document_title: A Series of Unfortunate Events (TV series)

question_text: who plays sunny in a series of unfortunate events cast

text: Premise[edit]

text: When a mysterious fire kills their parents, the Baudelaire children are placed into the care of their distant relative Count Olaf, an actor who is determined to claim the family fortune for himself. Following Olaf's failed attempt and his plot being exposed, the Baudelaires set out to elude Olaf and uncover the mystery behind a secret society from their parents' past.

text: Cast and characters[edit]

text: Main[edit]

text:
Neil Patrick Harris as Count Olaf,[4] an actor determined to claim the Baudelaire fortune for himself. He has one eyebrow and a tattoo resembling an eye on his left ankle, which is frequently used to identify him when he is disguised.
Patrick Warburton as Lemony Snicket,[5] the narrator tasked with explaining the events during the lives of the Baudelaires.
Malina Weissman as Violet Baudelaire,[6] the eldest Baudelaire sibling and an inventor talented in mechanics.
Louis Hynes as Klaus Baudelaire,[6] the middle Baudelaire child, interested in literature and books.
K. Todd Freeman as Arthur Poe,[7] the family banker and executor of the Baudelaire parents who is in charge of placing the Baudelaires in the care of a suitable guardian.
Presley Smith as Sunny Baudelaire,[8] the infant child of the Baudelaires with unnaturally strong teeth. Tara Strong provides Sunny's babbling sound effects, the meaning of which is often translated in subtitles.[9]
Lucy Punch as Esmé Squalor, a wealthy financial advisor, who becomes an ally and love interest for Count Olaf.[10]
Avi Lake as Isadora Quagmire,[11] Duncan and Quigley's sister who loves writing poetry.
Dylan Kingwell as Duncan Quagmire, Isadora's brother. Duncan is a keen journalist.[11]

text: Recurring[edit]

text:
Will Arnett as Father,[12][13] a man who is trying to return home to his three children.
Cobie Smulders as Mother,[13] a woman who is trying to return home to her three children.
Usman Ally as the Hook-Handed Man,[14] a member of Count Olaf's theatre troupe with hooks instead of hands.
Matty Cardarople as the Henchperson of Indeterminate Gender,[14] another member of Count Olaf's theatre troupe.
Cleo King as Eleanora Poe, Arthur Poe's wife and the editor-in-chief of The Daily Punctilio, who loves pursuing sensationalist headlines.
John DeSantis as the Bald Man,[15] a large bald-headed man who is another member of Count Olaf's theatre troupe.
Jacqueline and Joyce Robbins as the White-Faced Women,[14] two elderly twins who are members of Count Olaf's theatre troupe.
Sara Canning as Jacquelyn, Mr. Poe's standoffish assistant and a member of the Baudelaire family's secret society. She possesses a spyglass.
Patrick Breen as Larry Your-Waiter, a member of the Baudelaire family's secret society who is seen working as a waiter at various establishments the Baudelaires visit, including the Anxious Clown and Café Salmonella.
Sara Rue as Olivia Caliban, a librarian at Prufrock Preparatory School who later enlists as a member of the Baudelaire family's secret society when she becomes invested in the Baudelaires' plight.[10][16][17]
Nathan Fillion as Jacques Snicket, the dashing adventurer brother of Lemony Snicket who enlists Olivia Caliban to help the Baudelaires.[10]

text: Guest[edit]

text: Introduced in season 1[edit]

text:
Joan Cusack as Justice Strauss,[18] a judge and Count Olaf's neighbor who helps the Baudelaires and is hopeful to adopt them.
Luke Camilleri as Gustav Sebald,[14] a member of the Baudelaire family's secret society and Monty's former assistant.
Aasif Mandvi as Montgomery "Uncle Monty" Montgomery,[19] a distant relative of the Baudelaires and enthusiastic herpetologist who claims to have spent his childhood with their late parents. He is a member of the Baudelaire family's secret society and possesses a spyglass.
Alfre Woodard as Aunt Josephine Anwhistle,[20] a distant relative of the Baudelaires at Lake Lachrymose who has many rational and irrational fears and a love of grammar. She is a member of the Baudelaire family's secret society.
Don Johnson as Sir,[21] the cigar-smoking owner of Lucky Smells Lumbermill.
Catherine O'Hara as Georgina Orwell,[22] an optometrist and Count Olaf's ex-girlfriend who hypnotizes the Lucky Smells Lumbermill workers so they never leave, also causing them to believe the Baudelaire parents set fire to Paltryville. O'Hara previously portrayed Justice Strauss in the 2004 film adaptation.
Rhys Darby as Charles,[12] Sir's partner.
Timothy Webber as Jimmy, a worker at Lucky Smells Lumbermill.
Chris Gauthier as Phil, an optimistic worker who befriends the Baudelaires during their stay at the Lucky Smells Lumbermill.
Loretta Walsh as Norma Rae, a worker at Lucky Smells Lumbermill.
Trent Redekop as Cesar, a worker at Lucky Smells Lumbermill.

text: Daniel Handler cameos as a fish head salesperson at Lake Lachrymose. Barry Sonnenfeld does a picture cameo as the late Ike Anwhistle in "The Wide Window" and appears as him in a flashback scene in "The Carnivorous Carnival" Pt. 1.[citation needed]

text: Introduced in season 2[edit]

text:
Barry Sonnenfeld as the voice of Mr. Tammerlane, a person that Arthur Poe talks to on the phone.
Roger Bart as Nero Feint, the violin-playing vice-principal of Prufrock Preparatory School and struggling musician with an egotistic personality and a love for excessive punishments.[10]
Kitana Turnbull as Carmelita Spats, an obnoxious, tutu-wearing student at Prufrock Preparatory School.[23]
Bronwen Smith as Miss Tench, Prufrock Preparatory School's gym teacher who is replaced in the post by a disguised Count Olaf while on her way back to Prufrock Preparatory School with the pep squad and the sports team.[17]
Malcolm Stewart as Mr. Remora, a teacher at Prufrock Preparatory School who specializes in teaching his personal anecdotes and is always seen eating a banana.[17]
BJ Harrison as Mrs. Bass, a teacher at Prufrock Preparatory School who specializes in measuring objects. She later becomes a bank robber.[17]
Tony Hale as Jerome Squalor, the timid husband of Esmé Squalor.[10]
Ithamar Enriquez as Hector, a skittish handyman and citizen of the Village of Fowl Devotees who befriends the Baudelaires.[16]
Mindy Sterling as Elder Anabelle, a member of the Village of Fowl Devotees' Council of Elders.[17]
Carol Mansell as Elder Jemma, a member of the Village of Fowl Devotees' Council of Elders.[17]
Ken Jenkins as Elder Sam, a member of the Village of Fowl Devotees' Council of Elders.[17]
Lossen Chambers as Mrs. Morrow, an inhabitant of the Village of Fowl Devotees that wears a pink robe.
Kevin Chamberlin as Mr. Lesko, an inhabitant of the Village of Fowl Devotees that wears plaid pants.
John Bobek as the bearded leader of the Volunteers Fighting Disease.[17]
Lauren McGibbon as the perky member of the Volunteers Fighting Disease.
Kerri Kenney-Silver as Babs, the Head of Human Resources and Hospital Administration at Heimlich Hospital.[17]
David Alan Grier as Hal, a visually-disabled file clerk who is employed in the Library of Records at Heimlich Hospital.[24]
Robbie Amell as Kevin, an ambidextrous "freak" who works at Caligari Carnival.[25]
Kevin Cahoon as Hugo, a hunchbacked "freak" who works at Caligari Carnival.[17]
Bonnie Morgan as Colette, a contortionist "freak" who works at Caligari Carnival.[17]
David Burtka as Mr. Willums, a heckler with a pimpled chin who attends Caligari Carnival. He is based on The Man With Pimples On His Chin from "The Carnivorous Carnival" book.[26]
Jill Morrison as Mrs. Willums, the wife of Mr. Willums.
Harper and Gideon Burtka-Harris as Trixie and Skip Willums, the children of Mr. Willums.[27]
Allison Williams as an as-yet-unidentified woman who arrives to see the Caligari Carnival engulfed in flames.[28]

text: Episodes[edit]

text:
Season
Episodes
Originally released

1
8
January 13, 2017 (2017-01-13)

