document_title: Temperance "Bones" Brennan

question_text: when does bones give birth the first time

text: Temperance "Bones" Brennan

text: Character history[edit]

text: Temperance "Bones" Brennan is a forensic anthropologist who works in the Medico-Legal lab at the Jeffersonian Institute in Washington, D.C. She received her Ph.D. from Northwestern University, as stated in "The Girl in the Fridge". She has three doctorates, as referred to by Dr. Jack Hodgins in the episode "The Parts of the Sum in the Whole", in anthropology, forensic anthropology and kinesiology; it is implied that most of her work at the lab was related to either long-dead bodies or victims of genocide.[5][6]

text: Her occasional contract work for the FBI shifted the focus of her work.[6] She was paired with FBI Special Agent Seeley Booth, and helped to solve two difficult cases;[5][6] since then, they have worked together almost exclusively on modern-day murder cases.

text: Brennan works with a group of other well-qualified colleagues, including the entomologist Jack Hodgins, her boss and forensic pathologist Camille Saroyan, forensic artist Angela Montenegro, and a host of eager graduate students. Booth refers to her crew of colleagues as "squints", because they come to crime scenes and squint at evidence. He is also responsible for her nickname, "Bones", which she initially detested.[5]

text: In the first-season finale (which aired on May 17, 2006), Brennan stated that she was born in 1976,[7] which would have made her either 29 or 30 (approximately the same age as Deschanel, who was born on October 11, 1976). In the fifth-season episode "The Death of the Queen Bee" (which aired nearly four years later, on April 15, 2010), it is implied that her then-current age was 33 years (based on Brennan's identification of a former high school classmate as the victim and statement that the classmate was 33).

text: First mentioned in season 1, Brennan has a love of dolphins, which she shared with her late mother: in the season one finale, "The Woman in Limbo", Brennan examines a custom-made belt with a dolphin on the buckle, which had belonged to her mother, and which she mentions having once borrowed without asking first. Brennan's love of dolphins is highlighted again in season 2 episodes "The Titan on the Tracks", "The Killer in the Concrete" and "Stargazer in a Puddle", when she mentions the constellation Delphinus, (the Dolphin), her and her mother's favorite. In season 6, "The Doctor in the Photo", she is shown to wear a dolphin ring.

text: In "Mummy in the Maze", Brennan exhibited ophidiophobia when confronted with snakes, but later only shows a moment of fright when confronted with another snake in "The Mastodon in the Room". She takes note of this, voicing her observation that she only seems to lose her head around snakes when Booth is also "there to be jumped upon", and also she mentions that she once had a pet snake during high school. It should also be noted that, in "The Man in the Morgue," Brennan handled a snake without any trace of fear, even while Booth is in the room.

text: In season one, in "A Man on Death Row", Dr. Brennan expresses her stance on the death penalty; "I believe in the death penalty. There are certain people who shouldn't be in this world. The people who hacked hundreds of innocent children to death in Rwanda; beheaded them at their desks at school! The people who did that, they should be executed." In "The Woman at the Airport", Dr. Brennan is shown to have a strong dislike for plastic surgeons, believing them to be no more than "glorified butchers with medical degrees", and this dislike is voiced again in season 4, in "Cinderella in the Cardboard". In "The Woman in the Car", Dr. Brennan reveals that her third doctorate is in kinesiology, a field that would allow her and Angela to unravel how one of the bodies that had been found had been killed.

text: In season two, she expressed the desire to get a pet pig, whom she would have named "Jasper". Brennan's expertise in kinesiology would again prove its worth in "The Truth in the Lye" (she could tell that one of the murder suspects was pregnant just from having observed her gait), in "The Girl with the Curl" (she could tell if one of the young beauty pageant contestants was suffering from scoliosis just by watching them perform on stage), and in "The Woman in the Sand" (while undercover with Booth, she was able to tell Booth exactly how to beat his opponent from just having watched his moves). In "Judas on a Pole", she and her brother are identified as having the same blood type, blood type O. In "Glowing Bones in the Old Stone House", she is shown to be a good cook: Booth's comment on her mac and cheese is that he'd "like to be alone with it".

text: In the season 3 episode, "Mummy in the Maze", it is revealed that Brennan's favorite superhero is Wonder Woman, and that she always goes as Wonder Woman to the Jeffersonian's Halloween party. In "The Baby in the Bough", it is revealed that Brennan is a registered foster parent, at her brother's request, to take in his stepdaughters in case anything should happen to him and his girlfriend. In the season 3 episode, "Intern in the Incinerator", Booth reveals that Brennan's favorite flower is a Daffodil, her second favorite flower is a Daisy, and her favorite planet is Jupiter.

text: In season 5, in "The Death of the Queen Bee", when asked if she'd had a pet rat, Brennan discloses that she, in fact, had a pet mouse, snake and some spiders. During her time at Burtonsville high school, her only friend was the school custodian, Ray Buxley, with whom she would enjoy long, in-depth conversations on life and death, and who would also provide her with dead animals to dissect (Brennan having set out to become a forensic anthropologist,) and who would later be one of her books' biggest fans (she having named the killer in her first book, Bred in the Bone, after him). According to the Burtonsville high school on-line yearbook entry on Brennan, in her senior year, she was a member of the Chemistry club and Math club, her interests were chemistry and mathematics, and she was a National Merit Scholar and an Academic All Star.

text: In the season 6 episode, "The Blackout in the Blizzard", Brennan mentions her pet iguana for the first time. This same episode show that one of the number of scientific publications that Brennan reads is Medicinal Physics Quarterly, with one article on electrostatics and triboluminescence proving useful during the lab's power outage. Further concerning her pet iguana in "The Truth in the Myth", as a part of his rehab from alcohol abuse, Vincent Nigel-Murry made apologies for, among other things, having borrowed her iguana one night, wearing him as a hat for a party. She comments that he must have taken good care of her iguana as she has observed nothing wrong with him and further expresses some surprise that Vincent Nigel-Murry was able to get her iguana to stay perched atop his head, to which he replies that he was good with ribbons.

