document_title: Gerard Manley Hopkins

question_text: who published the first collected edition of hopkins poem in 1918

text: Gerard Manley Hopkins

text: Life[edit]

text: Early Life and Family[edit]

text: Gerard Manley Hopkins was born in Stratford, Essex[1] (now in Greater London), as the eldest of probably nine children to Manley and Catherine (Smith) Hopkins.[2] He was christened at the Anglican church of St John's, Stratford. His father founded a marine insurance firm and at one time served as Hawaiian consul-general in London. He was also for a time church warden at St John-at-Hampstead. His grandfather was the physician John Simm Smith, a university colleague of John Keats, and close friend of the eccentric philanthropist Ann Thwaytes.

text: As a poet, Hopkins's father published works including A Philosopher's Stone and Other Poems (1843), Pietas Metrica (1849), and Spicelegium Poeticum, A Gathering of Verses by Manley Hopkins (1892). He reviewed poetry for The Times and wrote one novel. Catherine (Smith) Hopkins was the daughter of a London physician, particularly fond of music and of reading, especially German philosophy, literature and the novels of Dickens. Both parents were deeply religious High Church Anglicans. Catherine's sister, Maria Smith Giberne, taught her nephew Gerard to sketch. The interest was supported by his uncle, Edward Smith, his great-uncle Richard James Lane, a professional artist, and many other family members.[1] Hopkins's first ambitions were to be a painter, and he would continue to sketch throughout his life, inspired, as an adult, by the work of John Ruskin and the Pre-Raphaelites.[1][3]

text: Hopkins became a skilled draughtsman and found that his early training in visual art supported his later work as a poet.[1] His siblings were greatly inspired by language, religion and the creative arts. Milicent (1849–1946) joined an Anglican sisterhood in 1878. Kate (1856–1933) would go on to help Hopkins publish the first edition of his poetry. Hopkins's youngest sister Grace (1857–1945) set many of his poems to music. Lionel (1854–1952) became a world-famous expert on archaic and colloquial Chinese. Arthur (1848–1930) and Everard (1860–1928) were both highly successful artists. Cyril (1846–1932) would join his father's insurance firm.[3]

text: Manley Hopkins moved his family to Hampstead in 1852, near to where John Keats had lived thirty years before and close to the wide green spaces of Hampstead Heath. When ten years old, Gerard Manley Hopkins was sent to board at Highgate School (1854–1863).[1] While studying Keats's poetry, he wrote "The Escorial" (1860), his earliest extant poem. Here he practised early attempts at asceticism. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill. On another occasion, he abstained from salt for a week.[3][4]

text: Oxford and the priesthood[edit]

text: Hopkins studied classics at Balliol College, Oxford (1863–67).[5] He began his time in Oxford as a keen socialite and prolific poet, but he seemed to have alarmed himself with the changes in his behaviour that resulted. At Oxford he forged a lifelong friendship with Robert Bridges (eventual Poet Laureate of the United Kingdom), which would be of importance in his development as a poet and in establishing his posthumous acclaim.[5] Hopkins was deeply impressed with the work of Christina Rossetti and she became one of his greatest contemporary influences, meeting him in 1864.[6] During this time he studied with the eminent writer and critic Walter Pater, who tutored him in 1866 and who remained a friend until Hopkins left Oxford in September 1879.[3][7]

text: On 18 January 1866, Hopkins composed his most ascetic poem, The Habit of Perfection. On 23 January, he included poetry in the list of things to be given up for Lent. In July, he decided to become a Roman Catholic, and he travelled to Birmingham in September to consult the leader of the Oxford converts, John Henry Newman.[6] Newman received him into the Roman Catholic Church on 21 October 1866.

text: The decision to convert estranged him from both his family and a number of his acquaintances. After his graduation in 1867, Hopkins was provided by Newman with a teaching post at the Oratory in Birmingham. While there he began to study the violin. On 5 May 1868 Hopkins firmly "resolved to be a religious." Less than a week later, he made a bonfire of his poems and gave up poetry almost entirely for seven years. He also felt the call to enter the ministry and decided to become a Jesuit. He paused to first visit Switzerland, which officially forbade Jesuits to enter.[3][8]

text: Hopkins began his Jesuit novitiate at Manresa House, Roehampton, in September 1868. Two years later, he moved to St Mary's Hall, Stonyhurst, for his philosophical studies, taking vows of poverty, chastity and obedience on 8 September 1870.[9] He felt his interest in poetry prevented him from wholly devoting himself to religion. However, on reading Duns Scotus in 1872 he saw that the two need not conflict.[10] He continued to write a detailed prose journal between 1868 and 1875. Unable to suppress his desire to describe the natural world, he also wrote music, sketched, and for church occasions wrote some "verses," as he called them. He would later write sermons and other religious pieces.

text: In 1874 Hopkins returned to Manresa House to teach classics. While he was studying in the Jesuit house of theological studies, St Beuno's, near St Asaph in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he was moved to take up poetry once more and write a lengthy poem, "The Wreck of the Deutschland". The work was inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual meter and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds but also tells of the poet's reconciling the terrible events with God's higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry. Most of his poetry remained unpublished until after his death.

text: Hopkins chose the austere and restrictive life of a Jesuit and was at times gloomy. Biographer Robert Bernard Martin notes that "the life expectancy of a man becoming a novice at twenty-one was twenty-three more years rather than the forty years of males of the same age in the general population."[11] The brilliant student who had left Oxford with a first-class honours degree failed his final theology exam. This failure almost certainly meant that, although ordained in 1877, Hopkins would not progress in the order. In 1877 he wrote God’s Grandeur, an array of sonnets which included "The Starlight Night". He finished "The Windhover" only a few months before his ordination. Though rigorous, isolated and sometimes unpleasant, his life during Jesuit training had at least some stability; the uncertain and varied work after ordination was even harder on his sensibilities. In October 1877, not long after he completed “The Sea and the Skylark” and only a month after he had been ordained as a priest, Hopkins took up his duties as subminister and teacher at Mount St. Mary’s College, Chesterfield. In July 1878 he became curate at the Jesuit church in Mount Street, London. In December he became curate at St. Aloysius’s Church, Oxford, then moving to Manchester, Liverpool and Glasgow.[3] While ministering in Oxford, he became a founding member of Oxford University Newman Society, a society established in 1878 for the Catholic members of Oxford University. He taught Greek and Latin at Mount St Mary's College, Sheffield, and Stonyhurst College, Lancashire.

text: In 1884 he became professor of Greek and Latin at University College Dublin.[12] His English roots and his disagreement with the Irish politics of the time, as well as his own small stature (5'2"), unprepossessing nature and personal oddities meant that he was not a particularly effective teacher. This as well as his isolation in Ireland deepened his gloom. His poems of the time, such as "I Wake and Feel the Fell of Dark, not Day", reflected this. They came to be known as the "terrible sonnets," not because of their quality but because according to Hopkins's friend Canon Dixon, they reached the "terrible crystal," meaning that they crystallized the melancholic dejection that plagued the later part of Hopkins' life.

text: Final years[edit]

text: Several issues brought about this melancholic state and restricted his poetic inspiration during the last five years of his life.[13] His work load was extremely heavy. He disliked living in Dublin, away from England and friends; he was also disappointed at how far the city had fallen from its Georgian elegance of the previous century.[14] His general health deteriorated as his eyesight began to fail. He felt confined and dejected. As a devout Jesuit, he found himself in an artistic dilemma. To subdue any egotism which would violate the humility required by his religious position, he decided never to publish his poems. But Hopkins realized that any true poet requires an audience for criticism and encouragement. This conflict between his religious obligations and his poetic talent caused him to feel that he had failed them both.

