document_title: Beauty and the Beast (2017 film)

question_text: actor who plays the beast in the new beauty and the beast

text: Beauty and the Beast (2017 film)

text: Plot[edit]

text: In Rococo-era France, an enchantress disguised as a beggar arrives at a ball and offers the host, a coldhearted prince, a rose for shelter. When he refuses, she transforms him into a beast and his servants into household objects, and erases the castle from the memories of their loved ones. She casts a spell on the rose and warns the prince that the curse will never lift unless he learns to love another, and earn their love in return, before the last petal falls.

text: Years later, in the village of Villeneuve, Belle dreams of adventure and brushes off advances from Gaston, an arrogant former soldier. Lost in the forest, Belle's father Maurice seeks refuge in the Beast's castle, but the Beast imprisons him for stealing a rose. Belle ventures out in search for him and finds him locked in the castle dungeon. The Beast agrees to let her take Maurice's place.

text: Belle befriends the castle's servants, who treat her to a spectacular dinner. When she wanders into the forbidden west wing and finds the rose, the Beast, enraged, scares her into the woods. She is cornered by wolves, but the Beast rescues her and is injured in the process. A friendship develops as Belle nurses his wounds. The Beast shows Belle a gift from the enchantress, a book that transports readers wherever they want. Belle uses it to visit her childhood home in Paris, where she discovers a plague doctor mask. Belle realises that she and her father were forced to leave her mother's deathbed as her mother succumbed to the plague.

text: In Villeneuve, Gaston sees rescuing Belle as an opportunity to win her hand in marriage and agrees to help Maurice. When Maurice learns of his ulterior motive and rejects him, Gaston abandons him to the wolves. Maurice is rescued by the beggar Agathe, but when he tells the townsfolk of Gaston's crime, Gaston convinces them to send Maurice to an insane asylum.

text: After sharing a romantic dance with the Beast, Belle discovers her father's predicament using a magic mirror. The Beast releases her to save Maurice, giving her the mirror to remember him with. At Villeneuve, Belle proves Maurice's sanity by revealing the Beast in the mirror to the townsfolk. Realizing that Belle loves the Beast, Gaston has her thrown into the asylum carriage with her father and rallies the villagers to follow him to the castle to slay the Beast. Maurice and Belle escape and Belle rushes back to the castle.

text: During the battle, Gaston abandons his companion LeFou, who then sides with the servants to fend off the villagers. Gaston attacks the Beast in his tower, who is too depressed to fight back, but regains his will upon seeing Belle return. He overpowers Gaston but spares his life before reuniting with Belle. However, Gaston fatally shoots the Beast from a bridge, but it collapses when the castle crumbles and he falls to his death. The Beast dies as the last petal falls and the servants become inanimate. When Belle tearfully professes her love to him, Agathe reveals herself as the enchantress and undoes the curse, repairing the crumbling castle and restoring the Beast's and servants' human forms and the villagers' memories. The Prince and Belle host a ball for the kingdom, where they dance happily.

text: Cast[edit]

text:
Emma Watson as Belle, a beautiful and benevolent bibliophile who develops feelings for the Beast and begins to see the humanity within him.

Daisy Duczmal portrays an infant Belle.

Dan Stevens as The Prince / Beast, a cold-hearted prince who is transformed into a hideous beast and forced to earn back his humanity by learning to truly love and be loved in return.[9][10]

Adam Mitchell[3] portrays the younger version of the Prince.

Luke Evans as Gaston, a narcissistic and arrogant hunter and veteran of the French Royal Army who is willing to go as far as it takes to have Belle as his trophy wife.
Kevin Kline as Maurice, Belle's protective widowed father.[11]

Jolyon Coy portrays the young Maurice.

Josh Gad as LeFou, Gaston's flamboyant and long-suffering sidekick who bolsters his friend's ego but gets very little in return.[12]
Ewan McGregor as Lumière, the Beast's charismatic bouteiller who has been transformed into a candelabra.[13]
Stanley Tucci as Maestro Cadenza, the neurotic court composer and Madame de Garderobe's husband who has been transformed into a harpsichord.[14]
Ian McKellen as Cogsworth, the Beast's gruff but loyal majordomo and the head of the household staff who has been transformed into a mantel clock.[15]
Emma Thompson as Mrs. Potts, the castle's motherly head housekeeper who has been transformed into a teapot.[11]
Audra McDonald as Madame de Garderobe, a world-renowned opera singer and Cadenza's wife who has been transformed into a wardrobe.[16]
Gugu Mbatha-Raw as Plumette, one of the castle maids and Lumière's lover who has been transformed into a feather duster.[17]
Nathan Mack as Chip, Mrs. Potts' plucky son who has been transformed into a teacup.[18]
Hattie Morahan as Agathe, an impoverished hermit and resident of Villeneuve who, in reality, is the Enchantress responsible for cursing the Prince.[19] Morahan also narrates the prologue.

Rita Davies portrays the Enchantress in her beggar woman form.

Adrian Schiller as Monsieur D'Arque, the sly warden of the local asylum who is bribed by Gaston to have Maurice institutionalized.[19]
Gerard Horan as Monsieur Jean Potts, an absent-minded potter and resident of Villeneuve who is later revealed to be Mrs. Potts' husband and Chip's father.
Haydn Gwynne as Clothilde, a fishmonger and resident of Villeneuve who is later revealed to be Cogsworth's wife.
Michael Jibson as the Tavern Keeper, the owner and keeper of Villeneuve's local tavern where Gaston and the village residents drink.
Ray Fearon as Père Robert, Villeneuve's local chaplain who encourages Belle to borrow the books in the chapel's meager library.
Sophie Reid, Rafaëlle Cohen, and Carla Nella as the Village Lasses, a trio of women who fawn over Gaston and have a jealousy for Belle.
Jimmy Johnston, Dean Street, and Alexis Loizon as Tom, Dick, and Stanley, a trio of men who serve as Gaston's henchmen.
Zoe Rainey as Belle's mother, Maurice's late wife who contracted the plague and died when Belle was an infant.
Clive Rowe as Cuisinier, the castle's head chef who has been transformed into a stove.
Gizmo as Frou-Frou, Maestro Cadenza's and Madame de Garderobe's pet Yorkshire Terrier who has been transformed into a footstool.
Thomas Padden as Chapeau, the Prince's valet who has been transformed into a coat rack.
Tom Turner[4] as The King, the Prince's father who, following his wife's death, raised his son to be just as selfish and arrogant as he was.
Harriet Jones as The Queen, the Prince's mother who died of an illness when he was a child.
Dale Branston as Baker, Villeneuve's residential baker.
Chris Andrew Mellon as Nasty Headmaster, the unnamed headmaster of an all boys school in Villeneuve that disapproves of Belle teaching a young girl how to read.
Vivian Parry as the Village Lass' Mother, an unnamed seamstress who is the mother of the Village Lasses.

text: Cast notes[edit]

text: ^ In the initial theatrical release, Mitchell was miscredited as Rudi Gooman in the cast, but listed under his real name in the soundtrack credits.[20]

text: ^ In the initial theatrical release, Turner is miscredited as Henry Garrett in the cast.[20]

text: Stephen Merchant also appeared in the film as Monsieur Toilette, a servant who was turned into a toilet. This character was cut from the film, but is featured in the deleted scenes.[21]

text: Production[edit]

text: Development[edit]

text: Previously, Disney had begun work on a film adaptation of the 1994 Broadway musical.[22][23] However, in a 2011 interview, composer Alan Menken stated the planned film version of the Beauty and the Beast stage musical "was canned".[24]

text: By April 2014, Walt Disney Pictures had already begun developing a new live-action version and remake of Beauty and the Beast after making other live-action fantasy films such as Alice in Wonderland, Maleficent, Cinderella and The Jungle Book.[25] In June 2014, Bill Condon was signed to direct the film from a script by Evan Spiliotopoulos.[26] Later in September of that same year, Stephen Chbosky (who had previously directed Watson in The Perks of Being a Wallflower) was hired to re-write the script.[27]

text: Before Condon was hired to direct the film, Disney approached him with a proposal to remake the film in a more radical way as Universal Studios had remade Snow White and the Huntsman (2012). Condon later explained that "after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially, they said, 'We're interested in a musical to a degree, but only half full of songs.' My interest was taking that film and doing it in this new medium—live-action—as a full-on musical movie. So I backed out for a minute, and they came back and said, 'No, no, no, we get it, let's pursue it that way.'"[28] Walt Disney Pictures president of production Sean Bailey credited Walt Disney Studios chairman Alan F. Horn with the decision to make the film as a musical: "We worked on this for five or six years, and for 18 months to two years, Beauty was a serious dramatic project, and the scripts were written to reflect that. It wasn't a musical at that time. But we just couldn't get it to click and it was Alan Horn who championed the idea of owning the Disney of it all. We realized there was a competitive advantage in the songs. What is wrong with making adults feel like kids again?"[29]

text: Casting[edit]

text: In January 2015, Emma Watson announced that she would be starring as Belle, the female lead.[30] Watson was the first choice of Walt Disney Studios chairman Alan F. Horn, as he had previously overseen Warner Bros. which released the eight Harry Potter films that co-starred Watson as Hermione Granger.[29] Two months later, Luke Evans and Dan Stevens were revealed to be in talks to play Gaston and the Beast respectively,[31][32] and Watson confirmed their casting the following day through tweets.[9][33] The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière and Cadenza, respectively.[12][11][16][15][17][13][14][34]

text: Susan Egan, who originated the role of Belle on Broadway, commented on the casting of Watson as "perfect".[35] Paige O'Hara, who voiced Belle in the original animated film and its sequels, offered to help Watson with her singing lessons.[36]

text: According to The Hollywood Reporter, Emma Watson was reportedly paid $3 million upfront, together with an agreement that her final take-home pay could rise as high as $15 million if the film generated gross box office income similar to Maleficent's $759 million worldwide gross.[37]

text: Filming[edit]

text: Principal photography on the film began at Shepperton Studios in Surrey, England, on May 18, 2015.[11][38][39] Filming with the principal actors concluded on August 21.[40][41] Six days later, co-producer Jack Morrissey confirmed that the film had officially wrapped production.[42]