2
10
March 30, 2018 (2018-03-30)

text: Season 1 (2017)[edit]

text: The first season adapts the first four books of the novel series: The Bad Beginning, The Reptile Room, The Wide Window and The Miserable Mill.[29]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original release date

1
1
"The Bad Beginning: Part One"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Violet, Klaus, and Sunny Baudelaire receive the news that their parents have perished in a house fire from well-meaning but inept banker Arthur Poe. While exploring the ruins, Klaus finds a broken spyglass with an insignia of an eye embedded on the front. Shortly afterwards, they are sent to live with their distant relative Count Olaf, a cruel and vain amateur actor, who forces them into servitude. One night, the siblings prepare puttanesca for Olaf's theatre troupe only for him to demand roast beef upon arriving home. The children state that they were never asked to prepare roast beef, angering Olaf and prompting him to slap Klaus across the face when he protests about the sleeping arrangements. Meanwhile, a mother and father are held against their will by a mysterious captor.

2
2
"The Bad Beginning: Part Two"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires attempt to convince Mr. Poe of Olaf's actions, only to be sent away when Poe dismisses their claims. When Olaf gives Violet the starring role in his latest theatrical production, which ends with the two main characters being married, the siblings realize that Olaf intends to acquire their fortune by marrying Violet for real. Klaus confronts Olaf, who threatens to kill Sunny if Violet doesn't follow through with his plans. At the very last minute, however, Violet signs the marriage certificate with her left hand, invalidating the proceedings due to the fact that she is right-handed. Mr. Poe's mysterious secretary Jacquelyn reveals they were intended to be put in the care of their distant relative Montgomery Montgomery. Meanwhile, Jacquelyn's ally Gustav is mysteriously drowned, after being hit by a poisoned dart.

3
3
"The Reptile Room: Part One"
Mark Palansky
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires are sent to live with their herpetologist uncle Montgomery Montgomery, who has recently come across a reptile he calls the Incredibly Deadly Viper. While attempting to learn more about Montgomery, Klaus discovers that the hedge maze in Montgomery's garden is exactly the same shape as the tattoo on Olaf's ankle. Olaf poses as Montgomery's new assistant Stephano and attempts to kidnap the Baudelaires, but Monty assures the Baudelaires that he recognizes Stephano as a threat. The four arrive at a movie theatre, where Monty deciphers a code sent for him through the subtitles of the film, using a spyglass identical to Klaus'. The message instructs him to bring the children to Peru. He fires Stephano shortly afterwards, believing him to be a spy sent to steal his research.

4
4
"The Reptile Room: Part Two"
Mark Palansky
Emily Fox
January 13, 2017 (2017-01-13)

Immediately after dismissing "Stephano," Montgomery notices that the door to his Reptile Room is ajar and investigates, only to be attacked by an unseen figure. The next day, the Baudelaires discover Olaf standing next to Montgomery's corpse. Olaf threatens to kill Sunny unless the siblings accompany him to Peru, but is prevented from carrying out his plan when Mr. Poe accidentally crashes into their car when they are trying to leave. Olaf's theatre troupe then arrives disguised as police and nurses, and claim Monty was killed by the Incredibly Deadly Viper, despite Monty's claim of it being completely harmless. While searching for proof of the snake's innocence, Klaus discovers a statue in Monty's hedge maze, and a photograph of Monty, both of them carrying spyglasses identical to Klaus'. Violet proves Olaf to be the murderer; however, he escapes via the hedge maze with Klaus' spyglass. While pursuing him, the Baudelaires meet Jacquelyn, who is posing as a statue. She tells them to seek answers on the spyglasses from their Aunt Josephine while she hunts down Olaf via underground passageways.

5
5
"The Wide Window: Part One"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Mr. Poe takes the Baudelaires to live with their Aunt Josephine, an irrationally frightened woman who lives in a dilapidated house overlooking Lake Lachrymose. She refuses to answer questions about their parents, so the siblings pursue answers themselves around her house, and discover their parents were members of a secret organization, with spyglasses being used as useful devices. They are also shocked to find out that Josephine was once fierce and formidable, and developed her phobias after the death of her husband. Olaf, who has followed the Baudelaires, disguises himself as a sailor named Captain Sham before pretending to fall in love with Josephine. Despite the siblings' warnings, Josephine accepts his invitation to take her out for a fried egg sandwich. Later that night, the siblings discover that Josephine has jumped out the library's bay window and left a note informing them that "Captain Sham" is their new guardian.

6
6
"The Wide Window: Part Two"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

As Mr. Poe prepares to hand the Baudelaires over to "Captain Sham," the siblings discover the note has several grammatical errors, something Josephine would never do since she was obsessed with proper grammar. Mr. Poe takes the children to a restaurant and prepares to complete the transfer, but allows the siblings to leave after Larry, a waiter secretly a member of their parents' organization, triggers their allergy to peppermint. After returning to the house, the siblings decipher Josephine's suicide note and discover she is still alive moments before a hurricane sends the house teetering over the cliff. Escaping with a photograph of their parents standing in front of a lumber mill, the siblings find Josephine at a nearby cave, only to be confronted by Olaf, who abandons Josephine to be eaten alive by the leeches that inhabit Lake Lachrymose. Upon returning to shore, Olaf escapes after being unmasked in front of Mr. Poe while the Baudelaires sneak away and set out to find the lumber mill in the photograph.

7
7
"The Miserable Mill: Part One"
Bo Welch
Joe Tracz
January 13, 2017 (2017-01-13)

Upon arriving at the Lucky Smells Lumber Mill, the Baudelaires are forced to work by the owner Sir, who blames their parents for starting a fire that destroyed the entire town. While investigating the workers' unnaturally happy behavior, Klaus' glasses are broken by the Hook-Handed Man posing as Foreman Flacutono, and he visits local optometrist Georgina Orwell, who puts him into a hypnotic trance. Later that day, the siblings learn that two visitors are waiting to see them. Believing that their parents are still alive, the three are shocked to instead find Orwell and her receptionist "Shirley St. Ives," who is a poorly-disguised Olaf. Meanwhile, the mother and father who were previously held captive are revealed to be the parents of the Quagmire triplets, with whom they are reunited.

