document_title: History of Wrigley Field

question_text: when did they add lights to wrigley field

question_tokens: when did they add lights to wrigley field

text: History of Wrigley Field

text: Before the Federal League[edit]

text: At the turn of the 20th century, the block bounded by Clark, Addison, Waveland, and Sheffield streets was home to the Chicago Lutheran Theological Seminary, with the Hildebrandt Coal Factory across the street to the west. William Passavant, a prominent Lutheran missionary, had inherited the land decades before. Passavant began to develop the land as early as 1868, including the construction of St. Mark's Church by 1874. In 1891, Passavant helped establish the Chicago Lutheran Seminary on the site.[1][2]

text: At the time the Seminary was established, the area was located in a quiet, relatively undeveloped section of the Lake View District of Chicago's North Side.[1] The seminary started small, holding classes in a small chapel facing Addison Street. The following year, the president's house was constructed at the corner of Sheffield and Waveland. In 1893, the seminary spent $25,000 to construct the four-story Eliza Hall housing the library, chapel, lecture and student rooms further to the west along Waveland. By 1899, four homes were built for professors from the northwest corner of the block (at Waveland and Stella) stretching south along Stella. The seminary had ambitious plans for expansion. In 1905, it announced plans to build additional buildings on the southwest corner of the block housing dining halls, a gymnasium, and more lecture and student rooms, along with additional professors' homes on either side of Eliza Hall. The buildings were to be arranged around a central quadrangle.[3]

text: The seminary, however, was attempting to flourish in the context of a changing community. The extension of the elevated system into the area in 1900 led to rapid development of the surrounding neighborhood.[4] As the area started taking on an increasingly urban character, the seminary abandoned its plans to develop the site and instead sought to sell its land and find a quieter location.[1]

text: Meanwhile, other developments were coming together to chart a very different future for this plot of land. As early as 1905, rumors had been swirling that minor-league American Association was seeking to locate a franchise in Chicago as part of a strategy to achieve major league status on par with the National League and the recently established American League. The Chicago market was one of the most lucrative in the country, and was already occupied by the NL's Cubs and the AL's White Sox. Charles Havenor (owner of the AA Milwaukee Brewers), and brothers Joe Cantillon (manager of the Washington Senators) and Mike Cantillon (owner of the AA Minneapolis Millers), saw an opportunity to make profit by snapping up choice property in the event that the AA decided to move into the Chicago market. Since the White Sox played on the South Side at South Side Park, and the Cubs were firmly ensconced on the West Side at West Side Park, Havenor and the Cantillons looked to the rapidly developing North Side as the best place to situate a team. The Seminary's location represented the best open land on the North Side. In 1909, the Seminary, eager to move, sold the property to Havenor and the Cantillons for $175,000 and relocated to the suburb of Maywood, Illinois, where it remained until 1967. Havenor and the Cantillons brought in additional investors in 1910, including E.T. Harmon and Edmund Archambault, wealthy Milwaukee businessmen.[5]

text: The new owners had intended to keep the sale out of the news, but those plans were foiled when members of the Seminary Board complained that the Seminary could have obtained $200,000 in the sale. Havenor was forced to publicly deny any intention on invading the Chicago market. Other AA team owners got cold feet at the prospect of a war with the major leagues, and elected a president that was unwilling to countenance such a scheme. Over the next couple years, Havenor gradually gave up hope of developing the property, selling out his interest to the remaining investors shortly before his death in April 1912. The former Seminary site was not developed any further, and the former Seminary buildings were converted into residential units.[6]

text: Weeghman Park and the Federal League (1913–1915)[edit]

text: The Federal League began its existence as a minor league in 1913, locating franchises in six cities, including Chicago. The Chicago franchise, known as the Chi-Feds, played its home games at the baseball grounds at DePaul University.

text: John T. Powers, founder and president of the new Federal League, had ambitions of building the new organization into a premier minor league, on par with the American Association. By the middle of the 1913 season, however, the owners had forced Powers out of his job, sensing that the Federal League had the potential to become a viable major league. Replacing him as president was James A. Gilmore, a wealthy Chicago businessman who had made his fortune in coal. Gilmore had the organizational and political skills necessary to mount a serious challenge to the established major leagues.

text: Gilmore brought on board two partners to control the key Chicago franchise. One was William Walker, a fish wholesaler. The other was the flamboyant Charles A. Weeghman, known as "Lucky Charlie", who had made a quick fortune in local lunch counters (a predecessor to fast food). Weeghman became the club president and the main force behind the team from that point onward, with Walker willing to remain in the background, and Gilmore tending to League issues. Weeghman made headlines by landing star shortstop Joe Tinker from the Cincinnati Reds in December 1913. The Tinker acquisition was the shot in the arm that gave the franchise the momentum to think big for the upcoming 1914 season.

text: Weeghman chose to relocate the franchise from DePaul to the former Seminary grounds at Clark and Addison owned by Archambault and the Cantillions. Although the major leagues threw up a number of roadblocks, including an attempt to secure rights to part of the land on the block, in late December 1913 Weeghman secured a ninety-nine year lease on the property. The lease stipulated, among other things, that improvements on the property could not exceed $70,000. Within several months, however, Weeghman would spend several times that amount in erecting his new ballpark.

text: Weeghman hired Zachary Taylor Davis, architect of Comiskey Park (which became the home of the White Sox in June 1910), to design the new ballpark. Weeghman wanted the park to rival the Polo Grounds in New York, but in the end the single-decked grandstand as designed bore little resemblance to it.

text: Work on the property didn't begin until February 23, 1914, exactly two months before the Chi-Feds' scheduled home opener. After the grounds had been cleared, groundbreaking ceremonies took place on March 4. Under the guidance of the Blome-Sinek company, the lead construction contractor, the park came together over the remainder of March and the first half of April. Despite a brief strike by construction workers in early April, the new park was ready for baseball by the date of the home opener on April 23, 1914.[7]

text: The new ballpark, known as Weeghman Park, was a modern steel and concrete baseball plant (in the industrial lexicon of the day). It featured a single-decked grandstand sweeping from right field behind home plate to near the left field corner. Perched on top of the grandstand roof behind home plate was a small area for the press.

text: A modern-day visitor to the original Weeghman Park would have difficulty recognizing the outfield aside from the familiar buildings on the opposite side of Waveland and Sheffield Avenues (which haven't changed much at all). The dimensions of the original playing field along the foul lines were quite short. The distance from home plate to the right field brick fence along Sheffield Avenue was around 300 feet at the foul line. Left field was not much better, partly because several old Seminary buildings stood between the wooden left field fence and Waveland Avenue. The left field fence also featured a large scoreboard. Like most of the parks of the day, the field was essentially angular, as it was shaped by the surrounding grid street pattern. The right and left field walls converged in a corner in deep center field, nearly 450 feet from home plate. Because of the constricted size of much of the outfield near the corners, bleachers were limited to a small jury box in right-center field. All told, Weeghman Park had a seating capacity of 14,000, but this was frequently exceeded by the many standing room only crowds of the day.

text: After an unusual number of home runs were hit during the Chi-Feds' first home series against Kansas City in April, Weeghman decided the left field wall was too cozy a target, and had the entire fence moved back some 25 feet. To do this, the front porch had to be removed from the old Seminary building beyond the wall.

text: Before the start of the 1915 season, Weeghman made additional changes to the outfield. Gone were the jury-box bleachers in right-center field. The old Seminary buildings beyond left field were finally demolished in March. In their place, Weeghman had wooden bleachers erected from the left-field corner to center field, raising the park's capacity to roughly 18,000. The scoreboard was relocated to center field, where it has remained in one form or another since then (with the exception of the latter part of the 1937 season during construction of the current bleachers).

