document_title: Live and Let Die (film)

question_text: where was the james bond movie live and let die filmed

text: Live and Let Die (film)

text: Plot[edit]

text: Three MI6 agents are killed under mysterious circumstances within 24 hours in the United Nations headquarters in New York City, New Orleans and the Caribbean nation of San Monique, while monitoring the operations of the island's dictator, Dr. Kananga. James Bond—Agent 007—is sent to New York to investigate. Kananga is also in New York, visiting the United Nations. Just after Bond arrives, his driver is shot dead by Whisper, one of Kananga's men, while taking Bond to meet Felix Leiter of the CIA. Bond is nearly killed in the ensuing car crash.

text: A trace on the killer's licence plate eventually leads Bond to Mr. Big, a ruthless gangster who runs a chain of restaurants throughout the United States. It is here that Bond first meets Solitaire, a beautiful tarot reader who has the power of the Obeah and can see both the future and remote events in the present. Mr. Big, who is actually Kananga in disguise, demands that his henchmen kill Bond, but Bond overpowers them and escapes unscathed. Bond flies to San Monique, where he meets Rosie Carver, a CIA double agent. They meet up with a friend of Bond's, Quarrel Jr., who takes them by boat near Solitaire's home. Bond suspects Rosie of working for Kananga and she is killed by Kananga to stop her confessing the truth to Bond. Inside Solitaire's house, Bond uses a stacked tarot deck of cards that show only "The Lovers" to trick her into thinking that fate is meant for them; Bond then seduces her. Solitaire loses her ability to foretell the future when she loses her virginity to Bond, and she decides to cooperate with Bond based both upon her attraction to him as well as her having grown tired of being controlled by Kananga.

text: Bond and Solitaire escape by boat and fly to New Orleans. There, Bond is captured by Kananga. Kananga is revealed to be producing heroin. He is protecting the poppy fields by exploiting San Monique locals' fear of voodoo priest Baron Samedi, as well as the occult. Through his alter ego Mr. Big, Kananga plans to distribute the heroin free of charge at his restaurants, which will increase the number of addicts. He intends to bankrupt other drug dealers with his giveaway, then charge high prices for his heroin later in order to capitalise on the huge drug dependencies he has cultivated.

text: Angry at her for having sex with Bond and that her ability to read tarot cards is now gone, Kananga turns Solitaire over to Baron Samedi to be sacrificed. Meanwhile, Kananga's one-armed henchman, Tee Hee Johnson, leaves Bond to be eaten by alligators at a farm in the Louisiana backwoods. Bond escapes by running along the animals' backs to safety. After setting a drug lab on fire, he steals a speedboat and escapes, pursued by Kananga's men, Sheriff J.W. Pepper and the Louisiana State Police.

text: Bond travels to San Monique and sets timed explosives throughout the poppy fields. He rescues Solitaire from the voodoo sacrifice and throws Samedi into a coffin of venomous snakes. Bond and Solitaire escape below ground into Kananga's lair. Kananga captures them both and proceeds to lower them into a shark tank. However, Bond escapes and forces Kananga to swallow a compressed-gas pellet used in shark guns, causing his body to inflate and explode.

text: Leiter puts Bond and Solitaire on a train leaving the country. Tee Hee sneaks aboard and attempts to kill Bond, but Bond cuts the wires of his prosthetic arm and throws him out the window. As the film ends, a laughing Samedi is revealed to be perched on the front of the speeding train.

