document_title: Digboi

question_text: who discovered the occurance of oil in india

text: Digboi

text: Etymology[edit]

text:
" Barely seven years after Edwin L. Drake drilled the world's first oil well in 1859 at Titusville, Pennsylvania, USA, history registered another exploration of the black liquid gold, in the largest continent.
More than a century ago, history was made in a remote corner of Assam in the midst of the dense and malaria infested jungles, by a band of intrepid pioneers searching for black gold. In 1867 Italian Engineers, commissioned by the Assam Railways and Trading Company, to build a railway line from Dibrugarh to Margherita (Headquarters of Assam Railways and Trading Company) accidentally discovered oil at Digboi around 10 miles from Margherita.
‘Dig boy, dig’, shouted the English engineer, Mr W L Lake, elephants emerging out of the dense forest with oil stains on their feet".[2]
This is possibly the most distilled – though fanciful – version of the legend explaining the siting and naming of Digboi. Two events separated by seven years have become fused, but although neither is likely to be provable, such evidence that does exist appears sufficiently detailed to be credible. Various web sites offer variations on the elephant’s foot story, a consensus of which would be that engineers extending the Dibru-Sadiya railway line to Ledo for the Assam Railways and Trading Company (AR&TC) in 1882 were using elephants for haulage and noticed that the mud on one pachyderm’s feet smelled of oil. Retracing the trail of footprints, they found oil seeping to the surface. One of the engineers, the Englishman Willie Leova Lake, was an ‘oil enthusiast’ and persuaded the company to drill a well. Oil India Ltd makes no reference to elephants’ feet in its company history,[3] although on its previous web site the company  noted that Lake had noticed "the oil seepages around Borbhil". Once the project had been approved, Lake assembled equipment, boilers, and local labour, and engaged elephants to haul the machinery to the site. The first well was started in September 1889, but an encouraging first strike at 178 feet (54 m) turned out to be a small pocket, and drilling recommenced. This continued until November 1890 when the well was completed at a total depth of 662 feet (202 m), and it was during this extended period of drilling that Oil India's old web site placed the legend of Lake exhorting one or more of his labourers to "Dig, boy!"

text: Digboi as an oil town[edit]

text: It is said that the town gets its name from the phrase "dig-boy-dig," which is what the English told the labourers as they dug for crude oil. The town's history begins in 1867 when a small group of men from the Assam Railway and Trading Co. found their elephants' legs soaked in black mud, that smelt somewhat like oil. The men began exploring more, and in 1889, the English started a small oil installation. India (and Asia) obtained its first refinery in Digboi in the year 1901. Assam Oil Company was formed in 1899 to look after the running of the oil business in this area. The Digboi oil field produced close to 7,000 barrels per day (1,100 m3/d) of crude oil at its peak, which was during World War II. The field was pushed to produce the maximum amount of oil with little regard to reservoir management; as a result, production started to drop almost immediately after the war. The current production from the Digboi fields is about 240 barrels per day (38 m3/d). Over 1,000 wells have been drilled at Digboi – the first well in 1889 had stuck oil at 178 feet (54 m). In 1989, the Department of Posts, India came out with a stamp commemorating 100 years of the Digboi fields.

text: Today, though the crude production is not high, Digboi has the distinction of being India's oldest continuously producing oilfield. Digboi refinery, now a division of Indian Oil Corporation, had a capacity of about 0.65 MMTPA as of 2003.

text: Digboi is now Headquarter of Assam Oil Division of Indian Oil Corporation Limited. The Earliest recorded to the existence of oil in India is found in the memories and dispatches of the Army Officers who penetrated the jungles of Upper Assam since 1825. Lt. R. Wilcox, Major A. White, Capt. Francis Jenkins, Capt. P.S. Hanney—they all saw at different times petroleum exuding from banks of the Dihing River. Mr. C.A. Bruce (1828) and Mr. H.B. Medicott (1865) of the Geological Survey of India also saw oil while prospecting for coal in Upper Assam.

text: Mr. Goodenough of McKillop, Stewart & Co. Calcutta was the first in India to start a systematic programme of drilling for oil in November 1866, at Nahorpung about 30 miles (48 km) south east of Dibgoi, just seven years after the world's first commercial oil well was drilled in 1859, by Col Edwin L Drake in Pennsylvania, USA. This hand dug well—the first oil well in India—was drilled up to 102 feet (31 m) and proved dry. However the second well struck oil at Makum near Tinsukia, about 14 miles (23 km) from Digboi.

text: In 1939, there was a major labour union strike in the Refinery. The Gandhi Movement of Congress for Indian Independence struggle; backed by labour rights and equality status was headed by Sardar Amar Singh Marwah. The break of the World War II coincided with the Digboi labour strike resulted in harsh steps taken by the British Administrative offices to crush the strike. The Viceroy and the Governor had intervened to bring a settlement adopting sturdy steps were take to crush the union by shooting down of the president of the labour union to be followed by issuing orders of Quit Digboi, Quit Lakhimpur and finally Quit Assam to the leaders of the labour union.

text: Digboi Refinery[edit]

text: The Digboi Refinery modernization project was taken up in large scale in order to overcome the technological obsolescence of the old refinery. Subsequently, a number of other major projects were undertaken by Assam Oil Division to further revamp and modernise Digboi Refinery.Digboi refinery has been awarded the ISO-14001 and OHSMC certificate.

text: Geography[edit]

text: Digboi is located at 27°22'48.0"N 95°37'48.0"E.[4] It has an average elevation of 165 metres (541 ft).It is situated 510 km north east of Guwahati.

text: Demographics[edit]

text: As of  2011[update] India census,[5] Digboi has population of 21,736 of which 10,964 are males while 10,772 are females. Population of Children with age of 0-6 is 1745 which is 8.03 % of total population of Digboi.  Committee, Female Sex Ratio is of 982 against state average of 958. Moreover Child Sex Ratio in Digboi is around 981 compared to Assam state average of 962. Literacy rate of Digboi city is 92.08 % higher than state average of 72.19 %. In Digboi, Male literacy is around 95.09 % while female literacy rate is 89.02 %.

text: Digboi Oil Town was considered as a separate census town in 2011 India census.[5] The population is largely heterogeneous. Assamese, Bengali, Nepali, Bihari, Marwari communities form the majority. People from various tribes such as the tea-tribes (brought in by the colonial planters as indentured labourers from the Chhotanagpur plateau region), Bodos, Mishings etc. have also made it their home.

text: Culture & economy[edit]

text: As being a small part of the diverse state Assam. It is flooded with assamese culture and heritage. As being colonised by British and rising of industrial era the place have seen adverse changes. Workers, labourers were brought in. Digboi township accounted for diverse group of people that entered in search of livelihood. But the outskirts were still agriculture based. Assam being rich in fertility, tea is produced throughout the place bringing a bright opportunity to the people and the place itself. Yet small people here portrait the picture of the nation itself.

text: How to reach Digboi[edit]

text: This section is empty. You can help by adding to it. (September 2015)

text:
The nearest airport is the Mohanbari Airport, Dibrugarh and the  nearest railway junction is the Tinsukia Junction. One can get flight to Dibrugarh from Delhi and Kolkata on daily basis. Also Dibrugarh-New Delhi Rajdhani express runs daily from Dibrugarh via New Tinsukia Junction. There are also proper roadways which link the Digboi Oil town to some other towns like Duliajan, Makum etc.
Digboi has got a railway station and it connects well with Guwahati.
Digboi can be reached by public transport bus and mini-vans as well. Various companies run bus between Digboi and other neighbouring towns and Guwahati. Rickshaw is the main mode of transport within the city.

text: Places of interest[edit]

text:
Digboi Oil Centenary Museum
Digboi War Cemetery
Digboi 18 hole Golf Course
Digboi Oil Field
Digboi Centenary Park
Digboi Bar

text: Politics[edit]

text:
Digboi is part of Dibrugarh (Lok Sabha constituency) which is represented by Mr Rameswar Teli of Bharatiya Janata Party.It lies in the Digboi Constituency of the State Assembly where it is represented by Mr. Suren Phukan of Bharatiya Janata Party.
[6]


document_title: Wet Hot American Summer

question_text: who is the camp director in wet hot american summer

root

text: Wet Hot American Summer

text: Plot[edit]

text: In 1981, Camp Firewood, a summer camp located near Waterville, Maine, is preparing for its last day of camp. Counselors have one last chance to have a romantic encounter with another person at Camp Firewood. The summer culminates in a talent show.

tag: p

text: Beth (Janeane Garofalo), the camp director, struggles to keep her counselors in order—and her campers alive—while falling in love with Henry (David Hyde Pierce), an astrophysics associate professor at Colby College. Henry has to devise a plan to save the camp from a piece of NASA's Skylab, which is falling to Earth.

text: Coop (Michael Showalter) has a crush on Katie (Marguerite Moreau), his fellow counselor, but has to pry her away from her rebellious, obnoxious, and obviously unfaithful boyfriend, Andy (Paul Rudd). Only Gene (Christopher Meloni), the shell-shocked Vietnam war veteran and camp chef, can help Coop win Katie—with some help from a talking can of mixed vegetables (voiced by H. Jon Benjamin).

text: All the while, Gary (A.D. Miles), Gene's unfortunately chosen apprentice, and J.J. (Zak Orth) attempt to figure out why McKinley (Michael Ian Black) hasn't been with a woman, the reason being that McKinley is in love with Ben (Bradley Cooper), whom he marries in a ceremony in the lake; Victor (Ken Marino) attempts to lose his virginity with the resident loose-girl Abby (Marisa Ryan); and Susie (Amy Poehler) and Ben attempt to produce and choreograph the greatest talent show Camp Firewood has ever seen.