text: After suffering ill health for several years and bouts of diarrhoea, Hopkins died of typhoid fever in 1889 and was buried in Glasnevin Cemetery,[15] following his funeral in Saint Francis Xavier Church on Gardiner Street, located in Georgian Dublin. He is thought to have suffered throughout his life from what today might be diagnosed as either bipolar disorder or chronic unipolar depression, and battled a deep sense of melancholic anguish. However, on his death bed, his last words were, "I am so happy, I am so happy. I loved my life."[4]

text: Poetry[edit]

text: "The sonnets of desolation"[edit]

text: According to John Bayley, "All his life Hopkins was haunted by the sense of personal bankruptcy and impotence, the straining of 'time's eunuch' with no more to 'spend'..." a sense of inadequacy, graphically expressed in his last sonnets.[16] Toward the end of his life, Hopkins suffered several long bouts of depression. The "terrible sonnets" are a group of poems in which Hopkins struggles with problems of religious doubt. He described them to Bridges as "[t]he thin gleanings of a long weary while."[17]

text: "Thou Art Indeed Just, Lord" (1889) echoes Jeremiah 12:1 in asking why do the wicked prosper. It reflects the exasperation of the faithful servant who feels he has been neglected, and is addressed to a divine person ("Sir") capable of hearing the complaint but seemingly unwilling to listen.[18] Hopkins uses parched roots as a metaphor for despair.

text: The image of the poet's feeling estranged from God figures in "I wake and feel the fell of dark, not day" in which he describes lying awake before dawn likening his prayers to "dead letters sent To dearest him that lives alas! away." The opening line recalls Lamentations 3:2, "He hath led me, and brought me into darkness, but not into light."

text: "No Worst, There is None" and "Carrion Comfort" are also counted among the "terrible sonnets".

text: Sprung rhythm[edit]

text:
"Pied Beauty"

Glory be to God for dappled things—
 For skies of couple-colour as a brinded cow;
 For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
 Landscape plotted and pieced—fold, fallow, and plough;
 And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
 Whatever is fickle, freckled (who knows how?)
 With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
  Praise him.

“
”

"Pied Beauty" written 1877.[19]

tag: div

text: Much of Hopkins's historical importance has to do with the changes he brought to the form of poetry, which ran contrary to conventional ideas of metre. Prior to Hopkins, most Middle English and Modern English poetry was based on a rhythmic structure inherited from the Norman side of English literary heritage. This structure is based on repeating "feet" of two or three syllables, with the stressed syllable falling in the same place on each repetition. Hopkins called this structure "running rhythm", and though he wrote some of his early verse in running rhythm he became fascinated with the older rhythmic structure of the Anglo-Saxon tradition, of which Beowulf is the most famous example. Hopkins called his own rhythmic structure sprung rhythm. Sprung rhythm is structured around feet with a variable number of syllables, generally between one and four syllables per foot, with the stress always falling on the first syllable in a foot. It is similar to the "rolling stresses" of Robinson Jeffers, another poet who rejected conventional metre. Hopkins saw sprung rhythm as a way to escape the constraints of running rhythm, which he said inevitably pushed poetry written in it to become "same and tame." In this way, Hopkins sprung rhythm can be seen as anticipating much of free verse. His work has no great affinity with either of the contemporary Pre-Raphaelite and neo-romanticism schools, although he does share their descriptive love of nature and he is often seen as a precursor to modernist poetry or as a bridge between the two poetic eras.

text: Use of language[edit]

text: The language of Hopkins’s poems is often striking. His imagery can be simple, as in Heaven-Haven, where the comparison is between a nun entering a convent and a ship entering a harbour out of a storm. It can be splendidly metaphysical and intricate, as it is in As Kingfishers Catch Fire, where he leaps from one image to another to show how each thing expresses its own uniqueness, and how divinity reflects itself through all of them.

text: Hopkins was a supporter of linguistic purism in English. In an 1882 letter to Robert Bridges, Hopkins writes: "It makes one weep to think what English might have been; for in spite of all that Shakespeare and Milton have done [...] no beauty in a language can make up for want of purity".[20] He took time to learn Old English, which became a major influence on his writing. In the same letter to Bridges he calls Old English "a vastly superior thing to what we have now".[21]

text: He uses many archaic and dialect words, but also coins new words. One example of this is twindles, which seems from its context in Inversnaid to mean a combination of twines and dwindles. He often creates compound adjectives, sometimes with a hyphen (such as dapple-dawn-drawn falcon) but often without, as in rolling level underneath him steady air. This use of compound adjectives, similar to the Old English use of compounds nouns, concentrates his images, communicating the instress of the poet’s perceptions of an inscape to his reader.

text: Added richness comes from Hopkins’s extensive use of alliteration, assonance, onomatopoeia and rhyme, both at the end of lines and internally as in:

text:
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell’s
Bow swung finds tongue to fling out broad its name;

text: Hopkins was influenced by the Welsh language that he acquired while studying theology at St Beuno's near St Asaph. The poetic forms of Welsh literature and particularly cynghanedd with its emphasis on repeating sounds accorded with his own style and became a prominent feature of his work. This reliance on similar-sounding words with close or differing senses means that his poems are best understood if read aloud. An important element in his work is Hopkins's own concept of "inscape" which was derived, in part, from the medieval theologian Duns Scotus. Anthony Domestico explains,

text: Inscape, for Hopkins, is the charged essence, the absolute singularity that gives each created thing its being; instress is both the energy that holds the inscape together and the process by which this inscape is perceived by an observer. We instress the inscape of a tulip, Hopkins would say, when we appreciate the particular delicacy of its petals, when we are enraptured by its specific, inimitable shade of pink."[22]

text: The Windhover aims to depict not the bird in general but instead one instance and its relation to the breeze. This is just one interpretation of Hopkins's most famous poem, one which he felt was his best.[4]

text:
I caught this morning morning’s minion, king-
 dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding
 Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
 As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding
 Rebuffed the big wind. My heart in hiding
Stirred for a bird,—the achieve of, the mastery of the thing!

“
”

The first stanza of "The Windhover"
written 30 May 1877, published 1918.[23]

text: During his lifetime, Hopkins published few poems. It was only through the efforts of Robert Bridges that his works were seen. Despite Hopkins burning all his poems on entering the Jesuit novitiate, he had already sent some to Bridges who, with a few other friends, was one of the few people to see many of them for some years. After Hopkins's death they were distributed to a wider audience, mostly fellow poets, and in 1918 Bridges, by then poet laureate, published a collected edition; an expanded edition, prepared by Charles Williams, appeared in 1930, and a greatly expanded edition by William Henry Gardner appeared in 1948 (eventually reaching a fourth edition, 1967, with N. H. Mackenzie).

text: Notable collections of Hopkins's manuscripts and publications are in Campion Hall, Oxford; the Bodleian Library, Oxford; and the Foley Library at Gonzaga University in Spokane, Washington.