text: On the field, the Chi-Feds were renamed the Chicago Whales for the club's sophomore season. Weeghman Park was fast becoming the best place to watch baseball in Chicago, as the Whales fought their way to the Federal League pennant in one of the closest races in major league history. Additionally, fans enjoyed Weeghman's high standards for cleanliness and promotion. He was an early champion of Ladies' Day (every Friday) and in 1916 would become the first baseball owner to allow fans to keep foul balls. And as a successful restaurateur, his food was top-notch. Long before the Wrigley family entered the scene, the park was already famous for its hospitality.

text: Despite the exciting pennant race and generally high quality of baseball played in the Federal League, the League was hemorrhaging money. In December 1915, the League capitulated to the other major leagues and disbanded. But all was not lost for Weeghman, however. He was allowed to purchase the Cubs franchise for $500,000, and promptly moved his new club out of the dilapidated West Side Park and into his Weeghman Park for the 1916 season. The purchase was in reality a merger between the Whales and the Cubs, as a number of former Whales stars, such as Max Flack and Claude Hendrix, found themselves playing in the same park as Cubs the following season.

text: Weeghman Park to Cubs Park to Wrigley Field (1916–1932)[edit]

text: The Cubs played their first game at Weeghman Park on April 20, 1916, besting the Cincinnati Reds 7–6 in eleven innings. This proved to be the highlight of an otherwise unremarkable season. After another year in the bottom half of the standings, the Cubs won the National League pennant in 1918 under manager Fred Mitchell. The victory was not without a little outside help, as wartime conditions during the height of American involvement in World War I caused major league baseball to end the regular season on September 1. With the Cubs struggling for cash, Weeghman reluctantly rented the larger capacity Comiskey Park for the Cubs' home games in the World Series. For the Cubs, the experience was a bust, as the club lost the series to Babe Ruth and the Boston Red Sox in six games to relatively anemic attendance. Such losses may have provided the final push forcing Charlie Weeghman out of management following the season.

text: Although Weeghman was clearly the most dominant figure in the revamped Cubs organization in 1916, a number of investors had taken up minority shares in the club. One of the new investors was chewing gum magnate William Wrigley. Over the next couple years, as Weeghman's financial fortunes off the field entered a sharp decline, Wrigley acquired an increasing number of shares in the club and took on a growing role in the team's affairs. In November 1918, Weeghman gave up his remaining interest to Wrigley, resigned as president, and left baseball for good. Wrigley would acquire complete control of the Cubs by 1921.

text: With Weeghman out of the picture, starting in 1919 the park was generally referred to as Cubs Park. Although the Cubs featured stars such as pitchers Grover Alexander and Hippo Vaughn, along with a young catcher named Gabby Hartnett, over the next few seasons Cubs Park was the setting for largely also-ran teams.

text: The fans had even more to be frustrated about off the field. Rumors of thrown games plagued the Cubs during the latter part of the 1920 season gave impetus to the criminal investigations which eventually led to uncovering the infamous Black Sox Scandal across town with the White Sox. In addition, 1920 marked the beginning of prohibition, meaning fans would have to find some other way to quench their thirst during the many hot summer afternoons at Cubs Park.

text: Although the Cubs teams of the early 1920s were little more than also-rans, the fans still flocked to Cubs Park. In 1922, 542,283 fans went through the turnstiles—the second-highest attendance in the National League—to watch a fourth-place club.

text: Major renovations (1922–23)[edit]

text: By 1922, William Wrigley had decided that after nine seasons, both the seating and the playing field of cozy Cubs Park were ready for a major expansion. Rather than rebuilding the grandstand from scratch, Wrigley hired original architect Zachary Taylor Davis to make the expansion around the existing structure. The grandstand would be sliced into three pieces, with the home plate section placed on rollers and moved roughly 60 feet west (away from right field), and the left field section about 100 feet northwest. Both gaps were to be filled in with more seating, resulting in a significantly longer grandstand and the noticeable "dog leg" shape of the stands on the first base side visible to this day. Additionally, the foul ground and the height of the fence in front of it would be reduced by additional rows of box seats added in front of the existing grandstand. The diamond and the foul lines would be rotated 3 degrees counterclockwise from their earlier orientation, allowing for those extra box seats. The original location of home plate would now be in front of the Cubs' dugout near the first base coaching box.

text: The relocation of the grandstand, even with the additional box seats, would make right field far more spacious than before, even with the addition of new bleachers in right field from the corner to the center field scoreboard. The old wooden bleachers in left field were to be dismantled and replaced with newer steel-framed wooden seats like those being installed in right field. The renovations would boost the park's capacity from roughly 18,000 to 31,000. Its dimensions would be roughly 320 feet in left field, 318 in right, and 446 feet to straightaway center.

text: Work on the renovations began in December 1922 and were completed in time for the 1923 season opener. The changes were of such magnitude that many publications of the time referred to the "new" Cubs Park. Fans flocked to the park, and attendance shot up to 703,705 for the 1923 season, although this was once again only good for second-best in the National League. On the field, however, the Cubs remained also-rans. The team drifted aimlessly through the middle of the standings in 1923 and '24. By 1925, the Cubs found themselves commemorating their fiftieth season in the National League by finishing last for the first time (which in 1925 meant eighth place).

text: The recently renovated Cubs Park, while a hit with the fans, was not without its critics. Their main objection was that the new left field bleachers were simply too easy a target for right-handed hitters. By late July and early August 1925, reporters were frequently griping about games lost to fly balls which would have been easy outs without the left field bleachers. During the Cubs' first road trip that month, the half of the left field bleachers closest to the foul line was dismantled, leaving a "jury box" of seats running from deep left-center to the center field scoreboard. The change cost the Cubs over a thousand seats, although that left-field area was sometimes filled with standing-room-only spectators behind ropes, as was the custom of the day. With the left field line now at a substantial 364 feet from home plate, home run production dropped.

text: Double decking the grandstand (1927–28)[edit]

text: By 1926, the Cubs were benefiting handily from the peak of the Roaring Twenties. Nearly 900,000 fans went through the turnstiles at a park with a capacity of just over 30,000. After the close of the season, work began on adding a second deck to the grandstand. The original idea was to have the job completed by the opening of the 1927 season, but by April, only the third-base side of the upper deck had been completed, temporarily giving the park a startlingly asymmetrical appearance.

text: Cubs Park was formally renamed Wrigley Field prior to the start of the 1927 season.

text: Despite the half-finished state of the upper deck expansion, the 1927 Cubs drew over 1.1 million fans, becoming the first National League team ever to do so. In addition to the increased capacity of the park, the Cubs helped their own cause by becoming an increasingly competitive team under manager Joe McCarthy.

text: The upper deck was finally completed in time for the 1928 season, which saw the Cubs break the million mark in attendance yet again. The timing couldn't have been more fortuitous. In 1929, the Cubs put together one of the most potent lineups in major league history, and easily walked to the National League pennant with stars like Hack Wilson, Rogers Hornsby, Kiki Cuyler, Charlie Root and Pat Malone. Season attendance soared to nearly 1.5 million fans. This would remain the major league record for seventeen years, a record aided in large part by declining major league attendance during the Great Depression and World War II. The Cubs themselves would not top this mark for another forty years.

text: As the World Series approached, Wrigley sought to provide even more seating at the park. He contracted to have temporary wooden bleachers erected on both Waveland and Sheffield Avenues, raising the park's capacity to roughly 50,000. Both streets were closed to traffic. In the end, the bleachers were only needed for games one and two of the 1929 World Series, both of which the Cubs lost on their way to a five-game defeat at the hands of the underdog Philadelphia Athletics.

text: By the early 1930s, distance markers were posted: left field line, 364 feet; left-center against the outer wall, 372; left center, corner of bleachers, 364; deep center field corner, 440; right center, 354; right field line, 321.

