document_title: Harry Potter (film series)

question_text: what is the name of the 5th harry potter movie

question_tokens: what is the name of the 5th harry potter movie

text: Harry Potter (film series)

text: Origins

text: Late in 1997, film producer David Heyman's London offices received a copy of the first book in what would become Rowling's series of seven Harry Potter novels. The book, Harry Potter and the Philosopher's Stone, was relegated to a low-priority bookshelf, where it was discovered by a secretary who read it and gave it to Heyman with a positive review. Consequently, Heyman, who had originally disliked "the rubbish title", read the book himself. Highly impressed by Rowling's work, he began the process that led to one of the most successful cinematic franchises of all time.[11]

text: Heyman's enthusiasm led to Rowling's 1999 sale of the film rights for the first four Harry Potter books to Warner Bros. for a reported £1 million (US$2,000,000).[12] A demand Rowling made was that the principal cast be kept strictly British, allowing nevertheless for the inclusion of many Irish actors, such as Richard Harris as Dumbledore, and for casting of French and Eastern European actors in Harry Potter and the Goblet of Fire where characters from the book are specified as such.[13] Rowling was hesitant to sell the rights because she "didn't want to give them control over the rest of the story" by selling the rights to the characters, which would have enabled Warner Bros. to make non-author-written sequels.[14]

text: Although Steven Spielberg initially negotiated to direct the first film, he declined the offer.[15] Spielberg wanted the adaptation to be an animated film, with American actor Haley Joel Osment providing Harry Potter's voice.[16][not in citation given] Spielberg contended that, in his opinion, there was every expectation of profit in making the film. He claims that making money would have been like "shooting ducks in a barrel. It's just a slam dunk. It's just like withdrawing a billion dollars and putting it into your personal bank accounts. There's no challenge".[17] In the "Rubbish" Bin section of her website, Rowling maintains that she had no role in choosing directors for the films, writing "Anyone who thinks I could (or would) have 'veto-ed' him [Spielberg] needs their Quick-Quotes Quill serviced."[18]

text: After Spielberg left, conversations began with other directors, including Chris Columbus, Jonathan Demme, Terry Gilliam, Mike Newell, Alan Parker, Wolfgang Petersen, Rob Reiner, Tim Robbins, Brad Silberling, and Peter Weir.[19] Petersen and Reiner both pulled out of the running in March 2000.[20] It was then narrowed down to Columbus, Gilliam, Parker, and Silberling.[21] Rowling's first choice was Terry Gilliam.[22] However, on 28 March 2000 Columbus was appointed as director of the film, with Warner Bros. citing his work on other family films such as Home Alone and Mrs. Doubtfire as influences for their decision.[23]

text: Harry Potter is the kind of timeless literary achievement that comes around once in a lifetime. Since the books have generated such a passionate following across the world, it was important to us to find a director that has an affinity for both children and magic. I can't think of anyone more ideally suited for this job than Chris [Columbus].

text: Steve Kloves was selected to write the screenplay for the first film. He described adapting the book as "tough" since it did not "lend itself to adaptation as well as the next two books". Kloves was sent a "raft" of synopses of books proposed as film adaptations, with Harry Potter being the only one that jumped out at him. He went out and bought the book, becoming an instant fan. When speaking to Warner Bros. he stated that the film had to be British and true to the characters.[24] David Heyman was confirmed to produce the film.[23] Rowling received a large amount of creative control for the film, an arrangement that Columbus did not mind.[25]

text: Warner Bros. had initially planned to release the first film over the 4 July 2001 weekend, making for such a short production window that several of the originally proposed directors had withdrawn themselves from contention. Eventually, due to time constraints, the date was put back to 16 November 2001.[26]

text: Casting the roles of Harry, Ron, and Hermione

text: In 2000, after a seven-month search, lead actor Daniel Radcliffe was discovered by producer David Heyman and writer Steve Kloves seated just behind them in a theatre. In Heyman's own words, "There sitting behind me was this boy with these big blue eyes. It was Dan Radcliffe. I remember my first impressions: He was curious and funny and so energetic. There was real generosity too, and sweetness. But at the same time he was really voracious and with hunger for knowledge of whatever kind."[11]

text: Radcliffe had already established himself as an actor in the 1999 BBC television production of David Copperfield in which he played the title role's childhood years. Heyman persuaded Radcliffe's parents to allow him to audition for the part of Harry Potter, which involved Radcliffe being filmed.[11] (This screen test footage was released via the first set of Ultimate Editions in 2009.)[27] Rowling was enthusiastic after viewing Radcliffe's filmed test, saying she didn't think there was a better choice for the part of Harry Potter.[11][28]

text: Also in 2000, the then unknown British actors Emma Watson and Rupert Grint were selected from thousands of auditioning children to play the roles of Hermione Granger and Ron Weasley, respectively. Their only previous acting experience was in school plays. Grint was eleven years old and Watson ten at the time they were cast.[29]

text: Los Angeles Times writer Geoff Boucher, who conducted the above-mentioned interview with Heyman, added that the casting of the three major roles "is especially impressive in hindsight. The trio's selection was arguably one of the best show-business decisions over the past decade... they have shown admirable grace and steadiness in the face of teen superstardom."[11][28]

text: Production

text: Filming of the series began at Leavesden Studios, Hertfordshire, England, in September 2000 and ended in December 2010, with post-production on the final film lasting until summer 2011.[6] Leavesden Studios was the main base for filming Harry Potter, and it opened to the public as a studio tour in 2012 (renamed as Warner Bros. Studios, Leavesden).[30]

text:
Motion Picture

Director

Writer

Producer(s) [n 1]

Composer

Novel by J. K. Rowling

Harry Potter and the Philosopher's Stone

Chris Columbus

Steve Kloves

David Heyman

John Williams

Harry Potter and the Philosopher's Stone

Harry Potter and the Chamber of Secrets

Harry Potter and the Chamber of Secrets

Harry Potter and the Prisoner of Azkaban

Alfonso Cuarón

David Heyman, Chris Columbus and Mark Radcliffe

Harry Potter and the Prisoner of Azkaban

Harry Potter and the Goblet of Fire

Mike Newell

David Heyman

Patrick Doyle

Harry Potter and the Goblet of Fire

Harry Potter and the Order of the Phoenix

David Yates

Michael Goldenberg

David Heyman and David Barron

Nicholas Hooper

Harry Potter and the Order of the Phoenix

Harry Potter and the Half-Blood Prince

Steve Kloves

Harry Potter and the Half-Blood Prince

Harry Potter and the Deathly Hallows – Part 1

David Heyman, David Barron and J. K. Rowling

Alexandre Desplat

Harry Potter and the Deathly Hallows

Harry Potter and the Deathly Hallows – Part 2

text: David Heyman produced all the films in the series with his production company Heyday Films, while David Barron joined the series as an executive producer on Chamber of Secrets and Goblet of Fire. Barron was later appointed producer on the last four films. Chris Columbus was an executive producer on the first two films alongside Mark Radcliffe and Michael Barnathan, but he became a producer on the third film alongside Heyman and Radcliffe. Other executive producers include Tanya Seghatchian and Lionel Wigram. J. K. Rowling, author of the series, was asked to become a producer on Goblet of Fire but declined. She subsequently accepted the role on the two-part Deathly Hallows.[31]

text: Heyday Films and Columbus' company 1492 Pictures collaborated with Duncan Henderson Productions in 2001, Miracle Productions in 2002, and P of A Productions in 2004. Even though Prisoner of Azkaban was the final film produced by 1492 Pictures, Heyday Films continued with the franchise and collaborated with Patalex IV Productions in 2005. The sixth film in the series, Half-Blood Prince, was the most expensive film to produce as of  2009[update].

