document_title: Iron Curtain

question_text: who was president when the iron curtain fell

question_tokens: who was president when the iron curtain fell

text: Iron Curtain

text: Pre–Cold War usage[edit]

text: Various usages of the term "iron curtain" (Russian: Железный занавес Zheleznyj zanaves; German: Eiserner Vorhang; Georgian: რკინის ფარდა Rkinis pharda; Czech and Slovak: Železná opona; Hungarian: Vasfüggöny; Romanian: Cortina de fier; Italian: Cortina di ferro; Serbian: Гвоздена завеса Gvozdena zavesa; Estonian: Raudne eesriie; Bulgarian: Желязна завеса Zhelyazna zavesä) pre-date Churchill's use of the phrase. The concept goes back to the Babylonian Talmud of the 3rd to 5th centuries CE, where Tractate Sota 38b refers to a "mechitza shel barzel", an iron barrier or divider: "אפילו מחיצה של ברזל אינה מפסקת בין ישראל לאביהם שבשמים" (Even an iron barrier cannot separate [the people of] Israel from their heavenly father).

text: The term "iron curtain" has since been used metaphorically in two rather different senses – firstly to denote the end of an era and secondly to denote a closed geopolitical border.  The source of these metaphors can refer to either the safety curtain deployed in theatres (the first one was installed by the Theatre Royal, Drury Lane in 1794[8]) or to roller shutters used to secure commercial premises.[9]

text: The first metaphorical usage of "iron curtain", in the sense of an end of an era, perhaps should be attributed to British author Arthur Machen (1863–1947), who used the term in his 1895 novel The Three Impostors: "...the door clanged behind me with the noise of thunder, and I felt that an iron curtain had fallen on the brief passage of my life".[10]  The English translation of a Russian text shown immediately below repeats the use of "clang" with reference to an "iron curtain", suggesting that the Russian writer, publishing 23 years after Machen, may have been familiar with the popular British author.

text: Queen Elisabeth of the Belgians used the term "Iron Curtain" in the context of World War I to describe the political situation between Belgium and Germany in 1914.[11]

text: The first recorded application of the term to Communist Russia, again in the sense of the end of an era, comes in Vasily Rozanov's 1918 polemic The Apocalypse of Our Times, and it is possible that Churchill read it there following the publication of the book's English translation in 1920. The passage runs:

text: With clanging, creaking, and squeaking, an iron curtain is lowering over Russian History. "The performance is over." The audience got up. "Time to put on your fur coats and go home." We looked around, but the fur coats and homes were missing.[12]

text: (Incidentally, this same passage provides a definition of nihilism adopted by Raoul Vaneigem,[13] Guy Debord and other Situationists as the intention of situationist intervention.)

text: The first English-language use of the term iron curtain applied to the border of communist Russia in the sense of "an impenetrable barrier" was used in 1920 by Ethel Snowden, in her book Through Bolshevik Russia.[14][15]

text: G.K. Chesterton used the phrase in a 1924 essay in The Illustrated London News. Chesterton, while defending Distributism, refers to "that iron curtain of industrialism that has cut us off not only from our neighbours' condition, but even from our own past".[16]

text: The term also appears in the 1933 satirical novel England, Their England; used there to describe the way an artillery barrage protected the infantry from an enemy assault: "...the western sky was a blaze of yellow flame. The iron curtain was down". Sebastian Haffner used the metaphor in his book Germany: Jekyll & Hyde, published in London in 1940, in introducing his discussion of the Nazi rise to power in Germany in 1933: "Back then to March 1933. How, a moment before the iron curtain was wrung down on it, did the German political stage appear?"[17]

text: All German theatres[when?] had to install an iron curtain (eiserner Vorhang) as an obligatory precaution to prevent the possibility of fire spreading from the stage to the rest of the theatre. Such fires were rather common because the decor often was very flammable. In case of fire, a metal wall would separate the stage from the theatre, secluding the flames to be extinguished by firefighters. Douglas Reed used this metaphor in his book Disgrace Abounding: "The bitter strife [in Yugoslavia between Serb unionists and Croat federalists] had only been hidden by the iron safety-curtain of the King's dictatorship".[18]

text: A May 1943 article in Signal, a Nazi illustrated propaganda periodical published in many languages, bore the title "Behind the Iron Curtain". It discussed "the iron curtain that more than ever before separates the world from the Soviet Union".[7] The German Minister of Propaganda Joseph Goebbels wrote in his weekly newspaper Das Reich that if the Nazis should lose the war a Soviet-formed "iron curtain" would arise because of agreements made by Stalin, Franklin D. Roosevelt and Winston Churchill at the Yalta Conference: "An iron curtain would fall over this enormous territory controlled by the Soviet Union, behind which nations would be slaughtered".[6][19]  The first recorded oral intentional mention of an Iron Curtain in the Soviet context occurred in a broadcast by Lutz von Krosigk to the German people on 2 May 1945: "In the East the iron curtain behind which, unseen by the eyes of the world, the work of destruction goes on, is moving steadily forward".[20]

text: Churchill's first recorded use of the term "iron curtain" came in a 12 May 1945 telegram he sent to U.S. President Harry S. Truman regarding his concern about Soviet actions, stating "[a]n iron curtain is drawn down upon their front. We do not know what is going on behind".[21] He was further concerned about "another immense flight of the German population westward as this enormous Muscovite advance towards the centre of Europe".[21] Churchill concluded "then the curtain will descend again to a very large extent, if not entirely. Thus a broad land of many hundreds of miles of Russian-occupied territory will isolate us from Poland".[21][22]

text: Churchill repeated the words in a further telegram to President Truman on 4 June 1945, in which he protested against such a U.S. retreat to what was earlier designated as, and ultimately became, the U.S. occupation zone, saying the military withdrawal would bring "Soviet power into the heart of Western Europe and the descent of an iron curtain between us and everything to the eastward".[23] At the Potsdam Conference, Churchill complained to Stalin about an "iron fence" coming down upon the British Mission in Bucharest.

text: The first American print reference to the "Iron Curtain" occurred when C.L. Sulzberger of The New York Times first used it in a dispatch published on 23 July 1945. He had heard the term used by Vladko Maček, a Croatian politician, a Yugoslav opposition leader who had fled his homeland for Paris in May 1945. Maček told Sulzberger, "During the four years while I was interned by the Germans in Croatia I saw how the Partisans were lowering an iron curtain over Jugoslavia [Yugoslavia] so that nobody could know what went on behind it".[24]

text: The term was first used in the British House of Commons by Churchill on 16 August 1945 when he stated "it is not impossible that tragedy on a prodigious scale is unfolding itself behind the iron curtain which at the moment divides Europe in twain".[25]

text: Allen Dulles used the term in a speech on 3 December 1945, referring to only Germany, following his conclusion that "in general the Russians are acting little better than thugs", had "wiped out all the liquid assets", and refused to issue food cards to emigrating Germans, leaving them "often more dead than alive". Dulles concluded that "[a]n iron curtain has descended over the fate of these people and very likely conditions are truly terrible. The promises at Yalta to the contrary, probably 8 to 10 million people are being enslaved".[citation needed]

text: During the Cold War[edit]

text: Building antagonism[edit]

text: The antagonism between the Soviet Union and the West that came to be described as the "iron curtain" had various origins.

text: During the summer of 1939, after conducting negotiations both with a British-French group and with Nazi Germany regarding potential military and political agreements,[26] the Soviet Union and Nazi Germany signed the German–Soviet Commercial Agreement (which provided for the trade of certain German military and civilian equipment in exchange for Soviet raw materials)[27][28] and the Molotov–Ribbentrop Pact (signed in late August 1939), named after the foreign secretaries of the two countries (Vyacheslav Molotov and Joachim von Ribbentrop), which included a secret agreement to split Poland and Eastern Europe between the two states.[29][30]

text: The Soviets thereafter occupied Eastern Poland (September 1939), Latvia (June 1940), Lithuania (1940), northern Romania (Bessarabia and Northern Bukovina, late June 1940), Estonia (1940) and eastern Finland (March 1940). From August 1939, relations between the West and the Soviets deteriorated further when the Soviet Union and Nazi Germany engaged in an extensive economic relationship by which the Soviet Union sent Germany vital oil, rubber, manganese and other materials in exchange for German weapons, manufacturing machinery and technology.[31][32] Nazi–Soviet trade ended in June 1941 when Germany broke the Pact and invaded the Soviet Union in Operation Barbarossa.

text: In the course of World War II, Stalin determined[citation needed] to acquire a buffer area against Germany, with pro-Soviet states on its border in an Eastern bloc. Stalin's aims led to strained relations at the Yalta Conference (February 1945) and the subsequent Potsdam Conference (August 1945).[33] People in the West expressed opposition to Soviet domination over the buffer states, and the fear grew that the Soviets were building an empire that might be a threat to them and their interests.