text: During the 1968–1970 off-seasons, the concrete in the upper deck was stripped and replaced. After 40 years of harsh Chicago winters, the original concrete was showing signs of wear and tear; it was replaced with precast concrete installed over the 1927 steel framework.[8] In 2004, nearly 40 years later, this precast concrete itself began to show deterioration as several chunks of the precast concrete fell, leading to increased safety inspections and the installation of protective netting.[9]

text: "Beautiful Wrigley Field" (1932–1981)[edit]

text: Construction of the bleachers (1937)[edit]

text: Wrigley Field is known for the Boston ivy (Parthenocissus tricuspidata) planted against the outfield wall in 1937 by Bill Veeck, whose father had been team president until his 1933 death. If the ball is hit into and lost in the ivy, then it is ruled a ground-rule double, provided that the defensive outfielder raises his hands to signify that the ball has been lost in the ivy; if the player attempts to search for the ball, the play is considered live, and no ground-rule double is ruled. Wrigley is also known for the manual scoreboard Veeck also erected. No batted ball has ever hit the scoreboard; indeed, very few home runs have even landed in the "upper deck" of the center field bleachers. However, Sam Snead did manage to hit the big board with a golf ball teed off from home plate, on April 17, 1951, just prior to the Cubs home opener.[10]

text: In 1937, the Cubs announced plans to rebuild the bleachers in concrete instead of wood, to be fronted by brick that would soon be covered in ivy, and to build a new scoreboard. To make the outfield look more symmetrical and graceful, the plans called for extending the left field bleachers to a point closer to the corner. The gentle curves between the ends of the left and right field bleachers would become popularly known as the "wells". That summer, the Chicago Tribune ran a series of articles about major league ballparks, and the writer sharply criticized the Cubs for a remodeling that he suspected would result in too many "cheap" home runs. The writer later retracted when he saw that the final plan was somewhat more spacious than originally announced.[citation needed]

text: Be that as it may, construction went on behind a temporary fence during the summer, and the finished product was unveiled on September 4, in time for the last month of the season. Bill Veeck's famous ivy was planted not long after, but it would be another year before it fully took hold. According to his own autobiography, Veeck as in Wreck, he planted Bittersweet, which would grow quickly, and also the more famous Boston ivy, which would eventually take over. Another part of the arboretum was to be a series of Chinese elms on the large "stairsteps" up to the scoreboard, as well as one apiece in the little triangle at the top of each "well". According to Veeck's biography, that plan did not fare so well as the winds kept blowing the leaves off. Management finally gave up "after about twenty tries", so the trees are long gone, leaving just the large bare steps and (until 2006) the little flat triangular supports at the tops of the "wells". According to Veeck, the trees themselves were inexpensive, but the special construction for them in the bleachers cost about $200,000.

text: Another mistake was constructing bleachers in straightaway center field: The batters could easily lose sight of the ball in the white shirts worn by spectators on sunny days, because the wall was not high enough to provide a full batter's background by itself. Various methods were tried to get around this. At one time a flat canopy was extended over the area, to try to put the spectators in shadow, but that was ineffective (the 2005–2006 reconstruction would to some extent revisit that concept). For a while in the mid-1960s, a screen was attached to the top of the wall and the ivy twined its way up. Batters and bleacher fans disliked it, and it was removed after a couple of seasons. Later, for a number of years, a green tarp covered those seats.

text: After generally being closed to spectators sometime in the late 1940s or early 1950s, the last time those three problem sections were used for baseball was during the 1962 All-Star game. The seats continued to be used for other events such as football and soccer, during the years when the Chicago Bears and the Chicago Sting played their games here.

text: By the 1990s, the area was occupied by juniper plants, which nicely complemented the ivy. Also, the layout was tweaked a bit, to open up a few seats on either side of the straight center field area while still providing a rectangular background from the perspective of the batter.

text: After the 2005 season, the plants were temporarily removed during reconstruction (see below). Over the following winter, a lounge was constructed in the upper part of this area and new rows of juniper bushes were placed in the lower part.

text: By the end of 1937, the dimensions were set: 355 feet to the left field corner, a few feet behind where the corner wall tangents the foul pole; 368 to fairly deep left-center; 400 to the deepest part of center (at the right edge of the batters background area); 368 to right center; and 353 to the right field foul pole. There are other intriguing distances that have never been posted. In the original Encyclopedia of Baseball, by Hy Turkin and S.C. Thompson, 1951, measurements of 357 feet to the left field "well" and 363 to the right field "well" were revealed. That would put the closest point of the left end of the bleachers no more than about 350 feet from home plate, a fact many pitchers have cursed over the years. Left-center in general is shallow. Straightaway center is probably about 390. Deep center and the right field area in general are better balanced. But the shallowness of the left-center power alley, really too cozy for major league standards, and the resultant increase in home runs in the decades since 1937, suggest that the Chicago Tribune's original skeptical assessment was correct.

text: The "basket", an angling chain-link fence that runs along the top of the outfield wall, was installed at the start of the 1970 season. During the 1969 pennant race, there were several incidents of fans interfering with fly balls and even falling onto the field. There was also the first and only incident of a fan running the field and escaping without prosecution. A famous photograph was taken of the incident and published in the Chicago Sun-Times.[11] The basket was intended to deter or prevent that kind of problem. Security cameras were also installed at that time. The "basket" angles away from the wall, and is also higher than the wall in order to provide some balance for the pitchers. However, over the years a number of baseballs have been hit "into the basket" for home runs that previously would have been outs, or off the wall, or possibly interfered with by fans. The basket only exists where there is seating. During the 1980s, when the bleacher seating was extended over the "catwalks", i.e. the bleacher ramps in extreme left and right fields, the basket was likewise extended.

text: First attempt at lights (1941)[edit]

text: Lights were scheduled to be added to Wrigley Field in 1942, but after the Japanese attack on Pearl Harbor, then-owner Philip K. Wrigley (son of the late William) donated the necessary materials to the war effort. Baseball boomed after the war, allowing P. K. Wrigley to procrastinate on the issue. He eventually decided never to install lights for a variety of publicly stated reasons, so Wrigley Field remained a bastion of day baseball until the Chicago Tribune Company era, which began in 1981; the first night game was not until 1988.

text: "Building a New Tradition in the Friendly Confines" (1981–present)[edit]

text: Night baseball (1988)[edit]

text: The Cubs had been run almost like a hobby by the Wrigleys, but the Tribune Company was interested in the Cubs strictly as a business. The new owners started talking lights and began stirring debate on the matter. One of P. K. Wrigley's stated reasons for not installing lights was that it would upset the neighborhood, and the initial negative reaction to the Tribune Company's intentions validated P. K.'s prediction.

text: Resistance to the installation of lights was not limited to those who lived nearby and opposed the lights on the practical grounds of bothersome brightness or the noise and crowds from night games. Many Cubs fans who lived outside Wrigleyville opposed the idea simply due to the fact that the Cubs' stance as the last team to resist night baseball was a point of pride, as it was seen as a vestige of baseball's heritage as a pastoral game, played in natural sunlight. Some Cubs fans also had fond associations with Gabby Hartnett's famous "Homer in the Gloaming," in which Hartnett hit a crucial home run in the bottom of the ninth of a game on the verge of being called for darkness, helping the Cubs to win the 1938 pennant.

text: The City of Chicago had passed an ordinance banning night events at Wrigley Field, due to its presence in the residential Lakeview neighborhood, so Tribune was unable to install lights unless the ordinance was repealed. They compromised by scheduling a significant number of 3:00 starts, which typically carried games into the evening but did not require lights for games that completed within three hours or so.

text: This debate continued for several years, and became more intense as the Cubs returned to competitiveness during the early 1980s. When the Cubs won the National League Eastern Division title in 1984, then-commissioner Bowie Kuhn announced that the Cubs would lose home field advantage should they advance to the World Series (home field advantage alternated between the champions of the National League and American League until 2003), since by this time nearly all World Series games were played at night in the Eastern and Central time zones. After winning their two scheduled home (day) games in the National League Championship Series, the Cubs lost all three games in San Diego, so Kuhn's threat became moot. But the following year, new commissioner Peter Ueberroth announced that because Wrigley Field had no lights, the Cubs would have to play all future postseason games at another ballpark, likely Comiskey Park, Soldier Field, or possibly even St. Louis' Busch Stadium, or Milwaukee County Stadium. The Cubs fell out of contention for the next several years, however, and the possibility of playing post-season "home" games in other cities did not arise.