text: Influences[edit]

text: Erotic[edit]

text: Timothy d'Arch Smith, antiquarian bookseller, ascribes to Hopkins suppressed erotic impulses which he views as taking on a degree of specificity after Hopkins met Robert Bridges's distant cousin, friend, and fellow Etonian Digby Mackworth Dolben, "a Christian Uranian".[24] Robert Martin asserts that when Hopkins first met Dolben, on Dolben's 17th birthday, in Oxford in February 1865, it "was, quite simply, the most momentous emotional event of [his] undergraduate years, probably of his entire life."[25] According to Robert Martin, "Hopkins was completely taken with Dolben, who was nearly four years his junior, and his private journal for confessions the following year proves how absorbed he was in imperfectly suppressed erotic thoughts of him."[26] Martin is also of the opinion that "...it is probable that [Hopkins] would have been deeply shocked at the reality of sexual intimacy with another person."[27]

text: Hopkins composed two poems about Dolben, "Where art thou friend" and "The Beginning of the End." Robert Bridges, who edited the first edition of Dolben's poems as well as Hopkins's, cautioned that the second poem "must never be printed," though Bridges himself included it in the first edition (1918).[28] Another indication of the nature of his feelings for Dolben is that Hopkins's High Anglican confessor seems to have forbidden him to have any contact with Dolben except by letter. Their relationship was abruptly ended by Dolben's drowning in June 1867, an event which greatly affected Hopkins, although his feeling for Dolben seems to have cooled a good deal by that time. "Ironically, fate may have bestowed more through Dolben’s death than it could ever have bestowed through longer life ... [for] many of Hopkins’s best poems — impregnated with an elegiac longing for Dolben, his lost beloved and his muse — were the result."[29] Hopkins' relationship with Dolben is explored in the novel The Hopkins Conundrum.[30]

text: Some of Hopkins' poems, such as The Bugler's First Communion and Epithalamion, arguably embody homoerotic themes, although this second poem was arranged by Robert Bridges from extant fragments.[31] One contemporary literary critic, M.M. Kaylor, has argued for Hopkins's inclusion with the Uranian poets, a group whose writings derived, in many ways, from the prose works of Walter Pater, Hopkins's academic coach for his Greats exams, and later his lifelong friend. [32] [33] [34]

text: Some critics have argued that homoerotic readings are either highly tendentious, or, that they can be classified under the broader category of "homosociality," over the gender, sexual-specific "homosexual" term. Hopkins’s journal writings, they argue, offer a clear admiration for feminized beauty. In his book Hopkins Reconstructed (2000), Justus George Lawler critiques Robert Martin’s controversial biography Gerard Manley Hopkins: A Very Private Life (1991) by suggesting that Martin "cannot see the heterosexual beam... for the homosexual biographical mote in his own eye... it amounts to a slanted eisegesis". The poems that elicit homoerotic readings can be read not merely as exercises in sublimation but as powerful renditions of religious conviction, a conviction that caused strain in his family and even led him to burn some of his poems that he felt were unnecessarily self-centered. Julia Saville’s book A Queer Chivalry views the religious imagery in the poems as Hopkins’s way of expressing the tension with homosexual identity and desire.

text: Christopher Ricks notes that Hopkins engaged in a number of penitential practices, "...but all of these self-inflictions were not self-inflictions to him, and they are his business—or are his understanding of what it was for him to be about his Father’s business."[11] Ricks takes issue with Martin's apparent lack of appreciation of the importance of the role of Hopkins' religious commitment to his writing, and cautions against assigning a priority of influence to any sexual instincts over other factors such as Hopkins' estrangement from his family.[11] Biographer Paul Mariani finds in Hopkins poems "... an irreconcilable tension—on the one hand, the selflessness demanded by Jesuit discipline; on the other, the seeming self-indulgence of poetic creation."[22]

text: Isolation[edit]

text: Hopkins spent the last five years of his life as a classics professor at University College Dublin. Hopkins’ isolation in 1885 was multiple: a Jesuit distanced from his Anglican family and his homeland, an Englishman teaching in Dublin during a time of political strife, an unpublished poet striving to reconcile his artistic and religious callings.[17] The poem "To seem the stranger" was written in Ireland between 1885-1886, and is a poem of isolation and loneliness.[35]

text: Influence on others[edit]

text: Ricks called Hopkins "the most original poet of the Victorian age."[11] Hopkins is considered as influential as T. S. Eliot in initiating the modern movement in poetry.[36] His experiments with elliptical phrasing and double meanings and quirky conversational rhythms turned out to be liberating to poets such as W. H. Auden and Dylan Thomas.[37]

text: Selected poems[edit]

text: Well-known works by Hopkins include:

text:
"Binsey Poplars"
"Pied Beauty"
"The Windhover: To Christ our Lord"
The Wreck of the Deutschland


document_title: Receiver (firearms)

question_text: what part of an ar 15 has the serial number

root

text: Receiver (firearms)

text: In US law[edit]

text: For the purposes of United States law, the receiver or frame is legally the firearm,[3] and as such it is the controlled part. The definition of which assembly is the legal receiver varies from firearm to firearm, under US law. Generally, the law requires licensed manufacturers and importers to mark the designated receiver with a serial number, the manufacturer or importer, the model and caliber. In addition, makers of receivers are restricted by International Traffic in Arms Regulations. Thus, in the case of a firearm that has multiple receivers (such as the AR-15, which has an upper and lower receiver), the legally controlled part is the one that is serialized. For the AR-15 rifle, the lower assembly is considered the legal receiver;[4] while in the FN-FAL rifle, it is the upper assembly that is serialized and considered the legal receiver.[5][6]

tag: p

text: Unfinished receivers[edit]

text: "Unfinished receivers", also called "80 percent receivers" or "blanks", are partially completed receivers with no serial numbers. Purchasers must perform their own finishing work in order to make the receiver usable. The finishing of receivers for sale or distribution by unlicensed persons is against US law.[7] Because an unfinished 80% receiver is not a firearm, purchasers do not need to pass a background check.[7] The resulting firearm is sometimes called a "ghost gun".[8] An AR-15 variant made from an 80% receiver was used in the 2013 Santa Monica shooting.[7]

text: Notable receivers[edit]

text: Two 3D printed polymer lower receivers for the AR-15 have been released: the AR Lower V5 and the Charon.


document_title: This Is Us (season 2)

question_text: when does this is us season 2 finale air

text: This Is Us (season 2)

text: Cast and characters[edit]

text: Main[edit]

text:
Milo Ventimiglia as Jack Pearson[1]
Mandy Moore as Rebecca Pearson[1]
Sterling K. Brown as Randall Pearson[1]

Niles Fitch as teenage Randall Pearson[2]
Lonnie Chavis as young Randall Pearson[2]

Chrissy Metz as Kate Pearson[1]

Hannah Zeile as teenage Kate Pearson[2]
Mackenzie Hancsicsak as young Kate Pearson[2]

Justin Hartley as Kevin Pearson[1]

Logan Shroyer as teenage Kevin Pearson[2]
Parker Bates as young Kevin Pearson[2]

Susan Kelechi Watson as Beth Pearson[1]
Chris Sullivan as Toby Damon[1]
Ron Cephas Jones as William H. "Shakespeare" Hill[1][3]
Jon Huertas as Miguel Rivas[1]
Alexandra Breckenridge as Sophie[1]
Eris Baker as Tess Pearson[2]
Faithe Herman as Annie Pearson[2]

tag: ul

text: Recurring[edit]

text:
Jermel Nakia as young adult William H. "Shakespeare" Hill[4][3]
Lyric Ross as Deja, Randall and Beth's foster child.[5]
Debra Jo Rupp as Linda, a social worker who works with Randall and Beth when they foster Deja.[6]
Caitlin Thompson as Madison, Kate's group's resident thin member, who Kate discovers is bulimic.[7]
Joy Brunson as Shauna, Deja's mother.[8]

text: Guest[edit]

text:
Sylvester Stallone as himself, an actor in Kevin's movie.[9]
Sam Anderson as Walter Crowder, the judge in young adult William Hill's case.[4]
Delroy Lindo as Ernest Bradley, the judge in Randall's adoption case.[4]
Kate Burton as Barbara, a psychologist at Kevin's rehab who facilitates his meeting with the family.[10]
Garrett Morris as Lloyd, a resident of William's old apartment building.[11]
Iantha Richardson as adult Tess Pearson, a social worker.[12]
Gerald McRaney as Dr. Nathan Katowski (aka Dr. K), Rebecca's former childbirth obstetrician.[13]
Susan Blakely as Anne, Dr. K's wife.[13]
Pam Grier as G. G., Shauna's grandmother and Deja's great-grandmother.[14]
Dan Lauria as Toby's father[15][16]
Wendie Malick as Toby's mother[16]
Melanie Liburd as Zoe, Beth's cousin[17]

text: Episodes[edit]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
Prod.
code
U.S. viewers
(millions)