text: Cast[edit]

text:
Janeane Garofalo as Beth
David Hyde Pierce as Professor Henry Newman
Molly Shannon as Gail von Kleinenstein
Paul Rudd as Andy
Christopher Meloni as Gene
Michael Showalter as Gerald "Coop" Cooperberg/Alan Shemper
Marguerite Moreau as Katie Finnerty
Ken Marino as Victor Pulak
Michael Ian Black as McKinley
Zak Orth as J.J.
A.D. Miles as Gary
Amy Poehler as Susie
Bradley Cooper as Ben
Marisa Ryan as Abby Bernstein
Kevin Sussman as Steve
Elizabeth Banks as Lindsay
Joe Lo Truglio as Neil
Gideon Jacobs as Aaron
Judah Friedlander as Ron Von Kleinenstein
H. Jon Benjamin as a Can of Mixed Vegetables

tag: ul

text: Production[edit]

text: Background[edit]

text: The film is based on the experiences Wain had while attending Camp Modin, a Jewish camp, located in Belgrade, Maine, and Showalter had at Camp Mohawk in the Berkshires in Cheshire, Massachusetts.[4] During one scene, the counselors take a trip into Waterville, Maine, which is not far from the camp. It is also a parody of, and homage to, other films about summer camp such as Meatballs (1979), Sleepaway Camp (1983),[5] and Indian Summer (1993). According to Wain, they wanted to make a film structured like films such as Nashville, Dazed and Confused and Do the Right Thing—"films that take place in one contained time period that have lots of different characters."[1]

text: Development[edit]

text: The film's financing took three years to assemble; in a June 2011 interview, Wain revealed the film's budget was $1.8 million; he noted that during the 2001 Sundance Film Festival,[6] the film had been promoted as costing $5 million, in an attempt to attract a better offer from a distributor.[1] Because of the film's relatively small budget, the cast was paid very little; Paul Rudd has stated that he is uncertain that he received any compensation at all for the film.[7]

text: Filming[edit]

text: Principal photography lasted 28 days, and, according to director David Wain, it rained on every day of shooting.[1] Exterior shots were filmed when possible, sometimes under covers or umbrellas, but some scenes were moved indoors instead. In many interior scenes, rain seen outside turns into sun as soon as characters step outside. Due to the cold, the actors' breath can be seen in some outdoor scenes.[1] The film was shot at Camp Towanda in Honesdale, Pennsylvania.[8]

text: Music[edit]

text: As the film is set in the early 1980s, the film's soundtrack features songs from many popular bands of the era, most notably Jefferson Starship, Rick Springfield, Loverboy, and KISS.

text: Songs in the film[edit]

text:
"Jane" by Jefferson Starship
"Juke Box Hero" by Foreigner
"Backwards from Three" by Craig Wedren and Theodore Shapiro
"Wet Hot American Summer" by Craig Wedren
"Love is Alright Tonight" by Rick Springfield
"Danny's Song" by Loggins & Messina
"Turn Me Loose" by Loverboy
"Beth" by Kiss
"Day By Day" from Godspell
"Harden My Heart" by Quarterflash
"Higher and Higher" by Craig Wedren and Theodore Shapiro
"When It's Over" by Loverboy
"Wet Hot American Dream" by Peter Salett
"Summer in America" by Mr. Blue & Chubb Rock

tag: ol

text: Release[edit]

text: Wet Hot American Summer premiered at the 2001 Sundance Film Festival, where it was screened four times to sold-out crowds,[9] though it failed to attract a distributor.[1] Months later, USA Films offered the filmmakers $100,000 for the film, with virtually no participation for the filmmakers, an offer the film's investors accepted. It premiered in New York City on July 27, 2001, then received a theatrical release limited to fewer than 30 cities.[9]

text: Reception[edit]

text: Wet Hot American Summer received mostly negative reviews from critics. Rotten Tomatoes gives the film a rating of 32%, based on 66 reviews, with the site's critical consensus reading, "As comedy, Wet Hot American Summer is a slapdash, fragmented affair that misses more often than hits. As parody, it fails because it attempts to satirize something ridiculous and self-parodying in itself."[10] Metacritic gives the film a score of 42 out of 100, based on 24 critics, indicating "mixed or average reviews".[11]

text: Roger Ebert rated the film with one star out of four. His review took the form of a tongue-in-cheek parody of Allan Sherman's "Hello Muddah, Hello Fadduh".[12]

text: In contrast, Entertainment Weekly's Owen Gleiberman awarded the film an "A" and named it as one of the ten best films of the year. Newsweek's David Ansen also lauded it, calling it a "gloriously silly romp" that "made me laugh harder than any other movie this summer. Make that this year."[13] Numerous other critics have praised the film as a witty pop satire and it has gone on to achieve a cult following.[citation needed]

text: Actress Kristen Bell stated on NPR on September 2, 2012, that this was her favorite film of all time, having watched it "hundreds of times". NPR host Jesse Thorn said on the April 29, 2014, episode of Bullseye, "When someone has an open enough heart to accept this silliness - and that's what it's about for me, an open heart - if someone's heart is open to Wet Hot American Summer, they love it. And that's when I know that me and them, we've got an unbreakable bond. Together forever. Like camp counselors."[14]

text: Home media[edit]

text: The film was released in both VHS and DVD formats on January 15, 2002.[9] In 2011, Wain tried to convince Universal Studios to do either a 10th anniversary home video re-release with extra features, or perhaps a Blu-ray release, but Universal rejected the idea. The film was released on Blu-ray on May 12, 2015.[15]

text: Follow-ups[edit]

text: The film is followed by two Netflix series with one serving as a prequel and one as a sequel. The prequel, First Day of Camp, was released on July 31, 2015,[16] while the sequel, Ten Years Later, was released on August 4, 2017.[17]

text: Legacy[edit]

text: Anniversary celebrations[edit]

text: Events were held around the country to celebrate the film's 10-year anniversary in 2011 and 2012, including a screening of the film in Boston,[18] an art show in Santa Monica of works inspired by the film with a reception hosted by Wain,[19] a screening at the Los Angeles Film School with a Q&A with Wain,[20] a midnight screening in Cleveland, Ohio,[21] a 10th anniversary celebration event with the members of Stella in Brooklyn,[22] and a reading of the script at the San Francisco Comedy Festival with much of the original cast.[23]

text: Undeveloped TV series[edit]

text: During an interview with Variety, Wain and Showalter confirmed that they wrote a pilot to Fox for a possible TV series based on the film. Wain described the series as a "22-minute Fox sitcom with commercials and nothing Rated R, so it was a little bit odd."[24] The pilot was not picked up for a series.

text: Documentary[edit]

text: Alongside the prequel series, a making-of documentary, Hurricane of Fun: The Making of Wet Hot, was released on Netflix on July 24, 2015, consisting of behind-the-scenes interviews and footage shot during the filming of the movie.


document_title: Altitude (triangle)

question_text: where do the altitudes of a triangle intersect

text: Altitude (triangle)

text: Orthocenter[edit]

text: The three (possibly extended) altitudes intersect in a single point, called the orthocenter of the triangle, usually denoted by H.[1][2] The orthocenter lies inside the triangle if and only if the triangle is acute (i.e. does not have an angle greater than or equal to a right angle). If one angle is a right angle, the orthocenter coincides with the vertex at the right angle.[2]

text: Let A, B, C denote the vertices and also the angles of the triangle, and let a = |BC|, b = |CA|, c = |AB| be the side lengths. The orthocenter has trilinear coordinates[3]

text:
sec

A
:
sec

B
:
sec

C
=
cos

A
−
sin

B
sin

C
:
cos

B
−
sin

C
sin

A
:
cos

C
−
sin

A
sin

B
,

{\displaystyle \sec A:\sec B:\sec C=\cos A-\sin B\sin C:\cos B-\sin C\sin A:\cos C-\sin A\sin B,}

text: and barycentric coordinates

text: Since barycentric coordinates are all positive for a point in a triangle's interior but at least one is negative for a point in the exterior, and two of the barycentric coordinates are zero for a vertex point, the barycentric coordinates given for the orthocenter show that the orthocenter is in an acute triangle's interior, on the right-angled vertex of a right triangle, and exterior to an obtuse triangle.

text:
In the complex plane, let the points A, B and C represent the numbers

z

A

{\displaystyle z_{A}}

,

z

B

{\displaystyle z_{B}}

 and, respectively,

z

C

{\displaystyle z_{C}}

 and assume that the circumcenter of triangle ABC is located at the origin of the plane. Then, the complex number

text: is represented by the point H, namely the orthocenter of triangle ABC.[4] From this, the following characterizations of the orthocenter H by means of free vectors can be established straightforwardly:

text: The first of the previous vector identities is also known as the problem of Sylvester, proposed by James Joseph Sylvester.[5]

text: Properties[edit]

text: Let D, E, and F denote the feet of the altitudes from A, B, and C respectively. Then:

text: The product of the lengths of the segments that the orthocenter divides an altitude into is the same for all three altitudes:[6][7]

text: The sum of the ratios on the three altitudes of the distance of the orthocenter from the base to the length of the altitude is 1:[9] (This property and the next one are applications of a more general property of any interior point and the three cevians through it.)

text: The sum of the ratios on the three altitudes of the distance of the orthocenter from the vertex to the length of the altitude is 2:[9]

text: The isogonal conjugate of the orthocenter is the circumcenter of the triangle.[10]

text: The isotomic conjugate of the orthocenter is the symmedian point of the anticomplementary triangle.[11]

text: Four points in the plane, such that one of them is the orthocenter of the triangle formed by the other three, is called an orthocentric system or orthocentric quadrangle.