text: Warner Bros. split the seventh and final novel in the series, Deathly Hallows, into two cinematic parts. The two parts were filmed back-to-back from early 2009 to summer 2010, with the completion of reshoots taking place on 21 December 2010; this marked the end of filming Harry Potter. Heyman stated that Deathly Hallows was "shot as one film" but released in two feature-length parts.[32]

text: Tim Burke, the visual effects supervisor of the series, said of the production on Harry Potter, "It was this huge family; I think there were over 700 people working at Leavesden, an industry in itself." David Heyman said, "When the first film opened, no way did I think we'd make eight films. That didn't seem feasible until after we'd done the fourth." Nisha Parti, the production consultant on the first film, said that Heyman "made the first film very much the way he felt the studio Warner Bros. wanted to make it." After the film's success, Heyman was given "more freedom".[33]

text: One of the aims of the filmmakers from the beginning of production was to develop the maturity of the films. Chris Columbus stated, "We realised that these movies would get progressively darker. Again, we didn't know how dark but we realised that as the kids get older, the movies get a little edgier and darker."[34] This transpired with the succeeding three directors who would work on the series in the following years, with the films beginning to deal with issues such as death, betrayal, prejudice, and political corruption as the series developed narratively and thematically.[5][35]

text: Directors

text: After Chris Columbus had finished working on Harry Potter and the Philosopher's Stone, he was hired to direct the second film, Harry Potter and the Chamber of Secrets. The production started within a week after the release of the first film. Columbus was set to direct all entries in the series,[36] but he did not want to return for the third film, Harry Potter and the Prisoner of Azkaban, claiming he was "burned out".[37] He moved to the position of producer, while Alfonso Cuarón was approached for the role of director. He was initially nervous about directing the instalment since he had not read any of the books or seen the films. After reading the series, he changed his mind and signed on to direct since he had immediately connected to the story.[38]

text: Because Cuarón decided not to direct the fourth instalment, Harry Potter and the Goblet of Fire, a new director had to be selected.[39] Mike Newell was chosen to direct the film, but he declined to direct the next film, Harry Potter and the Order of the Phoenix, which was given to David Yates, who also directed Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows, becoming the only director to helm more than one film since Chris Columbus.

text: Chris Columbus said his vision of the first two films was of a "golden storybook, an old-fashioned look", while Alfonso Cuarón changed the visual tone of the series, desaturated the colour palette, and expanded the landscape around Hogwarts.[34][39] Mike Newell decided to direct the fourth film as a "paranoid thriller", while David Yates wanted to "bring a sense of jeopardy and character to the world".[40][41] Cuarón, Newell, and Yates have said that their challenge was striking a balance between making the films according to their individual vision, while working within a cinematic world already established by Columbus.[39][40][41]

text: David Heyman commented on the "generosity of the directors" by revealing that "Chris spent time with Alfonso, Alfonso spent time with Mike and Mike spent time with David, showing him an early cut of the film, talking through what it means to be a director and how they went about [making the films]."[42]

text: David Heyman also said, "I suppose Chris Columbus was the most conservative choice from the studio's point of view. But he expressed real passion."[33] Producer Tanya Seghatchian said they were "more adventurous" in choosing a director for the third film and went straight to Alfonso Cuarón.[33] Mike Newell became the first British director of the series when he was chosen for the fourth film; Newell was considered to direct the first film before he dropped out.[33] David Yates directed the final films after David Heyman thought him capable of handling the edgy, emotional, and political material of the later novels.[43]

text: All the directors have been supportive of each other. Chris Columbus praised the character development in the films, while Alfonso Cuarón admired the "quiet poetry" of David Yates' films.[34][39] Mike Newell noted that each director had a different heroism, and David Yates views the first four films "respectfully and enjoy[s] them."[40][41] Daniel Radcliffe said Yates "took the charm of the films that Chris made and the visual flair of everything that Alfonso did and the thoroughly British, bombastic nature of the film directed by Mike Newell" and added "his own sense" of realism.[44]

text: Scripts

text: Steve Kloves wrote the screenplays for all but the fifth film, which was penned by Michael Goldenberg. Kloves had direct assistance from J.K. Rowling, though she allowed him what he described as "tremendous elbow room". Rowling asked Kloves to remain faithful to the spirit of the books; thus, the plot and tone of each film and its corresponding book are virtually the same, albeit with some changes and omissions for purposes of cinematic style, time, and budget constraints. Michael Goldenberg also received input from Rowling during his adaptation of the fifth novel; Goldenberg was originally considered to adapt the first novel before the studio chose Kloves.[45]

text: In a 2010 interview, David Heyman briefly explained the book-to-film transition. He commented on Rowling's involvement in the series, stating that she understood that "books and films are different" and was "the best support" a producer could have. Rowling had overall approval on the scripts, which were viewed and discussed by the director and the producers. Heyman also said that Kloves was the "key voice" in the process of adapting the novels and that certain aspects from the books needed to have been excluded from the scripts due to the filmmakers' decision to keep the main focus on Harry's journey as a character, which would ultimately give the films a defined structure. Heyman mentioned that some fans "don't necessarily understand the adaptation process" and that the filmmakers would have loved to "have everything" from the books in the films but noted that it was not possible since they had "neither time nor cinematic structure" to do so. He finished by saying that adapting a novel to the screen is "a really considered process."[46]

text: Because the films were being made as the novels were being published, the filmmakers had no idea of the story's outcome until the release of the final novel in 2007. Kloves spoke of his relationship with Rowling when adapting the novels by saying, "The thing is about Jo, which is remarkable for someone who had no experience with the filmmaking process, was her intuition. We had a conversation the very first day I met her where she said, 'I know the movies can't be the books... because I know what's coming and it's impossible to fully dramatise on screen what I'm going to write. But I just ask you to be true to the characters; that's all I care about.'"[47] Kloves also said, "I don't know what compelled me to say this [to Rowling], but I said, 'I've just got to warn you my favourite character is not Harry. My favourite character is Hermione.' And I think for some weird reason, from that moment on, she sort of trusted me."[47]

text: Cast and crew

text: Aside from the three lead actors, other notable cast members include Robbie Coltrane as Rubeus Hagrid, Tom Felton as Draco Malfoy, Alan Rickman as Severus Snape, and Dame Maggie Smith as Minerva McGonagall. Richard Harris, who played the role of Professor Albus Dumbledore, died on 25 October 2002 causing the role to be re-cast for the third instalment, Harry Potter and the Prisoner of Azkaban. David Heyman and director Alfonso Cuarón chose Michael Gambon to portray the character of Dumbledore, which he did for all succeeding films. Notable recurring cast members include Helena Bonham Carter as Bellatrix Lestrange, Warwick Davis as Filius Flitwick, Ralph Fiennes as Lord Voldemort, Brendan Gleeson as Alastor Moody, Richard Griffiths as Vernon Dursley, Jason Isaacs as Lucius Malfoy, Gary Oldman as Sirius Black, Fiona Shaw as Petunia Dursley, Timothy Spall as Peter Pettigrew, David Thewlis as Remus Lupin, Emma Thompson as Sybill Trelawney, Mark Williams as Arthur Weasley, and Julie Walters as Molly Weasley.