text: In season 8, "The Tiger in the Tale", Booth mentions to Sweets that Dr. Brennan once took Peyote with Native Americans.

text: In season 11, "The Senator in the Street Sweeper", Dr. Brennan is mentioned to be a member of the Green Party of the United States along with Dr. Hodgins.

text: Family and early life[edit]

text: Although Brennan seemed to have a relatively normal childhood, her parents disappeared when she was 15 years old.[8] Her older brother Russ, himself still an adolescent, was unable to care for her and she was put in the foster care system. By the time she started college she had been to twelve different schools and has specifically said that she hated the lack of consistency.[9]

text: There has been contradictory evidence about her time in the system; in one episode, Brennan stated that her grandfather got her out of the foster system,[10] but in a later episode, she indicates that she never knew her grandparents (possibly the two references are to two separate sets of grandparents, paternal and maternal).[11] However, taking into consideration the fact that Brennan's parents had assumed new identities when she was 3-years-old, the grandfather who had taken her in from her time in the foster system may not have been her biological grandfather.

text: Her time in foster care was quite traumatic and abusive; Brennan indicated that she was once locked in the trunk of a car for two days because she broke a plate,[12] and in the episode "The Finger in the Nest", she reveals to Booth that she walked into her elderly neighbor's house to find the woman dead. In the same episode, she also mentions to Booth that her parents were very concerned about her afterwards, because she started faking her own death. In Season 2, she mentions that during her time in the foster care system, she kept a list of foster homes she had been kicked out of on the bottom of her shoe.

text: In the first season she hands Booth the file on her parents' disappearance and he agrees to look into it as a personal favor.[13] It is later revealed in Season 2 that her parents, who were bank robbers specializing in safety deposit boxes, changed the family's identity after they stole some damaging FBI documents regarding the murder of an FBI agent and the false imprisonment of civil rights activist Marvin Beckett. Brennan's birth name was Joy Keenan.[7] Her mother (real name Ruth Keenan, known under the assumed identity of Christine Brennan) had hoped to someday return to her children and family, but made a tape for Brennan to watch on her 16th birthday in case that never happened. Brennan later discovered that Ruth/Christine was murdered in 1993, two years after she and her husband went on the run.

text: Her father Max Keenan re-entered Brennan's life when she and her brother were being threatened by an old acquaintance, who turned out to be Booth's boss, Deputy Director Kirby.[14] Max evades capture after killing Kirby, and takes Russ into hiding to protect him.[14] Later, Max allows Booth to arrest him in order to improve his relationship with his daughter.[11] At trial, Max is acquitted of murdering Director Kirby (due in large part to a defense Booth indirectly came up with, positing an alternate theory of the crime in which Temperance was the killer instead, creating reasonable doubt), and he begins to rebuild his life.[15]

text: He temporarily works at the Jeffersonian as a guide for children visiting the place and demonstrates his brilliant talent as a former science teacher. However, Brennan is concerned about a convicted felon having access to a lab that investigates crimes.[16] Max also introduces Brennan to her cousin Margaret Whitesell,[17] portrayed by Deschanel's real-life sister Zooey Deschanel.

text: Brennan is best friends with her coworker, Angela, saying in the 6th-season premiere she loves Angela "like a sister" and is going to be an aunt to Hodgins' and Angela's newborn child. It is revealed at the end of the season six finale "The Change in the Game" that Brennan is pregnant and the father is Booth.

text: In Season 7, episode 2 "The Hot Dog in the Competition", Brennan and Booth found out they were having a baby girl. Their daughter, Christine Angela Booth (named for Brennan's mother and her best friend), was born in a stable during the episode "The Prisoner in the Pipe". In the Season 7 finale, "The Past in the Present", key evidence in the death of her friend, Ethan Sawyer, is linked to Brennan. Max convinces her to go on the run along with Christine, saying that if she is arrested, even if she is found innocent, she may never see her daughter again.

text: In Season 8 premiere, it is revealed that while on the run, Brennan was communicating with Angela, via flowers, and eventually used this as a way to communicate with Booth. Despite being on the run, Brennan risks her safety and decides to meet directly with Booth in a hotel room after months of being a single mother. Eventually, they arrest Christopher Pelant, who was the real murderer of Ethan Sawyer, and Brennan is allowed to return to her family. Although Pelant blackmails Booth to prevent him from accepting Brennan's proposal by threatening to kill five innocent people if Booth accepted, also warning Booth not to give a reason for his refusal, this threat is removed when the team manage to kill Pelant, and Booth and Brennan marry in the Season 9 episode 'The Woman in White'.

text: In the Season 10 episode, "The Eye in the Sky", Brennan learns that she is pregnant with her and Booth's second child.

text: Characterization[edit]

text: Throughout the course of the series, Brennan is portrayed as a straightforward, brilliant anthropologist, who lacks social skills. Her social ineptitude is especially apparent when it comes to sarcasm, metaphors which she often interprets literally, and pop culture jokes and is often the source of comedy in the show.[5] An example of this is when she mistakes Colin Farrell for Will Ferrell.[10] In earlier seasons, she was characterized as straightforward and unable to detect social cues – she states that Booth once told her that she "stinks at non-verbal communication"[18] – and was well-known within the FBI for being extremely difficult to work with. She began to acknowledge her lack of sensitivity after Booth bluntly told her outright that she was "bad with people" in "A Boy in a Tree". Her lack of "political savvy" and social skills was also a reason why she was passed over for Dr. Camille Saroyan as head of the Jeffersonian in Season 2. Other characters have described her as "no fun"[19] and "a rigid traditionalist".[9]

text: She had a difficult adolescence, and it is implied, often by Sweets, that her withdrawn social tendencies are a defense mechanism. She also sometimes struggles in identifying and explaining her emotions, and takes comfort in the rationality of her anthropological discipline. Although it has been stated that Brennan was based on a person with Asperger syndrome, this has never been confirmed in the plot of the series.[20] The creator of the series has stated that the character was never labeled as having the syndrome in order to increase the appeal of the show on network television.[21] This influence on her character also helps to explain her extreme rationality in early seasons, as well as some of her social difficulties. Brennan is a self-proclaimed atheist and often points out what she believes to be the irrationality of religious and spiritual beliefs. This has led to more than one argument with Booth, who is a devout Roman Catholic; he becomes particularly irate when she compares less common religions, such as voodoo, to Christianity.[22] During the Sleepy Hollow crossover episode "Dead Men Tell No Tales", Sleepy Hollow protagonist Ichabod Crane notes that Brennan is so sceptical that she would dismiss the demon Moloch — the primary antagonist in the first two seasons of Sleepy Hollow — as nothing more than a tall man with a skin condition, although this does leave him reassured that she will not realise the nature of the secret tomb they have uncovered underneath the White House.

