document_title: Small intestine

question_text: where does most absorption occur in small intestine

text: Small intestine

text: Structure[edit]

text: Size[edit]

text: The length of the small intestine can vary greatly, from as short as 2.75 m (9.0 ft) to as long as 10.49 m (34.4 ft).[3] The average length in a living person is 3m-5m.[4][5] The length depends both on how tall the person is and how the length is measured.[3] Taller people generally have a longer small intestine and measurements are generally longer after death and when the bowel is empty.[3]

text: It is approximately 1.5 cm in diameter in newborns after 35 weeks of gestational age,[6] and 2.5–3 cm (1 inch) in diameter in adults. On abdominal X-rays, the small intestine is considered to be abnormally dilated when the diameter exceeds 3 cm.[7][8] On CT scans, a diameter of over 2.5 cm is considered abnormally dilated.[7][9] The surface area of the human small intestinal mucosa, due to enlargement caused by folds, villi and microvilli, averages 30 square meters.[10]

text: Parts[edit]

text: The small intestine is divided into three structural parts.

text:
The duodenum is a short structure ranging from 20 cm (7.9 inches) to 25 cm (9.8 inches) in length, and shaped like a "C".[11] It surrounds the head of the pancreas. It receives gastric chyme from the stomach, together with digestive juices from the pancreas (digestive enzymes) and the liver (bile). The digestive enzymes break down proteins and bile emulsifies fats into micelles. The duodenum contains Brunner's glands, which produce a mucus-rich alkaline secretion containing bicarbonate. These secretions, in combination with bicarbonate from the pancreas, neutralize the stomach acids contained in gastric chyme.
The jejunum is the midsection of the small intestine, connecting the duodenum to the ileum. It is about 2.5 m long, and contains the plicae circulares, and villi that increase its surface area. Products of digestion (sugars, amino acids, and fatty acids) are absorbed into the bloodstream here. The suspensory muscle of duodenum marks the division between the duodenum and the jejunum.
The ileum: The final section of the small intestine. It is about 3 m long, and contains villi similar to the jejunum. It absorbs mainly vitamin B12 and bile acids, as well as any other remaining nutrients. The ileum joins to the cecum of the large intestine at the ileocecal junction.

text: The jejunum and ileum are suspended in the abdominal cavity by mesentery. The mesentery is part of the peritoneum. Arteries, veins, lymph vessels and nerves travel within the mesentery.[12]

text: Blood supply[edit]

text: The small intestine receives a blood supply from the coeliac trunk and the superior mesenteric artery. These are both branches of the aorta. The duodenum receives blood from the coeliac trunk via the superior pancreaticoduodenal artery and from the superior mesenteric artery via the inferior pancreaticoduodenal artery. These two arteries both have anterior and posterior branches that meet in the midline and anastomose. The jejunum and ileum receive blood from the superior mesenteric artery.[13] Branches of the superior mesenteric artery form a series of arches within the mesentery known as arterial arcades, which may be several layers deep. Straight blood vessels known as vasa recta travel from the arcades closest to the ileum and jejunum to the organs themselves.[13]

text: Histology[edit]

text: The three sections of the small intestine look similar to each other at a microscopic level, but there are some important differences. The parts of the intestine are as follows:

text:
Layer
Duodenum
Jejunum
Ileum

Serosa
1st part serosa, 2nd–4th adventitia
Normal
Normal

Muscularis externa
Longitudinal and circular layers, with Auerbach's (myenteric) plexus in between
Same as duodenum
Same as duodenum

Submucosa
Brunner's glands and Meissner's (submucosal) plexus
No BG
No BG

Mucosa: muscularis mucosae
Normal
Normal
Normal

Mucosa: lamina propria
No PP
No PP
Peyer's patches

Mucosa: intestinal epithelium
Simple columnar. Contains goblet cells, Paneth cells
Similar to duodenum
?

text: Development[edit]

text: The small intestine develops from the midgut of the primitive gut tube.[14] By the fifth week of embryological life, the ileum begins to grow longer at a very fast rate, forming a U-shaped fold called the primary intestinal loop. The loop grows so fast in length that it outgrows the abdomen and protrudes through the umbilicus. By week 10, the loop retracts back into the abdomen. Between weeks six and ten the small intestine rotates anticlockwise, as viewed from the front of the embryo. It rotates a further 180 degrees after it has moved back into the abdomen. This process creates the twisted shape of the large intestine.[14]

text: Function[edit]

text: Food from the stomach is allowed into the duodenum through the pylorus by a muscle called the pyloric sphincter.

text: Digestion[edit]

text: The small intestine is where most chemical digestion takes place. Many of the digestive enzymes that act in the small intestine are secreted by the pancreas and liver and enter the small intestine via the pancreatic duct. Pancreatic enzymes and bile from the gallbladder enter the small intestine in response to the hormone cholecystokinin, which is produced in the small intestine in response to the presence of nutrients. Secretin, another hormone produced in the small intestine, causes additional effects on the pancreas, where it promotes the release of bicarbonate into the duodenum in order to neutralize the potentially harmful acid coming from the stomach.

text: The three major classes of nutrients that undergo digestion are proteins, lipids (fats) and carbohydrates:

text:
Proteins are degraded into small peptides and amino acids before absorption.[15] Chemical breakdown begins in the stomach and continues in the small intestine. Proteolytic enzymes, including trypsin and chymotrypsin, are secreted by the pancreas and cleave proteins into smaller peptides. Carboxypeptidase, which is a pancreatic brush border enzyme, splits one amino acid at a time. Aminopeptidase and dipeptidase free the end amino acid products.
Lipids (fats) are degraded into fatty acids and glycerol. Pancreatic lipase breaks down triglycerides into free fatty acids and monoglycerides. Pancreatic lipase works with the help of the salts from the bile secreted by the liver and stored in the gall bladder. Bile salts attach to triglycerides to help emulsify them, which aids access by pancreatic lipase. This occurs because the lipase is water-soluble but the fatty triglycerides are hydrophobic and tend to orient towards each other and away from the watery intestinal surroundings. The bile salts emulsify the triglycerides in the watery surroundings until the lipase can break them into the smaller components that are able to enter the villi for absorption.
Some carbohydrates are degraded into simple sugars, or monosaccharides (e.g., glucose). Pancreatic amylase breaks down some carbohydrates (notably starch) into oligosaccharides. Other carbohydrates pass undigested into the large intestine and further handling by intestinal bacteria. Brush border enzymes take over from there. The most important brush border enzymes are dextrinase and glucoamylase, which further break down oligosaccharides. Other brush border enzymes are maltase, sucrase and lactase. Lactase is absent in some adult humans and, for them, lactose (a disaccharide), as well as most polysaccharides, is not digested in the small intestine. Some carbohydrates, such as cellulose, are not digested at all, despite being made of multiple glucose units. This is because the cellulose is made out of beta-glucose, making the inter-monosaccharidal bindings different from the ones present in starch, which consists of alpha-glucose. Humans lack the enzyme for splitting the beta-glucose-bonds, something reserved for herbivores and bacteria from the large intestine.

text: Absorption[edit]

text: Digested food is now able to pass into the blood vessels in the wall of the intestine through either diffusion or active transport. The small intestine is the site where most of the nutrients from ingested food are absorbed. The inner wall, or mucosa, of the small intestine is lined with simple columnar epithelial tissue. Structurally, the mucosa is covered in wrinkles or folds called plicae circulares, which are considered permanent features in the wall of the organ. They are distinct from rugae which are considered non-permanent or temporary allowing for distention and contraction. From the plicae circulares project microscopic finger-like pieces of tissue called villi (Latin for "shaggy hair"). The individual epithelial cells also have finger-like projections known as microvilli. The functions of the plicae circulares, the villi, and the microvilli are to increase the amount of surface area available for the absorption of nutrients, and to limit the loss of said nutrients to intestinal fauna.

text: Each villus has a network of capillaries and fine lymphatic vessels called lacteals close to its surface. The epithelial cells of the villi transport nutrients from the lumen of the intestine into these capillaries (amino acids and carbohydrates) and lacteals (lipids). The absorbed substances are transported via the blood vessels to different organs of the body where they are used to build complex substances such as the proteins required by our body. The material that remains undigested and unabsorbed passes into the large intestine.

text: Absorption of the majority of nutrients takes place in the jejunum, with the following notable exceptions:

text:
Iron is absorbed in the duodenum.
Vitamin B12 and bile salts are absorbed in the terminal ileum.
Water is absorbed by osmosis and lipids by passive diffusion throughout the small intestine.

text:
Sodium bicarbonate is absorbed by active transport and glucose and amino acid co-transport
Fructose is absorbed by facilitated diffusion.

text: Immunological[edit]

text: The small intestine supports the body's immune system.[16] The presence of gut flora appears to contribute positively to the host's immune system. Peyer's patches, located within the ileum of the small intestine, are an important part of the digestive tract's local immune system. They are part of the lymphatic system, and provide a site for antigens from potentially harmful bacteria or other microorganisms in the digestive tract to be sampled, and subsequently presented to the immune system.[17]

text: Gene and protein expression[edit]

text: About 20,000 protein coding genes are expressed in human cells and 70% of these genes are expressed in the normal duodenum.[18][19] Some 300 of these genes are more specifically expressed in the duodenum with very few genes expressed only in the small intestine. The corresponding specific proteins are expressed in glandular cells of the mucosa, such as fatty acid binding protein FABP6. Most of the more specifically expressed genes in the small intestine are also expressed in the duodenum, for example FABP2 and the DEFA6 protein expressed in secretory granules of Paneth cells.[20]

text: Clinical significance[edit]

text: The small intestine is a complex organ, and as such, there are a very large number of possible conditions that may affect the function of the small bowel. A few of them are listed below, some of which are common, with up to 10% of people being affected at some time in their lives, while others are vanishingly rare.

text:
Small intestine obstruction or obstructive disorders

Meconium ileus
Paralytic ileus
Volvulus
Hernia
Intussusception
Adhesions
Obstruction from external pressure
Obstruction by masses in the lumen (foreign bodies, bezoar, gallstones)

Infectious diseases

Giardiasis
Ascariasis
Tropical sprue
Tape worm (Diphyllobothrium latum, Taenia solium, Hymenolepsis nana)
Hookworm (e.g. Necator americanus, Ancylostoma duodenale)
Nematodes (e.g. Ascaris lumbricoides)
Other Protozoa (e.g. Cryptosporidium parvum, Cyclospora, Microsporidia, Entamoeba histolytica)
Bacterial infections