text: Cast[edit]

text:
Roger Moore as MI6 agent James Bond 007: A British agent who is sent on a mission to investigate the murder of three fellow agents.
Yaphet Kotto as Dr. Kananga and Mr. Big. A corrupt Caribbean Prime Minister who doubles as a drug lord.
Jane Seymour as Solitaire: Kananga's psychic and the love interest of Bond.
Julius Harris as Tee Hee Johnson: Kananga's primary henchman who has a pincer for a hand.
David Hedison as Felix Leiter: Bond's CIA colleague. Leiter is also investigating Mr. Big.
Gloria Hendry as Rosie Carver: A CIA agent in San Monique.
Clifton James as Sheriff J.W. Pepper: An uncouth Louisiana sheriff.
Geoffrey Holder as Baron Samedi: Kananga's henchman who has ties to the Voodoo occult.
Bernard Lee as M: The Head of the Secret Intelligence Service
Roy Stewart as Quarrel Jr.: Bond's ally in San Monique and son of Quarrel from Dr. No.
Earl Jolly Brown as Whisper: Kananga's henchman who only whispers.
Tommy Lane as Adam: One of Dr. Kananga's henchmen who pursues 007 through the Louisiana Bayou
Lois Maxwell as Miss Moneypenny: M's secretary.
Lon Satton as Harry Strutter: CIA agent who assists Bond in New York.
Madeline Smith as Miss Caruso: An Italian agent whom Bond briefly romances. She only appears in the beginning of the film. She spends the night with Bond and hides in the closet when M unexpectedly visits Bond's home to give him an urgent mission.
Michael Ebbin as Dambala: One of Kananga's henchmen in San Monique and a voodoo priest of sorts that kills his victims with a snake.

text: Production[edit]

text: While filming Diamonds Are Forever, Live and Let Die was chosen as the next Ian Fleming novel to be adapted because screenwriter Tom Mankiewicz thought it would be daring to use black villains, as the Black Panthers and other racial movements were active at this time.[2] Guy Hamilton was again chosen to direct, and since he was a jazz fan, Mankiewicz suggested he film in New Orleans. Hamilton did not want to use Mardi Gras since Thunderball featured Junkanoo, a similar festivity, so after more discussions with the writer and location scouting with helicopters, he decided to use two well-known features of the city, the jazz funerals and the canals.[2][3]

text: To develop a better feel of how Voodoo was practised, Saltzman and Broccoli escorted Hamilton, Mankiewicz and production designer Syd Cain to scout New Orleans further and then the islands of the West Indies. Haiti was an important destination of the tour[4] and not only did Fleming connect it with the religion,[5] there were many practitioners available to witness. Despite viewing actual demonstrations, due to political unrest in the country at the time, it was decided not to film in Haiti.[4]

text: While searching for locations in Jamaica, the crew discovered a crocodile farm owned by Ross Kananga, after passing a sign warning that "trespassers will be eaten." The farm was put into the script and also inspired Mankiewicz to name the film's villain after Kananga.[2]

text: Casting[edit]

text: Broccoli and Saltzman tried to convince Sean Connery to return as James Bond, but he declined.[2] At the same time United Artists approached both Batman actor Adam West and Burt Reynolds. Reynolds told the studios that Bond should be played by an Englishman and turned the offer down. Among the actors to test for the part of Bond were Julian Glover, John Gavin, Jeremy Brett, Simon Oates, John Ronane, and William Gaunt. The main frontrunner for the role was Michael Billington. United Artists was still pushing to cast an American to play Bond but producer Albert R. Broccoli insisted that the part should be played by a British actor and put forward Roger Moore. After Moore was chosen, Billington remained on the top of the list in the event that Moore would decline to come back for the next film. Billington ultimately played a brief role in the pre-credit sequence of The Spy Who Loved Me (1977). Moore, who had been considered by the producers before both Dr. No and On Her Majesty's Secret Service, was ultimately cast.[3] He tried not to imitate either Connery's or his own prior performance as Simon Templar in The Saint, and Mankiewicz fitted the screenplay into Moore's persona by giving more comedy scenes and a light-hearted approach to Bond.[2]

text: Mankiewicz had thought of turning Solitaire into a black woman, with Diana Ross as his primary choice.[1][6] However, Broccoli and Saltzman decided to stick to Fleming's description of a white woman, and after thinking of Catherine Deneuve, Jane Seymour, who was in the TV series The Onedin Line, was cast for the role.[2] Yaphet Kotto was cast while doing another movie for United Artists, Across 110th Street.[2] Kotto reported one of the things he liked in the role was Kananga's interest in the occult, "feeling like he can control past, present and future".[3]