text: The Cubs, under team president Dallas Green, quickly changed the issue from lights or no lights to Wrigley Field or move out of town. With typical bluntness, Green said, "if there are no lights in Wrigley Field, there will be no Wrigley Field." Green seriously considered shuttering Wrigley and playing at Comiskey Park as tenants of the White Sox for a year, in hopes that the neighborhood would feel the loss of revenue and back down. The Cubs also explored moving to several suburban locations, including a site adjacent to Arlington Park in Arlington Heights and another in Schaumburg. There was even talk of a drastic move which involved selling the stadium to local college DePaul University, who would likely tear down Wrigley Field to host its indoor sports or convert it to a full-time football stadium in hopes of returning football to the campus. The Cubs would then likely build a new ballpark near the Rosemont Horizon (now the Allstate Arena, where DePaul plays its home games currently) in suburban Rosemont.

text: The Cubs' new stance quickly changed the context of the debate, as even the most adamant opponents of adding lights didn't want to see the Cubs leave for the suburbs. Interestingly, Schaumburg officials were so convinced that the Cubs were actually coming that land was purchased by investors hoping to build a new ballpark off the Elgin-O'Hare Expressway west of I-355. When the Cubs and the city of Chicago came to an agreement to keep the team on the North Side, the site spawned a ballpark anyway, with field dimensions and shape identical to Wrigley Field, even mimicking the "wells" along the outfield wall, and the 'dogleg' in the visitor's dugout along the first base line. That stadium, Alexian Field, is now home to the (non-affiliated) minor league Schaumburg Boomers.

text: In the fall of 1987, Chicago mayor Harold Washington proposed a compromise ordinance to the Chicago City Council which allowed the Cubs to install lights, but limited the number of night games. Washington died a week after the compromise was proposed, but the city eventually approved a compromise in February 1988 under interim mayor Eugene Sawyer. Major League Baseball responded by awarding the Cubs the 1990 All-Star Game.

text: The first major league night game at Wrigley was attempted on August 8 against the Philadelphia Phillies, but was rained out after 3½ innings. During the rain delay, several Cubs players, imitating a scene in the recent film hit, Bull Durham, played "slip-and-slide" on the tarp. One source says the group included Greg Maddux, Al Nipper, Les Lancaster and Jody Davis. Manager Don Zimmer was not amused, and they were fined $500 apiece.

text: The first official night game was played the following night, August 9 against the New York Mets (in front of a nationally televised audience watching Vin Scully and Joe Garagiola call the game on NBC), ending a streak of 5,687 consecutive home day games. However, this was not the first night game of any kind at Wrigley, as in the 1940s, some AAGPBL night games were played in Wrigley Field using temporary lighting structures; specifically, the All-Star Game held in July 1943, was the first night baseball game there, according to the Lowry book and the movie A League of Their Own.

text: Starting with their first full season with lights, in 1989, as part of the compromise with the city, the Cubs were limited to 18 night games within their 81-game regular season schedule, plus any post-season games that might have to be played at night for TV scheduling reasons. The timing of the lights' installation proved fortuitous, as the Cubs reached the post-season in 1989. Their first two post-season night games were the first two games of the NLCS, on October 4 and 5. They lost the first game against the San Francisco Giants 11-3, and won the second game 9-5.

text: The Cubs' post-season appearances since 1988 (as well as their one-game regular-season playoff with San Francisco in 1998) have featured mostly night games, the exceptions (as of 2007) being the fourth game of their 2003 NLDS matchup with the Atlanta Braves and third game of the 2007 NLDS against the Arizona Diamondbacks, both of which were Saturday afternoon contests.

text: In recent years, the Cubs have successfully lobbied for additional regular-season night games (up to a potential 30 per year, as of 2007). However, per their agreement with the city, they still play most of their games during the day. Due to the limited night schedule, night games at Wrigley Field are considered an "event" and are almost always sold out well in advance. Some observers compare the atmosphere of a Wrigley Field night game to that of Rush and Division streets, the longtime epicenter of Chicago's nightclub scene.

text: Wrigley Field has continuously evolved over its 90-plus seasons. There is relatively little left of the original that is visible to the casual viewer. One of the more obvious originals were the brick portions of the outer bleacher wall, visible in the "back of Wrigley Field" photo. The Cubs' bleacher expansion resulted in removal of those bricks, which were later sold to the public individually at a "garage sale" at the start of the 2006 season.

text: Bleacher expansion and renovation (2005–2006)[edit]

text: After lengthy debate, the reconstruction and expansion of the bleachers (by some 1,900 seats) finally began after the close of the 2005 season, although it was strongly opposed by Chicago Mayor Richard Daley. The first part of the process was to remove the outer brick wall, one of the last vestiges of the 1914 structure. Additionally, much of the 1937 construction behind the inner ivy-covered wall was removed (except for the steel supports and the center field upper tier) and the former sidewalk was excavated. The work progressed quickly throughout the winter, aided by the relatively mild Midwestern January.

text: The original concept called for the bleachers to simply extend out over the sidewalks, supported by open steel columns in cantilevered design, connecting new steel to the existing steel that supported the old bleachers. That plan was altered somewhat when it was feared the area would become an impromptu homeless shelter. Thus the vertical part of the supporting structure for the new bleachers was encased in a wall constructed of new bricks, in a style reminiscent of the original wall, and the sidewalk (repaved in brick) became a few feet narrower. The only part hanging over the sidewalk is the flat walkway behind the bleachers. The upper part of the formerly vacant center field area is occupied by a large luxury suite, fronted by darkened, slanted windows so as not to interfere with the batters' sight lines, and the lower part by juniper plants that had been temporarily removed. Another notable change to the configuration was to replace the solid door in the right field corner with a chain-link fence gate, so passers-by can see part of the ballfield (an idea borrowed from AT&T Park).

text: Various Internet sites displayed photos tracking the progress of construction. The results support what management had stated, that the changes would not depart radically from the previous structure.[12][13][14]

text: On March 30, 2006, the Cubs announced the bleachers would be renamed the Bud Light bleachers. A sign to that effect was soon posted over the bleacher entryway[15] which contrasts significantly with its previous look.[16] The Cubs management also announced they would plant ivy on the rebuilt exterior walls, in a soil trough that was provided as part of the construction. Conventional Boston ivy was planted on the east-facing Sheffield wall, which gets a fair amount of sunlight during morning hours. The north-facing wall along Waveland, which receives little direct sunlight in the summer and none in the winter, was to have an "evergreen" variety, English ivy, which thrives in shade.

text: The bleacher expansion project was designed by HOK Architecture, of Kansas City Missouri with Osborn Engineering of Cleveland, Ohio serving as the engineer.

text: On January 4, 2008 the Cubs got permission to add 80 new seats to the ballpark. The Cubs also got permission to add new signs. Wrigley Field will now hold up to 41,198 people after adding the seats.

text: Giving Wrigley a new Field (2007–2008)[edit]

text: At the end of the Cubs' 2007 season, two different efforts were undertaken to upgrade the playing field at the old ballpark. A few years earlier, a Sports Illustrated poll found that the players considered Wrigley's playing field to be one of the poorest in the Major Leagues. The renovations should go a long way toward fixing that situation.

text: First, as reported on the Cubs official website[17] and also reported and pictured in the November issue of Chicago Cubs Vine Line, the Cubs official fan magazine (p. 4), the outfield and portions of the infield were replaced by turf purchased from an Oswego, Illinois, firm. This was accomplished in the 13 days between the last home regular season game and the first (and last, as it turned out) post-season game for the year. The project was supervised by Roger Bossard, who is the head groundskeeper for the Chicago White Sox.