Enterotoxigenic Escherichia coli
Salmonella enterica
Campylobacter
Shigella
Yersinia
Clostridium difficile (antibiotic-associated colitis, Pseudomembranous colitis)
Mycobacterium (Mycobacterium avium paratuberculosis, disseminated Mycobacterium tuberculosis)
Whipple's disease
Vibrio (cholera)
Enteric (typhoid) fever (Salmonella enterica var. typhii) and paratyphoid fever
Bacillus cereus
Clostridium perfringens (gas gangrene)

Viral infections

Rotavirus
Norovirus
Astrovirus
Adenovirus
Calicivirus

Neoplasms (cancers)

Adenocarcinoma
Carcinoid
Gastrointestinal stromal tumor (GIST)
Lymphoma
Sarcoma
Leiomyoma
Metastatic tumors, especially SCLC or melanoma

Developmental, congenital or genetic conditions

Duodenal (intestinal) atresia
Hirschsprung's disease
Meckel's diverticulum
Pyloric stenosis
Pancreas divisum
Ectopic pancreas
Enteric duplication cyst
Situs inversus
Cystic fibrosis
Malrotation
Persistent urachus
Omphalocele
Gastroschisis
Disaccharidase (lactase) deficiencies
Primary bile acid malabsorption
Gardner syndrome
Familial adenomatous polyposis syndrome (FAP)

Other conditions

Crohn's disease, and the more general inflammatory bowel disease
Typhlitis (neutropenic colitis in the immunosuppressed
Coeliac disease (sprue or non-tropical sprue)
Mesenteric ischemia
Embolus or thrombus of the superior mesenteric artery or the superior mesenteric vein
Arteriovenous malformation
Gastric dumping syndrome
Irritable bowel syndrome
Duodenal (peptic) ulcers
Gastrointestinal perforation
Hyperthyroidism
Diverticulitis
Radiation enterocolitis
Mesenteric cysts
Peritoneal Infection
Sclerosing retroperitonitis
Small intestinal bacterial overgrowth
Endometriosis

text: Other animals[edit]

text: The small intestine is found in all tetrapods and also in teleosts, although its form and length vary enormously between species. In teleosts, it is relatively short, typically around one and a half times the length of the fish's body. It commonly has a number of pyloric caeca, small pouch-like structures along its length that help to increase the overall surface area of the organ for digesting food. There is no ileocaecal valve in teleosts, with the boundary between the small intestine and the rectum being marked only by the end of the digestive epitheliu [21]

text: In tetrapods, the ileocaecal valve is always present, opening into the colon. The length of the small intestine is typically longer in tetrapods than in teleosts, but is especially so in herbivores, as well as in mammals and birds, which have a higher metabolic rate than amphibians or reptiles. The lining of the small intestine includes microscopic folds to increase its surface area in all vertebrates, but only in mammals do these develop into true villi.[21]

text: The boundaries between the duodenum, jejunum, and ileum are somewhat vague even in humans, and such distinctions are either ignored when discussing the anatomy of other animals, or are essentially arbitrary.[21]

text: There is no small intestine as such in non-teleost fish, such as sharks, sturgeons, and lungfish. Instead, the digestive part of the gut forms a spiral intestine, connecting the stomach to the rectum. In this type of gut, the intestine itself is relatively straight but has a long fold running along the inner surface in a spiral fashion, sometimes for dozens of turns. This valve greatly increases both the surface area and the effective length of the intestine. The lining of the spiral intestine is similar to that of the small intestine in teleosts and non-mammalian tetrapods.[21]

text: In lampreys, the spiral valve is extremely small, possibly because their diet requires little digestion. Hagfish have no spiral valve at all, with digestion occurring for almost the entire length of the intestine, which is not subdivided into different regions.[21]

text: Society and culture[edit]

text: In traditional Chinese medicine, the small intestine is a yang organ.[22]

text: Additional images[edit]

text:
Small intestine in situ, greater omentum folded upwards.

Third state of the development of the intestinal canal and peritoneum, seen from in front (diagrammatic). The mode of preparation is the same as in Fig 400

Second stage of development of the intestinal canal and peritoneum, seen from in front (diagrammatic). The liver has been removed and the two layers of the ventral mesogastrium (lesser omentum) have been cut. The vessels are represented in black and the peritoneum in the reddish tint.

First stage of the development of the intestinal canal and the peritoneum, seen from the side (diagrammatic). From colon 1 the ascending and transverse colon will be formed and from colon 2 the descending and sigmoid colons and the rectum.


document_title: Happy Death Day

question_text: who kills tree gelbman in happy death day

root

text: Happy Death Day

text: Plot[edit]

text: Theresa "Tree" Gelbman wakes up on her birthday on Monday, September 18th in the dorm room of classmate Carter Davis after a drunken romp the previous evening. Tree goes through the day being self-centered, dismissive and condescending to her fellow classmates and previous hook-ups, ignoring her father's invite to a restaurant, throwing away a birthday cupcake given to her by her roommate Lori, and having an affair with her professor Gregory Butler. That night, while going to a party, Tree is lured into a tunnel where she is murdered by a hooded figure wearing a mask of the campus mascot.

tag: p

text: Tree wakes up the next morning back in Carter's bed with the previous day's events repeating. Unnerved, she relives the day and avoids the tunnel, instead returning to her sorority house for a surprise party. However, while hooking up with her classmate Nick, the masked killer murders him before killing Tree once more. Tree realizes she is in a time loop and tries to avoid her death by barricading herself in her room. However, she is murdered again when the killer hides in her bathroom.

text: During the next loop, she relays her story to Carter, who suggests that she take advantage of the loop in order to figure out who her killer is. She spends the next loops trailing several suspected classmates, all of which end in her murder as she is stalking the current suspect.

text: On the next loop after being bludgeoned by a baseball bat from her previous death, Tree passes out shortly after waking up. She awakens in the hospital where she learns she has retained damage from her other murders and is growing weaker. Tree escapes the hospital room only to be chased by her killer until she manages to flee in Butler's car. While driving, she is pulled over by a police officer and volunteers to be arrested in order to be spared. However, the killer runs down the officer and sets her car on fire, burning Tree to death and sending her through another loop.

text: Waking up in Carter's bed again, Tree convinces Carter of her predicament by showing that she holds foreknowledge of the day's events. Tree admits to Carter she doesn't like who she's become; she has also grown distant from her father ever since her mother passed away three years ago and that they had shared the same birthday. Tree catches a local news report on John Tombs, a serial killer who is being held in the hospital on her campus. Concluding that Tombs is her killer, Tree rushes to the hospital to warn of his escape. Tombs breaks free and nearly kills Tree, but Carter follows and rescues her. Unfortunately, Tombs snaps Carter's neck before chasing Tree to a nearby bell tower where she manages to subdue him with a crowbar. Realizing that Carter will remain dead if she doesn't restart the loop, Tree hangs herself from the tower.

text: During the next loop, Tree goes around righting the various wrongs she has caused, ending her affair with Dr. Butler, finally meeting with her dad to resolve her inner grief, and resolving to be a kinder person. That night, she prepares to stop Tombs. He manages to get the upper hand on her until Tree utilizes a campus-wide blackout that occurs during her loops to disarm him and shoot him to death. Relieved to finally be free, she celebrates her birthday in Carter's room and eats the cupcake given to her by Lori.

text: However, the next morning Tree wakes up again on her birthday. Confused and distraught over the fact that killing Tombs didn't stop the time loops, Tree returns to her room in order to run away, where Lori offers the cupcake again. Tree realizes that she had died in her sleep, and also notes that this was the only time she had ever eaten the cupcake. Tree realizes Lori is the true killer; Lori had poisoned the cupcake, but when Tree didn't eat it, she utilized her job in the hospital to frame Tombs for Tree's murder. Lori confesses she was jealous that Dr. Butler had shown interest in Tree over her before the two fight. Tree manages to stuff the cupcake into Lori's mouth before kicking her out of a window, sending her falling to her death.

text: Tree and Carter muse over the day's events back in the restaurant, and he offers her his room for the night, also commenting her situation is a lot like the film Groundhog Day. Tree wakes up the next day believing to be in another loop, but it turns out to be a prank by Carter and the two share a kiss.

text: Cast[edit]

text:
Jessica Rothe as Tree Gelbman
Israel Broussard as Carter Davis
Ruby Modine as Lori Spengler
Rachel Matthews as Danielle Bouseman
Charles Aitken as Gregory Butler
Rob Mello as John Tombs
Phi Vu as Ryan Phan
Caleb Spillyards as Tim Bauer
Jason Bayle as David Gelbman
Laura Clifton as Stephanie Butler
Cariella Smith as Becky Shepard
Tran Tran as Emily
Blaine Kern III as Nick Sims
Dane Rhodes as Officer Santora
Tenea Intriago as Student Protestor
Missy Yager as Mrs. Gelbman

tag: ul

text: Production[edit]

text: Pre-production[edit]

text:
"The movie was in pre-production or soft production at the time, and I came on and I loved the concept of the movie. I loved the idea of a girl, trapped in a time loop who has to solve her own murder."