text: Mankiewicz created Sheriff J.W. Pepper to add a comic relief character. Portrayed by Clifton James, Pepper appeared again in The Man with the Golden Gun.[2] Live and Let Die is also the first of two films featuring David Hedison as Felix Leiter, who reprised the role in Licence to Kill. Hedison had said "I was sure that would be my first and last", before being cast again.[7]

text: Madeline Smith, who played Miss Caruso, sharing Bond's bed in the film's opening, was recommended for the part by Roger Moore after he had appeared with her on TV. Smith said that Moore was extremely polite to work with, but she felt very uncomfortable being clad in only blue bikini panties while Moore's wife was on set overseeing the scene.[8]

text: Live and Let Die was the only Bond film until Casino Royale (2006) not to feature 'Q', played at this stage by Desmond Llewelyn. He was then appearing in the TV series Follyfoot, but was written out of three episodes to appear in the film.[9] By then, Saltzman and Broccoli decided not to include the character, feeling that "too much was being made of the films' gadgets", and decided to downplay this aspect of the series,[10] much to Llewelyn's annoyance.[9]

text: Filming[edit]

text: Principal photography began in October 1972, in Louisiana. For a while only the second unit was shot after Moore was diagnosed with kidney stones. In November production moved to Jamaica, which doubled for the fictional San Monique. In December, production was divided between interiors in Pinewood Studios and location shooting in Harlem.[2][11][12] The producers were reportedly required to pay protection money to a local Harlem gang to ensure the crew's safety. When the cash ran out, they were "encouraged" to leave.[8] Some exteriors were in fact shot in Manhattan's Upper East Side as a result of the difficulties of using real Harlem locations.

text: Yaphet Kotto later stated "There were so many problems with that script…I was too afraid of coming off like Mantan Moreland…I had to dig deep in my soul and brain and come up with a level of reality that would offset the sea of stereotype crap that Tom Mankiewicz wrote that had nothing to do with the Black experience or culture." Kotto said he did this by drawing "on a real life situation I was going through and that saved me…But the way Kananga dies was a joke…The entire experience was not as rewarding as I wanted it to be."[13]

text: Ross Kananga suggested the stunt of Bond jumping on crocodiles, and was enlisted by the producers to perform it.[1] The scene took five takes to be completed, including one in which the last crocodile snapped at Kananga's heel, tearing his trousers.[2] The production also had trouble with snakes. The script supervisor was so afraid that she refused to be on set with them; an actor fainted while filming a scene where he is killed by a snake; Jane Seymour became terrified as a reptile got closer, and Geoffrey Holder only agreed to fall into the snake-filled casket because Princess Alexandra was visiting the set.[2]

text: The boat chase was filmed in Louisiana around the Irish Bayou area, with some interruption caused by flooding.[3] Twenty-six boats were built by the Glastron boat company for the film. Seventeen were destroyed during rehearsals.[14] The speedboat jump scene over the bayou, filmed with the assistance of a specially-constructed ramp, unintentionally set a Guinness World Record at the time with 110 feet (34 m) cleared. The waves created by the impact caused the following boat to flip over.[2]

text: The chase involving the double-decker bus was filmed with a second-hand London bus adapted by having a top section removed, and then placed back in situ running on ball bearings to allow it to slide off on impact. The stunts involving the bus were performed by Maurice Patchett, a London Transport bus driving instructor.[1]

text: Music[edit]