19
1
"A Father's Advice"
Ken Olin
Dan Fogelman
September 26, 2017 (2017-09-26)
2AZC01
12.94[18]

On the Big Three's 37th birthday, Randall wants to adopt a baby, but Beth convinces him they can honor William's legacy by adopting an older child. Kate leaves an audition because all the other women there are thin, but she returns to go through with it. She is rejected because of her inexperience, not her weight; Kate is confident she can work her way up. Toby tells Kevin that he, not Kevin, needs to be Kate's "person." Kevin explains that Kate informed him of their father's death, and being Kate's brother is the only thing he is really good at. In the past, Rebecca takes the Big Three to a movie after her argument with Jack. Rebecca urges Jack to come home; Jack admits his drinking is out of control. Later, the family house has burned and Rebecca, in the car with Jack's possessions in a bag, screams and cries.

20
2
"A Manny-Splendored Thing"
John Fortenberry
Dan Fogelman & Bekah Brunstetter
October 3, 2017 (2017-10-03)
2AZC02
11.06[19]

Kevin is invited back for the 100th "The Manny" episode. The producers try to embarrass him for how he left the show, but Sophie helps him do it anyway. Randall, Beth, their girls, Rebecca, and Miguel travel across the country to see the live episode. Randall and Beth take a walk during the taping to discuss Randall's worries about fostering an older child who could have major issues. Also during the taping, Kate gets a call for her first gig; however, she does not want her mother to criticize her performance, so Kate asks both Rebecca and Toby not to follow her, but they do anyway. Later, Kate confronts Rebecca about how she has always treated her. Rebecca seeks support from Toby, but he clearly sides with Kate, which wins Rebecca's approval. After the episode taping, Beth learns from Kevin that Randall only risked failure once: in asking her out. Beth reassures Randall they can go through with their plan. In flashbacks, Jack confesses to teenage Kate that he has an alcoholism problem. Jack (when on the wagon before) vented his anger on a punching bag; this time, he lets Rebecca take him to an AA meeting.

21
3
"Déjà Vu"
John Requa & Glenn Ficarra
Isaac Aptaker & Elizabeth Berger
October 10, 2017 (2017-10-10)
2AZC03
11.02[20]

On Kevin's movie set, Kate—excited that Sylvester Stallone is his co-star—bonds with "Sly" and tells him what his films meant to her father, and about his death. After talking with Stallone, Kevin's memories of his dad surface, affecting his performance in a scene. Randall learns that a young girl, Deja, is being brought to his home. Later, when Deja yells at Beth for "stealing" her mom's cigarettes, Randall defends his wife, and Deja shrinks to defend herself from apparent aggression. Randall talks to Deja about the joy he found in having Jack and Rebecca, as well as William. Kevin takes pain medication after his old football knee injury is reinjured during battle scene filming. In flashbacks, when the kids are teenagers, Jack talks about his efforts to rehabilitate from alcoholism; Randall tries to find his birth parents through an ad, and is comforted by Kate and Kevin after a woman claims to be his birth mother for his family's money.

22
4
"Still There"
Ken Olin
Vera Herbert
October 17, 2017 (2017-10-17)
2AZC04
10.65[21]

Randall takes his daughters and Deja bowling, which does not go as expected. Beth offers to help Deja take care of her hair and the two bond. Randall admits to Deja that he has had problems with nervous breakdowns and has taken up running to deal with his anxiety; he invites her to come with him. Kevin undergoes surgery on his injured knee and continues to overuse his pain medication. Kate visits a gynaecologist for an ultrasound, revealing that she is pregnant. In flashbacks, Kate and Kevin contract the chicken pox and their doctor urges Randall to do his best to catch them as well so it will not occur later for him. Rebecca's mother pops in, intent on staying for a while, and her overbearing attitude and the fact that she treats Randall differently than Kate and Kevin leads to Rebecca confronting her and calling her a racist, which Randall overhears. Rebecca's mother takes her words to heart and reaches out to Randall, recognizing for the first time how special he is.

23
5
"Brothers"
John Requa & Glenn Ficarra
Tyler Bensinger
October 24, 2017 (2017-10-24)
2AZC05
10.60[22]

Kate and Toby share news of her pregnancy. Kevin, set to be auctioned off by Sophie for a large-scale charity event she is hosting, gets drunk while trying to get a pain medication prescription; he misses the auction, embarrassing Sophie. Randall earns Deja's trust. In the past, when Jack takes 10-year-old Kevin and Randall camping, Rebecca learns that Jack's father is dying. She calls Jack, but his past issues with his father combined with his focus on making sure Kevin gets along with Randall keep Jack from returning. Rebecca reassures Jack's father (who sees his granddaughter, Kate) that Jack is a great father and husband. Kevin finds a notebook where Randall wrote reminders to himself on how to keep the peace between them, motivating him to be nice to Randall. Later, Jack looks at a picture of him and his brother in the army. During Jack's childhood, he and his never-before-seen brother await their father's return to the car as he gets drunk at a bar.

24
6
"The 20's"
Regina King
Don Roos
October 31, 2017 (2017-10-31)
2AZC06
8.43[23]

In flashbacks, with the 10-year-old Big Three, Rebecca takes Randall trick-or-treating while Jack takes Kate and Kevin to a haunted house. Randall learns about Kyle's death from the neighbors; Rebecca then tells him the facts of his adoption. In other flashbacks, with the Big Three being in their twenties, Kate finds out she is involved with a married man. Kevin, desperate for work as an actor, attempts to steal a role from his roommate and best friend. Meanwhile, Randall and Beth prepare for the arrival of their first daughter. Beth unexpectedly goes into labor after agreeing to help Rebecca create a Facebook account. With no time to get to the hospital, Randall helps Beth through a home delivery. Kate and Kevin commiserate about their deadbeat lives and decide to live together. When Rebecca posts a photo of her granddaughter on Facebook, she gets a message from Miguel asking how she has been the last eight years. (Jack's death was sometime before Miguel last saw Rebecca.)

25
7
"The Most Disappointed Man"
Chris Koch
Kay Oyegun
November 7, 2017 (2017-11-07)
2AZC07
9.89[24]

Jack and Rebecca prepare to finalize Randall's adoption when Randall is a year old. Their case worker gives a glowing recommendation, but their judge is against interracial adoption. After Rebecca's letter about being Randall's mother, the judge recuses himself; the new judge grants the adoption. Concurrently, William pleads guilty to a drug charge. Although the judge is disappointed because William had a clean record, William claims to be more disappointed, due to the loss of his loved ones and son. The judge visits William in jail, offering to reduce the sentence and get him help, if he stays sober. William keeps this promise for at least 30 years, until hearing his cancer is terminal. As he is about to use, Randall introduces himself as William's biological son. In the present, Randall takes Deja to visit her mother Shauna in prison, but Shauna declines the visit. Randall later talks to Shauna, who intends to take Deja back after her release. He lets Shauna call Deja collect. Kevin's relationship with Sophie deteriorates as he continues abusing pain medication and alcohol. Kate and Toby announce their pregnancy to Kevin, plan to get married at city hall, but then consider a big wedding.