text: Nonetheless, at the Potsdam Conference, the Allies assigned parts of Poland, Finland, Romania, Germany, and the Balkans to Soviet control or influence. In return, Stalin promised the Western Allies that he would allow those territories the right to national self-determination. Despite Soviet cooperation during the war, these concessions left many in the West uneasy. In particular, Churchill feared that the United States might return to its pre-war isolationism, leaving the exhausted European states unable to resist Soviet demands. (President Franklin D. Roosevelt had announced at Yalta that after the defeat of Germany, U.S. forces would withdraw from Europe within two years.)[34]

text: Iron Curtain speech[edit]

text:
Wikisource has original text related to this article:
Iron Curtain Speech

text: Winston Churchill's "Sinews of Peace" address of 5 March 1946, at Westminster College, used the term "iron curtain" in the context of Soviet-dominated Eastern Europe:

text: From Stettin in the Baltic to Trieste in the Adriatic an iron curtain has descended across the Continent. Behind that line lie all the capitals of the ancient states of Central and Eastern Europe. Warsaw, Berlin, Prague, Vienna, Budapest, Belgrade, Bucharest and Sofia; all these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject, in one form or another, not only to Soviet influence but to a very high and in some cases increasing measure of control from Moscow.[35]

text: Much of the Western public still regarded the Soviet Union as a close ally in the context of the recent defeat of Nazi Germany and of Japan. Although not well received at the time, the phrase iron curtain gained popularity as a shorthand reference to the division of Europe as the Cold War strengthened. The Iron Curtain served to keep people in and information out, and people throughout the West eventually came to accept and use the metaphor.[36]

text: Churchill's "Sinews of Peace" address was to strongly criticise the Soviet Union's exclusive and secretive tension policies along with the Eastern Europe's state form, Police State (Polizeistaat). He expressed the Allied Nations' distrust of the Soviet Union after the World War II.  In September that year, US-Soviet Union cooperation collapsed due to the US disavowal of the Soviet Union's opinion on the German problem in the Stuttgart Council, and then followed the announcement by US President, Harry S. Truman, of a hard line anti-Soviet, anticommunist policy.  After that the phrase became more widely used as anti-Soviet term in the West.[37]

text: In addition, Churchill mentioned in his speech that regions under the Soviet Union's control were expanding their leverage and power without any restriction.  He asserted that in order to put a brake on this ongoing phenomenon, the commanding force of and strong unity between the UK and the US was necessary.[38]

text: Stalin took note of Churchill's speech and responded in Pravda soon afterward.  He accused Churchill of warmongering, and defended Soviet "friendship" with eastern European states as a necessary safeguard against another invasion. He further accused Churchill of hoping to install right-wing governments in eastern Europe with the goal of agitating those states against the Soviet Union.[39] Andrei Zhdanov, Stalin's chief propagandist, used the term against the West in an August 1946 speech:[40]

text: Hard as bourgeois politicians and writers may strive to conceal the truth of the achievements of the Soviet order and Soviet culture, hard as they may strive to erect an iron curtain to keep the truth about the Soviet Union from penetrating abroad, hard as they may strive to belittle the genuine growth and scope of Soviet culture, all their efforts are foredoomed to failure.

text: Political, economic and military realities[edit]

text: Eastern Bloc[edit]

text: While the Iron Curtain remained in place, much of Eastern Europe and parts of Central Europe (except West Germany, Liechtenstein, Switzerland and Austria) found themselves under the hegemony of the Soviet Union. The Soviet Union annexed:

text:
Estonia,[41][42]
Latvia[41][42]
Lithuania[41][42]

text: as Soviet Socialist Republics within the Union of Soviet Socialist Republics.

text: Germany effectively gave Moscow a free hand in much of these territories in the Molotov–Ribbentrop Pact of 1939, signed before Germany invaded the Soviet Union in 1941.

text: Other Soviet-annexed territories included:

text:
Eastern Poland (incorporated into Ukrainian and Byelorussian SSRs),[43]
Part of eastern Finland (became part of the Karelo-Finnish SSR)[44]
Northern Romania (part of which became the Moldavian SSR).[45][46]
Kaliningrad Oblast, the northern half of East Prussia, taken in 1945.

text: Between 1945 and 1949 the Soviets converted the following areas into Soviet satellite states:

text:
The German Democratic Republic[47]
The People's Republic of Bulgaria
The People's Republic of Poland
The Hungarian People's Republic[48]
The Czechoslovak Socialist Republic[49]
The People's Republic of Romania
The People's Socialist Republic of Albania[50] (which re-aligned itself in the 1960s away from the Soviet Union and towards the People's Republic of China)

text: Soviet-installed governments ruled the Eastern Bloc countries, with the exception of the Socialist Federal Republic of Yugoslavia, which retained its full independence.

text: The majority of European states to the east of the Iron Curtain developed their own international economic and military alliances, such as COMECON and the Warsaw Pact.

text: West of the Iron Curtain[edit]

text: To the west of the Iron Curtain, the countries of Western Europe, Northern Europe and Southern Europe – along with Austria, West Germany, Liechtenstein and Switzerland – operated market economies. With the exception of a period of fascism in Spain (until 1975) and Portugal (until 1974) and a military dictatorship in Greece (1967–1974), democratic governments ruled these countries.

text: Most of the states of Europe to the west of the Iron Curtain – with the exception of neutral Switzerland, Liechtenstein, Austria, Sweden, Finland, Malta and Republic of Ireland – allied themselves with the United States and Canada within NATO. Economically, the European Community and the European Free Trade Association represented Western counterparts to COMECON. Most of the nominally neutral states were economically closer to the United States than they were to the Warsaw Pact.[citation needed]

text: Further division in the late 1940s[edit]

text: In January 1947 Harry Truman appointed General George Marshall as Secretary of State, scrapped Joint Chiefs of Staff (JCS) directive 1067 (which embodied the Morgenthau Plan) and supplanted it with JCS 1779, which decreed that an orderly and prosperous Europe requires the economic contributions of a stable and productive Germany."[51] Administration officials met with Soviet Foreign Minister Vyacheslav Molotov and others to press for an economically self-sufficient Germany, including a detailed accounting of the industrial plants, goods and infrastructure already removed by the Soviets.[52]

text: After five and a half weeks of negotiations, Molotov refused the demands and the talks were adjourned.[52] Marshall was particularly discouraged after personally meeting with Stalin, who expressed little interest in a solution to German economic problems.[52] The United States concluded that a solution could not wait any longer.[52] In a 5 June 1947 speech,[53] Marshall announced a comprehensive program of American assistance to all European countries wanting to participate, including the Soviet Union and those of Eastern Europe, called the Marshall Plan.[52]

text: Stalin opposed the Marshall Plan. He had built up the Eastern Bloc protective belt of Soviet controlled nations on his Western border,[54] and wanted to maintain this buffer zone of states combined with a weakened Germany under Soviet control.[55] Fearing American political, cultural and economic penetration, Stalin eventually forbade Soviet Eastern bloc countries of the newly formed Cominform from accepting Marshall Plan aid.[52] In Czechoslovakia, that required a Soviet-backed Czechoslovak coup d'état of 1948,[56] the brutality of which shocked Western powers more than any event so far and set in a motion a brief scare that war would occur and swept away the last vestiges of opposition to the Marshall Plan in the United States Congress.[57]

text: Relations further deteriorated when, in January 1948, the U.S. State Department also published a collection of documents titled Nazi-Soviet Relations, 1939 – 1941: Documents from the Archives of The German Foreign Office, which contained documents recovered from the Foreign Office of Nazi Germany[58][59] revealing Soviet conversations with Germany regarding the Molotov-Ribbentrop Pact, including its secret protocol dividing eastern Europe,[60][61] the 1939 German-Soviet Commercial Agreement,[60][62] and discussions of the Soviet Union potentially becoming the fourth Axis Power.[63] In response, one month later, the Soviet Union published Falsifiers of History, a Stalin-edited and partially re-written book attacking the West.[58][64]

text: After the Marshall Plan, the introduction of a new currency to Western Germany to replace the debased Reichsmark and massive electoral losses for communist parties, in June 1948, the Soviet Union cut off surface road access to Berlin, initiating the Berlin Blockade, which cut off all non-Soviet food, water and other supplies for the citizens of the non-Soviet sectors of Berlin.[65] Because Berlin was located within the Soviet-occupied zone of Germany, the only available methods of supplying the city were three limited air corridors.[66] A massive aerial supply campaign was initiated by the United States, Britain, France and other countries, the success of which caused the Soviets to lift their blockade in May 1949.

text: Emigration restrictions[edit]

text: One of the conclusions of the Yalta Conference was that the western Allies would return all Soviet citizens who found themselves in their zones to the Soviet Union.[67] This affected the liberated Soviet prisoners of war (branded as traitors), forced laborers, anti-Soviet collaborators with the Germans, and anti-communist refugees.[68]

text: Migration from east to west of the Iron Curtain, except under limited circumstances, was effectively halted after 1950. Before 1950, over 15 million people (mainly ethnic Germans) emigrated from Soviet-occupied eastern European countries to the west in the five years immediately following World War II.[69] However, restrictions implemented during the Cold War stopped most East-West migration, with only 13.3 million migrations westward between 1950 and 1990.[70] More than 75% of those emigrating from Eastern Bloc countries between 1950 and 1990 did so under bilateral agreements for "ethnic migration."[70]

text: About 10% were refugees permitted to emigrate under the Geneva Convention of 1951.[70] Most Soviets allowed to leave during this time period were ethnic Jews permitted to emigrate to Israel after a series of embarrassing defections in 1970 caused the Soviets to open very limited ethnic emigrations.[71] The fall of the Iron Curtain was accompanied by a massive rise in European East-West migration.[70]

text: As a physical entity[edit]

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2014) (Learn how and when to remove this template message)

text: The Iron Curtain took physical shape in the form of border defenses between the countries of western and eastern Europe. These were some of the most heavily militarised areas in the world, particularly the so-called "inner German border" – commonly known as die Grenze in German – between East and West Germany. The inner German border was marked in rural areas by double fences made of steel mesh (expanded metal) with sharp edges, while near urban areas a high concrete barrier similar to the Berlin Wall was built. The installation of the Wall in 1961 brought an end to a decade during which the divided capital of divided Germany was one of the easiest places to move west across the Iron Curtain.[72]

text: The barrier was always a short distance inside East German territory to avoid any intrusion into Western territory. The actual borderline was marked by posts and signs and was overlooked by numerous watchtowers set behind the barrier. The strip of land on the West German side of the barrier – between the actual borderline and the barrier – was readily accessible but only at considerable personal risk, because it was patrolled by both East and West German border guards.

text: Several villages, many historic, were destroyed as they lay too close to the border, for example Erlebach. Shooting incidents were not uncommon, and a total of 28 East German border guards and several hundred civilians were killed between 1948 – 1981 (some may have been victims of "friendly fire" by their own side).