8
8
"The Miserable Mill: Part Two"
Bo Welch
Tatiana Suarez-Pico
January 13, 2017 (2017-01-13)

The Baudelaires discover the entire mill is under a hypnotic trance, ensuring they do not leave their jobs. Orwell and Olaf use a still-hypnotized Klaus to murder Sir's aide Charles, but Violet figures out how to break everyone's trance in the nick of time. The workers then storm the mill, causing Orwell to fall into the furnace and die. Sir, Olaf, and the Hook-Handed Man all escape in the chaos. Charles reveals the truth about the Baudelaires' role in the town, where they actually helped to fight the fire. The three siblings are reunited with Mr. Poe, and Jacquelyn sends Klaus the broken spyglass that Olaf stole from him. Poe then sends the three siblings to a dreary boarding school, which two of the three Quagmire siblings are also sent to, due to their house being burnt down by an unknown woman. The Quagmires' parents are revealed to be members of the organization. In the final scene, Lemony Snicket, Count Olaf, the Baudelaires and Mr. Poe sing the song "That's Not How the Story Goes."

text: Season 2 (2018)[edit]

text: The second season adapts books five through nine of the novel series: The Austere Academy, The Ersatz Elevator, The Vile Village, The Hostile Hospital, and The Carnivorous Carnival.[32]

text:
No.
overall
No. in
season
Title [b]
Directed by
Written by
Original release date

9
1
"The Austere Academy: Part 1"
Barry Sonnenfeld
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires are introduced to life at Prufrock Preparatory School, an unpleasant institution run by an unpleasant vice-principal named Nero and terrorized by an equally unpleasant student named Carmelita Spats. The school's only redeeming qualities are its friendly librarian, Olivia Caliban, and the surviving Quagmire triplets, Duncan and Isadora. During a lunch break, Klaus and Isadora discover that they are holding two halves of the same spyglass. The newfound friends quickly realize that they must track down a book on secret organizations to find the answers they seek—a book Jacquelyn sent Larry to give them, but which he carelessly misplaced. Meanwhile, Count Olaf and his troupe lurk around the grounds of the school, unable to enter the front doors due to an advanced computer system programmed by Nero to detect Olaf's presence. However, with Carmelita's help, Olaf finally gains entry and locks Larry in the cafeteria's walk-in refrigerator. He then dons his latest disguise: the school's new turban-wearing gym teacher.

10
2
"The Austere Academy: Part 2"
Barry Sonnenfeld
Joe Tracz
March 30, 2018 (2018-03-30)

Olaf is able to convince Nero to put the Baudelaires under a grueling exercise program, making the siblings run endless laps at night to prevent them from scheming against him, while also causing them to perform poorly in class from lack of sleep. Due to their slumping grades, Nero threatens to expel the Baudelaires if they fail a comprehensive exam to be given in front of the entire school, but because they must still exercise under Olaf's program, they know they will likely fail. The Quagmires offer to help, and that night take their place during exercises; however, their identity is discovered, and while hiding in the library, they find the copy of the book on secret organizations and read up on the purpose of the spyglass before they are caught by the Hook-Handed Man. The next day, with Mr. Poe in attendance, the Baudelaires readily pass the exam, and through it reveal Olaf's identity. Olaf and his gang then escape with the Quagmires, who try to shout the initials "V.F.D." from the backseat of Olaf's car. Meanwhile, Larry is rescued from the refrigerator with the help of Lemony's brother, Jacques, while Olivia walks off with the book on secret organizations that the Quagmires left behind.

11
3
"The Ersatz Elevator: Part 1"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

While a citywide manhunt for Count Olaf is underway, Mr. Poe takes the Baudelaires to the penthouse of Jerome Squalor and his trendy financial advisor wife Esmé. While being introduced to the Squalors, they find Olaf has already arrived, posing as a foreign auctioneer named Gunther. The Baudelaires theorize that Olaf is trying to kill Jerome so that he can marry Esmé and become their legal guardian again. They search the penthouse for the Quagmires to no avail, but Klaus becomes suspicious of an extra elevator that only seems to serve the penthouse. Meanwhile, Olivia tries to convince Mr. Poe about Olaf's scheme, which leads Jacquelyn to contact Jacques, who enlists her into their society. Esmé suggests they go out for lunch at a fashionable salmon-themed restaurant Cafe Salmonella, where Larry works to prolong their visit, giving Jacques and Olivia time to search the Squalor's building for the Quagmires. When the Baudelaires manage to sneak away and examine the second elevator, they learn that it is merely an empty shaft. With a makeshift parachute, they descend it to find the Quagmires locked in a cage at its bottom.

12
4
"The Ersatz Elevator: Part 2"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires do not have the tools to free the Quagmires, so they ascend the shaft by turning the parachute into a hot-air balloon. They try to warn Esmé of Olaf's scheme, but learn too late that she is in cahoots with him and that they are planning to smuggle the Quagmires out of the city. Esmé pushes them down the elevator shaft, where they are caught in a net midway down. Sunny helps them to escape safely, and afterwards they find a secret passage that leads to the ashen ruins of their home. At the auction in Veblen Hall, the Baudelaires start a bidding war on a box labeled "V.F.D.", which they believe contains the Quagmires. Though they win the item, they find the box contains only doilies. In the aftermath, Olaf and his troupe escape with the Quagmires, who are hidden inside a red herring statue. The Baudelaires ask Jerome to help track down Olaf, but he is far too timid to do so, and gives up his guardianship of them. Mr. Poe tells the children that a village with the initials "V.F.D." is willing to raise them.

13
5
"The Vile Village: Part 1"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

Mr. Poe drops the Baudelaires off at the Village of Fowl Devotees, where the whole community will care for them collectively. The Baudelaires take up residence with Hector, a kindly handyman prone to fainting spells who is secretly building a self-sustaining hot-air mobile home, and soon begin finding clues written by the Quagmires themselves. Olaf, Esmé, and the troupe also arrive at the village, with Esmé disguising herself as the town's new chief of police. Jacques and Olivia also arrive and detain Olaf at the local jailhouse; the next day, the villagers learn of Olaf's capture and hold a town hall meeting, where Olaf appears in the disguise of Detective Dupin, tricking everyone into believing Jacques is Olaf. Jacques is sentenced to death, but Olivia convinces Esmé to free her and Jacques in exchange for the location of the Sugar Bowl, an object with ties to Esmé's past. Jacques stays behind to confront Olaf; however, the villain is unfazed by Jacques' offer of a truce, and he and Esmé incapacitate and kill him. The next morning, as the Baudelaires try to break into the jail to rescue Jacques, they are informed that "Olaf" has been murdered.

14
6
"The Vile Village: Part 2"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

The disguised Olaf and Esmé quickly convince Mr. Poe and the town that the Baudelaires murdered Jacques/"Olaf," and they are promptly condemned to be burned at the stake. While in jail, the children instruct Hector to prepare his hot-air mobile home to help them escape. While Violet creates a battering ram to weaken the jail wall, Klaus deduces from their clues that the Quagmires are hidden inside a crow fountain in the village square. Larry and Jacquelyn arrive on the scene to distract the villagers long enough for the children to escape via a fire truck and follow Hector. The Baudelaires cover for the Quagmires as they use the truck's ladder to climb aboard the mobile home. As they do so, Olaf, Esmé, and the villagers arrive, and Esmé begins damaging Hector's home with a harpoon gun. Realizing their danger, the Baudelaires tell Hector to escape with the Quagmires. In thanks, the Quagmires try to throw their friends their notes about the secrets of V.F.D., but Esmé shoots them with a harpoon, scattering the pages and harming a crow. While the villagers accost the disguised villains over the injured bird, the Baudelaires collect as many of the ruined pages as they can and make their escape.