26
8
"Number One"
Ken Olin
K.J. Steinberg
November 14, 2017 (2017-11-14)
2AZC08
10.05[25]

In flashbacks, baby Kevin walks first. Teenage Kevin disrespects a Pitt football recruiter, thinking Pitt inferior, so Jack scolds Kevin. As Jack speaks with his sponsor, and recites the serenity prayer, Kevin remains flippant, but Jack apologizes to Kevin. A game injury ends Kevin's football prospects while Jack and Randall are away at a college tour. Jack comes to the hospital and assures Kevin he has other talents, and will find his purpose. Kevin apologizes for his attitude. Jack gives him a pendant, symbolizing "purpose", given to him in Vietnam at a personal low point. Jack says Kevin is his purpose. Present-day Kevin, exhausted by substance abuse, is an honored alumnus at his high school. His football coach introduces him; Kevin imagines Jack giving the speech. Kevin declares himself unworthy of his award. He pantomimes football on the field, giving play-by-play commentary on his failures. He has sex with fellow honoree Charlotte, a doctor, and uses her prescription pad to create a forgery; he quickly leaves a pharmacy after police enter, having left the pendant in Charlotte's house, but she keeps him out. He collapses, begging for help. He visits Randall, who assumes Kevin's desire to talk concerns Kate's miscarriage.

27
9
"Number Two"
Ken Olin
K.J. Steinberg & Shukree Hassan Tilghman
November 21, 2017 (2017-11-21)
2AZC09
9.34[26]

In flashbacks, baby Kate walks second. Teenage Kate bonds with the dog, Louie. Kate seems unconcerned with college applications; Rebecca is pleased to discover Kate's application for Berklee. At Kevin's game, Kate accepts Rebecca's praise just as Kevin is injured. At the hospital, Kate admits she feared disappointing Rebecca; Rebecca acknowledges their emotional distance, but is ready to support Kate when needed. Kate watches her parents embrace. Present-day Kate talks to her unborn baby; she and Toby focus on her prenatal care, but she miscarries. Kate leaves a singing gig, overcome at seeing a family; she loads a buffet plate but leaves it untouched. Toby works frantically to avert the delivery of a baby bath. At home, Kate blames Toby for getting her excited about the baby; she tells Toby that the miscarriage didn't happen to him, but he asserts that he shares their loss. Rebecca arrives and Kate accepts her support. Kate admits feeling she hurt Toby by miscarrying; Rebecca shares that concealing from Jack her grief over triplet Kyle's death led her to a breakdown in a supermarket after six weeks. Kate tells Toby how she feels, and they agree to try again soon; they reaffirm their love.

28
10
"Number Three"
Ken Olin
Shukree Hassan Tilghman
November 28, 2017 (2017-11-28)
2AZC10
10.94[27]

In flashbacks, baby Randall walks third. Jack expects teenage Randall to attend Harvard, but lets Randall tour Howard. Jack takes the official tour; a friend shows Randall around. Randall tells Jack that others' reactions make him feel "off-balance" as the only black family member. Jack shows Randall the Vietnam Veterans Memorial; Jack felt off-balance when he returned from the war. Jack believes Randall will find balance and be "spectacular". They return to Pittsburgh for hospitalized Kevin; Jack admits monitoring all three children is difficult. In the present, the charges against Deja's mother Shauna are dropped; Randall and Beth consider fighting for custody. Randall recalls William's account of following Rebecca home after her second visit; he realized Randall had a full life without him, and left. Randall observes Shauna preparing for Deja's homecoming, and realizes Deja's home is with Shauna; Beth agrees. They attend Deja's school presentation. Shauna takes Deja home; Randall offers help. Randall and Beth agree to foster again; a young boy meets with his social worker. Kevin arrives, but leaves quickly after drinking vodka. Kevin is speeding—Tess, hidden in his backseat because she "hates" home, admonishes him; Kevin is arrested for DUI; Tess is safe.

29
11
"The Fifth Wheel"
Chris Koch
Vera Herbert
January 9, 2018 (2018-01-09)
2AZC11
9.65[28]

When the kids are 10, Jack takes the family to a cabin vacation, getting Kevin after football camp. Randall's new glasses are missing. Rebecca notices Kate's food obsession; Jack has her exercise, but takes her for ice cream. During a thunderstorm, Kevin brings Randall's glasses to their parents' room—where Kate and Randall are sleeping. He sleeps on the floor. Present-day Toby finds junk-food trash. Tess tells her parents she was sad when Deja had to leave. The family visits Kevin at rehab; Barbara, the facilitator, wants only immediate family at Kevin's first session. Kevin apologizes to the family, but Barbara has him discuss family issues. Kevin says they are a family of addicts. Kevin felt like an outcast ("fifth wheel"): Kate had Jack's support; Rebecca loved Randall more than Kevin. Randall scolds Kevin; Rebecca, crying, says why Randall was easier to love. Toby, Beth, and Miguel, at a bar, discuss being outsiders, Miguel the only one who knew Jack. After the session, the Big Three reconcile. Kate admits to Toby about hiding junk food since miscarrying. Rebecca tells Kevin why she never worried about him, but they had their moments. (In the flashback, Rebecca joins Kevin on the floor.)

30
12
"Clooney"
Zetna Fuentes
Bekah Brunstetter
January 16, 2018 (2018-01-16)
2AZC12
9.82[29]

Jack and Rebecca take the teenage Big Three shopping for suits and dresses for the winter formal and Jack's job. Randall asks a redhead girl out. Though the teenagers are almost starting college, Jack again wants to start "Big Three Homes" (which he put aside to support his family). Presently, William's stray cat "Clooney" wanders. After rehab, Kevin stays with Rebecca—whom Miguel is protecting, since Kevin upset her by getting arrested and criticizing her at rehab. Miguel later tells Kevin that Jack and Rebecca were a unified couple, not individuals; he did not love Rebecca while Jack was alive, but does now and is staying. Kate befriends Madison from support group; they go wedding dress shopping; Kate discovers Madison's bulimia. Madison later faints and calls Kate for help. Kate says losing weight as a teenager did not make her happy. Randall visits Beth at work; she says working again would help him. Randall gets William's box from storage, searches for a lady about whom William wrote and drew, and discovers from a picture it was Billie Holiday. Randall tells Beth he wants to buy and manage the run-down building with her. In the flashback, they forget smoke detector batteries.

31
13
"That'll Be the Day"
Uta Briesewitz
Kay Oyegun & Don Roos
January 23, 2018 (2018-01-23)
2AZC13
9.37[30]

Around 1980, an elderly couple look through their junk, including a jukebox which would play "That'll Be the Day". When their house gets a buyer, the man gives his neighbor, Jack, a slow cooker with a tricky switch. In 1998, Jack and Rebecca watch the Super Bowl alone as the teenagers are otherwise occupied—Kevin is with Sophie, Randall is on a date, and Kate is making a music college audition tape (which Jack videotapes, to Kate's initial disapproval). Presently, Randall and Beth buy William's old building. Kevin helps Randall do repairs; they soon find themselves overwhelmed—and bugs, so the building is vacated when an exterminator is called. When Toby looks for a dog on the internet, Kate—with mixed feelings—adopts a dog. Kevin tries to make amends to Sophie, receives his missing pendant in the mail—and knows that he cannot make amends to his dad. In 1998, the old slow cooker's faulty switch causes a house fire.