text: The series has seen many returning crew members from various departments, including Tim Burke, visual effects supervisor; Peter Doyle, digital film colourist; Nick Dudman, make-up and creature effects designer; David Holmes, stunt double; Amanda Knight, make-up artist; Stephenie McMillan, set designer; Greg Powell, stunt coordinator; Jany Temime, costume designer; and Fiona Weir, casting director.

text: Set design

text: The production designer for all eight films is Stuart Craig. Assisted by Stephenie McMillan, Craig has created iconic sets pieces including the Ministry of Magic, the Chamber of Secrets, Malfoy Manor, and the layout for the CGI Horcrux Cave. Because the novels were being published as the films were being made, Craig was required to rebuild some sets for future films and alter the design of Hogwarts.[50]

text: He said, "In the early days, every time you saw the exterior of Hogwarts, it was a physical miniature," which was made by craftsmen and occupied a large sound stage.[52][53] "We ended up with a profile of how Hogwarts looked, a skyline that actually I didn't design, and it wasn't always satisfactory, and as all the novels got written and movies got made there were new requirements [for buildings]. The [Astronomy Tower] definitely wasn't there originally, and so we were able to add that substantial piece. And in the last film, we needed an arena for the battle for Hogwarts – the big courtyard outside doubled in size, and if you look at the first movie it wasn't there at all. There were quite some liberties taken with the continuity of Hogwarts."[54] In the last film, Craig used a digital model instead of a miniature to "embrace the latest technology".[53]

text: On the method of creating the sets, Craig said he often started by sketching ideas onto a blank sheet of paper.[55] Stephanie McMillan also said that "each film always had plenty of new challenges," citing the changes in visual style between directors and cinematographers as an example, along with the developing story in the novels. Due to J.K. Rowling's descriptions of various settings in the novels, Craig noted his "responsibility was to place it together".[56]

text: Craig commented on his experience working in the studio environment: "I'm the production designer, but on a big movie like Harry Potter I may be responsible for 30 to 35 people; from the supervising art director, and a team of art directors and assistants, to draughtsmen and junior draughtsmen, and then on to model makers, sculptors and scenic artists." He said, "Ten years ago, all the Harry Potter drawings were done in pencil. I would take my roughs and plans and sections and give them to a professional architectural illustrator, who would create concept art using pencil and colour wash on watercolour paper." He said the process changed slightly throughout the years due to, what he called, the "digital revolution" of making films.[53]

text: When filming of the series was completed, some of Craig's sets had to be rebuilt or transported for them to be displayed at the Warner Bros. studio tour.[52]

text: Cinematography

text: Six directors of photography worked on the series: John Seale on the first film, Roger Pratt on the second and fourth, Michael Seresin on the third, Sławomir Idziak on the fifth, Bruno Delbonnel on the sixth, and Eduardo Serra on the seventh and eighth. Delbonnel was considered to return for both parts of Deathly Hallows, but he declined, stating that he was "scared of repeating" himself.[57] Delbonnel's cinematography in Half-Blood Prince gained the series its only Academy Award nomination for Best Cinematography. As the series progressed, each cinematographer faced the challenge of shooting and lighting older sets (which had been around since the first few films) in unique and different ways.[58] Chris Columbus said the series' vivid colouring decreased as each film was made.[34][59]

text: Michael Seresin commented on the change of visual style from the first two films to Prisoner of Azkaban: "The lighting is moodier, with more shadowing and cross-lighting." Seresin and Alfonso Cuarón moved away from the strongly coloured and brightly lit cinematography of the first two films, with dimmer lighting and a more muted colour palette being utilised for the succeeding five films.[60] After comparing a range of digital cameras with 35 mm film, Bruno Delbonnel decided to shoot the sixth movie, Half-Blood Prince, on film rather than the increasingly popular digital format. This decision was kept for the two-part Deathly Hallows with Eduardo Serra, who said that he preferred to work with film because it was "more technically accurate and dependable".[61]

text: Because the majority of Deathly Hallows takes place in various settings away from Hogwarts, David Yates wanted to "shake things up" by using different photographic techniques such as using hand-held cameras and very wide camera lenses.[62] Eduardo Serra said, "Sometimes we are combining elements shot by the main unit, a second unit, and the visual effects unit. You have to know what is being captured – colours, contrast, et cetera – with mathematical precision." He noted that with Stuart Craig's "amazing sets and the story", the filmmakers could not "stray too far from the look of the previous Harry Potter films."[61][63]

text: Editing

text: Along with continuous changes in cinematographers, there have been five film editors to work in post-production on the series: Richard Francis-Bruce edited the first instalment, Peter Honess the second, Steven Weisberg the third, Mick Audsley the fourth, and Mark Day films five through eight.

text: Music

text: The Harry Potter series has had four composers. John Williams scored the first three films: Philosopher's Stone, Chamber of Secrets, and Prisoner of Azkaban. However, the second entry was adapted and conducted by William Ross due to Williams's conflicting commitments. Williams also created Hedwig's Theme, which is used in every film in the series.

text: After Williams left the series to pursue other projects, Patrick Doyle scored the fourth entry, Goblet of Fire, which was directed by Mike Newell, with whom Doyle had worked previously. In 2006, Nicholas Hooper started work on the score to Order of the Phoenix by reuniting with director David Yates. Hooper also composed the soundtrack to Half-Blood Prince but decided not to return for the final films.

text: In January 2010, Alexandre Desplat was confirmed to compose the score for Harry Potter and the Deathly Hallows – Part 1.[64] The film's orchestration started in the summer with Conrad Pope, the orchestrator on the first three Harry Potter films, collaborating with Desplat. Pope commented that the music "reminds one of the old days."[65] Desplat returned to score Harry Potter and the Deathly Hallows – Part 2 in 2011.[66]

text: Director David Yates stated that he wanted John Williams to return to the series for the final installment, but their schedules did not align due to the urgent demand for a rough cut of the film.[67] The final recording sessions of Harry Potter took place on 27 May 2011 at Abbey Road Studios with the London Symphony Orchestra, orchestrator Conrad Pope, and composer Alexandre Desplat.[68]

text: Doyle, Hooper, and Desplat introduced their own personal themes to their respective soundtracks, while keeping a few of John Williams's themes.