text: Elsewhere along the border between West and East, the defense works resembled those on the intra-German border. During the Cold War, the border zone in Hungary started 15 kilometres (9.3 mi) from the border. Citizens could only enter the area if they lived in the zone or had a passport valid for traveling out. Traffic control points and patrols enforced this regulation.

text: Those who lived within the 15 kilometres (9.3 mi) border-zone needed special permission to enter the area within 5 kilometres (3.1 mi) of the border. The area was very difficult to approach and heavily fortified. In the 1950s and 1960s, a double barbed-wire fence was installed 50 metres (160 ft) from the border. The space between the two fences were laden with land mines. The minefield was later replaced with an electric signal fence (about 1 kilometre (0.62 mi) from the border) and a barbed wire fence, along with guard towers and a sand strip to track border violations.

text: Regular patrols sought to prevent escape attempts. They included cars and mounted units. Guards and dog patrol units watched the border 24/7 and were authorised to use their weapons to stop escapees. The wire fence nearest the actual border was irregularly displaced from the actual border, which was marked only by stones. Anyone attempting to escape would have to cross up to 400 metres (1,300 ft) before they could cross the actual border. Several escape attempts failed when the escapees were stopped after crossing the outer fence.

text: In parts of Czechoslovakia, the border strip became hundreds of meters wide, and an area of increasing restrictions was defined as the border was approached. Only people with the appropriate government permissions were allowed to get close to the border.

text: The Soviet Union built a fence along the entire border to Norway and Finland. It is located one or a few kilometres from the border, and has automatic alarms detecting if someone climbs over it.

text: In Greece, a highly militarised area called the "Επιτηρούμενη Ζώνη" ("Surveillance Area") was created by the Greek Army along the Greek-Bulgarian border, subject to significant security-related regulations and restrictions. Inhabitants within this 25 km wide strip of land were forbidden to drive cars, own land bigger than 60 m2 and had to travel within the area with a special passport issued by Greek military authorities. Additionally, the Greek state used this area to encapsulate and monitor a non-Greek ethnic minority, the Pomaks, a Muslim and Bulgarian-speaking minority which was regarded as hostile to the interests of the Greek state during the Cold War because of its familiarity with their fellow Pomaks living on the other side of the Iron Curtain.[73]

text: The Hungarian outer fence became the first part of the Iron Curtain to be dismantled. After the border fortifications were dismantled, a section was rebuilt for a formal ceremony. On 27 June 1989, the foreign ministers of Austria and Hungary, Alois Mock and Gyula Horn, ceremonially cut through the border defences separating their countries.

text: The creation of these highly militarised no-man's lands led to de facto nature reserves and created a wildlife corridor across Europe; this helped the spread of several species to new territories. Since the fall of the Iron Curtain, several initiatives are pursuing the creation of a European Green Belt nature preserve area along the Iron Curtain's former route. In fact, a long-distance cycling route along the length of the former border called the Iron Curtain Trail (ICT) exists as a project of the European Union and other associated nations. The trail is 6,800 km (4,200 mi) long and spans from Finland to Greece.[74]

text: The term "Iron Curtain" was only used for the fortified borders in Europe; it was not used for similar borders in Asia between communist and capitalist states (these were, for a time, dubbed the Bamboo Curtain). The border between North Korea and South Korea is very comparable to the former inner German border, particularly in its degree of militarisation, but it has never conventionally been considered part of any Iron Curtain.

text: Helmstedt-Marienborn crossing[edit]

text: Fall of the Iron Curtain[edit]

text: Following a period of economic and political stagnation under Brezhnev and his immediate successors, the Soviet Union decreased its intervention in Eastern Bloc politics. Mikhail Gorbachev (General Secretary from 1985) decreased adherence to the Brezhnev Doctrine,[75] which held that if socialism were threatened in any state then other socialist governments had an obligation to intervene to preserve it, in favor of the "Sinatra Doctrine". He also initiated the policies of glasnost (openness) and perestroika (economic restructuring). A wave of Revolutions occurred throughout the Eastern Bloc in 1989.[76]

text: In April 1989 the People's Republic of Poland legalised the Solidarity organisation, which captured 99% of available parliamentary seats in June.[77] These elections, in which anti-communist candidates won a striking victory, inaugurated a series of peaceful anti-communist revolutions in Central and Eastern Europe[78][79][80] that eventually culminated in the fall of communism.[81][82]

text: On 19 August 1989, more than 600 East Germans attending the "Pan-European Picnic" on the Hungarian border broke through the Iron Curtain and fled into Austria. Hungarian border guards had threatened to shoot anyone crossing the border, but when the time came, they did not intervene and allowed the people to cross. In a historic session from 16 to 20 October, the Hungarian parliament adopted legislation providing for multi-party parliamentary elections and a direct presidential election.[83]

text: The legislation transformed Hungary from a People's Republic into the Republic of Hungary, guaranteed human and civil rights, and created an institutional structure that ensured separation of powers among the judicial, legislative, and executive branches of government. In November 1989, following mass protests in East Germany and the relaxing of border restrictions in Czechoslovakia, tens of thousands of East Berliners flooded checkpoints along the Berlin Wall, crossing into West Berlin.[83]

text: In the People's Republic of Bulgaria, the day after the mass crossings across the Berlin Wall, leader Todor Zhivkov was ousted.[84] In the Czechoslovak Socialist Republic, following protests of an estimated half-million Czechoslovaks, the government permitted travel to the west and abolished provisions guaranteeing the ruling Communist party its leading role, preceding the Velvet Revolution.[85]

text: In the Socialist Republic of Romania, on 22 December 1989, the Romanian military sided with protesters and turned on Communist ruler Nicolae Ceauşescu, who was executed after a brief trial three days later.[86] In the People's Socialist Republic of Albania, a new package of regulations went into effect on 3 July 1990 entitling all Albanians over the age of 16 to own a passport for foreign travel. Meanwhile, hundreds of Albanian citizens gathered around foreign embassies to seek political asylum and flee the country.

text: The Berlin Wall officially remained guarded after 9 November 1989, although the inter-German border had become effectively meaningless. The official dismantling of the Wall by the East German military did not begin until June 1990. In July 1990, the day East Germany adopted the West German currency, all border-controls ceased and West German Chancellor Helmut Kohl convinced Gorbachev to drop Soviet objections to a reunited Germany within NATO in return for substantial German economic aid to the Soviet Union.

text: Monuments[edit]

text: There is an Iron Curtain monument in the southern part of the Czech Republic at approximately 48°52′32″N 15°52′29″E / 48.8755°N 15.87477°E / 48.8755; 15.87477 (Iron Curtain monument). A few hundred meters of the original fence, and one of the guard towers, has remained installed. There are interpretive signs in Czech and English that explain the history and significance of the Iron Curtain. This is the only surviving part of the fence in the Czech Republic, though several guard towers and bunkers can still be seen. Some of these are part of the Communist Era defences, some are from the never-used Czechoslovak border fortifications in defence against Adolf Hitler, and some towers were, or have become, hunting platforms.

text:
Another monument is located in the village of Devín, now part of Bratislava, Slovakia, at the confluence of the Danube and Morava rivers.
Another monument is located in Fertőrákos, Hungary, at the site of the Pan-European Picnic. On the eastern hill of the stone quarry stands a metal sculpture by Gabriela von Habsburg. It is a column made of metal and barbed wire with the date of the Pan-European Picnic and the names of participants. On the ribbon under the board is the Latin text: "In necessariis unitas – in dubiis libertas – in omnibus caritas." (Unity in unavoidable matters – freedom in doubtful matters – love in all things.) The memorial symbolises the iron curtain and recalls forever the memories of the border breakthrough in 1989.

text: There are several open air museums in parts of the former inner German border, as for example in Berlin and in Mödlareuth, a village that has been divided for several hundred years. The memory of the division is being kept alive in many other places along the Grenze.

text: Analogous terms[edit]

text: Throughout the Cold War the term "curtain" would become a common euphemism for boundaries – physical or ideological – between communist and capitalist states.

text:
An analogue of the Iron Curtain, the Bamboo Curtain, surrounded the People's Republic of China. As the standoff between the West and the countries of the Iron and Bamboo curtains eased with the end of the Cold War, the term fell out of any but historical usage.
The short distance, 3.8 km (2.4 mi), between the Soviet Union (Big Diomede) and the U.S. (Little Diomede Island, state of Alaska) in the Bering Sea became known as the "Ice Curtain" during the Cold War.
A field of cacti surrounding the U.S. Naval station at Guantanamo Bay planted by Cuba was occasionally termed the "Cactus Curtain".[87][88]
The phrase "Grass Curtain" was used by South Sudanese during the First Sudanese Civil War to describe the oppression that hid political violence in Southern Sudan from wider attention.[89]


document_title: A Series of Unfortunate Events (TV series)

question_text: a series of unfortunate events season 1 cast sunny

root

text: Premise[edit]

text: When a mysterious fire kills their parents, the Baudelaire children are placed into the care of their distant relative Count Olaf, an actor who is determined to claim the family fortune for himself. Following Olaf's failed attempt and his plot being exposed, the Baudelaires set out to elude Olaf and uncover the mystery behind a secret society from their parents' past.