text: John Barry, who had worked on the previous five themes and orchestrated the "James Bond Theme", was unavailable during production. Broccoli and Saltzman instead asked Paul McCartney to write the theme song. Since McCartney's salary was high and another composer could not be hired with the remainder of the music budget, George Martin, who had been McCartney's producer while with The Beatles, was chosen to write the score for the film.[15] "Live and Let Die", written by McCartney along with his wife Linda and performed by their group Wings, was the first true rock and roll song used to open a Bond film, and became a major success in the UK (where it reached number nine in the charts) and the US (where it reached number 2, for three weeks). It was nominated for an Academy Award but lost to "The Way We Were". Producers hired B. J. Arnau to record and perform the title song, not realising McCartney intended to perform it himself. Arnau's version was featured in the film itself, when the singer performed it in a night club which Bond attends.[16]

text: The Olympia Brass Band has a notable part in "Live and Let Die", where they lead a funeral march for a (soon to be) assassination victim. Trumpeter Alvin Alcorn plays the killer. The piece of music the band plays at the beginning of the funeral march is "Just a Closer Walk with Thee". After the agent is stabbed, the band starts playing the more lively "Joe Avery's Piece" (aka "New Second Line").

text: Release[edit]

text: The film was released in the United States on 27 June 1973. The world premiere was at Odeon Leicester Square in London on 6 July 1973, with general release in the United Kingdom on the same day.[17] From a budget of around $7 million,[18] ($39 million in 2017 dollars[19]) the film grossed $161.8 million ($892 million in 2017 dollars[19]) worldwide.[18]

text: The film holds the record for the most viewed broadcast film on television in the United Kingdom by attracting 23.5 million viewers when premiered on ITV on 20 January 1980.[20]

text: Reception[edit]

text: The reviews were mostly positive, with praise for the action scenes,[21][22] and Rotten Tomatoes gave the film a 66% "fresh" rating.[23]

text: Ian Nathan of Empire wrote "This is good quality Bond, managing to reinterpret the classic moves – action, deduction, seduction – for a more modern idiom without breaking the mould. On one side we get the use of alligators as stepping stones and the pompous pitbull of rootin' tootin' Sheriff Pepper caught up in the thrilling boat chase. On the other, the genuine aura of threat through weird voodoo henchman Tee Hee and the leaning toward – what's this? – realism in Mr Big's plot to take over the drug trade from the Mafia." He concluded that "Moore had got his feet under the table."[24]

text: Roger Ebert of the Chicago Sun-Times stated that Moore "has the superficial attributes for the job: The urbanity, the quizzically raised eyebrow, the calm under fire and in bed". However, he felt that Moore wasn't satisfactory in living up to the legacy left by Sean Connery in the preceding films. He rated the villains "a little banal", adding that the film "doesn't have a Bond villain worthy of the Goldfingers, Dr. Nos and Oddjobs of the past."[25] Chris Nashawaty similarly argues that Dr. Kananga/Mr. Big is the worst villain of the Roger Moore James Bond films.[26] BBC Films reviewer William Mager praised the use of locations, but said that the plot was "convoluted". He stated that "Connery and Lazenby had an air of concealed thuggishness, clenched fists at the ready, but in Moore's case a sardonic quip and a raised eyebrow are his deadliest weapons".[27] Reviewer Leonard Maltin rated the film two and a half stars out of four, describing it as a "barely memorable, overlong James Bond movie" that "seems merely an excuse to film wild chase sequences".[28] Danny Peary noted that Jane Seymour portrays "one of the Bond series's most beautiful heroines" but had little praise for Moore, who he described as making "an unimpressive debut as James Bond in Tom Mankiewicz's unimaginative adaptation of Ian Fleming's second novel…The movie stumbles along most of the way. It's hard to remember Moore is playing Bond at times – in fact, if he and Seymour were black, the picture could pass as one of the black exploitation films of the day. There are few interesting action sequences – a motorboat chase is trite enough to begin with, but the filmmakers make it worse by throwing in some stupid Louisiana cops, including pot-bellied Sheriff Pepper."[29]

text: IGN ranked Solitaire as 10th in a Top 10 Bond Babes list.[30] In November 2006, Entertainment Weekly listed Live and Let Die as the third-best Bond film.[31] MSN chose it as the-thirteenth best Bond film[22] and IGN listed it as twelfth-best.[21]

text: In 2004 the American Film Institute nominated the song "Live and Let Die" from the film for AFI's 100 Years...100 Songs.[32]

text:
Year
Result
Award
Recipients

1974
Nominated
Academy Award for Best Original Song
Paul & Linda McCartney

Nominated
Grammy Award for Best Song Written for a Motion Picture

Won
Evening Standard Best Film
Guy Hamilton


document_title: Hey Arnold!