text: Brennan is a bestselling author, who has been on the New York Times Best Seller List for 18 weeks.[23] She is trained in three types of martial arts,[22][24] has hunting licenses in four states,[22] and has a legally registered gun[5] as well as a diving certificate.[25] She promised to consider becoming a vegetarian after seeing how pigs were slaughtered (which was also the way her mother had been killed).[7] However, in "The Tough Man in the Tender Chicken" (season 5, episode 6) Angela cites health reasons for Brennan's vegetarian diet. Brennan is also a trained amateur highwire performer,[26] and speaks at least seven other languages, including Spanish,[27] French,[5] Latin,[28] Chinese,[29] , Pashto[30] Japanese,[31] Norwegian (although she says only "skull" and avers that, as a forensic anthropologist, this is a word she knows "in just about every language"),[12] Farsi, and German.[32] She has also admitted to knowing a bit of Russian.[26] She often says she does not "put much stock in psychology" and makes a point of noting that Dr. Sweets is not a real scientist as he "bases his life on the vagary of psychology and emotions".

text: Brennan's personality undergoes significant changes throughout the course of the series. Her thinking becomes less rigid in later seasons, something which is observed by Dr. Gordon Wyatt, who notes that she is now able to distinguish the difference between accuracy and truth.[33] In season 4, Booth takes her along to his interrogations and helps her learn how to set aside her scientific perspective and relate with the victim's family and suspects on a more interpersonal level. She is also able to put aside her rationality to support her friends in sometimes irrational pursuits, such as Angela's quest to raise money to save a pig from slaughter,[34] and to comfort Booth, even using science or quoting directly from the Bible to rationalize his religious beliefs. Her sensitivity and empathy towards others are also much improved, seen quite strongly when she comforts his grandfather,[35] and when she attends a funeral so that the victim's single mother won't be alone.[17] She also displays more "typical" human emotions when in extreme stress. One example of this is her fear of snakes in "The Mummy in the Maze," when a girl is in the process of being scared to death in a room, the floor teeming with snakes. This goes against her empirical nature, as, when Booth tells her that the snakes aren't venomous, she states that she is aware, but still refuses to step in the room, causing Booth to carry her on his back.

text: Brennan begins to feel both dissatisfaction and discomfort with her work toward the end of the fifth season.[36] She also sees some futility in her work, stating that no matter how many killers they catch, there will always be more.[37] To help her gain new perspective, she later decides to head up an anthropological expedition to Indonesia for a year to identify some ancient proto-human remains, after mulling it over during the episode.[37] However, 7 months later, she and everyone else return to D.C. in order to save Cam's job, and they all decide to stay.

text: As season 6 progresses, Brennan must confront her feelings for Booth, whom she rejected in the 100th episode from the previous season. Having returned from 7 months of introspection, she has come to terms with her romantic affection towards him, even admitting that she regretted not having given them a chance together, midway through the season. However, Booth returns from Afghanistan with a new love interest, war correspondent Hannah Burley, whom Brennan befriends. When Hannah rejects Booth's marriage proposal, Brennan must help him through the emotional fallout.

text: In the second to last episode of season 6 Booth and Brennan had sex, consummating their relationship, and it is revealed in the last few moments of the season finale that as a result, Brennan has become pregnant, with Booth the father. Throughout the episode ("The Change in the Game") Brennan has been seen asking Angela questions and making comments that make her seem excited and apprehensive; when she sees that Booth is happy with the news, she also seems overjoyed. This reflects her earlier desire to become a mother, circa season 4, as well as her desire that Booth be the father of the baby.

text: In the Season 8 episode "The Shot in the Dark", Brennan is shot while working in the lab late at night. While undergoing emergency surgery, she experiences a vision of meeting with her deceased mother, Christine Brennan. Initially dismissing this as a hallucination, Brennan experiences several more visions throughout the episode. During these discussions, it's revealed that Brennan's hyper rationalization originates from the very last piece of advice her mother gave to her (before going on the run) which was to use her brain instead of her heart. While that advice enabled Brennan to survive all these years, the vision of her mother explains, it's now time for Brennan to do more than just survive.

text: Since entering a relationship with and marrying Booth and then having children, the character has undergone development personally and is shown to be a caring wife and protective mother. She would often put aside her own atheistic views and uses her hyper-rationality to justify Booth's religious beliefs, as shown in season 8 where she references the Bible in order to persuade Booth to forgive his mother[38] and in the season finale where she agrees to a church wedding, rationalizing that she could appreciate the "beauty" of the ceremony and its significance to Booth.[39]

text: Relationships[edit]

text: Brennan has had a number of relatively short relationships, including an ill-fated date with a man who turned out to be a murderer[40] and the re-kindling of a romance with her former thesis supervisor. She has stated that although she does not always feel the need for a committed emotional relationship, she has engaged in casual relationships to "satisfy biological urges".[41] In one episode, she was spending time with two men, one for his intelligence and the other for his sexual skills.[42] In Season 5, episode "The Plain in the Prodigy", she tells Booth she lost her virginity at the age of 22 and when asked why she waited so long, she said it was because the decision was "important to her". FBI psychologist Lance Sweets postulates in a number of episodes that Brennan's apprehension over having relationships is largely due in part to the abandonment and abuse she experienced as a teenager after her parents disappeared. It is said that she "hides" herself behind a front of hyper-rationalism and she always keeps people at arms' length, except for those closest to her (namely FBI partner Seeley Booth and best friend Angela Montenegro). After much character growth, Temperance Brennan is now married to her principal love interest of the series Seeley Booth, and they have a daughter (Season 7) and a son together.