text: Relation with circles and conics[edit]

text: Denote the circumradius of the triangle by R. Then[12][13]

text: In addition, denoting r as the radius of the triangle's incircle, ra, rb, and rc as the radii of its excircles, and R again as the radius of its circumcircle, the following relations hold regarding the distances of the orthocenter from the vertices:[14]

text: If any altitude, for example, AD, is extended to intersect the circumcircle at P, so that AP is a chord of the circumcircle, then the foot D bisects segment HP:[7]

text: The directrices of all parabolas that are externally tangent to one side of a triangle and tangent to the extensions of the other sides pass through the orthocenter.[15]

text: A circumconic passing through the orthocenter of a triangle is a rectangular hyperbola.[16]

text: Relation to other centers, the nine-point circle[edit]

text: The orthocenter H, the centroid G, the circumcenter O, and the center N of the nine-point circle all lie on a single line, known as the Euler line.[17] The center of the nine-point circle lies at the midpoint of the Euler line, between the orthocenter and the circumcenter, and the distance between the centroid and the circumcenter is half of that between the centroid and the orthocenter:[18]

text: The orthocenter is closer to the incenter I than it is to the centroid, and the orthocenter is farther than the incenter is from the centroid:

text: In terms of the sides a, b, c, inradius r and circumradius R,[19]

text: Orthic triangle[edit]

text: If the triangle ABC is oblique (does not contain a right-angle), the pedal triangle of the orthocenter of the original triangle is called the orthic triangle or altitude triangle. That is, the feet of the altitudes of an oblique triangle form the orthic triangle, DEF. Also, the incenter (the center of the inscribed circle) of the orthic triangle DEF is the orthocenter of the original triangle ABC.[21]

text: Trilinear coordinates for the vertices of the orthic triangle are given by

text:
D = 0 : sec B : sec C
E = sec A : 0 : sec C
F = sec A : sec B : 0.

text: The extended sides of the orthic triangle meet the opposite extended sides of its reference triangle at three collinear points.[22][23][21]

text: In any acute triangle, the inscribed triangle with the smallest perimeter is the orthic triangle.[24] This is the solution to Fagnano's problem, posed in 1775.[25] The sides of the orthic triangle are parallel to the tangents to the circumcircle at the original triangle's vertices.[26]

text: The orthic triangle of an acute triangle gives a triangular light route.[27]

text: The tangent lines of the nine-point circle at the midpoints of the sides of ABC are parallel to the sides of the orthic triangle, forming a triangle similar to the orthic triangle.[28]

text: The orthic triangle is closely related to the tangential triangle, constructed as follows: let LA be the line tangent to the circumcircle of triangle ABC at vertex A, and define LB and LC analogously. Let A" = LB ∩ LC, B" = LC ∩ LA, C" = LC ∩ LA. The tangential triangle is A"B"C", whose sides are the tangents to triangle ABC's circumcircle at its vertices; it is homothetic to the orthic triangle. The circumcenter of the tangential triangle, and the center of similitude of the orthic and tangential triangles, are on the Euler line.[20]:p. 447

text: Trilinear coordinates for the vertices of the tangential triangle are given by

text:
A" = −a : b : c
B" = a : −b : c
C" = a : b : −c.

text: For more information on the orthic triangle, see here.

text: Some additional altitude theorems[edit]

text: Altitude in terms of the sides[edit]

text: For any triangle with sides a, b, c and semiperimeter s = (a + b + c) / 2, the altitude from side a is given by

text: This follows from combining Heron's formula for the area of a triangle in terms of the sides with the area formula (1/2)×base×height, where the base is taken as side a and the height is the altitude from A.

text: Inradius theorems[edit]

text: Consider an arbitrary triangle with sides a, b, c and with corresponding altitudes ha, hb, and hc. The altitudes and the incircle radius r are related by[29]:Lemma 1

text: Circumradius theorem[edit]

text: Denoting the altitude from one side of a triangle as ha, the other two sides as b and c, and the triangle's circumradius (radius of the triangle's circumscribed circle) as R, the altitude is given by[30]

text: Interior point[edit]

text: If p1, p2, and p3 are the perpendicular distances from any point P to the sides, and h1, h2, and h3 are the altitudes to the respective sides, then[31]

text: Area theorem[edit]

text:
Denoting the altitudes of any triangle from sides a, b, and c respectively as

h

a

{\displaystyle h_{a}}

,

h

b

{\displaystyle h_{b}}

, and

h

c

{\displaystyle h_{c}}

, and denoting the semi-sum of the reciprocals of the altitudes as

H
=
(

h

a

−
1

+

h

b

−
1

+

h

c

−
1

)

/

2

{\displaystyle H=(h_{a}^{-1}+h_{b}^{-1}+h_{c}^{-1})/2}

 we have[32]

text: General point on an altitude[edit]

text: If E is any point on an altitude AD of any triangle ABC, then[33]:77–78

text: Special case triangles[edit]

text: Equilateral triangle[edit]

text: For any point P within an equilateral triangle, the sum of the perpendiculars to the three sides is equal to the altitude of the triangle. This is Viviani's theorem.

text: Right triangle[edit]

text: In a right triangle the three altitudes ha, hb, and hc (the first two of which equal the leg lengths b and a respectively) are related according to[34][35]


document_title: Green Monster

question_text: when was the green monster added to fenway park

text: Green Monster

text: Overview[edit]

text: The wall was part of the original ballpark construction of 1912, along Fenway's north side facing Lansdowne Street.  It is made of wood and was covered in tin and concrete in 1934.  It was then covered with hard plastic in 1976. A manual scoreboard is set into the wall, which has been there, in one form or another, at least as far back as 1914 (see photo at right). Despite the name, the Green Monster was not painted green until 1947; before that, it was covered with advertisements. The Monster designation is relatively new. For most of its history it was simply called "The Wall."

text: The Green Monster is the highest among the walls in current Major League Baseball fields, and is the second highest among all professional baseball fields (including minor leagues), falling approximately 6 inches short of the left field wall at the PeoplesBank Park in York, Pennsylvania.

text: Ballparks occupied by professional baseball teams have often featured high fences to hide the field from external viewers, particularly behind open areas of the outfield where bleacher seating is low-lying or non-existent. The wall might also reduce the number of "cheap" home runs due to the barrier's relatively close distance to home plate. Fenway's wall serves both purposes. Past ballparks of Fenway's era or even later which featured high fences in-play included Baker Bowl, Washington Park, Ebbets Field, League Park, Griffith Stadium, Shibe Park, and more recently, Los Angeles Memorial Coliseum. Fenway is the last of the exceptionally high-walled major league ballparks. Relatively high walls in modern ballparks have been constructed for their novelty rather than by necessity, as Fenway's wall had been.

text: The Green Monster is famous for preventing home runs on many line drives that would clear the walls of other ballparks. A side effect of this is to increase the prevalence of doubles, since this is the most common result when the ball is hit off the wall (often referred to as a "wallball double"). Some left fielders, predominantly those with vast Fenway experience, have become adept at fielding caroms off the wall to throw runners out at second base or hold the batter to a single. Compared with other current major league parks, the wall's placement creates a comparatively shallow left field; the wall falls approximately 304–310 feet (93–94 m) from the plate along the left-field foul line. With this short distance, many deep fly balls that could be caught by the fielder in a deeper park rebound off the wall for base hits. And while the wall turns many would-be line-drive homers into doubles it also allows some high yet shallow fly balls to clear the field of play for a home run.

text: During 2001 and 2002, the Green Monster's height record was temporarily beaten by the center field wall at Riverfront Stadium in Cincinnati, Ohio.  During the construction of Great American Ball Park, located right next to Riverfront Stadium, a large section of seats was removed from the center field area to make room and a 40-foot (12 m) black wall was erected as a temporary batter's eye. The entire wall was in play. This new wall was often called "The Black Monster." When Riverfront Stadium was demolished in 2002, the Green Monster reclaimed the record. In honor of the famed wall, the Red Sox mascot is a furry green monster named Wally the Green Monster.

text: Features[edit]

text: Duffy's Cliff[edit]

text: From 1912 to 1933, a 10-foot-high (3.0 m) mound formed an incline in front of the Green Monster,[1] extending from the left-field foul pole to the center field flag pole. This earthwork formed a "terrace", a common feature of ballparks of the day, whose purpose was to make up the difference in grade between street level and field level, as with Cincinnati's Crosley Field. It also served to double as a seating area to handle overflow crowds, another common practice of that era.

text: As a result of the terrace, when overflow crowds weren't seated atop it, a left fielder in Fenway Park had to play the territory running uphill. Boston's first star left fielder, Duffy Lewis, mastered the skill so well that the area became known as "Duffy's Cliff".[1] In contrast, rotund outfielder Bob Fothergill, known by the indelicate nicknames of "Fats" or "Fatty", reportedly once chased a ball up the terrace, slipped and fell, and rolled downhill.

text: In 1934, Red Sox owner Tom Yawkey arranged to flatten the ground in left field so that Duffy's Cliff no longer existed, and it became part of the lore of Fenway Park.

text: Scoreboard[edit]

text: The scoreboard was added in 1934. It forms the lower half of the Green Monster and is still updated by hand from behind the wall throughout the game. The American League scores are also updated from behind the wall.  The National League scores need to be updated from the front of the wall between innings.[2]  There is also a board which shows the current American League East standings.  There are 127 slots in the wall and a team of three score keepers move around two-pound, 13-by-16-inch plates to represent the score. Yellow numbers are used to represent in-inning scores and white numbers are used to represent final inning tallies. The numbers of the current pitchers weigh three pounds and measure 16 by 16 inches.[3]

text: Carlton Fisk's "body English" when he hit his game-winning home run in Game 6 of the 1975 World Series, "waving" the ball fair, was captured on a TV camera stationed in the scoreboard.