text: The Beast was portrayed with a “more traditional motion capture puppeteering for the body and the physical orientation", where actor Dan Stevens was "in a forty-pound gray suit on stilts for much of the film". The facial capture for the Beast was done separately in order to "communicate the subtleties of the human face" and "[capture the] thought that occurs to him" which gets "through [to] the eyes, which are the last human element in the Beast.” The castle servants who are transformed into household objects were created with CGI animation.[6]

text: Before the release of the film, Bill Condon refilmed one certain sequence in the "Days of the Sun" number, due to confusion among test audiences caused by actress Harriet Jones, who looked similar to Hattie Morahan, who portrayed Agathe. In the original version of the scene, it was Jones' character, the Prince's mother, who sings the first verse of the song, with Rudi Goodman playing the young Prince and Henry Garrett playing his father; but in the reshot version of the scene, the singing part is given to the Prince (now played by Adam Mitchell). The King was also recast to Tom Turner, although Harriet Jones was still the Queen, albeit with dark hair. Both Goodman and Garrett's names were mistakenly featured in the original theatrical release's credits, but was later corrected in home releases.[20]

text: Music[edit]

text: When released in 1991, Beauty and the Beast marked a turning point for Walt Disney Pictures by appealing to millions of fans with its Oscar-winning musical score by lyricist Howard Ashman and composer Alan Menken. In Bill Condon's opinion, that original score was the key reason he agreed to direct a live-action version of the movie. "That score had more to reveal", he says, "You look at the songs and there's not a clunker in the group. In fact, Frank Rich described it as the best Broadway musical of 1991. The animated version was already darker and more modern than the previous Disney fairytales. Take that vision, put it into a new medium, make it a radical reinvention, something not just for the stage because it's not just being literal, now other elements come into play. It's not just having real actors do it".[43]

text: Condon initially prepared on only drawing inspiration from the original film, but he also planned to include most of the songs composed by Alan Menken, Howard Ashman and Tim Rice from the Broadway musical, with the intention of making the film as a "straight-forward, live-action, large-budget movie musical".[44] Menken returned to score the film's music, which features songs from the original film by him and Howard Ashman, plus new material written by Menken and Tim Rice.[45] Menken said the film will not include songs that were written for the Broadway musical and instead, created four new songs.[46] However, an instrumental version of the song "Home", which was written for the musical, is used during the scene where Belle first enters her room in the castle.[47]

text: On January 19, 2017, it was confirmed by both Disney and Céline Dion - singer of the original 1991 Beauty and the Beast duet song, with singer Peabo Bryson - that Dion would be performing one of the new original songs "How Does a Moment Last Forever" to play over the end titles.[48] She originally had doubts about whether or not to record the song due to the recent death of her husband and manager René Angélil, who had previously helped her secure the 1991 pop duet. While ultimately accepting the opportunity, she said: "[The] first Beauty and the Beast decision was made with my husband. Now I'm making decisions on my own. It's a little bit harder. I couldn't say yes right away, because I felt like I was kind of cheating in a way".[18] She eventually felt compelled to record the song because of the impact Beauty and the Beast has had on her career. According to Dion, "I was at the beginning of my career, it put me on the map, it put me where I am today".[9] Also, Josh Groban was announced to be performing the new original song "Evermore" on January 26, 2017.[49][50][51][52]

text: The 2017 film features a remake of the 1991 original song Beauty and the Beast recorded as a duet by Ariana Grande and John Legend.[53][54] Grande and Legend's updated version of the Beauty and the Beast title song is faithful to the original, Grammy-winning duet, performed by Céline Dion and Peabo Bryson for the 1991 Disney film.[55]

text: Emma Thompson also performed a rendition of "Beauty and the Beast", which was performed by Angela Lansbury in the original 1991 animated film release.[56]

text: Disney debuted the music video for Ariana Grande and John Legend's interpretation of the title song "Beauty and the Beast" on Freeform television network on March 5, 2017, and it has since attained over 100 million video views on the Vevo video hosting service.[56]

text: Release[edit]

text: On March 16, 2015, Disney announced the film would be released in 3D on March 17, 2017.[11] The first official presentation of the film took place at Disney's three-day D23 Expo in August 2015.[57]

text: The world premiere of Beauty and the Beast took place on February 23, 2017, at Spencer House in London, England;[58] and the film later premiered at the El Capitan Theatre in Hollywood, California, on March 2, 2017. The stream was broadcast onto YouTube.

text: A sing along version of the film released in over 1,200 US theaters nationwide on April 7, 2017.[59] The United Kingdom received the same version on April 21, 2017.[citation needed]

text: Marketing[edit]

text: Disney spent around $140 million for marketing the film worldwide.[60] Following an announcement on May 22, 2016,[61] Disney premiered the first official teaser trailer on Good Morning America the next day.[62] In its first 24 hours, the teaser trailer reached 91.8 million views, which topped the number of views seen in that amount of time in history, including for the teasers for other films distributed by Disney such as Avengers: Age of Ultron, Star Wars: The Force Awakens and Captain America: Civil War.[63] This record has since been broken by Thor: Ragnarok and It.[64] The first official teaser poster was released on July 7, 2016.[65] On November 2, 2016, Entertainment Weekly debuted the first official image on the cover of their magazine for the week along with nine new photos as well.[66][67] One week later, Emma Watson and Disney debuted a new poster for the film.[68] On November 14, 2016, the first theatrical trailer was released again on Good Morning America.[69] The trailer reached 127.6 million views in its first 24 hours, setting a new record as the trailer with the most views in one day, beating out Fifty Shades Darker.[70] This record has since been broken again by The Fate of the Furious.[71] A TV spot with Watson singing was shown during the 74th Golden Globe Awards.[72] Disney released the final trailer on January 30, 2017.[73]

text: Home media[edit]

text: Beauty and the Beast was released on Blu-ray, DVD and Digital HD on June 6, 2017.[74] The film debuted at No. 1 on the NPD VideoScan overall disc sales chart, with all other titles in the top 20, collectively, selling only 40% as many units as Beauty and the Beast.[75] The movie regained the top spot on the national home video sales charts during its third week of release.[76] The movie became available on Netflix on September 19, 2017.

text: Reception[edit]

text: Box office[edit]

text: Beauty and the Beast grossed $504 million in the United States and Canada and $758.6 million in other territories for a worldwide gross of $1.262 billion.[a] With a production budget of $160 million, it is the second-most expensive musical ever made; only Hello, Dolly! (1969) with a budget of $25 million ($165 million in 2016 dollars) cost more.[4] In just ten days, it became the highest-grossing live-action musical of all time, beating the nine-year-old record held by Mamma Mia!. It is currently the second biggest musical ever overall, behind Disney's Frozen (2013).[78] Worldwide, the film proved to be a global phenomenon, earning a total of $357 million over its four-day opening weekend from 56 markets. Critics said the film was playing like superhero movies amongst women. It was the second biggest March global opening, behind only Batman v Superman: Dawn of Justice, the thirteenth-biggest worldwide opening ever and the seventh-biggest for Disney.[79] This includes $21 million from IMAX plays on 1,026 screens, a new record for an IMAX PG title.[80] It surpassed the entire lifetime total of the original film in just six days.[81][82]

text: Beauty and the Beast is the 300th digitally remastered release in IMAX company's history, which began with the re-release of Apollo 13 in 2002. Its robust global debut helped push the company past $6 billion for the first time,[83] and led to analysts believing that the film had a shot of passing $1 billion worldwide from theatrical earnings.[84][85][86][87] On April 12, it passed the $1 billion threshold, becoming the first film of 2017, the fourteenth Disney film, and the twenty-ninth film overall to pass the mark. It became the first film since Rogue One (also a Disney property) in December 2016 to make over a billion dollars, and did so on its twenty-ninth day of release.[88][89][90] It is currently the highest-grossing film of 2017,[91] the highest-grossing March release,[92] the highest-grossing remake of all-time,[93] and the fifth biggest Disney film.[94] Even after inflation adjusted, it is still ahead of the $425 million gross ($760 million in 2017 dollars) of the original film.[93]

text: North America[edit]

text: In the United States and Canada, Beauty and the Beast topped Fandango's pre-sales and became the fastest-selling family film in the company's history, topping the studio's own animated film Finding Dory released the previous year. Early tracking had the film grossing around $100 million in its opening weekend, with some publications predicting it could reach $130 million.[95][96][97] By the time the film's release was 10 days away, analysts raised projections to as high as $150 million.[98][99] It earned $16.3 million from Thursday previews night, marking the biggest of 2017 (breaking Logan's record), the biggest ever for a Disney live-action film (breaking Maleficent's record), the second biggest ever for both a G or PG-rated film (behind the sixth Harry Potter film Harry Potter and the Half-Blood Prince which also starred Watson), and the third biggest ever in the month of March (behind Batman v Superman: Dawn of Justice and The Hunger Games).[100] An estimated 41% of the gross came from IMAX, 3D and premium large format screenings which began at 6 pm, while the rest – 59% – came from regular 2D shows which began at 7 p.m.[101] The numbers were considered more impressive given that the film played during a school week.[102]

text: On its opening day, the film made $63.8 million from 4,210 theaters across 9,200 screens, marking the third biggest in the month of March, trailing behind Batman v Superman ($81.5 million) and The Hunger Games ($67 million).[103][104] It was also the biggest opening day ever for a film that wasn't PG-13, displacing the $58 million opening Wednesday of Harry Potter and the Half-Blood Prince. Its opening day alone (which includes Thursday's previews) almost matched the entire opening weekend of previous Disney live-action films, Maleficent ($69.4 million) and Cinderella ($67.9 million).[105] Unlike all previous four Disney live-action films witnessing a hike on their second day, Saturday, Beauty and the Beast actually fell -2%, but nevertheless, the dip was paltry, and the grosses are so much bigger compared to the other titles.[83] Earning a total of $174.8 million on its opening weekend, it defied all expectations and went on to set numerous notable records.[106] This includes the biggest opening of the year as well as the biggest for the month of March and pre-summer/spring opening, beating Batman v Superman,[107][108] the biggest start ever for a PG title (also for a family film), surpassing Finding Dory,[109] the biggest debut of all time for a female-fueled film, ahead of The Hunger Games: Catching Fire,[110] the biggest for a Disney live-action adaptation, ahead of Alice in Wonderland[110] and the biggest musical debut ever, supplanting Pitch Perfect 2. Furthermore, it is also Watson's highest-opening, beating Harry Potter and the Deathly Hallows – Part 2 same with Emma Thompson, director Bill Condon's biggest debut ever ahead of The Twilight Saga: Breaking Dawn – Part 2 and the biggest outside of summer, save for Star Wars: The Force Awakens, not accounting for inflation.[106]