text: Seeley Booth[edit]

text: FBI Special Agent Seeley Booth is Brennan's husband and partner, and the principal liaison between the Jeffersonian and law enforcement agencies. Prior to their marriage, he is also Brennan's principal love interest throughout the series. Although his working style initially clashed with Brennan's,[5] they have since become full-fledged partners. Their compatibility has become one of the central points of the show, with many new characters mistaking them for a couple and co-workers, especially Angela, constantly speculating that they were "more than partners".[22] Booth and Brennan have repeatedly risked their safety to save each other, including when Booth took a bullet meant for Brennan.[23] After Booth rescues Brennan from the corrupt Agent Kenton, Booth lifts her off the hook she was hung on by putting her tied hands around his neck even though he himself was severely injured.[43] In "Two Bodies in the Lab", in season 1, and in "The Rocker in the Rinse Cycle", in season 5, Brennan and Booth's mutual love for Foreigner's Hot Blooded is mentioned; Booth even refers to it as 'their song' in "The Rocker in the Rinse Cycle". Brennan once commented to Dr. Gordon Wyatt (Stephen Fry) that she "[couldn't] think of anything [she] wouldn't do to help Booth."[44] Brennan's novels are also dedicated to him and the character Special Agent Andy Lister is based on him even though she still denies it.

text: Initially Brennan was mostly dismissive of Booth due to their opposing worldviews and work styles – which is a source of friction and banter between them. Although she refused to admit it at first, Brennan enjoyed working with him from the beginning, even after their falling out when Booth got her drunk and "fired" her, and, in Season 1, she cajoled him into launching an investigation after finding three bone fragments on a golf course so he could work with the Jeffersonian team on the case despite the fact that the FBI technically had no jurisdiction.[13] She often unknowingly offends him on a number of occasions during the first few seasons with her tactlessness, only realizing after being gently admonished by Angela or another member of the team.[45][46][47] She comes to admire his ability to connect with people and read behavioral cues when interrogating suspects after coming to terms with her own lack of social skills. After finding out about his abusive childhood and haunted past in the Army, she also begins to respect him as a person. Booth, who is particularly taciturn in revealing emotions or speaking about his past, begins to open up to and confide in her. Since entering a relationship with (and eventually marrying) Booth, she is shown to be extremely supportive of him,[48][49][50] even at the expense of her friendship with Angela.[19] Additionally, she put aside her own misgivings several times for Booth's benefit; for example, she agrees to have Christine christened into the Catholic church and referenced the Bible when trying to talk Booth into forgiving his mother.

text: Brennan acquired the nickname "Bones" from Booth. She initially disliked it but comes to regard it with affection. Booth and his son Parker are the only characters in the show she permits to use it and the former rarely addresses her by her first name or "Tempe".

text: In Season 2 Brennan shot and killed a person for the first time while working on a string of murders connected to serial killer Howard Epps. She was forced to pull the trigger after Epps' accomplice attacked and injured Booth with a pipe. At the end of the episode she confides in Booth of her conflicted feelings and finds comfort in the fact that Booth understood how she felt.[51]

text: The relationship between Brennan and Booth has often become strained when either partner has a significant other. For example, Booth was quite irritable when Brennan dated Agent Sully,[52] and their relationship was also strained when Booth's brother Jared was showing an interest in Brennan. Brennan constantly needled Booth while he was dating Tessa.

text: When Brennan decided that she wanted to have a baby, she asked Booth if he would be the sperm donor. He agrees to Brennan's request at first, but subsequently struggles with the thought of not being involved in the life of his prospective child. Eventually he tells Brennan he cannot let her have his child if he is not allowed to be a father to it. Soon thereafter, it is discovered that he has a (benign) brain tumour.[53] He has to undergo surgery, and though the surgery is successful, a poor reaction to anesthesia left him in a coma for several days. While in his coma, Brennan reads to him from her new novel, and he has an elaborate dream in which Brennan is his wife and that she is pregnant, and that the staff at the Jeffersonian play the characters in the novel. When he awakens, he initially suffers from amnesia, not recognizing Brennan.[54][55]

text: Although for the majority of the series Booth and Brennan denied that their relationship was anything more than friendly professionalism, they admitted to Dr. Sweets that they kissed and nearly spent the night together after their very first case together. After this discussion, Booth attempted to convince Brennan to give a relationship a try. However, she declined, telling him that she, unlike him, is not a gambler, and isn't able to take that kind of a chance.[6] They have subsequently attempted to date other people,[56] although the fact that Booth once comments that he regards Brennan as his "standard" for other women suggests that he, at least, has not completely moved on. Brennan does admit to her best friend Angela Montenegro that as time has gone on, she is unsure if she wants to keep doing consulting work for the FBI, citing that she is tired of murderers and victims, and is constantly worried that something will happen to Booth and she will be unable to save him. In the climax of Season Five, Brennan and Booth part ways for a year – he goes to Afghanistan while she leaves for the Maluku Islands in Indonesia – but they promise to meet, one year from that day, at the Lincoln Memorial.[37]

text: In the beginning of season six (7 months later), they reunite in the stated place. Booth came back from Afghanistan, along with everyone else from various places, to help save Cam's job. They all decided to stay. Booth has a serious new girlfriend, Hannah, and despite the hints of her colleagues at Brennan's unconscious jealousy of their relationship, she vehemently denies feeling uncomfortable with the new situation. Through subsequent episodes her jealousy and resentfulness began becoming more apparent as Hannah and Booth started becoming more serious. In the episode "The Doctor in the Photo", Brennan realizes she is in love with Booth and confronts him, but she is let down when Booth says that he loves Hannah and she is not a "consolation prize", prompting Brennan to conclude that she has missed her chance, later reflecting that she should move on. In episode 10 of the sixth season "The Body in the Bag", Booth tells his girlfriend about the incident, stating that it (his love for Temperance) was all in the past and whatever he felt, he does not feel it anymore, except for Hannah. However it was clear in the following episode that he still has feelings for Brennan.