text: Morse Code[edit]

text: The Morse Code that appears from top to bottom in the white lines of the American League scoreboard are the initials of former owners Thomas A. Yawkey and Jean R. Yawkey.[4]

text: Right field[edit]

text: Fenway's left-field distortion is offset by the odd shape and generous size of right field, which is 302 feet (92 m) (although its actual distance has been disputed over the years) along the line (almost the same as in left), but 380 feet (120 m) at its deepest.  The bullpen was added along the right field wall in 1940 to shorten the distance for left-handed slugger Ted Williams' home runs to clear the fence.  For years afterward, the bullpens were known as "Williamsburg".

text: Green Monster seating[edit]

text: In 1936, the Red Sox installed a 23-foot (7.0 m) net above the Monster in order to protect the storefronts on adjoining Lansdowne Street from home run balls. The net remained until the 2002–03 offseason, when the team's new ownership constructed a new seating section atop the wall to accommodate 274 fans. Wildly popular, these "Monster seats" were part of a larger expansion plan for Fenway Park seating. The Red Sox later added a smaller seating section in 2005, dubbed the "Nation's Nest," located between the main seating section and the center field scoreboard.

text: The ladder[edit]

text: Comprising yet another quirk, a ladder is attached to the Green Monster, extending from near the upper-left portion of the scoreboard, 13 feet (4.0 m) above ground, to the top of the wall. Previously, members of the grounds crew would use the ladder to retrieve home run balls from the netting hung above the wall. After the net was removed for the addition of the Monster seats, the ladder ceased to have any real function, yet it still remains in place as a historic relic.

text: The placement of the ladder is noteworthy given the fact that it is in fair territory; it is the only such ladder in the major leagues. On many occasions, a batted ball has struck the ladder during game play, at least twice leading to an inside-the-park home run.[5]  During a 1950s game, Red Sox outfielders Ted Williams and Jimmy Piersall both tracked a fly ball in left center, but the ball struck the ladder and caromed into center field, giving batter Jim Lemon enough time to round the bases.  Later, in 1963, the slow-footed Dick Stuart hit a high fly that ricocheted first off the ladder, and then the head of outfielder Vic Davalillo, before rolling far enough away to allow Stuart to score.

text: Advertisements[edit]

text: After the wall was painted green in 1947, advertisements did not appear on the wall until 1999, when the All-Star Game at Fenway was being promoted. Various ads have appeared above the scoreboard since then, such as the Jimmy Fund, W.B. Mason, and Granite City Electric. The Coke Bottles on the left light tower were a target for power-hitters when they were placed in 1997. These 3D advertisements were taken down before the 2008 season, when an LED sign was built above the new left-field upper deck seats. As a lead up to his 500th career home run, Manny Ramirez's home run count was tallied on the bottom of the light tower. Ads beside the manual scoreboard were added when the scoreboard was expanded. Above the manual scoreboard, where a Jimmy Fund advertisement had remained for many years, the logo for Foxwoods Resort Casino is now a prominent aspect of Fenway Park. Outside of Fenway in Kenmore Square, but able to be seen in the view above the left-field wall, is the Boston Citgo sign.

text: Similar and related places[edit]

text:
The Red Sox current spring training home, jetBlue Park at Fenway South in Fort Myers, Florida, features a replica of the Green Monster.  JetBlue's Green Monster even has Fenway Park's 1934-vintage, manually operated scoreboard installed in it.
Fluor Field at the West End, home of the Greenville Drive, has a "Greenville Monster" as well; much as jetBlue Park in Florida does, Fluor Field's dimensions replicate exactly those of Fenway Park. The Drive is the lower-A affiliate of the Red Sox.
Hadlock Field, home of the Portland Sea Dogs, the AA affiliates of the Boston Red Sox. This stadium boasts a replica of the Green Monster, nicknamed the "Maine Monster".
Griffith Stadium in Washington, D.C., the longtime home of the Washington Senators, had its own version of the Green Monster---in right field.
Hawkins Field, home of the Vanderbilt University Commodores baseball program features their own, 35-foot (11 m), version of the Green Monster with a scoreboard on top.
Hubert H. Humphrey Metrodome, former home of the University of Minnesota Golden Gophers baseball program and the Minnesota Twins. A 23-foot (7.0 m)-high blue tarp hung over the fold-away football seating in right field and was derisively referred to as the "Hefty Bag" or "Baggie," and had been an attractive target for left-handed power hitters.
Minute Maid Park, home of the Houston Astros, has a wall inspired by the Green Monster in left field, atop which is mounted a train reminiscent of the operating days of the adjacent Union Station.  The wall is 25 feet (7.6 m) deeper and 1 foot (0.30 m) higher than the Green Monster, but in front of it is a section of stands called the Crawford Boxes, which are only 19 feet (5.8 m) high and are 5 feet (1.5 m) deeper.
Pro Player Stadium, the former home of the Florida Marlins, featured a smaller 'Teal Monster' in left field from the team's original 1992 season until 2009, when the display was replaced by ad hoardings for the remaining 2010 and 2011 seasons before their move to Marlins Park. The board started out as manual but eventually was converted to a digital eggcrate display with remote control.[6]
PeoplesBank Park, home of the York Revolution, has "The Arch Nemesis" that is 6 inches (152 mm) taller than the Green Monster.
RE/MAX Field, home of the Edmonton Prospects has a 34-foot (10 m)-high green monster 420 feet (130 m) from home plate.
Fukuoka Dome, home of the Fukuoka SoftBank Hawks, has a 5.84-meter-high (19.2-foot-high) "Green Monster" in the outfield.
The Kingdome in Seattle, Washington had a high right field wall that was dubbed "The Walla-Walla" after Walla Walla, Washington.
Durham Bulls Athletic Park, home of the Durham Bulls, AAA affiliate of the Tampa Bay Rays, has a 32-foot (9.8 m) wall in left field named the "Blue Monster."
Ogren Park at Allegiance Field, home of the Missoula Osprey, Rookie affiliate of the Arizona Diamondbacks, has a 27-foot wall in right field, that is 287 feet from home plate. The park has a similar wall that is 309 feet from home plate, but not as tall.
PNC Park, home of the Pittsburgh Pirates, has a 21-foot (6.4 m)-high right field wall, paying homage to the Pirates' Hall of Fame right fielder Roberto Clemente, who wore #21.
McCormick Field, home of the Asheville Tourists, has a 36-foot (11 m)-high right field wall.
Page Stadium, the field for the Loyola Marymount University Lions baseball team, also boasts a replica of the Green Monster in left field.
John F. Fitzgerald Expressway, a part of Interstate 93 through downtown Boston, now underground as a result of the construction project known as the "Big Dig", was for many years an elevated expressway, held up with green girders, and was derided as "Boston's other Green Monster."
AT&T Park, home of the San Francisco Giants, has a 24 feet (7.3 m) high right field wall in honor of Willie Mays.
Progressive Field, home of the Cleveland Indians, has a 19 feet (5.8 m) high left field wall, nicknamed the "little green monster".
Yale Field, home of the Class-AA New Haven Ravens from 1994-2003, and now only used by Yale University's team, features a 35-foot high green metal wall in center field, which not only features a manual scoreboard, but also displays balls, strikes and outs with colored lights, just like Fenway's Green Monster.[7]


document_title: American Horror Story: Hotel

question_text: who plays natasha in american horror story season 5

text: American Horror Story: Hotel

text: Plot[edit]

text: The fifth season of American Horror Story focuses on the Downtown Los Angeles Hotel Cortez which has been recently purchased by a New York fashion designer, Will Drake (Cheyenne Jackson). The 90 year old hotel is haunted by demons and mysterious ghosts including the founder, James Patrick March (Evan Peters); heroin junkie Sally (Sarah Paulson); and the strap-on-wielding Addiction Demon. Staff and residents of the hotel include the 111-year-old "vampire", Elizabeth/The Countess (Lady Gaga), and her longtime paramour, the former drug-addict Donovan (Matt Bomer), as well as Donovan's mother, the manager and front desk clerk Iris (Kathy Bates); the eccentric transgender bartender Liz Taylor (Denis O'Hare); and the Countess' vengeance-obsessed lover, Ramona Royale (Angela Bassett).

text: As the season unfolds, the information and backstory of each character is revealed. Elizabeth was married to James March and had an illegal abortion at the Murder House (of AHS Season One) back in 1926. Ramona was a Hollywood actress who had a romantic past with Elizabeth, before the latter killed Ramona's new boyfriend in a jealous rage. Liz was formerly known as Nick Pryor and lived in Topeka, Kansas up until 1984 when she was given a makeover and christened as Liz Taylor by Elizabeth. Sally, after supplying Donovan heroin, was shoved out a window by an angered Iris. Finally, James tortured and murdered many visitors to his hotel, which he built with a series of secret chutes and hallways used primarily for covertly disposing the bodies of his victims.

text: The present and past stories of the Hotel are interwoven with the present tale of Detective John Lowe (Wes Bentley), who is first drawn to the hotel by a series of murders committed by a serial killer the victims of whom each exemplify a sin in violation of one of the Ten Commandments, and his wife, Dr. Alex Lowe (Chloe Sevigny). As the season unfolds, it is revealed that certain past events — including the earlier disappearance of Lowe's young son Holden — are also entangled in the stories of the Countess and the Hotel Cortez.