15
7
"The Hostile Hospital: Part 1"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

The Baudelaires hitch a ride with volunteer singing candy stripers heading to Heimlich Hospital. They learn that there is a Library of Records that collects and stores esoterica. After sneaking past the hospital's administrator Babs, they meet Hal, the man who runs the library. He welcomes their help, but forbids them to read material in storage. While Hal shows them the ropes, a film reel labeled "Snicket" arrives and catches the children's attention. Meanwhile, believing the Sugar Bowl to be in the hospital, Olaf and his troupe infiltrate the building. Desperate for answers, the children are forced to steal Hal's keys to access the library, where they find the film. It contains a debriefing of Jacques by a V.F.D. volunteer, with Jacques informing the interviewer that someone has survived a fire, which may or may not be the one that killed the Baudelaire's parents. However, before they can watch any further, they are interrupted by Esmé; as they try to escape, the library is ruined. Violet is captured by Olaf while Klaus and Sunny hide in a chute, in possession of the film.

16
8
"The Hostile Hospital: Part 2"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

Olaf and Esmé hide Violet under a false name; to find her, Klaus disguises himself as "Dr. Faustus," with Sunny hidden in a sling underneath his coat. They eventually deduce which room Violet is in, but this is a trap laid by Olaf, who forces Klaus to operate on Violet inside an operating theater. Esmé promises to call off the scheme if Klaus can give her what he stole from the Library of Records, and he does so—only, it's not the Sugar Bowl that she has been searching for. Olaf, however, is interested in the Snicket film, and dashes off to watch it to learn its secret. Furious at its revelations, he burns the film, which also starts a fire in the hospital. The Baudelaires successfully evacuate the hospital and realize that their only chance to escape safely is in the trunk of Olaf's car. Hal is left depressed over the loss of the Library of Records. Elsewhere, an unknown person recovers the Sugar Bowl from the burning hospital.

17
9
"Carnivorous Carnival: Part 1"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

A flashback to a masked ball at the V.F.D. headquarters shows Lemony trying to warn Beatrice about Olaf. In the present, Olaf and his troupe arrive at the Caligari Carnival to speak with its fortune-teller, Madame Lulu, about the fire's survivor. Lulu, who is really Olivia in disguise, tells them to wait for the answer in the morning. The Baudelaires overhear this, and hoping to speak to Lulu as well, assume the identities of circus freaks, with Violet and Klaus as a two-headed person and Sunny as a wolf child. After calling V.F.D., Olivia is able to tell Olaf the next day that one of the Baudelaire parents did indeed survive the fire. Olaf then presents a freak show that proves disastrous, so he sets off to find a pack of roaming lions to help attract a larger crowd. This gives an opportunity for the children to sneak into Lulu's tent, where they discover films, books, and disguises belonging to the Volunteer Fire Department—the secret organization their parents and guardians belonged to. Olivia then appears and reveals her true identity to them.

18
10
"Carnivorous Carnival: Part 2"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

Olivia explains to the Baudelaires that "Madame Lulu" is an alias used by V.F.D. agents to gather information. While Olivia admits she had to lie to Olaf about one of the children's parents surviving the fire, Jacques had asserted that there was a survivor, and they should head to the V.F.D. headquarters in the Mortmain Mountains to find them. Meanwhile, Olaf plans to throw one of the freaks into a pit filled with the hungry lions he has corralled, while Esmé connives to have Lulu killed. The next day, Olaf selects Violet and Klaus for the pit. When Olivia is told to push the children to the lions, she instead pushes them to safety, and is sent tumbling into the pit by Olaf for her troubles. As the children try to collect the V.F.D. materials from Lulu's tent, Olaf arrives and forces them to burn the tent down. Then, after placing Violet and Klaus in a towed caravan and taking Sunny in his car, Olaf has the other freaks cut the towing rope on a steep mountain path. At the same time, the last operative to pose as Madame Lulu arrives at the burning carnival as Lemony Snicket claims that she is someone he knows.

text: Season 3[edit]

text: The third season will adapt the final four books of the novel series[32] in seven episodes: The Slippery Slope, The Grim Grotto and The Penultimate Peril will be adapted into two episodes each, and The End will conclude the series with a longer single episode.[35] Barry Sonnenfeld will direct the episodes for The Penultimate Peril.[35] Liza Johnson and Jonathan Teplitzky will also direct episodes in the season.[36][37][38]

text: Production[edit]

text: Development[edit]

text: The thirteen A Series of Unfortunate Events novels, written by Daniel Handler under the pen name Lemony Snicket from 1999 to 2006, achieved success in young adult fiction around the same time as the Harry Potter novels. As such, the Snicket books had been optioned to be filmed before they were published.[39] This led to the development of a 2004 feature film, Lemony Snicket's A Series of Unfortunate Events, which covered the narratives of the first three novels in the series. Barry Sonnenfeld, who has expressed his love for the series, was originally slated to direct the feature film, and had hired Handler to write the screenplay.[40] About 10 months into production, shortly after the casting of Jim Carrey as Olaf, there was a "big crisis", according to Handler, which caused producer Scott Rudin to walk away and Sonnenfeld left the production under unclear terms.[39] With the film's completion in flux, its producing studios Paramount Pictures and DreamWorks fired Handler. While the film was eventually completed and released, sequels which would adapt the other novels in the series became unlikely due to "corporate shakeups" within DreamWorks, according to Handler, and the child actors that portrayed the Baudelaire children grew too old to star in a sequel.[40]

text: In November 2014, Netflix, in association with Paramount Television, announced its plans to adapt the novels into an original television series, with the author of the series, Daniel Handler, serving as executive producer.[41]

text: In September 2015, it was announced that Barry Sonnenfeld and Mark Hudis had agreed to helm the series. Hudis would serve as showrunner, Sonnenfeld as director, and both as executive producers,[42] with Handler writing some of the scripts along with working with the series' writing team.[32] However, in January 2016, Netflix announced that Hudis had left the project, with a replacement showrunner not named at the time.[4]

text: The first season consists of eight episodes,[5] with two episodes adapting each of the first four books of the series.[29] Handler considered this more in line with how he had written the books in the manner of a serialized melodrama, citing The Perils of Pauline as one of his influences in writing the book series.[43] In January 2017, Handler revealed that he was writing the series' second season, to consist of ten episodes adapting the fifth through ninth books of the series. A third season would adapt the remaining novels of the series, which Handler hoped "to get the go-ahead to do" since "given how quickly young actors age and change, we're trying to film everything as quickly as possible."[32] In March 2017, Netflix revealed the series had been renewed for a second season by releasing a video on their social media pointing to a viral marketing website, where a letter written by Snicket revealed the decision.[44] A month later, the series was "quietly" renewed for a third season,[45] which Harris confirmed would be the final one for the series.[46]

text: Casting[edit]