tag: p

text: Cast and characters[edit]

text: Main[edit]

text:
Neil Patrick Harris as Count Olaf,[4] an actor determined to claim the Baudelaire fortune for himself. He has one eyebrow and a tattoo resembling an eye on his left ankle, which is frequently used to identify him when he is disguised.
Patrick Warburton as Lemony Snicket,[5] the narrator tasked with explaining the events during the lives of the Baudelaires.
Malina Weissman as Violet Baudelaire,[6] the eldest Baudelaire sibling and an inventor talented in mechanics.
Louis Hynes as Klaus Baudelaire,[6] the middle Baudelaire child, interested in literature and books.
K. Todd Freeman as Arthur Poe,[7] the family banker and executor of the Baudelaire parents who is in charge of placing the Baudelaires in the care of a suitable guardian.
Presley Smith as Sunny Baudelaire,[8] the infant child of the Baudelaires with unnaturally strong teeth. Tara Strong provides Sunny's babbling sound effects, the meaning of which is often translated in subtitles.[9]
Lucy Punch as Esmé Squalor, a wealthy financial advisor, who becomes an ally and love interest for Count Olaf.[10]
Avi Lake as Isadora Quagmire,[11] Duncan and Quigley's sister who loves writing poetry.
Dylan Kingwell as Duncan Quagmire, Isadora's brother. Duncan is a keen journalist.[11]

tag: ul

text: Recurring[edit]

text:
Will Arnett as Father,[12][13] a man who is trying to return home to his three children.
Cobie Smulders as Mother,[13] a woman who is trying to return home to her three children.
Usman Ally as the Hook-Handed Man,[14] a member of Count Olaf's theatre troupe with hooks instead of hands.
Matty Cardarople as the Henchperson of Indeterminate Gender,[14] another member of Count Olaf's theatre troupe.
Cleo King as Eleanora Poe, Arthur Poe's wife and the editor-in-chief of The Daily Punctilio, who loves pursuing sensationalist headlines.
John DeSantis as the Bald Man,[15] a large bald-headed man who is another member of Count Olaf's theatre troupe.
Jacqueline and Joyce Robbins as the White-Faced Women,[14] two elderly twins who are members of Count Olaf's theatre troupe.
Sara Canning as Jacquelyn, Mr. Poe's standoffish assistant and a member of the Baudelaire family's secret society. She possesses a spyglass.
Patrick Breen as Larry Your-Waiter, a member of the Baudelaire family's secret society who is seen working as a waiter at various establishments the Baudelaires visit, including the Anxious Clown and Café Salmonella.
Sara Rue as Olivia Caliban, a librarian at Prufrock Preparatory School who later enlists as a member of the Baudelaire family's secret society when she becomes invested in the Baudelaires' plight.[10][16][17]
Nathan Fillion as Jacques Snicket, the dashing adventurer brother of Lemony Snicket who enlists Olivia Caliban to help the Baudelaires.[10]

text: Guest[edit]

text: Introduced in season 1[edit]

text:
Joan Cusack as Justice Strauss,[18] a judge and Count Olaf's neighbor who helps the Baudelaires and is hopeful to adopt them.
Luke Camilleri as Gustav Sebald,[14] a member of the Baudelaire family's secret society and Monty's former assistant.
Aasif Mandvi as Montgomery "Uncle Monty" Montgomery,[19] a distant relative of the Baudelaires and enthusiastic herpetologist who claims to have spent his childhood with their late parents. He is a member of the Baudelaire family's secret society and possesses a spyglass.
Alfre Woodard as Aunt Josephine Anwhistle,[20] a distant relative of the Baudelaires at Lake Lachrymose who has many rational and irrational fears and a love of grammar. She is a member of the Baudelaire family's secret society.
Don Johnson as Sir,[21] the cigar-smoking owner of Lucky Smells Lumbermill.
Catherine O'Hara as Georgina Orwell,[22] an optometrist and Count Olaf's ex-girlfriend who hypnotizes the Lucky Smells Lumbermill workers so they never leave, also causing them to believe the Baudelaire parents set fire to Paltryville. O'Hara previously portrayed Justice Strauss in the 2004 film adaptation.
Rhys Darby as Charles,[12] Sir's partner.
Timothy Webber as Jimmy, a worker at Lucky Smells Lumbermill.
Chris Gauthier as Phil, an optimistic worker who befriends the Baudelaires during their stay at the Lucky Smells Lumbermill.
Loretta Walsh as Norma Rae, a worker at Lucky Smells Lumbermill.
Trent Redekop as Cesar, a worker at Lucky Smells Lumbermill.

text: Daniel Handler cameos as a fish head salesperson at Lake Lachrymose. Barry Sonnenfeld does a picture cameo as the late Ike Anwhistle in "The Wide Window" and appears as him in a flashback scene in "The Carnivorous Carnival" Pt. 1.[citation needed]

text: Introduced in season 2[edit]

text:
Barry Sonnenfeld as the voice of Mr. Tammerlane, a person that Arthur Poe talks to on the phone.
Roger Bart as Nero Feint, the violin-playing vice-principal of Prufrock Preparatory School and struggling musician with an egotistic personality and a love for excessive punishments.[10]
Kitana Turnbull as Carmelita Spats, an obnoxious, tutu-wearing student at Prufrock Preparatory School.[23]
Bronwen Smith as Miss Tench, Prufrock Preparatory School's gym teacher who is replaced in the post by a disguised Count Olaf while on her way back to Prufrock Preparatory School with the pep squad and the sports team.[17]
Malcolm Stewart as Mr. Remora, a teacher at Prufrock Preparatory School who specializes in teaching his personal anecdotes and is always seen eating a banana.[17]
BJ Harrison as Mrs. Bass, a teacher at Prufrock Preparatory School who specializes in measuring objects. She later becomes a bank robber.[17]
Tony Hale as Jerome Squalor, the timid husband of Esmé Squalor.[10]
Ithamar Enriquez as Hector, a skittish handyman and citizen of the Village of Fowl Devotees who befriends the Baudelaires.[16]
Mindy Sterling as Elder Anabelle, a member of the Village of Fowl Devotees' Council of Elders.[17]
Carol Mansell as Elder Jemma, a member of the Village of Fowl Devotees' Council of Elders.[17]
Ken Jenkins as Elder Sam, a member of the Village of Fowl Devotees' Council of Elders.[17]
Lossen Chambers as Mrs. Morrow, an inhabitant of the Village of Fowl Devotees that wears a pink robe.
Kevin Chamberlin as Mr. Lesko, an inhabitant of the Village of Fowl Devotees that wears plaid pants.
John Bobek as the bearded leader of the Volunteers Fighting Disease.[17]
Lauren McGibbon as the perky member of the Volunteers Fighting Disease.
Kerri Kenney-Silver as Babs, the Head of Human Resources and Hospital Administration at Heimlich Hospital.[17]
David Alan Grier as Hal, a visually-disabled file clerk who is employed in the Library of Records at Heimlich Hospital.[24]
Robbie Amell as Kevin, an ambidextrous "freak" who works at Caligari Carnival.[25]
Kevin Cahoon as Hugo, a hunchbacked "freak" who works at Caligari Carnival.[17]
Bonnie Morgan as Colette, a contortionist "freak" who works at Caligari Carnival.[17]
David Burtka as Mr. Willums, a heckler with a pimpled chin who attends Caligari Carnival. He is based on The Man With Pimples On His Chin from "The Carnivorous Carnival" book.[26]
Jill Morrison as Mrs. Willums, the wife of Mr. Willums.
Harper and Gideon Burtka-Harris as Trixie and Skip Willums, the children of Mr. Willums.[27]
Allison Williams as an as-yet-unidentified woman who arrives to see the Caligari Carnival engulfed in flames.[28]

text: Episodes[edit]

text:
Season
Episodes
Originally released

1
8
January 13, 2017 (2017-01-13)

2
10
March 30, 2018 (2018-03-30)

tag: table

text: Season 1 (2017)[edit]

text: The first season adapts the first four books of the novel series: The Bad Beginning, The Reptile Room, The Wide Window and The Miserable Mill.[29]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original release date

1
1
"The Bad Beginning: Part One"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Violet, Klaus, and Sunny Baudelaire receive the news that their parents have perished in a house fire from well-meaning but inept banker Arthur Poe. While exploring the ruins, Klaus finds a broken spyglass with an insignia of an eye embedded on the front. Shortly afterwards, they are sent to live with their distant relative Count Olaf, a cruel and vain amateur actor, who forces them into servitude. One night, the siblings prepare puttanesca for Olaf's theatre troupe only for him to demand roast beef upon arriving home. The children state that they were never asked to prepare roast beef, angering Olaf and prompting him to slap Klaus across the face when he protests about the sleeping arrangements. Meanwhile, a mother and father are held against their will by a mysterious captor.

2
2
"The Bad Beginning: Part Two"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires attempt to convince Mr. Poe of Olaf's actions, only to be sent away when Poe dismisses their claims. When Olaf gives Violet the starring role in his latest theatrical production, which ends with the two main characters being married, the siblings realize that Olaf intends to acquire their fortune by marrying Violet for real. Klaus confronts Olaf, who threatens to kill Sunny if Violet doesn't follow through with his plans. At the very last minute, however, Violet signs the marriage certificate with her left hand, invalidating the proceedings due to the fact that she is right-handed. Mr. Poe's mysterious secretary Jacquelyn reveals they were intended to be put in the care of their distant relative Montgomery Montgomery. Meanwhile, Jacquelyn's ally Gustav is mysteriously drowned, after being hit by a poisoned dart.

3
3
"The Reptile Room: Part One"
Mark Palansky
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires are sent to live with their herpetologist uncle Montgomery Montgomery, who has recently come across a reptile he calls the Incredibly Deadly Viper. While attempting to learn more about Montgomery, Klaus discovers that the hedge maze in Montgomery's garden is exactly the same shape as the tattoo on Olaf's ankle. Olaf poses as Montgomery's new assistant Stephano and attempts to kidnap the Baudelaires, but Monty assures the Baudelaires that he recognizes Stephano as a threat. The four arrive at a movie theatre, where Monty deciphers a code sent for him through the subtitles of the film, using a spyglass identical to Klaus'. The message instructs him to bring the children to Peru. He fires Stephano shortly afterwards, believing him to be a spy sent to steal his research.