text: It became the forty-third film to debut with over $100 million and the fifteenth film to open above $150 million. Its three-day opening alone surpassed the entire original North American run of the first film ($146 million; before the 3D re-release), instantly becoming the second biggest film of the year, behind Logan ($184 million), and also the second highest-grossing musical, behind Grease's $188 million cumulative gross in 1978.[111] 70% of the total ticket sales came from 2D showings signifying that people who don't go to theaters frequently came out in bulk to watch the film. About 26% of the remaining tickets were for 3D. IMAX accounted for 7% ($12.5 million) of the total weekend's gross, setting a new record for a PG title, ahead of Alice in Wonderland ($12.1 million) while PLF repped 11% of the box office.[83] 70% of the film's opening day demographic was female, dropping to 60% through the weekend.[110] According polling service PostTrak, about 84 percent of American parents who saw the film on its opening day said they would "definitely" recommend it for families.[112][113] The film's opening was credited to positive word of mouth from audiences, good reviews from critics, effective marketing which sold the title not just as a family film but also as a romantic drama, the cast's star power (especially Emma Watson), lack of competition, being the first family film since The Lego Batman Movie a month earlier, nostalgia, and the success and ubiquity of the first film and Disney's brand.[112][114]

text: On Monday, its fourth day of release, the film fell precipitously by 72% earning $13.5 million. The steep fall was due to a limited marketplace where only 11% K-12 and 15% colleges were off per ComScore. Nevertheless, it is the second biggest March Monday, behind Batman v Superman ($15 million).[115] This was followed by the biggest March and pre-summer Tuesday with $17.8 million, a +32% increase from its previous day. The same day, the film passed $200 million in ticket sales.[116] It earned $228.6 million in the first week of release, the sixth-biggest seven-day gross of all time.[117] In its second weekend, the film continued to maintain the top positioning and fell gradually by 48% earning another $90.4 million to register the fourth-biggest second weekend of all time, and the third-biggest for Disney.[118] In terms of percentage drop, its 48% decline is the third-smallest drop for any film opening above $125 million (behind Finding Dory and The Force Awakens).[78] The hold was notable considering how the film was able to fend off three new wide release; Power Rangers, Life, and CHiPs.[119] As a result, it passed the $300 million threshold becoming the first film of 2017 the pass said mark.[120] The film grossed $45.4 million in its third weekend, finally being overtaken for the top spot by newcomer The Boss Baby ($50.2 million).[121] On April 4, 2017, its nineteenth day of release, it passed the $400 million threshold becoming the first film of 2017 to do so.[122] By its fourth weekend, the film began was playing in 3,969 cinemas, a fall of 241 theaters from its previous weekend. Of those, approximately 1,200 cinemas were sing-along versions. It earned $26.3 million (-48%) and retained second place. By comparison, previous Disney films Moana (−8%) and Frozen (−2%) both witnessed mild percentage declines the weekend their sing-alone versions were released.[123] Its seventh weekend of release was in contemporaneous with another Emma Watson-starring new film The Circle.[124] That weekend, The Circle was number four, while Beauty and the Beast was at number six.[125] By May 28, the film had earned over $500 million in ticket sales becoming the first (and currently only) film of 2017, the third female-fueled film (after The Force Awakens and Rogue One: A Star Wars Story followed by Wonder Woman) and the eighth overall film in cinematic history to pass the mark.[126][127][128]

text: It has already become the biggest March release, dethroning The Hunger Games (2012),[129] the biggest musical film (both animated and live-action),[130] as well as the biggest film of 2017.[131]

text: Outside North America[edit]

text: Internationally, the film began playing on Thursday, March 16, 2017. Through Sunday, March 19, it had a total international opening of $182.3 million from 55 markets, 44 of which were major territories, far exceeding initial estimations of $100 million and opened at No. 1 in virtually all markets except Vietnam, Turkey, and India. Its launch is the second biggest for the month of March, behind Batman v Superman ($256.5 million). In IMAX, it recorded the biggest debut for a PG title (although it carried varying certificate amongst different markets) with $8.5 million from 649 screens, the second biggest for a PG title behind The Jungle Book.[132] In its second weekend, it fell just by -35% earning another $120.6 million and maintaining its first position hold. It added major markets like France and Australia.[133] It top the international box office for three consecutive weekends[134] before finally being dethroned by Ghost in the Shell and The Boss Baby in its fourth weekend. Despite the fall, the film helped Disney push past the $1 billion thresold internationally for the first time in 2017.[135][90]

text: It scored the biggest opening day of the year in Hong Kong and the Philippines, the biggest March Thursday in Italy ($1 million, also the biggest Disney Thursday debut), the biggest March opening day in Austria, and the second biggest in Germany ($1.1 million), Disney's biggest March in Denmark, the biggest Disney live-action debut in China ($12.6 million), the UK ($6.2 million), Mexico ($2.4 million) and Brazil ($1.8 million) and the third biggest in South Korea with $1.2 million, behind only Pirates of the Caribbean: At World's End and Pirates of the Caribbean: On Stranger Tides.[136][137] In terms of opening weekend, the largest debut came from China ($44.8 million), followed by the UK ($24.3 million), Korea ($11.8 million), Mexico ($11.8 million), Australia ($11.1 million), Brazil ($11 million), Germany ($10.7 million), France ($8.4 million), Italy ($7.6 million), Philippines ($6.3 million), Russia ($6 million) and Spain ($5.8 million).[132][133]

text: In the United Kingdom and Ireland, the film recorded the biggest opening ever for a PG film, the biggest Disney live-action opening of all time, the biggest March opening weekend, the biggest opening for a musical (ahead of 2012's Les Misérables), the number one opening of 2017 to date and the fifth-biggest ever overall with £19.7 million ($24.5 million) from 639 theatres and almost twice that of The Jungle Book (£9.9 million).[138] This included the second biggest Saturday ever (£7.9 million), only behind Star Wars: The Force Awakens.[139] It witnessed a decline in its second weekend, earning £12.33 million ($15.4 million). Though the film was falling at a faster rate than The Jungle Book, it had already surpassed the said film and its second weekend is the third biggest ever (behind the two James Bond films Skyfall (2012) and Spectre).[140][133] In India, despite facing heavy competitions from four new Hindi releases, two Tamils films and a Malayalam and a Punjabi release, the film managed to take an occupancy of 15% on its opening day, an impressive feat despite tremendous competitions.[141][142][143] It earned around ₹1.5 crore (US$230,000) nett on its opening day from an estimated 600 screens which is more than the three Hindi releases – Machine, Trapped and Aa Gaya Hero – combined.[144] Disney reported a total of ₹9.26 crore (US$1.4 million) gross for its opening weekend there. It was ahead of all new releases and second overall behind Bollywood film Badrinath Ki Dulhania.[145][146][147] In Russia, despite receiving a restrictive 16 rating, the film managed to deliver a very successful opening with $6 million.[148]

text: In China, expectations were high for the film. The release date was announced on January 24, giving Disney and local distributor China Film Group Corporation ample time – around two months – to market the film nationwide. The release date was strategically chosen to coincide with White Day. Preliminary reports suggested that it could open to $40–60 million in its opening weekend. Largely driven by young women, its opening day pre-sales outpaced that of The Jungle Book.[149] The original film was however never widely popular in the country.[150] Although China has occasionally blocked gay-themed content from streaming video services, in this case, Chinese censors decided to leave the gay scene intact. According to local box office tracker Ent Group, the film grossed an estimated $12.1 million on its opening day (Friday), representing 70% of the total receipts. Including previews, it made a total of $14.5 million from 100,000 screenings, which is 43% of all screenings in the country.[151] It climbed to $18.5 million on Saturday (102,700 showings) for a three-day total of $42.6 million, securing 60% of the total marketplace. Disney on the other hand reported a different figure of $44.8 million.[152][153] Either ways, it recorded the second biggest opening for a Disney live-action film,[150] with $3.4 million coming from 386 IMAX screens.[132] Japan – a huge Disney market – served as the film's final market and opened there on April 21[133] It debuted with a better-than-expected $12.5 million on its opening weekend helping the film push past the $1.1 billion threshold. An estimated $1.1 million came from IMAX screenings, the fourth-biggest ever in the country.[154][155] The two day gross was $9.7 million, outstripping Frozen's previous record of $9.5 million.[156] Due to positive reviews, good word-of-mouth and benefitting from the Golden Week, the film saw a 9% increase on its second weekend. The hold was strong enough to fend off newcomer The Fate of the Furious from securing the top spot. The total there is now over $98 million after seven weekends[157][158][159] and is the biggest film release of the year and overall the eleventh biggest of all time.[160] It topped the box office there for eight consecutive weekends.[161][162]

text: The only markets where the film did not top the weekend charts were Vietnam (behind Kong: Skull Island), Turkey (with two local movies and Logan ahead) and India (where Badrinath Ki Dulhania retained No. 1).[132] It topped the box office for four straight weekends in Germany, Korea, Austria, Finland, Poland, Portugal, Brazil, Venezuela, Bolivia, Switzerland and the UK (exclusive of previews).[135][163] In the Philippines, it emerged as the most commercial successful film of all time – both local and foreign – with over $13.5 million.[164] In just five weeks, the film became one of the top 10 highest-grossing film of all time in the United Kingdom and Ireland, ahead of all but one Harry Potter film (Deathly Hallows – Part 2) and all three The Lord of the Rings movies (which also starred Ian McKellen).[165] It is currently the eighth biggest grosser with £70.1 million ($90 million), overtaking Mamma Mia! to become the biggest musical production ever there.[154][166] The biggest international earning markets following the UK are Japan ($108 million), China ($85.8 million), Brazil ($41.5 million), Korea ($37.5 million), and Australia ($35 million).[161] In Europe alone, the cumulative total is $267 million to become the second-highest-grossing film in the past 1 year (behind Rogue One: A Star Wars Story).[167][154][157]

text: Critical response[edit]