text: On December 3, 2015, an open casting call was announced for the roles of Violet and Klaus Baudelaire.[47] In January 2016, Netflix announced that Neil Patrick Harris had been cast as Count Olaf and Malina Weissman and Louis Hynes were cast as Violet and Klaus.[4][6] Handler had first considered Harris for the role of Olaf after seeing him perform the opening number "It's Not Just for Gays Anymore", at the 65th Tony Awards in 2011, noting "I just immediately saw someone who could pull off a million things at once" as was necessary for the character of Olaf, who utilizes various disguises and accents in his quest to steal the Baudelaire fortune.[48]

text: In March 2016, K. Todd Freeman was cast as Mr. Poe,[7] followed shortly after by the casting of Patrick Warburton as Lemony Snicket,[5] and Aasif Mandvi as Uncle Monty.[19] In September 2016, it was revealed that Dylan Kingwell and Avi Lake were cast as the Quagmire siblings, Duncan and Isadora, respectively.[11] In November 2016, Handler revealed Catherine O'Hara, Don Johnson, and Alfre Woodard had been cast as Dr. Georgina Orwell,[22] Sir,[21] and Aunt Josephine, respectively;[20] O'Hara had previously portrayed Justice Strauss in the 2004 film adaptation of A Series of Unfortunate Events.[22] It was also revealed that Presley Smith would play Sunny Baudelaire,[8] whose quasi-nonsensical lines are voiced by Tara Strong,[9] and Rhys Darby would play Charles, Sir's partner.[12]

text: Filming[edit]

text: Production began in May 2016 in Vancouver, British Columbia,[49][50] and in August 2016 several cast members expressed through social media that filming had finished.[51] Filming for the second season began in April 2017.[52] The third season began filming on January 5, 2018.[53]

text: One aspect of the series of books that the production team wanted to be captured in the series was the notion of a lack of specific time period or geography for the settings; Handler stated that he wrote enough for establishing set pieces, but purposely left more specific details vague "in order for young readers to fill in the blanks themselves." Sonnenfeld wanted to capture that same sense of ambiguous time and place, and he and his team worked to try to define a set of subjective rules of what elements could be included. Sonnenfeld brought on Bo Welch, production designer for Edward Scissorhands, which Handler considered to capture the same sense of a "familiar but completely imaginary" suburban setting he had in mind for his books. While the production team used computer-generated imagery where needed, they attempted to avoid this use where possible, such as by using large painted backdrops, by key scenic artist John E. Wilcox, rather than employing green screen filming.[43]

text: Music[edit]

text: In April 2016, Nick Urata was initially reported to be composing music for the series.[54] Once the first season was released, it was revealed that Urata collaborated with Daniel Handler to compose the main title theme, "Look Away", as well as various original songs that appear throughout the series, with Handler contributing the lyrics. The first season's original score was composed by James Newton Howard, with his frequent collaborators Sven Faulconer and Chris Bacon filling in to score certain episodes.[55] In the second season, Jim Dooley joined the production as composer and subsequently wrote the music for all ten episodes.[56]

text: "Look Away", the theme song for the opening titles of the series, is performed by Neil Patrick Harris.[55] In keeping with the tone of the book series, the song warns the viewer against continuing to watch the unpleasant story any further.[57] The lyrics of one verse of the song change for each pair of episodes, comprising a brief synopsis of those episodes' premise. [58]

text: Visual effects[edit]

text: Zoic Studios created visual effects for the series, including the effects for many of Sunny Baudelaire's actions.[59] Tippett Studio also did work on the series, including the effects for the destruction of Josephine's house, landscape shots of Lake Lachrymose and some of the more movement heavy Sunny Baudelaire shots.[60]

text: Release[edit]

text: All eight episodes of the first season of A Series of Unfortunate Events were released worldwide on Netflix on January 13, 2017,[18] in Ultra HD 4K.[61] The second season was released on March 30, 2018.[62]

text: Marketing[edit]

text: On July 5, 2015 a video titled "An Unfortunate Teaser" was uploaded to YouTube by a user named "Eleanora Poe". Netflix quickly released a statement saying "This was not released from Netflix." Media outlets were almost unanimous in agreement that the trailer was fan-made.[63][64][65][66] However, Caitlin Petrakovitz of CNET argued that the trailer may be real and that Netflix's carefully worded denial was a marketing campaign, noting the user name "Eleanora Poe" being the same as a character from the series, and that a vinyl record seen in the trailer was of The Gothic Archies, a band who provided the theme music for the audio books of A Series of Unfortunate Events.[67] The trailer was later revealed to be a spec promo, similar to a spec script, by an independent commercial director, whom Netflix contracted to make a title sequence for the series after the video's popularity, though they did not go ahead with the concept.[68]

text: In October 2016, Netflix released the first teaser trailer for A Series of Unfortunate Events, where Warburton narrates the events of the series as Lemony Snicket.[18] A trailer, featuring footage from the series and Neil Patrick Harris's character, Count Olaf, was released by Netflix in November 2016,[69] followed shortly by the first full trailer.[8] The second trailer was released in December 2016,[70] followed by a "holiday-themed" trailer from Count Olaf leading fans to a viral marketing website for the fictional Valorous Farms Dairy, which featured four holiday e-cards for download.[71]

text: Reception[edit]

text: Audience viewership[edit]

text: As Netflix does not reveal subscriber viewership numbers for any of their original series, Symphony Technology Group compiled data for the first season based on people using software on their devices that measure television viewing by detecting a program's sound. According to Symphony, 3.755 million viewers age 18-49 were watching an episode of A Series of Unfortunate Events over the average minute in its first weekend of release.[72]

text: Critical response[edit]

text: Season 1[edit]

text: The first season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the season an approval rating of 94% based on 62 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "Enjoyably dark, A Series of Unfortunate Events matches the source material's narrative as well as its tone, leaving viewers with a wonderfully weird, dry, gothic comedy."[73] On Metacritic the season has a score of 81 out of 100, based on 23 critics, indicating "universal acclaim".[74]

text: Erik Adams of The A.V. Club awarded the season a B and praised it for treating "mature themes like grief, loss, and disappointment with sardonic honesty." Adams compared the program positively to the Adam West Batman series, calling it "kids stuff with adult sophistication, driven by two-part stories, outrageous visuals, and the scenery-chewing of big-name guest stars".[75] Ben Travers of Indiewire gave the series an A-, saying that it "proves as inspirational and endearing as it claims to be forlorn and heartbreaking". Brian Lowry of CNN praised the showrunners for "infusing the show with a lemony-fresh feel, conjuring a series similar to the fantastical tone of Pushing Daisies". Lowry wrote that "the show proves a good deal of fun" and that "Harris dives into his over-the-top character with considerable gusto." He also argued that the series improved upon the 2004 film.[76]

text: Several critics praised the television series as a better adaptation of the books than the 2004 feature film, which starred Jim Carrey as Count Olaf. Kelly Lawler of USA Today felt the television format gave the stories more room to develop, the addition of Warburton as the fourth wall-breaking Snicket helped to convey some of the wordplay humor used in the books, and Harris's portrayal of Olaf was "much more dynamic, and creepier" than Carrey's version.[77] The Verge's Chaim Gartenburg said that the show follows the books much more faithfully than the film, and "nails down the tone that made the stories so special".[78] Los Angeles Times writer Robert Lloyd felt that the backgrounds of Sonnenfeld and Welch made them "the right people for this job, set in a milieu that is hard to fix in time, except to say it is not now", in capturing the tones of the book compared to the feature film.[79]