32
14
"Super Bowl Sunday"
John Requa & Glenn Ficarra
Dan Fogelman
February 4, 2018 (2018-02-04)
2AZC14
26.97[31]

In 1998, Jack evacuates the family (Kevin is away) from the burning house, then retrieves Kate's dog and family mementos. Jack, hospitalized for smoke inhalation, dies suddenly of cardiac arrest, to Rebecca’s shock. She tells Miguel, Randall, and Kate; Kate tells Kevin. On the 20th anniversary of Jack's death, Kate's VCR damages her audition tape Jack recorded—and saved from the fire—which she watches cathartically, blaming herself. Toby gets the tape repaired and digitized. Kate tells Toby he strengthens her, and Jack would have loved him. Kevin visits Jack's memorial tree, admitting not living up to Jack's legacy, but wanting to make him proud. Rebecca makes Jack's favorite lasagna, and bonds with Kevin. Randall holds a Super Bowl party to commemorate Jack, but is emotional when the family's new pet lizard dies. Tess admits trying to prevent social workers from calling, fearing recent changes mean Randall wants a "new life". He reassures her he will always be devoted to her; she is happy the family participates in fostering. Deja unexpectedly arrives; Randall and Beth comfort her. The boy seen earlier is placed with a couple; the social worker is adult Tess, whom older Randall meets for dinner.

33
15
"The Car"
Ken Olin
Isaac Aptaker & Elizabeth Berger
February 6, 2018 (2018-02-06)
2AZC15
10.13[32]

Jack buys a costly Wagoneer because his young children love it. The Pearsons, going to see "Weird Al" Yankovic, slowly cross a bridge Rebecca fears. Jack drives Rebecca, awaiting MRI results, to his "favorite tree” (nearest a pay phone); Rebecca is fine, as Jack anticipated. Jack predicts he will die first; he asks to be outside, not buried. The brothers fight during Randall's driving lesson; Jack exhorts them to be close like him and his brother, who died in Vietnam. Jack drives truant Kate to Alanis Morissette's autograph session; they compare Morrissette with Bruce Springsteen. Rebecca drives the teenagers to Jack's funeral, stalking the urn because she was not in Jack's room when he died. Dr. K—married to Anne—attends; he tells Rebecca Jack often sought his advice and she has always been strong. Kate decides to give away her dog; Rebecca affirms that Jack's death is not Kate's fault—Jack made his own decisions. The brothers bicker over manly duties; Rebecca tells them to remain teenagers; they make peace. The Pearsons scatter Jack's ashes at the tree; Kate keeps some. Jack had purchased Springsteen tickets for that night; Rebecca drives the family to the concert—crossing the bridge.

34
16
"Vegas, Baby"
Joanna Kerns
Laura Kenar
February 27, 2018 (2018-02-27)
2AZC16
9.74[33]

Jack and Rebecca celebrate their early wedding anniversaries—she, with small thoughtful gifts; he, with grand romantic gestures. The children, age 10, plan a romantic anniversary celebration (despite Rebecca's desire not to celebrate), including an attempted dinner, and culminating in observing a meteor shower. Rebecca decides they should always celebrate their anniversary. Presently, Toby and Kate hold their bachelor and bachelorette parties in Las Vegas. Kevin, Randall, Beth, and others attend; Toby has no close male friends, and Kate and Beth are not close. Kevin maintains his sobriety, despite struggling when learning his film scenes may have been cut. Weeks after providing Deja money for Shauna's utility bill, Randall worries about Deja; Beth wants to move on; they argue. Kate tries to mediate, revealing she feels Beth replaced her in Randall's life; Kate explains she was closest to Randall during part of their youth; Beth admits her love for absent Deja hurts. Toby supports Kevin and Randall, saying his own brother never desired a close relationship. Ron Howard tells Kevin his great work is still in the movie. When returning home, Beth decides she and Randall should visit Deja; they find her and Shauna living in a car.

35
17
"This Big, Amazing, Beautiful Life"
Rebecca Asher
Kay Oyegun
March 6, 2018 (2018-03-06)
2AZC17
8.90[34]

Flashbacks show other characters' experiences paralleling Deja's. 16-year-old Shauna gives birth to Deja; Shauna's grandmother "G. G." urges Shauna towards accountability. Three years later, G. G. financially supports Shauna. G. G. dies; Shauna depends on Deja. Teenaged Deja injures herself cooking Shauna's birthday dinner; Linda removes Deja from her home. Stress drives Shauna to drug use and Deja stays in the foster system. Deja and her foster sister Raven, after shoplifting, are removed from a physically abusive foster father's home; Raven was willing to endure physical abuse for stability. Deja returns to Shauna; Shauna's mooching boyfriend Lonzo brings a gun into the home; Deja's alopecia begins amid the adults' fighting. The gun is found in Shauna's car; Deja lives with the Pearsons, returning to Shauna after the charges are dropped. Shauna breaks up with Lonzo but spends her and Deja's savings to bail him out of jail; Deja attempts to raise money, but decides not to pawn G. G.'s brooch; Shauna and Deja are evicted for unpaid rent. Randall and Beth take in Shauna and Deja. Deja concludes that the human experience is universal. Shauna believes she deprived Deja of a childhood; she decides to leave Deja with the Pearsons.

36
18
"The Wedding"
Ken Olin
Isaac Aptaker & Elizabeth Berger
March 13, 2018 (2018-03-13)
2AZC18
10.94[35]

As Kate's wedding approaches, her recurring dream of Jack and Rebecca renewing their vows on their 40th wedding anniversary does not include Toby. After unsuccessfully seeking "something old" connected to Jack, Kate makes room in her heart for Toby by resolving her grief over Jack; she scatters the remainder of Jack's ashes near the Pearson cabin. Kate tells Rebecca she admires her. Toby's divorced parents disapprove of the marriage, fearing a relapse of the depression Toby suffered after his first marriage; Toby demands they celebrate the wedding or leave; they stay to celebrate. Kate and Toby marry; Jack once told Kate she would someday marry a man better than himself. Kevin allows himself to grieve over Jack. Deja is surly after Shauna requested termination of parental rights; Beth's cousin Zoe, the wedding photographer, consoles Deja by sharing how she accepted Beth's family’s love after her own mother abandoned her. However, after Toby's mother says Deja resembles Randall, Deja vandalizes Randall's car. In the future, Kevin (contemplating Jack and Nicky’s Vietnam War picture) and Zoe fly to Vietnam together; Kate nurses a cripplingly depressed Toby. Further in the future, Randall and adult Tess feel unprepared to see an unshown female.