text: Beauty and the Beast received generally positive reviews, with praise for the faithfulness to the original film with a few elements of the Broadway musical version, cast performances, visuals, Jacqueline Durran's costume designs, Alan Menken's musical score and songs, though the designs of the Beast and the servants' household object forms received mixed reviews.[168][169] On review aggregator Rotten Tomatoes, the film has an approval rating of 71% based on 294 reviews, with an average rating of 6.6/10. The site's critical consensus reads, "With an enchanting cast, beautifully crafted songs, and a painterly eye for detail, Beauty and the Beast offers a faithful yet fresh retelling that honors its beloved source material."[170] On Metacritic, the film has a score of 65 out of 100, based on 47 critics, indicating "generally favorable reviews".[171] In CinemaScore polls, audiences gave the film an average grade of "A" on an A+ to F scale.[172][173]

text: Leslie Felperin of The Hollywood Reporter wrote: "It's a Michelin-triple-starred master class in patisserie skills that transforms the cinematic equivalent of a sugar rush into a kind of crystal-meth-like narcotic high that lasts about two hours." Felperin also praised the performances of Watson and Kline as well the special effects, costume designs and the sets while commended the inclusion of Gad's character of LeFou as the first LGBT character in Disney.[174] Owen Gleiberman of Variety, in his positive review of the film, wrote: "It's a lovingly crafted movie, and in many ways a good one, but before that it's an enraptured piece of old-is-new nostalgia." Gleiberman compared Steven's character of the Beast to a royal version of the titular character in The Elephant Man and the 1946 version of the Beast in Jean Cocteau's original adaptation.[175] A. O. Scott of The New York Times praised the performances of both Watson and Stevens, and wrote: "It looks good, moves gracefully and leaves a clean and invigorating aftertaste. I almost didn't recognize the flavor: I think the name for it is joy."[176] Likewise, The Washington Post's Ann Hornaday complimented Watson's performance, describing it as "alert and solemn" while noting her singing ability as "serviceable enough to get the job done".[177] Richard Roeper of Chicago Sun-Times awarded the film three and a half stars, lauded the performances of Watson and Thompson which he drew a comparison to Paige O'Hara's and Angela Lansbury's performances in the 1991 animated version while appreciating the performances of the other cast and also pointing out on its usage of the combination of motion capture and CGI technology as a big advantage which he stated: "Almost overwhelmingly lavish, beautifully staged and performed with exquisite timing and grace by the outstanding cast".[178] Mike Ryan of Uproxx praised the cast, production design and the new songs while noting the film doesn't try anything different, saying: "There's certainly nothing that new about this version of Beauty and the Beast (well, except it isn't a cartoon anymore), but it's a good recreation of a classic animated film that should leave most die-hards satisfied."[179] In her A- review, Nancy Churnin of The Dallas Morning News praised the film's emotional and thematic depth: "There's an emotional authenticity in director Bill Condon's live-action Beauty and the Beast film that helps you rediscover Disney's beloved 1991 animated film and 1994 stage show in fresh, stirring ways."[180]

text: Brian Truitt of USA Today commended the performances of Evans, Gad, McGregor and Thompson alongside Condon's affinity with musicals, the production design, visual effects featured in some of the song numbers including new songs made by the composers Alan Menken and Tim Rice, particularly Evermore which he described the new song with a potential for an Academy Award for Best Original Song.[181] Peter Travers of Rolling Stone rated the film three out of four stars which he deemed it as an "exhilarating gift" while he remarked that "Beauty and the Beast does justice to Disney's animated classic, even if some of the magic is M.I.A (Missing in Action)."[182] Stephanie Zacharek of Time magazine gave a positive review with a description as "Wild, Vivid and Crazy-Beautiful" as she wrote "Nearly everything about Beauty and the Beast is larger than life, to the point that watching it can be a little overwhelming." and added that "it’s loaded with feeling, almost like a brash interpretive dance expressing the passion and elation little girls (and some boys, too) must have felt upon seeing the earlier version."[183] The San Francisco Chronicle's Mick LaSalle struck an affirmative tone, calling it one of the joys of 2017, stating that "Beauty and the Beast creates an air of enchantment from its first moments, one that lingers and builds and takes on qualities of warmth and generosity as it goes along" while referring the film as "beautiful" and also praised the film for its emotional and psychological tone as well Steven's motion capture performance.[184] Tim Robey of The Daily Telegraph gave the film four stars out of five and wrote that "It dazzles on this chocolate box of a picture that feels almost greedy yet to make this film work, down to a sugar-rush finale to grasp the nettle and make an out-an-out, bells-and-whistles musical" while he praised the performances of Watson, McKellen, Thompson, McGregor, Evans and Gad.[185] Mark Hughes of Forbes also similarly praised the film which he wrote that "it could revive the story in a faithful but entirely new and unique way elevating the material beyond expectations, establishing itself as a cinematic equal to the original" and also complimented the importance of undertaking a renowned yet problematic masterpiece as well addressing changes in the elements of the story while acknowledging the film's effectiveness in resonating to the audiences.[186]

text: Several critics regarded the film as inferior to its 1991 animated predecessor. David Sims of The Atlantic wrote that the 2017 film "feels particularly egregious, in part, because it’s so slavishly devoted to the original; every time it falls short of its predecessor (which is quite often), it’s hard not to notice".[187] Michael Phillips of the Chicago Tribune said that the 2017 film "takes our knowledge and our interest in the material for granted. It zips from one number to another, throwing a ton of frenetically edited eye candy at the screen, charmlessly." Phillips wrote that the film featured some "less conspicuously talented" performers who are "stuck doing karaoke, or motion-capture work of middling quality", though he praised Kline's performance as the "best, sweetest thing in the movie; he brings a sense of calm, droll authority".[188] Peter Bradshaw of The Guardian praised Watson's performance and wrote that the film was "lit in that fascinatingly artificial honey-glow light, and it runs smoothly on rails – the kind of rails that bring in and out the stage sets for the lucrative Broadway touring version." In the same newspaper, Wendy Ide criticized the film as "ornate to the point of desperation" in its attempt to emulate the animated film.[189][190]

text: Chris Nashawaty of Entertainment Weekly gave the film a B-, writing that while the film looks "exceptionally great", he sensed that the new songs were "not transporting". He felt the film needed more life and depth, but praised Watson's and Steven's performances as the "film’s stronger elements".[191] Dana Schwartz of The Observer felt that some of the characters, such as Gaston and the Beast, had been watered down from the 1991 film, and that the additional backstory elements failed to "advance the plot or theme in any meaningful way" while adding considerable bloat. Schwartz considered the singing of the cast to be adequate but felt that their voices should have been dubbed over, especially for the complex songs.[192]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref.

MTV Movie & TV Awards
May 7, 2017
Movie of the Year
Beauty and the Beast
Won
[193]

Best Actor in a Movie
Emma Watson

Best Kiss
Emma Watson and Dan Stevens
Nominated

Best Duo
Josh Gad and Luke Evans

Golden Trailer Awards
June 6, 2017
Best Animation/Family
Beauty and the Beast
[194]

Best Original Score

Best Animation/Family TV Spot

Best Fantasy Adventure TV Spot

Teen Choice Awards
August 13, 2017
Choice Movie: Fantasy
Won
[195]
[196]

Choice Movie: Fantasy Actor
Dan Stevens
Nominated

Choice Movie: Fantasy Actress
Emma Watson
Won

Choice Movie Villain
Luke Evans

Choice Movie Ship
Emma Watson and Dan Stevens

Choice Liplock

Choice Scene Stealer
Josh Gad
Nominated

Choice Hissy Fit
Luke Evans

Dan Stevens

text: Controversies[edit]

text: Gay character[edit]

text: Controversy erupted after director Bill Condon said there was a "gay moment" in the film, when LeFou briefly waltzes with Stanley, one of Gaston's friends.[197] Afterwards in an interview with Vulture.com, Condon stated, "Can I just say, I’m sort of sick of this. Because you’ve seen the movie—it's such a tiny thing, and it’s been overblown." Condon also added that Beauty and the Beast features much more diversity than just the highly-talked-about LeFou: "That was so important. We have interracial couples—this is a celebration of everybody's individuality, and that’s what’s exciting about it.”[198] GLAAD president and CEO Sarah Kate Ellis praised the move stating, "It is a small moment in the film, but it is a huge leap forward for the film industry."[199]

text: In Russia, Vitaly Milonov agitated the culture minister for banning the film,[200] but instead it was given a 16+ rating (children under the age of 16 can only be admitted to see it in theaters with accompanying adults).[201] Additionally, a theater in Henagar, Alabama did not screen the film because of the subplot.[202] In Malaysia, the Film Censorship Board insisted the "gay moment" scene be cut, prompting an indefinite postponement of its release by Disney, followed by their decision to withdraw it completely if it could not be released uncensored.[203][204][205] The studio moved the release date to March 30, to allow more time for Malaysia's censor board to make a decision on whether or not to release the film without changes.[206] The distributors and producers then submitted an appeal to the Film Appeal Committee of Malaysia, which allowed the film to be released without any cuts and a P13 rating on the grounds that the "gay element" was minor and did not affect the positive elements featured in the film.[207][208] In Kuwait, the movie was withdrawn from cinemas by National Cinema Company which owns most of the cinemas in the country. A board member of the company stated that the Ministry of Information's censorship department had requested it to stop its screening and edit it for things deemed offensive by it.[209]

text: There were also a number of boycotts against the film. A call to boycott on LifePetitions received over 129,000 signatures,[210] while the American Family Association featured a petition to boycott with the film, asking the public to help crowdfund a CGI version of Pilgrim's Progress instead.[211]

text: Belle and the Beast's relationship[edit]

text: Disney has sought to portray Belle as an empowered young woman,[212] but a debate questioning whether it is possible to fall in love with someone who is holding you prisoner, and whether this is a problematic theme, has resulted.[213] As was the case with the original animated film, one argument is that Belle suffers from Stockholm syndrome (a condition that causes hostages to develop a psychological alliance with their captors as a survival strategy during captivity). Emma Watson studied whether Belle is trapped in an abusive relationship with the Beast before signing on and concluded that she does not think the criticism fits this version of the folk tale.[214][215] Watson described Stockholm Syndrome as "where a prisoner will take on the characteristics of and fall in love with the captor. Belle actively argues and disagrees with [Beast] constantly. She has none of the characteristics of someone with Stockholm Syndrome because she keeps her independence, she keeps that freedom of thought", also adding that Belle defiantly "gives as good as she gets" before forming a friendship and romance with the Beast.[216]

text: Psychiatrist Frank Ochberg, who coined the term "Stockholm syndrome", said he does not think Belle exhibits the trauma symptoms of prisoners suffering from the syndrome because she does not go through a period of feeling that she is going to die.[217] Some therapists, while acknowledging that the pairing's relationship does not meet the clinical definition of Stockholm syndrome, argue that the relationship depicted is dysfunctional and abusive and does not model healthy romantic relationships for young viewers.[218][219] Constance Grady of Vox writes that Jeanne-Marie Leprince de Beaumont's Beauty and the Beast was a fairy tale originally written to prepare young girls in 18th century France for arranged marriages, and that the power disparity is amplified in the Disney version.[220] Anna Menta of Elite Daily argued that the Beast does not apologize to Belle for imprisoning, hurting, or manipulating her, and his treatment of Belle is not painted as wrong.[221]

text: Notes[edit]

text: ^ Jump up to: a b Beauty and the Beast at Box Office Mojo. Retrieved August 14, 2017.