text: Despite her apparent resolve to move on, Brennan later showed sorrow when her father noted that he always thought she and Booth would end up together. During a subsequent case involving a polygamist who would spend the night with his first wife on the night he was scheduled to sleep alone, Booth commented that, while you can love several people, there is only ever one person you love the most, prompting Brennan to ask what happens when you push that person away, something Booth answered saying that it never truly leaves, adding further weight to the implication that he still has feelings for Brennan. Following Hannah's departure, the two have begun to reconnect, to the point that, during a case that saw the two trapped in an elevator during a blackout for several hours, Booth and Brennan admitted that they are each interested in a relationship, but require more time to sort out their own feelings before they make such a commitment.

text: In episode 22 of season 6, "The Hole in the Heart", which saw the death of Vincent Nigel-Murray (Brennan's favorite intern) at the hands of renegade sniper Jacob Broadsky, Booth has Brennan stay at his apartment for her safety. Later that night, Brennan, still overcome with shock and grief over Vincent's death, goes into Booth's bedroom and they talk about the events of that day, and then allows Booth to hold her in bed. It is implied in the following day that they had sex. In the last scene of the season 6 finale, "The Change in the Game", after the birth of Angela and Hodgins' son, Brennan tells Booth that she is pregnant and that he is the father.

text: At the start of Season 7, a very pregnant Brennan and Booth are a couple but are going back and forth between apartments. Booth suggests that they should have their own place, whereas Brennan wants Booth to move into her apartment. It causes a minor rift between them, but is resolved when Booth admits why he wants to move into a new house and Brennan having some time to think over it says it's a good idea because she'd need him practically, emotionally and sexually. In episode 6, "The Crack in the Code," they decide to buy a two-story house in the suburbs—which they jokingly called "The Mighty Hut"—that Booth found at a police auction and renovate it, (according to a mailed check sent to Brennan in "The Heiress in the Hill", in season 9, the "Mighty Hut"'s address is "1297 Janus Street, Washington DC, 20002"). In episode 7, "The Prisoner in the Pipe", Brennan goes into labor inside a prison just as she discovers who killed in an inmate there and Booth rushes her out with the intention to take her to the nearest hospital, but they both know she won't make it in time. This leads them to driving to an inn close to the prison. At first, they are rejected and are told to leave, but after some desperate pleading from an agonized Brennan, the two of them are led to a stall where she gives birth to their daughter, Christine Angela Booth (named after Temperance's mother, Christine Brennan, and Temperance's best friend Angela Montenegro). Some time after the delivery, Temperance and Seeley both go back to their home where they celebrate with their friends from the Jeffersonian, who brought dinners that would last a few nights as well as a few baby supplies. In "The Past in the Present", Brennan becomes the prime suspect in the murder of her schizophrenic friend, Ethan Sawyer, after supposedly threatening to kill Christine. Max advises Brennan to get off the grid and go into hiding, but she and Booth do not follow up at this suggestion. However, at the end of the episode, after Christine is christened in a Catholic church, it is revealed Brennan decided to take her father's advice and flee with her daughter until her name is cleared. Just before Brennan flees town with Christine, she tells Booth she loves him and not just because of their daughter. After she is cleared of Sawyer's murder, Brennan, Booth and Christine resume their family life.

text: At the end of Season 8, Brennan finally decides to marry Booth. However, their plans are ruined when a vengeful Christopher Pelant blackmails Booth, threatening to kill five random people if Booth marries Brennan. Booth calls off the wedding, but does not explain the real reason to Brennan. Brennan is devastated but pretends to be fine with this.[57][58] In the season 9 premiere, Brennan fears that since Booth turned down her proposal, she fears that the love from their life is fading. After talking with bartender Aldo Clemens, a former priest and Army chaplain Booth confessed to, she realizes that it was uncharacteristic for Booth to suddenly cancel the wedding as he believed in marriage and that he likely had a legitimate reason to do so. Despite her colleagues' anger at Booth, she decides to stay with him, telling him that she understands that he has his reasons and has faith that he will resolve the issue. In the episode 4, "The Sense in the Sacrifice", after Booth singlehandedly tracks Pelant down through an abandoned building and kills him with a single gunshot, he reveals to her that Pelant had blackmailed him. Pelant had threatened to kill five innocent people if Booth continued with the wedding or went to the police or FBI. At the end of the episode he proposes and she happily accepts; unknown to them, Caroline, Angela and Hodgins witnessed it via the security cameras. In "The Woman in White", Booth and Brennan marry at a small garden ceremony outside the Jeffersonian.

text: Tim "Sully" Sullivan[edit]

text: Brennan had a brief relationship with FBI Agent Tim Sullivan (Eddie McClintock), also known as Sully, whom she met while on a case when Booth was in therapy due to his grief-induced rage over his self-perceived role in the death of serial killer Howard Epps. Sully asked Dr. Brennan out on a date after their case was completed, and they began a relationship.[52] Their relationship ended, however, when Sully decided to sail a boat down to the Caribbean, and Brennan declined to leave the Jeffersonian to go with him despite Angela trying to persuade her to follow him;[29] psychiatrist Doctor Gordon Wyatt (Stephen Fry) speculated that this was due to Brennan being unable to live a life without purpose. Despite Dr. Wyatt's original perception as to why she stayed, there exist strong indications, especially through Angela's observations of the situation, that the real reason she stayed was because of Booth. Sully returns in Season 12.