text: Then, following the post-season, as reported on the Cubs website[18] and also reported and pictured in the December issue of Vine Line , a more ambitious project began, to install a state-of-the-art drainage system. The entire playing surface at Wrigley was removed, which required digging down 14 to 28 inches. The underlying base material was replaced by a system of 6,000 feet of piping buried in a special clay. The drainage system capable of holding 60,000 gallons of water was installed, on top of which a new playing surface of Colorado-grown sod was unrolled. This renovation, replacing a system installed in 1935, makes Wrigley the last Major League field to move away from a crown-based water management system. The infield had been at a somewhat raised elevation relative to the shallow part of the outfield and the far edge of the foul ground around the infield, hence the gutters in front of the box seat railings.

text: As of 2008, the infield now sits lower than it did, by 14 inches, eliminating the slight downhill slope that runners had to contend with upon rounding third base, and also allowing the managers in the dugouts to see the opposite-field outfielder in full, not just his "top half". The system allows for much shorter rain delays, while also controlling the flow of water toward the storm sewers. The ballpark sits on a block that has a noticeable downhill slope from the northwest corner to the southeast corner. The left field (northwest) corner of the playing field is several feet below street level. The natural drainage direction is toward the right field (southeast) corner, and the new system directs all the water through an outlet under the right field corner.

text: As part of the excavation, the crew found and removed the foundations of the goal posts from the Bears' playing days. The crew also reported that they left a "time capsule" buried somewhere under the new turf. Lowering the infield by 14 inches also effectively raises the outfield barrier by 14 inches, from the standpoint of the batter. It remains to be seen whether that factor will have any effect on home run production.

text: Will it remain Wrigley Field? (2007–2008)[edit]

text: Tribune owner Sam Zell announced that he would consider selling the naming rights for Wrigley Field[19] in order to help reduce the Tribune Company's $13 billion debt. Based on the recent sponsorship deals at the time, it was estimated that naming rights for the park were worth at least $10 million per year.[20] Many Chicago baseball fans though that the park is too historic to have the name changed and some experts projected that naming rights would have commanded a lower cost in comparison to newer parks because of the anticipated fan backlash, to which Zell stated in an interview with Crain's Chicago Business:[21]

text:
“
'Wrigley Field, the Cubs and all the land around it is an asset of the company -- including the right to name the park. Based on the sales of naming rights around the country, this would probably qualify as being extraordinarily valuable. Could that be part of an equation? Of course.'
”

tag: table

text: Even if the name of the stadium had changed, the famous Wrigley Field Marquee would have stayed the same.[22] The marquee is protected by the Chicago city council, and declared a local landmark.

text: Sale of the Cubs (2009)[edit]

text: With Tribune's sale of the Cubs (and Wrigley Field) to Thomas S. Ricketts in 2009, further improvements to the park were developed, including construction of the long-discussed "triangle building" immediately to the west of the park at the intersection of Clark Street and Waveland Avenue, which would house some of the team's offices as well as a retail concourse and weight room for the players. Ricketts has also stated, "We don't have any naming-rights discussions going on at all. I think Wrigley is the name we are going to go with."[23]

text: Daktronics video screens and bleacher reconstruction (2014–2017)[edit]

text: In October 2014 demolition began on a 3-year renovation project under the ownership of Ricketts. Bleacher expansion, a pair of Daktronics video boards in left and right field, respectively, and five outfield signs were slated to debut by Opening Day 2015, but were hampered by winter weather, and construction extended well into the 2015 season. Construction crews also laid the foundation for a 30,000-square-foot underground clubhouse, which opened in time for the 2016 season. Other major changes, such as installing a new gate on the west side of the ballpark, relocating bullpens from along foul-lines to underneath the bleachers, and building a new visitor's clubhouse, are in the works for completion by 2017. Additional significant renovations planned include: "bunker suites" — suites that would have no view of the field, but would instead lead to seating areas — beneath the concourse down the third-base line; restoration of the groundskeeper's house (which from 1923 to 1957 was the home of the stadium groundskeeper) along Waveland Avenue; some of the ramps to the upper deck to be replaced with stairs; new elevators to comply with Americans with Disabilities Act regulations; and additional signage on the grandstand facade, which could include a ribbon-style board.[24]

text: Construction of the video screens were controversial and met with resistance by some fans who oppose putting video screens at Wrigley in deference to tradition and is strenuously opposed by the rooftop owners association, owners of 15 rooftop clubs overlooking Wrigley who have a contract with the Cubs that runs through 2023 requiring them to pay the team 17 percent of their gross annual revenue. The association said the new signs would cut down their view of the ballpark and “would absolutely violate our 20-year contract, just as they violate the spirit of Wrigley’s long-standing landmark status.” Owners of the rooftop clubs sued the city in August 2014, seeking to block the expansion.[25] However, many of the association owners have sold their properties to the Ricketts family, paving the way for the completion of the bleacher project.


document_title: Wooden nickel

question_text: where did the term wooden nickel come from

root

text: Wooden nickel

text: This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2015) (Learn how and when to remove this template message)

text: In the United States, a wooden nickel is a wooden token coin, usually issued by a merchant or bank as a promotion, sometimes redeemable for a specific item such as a drink.

tag: p

text: History[edit]

text: Scrip and tokens have often been issued locally in times of severe economic distress such as financial crises and the Civil War. During the Depression, a local bank in Tenino, Washington, issued emergency currency printed on thin shingles of wood.[1] Blaine, Washington, soon did the same with both flat scrip and, in response to requests generated by news and word of mouth, coins that included a 5-cent piece.[2] The Chicago World's Fair in 1933 issued wooden nickels as souvenirs, and the tradition of wooden nickels as tokens and souvenirs continues to the present day.[3]

text: In more recent times, wooden nickel trading has become more popular. Individuals can have their own personalized token made and then trade with others who also have had their own made. This is especially popular in geocaching.

text: An American adage, "Don't take any wooden nickels" is considered a lighthearted reminder to be cautious in one's dealings. This adage, too, precedes the use of wooden nickels as a replacement currency, suggesting that its origins lie not in the genuine monetary value of nickels but rather in their purely commemorative nature.[4][5][6]


document_title: The Voyage Out

question_text: who wrote the introduction to the voyage out

text: The Voyage Out

text: Development and first draft[edit]

text: Woolf began work on The Voyage Out in 1910 and had finished an early draft by 1912. The novel had a long and difficult gestation and was not published until 1915. It was written during a period in which Woolf was especially psychologically vulnerable.[1] She suffered from periods of depression and at one point attempted suicide.[2] The resultant work contained the seeds of all that would blossom in her later work: the innovative narrative style, the focus on feminine consciousness, sexuality and death.[3]

text: In 1981, Louise DeSalvo published an alternate version of The Voyage Out featuring its original title, Melymbrosia.[4] Professor DeSalvo worked for seven years on the project of reconstructing the text of the novel as it might have appeared in 1912, before Woolf had begun serious revisions. She reviewed more than 1,000 manuscript pages from Woolf's private papers, dating the earlier versions of the work by small organizational clues such as the color of ink used or noticing where a pen had last left off writing.[5] DeSalvo's Melymbrosia attempts to restore the text of the novel as Woolf had originally conceived it, which contained more candid political commentary on such issues as homosexuality, women's suffrage, and colonialism. According to DeSalvo, Woolf was "warned by colleagues that publishing such an outspoken indictment of Britain could prove disastrous to her fledgling career". The work was heavily revised until it became the novel now known as The Voyage Out, which omits much of the political candour of the original.[6] DeSalvo's edition was reissued by Cleis Press in 2002.

