst Brexit and despite facing competition from Independence Day: Resurgence.[43][52] The film held off extremely well in its second and third weekend falling just 20% and 24%, earning £4.47 million ($6.1 million) and £3.62 million ($4.8 million) respectively despite facing some competitions.[53][54] It has topped the box office for three consecutive weekends and has grossed total of $41 million there.[55] In Norway, it took the number one spot as well, with $778,000.[43] It scored the biggest animation opening of 2016 and the second biggest of all time overall in both Taiwan ($2 million)—behind Madagascar, and Hong Kong ($1.9 million)—behind Inside Out.[44]

text: In Argentina, the film had a record-breaking number-one debut with $4 million from 195 screens — the biggest opening weekend ever for an animated film and the second biggest opening ever for any film (behind Furious 7). Similarly, Chile also recorded the second biggest animated opening ever with $1.7 million (behind Minions). Colombia also opened at No. 1 with a huge $1.5 million.[56] In Mexico, other than opening at No. 1, it posted the biggest original animated opening of all time with $7.6 million, surpassing the studio's own previous record holder Inside Out.[45] Also in Russia, it scored the biggest original animated opening and the second biggest ever for an animated film, behind Minions with $16.3 million, although this included $6.4 million five days worth of previews.[47] It went on to become the highest-grossing film of the summer that year.[57] In Japan, the film opened on August 11—the date of Japan's first Mountain Day national holiday—with Toho-Towa distributing, and earned $4.6 million on 370,000 admissions for its two-day opening weekend dethroning Shin Godzilla off the top spot. The cumulative total for the four-day holiday (August 11–14) was $9.7 million.[19][58] Similarly, it had number-one debuts in Germany ($7.1 million) and France ($5.9 million), Australia ($5.6 million), Italy ($5.1 million), Brazil ($4.4 million), Spain ($4.5 million), Poland ($1.7 million), Singapore ($1.3 million), Belgium ($1.2 million) and Denmark ($1.2 million), Indonesia ($1.1 million), the Philippines ($1 million), and South Africa ($463,000). In Germany, it scored the best animation opening since Minions.[45][59][60][61][62][63][64][65] It topped the box office in Israel for five straight weekends and in Australia, Russia and Spain for three weekends.[45][47][61][63] In Japan, the film was the highest-grossing foreign release of the weekend, holding the top spot for four consecutive weekends.[60]

text: In China—the world's second biggest film market—the film opened on a Tuesday, earning a modest $5.2 million on its opening day. To Sunday, it achieved a six-day opening of $29.3 million and $15.5 million for the weekend alone (Friday to Sunday), with per screen averages over $500 per screen per day. In both instances, it was behind the local film Time Raiders.[59][66][67] In South Korea, despite debuting in fifth place, it had an opening of $6.9 million.[59] Elsewhere, it grossed $2.7 million in the Netherlands, $1.2 million in Sweden and in Hungary it scored the biggest opening of the year with $738,000,[59] and also in Portugal ($965,000), Latvia ($224,000),[47] and South Africa.[64]

text: In terms of total earnings, its biggest markets are China ($58 million), United Kingdom and Ireland ($47.2 million), Japan ($41.6 million) and Russia ($34.2 million).[19][47][68] It became the third highest-grossing film of all time in Russia (behind Avatar and Zootopia)[61] and the highest-grossing film of 2016 in Spain.[20][62]

text: Critical response[edit]

text: On Rotten Tomatoes, the film has an approval rating of 74% based on 200 reviews with an average rating of 6.2/10. The site's critical consensus reads, "Fast-paced, funny, and blessed with a talented voice cast, The Secret Life of Pets offers a beautifully animated, cheerfully undemanding family-friendly diversion."[69] On Metacritic, the film has a score of 61 out of 100 based on 39 critics, indicating "generally favorable reviews."[70] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[71]

text: Peter Travers of Rolling Stone gave the film three out of four stars and called it "an animated fluffball-a sort of Toy Story with pets does everything to drive you crazy and ends up being totally irresistible."[72] Scott Tobias, writing for NPR, characterized the film's concept as "Toy Story but with house pets," highlighting the film's "thinly distinguished characters" and "gloppy sentimentality."[73] Steven Rea of The Philadelphia Inquirer gave the film three out of four stars and said "In much the same way that the smash Zootopia demonstrated that creatures of different culture and class and species are better off when they come together, The Secret Life of Pets is a testament to teamwork and friendship and fixing the rifts that divide us. Let the fur – and the warm, fuzzy feelings – fly."[74]

text: However, some critics disliked the film's unexpected similarities with Pixar's Toy Story.[75] Matthew Parkinson of The Escapist compared the plots of both films and wrote that "The Secret Life of Pets feels like one of those hour-long ripoffs you'd see on a children's television network."[76] Ethan Anderton of the website /Film criticised the film's characterisation, and noted that the relationship between Max and Duke was akin to "Woody and Buzz Lightyear all over again."[77]

text: Accolades[edit]

text:
List of awards and nominations

Award
Date of ceremony
Category
Recipient(s)
Result
Ref(s)

Annie Awards
February 4, 2017
Outstanding Achievement, Character Design in an Animated Feature Production
Eric Guillon
Nominated
[78]

Outstanding Achievement, Music in an Animated Feature Production
Alexandre Desplat

British Academy Children's Awards
November 20, 2016
BAFTA Kids' Vote
The Secret Life of Pets
[79][80]

Cinema Audio Society
February 18, 2017
Outstanding Achievement in Sound Mixing for a Motion Picture – Animated
David Accord, Jason Butler, Gary A. Rizzo, Carlos Sotolongo and Frank Wolf
[81]

Hollywood Music in Media Awards
November 17, 2016
Best Original Score – Animated Film
Alexandre Desplat
Won
[82][83]

2017 Kids' Choice Awards
March 11, 2017
Favorite Animated Movie
The Secret Life of Pets
Nominated
[84]

Favorite Voice From an Animated Movie
Kevin Hart

Favorite Villain
Won

Most Wanted Pet

NAACP Image Awards
February 11, 2017
Outstanding Character Voice-Over Performance
Nominated
[85]

People's Choice Awards
January 18, 2017
Favorite Family Movie
The Secret Life of Pets
[86]

Favorite Animated Movie Voice
Kevin Hart

Producers Guild of America
January 28, 2017
Best Animated Motion Picture
Janet Healy and Chris Meledandri
[87]

text: Sequel[edit]

text: In August 2016 it was announced that there would be a sequel, with director Chris Renaud, producers Chris Meledandri and Janet Healy, and writer Brian Lynch, with a release date of July 13, 2018.[88] On January 25, 2017, its release date was pushed back to July 3, 2019.[7] On August 15, 2017, its release date was moved forward to June 7, 2019.