text: Cast and characters[edit]

text: Main[edit]

text:
Kathy Bates as Iris
Sarah Paulson as Sally McKenna and Billie Dean Howard
Evan Peters as James Patrick March
Wes Bentley as Det. John Lowe
Matt Bomer as Donovan
Chloë Sevigny as Dr. Alex Lowe
Denis O'Hare as Liz Taylor
Cheyenne Jackson as Will Drake
Angela Bassett as Ramona Royale
Lady Gaga as Elizabeth Johnson / The Countess

text: Special guest stars[edit]

text:
Mare Winningham as Hazel Evers
Finn Wittrock as Tristan Duffy and Rudolph Valentino
Naomi Campbell as Claudia Bankson
Lily Rabe as Aileen Wuornos
Gabourey Sidibe as Queenie

text: Recurring[edit]

text:
Lennon Henry as Holden Lowe
Richard T. Jones as Det. Andrew Hahn
Shree Crooks as Scarlett Lowe
Lyric Lennon as Lachlan Drake
Jessica Belkin as Wren
Max Greenfield as Gabriel
Helena Mattsson as Agnetha
Kamilla Alnes as Vendela
Anton Lee Starkman as Max Ellison
Darren Criss as Justin

text: Guest stars[edit]

text:
Mädchen Amick as Mrs. Ellison
Christine Estabrook as Marcy
Alexandra Daddario as Natacha Rambova
Roxana Brusso as Dr. Kohan
David Naughton as Mr. Samuels
John Carroll Lynch as John Wayne Gacy
Seth Gabel as Jeffrey Dahmer
Anthony Ruivivar as Richard Ramirez
Nico Evers-Swindell as Craig
Robert Knepper as Lieutenant
Jessica Lu as Babe
Kristen Ariza as Mrs. Pritchard
Mouzam Makkar as Nurse Leena
Matt Ross as Dr. Charles Montgomery
Charles Melton as Mr. Wu
David Barrera as Dr. Kaplan

text: Episodes[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
Prod.
code
U.S. viewers
(millions)

52
1
"Checking In"
Ryan Murphy
Ryan Murphy & Brad Falchuk
October 7, 2015 (2015-10-07)
5ATS01
5.81[1]

Two female Swedish tourists check into the Hotel Cortez in downtown Los Angeles. They are attacked by a disfigured creature who was inside their room's mattress. Meanwhile, Detective John Lowe is investigating the torture-murder of a couple and goes to the Cortez for clues. He sees a vision there of his missing son Holden, who was abducted five years earlier. Heroin addict Gabriel checks in and is violently raped by the Addiction Demon. The resident couple, Countess Elizabeth and Donovan have a foursome with a couple they met, murdering them after and savoring their blood. In a 1994 flashback, it is revealed that the hotel manager Iris shoved Hypodermic Sally out a window to her death after Sally drugged Donovan to death. John arrives at the hotel and checks into Room 64.

53
2
"Chutes and Ladders"
Bradley Buecker
Tim Minear
October 14, 2015 (2015-10-14)
5ATS02
4.06[2]

Will Drake, a designer and the new owner of the Cortez, hosts a fashion show in the hotel, which model and actor Tristan Duffy, a drug addict and narcissist, stars in. Elizabeth turns Tristan into a vampire and the two engage in a relationship. Donovan becomes jealous, resulting in Elizabeth ending their relationship. Iris tells John about the hotel: The sadistic James Patrick March built the hotel in 1926 as a place for him to torture and murder people. Eventually, the police find him, so he and his loyal laundress Miss Evers commit suicide. Will's son Lachlan shows John's eight-year-old daughter Scarlett a room that contains coffins for Elizabeth's vampire children. Scarlett recognizes her brother, Holden, in one of the coffins and later takes a photo with him to prove to her parents that he is alive; however, Holden is blurry in the photo.

54
3
"Mommy"
Bradley Buecker
James Wong
October 21, 2015 (2015-10-21)
5ATS03
3.20[3]

Tristan meets March and promises to murder Will. Elizabeth stops Tristan from killing Will and reveals that she plans to marry the designer and murder him to gain his entire estate. Iris is rejected as a mother by Donovan who convinces her to kill herself. Donovan is kidnapped by Ramona Royale (Angela Bassett), an ex-lover of Elizabeth. Ramona aims to kill Elizabeth's children in revenge for her murdering Ramona's male lover. She releases Donovan when he reveals he and Elizabeth broke up. Iris decides to end her life by overdosing on heroin supplied to her by Sally. Donovan bursts in and turns her by feeding her his vampire blood to save her. John's doctor wife Alex (Chloë Sevigny) gives him divorce papers at the Cortez. There, she is shocked to see Holden, who greets her.

55
4
"Devil's Night"
Loni Peristere
Jennifer Salt
October 28, 2015 (2015-10-28)
5ATS04
3.04[4]

On Devil's Night (Oct. 30), serial killer Richard Ramirez checks in and goes on a murder spree. More serial killers check in, including Aileen Wuornos, who tries to kill John. The hotel's transgender bartender Liz Taylor informs John of March's annual Devil's Night dinner, where the spirits of the most notorious American serial killers, who had checked into the hotel prior to their death, come together to celebrate their crimes. John is introduced to Ramirez, John Wayne Gacy, Jeffrey Dahmer, and the masked Zodiac Killer. During the dinner, he witnesses the guests murdering a man for "dessert." Alex takes Holden home, but then Holden leads her to Elizabeth, who explains that she took Holden away to "save him". Elizabeth offers Alex the opportunity to become a vampire so she can spend eternity with her son and she agrees.

56
5
"Room Service"
Michael Goi
Ned Martel
November 4, 2015 (2015-11-04)
5ATS05
2.87[5]

Donovan and Ramona decide to get revenge on Elizabeth by making Iris their inside man. The newly-turned vampire Alex saves her dying kid patient Max by turning him, not knowing the consequences. Max feeds on his parents and starts a strain of virus at school, infecting his classmates, who then feed on the teachers. At the Cortez, John awakes in bed with Sally. She claims he practically dragged her into his room, where they had sex but John denies doing any of it. A pair of arrogant hipsters check in and provoke Iris to the point of tears. She receives comfort from Liz Taylor, who details how she came to be at the hotel. Iris brutally murders and feeds on the hipsters in a rage, feeling better after. Alex starts working as the vampire children's new governess under Elizabeth's rules.

57
6
"Room 33"
Loni Peristere
John J. Gray
November 11, 2015 (2015-11-11)
5ATS06
2.64[6]

In 1926 in the Murder House (from Season One), Dr. Charles Montgomery meets with Elizabeth to perform an abortion. During the process, the baby attacks Charles' nurse. He tells Elizabeth she had a boy. In present day, it is revealed that Elizabeth keeps him in Room 33. John discovers Alex in the coffin and faints. Realizing he is losing his sanity, he checks out and returns home. Donovan, Ramona and Iris plan to murder Elizabeth's vampire children but Donovan backs out. He meets Agnetha and Vendela, the two Swedish tourists, who are now ghosts unable to leave the hotel, and he explains to them that they must find their purpose. Tristan and Liz fall in love but worry about Elizabeth's reaction. They ask her if they can be together, but Elizabeth kills Tristan in retaliation.

58
7
"Flicker"
Michael Goi
Crystal Liu
November 18, 2015 (2015-11-18)
5ATS07
2.64[7]

In present day, two ghoulish figures are found in a barricaded corridor in Hotel Cortez. In 1925 Los Angeles, a young human Elizabeth gets into a relationship with actor Rudolph Valentino and his wife Natacha. He dies suddenly and Elizabeth heartbrokenly marries James March. Valentino later returns and explains he faked his death and is now a vampire. He changes Elizabeth, but a jealous March traps Valentino and his wife in the corridor, where they have been for years: they are the ghoulish figures who were found. John Lowe checks into a mental health hospital and meets a child named Wren, who was an accomplice to The Ten Commandments Killer. He and Wren escape and she reveals to him that the killer is at the Cortez. Wren then darts into traffic, not wanting to live forever anymore, and is run over.

59
8
"The Ten Commandments Killer"
Loni Peristere
Ryan Murphy
December 2, 2015 (2015-12-02)
5ATS08
2.31[8]

John heads to the Cortez, where Sally leads him to Room 64 and unveils a secret room that March had built. She reveals that John has been the murderer all along: he was repressing his memories of the murders, but believes he is doing them to correct the injustice he sees everywhere. Through flashbacks, it is shown that John had first visited the Cortez in 2010. He met March, who decided John was the perfect protege to continue his work. To get him to truly fall into darkness and stop holding back, March had Elizabeth kidnap Holden. Distraught, John's first murder is Martin Gamboa, a child molester. John almost kills himself after realizing what he has done, but March saves him.

60
9
"She Wants Revenge"
Michael Uppendahl
Brad Falchuk
December 9, 2015 (2015-12-09)
5ATS09
2.14[9]

Elizabeth reflects on her situation and realizes she only has space for those she can feel love for. She tracks down Valentino and Natacha and reunites with them. She plans to construct the Cortez as a shelter against the modern world for her and Valentino, but only once she murders Will and inherits his fortune. Alex tracks down the kids from the school massacre and finds the bodies of their parents. She attempts to bring them back to the Cortez but they refuse help. Donovan and Ramona enact their plan of vengeance but just as Ramona is about to stab Elizabeth, Donovan betrays her and traps her in the blocked hallway. Will marries Elizabeth in a private ceremony and immediately after, Elizabeth imprisons Will with Ramona and watches on a camera as Ramona slashes Will and drinks his blood.

61
10
"She Gets Revenge"
Bradley Buecker
James Wong
December 16, 2015 (2015-12-16)
5ATS10
1.85[10]

Elizabeth kills Natacha so she and Valentino can be together while Donovan kills Rudolph out of jealousy. John and Alex rekindle their relationship now that they have Holden back, and find the rogue vampire children turned because of Alex saving Max. They take the children back to the hotel and trick them into being sealed in with Ramona. Sally does not like that John and Alex are back together, feeling used because she'd been there for John when Alex wasn't. Miss Evers helps Liz reconnect with her son, Douglas, whom she has not seen for 31 years, and they invite him to come to the hotel. Douglas admits he wants his father in his life, regardless if she is a woman, changing Liz's decision about committing suicide with Iris. Instead, Liz and Iris team up to take over the hotel, starting with shooting up the penthouse with Donovan and Elizabeth inside.