4
4
"The Reptile Room: Part Two"
Mark Palansky
Emily Fox
January 13, 2017 (2017-01-13)

Immediately after dismissing "Stephano," Montgomery notices that the door to his Reptile Room is ajar and investigates, only to be attacked by an unseen figure. The next day, the Baudelaires discover Olaf standing next to Montgomery's corpse. Olaf threatens to kill Sunny unless the siblings accompany him to Peru, but is prevented from carrying out his plan when Mr. Poe accidentally crashes into their car when they are trying to leave. Olaf's theatre troupe then arrives disguised as police and nurses, and claim Monty was killed by the Incredibly Deadly Viper, despite Monty's claim of it being completely harmless. While searching for proof of the snake's innocence, Klaus discovers a statue in Monty's hedge maze, and a photograph of Monty, both of them carrying spyglasses identical to Klaus'. Violet proves Olaf to be the murderer; however, he escapes via the hedge maze with Klaus' spyglass. While pursuing him, the Baudelaires meet Jacquelyn, who is posing as a statue. She tells them to seek answers on the spyglasses from their Aunt Josephine while she hunts down Olaf via underground passageways.

5
5
"The Wide Window: Part One"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Mr. Poe takes the Baudelaires to live with their Aunt Josephine, an irrationally frightened woman who lives in a dilapidated house overlooking Lake Lachrymose. She refuses to answer questions about their parents, so the siblings pursue answers themselves around her house, and discover their parents were members of a secret organization, with spyglasses being used as useful devices. They are also shocked to find out that Josephine was once fierce and formidable, and developed her phobias after the death of her husband. Olaf, who has followed the Baudelaires, disguises himself as a sailor named Captain Sham before pretending to fall in love with Josephine. Despite the siblings' warnings, Josephine accepts his invitation to take her out for a fried egg sandwich. Later that night, the siblings discover that Josephine has jumped out the library's bay window and left a note informing them that "Captain Sham" is their new guardian.

6
6
"The Wide Window: Part Two"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

As Mr. Poe prepares to hand the Baudelaires over to "Captain Sham," the siblings discover the note has several grammatical errors, something Josephine would never do since she was obsessed with proper grammar. Mr. Poe takes the children to a restaurant and prepares to complete the transfer, but allows the siblings to leave after Larry, a waiter secretly a member of their parents' organization, triggers their allergy to peppermint. After returning to the house, the siblings decipher Josephine's suicide note and discover she is still alive moments before a hurricane sends the house teetering over the cliff. Escaping with a photograph of their parents standing in front of a lumber mill, the siblings find Josephine at a nearby cave, only to be confronted by Olaf, who abandons Josephine to be eaten alive by the leeches that inhabit Lake Lachrymose. Upon returning to shore, Olaf escapes after being unmasked in front of Mr. Poe while the Baudelaires sneak away and set out to find the lumber mill in the photograph.

7
7
"The Miserable Mill: Part One"
Bo Welch
Joe Tracz
January 13, 2017 (2017-01-13)

Upon arriving at the Lucky Smells Lumber Mill, the Baudelaires are forced to work by the owner Sir, who blames their parents for starting a fire that destroyed the entire town. While investigating the workers' unnaturally happy behavior, Klaus' glasses are broken by the Hook-Handed Man posing as Foreman Flacutono, and he visits local optometrist Georgina Orwell, who puts him into a hypnotic trance. Later that day, the siblings learn that two visitors are waiting to see them. Believing that their parents are still alive, the three are shocked to instead find Orwell and her receptionist "Shirley St. Ives," who is a poorly-disguised Olaf. Meanwhile, the mother and father who were previously held captive are revealed to be the parents of the Quagmire triplets, with whom they are reunited.

8
8
"The Miserable Mill: Part Two"
Bo Welch
Tatiana Suarez-Pico
January 13, 2017 (2017-01-13)

The Baudelaires discover the entire mill is under a hypnotic trance, ensuring they do not leave their jobs. Orwell and Olaf use a still-hypnotized Klaus to murder Sir's aide Charles, but Violet figures out how to break everyone's trance in the nick of time. The workers then storm the mill, causing Orwell to fall into the furnace and die. Sir, Olaf, and the Hook-Handed Man all escape in the chaos. Charles reveals the truth about the Baudelaires' role in the town, where they actually helped to fight the fire. The three siblings are reunited with Mr. Poe, and Jacquelyn sends Klaus the broken spyglass that Olaf stole from him. Poe then sends the three siblings to a dreary boarding school, which two of the three Quagmire siblings are also sent to, due to their house being burnt down by an unknown woman. The Quagmires' parents are revealed to be members of the organization. In the final scene, Lemony Snicket, Count Olaf, the Baudelaires and Mr. Poe sing the song "That's Not How the Story Goes."

text: Season 2 (2018)[edit]

text: The second season adapts books five through nine of the novel series: The Austere Academy, The Ersatz Elevator, The Vile Village, The Hostile Hospital, and The Carnivorous Carnival.[32]

text:
No.
overall
No. in
season
Title [b]
Directed by
Written by
Original release date

9
1
"The Austere Academy: Part 1"
Barry Sonnenfeld
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires are introduced to life at Prufrock Preparatory School, an unpleasant institution run by an unpleasant vice-principal named Nero and terrorized by an equally unpleasant student named Carmelita Spats. The school's only redeeming qualities are its friendly librarian, Olivia Caliban, and the surviving Quagmire triplets, Duncan and Isadora. During a lunch break, Klaus and Isadora discover that they are holding two halves of the same spyglass. The newfound friends quickly realize that they must track down a book on secret organizations to find the answers they seek—a book Jacquelyn sent Larry to give them, but which he carelessly misplaced. Meanwhile, Count Olaf and his troupe lurk around the grounds of the school, unable to enter the front doors due to an advanced computer system programmed by Nero to detect Olaf's presence. However, with Carmelita's help, Olaf finally gains entry and locks Larry in the cafeteria's walk-in refrigerator. He then dons his latest disguise: the school's new turban-wearing gym teacher.

10
2
"The Austere Academy: Part 2"
Barry Sonnenfeld
Joe Tracz
March 30, 2018 (2018-03-30)

Olaf is able to convince Nero to put the Baudelaires under a grueling exercise program, making the siblings run endless laps at night to prevent them from scheming against him, while also causing them to perform poorly in class from lack of sleep. Due to their slumping grades, Nero threatens to expel the Baudelaires if they fail a comprehensive exam to be given in front of the entire school, but because they must still exercise under Olaf's program, they know they will likely fail. The Quagmires offer to help, and that night take their place during exercises; however, their identity is discovered, and while hiding in the library, they find the copy of the book on secret organizations and read up on the purpose of the spyglass before they are caught by the Hook-Handed Man. The next day, with Mr. Poe in attendance, the Baudelaires readily pass the exam, and through it reveal Olaf's identity. Olaf and his gang then escape with the Quagmires, who try to shout the initials "V.F.D." from the backseat of Olaf's car. Meanwhile, Larry is rescued from the refrigerator with the help of Lemony's brother, Jacques, while Olivia walks off with the book on secret organizations that the Quagmires left behind.

11
3
"The Ersatz Elevator: Part 1"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

While a citywide manhunt for Count Olaf is underway, Mr. Poe takes the Baudelaires to the penthouse of Jerome Squalor and his trendy financial advisor wife Esmé. While being introduced to the Squalors, they find Olaf has already arrived, posing as a foreign auctioneer named Gunther. The Baudelaires theorize that Olaf is trying to kill Jerome so that he can marry Esmé and become their legal guardian again. They search the penthouse for the Quagmires to no avail, but Klaus becomes suspicious of an extra elevator that only seems to serve the penthouse. Meanwhile, Olivia tries to convince Mr. Poe about Olaf's scheme, which leads Jacquelyn to contact Jacques, who enlists her into their society. Esmé suggests they go out for lunch at a fashionable salmon-themed restaurant Cafe Salmonella, where Larry works to prolong their visit, giving Jacques and Olivia time to search the Squalor's building for the Quagmires. When the Baudelaires manage to sneak away and examine the second elevator, they learn that it is merely an empty shaft. With a makeshift parachute, they descend it to find the Quagmires locked in a cage at its bottom.

12
4
"The Ersatz Elevator: Part 2"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires do not have the tools to free the Quagmires, so they ascend the shaft by turning the parachute into a hot-air balloon. They try to warn Esmé of Olaf's scheme, but learn too late that she is in cahoots with him and that they are planning to smuggle the Quagmires out of the city. Esmé pushes them down the elevator shaft, where they are caught in a net midway down. Sunny helps them to escape safely, and afterwards they find a secret passage that leads to the ashen ruins of their home. At the auction in Veblen Hall, the Baudelaires start a bidding war on a box labeled "V.F.D.", which they believe contains the Quagmires. Though they win the item, they find the box contains only doilies. In the aftermath, Olaf and his troupe escape with the Quagmires, who are hidden inside a red herring statue. The Baudelaires ask Jerome to help track down Olaf, but he is far too timid to do so, and gives up his guardianship of them. Mr. Poe tells the children that a village with the initials "V.F.D." is willing to raise them.

13
5
"The Vile Village: Part 1"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

Mr. Poe drops the Baudelaires off at the Village of Fowl Devotees, where the whole community will care for them collectively. The Baudelaires take up residence with Hector, a kindly handyman prone to fainting spells who is secretly building a self-sustaining hot-air mobile home, and soon begin finding clues written by the Quagmires themselves. Olaf, Esmé, and the troupe also arrive at the village, with Esmé disguising herself as the town's new chief of police. Jacques and Olivia also arrive and detain Olaf at the local jailhouse; the next day, the villagers learn of Olaf's capture and hold a town hall meeting, where Olaf appears in the disguise of Detective Dupin, tricking everyone into believing Jacques is Olaf. Jacques is sentenced to death, but Olivia convinces Esmé to free her and Jacques in exchange for the location of the Sugar Bowl, an object with ties to Esmé's past. Jacques stays behind to confront Olaf; however, the villain is unfazed by Jacques' offer of a truce, and he and Esmé incapacitate and kill him. The next morning, as the Baudelaires try to break into the jail to rescue Jacques, they are informed that "Olaf" has been murdered.