tag: table

text: Production[edit]

text: Development[edit]

text: On January 18, 2017, NBC renewed the series for a second and third season of 18 episodes each, for a total of 36 additional episodes.[36] Dan Fogelman, Isaac Aptaker, and Elizabeth Berger served as the season's showrunners.[37]

text: Casting[edit]

text: Main cast members Milo Ventimiglia, Mandy Moore, Sterling K. Brown, Chrissy Metz, Justin Hartley, Susan Kelechi Watson, Chris Sullivan, and Ron Cephas Jones returned from the first season as Jack Pearson, Rebecca Pearson, Randall Pearson, Kate Pearson, Kevin Pearson, Beth Pearson, Toby Damon, and William H. Hill, respectively.[1] Jon Huertas and Alexandra Breckenridge, who recurred as Miguel and Sophie, respectively, throughout the first season, were subsequently promoted to the principal cast in the second season.[1] Also promoted to series regulars are young actors Hannah Zeile as teenage Kate, Niles Fitch as teenage Randall, Logan Shroyer as teenage Kevin, Mackenzie Hancsicsak as young Kate, Parker Bates as young Kevin, Faithe Herman as Annie Pearson, and Eris Baker as Tess Pearson. Lonnie Chavis began the season continuing as young Randall in a recurring role, but was ultimately promoted to series regular.[2][not in citation given]

text: In August 2017, Sylvester Stallone and Debra Jo Rupp were cast in guest starring roles.[9][6]

text: Filming[edit]

text: The show was awarded over $9.9 million in tax incentives by the California Film Commission for its second season.[38] Production on the season began on July 11, 2017, in Los Angeles.[39]

text: Release[edit]

text: Broadcast[edit]

text: The second season was originally set to move to a Thursday timeslot, to anchor a new Must See TV lineup, alongside Will & Grace, Great News and Law & Order True Crime: The Menendez Murders, with NBC chairman Bob Greenblatt explaining, "While this is a bit risky, there is a bigger case to be made about redoing Thursday night. If there is one show we could move, it would be this one."[40] However, on May 30, 2017, NBC decided to keep the series on Tuesdays at 9 pm EST,[41] allowing it a run of 10 uninterrupted original episodes in the fall.[42]

text: The season aired from September 26, 2017, to March 13, 2018, on NBC in the United States,[43] and on CTV in Canada.[44] This Is Us served as the lead-out program for Super Bowl LII on February 4, 2018.[45]

text: Reception[edit]

text: Critical response[edit]

text: The review aggregator website Rotten Tomatoes reported a 92% approval rating, with an average rating of 8.09/10, and an average episode score of 95%, based on 20 reviews. The website's consensus reads, "This is Us continues to tug at heartstrings with an emotional exploration of family that ensures viewers will want to keep the tissues close -- and their loved ones closer."[46]

text:
This Is Us (season 2): Critical reception by episode

Season 2 (2017–18): Percentage of positive reviews tracked by the website Rotten Tomatoes[46]

text: Ratings[edit]

text:
No.
Title
Air date
Rating/share
(18–49)
Viewers
(millions)
DVR
(18–49)
DVR viewers
(millions)
Total
(18–49)
Total viewers
(millions)

1
"A Father's Advice"
September 26, 2017
3.9/13
12.94[18]
2.6
6.93
6.5
19.87[47]

2
"A Manny-Splendored Thing"
October 3, 2017
3.1/11
11.06[19]
2.4
6.15
5.5
17.21[48]

3
"Déjà Vu"
October 10, 2017
2.8/10
11.02[20]
2.2
6.11
5.0
17.13[49]

4
"Still There"
October 17, 2017
2.9/10
10.65[21]
2.3
6.32
5.2
16.97[50]

5
"Brothers"
October 24, 2017
2.8/10
10.60[22]
2.2
6.09
5.0
16.69[51]

6
"The 20's"
October 31, 2017
2.0/7
8.43[23]
2.4
6.50
4.4
14.94[52]

7
"The Most Disappointed Man"
November 7, 2017
2.5/9
9.89[24]
2.3
6.28
4.8
16.17[53]

8
"Number One"
November 14, 2017
2.6/9
10.05[25]
2.2
6.10
4.8
16.15[54]

9
"Number Two"
November 21, 2017
2.5/9
9.34[26]
2.0
5.71
4.5
15.05[55]

10
"Number Three"
November 28, 2017
2.8/10
10.94[27]
2.0
5.65
4.8
16.60[56]

11
"The Fifth Wheel"
January 9, 2018
2.7/9
9.65[28]
2.3
6.34
5.0
15.99[57]

12
"Clooney"
January 16, 2018
2.5/9
9.82[29]
2.5
6.35
5.0
16.18[58]

13
"That'll Be the Day"
January 23, 2018
2.5/9
9.37[30]
2.6
7.10
5.2
16.58[59]

14
"Super Bowl Sunday"
February 4, 2018
9.3/32
26.97[31]
2.3
6.44
11.6
33.40[60]

15
"The Car"
February 6, 2018
2.7/10
10.13[32]
2.2
6.03
4.9
16.16[61]

16
"Vegas, Baby"
February 27, 2018
2.5/9
9.74[33]
2.0
5.65
4.5
15.39[62]

17
"This Big, Amazing, Beautiful Life"
March 6, 2018
2.3/8
8.90[34]
2.3
6.57
4.6
15.67[63]

18
"The Wedding"
March 13, 2018
2.8/10
10.94[35]
2.1
6.13
4.9
17.07[64]

text: Accolades[edit]

text:
Year
Award
Category
Recipient(s) and nominee(s)
Result
Ref.

2018
NAACP Image Awards
Outstanding Drama Series
This Is Us
Nominated
[65]

Outstanding Actor in a Drama Series
Sterling K. Brown
Nominated

Outstanding Supporting Actress in a Drama Series
Susan Kelechi Watson
Nominated

Outstanding Writing in a Drama Series
Vera Herbert for "Still There"
Nominated

Outstanding Performance by a Youth
Lonnie Chavis
Nominated


document_title: List of Cricket World Cup finals

question_text: which teams have won world cup in cricket

text: List of Cricket World Cup finals

text: History[edit]

text: The inaugural ICC Cricket World Cup final was held on 21 June 1975 at Lord's, contested by Australia and the West Indies.  A man of the match performance,[11] including a century from West Indian captain Clive Lloyd coming in to bat at number five with his team 50/3,[12] formed the basis of a 149-run fourth-wicket partnership with Rohan Kanhai.[13] Keith Boyce added a quick 34 and the Australians were set a target of 292 to win in a 60-over encounter.  In reply, Alan Turner hit 40 from 54 deliveries and Australian captain Ian Chappell scored 62 from 93 balls.  Australia "contributed to their own destruction" in an innings with five run outs, and the West Indies were crowned the first cricket world champions, winning by 17 runs.[14]  Four years later, the West Indies qualified for the final, this time facing England, hosted at Lord's for the second consecutive tournament. An unbeaten 138 from Viv Richards, and support from Collis King in a 139-run partnership for the fifth wicket,[15] saw the West Indies set England a target of 287 runs to win in 60 overs.[16]  A profitable yet slow opening partnership between Mike Brearley and Geoffrey Boycott (the latter taking 17 overs to reach double figures)[17] saw England to 129.  However, following Brearley's dismissal, only Graham Gooch and Derek Randall made a "brief assault" on the West Indian bowling,[17] before a batting collapse, Joel Garner taking five wickets in eleven balls.[18] England ended 194 all out, and presented the West Indies with their second consecutive title, winning by 92 runs.[17]

text: Lord's re-hosted the third World Cup final in June 1983, and was West Indies' third consecutive final. On this occasion, they faced India in front of 24,609 spectators.[19] Sunil Gavaskar was dismissed early in the innings for two runs, and only Kris Srikkanth scored more than thirty;[20] Andy Roberts took three wickets for the West Indies leaving India all out for 183.[20]  Following the dismissals of Viv Richards, Desmond Haynes and Larry Gomes by  Madan Lal for six runs between them, the West Indies collapsed to 140 all out, handing the title to India by 43 runs.[19]  India and Pakistan co-hosted the 1987 tournament; the final was held at Eden Gardens in Kolkata between Australia and England, both appearing for the second time and vying for their first title. Australia won the toss and elected to bat first; David Boon scored 75 runs from 125 deliveries, while Mike Veletta made a rapid 45 from 31 deliveries taking Australia to a total of 253/5 by the close of play, this time after 50 overs.[21]  In front of around 70,000 spectators, England's middle order of Bill Athey, Mike Gatting and Allan Lamb provided some resistance, but with 17 runs required in the final over to win, England fell short and lost by 7 runs.[22]