62
11
"Battle Royale"
Michael Uppendahl
Ned Martel
January 6, 2016 (2016-01-06)
5ATS11
1.84[11]

Liz and Iris shoot Elizabeth and Donovan, and Elizabeth escapes while Donovan lies dying. At his request, Iris and Liz move him outside the hotel to die so his spirit will not be trapped inside forever. Sally saves Elizabeth, reviving her with blood from her vampire children, and reveals her past. Iris and Liz free Ramona to use as a weapon against Elizabeth. Ramona confronts a now-weak Elizabeth, but is seduced by her old lover. Elizabeth packs and is about to leave the hotel for good but she is gunned down by John as his final kill: "Thou Shalt Not Commit Murder." Now trapped in the hotel forever, Elizabeth's ghost arrives at March's suite, where he tells her that he can finally forgive Elizabeth for turning him in to the police; she reveals that she did not. Hazel admits she was the one who called the police so that she could have March to herself. March banishes Hazel from his presence, who feels oddly free now that she is not bound to him.

63
12
"Be Our Guest"
Bradley Buecker
John J. Gray
January 13, 2016 (2016-01-13)
5ATS12
2.24[12]

A year later, Liz reflects on the reinvention of the Hotel Cortez under her and Iris's new management. The two lament the problems that the murderous ghosts are leaving them with. Sally and Will don't want to stop killing the guests but March agrees that they need to stop until the Cortez becomes a historical landmark. Liz and Iris inspire Sally and Will to release their urges through other means. Liz discovers she is terminally ill and decides to die in the Hotel so she will be with the other ghosts and vampires, whom she considers her family. After becoming a ghost, Liz visited by Tristan, who stayed invisible while she was alive so that she could live her life. Psychic Billie Dean Howard begins investigating the Cortez with her TV show, making the residents worry. John takes Billie Dean to Devil's Night, where they threaten to kill her if she mentions the Cortez again. Elizabeth proceeds to seduce a man who looks like Donovan, finding a new lover in his image, implying she loved Donovan after all.

tag: table

text: Production[edit]

text: Development[edit]

text: Conception and writing[edit]

text: On October 13, 2014, FX renewed the series for a fifth season for an October 2015 premiere.[13] Network president John Landgraf stated that the season would necessitate a "huge reinvention" for the series.[14] The season's subtitle was confirmed as Hotel in February 2015. The theme and Gaga's involvement were hinted in the previous installment as an image of a top hat, an arcane clue alluding to the 1935 screwball musical comedy film Top Hat, which is set in a hotel and features a song called "Cheek to Cheek", also the title of Gaga's duet album with Tony Bennett.[15] Co-creator Ryan Murphy explained that the casting included a number of actors and singers, but would be a much darker season compared to the previous ones. Inspiration came from old hotel horror films and actual hotels situated in downtown Los Angeles, with horrific reputations. This included The Cecil, where the death of 21-year-old Canadian student Elisa Lam occurred. Murphy had watched a surveillance video of Lam in the hotel, in which she displayed erratic behavior just hours prior to her supposed death.[16][17] It was around this time that the writing for Hotel was conceptualized,[18][19] which included Murphy's personal phobia and fears, a fear that had not been explored since the first season.[20]

text: The upcoming season that we're doing is much more horror-based; it's much more dark. It's about a theme and an idea that's very close to my heart that I've always wanted to do that's a little bloodier and grislier, I think, than anything that we've done before; it's straight horror this year. Murder House, I thought, was a very primal season because everybody's great fear is about the bogeyman under the bed in their house, and this feels similar to me in that when you check into a hotel, there are certain things beyond your control... Other people have the keys to your room; they can come in there. You're not exactly safe, it's a very unsettling idea.[18]

text: Murphy and some of the cast appeared at the 2015 Comic-Con International and revealed further information about the series. "[Angela Bassett, Kathy Bates, Matt Bomer, Sarah Paulson and Evan Peters] are bad boys and girls this time."[21] Regarding the season having no primary character, Murphy confessed that "the thing that's different about the season is that before we've always been very driven by the Jessica Lange character. She was always the lead character... This year, it's a true ensemble and I think we have more male parts and more male stories. The Wes Bentley part is really big, the Matt Bomer part is really big; Evan Peters and Finn Wittrock are really big. [But] that's not to say that the women aren't either."[20][22]

text: Co-creator Brad Falchuk explained that like the first and second season of the series, Hotel would explore the "trapped" horror trope, though the actions would not be limited to just within the premises. "This season, the horror is sneaking out of the hotel," he added explaining that the plot would revolve around the hotel in the center, with a more noir like ambience.[23] Named as Hotel Cortez, the titular structure was built by James March in 1930, who was created as a rich and charming but deeply psychotic character. The season features two tormentors, The Ten Commandments Killer, who is inspired by biblical teachings, and The Addiction Demon, who wields a drill bit dildo. They are in the vein of previous seasons' Bloody Face and Rubber Man, respectively.[24] The Halloween episode, "Devil's Night", features a dinner with "the biggest serial killers of all time", including Wuornos and John Wayne Gacy.[25]

text: Set design[edit]

text: The Hotel's two-story lobby set, along with a working elevator, was constructed over the course of seven weeks. While no particular hotel served as inspiration, production designer Mark Worthington was influenced by Timothy Pflueger and William Van Alen when selecting patterns and schemes, stating, "Tonally, I thought Art Deco would make sense for the horror genre because it can be dark and spiky and odd and the composition is strange. It's beautiful, but it isn't necessarily inviting." The hotel consists of labyrinthine structures housing March's murderous fantasies with dead ends, secret rooms and includes plot-lines corresponding to it. A painting of Hernán Cortés, after whom the establishment is named, hangs in the reception area. Worthington and his team had a hand in creating even the smallest of details; such as hotel insignias for the light fixtures, bar coasters, and a venus flytrap column carving that reflects the nature of Gaga's character. The staircase was structured in such a way as to not pull focus from the elevator, which will serve as prime location.[26] The exterior of the set was inspired by the James Oviatt Building in Downtown Los Angeles, while the interior decorations were modeled from the Cicada restaurant situated inside the Oviatt.[27]

text: Casting[edit]

text: In February 2015, it was announced that American singer Lady Gaga had joined the show.[29][30] Murphy stated she wanted her role in the series to be "evil". He also explained that Hotel would be devoid of any musical numbers. Instead Gaga's character, Elizabeth/The Countess, is a fashion icon and owner of the Hotel Cortez.[31][32] Created as a glamorous socialite character, The Countess maintains her beauty by imbibing human blood.[24] Murphy was so pleased with Gaga's performance that he invited her back for the yet-to-be-confirmed sixth season of the series, before Hotel had even made its debut.[33] In March 2015, series star Jessica Lange definitively announced that she would not be returning for the fifth season.[34][35] During PaleyFest 2015, it was announced that Matt Bomer and Cheyenne Jackson would co-star.[36] Afterwards, more castings were confirmed, including Sarah Paulson, Evan Peters, Kathy Bates, and Angela Bassett.[37] Murphy tweeted about the latter's involvement in Hotel, including a plotline with Gaga, as a character called Ramona Royale, an actress and former lover of The Countess returning to the titular hotel for revenge.[31][38] Chloë Sevigny, who was a recurring special guest in Asylum, returned to the series for Hotel, playing the wife of Wes Bentley's character, a detective.[31][39]

text: In May 2015, it was announced that Max Greenfield would also be joining the cast, in a role later revealed to be that of an addict. Greenfield had to dye his hair platinum blond for the role.[31][40] His is intertwined to that of Sally's (Paulson) and together with The Addiction Demon feature "the most disturbing scene" the show had ever produced, according to Murphy.[41] In an interview with Vanity Fair, Paulson described Sally as someone who is "selfish and greedy", with hygiene problems.[42] The next month, Murphy announced that Denis O'Hare would return as a cross-dressing bar worker in the hotel.[43] He also confirmed that Finn Wittrock would return in the new role of Tristan Duffy, a male model who is involved in a love triangle with Gaga and Bomer, and later a fated love of Liz's.[22][37] Wittrock explained that the character might have similarities to his previous Freak Show character, Dandy Mott.[44] In July 2015, Murphy stated that Coven alum Emma Roberts would return for a few episodes toward the finale, after completing filming on her Fox series, Scream Queens. Her character would be associated with James March (Peters).[45] While promoting Queens in September 2015, Roberts spoke about her role with less certainty, but optimism, stating, "...it's just everything you could dream of and more. Everything you could nightmare about and more. Granted, things over there are always changing, but I definitely want to go back to it. If it still stands, what Ryan told me, everyone's in for a great shock."[46] However, she later confirmed that she would be unable to return, due to her demanding feature schedule. Furthermore, she did state that Murphy and her had already discussed about a "devilish" role for her in the forthcoming season six.[47]

text: Later in July, Richard T. Jones joined the cast as Detective Hahn, a homicide detective,[48] for an eight-episode arc. That same day, Helena Mattsson announced that she had also joined the series in an unspecified role.[49] Series alum Lily Rabe portrayed infamous serial killer Aileen Wuornos during the Halloween installment and the finale.[31] With her appearance in the season, Rabe is one of three cast members to appear in all five seasons (along with Paulson and Peters) of the show.[50] Naomi Campbell was cast as a fashion editor who does not get along with Gaga's character.[51] In August 2015, Murphy revealed that Mädchen Amick joined the season as a "mother of a boy who becomes ill", and shares screen time with Alex Lowe (Sevigny). Later in the month, Darren Criss was announced to guest star as a hipster that has conflicts with Iris (Bates),[52] while Mare Winningham joined as the laundress of the Cortez, who works closely with Mr. March, in the 1920s.[53] Christine Estabrook returned to the series as Marcy; the realtor who sold the first season's Murder House to the Harmons.[54] Gabourey Sidibe appeared in the eleventh episode as her Coven persona Queenie. Paulson also reprised her first season role of psychic Billie Dean Howard, appearing in the final episode of the season.[55]