– Director Christopher B. Landon about the concept of the film.[6]

tag: div

text: The mask was constructed by Tony Gardner, the same man who built the infamous "Ghostface" mask from every Scream film, and that its design was personal. Landon explains, "During preproduction... I was expecting my first son. I don't know if I just had babies on the brain, or if I was subsconciously scared to become a father, but that baby image was floating around in my head. Tony made us a pig mask, too, but when I wore the baby mask in the office, I scared a co-worker, and we thought... yeah, this is it. This is the one."[7] Christopher Landon was inspired by films such as Groundhog Day, Scream (1996), Halloween (1978), Sixteen Candles, Back to the Future, E.T. the Extra-terrestrial, The Goonies, Gremlins, An American Tale, Innerspace, Tucker & Dale vs. Evil, Black Christmas (1974) and Heathers.[8]

text: Development and casting[edit]

text: The film was first announced in July 2007, with Megan Fox attached to star. The film was originally titled Half to Death, and was to be produced by Michael Bay.[9] Years later, on October 11, 2016, Blumhouse Productions announced that Jessica Rothe had been cast in the lead role of the film, with Christopher B. Landon writing and directing, and Jason Blum producing.[10] On November 8, 2016, it was announced that Ruby Modine, Charles Aitken and Rachel Matthews had joined the cast, alongside Rothe and Israel Broussard.[11]

text: Writing[edit]

text: In the original draft of Scott Lobdell, Lori and Gregory were the killers together. Landon says, "They were a psycho couple murdering Tree together. That ultimately didn’t work for me. I thought Gregory was a great opportunity to be a suspect. To make him a killer, it didn't help me. That was a change I really wanted to make."[12] Also, in the original draft there was a big birthday.[12]

text: Filming[edit]

text: Filming took place at and around Loyola University in New Orleans, Louisiana.[13] The scenes that Tree awakens in Carter's bed after her death were filmed back to back in a span of two days.[14]

text: Release[edit]

text: Happy Death Day was theatrically released in the United States on Friday, October 13, 2017, by Universal Studios.[15]

text: Box office[edit]

text: As of November 5, 2017[update], Happy Death Day has grossed $53 million in the United States and Canada, and $25.4 million in other territories, for a worldwide total of $78.4 million, against a production budget of $4.8 million.[2]

text: In the United States and Canada, Happy Death Day was released alongside Marshall, The Foreigner and Professor Marston and the Wonder Women, and was expected to gross $15–20 million from 3,130 theaters in its opening weekend.[16] It made $1 million from Thursday night previews at 2,450 theaters, similar to fellow Blumhouse release The Visit ($1.05 million in 2015)[17] and $11.6 million on its first day, increasing weekend projections to $26 million. It went on to debut to $26.5 million, topping the box office, making it the third Blumhouse Productions film of 2017 (after Split and Get Out) to do so.[5] It fell 64% in its second weekend to $9.4 million, finishing in third behind newcomers Boo 2! A Madea Halloween and Geostorm.[18]

text: Critical response[edit]

text: On review aggregator website Rotten Tomatoes, the film has an approval rating of 69% based on 97 reviews, with an average rating of 6/10. The site's critical consensus reads, "Happy Death Day puts a darkly humorous sci-fi spin on slasher conventions, with added edge courtesy of a starmaking performance from Jessica Rothe."[19] On Metacritic, the film has a weighted average score of 57 out of 100, based on 26 critics, indicating "mixed or average reviews".[20] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[5]

text: Critics noted that although the film makes laudatory attempts at merging genres--including romantic comedy, horror and "campus satire"-- the end results were mixed.[21] Jamie East from The Sun likened it to a "slasher Mean Girls," while Chris Agar of Screen Rant observed that the "fun, if silly, blending of genre tropes...ends up being a double-edged sword."[22][23]

text: Possible sequel[edit]

text: Director Christopher B. Landon talked about the possibility of a sequel, and it would focus on why Tree went into a time loop.[24]


document_title: List of Super Bowl halftime shows

question_text: who is performing at super bowl half time

text: List of Super Bowl halftime shows

text: Background[edit]

text: During most of the Super Bowl's first decade, the halftime show featured a college marching band. The show's second decade featured a more varied show, often featuring drill teams and other performance ensembles; the group Up with People produced and starred in four of the performances. The middle of the third decade, in an effort to counter other networks' efforts to counterprogram the game,[7] saw the introduction of popular music acts such as New Kids on the Block, Gloria Estefan, Michael Jackson, Clint Black, Patti LaBelle, and Tony Bennett. Starting with Super Bowl XXXII, commercial sponsors presented the halftime show; within five years, the tradition of having a theme—begun with Super Bowl III—ended, replaced by major music productions by arena rock bands and other high-profile acts. In the six years immediately following an incident at Super Bowl XXXVIII where Justin Timberlake exposed one of Janet Jackson's breasts in an alleged "wardrobe malfunction", all of the halftime shows consisted of a performance by one artist or group, with the musicians in that era primarily being rock artists from the 1960s, 1970s and 1980s. These shows were considered "family friendly" and the time in which they took place has been described as "the age of reactionary halftime shows.[8] Since Super Bowl XLV, the halftime show has returned to featuring popular contemporary musicians, with the typical format featuring a single headline artist collaborating with a small number of guest acts.

text: The NFL does not pay the halftime show performers an appearance fee, though it covers all expenses for the performers and their entourage of band members management, technical crew, security personnel, family, and friends.[9] Super Bowl XXVII halftime show with Michael Jackson provided an exception, as the NFL and Frito-Lay agreed to make a donation and provide commercial time for Jackson's Heal the World Foundation.[10][11][12][11] According to Nielsen SoundScan data, the halftime performers regularly experience significant spikes in weekly album sales and paid digital downloads due to the exposure.[13] For Super Bowl XLIX, it was reported by the Wall Street Journal that league officials asked representatives of potential acts if they would be willing to provide financial compensation to the NFL in exchange for their appearance, in the form of either an up-front fee, or a cut of revenue from concert performances made after the Super Bowl. While these reports were denied by an NFL spokeswoman, the request had, according to the Journal, received a "chilly" response from those involved.[14][15]

text: History[edit]

text: The following is a list of the performers, producers, themes, and sponsors for each Super Bowl game's show.

text:
Super Bowl
Show details

I

Date: Jan 15, 1967
Location: Los Angeles Memorial Coliseum (University Park, Los Angeles, California)
Performers: University of Arizona Symphonic Marching Band & Grambling State University Marching Band, Al Hirt, Anaheim High School Drill Team and Flag Girls
Producer: Tommy Walker
Setlist: "The Liberty Bell" (The University of Arizona Symphonic Marching Band)
References:[16][17][18]

II

Date: Jan 14, 1968
Location: Miami Orange Bowl (Miami, Florida)
Performers: Grambling State University Marching Band
References:[16]

III

Date: Jan 12, 1969
Location: Miami Orange Bowl (Miami, Florida)
Theme: America Thanks
Performers: Florida A&M University and Miami area High School Bands
References:[16]

tag: table

text:
Super Bowl
Show details

IV

Date: Jan 11, 1970
Lon: Tulane Stadium (New Orleans, Louisiana)
Theme: Tribute to Mardi Gras
Performers: Marguerite Piazza, Doc Severinsen, Al Hirt, Lionel Hampton Southern University Marching Band
References:[16]
Setlist:

"When the Saints Go Marching In"

V

Date: Jan 17, 1971
Location: Miami Orange Bowl (Miami, Florida)
Performers: Southeast Missouri State Marching Band
References:[16][19]

VI

Date: Jan 16, 1972
Location: Tulane Stadium (New Orleans, Louisiana)
Theme: Salute to Louis Armstrong
Performers: Ella Fitzgerald, Carol Channing, Al Hirt, USAFA Cadet Chorale, & U.S. Marine Corps Drill Team
Producer: Jim Skinner
References:[16][20]
Setlist:

"Mack the Knife" (Ella Fitzgerald and Al Hirt)

VII

Date: Jan 14, 1973
Location: Los Angeles Memorial Coliseum (University Park, Los Angeles, California)
Theme: Happiness Is
Performers: University of Michigan Marching Band & Woody Herman & Andy Williams
Producer: Tommy Walker
References:[16][21][22]
Setlist: (partial)

"Put on a Happy Face" (University of Michigan Marching Band)
"La Virgen de la Macarena" (University of Michigan Marching Band)
"This Land Is Your Land" (University of Michigan Marching Band)
"Marmalade, Molasses & Honey" (Andy Williams)
"People" (Andy Williams)

VIII

Date: Jan 13, 1974
Location: Rice Stadium (Houston, Texas)
Theme: A Musical America
Performers: University of Texas Longhorn Band and Judy Mallett (Miss Texas 1973) on fiddle
Producer: Jim Skinner
References:[16]

IX

Date: Jan 12, 1975
Location: Tulane Stadium (New Orleans, Louisiana)
Theme: Tribute to Duke Ellington
Performers: Mercer Ellington & Grambling State University Marching Bands
Producer: Jim Skinner
References:[16][18]

X

Date: Jan 18, 1976
Location: Miami Orange Bowl (Miami, Florida)
Theme: 200 Years and Just a Baby: A Tribute to America's Bicentennial
Performer: Up with People
References:[16][23]

XI

Date: Jan 9, 1977
Location: Rose Bowl (Pasadena, California)
Theme: It's a Small World
Performers: Los Angeles Unified All-City Band & Audience card stunt
Producer: The Walt Disney Company
References:[16]

XII

Date: Jan 15, 1978
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: From Paris to Paris of America
Performers: Tyler Apache Belles Drill Team, and Apache Band Pete Fountain & Al Hirt
References:[16]

XIII

Date: Jan 21, 1979
Location: Miami Orange Bowl (Miami, Florida)
Theme: Salute to Caribbean
Performers: Ken Hamilton, various Caribbean bands including Grammacks out of Dominica
Producer: Bob Jani
Sponsor: Carnival
References:[16]

text:
Super Bowl
Show details

XIV

Date: Jan 20, 1980
Location: Rose Bowl (Pasadena, California)
Theme: A Salute to the Big Band Era
Performers: Up with People, Grambling State University Marching Bands
References:[16][23]

XV

Date: Jan 25, 1981
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Mardi Gras Festival
Performers: Southern University Marching Band, Helen O'Connell
Producer: Jim Skinner
References:[16]

XVI

Date: Jan 24, 1982
Location: Pontiac Silverdome (Pontiac, Michigan)
Theme: Salute to the 1960s and Motown
Performer: Up with People
References:[16][23]

XVII

Date: Jan 30, 1983
Location: Rose Bowl (Pasadena, California)
Theme: KaleidoSUPERscope
Performer: Los Angeles Super Drill Team
Producer: Bob Jani
References:[16]

XVIII

Date: Jan 22, 1984
Location: Tampa Stadium (Tampa, Florida)
Theme: Salute to Superstars of Silver Screen
Performers: University of Florida and Florida State University Marching Bands
Producer: The Walt Disney Company
Setlist:[16]

Introduction by Phyllis George
"Hooray for Hollywood"
"You Oughta Be in Pictures"
"Steppin' Out with My Baby"
"Puttin' on the Ritz"
"42nd Street"
"When You Wish Upon a Star"

XIX

Date: Jan 20, 1985
Location: Stanford Stadium (Stanford, California)
Theme: World of Children's Dreams
Performer: Tops In Blue
Producer: Air Force Entertainment
References:[16]

XX

Date: Jan 26, 1986
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Beat of the Future
Performer: Up with People
References:[16][23]

XXI

Date: Jan 25, 1987
Location: Rose Bowl (Pasadena, California)
Theme: Salute to Hollywood's 100th Anniversary - The World of Make Believe
Performers: George Burns, Mickey Rooney, Grambling State University and USC Marching Bands, Disney characters, Southern California-area high school drill teams and dancers
Producer: The Walt Disney Company
References:[16]
Setlist:

"Ghost Riders in the Sky"
Theme songs from Bonanza, Indiana Jones, and Footloose
Hoedown song
"Cheek to Cheek"
"What a Feeling" (Theme from Flashdance)
"That's Entertainment"
"Somewhere Over the Rainbow"
"When You Wish Upon a Star"

XXII

Date: Jan 31, 1988
Location: Jack Murphy Stadium (San Diego, California)
Theme: Something Grand
Performers: Chubby Checker, The Rockettes, 88 grand pianos, and the combined San Diego State University Marching Aztecs and USC Marching Bands
Producer: Radio City Music Hall
References:[16][17]

XXIII

Date: Jan 22, 1989
Location: Joe Robbie Stadium (Miami Gardens, Florida)
Theme: 1950's Rock and Roll (Be Bop Bamboozled in 3-D)
Performers: Elvis Presto, South Florida-area dancers and performers
Producer: MagicCom Entertainment, Dan Witkowski
Sponsor: Diet Coke
Setlist:

Introduction by Bob Costas and 3-D commercial for Diet Coke
"Rock This Town"
audience participation card trick
"Tutti Frutti"
"Do You Love Me"
"Devil with a Blue Dress On"
"Great Balls of Fire"
"Greased Lightnin'"
"True Love"

References:[16][24]

text:
Super Bowl
Show details

XXIV

Date: Jan 28, 1990
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Salute to New Orleans & 40th Anniversary of Peanuts
Performers: Pete Fountain, Doug Kershaw, Irma Thomas, Nicholls State University Marching Band, Southern University Marching Band, USL Marching Band
Producer: Select Productions
References:
Setlist:

"(Up A) Lazy River"
"Waiting For The Robert E. Lee"
"Here Comes the Showboat"
"When the Saints Go Marching In" (Pete Fountain on clarinet)
"Happy Birthday to You"

XXV

Date: Jan 27, 1991
Location: Tampa Stadium (Tampa, Florida)
Theme: Small World Tribute to 25 Years of the Super Bowl
Performers: New Kids on the Block (NKOTB), Disney characters, Warren Moon, 2,000 local children, audience card stunt
Producer: The Walt Disney Company
Sponsor: Walt Disney World and Coca-Cola
References:[16]
Setlist:

"It's a Small World After All"/ "We Are the World"/ "I'd Like to Teach the World to Sing" (children)
"Step by Step" (NKOTB)
"This One's For The Children" (NKOTB and children)
"It's a Small World After All" (children)

Notes: The airing of this halftime show was delayed until after the conclusion of the game due to ABC News coverage of Operation Desert Storm

XXVI

Date: Jan 26, 1992
Location: Hubert H. Humphrey Metrodome (Minneapolis, Minnesota)
Theme: Winter Magic, salute to 1992 Winter Olympics
Performers: Gloria Estefan, Olympic Figure skaters Brian Boitano and Dorothy Hamill, members of the 1980 US Olympic Hockey Team, and the University of Minnesota Marching Band
Producer: Timberline Productions
References:[16]
Setlist:

"Winter Magic"
"Walking in a Winter Wonderland"
"Dance of the Sugar Plum Fairy"
"Frosty" (University of Minnesota Marching Band)
"One Moment in Time" (featuring Brian Boitano and Dorthy Hamill)
"Don't Stop Me Now" (featuring members of the 1980 US Olympic Hockey Team)
"Live for Loving You" (Gloria Estefan)
"Get on Your Feet" (Gloria Estefan)

Notes: During the halftime, rival network Fox aired a special live episode of In Living Color, one of the first deliberate attempts at counter-programming. The show drew over 22 million viewers away from the Super Bowl telecast.[citation needed] In mid-1992, citing this, Select Productions pitched the concept of exclusively featuring live concert-type performances from top contemporary musical artists.[citation needed] The concept and pitch is attributed to Select Productions' employee Rick Lewis and prompted the change of the 1993 halftime show to showcase Michael Jackson.[citation needed]

XXVII

Main article: Super Bowl XXVII halftime show

Date: Jan 31, 1993
Location: Rose Bowl (Pasadena, California)
Performer: Michael Jackson
Producer: Radio City, Scott Sanders and Don Mischer Productions
References:[16][17]
Setlist:

"Jam" (M. Jackson)
"Billie Jean" (M. Jackson)
"Black or White" (M. Jackson)
"We Are the World" (children's choir)
"Heal the World" (M. Jackson)

Notes: This halftime performance increased the TV ratings by a significant amount. It has been claimed to be one of the most watched events in American television history. After 1993, the NFL made a deliberate effort to attract top performers for the halftime shows.[25]

XXVIII

Date: Jan 30, 1994
Location: Georgia Dome (Atlanta, Georgia)
Theme: Rockin' Country Sunday
Performers: Clint Black, Tanya Tucker, Travis Tritt, The Judds
Producer: Select Productions
References:[16]
Setlist:

"Tuckered Out" (Clint Black)
"It's a Little Too Late" (Tanya Tucker)
"T-R-O-U-B-L-E" (Travis Tritt)
"No One Else on Earth" (Wynonna Judd)
"Love Can Build a Bridge" (The Judds, joined by the other artists and special guests for the final verse)

Notes: Travis Tritt of Atlanta, joined several other artists in history to perform in the halftime show in his own hometown. The special guests for the finale included: Stevie Wonder, Ashley Judd, Lisa Hartman Black, The Georgia Satellites, Joe Namath, Elijah Wood, and Charlie Daniels.

XXIX

Date: Jan 29, 1995
Location: Joe Robbie Stadium (Miami Gardens, Florida)
Theme: Indiana Jones and the Temple of the Forbidden Eye
Performers: Patti Labelle, Indiana Jones & Marion Ravenwood, Teddy Pendergrass, Tony Bennett, Arturo Sandoval, Miami Sound Machine
Producer: The Walt Disney Company
References:[16]
Setlist:

"Release Yourself" (Patti Labelle)
"Caravan" (Tony Bennett, Arturo Sandoval and Miami Sound Machine)
"New Attitude" (Patti Labelle)
"Can You Feel The Love Tonight" (Patti Labelle and Tony Bennett)

XXX

Date: Jan 28, 1996
Location: Sun Devil Stadium (Tempe, Arizona)
Theme: Take Me Higher: A Celebration of 30 Years of the Super Bowl
Performer: Diana Ross
Producer: Radio City Music Hall
Sponsor: Oscar Mayer
References:[16][17]
Setlist: A medley of the following songs:

"Stop In The Name Of Love"
"You Keep Me Hangin' On"
"Baby Love"
"You Can't Hurry Love"
"Why Do Fools Fall in Love"
"Chain Reaction"
"Reach Out and Touch (Somebody's Hand)"
"Ain't No Mountain High Enough"
"I Will Survive"
"Take Me Higher"

XXXI

Date: Jan 26, 1997
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Blues Brothers Bash
Performers: The Blues Brothers (Dan Aykroyd, John Goodman and James Belushi), ZZ Top, James Brown, Catherine Crier ("news" intro)
Producer: Select Productions, Radio City, House of Blues
Sponsor: Oscar Mayer
References:[16]
Setlist:

"Everybody Needs Somebody to Love" (The Blues Brothers)
"Soul Man" (The Blues Brothers)
"I Got You (I Feel Good)" (James Brown)
"Get Up (I Feel Like Being a) Sex Machine" (James Brown)
"Tush" (ZZ Top)
"Legs" (ZZ Top)
"Gimme Some Lovin'" (all performers joined together)

XXXII

Date: Jan 25, 1998
Location: Qualcomm Stadium (San Diego, California)
Theme: Salute to Motown's 40th Anniversary
Performers: Boyz II Men, Smokey Robinson, Martha Reeves, The Temptations, Queen Latifah, Grambling State University Marching Band
Producer: Radio City Music Hall
Sponsor: Royal Caribbean International & Celebrity Cruises
References:[16][17][18][26]
Setlist:

"Get Ready" (The Temptations)
"I Can't Help Myself" (The Temptations)
"The Tracks of My Tears" (Smokey Robinson)
"My Girl" (The Temptations with Smokey Robinson)
"Heat Wave" (Martha and the Vandellas)
"Paper" (Queen Latifah)
"Motownphilly" (Boyz II Men)
"A Song for Mama" (Boyz II Men)
"Dancing in the Street" (all artists joined by GSU Marching Band)

XXXIII

Date: Jan 31, 1999
Location: Pro Player Stadium (Miami Gardens, Florida)
Theme: Celebration of Soul, Salsa and Swing
Performers: Gloria Estefan, Stevie Wonder, Big Bad Voodoo Daddy, Savion Glover
Producer: Radio City Music Hall
Sponsor: Progressive Auto Insurance
References:[16]
Setlist:

"Go Daddy O" (Big Bad Voodoo Daddy)
"Sir Duke" (Stevie Wonder)
"You Are The Sunshine Of My Life" (Stevie Wonder)
"I Wish" (Stevie Wonder)
"Oye!" (Gloria Estefan)
"Turn The Beat Around" (Gloria Estefan)
"You'll Be Mine (Party Time)/Another Star/My Cherie Amour" (Gloria Estefan and Stevie Wonder)

text:
Super Bowl
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XXXIV

Date: Jan 30, 2000
Location: Georgia Dome (Atlanta, Georgia)
Theme: Tapestry of Nations
Performers: Phil Collins, Christina Aguilera, Enrique Iglesias, Toni Braxton, 80-person choir, Edward James Olmos (narrator)
Producer: Disney
Sponsor: E-Trade
References:[16][27]
Setlist:

"Reflections of Earth" Instrumental (Walt Disney World Millennium Celebration soundtrack)
"Celebrate the Future Hand in Hand" (Christina Aguilera & Enrique Iglesias)
"Tapestry of Nations" Instrumental (Walt Disney World Millennium Celebration soundtrack)
"Two Worlds" (Phil Collins)
"We Go On" (Toni Braxton)

XXXV

Date: Jan 28, 2001
Location: Raymond James Stadium (Tampa, Florida)
Theme: The Kings of Rock and Pop
Performers: Aerosmith, 'N Sync, Britney Spears, Mary J. Blige, Nelly
Producer: MTV
Sponsor: E-Trade
References:[16][17]
Setlist:

Pre-recorded intro sketch with Ben Stiller, Adam Sandler, Chris Rock, Aerosmith, and 'N Sync
"Bye Bye Bye" ('N Sync)
"I Don't Want to Miss a Thing" (Aerosmith)
"It's Gonna Be Me ('N Sync)
"Jaded" (Aerosmith)
"Walk This Way" (Aerosmith, 'N Sync, Britney Spears, Mary J. Blige, Nelly)

XXXVI

Date: Feb 3, 2002
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Tribute to those killed in the September 11 attacks
Performer: U2
Producer: Clear Channel Entertainment
Sponsor: E-Trade
References:[16][17]
Setlist:

"Beautiful Day"
"MLK"
"Where the Streets Have No Name"

XXXVII

Date: Jan 26, 2003
Location: Qualcomm Stadium (San Diego, California)
Performers: Shania Twain, No Doubt, Sting
Producer: Jimmy Iovine and Joel Gallen
Sponsor: AT&T Wireless
References:[16]
Setlist:

"Man! I Feel like a Woman!" (Shania Twain)
"Up!" (Shania Twain)
"Just a Girl" (No Doubt)
"Message in a Bottle" (Sting with No Doubt)

XXXVIII

Date: Feb 1, 2004
Location: Reliant Stadium (Houston, Texas)
Theme: Choose or Lose
Performers: Jessica Simpson, the Spirit of Houston from the University of Houston, and the Ocean of Soul of Texas Southern University marching bands, Janet Jackson, P. Diddy, Nelly, Kid Rock and Justin Timberlake
Producer: MTV
Sponsor: AOL TopSpeed
References:[16][17]
Setlist:[28]

'Choose to Party!' Intro (Jessica Simpson)
Marching bands
"All for You" (Janet Jackson)
"Bad Boy for Life" (P. Diddy)
"Diddy" to the tune of "Mickey" (P. Diddy)
"Hot in Herre" (Nelly),
"Mo Money Mo Problems" (P. Diddy)
"Bawitdaba" (Kid Rock),
"Cowboy" (Kid Rock)
"Rhythm Nation" (Janet Jackson)
"Rock Your Body" (Justin Timberlake with Janet Jackson)

Further information: Super Bowl XXXVIII halftime show controversy

XXXIX

Date: Feb 6, 2005
Location: Alltel Stadium (Jacksonville, Florida)
Performer: Paul McCartney
Producer: Don Mischer Productions
Sponsor: Ameriquest Mortgage
References:[16]
Setlist:

"Drive My Car"
"Get Back"
"Live and Let Die"
"Hey Jude"

XL

Date: Feb 5, 2006
Location: Ford Field (Detroit, Michigan)
Performer: The Rolling Stones
Producer: Don Mischer Production
Sponsor: Sprint Nextel
References:[16][17]
Setlist:

"Start Me Up"
"Rough Justice"
"(I Can't Get No) Satisfaction"

XLI

Date: Feb 4, 2007
Location: Dolphin Stadium (Miami Gardens, Florida)
Performers: Prince, Florida A&M University Marching 100 Band
Producer: Don Mischer Productions and White Cherry Entertainment
Sponsor: Pepsi
References:[16][17]
Setlist:

"We Will Rock You" (Intro)
"Let's Go Crazy"
"Baby I'm a Star"
"Proud Mary"
"All Along the Watchtower"
"Best of You"
"Purple Rain"

XLII

Date: Feb 3, 2008
Location: University of Phoenix Stadium (Glendale, Arizona)
Performer: Tom Petty & the Heartbreakers
Producer: Don Mischer Productions and White Cherry Entertainment
Sponsor: Bridgestone
References:[16]
Setlist:

"American Girl"
"I Won't Back Down"
"Free Fallin'"
"Runnin' Down a Dream"

XLIII

Date: Feb 1, 2009
Location: Raymond James Stadium (Tampa, Florida)
Performers: Bruce Springsteen and the E Street Band
Producer: Don Mischer Productions and White Cherry Entertainment
Sponsor: Bridgestone
References:[16]
Setlist:

"Tenth Avenue Freeze-Out"
"Born to Run"
"Working on a Dream"
"Glory Days"

text:
Super Bowl
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XLIV

Date: Feb 7, 2010
Location: Sun Life Stadium (Miami Gardens, Florida)
Performer: The Who
Producer: White Cherry Entertainment
Sponsor: Bridgestone
References:[16]
Setlist:

"Pinball Wizard"
"Baba O'Riley"
"Who Are You"
"See Me, Feel Me"
"Won't Get Fooled Again"

XLV

Date: Feb 6, 2011
Location: Cowboys Stadium (Arlington, Texas)
Performers: The Black Eyed Peas, Usher, Slash, Dallas/Ft. Worth-area area high school drill teams and dancers
Producer: Ricky Kirshner
Sponsor: Bridgestone
References:[16]
Setlist:[29]

"I Gotta Feeling" (The Black Eyed Peas)
"Boom Boom Pow" (The Black Eyed Peas)
"Sweet Child O' Mine" (Slash & Fergie)
"Pump It" (The Black Eyed Peas)
"Let's Get It Started" (The Black Eyed Peas)
"OMG" (Usher & will.i.am)
"Where Is The Love?" (The Black Eyed Peas)
"The Time (Dirty Bit)" with "I Gotta Feeling" reprise (The Black Eyed Peas)

XLVI

Main article: Super Bowl XLVI halftime show

Date: Feb 5, 2012
Location: Lucas Oil Stadium (Indianapolis, Indiana)
Performers: Madonna, LMFAO,[30] Cirque du Soleil,[31] Nicki Minaj,[32] M.I.A.,[33] Cee Lo Green,[30] Andy Lewis,[34] Avon High School Drumline, Center Grove High School Drumline, Fishers High School Drumline, Franklin Central High School Drumline, Southern University Dancing Dolls, 200 Person Choir consisting of Indianapolis locals
Producer: Ricky Kirshner
Sponsor: Bridgestone
Setlist:[30]

"Vogue" (Madonna)
"Music" / "Party Rock Anthem" / "Sexy and I Know It" (Madonna with LMFAO)
"Give Me All Your Luvin'" (Madonna with Nicki Minaj and M.I.A.)
"Open Your Heart" / "Express Yourself" (Madonna with Cee Lo Green)
"Like a Prayer" (Madonna with Cee Lo Green)

XLVII

Main article: Super Bowl XLVII halftime show

Date: Feb 3, 2013
Location: Mercedes-Benz Superdome (New Orleans, Louisiana)
Performers: Beyoncé, Destiny's Child
Producer: Ricky Kirshner[35]
Director: Hamish Hamilton[35]
Sponsor: Pepsi
References:[36]
Setlist:

"Run The World (Girls)" (Intro) / Vince Lombardi "Excellence" speech voiceover
"Love on Top" (chorus a cappella) (Beyoncé)
"Crazy in Love" (Beyoncé)
"End of Time" (Beyoncé)
"Baby Boy" (Beyoncé)
"Bootylicious" (Destiny's Child)
"Independent Women Part I" (Destiny's Child)
"Single Ladies (Put a Ring on It)" (Beyoncé featuring Kelly Rowland and Michelle Williams)
"Halo" (Beyoncé)

XLVIII

Main article: Super Bowl XLVIII halftime show

Date: Feb 2, 2014
Location: MetLife Stadium (East Rutherford, New Jersey)
Performers: Bruno Mars, Red Hot Chili Peppers
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi
References:[37]
Setlist:

"Billionaire" (Intro) (children's choir)
"Locked Out of Heaven" (Bruno Mars)
"Treasure" (Bruno Mars)
"Runaway Baby" (Bruno Mars)
"Give It Away" (Red Hot Chili Peppers with Bruno Mars)
"Just the Way You Are" (Bruno Mars)

XLIX

Main article: Super Bowl XLIX halftime show

Date: Feb 1, 2015
Location: University of Phoenix Stadium (Glendale, Arizona)
Performers: Katy Perry, Lenny Kravitz, Missy Elliott, and Arizona State University Sun Devil Marching Band
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi
References:[38][39][40]
Setlist:

"Roar" (Katy Perry)
"Dark Horse" (Katy Perry)
"I Kissed a Girl" (Lenny Kravitz and Katy Perry)
"Teenage Dream" (Katy Perry)
"California Gurls" (Katy Perry)
"Get Ur Freak On" (Missy Elliott and Katy Perry)
"Work It" (Missy Elliott and Katy Perry)
"Lose Control" (Missy Elliott)
"Firework" (Katy Perry)

50

Main article: Super Bowl 50 halftime show

Date: Feb 7, 2016
Location: Levi's Stadium (Santa Clara, California)
Performers: Coldplay, Beyoncé, Bruno Mars, Mark Ronson, Gustavo Dudamel, University of California Marching Band and Youth Orchestra L.A.
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi
References:[41][42][43][44][45]
Setlist:[46]

"Yellow" (intro a cappella) (Coldplay)
"Viva la Vida" (Coldplay)
"Paradise" (Coldplay)
"Adventure of a Lifetime" (Coldplay)
"Uptown Funk" (Mark Ronson & Bruno Mars)
"Formation" (Beyoncé)
"Crazy In Love"/"Uptown Funk" (Beyoncé, Bruno Mars)
"Clocks" (instrumental) (Coldplay)
"Fix You"/"Up & Up" (Coldplay, Beyoncé and Bruno Mars)

LI

Main article: Super Bowl LI halftime show

Date: Feb 5, 2017
Location: NRG Stadium (Houston, Texas)
Performer: Lady Gaga
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi Zero Sugar
References:[47][48]
Setlist:

"God Bless America"/"This Land Is Your Land"
"Poker Face"
"Born This Way"
"Telephone"
"Just Dance"
"Million Reasons"
"Bad Romance"

LII

Main article: Super Bowl LII halftime show

Date: Feb 4, 2018
Location: U.S. Bank Stadium (Minneapolis, Minnesota)
Performer: Justin Timberlake and the Tennessee Kids, University of Minnesota Marching Band
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi
References: [49][50][51][52][53]
Setlist:

"Filthy"
"Rock Your Body"
"Señorita"
"SexyBack"
"My Love"
"Cry Me a River"
"Suit & Tie" (Featuring the University of Minnesota Marching Band)
"Until the End of Time"
"I Would Die 4 U" (Pre-recorded video of Prince (displayed on a projection screen) with Justin Timberlake)
"Mirrors"
"Can't Stop the Feeling!"

