document_title: Alice in Wonderland (2010 film)

question_text: who plays alice in alice in wonderland 2016

text: Alice in Wonderland (2010 film)

text: Plot[edit]

text: Troubled by a strange recurring dream and mourning the loss of her father, 19-year-old Alice Kingsleigh attends a garden party at Lord Ascot's estate. There, she is confronted by an unwanted marriage proposal to Hamish Ascot and the stifling expectations of the society in which she lives. Unsure of how to proceed, she pursues a rabbit wearing a blue waistcoat and accidentally falls into a large rabbit hole under a tree. She emerges in a forest where she is greeted by the White Rabbit, the Dormouse, the Dodo, the Talking Flowers, and Tweedledee and Tweedledum. They argue over whether Alice is "the right Alice" who must slay the Red Queen's Jabberwocky and restore the White Queen to power, as foretold by Absolem the Caterpillar and his prophetic scroll. The group is then ambushed by the Bandersnatch and a group of playing-card soldiers led by the Knave of Hearts. Alice, Tweedledum and Tweedledee escape into the woods. The Knave steals the Caterpillar's scroll. The Dormouse leaves the others behind with one of the Bandersnatch's eyes in her possession. Tweedledum and Tweedledee are then captured by the Red Queen's Jubjub bird.

text: The Knave informs the Red Queen that Alice threatens her reign, and the soldiers and Bayard the Bloodhound are ordered to find Alice immediately. Meanwhile, the Cheshire Cat guides Alice to the March Hare and the Hatter. The Hatter helps Alice avoid capture by allowing himself to be seized instead. Later, Alice is found by Bayard the Bloodhound; but Alice insists upon helping the Hatter. At the Red Queen's citadel and palace (which is named Salazan Grum), the Red Queen is unaware of Alice's true identity and therefore welcomes her as a guest, named Um from Umbridge. Alice learns that the Vorpal Sword, the only weapon capable of killing the Jabberwock, is locked inside the den of the Bandersnatch. The Knave attempts to seduce Alice, but she rebuffs him, causing a jealous Red Queen to order that Alice be beheaded. Alice obtains the sword and befriends the Bandersnatch by returning its eye. She then escapes on the back of the grateful Bandersnatch and delivers the sword to the White Queen. The Cheshire Cat saves the Hatter from the executioner, and the Hatter calls for rebellion against the Red Queen. The rebellion is quickly put down by the Jubjub bird, but the resistance flees to the White Queen's castle, and both armies prepare for battle. Former caterpillar Absolem advises Alice to fight the Jabberwocky just before completing his transformation into a pupa.

text: On the appointed day, the White Queen and the Red Queen gather their armies on a chessboard-like battlefield and send Alice and the Jabberwocky to decide the battle in single combat. Encouraged by the advice of her late father, Alice fights the Jabberwocky among the ruins surrounding the battlefield and finally jumps from the remains of a spiral staircase onto the Jabberwocky's neck and beheads it. During this fight, a falling masonry stone kills the Jubjub bird. The White Queen banishes the Red Queen and the Knave into exile. After the Hatter performs a celebration dance called Futterwacken, the White Queen gives Alice a vial of the Jabberwocky's purple blood whose power will bring her whatever she wishes. She decides to rejoin the everyday world. Back in England, Lord Ascot takes Alice as his apprentice with the idea of establishing oceanic trade routes to Hong Kong. As the story closes, Alice prepares to set off on a trading ship. A light-blue butterfly with dark vein markings lands on her shoulder, and Alice recognizes him as Absolem.

text: Cast[edit]

text:
Johnny Depp as Tarrant Hightopp, The Mad Hatter.[7] Wasikowska said that the characters, "both feel like outsiders and feel alone in their separate worlds, and have a special bond and friendship."[8][9] Burton explained that Depp "tried to find a grounding to the character ... as opposed to just being mad."[10] Burton also said that, "In a lot of versions it's a very one-note kind of character and you know [Depp's] goal was to try and bring out a human side to the strangeness of the character."[10] The orange hair is an allusion to the mercury poisoning suffered by hatters who used mercury to cure felt; Depp believes that the character "was poisoned ... and it was coming out through his hair, through his fingernails and eyes".[11] Depp and Burton decided that the Hatter's clothes, skin, hair, personality and accent would change throughout the film to reflect his emotions.[12] In an interview with Depp, the character was paralleled to "a mood ring, [as] his emotions are very close to the surface".[13] The Hatter is "made up of different people and their extreme sides", with a gentle voice much like the character's creator Lewis Carroll reflecting the lighter personality and with a Scottish Glaswegian accent (which Depp modeled after Gregor Fisher's Rab C. Nesbitt character) reflecting a darker, more dangerous personality.[14] Illusionary dancer David "Elsewhere" Bernal doubled for Depp during the "Futterwacken" sequence near the end of the film.[15]
Mia Wasikowska as Alice Kingsleigh. When creating the character, screenwriter Linda Woolverton researched how young women were expected to behave in the Victorian era and then made her the opposite.[16] Wasikowska read Carroll's books as a child and re-read them to prepare for her role. She also watched Jan Švankmajer's Alice. She said, "When we were kids, my mum would pop it in the VCR player. We would be disturbed, and wouldn't really understand it, but we couldn't look away because it was too intriguing. So I had kept that feeling about Alice, a kind of haunting feeling."[17] Although facing pressures to conform to society's expectations, Alice grows into a stronger-willed and empowered heroine who chooses her own path; Independent columnist Liz Hoggard praised Alice as a role model for girls, describing the character as "stubborn, brave, [and] non-girlie".[16][18]

Mairi Ella Challen portrayed Alice as a six-year-old girl.[19]

Helena Bonham Carter as Iracebeth of Crims, the Red Queen. She is an amalgamation of two Carroll characters: the Red Queen and the Queen of Hearts.[7] Her first name is a play on the word irascible because she is easily irritated, obstreperous, impatient, and quick to anger.[20] Bonham Carter's head was digitally increased to three times its original size on screen.[21][22] The character hates animals, and chooses to use them as servants and furniture.[23] It is implied that the Red Queen beheaded her former husband, the King. The actress took inspiration from her young daughter Nell, a toddler, stating that, "The Red Queen is just like a toddler, because she's got a big head and she's a tyrant."
Anne Hathaway as Mirana of Marmoreal, the White Queen.[7] She was one of few characters that did not require digital manipulation.[24] Hathaway summed up her character with a caption on a magnet of Happy Bunny holding a knife; "Cute but psycho. Things even out."[25] According to Hathaway, "She comes from the same gene pool as the Red Queen. She really likes the dark side, but she's so scared of going too far into it that she's made everything appear very light and happy. But she's living in that place out of fear that she won't be able to control herself."[26] Hathaway described her interpretation of the White Queen as "a punk-rock vegan pacifist", with inspiration drawn from Debbie Harry, Greta Garbo, and the artwork of Dan Flavin.[26] Burton said that the White Queen's appearance was inspired by Nigella Lawson.[27]
Crispin Glover played Ilosovic Stayne, the Knave of Hearts.[7] The Knave of Hearts is arrogant and tricky. While he follows the Red Queen's every order, he is the only one capable of calming her dramatic mood swings. Glover said, "The Red Queen has a fair amount of short-tempered reactions to things that people do, and so [the Knave] has to be quite diplomatic." The Red Queen believes that the Knave of Hearts is her lover, but this proves to be false.
Matt Lucas portrayed both Tweedledee and Tweedledum. Burton commented on the mixture of animation and Lucas, saying that "It's a weird mixture of things which gives his characters the disturbing quality that they so richly deserve."[28] The characters are portrayed through a combination of CGI and live-action, with Lucas' face digitally composited to a full animated body. While performing the character, Lucas had to wear a teardrop-shaped motion capture suit and walk on stilts. In order to play both characters, Lucas was doubled by Ethan Cohn.
Frances de la Tour as Imogene, Alice's aunt.[29] She is suffering from severe delusions and is constantly awaiting her fictional fiancé whom she believes to be a prince.
Leo Bill as Hamish Ascot, Alice's would-be fiancé.[29]

text: Marton Csokas makes a cameo appearance as Alice's deceased father in the film's opening scene and Alice's mother is played by Lindsay Duncan. Lord and Lady Ascot are played by Tim Pigott-Smith and Geraldine James respectively. Eleanor Tomlinson and Eleanor Gecks play the Cathaway sisters, who bear a strong resemblance to Tweedledum and Tweedledee. Jemma Powell appears briefly as Alice's sister, Margaret, while Margaret's unfaithful husband Lowell is played by John Hopkins.

text: Voice cast[edit]

text:
Michael Sheen voiced Nivens McTwisp, the White Rabbit.[7][30] Sheen said the character "is such an iconic character that [he] didn't feel like [he] should break the mold too much."[31] Burton said the quality he wanted most in his clock-watching bunny was a twitchiness, also commenting that "[in] any incarnation of the [White Rabbit] through the years, there's that sort of nervousness of a rabbit."[31]
Alan Rickman voiced Absolem, the Caterpillar.[7] Rickman was originally going to have his face composited onto the animated Caterpillar. He was filmed recording his voice in the studio, but the idea was eventually scrapped. The animators did, however, try to give Absolem's face characteristics similar to Rickman's.[22]
Stephen Fry voiced Chess, the Cheshire Cat.[7][32] Burton stated that the character had a creepy quality in addition to tapping into his own hatred of cats.[33][34] The role was intended to be played by Michael Sheen but he changed his role to the White Rabbit due to scheduling conflicts.
Barbara Windsor voiced Mallymkun, the Dormouse.[7] Burton said that he sought after Windsor for the role because he was a fan of her TV show EastEnders. Her voice sealed the deal for her role as the character.[35]
Timothy Spall voiced Bayard, the Bloodhound. Although Bayard does not appear in the book, a similar character named The Puppy is likely the inspiration for the character.
Paul Whitehouse voiced Thackery Earwicket, the March Hare.[7] Burton stated that because Whitehouse is a great comedic actor, a lot of his lines came from improvisation.[36]
Michael Gough voiced Uilleam, the Dodo.[7] Burton said that Gough was the first person he thought of for the role of the Dodo because he has "a full life quality to his voice".[37] The character only speaks three lines, that Gough recorded in a day. This would be Gough's final acting role; he died a year after its release, aged 94. Gough had previously portrayed the March Hare in the 1966 TV play of the book.
Christopher Lee voiced the Jabberwocky. While it only had two lines, Burton said that he felt Lee to be a good match for the iconic character because he is "an iconic guy".[38] For the character, Lee had originally tried to make his voice "burble" (as described in the poem "Jabberwocky"). However, Burton convinced him to use his actual voice, as he found it more intimidating and aggressive.
Imelda Staunton voiced the Tall Flower Faces. Though there are many flowers that appear around Underland, only one of them speaks and one of them is clearly a caricature of Staunton.[39] Staunton only speaks three lines that are heard very briefly at the beginning of the film.
Jim Carter voiced the Red Queen's executioner. The Executioner only speaks one line and appears extremely briefly, though Carter also voiced several other servants to the Red Queen.

text: Frank Welker provided additional voices and vocal effects; including roars of the Jabberwocky and Bandersnatch, squawks for the Jubjub bird, and Bayard barking.[39] Rickman, Windsor, Fry, Gough, Lee, Staunton and Carter each took only a day to record their dialogue.[39]

text: Burton and Bonham Carter's children Billy and Nell made cameo appearances as a boy and baby at the dock in the end of the film.

text: Production[edit]

text: Tim Burton signed with Walt Disney Pictures to direct two films in Disney Digital 3D, which included Alice in Wonderland[40] and his remake of Frankenweenie. Burton developed the story because he never felt an emotional tie to the original book.[41]

text: He explained "the goal is to try to make it an engaging movie where you get some of the psychology and kind of bring a freshness but also keep the classic nature of Alice." On prior versions, Burton said "It was always a girl wandering around from one crazy character to another, and I never really felt any real emotional connection." His goal with the new film is to give the story "some framework of emotional grounding" and "to try and make Alice feel more like a story as opposed to a series of events."[10] Burton focused on the poem "Jabberwocky" as part of his structure,[42] and refers to the described creature by the name of the poem rather than by the name "Jabberwock" used in the poem. Burton also stated that he does not see his version as either a sequel to any existing Alice film nor as a "re-imagining".[41] However, the idea of the climax of the story being Alice's battle with the Queen's champion, the Jabberwocky, was first added in the video game American McGee's Alice, and the landscape, tower, weapons and appearance of Alice in those scenes of the film are very reminiscent of the same scenes in the game.

text:
We wanted somebody who had... it's hard to put into words, but just had a gravity to her, an internal life, something that you could see the wheels turning. It's just a simple kind of power to her that we really liked. Not flamboyant, not very showy, but just somebody that's got a lot of internal life to her. That's why I picked her.