document_title: List of The Middle characters

question_text: who plays frankie heck's mom on the middle

question_tokens: who plays frankie heck 's mom on the middle

root

text: List of The Middle characters

text: Main characters[edit]

text:
Patricia Heaton as Frances "Frankie" Heck (née Spence), wife of Mike and mother of Axl, Sue, and Brick. Frankie is the central character in the show, as her voice is heard narrating at various points in every episode. She is a devoted wife and mother and sees family as the most important thing in her life. Her motto, "You do for family," guides her daily routine, despite the frustrations she encounters with her husband and three kids, as well as her older ailing relatives who often depend on her. Frankie attended college but did not finish. When the family goes on a trip, she always forgets "the blue bag" which has the food in it. She worked as a salesperson at Ehlert Motors, a job she took after losing her position as a dentist's receptionist when the office closed, only to lose her job at Ehlert Motors early in season 4. She completes dental assisting school, and gets a new job at a dentist's office near the end of season 4. Heaton wore a wig for seasons 1–4; from season 5 on, her real hair has been featured.
Neil Flynn as Michael "Mike" Heck Jr., Frankie's husband, known for his straightforward manner and lack of emotion. Mike works at the local limestone quarry as the manager. He reached his 20-year work anniversary at the quarry in the season 5 episode "The Award". Despite his no-nonsense approach to work and family, Mike is a devoted and understanding husband and father who always seems to come through for Frankie and the kids. It has been said on several occasions that Mike's favorite film is Reservoir Dogs and that he only asked Frankie out on a second date because she lied and said she also liked the film. Mike's reclusive, emotionally distant father, "Big Mike" (John Cullum), and Mike's well-meaning but unreliable brother Rusty (Norm Macdonald) both live in Orson. It is revealed in Season 8's "Clear and Present Danger" that Mike's mother died of lung cancer at age 42, and his father made him do his homework and go to school the next day instead of allowing Mike time to mourn. Mike loves all sports but is particularly passionate about seeing the Indianapolis Colts play in the Super Bowl. He and Rusty start a business in season 7, designing disposable diapers with sports team logos on them and naming their creations "Li’l Rivals."
Charlie McDermott as Axl Redford Heck, the oldest son of Frankie and Mike and who cannot be bothered to wear more than boxer shorts most of the time at home. As the elder brother, he is sarcastic, lazy, narcissistic, and selfish to his siblings. However, he has shown flashes of kindness to his family occasionally and is good at heart, which he shows when he deliberately loses a basketball game in an attempt to win back his ex-girlfriend, Morgan. He is frustrating to Frankie, who wishes he would be more open with her, as he was apparently a very loving "momma's boy" when he was a child, something Frankie seems to want to re-capture. Axl is much more popular and socially outgoing than his siblings, but is not as scholarly as they are. He plays the electric guitar, and it's presumed that he was named after Guns N' Roses frontman Axl Rose. It is revealed in season 3 that Axl is two years older than Sue as he starts his junior year at high school while Sue starts her freshman year. Mike has said that Axl is his favorite child. He has gone to prom twice with Weird Ashley (Katlin Mastandrea), an outcast at his school, both times accidentally inviting her. Axl gets another girlfriend in season 4 named Cassidy, who tutors him after Sue runs over his foot and breaks it while learning to drive. Axl and Cassidy later break up in "Hallelujah Hoedown". As a running back on his high school football team, he was recruited by a Division II state college in Indiana. After being a star player in high school, Axl was a bench warmer in college, causing him to take his pursuit of a business degree a bit more seriously. At the end of season 8, he begins dating Sue's roommate Lexie and graduates from college with a bachelor's degree in business. Between seasons 8 and 9, he travelled in Europe with Kenny to promote Kenny's upcoming apps. After briefly working as a bus driver and at Spudsy's early in season 9, Axl gets his first professional job as a sales rep for a plumbing fixture company in the episode "The 200th".
Eden Sher as Sue Sue Heck, socially awkward middle daughter of Frankie and Mike whose genuine nature, bubbly personality, and persistent sunny optimism tend to make her an object of ridicule, especially by her older brother. Despite her best efforts, she is usually unrecognized by teachers and other students, and snubbed by her peers. Her best friends are Carly and Brad. She looks up to reverend Tim-Tom. When she doesn't know something she goes to kickingitteenstyle.com. When she is lying she will say "and so on and so forth and what have you." Many of her plot lines involve her being overlooked, or trying to organize parties or events and receiving no help. In season 1, she is not pictured in the yearbook despite having her picture taken three times, and she finds her favorite teacher has no memory of her at all. (She is eventually placed in the yearbook, but in the section reserved for students who died, with the caption reading: "In Loving Memory of Sue Heck, Gone Too Soon.") She wears braces on her teeth, which were briefly removed in season 3, but it was determined that they over-corrected her condition. She had them removed at the beginning of season 6, needing only a retainer. She is also left-handed, apparently the only southpaw in her immediate family. She is two years behind Axl in school, graduating high school in the season 6 finale. She is known for trying out for almost everything but never actually getting picked, because she is always terrible. When she is lying she says "and so on and so forth and what have you". In season 2, she joins the no-cut cross country team by heroically going around the track five times on crutches because she was hit by a deer the day before. She becomes a "wrestlerette" in season 3 (which turns out to be a group of fellow misfits) and dates a wrestler named Matt for a short time. In season 4, she dates Axl's friend Darrin. She is engaged to Darrin for three days in season 6, before deciding she doesn't want to get married yet and ending their relationship. This marks a rare moment where Sue is not a pushover, explaining her situation to Darrin in an intelligent, articulate, and socially mature manner. The season 3 episode "Leap Year" reveals she was a leap day baby, but then she had her 16th birthday the following season (season 4, episode 17, "Wheels of Pain"). She gets accepted to the same college Axl is attending. He didn't want her to go, but Mike and Frankie tell him it isn't his decision, and Sue does later accept the offer to attend the college. In season 9, she is a junior in college and is majoring in hotel management. In season 9 she turns 21 and Frankie comes to college and they get drunk together.
Atticus Shaffer as Brick Heck, youngest of Mike and Frankie's children. He loves to read and has a case of palilalia, which is demonstrated by his repeating words from previous sentences to himself in a whisper. In season 1 episode 5, it is revealed that he possesses an eidetic memory. He is smarter than most teenagers, having read Of Mice and Men, a book his elder brother is struggling with at the same time. He also loves the Planet Nowhere book series, which is native to the show, and the real-life Percy Jackson & the Olympians. He has referred to Diary of a Wimpy Kid as "the book that changed my life." He is exceptionally intelligent but easily distracted, leading him to procrastinate on doing his homework assignments and projects (it is loosely implied that he may perhaps have Asperger's syndrome). Brick is a known gephyrophobiac and is fascinated with fonts. Due to his awkwardness, he struggles to make friends. In season 2, he befriends an equally awkward boy named Arlo, whom even Brick struggles to deal with. He is five years behind Sue in school, starting the eighth grade in the seventh season. In season 2 Episode 7, it is revealed that he was accidentally switched at birth with another baby due to Mike watching a football game and taking home a child that the nurse brought up next to Brick, and he spent a month with that child's family while the other baby was with the Hecks. In season 8, Brick meets the other child, Blake Ferguson, along with the literature-loving Ferguson parents, and discovers that it was likely exposure to them as an infant that led to his appreciation for reading and classical music. While Sue gets overlooked by classmates and teachers, Brick is constantly overlooked by his own family. Frankie and Mike have forgotten his birthday multiple times. In Season 8, Brick makes it into the National Honor Society, a first for a Heck family member, but his parents did not know until Nancy Donahue told them. He has a girlfriend named Cindy. In Season 9, Brick is a Sophomore at Orson High School.

tag: ul

text: Recurring characters[edit]

text:
Actor
Character
Seasons

1
2
3
4
5
6
7
8
9

Brock Ciarlelli
Brad Bottig
Recurring

Jen Ray
Nancy Donahue
Recurring

Beau Wirick
Sean Donahue
Recurring

Malcolm Foster Smith
Dave
Recurring

John Gammon
Darrin McGrew
Recurring

Blaine Saunders
Carly
Recurring
Guest

Guest

Jeanette Miller
Edie Freehold
Recurring

Brian Doyle-Murray
Mr. Elhert
Recurring
Guest
Recurring
Guest

Guest

Troy Metcalf
Jim
Recurring
Guest
Recurring

Peter Breitmayer
Peter Miller
Recurring
Guest

Frances Bay
Ginny Freehold
Recurring

Andrew J. Fishman
Zach
Recurring
Guest
Recurirng
Guest

Krista Braun
Mrs. Tompkins
Recurring
Guest

Alexa Vega
Morgan
Recurring

Paul Hipp
Reverend Tim-Tom
Guest
Recurring
Guest
Recurring
Guest

Guest
Recurring

Marsha Mason
Pat Spence
Guest
Recurirng
Guest
Recurring

John Cullum
Michael Heck Sr.
Guest
Recurring
Guest

Guest

Pat Finn
Bill Norwood

Recurring

Recurring
Guest
Recurring

Julie Brown
Paula Norwood

Recurring

Guest

Recurring

Greg Cipes
Chuck

Guest
Guest
Guest

Nick Safer
Arlo

Recurring

Katlin Mastandrea
Ashley Wyman

Guest
Recurring
Guest

Recurring

Norm Macdonald
Rusty Heck

Guest
Recurring
Guest

Sean O'Bryan
Ron Donahue

Guest
Recurring

Guest

Recurring

Jerry Van Dyke
Tag Spence

Guest
Recurirng

Grace Bannon
Ruth

Recurring
Guest
Recurring

Jessica Marie Garcia
Becky

Recurring
Guest

Brittany Ross
Courtney

Recurring
Guest

Guest

Natalie Lander
Debbie

Recurring
Guest

Guest

Christopher Darga
Mr. Farrar

Recurring
Guest

Moises Arias
Matt

Recurring
Guest

Jack McBrayer
Dr. Ted Goodwin

Recurring

Recurring
Guest

Galadriel Stineman
Cassidy Finch

Recurring

Guest

Dave Foley
Dr. Fulton

Recurring
Guest

Guest

French Stewart
Principal Cameron

Recurring

Guest

Guest

Tommy Bechtold
Kenny

Recurring

Alphonso McAuley
Hutch

Recurring
Guest

Brooke Dillman
Tink Babbit

Guest
Recurring
Guest

Casey Burke
Cindy

Recurring

Gia Mantegna
Devin Levin

Recurring
Guest

David Hull
Logan

Guest
Recurring

Jovan Armand
Troy

Recurring

Daniela Bobadilla
Lexie Brooks[2]