text: Filming[edit]

text: Principal photography for the season began on July 14, 2015, in Los Angeles, California, marking a return to where the series shot its first two cycles (Murder House and Asylum).[56] According to the Los Angeles Times, creative reasons, not economic factors, was the deciding key for moving the series from Louisiana back to Los Angeles since Hotel's story is connected to the city.[57] Murphy revealed a six-story hotel set was being built on the Fox lot. A dummy set of the hotel was built at Comic-Con, showing an Art Deco style building from the 1920s, inspired by the old Hollywood era.[58] Murphy announced at the TCA Summer Press Tour in August 2015 that he would be directing the season's Halloween episode, "Devil's Night", marking the first time in series history that he will helm more than the premiere. He stated he would direct it "because I love the script so much, when we finished it I said, 'I can't give this to anybody else'."[31] However, ultimately Murphy did not direct the episode. In an interview with Entertainment Tonight, Murphy spoke about Gaga's entrance scene, confirming it to be about six minutes long and describing it as "like a silent movie with no dialogue, and lots of blood and nudity".[59]

text: Greenfield recalled that Murphy wanted to push the limits of the scenes between him, Paulson and The Addiction Demon, while admitting that it was scary. Paulson described it as a normal day of shooting for her since she was accustomed to the theatrics surrounding the show. She added, "None of it's crazy to me. I walk in and I'm like 'Hello conical dildo demon person'. I don't even think twice."[41] For The Countess and Donovan, who both suffer from blood lust, Murphy was insistent on chainmail gloves being used as their weapons of choice. Costume designer Lou Eyrich created the custom gloves in the mold of armor, deriving inspiration from artist Daphne Guinness; "We wanted it to look both rock-n-roll but old at the same time. But then the nail that pops out with diamonds on the edge to slice you," said Eyrich.[60]

text: Filming also took place at the Los Angeles County Museum of Art, in front of Chris Burden's art installation called Urban Light, where Gaga was seen in a floor length pink gown shooting scenes. Media reported that the filming involved a party scene with Gaga walking through the installation while singer Dinah Washington's "Coquette" played in the background.[61][62] Entertainment Weekly's Tim Stack spent three days on set, where he witnessed the filming of a foursome/murder scene, involving Gaga and Bomer's characters. Murphy recounted Gaga's day of filming stating, "You write a foursome for her and you expect a lot of questions. She never did that. She showed up and she was wearing diamond pasties, a Band-Aid on her hoo-ha, heels, and a black veil that Alexander McQueen made for her on the day before his death."[63] Additional filming for the exterior shots of the Hotel Cortez took place outside the James Oviatt Building.[27][64] Other locations include the lower level of the Los Angeles Theatre at 615 South Broadway, The Majestic Downtown at 650 South Spring Street acting as John Lowe's office, the Loews Hollywood Hotel at 1755 Highland Avenue filming The Ten Commandments Killer murder scene, and Hollywood Forever Cemetery, where scenes with Gaga and Bomer were shot.[27] Also used was the house from the first season located at 1120 Westchester Place.[65]

text: O'Hare revealed that he had filmed three episodes by September 2015, with his scenes involving Bomer, Sevigny and Bates mostly. "We're kind of doing it piecemeal. You'll do five days on this one, three days on that one. You know, they always start out rocking. There's no warm-up. You're in it," the actor explained.[66][67] He later went on to compare the aesthetic to Murder House, stating, "It feels like season 1 in many ways... and I think it's because we're back in LA. You can't help it!" He also revealed that his character, Liz Taylor, would be wearing a dress that Lange was supposed to wear in Coven.[68] The actor explained that for his part, he had to shave his body including his head, and wear eye make-up, since the character was inspired by actress Elizabeth Taylor's films like BUtterfield 8 (1960) and Cleopatra (1963).[69]

text: Marketing[edit]

text: In February 2015, Gaga tweeted a link to the first promotional video for the upcoming season with the caption "Make your reservation now. #GagaAHSHotel" announcing her presence in the season and the official title.[70] In July 2015, a promotional trading card was unveiled by Entertainment Weekly, available at Comic-Con, where after entering the hotel set built there, one could receive the trading card with a promotional key.[58][71] The first official teaser for the season was released later that month, showing Gaga's long-nailed hand ringing the bell at the front desk.[72] In August 2015, FX revealed the premiere date of the season along with a new teaser poster, showing an Art Deco peephole on a wooden door, beyond which an obscure image revealed a blond woman putting a body to bed.[73] Later that month, Entertainment Weekly exclusively unveiled two teaser trailers of the season, entitled "Beauty Rest" and "Do Not Disturb", set to singer Heidi Feek's cover of Elvis Presley's 1956 single, "Heartbreak Hotel".[74]

text: On August 26, Entertainment Weekly revealed exclusive cast photos, along with character descriptions.[75] Gaga also took to her Twitter account to release another photo, showing her as The Countess with three cherubic blond boys, who are seemingly sucking on bottles of blood. The singer captioned the image: "We are family. Meet my magical children. HOTEL #AHS."[76] Murphy released three new teasers through his Twitter account, titled "Towhead", "Sleepwalk", and "Jeepers Peepers", all set to "Heartbreak Hotel".[77] Jef Rouner from Houston Press complimented the teasers, describing them as "things of fleeting, awful beauty. So far I've seen six for this season and at least one of them is creepier than every episode of Coven combined... Each one of these is usually less than 15 seconds long and they are murderously effective. I find myself wanting to watch the show again."[78] On September 10, 2015, an extended teaser was released, featuring a psychedelic tour of the hotel, with cameos by most of the cast.[79] Few days later, two more trailers were released, one showed the hand of an addict, with a keyhole in place of the needle point, while the other, titled "Above & Below", portrays Gaga as The Countess, with several psychedelic intercuts inside a hotel, featuring Rammstein's "Du hast".[80][81]

text: American retail chain Hot Topic announced on their Instagram account that starting September 28, 2015, they will launch a clothing and apparel line based on Hotel, that will be sold in-store and online.[82] On September 16, 2015, a featurette was released, giving more details about the season and showing some footage.[83] An actual scene from the season, released in October 2015, showed Bentley's character resting in the Hotel, while Greenfield's character hiding underneath his bed.[84] Same day the title sequence of the season was released by Murphy, consisting of the same soundtrack like previous seasons, intercut with scenes of a dirty hotel and the Ten Commandments written across a wall.[69] Jacob Bryant from Variety was impressed with the clip, saying that "The opening credits for [American Horror Story] have always managed to be unsettling, but season five's creepy credits might top the list."[85]

text: Reception[edit]

text: Critical response[edit]

text: American Horror Story: Hotel initially received mixed reviews from critics, but, as the season progressed, the reviews became more positive. The review aggregator Rotten Tomatoes gave the season a 63% approval rating (average episode score of 75%) with an average rating of 6.38/10 based on 43 reviews. The site's consensus reads, "Favoring garish style over effective storytelling, the fifth American Horror Story strands a talented cast at Ryan Murphy's Hotel."[86] On Metacritic, the season was given a score of 60 out of 100 based on 24 reviews, indicating "mixed or average reviews".[87]

text: Dan Fienberg of The Hollywood Reporter gave a positive review, writing, "Early on, Hotel hasn't hooked me with its storytelling, but it's always fun to see what the series does with its repertory acting company and with new additions. Throw in the normal grotesquerie and visual panache and that should keep me going for a while, even if all of the humor appears to have been funneled into Scream Queens."[88] Amber Dowling of TheWrap also gave a positive review, saying, "It's a visual, visceral romp into what is being set up to be another haphazard foray into the world of horror, as imagined by Murphy and his writing counterpart Brad Falchuk. The show has rarely made sense in terms of story, and this is no exception."[89] Willa Paskin of Slate called this season a "promising new start", saying, "AHS: Hotel more obviously resembles the first two, better seasons of American Horror Story than it does the latter, lesser two."[90]

text: On the other hand, Matt Zoller Seitz of New York Magazine found the season "confusing, tedious, annoyingly precious, and often ostentatiously brutal", but also praised it for being "darkly beautiful, deeply weird, and (sometimes) exhilarating."[91] Although Scott D. Pierce from The Salt Lake Tribune praised the production design and the cinematography, he said "the storytelling is derivative; the scares are non-existent; and it's all about style without much substance."[92] Mike Hale from The New York Times complained that it "suffers from the absence of Jessica Lange".[93] IGN's Matt Fowler gave a rating of 5.9 out of 10, criticizing the season as "mediocre" and concluding "all weight and meaning is gone".[94]

text: Gaga's performance has received mixed reviews from critics. Matt Zoller Seitz of Vulture called Gaga "terrible here in the way that Madonna was terrible in a lot of her '90s films, at once too poised and too blank."[95] David Weiland of San Francisco Chronicle said Gaga "makes an enormous visual impact, but the minute she opens her mouth to deliver a line, it's obvious that acting just isn't one of her many talents."[96] Ben Travers of Indiewire wrote that he "wouldn't go so far as to say Gaga's talent adds much to the proceedings, but her presence — and the manner in which its captured — certainly does."[97] On the other hand, Emily L. Stephens from The A.V. Club and Jeff Jensen of Entertainment Weekly both gave a B- rating. Stephens praised Gaga's first appearance as "slickly exploitative and hellishly effective"[98] while Jensen described her as "the show's most potent symbol for all of its themes about our Bad Romance with fame, fortune, sex, sex, and more sex, materialism and consumerism, the denial of death and the corrupt want for cultural immortality".[99] Brian Lowry of Variety praised the look of Gaga's character as "gloriously photographed" and felt her addition to the show was "extraordinarily well-timed".[100]

text:
American Horror Story (season 5): Critical reception by episode

Season 5 (2015–16): Percentage of positive reviews tracked by the website Rotten Tomatoes[101]

text: Awards and nominations[edit]

text: In its fifth season, the series has been nominated for 64 awards, 20 of which were won.