14
6
"The Vile Village: Part 2"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

The disguised Olaf and Esmé quickly convince Mr. Poe and the town that the Baudelaires murdered Jacques/"Olaf," and they are promptly condemned to be burned at the stake. While in jail, the children instruct Hector to prepare his hot-air mobile home to help them escape. While Violet creates a battering ram to weaken the jail wall, Klaus deduces from their clues that the Quagmires are hidden inside a crow fountain in the village square. Larry and Jacquelyn arrive on the scene to distract the villagers long enough for the children to escape via a fire truck and follow Hector. The Baudelaires cover for the Quagmires as they use the truck's ladder to climb aboard the mobile home. As they do so, Olaf, Esmé, and the villagers arrive, and Esmé begins damaging Hector's home with a harpoon gun. Realizing their danger, the Baudelaires tell Hector to escape with the Quagmires. In thanks, the Quagmires try to throw their friends their notes about the secrets of V.F.D., but Esmé shoots them with a harpoon, scattering the pages and harming a crow. While the villagers accost the disguised villains over the injured bird, the Baudelaires collect as many of the ruined pages as they can and make their escape.

15
7
"The Hostile Hospital: Part 1"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

The Baudelaires hitch a ride with volunteer singing candy stripers heading to Heimlich Hospital. They learn that there is a Library of Records that collects and stores esoterica. After sneaking past the hospital's administrator Babs, they meet Hal, the man who runs the library. He welcomes their help, but forbids them to read material in storage. While Hal shows them the ropes, a film reel labeled "Snicket" arrives and catches the children's attention. Meanwhile, believing the Sugar Bowl to be in the hospital, Olaf and his troupe infiltrate the building. Desperate for answers, the children are forced to steal Hal's keys to access the library, where they find the film. It contains a debriefing of Jacques by a V.F.D. volunteer, with Jacques informing the interviewer that someone has survived a fire, which may or may not be the one that killed the Baudelaire's parents. However, before they can watch any further, they are interrupted by Esmé; as they try to escape, the library is ruined. Violet is captured by Olaf while Klaus and Sunny hide in a chute, in possession of the film.

16
8
"The Hostile Hospital: Part 2"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

Olaf and Esmé hide Violet under a false name; to find her, Klaus disguises himself as "Dr. Faustus," with Sunny hidden in a sling underneath his coat. They eventually deduce which room Violet is in, but this is a trap laid by Olaf, who forces Klaus to operate on Violet inside an operating theater. Esmé promises to call off the scheme if Klaus can give her what he stole from the Library of Records, and he does so—only, it's not the Sugar Bowl that she has been searching for. Olaf, however, is interested in the Snicket film, and dashes off to watch it to learn its secret. Furious at its revelations, he burns the film, which also starts a fire in the hospital. The Baudelaires successfully evacuate the hospital and realize that their only chance to escape safely is in the trunk of Olaf's car. Hal is left depressed over the loss of the Library of Records. Elsewhere, an unknown person recovers the Sugar Bowl from the burning hospital.

17
9
"Carnivorous Carnival: Part 1"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

A flashback to a masked ball at the V.F.D. headquarters shows Lemony trying to warn Beatrice about Olaf. In the present, Olaf and his troupe arrive at the Caligari Carnival to speak with its fortune-teller, Madame Lulu, about the fire's survivor. Lulu, who is really Olivia in disguise, tells them to wait for the answer in the morning. The Baudelaires overhear this, and hoping to speak to Lulu as well, assume the identities of circus freaks, with Violet and Klaus as a two-headed person and Sunny as a wolf child. After calling V.F.D., Olivia is able to tell Olaf the next day that one of the Baudelaire parents did indeed survive the fire. Olaf then presents a freak show that proves disastrous, so he sets off to find a pack of roaming lions to help attract a larger crowd. This gives an opportunity for the children to sneak into Lulu's tent, where they discover films, books, and disguises belonging to the Volunteer Fire Department—the secret organization their parents and guardians belonged to. Olivia then appears and reveals her true identity to them.

18
10
"Carnivorous Carnival: Part 2"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

Olivia explains to the Baudelaires that "Madame Lulu" is an alias used by V.F.D. agents to gather information. While Olivia admits she had to lie to Olaf about one of the children's parents surviving the fire, Jacques had asserted that there was a survivor, and they should head to the V.F.D. headquarters in the Mortmain Mountains to find them. Meanwhile, Olaf plans to throw one of the freaks into a pit filled with the hungry lions he has corralled, while Esmé connives to have Lulu killed. The next day, Olaf selects Violet and Klaus for the pit. When Olivia is told to push the children to the lions, she instead pushes them to safety, and is sent tumbling into the pit by Olaf for her troubles. As the children try to collect the V.F.D. materials from Lulu's tent, Olaf arrives and forces them to burn the tent down. Then, after placing Violet and Klaus in a towed caravan and taking Sunny in his car, Olaf has the other freaks cut the towing rope on a steep mountain path. At the same time, the last operative to pose as Madame Lulu arrives at the burning carnival as Lemony Snicket claims that she is someone he knows.

text: Season 3[edit]

text: The third season will adapt the final four books of the novel series[32] in seven episodes: The Slippery Slope, The Grim Grotto and The Penultimate Peril will be adapted into two episodes each, and The End will conclude the series with a longer single episode.[35] Barry Sonnenfeld will direct the episodes for The Penultimate Peril.[35] Liza Johnson and Jonathan Teplitzky will also direct episodes in the season.[36][37][38]

text: Production[edit]

text: Development[edit]

text: The thirteen A Series of Unfortunate Events novels, written by Daniel Handler under the pen name Lemony Snicket from 1999 to 2006, achieved success in young adult fiction around the same time as the Harry Potter novels. As such, the Snicket books had been optioned to be filmed before they were published.[39] This led to the development of a 2004 feature film, Lemony Snicket's A Series of Unfortunate Events, which covered the narratives of the first three novels in the series. Barry Sonnenfeld, who has expressed his love for the series, was originally slated to direct the feature film, and had hired Handler to write the screenplay.[40] About 10 months into production, shortly after the casting of Jim Carrey as Olaf, there was a "big crisis", according to Handler, which caused producer Scott Rudin to walk away and Sonnenfeld left the production under unclear terms.[39] With the film's completion in flux, its producing studios Paramount Pictures and DreamWorks fired Handler. While the film was eventually completed and released, sequels which would adapt the other novels in the series became unlikely due to "corporate shakeups" within DreamWorks, according to Handler, and the child actors that portrayed the Baudelaire children grew too old to star in a sequel.[40]

text: In November 2014, Netflix, in association with Paramount Television, announced its plans to adapt the novels into an original television series, with the author of the series, Daniel Handler, serving as executive producer.[41]

text: In September 2015, it was announced that Barry Sonnenfeld and Mark Hudis had agreed to helm the series. Hudis would serve as showrunner, Sonnenfeld as director, and both as executive producers,[42] with Handler writing some of the scripts along with working with the series' writing team.[32] However, in January 2016, Netflix announced that Hudis had left the project, with a replacement showrunner not named at the time.[4]

text: The first season consists of eight episodes,[5] with two episodes adapting each of the first four books of the series.[29] Handler considered this more in line with how he had written the books in the manner of a serialized melodrama, citing The Perils of Pauline as one of his influences in writing the book series.[43] In January 2017, Handler revealed that he was writing the series' second season, to consist of ten episodes adapting the fifth through ninth books of the series. A third season would adapt the remaining novels of the series, which Handler hoped "to get the go-ahead to do" since "given how quickly young actors age and change, we're trying to film everything as quickly as possible."[32] In March 2017, Netflix revealed the series had been renewed for a second season by releasing a video on their social media pointing to a viral marketing website, where a letter written by Snicket revealed the decision.[44] A month later, the series was "quietly" renewed for a third season,[45] which Harris confirmed would be the final one for the series.[46]

text: Casting[edit]

text: On December 3, 2015, an open casting call was announced for the roles of Violet and Klaus Baudelaire.[47] In January 2016, Netflix announced that Neil Patrick Harris had been cast as Count Olaf and Malina Weissman and Louis Hynes were cast as Violet and Klaus.[4][6] Handler had first considered Harris for the role of Olaf after seeing him perform the opening number "It's Not Just for Gays Anymore", at the 65th Tony Awards in 2011, noting "I just immediately saw someone who could pull off a million things at once" as was necessary for the character of Olaf, who utilizes various disguises and accents in his quest to steal the Baudelaire fortune.[48]

text: In March 2016, K. Todd Freeman was cast as Mr. Poe,[7] followed shortly after by the casting of Patrick Warburton as Lemony Snicket,[5] and Aasif Mandvi as Uncle Monty.[19] In September 2016, it was revealed that Dylan Kingwell and Avi Lake were cast as the Quagmire siblings, Duncan and Isadora, respectively.[11] In November 2016, Handler revealed Catherine O'Hara, Don Johnson, and Alfre Woodard had been cast as Dr. Georgina Orwell,[22] Sir,[21] and Aunt Josephine, respectively;[20] O'Hara had previously portrayed Justice Strauss in the 2004 film adaptation of A Series of Unfortunate Events.[22] It was also revealed that Presley Smith would play Sunny Baudelaire,[8] whose quasi-nonsensical lines are voiced by Tara Strong,[9] and Rhys Darby would play Charles, Sir's partner.[12]

text: Filming[edit]

text: Production began in May 2016 in Vancouver, British Columbia,[49][50] and in August 2016 several cast members expressed through social media that filming had finished.[51] Filming for the second season began in April 2017.[52] The third season began filming on January 5, 2018.[53]