Recurring

Will Green
Jeremy

Recurring

Keaton Savage
Tyler

Guest
Recurring

Greer Grammer
April

Recurring

Lisa Rinna
Tammy Brooks

Guest

tag: table

text: Extended family[edit]

text:
Edie and Ginny Freehold (Jeanette Miller and Frances Bay, introduced in Season 1) are Frankie's elderly aunts who are heavy smokers and drinkers. Aunt Edie used to work in Mike's quarry as the bookkeeper, often showing signs of memory loss. One such occasion is when they went to a funeral for Edie and Ginny's brother, and Aunt Edie thought it was her birthday. Aunt Ginny uses a wheelchair and rarely talks. They have a sickly Basset Hound named Doris. On many occasions, Frankie is forced to care for Doris unexpectedly; on one such occasion, Doris gave birth to puppies. In the season 3 episode "The Map", which premiered in early 2012, Aunt Ginny dies. (The actress who portrayed her, Frances Bay, had died in real life.) Brick's elderly friend, Grandma Dot, then moves in with Edie to take care of her. In the early 2015 episode, "Hecks on a Train", Aunt Edie has just died (actress Jeanette Miller had retired from acting) and the Hecks are left to care for Doris.
Michael "Big Mike" Heck Sr. (John Cullum, introduced in Season 1) is Mike's reclusive, man-of-few-words father, who is a widower. He appears to be an unloving, uncaring parent, but this is primarily because he simply does not want to be a "bother" for either of his sons. He is also depicted as a hoarder. In Season 6, Big Mike and Axl fixed the Hecks’ kitchen sink, which was a rare bonding experience for the two of them. In Season 8 it is revealed that he sent Mike Jr. to school the day after his mother died, not allowing him time to grieve.
Orville "Rusty" Heck (Norm Macdonald, introduced in Season 2) is Mike's unreliable, silly brother. He often makes up excuses why he can't be anywhere or do anything Mike asks him to do. He once took Brick out of school to bowl and to teach him how to drive, even though he was not old enough or ready. It is revealed in the season 3 finale that his real first name is Orville. In the season 3 finale the Hecks get an invitation to his wedding but it says the wedding is happening at their house. Rusty marries a woman called Marlene, but in season 5 when Marlene invites herself to Thanksgiving at the Hecks' house, Rusty tells them that they got a divorce because she slept with his best friend. Rusty appears later in season 5 and is homeless (again). He ends up moving in with the Hecks, and accompanies Mike and Brick to Brick's spelling bee in Chicago, where Rusty makes a deal with Brick to lose, allowing Rusty to win some money on a bet he made. In Season 7, Rusty comes up with a business idea that Mike shockingly thinks might work, and the two start a side business together.
Pat Spence (Marsha Mason, introduced in Season 1) is Frankie's mother. Pat appeared at least once in all of the first seven seasons. Her first appearance was in season 1 episode 22 ("Mother's Day"). Her latest appearance was in the season 9 episode "The Setup".
Tag Spence (Jerry Van Dyke, introduced in Season 2) is Frankie's father. Tag is a schmoozer and always talks to Mike endlessly, which Mike finds very uncomfortable and annoying. In season 4 Tag calls Mike to meet up at a Stuckey's restaurant, to have man-to-man chats every Sunday. After a couple of meetings, Mike decides he just can't possibly stand to do it any longer, so he suggests that Tag should try chatting with people on Facebook. Tag's latest appearance was in season 6, episode 21 ("Two of a Kind"). The episode reveals a longstanding feud between Tag and his brother Dutch (played by Jerry Van Dyke's real-life brother Dick Van Dyke), which is mostly fueled by Tag's jealousy, and Mike and Frankie end up trying to resolve it.

text: Co-workers[edit]

text:
Bob Weaver (Chris Kattan, introduced in Season 1) is Frankie's co-worker and friend at Ehlert Motors. He is depicted as a lonely, insecure man who lives with his mother and doesn't seem to have any friends. Thus, he tends to insert himself into the Hecks' family life whenever he can. Bob was credited as a main character in the first two seasons, but the role was significantly reduced after Frankie was fired from Ehlert Motors. He was a recurring character in Season 3, and has since made two other appearances (the most recent in Season 5, when Frankie rushes out to her dental office job but accidentally goes to Ehlert Motors). Bob and Mike once moonlighted together delivering Little Betty snack cakes to stores.
Don Ehlert (Brian Doyle-Murray, introduced in Season 1) is the racist and misogynistic owner of the car dealership where Frankie used to work, and where Bob presumably still works. Frankie and Bob constantly worry that he is going to fire them. Ehlert's wife left him when he chose work over her, and Frankie was first sympathetic but later turned angry. He often drinks at work. Elhert, like Mike, likes sports. As with Bob, appearances by the Mr. Ehlert character were significantly reduced after Frankie was fired from Ehlert Motors.
Pete Miller (Peter Breitmayer, introduced in Season 1) is Ehlert Motors' best salesman and star employee, and he is not afraid to tell everyone about it. Pete often brags about his success at Frankie’s and Bob's expense, putting them down about how little they contribute to the business while developing a "teacher's pet" relationship with Mr. Ehlert.
Dave (Malcolm Foster Smith, introduced in Season 1) is an employee at the quarry Mike manages. He has appeared in at least two episodes every season.
Jim (Troy Metcalf, introduced in Season 1) is an employee at the quarry Mike manages. He has appeared in at least one episode every season.
Chuck (Greg Cipes, introduced in Season 2) is a younger employee at the quarry Mike manages. He once babysat for Brick, giving him questionable advice on a school project. He often speaks in the third person, referring to himself as "The Chuck".
Dr. Ted Goodwin (Jack McBrayer, introduced in Season 4) is the dentist who hires Frankie as a hygienist in season 4. He has few friends, and Frankie is forced to spend time with him after work in "The Jump" (season 5).[3] Ted's dental office is bought out by the conglomerate Smile Sensations in Season 7, and Frankie does not like the changes.
Edwin (Jimmy Bellinger, introduced in Season 5) is the young manager at Spudsy's, where Sue has worked steadily since season 5.

text: Neighbors[edit]

text:
Sean Donahue (Beau Wirick, introduced in season 1) is one of Axl's best friends, teammate on the high school football team, and neighbor Nancy Donahue's only son. He is helpful, polite, and friendly, which makes him outwardly the opposite of Axl; that said, he always supports everything Axl does. In season 2, Sue develops a crush on Sean, but eventually ends the one-way relationship. In season 5, Sean came back from college to take Sue to prom upon learning that she had no date, but by the time he arrived, Sue had made plans to go with Darrin. Similarly, he often makes the several hour drive home from Notre Dame (at the request of his mother) to help the Hecks whenever there is a crisis, only to find the crisis resolved by the time he gets there. It was revealed in the season 7 episode "Hecks at a Movie" that his and Axl's respective first kisses were inadvertently with one another in a dark closet, something they have vowed to never speak of again. Also in season 7, Sean has taken on a "hippie" persona and has become a vegetarian (much to Nancy's embarrassment). By season 8, Sean has reverted by to a more clean-cut look. The events of Season 8 reveal that Sean and Sue have a mutual affection, but neither person is yet aware of the other's feelings. In the season 9 episode "The Christmas Miracle," Sue and Sean are talking when the eventually realize they both have feelings for each other and kiss.
Nancy Donahue (Jen Ray, introduced in season 1) is the Hecks' neighbor and president of the booster club. The Donahues (Nancy, her husband Ron, their son Sean, and their two daughters) are portrayed as the idyllic family Frankie yearns to be like. From season 5, episode 4 ("The 100th"), Nancy and Frankie's friendship has waned a little, mainly because Nancy overheard Mike and Frankie talking about her. In Season 7, Episode 18 ("A Very Donahue Vacation") Nancy's daughter, Shelly hears Frankie talking about Nancy and tells her. However, Nancy forgives Frankie and they remain good friends.
Ron Donahue (Sean O'Bryan, introduced in season 2) is Nancy's husband and Sean's father, who appears to be very involved in his kids' lives.
Rita Glossner (Brooke Shields, introduced in season 1) is the Hecks' uncouth and troubled neighbor. She is the single parent of three rambunctious boys, as she had kicked the boys' father out of the house some years ago. The Glossners appear to be the only family on the block that is worse off financially than the Hecks. Rita often shows her disdain for the Hecks' higher status, even calling Frankie a "one-percenter" in the Season 7 episode, "Halloween VI: Tick Tock Death". The Season 8 episode "Trip and Fall" reveals that Rita has a fourth son, Rodney, her oldest child who has just made her a grandmother.
Derrick Glossner (David Chandler), Wade Glossner (Parker Bolek), and "Diaper" Glossner (Gibson Bobby Sjobeck) (all introduced in season 1) make up the dreaded Glossner boys, Rita's children. They are neighborhood bullies who used to terrorize Sue and Brick. In the first season, Sue and Carly attempt to fight the two older Glossner boys via a dance routine set to "Kung Fu Fighting". In the fifth season, Derrick reveals he has a crush on Sue and unexpectedly kisses her multiple times. Despite describing her as a "rich girl" with "one dad and two different kinds of chips" (and thus out of his league), he vows to better himself and come back for her someday.
Paula Norwood (Julie Brown, introduced in season 2) is another of the Hecks' neighbors. She serves as somewhat of a counterpoint to the idyllic Nancy Donahue in that her life and family (including husband Bill) is depicted as being similar to Frankie's, having a lot of the same issues.
Bill Norwood (Pat Finn, introduced in season 2) is the Hecks' neighbor and Paula’s husband who frequently embarrasses her. Bill tends to try too hard to convince Mike he's his friend, to the point of buying Mike expensive sunglasses for Christmas, even though the two had never agreed to exchange gifts. Bill reveals in the Season 9 episode "The 200th" that he and Paula are separated.
Dierdre Peterson (Emily Rutherfurd, introduced in season 7) is the Hecks' new next-door neighbor. She has three rambunctious, noisy children, plus a new baby.