text: The 1992 tournament was co-hosted by Australia and New Zealand, with the first ever day/night final being held at the Melbourne Cricket Ground in Australia between England and Pakistan.  In their first final appearance, Pakistan won the toss and elected to bat first.  Despite two early wickets from Derek Pringle, Pakistani batsmen Imran Khan and Javed Miandad shared a third-wicket partnership of 139.  Both Inzamam-ul-Haq and Wasim Akram added over thirty runs each at more than a run-a-ball, leading Pakistan to a total of 249/6 in 50 overs.[23] A crowd of over 87,000 saw man-of-the-match Wasim Akram take three of England's wickets, including that of all-rounder Ian Botham for a duck, after Graeme Hick was "baffled by the googly".[24] England were bowled out for 227, and Pakistan won by 22 runs.[23]  India, Pakistan and Sri Lanka hosted the tournament in 1996. Sri Lanka was making their first appearance in the final, and faced 1987 champions Australia in another day/night contest.  After winning the toss, Arjuna Ranatunga sent Australia in to bat at the Gaddafi Stadium in Lahore. Captain Mark Taylor and Ricky Ponting added 101 in their second-wicket partnership as Australia completed their 50 overs 241/7.[25]  Man of the match Aravinda de Silva's century, assisted by partnerships with Asanka Gurusinha and Ranatunga led Sri Lanka to the total with 22 balls and 7 wickets to spare, and their first win in the final. This was the first time a host won the title, though the final was played in Pakistan. It was also the first time that the team batting second emerged victorious.[25]

text: Australia's "12-year era of World Cup dominance" began with the 1999 tournament,[26] hosted for the fourth time by England. In a "one-sided" final,[27] Shane Warne's four wickets helped to restrict Pakistan to 132 runs, all out with 11 overs yet to bat.[28]  A rapid fifty from Adam Gilchrist, and support from Mark Waugh, Ponting and Darren Lehmann, saw Australia reach the total in just over 20 overs, winning by eight wickets.[28]  The 2003 tournament had three co-hosts: South Africa, Kenya and Zimbabwe, the final being a day/night match contested between Australia and India at the Wanderers Stadium in Johannesburg.  Gilchrist and Matthew Hayden opened the batting, making a century partnership before Ponting and Damien Martin went on to score the highest partnership in any World Cup final with an unbeaten 234.[29]  Australia batted out their fifty overs, and ended on the highest score in World Cup final history: 359/2.[30]  Player of the tournament Sachin Tendulkar was dismissed in the first over of India's reply but Virender Sehwag and Rahul Dravid combined to score 88 in their fourth wicket partnership.  However, following Dravid's dismissal, India's batting collapsed, and they finished on 234 all out with nearly eleven overs remaining, handing Australia a 125-run victory.[30]

text: The 2007 final, held at the Kensington Oval in Barbados, was reduced to 38 overs a side following a two-hour rain delay.[31]  Australia's Gilchrist hit the fastest century in a World Cup final at a strike rate of over 143 and his opening stand with Hayden became the largest first-wicket partnership in World Cup history.[29] Australia ended on 281/4, an average of 7.39 runs per over.[32]  In reply, Sanath Jayasuriya and Kumar Sangakkara accumulated 116 runs for the second wicket, but with Chamara Silva the only other batsman to score over 20, Sri Lanka capitulated.  Despite a revised target, due to a further rain break, calculated using the Duckworth–Lewis method, Sri Lanka scored 215–8 from their allotted overs. With a 53-run victory, Australia won their third consecutive World Cup.[32]  Bangladesh, India and Sri Lanka co-hosted the 2011 tournament,[33] with the latter pair meeting in the final in the Wankhede Stadium in Mumbai.  Scoring 91 runs in their final 10 overs,[34] Sri Lanka's innings ended on 274/6, Mahela Jayawardene top-scoring with an unbeaten 103.[35]  Sehwag was out leg before wicket to Lasith Malinga in the second ball of the Indian innings, Tendulkar soon followed him, but 97 from Gautam Gambhir and an unbeaten 91 from MS Dhoni saw India home with 10 balls to spare. By winning the match, India became the first team to win the finals on home soil.[35]

text: List of finals[edit]

text:
Key to list of finals

The final was played as a day/night game.

The final was decided by the Duckworth–Lewis method.

text:
The "Year" column refers to the year the World Cup was held, and links to the article about that tournament.
The links in the "Result" column point to the article about that tournament's final game.
Links in the "Winners" and "Runners-up" columns point to the articles for the national cricket teams of the countries, not the articles for the countries.

text:
List of finals, along with the host nation and location and result of the final

Year

Winner

Result

Runner-up

Final venue

Host nation(s)[2]

Crowd

1975

 West Indies291/8 (60 overs)

West Indies won by 17 runs[11]

 Australia274 all out (58.4 overs)

Lord's, London

England
24,000

1979

 West Indies286/9 (60 overs)

West Indies won by 92 runs[16]

 England194 all out (51 overs)

Lord's, London

England
32,000

1983

 India183 all out (54.4 overs)

India won by 43 runs[20]

 West Indies140 all out (52 overs)

Lord's, London

England
30,000

1987

 Australia253/5 (50 overs)

Australia won by 7 runs[21]

 England246/8 (50 overs)

Eden Gardens, Kolkata, India

India, Pakistan
95,000

1992

 Pakistan249/6 (50 overs)

Pakistan won by 22 runs[23]

 England227 all out (49.2 overs)

MCG, Melbourne, Australia

Australia, New Zealand
87,182

1996

 Sri Lanka245/3 (46.2 overs)

Sri Lanka won by 7 wickets[25]

 Australia241/7 (50 overs)

Gaddafi Stadium, Lahore, Pakistan

India, Pakistan, Sri Lanka
62,645

1999

 Australia133/2 (20.1 overs)

Australia won by 8 wickets[28]

 Pakistan132 all out (39 overs)

Lord's, London

England, Wales, Ireland, Scotland, Netherlands
30,000

2003

 Australia359/2 (50 overs)

Australia won by 125 runs[30]

 India234 all out (39.2 overs)

Wanderers, Johannesburg, South Africa

Kenya, South Africa, Zimbabwe
32,827

2007

 Australia281/4 (38 overs)

Australia won by 53 runs [32]

 Sri Lanka215/8 (36 overs)

Kensington Oval, Bridgetown

West Indies
28,108

2011

 India277/4 (48.2 overs)

India won by 6 wickets[35]

 Sri Lanka274/6 (50 overs)

Wankhede Stadium, Mumbai, India

Bangladesh, India, Sri Lanka
65,000

2015

 Australia186/3 (33.1 overs)

Australia won by 7 wickets

 New Zealand183 all out (45 overs)

MCG, Melbourne, Australia

Australia, New Zealand
93,013

text: Results by country[edit]

text:
National team

Final appearances

Winners

Runners-up

Years won

Years runners-up

 Australia

7

5

2

1987, 1999, 2003, 2007, 2015

1975, 1996

 India

3

2

1

1983, 2011,

2003

 West Indies

3

2

1

1975, 1979

1983

 Sri Lanka

3

1

2

1996

2007, 2011

 Pakistan

2

1

1

1992

1999

 England

3

0

3

–

1979, 1987, 1992

 New Zealand

1

0

1

–

2015