text: One aspect of the series of books that the production team wanted to be captured in the series was the notion of a lack of specific time period or geography for the settings; Handler stated that he wrote enough for establishing set pieces, but purposely left more specific details vague "in order for young readers to fill in the blanks themselves." Sonnenfeld wanted to capture that same sense of ambiguous time and place, and he and his team worked to try to define a set of subjective rules of what elements could be included. Sonnenfeld brought on Bo Welch, production designer for Edward Scissorhands, which Handler considered to capture the same sense of a "familiar but completely imaginary" suburban setting he had in mind for his books. While the production team used computer-generated imagery where needed, they attempted to avoid this use where possible, such as by using large painted backdrops, by key scenic artist John E. Wilcox, rather than employing green screen filming.[43]

text: Music[edit]

text: In April 2016, Nick Urata was initially reported to be composing music for the series.[54] Once the first season was released, it was revealed that Urata collaborated with Daniel Handler to compose the main title theme, "Look Away", as well as various original songs that appear throughout the series, with Handler contributing the lyrics. The first season's original score was composed by James Newton Howard, with his frequent collaborators Sven Faulconer and Chris Bacon filling in to score certain episodes.[55] In the second season, Jim Dooley joined the production as composer and subsequently wrote the music for all ten episodes.[56]

text: "Look Away", the theme song for the opening titles of the series, is performed by Neil Patrick Harris.[55] In keeping with the tone of the book series, the song warns the viewer against continuing to watch the unpleasant story any further.[57] The lyrics of one verse of the song change for each pair of episodes, comprising a brief synopsis of those episodes' premise. [58]

text: Visual effects[edit]

text: Zoic Studios created visual effects for the series, including the effects for many of Sunny Baudelaire's actions.[59] Tippett Studio also did work on the series, including the effects for the destruction of Josephine's house, landscape shots of Lake Lachrymose and some of the more movement heavy Sunny Baudelaire shots.[60]

text: Release[edit]

text: All eight episodes of the first season of A Series of Unfortunate Events were released worldwide on Netflix on January 13, 2017,[18] in Ultra HD 4K.[61] The second season was released on March 30, 2018.[62]

text: Marketing[edit]

text: On July 5, 2015 a video titled "An Unfortunate Teaser" was uploaded to YouTube by a user named "Eleanora Poe". Netflix quickly released a statement saying "This was not released from Netflix." Media outlets were almost unanimous in agreement that the trailer was fan-made.[63][64][65][66] However, Caitlin Petrakovitz of CNET argued that the trailer may be real and that Netflix's carefully worded denial was a marketing campaign, noting the user name "Eleanora Poe" being the same as a character from the series, and that a vinyl record seen in the trailer was of The Gothic Archies, a band who provided the theme music for the audio books of A Series of Unfortunate Events.[67] The trailer was later revealed to be a spec promo, similar to a spec script, by an independent commercial director, whom Netflix contracted to make a title sequence for the series after the video's popularity, though they did not go ahead with the concept.[68]

text: In October 2016, Netflix released the first teaser trailer for A Series of Unfortunate Events, where Warburton narrates the events of the series as Lemony Snicket.[18] A trailer, featuring footage from the series and Neil Patrick Harris's character, Count Olaf, was released by Netflix in November 2016,[69] followed shortly by the first full trailer.[8] The second trailer was released in December 2016,[70] followed by a "holiday-themed" trailer from Count Olaf leading fans to a viral marketing website for the fictional Valorous Farms Dairy, which featured four holiday e-cards for download.[71]

text: Reception[edit]

text: Audience viewership[edit]

text: As Netflix does not reveal subscriber viewership numbers for any of their original series, Symphony Technology Group compiled data for the first season based on people using software on their devices that measure television viewing by detecting a program's sound. According to Symphony, 3.755 million viewers age 18-49 were watching an episode of A Series of Unfortunate Events over the average minute in its first weekend of release.[72]

text: Critical response[edit]

text: Season 1[edit]

text: The first season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the season an approval rating of 94% based on 62 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "Enjoyably dark, A Series of Unfortunate Events matches the source material's narrative as well as its tone, leaving viewers with a wonderfully weird, dry, gothic comedy."[73] On Metacritic the season has a score of 81 out of 100, based on 23 critics, indicating "universal acclaim".[74]

text: Erik Adams of The A.V. Club awarded the season a B and praised it for treating "mature themes like grief, loss, and disappointment with sardonic honesty." Adams compared the program positively to the Adam West Batman series, calling it "kids stuff with adult sophistication, driven by two-part stories, outrageous visuals, and the scenery-chewing of big-name guest stars".[75] Ben Travers of Indiewire gave the series an A-, saying that it "proves as inspirational and endearing as it claims to be forlorn and heartbreaking". Brian Lowry of CNN praised the showrunners for "infusing the show with a lemony-fresh feel, conjuring a series similar to the fantastical tone of Pushing Daisies". Lowry wrote that "the show proves a good deal of fun" and that "Harris dives into his over-the-top character with considerable gusto." He also argued that the series improved upon the 2004 film.[76]

text: Several critics praised the television series as a better adaptation of the books than the 2004 feature film, which starred Jim Carrey as Count Olaf. Kelly Lawler of USA Today felt the television format gave the stories more room to develop, the addition of Warburton as the fourth wall-breaking Snicket helped to convey some of the wordplay humor used in the books, and Harris's portrayal of Olaf was "much more dynamic, and creepier" than Carrey's version.[77] The Verge's Chaim Gartenburg said that the show follows the books much more faithfully than the film, and "nails down the tone that made the stories so special".[78] Los Angeles Times writer Robert Lloyd felt that the backgrounds of Sonnenfeld and Welch made them "the right people for this job, set in a milieu that is hard to fix in time, except to say it is not now", in capturing the tones of the book compared to the feature film.[79]

text: Nick Allen of RogerEbert.com, on the other hand, gave the series a negative review, calling it "an unfunny parody of sadness" that is "never as clever as it wants to be" and would only appeal to fans of the books.[80] Caroline Framke of Vox Media praised the series for its unique and weird visuals, but found the show's tone, pacing and performances to be haphazard and considered the show to be "literally, a series of unfortunate events".[81]

text: Season 2[edit]

text: As with the first season, the second season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the second season an approval rating of 100% based on 13 reviews, with an average rating of 7.8/10.[82] Clarisse Loughrey of The Independent praised the show as one that "essentially deals with thoughtful, intelligent young people battling to speak up against an illogical world." While observing that the "show may revel in the miserable", she opined "that the purpose of its own morbidity is to offer the assurance that hope lives in even the darkest of places." Loughrey also credited the show's expanded storyline for the Baudelaires' adult allies for "plumping up" the episodes' narrative arcs and deepening the show's emotional impact.[83]

text: Tristram Fane Saunders of The Telegraph awarded the second season four out of five stars. He described the show as a "gothic treat [that] also offers a wicked line in absurdist humour, and the most gorgeously toybox-like set designs you’ll find anywhere outside a Wes Anderson film."[84] Radio Times reviewer Huw Fullerton praised the series for its faithfulness to the original novels. While praising the improved CGI used to make Presley Smith's character Sunny Baudelaire react better to situations, he criticized the addition of supporting "good" characters such as Nathan Fillion's Jacques Snicket and Sara Canning's Jacquelyn for "undercutting the bleakness and loneliness that characterized the novels."[85]

text: Rohan Naahar of the Hindustan Times described A Series of Unfortunate Events as "one of the most lavish originals in Netflix's bottomless catalogue, created by fans, for fans." He also praised Neil Patrick Harris' performance as Count Olaf.[86] The Den of Geek reviewer Michael Ahr praised tortoise-shell 'amphibiophones' and stone marimbas score for giving the television series its primal sound.[87] IGN reviewer Jonathon Dornbush criticized the second season's formulaic plot structure and lack of the insightful observations compared to the first season. He also praised several of the second season's episodes particularly "The Ersatz Elevator", "The Hostile Hospital", and "The Carnivorous Carnival" for smartly twisting the story formula and deepening the novel series' mythology. Dornbush also praised the performance of guest stars such as Lucy Punch and Patrick Warburton and awarded the second season 7.2 stars.[88]

text: Awards and nominations[edit]

text:
Year
Award
Category
Nominee
Result
Ref

2017
Leo Awards
Best Visual Effects in a Dramatic Series
Luis Alejandro Guevara, Bob Habros, Cale Jacox, Ron Simonson, Jeffrey De Guzman
Nominated
[89]

Best Make-Up in a Dramatic Series
Rita Ciccozzi, Krista Seller, Tanya Hudson, Gitte Axen
Won

Best Hairstyling in a Dramatic Series
Julie Mchaffie, Dianne Holme, Jenine Lehfeldt
Won

Best Guest Performance by a Female in a Dramatic Series
Sara Canning
Nominated

Saturn Awards
Best New Media Television Series
A Series of Unfortunate Events
Nominated
[90]

Creative Arts Emmy Awards
Outstanding Music Composition for a Series
James Newton Howard
Nominated
[91]

Gold Derby TV Awards
Comedy Actor
Neil Patrick Harris
Nominated
[92]

Hollywood Music in Media Awards
Main Title Theme – TV Show/Limited Series
Nick Urata and Daniel Handler
Won
[93]

Peabody Awards
Children's & Youth Programming
A Series of Unfortunate Events
Won
[94]