—Burton on casting Mia Wasikowska as Alice[43]

text: This film was originally set to be released in 2009 but was pushed back to March 5, 2010.[44] Principal photography was scheduled for May 2008, but did not begin until September and concluded in three months.[40][45] Scenes set in the Victorian era were shot at Torpoint and Plymouth from September 1 to October 14 (Mia Wasikowska's birthday). Two hundred and fifty local extras were chosen in early August. Locations included Antony House in Torpoint, Charlestown, Cornwall and the Barbican,[46][47] however, no footage from the Barbican was used. Motion capture filming began in early October at Sony Pictures Studios in Culver City, California, though the footage was later discarded.[48][49][50] Filming also took place at Culver Studios.[51] Burton said that he used a combination of live action and animation, without motion capture.[52] He also noted that this was the first time he had filmed on a green screen.[52] Filming of the green screen portions, comprising 90% of the film, was completed after only 40 days.[53] Many of the cast and crew felt nauseated as a result of the long hours surrounded by green, and Burton had lavender lenses fitted into his glasses to counteract the effect.[53] Due to the constant need for digital effects to distort the actors' physical appearances, such as the size of the Red Queen's head or Alice's height, visual effects supervisor Ken Ralston cited the film as being exhausting, saying it was "The biggest show I've ever done, [and] the most creatively involved I've ever been."[54]

text: Sony Pictures Imageworks designed the visual effects sequences.[55] Burton felt 3D was appropriate to the story's environment.[9] Burton and Zanuck chose to film with conventional cameras, and convert the footage into 3D during post-production; Zanuck explained 3D cameras were too expensive and "clumsy" to use, and they felt that there was no difference between converted footage and those shot in the format.[56] James Cameron, who released his 3D film Avatar in December 2009, criticized the choice, stating, "It doesn't make any sense to shoot in 2-D and convert to 3-D".[57]

text: Music[edit]

text: Score[edit]

text:
Alice in Wonderland: An Original Walt Disney Records Soundtrack

Film score by Danny Elfman

Released
March 2, 2010

Genre
Orchestral, Classical, Pop

Length
50:59

Label
Walt Disney

text: Longtime Burton collaborator Danny Elfman's score was released March 2, 2010.[58] It debuted at #89 on the Billboard Top 200 albums chart.[59]

text: Almost Alice[edit]

text: Almost Alice is a collection of various artists' music inspired by the film.[58][60][61] The lead single, "Alice" by Avril Lavigne, premiered on January 27, 2010 on Ryan Seacrest's radio program. Other singles include "Follow Me Down" by 3OH!3, "Her Name Is Alice" by Shinedown, and "Tea Party" by Kerli.[62] The album was released on March 2, 2010.[58]

text: Release[edit]

text: On February 12, 2010, major UK cinema chains, Odeon, Vue and Cineworld, had planned to boycott the film because of a reduction of the interval between cinema and DVD release from the usual 17 weeks to 12 (possibly to avoid the release of the DVD clashing with the 2010 FIFA World Cup, which was Disney's pretext for cutting short Alice's theatrical run but UK exhibitors protested that Alice would be less threatened by the World Cup than other titles).[63] A week after the announcement, Cineworld, who has a 24% share of UK box office, chose to play the film on more than 150 screens. Cineworld's chief executive Steve Wiener stated, "As leaders in 3D, we did not want the public to miss out on such a visual spectacle. As the success of Avatar has shown, there is currently a huge appetite for the 3D experience".[64] Shortly after, the Vue cinema chain also reached an agreement with Disney, but Odeon had still chosen to boycott in Britain, Ireland and Italy.[65] On February 25, 2010 Odeon had reached an agreement and decided to show the film on March 5, 2010.[66] The Royal premiere took place at the Odeon Leicester Square in London on February 25, 2010 for the fundraiser The Prince's Foundation for Children and The Arts where the Prince of Wales and the Duchess of Cornwall attended. It also did not affect their plans to show the film in Spain, Germany, Portugal and Austria.[65][67][68] The film was released in the U.S. and UK, in both Disney Digital 3D and IMAX 3D,[45] as well as regular theaters on March 5, 2010.[69]

text: Marketing[edit]

text: On June 22, 2009, the first pictures of the film were released, showing Depp as the Mad Hatter, Hathaway as the White Queen, Bonham Carter as the Red Queen and Lucas as Tweedledee and Tweedledum.[45] A new image of Alice was also released.[70] In July, new photos emerged of Alice holding a white rabbit, the Mad Hatter with a hare, the Red Queen holding a pig, and the White Queen with a mouse.[71]

text: On July 22, 2009, a teaser trailer from the Mad Hatter's point of view was released on IGN but was shortly taken down because Disney claimed that the trailer was not supposed to be out yet. The teaser was also planned to premiere along with a trailer of Robert Zemeckis' film adaptation of A Christmas Carol on July 24, 2009 for G-Force. The following day, the teaser trailer premiered at Comic-Con but the trailer shown was different from the one that leaked. The ComicCon version didn't have the Mad Hatter's dialogue. Instead, it featured "Time to Pretend" by MGMT, and the clips shown were in different order than in the leaked version. The leaked version was originally to be shown to one of the three Facebook groups used to promote the film that had the most members. The groups used to promote the film are "The Loyal Subjects of the Red Queen", "The Loyal Subjects of the White Queen" and "The Disloyal Subjects of the Mad Hatter".[72]

text: Also at ComicCon, props from the film were displayed in an "Alice in Wonderland" exhibit. Costumes featured in the exhibit included the Red Queen's dress, chair, wig, spectacles and scepter; the White Queen's dress, wig and a small model of her castle; the Mad Hatter's suit, hat, wig, chair and table; Alice's dress and battle armor (to slay the Jabberwocky). Other props included the "DRINK ME" bottles, the keys, an "EAT ME" pastry and stand-in models of the White Rabbit and March Hare.[73]

text: A nighttime party area at the Disney California Adventure theme park was created, called "Mad T Party".

text: Video games[edit]

text: On July 23, 2009, Disney Interactive Studios announced that an Alice in Wonderland video game, developed by French game studio Étranges Libellules, would be released in the same week as the film for the Wii, Nintendo DS and Microsoft Windows. The soundtrack was composed by video games music composer Richard Jacques.[74] The Wii, DS and PC versions were released on March 2, 2010.

text: Disney Interactive released in 2013 the game Alice in Wonderland: A New Champion for iOS.[75]

text: Home media[edit]

text: Walt Disney Studios Home Entertainment released a 3-disc Blu-ray combo pack (which includes the Blu-ray, DVD and a digital copy), 1-disc Blu-ray and 1-disc DVD on June 1, 2010 in the US and July 1, 2010 in Australia.[76] The DVD release includes three short features about the making of the film, focusing on Burton's vision for Wonderland and the characters of Alice and the Mad Hatter. The Blu-ray version has nine additional featurettes centered on additional characters, special effects and other aspects of the film's production.[77] In some confusion, a small number of copies were put on shelves a week before schedule in smaller stores, but were quickly removed, although a handful of copies were confirmed purchased ahead of schedule.

text: In its first week of release (June 1–6, 2010), it sold 2,095,878 DVD units (equivalent to $35,441,297) and topped the DVD sales chart for two continuous weeks. By May 22, 2011, it had sold 4,313,680 units ($76,413,043). It failed to crack the 2010 top ten DVDs list in terms of units sold, but reached 10th place on that chart in terms of sales revenue.[78][79]

text: Reception[edit]

text: Box office[edit]

text: Alice in Wonderland has grossed $334,191,110 in North America and $691,276,000 in other territories for a worldwide total of $1,025,467,110 against a budget of $200 million.[5][80][81] Worldwide, it is currently the twenty-seventh-highest-grossing film[82] and the second-highest-grossing 2010 film.[83] It is the third-highest-grossing film starring Johnny Depp,[84] the highest-grossing film directed by Tim Burton[85] and the second-highest-grossing children's book adaptation (worldwide, as well as in North America and outside North America separately).[86]

text: On its first weekend, the film made $220.1 million worldwide, marking the second-largest opening ever for a movie not released during the summer or the holiday period (behind The Hunger Games), the fourth-largest for a Disney-distributed film and the fourth-largest among 2010 films.[87] It dominated for three consecutive weekends at the worldwide box office.[88][89][90][91] On May 26, 2010, its 85th day of release, it became the sixth film ever to surpass the $1-billion-mark and the second film that had been released by Walt Disney Studios that did so.[92][93]

text: In the United States and Canada Alice in Wonderland is the forty-fourth-highest-grossing film but out of the top 100 when adjusted for inflation. It is also the second-highest-grossing 2010 film, behind Toy Story 3,[94] the second-highest-grossing film starring Johnny Depp[84] and the highest-grossing film directed by Tim Burton.[85] The film opened on March 5, 2010, on approximately 7,400 screens at 3,728 theaters with $40,804,962 during its first day, $3.9 million of which came from midnight showings,[95] ranking number one and setting a new March opening-day record.[96] Alice earned $116.1 million on its opening weekend, breaking the record for the largest opening weekend in March (previously held by 300),[97] the record for the largest opening weekend during springtime (previously held by Fast and Furious), the largest opening weekend for a non-sequel (previously held by Spider-Man)[98] and the highest one for the non-holiday, non-summer period. However, all of these records were broken by The Hunger Games ($152.5 million) in March 2012.[99][100] Alice made the seventeenth-highest-grossing opening weekend ever[101] and the fifth-largest among 3D films.[102] Opening-weekend grosses originating from 3D showings were $81.3 million (70% of total weekend gross). This broke the record for the largest opening-weekend 3D grosses[103][104] but it was later topped by Marvel's The Avengers ($108 million).[105] It had the largest weekend per theater average of 2010 ($31,143 per theater) and the largest for a PG-rated film.[106] It broke the IMAX opening-weekend record[107] by earning $12.2 million on 188 IMAX screens, with an average of $64,197 per site. The record was first overtaken by Deathly Hallows – Part 2 ($15.2 million).[104] Alice remained in first place for three consecutive weekends at the North American box office.[108][109] Alice closed in theaters on July 8, 2010 with $334.2 million.