text: Visual effects

text: There have been many visual effects companies to work on the Harry Potter series. Some of these include Rising Sun Pictures, Double Negative, Cinesite, Framestore, and Industrial Light & Magic. The latter three have worked on all the films in the series, while Double Negative and Rising Sun Pictures began their commitments with Prisoner of Azkaban and Goblet of Fire, respectively. Framestore contributed by developing many memorable creatures and sequences to the series.[69] Cinesite was involved in producing both miniature and digital effects for the films.[70] Producer David Barron said that "Harry Potter created the UK effects industry as we know it. On the first film, all the complicated visual effects were done on the [US] west coast. But on the second, we took a leap of faith and gave much of what would normally be given to Californian vendors to UK ones. They came up trumps." Tim Burke, the visual effects supervisor, said many studios "are bringing their work to UK effects companies. Every facility is fully booked, and that wasn't the case before Harry Potter. That's really significant."[33]

text: Final filming

text: On 12 June 2010, filming of the Deathly Hallows – Part 1 and Deathly Hallows – Part 2 was completed with actor Warwick Davis stating on his Twitter account, "The end of an Era – today is officially the last day of principal photography on 'Harry Potter' – ever. I feel honoured to be here as the director shouts cut for the very last time. Farewell Harry & Hogwarts, it's been magic!".[71] However, reshoots of the epilogue scene were confirmed to begin in the winter of 2010. The filming was completed on 21 December 2010, marking the official closure of filming the Harry Potter franchise.[72] Exactly four years earlier on that day, author J. K. Rowling's official website revealed the title of the final novel in the series – Harry Potter and the Deathly Hallows.[73]

text: Films

text: Harry Potter and the Philosopher's Stone (2001)

text: Harry Potter is an orphaned boy brought up by his unkind Muggle (non-magical) aunt and uncle. At the age of eleven, half-giant Rubeus Hagrid informs him that he is actually a wizard and that his parents were murdered by an evil wizard named Lord Voldemort. Voldemort also attempted to kill one-year-old Harry on the same night, but his killing curse mysteriously rebounded and reduced him to a weak and helpless form. Harry became extremely famous in the Wizarding World as a result. Harry begins his first year at Hogwarts School of Witchcraft and Wizardry and learns about magic. During the year, Harry and his friends Ron Weasley and Hermione Granger become entangled in the mystery of the Philosopher's Stone which is being kept within the school.

text: Harry Potter and the Chamber of Secrets (2002)

text: Harry, Ron, and Hermione return to Hogwarts for their second year, which proves to be more challenging than the last. The Chamber of Secrets has been opened, leaving students and ghosts petrified by an unleashed monster. Harry must face up to claims that he is the heir of Salazar Slytherin (founder of the Chamber), learn that he can speak Parseltongue, and also discover the properties of a mysterious diary, only to find himself trapped within the Chamber of Secrets itself.

text: Harry Potter and the Prisoner of Azkaban (2004)

text: Harry Potter's third year sees the boy wizard, along with his friends, attending Hogwarts School once again. Professor R. J. Lupin joins the staff as Defence Against the Dark Arts teacher, while convicted murderer Sirius Black escapes from Azkaban Prison. The Ministry of Magic entrusts the Dementors of Azkaban to guard Hogwarts from Black. Harry learns more about his past and his connection with the escaped prisoner.

text: Harry Potter and the Goblet of Fire (2005)

text: During Harry's fourth year, Hogwarts plays host to a legendary event: the Triwizard Tournament. Three European schools participate in the tournament, with three 'champions' representing each school in the deadly tasks. The Goblet of Fire chooses Fleur Delacour, Viktor Krum, and Cedric Diggory to compete against each other. However, curiously, Harry's name is also produced from the Goblet thus making him a fourth champion, which results in a terrifying encounter with a reborn Lord Voldemort.

text: Harry Potter and the Order of the Phoenix (2007)

text: Harry's fifth year begins with him being attacked by Dementors in Little Whinging. Later, he finds out that the Ministry of Magic is in denial of Lord Voldemort's return. Harry is also beset by disturbing and realistic nightmares, while Professor Umbridge, a representative of Minister for Magic Cornelius Fudge, is the new Defence Against the Dark Arts teacher. Harry becomes aware that Voldemort is after a prophecy which reveals: "neither can live while the other survives". The rebellion involving the students of Hogwarts, secret organisation Order of the Phoenix, the Ministry of Magic, and the Death Eaters begins.

text: Harry Potter and the Half-Blood Prince (2009)

text: In Harry's sixth year at Hogwarts, Lord Voldemort and his Death Eaters are increasing their terror upon the Wizarding and Muggle worlds. Headmaster Albus Dumbledore persuades his old friend Horace Slughorn to return to Hogwarts as a professor as there is a vacancy to fill. There is a more important reason, however, for Slughorn's return. While in a Potions lesson, Harry takes possession of a strangely annotated school textbook, inscribed 'This is the property of the Half-Blood Prince'. Draco Malfoy struggles to carry out a deed presented to him by Voldemort. Meanwhile, Dumbledore and Harry secretly work together to discover the method on how to destroy the Dark Lord once and for all.

text: Harry Potter and the Deathly Hallows – Part 1 (2010)

text: After unexpected events at the end of the previous year, Harry, Ron, and Hermione are entrusted with a quest to find and destroy Lord Voldemort's secret to immortality – the Horcruxes. It is supposed to be their final year at Hogwarts, but the collapse of the Ministry of Magic and Voldemort's rise to power prevents them from attending. The trio undergo a long journey with many obstacles in their path including Death Eaters, Snatchers, the mysterious Deathly Hallows, and Harry's connection with the Dark Lord's mind becoming ever stronger.

text: Harry Potter and the Deathly Hallows – Part 2 (2011)

text: After destroying one Horcrux and discovering the significance of the three Deathly Hallows, Harry, Ron and Hermione continue to seek the other Horcruxes in an attempt to destroy Voldemort, who has now obtained the powerful Elder Wand. The Dark Lord discovers Harry's hunt for Horcruxes and launches an attack on Hogwarts School, where the trio return for one last stand against the dark forces that threaten the Wizarding and Muggle worlds.

text: Release

text: The rights for the first four novels in the series were sold to Warner Bros. for £1,000,000 by J.K. Rowling. After the release of the fourth book in July 2000, the first film, Harry Potter and the Philosopher's Stone, was released on 16 November 2001. In its opening weekend, the film grossed $90 million in the United States alone, which set a record opening worldwide. The succeeding three motion picture adaptations followed suit in financial success, while garnering positive reviews from fans and critics. The fifth film, Harry Potter and the Order of the Phoenix, was released by Warner Bros. on 11 July 2007 in English-speaking countries, except for the UK and Ireland, which released the movie on 12 July.[74] The sixth, Harry Potter and the Half-Blood Prince, was released on 15 July 2009 to critical acclaim and finished its theatrical run ranked as the number two grossing film of 2009 on the worldwide charts.