text: Plot[edit]

text: Rachel Vinrace embarks for South America on her father's ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The mismatched jumble of passengers provide Woolf with an opportunity to satirise Edwardian life. The novel introduces Clarissa Dalloway, the central character of Woolf's later novel, Mrs Dalloway. Two of the other characters were modelled after important figures in Woolf's life. St John Hirst is a fictional portrayal of Lytton Strachey and Helen Ambrose is to some extent inspired by Woolf's sister, Vanessa Bell.[7] Rachel's journey from a cloistered life in a London suburb to freedom, challenging intellectual discourse and discovery very likely reflects Woolf's own journey from a repressive household to the intellectual stimulation of the Bloomsbury Group.[8]

text: Critical reception[edit]

text: Writing in 1926, E. M. Forster described it as "... a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis".[9] Reviewing the book a decade earlier, he wrote this: "It is absolutely unafraid... Here at last is a book which attains unity as surely as Wuthering Heights, though by a different path."[10]

text: Literary scholar Phyllis Rose writes in her introduction to the novel, "No later novel of Woolf's will capture so brilliantly the excitement of youth."[11] And also the excitement and challenge of life.[12] "It's not cowardly to wish to live," says one old man at the end of the book. "It's the very reverse of cowardly. Personally, I'd like to go on for a hundred years... Think of all the things that are bound to happen!"[13]

text: Notes[edit]

text:
Jump up ^ Warner, Virginia Woolf, The Waves, p. 17
Jump up ^ Briggs, Virginia Woolf: an inner life, p. 42
Jump up ^ Waller, Writers, Readers and Reputations, p. 1043
Jump up ^ James Haule (Winter 1982). "Review: Virginia Woolf". Contemporary Literature. 23 (1): 100–104. JSTOR 1208147.
Jump up ^ Louise Desalvo, Melymbrosia, Cleis Press, 2002
Jump up ^ Louise Desalvo, Melymbrosia, Cleis Press, 2002
Jump up ^ Phyllis Rose, A Woman of Letters: A Life of Virginia Woolf, p.58
Jump up ^ Rose, op. cit., p. 57
Jump up ^ Majumdar Virginia Woolf, p. 172
Jump up ^ Majumdar, op. cit., p. 52-53
Jump up ^ Phyllis Rose, Introduction to A Voyage Out, Bantam Books, 1991, p. xvi
Jump up ^ cf. Forster, as quoted in Majumdar, op. cit., p. 54
Jump up ^ The Voyage Out, chapter 27

tag: ol


document_title: Mount Horeb

question_text: what is the meaning of the name horeb

question_tokens: what is the meaning of the name horeb

text: Mount Horeb

text: Etymology[edit]

text: Horeb is thought to mean glowing/heat, which seems to be a reference to the Sun, while Sinai may have derived from the name of Sin, the Sumerian deity of the Moon,[1][4] and thus Sinai and Horeb would be the mountains of the moon and sun, respectively.[1]

text: Occurrences[edit]

text: The name Horeb first occurs at Exodus 3:1, with the story of Moses and the burning bush. According to Exodus 3:5, the ground of the mountain was considered holy, and Moses was commanded by God to remove his shoes.

text: Exodus 17:6 describes the incident when the Israelites were in the wilderness without water. Moses was "upon the rock at Horeb", struck the rock and obtained drinking water from the rock. Exodus 17:6 goes on to say that Moses "called the name of the place Massah and Meribah, because of the contention of the children of Israel, and because they tempted the Lord, saying, 'Is the Lord among us or not?'”

text: The only other use of the name in Exodus is at Exodus 33:6, where Horeb is the location where the Israelites stripped off their ornaments. This passage (i.e., Exodus 33:1–6) suggests that Horeb was the location from which the Israelites set off towards Canaan as they resumed their Exodus journey.

text: In Deuteronomy, Horeb is mentioned several times in the account of the wanderings of the Israelites in the wilderness: Deuteronomy 1:2, 1:6, 1:19. Moses recalled in Deuteronomy 1:6 that God had said to the Israelites at Horeb, "You have dwelt long enough at this mountain: turn and take your journey", confirming the same suggestion that Horeb was the location from which they set off towards Canaan.

text: The account of the delivery to Moses of the Ten Commandments, and references back to it, include mentions of Horeb at Deuteronomy 4:10, 4:15, 5:2,9:8, 18:16 and 28:69. There are similar references back at Psalms 106:19 and Malachi 4:4. Deuteronomy 5:2 creates the sense that the current generation to whom Moses was speaking had been present on Mount Horeb when Moses descended with the commandments, although "the individuals who [had been] present had all perished with the exception of Moses, Joshua, and Caleb. [The] nation survived, and as it was with the nation as an organic whole that the covenant had been made. It might be with propriety said that it was made with those whom Moses addressed at this time, inasmuch as they constituted the nation."[5]

text: At 1 Kings 8:9 and 2 Chronicles 5:10 it is stated that the Ark of the Covenant contained only the tablets delivered to Moses at Horeb. At 1 Kings 19:8, Elijah visits "Horeb the mount of God".

text: According to the documentary hypothesis, the name Sinai is used in the Torah only by the Jahwist and Priestly Source, whereas Horeb is used only by the Elohist and Deuteronomist.[4][6]

text: There are no references to "Horeb" in the New Testament. At Galatians 4:24–25, Mount Sinai is mentioned: "… One covenant is from Mount Sinai and bears children who are to be slaves: This is Hagar. Now Hagar stands for Mount Sinai in Arabia and corresponds to the present city of Jerusalem, because she is in slavery with her children."

text: Location[edit]

text: The location of Horeb is disputed. Jewish and Christian scholars have advanced varying opinions as to its whereabouts since biblical times.[1] Elijah is described in 1 Kings 19:8 as traveling to Horeb, in a way which implies that its position was familiar when that was written, but there are no biblical references set any later in time.


document_title: Olympic symbols

question_text: what are the 5 circles in the olympics

question_tokens: what are the 5 circles in the olympics

text: Olympic symbols

text: Motto[edit]

text: The Olympic motto is the hendiatris Citius, Altius, Fortius, which is Latin for "Faster, Higher, Stronger".[1] It was proposed by Pierre de Coubertin upon the creation of the International Olympic Committee in 1894. Coubertin borrowed it from his friend Henri Didon, a Dominican priest who was an athletics enthusiast.[2] Coubertin said "These three words represent a programme of moral beauty. The aesthetics of sport are intangible."[2] The motto was introduced in 1924 at the Olympic Games in Paris.[3] A more informal but well-known motto, also introduced by Coubertin, is "The most important thing is not to win but to take part!" Coubertin got this motto from a sermon by the Bishop of Pennsylvania during the 1908 London Games.[4]

text: Rings[edit]

text: The rings are five interlocking rings, coloured blue, yellow, black, green, and red on a white field, known as the "Olympic rings". The symbol was originally designed in 1912 by de Coubertin.[5] He appears to have intended the rings to represent the five participating continents: Africa, Asia, America, Oceania and Europe.[6] According to Coubertin, the colours of the rings together with the white of the background included the colours composing every competing nation's flag at the time. Upon its initial introduction, Coubertin stated the following in the August 1912 edition of Olympique:[7]

text: ... the six colours [including the flag's white background] combined in this way reproduce the colours of every country without exception. The blue and yellow of Sweden, the blue and white of Greece, the tricolour flags of France, England, the United States, Germany, Belgium, Italy and Hungary, and the yellow and red of Spain are included, as are the innovative flags of Brazil and Australia, and those of ancient Japan and modern China. This, truly, is an international emblem.

text: In his article published in the Olympic Revue the official magazine of the International Olympic Committee in November 1992, the American historian Robert Barney explains that the idea of the interlaced rings came to Pierre de Coubertin when he was in charge of the USFSA, an association founded by the union of two French sports associations and until 1925, responsible for representing the International Olympic Committee in France: The emblem of the union was two interlaced rings (like the vesica piscis typical interlaced marriage rings) and originally the idea of Swiss psychiatrist Carl Jung: for him, the ring symbolized continuity and the human being.[8].