text: Details on specific shows[edit]

text: Super Bowl XXXVI[edit]

text: U2 performed 3 songs: "Beautiful Day," "MLK," and "Where the Streets Have No Name." During the beginning of "MLK" and continuing until the end of "Where The Streets Have No Name," a large banner behind the band displayed the names of all the people who lost their lives on the September 11 attacks. Bono ended the song by opening up his jacket, the inside of which displayed the American flag.

text: Super Bowl XL[edit]

text: For The Rolling Stones, the stage was in the form of the group's iconic tongue logo (John Pasche's "Cunning Linguist" first used in 1971 on their Sticky Fingers album). It was the largest stage ever assembled for a Super Bowl halftime show, with 28 separate pieces assembled in five minutes by a 600-member volunteer stage crew. The group performed three songs: "Start Me Up," "Rough Justice," and "(I Can't Get No) Satisfaction." The show was viewed by 89.9 million people, more than the audiences for the Oscars, Grammys and Emmy Awards combined.[54] In the wake of the Super Bowl XXXVIII halftime show controversy with Janet Jackson and Justin Timberlake, ABC and the NFL imposed a five-second delay and censored lyrics considered too sexually explicit in the first two songs by briefly turning off Mick Jagger's microphone—censoring to which the group had previously agreed.[55] However, the choice of The Rolling Stones sparked controversy in the Detroit community because the band did not represent the traditional Detroit "Motown Sound," and no artists from the area were included.[56]


document_title: Pretty Woman

question_text: who plays the hotel manager in pretty woman

text: Pretty Woman

text: Plot[edit]

text: At the beginning of the film, Edward Lewis accidentally ends up on Hollywood Boulevard in the city's red-light district, after breaking up with his girlfriend during an unpleasant phone call in which he appears highly controlling; he asks her to escort him during his trip, but she is offended that he treats her as his 'beck and call girl'. Leaving a party, he takes his lawyer's Lotus Esprit luxury car, and encounters a prostitute, Vivian Ward. He stops for her, having difficulties driving the car, and asks for directions to Beverly Hills. He asks her to get in and guide him to the Beverly Hills Regent Hotel, where he is staying. It becomes clear that Vivian knows more about the Lotus than he does, and he lets her drive. Vivian charges Lewis $20 for the ride, and they separate. She goes to a bus stop, where he finds her and offers to hire her for the night; later, he asks Vivian to play the role his girlfriend has refused, offering her $3000 to stay with him for the next six days as well as paying for a new, more acceptable wardrobe for her. That evening, visibly moved by her transformation, Edward begins seeing Vivian in a different light. He begins to open up to her, revealing his personal and business lives.

text: Edward takes Vivian to a polo match in hopes of networking for his business deal. His attorney, Phillip, suspects Vivian is a corporate spy, and Edward tells him how they truly met. Phillip later approaches Vivian, suggesting they do business once her work with Edward is finished. Insulted, and furious that Edward has revealed their secret, Vivian wants to end the arrangement. Edward apologizes, and admits to feeling jealous of a business associate to whom Vivian paid attention at the match. Vivian's straightforward personality is rubbing off on Edward, and he finds himself acting in unaccustomed ways. Clearly growing involved, Edward takes Vivian in his private jet to see La Traviata in San Francisco. Vivian is moved to tears by the story of the prostitute who falls in love with a rich man. Vivian breaks her "no kissing on the mouth" rule (which her friend Kit taught her) and they have sex; in the aftermath, Vivian tells Edward she loves him, but he does not respond. Edward offers to put her up in an apartment so she can be off the streets. Hurt, she refuses, says this is not the "fairy tale" she dreamed of as a child, in which a knight on a white horse rescues her.

text: Meeting with the tycoon whose shipbuilding company he is in the process of "raiding," Edward changes his mind. His time with Vivian has shown him a different way of looking at life, and he suggests working together to save the company rather than tearing it apart and selling off the pieces. Phillip, furious at losing so much money, goes to the hotel to confront Edward, but finds only Vivian. Blaming her for the change in Edward, he attempts to rape her. Edward arrives and throws Phil out of the room.

text: With his business in L.A. complete, Edward asks Vivian to stay one more night with him -- because she wants to, not because he's paying her. She refuses. At the end of the film, Edward re-thinks his life and has the hotel chauffeur detour to Vivian's apartment building, where he leaps from out the white limo's sun roof and "rescues her", an urban visual metaphor for the knight on a white horse of her dreams. The film ends with the famous last lines from Vivian:

text: Edward Lewis: So what happens after he climbed up the tower and rescues her? Vivian: She rescues him right back.

text: Cast[edit]

text:
Richard Gere as Edward Lewis, a rich corporate raider and womanizer from New York.
Julia Roberts as Vivian Ward, an assertive freelance hooker with a heart of gold on Hollywood Boulevard.
Ralph Bellamy as James Morse, owner of a troubled shipbuilding company Edward plans to take over. This was Bellamy's final acting performance before his death in 1991.
Jason Alexander as Phillip Stuckey, Edward's insensitive lawyer. Alexander is best known for the sitcom Seinfeld, in which a VHS copy of Pretty Woman appears in Seinfeld's apartment.
Héctor Elizondo as Barney Thompson, the dignified but soft-hearted hotel manager.
Laura San Giacomo as Kit De Luca, Vivian's wisecracking friend and roommate, who has taught her the prostitution trade.
Alex Hyde-White as David Morse, James Morse's grandson, who is being groomed to take over the company.
Amy Yasbeck as Elizabeth Stuckey, Phillip's wife.
Elinor Donahue as Bridget, a friend of Barney Thompson who works in a women's clothing store.
John David Carson as Mark Roth, a businessman in Edward's office.
Judith Baldwin as Susan, one of Edward's ex-girlfriends.
Laurelle Brooks Mehus as the hotel's night desk clerk.
James Patrick Stuart as the day bellhop.
Dey Young as a snobbish saleswoman in a dress store.
Larry Miller as Mr. Hollister, the manager of a clothing store where Vivian buys her new wardrobe.
Patrick Richwood as Dennis, the hotel elevator operator.
Hank Azaria as a detective. This was Azaria's first speaking role.
Amzie Strickland as Matron

text: Production[edit]

text: Development[edit]

text: The film was initially conceived as a dark drama about sex work in Los Angeles in the 1980s.[4] The relationship between Vivian and Edward also originally involved controversial themes, including Vivian being addicted to drugs; part of the deal was that she had to stay off cocaine for a week. Edward eventually throws her out of his car and drives off. The original script ended with Vivian and her sex-worker friend on the bus to Disneyland.[4] Producer Laura Ziskin considered these elements detrimental to a sympathetic portrayal of Vivian, and they were removed or assigned to Kit. The deleted scenes have been found, and some were included on the DVD released for the film's 15th anniversary.[4] In one, Vivian tells Edward, "I could just pop ya good and be on my way", indicating her disinterest in "pillow talk". In another, she is confronted by drug dealers, then rescued by Edward.

text: The film bears striking resemblances to Pygmalion myths: particularly George Bernard Shaw's play of the same name, which also formed the basis for the Broadway musical My Fair Lady. It was Walt Disney Studios then-president Jeffrey Katzenberg who insisted the film be re-written as a modern-day fairy tale and love story, as opposed to the original dark drama. It was pitched to Touchstone Pictures and re-written as a romantic comedy. The original script was titled $3,000,[5] in reference to the amount Edward pays for a week's company from Vivian.[6] However, this title was changed because Disney executives thought it sounded like a title for a science fiction film.[7] The script also has unconfirmed references to That Touch of Mink, starring Doris Day and Cary Grant.[citation needed]

text: The film is one of two movies that triggered a resurgence of romantic comedy in Hollywood, the other being When Harry Met Sally. After the 1960s Doris Day/Rock Hudson romantic comedies, the genre had fallen out of favor.[citation needed] Following this film's success, Roberts became the romantic comedy queen of the 1990s.

text: Casting[edit]

text: Casting of the film was a rather lengthy process. Marshall had initially considered Christopher Reeve, Daniel Day-Lewis, and Denzel Washington for the role of Edward, and Al Pacino and Burt Reynolds turned it down.[8] Pacino went as far as doing a casting reading with Roberts before rejecting the part.[9] Gere initially refused but when he met with Roberts, she persuaded him and he eventually agreed to play Lewis.[10] He reportedly started off much more active in his role; but Garry Marshall took him aside and said "No, no, no, Richard. In this movie, one of you moves and one of you does not. Guess which one you are?"[11] Julia Roberts was not the first choice for the role of Vivian, and was not wanted by Disney. Many other actresses were considered. Marshall originally envisioned Karen Allen for the role; when she declined, auditions went to many better-known actresses of the time including Molly Ringwald,[12] who turned it down because she felt uncomfortable playing a sex worker.[citation needed] Winona Ryder auditioned, but was turned down because Marshall felt she was "too young". Jennifer Connelly was also dismissed for the same reason.[4]

text: Meg Ryan, who was a top choice of Marshall's, turned it down as well. According to a note written by Marshall, Mary Steenburgen was also among the first choices. Diane Lane came very close to being cast (the script was much darker at the time); they had gone as far as costume fittings, but due to scheduling conflicts she could not accept. Michelle Pfeiffer turned the role down, saying she did not like the script's "tone."[13] Daryl Hannah was also considered, but believed the role was "degrading to women".[13] Valeria Golino declined, doubting it would work with her thick Italian accent.[citation needed] And Jennifer Jason Leigh had auditioned.[14] When all the other actresses turned down the role, 21-year-old Julia Roberts, a relative unknown, with only the sleeper hit Mystic Pizza (1988) and the yet-to-be-released Steel Magnolias (1989) to her credit, won the role of Vivian. Her performance made her a star.

text: Filming[edit]

text: The film's budget was substantial, at $14 million, so producers could shoot in many locations.[4] Most filming took place in Los Angeles, California, specifically in Beverly Hills, and inside soundstages at Walt Disney Studios in Burbank. The escargot restaurant the "Voltaire" was shot at the restaurant "Rex," now called "Cicada". Scenes set in the Beverly Wilshire Hotel lobby were shot at the Ambassador Hotel in Los Angeles. Filming commenced on July 24, 1989, but was immediately plagued by problems. These included Ferrari and Porsche declining the product placement opportunity for the car Edward drove, neither firm wishing to be associated with sex workers.[4] Lotus Cars saw the placement value, and supplied a Silver 1989.5 Esprit SE (which was later sold).