2018
Satellite Awards
Best Actor in a Series - Comedy or Musical
Neil Patrick Harris
Nominated
[95]

text: Notes[edit]

text:
^ Jump up to: a b Netflix and critics name the first two episodes as "The Bad Beginning", following the title of the book, while the episode itself displays the name of "A Bad Beginning" after the opening credits.[30][31]
Jump up ^ Netflix names the episodes of the second season as Part 1 and Part 2, while the episodes themselves display the names as Part One and Part Two after the opening credits, following the format of the first season.
^ Jump up to: a b Netflix names the ninth and tenth episodes as "Carnivorous Carnival", while the episodes themselves display the name of "The Carnivorous Carnival" after the opening credits, following the title of the book.[33][34]

tag: ol


document_title: Ballerina (2016 film)

question_text: how much money did the movie leap make

question_tokens: how much money did the movie leap make

text: Ballerina (2016 film)

text: Plot[edit]

text: In the 1880s, eleven-year-old Félicie (Elle Fanning), a poor orphan girl who dreams of becoming a ballerina, but lacks formal training, runs away from her orphanage in rural Brittany with her best friend, Victor (Dane DeHaan), a young inventor. Together they go to beautiful Paris, but they soon become separated, and Victor becomes an office boy in Gustave Eiffel's workshop. Félicie finds her way to the Paris Opera, where the guard catches her trespassing. She is rescued by a mysterious cleaner with a limp, Odette (Carly Rae Jepsen), who agrees to let Félicie stay with her until she gets on her feet. Odette works for both the Opera and for the cruel and imperious Régine Le Haut (Julie Khaner), a wealthy restaurant owner. While helping Odette clean, Félicie spies Regine's daughter, Camille (Maddie Ziegler), practicing ballet. Camille sees Félicie, insults her, and throws Félicie's treasured music box out of the window, breaking it. As Félicie takes it to Victor for repair, she intercepts the postman who brings a letter from the Opera admitting Camille to the celebrated school of the Paris Opera Ballet; in her anger, she hides the letter and decides to assume Camille's identity to get into the school and pursue her dream, while also getting back at Camille.

text: Odette agrees to mentor Félicie, who later learns that Odette was a former prima ballerina. Félicie finds her training very difficult, but with Camille's letter of acceptance, she manages to take her place at the ballet school. Mérante (Terrence Scammell), the school's exacting choreographer, announces that one of the girls from the class will be chosen to dance the role of Clara in The Nutcracker. He dismisses the worst dancer in class each day. Félicie improves each day and narrowly avoids elimination, but a couple of days before the final elimination, her lie is discovered. Mérante decides to admit Camille into the class, while also letting Félicie stay; although Félicie's infraction was serious, Mérante knows that she is Odette's protege, and he has a soft spot for Odette. The night before the final elimination, Félicie neglects training to go out on a date with Rudi, a handsome boy from the school, which disappoints Odette. Victor, who has a crush on Félicie, sees Félicie with Rudi. Victor is jealous, and he and Félicie argue. The next day, Félicie is late to the audition and unable to perform well, and so the part of Clara goes to Camille.

text: Félicie returns to her orphanage, having lost her spirit. She has a dream about being an infant in the arms of her late mother, a ballerina, who gave her the music box. She decides to return to Paris to help Odette and apologize to Victor. While cleaning the stage, Félicie encounters Camille, and they engage in a dance battle that is witnessed by all the students, Odette and Mérante. Félicie does a grand jeté over a flight of stairs, while Camille cannot. Mérante approaches the two girls and asks them why they dance, to which Camille admits that she dances only because her mother tells her to, while Félicie speaks stirringly of dance as her inheritance and passion. Camille admits that Félicie should dance Clara. Near Eiffel's workshop, where the Statue of Liberty is being constructed, Félicie invites Victor to the performance. A furiously deranged Régine arrives, chases Félicie up to the crown of the statue and pushes her off, but Victor saves her with aid from Camille. They arrive at the Opera just in time for Félicie to don Odette's special pointe shoes; Félicie kisses Victor on the cheek, and she performs in The Nutcracker.

text: Cast[edit]

text:
Elle Fanning as Félicie[4]
Dane DeHaan (Nat Wolff in the American version) as Victor[4]
Maddie Ziegler as Camille Le Haut[5]
Carly Rae Jepsen as Odette
Terrence Scammell as Mérante
Julie Khaner (Kate McKinnon in the American version) as Régine Le Haut, Camille's mother[6]

(McKinnon also voiced the Mother Superior and Félicie's mother in the American version)[7]

Mel Brooks (American version only) as M. Luteau, the supervisor of the orphanage[4]
Bronwen Mantel as the Mother Superior, the head of the orphanage

text: There is also a French language version of the film, with the voices of Camille Cottin as Félicie and Malik Bentalha as Victor, that premiered in France on December 14, 2016.[8]

text: Production[edit]

text: The film was produced at L'Atelier Animation in Montreal, Quebec, Canada.[9] The filmmakers used key frame animation of Aurélie Dupont and Jérémie Bélingard, two star dancers of the Paris Opera Ballet, to translate realistic dance choreography to the animated film.[10] Dupont became the de facto choreographer of the film's dance sequences.[8]

text: Music[edit]

text: The soundtrack album was released internationally by Gaumont on December 12, 2016. The album features both the film's original score composed by Klaus Badelt, and songs from other artists that are used in the film.[11] The film also features songs that are not included in the album, such as "Cut to the Feeling" and "Runaways" by Jepsen and "Suitcase" by Sia.[12][7]

text: Soundtrack[edit]

text:
[show]Track listing

No.
Title
Artist
Length

1.
"You Know It's About You"
Magical Thinker, Stephen Wrabel
3:43

2.
"Be Somebody"
Chantal Kreviazuk
3:42

3.
"Unstoppable"
Camila Mora
4:16

4.
"Blood Sweat and Tears"
Magical Thinker, Dezi Paige
3:38

5.
"Confident"
Demi Lovato
3:27

6.
"Ballerina"
Klaus Badelt
4:05

7.
"Dreams and the Music Box"
Klaus Badelt
3:19

8.
"Escaping the Orphanage"
Klaus Badelt
3:50

9.
"The Liberty Chase"
Klaus Badelt
3:56

10.
"Swan Lake, Op. 20a: Scene"
Chappell Recorded
3:11

11.
"Shannon Reel"
Daniel Darras, Youenn Le Berre
2:38

12.
"You Know It's About You" (Piano & Voice Bonus Track)
Magical Thinker, Stephen Wrabel
3:36

text:
[show]US release

No.
Title
Artist
Length

5.
"Rainbow" (replacing "Confident")
Liz Huett
2:54

text: Release[edit]

text: The film premiered at the Mon premier Festival on October 19, 2016,[13] and it was released in France and the UK in December 2016.[14][15] Numerous releases followed around the world.[16] Entertainment One distributed the film in Canada, with the theatrical release beginning on February 24, 2017 in Quebec[17] and March 3, 2017 elsewhere in Canada.[18][19]

text: In May 2016, The Weinstein Company acquired distribution rights to the film in the United States.[9] A US release was first scheduled for March 3, 2017, under the title Leap![20] The release was subsequently pushed back to April 21, 2017,[21] followed by additional casting announcements of Wolff, Brooks, and McKinnon.[4][7] It was then pushed back to August 30 and later moved up to August 25, 2017.[22]

text: Reception[edit]

text: Box office[edit]

text: As of 7 December 2017[update], Ballerina had grossed approximately US$106 million worldwide.[3] It opened in France on 14 December 2016 with over half a million admissions,[23] earning €2.2 million (~US$2.4 million) over the course of the weekend.[24][25] Its French gross eventually reached $14.5 million.[26] In Canada, it earned more than C$1.5 million during the first 13 days of its theatrical run, $1.1 million of which was made in Quebec.[27] It ultimately grossed a total of $3.6 million (~US$2.8 million) in Canada.[28][29] It was released on 25 August 2017 in the United States, earning $4.7 million over its opening weekend.[30] As of 7 December 2017[update] it had grossed $21.9 million in the US,[31] the film's highest-grossing territory.[26]

text: Critical response[edit]

text: On review aggregator website Rotten Tomatoes, the original version of the film holds an approval rating of 73% based on 30 reviews, with an average rating of 5.7/10.[32] On French entertainment information website AlloCiné, the film has an average grade of 3.5/5, based on 17 critics.[33] On Rotten Tomatoes, the US version of the film, entitled Leap!, has an approval rating of 37% based on 49 reviews, with an average rating of 4.8/10. The site's critical consensus reads, "From its bland story to its unremarkable animation, Leap! does little to distinguish itself from a long list of like-minded – and superior – family-friendly alternatives."[34] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score 48 out of 100, based on 18 critics, indicating "mixed or average reviews".[35] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[36]

text: Melissa Stewart of Insights magazine of Australia called the film "a heart-warming adventure. ... With the animation capturing the elegance of ballet, it is hard not to be mesmerised by the pirouettes and grand jetés. ... [Félicie's] journey will resonate with for anyone who has experienced the sting of failure and trying to figure out how to bounce back. All of this occurs while humour is trickled throughout the movie making it enjoyable for kids and parents alike. ... [T]he themes of fighting for your passion and dreams is timeless."[37] Mike McCahill of The Guardian wrote: "It's attentively, attractively designed – with a real eye for the light hitting the buildings of a city under construction – but a shade more Black Swan in its DNA might have made the happy ending less inevitable and its pep less repetitive."[38]


document_title: Oyster Run

question_text: when is the oyster run in anacortes washington

text: Oyster Run

text:
Oyster RunDates
Fourth Sunday of SeptemberLocation(s)
Anacortes, Washington , USACoordinates
48°29′52″N 122°37′56″W / 48.49778°N 122.63222°W / 48.49778; -122.63222 (Anacortes, Washington)Coordinates: 48°29′52″N 122°37′56″W / 48.49778°N 122.63222°W / 48.49778; -122.63222 (Anacortes, Washington)Founded
1981Attendance
ca. 20,000 (2008)[1]Website
www.oysterrun.org

text: The Oyster Run is a motorcycle rally held annually each September since 1981 in Anacortes, Washington.  It is the largest rally in the Pacific Northwest[2] with 2006 attendance estimated in the tens of thousands.[3]