text: The 1914 Congress was suspended due to the outbreak of World War I, but the symbol and flag were later adopted. They would first officially debut at the Games of the VII Olympiad in Antwerp, Belgium, in 1920.[9]

text: The symbol's popularity and widespread use began during the lead-up to the 1936 Summer Olympics in Berlin. Carl Diem, president of the Organizing Committee of the 1936 Summer Olympics, wanted to hold a torchbearers' ceremony in the stadium at Delphi, site of the famous oracle, where the Pythian Games were also held. For this reason he ordered construction of a milestone with the Olympic rings carved in the sides, and that a torchbearer should carry the flame along with an escort of three others from there to Berlin. The ceremony was celebrated but the stone was never removed. Later, two American authors, Lynn and Gray Poole, when visiting Delphi in the late 1950s, saw the stone and reported in their History of the Ancient Games[10] that the Olympic rings design came from ancient Greece. This has become known as "Carl Diem's Stone".[11] This created a myth that the symbol had an ancient Greek origin.

text: The current view of the International Olympic Committee (IOC) is that the symbol "reinforces the idea" that the Olympic Movement is international and welcomes all countries of the world to join.[12] As can be read in the Olympic Charter, the Olympic symbol represents the union of the "five continents" of the world and the meeting of athletes from throughout the world at the Olympic Games. However, no continent is represented by any specific ring. Prior to 1951, the official handbook stated that each colour corresponded to a particular continent: blue for Europe, yellow for Asia, black for Africa, green for Australia and Oceania and red for the Americas; this was removed because there was no evidence that Coubertin had intended it (the quotation above was probably an afterthought).[13] Nevertheless, the logo of the Association of National Olympic Committees places the logo of each of its five continental associations inside the ring of the corresponding colour.

text: Flag[edit]

text: The Olympic flag was created by Pierre de Coubertin in 1925.

text: The Olympic flag has a white background, with five interlaced rings in the centre: blue, yellow, black, green and red. This design is symbolic; it represents the five continents of the world, united by Olympism, while the six colours are those that appear on all the national flags of the world at the present time.

text: Specific flags[edit]

text: There are specific Olympic flags that are displayed by cities that will be hosting the next Olympic games. During each Olympic closing ceremony in what is traditionally known as the Antwerp Ceremony,[15] the flag is passed from the mayor of one host city to the next host, where it will then be taken to the new host and displayed at city hall. These flags should not be confused with the larger Olympic flags designed and created specifically for each games, which are flown over the host stadium and then retired. Because there is no specific flag for this purpose, the flags flown over the stadiums generally have subtle differences, including minor color variations, and, more noticeably, the presence (or lack) of white outlines around each ring.

text: Antwerp flag[edit]

text: The first Olympic flag was presented to the Jr.National Olympics at the 1920 Summer Olympics by the city of Antwerp, Belgium. At the end of the Games, the flag could not be found and a new Olympic flag had to be made for the 1924 Summer Olympics in Paris. Despite it being a replacement, the IOC officially still calls this the "Antwerp Flag" instead of the "Paris Flag".[16] It was passed on to the next organizing city of the Summer Olympics or Winter Olympics until the 1952 Winter Olympics in Oslo, Norway, when a separate Olympic flag was created to be used only at the Winter Olympics (see below). The 1924 flag then continued to be used at the Summer Olympics until the Games of Seoul 1988 when it was retired.

text: In 1997, at a banquet hosted by the US Olympic Committee, a reporter was interviewing Hal Haig Prieste who had won a bronze medal in platform diving as a member of the 1920 US Olympic team. The reporter mentioned that the IOC had not been able to find out what had happened to the original Olympic flag. "I can help you with that," Prieste said, "It's in my suitcase." At the end of the Antwerp Olympics, spurred on by teammate Duke Kahanamoku, he climbed a flagpole and stole the Olympic flag. For 77 years the flag was stored away in the bottom of his suitcase. The flag was returned to the IOC by Prieste, by then 103 years old, in a special ceremony held at the 2000 Games in Sydney.[17] The original Antwerp Flag is now on display at the Olympic Museum in Lausanne, Switzerland, with a plaque thanking him for donating it.[18]

text: Oslo flag[edit]

text: The Oslo flag was presented to the IOC by the mayor of Oslo, Norway, during the 1952 Winter Olympics. Since then, it has been passed to the next organizing city for the Winter Olympics. Currently, the actual Oslo flag is kept preserved in a special box, and a replica has been used during recent closing ceremonies instead.[19]

text: Seoul flag[edit]

text: As a successor to the Antwerp Flag,[20] the Seoul flag was presented to the IOC at the 1988 Summer Olympics by the city of Seoul, South Korea, and has since then been passed on to the next organizing city of the Summer Olympics. The Seoul flag is currently on display at the Tokyo Metropolitan Government Building.

text: Rio de Janeiro flag[edit]

text: As a successor to the Seoul Flag,[21] the Rio flag was presented to the IOC at the 2016 Summer Olympics by the city of Rio de Janeiro, Brazil, and has since then been passed on to the next organizing city of the Summer Olympics, Tokyo.

text: Singapore flag[edit]

text: For the inaugural Youth Olympic Games, an Olympic flag was created for the junior version of the Games. The flag is similar to the Olympic flag, but has the host city and year on it and was first presented to Singapore by IOC President Jacques Rogge.[22][23] During the closing ceremony on 26 August 2010, Singapore officials presented it to the next organizing committee, Nanjing 2014.[24]

text: Innsbruck flag[edit]

text: For the inaugural winter Youth Olympic Games, an Olympic flag was presented to the IOC at the 2012 Winter Youth Olympics by the city of Innsbruck, Austria, and has since then been passed on to the next organizing city of the Winter Youth Olympics.

text: Flame and torch relay[edit]

text: The modern tradition of moving the Olympic Flame via a relay system from Greece to the Olympic venue began with the Berlin Games in 1936. Months before the Games are held, the Olympic Flame is lit on a torch, with the rays of the Sun concentrated by a parabolic reflector, at the site of the Ancient Olympics in Olympia, Greece. The torch is then taken out of Greece, most often to be taken around the country or continent where the Games are held. The Olympic torch is carried by athletes, leaders, celebrities, and ordinary people alike, and at times in unusual conditions, such as being electronically transmitted via satellite for Montreal 1976, submerged underwater without being extinguished for Sydney 2000, or in space and at the North Pole for Sochi 2014. On the final day of the torch relay, the day of the Opening Ceremony, the Flame reaches the main stadium and is used to light a cauldron situated in a prominent part of the venue to signify the beginning of the Games.

text: Medals and diplomas[edit]

text: The Olympic medals awarded to winners are another symbol associated with the Olympic games. The medals are made of gold-plated silver – for the gold medals – silver, or bronze, and are awarded to the top three finishers in a particular event. Each medal for an Olympiad has a common design, decided upon by the organizers for the particular games. From 1928 until 2000, the obverse side of the medals contained an image of Nike, the traditional goddess of victory, holding a palm in her left hand and a winner's crown in her right. This design was created by Giuseppe Cassioli. For each Olympic games, the reverse side as well as the labels for each Olympiad changed, reflecting the host of the games.

text: In 2004, the obverse side of the medals changed to make more explicit reference to the Greek character of the games. In this design, the goddess Nike flies into the Panathenic stadium, reflecting the renewal of the games. The design was by Greek jewelry designer Elena Votsi.[25]

text: Olympic diplomas are given to competitors placing fourth, fifth, and sixth since 1949, and to competitors placing seventh and eighth since 1981.

text: Anthems[edit]

text: The "Olympic Hymn", officially known as the "Olympic Anthem", is played when the Olympic Flag is raised. It was composed by Spyridon Samaras with words from a poem of the Greek poet and writer Kostis Palamas. Both the poet and the composer were the choice of Demetrius Vikelas, a Greek Pro-European and the first President of the IOC. The anthem was performed for the first time for the ceremony of opening of the 1896 Athens Olympic Games but wasn't declared the official hymn by the IOC until 1958. In the following years, every hosting nation commissioned the composition of a specific Olympic hymn for their own edition of the Games until the 1960 Winter Olympics in Squaw Valley.