text: The final novel, Harry Potter and the Deathly Hallows, was split into two cinematic parts: Part 1 was released on 19 November 2010, and Part 2, the conclusion to both the final film and the series, was released on 15 July 2011.[75] Part 1 was originally scheduled to be released in 3D and 2D,[76] but due to a delay in the 3D conversion process, Warner Bros. released the film only in 2D and IMAX cinemas. However, Part 2 was released in 2D and 3D cinemas as originally planned.[77]

text: The television broadcast rights for the series in the United States are currently held by Disney–ABC Domestic Television, which typically airs the films on the Freeform network. Disney's contract is expected to end in June 2018, after which, NBCUniversal will take control of the rights, after their deal with Warner Bros. was made in August 2016.[78] The film series has accrued nearly 1.3 billion viewings since their television debut—the highest-watched franchise in television broadcast history.[79]

text: Reception

text: Critical response

text: All the films have been a success financially and critically, making the franchise one of the major Hollywood "tent-poles" akin to James Bond, Star Wars, Indiana Jones and Pirates of the Caribbean. The series is noted by audiences for growing visually darker and more mature as each film was released.[34][80][81][82][83] However, opinions of the films generally divide book fans, with some preferring the more faithful approach of the first two films and others preferring the more stylised character-driven approach of the later films.

text: Some also feel the series has a "disjointed" feel due to the changes in directors, as well as Michael Gambon's interpretation of Albus Dumbledore differing from that of Richard Harris. Author J. K. Rowling has been constantly supportive of the films,[84][85][86] and evaluated Deathly Hallows as her favourite one in the series. She wrote on her website of the changes in the book-to-film transition, "It is simply impossible to incorporate every one of my storylines into a film that has to be kept under four hours long. Obviously films have restrictions – novels do not have constraints of time and budget; I can create dazzling effects relying on nothing but the interaction of my own and my readers' imaginations".[87]

text: Critical and public response

text:
Motion Picture

Rotten Tomatoes

Metacritic

CinemaScore

Harry Potter and the Philosopher's Stone

80% (193 reviews)[88]

64 (35 reviews)[89]

A[90]

Harry Potter and the Chamber of Secrets

82% (232 reviews)[91]

63 (35 reviews)[92]

A+[90]

Harry Potter and the Prisoner of Azkaban

91% (253 reviews)[93]

82 (40 reviews)[94]

A[90]

Harry Potter and the Goblet of Fire

88% (248 reviews)[95]

81 (38 reviews)[96]

A[90]

Harry Potter and the Order of the Phoenix

78% (245 reviews)[97]

71 (37 reviews)[98]

A−[90]

Harry Potter and the Half-Blood Prince

84% (269 reviews)[99]

78 (36 reviews)[100]

A−[90]

Harry Potter and the Deathly Hallows – Part 1

78% (265 reviews)[101]

65 (42 reviews)[102]

A[90]

Harry Potter and the Deathly Hallows – Part 2

96% (315 reviews)[103]

87 (41 reviews)[104]

A[90]

text: Accolades

text: At the 64th British Academy Film Awards in February 2011, J. K. Rowling, David Heyman, David Barron, David Yates, Alfonso Cuarón, Mike Newell, Rupert Grint and Emma Watson collected the Michael Balcon Award for Outstanding British Contribution to Cinema for the series.[105][106]

text: In addition, the American Film Institute recognised the entire series with a Special Award at the American Film Institute Awards in 2011. Special awards "are given to outstanding achievements in the moving image that do not fit into AFI's criteria for the other honorees." [107] In its press release, the Institute referred to the films as "a landmark series; eight films that earned the trust of a generation who wished for the beloved books of J.K. Rowling to come to life on the silver screen. The collective wizardry of an epic ensemble gave us the gift of growing older with Harry, Ron and Hermione as the magic of Hogwarts sprung from the films and into the hearts and minds of Muggles around the world." [107]

text: Harry Potter was also recognised by the BAFTA Los Angeles Britannia Awards, with David Yates winning the Britannia Award for Artistic Excellence in Directing for his four Harry Potter films.[108][109]

text:
Motion Picture

Academy Award nomination

Academy Award nominee

Academy Award ceremony

Harry Potter and the Philosopher's Stone

Best Art DirectionBest Costume DesignBest Original Score

Stuart Craig and Stephenie McMillanJudianna MakovskyJohn Williams

74th Academy Awards

Harry Potter and the Prisoner of Azkaban

Best Original ScoreBest Visual Effects

John WilliamsRoger Guyett, Tim Burke, John Richardson and Bill George

77th Academy Awards

Harry Potter and the Goblet of Fire

Best Art Direction

Stuart Craig and Stephenie McMillan

78th Academy Awards

Harry Potter and the Half-Blood Prince

Best Cinematography

Bruno Delbonnel

82nd Academy Awards

Harry Potter and the Deathly Hallows – Part 1

Best Art DirectionBest Visual Effects

Stuart Craig and Stephenie McMillanTim Burke, John Richardson, Christian Manz and Nicolas Aithadi

83rd Academy Awards

Harry Potter and the Deathly Hallows – Part 2

Best Art DirectionBest MakeupBest Visual Effects

Stuart Craig and Stephenie McMillanNick Dudman, Amanda Knight and Lisa TomblinTim Burke, David Vickery, Greg Butler and John Richardson

84th Academy Awards

text: Six of the eight films were nominated for a total of 12 Academy Awards.

text: Some critics, fans, and general audiences have expressed disappointment that the Harry Potter series did not win any Oscars for its achievements. However, others have pointed out that certain films in the series had uneven reviews, in contrast to the three films of The Lord of the Rings, for example, which were all critically acclaimed. This has been partially attributed to the Harry Potter franchise going through several directors with their own styles in contrast to the Lord of the Rings trilogy, which was filmed in one massive undertaking by the same director, writer, and producer.[110][111]

text: Although not successful at the Oscars, the Harry Potter series has gained success in many other award ceremonies, including the annual Saturn Awards and Art Directors Guild Awards. The series has also gained a total of 24 nominations at the British Academy Film Awards presented at the annual BAFTAs, winning several, and 5 nominations at the Grammy Awards.

text: Philosopher's Stone achieved seven BAFTA Award nominations, including Best British Film and Best Supporting Actor for Robbie Coltrane.[112] The film was also nominated for eight Saturn Awards and won for its costumes design.[113] It was also nominated at the Art Directors Guild Awards for its production design[114] and received the Broadcast Film Critics Award for Best Live Action Family Film along with gaining two other nominations.[115]

text: Chamber of Secrets won the award for Best Live Action Family Film in the Phoenix Film Critics Society. It was nominated for seven Saturn Awards, including Best Director and Best Fantasy Film. The film was nominated for four BAFTA Awards and a Grammy Award for John Williams's score. Prisoner of Azkaban won an Audience Award, as well as Best Feature Film, at the BAFTA Awards. The film also won a BMI Film Music award along with being nominated at the Grammy Awards, Visual Effect Society Awards, and the Amanda Awards. Goblet of Fire won a BAFTA award for Best Production Design as well as being nominated at the Saturn Awards, Critic's Choice Awards, and the Visual Effects Society Awards.

text: Order of the Phoenix picked up three awards at the inaugural ITV National Movie Awards.[116] At the Empire Awards, David Yates won Best Director.[117] Composer Nicholas Hooper received a nomination for a World Soundtrack Discovery Award.[118] The film was nominated at the BAFTA Awards, but did not win for Best Production Design or Best Special Visual Effects.[119] Half-Blood Prince was nominated for BAFTA Awards in Production Design and Visual Effects,[120] and it was in the longlists for several other categories, including Best Supporting Actor for Alan Rickman.[121] Amongst other nominations and wins, the film also achieved Best Family Movie at the National Movie Awards as well as Best Live Action Family Film at the Phoenix Film Critics Society Awards, along with being nominated for Best Motion Picture at the Satellite Awards.