text:
Year
Association
Category
Nominee(s)
Result

2015
MTV Fandom Awards[102]
Feels Freakout of the Year
Lady Gaga joins American Horror Story: Hotel
Nominated

2016
20th ADG Awards[103]
TV Movie or Limited Series
Mark Worthington (for "Checking In")
Won

Short Format — Web Series, Music Video or Commercial
Zach Mathews (for "Hallways")
Nominated

47th NAACP Image Awards[104]
Outstanding Actress in a TV Movie, Mini-Series or Dramatic Special
Angela Bassett
Nominated

42nd People's Choice Awards[105]
Favorite Cable Sci-Fi/Fantasy TV Show
American Horror Story: Hotel
Nominated

Favorite Sci-Fi/Fantasy TV Actress
Lady Gaga
Nominated

20th Satellite Awards[106]
Best Actress – TV Series Drama
Nominated

Best TV Series – Genre
American Horror Story: Hotel
Nominated

68th WGA Awards[107]
Long Form - Original
Brad Falchuk, John J. Gray, Todd Kubrak, Crystal Liu, Ned Martel, Tim Minear, Ryan Murphy, Jennifer Salt, James Wong
Nominated

73rd Golden Globe Awards[108]
Best Actress – Mini-Series or TV Film
Lady Gaga
Won

Best Mini-Series or TV Film
American Horror Story: Hotel
Nominated

6th Critics' Choice TV Awards[109]
Best Actor in a Movie or Limited Series
Wes Bentley
Nominated

Best Actress in a Movie or Limited Series
Kathy Bates
Nominated

Best Supporting Actress in a Movie or Limited Series
Sarah Paulson
Nominated

27th PGA Awards[110]
Outstanding Producer of Long-Form TV
Brad Falchuk, Ryan Murphy, Brad Buecker, Tim Minear, Jennifer Salt, James Wong, Alexis Martin Woodall, Robert M. Williams Jr.
Nominated

18th CDG Awards[111]
Outstanding Contemporary TV Series
Lou Eyrich
Won

52nd CAS Awards[112]
TV Movie or Mini-Series
Brendan Beebe, CAS (Production Mixer)
Joe Earle, CAS (Re-recording Mixer)
Vicki Lemar (Re-recording Mixer)
(for "Room Service")
Nominated

Brendan Beebe, CAS (Production Mixer)
Joe Earle, CAS (Re-recording Mixer)
Doug Andham, CAS (Re-recording Mixer)
Judah Getz (ADR Mixer)
John Guentner (Foley Mixer)
(for "Checking In")
Nominated

Make-Up Artists & Hair Stylists Guild Awards 2016[113]
Mini-Series or TV Movie Period and/or Character Make-up
Eryn Krueger Mekash, Kim Ayers, Sarah Tanno
Won

Mini-Series or TV Movie Period and/or Character Hair Styling
Monte C Haught, Darlene Brumfield, Frederic Asperas
Won

Mini-Series or TV Movie Period Special Make-up Effects
Eryn Krueger Mekash, Michael Mekash, David Anderson
Won

Commercials and Music Videos – Best Make-up
Kerry Herta, Jason Collins
Won

Commercials and Music Videos – Best Hair Styling
Nicole Alkire, Marissa Smith
Won

Fangoria Chainsaw Awards 2016[114]
Best TV Actress
Lady Gaga
Nominated

Best TV Supporting Actor
Evan Peters
2nd place

Denis O'Hare
Write-in

Best TV Supporting Actress
Kathy Bates
Write-in

Best TV Makeup/Creature FX
Eryn Krueger Mekash, David LeRoy Anderson
3rd place

Best TV Series
American Horror Story: Hotel
Write-in

7th Dorian Awards[115]
Campy TV Show of the Year
Nominated

42nd Saturn Awards[116]
Best Horror TV Series
Nominated

68th Primetime Emmy Awards[117]
Outstanding Supporting Actress in a Limited Series or Movie
Sarah Paulson
Nominated

Outstanding Supporting Actress in a Limited Series or Movie
Kathy Bates
Nominated

68th Primetime Creative Arts Emmy Awards[117]
Outstanding Production Design for a Narrative Contemporary or Fantasy Program (One Hour or More)
Mark Worthington, Denise Hudson, Ellen Brill
Nominated

Outstanding Costumes for a Contemporary Series, Limited Series or Movie
Lou Eyrich, Helen Huang, Marisa Aboitiz
(for "Chutes and Ladders")
Won

Outstanding Hairstyling for a Limited Series Or a Movie
Monte C. Haught, Fredric Aspiras, Darlene Brumfield, Kelly Muldoon, Gina Bonacquisti
Nominated

Outstanding Sound Editing for a Limited Series, Movie or Special
Gary Megregian, Steve M. Stuhr, Jason Krane, Timothy A. Cleveland, Paul Diller, David Klotz, Noel Vought, Ginger Geary
(for "Checking In")
Nominated

Outstanding Makeup for a Limited Series or Movie (Non-Prosthetic)
Eryn Krueger Mekash, Kim Ayers, Michael Mekash, Silvina Knight, Sarah Tanno
Won

Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special
Eryn Krueger Mekash, Mike Mekash, Bradley A. Palmer, Bart Mixon, James MacKinnon, Kevin Kirkpatrick, David Leroy Anderson, Glen Eisner
Nominated

20th OFTA Television Awards[118]
Best Actress in a Motion Picture or Limited Series
Lady Gaga
Nominated

Best Supporting Actress in a Motion Picture or Limited Series
Kathy Bates
Nominated

Sarah Paulson
Nominated

Best Limited Series
American Horror Story: Hotel
Nominated

Best Ensemble in a Motion Picture or Limited Series
Nominated

Best Direction of a Motion Picture or Limited Series
Nominated

Best Writing of a Motion Picture or Limited Series
Nominated

Best Music in a Non-Series
Nominated

Best Editing in a Non-Series
Won

Best Cinematography in a Non-Series
Nominated

Best Production Design in a Non-Series
Won

Best Costume Design in a Non-Series
Won

Best Makeup/Hairstyling in a Non-Series
Won

Best Sound in a Non-Series
Won

Best Visual Effects in a Non-Series
Won

Poppy Awards 2016[119]
Best Limited Series/Movie
Won

Best Lead Actress, Limited Series/Movie
Lady Gaga
Won

Best Supporting Actor, Limited Series/Movie
Denis O'Hare
Won

63rd MPSE Golden Reel Awards[120][121]
TV Short Form – Dialogue / ADR
Gary Megregian (Supervising Sound Editor)
Steve Stuhr (Supervising Dialogue Editor)
Jason Krane (Dialogue Editor)
(for "Checking In")
Nominated

TV Short Form – Music
David Klotz (Supervising Music Editor)
(for "Checking In")
Nominated

Gold Derby TV Awards 2016[122]
Best Movie/Miniseries Supporting Actor
Denis O'Hare
Nominated

Best Movie/Miniseries Supporting Actress
Sarah Paulson
Nominated

38th Jupiter Awards[123]
Best International TV Series
American Horror Story: Hotel
Won

16th Black Reel Awards[124][125]
Outstanding Supporting Actress, TV Movie or Limited Series
Angela Bassett
Nominated

37th Young Artist Awards[126]
Best Performance in a TV Series - Recurring Young Actor (13 and Under)
Thomas Barbusca
Nominated

text: Ratings[edit]

text: Hotel's premiere episode, "Checking In", was initially watched by 5.81 million viewers. After factoring in delayed viewing, the episode rose to 9.1 million, with 6.13 million in the 18-49 demographic, while combined linear, nonlinear and encore viewing, it drew 12.17 million viewers through October 11. Variety stated that "Checking In" could become FX's most-watched telecast, with the 60 full data tabulated.[127] Through its first four episodes, Hotel averaged at 3.7 rating in 18-49 adult zone and 6.9 million viewers total, which is up by 7% and 1% from previous installment, Freak Show, respectively, pacing ahead of the average ratings of all prior installments on a Live +3 basis.[128] The season finale, "Be Our Guest", initially watched by 2.24 million viewers, more than doubled its 18-49 rating with three days of delayed viewing, going from 1.1 million to 2.3 million, an 109% of increase. The episode increased 94% in total viewers, upping to 4.3 million.[129]

text:
Season
Ep. 1
Ep. 2
Ep. 3
Ep. 4
Ep. 5
Ep. 6
Ep. 7
Ep. 8
Ep. 9
Ep. 10
Ep. 11
Ep. 12
Ep. 13

Murder House
3.18
2.46
2.59
2.96
2.74
2.83
3.06
2.81
2.85
2.54
2.59
3.22
N/A

Asylum
3.85
3.06
2.47
2.65
2.78
1.89
2.27
2.36
2.22
2.21
2.51
2.30
2.29

Coven
5.54
4.51
3.78
3.71
3.80
4.16
4.00
4.07
3.94
3.49
3.46
3.35
4.24

Freak Show
6.13
4.53
4.44
4.51
4.22
3.65
3.91
3.30
3.07
2.99
3.11
2.94
3.27

Hotel
5.81
4.06
3.20
3.04
2.87
2.64
2.64
2.31
2.14
1.85
1.84
2.24
N/A

Roanoke
5.14
3.27
3.08
2.83
2.82
2.48
2.62
2.20
2.43
2.45
N/A

Cult
3.93
2.38
2.25
2.13
2.20
2.15
2.07
2.06
1.48
1.82
1.97
N/A