text: Outside North America, Alice is the thirteenth-highest-grossing film,[110] the highest-grossing 2010 film,[111] the fourth-highest-grossing Disney film, the second-highest-grossing film starring Johnny Depp[84] and the highest-grossing film directed by Tim Burton.[85] It began with an estimated $94 million, on top of the weekend box office, and remained at the summit for four consecutive weekends and five in total.[112][113] Japan was the film's highest-grossing country after North America, with $133.7 million, followed by the UK, Ireland and Malta ($64.4 million), and France and the Maghreb region ($45.9 million).[114]

text: Critical reaction[edit]

text: Review aggregate Rotten Tomatoes reports that 51% of critics have given the film a positive review based on 262 reviews; the average score is 5.7/10. The consensus is: "Tim Burton's Alice sacrifices the book's minimal narrative coherence—and much of its heart—but it's an undeniable visual treat".[115] Metacritic rated it 53/100 based on 38 reviews.[116]

text: Todd McCarthy of Variety praised it for its "moments of delight, humor and bedazzlement", but went on to say, "But it also becomes more ordinary as it goes along, building to a generic battle climax similar to any number of others in CGI-heavy movies of the past few years".[117] Michael Rechtshaffen of The Hollywood Reporter said "Burton has delivered a subversively witty, brilliantly cast, whimsically appointed dazzler that also manages to hit all the emotionally satisfying marks", while as well praising its computer-generated imagery (CGI), saying "Ultimately, it's the visual landscape that makes Alice's newest adventure so wondrous, as technology has finally been able to catch up with Burton's endlessly fertile imagination."[118] Owen Gleiberman of Entertainment Weekly said, "But Burton's Disneyfied 3-D Alice in Wonderland, written by the girl-power specialist Linda Woolverton, is a strange brew indeed: murky, diffuse, and meandering, set not in a Wonderland that pops with demented life but in a world called Underland that's like a joyless, bombed-out version of Wonderland. It looks like a CGI head trip gone post apocalyptic. In the film's rather humdrum 3-D, the place doesn't dazzle—it droops."[119] Roger Ebert of the Chicago Sun-Times awarded the film three out of four stars and wrote in his review that, "Alice plays better as an adult hallucination, which is how Burton rather brilliantly interprets it until a pointless third act flies off the rails."[120] The market research firm CinemaScore found that audiences gave the film an average rating of "A-".[121]

text: Several reviews criticized the decision to turn Alice into a "colonialist entrepreneur" at the end of the film setting sail for China.[122][123][124] Given Britain's role in the First and Second Opium Wars during the Victorian era and the foreign domination of China through "unequal treaties", China expert Kevin Slaten writes, "Not only is it troubling imagery, for a female role model in a Disney movie, but it's also a celebration of the exploitation that China suffered for a century."[125]

text: Game developer American McGee, best known for creating Alice and Alice: Madness Returns, was asked in a 2011 interview about Tim Burton's interpretation of the title character since both versions share almost similar dark and twisted tone of Wonderland. McGee praised the film's visuals and audio but criticized the lack of screen time Alice had compared to the other characters. He felt Alice did not have any purpose in the story and that she was merely used as a "tool".[126]

text: Accolades[edit]

text:
Award
Category
Recipient
Result

83rd Academy Awards[127]
Best Art Direction
Robert Stromberg
Karen O'Hara
Won

Best Visual Effects
Ken Ralston
David Schaub
Carey Villegas
Sean Phillips
Nominated

Best Costume Design
Colleen Atwood
Won

64th British Academy Film Awards[128]
Best Costume Design
Won

Best Film Music
Danny Elfman
Nominated

Best Production Design
Robert Stromberg
Karen O’Hara
Nominated

Best Special Visual Effects
Ken Ralston
David Schaub
Carey Villegas
Sean Phillips
Nominated

Best Makeup and Hair

Won

68th Golden Globe Awards[129]
Best Motion Picture – Musical or Comedy

Nominated

Best Actor – Motion Picture Musical or Comedy
Johnny Depp
Nominated

Best Original Score
Danny Elfman
Nominated

53rd Grammy Awards
Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media
Nominated

9th Annual Visual Effects Society Awards (VES Awards)[130]
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
Ken Ralston
Carey Villegas
David Schaub
Tom Peitzman
Nominated

Outstanding Compositing in a Feature Motion Picture (Stolen Tarts)
Lisa Deaner
Orde Stevanoski
Aaron Kupferman
Ruben Flores
Nominated

15th Annual Satellite Awards[131]
Best Visual Effects
Ken Ralston
Carey Villegas
David Schaub
Sean Phillips
Won

Best Costume Design
Colleen Atwood
Won

Best Art Direction & Production Design
Robert Stromberg
Stefan Dechant
Nominated

Best Motion Picture, Animated or Mixed Media

Nominated

Best Original Song
Avril Lavigne
Nominated

37th Saturn Awards
Best Fantasy Film

Won

Best Costume

Won

Best Make-Up

Nominated

Best Production Design

Nominated

Best Special Effects
Ken Ralston
Carey Villegas
David Schaub
Tom Peitzman
Nominated

Broadcast Film Critics Association Awards
Best Costume Design
Colleen Atwood
Won

Best Makeup
Jaremy Aiello
Won

Best Visual Effects
Ken Ralston
Carey Villegas
David Schaub
Tom Peitzman
Nominated

Best Art Direction
Robert Stromberg
Karen O'Hara
Nominated

2011 Kids' Choice Awards[132]
Favorite Movie

Nominated

Favorite Movie Actor
Johnny Depp
Won

MTV Movie Awards
Global Superstar
Nominated

Best Movie

Nominated

Best Villain
Helena Bonham Carter
Nominated

National Movie Awards
Best Performance
Nominated

Johnny Depp
Nominated

Best Fantasy

Nominated

People's Choice Awards[133]
Favorite Movie
Nominated

Favorite Drama Movie
Nominated

Teen Choice Awards
Choice Movie: Fantasy
Nominated

Choice Movie Actor: Fantasy
Johnny Depp
Nominated

Choice Movie: Female Scene Stealer
Anne Hathaway
Nominated

Choice Movie Actress: Fantasy
Mia Wasikowska
Nominated

Choice Movie: Female Breakout Star
Nominated

Choice Movie: Fight
Mia Wasikowska vs. The Jabberwock
Won

2010 Scream Awards
Ultimate Scream

Nominated

Best Fantasy Movie

Nominated

Best Director
Tim Burton
Nominated

Best Fantasy Actress
Mia Wasikowska
Nominated

Best Breakout Performance – Female
Nominated

Best Fantasy Actor
Johnny Depp
Nominated

Best Supporting Actress
Anne Hathaway
Won

3-D Top Three

Nominated

AD First Half of the Year Awards[134]
Best Art Direction

Nominated

Best Visual Effects
Won

Best Make Up
Nominated

MTV Fan Music Awards
Best Movie Song
Avril Lavigne
Won

ChartAttack's 16th Annual Year-End Readers' Poll
Best Song
Avril Lavigne
Won

text: Impact[edit]

text: After the release and success of the movie, Walt Disney Pictures has announced the development of several live-action adaptations of their Animated Classics series.[135][136] Maleficent, Cinderella, The Jungle Book and Beauty and the Beast have followed to similar box-office results with the latter three also earning critical praise. Disney has also announced the development of live-action adaptations of Christopher Robin,[137] Dumbo,[138] Aladdin,[139] The Lion King,[140] Mulan,[141] Pinocchio,[142] Fantasia,[143] The Sword in the Stone,[144] The Black Cauldron,[145] Peter Pan,[146] The Little Mermaid,[147] and Snow White and the Seven Dwarfs.[148] The company also has plans for live-action spin-offs of Peter Pan, One Hundred and One Dalmatians and Snow White and the Seven Dwarfs along with a live-action prequel to Aladdin.[149][150][151][152]

text: Stage adaptation Walt Disney Theatrical is in early talks with Burton and screenwriter Linda Woolverton to develop the property as a Broadway musical. Woolverton authored the screenplay for Disney's The Lion King and is also the Tony Award-nominated book writer of Beauty and the Beast, Aida and Lestat. Burton will also render the overall designs for the stage musical. Woolverton will adapt her screenplay for the stage production. Neither a composer nor songwriting team has been chosen yet. Direction and choreography will be done by Rob Ashford.[153][154][155] The musical is aiming to make its world-premiere in London.[156]

text: Sequel[edit]

text: On December 7, 2012, Variety announced the development of a sequel to Alice in Wonderland. Linda Woolverton returned to write a screenplay.[157] On May 31, 2013, James Bobin began talks to direct the sequel under the working title Alice in Wonderland: Into the Looking Glass.[158] Johnny Depp returned as The Hatter, Mia Wasikowska reprised the role of Alice, and Helena Bonham Carter returned as the Red Queen.[159][160][161] Several other cast-members from the 2010 film also reprised their roles in the sequel.[162] On November 22, 2013, it was announced that the sequel will be released on May 27, 2016 and that Bobin would direct the film. Rhys Ifans and Sacha Baron Cohen are featured in the film.[160][163][164] On January 21, 2014, the film was again retitled to Alice in Wonderland: Through the Looking Glass.[165] The title was later reworked once again to Alice Through the Looking Glass.

text: See Also[edit]

text:
Mad hatter disease
Solipsism


document_title: Humboldt meridian

question_text: the intersection of the humboldt baseline and meridian is in

root

text: Humboldt meridian

text: The Humboldt meridian in California, longitude 124° 07' 10" west from Greenwich, intersects the base line on the summit of Mount Pierce at latitude 40° 25' 02" north (co-ordinates in NAD27 datum),[1] and governs the surveys in the northwestern corner of California, lying west of the Coast Range of mountains, and north of township 5 south, of the Humboldt meridian system.[2] This principal meridian was established in 1853.[3]

tag: p


document_title: Pete's Dragon (1977 film)

question_text: where is the lighthouse from pete's dragon located

question_tokens: where is the lighthouse from pete 's dragon located

text: Pete's Dragon (1977 film)

text: Plot[edit]

text: In the early 1900s, Pete flees the Gogans, his abusive hillbilly foster family, with help from Elliott, a fire-breathing dragon who can make himself invisible.

text: Pete and Elliott visit Passamaquoddy, where the unseen Elliott's clumsiness causes Pete to be labeled a source of bad luck.

text: Lampie, the lighthouse keeper, stumbles out of a tavern and encounters Pete. Elliott makes himself visible and a terrified Lampie runs into the saloon to warn the townsfolk. In a seaside cave, Pete scolds Elliott for causing trouble. Just as they make up, Lampie's daughter, Nora, appears saying due to the ongoing tides from the sea, it is unsafe for Pete to stay in there, then offers him food and shelter at the lighthouse, which he accepts.

text: Pete tells Nora of the abuse he suffered at the hands of the Gogans, and as she offers to let him spend the night at the lighthouse, they strike up a friendship. He learns the story of her fiance, Paul, whose ship was reported lost at sea the year before. He promises to ask Elliott about Paul, and she accepts, believing Elliott to be  his imaginary friend.

text: The next morning, Dr. Terminus and his assistant, Hoagy, arrive and win over the gullible townspeople who are initially angered by their return. The day after, the local fishermen complain about the scarcity of fish and believe Pete is the cause. Nora tells them that the fishing grounds shift from time to time and Pete should be welcomed into town. She takes him to start school, where he is punished unfairly by the teacher, Miss Taylor, as a result of Elliott's antics. An enraged Elliott smashes into the schoolhouse, leaving his shape in the wall, as Pete runs off.