text: Deathly Hallows – Part 1 gained two nominations at the BAFTA Awards for Best Make-Up and Hair and Best Visual Effects, along with receiving nominations for the same categories at the Broadcast Film Critics Association Awards. Eduardo Serra's cinematography and Stuart Craig's production design were also nominated in various award ceremonies, and David Yates attained his second win at the Empire Awards, this time for Best Fantasy Film. He also obtained another Best Director nomination at the annual Saturn Awards, which also saw the film gain a Best Fantasy Film nomination.[122][123] Deathly Hallows – Part 2 was released to critical acclaim, gaining a mix of audience awards. Part 2 of Deathly Hallows was also recognised at the Saturn Awards as well as the BAFTA Awards, where the film achieved a win for Best Special Visual Effects.[124]

text: Box office performance

text: As of  2018[update], the Harry Potter film series is the 3rd highest-grossing film franchise of all time, with the eight films released grossing over $7.7 billion worldwide. Without adjusting for inflation, this is higher than the first 22 James Bond films and the six films in the Star Wars franchise.[125] Chris Columbus's Philosopher's Stone became the highest-grossing Harry Potter film worldwide upon completing its theatrical run in 2002, but it was eventually topped by David Yates's Deathly Hallows – Part 2, while Alfonso Cuarón's Prisoner of Azkaban grossed the least.[126][127][128][129]

text: Six films in the Harry Potter franchise — Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows, Parts 1 & 2 — have to date grossed around $216 million in IMAX theaters worldwide.[130]

text:
Motion picture

Release date

Box office gross

Budget

Ref(s)

United Kingdom

USA & Canada(approx. ticket sales)

Other countries

Worldwide

Harry Potter and the Philosopher's Stone

16 November 2001 (2001-11-16)

£66,096,060

$317,575,550(55,976,200)

$657,179,821

$974,755,371

$125 million

[131][132][132][133][134]

Harry Potter and the Chamber of Secrets

14 November 2002 (2002-11-14)

£54,780,731

$261,988,482(44,978,900)

$616,991,152

$878,979,634

$100 million

[133][134][135][136]

Harry Potter and the Prisoner of Azkaban

31 May 2004 (2004-05-31)

£45,615,949

$249,541,069(40,183,700)

$547,147,480

$796,688,549

$130 million

[133][134][137]

Harry Potter and the Goblet of Fire

18 November 2005 (2005-11-18)

£48,328,854

$290,013,036(45,188,100)

$606,898,042

$896,911,078

$150 million

[133][134][138][139]

Harry Potter and the Order of the Phoenix

11 July 2007 (2007-07-11)

£49,136,969

$292,004,738(42,442,500)

$647,881,191

$939,885,929

$150 million

[133][134][140][141]

Harry Potter and the Half-Blood Prince

15 July 2009 (2009-07-15)

£50,713,404

$301,959,197(40,261,200)

$632,457,290

$934,416,487

$250 million

[133][134][142][143]

Harry Potter and the Deathly Hallows – Part 1

19 November 2010 (2010-11-19)

£52,364,075

$295,983,305(37,503,700)

$664,300,000

$960,283,305

Less than $250 million (official)

[133][134][144][145][146]

Harry Potter and the Deathly Hallows – Part 2

15 July 2011 (2011-07-15)

£73,094,187

$381,011,219(48,046,800)

$960,500,000

$1,341,511,219

[134][146][147]

Total

£440,269,736

$7009239007659600000♠2,390,076,596

$7009533335497600000♠5,333,354,976

$7009772343157200000♠7,723,431,572

$1.155 billion

[148]

text: All-time rankings

text:
Motion picture

Rank

Ref(s)

All-time(worldwide)

All-time(United States)

All-time(United Kingdom)

Yearly(United States)

Yearly(worldwide)

Opening day(all-time)

Opening weekend(all-time)

Philosopher's Stone

#29

#54

#9

#1

#1

#66

#55

[131]

Chamber of Secrets

#46

#90

#17

#4

#2

#81

#60

[133][135][136]

Prisoner of Azkaban

#62

#106

#33

#6

#2

#47

#49

[133]

Goblet of Fire

#42

#77

#28

#3

#1

#41

#40

[133][138][139]

Order of the Phoenix

#38

#73

#25

#5

#2

#34

#77

[133][140][141]

Half-Blood Prince

#39

#65

#24

#3

#2

#24

#75

[133][142][143]

Deathly Hallows – Part 1

#34

#68

#18

#5

#3

#22

#25

[133][144][145]

Deathly Hallows – Part 2

#8

#27

#7

#1

#1

#3

#8

[147][149]

text: Legacy and influence

text:
"Harry Potter was in the vanguard of a new approach to big-budget film-making. Most modern blockbuster franchises have two things in common: they are based on known properties such as books and comics, and they are steered by respected but little-known directors."

—The Economist[150]

tag: div

text: The Harry Potter films and their success have been retrospectively considered to have had a significant impact on the film industry. They are cited as having helped redefine the Hollywood blockbuster in the 21st century by initiating a shift toward established media franchises forming the basis of successful films. In the wake of the final film's release, Claudia Puig of USA Today wrote that the films "inspired every major studio to try to capture [its] alchemic formula, spawning a range of copycats and wannabes" and "also have shown Hollywood how to make a glossy blockbuster with an eye toward keeping costs down."[151] A 2009 article from The Economist argued that the films were "in the vanguard" of adaptations of established properties being the modern film franchise model, citing The Lord of the Rings, Spider-Man and The Dark Knight Trilogy as examples of successful film series that followed Harry Potter's suit.[150] Furthermore, the practice of splitting the finale of a film series into two back-to-back films began with the success of Deathly Hallows, and it would soon be replicated by The Hobbit: The Desolation of Smaug and The Battle of the Five Armies, The Twilight Saga: Breaking Dawn – Parts 1 and 2, The Hunger Games: Mockingjay – Parts 1 and 2, and Avengers: Infinity War and its untitled sequel.[152]

text: The films are also widely credited with singlehandedly signalling the popularity of films based on children's and young adult literature in the 2000s and 2010s, correlating with the book series' own literary influence. Costance Grady and Aja Romano, commenting on the whole Harry Potter franchise's legacy for Vox in light of its 20th anniversary, wrote that youth-targeted literature has since become "a go-to well of ideas for Hollywood," pointing to the successes of The Twilight Saga, The Hunger Games and The Divergent Series.[153]

text: The series has spawned a vast volume of fan fiction, with nearly 600 thousand inspired stories catalogued.[154]  Youtube hosts many fan films, ranging from amateur productions to full length films.

text: Notes

text: Jump up ^ Not including executive producers.