text: Shooting was a generally pleasant, easy-going experience, as the budget was broad and the shooting schedule was not tight.[4] While shooting the scene where Vivian is lying down on the floor of Edward's penthouse, watching reruns of I Love Lucy, Garry Marshall had to tickle Roberts' feet (out of camera range) to get her to laugh. The scene in which Gere playfully snaps the lid of a jewelry case on her fingers was improvised, and her surprised laugh was genuine. The red dress Vivian wears to the opera has been listed among the most unforgettable dresses of all time.[15]

text: During the scene in which Roberts sang to a Prince song in the bathtub, slid down and submerged her head under the bubbles; she emerged to find the crew had left except for the cameraman, who captured the moment on film. In the love scene, she was so stressed that a vein become noticeable on her forehead and had to be massaged by Marshall and Gere. She also developed a case of hives, and calamine lotion was used to soothe her skin until filming resumed.[4] The filming was completed on October 18.

text: Reception[edit]

text: Box office[edit]

text: In its opening weekend, the film was at number one at the box office, grossing $11,280,591 and averaging $8,513 per theater.[16] Despite dropping to number two in its second weekend, it grossed more with $12,471,670.[16] It was number one at the box office for four non-consecutive weeks, and in the Top 10 for 16 weeks.[16] It has grossed $178,406,268 in the United States and $285,000,000 in other countries for a total worldwide gross of $463,406,268.[17] It was also the fourth highest-grossing film of the year in the United States[18] and the third highest-grossing worldwide.[19] The film remains Disney's highest-grossing R-rated release ever.[20]

text: Critical response [edit]

text: The film received mixed to positive reviews from critics. Review aggregator Rotten Tomatoes reports that 61% of 55 film critics have given it a positive review, with a rating average of 5.7 out of 10.[21] Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives it a score of 51 based on 17 reviews, indicating "mixed or average reviews."[22]

text: Owen Gleiberman of Entertainment Weekly gave the film a D, saying it "starts out as a neo-Pygmalion comedy" and with "its tough-hooker heroine, it can work as a feminist version of an upscale princess fantasy." Gleiberman also said it "pretends to be about how love transcends money," but "is really obsessed with status symbols."[23] On its twentieth anniversary, Gleiberman wrote another article, saying that while he felt he was right, he would have given it a B today.[24] Carina Chocano of The New York Times said the movie "wasn't a love story, it was a money story. Its logic depended on a disconnect between character and narrative, between image and meaning, between money and value, and that made it not cluelessly traditional but thoroughly postmodern."[25]

text: Accolades[edit]

text:
48th Golden Globe Awards

Best Actress – Julia Roberts

text:
16th César Awards

Best Foreign Film

63rd Academy Awards

Best Actress – Julia Roberts

48th Golden Globe Awards

Best Motion Picture (Comedy or Musical)
Best Actor – Richard Gere
Best Supporting Actor – Hector Elizondo

Writers Guild of America Award for Best Original Screenplay – J. F. Lawton

text: Music[edit]

text: The film is noted for its musical selections. The hugely successful soundtrack features the song "Oh, Pretty Woman" by Roy Orbison, which inspired its title. Roxette's "It Must Have Been Love" reached No. 1 on the Billboard Hot 100 in June 1990. The soundtrack also features "King of Wishful Thinking" by Go West, "Show Me Your Soul" by the Red Hot Chili Peppers, "No Explanation" by Peter Cetera, "Wild Women Do" by Natalie Cole and "Fallen" by Lauren Wood. The soundtrack went on to be certified triple platinum by the RIAA.[26]

text: The opera featured in the film is La Traviata, which also served as inspiration for its plot. The highly dramatic aria fragment that is repeated is the end of "Dammi tu forza!" ("Give me strength!"), from the opera. The piano piece Gere's character plays in the hotel lobby was actually composed by and performed by him. Roberts sings the song "Kiss" by Prince while she is in the tub and Gere's character is on the phone. Background music is composed by James Newton Howard. Entitled "He Sleeps/Love Theme", this piano composition is inspired by Bruce Springsteen's "Racing in the Street".

text: Soundtrack[edit]

text:
Pretty Woman

Soundtrack album by Various artists

Released
March 13, 1990

Recorded
1964, 1988–1989

Genre
Pop
Rock

Length
43:36

Label
EMI

Producer
Various artists

Singles from Pretty Woman

"Show Me Your Soul"
Released: February 14, 1990
"King of Wishful Thinking"
Released: 1990
"It Must Have Been Love"
Released: 20 May 1990

text:
Professional ratings

Review scores

Source
Rating

AllMusic
 link

text: The soundtrack was released on March 13, 1990 by EMI.[27][28]

text: Track listing[edit]

text:
No.
Title
Length

1.
"Wild Women Do" (performed by Natalie Cole)
4:06

2.
"Fame '90" (performed by David Bowie)
3:36

3.
"King of Wishful Thinking" (performed by Go West)
4:00

4.
"Tangled" (performed by Jane Wiedlin)
4:18

5.
"It Must Have Been Love" (performed by Roxette)
4:17

6.
"Life in Detail" (performed by Robert Palmer)
4:07

7.
"No Explanation" (performed by Peter Cetera)
4:19

8.
"Real Wild Child (Wild One)" (performed by Christopher Otcasek)
3:39

9.
"Fallen" (performed by Lauren Wood)
3:59

10.
"Oh, Pretty Woman" (performed by Roy Orbison)
2:55

11.
"Show Me Your Soul" (performed by Red Hot Chili Peppers)
4:20

Total length:
43:36

text: Musical adaptation[edit]

text: A stage musical adaptation of the film is scheduled to open on Broadway in the fall of 2018. This follows an out-of-town tryout at the Oriental Theatre in Chicago, which will run from March 13 to April 15, 2018. The musical has music and lyrics by Bryan Adams and Jim Vallance; the late Garry Marshall and J.F. Lawton will co-write the book and Jerry Mitchell is the director and choreographer.[29] The Chicago and Broadway casts will feature Samantha Barks, in her Broadway debut as Vivian and Steve Kazee as Edward. Orfeh will portray Kit, and Jason Danieley will play Philip Stuckey.[29]


document_title: List of Game of Thrones episodes

question_text: when does season 7 of game of thrones dvd release date

text: List of Game of Thrones episodes

text: Series overview[edit]

text:
Season
Episodes
Originally aired
Avg. viewers
(millions)

First aired
Last aired

1
10
April 17, 2011 (2011-04-17)
June 19, 2011 (2011-06-19)
2.52[14]

2
10
April 1, 2012 (2012-04-01)
June 3, 2012 (2012-06-03)
3.80[14]

3
10
March 31, 2013 (2013-03-31)
June 9, 2013 (2013-06-09)
4.97[15]

4
10
April 6, 2014 (2014-04-06)
June 15, 2014 (2014-06-15)
6.84[16]

5
10
April 12, 2015 (2015-04-12)
June 14, 2015 (2015-06-14)
6.88[17]

6
10
April 24, 2016 (2016-04-24)
June 26, 2016 (2016-06-26)
7.69[18]

7
7
July 16, 2017 (2017-07-16)
August 27, 2017 (2017-08-27)
10.26[19]

text: Episodes[edit]

text: Season 1 (2011)[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)

1
1
"Winter Is Coming"
Tim Van Patten
David Benioff & D. B. Weiss
April 17, 2011 (2011-04-17)
2.22[20]

2
2
"The Kingsroad"
Tim Van Patten
David Benioff & D. B. Weiss
April 24, 2011 (2011-04-24)
2.20[21]

3
3
"Lord Snow"
Brian Kirk
David Benioff & D. B. Weiss
May 1, 2011 (2011-05-01)
2.44[22]

4
4
"Cripples, Bastards, and Broken Things"
Brian Kirk
Bryan Cogman
May 8, 2011 (2011-05-08)
2.45[23]

5
5
"The Wolf and the Lion"
Brian Kirk
David Benioff & D. B. Weiss
May 15, 2011 (2011-05-15)
2.58[24]

6
6
"A Golden Crown"
Daniel Minahan
Story by : David Benioff & D. B. Weiss
Teleplay by : Jane Espenson and David Benioff & D. B. Weiss
May 22, 2011 (2011-05-22)
2.44[25]

7
7
"You Win or You Die"
Daniel Minahan
David Benioff & D. B. Weiss
May 29, 2011 (2011-05-29)
2.40[26]

8
8
"The Pointy End"
Daniel Minahan
George R. R. Martin
June 5, 2011 (2011-06-05)
2.72[27]

9
9
"Baelor"
Alan Taylor
David Benioff & D. B. Weiss
June 12, 2011 (2011-06-12)
2.66[28]

10
10
"Fire and Blood"
Alan Taylor
David Benioff & D. B. Weiss
June 19, 2011 (2011-06-19)
3.04[29]

text: Season 2 (2012)[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)

11
1
"The North Remembers"
Alan Taylor
David Benioff & D. B. Weiss
April 1, 2012 (2012-04-01)
3.86[30]

12
2
"The Night Lands"
Alan Taylor
David Benioff & D. B. Weiss
April 8, 2012 (2012-04-08)
3.76[31]

13
3
"What Is Dead May Never Die"
Alik Sakharov
Bryan Cogman
April 15, 2012 (2012-04-15)
3.77[32]

14
4
"Garden of Bones"
David Petrarca
Vanessa Taylor
April 22, 2012 (2012-04-22)
3.65[33]

15
5
"The Ghost of Harrenhal"
David Petrarca
David Benioff & D. B. Weiss
April 29, 2012 (2012-04-29)
3.90[34]

16
6
"The Old Gods and the New"
David Nutter
Vanessa Taylor
May 6, 2012 (2012-05-06)
3.88[35]

17
7
"A Man Without Honor"
David Nutter
David Benioff & D. B. Weiss
May 13, 2012 (2012-05-13)
3.69[36]

18
8
"The Prince of Winterfell"
Alan Taylor
David Benioff & D. B. Weiss
May 20, 2012 (2012-05-20)
3.86[37]

19
9
"Blackwater"
Neil Marshall
George R. R. Martin
May 27, 2012 (2012-05-27)
3.38[38]

20
10
"Valar Morghulis"
Alan Taylor
David Benioff & D. B. Weiss
June 3, 2012 (2012-06-03)
4.20[39]

text: Season 3 (2013)[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)

21
1
"Valar Dohaeris"
Daniel Minahan
David Benioff & D. B. Weiss
March 31, 2013 (2013-03-31)
4.37[40]

22
2
"Dark Wings, Dark Words"
Daniel Minahan
Vanessa Taylor
April 7, 2013 (2013-04-07)
4.27[41]