text: Nick Allen of RogerEbert.com, on the other hand, gave the series a negative review, calling it "an unfunny parody of sadness" that is "never as clever as it wants to be" and would only appeal to fans of the books.[80] Caroline Framke of Vox Media praised the series for its unique and weird visuals, but found the show's tone, pacing and performances to be haphazard and considered the show to be "literally, a series of unfortunate events".[81]

text: Season 2[edit]

text: As with the first season, the second season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the second season an approval rating of 100% based on 13 reviews, with an average rating of 7.8/10.[82] Clarisse Loughrey of The Independent praised the show as one that "essentially deals with thoughtful, intelligent young people battling to speak up against an illogical world." While observing that the "show may revel in the miserable", she opined "that the purpose of its own morbidity is to offer the assurance that hope lives in even the darkest of places." Loughrey also credited the show's expanded storyline for the Baudelaires' adult allies for "plumping up" the episodes' narrative arcs and deepening the show's emotional impact.[83]

text: Tristram Fane Saunders of The Telegraph awarded the second season four out of five stars. He described the show as a "gothic treat [that] also offers a wicked line in absurdist humour, and the most gorgeously toybox-like set designs you’ll find anywhere outside a Wes Anderson film."[84] Radio Times reviewer Huw Fullerton praised the series for its faithfulness to the original novels. While praising the improved CGI used to make Presley Smith's character Sunny Baudelaire react better to situations, he criticized the addition of supporting "good" characters such as Nathan Fillion's Jacques Snicket and Sara Canning's Jacquelyn for "undercutting the bleakness and loneliness that characterized the novels."[85]

text: Rohan Naahar of the Hindustan Times described A Series of Unfortunate Events as "one of the most lavish originals in Netflix's bottomless catalogue, created by fans, for fans." He also praised Neil Patrick Harris' performance as Count Olaf.[86] The Den of Geek reviewer Michael Ahr praised tortoise-shell 'amphibiophones' and stone marimbas score for giving the television series its primal sound.[87] IGN reviewer Jonathon Dornbush criticized the second season's formulaic plot structure and lack of the insightful observations compared to the first season. He also praised several of the second season's episodes particularly "The Ersatz Elevator", "The Hostile Hospital", and "The Carnivorous Carnival" for smartly twisting the story formula and deepening the novel series' mythology. Dornbush also praised the performance of guest stars such as Lucy Punch and Patrick Warburton and awarded the second season 7.2 stars.[88]

text: Awards and nominations[edit]

text:
Year
Award
Category
Nominee
Result
Ref

2017
Leo Awards
Best Visual Effects in a Dramatic Series
Luis Alejandro Guevara, Bob Habros, Cale Jacox, Ron Simonson, Jeffrey De Guzman
Nominated
[89]

Best Make-Up in a Dramatic Series
Rita Ciccozzi, Krista Seller, Tanya Hudson, Gitte Axen
Won

Best Hairstyling in a Dramatic Series
Julie Mchaffie, Dianne Holme, Jenine Lehfeldt
Won

Best Guest Performance by a Female in a Dramatic Series
Sara Canning
Nominated

Saturn Awards
Best New Media Television Series
A Series of Unfortunate Events
Nominated
[90]

Creative Arts Emmy Awards
Outstanding Music Composition for a Series
James Newton Howard
Nominated
[91]

Gold Derby TV Awards
Comedy Actor
Neil Patrick Harris
Nominated
[92]

Hollywood Music in Media Awards
Main Title Theme – TV Show/Limited Series
Nick Urata and Daniel Handler
Won
[93]

Peabody Awards
Children's & Youth Programming
A Series of Unfortunate Events
Won
[94]

2018
Satellite Awards
Best Actor in a Series - Comedy or Musical
Neil Patrick Harris
Nominated
[95]

text: Notes[edit]

text:
^ Jump up to: a b Netflix and critics name the first two episodes as "The Bad Beginning", following the title of the book, while the episode itself displays the name of "A Bad Beginning" after the opening credits.[30][31]
Jump up ^ Netflix names the episodes of the second season as Part 1 and Part 2, while the episodes themselves display the names as Part One and Part Two after the opening credits, following the format of the first season.
^ Jump up to: a b Netflix names the ninth and tenth episodes as "Carnivorous Carnival", while the episodes themselves display the name of "The Carnivorous Carnival" after the opening credits, following the title of the book.[33][34]

tag: ol


document_title: Bank of England £5 note

question_text: when did the polymer £5 come out

question_tokens: when did the polymer £ 5 come out

root

text: Bank of England £5 note

text: History[edit]

text: Introduction[edit]

text: Five pound notes (£5) were introduced by the Bank of England in 1793, following the ten pound note which had been introduced in 1759 as a consequence of gold shortages caused by the Seven Years' War.[2] The 5 pound note was introduced again, due to gold shortages caused by the French Revolutionary Wars and the Napoleonic Wars and was the lowest denomination of note issued until 1797.[3] The earliest notes were handwritten and were issued to individuals as needed. These notes were written on one side only and bore the name of the payee, the date and the signature of the issuing cashier.[4]

tag: p

text: Restriction period[edit]

text: In 1797, due to the extra money need to fund the war and the uncertainty caused as Britain declared war on France, a series of bank runs drained the Bank of England of its gold supply.[3] The Bank was forced to stop exchanging gold for notes and to issue notes of £1 and £2 denominations. This was known as the 'restriction period', as the exchange of notes for their value in gold was restricted.[5]

text: The Restriction Period ended in 1821 as the Government had to anchor the value of the currency to gold in order to control sharply rising inflation and national debt. After a brief period to offset any sudden deflation, the UK returned to the gold standard on 1 May 1821.[6][7] These notes could again be exchanged in full, or in part, for an equivalent amount of gold when presented at the bank.[8] If redeemed in part, the banknote would be marked to indicate the amount that had been redeemed. From 1853 printed notes replaced handwritten notes, with the declaration "I promise to pay the bearer on demand the sum of five pounds" replacing the name of the payee. This declaration remains on Bank of England banknotes to this day. A printed signature of one of three cashiers appeared on the printed notes, though this was replaced by the signature of the Chief Cashier from 1870 onward.[9]

text: Move away from gold standard[edit]

text: The right to redeem banknotes for gold ceased in 1931, when Britain stopped using the gold standard.[10] Metal thread was introduced on the £5 note in 1945 as a security feature. The printed black and white notes were replaced from 1957 onward by new, two-sided notes. The first two-sided £5 notes (series B) were blue and featured a bust of Britannia on the front and a lion on the back. Series C notes, first introduced in 1963, were the first notes to feature an image of the monarch on the front, with Britannia being relegated to the back. From 1971 onward, with the introduction of series D, a British historical figure was portrayed on the reverse: the soldier and statesman the Duke of Wellington in this case. Series E notes, first issued in 1990, are multicoloured, although they are predominantly turquoise-blue. These notes feature a portrait of railway pioneer George Stephenson, as well as for the first time 'windowed' metal thread; this thread appears as a dashed line, yet forms a single line when held up to the light.[11]

text: 2002 Varnish Issue[12][13][edit]

text: In 2002, a problem was identified in which the serial numbers could be rubbed off of some notes.  The problem was highlighted after six members of the public complained to The Bank of England; the notes were stopped being distributed by the banks as of request by the Bank of England as well the Post Offices to stop issuing the new £5 notes. The Bank said the move was a "precautionary measure while we carry out further tests and investigative work into what might have caused the fault and how widespread the problem is". The bank consequently did rigorous testing and found the problem to be that the serial numbers were printed over the varnish rather than under it allowing the ink to be removed if enough force was applied. The Bank started to varnish the notes in an attempt to make them last longer than previous notes which only had an estimated lifespan of nine months.