text: Dr. Terminus makes Pete an offer for Elliott, which he turns down. Believing he needs to stop running from the Gogans, Nora and Lampie offer to let him live with them permanently, which he accepts. When the Gogans arrive in town and demand him back, Nora refuses to hand him over. As the Gogans attempt to chase them in a small boat, Elliott "torpedoes" it, saving Pete.

text: Dr. Terminus teams up with the Gogans to capture both Pete and Elliott. He also convinces the superstitious locals that helping him capture Elliott will solve their problems. That evening, a storm begins to blow.

text: At sea, a ship is approaching Passamaquoddy with Paul on board. Dr. Terminus lures Pete to the boathouse, while Hoagy does the same to Elliott. Once there, the invisible Elliott is caught in a net trap, but he frees himself, saves Pete, and confronts the Gogans. Lena yells at him, claiming Pete is their property and waves her bill of sale at him, which he torches. Now completely defenseless, they flee after he frightens them away. Just as he and Pete laugh, Dr. Terminus makes one more effort to harpoon him, but his leg is caught in the rope and he is sent catapulting through the ceiling and screams as he goes through it, ending up dangling upside down near a utility pole. In a last-ditch effort, he tries to offer buying Elliott's "spare parts", to which he declines and proceeds to destroy Dr. Terminus' traveling wagon, ending his scamming business.

text: Elliott then saves the Mayor, Miss Taylor, and the members of the Town Board from a falling utility pole, revealing himself to them. Back at the lighthouse, the lamp has been extinguished by a storm-driven rogue wave. Elliott returns and tries to light it with his own fire. As he does so, Nora sees that he is real. The light is ignited and the ship is saved.

text: The next morning, the Mayor and the townsfolk praise Elliott for his help, and Nora is reunited with Paul, who was the sole survivor of a shipwreck at Cape Hatteras and suffered amnesia. Now that Pete has a loving family, Elliott tells him he must move on to help another kid in trouble, and is sad that they must part. Pete comforts Elliott by telling him if that anyone can help that kid, he can. He flies away as Pete and his new family wave good-bye to him. The film ends with Pete reminding him once again he is supposed to be invisible.

text: Cast[edit]

text:
Sean Marshall as Pete, an orphan boy whom the Gogans have purchased and treat like a slave.
Helen Reddy as Nora, Lampie's headstrong but kind daughter who later adopts Pete.
Jim Dale as Dr. Terminus, a scheming quack and showman.
Mickey Rooney as Lampie, Passamaquoddy's lighthouse keeper and Nora's father.
Red Buttons as Hoagy, Dr. Terminus' assistant.
Shelley Winters as Lena Gogan, the matriarch of the Gogan family.
Jane Kean as Miss Taylor, Passamaquoddy's schoolteacher who reluctantly takes Pete as a student at Nora's suggestion.
Jim Backus as the Mayor of Passamaquoddy.
Charles Tyner as Merle Gogan, Lena's husband and the patriarch of the Gogan family.
Gary Morgan and Jeff Conaway as Grover and Willie Gogan, Lena and Merle's sons.
Cal Bartlett as Paul, a sailor who has disappeared at sea and Nora's fiancé
Charlie Callas as the voice of Elliott, a dragon that saves Pete from the Gogans.
Walter Barnes as the Captain of the ship on which Paul returns home.

tag: ul

text: Al Checco, Henry Slate, and Jack Collins appear in the film as local fishermen. Robert Easton plays a store proprietor, and Roger Price is seen as a man with a visor. Robert Foulk plays an old sea captain. Ben Wrigley is the egg vendor that Elliott accidentally knocks into the Mayor and Joe Ross plays the cement man whose cement was stepped in by Elliott. Dinah Anne Rogers has an uncredited role as one of the townsfolk, as does Dennis Stewart, who plays a fisherman, and Debbie Fresh is also uncredited as a "Child/Dancer/Singer".[3]

text: Musical numbers[edit]

text:
"The Happiest Home in These Hills" – Lena, Merle, Grover, Willie
"Boo Bop Bop Bop Bop (I Love You, Too)" – Pete, Elliott
"I Saw a Dragon" – Lampie, Nora, Townsmen
"It's Not Easy" – Nora, Pete
"Passamaquoddy" – Dr. Terminus, Hoagy, Townsfolk
"Candle on the Water" – Nora
"There's Room for Everyone" – Nora, Pete, Children
"Every Little Piece" – Hoagy, Dr. Terminus
"Brazzle Dazzle Day" – Nora, Lampie, Pete
"Bill of Sale" – Nora, Lena, Merle, Grover, Willie
"I Saw a Dragon (Reprise)" – Townsmen
"Brazzle Dazzle Day (Reprise)" – Pete, Nora, Lampie, Paul

tag: ol

text: Production[edit]

text: Development[edit]

text: In December 1957, Walt Disney Productions optioned the film rights to the short story titled Pete's Dragon and the U.S.A. (Forever After) that was written by Seton I. Miller and S.S. Field, in which Miller was hired to write the script.[4][5] Impressed with his performance in Old Yeller, Walt Disney had child actor Kevin Corcoran in mind to star in the project as a feature-length film.[6][7] However, Disney considered the project to be more appropriate for his Disneyland anthology program,[7] by which it was slated to be filmed as a two-part episode in the following year.[4] In February 1958, Variety reported that filming was scheduled to begin in October. By the following spring, veteran screenwriter Noel Langley had completed his draft of the script. However, Disney was still unsure of how to approach the project, and the project was placed in turnaround.[7]

text: In 1968, writers Bill Raynor and Myles Wilder were hired to write the script, and completed their outline in October. They submitted their outline to the studio for review, but the project continued to languish in development.[4] In 1975, producer Jerome Courtland re-discovered the project and hired writer Malcolm Marmorstein to write the script.[4] For his script, Marmorstein revised the story from being in contemporary time into a period setting, and had the dragon changed from being wholly imaginary into a real one. In earlier drafts, Elliott was mostly invisible aside from one animated sequence, in which Dr. Terminus would chop up the dragon for his get-rich scheme. However, veteran Disney artist Ken Anderson felt the audience would "lose patience" with the idea and lobbied for Elliott to be seen more in his visible form during the film.[8] In retrospect, Marmorstein conceded that "We tried a completely invisible dragon, but it was no fun. It was lacking. It's a visual medium, and you're making a film for kids." He also named the dragon "Elliott" after actor Elliott Gould (who was a friend from his theater days), and named the town "Passamaquoddy" after the real Native American tribe in Maine.[9]

text: In October 1975, the songwriting duo of Al Kasha and Joel Hirschhorn were assigned to compose the musical score.[10] The production was directed by British filmmaker Don Chaffey, who had made two smaller films for Disney in the early 1960s between directing larger fantasy adventures (Jason and the Argonauts, One Million Years B.C.) for others.

text: Locations[edit]

text: The lighthouse for the film was built on Point Buchon Trail located south of Los Osos, California,[5] substituting for Maine. It was equipped with such a large beacon that Disney had to get special permission from the Coast Guard to operate it, since doing so during filming would have confused passing ships. Pacific Gas and Electric opened the Point Buchon Trail and allows hikers access to where filming took place (35°14′49.08″N 120°53′50.63″W / 35.2469667°N 120.8973972°W / 35.2469667; -120.8973972).

text: Animation[edit]

text: The animators of the film opted to make Elliott look more like an oriental, rather than occidental, dragon because oriental dragons are usually associated with good. The film is the first involving animation in which none of the Nine Old Men – Disney's original team of animators – were involved. One technique used in the movie involved compositing with a yellowscreen that was originally used in Mary Poppins and similar to today's greenscreen compositing, whereby up to three scenes might be overlaid together – for example, a live foreground, a live background, and an animated middle ground containing Elliott. Ken Anderson, who created Elliott, explained that he thought it would be appropriate to make him "a little paunchy" and not always particularly graceful when it comes to flying.[11][12] Don Hahn, who was an assistant director to Don Bluth on Pete's Dragon, gained some experience working with a combination of live-action and animation before later going on to work on Who Framed Roger Rabbit.[13]

text: Release[edit]

text: Pete's Dragon premiered on November 3, 1977 at the Radio City Music Hall for its intended roadshow theatrical release, in which the film ran 134 minutes. For its general release, it was edited down to 121 minutes. It was later re-released on March 9, 1984 where it was shortened from 121 minutes to 104 minutes.

text: Home video[edit]

text: The film was released on VHS in early 1980. It was re-released on VHS on October 28, 1994 as a part of Masterpiece Collection. It was originally slated to be released in the Walt Disney Gold Classic Collection line-up on December 5, 2000,[14] but it was pushed back to January 16, 2001. The DVD includes bonus features such as two animated shorts Lighthouse Keeping and Man, Monsters and Mysteries, two vintage excerpts from the Disney Family Album episode on Ken Anderson and "The Plausible Impossible" from Disneyland, and both theatrical trailers for the film.

text: The film was re-released in a "High-Flying Edition" DVD on August 18, 2009. The DVD includes a half-hour documentary feature, a deleted storyboard sequence, original demo recordings of the songs, and several bonus features transferred from the Gold Classic Collection release.[15] It was released on the 35th-anniversary edition Blu-ray on October 16, 2012.

text: Reception[edit]

text: Critical reaction[edit]

text: Janet Maslin of The New York Times praised the film declaring it "the most energetic and enjoyable Disney movie in a long while." She was also complimentary of Helen Reddy's performance noting "Sean Marshall doesn't sing well, but Helen Reddy does, so she often accompanies his vocals. Miss Reddy is serviceable but undistinguished as an actress—she has a tendency to behave as if she were a very bright light bulb in a very small lamp—but she so often finds herself in the company of Messrs. Rooney, Dale or Buttons that her scenes work well." However, she was critical the film's length and the excessive alcohol consumption.[16] Variety wrote the film was "an enchanting and humane fable which introduces a most lovable animal star (albeit an animated one)." They praised the combination of live-action and animation as "never before more effectively realized" and commented that the film suffered "whenever Elliott is off screen."[17] John Skow of Time wrote the film was "likeable fantasy", but dismissed the musical numbers as "a good opportunity to line up for more popcorn."[18]

text: Critic Leonard Maltin observed that Disney made several attempts to recreate the appeal and success of Mary Poppins (1964), and that Pete's Dragon did not come close on that score.  However, he added that it might please children, and that "the animated title character is so endearing that it almost compensates for the live actors' tiresome mugging."[19] Thomas J. Harris, in his book Children’s Live-Action Musical Films: A Critical Survey and Filmography, heavily criticized the story as well as the compositing of the animated Elliott; he also found the "Mary Poppinsish ending" to be "thoroughly unmotivated", because Pete's life before meeting Elliott is never fleshed out.[20] In 2006, Elliott was ranked fifth on a top 10 list of movie dragons by Karl Heitmueller for MTV Movie News.[21]

text: On the review aggregator website Rotten Tomatoes, the film has an approval rating of 50% based on 24 reviews, with an average rating of 4.8/10. The site's consensus states: "Boring and slow, this is a lesser Disney work, though the animation isn't without its charms."[22]

text: Box office[edit]

text: During its initial release, the film grossed $18 million in domestic grosses,[23] which was ranked at seventeen on Variety's hit list.[24] However, the returns were considered disappointing for Disney who were hoping for a Mary Poppins-sized blockbuster.[25][26] The film has a lifetime domestic gross ranging from $36[1] to 39.6 million.[2]