question_text: where is hey arnold supposed to take place

root

text: Hey Arnold!

text: Premise[edit]

text: Characters[edit]

text: Hey Arnold! stars nine-year-old Arnold (voiced by Toran Caudell; Phillip Van Dyke; Spencer Klein; Alex D. Linz and Mason Vale Cotton) and his neighborhood friends: Gerald (voiced by Jamil Walker Smith and Benjamin Flores Jr.), a street-smart character who generally serves as the leader of the group, and Helga (Francesca Smith), a girl who bullies Arnold in order to hide the fact that she is in love with him. Bartlett drew inspiration from people he grew up with when creating the characters for the show.[5]

tag: p

text: Arnold lives with his eccentric but loving paternal grandparents, Phil (Dan Castellaneta) and Gertrude (Tress MacNeille), proprietors of the Sunset Arms boarding house, in the fictional city of Hillwood. In each episode, he often helps a schoolmate or boarding home tenant solve a personal problem, or encounters a predicament of his own. Many episodes involve urban legends usually told by Gerald, such as superheroes or headless horsemen.

text: Other characters include students and faculty at P.S. 118, Arnold's school, and citizens of Hillwood. Certain episodes focus on the lives of supporting characters, such as the tenants of the boarding house that Arnold's grandparents own.

text: Setting[edit]

text: Hey Arnold! takes place in the fictional American city of Hillwood. While its geographic location is never revealed outright, some episodes suggest that the city is located in Washington State. Bartlett described the city as "an amalgam of large northern cities I have loved, including Seattle (my hometown), Portland (where I went to art school) and Brooklyn (the bridge, the brownstones, the subway)".[6] Bartlett, having grown up in Seattle, based many of the show's events on his own experience growing up in the city. Evan Levine of the Houston Chronicle commented on the series' "backdrop of dark streets, nighttime adventures and rundown buildings, all seen from a child's point of view".[7]

text: Production[edit]

text: Animator Craig Bartlett graduated from Anacortes High School and obtained a degree in communications from The Evergreen State College in Olympia, Washington.[8] During high school and college, he studied painting and sculpture at the Museum Art School in Portland, and his first job after college was at Will Vinton Productions, a claymation house.[8] Originally, Bartlett intended to become a painter "in the 19th-century sense", but he became interested in animation during a trip to Italy.[5]

text: In 1987, while working on Pee-wee's Playhouse, he created claymation cutaways about a character named Penny and her friend Arnold, and made three "Arnold" shorts: Arnold Escapes from Church (1988), The Arnold Waltz (1990) and Arnold Rides His Chair (1991). Six years later, Bartlett was teamed up with five writers from Rugrats to develop animation projects for Nickelodeon.[8] These meetings were generally difficult and the writers became frustrated; Bartlett recalled: "Our ideas were OK, but such a large and motley group couldn't get far at pitch meetings. Network execs got migraines just counting us coming in the door."[8] As a last resort, Bartlett played the "Penny" tapes, intending to highlight the Penny character. However, the executives were more impressed by Arnold, despite him being a minor character.[8]

text: After the meeting, the group began developing Arnold, creating his personality and evolving him from claymation to cel animation. Bartlett stated: "We did a lot of talking about who Arnold is. We came up with a reluctant hero who keeps finding himself responsible for solving something, making the right choices, doing the right thing."[8] After creating ideas for Arnold, Bartlett began work on the supporting characters, drawing influence from his childhood: "A lot of the characters are an amalgam of people I knew when I was a kid. The girls in Hey Arnold! are girls that either liked or didn't like me when I was in school."[5]