text: A spokesman for the Bank of England said: "The notes are still legal tender and the public shouldn't have a problem spending them in the shops. As long as shopkeepers check the anti-counterfeit measures, then the lack of serial numbers is not a problem.

text: "If members of the public are concerned, then they should take the notes back to the bank where they will be exchanged."

text: Moving to polymer[edit]

text: In April 2013 Sir Mervyn King announced on behalf of the bank that Elizabeth Fry would be replaced by Winston Churchill on the next £5 note[14] which would enter circulation in 2016.[15] It was also announced that the images featured on the reverse would include a 1941 portrait of Churchill by Yusuf Karsh, a view of the Houses of Parliament, a quote by Churchill ("I have nothing to offer but blood, toil, tears and sweat") and a background image of Churchill's Nobel Prize in Literature, while the obverse would feature an image of Queen Elizabeth II.[16]

text: In December 2013 the Bank of England announced that the next £5 note would be printed on a polymer, rather than cotton paper.[17] The bank cited that they would be "cleaner, more secure and more durable".[18] It was also said that the new polymer notes would be more environmentally friendly, lasting 2.5 times as long as cotton paper notes, according to the Bank's own environmental testing.[19]

text: The note was introduced on 13 September 2016,[20] with an initial print run of 440 million notes (worth £2.2 billion), over the period of co-circulation.[21] It was announced that there would be a co-circulatory period with the old series E notes, and then on 5 May 2017, the series E would cease to be legal tender. However, as with all Bank of England notes, they can be exchanged at face value at any time in the future.[22]

text: Controversy[edit]

text: In November 2016 there was controversy when the Bank of England confirmed that the new notes contain traces of tallow in the new notes.[23] According to an online petition on this issue, this is unacceptable to vegans, vegetarians, Muslims, Hindus, Sikhs, Jains, Jews and other groups in the UK,[24] and one Cambridge cafe boycotted the new note.[25] The note's manufacturer, Innovia Security, was looking into changing the recipe for the polymer used, so as to contain no animal products, which are added to polymer pellets at an early stage of production.[26][27] However, on 10 August 2017 the Bank of England announced that all future notes, including future £5 note prints would continue the use of traces of tallow.[28]

text: Design[edit]

text: List of historical designs[edit]

text:
Note

First issued

Last issued

Ceased to belegal tender

Colour

Size

Design

Additional information

White (1793)
1793
1944
1 March 1946
Monochrome(printed on one side only)
200 × 113 mm(may vary)

White (1945)
1945
1957
13 March 1961
Monochrome(printed on one side only)
211 × 133 mm

Incorporated metal thread for first time:permanent feature until the series G polymer note

Series B
21 February 1957
1963
27 June 1967
Blue
158 × 90 mm
Front: Helmeted BritanniaBack: Lion
Saint George and the Dragon, with Britannia on the front

Series C
21 February 1963
1971
31 August 1973
Blue
140 × 85 mm
Front: Queen Elizabeth IIBack: Seated Britannia
First £5 note to carry portrait of monarch

Series D
11 November 1971
1990
29 November 1991
Predominantly blue
145 × 78 mm
Front: Queen Elizabeth IIBack: Duke of Wellington

Series E
7 June 1990
July 2002
21 November 2003
Multicoloured (predominantly turquoise-blue)
135 × 70 mm
Front: Queen Elizabeth IIBack: George Stephenson
Notes issued from March 1993 featured thedenomination symbol "£5" in bolder colours

Series E (variant)
21 May 2002
2016
5 May 2017
Multicoloured (predominantly green)
135 × 70 mm
Front: Queen Elizabeth IIBack: Elizabeth Fry

Series G (polymer)
13 September 2016

Multicoloured (greeny - blue)
125 × 65 mm
Front: Queen Elizabeth IIBack: Winston Churchill
First Bank of England note in polymer

tag: table

text: Sources from the Bank of England:[9][11][29]

text: Current designs[edit]

text: The series G (polymer) note is the only £5 note that is currently legal tender. The old paper series E was withdrawn, following a co-circulation period with both notes being legal tender which ended on 5 May 2017.[22]

text: Circulation[edit]

text: The Bank of England is responsible for printing and issuing notes to ensure a smooth monetary supply across the United Kingdom.[30] It reports the number of notes in circulation at any given time. As of the end of February 2016, there were £1,645,000,000 worth of £5 notes in circulation, which is equivalent to 329,000,000 individual notes.[31]

text:
Year

Value of notes (£)

Number in circulation

2004

1,025,000,000

205,000,000

2005

1,054,000,000

211,000,000

2006

1,051,000,000

210,000,000

2007

1,100,000,000

220,000,000

2008

1,242,000,000

248,000,000

2009

1,342,000,000

260,000,000

2010

1,245,000,000

249,000,000

2011

1,355,000,000

271,000,000

2012

1,477,000,000

295,000,000

2013

1,526,000,000

305,000,000

2014

1,540,000,000

308,000,000

2015

1,601,000,000

320,000,000

2016

1,645,000,000

329,000,000

text: Table sources from the Bank of England Statistics


document_title: Cape Hatteras Light

question_text: when did they move the cape hatteras lighthouse

text: Cape Hatteras Light

text: Hatteras Island Visitor Center and Museum of the Sea[edit]

text: Adjacent to the Cape Hatteras Light is the Hatteras Island Visitor Center and Museum of the Sea, operated by the National Park Service, which is located in the historic Cape Hatteras Lighthouse Double Keepers' Quarters. Exhibits include the history, maritime heritage and natural history of the Outer Banks and the lighthouse. The visitor center offers information about the Cape Hatteras National Seashore, ranger programs and a bookstore.

text: History[edit]

text: Original lighthouse[edit]

text: On July 10, 1794, Congress appropriated $44,000 "for erecting a lighthouse on the head land of Cape Hatteras and a lighted beacon on Shell Castle Island, in the harbor of Ocracoke in the State of North Carolina." The Cape Hatteras Lighthouse was constructed in 1802.

text: The Cape Hatteras light marked very dangerous shoals which extend from the cape for a distance of 10 nautical miles (19 km). The original tower was built of dark sandstone and retained its natural color. The original light consisted of 18 lamps; with 14-inch (360 mm) reflectors, and was 112 feet (34 m) above sea level. It was visible in clear weather for a distance of 18 miles (29 km).