23
3
"Walk of Punishment"
David Benioff
David Benioff & D. B. Weiss
April 14, 2013 (2013-04-14)
4.72[42]

24
4
"And Now His Watch Is Ended"
Alex Graves
David Benioff & D. B. Weiss
April 21, 2013 (2013-04-21)
4.87[43]

25
5
"Kissed by Fire"
Alex Graves
Bryan Cogman
April 28, 2013 (2013-04-28)
5.35[44]

26
6
"The Climb"
Alik Sakharov
David Benioff & D. B. Weiss
May 5, 2013 (2013-05-05)
5.50[45]

27
7
"The Bear and the Maiden Fair"
Michelle MacLaren
George R. R. Martin
May 12, 2013 (2013-05-12)
4.84[46]

28
8
"Second Sons"
Michelle MacLaren
David Benioff & D. B. Weiss
May 19, 2013 (2013-05-19)
5.13[47]

29
9
"The Rains of Castamere"
David Nutter
David Benioff & D. B. Weiss
June 2, 2013 (2013-06-02)
5.22[48]

30
10
"Mhysa"
David Nutter
David Benioff & D. B. Weiss
June 9, 2013 (2013-06-09)
5.39[49]

text: Season 4 (2014)[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)

31
1
"Two Swords"
D. B. Weiss
David Benioff & D. B. Weiss
April 6, 2014 (2014-04-06)
6.64[50]

32
2
"The Lion and the Rose"
Alex Graves
George R. R. Martin
April 13, 2014 (2014-04-13)
6.31[51]

33
3
"Breaker of Chains"
Alex Graves
David Benioff & D. B. Weiss
April 20, 2014 (2014-04-20)
6.59[52]

34
4
"Oathkeeper"
Michelle MacLaren
Bryan Cogman
April 27, 2014 (2014-04-27)
6.95[53]

35
5
"First of His Name"
Michelle MacLaren
David Benioff & D. B. Weiss
May 4, 2014 (2014-05-04)
7.16[54]

36
6
"The Laws of Gods and Men"
Alik Sakharov
Bryan Cogman
May 11, 2014 (2014-05-11)
6.40[55]

37
7
"Mockingbird"
Alik Sakharov
David Benioff & D. B. Weiss
May 18, 2014 (2014-05-18)
7.20[56]

38
8
"The Mountain and the Viper"
Alex Graves
David Benioff & D. B. Weiss
June 1, 2014 (2014-06-01)
7.17[57]

39
9
"The Watchers on the Wall"
Neil Marshall
David Benioff & D. B. Weiss
June 8, 2014 (2014-06-08)
6.95[58]

40
10
"The Children"
Alex Graves
David Benioff & D. B. Weiss
June 15, 2014 (2014-06-15)
7.09[59]

text: Season 5 (2015)[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)

41
1
"The Wars to Come"
Michael Slovis
David Benioff & D. B. Weiss
April 12, 2015 (2015-04-12)
8.00[60]

42
2
"The House of Black and White"
Michael Slovis
David Benioff & D. B. Weiss
April 19, 2015 (2015-04-19)
6.81[61]

43
3
"High Sparrow"
Mark Mylod
David Benioff & D. B. Weiss
April 26, 2015 (2015-04-26)
6.71[62]

44
4
"Sons of the Harpy"
Mark Mylod
Dave Hill
May 3, 2015 (2015-05-03)
6.82[63]

45
5
"Kill the Boy"
Jeremy Podeswa
Bryan Cogman
May 10, 2015 (2015-05-10)
6.56[64]

46
6
"Unbowed, Unbent, Unbroken"
Jeremy Podeswa
Bryan Cogman
May 17, 2015 (2015-05-17)
6.24[65]

47
7
"The Gift"
Miguel Sapochnik
David Benioff & D. B. Weiss
May 24, 2015 (2015-05-24)
5.40[66]

48
8
"Hardhome"
Miguel Sapochnik
David Benioff & D. B. Weiss
May 31, 2015 (2015-05-31)
7.01[67]

49
9
"The Dance of Dragons"
David Nutter
David Benioff & D. B. Weiss
June 7, 2015 (2015-06-07)
7.14[68]

50
10
"Mother's Mercy"
David Nutter
David Benioff & D. B. Weiss
June 14, 2015 (2015-06-14)
8.11[69]

text: Season 6 (2016)[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)

51
1
"The Red Woman"
Jeremy Podeswa
David Benioff & D. B. Weiss
April 24, 2016 (2016-04-24)
7.94[70]

52
2
"Home"
Jeremy Podeswa
Dave Hill
May 1, 2016 (2016-05-01)
7.29[71]

53
3
"Oathbreaker"
Daniel Sackheim
David Benioff & D. B. Weiss
May 8, 2016 (2016-05-08)
7.28[72]

54
4
"Book of the Stranger"
Daniel Sackheim
David Benioff & D. B. Weiss
May 15, 2016 (2016-05-15)
7.82[73]

55
5
"The Door"
Jack Bender
David Benioff & D. B. Weiss
May 22, 2016 (2016-05-22)
7.89[74]

56
6
"Blood of My Blood"
Jack Bender
Bryan Cogman
May 29, 2016 (2016-05-29)
6.71[75]

57
7
"The Broken Man"
Mark Mylod
Bryan Cogman
June 5, 2016 (2016-06-05)
7.80[76]

58
8
"No One"
Mark Mylod
David Benioff & D. B. Weiss
June 12, 2016 (2016-06-12)
7.60[77]

59
9
"Battle of the Bastards"
Miguel Sapochnik
David Benioff & D. B. Weiss
June 19, 2016 (2016-06-19)
7.66[78]

60
10
"The Winds of Winter"
Miguel Sapochnik
David Benioff & D. B. Weiss
June 26, 2016 (2016-06-26)
8.89[79]

text: Season 7 (2017)[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)

61
1
"Dragonstone"
Jeremy Podeswa
David Benioff & D. B. Weiss
July 16, 2017 (2017-07-16)
10.11[80]

62
2
"Stormborn"
Mark Mylod
Bryan Cogman
July 23, 2017 (2017-07-23)
9.27[81]

63
3
"The Queen's Justice"
Mark Mylod
David Benioff & D. B. Weiss
July 30, 2017 (2017-07-30)
9.25[82]

64
4
"The Spoils of War"
Matt Shakman
David Benioff & D. B. Weiss
August 6, 2017 (2017-08-06)
10.17[83]

65
5
"Eastwatch"
Matt Shakman
Dave Hill
August 13, 2017 (2017-08-13)
10.72[84]

66
6
"Beyond the Wall"
Alan Taylor
David Benioff & D. B. Weiss
August 20, 2017 (2017-08-20)
10.24[85]

67
7
"The Dragon and the Wolf"
Jeremy Podeswa
David Benioff & D. B. Weiss
August 27, 2017 (2017-08-27)
12.07[86]

text: Home media releases[edit]

text:
Season
Episodes
DVD and Blu-ray release date

Region 1
Region 2
Region 4

1
10
March 6, 2012[87]
March 5, 2012[88]
August 10, 2012[89]

2
10
February 19, 2013[90]
March 4, 2013[91]
March 6, 2013[92]

3
10
February 18, 2014[93]
February 17, 2014[94]
February 19, 2014[95]

4
10
February 17, 2015[96]
February 16, 2015[97]
February 18, 2015[98]

5
10
March 15, 2016[99]
March 14, 2016[100]
March 16, 2016[101]

6
10
November 15, 2016[102]
November 14, 2016[103]
November 16, 2016[104]

7
7
December 12, 2017[105]
December 11, 2017[106]
December 11, 2017[107]

text: Ratings[edit]

text:
Season
Ep. 1
Ep. 2
Ep. 3
Ep. 4
Ep. 5
Ep. 6
Ep. 7
Ep. 8
Ep. 9
Ep. 10
Average

1
2.22
2.20
2.44
2.45
2.58
2.44
2.40
2.72
2.66
3.04
2.52[108]

2
3.86
3.76
3.77
3.65
3.90
3.88
3.69
3.86
3.38
4.20
3.80[108]

3
4.37
4.27
4.72
4.87
5.35
5.50
4.84
5.13
5.22
5.39
4.97[109]

4
6.64
6.31
6.59
6.95
7.16
6.40
7.20
7.17
6.95
7.09
6.84[110]

5
8.00
6.81
6.71
6.82
6.56
6.24
5.40
7.01
7.14
8.11
6.88[111]

6
7.94
7.29
7.28
7.82
7.89
6.71
7.80
7.60
7.66
8.89
7.69[112]

7
10.11
9.27
9.25
10.17
10.72
10.24
12.07
N/A
10.26[113]


document_title: A White Sport Coat

question_text: who sings a white sportcoat and a pink carnation

text: A White Sport Coat

text: This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2009) (Learn how and when to remove this template message)

text:
"A White Sport Coat"

Single by Marty Robbins

B-side
"Grown-Up Tears"

Released
April 20, 1957

Format
7" (45 rpm)

Genre
Country

Label
Columbia 40864

Songwriter(s)
Marty Robbins

Producer(s)
Mitch Miller

text: "A White Sport Coat (and a Pink Carnation)" is a 1957 country and western song with words and music both written by Marty Robbins. It was recorded January 25, 1957, and released on the Columbia Records label March 4, 1957.[1] The arranger and recording session conductor was Ray Conniff, an in-house conductor/arranger at Columbia. Robbins had demanded to have Conniff in charge of the song after his earlier hit, "Singing the Blues", had been quickly eclipsed on the charts by Guy Mitchell'a cover version scored and conducted by Conniff in October, 1956.

text: Robbins recalled writing the song in about 20 minutes while being driven in a car.[2] He is said to have had the inspiration for the song while driving from a motel to a venue in Ohio where he was due to perform that evening. During the course of the journey, he passed a high school, where the students were dressed ready for their prom.[citation needed]

text: The song reached number one on the U.S. country chart becoming Marty Robbins' third number one,[3] the song reached number two on the Billboard pop chart in the U.S.[4] and #1 in the Australian music charts in 1957. A version by Johnny Desmond got some play also, peaking at #62 on the US pop charts.

text: In UK the song was a notable hit for the English Rock'n'Roll singer Terry Dene, and also for The King Brothers. The Terry Dene version reached #18 in the UK Charts, while The King Brothers' recording peaked at #6, both in early summer 1957.

text: Jimmy Buffett's 1973 album A White Sport Coat and a Pink Crustacean spoofs the title of the song.