document_title: Mr. Smith Goes to Washington

question_text: who is the senate majority leader in mr smith goes to washington

root

text: Mr. Smith Goes to Washington

text: Plot[edit]

text: The governor of an unnamed western state, Hubert "Happy" Hopper (Guy Kibbee), has to pick a replacement for recently deceased U.S. Senator Sam Foley. His corrupt political boss, Jim Taylor (Edward Arnold), pressures Hopper to choose his handpicked stooge, while popular committees want a reformer, Henry Hill. The governor's children want him to select Jefferson Smith (James Stewart), the head of the Boy Rangers. Unable to make up his mind between Taylor's stooge and the reformer, Hopper decides to flip a coin. When it lands on edge – and next to a newspaper story on one of Smith's accomplishments – he chooses Smith, calculating that his wholesome image will please the people while his naïveté will make him easy to manipulate.

tag: p

text: Junior Senator Smith is taken under the wing of the publicly esteemed, but secretly crooked, Senator Joseph Paine (Claude Rains), who was Smith's late father's friend. Smith develops an immediate attraction to the senator's daughter, Susan (Astrid Allwyn). At Senator Paine's home, Smith has a conversation with Susan, fidgeting and bumbling, entranced by the young socialite. Smith's naïve and honest nature allows the unforgiving Washington press to take advantage of him, quickly tarnishing Smith's reputation with ridiculous front page pictures and headlines branding him a bumpkin.

text: To keep Smith busy, Paine suggests he propose a bill. With the help of his secretary, Clarissa Saunders (Jean Arthur), who was the aide to Smith's predecessor and had been around Washington and politics for years, Smith comes up with a bill to authorize a federal government loan to buy some land in his home state for a national boys' camp, to be paid back by youngsters across America. Donations pour in immediately. However, the proposed campsite is already part of a dam-building graft scheme included in an appropriations bill framed by the Taylor political machine and supported by Senator Paine.

text: Unwilling to crucify the worshipful Smith so that their graft plan will go through, Paine tells Taylor he wants out, but Taylor reminds him that Paine is in power primarily through Taylor's influence. Through Paine, the machine in his state accuses Smith of trying to profit from his bill by producing fraudulent evidence that Smith already owns the land in question. Smith is too shocked by Paine's betrayal to defend himself, and runs away.

text: Saunders, who looked down on Smith at first, but has come to believe in him, talks him into launching a filibuster to postpone the appropriations bill and prove his innocence on the Senate floor just before the vote to expel him. In his last chance to prove his innocence, he talks non-stop for about 24 hours, reaffirming the American ideals of freedom and disclosing the true motives of the dam scheme. Yet none of the Senators are convinced.

text: The constituents try to rally around him, but the entrenched opposition is too powerful, and all attempts are crushed. Owing to the influence of Taylor's machine, newspapers and radio stations in Smith's home state, on Taylor's orders, refuse to report what Smith has to say and even distort the facts against the senator. An effort by the Boy Rangers to spread the news in support of Smith results in vicious attacks on the children by Taylor's minions.

text: Although all hope seems lost, the senators begin to pay attention as Smith approaches utter exhaustion. Paine has one last card up his sleeve: he brings in bins of letters and telegrams from Smith's home state, purportedly from average people demanding his expulsion. Nearly broken by the news, Smith finds a small ray of hope in a friendly smile from the President of the Senate (Harry Carey). Smith vows to press on until people believe him, but immediately collapses in a faint. Overcome with guilt, Paine leaves the Senate chamber and attempts to commit suicide by gunshot, but is stopped by onlooking senators. He then bursts back into the Senate chamber, shouting a confession to the whole scheme; Paine further insists that he should be expelled from the Senate and affirms Smith's innocence, to the delight of Clarissa. The President of the Senate observes the ensuing chaos with amusement.

text: Cast[edit]

text:
Jean Arthur as Clarissa Saunders
James Stewart as Jefferson "Jeff" Smith
Claude Rains as Senator Joseph Harrison "Joe" Paine
Edward Arnold as Jim Taylor
Guy Kibbee as Governor Hubert "Happy" Hopper
Thomas Mitchell as "Diz" Moore
Eugene Pallette as Chick McGann
Beulah Bondi as Ma Smith
H. B. Warner as Senate Majority Leader
Harry Carey as President of the Senate
Astrid Allwyn as Susan Paine
Ruth Donnelly as Mrs. Hopper
Grant Mitchell as Senator MacPherson
Porter Hall as Senator Monroe
Pierre Watkin as Senate Minority Leader
Charles Lane as "Nosey", reporter
William Demarest as Bill Griffith
Dick Elliott as Carl Cook
The Hopper Boys:

Billy Watson
Delmar Watson
John Russell
Harry Watson
Gary Watson
Baby Dumpling (Larry Simms)

H. V. Kaltenborn as himself

Uncredited

Russell Simpson as Kenneth Allen
Dick Jones as Richard "Dickie" Jones, Senate Page Boy
Nick Copeland as Senate Reporter
Anne Cornwall as Senate Reporter
Gino Corrado as Barber
Maurice Costello as Diggs - Newsman
Alec Craig as Speaker
Beatrice Curtis as Paine's Secretary
Lew Davis as Senate Clerk
Dulcie Day as Senate Reporter
Wally Dean as Paine's Friend
Vernon Dent as Senate Reporter
Harry Depp as Hat Salesman / Secretary
Robert Middlemass as 2nd Radio Announcer
Gladys Gale as Committee Woman
Stanley Andrews as Senator Hodges

tag: table

text: Cast notes:

text: Among the unbilled veteran character actors seen in the film are Guy Kibbee's brother, Milton Kibbee, who has a bit as a reporter; Lafe McKee; and Matt McHugh of the McHugh acting family. Also in the film in minor roles are Dub Taylor and Jack Carson, later well-known actors. Silent film star Hank Mann played a photographer.