text: Friends and classmates[edit]

text:
Darrin McGrew (John Gammon, introduced in season 1) is Axl's other best friend (along with Sean Donahue) and teammate. Darrin is the most passive and simple of Axl's friends, often landing himself, Sean, and Axl in problematic situations. In season 3, he takes Sue to the prom because of her "sunny disposition" and explained to Axl that he (Darrin) just wanted to go with someone and dance. In season 4, Darrin takes Sue to a Valentine's Day dance after her date cancels; and when tidying up in the hall after the dance they share a kiss. Later Darrin confides that he wants to continue dating Sue, which angers Axl. However, near the end of season 4, Sue breaks up with him after he accidentally punched her in the face while she was trying to break up a fight between him and Axl. After high school, Darrin enrolls in a heating and air conditioning repair school. In season 5, Sue feels like the breakup was a mistake and realizes that they only broke up because Axl was being so weird about it. With Axl having gone off to college, Sue gains a renewed interest in Darrin until she sees that he has a new girlfriend (Angel). Darrin later decides that his current girlfriend is too high-maintenance and he brings flowers to Sue, only to see her being kissed by Derrick Glossner. Despite a series of misunderstandings, the two ultimately reconnect at Sue's prom in season 5, and become a couple again. He proposes to Sue in the 6th season, and under pressure, she accepts. (In this episode, you see Darrin's mom for the first time and Darrin's last name is revealed to be McGrew, after Axl jokes that Sue's married name would be Sue Sue McGrew.) After realizing she doesn't want to be married yet, Sue breaks off the engagement with him three days later. Darrin has not appeared since that episode.
Carly (Blaine Saunders, introduced in Season 1) is Sue's best female friend. She began in season 1 as a geeky character, wearing glasses and braces. Her braces were removed mid-season 1, and she became more popular as a result. Sue seems to be jealous, if only subconsciously, and wears makeup which her family finds garish. From season 2 onwards, Carly has reverted to a more geeky look. After making multiple appearances in Seasons 1–4, Carly only made one appearance in Season 5 (Episode 14, "The Award") and one appearance in Season 6 (Episode 11, "A Quarry Story"). In a season 9 episode ("New Year's Revelations"), Carly attends the Hecks' New Year's Eve party, where it is revealed that she has a baby (and it is implied that she is a single mother).
Zack (Andrew J. Fishman, introduced in Season 1) is Brick's friend from the socially challenged class. He has a tendency to behave like a cat, meowing and wearing oven mitts. Zack has not appeared in the show since Season 4.
Arlo (Nick Shafer, introduced in Season 2) is a friend Brick meets during the second season. He has an obsession with keeping everything on a schedule and takes frequent and lengthy bathroom breaks in the episode "Mother's Day II" when he is accompanying the Hecks to Brown County. He does not show up in the third or fourth season, although in "Year of the Hecks", he is mentioned.
Ashley "Weird Ashley" Wyman (Katlin Mastandrea, introduced in Season 2) is Axl's weird classmate who has twice been his accidental date to prom. She is also on Sue's wrestlerette team. She has a keen interest in wizards, although she has never heard of Harry Potter. At their third prom together, Ashley is not Axl's date but dances with him when he's announced as prom king, as Axl and his date Cassidy had broken up only a few moments before the announcement. Axl is known to have a hatred towards her as he still regrets sending a text message about going to a prom with her. In season 5, Ashley invites Sue to hang with her at prom, as they are both there without dates, while Frankie's voice-over chides: "It wouldn't be prom if a Heck wasn't accompanied by Weird Ashley." In season 6, Ashley appears in Axl's dorm building out of nowhere, announcing she has transferred to East Indiana State because of their hotel management program. She tells Devin Levin that Axl was her boyfriend, which Axl of course vehemently denies. During an encounter with Axl in Season 8 ("Exes and Ohhhs"), Ashley gets angry with him because he never officially said that he had no romantic interest in her, leading her to believe there was always a chance.
Ruth (Grace Bannon, introduced in Season 3) is a member of Sue's wrestlerette team, depicted as an extreme religious conservative, often referencing "the rapture". Unlike the other wrestlerettes, Ruth wears an ankle-length skirt.
Becky (Jessica Marie Garcia, introduced in Season 3) is a rough-and-tumble member of Sue's wrestlerette team.
Charles "Hutch" Hutchinson (Alphonso McAuley, introduced in Season 5) is Axl's football teammate, best friend, and eventual roommate at college. Like Axl, Hutch does not get much playing time on the East Indiana State football team. In the Season 9 episode, Eyes Wide Open, Axl visits Hutch at his new place in Chicago and finds that Hutch has turned into a responsible adult.
Kenny (Tommy Bechtold, introduced in Season 5) is Axl's college roommate who does nothing but play World of Warcraft. He is mostly shown from behind as he sits at his computer. His face was shown briefly at the end of the season 5 episode "The Kiss". In an episode of season 6 ("The Table") Axl and Hutch move out of the dorm and into a rental house, but realize they can't afford it on their own. They look up Kenny and invite him to be their roommate, too, as he apparently is reliable in paying bills and rent. Kenny speaks on-screen for the first time (and his face is shown again) in the Season 7 episode "Halloween VI: Tick Tock Death". The Season 8 episode "Pitch Imperfect" reveals that Kenny has developed some apps in between playing games, and has a fairly substantial net worth.
Cindy (Casey Burke, introduced in Season 6) is a classmate of Brick's who becomes his pseudo-girlfriend in season 6. Though she stands taller than Brick, she seems as quirky as he is. She always wears a safari hat, her facial expression shows no emotion, and, since she finds Brick's missing shoe in her first appearance, it is heavily implied that the character is named for Cinderella. Cindy is very brief and direct in her communication. She has stated in multiple episodes that her favorite food is shrimp. Cindy's flaky parents are introduced in the season 7 episode "Crushed", when they ask the Hecks for a significant loan to save their house from foreclosure. The Hecks aren't able to help, forcing Cindy's family to move in with her grandparents. This seemingly ends her relationship with Brick, until it is shown that her grandparents live only a block away. It's implied in the season 7 episode "Halloween VII" that Brick and Cindy eventually marry and start a family. In Season 8's "The Final Final", Brick is elated to learn that Cindy's doctor told her she has likely stopped growing. Cindy and Brick briefly break up early in season 9, but are back together as of the episode "The 200th".
Troy (Jovan Armand, introduced in Season 7) is Brick's large classmate who initially protects him from school bullies, then later becomes his friend.
Lexie Brooks (Daniela Bobadilla, introduced in season 7) is Sue's college classmate who, like Sue, fails to get accepted by any sororities at the school. She later becomes Sue's dorm mate and friend. She loves horses, and her family is rich. In the Season 8 episode "Hoosier Maid", Lexie realizes she likes Axl, after denying his implications for several weeks. Because Axl is with April, she doesn't act on her feelings. However, after one date with Sean Donahue, Lexie tells Sue she thinks she wants more of a "bad boy". She ultimately reveals to Sue that she really really likes Axl in the Season 8 episode "Swing and a Miss". Axl returns her feelings by kissing her in "The Par-Tay." They date in secret in "The Confirmation" and then by the end of the episode, their relationship is public knowledge. In "The Final Final", they're shown to be happily together.

text: Axl's love interests[edit]

text:
Morgan (Alexa Vega, introduced in Season 1) is Axl's first girlfriend on the series, whom Frankie takes an instant liking to due to her straight-A grades and talent in multiple areas. However, after she breaks Axl's heart more than once, Frankie eventually explodes with anger and throws a beanbag at Morgan during a birthday party.
Courtney and Debbie (Brittany Ross and Natalie Lander, introduced in Season 3) are airheaded, think-alike cheerleaders in Axl and Sue's high school who date Axl as one. Because the two are inseparable, Axl struggles to figure out which one is his real girlfriend and which one is just hanging out with the other. He makes a calculated guess that Courtney is his girlfriend and kisses her, which causes both girls to slap him and break up with him. They perpetually overlook Sue, often thinking she is a new exchange student, and later calling her a freshman during her senior year. In Season 7, it is revealed that Courtney and Debbie are assistant cheerleading coaches at Orson High, and that they no longer like each other.
Cassidy Finch (Galadriel Stineman, introduced in Season 4) is Axl's girlfriend in his senior year of high school. She met Axl when he was trying to boost his grades and needed a tutor. They didn't get along very well in their first session, but then Axl kissed her and soon found out she had a boyfriend. She later broke up with her old boyfriend to be with Axl. Late in season 4, Cassidy's ex-boyfriend returns, putting tension between Axl and Cassidy for a while before they come back together. They break up in the episode "Hallelujah Hoedown", after Cassidy reveals she is going away in three weeks for an internship program and that they will be in different colleges come September. They begin speaking again in "The Award" (season 5), after Cassidy leaves an embarrassing message on Axl's voicemail. After a brief reconnection during spring break, Cassidy breaks up with Axl again, saying it isn't fair to either of them to pursue a relationship while being 800 miles apart.
Devin Levin (Gia Mantegna, introduced in Season 6) is a relative of Frankie's hairdresser who was only an acquaintance of Axl's in the past. In season 6, he notices how she has blossomed and that they share many interests, and they begin dating. The two briefly break up when Devin notices that Axl still has her listed as "Uggo from Idaho" in his cell phone contacts, but they get back together later on. Early in Season 7, they break up again, each agreeing they should see other people during their college years.
April (Greer Grammer, introduced in Season 8) is Axl's love interest, whom he meets offscreen between Seasons 7 and 8. April is beautiful and sweet, but not very smart. Frankie immediately tells Axl he can do better, causing a rift between mother and son. Mike initially likes April, but later has a conversation with Axl in which he calls her "dumb as a box of hammers". Defiant, Axl marries April in a civil service. After both sets of parents find out, the marriage is annulled. Axl briefly continues to date his ex-wife, but later breaks up with April in order to pursue Lexie.
Lexie Brooks[4] (Daniela Bobadilla, introduced in Season 7) is Sue's best friend at college who is also now Axl's girlfriend.