text: Awards and honors[edit]

text: Academy Awards[edit]

text: The film was nominated for two Academy Awards:[27]

text:
Academy Award for Best Original Song – Al Kasha and Joel Hirschhorn for "Candle on the Water"
Academy Award for Original Song Score – Al Kasha, Joel Hirschhorn and Irwin Kostal

text: Academy of Science Fiction, Fantasy and Horror Films Awards[edit]

text: The film was nominated for four Saturn Awards:[27]

text:
Saturn Award for Best Fantasy Film
Saturn Award for Best Supporting Actor – Red Buttons
Saturn Award for Best Costume
Saturn Award for Best Special Effects

text: Golden Globes[edit]

text: The Hollywood Foreign Press Association nominated the film for one Golden Globe Award:[27]

text: Golden Globe Award for Best Original Score – Al Kasha and Joel Hirschhorn

text: Remake[edit]

text: In March 2013, Disney announced a remake of the film, written by David Lowery and Toby Halbrooks, the director/writer and co-producer (respectively) of the Sundance hit Ain't Them Bodies Saints (2013). It re-imagines a venerable Disney family and is presented as a straightforward drama as opposed to a musical.[28]  It is a live-action remake instead of an animated remake by Disney.  Principal photography commenced in January 2015 in New Zealand, with Lowery directing. It was released on 12 August 2016.[29][30]


document_title: List of Super Bowl halftime shows

question_text: when did the who perform at the super bowl

text: List of Super Bowl halftime shows

text: Background[edit]

text: During most of the Super Bowl's first decade, the halftime show featured a college marching band. The show's second decade featured a more varied show, often featuring drill teams and other performance ensembles; the group Up with People produced and starred in four of the performances. The middle of the third decade, in an effort to counter other networks' efforts to counterprogram the game,[7] saw the introduction of popular music acts such as New Kids on the Block, Gloria Estefan, Michael Jackson, Clint Black, Patti LaBelle, and Tony Bennett. Starting with Super Bowl XXXII, commercial sponsors presented the halftime show; within five years, the tradition of having a theme—begun with Super Bowl III—ended, replaced by major music productions by arena rock bands and other high-profile acts. In the six years immediately following an incident at Super Bowl XXXVIII where Justin Timberlake exposed one of Janet Jackson's breasts in an alleged "wardrobe malfunction", all of the halftime shows consisted of a performance by one artist or group, with the musicians in that era primarily being rock artists from the 1960s, 1970s and 1980s. These shows were considered "family friendly" and the time in which they took place has been described as "the age of reactionary halftime shows.[8] Since Super Bowl XLV, the halftime show has returned to featuring popular contemporary musicians, with the typical format featuring a single headline artist collaborating with a small number of guest acts.

text: The NFL does not pay the halftime show performers an appearance fee, though it covers all expenses for the performers and their entourage of stagehands, family, and friends.[9] Super Bowl XXVIII's halftime show with Michael Jackson provided an exception, as the NFL and Frito-Lay agreed to make a donation and provide commercial time for Jackson's Heal the World Foundation.[10][11][12][11] According to Nielsen SoundScan data, the halftime performers regularly experience significant spikes in weekly album sales and paid digital downloads due to the exposure.[13] For Super Bowl XLIX, it was reported by the Wall Street Journal that league officials asked representatives of potential acts if they would be willing to provide financial compensation to the NFL in exchange for their appearance, in the form of either an up-front fee, or a cut of revenue from concert performances made after the Super Bowl. While these reports were denied by an NFL spokeswoman, the request had, according to the Journal, received a "chilly" response from those involved.[14][15]

text: History[edit]

text: The following is a list of the performers, producers, themes, and sponsors for each Super Bowl game's show.

text:
Super Bowl
Show details

I

Date: Jan 15, 1967
Location: Los Angeles Memorial Coliseum (University Park, Los Angeles, California)
Performers: University of Arizona Symphonic Marching Band & Grambling State University Marching Band, Al Hirt, Anaheim High School Drill Team and Flag Girls
Producer: Tommy Walker
Setlist: "The Liberty Bell" (The University of Arizona Symphonic Marching Band)
References:[16][17][18]

II

Date: Jan 14, 1968
Location: Miami Orange Bowl (Miami, Florida)
Performers: Grambling State University Marching Band
References:[16]

III

Date: Jan 12, 1969
Location: Miami Orange Bowl (Miami, Florida)
Theme: America Thanks
Performers: Florida A&M University and Miami area High School Bands
References:[16]

tag: table

text:
Super Bowl
Show details

IV

Date: Jan 11, 1970
Location: Tulane Stadium (New Orleans, Louisiana)
Theme: Tribute to Mardi Gras
Performers: Marguerite Piazza, Doc Severinsen, Al Hirt, Lionel Hampton Southern University Marching Band
References:[16]
Setlist:

"When the Saints Go Marching In"

V

Date: Jan 17, 1971
Location: Miami Orange Bowl (Miami, Florida)
Performers: Southeast Missouri State Marching Band, Up With People
References:[16][19]

VI

Date: Jan 16, 1972
Location: Tulane Stadium (New Orleans, Louisiana)
Theme: Salute to Louis Armstrong
Performers: Ella Fitzgerald, Carol Channing, Al Hirt, USAFA Cadet Chorale, & U.S. Marine Corps Drill Team
Producer: Jim Skinner
References:[16][20]
Setlist:

"Mack the Knife" (Ella Fitzgerald and Al Hirt)

VII

Date: Jan 14, 1973
Location: Los Angeles Memorial Coliseum (University Park, Los Angeles, California)
Theme: Happiness Is
Performers: University of Michigan Marching Band & Woody Herman & Andy Williams
Producer: Tommy Walker
References:[16]

VIII

Date: Jan 13, 1974
Location: Rice Stadium (Houston, Texas)
Theme: A Musical America
Performers: University of Texas Longhorn Band and Judy Mallett (Miss Texas 1973) on fiddle
Producer: Jim Skinner
References:[16]

IX

Date: Jan 12, 1975
Location: Tulane Stadium (New Orleans, Louisiana)
Theme: Tribute to Duke Ellington
Performers: Mercer Ellington & Grambling State University Marching Bands
Producer: Jim Skinner
References:[16][18]

X

Date: Jan 18, 1976
Location: Miami Orange Bowl (Miami, Florida)
Theme: 200 Years and Just a Baby: A Tribute to America's Bicentennial
Performer: Up with People
References:[16][21]

XI

Date: Jan 9, 1977
Location: Rose Bowl (Pasadena, California)
Theme: It's a Small World
Performers: Los Angeles Unified All-City Band & Audience card stunt
Producer: The Walt Disney Company
References:[16]

XII

Date: Jan 15, 1978
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: From Paris to Paris of America
Performers: Tyler Apache Belles Drill Team, and Apache Band Pete Fountain & Al Hirt
References:[16]

XIII

Date: Jan 21, 1979
Location: Miami Orange Bowl (Miami, Florida)
Theme: Salute to Caribbean
Performers: Ken Hamilton, various Caribbean bands including Grammacks out of Dominica
Producer: Bob Jani
Sponsor: Carnival
References:[16]

text:
Super Bowl
Show details

XIV

Date: Jan 20, 1980
Location: Rose Bowl (Pasadena, California)
Theme: A Salute to the Big Band Era
Performers: Up with People, Grambling State University Marching Bands
References:[16][21]

XV

Date: Jan 25, 1981
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Mardi Gras Festival
Performers: Southern University Marching Band, Helen O'Connell
Producer: Jim Skinner
References:[16]

XVI

Date: Jan 24, 1982
Location: Pontiac Silverdome (Pontiac, Michigan)
Theme: Salute to the 1960s and Motown
Performer: Up with People
References:[16][21]

XVII

Date: Jan 30, 1983
Location: Rose Bowl (Pasadena, California)
Theme: KaleidoSUPERscope
Performer: Los Angeles Super Drill Team
Producer: Bob Jani
References:[16]

XVIII

Date: Jan 22, 1984
Location: Tampa Stadium (Tampa, Florida)
Theme: Salute to Superstars of Silver Screen
Performers: University of Florida and Florida State University Marching Bands
Producer: The Walt Disney Company
Setlist:[16]

Introduction by Phyllis George
"Hooray for Hollywood"
"You Oughta Be in Pictures"
"Steppin' Out with My Baby"
"Puttin' on the Ritz"
"42nd Street"
"When You Wish Upon a Star"

XIX

Date: Jan 20, 1985
Location: Stanford Stadium (Stanford, California)
Theme: World of Children's Dreams
Performer: Tops In Blue
Producer: Air Force Entertainment
References:[16]

XX

Date: Jan 26, 1986
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Beat of the Future
Performer: Up with People
References:[16][21]

XXI

Date: Jan 25, 1987
Location: Rose Bowl (Pasadena, California)
Theme: Salute to Hollywood's 100th Anniversary - The World of Make Believe
Performers: George Burns, Mickey Rooney, Grambling State University and USC Marching Bands, Disney characters, Southern California-area high school drill teams and dancers
Producer: The Walt Disney Company
References:[16]
Setlist:

"Ghost Riders in the Sky"
Theme songs from Bonanza, Indiana Jones, and Footloose
Hoedown song
"Cheek to Cheek"
"What a Feeling" (Theme from Flashdance)
"That's Entertainment"
"Somewhere Over the Rainbow"
"When You Wish Upon a Star"

XXII

Date: Jan 31, 1988
Location: Jack Murphy Stadium (San Diego, California)
Theme: Something Grand
Performers: Chubby Checker, The Rockettes, 72 grand pianos, and the combined San Diego State University Marching Aztecs and USC Marching Bands
Producer: Radio City Music Hall
References:[16][17]

XXIII

Date: Jan 22, 1989
Location: Joe Robbie Stadium (Miami Gardens, Florida)
Theme: 1950's (Be Bop Bamboozled in 3-D)
Performers: Elvis Presto, South Florida-area dancers and performers
Producer: MagicCom Entertainment, Dan Witkowski
Sponsor: Diet Coke
Setlist:

Introduction by Bob Costas and 3-D commercial for Diet Coke
"Rock This Town"
audience participation card trick
"Tutti Frutti"
"Do You Love Me"
"Devil with a Blue Dress On"
"Great Balls of Fire"
"Greased Lightnin'"
"True Love"

References:[16][22]

text:
Super Bowl
Show details

XXIV

Date: Jan 28, 1990
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Salute to New Orleans & 40th Anniversary of Peanuts
Performers: Pete Fountain, Doug Kershaw, Irma Thomas, Nicholls State University Marching Band, Southern University Marching Band, USL Marching Band
Producer: Select Productions
References:
Setlist:

"(Up A) Lazy River"
"Waiting For The Robert E. Lee"
"Here Comes the Showboat"
"When the Saints Go Marching In" (Pete Fountain on clarinet)
"Happy Birthday to You"

XXV

Date: Jan 27, 1991
Location: Tampa Stadium (Tampa, Florida)
Theme: Small World Tribute to 25 Years of the Super Bowl
Performers: New Kids on the Block (NKOTB), Disney characters, Warren Moon, 2,000 local children, audience card stunt
Producer: The Walt Disney Company
Sponsor: Walt Disney World and Coca-Cola
References:[16]
Setlist:

"It's a Small World After All"/ "We Are the World"/ "I'd Like to Teach the World to Sing" (children)
"Step by Step" (NKOTB)
"This One's For The Children" (NKOTB and children)
"It's a Small World After All" (children)

Notes: The airing of this halftime show was delayed until after the conclusion of the game due to ABC News coverage of Operation Desert Storm

XXVI

Date: Jan 26, 1992
Location: Hubert H. Humphrey Metrodome (Minneapolis, Minnesota)
Theme: Winter Magic, salute to 1992 Winter Olympics
Performers: Gloria Estefan, Olympic Figure skaters Brian Boitano and Dorothy Hamill, members of the 1980 US Olympic Hockey Team, and the University of Minnesota Marching Band
Producer: Timberline Productions
References:[16]
Setlist:

"Winter Magic"
"Walking in a Winter Wonderland"
"Dance of the Sugar Plum Fairy"
"Frosty" (University of Michigan Marching Band)
"One Moment in Time" (featuring Brian Boitano and Dorthy Hamill)
"Don't Stop Me Now" (featuring members of the 1980 US Olympic Hockey Team)
"Live for Loving You" (Gloria Estefan)
"Get on Your Feet" (Gloria Estefan)

Notes: During the halftime, rival network Fox aired a special live episode of In Living Color, one of the first deliberate attempts at counter-programming. The show drew over 22 million viewers away from the Super Bowl telecast.[citation needed] In mid-1992, citing this, Select Productions pitched the concept of exclusively featuring live concert-type performances from top contemporary musical artists. The concept and pitch is attributed to Select Productions' employee Rick Lewis and prompted the change of the 1993 halftime show to showcase Michael Jackson.