tag: ul

text: Production[edit]

text: Columbia Pictures originally purchased Lewis R. Foster's unpublished story, variously called "The Gentleman from Montana" and "The Gentleman from Wyoming", as a vehicle for Ralph Bellamy, but once Frank Capra came on board as director – after Rouben Mamoulian had expressed interest – the film was to be a sequel to his Mr. Deeds Goes to Town, called Mr. Deeds Goes to Washington, with Gary Cooper reprising his role as Longfellow Deeds.[N 1] Because Cooper was unavailable, Capra then "saw it immediately as a vehicle for Jimmy Stewart and Jean Arthur",[7] and Stewart was borrowed from MGM.[4] Capra said of Stewart: "I knew he would make a hell of a Mr. Smith ... He looked like the country kid, the idealist. It was very close to him."[8]

text: Although a youth group is featured in the story, the Boy Scouts of America refused to allow their name to be used in the film and instead the fanciful "Boy Rangers" was used.[4]

text: In January 1938, both Metro-Goldwyn-Mayer and Paramount Pictures submitted Foster's story to the censors at the Hays Office, likely indicating that both studios had an interest in the project before Columbia purchased it. Joseph Breen, the head of that office, warned the studios: "[W]e would urge most earnestly that you take serious counsel before embarking on the production of any motion picture based on this story. It looks to us like one that might well be loaded with dynamite, both for the motion picture industry, and for the country at large." Breen specifically objected to "the generally unflattering portrayal of our system of Government, which might well lead to such a picture being considered, both here, and more particularly abroad, as a covert attack on the Democratic form of government", and warned that the film should make clear that "the Senate is made up of a group of fine, upstanding citizens, who labor long and tirelessly for the best interests of the nation ..."

text: Later, after the screenplay had been written and submitted, Breen reversed course, saying of the film, "It is a grand yarn that will do a great deal of good for all those who see it and, in my judgment, it is particularly fortunate that this kind of story is to be made at this time. Out of all Senator Jeff's difficulties there has been evolved the importance of a democracy and there is splendidly emphasized the rich and glorious heritage which is ours and which comes when you have a government 'of the people, by the people, and for the people'".[4]

text: The film was in production from April 3, 1939, to July 7 of that year.[9] Some location shooting took place in Washington, D.C., at Union Station and at the United States Capitol, as well as other locations for background use.[10][11]

text: In the studio, to ensure authenticity, an elaborate set was created, consisting of Senate committee rooms, cloak rooms, and hotel suites, as well as specific Washington, D.C., monuments, all based on a trip Capra and his crew made to the capital. Even the Press Club of Washington was reproduced in minute detail,[4][12] but the major effort went into a faithful reproduction of the Senate Chamber on the Columbia lot. James D. Preston, a former superintendent of the Senate gallery, acted as technical director for the Senate set, as well as advising on political protocol. The production also utilized the "New York street set" on the Warner Bros. lot, using 1,000 extras when that scene was shot.[4]

text: The ending of the film was apparently changed at some point, as the original program describes Stewart and Arthur returning to Smith's hometown, where they are met by a big parade, with the implication that they are married and starting a family.[4] In addition, the Taylor political machine is shown being crushed; Smith, riding a motorcycle, visits Senator Paine and forgives him; and a visit to Smith's mother is included. Some of this footage can be seen in the film's trailer.[13]

text: Impact[edit]

text: The film premiered in Constitution Hall in Washington, D.C., on October 17, 1939, sponsored by the National Press Club, an event to which 4,000 guests were invited, including 45 senators.[8] Mr. Smith Goes to Washington was attacked by the Washington press, and politicians in the U.S. Congress, as anti-American and pro-Communist for its portrayal of corruption in the American government.[14] While Capra claims in his autobiography that some senators walked out of the premiere, contemporary press accounts are unclear about whether this occurred or not, or whether senators yelled back at the screen during the film.[15]

text: It is known that Alben W. Barkley, a Democrat and the Senate Majority Leader, called the film "silly and stupid", and said it "makes the Senate look like a bunch of crooks".[16] He also remarked that the film was "a grotesque distortion" of the Senate, "as grotesque as anything ever seen! Imagine the Vice President of the United States winking at a pretty girl in the gallery in order to encourage a filibuster!" Barkley thought the film "... showed the Senate as the biggest aggregation of nincompoops on record!"[16]

text: Pete Harrison, a respected journalist and publisher of the motion picture trade journal Harrison's Reports, suggested that the Senate pass a bill allowing theater owners to refuse to show films that "were not in the best interest of our country". That did not happen, but one of the ways that some senators attempted to retaliate for the damage they felt the film had done to the reputation of their institution was by pushing the passage of the Neely Anti-Block Booking Bill, which eventually led to the breakup of the studio-owned theater chains in the late 1940s. Columbia responded by distributing a program which put forward the film’s patriotism and support of democracy and publicized the film’s many positive reviews.[17]

text: Other objections were voiced as well. Joseph P. Kennedy, the American Ambassador to Great Britain, wrote to Capra and Columbia head Harry Cohn to say that he feared the film would damage "America’s prestige in Europe", and because of this urged that it be withdrawn from European release. Capra and Cohn responded, citing the film’s review, which mollified Kennedy to the extent that he never followed up, although he privately still had doubts about the film.[18]

text: The film was banned in Hitler's Germany, Mussolini's Italy, Franco's Spain and Stalin's USSR.[19] According to Capra, the film was also dubbed in certain European countries to alter the message of the film so it conformed with official ideology.[19]

text: When a ban on American films was imposed in German occupied France in 1942, some theaters chose to show Mr. Smith Goes to Washington as the last movie before the ban went into effect. One theater owner in Paris reportedly screened the film nonstop for 30 days after the ban was announced.[20]

text: The critical response to the film was more measured than the reaction by politicians, domestic and foreign. The critic for The New York Times, for instance, Frank S. Nugent, wrote that "[Capra] is operating, of course, under the protection of that unwritten clause in the Bill of Rights entitling every voting citizen to at least one free swing at the Senate. Mr. Capra’s swing is from the floor and in the best of humor; if it fails to rock the august body to its heels – from laughter as much as from injured dignity – it won’t be his fault but the Senate's, and we should really begin to worry about the upper house."[21]