text: In July 1851, Lt. David D. Porter, USN, reported as follows:

text:
“
"Hatteras light, the most important on our coast is, without doubt, the worst light in the world. Cape Hatteras is the point made by all vessels going to the south, and also coming from that direction; the current of the Gulf Stream runs so close to the outer point of the shoals that vessels double as close round the breakers as possible, to avoid its influence. The only guide they have is the light, to tell them when up with the shoals; but I have always had so little confidence in it, that I have been guided by the lead, without the use of which, in fact, no vessel should pass Hatteras. The first nine trips I made I never saw Hatteras light at all, though frequently passing in sight of the breakers, and when I did see it, I could not tell it from a steamer's light, excepting that the steamer's lights are much brighter. It has improved much latterly, but is still a wretched light. It is all important that Hatteras should be provided with a revolving light of great intensity, and that the light be raised 15 feet (4.6 m) higher than at present. Twenty-four steamship's lights, of great brilliancy, pass this point in one month, nearly at the rate of one every night (they all pass at night) and it can be seen how easily a vessel may be deceived by taking a steamer's light for a light on shore."
”

text: The improvement in the light referred to had begun in 1845 when the reflectors were changed from 14 to 15-inch (380 mm). In 1848 the 18 lamps were changed to 15 lamps with 21-inch (530 mm) reflectors and the light had become visible in clear weather at a distance of 20 miles (32 km). In 1854 a first-order Fresnel lens with flashing white light was substituted for the old reflecting apparatus, and the tower was raised to 150 feet (46 m).

text: In 1860 the Lighthouse Board reported that Cape Hatteras Lighthouse required protection, due to the outbreak of the Civil War. In 1862 the Board reported "Cape Hatteras, lens and lantern destroyed, light re-exhibited.

text: Second lighthouse[edit]

text: At the behest of mariners and officers of the U.S. Navy, Congress appropriated $80,000 to the United States Lighthouse Board to construct a new beacon at Cape Hatteras in 1868. The Light-House Board was a federal agency under the direction of the Treasury Department but was headed by a multi-agency committee. The Board consisted of two Army Engineers, two Navy officers, two civilian scientists, and one additional officer from both the Army and Navy to serve as secretaries. Congress established the Board in 1852 for the purpose of creating a unified, continuous system of navigational aides along the coasts. Prior to 1852, lighthouse construction generally rested with local authorities, ultimately leading to a disjointed, ineffective national system. Under the Light-House Board, Navy officers determined where new lighthouses were needed; Army Engineers selected exact locations, designed, and built them; and civilian scientists developed new technologies and techniques for displaying bright, consistent beacons.[7]

text: Completed in just under two years under the direction of brevet Brigadier General J. H. Simpson of the U.S. Army Corps of Engineers, the new Cape Hatteras lighthouse cost $167,000. The new tower, from which the first-order light was first exhibited December 16, 1871, was the tallest brick lighthouse tower in the world. It was 200 feet (61 m) above ground and the focal height of the light was 208 feet (63 m) above water. The old tower "being no longer of any use and in danger of falling during some heavy storm" was demolished in February 1872.

text: In the spring of 1879 the tower was struck by lightning. Cracks subsequently appeared in the masonry walls, which was remedied by placing a metal rod to connect the iron work of the tower with an iron disk sunk in the ground. In 1912 the candlepower of the light was increased from 27,000 to 80,000.

text: Ever since the completion of the new tower in 1870, there had begun a very gradual encroachment of the sea upon the beach. This did not become serious, however, until 1919, when the high water line had advanced to about 120 ft (36.5) from the base of the tower. Since that time the surf gnawed steadily toward the base of the tower until 1935, when the site was finally reached by the surf. Several attempts were made to arrest this erosion, but dikes and breakwaters had been of no avail. In 1935, therefore, the tower light was replaced by a beacon atop a four-legged steel skeleton tower, that resembled a fire tower placed farther back from the sea on a sand dune, 166 feet (51 m) above the sea, and visible for 19 miles (31 km). The old tower was then abandoned to the custody of the National Park Service.

text: The Civilian Conservation Corps and Works Progress Administration erected a series of wooden revetments which checked the wash that was carrying away the beach. In 1942 the Coast Guard resumed its control over the tower, and during World War II manned it as a lookout station until 1945. The old tower was now 500 to 900 feet (270 m) inland from the sea and again tenable as a site for the light, which was placed in commission January 23, 1950.

text: The new light consisted of a 36-inch (0.91 m) aviation-type rotating beacon of 250,000 candlepower, visible 20 miles (32 km), and flashing white every 7.5 seconds. The steel skeleton tower, known as the Buxton Woods Tower, was retained by the Coast Guard in the event that the brick tower again became endangered by erosion requiring that the light again be moved.

text: The light displays a highly visible black and white diagonal Daymark paint job. It shares similar markings with the St. Augustine Light. Another lighthouse, with helical markings—red and white 'candy cane stripe'-- is the White Shoal Light (Michigan), which is the only true 'barber pole' lighthouse in the United States.[8][9] Its distinctive "barber pole" paint job is consistent with other North Carolina black-and-white lighthouses, "each with their own pattern to help sailors identify lighthouses during daylight hours."[5]

text: The National Park Service acquired ownership of the lighthouse when it was abandoned in 1935. Today the Coast Guard owns and operates the navigational equipment, while the National Park Service maintains the tower as a historic structure. The Hatteras Island Visitor Center, formerly the Double Keepers Quarters located next to the lighthouse, elaborates on the Cape Hatteras story and the lifestyle on the Outer Banks. Cape Hatteras Lighthouse, tallest in the United States,[5] stands 208 feet (63 m) from the bottom of the foundation to the peak of the roof. To reach the light, which shines 191 feet (58 m) above mean high-water mark, requires climbing 268 steps. The construction order of 1,250,000 bricks was used in construction of the lighthouse and principal keeper's quarters.[1]

text: Relocation[edit]

text: In 1999, with the sea again encroaching, the Cape Hatteras lighthouse had to be moved from its original location at the edge of the ocean to safer ground 2,900 feet (880 m) inland, and 1,500 feet (460 m) from the shoreline. Due to erosion of the shore, the lighthouse was just 15 feet (4.6 m) from the ocean's edge and was in imminent danger. International Chimney Corp. of Buffalo, New York was awarded the contract to move the lighthouse, assisted, among other contractors, by Expert House Movers. The move was controversial at the time with speculation that the structure would not survive the move, resulting in lawsuits that were later dismissed. Despite some opposition, work progressed and the move was completed on September 14, 1999.[5][10]

text: The Cape Hatteras Light House Station Relocation Project became known as "The Move of the Millennium." General contractor International Chimney and Expert House Movers won the 40th Annual Outstanding Civil Engineering Achievement Award from the American Society of Civil Engineers in 1999.[11] The prestigious Outstanding Projects and Leaders (OPAL) Award recognizes and honors outstanding civil engineering leaders whose lifetime accomplishments and achievements have made significant difference. The Cape Hatteras Lighthouse is one of the tallest masonry structures ever moved (200 feet tall and weighing 5,000 tons).

text: Specifications[edit]

text:
Construction material: Approximately 1,250,000 bricks
Height above sea level: 210 feet (64 m)
Height of the structure: 198.5 feet
Daymark: black and white spiral stripes
Number of steps: 257 steps to reach the light
Brightness: 800,000 candle power from each of two 1000-watt lamps
Flash pattern: 1 second flash, 6.5 second ellipse
Visibility: From 20 nautical miles (37 km) in clear conditions. In exceptional conditions, it has been seen from 51 miles (94 km) out.[citation needed]

tag: ul