text: In 1994, Bartlett created the pilot episode of Hey Arnold! in his living room, and showed it to producers at Nickelodeon. A year later, the network decided to begin work on the series.[5] The character was previously featured in a trilogy of clay animation shorts from 1988 to 1991: Arnold Escapes from Church (1988),[9] The Arnold Waltz (1990),[10][11] and Arnold Rides a Chair (1991), the latter having been aired as a filler short on Sesame Street in 1991. The 10-minute pilot episode, titled Arnold, was shown in theaters in 1996 before Nickelodeon's first feature-length film, Harriet the Spy.[8]

text: Apart from the animation style, Nick's Arnold wears a sweater, with his plaid shirt untucked (resembling a kilt). Only Arnold's cap remains unchanged from his original clay-animation wardrobe. Arnold comic strips also appeared in Simpsons Illustrated magazine, as Matt Groening, the creator of The Simpsons, is Craig Bartlett's brother-in-law.

text: Production of Hey Arnold! wrapped on December 7, 2001.[12] A dispute over a second planned Hey Arnold! movie, The Jungle Movie, then resulted in Bartlett leaving Nickelodeon. The last season's episodes were released over four years, beginning in 2000. The series aired its final episode, unannounced, on June 8, 2004.

text: The show aired in reruns on "Nick on CBS" for 2 years from September 14, 2002, to September 2004. In 2011, the Canadian Nickelodeon channel began airing episodes of Hey Arnold!. In September 2011, TeenNick brought Hey Arnold! reruns to "The '90s Are All That" programming block (which has been rebranded "NickSplat").

text: Episodes[edit]

text:
Season
Episodes
Originally aired

First aired
Last aired

Pilot
March 1, 1994 (1994-03-01)/July 10, 1996 (1996-07-10)

1
20
October 7, 1996 (1996-10-07)
February 14, 1997 (1997-02-14)

2
19
September 21, 1997 (1997-09-21)
January 18, 1998 (1998-01-18)

3
20
August 31, 1998 (1998-08-31)
March 8, 1999 (1999-03-08)

4
17
March 10, 1999 (1999-03-10)
December 11, 1999 (1999-12-11)

5
24
March 4, 2001 (2001-03-04)
June 8, 2004 (2004-06-08)

Theatrical film
June 28, 2002 (2002-06-28)

Television film
November 24, 2017 (2017-11-24)

tag: table

text: Merchandise[edit]

text: VHS[edit]

text:
Urban Adventures
The Helga Stories
Arnold's Christmas
Love Stinks
Partners
Hey Arnold!: The Movie

tag: ul

text: Books[edit]

text:
Arnold for President
Return of the Sewer King
Arnold's Valentine
Parents Day
Summer Love
The Mystery of the Bermuda Triangle
Arnold's Christmas
Arnold's E-Files
Hey Arnold!: The Movie

text: Feature film[edit]

text: In this 2002 feature film, Arnold, Helga and Gerald set out on a quest to save their old neighborhood from a greedy developer who plans on converting it into a huge shopping mall. This film was directed by Tuck Tucker, and featured guest voice talents of Jennifer Jason Leigh, Paul Sorvino and Christopher Lloyd.

text: In 1998, Nickelodeon gave Craig Bartlett the chance to develop a feature adaptation of the series.[13] As work on the fifth season was completing, Bartlett and company engaged in the production of Arnold Saves the Neighborhood, which would eventually become Hey Arnold!: The Movie.[13] The Neighborhood project was originally made for television and home video,[13][14] but executives at Paramount Pictures decided to release it theatrically after successful test screenings.[14] According to animation historian Jerry Beck (in his Animated Movie Guide), the decision was buoyed by the financial success of the first two Rugrats movies, The Rugrats Movie and Rugrats in Paris: The Movie.[13]

text: Broadcast[edit]

text: Apart from Nickelodeon in the United States, Hey Arnold! premiered on October, 30 1996 in the United Kingdom, originally on CITV. In 2002, Nicktoons began broadcasting the show, and screened Hey Arnold! episodes until September 8, 2008 when the show was taken off its nightly schedule. The show was also formerly part of Jamaican commercial television network CVM Television's children's programming.