text: Mr. Smith Goes to Washington has been called one of the quintessential whistleblower films in American history. Dr. James Murtagh and Dr. Jeffrey Wigand cited this film as a seminal event in U.S. history at the first "Whistleblower Week in Washington" (May 13–19, 2007).[22][23]

text: Mr. Smith Goes to Washington has often been listed as among Capra’s best, but it has been noted that it "marked a turning point in Capra’s vision of the world, from nervous optimism to a darker, more pessimistic tone. Beginning with American Madness (1932), such Capra films as Lady for a Day (1933), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), and You Can’t Take It With You (1938) had trumpeted their belief in the decency of the common man. In Mr. Smith Goes to Washington, however, the decent common man is surrounded by a venal, petty and thuggish group of crooks. Everyone in the film – except for Jefferson Smith and his tiny cadre of believers – is either in the pay of the political machine run by Edward Arnold’s James Taylor or complicit in Taylor’s corruption through their silence, and they all sit by as innocent people, including children, are brutalized and intimidated, rights are violated, and the government is brought to a halt".[24]

text: Nevertheless, Smith’s filibuster and the tacit encouragement of the Senate President are both emblematic of the director's belief in the difference that one individual can make. This theme would be expanded further in Capra's It's a Wonderful Life (1946) and other films.

text: Awards and honors[edit]

text: Academy Awards[edit]

text: Mr. Smith Goes to Washington was nominated for 11 Academy Awards but won only one.[25]

text:
Award
Result
Winner

Outstanding Production
Nominated
Columbia Pictures (Frank Capra)
Winner was David O. Selznick - Gone with the Wind

Best Director
Nominated
Frank Capra
Winner was Victor Fleming - Gone with the Wind

Best Actor
Nominated
James Stewart
Winner was Robert Donat - Goodbye, Mr. Chips

Best Writing, Screenplay
Nominated
Sidney Buchman
Winner was Sidney Howard - Gone with the Wind

Best Writing, Original Story
Won
Lewis R. Foster

Best Supporting Actor
Nominated
Claude Rains*

Harry Carey*
*Winner was Thomas Mitchell - Stagecoach

Best Art Direction
Nominated
Lionel Banks
Winner was Lyle R. Wheeler - Gone with the Wind

Best Film Editing
Nominated
Gene Havlick, Al Clark
Winner was Hal C. Kern, James E. Newcom - Gone with the Wind

Best Music, Scoring
Nominated
Dimitri Tiomkin
Winner was Herbert Stothart - The Wizard of Oz

Best Sound Recording
Nominated
John P. Livadary
Winner was Bernard B. Brown - When Tomorrow Comes

text: Other honors[edit]

text:
Mr. Smith Goes to Washington was named as one of the best films of 1939 by The New York Times and Film Daily, and was nominated for Best Film by the National Board of Review.
James Stewart won the 1939 New York Film Critics Circle Award for Best Actor.
In 1989, Mr. Smith Goes to Washington was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant."[26]

text:
1998 AFI's 100 Years... 100 Movies #29
2003 AFI's 100 Years... 100 Heroes and Villains:

Jefferson Smith, Hero #11
Senator Joseph Paine, Villain - Nominated

2006 AFI's 100 Years... 100 Cheers #5
2007 AFI's 100 Years... 100 Movies (10th Anniversary Edition) #26

text: Remakes[edit]

text:
In 1949, Columbia planned, but never actually produced, a sequel to Mr. Smith Goes to Washington, called Mr. Smith Starts a Riot. They also considered doing a gender-reversed remake in 1952, with Jane Wyman playing the lead role.[4]
A television series of the same name, Mr. Smith Goes to Washington, ran on ABC during the 1962–1963 season, starring Fess Parker, Sandra Warner and Red Foley.
Producer Frank Capra, Jr. remade the film as part of Tom Laughlin's Billy Jack series, Billy Jack Goes to Washington (1977).[citation needed]
The film was also loosely remade as The Distinguished Gentleman (1992), starring Eddie Murphy.[citation needed]

text: In popular culture[edit]

text:
The March 10, 1940 broadcast of Jack Benny's NBC radio show featured a parody entitled "Mr. Benny Goes to Washington."[27]
The short-lived NBC political drama Mister Sterling (2003) was described as "a Mr. Smith Goes to Washington for the 21st century", with the show centering on an idealistic young senator from California, coming to grips with Washington and appointed by a scheming, underhanded governor.[4]
The VHS release of Ernest Rides Again featured the opening Saturday Night Live-based short "Mr. Bill Goes to Washington", a spoof of Mr. Smith Goes to Washington.
The film's influence can be seen on many other films that deal with the United States Congress, including Legally Blonde 2: Red, White & Blonde and Evan Almighty.[citation needed]
The Simpsons episode "Beyond Blunderdome" includes a parodistic, fake remake of Mr. Smith Goes to Washington, authored by a fictional Mel Gibson with Homer Simpson's help. The fictional remake follows the same plot of the original (save for being set in the 21st century) until the final iconic "filibuster scene", replaced with a stock action scene in which a nearly exhausted Mr. Smith suddenly stands up and viciously slaughters every single senator, impaling Senator Payne with an American flag, destroying the Senate and beheading the President of the United States, mockingly quoting Marilyn Monroe's "Happy Birthday, Mr. President".
The Simpsons episode "Mr. Lisa Goes to Washington" is inspired by, and contains several references to Mr. Smith Goes to Washington. The episode deals with Lisa Simpson's disillusionment with Washington government, following her winning a trip to Washington as a prize in an essay contest.
The Simpsons episode "Mr. Spritz Goes to Washington" is also inspired by this film. In it, the Simpsons help Krusty the Clown get elected to Congress in exchange for his help in passing a bill that would move the airport flight path away from their neighborhood. Once in Washington, they find their plans blocked by a corrupt and lazy Congress, until Walter Mondale (who is now a janitor) shows them the tricks to get their bill passed.