text: Other notable Olympic anthems and fanfares include:

text:
"Olympische Hymne": A composition for orchestra and mixed chorus composed by Richard Strauss for the 1936 Berlin Summer Olympics.
The "Olympic Fanfare" for the 1952 Helsinki Summer Olympics was originally composed by Aarre Merikanto for the 1940 Summer Olympics, which were cancelled. Merikanto's Fanfare won the fanfare contest organized in Finland in 1939, but the score was lost for over a decade; when rediscovered in 1951, it was decided to use it in 1952. It was recorded in 1953.[26]
"Bugler's Dream": Written in 1958 by Leo Arnaud as part of his Charge Suite, the theme is often thought of by Americans as the Olympic Theme" due to its usage in television coverage by ABC and NBC, starting with the 1964 Olympics.
The "Olympic March": The theme written by Yūji Koseki for the Tokyo 1964 Summer Olympics theme song.
"Olympic Fanfare 1972": The winning submission for the Munich 1972 Summer Olympics theme song, used as the TV signature tune of the German Olympic Center (Deutsches Olympia-Zentrum, DOZ) and the prelude to the medal ceremonies, composed by Herbert Rehbein.[27] It was performed by the Orchestra of the Bavarian Broadcasting Company (Orchester des Bayerischen Rundfunks) and members of the Air Force Band Neubiberg, conducted by Willy Mattes.[citation needed]
"Olympic Fanfare and Theme": Composed by John Williams for the Los Angeles 1984 Summer Olympics, the theme was performed in the opening ceremonies by the United States Army Herald Trumpets conducted by then-Captain David Deitrick.[28] The first recording, performed by an orchestra composed of Los Angeles-area musicians, was released in its entirety on the LP and cassette album The Official Music of the XXIIIrd Olympiad Los Angeles 1984, with a concurrent Japan-only CD release (which went on to win a Grammy in 1985).[29] A slightly different arrangement of the piece was released on the Philips album By Request: The Best of John Williams and the Boston Pops Orchestra. In 1996, an alternate version of "Olympic Fanfare and Theme" was released on the album Summon the Heroes for the Atlanta Olympic Games, replacing the first part of the piece with Arnaud's Bugler's Dream. The theme was also used in closing ceremony of the 2010 Olympic Games, as the nations' flagbearers entered BC Place Stadium surrounding the Olympic Flame and when the Olympic Flag was brought into the stadium by Vancouver mayor Gregor Robertson.
"The Olympic Spirit": The theme written by John Williams for the 1988 Olympics in Seoul and used in the corresponding NBC broadcasts.
"Summon the Heroes": The theme written by John Williams for the 1996 Summer Olympics in Atlanta.
"Theme from The Adventures of Brisco County, Jr.": The theme song to this television show, composed by Randy Edelman, has been used by NBC for teaser commercial and promo spots since the 1996 Summer Olympics.[30]
"Call of the Champions": The theme written by John Williams for the 2002 Salt Lake Winter Olympics.

tag: ul

text: Several other composers have contributed Olympic music, including Henry Mancini, Francis Lai, Marvin Hamlisch, Philip Glass, David Foster, Mikis Theodorakis, Ryuichi Sakamoto, Vangelis, Basil Poledouris, Michael Kamen, and Mark Watters.it had oath too : we swear that we will take part in the Olympic Games in loyal competition, respecting the regulations which govern them and desirous of participating in them in the true spirit of sportsmanship for the honour of our country and for the glory of sports.

text: Kotinos[edit]

text: The kotinos (Greek: κότινος),[31] is an olive branch, originally of wild olive-tree, intertwined to form a circle or a horse-shoe, introduced by Heracles.[32] In the ancient Olympic Games there were no gold, silver, or bronze medals. There was only one winner per event, crowned with an olive wreath made of wild olive leaves from a sacred tree near the temple of Zeus at Olympia. Aristophanes in Plutus makes a sensible remark why victorious athletes are crowned with wreath made of wild olive instead of gold.[33] The victorious athletes were honored, feted, and praised. Their deeds were heralded and chronicled so that future generations could appreciate their accomplishments.

text: Herodotus describes the following story which is relevant to the olive wreath. Xerxes was interrogating some Arcadians after the Battle of Thermopylae. He inquired why there were so few Greek men defending the Thermopylae. The answer was "All other men are participating in the Olympic Games". And when asked "What is the prize for the winner?", "An olive-wreath" came the answer. Then Tigranes, one of his generals uttered a most noble saying: "Good heavens! Mardonius, what kind of men are these against whom you have brought us to fight? Men who do not compete for possessions, but for honour."[34]

text: However, in later times, this was not their only reward; the athlete was rewarded with a generous sum of money by his country. The kotinos tradition was renewed specifically for the Athens 2004 Games, although in this case it was bestowed together with the gold medal. Apart from its use in the awards-ceremonies, the kotinos was chosen as the 2004 Summer Olympics emblem.

text: Olympic salute[edit]

text: The Olympic salute is a variant of the Roman salute, with the right arm and hand are stretched and pointing upward, the palm is outward and downward, with the fingers touching. However, unlike the Roman Salute, the arm is raised higher and at an angle to the right from the shoulder.[35][36]The greeting is visible on the official posters of the games at Paris 1924[35] and Berlin 1936.[37]

text: The Olympic salute has fallen out of use since World War II because of its strong resemblance to the Nazi salute.[38] It was used for the last time by the French team in the opening ceremony of the 1948 Winter Olympics. [39]

text: Mascots[edit]

text: Since the 1968 Winter Olympics in Grenoble, France, the Olympic Games have had a mascot, usually an animal native to the area or occasionally human figures representing the cultural heritage. The first major mascot in the Olympic Games was Misha in the 1980 Summer Olympics in Moscow. Misha was used extensively during the opening and closing ceremonies, had a TV animated cartoon and appeared on several merchandise products. Nowadays, most of the merchandise aimed at young people focuses on the mascots, rather than the Olympic flag or organization logos.

text: Intellectual property[edit]

text: The Olympic movement is very protective of its symbols; as many jurisdictions have given the movement exclusive trademark rights to any interlocking arrangement of five rings, and usage of the word "Olympic". The rings are not eligible for copyright protection, both because of their date of creation and because five circles arranged in a pattern do not reach the threshold of originality required to be copyrighted.

text: The movement has taken action against numerous groups alleged to have violated their trademarks, including the Gay Games; the Minneapolis-based band The Hopefuls, formerly The Olympic Hopefuls; the Redneck Olympics or Redneck Games; Awana Clubs International, a Christian youth ministry who used the term for its competitive games; and Wizards of the Coast, publisher at the time of the IOC's complaint of the card game Legend of the Five Rings.

text: In 1938, the Norwegian brewery Frydenlund patented a label for its root beer which featured the five Olympic rings. In 1952, when Norway was to host the Winter Olympics, the Olympic Committee was notified by Norway's Patent Office that it was Frydenlund who owned the rights to the rings in that country. Today, the successor company Ringnes AS owns the rights to use the patented five rings on its root beer.[40] In addition, a few other companies have been successful in using the Olympic name, such as Olympic Paint, which has a paintbrush in the form of a torch as its logo, and the former Greek passenger carrier Olympic Airlines.

text: Certain other sporting organizations and events have been granted permission by the IOC to use the word "Olympics" in their name, such as the Special Olympics, an international sporting event held every four years for people with intellectual disabilities.

text: In recent years, organizing committees have also demanded the passing of laws to combat ambush marketing by non-official sponsors during the Games – such as the London Olympic Games and Paralympic Games Act 2006 – putting heavy restrictions on using any term or imagery that could constitute an unauthorized association with the games, including mere mentioning of the host city, the year, and others.[41][42]