text: Sue's love interests[edit]

text:
Brad Bottig (Brock Ciarlelli, introduced in Season 1) is Sue's flamboyant, theater-loving, tap dancing and slightly camp ex-boyfriend, who is on the high school wrestling team. They date during Thanksgiving (Season 1), but soon break up. Mike and Frankie assume the breakup was the result of Sue learning that Brad is gay, but Sue claims it’s because she found out Brad has a smoking habit. Brad and Sue have remained good friends despite their breakup, and she remains seemingly unaware of his obvious, if stereotypical, homosexual behavior. From Season 5 onwards, Brad seems to be Sue's closest friend. In Season 7, Brad prepares to tell Sue a secret (in which he is about to come out as gay), to which she responds that she knows, and she shows him love and support. In Season 8, Brad transfers to East Indiana State, saying he felt dwarfed as a student at NYU.
Matt (Moisés Arias, introduced in Season 3) is a boy on the wrestling team at Orson High who likes Sue; he becomes Sue's first real boyfriend but eventually ends the relationship after moving away and falling for another girl. In season 4, Matt asks Sue to the school Valentine's Day dance because he broke up with his girlfriend Sherrie. He later calls Sue at the last minute to say that he and Sherrie got back together, and he is no longer taking her to the dance. This paves the way for Darrin to swoop in and save the day for Sue.
Darrin McGrew
Logan (David Hull, introduced in Season 6) is a guy from another high school who works as a shirtless model in the Abercrombie & Fitch store at the same mall where Sue works. He asks Sue to her prom after seeing her depressed over breaking up with Darrin, and he later reveals that he likes her. The two later try to connect during a chance encounter at East Indiana State, but Sue had taken Brick along that day, and he gets lost. Finally, Logan and Sue meet at a movie theater, where Logan says he is majoring in Religious Studies and plans to be a priest, disappointing Sue.
Jeremy (Will Green, introduced in Season 7) is a hardcore environmentalist and anti-capitalist whom Sue first meets when he is chained to a tree on campus. The two briefly date, but Sue breaks up with Jeremy early in season 8.
Tyler (Keaton Savage, introduced in Season 7) is the boy who drives the safe ride cart on the East Indiana State campus. He becomes Sue's brief love interest in season 8, until she spends most of their first date talking about Sean Donahue.
Sean Donahue has a crush on Sue, but Sue doesn't know. Sue has a crush on Sean, but Sean doesn't know. In the season 9 episode "The Christmas Miracle," the two finally kiss.
Aidan (Jackson White, introduced in season 9) delivers food to Lexie and Sue's apartment on the evening when Sean Donahue is supposed to set up Sue with a blind date. In reality, Sean was going to surprise Sue by being her mystery date, but Sue assumes that Aidan is actually whom Sean sent. They go on an accidental date that evening, and Aidan later surprises Sue at the Hecks' New Year's Eve party, where he kisses her at midnight (thwarting Sean's plans to kiss Sue). Aidan is very clumsy and keeps accidentally injuring Sue, causing her to try to break up with him, but Brad begs her not to end the relationship until he has a chance to ask out Aidan's bandmate Luke. By the time Brad and Luke hit it off, Sue realizes how similar she and Aidan are and decides not to break up with him after all.

text: School staff[edit]

text:
Mrs. Tompkins (Krista Braun, introduced in Season 1) is Brick's social skills mentor and guidance counselor.
Mr. Farrar (Christopher Darga, introduced in Season 3) is a teacher at Orson High.
Dr. Fulton (Dave Foley, introduced in Season 4) is the school therapist. He is an odd character who helps Brick bond with his peers and try to fit in more at school. An insecure man himself, Dr. Fulton is obsessed with his ex-wife Shelly, whom he mentions nearly every time Brick talks to him for "help". In Season 8, he tells Brick he is dating a 68-year-old woman named Barbara, whom he prefers to call "Shelly".
Principal Cameron (French Stewart, introduced in Season 4) is the principal at Orson High.
Coach Tink Babbitt (Brooke Dillman, introduced in Season 5) is a physical education teacher and detention monitor at Orson High. In the Season 8 episode "Swing and a Miss", Mike hires Tink as a part-time assistant at the quarry, solely for the purpose of making her eligible to play on the quarry's softball team.

text: Miscellaneous characters[edit]

text:
Reverend Timothy "Tim-Tom" Thomas (Paul Hipp, introduced in Season 1), is a youth minister at the Hecks' church whom Sue deeply admires. He surprised Sue by remembering her name after only having met her once, and always seems to appear just when Sue needs help the most. He is known for frequently playing his acoustic guitar and making almost anything into a song. He plays guitar with Axl on one occasion when encouraging him to do the right thing. In season 5, Reverend Tim-Tom gets a girlfriend (Reverend Tammy, played by Casey Wilson). Sue takes a disliking to Tammy and isn't sure how to tell Reverend Tim-Tom, but Sue changes her mind about Tammy after the two talk.
Reverend Hager (Dierk Torsek, introduced in Season 1) is the pastor at the Hecks' church.

text: Notable guest stars[edit]

text:
Amy Sedaris as Abby Michaels (Season 1)
Betty White as Mrs. Nethercott (Season 1)
Doris Roberts as Mrs. Rinsky (Season 2)
Ray Romano as Nicky Kohlbrenner (Season 3)
Molly Shannon as Frankie's sister Janet (Seasons 3 and 4)
Ed Asner as Ben (Season 3)
Richard Gant as Pastor Watkins (Season 3)
Whoopi Goldberg as Ms. Jane Marsh (Season 3)
David Koechner as Jeff Webber (Season 4)
Carolyn Hennesy as Connie McDonald (Season 4)
Marion Ross as Ms. Dunlap (Season 4)
Rachel Dratch as Principal Barker (Season 5)
Keegan-Michael Key as Reverend Deveaux (Season 5)
Casey Wilson as Reverend Tammy (Season 5)
Nicole Sullivan as Vicki (Season 5)
Mindy Cohn as Kimberly (Season 5)
Richard Kind as Dr. Niller (Season 6)
Kirstie Alley as Pam Staggs (Season 6)
Dick Van Dyke as Paul "Dutch" Spence (Season 6)
Faith Ford as Sheila (Season 7)
Cheryl Hines as Dr. Sommer Samuelson (Season 7)
Josh Cooke as Nick Grant (Season 7)
Alan Ruck as Jack Kershaw (Season 7)
Monica Horan as Anna Ferguson (Season 8)
Alan Rachins as Mort (Season 8)
Lisa Rinna as Tammy Brooks (Season 9)
Gregory Harrison as Bennett Brooks (Season 9)


document_title: Virginia Plan

question_text: under the virgina plan these states would have more power

text: Virginia Plan

text:
Virginia Plan

Front side of the Virginia Plan 1787

Created
May 29, 1787

Location
National Archives

Author(s)
James Madison

Purpose
Propose a structure of government to the Philadelphia Convention

text: The Virginia Plan (also known as the Randolph Plan, after its sponsor, or the Large-State Plan) was a proposal by Virginia delegates for a bicameral legislative branch.[1] The plan was drafted by James Madison while he waited for a quorum to assemble at the Constitutional Convention of 1787.[2][3] The Virginia Plan was notable for its role in setting the overall agenda for debate in the convention and, in particular, for setting forth the idea of population-weighted representation in the proposed national legislature.

tag: p

text: Background[edit]

text: The Constitutional Convention gathered in Philadelphia to revise the Articles of Confederation. The Virginia delegation took the initiative to frame the debate by immediately drawing up and presenting a proposal, for which delegate James Madison is given chief credit. However, it was Edmund Randolph, the Virginia governor at the time, who officially put it before the convention on May 29, 1787, in the form of 15 resolutions.[4]

text: The scope of the resolutions, going well beyond tinkering with the Articles of Confederation, succeeded in broadening the debate to encompass fundamental revisions to the structure and powers of the national government. The resolutions proposed, for example, a new form of national government having three branches (legislative, executive and judicial). One contentious issue facing the convention was the manner in which large and small states would be represented in the legislature: proportionate to population, with larger states having more votes than less-populous states, or by equal representation for each state, regardless of its size and population. The latter system more closely resembled that of the Articles of Confederation, under which each state was represented by one vote in a unicameral legislature.[citation needed]

text: Principles[edit]

text: The Virginia Plan proposed a legislative branch consisting of two chambers (bicameral legislature), with the dual principles of rotation in office and recall applied to the lower house of the national legislature.[5] Each of the states would be represented in proportion to their “Quotas of contribution, or to the number of free inhabitants.”[6] States with a large population, like Virginia (which was the most populous state at the time), would thus have more representatives than smaller states. Large states supported this plan, and smaller states generally opposed it, preferring an alternative put forward on June 15. The New Jersey Plan proposed a single-chamber legislature in which each state, regardless of size, would have one vote, as under the Articles of Confederation. In the end, the convention settled on the Connecticut Compromise, creating a House of Representatives apportioned by population and a Senate in which each state is equally represented.

text: In addition to dealing with legislative representation, the Virginia Plan addressed other issues as well, with many provisions that did not make it into the Constitution that emerged. It called for a national government of three branches: legislative, executive, and judicial. Members of one of the two legislative chambers would be elected by the people; members of that chamber would then elect the second chamber from nominations submitted by state legislatures. The executive would be chosen by the legislative branch.

text: Terms of office were not specified, but the executive and members of the popularly elected legislative chamber could not be elected for an undetermined time afterward. The legislative branch would have the power to negate state laws if they were deemed incompatible with the articles of union. The concept of checks and balances was embodied in a provision that legislative acts could be vetoed by a council composed of the executive and selected members of the judicial branch; their veto could be overridden by an unspecified legislative majority.