XXVII

Date: Jan 31, 1993
Location: Rose Bowl (Pasadena, California)
Performer: Michael Jackson
Producer: Radio City, Scott Sanders and Don Mischer Productions
References:[16][17]
Setlist:

"Jam" (M. Jackson)
"Billie Jean" (M. Jackson)
"Black or White" (M. Jackson)
"We Are the World" (children's choir)
"Heal the World" (M. Jackson)

Notes: This halftime performance increased the TV ratings by a significant amount. It has been claimed to be one of the most watched events in American television history. After 1993, the NFL made a deliberate effort to attract top performers for the halftime shows.[citation needed]

XXVIII

Date: Jan 30, 1994
Location: Georgia Dome (Atlanta, Georgia)
Theme: Rockin' Country Sunday
Performers: Clint Black, Tanya Tucker, Travis Tritt, The Judds
Producer: Select Productions
References:[16]
Setlist:

"Tuckered Out" (Clint Black)
"It's a Little Too Late" (Tanya Tucker)
"T-R-O-U-B-L-E" (Travis Tritt)
"No One Else on Earth" (Wynonna Judd)
"Love Can Build a Bridge" (The Judds, joined by the other artists and special guests for the final verse)

Notes: Travis Tritt of Atlanta, joined several other artists in history to perform in the halftime show in his own hometown. The special guests for the finale included: Stevie Wonder, Ashley Judd, Lisa Hartman Black, The Georgia Satellites, Joe Namath, Elijah Wood, and Charlie Daniels.

XXIX

Date: Jan 29, 1995
Location: Joe Robbie Stadium (Miami Gardens, Florida)
Theme: Indiana Jones and the Temple of the Forbidden Eye
Performers: Patti Labelle, Indiana Jones & Marion Ravenwood, Teddy Pendergrass, Tony Bennett, Arturo Sandoval, Miami Sound Machine
Producer: The Walt Disney Company
References:[16]
Setlist:

"Release Yourself" (Patti Labelle)
"Caravan" (Tony Bennett, Arturo Sandoval and Miami Sound Machine)
"New Attitude" (Patti Labelle)
"Can You Feel The Love Tonight" (Patti Labelle and Tony Bennett)

XXX

Date: Jan 28, 1996
Location: Sun Devil Stadium (Tempe, Arizona)
Theme: Take Me Higher: A Celebration of 30 Years of the Super Bowl
Performer: Diana Ross
Producer: Radio City Music Hall
Sponsor: Oscar Mayer
References:[16][17]
Setlist: A medley of the following songs:

"Stop In The Name Of Love"
"You Keep Me Hangin' On"
"Baby Love"
"You Can't Hurry Love"
"Why Do Fools Fall in Love"
"Chain Reaction"
"Reach Out and Touch (Somebody's Hand)"
"Ain't No Mountain High Enough"
"I Will Survive"
"Take Me Higher"

XXXI

Date: Jan 26, 1997
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Blues Brothers Bash
Performers: The Blues Brothers (Dan Aykroyd, John Goodman and James Belushi), ZZ Top, James Brown, Catherine Crier ("news" intro)
Producer: Select Productions, Radio City, House of Blues
Sponsor: Oscar Mayer
References:[16]
Setlist:

"Everybody Needs Somebody to Love" (The Blues Brothers)
"Soul Man" (The Blues Brothers)
"I Got You (I Feel Good)" (James Brown)
"Get Up (I Feel Like Being a) Sex Machine" (James Brown)
"Tush" (ZZ Top)
"Legs" (ZZ Top)
"Gimme Some Lovin'" (all performers joined together)

XXXII

Date: Jan 25, 1998
Location: Qualcomm Stadium (San Diego, California)
Theme: Salute to Motown's 40th Anniversary
Performers: Boyz II Men, Smokey Robinson, Martha Reeves, The Temptations, Queen Latifah, Grambling State University Marching Band
Producer: Radio City Music Hall
Sponsor: Royal Caribbean International & Celebrity Cruises
References:[16][17][18][23]
Setlist:

"Get Ready" (The Temptations)
"I Can't Help Myself" (The Temptations)
"The Tracks of My Tears" (Smokey Robinson)
"My Girl" (The Temptations with Smokey Robinson)
"Heat Wave" (Martha and the Vandellas)
"Paper" (Queen Latifah)
"Motownphilly" (Boyz II Men)
"A Song for Mama" (Boyz II Men)
"Dancing in the Street" (all artists joined by GSU Marching Band)

XXXIII

Date: Jan 31, 1999
Location: Pro Player Stadium (Miami Gardens, Florida)
Theme: Celebration of Soul, Salsa and Swing
Performers: Gloria Estefan, Stevie Wonder, Big Bad Voodoo Daddy, Savion Glover
Producer: Radio City Music Hall
Sponsor: Progressive Auto Insurance
References:[16]
Setlist:

"Go Daddy O" (Big Bad Voodoo Daddy)
"Sir Duke" (Stevie Wonder)
"You Are The Sunshine Of My Life" (Stevie Wonder)
"I Wish" (Stevie Wonder)
"Oye!" (Gloria Estefan)
"Turn The Beat Around" (Gloria Estefan)
"You'll Be Mine (Party Time)/Another Star/My Cherie Amour" (Gloria Estefan and Stevie Wonder)

text:
Super Bowl
Show details

XXXIV

Date: Jan 30, 2000
Location: Georgia Dome (Atlanta, Georgia)
Theme: Tapestry of Nations
Performers: Phil Collins, Christina Aguilera, Enrique Iglesias, Toni Braxton, 80-person choir, Edward James Olmos (narrator)
Producer: Disney
Sponsor: E-Trade
References:[16][24]
Setlist:

"When the Heartache Is Over"/"Proud Mary" (Tina Turner) (Pregame show)
"Reflections of Earth" Instrumental (Walt Disney World Millennium Celebration soundtrack)
"Celebrate the Future Hand in Hand" (Christina Aguilera & Enrique Iglesias)
"Tapestry of Nations" Instrumental (Walt Disney World Millennium Celebration soundtrack)
"Two Worlds" (Phil Collins)
"We Go On" (Toni Braxton)

XXXV

Date: Jan 28, 2001
Location: Raymond James Stadium (Tampa, Florida)
Theme: The Kings of Rock and Pop
Performers: Aerosmith, 'N Sync, Britney Spears, Mary J. Blige, Nelly
Producer: MTV
Sponsor: E-Trade
References:[16][17]
Setlist:

Pre-recorded intro sketch with Ben Stiller, Adam Sandler, Chris Rock, Aerosmith, and 'N Sync
"Bye Bye Bye" ('N Sync)
"I Don't Want to Miss a Thing" (Aerosmith)
"It's Gonna Be Me ('N Sync)
"Jaded" (Aerosmith)
"Walk This Way" (Aerosmith, 'N Sync, Britney Spears, Mary J. Blige, Nelly)

XXXVI

Date: Feb 3, 2002
Location: Louisiana Superdome (New Orleans, Louisiana)
Theme: Tribute to those killed in the September 11 attacks
Performer: U2
Producer: Clear Channel Entertainment
Sponsor: E-Trade
References:[16][17]
Setlist:

"Beautiful Day"
"MLK"
"Where the Streets Have No Name"

XXXVII

Date: Jan 26, 2003
Location: Qualcomm Stadium (San Diego, California)
Performers: Shania Twain, No Doubt, Sting
Producer: Jimmy Iovine and Joel Gallen
Sponsor: AT&T Wireless
References:[16]
Setlist:

"Man! I Feel like a Woman!" (Shania Twain)
"Up!" (Shania Twain)
"Just a Girl" (No Doubt)
"Message in a Bottle" (Sting with No Doubt)

XXXVIII

Date: Feb 1, 2004
Location: Reliant Stadium (Houston, Texas)
Theme: Choose or Lose
Performers: Jessica Simpson, the Spirit of Houston from the University of Houston, and the Ocean of Soul of Texas Southern University marching bands, Janet Jackson, P. Diddy, Nelly, Kid Rock and Justin Timberlake
Producer: MTV
Sponsor: AOL TopSpeed
References:[16][17]
Setlist:[25]

'Choose to Party!' Intro (Jessica Simpson)
Marching bands
"All for You" (Janet Jackson)
"Bad Boy for Life" (P. Diddy)
"Diddy" to the tune of "Mickey" (P. Diddy)
"Hot in Herre" (Nelly),
"Mo Money Mo Problems" (P. Diddy)
"Bawitdaba" (Kid Rock),
"Cowboy" (Kid Rock)
"Rhythm Nation" (Janet Jackson)
"Rock Your Body" (Justin Timberlake with Janet Jackson)

Further information: Super Bowl XXXVIII halftime show controversy

XXXIX

Date: Feb 6, 2005
Location: Alltel Stadium (Jacksonville, Florida)
Performer: Paul McCartney
Producer: Don Mischer Productions
Sponsor: Ameriquest Mortgage
References:[16]
Setlist:

"Drive My Car"
"Get Back"
"Live and Let Die"
"Hey Jude"

XL

Date: Feb 5, 2006
Location: Ford Field (Detroit, Michigan)
Performer: The Rolling Stones
Producer: Don Mischer Production
Sponsor: Sprint Nextel
References:[16][17]
Setlist:

"Start Me Up"
"Rough Justice"
"(I Can't Get No) Satisfaction"

XLI

Date: Feb 4, 2007
Location: Dolphin Stadium (Miami Gardens, Florida)
Performers: Prince, Florida A&M University Marching 100 Band
Producer: Don Mischer Productions and White Cherry Entertainment
Sponsor: Pepsi
References:[16][17]
Setlist:

"We Will Rock You"
"Let's Go Crazy"
"Baby I'm a Star"
"Proud Mary"
"All Along the Watchtower"
"Best of You"
"Purple Rain"

XLII

Date: Feb 3, 2008
Location: University of Phoenix Stadium (Glendale, Arizona)
Performer: Tom Petty & the Heartbreakers
Producer: Don Mischer Productions and White Cherry Entertainment
Sponsor: Bridgestone
References:[16]
Setlist:

"American Girl"
"I Won't Back Down"
"Free Fallin'"
"Runnin' Down a Dream"

XLIII

Date: Feb 1, 2009
Location: Raymond James Stadium (Tampa, Florida)
Performers: Bruce Springsteen and the E Street Band
Producer: Don Mischer Productions and White Cherry Entertainment
Sponsor: Bridgestone
References:[16]
Setlist:

"Tenth Avenue Freeze-Out"
"Born to Run"
"Working on a Dream"
"Glory Days"

text:
Super Bowl
Show details

XLIV

Date: Feb 7, 2010
Location: Sun Life Stadium (Miami Gardens, Florida)
Performer: The Who
Producer: White Cherry Entertainment
Sponsor: Bridgestone
References:[16]
Setlist:

"Pinball Wizard"
"Baba O'Riley"
"Who Are You"
"See Me, Feel Me"
"Won't Get Fooled Again"

XLV

Date: Feb 6, 2011
Location: Cowboys Stadium (Arlington, Texas)
Performers: The Black Eyed Peas, Usher, Slash, Dallas/Ft. Worth-area area high school drill teams and dancers
Producer: Ricky Kirshner
Sponsor: Bridgestone
References:[16]
Setlist:[26]

"I Gotta Feeling" (The Black Eyed Peas)
"Boom Boom Pow" (The Black Eyed Peas)
"Sweet Child O' Mine" (Slash & Fergie)
"Pump It" (The Black Eyed Peas)
"Let's Get It Started" (The Black Eyed Peas)
"OMG" (Usher & will.i.am)
"Where Is The Love?" (The Black Eyed Peas)
"The Time (Dirty Bit)" with "I Gotta Feeling" reprise (The Black Eyed Peas)

XLVI

Main article: Super Bowl XLVI halftime show

Date: Feb 5, 2012
Location: Lucas Oil Stadium (Indianapolis, Indiana)
Performers: Madonna, LMFAO,[27] Cirque du Soleil,[28] Nicki Minaj,[29] M.I.A.,[30] Cee Lo Green,[27] Andy Lewis,[31] Avon High School Drumline, Center Grove High School Drumline, Fishers High School Drumline, Franklin Central High School Drumline, Southern University Dancing Dolls, 200 Person Choir consisting of Indianapolis locals
Producer: Ricky Kirshner
Sponsor: Bridgestone
Setlist:[27]

"Vogue" (Madonna)
"Music" / "Party Rock Anthem" / "Sexy and I Know It" (Madonna with LMFAO)
"Give Me All Your Luvin'" (Madonna with Nicki Minaj and M.I.A.)
"Open Your Heart" / "Express Yourself" (Madonna with Cee Lo Green)
"Like a Prayer" (Madonna with Cee Lo Green)

XLVII

Main article: Super Bowl XLVII halftime show

Date: Feb 3, 2013
Location: Mercedes-Benz Superdome (New Orleans, Louisiana)
Performers: Beyoncé, Destiny's Child
Producer: Ricky Kirshner[32]
Director: Hamish Hamilton[32]
Sponsor: Pepsi
References:[33]
Setlist:

"Run The World (Girls)" (Intro) / Vince Lombardi "Excellence" speech voiceover
"Love on Top" (chorus a cappella) (Beyoncé)
"Crazy in Love" (Beyoncé)
"End of Time" (Beyoncé)
"Baby Boy" (Beyoncé)
"Bootylicious" (Destiny's Child)
"Independent Women Part I" (Destiny's Child)
"Single Ladies (Put a Ring on It)" (Beyoncé featuring Kelly Rowland and Michelle Williams)
"Halo" (Beyoncé)

XLVIII

Main article: Super Bowl XLVIII halftime show

Date: Feb 2, 2014
Location: MetLife Stadium (East Rutherford, New Jersey)
Performers: Bruno Mars, Red Hot Chili Peppers
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi
References:[34]
Setlist:

"Billionaire" (Intro) (children's choir)
"Locked Out of Heaven" (Bruno Mars)
"Treasure" (Bruno Mars)
"Runaway Baby" (Bruno Mars)
"Give It Away" (Red Hot Chili Peppers with Bruno Mars)
"Just the Way You Are" (Bruno Mars)

XLIX

Main article: Super Bowl XLIX halftime show

Date: Feb 1, 2015
Location: University of Phoenix Stadium (Glendale, Arizona)
Performers: Katy Perry, Lenny Kravitz, Missy Elliott, and Arizona State University Sun Devil Marching Band
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi
References:[35][36][37]
Setlist:

"Roar" (Katy Perry)
"Dark Horse" (Katy Perry)
"I Kissed a Girl" (Lenny Kravitz and Katy Perry)
"Teenage Dream" (Katy Perry)
"California Gurls" (Katy Perry)
"Get Ur Freak On" (Missy Elliott and Katy Perry)
"Work It" (Missy Elliott and Katy Perry)
"Lose Control" (Missy Elliott)
"Firework" (Katy Perry)

50

Main article: Super Bowl 50 halftime show

Date: Feb 7, 2016
Location: Levi's Stadium (Santa Clara, California)
Performers: Coldplay, Beyoncé, Bruno Mars, Mark Ronson, Gustavo Dudamel, University of California Marching Band and Youth Orchestra L.A.
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi
References:[38][39][40][41][42]
Setlist:[43]

"Yellow" (intro a cappella) (Coldplay)
"Viva la Vida" (Coldplay)
"Paradise" (Coldplay)
"Adventure of a Lifetime" (Coldplay)
"Uptown Funk" (Mark Ronson & Bruno Mars)
"Formation" (Beyoncé)
"Clocks" (instrumental) (Coldplay)
"Fix You"/"Up & Up" (Coldplay, Beyoncé and Bruno Mars)

LI

Main article: Super Bowl LI halftime show

Date: Feb 5, 2017
Location: NRG Stadium (Houston, Texas)
Performer: Lady Gaga
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi Zero Sugar
References:[44][45]
Setlist:

"God Bless America"/"This Land Is Your Land"
"Poker Face"
"Born This Way"
"Telephone"
"Just Dance"
"Million Reasons"
"Bad Romance"

LII

Main article: Super Bowl LII halftime show

Date: Feb 4, 2018
Location: U.S. Bank Stadium (Minneapolis, Minnesota)
Performer: Justin Timberlake[46][47][48]
Producer: Ricky Kirshner
Director: Hamish Hamilton
Sponsor: Pepsi

text: Details on specific shows[edit]

text: Super Bowl XXXVI[edit]

text: U2 performed 3 songs: "Beautiful Day," "MLK," and "Where the Streets Have No Name." During the beginning of "MLK" and continuing until the end of "Where The Streets Have No Name," a large banner behind the band displayed the names of all the people who lost their lives on the September 11 attacks. Bono ended the song by opening up his jacket, the inside of which displayed the American flag.

text: Super Bowl XL[edit]

text: For The Rolling Stones, the stage was in the form of the group's iconic tongue logo (John Pasche's "Cunning Linguist" first used in 1971 on their Sticky Fingers album). It was the largest stage ever assembled for a Super Bowl halftime show, with 28 separate pieces assembled in five minutes by a 600-member volunteer stage crew. The group performed three songs: "Start Me Up," "Rough Justice," and "(I Can't Get No) Satisfaction." The show was viewed by 89.9 million people, more than the audiences for the Oscars, Grammys and Emmy Awards combined.[49] In the wake of the Super Bowl XXXVIII halftime show controversy with Janet Jackson and Justin Timberlake, ABC and the NFL imposed a five-second delay and censored lyrics considered too sexually explicit in the first two songs by briefly turning off Mick Jagger's microphone—censoring to which the group had previously agreed.[50] However, the choice of The Rolling Stones sparked controversy in the Detroit community because the band did not represent the traditional Detroit "Motown Sound," and no artists from the area were included.[51]


document_title: Signing of the United States Declaration of Independence

question_text: who didn't sign the original declaration of independence

question_tokens: who did n 't sign the original declaration of independence

text: Date of signing[edit]

text: The Second Continental Congress adopted the Declaration of Independence on July 4, 1776, with 12 of the 13 colonies voting in favor and New York abstaining. The date that the Declaration was signed has long been the subject of debate. Thomas Jefferson, Benjamin Franklin, and John Adams all wrote that it was signed by Congress on the day when it was adopted on July 4, 1776.[1] That assertion is seemingly confirmed by the signed copy of the Declaration, which is dated July 4. Additional support for the July 4 date is provided by the Journals of Congress, the official public record of the Continental Congress. The proceedings for 1776 were first published in 1777, and the entry for July 4 states that the Declaration was engrossed and signed on that date (the official copy was handwritten).[2]

text: In 1796, signer Thomas McKean disputed that the Declaration had been signed on July 4, pointing out that some signers were not present, including several who were not even elected to Congress until after that date.[3] "No person signed it on that day nor for many days after", he wrote.[4] His claim gained support when the Secret Journals of Congress were published in 1821.[5] The Secret Journals contained two previously unpublished entries about the Declaration.

text: On July 15, New York's delegates got permission from their convention to agree to the Declaration.[6] The Secret Journals entry for July 19 reads:

text: Resolved That the Declaration passed on the 4th be fairly engrossed on parchment with the title and stile of "The unanimous declaration of the thirteen united states of America" & that the same when engrossed be signed by every member of Congress.[7]

text: The entry for August 2 states:

text: The declaration of Independence being engrossed & compared at the table was signed by the Members.[8]

text: In 1884, historian Mellen Chamberlain argued that these entries indicated that the famous signed version of the Declaration had been created following the July 19 resolution, and had not been signed by Congress until August 2.[9] Subsequent research has confirmed that many of the signers had not been present in Congress on July 4, and that some delegates may have added their signatures even after August 2.[10] Neither Jefferson nor Adams ever wavered from their belief that the signing ceremony took place on July 4, yet most historians have accepted the argument which David McCullough articulates in his biography of John Adams: "No such scene, with all the delegates present, ever occurred at Philadelphia."[11]

text: Legal historian Wilfred Ritz concluded in 1986 that about 34 delegates signed the Declaration on July 4, and that the others signed on or after August 2.[12] Ritz argues that the engrossed copy of the Declaration was signed by Congress on July 4, as Jefferson, Adams, and Franklin had stated, and that it was implausible that all three men had been mistaken.[13] He believes that McKean's testimony was questionable,[14] and that historians had misinterpreted the July 19 resolution. According to Ritz, this resolution did not call for a new document to be created, but rather for the existing one to be given a new title, which was necessary after New York had joined the other 12 states in declaring independence. He reasons that the phrase "signed by every member of Congress" in the July 19 resolution meant that delegates who had not signed the Declaration on the 4th were now required to do so.[15]

text: List of signers[edit]

text: Fifty-six delegates eventually signed the Declaration of Independence:

text:
President of Congress

1.  John Hancock (Massachusetts Bay)
New Hampshire

2.  Josiah Bartlett
3.  William Whipple
4.  Matthew Thornton
Massachusetts Bay

5.  Samuel Adams
6.  John Adams
7.  Robert Treat Paine
8.  Elbridge Gerry
Rhode Island and Providence Plantations

9.  Stephen Hopkins
10.  William Ellery
Connecticut

11.  Roger Sherman
12.  Samuel Huntington
13.  William Williams
14.  Oliver Wolcott
New York

15.  William Floyd
16.  Philip Livingston
17.  Francis Lewis
18.  Lewis Morris

New Jersey

19.  Richard Stockton
20.  John Witherspoon
21.  Francis Hopkinson
22.  John Hart
23.  Abraham Clark
Pennsylvania

24.  Robert Morris
25.  Benjamin Rush
26.  Benjamin Franklin
27.  John Morton
28.  George Clymer
29.  James Smith
30.  George Taylor
31.  James Wilson
32.  George Ross
Delaware