tag: ol


document_title: Masters Tournament

question_text: who has won the most green jackets in golf

question_tokens: who has won the most green jackets in golf

root

text: Masters Tournament

text: History[edit]

text: Augusta National Golf Club[edit]

text: The idea for Augusta National originated with Bobby Jones, who wanted to build a golf course after his retirement from the game. He sought advice from Clifford Roberts, who later became the chairman of the club. They came across a piece of land in Augusta, Georgia, of which Jones said: "Perfect! And to think this ground has been lying here all these years waiting for someone to come along and lay a golf course upon it."[5] The land had been an indigo plantation in the early nineteenth century and a plant nursery since 1857.[6] Jones hired Alister MacKenzie to help design the course, and work began in 1931. The course formally opened in 1933, but MacKenzie died before the first Masters Tournament was played.[7]

tag: p

text: Early tournament years[edit]

text: The first "Augusta National Invitational" Tournament, as the Masters was originally known, began on March 22, 1934, and was won by Horton Smith, who took the first prize of $1,500. The present name was adopted in 1939. The first tournament was played with current holes 10 through 18 played as the first nine, and 1 through 9 as the second nine[8] then reversed permanently to its present layout for the 1935 tournament.[2]

text: Initially the Augusta National Invitational field was composed of Bobby Jones' close associates. Jones had petitioned the USGA to hold the U.S. Open at Augusta but the USGA denied the petition, noting that the hot Georgia summers would create difficult playing conditions.[9]

text: Gene Sarazen hit the "shot heard 'round the world" in 1935, holing a shot from the fairway on the par 5 15th for a double eagle (albatross).[10] This tied Sarazen with Craig Wood, and in the ensuing 36-hole playoff Sarazen was the victor by five strokes.[11] The tournament was not played from 1943 to 1945, due to World War II. To assist the war effort, cattle and turkeys were raised on the Augusta National grounds.[2]

text: The Big Three of Arnold Palmer, Gary Player, and Jack Nicklaus dominated the Masters from 1960 through 1978, winning the event 11 times among them during that span. After winning by one stroke in 1958,[11] Palmer won by one stroke again in 1960 in memorable circumstances. Trailing Ken Venturi by one shot in the 1960 event, Palmer made birdies on the last two holes to prevail. Palmer would go on to win another two Masters in 1962 and 1964.[11]

text: Jack Nicklaus emerged in the early 1960s, and served as a rival to the popular Palmer. Nicklaus won his first green jacket in 1963, defeating Tony Lema by one stroke.[12] Two years later, he shot a then-course record of 271 (17 under par) for his second Masters win, leading Bobby Jones to say that Nicklaus played "a game with which I am not familiar."[13] The next year, Nicklaus won his third green jacket in a grueling 18-hole playoff against Tommy Jacobs and Gay Brewer.[14] This made Nicklaus the first player to win consecutive Masters. He won again in 1972 by three strokes.[11] In 1975, Nicklaus won by one stroke in a close contest with Tom Weiskopf and Johnny Miller in one of the most exciting Masters to date.[15]

text: Gary Player became the first non-American to win the Masters in 1961, beating Palmer, the defending champion.[11] In 1974, he won again by two strokes.[11] After not winning a tournament on the U.S. PGA tour for nearly four years, and at the age of 42, Player won his third and final Masters in 1978 by one stroke over three players.[11] Player currently shares (with Fred Couples) the record of making 23 consecutive cuts, and has played in a record 52 Masters.[16][17]

text: A controversial ending to the Masters occurred in 1968. Roberto De Vicenzo signed a scorecard (scored by playing partner Tommy Aaron) which incorrectly showed him as making a par 4 instead of a birdie 3 on the 17th hole of the final round. By the rules of golf, if a player signs a scorecard (thereby attesting to its veracity) that records a score on a hole higher than what he actually made on the hole, the player receives the higher score for that hole. This extra stroke cost De Vicenzo a chance to be in an 18-hole Monday playoff with Bob Goalby, who won the green jacket. De Vicenzo's mistake led to the famous quote, "What a stupid I am."[11][18]

text: In 1975, Lee Elder became the first African American to play in the Masters,[19] doing so 15 years before Augusta National admitted its first black member, Ron Townsend, as a result of the Shoal Creek Controversy.[20]

text: Non-Americans collected 11 victories in 20 years in the 1980s and 1990s, by far the strongest run they have had in any of the three majors played in the United States since the early days of the U.S. Open. The first European to win the Masters was Seve Ballesteros in 1980. Nicklaus became the oldest player to win the Masters in 1986 when he won for the sixth time at age 46.[11][21]

text: During this period, no golfer suffered from the pressure of competing at Augusta more than Greg Norman. In 1987, Norman lost a sudden-death playoff to Larry Mize when Mize holed out a remarkable 45-yard pitch shot to birdie the second playoff hole and win the Masters.[22] In 1996, Norman tied the course record with an opening round 63, and had a six-stroke lead over Nick Faldo entering the final round. Norman shot a 78 while Faldo scored a 67 to win by five shots (for his third Masters championship).[23] Norman also suffered in 1986 when after birdieing four straight holes, and needing only a par to tie Nicklaus for the lead and force a Monday playoff, he badly pushed his 4-iron approach on 18 and missed his par putt for a closing bogey.

text: At age 21 in 1997, Tiger Woods won the Masters by twelve shots and broke the 72-hole record that had stood for 32 years.[2] Woods completed his "Tiger Slam" by winning his fourth straight major championship at the Masters in 2001.[11] He won again the following year, making him only the third player in history to win the tournament in consecutive years,[11] as well as in 2005 when he defeated Chris DiMarco in a playoff for his first major championship win in almost three years.[11]

text: The club was targeted by Martha Burk, who organized a failed protest at the 2003 Masters to pressure the club into accepting female members. Burk planned to protest at the front gates of Augusta National during the third day of the tournament, but her application for a permit to do so was denied.[24] A court appeal was dismissed.[25] In 2004, Burk stated that she had no further plans to protest against the club.[26]

text: Augusta National Chairman Billy Payne himself made headlines in April 2010, however, when he commented (at the annual pre-Masters press conference) on Tiger Woods' off-the-course behavior. "It's not simply the degree of his conduct that is so egregious here," Payne said, in his opening speech. "It is the fact he disappointed all of us and more importantly our kids and grandkids."[27][28][29]

text: The 2003 tournament was won by Mike Weir, who became the first Canadian to win a men's major championship, and the first left-hander to win the Masters.[11] The following year, another left-hander, Phil Mickelson, won his first major championship by making a birdie on the final hole to beat Ernie Els by a stroke.[11] Mickelson also won the tournament in 2006 and 2010. In 2011, the tournament was won by South African Charl Schwartzel, who birdied the final four holes to win by two strokes. In 2012, Bubba Watson won the tournament on the second playoff hole. Watson's win marked the fifth time that a left-hander won the Masters in the previous ten tournaments. Prior to 2003, no left-hander had ever won the Masters. The 2013 Masters was won by Adam Scott, the first Australian to win the tournament.[30] Watson won the 2014 Masters by three strokes over Jordan Spieth and Jonas Blixt. It was his second Masters victory in three years. In 2015, Spieth would become the second-youngest winner in just his second Masters.[31]

text: Traditions[edit]

text: Awards[edit]

text: The total prize money for the 2014 tournament was $9,000,000, with $1,620,000 going to the winner.[32] In the inaugural year of 1934, the winner Horton Smith received $1,500 out of a $5,000 purse.[33] After Nicklaus's first win in 1963, he received $20,000, while after his final victory in 1986 he won $144,000.[34][35] In recent years the purse has grown quickly. Between 2001 and 2014, the winner's share grew by $612,000, and the purse grew by $3,400,000.[32][33][36]

text: In addition to a cash prize, the winner of the tournament is presented with a distinctive green jacket, formally awarded since 1949, and informally acquired by the champions for many years before that. The green sport coat is the official attire worn by members of Augusta National while on the club grounds; each Masters winner becomes an honorary member of the club. The recipient of the green jacket has it presented to him inside the Butler Cabin soon after the end of the tournament, and the presentation is then repeated outside near the 18th green in front of the spectators. Winners keep their jacket for the first year after their first victory, then return it to the club to wear whenever they visit. The tradition began in 1949, when Sam Snead won his first of three Masters titles.