text: Home media releases[edit]

text: Nickelodeon released all five seasons on DVD in Region 1 via Amazon.com through its CreateSpace Manufacture-on-demand program in 2008/2009. Season 1 was released on August 21, 2008, Season 2 on August 29, 2008, Season 3 on December 8, 2009,[15] Season 4 on November 27, 2009, and Season 5 on December 4, 2009.[16] All of these releases are now discontinued.[17]

text: On May 9, 2011, it was announced that Shout! Factory had acquired the rights to the series.[18] They subsequently released Season 1 in a 4 disc set on August 9, 2011.[19] Season 2, Part 1 was released on March 20, 2012,[20] followed by Season 2, Part 2 on July 24, 2012.[21] Season 3 was released on January 29, 2013, as a Shout Select title.[22] On May 14, 2013, season 4 was released as a shout exclusive followed by season 5 released on October 15, 2013, also as a shout exclusive[23] making the entire series available on DVD. On August 19, 2014, the complete series was released through Shout! Factory as a Walmart exclusive.

text: In Australia, all five seasons have been released by Beyond Home Entertainment. A 16-disc collector's edition was released on September 1, 2016, containing all five seasons.

text:
DVD Name
Episodes
# of Discs
Release Date

Region 1

Region 4

Season 1
20
4
August 9, 2011 (2011-08-09)
April 3, 2013

Season 2, Part 1
Season 2, Part 2
20
4
March 20, 2012 (2012-03-20)
July 2, 2012 (2012-07-02)
April 3, 2013

Season 3♦
19
3
January 29, 2013 (2013-01-29)
June 3, 2015

Season 4♦
17
2
May 14, 2013 (2013-05-14)[24]
June 3, 2015

Season 5♦
24
3
October 15, 2013 (2013-10-15)[25]
September 1, 2015

The Complete Series
100
16
August 19, 2014 (2014-08-19)[26]
September 1, 2016

text: ♦ – Shout! Factory select title, sold exclusively through Shout's online store.

text: Television film[edit]

text: In an interview with Arun Mehta, Craig Bartlett announced that he was working with Nickelodeon on a Hey Arnold! reboot.[27] In September 2015, Nickelodeon president Russell Hicks announced that the company was considering reboots for a number of series, including Hey Arnold!.[28] According to an announcement by The Independent, a Hey Arnold! reboot is "very much on the cards".[29] On November 23, 2015, Nickelodeon announced that a TV movie is in the works and will pick up right where the series left off.[30] The film will also answer unanswered questions about the fate of Arnold's parents.[30] On March 1, 2016, it was announced that the TV film, The Jungle Movie, would be divided into two parts and would air in 2017.[4] On March 6, 2016, voice actress Nika Futterman confirmed on Twitter that she and her character Olga Pataki would appear in the two-hour film.[31] The movie is expected to premiere in November 2017.[32] In June 2016, it was confirmed that the TV film would be titled The Jungle Movie, and that 19 of the original voice actors from the series would lend their voices in the film.[33] New cast-members will include Mason Vale Cotton as Arnold; Benjamin "Lil' P-Nut" Flores as Gerald; Gavin Lewis as Eugene; Jet Jurgensmeyer as Stinky; Aiden Lewandowski as Sid; Laya Hayes as Nadine; Nicolas Cantu as Curly; Wally Wingert as Oskar; Stephen Stanton as Pigeon Man; and Alfred Molina as the villain La Sombra.[34] At the 2016 San Diego Comic-Con International, Craig Bartlett confirmed that the film would premiere November 2017.[35] It was further revealed at the 2017 New York Comic Con that the exact release date would be November 24, 2017.