33.  Caesar Rodney
34.  George Read
35.  Thomas McKean
Maryland

36.  Samuel Chase
37.  William Paca
38.  Thomas Stone
39.  Charles Carroll of Carrollton

Virginia

40.  George Wythe
41.  Richard Henry Lee
42.  Thomas Jefferson
43.  Benjamin Harrison
44.  Thomas Nelson, Jr.
45.  Francis Lightfoot Lee
46.  Carter Braxton
North Carolina

47.  William Hooper
48.  Joseph Hewes
49.  John Penn
South Carolina

50.  Edward Rutledge
51.  Thomas Heyward, Jr.
52.  Thomas Lynch, Jr.
53.  Arthur Middleton
Georgia

54.  Button Gwinnett
55.  Lyman Hall
56.  George Walton

text: Signer details[edit]

text: Eight delegates never signed the Declaration, out of about 50 who are thought to have been present in Congress during the voting on independence in early July 1776:[16] John Alsop, George Clinton, John Dickinson, Charles Humphreys, Robert R. Livingston, John Rogers, Thomas Willing, and Henry Wisner.[17] Clinton, Livingston, and Wisner were attending to duties away from Congress when the signing took place. Willing and Humphreys voted against the resolution of independence and were replaced in the Pennsylvania delegation before the August 2 signing. Rogers had voted for the resolution of independence but was no longer a delegate on August 2. Alsop favored reconciliation with Great Britain and so resigned rather than add his name to the document.[18] Dickinson refused to sign, believing the Declaration premature, but he remained in Congress. George Read had voted against the resolution of independence, and Robert Morris had abstained—yet they both signed the Declaration.

text: The most famous signature on the engrossed copy is that of John Hancock, who presumably signed first as President of Congress.[19] Hancock's large, flamboyant signature became iconic, and John Hancock emerged in the United States as an informal synonym for "signature".[20] Future presidents Thomas Jefferson and John Adams were among the signatories. Edward Rutledge (age 26) was the youngest signer and Benjamin Franklin (age 70) the oldest.

text: Some delegates were away on business when the Declaration was debated, including William Hooper[22] and Samuel Chase, but they were back in Congress to sign on August 2. Other delegates were present when the Declaration was debated but added their names after August 2, including Lewis Morris, Oliver Wolcott, Thomas McKean, and possibly Elbridge Gerry. Richard Henry Lee and George Wythe were in Virginia during July and August, but returned to Congress and signed the Declaration probably in September and October, respectively.[23]

text: New delegates joining the Congress were also allowed to sign. Eight men signed the Declaration who did not take seats in Congress until after July 4: Matthew Thornton, William Williams, Benjamin Rush, George Clymer, James Smith, George Taylor, George Ross, and Charles Carroll of Carrollton.[24] Matthew Thornton did not take a seat in Congress until November.[25]  By the time that he signed it, there wasn't any space for his name next to the other New Hampshire delegates, so he placed his signature at the end of the document.[26]

text: The first published version of the Declaration was the Dunlap broadside. The only names on that version were Congress President John Hancock and Secretary Charles Thomson, and those names were printed rather than signatures. The public did not learn who had signed the engrossed copy until January 18, 1777, when the Congress ordered that an "authenticated copy" be sent to each of the 13 states, including the names of the signers.[27] This copy is called the Goddard Broadside; it was the first to list all the signers[28] except for Thomas McKean, who may not have signed the Declaration until after the Goddard Broadside was published.  Congress Secretary Charles Thomson did not sign the engrossed copy of the Declaration, and his name doesn't appear on the Goddard Broadside, even though it does appear on the Dunlap broadside.

text: Stories and legends[edit]

text: Various legends emerged years later concerning the signing of the Declaration, when the document had become an important national symbol. In one famous story, John Hancock supposedly said that Congress, having signed the Declaration, must now "all hang together", and Benjamin Franklin replied: "Yes, we must indeed all hang together, or most assuredly we shall all hang separately." The quotation did not appear in print until more than 50 years after Franklin's death.[29]


document_title: List of fire gods

question_text: who is the god of fire in norse mythology

text: List of fire gods

text: African mythology[edit]

text: Egyptian mythology[edit]

text:
Ra, fire god of the sun, light, warmth, and growth
Sekhmet, protective lioness goddess of the sun and fire
Wadjet, the protective serpent goddess who sends fire to burn her enemies

text: Yoruba mythology[edit]

text:
Ogun, fire god and patron of blacksmiths, iron, warfare, metal tools
Oya, goddess of fire, wind, transforms into buffalo, fertility
Shango, fire god of thunder and fire, considered the storm-god

text: Asian mythology[edit]

text: Chinese mythology[edit]

text:
Kitchen God, goddess and god of fire who reports any household's actions to heaven
Zhurong, god of fire and the south

text: Hindu mythology[edit]

text:
Agneya, daughter of Agni and guardian of the south-east
Agni, god of fire, messengers, and purification
Ilā, goddess of speech and nourishment invoked during the agni-hotra ceremony[1][2][3]
Makara Jyothi, a star revered on a festival
Mātariśvan, god of fire associated with Agni

text: Khanty mythology[edit]

text: Ney-Anki - goddess of fire.

text: Korean mythology[edit]

text: Jowangsin, goddess of the hearth fires

text: Japanese mythology[edit]

text:
Amaterasu, goddess of the sun
Kagu-tsuchi, blacksmith god of fire whose birth burned his mother Izanami to death
Kōjin, god of fire, hearth, and the kitchen
Fuji, ancient god of fire

text: Mongolian mythology[edit]

text:
Arshi Tengri, god of fire associated with shamanic rituals
Odqan, red god of fire who rides on a brown goat
Yal-un Eke, mother goddess of fire who is Odqan's counterpart

text: Nivkhi mythology[edit]

text: Turgmam, goddess of fire

text: Philippine mythology[edit]

text:
Gugurang, Bicolano god of fire and volcanoes who lives inside Mayon Volcano which erupts whenever he's enraged
Lalahon, Visayan goddess/diwata of fire, volcanoes and harvest

text: Turkic mythology[edit]

text:
Alaz, god of fire
Od Iyesi, familiar spirits who protect fires
Ut, Siberian goddess of the hearth
Vut-Ami, Chuvash goddess of fires.

text: European mythology[edit]

text: Basque mythology[edit]

text: Eate, god of fire and storms

text: Caucasian mythology[edit]

text:
Alpan, Lezghin (Dagestanian) goddess of fire
Uorsar, Adyghe goddess of the hearth
Wine Gwasche, Circassian goddess who protects the hearth

text: Celtic mythology[edit]

text:
Belenus, bright god of the sun and health who rides his chariot in the sky
Brigit, Irish goddess of fire, poetry, arts, and crafts
Grannus, god of fire, health, water springs, and the sun
Nantosuelta, goddess of fire, nature, fertility, rivers and the earth

text: Etruscan mythology[edit]

text: Sethlans, fire god of smithing and crafts

text: Georgian mythology[edit]

text: Kamar, fire goddess who was killed by Amirani

text: Greek mythology[edit]

text:
Hephaestus, god of blacksmiths, crafting, fire, and volcanoes.
Hestia, goddess of the hearth and its fires.

text: Illyrian mythology[edit]

text: En, god of fire

text: Lithuanian mythology[edit]

text:
Dimstipatis, protector of the house, housewives, and the hearth against fire outbreaks
Gabija, protective goddess of the hearth and the household
Jagaubis, household spirit of fire and the furnace
Moterų Gabija, goddess of bakeries and bread
Pelenų Gabija, goddess of fireplaces
Praurimė, goddess of the sacred fire served by her priestesses, the vaidilutės
Trotytojas Kibirkščių, deity of sparks and fires

text: Norse mythology[edit]

text:
Glöð, fire jotunn goddess who is the wife of Logi and who rules with him
Logi, fire jotunn god who personifies fire

text: Roman mythology[edit]

text:
Caca, goddess who was Vulcan's daughter and who might have been worshipped before Vesta
Cacus, god who was the fire-breathing giant son of Vulcan, and who might have been worshipped in ancient times
Fornax, goddess of the furnace
Stata Mater, goddess who stops fires
Vesta, goddess of the hearth and its fire
Vulcan, god of crafting and fire

text: Sicilian mythology[edit]

text: Adranus, god formerly worshipped in Adranus, near Mount Etna

text: Slavic mythology[edit]

text:
Dazhbog, the regenerating god of the solar fire who rides in the sky
Kresnik, golden fire god who became a hero of Slovenia
Ognyena Maria, fire goddess who assists Perun
Peklenc, god of fire who rules the underworld and its wealth and who judges and punishes the wicked through earthquakes
Svarog, the bright god of fire, smithing, and the sun, and is sometimes considered as the creator
Svarožič, the god of the earthly fire

text: Middle Eastern mythology[edit]

text: Canaanite mythology[edit]

text:
Ishat, Phoenician fire and drought goddess slain by Anat[4]
Moloch, Ammonite god who is worshipped with sacrifices of human children
Shapash, goddess of the sun

text: Hittite mythology[edit]

text: Arinitti, sun goddess of the city of Arinna, and the goddess of hearth fires, temple flames, and chthonic fires in later times.[5]

text: Mesopotamian mythology[edit]

text:
Gerra, god of fire in Akkadian and Babylonian records
Gibil, skilled god of fire and smithing in Sumerian records
Ishum, god of fire who was the brother of the sun god Shamash, and an attendant of Erra
Nusku, god of heavenly and earthly fire and light, and patron of the arts

text: Native American mythology[edit]

text: Aztec mythology[edit]

text:
Chantico, goddess of the hearth fires and volcanoes
Coatlicue, mother serpent goddess of snakes and childbirth
Mixcoatl, hunting god who introduced fire to humanity
Tonatiuh, god of the sun and ruler of heaven
Xiuhtecuhtli, god of fire, day, heat, volcanoes, food in famine, the year, turquoise, the Aztec emperors, and the afterlife

text: Brazilian mythology[edit]

text: Iansã, goddess of fire and wind

text: Huichol mythology[edit]

text: Tatewari, fire god of shamans

text: Mayan mythology[edit]

text:
Huracán, fire god of storms and wind who created and destroyed humanity
Jacawitz, fire god who was a companion of the sun god Tohil

text: Navajo mythology[edit]

text: Black God, frail stellar fire god who introduced the fire drill to humanity

text: Quechua mythology[edit]

text: Manqu Qhapaq, fire and sun god who founded the Inca civilization and introduced technology to humanity

text: Oceanian mythology[edit]

text: Fijian mythology[edit]

text: Gedi, fire and fertility god who taught humanity to use fire

text: Hawaiian mythology[edit]

text: Pele, goddess of fire, wind, and volcanoes

text: Māori mythology[edit]

text:
Auahitūroa, god of fire and comets and husband of Mahuika
Mahuea, goddess of fire
Mahuika, goddess of fire who was tricked into revealing to her grandson Maui the knowledge of fire
Ngā Mānawa, five fire gods who are sons of Auahitūroa and Mahuika

text: Samoan mythology[edit]

text: Ti'iti'i, god of fire that brought fire to people of Samoa after a battle with the earthquake god, Mafui'e.