text: The green jacket is only allowed to be removed from Augusta National by the reigning champion, after which it must remain at the club. Exceptions to this rule include Gary Player, who in his joy of winning mistakenly took his jacket home to South Africa after his 1961 victory (although he has always followed the spirit of the rule and has never worn the jacket);[37] Seve Ballesteros who, in an interview with Peter Alliss from his home in Pedreña, showed one of his two green jackets in his trophy room; and Henry Picard, whose jacket was removed from the club before the tradition was well established, remained in his closet for a number of years, and is now on display at Canterbury Golf Club in Beachwood, Ohio, where he was the club professional for many years.[38][39]

text: By tradition, the winner of the previous year's Masters Tournament puts the jacket on the current winner at the end of the tournament. In 1966, Jack Nicklaus became the first player to win in consecutive years and he donned the jacket himself.[14] When Nick Faldo (in 1990) and Tiger Woods (in 2002) repeated as champions, the chairman of Augusta National put the jacket on them.

text: There are several awards presented to players who perform exceptional feats during the tournament. The player who has the daily lowest score receives a crystal vase, while players who score a hole-in-one or a double eagle win a large crystal bowl. For each eagle a player makes he receives a pair of crystal goblets.

text: In addition to the green jacket, winners of the tournament receive a gold medal. They have their names engraved on the actual silver Masters trophy, introduced in 1961, which depicts the clubhouse. This trophy remains at Augusta National; since 1993 winners have received a sterling silver replica. The runner-up receives a silver medal, introduced in 1951. Beginning in 1978, a silver salver was added as an award for the runner-up.[2]

text: In 1952 the Masters began presenting an award, known as the Silver Cup, to the lowest scoring amateur to make the cut. In 1954 they began presenting an amateur silver medal to the low amateur runner-up.[2]

text: In 2017, a green jacket that was found at a thrift store in 1994 was sold at auction for $139,000.[40]

text: Par-3 contest[edit]

text: The Par 3 Contest was first introduced in 1960, and was won that year by Snead. Since then it has traditionally been played on the Wednesday before the tournament starts. The par 3 course was built in 1958. It is a nine-hole course, with a par of 27, and measures 1,060 yards (970 m) in length.[41]

text: There have been 94 holes-in-one in the history of the contest, with a record nine occurring in 2016. Camilo Villegas became the first player to card two holes-in-one in the same round during the 2015 Par 3 Contest. No par 3 contest winner has also won the Masters in the same year.[42][43] There have been several repeat winners, including Pádraig Harrington, Sandy Lyle, and Sam Snead. The former two won in successive years.

text: In this event, golfers may use their children as caddies, which helps to create a family-friendly atmosphere. In 2008, the event was televised for the first time by ESPN.

text: The winner of the par 3 competition, which is played the day before the tournament begins, wins a crystal bowl.[44]

text: Player invitations[edit]

text: As with the other majors, winning the Masters gives a golfer several privileges which make his career more secure. Masters champions are automatically invited to play in the other three majors (the U.S. Open, The Open Championship, and the PGA Championship) for the next five years (except for amateur winners, unless they turn pro within the five-year period), and earn a lifetime invitation to the Masters. They also receive membership on the PGA Tour for the following five seasons and invitations to The Players Championship for five years.[45]

text: Because the tournament was established by an amateur champion, Bobby Jones, the Masters has a tradition of honoring amateur golf. It invites winners of the most prestigious amateur tournaments in the world. Also, the current U.S. Amateur champion always plays in the same group as the defending Masters champion for the first two days of the tournament.

text: Amateurs in the field are welcome to stay in the "Crow's Nest" atop the Augusta National clubhouse during the tournament. The Crow's Nest is 1,200 square feet (110 m2) with lodging space for five during the competition.

text: Opening tee shot[edit]

text: Since 1963, the custom in most years has been to start the tournament with an honorary opening tee shot at the first hole, typically by one or more legendary players. The original honorary starters were Jock Hutchison and Fred McLeod; this twosome led off every tournament from 1963 until 1973, when poor health prevented Hutchison from swinging a club. McLeod continued on until his death in 1976. Byron Nelson and Gene Sarazen started in 1981, and were then joined by Sam Snead in 1984. This trio continued until 1999 when Sarazen died, while Nelson stopped in 2001. Snead hit his final opening tee shot in 2002, a little over a month before he died.

text: In 2007, Arnold Palmer took over as the honorary starter. Palmer also had the honor in 2008 and 2009.[46] At the 2010 and 2011 Masters Tournaments, Jack Nicklaus joined Palmer as an honorary co-starter for the event.[47] In 2012, Gary Player joined them. Palmer announced in March 2016 that a lingering shoulder issue would prevent him from partaking in the 2016 tee shot.[48] Palmer was still in attendance for the ceremony.[49]

text: Following Palmer's death in 2016, the 2017 ceremony featured tributes; his green jacket was draped over an empty white chair, while everyone in attendance wore "Arnie's Army" badges.[50][51]

text: Champions' Dinner[edit]

text: The Champions' Dinner is held each year on the Tuesday evening preceding Thursday's first round. The dinner was first held in 1952, hosted by defending champion Ben Hogan, to honor the past champions of the tournament.[52] At that time 15 tournaments had been played, and the number of past champions was 11. Officially known as the "Masters Club", it includes only past winners of the Masters, although selected members of the Augusta National Golf Club have been included as honorary members, usually the chairman.

text: The defending champion, as host, selects the menu for the dinner. Frequently, Masters champions have served finely prepared cuisine by the Masters chef from their home regions. Notable examples have included haggis, served by Scotsman Sandy Lyle in 1989,[53] and bobotie, a South African dish, served at the behest of 2008 champion Trevor Immelman. Other examples include German Bernhard Langer's 1986 Wiener schnitzel, Britain's Nick Faldo's fish and chips, Canadian Mike Weir's elk and wild boar, and Vijay Singh's seafood tom kah and chicken panang curry. In 1997, 1979 champion Fuzzy Zoeller created a media storm when he suggested that Tiger Woods refrain from serving collard greens and fried chicken, dishes commonly associated with Afro-American culture, at the dinner. The 2011 dinner of Phil Mickelson was a Spanish-themed menu in hopes that Seve Ballesteros would attend, but he was too sick to attend and died weeks later.[54]

text: Caddies[edit]

text: Until 1983, all players in the Masters were required to use the services of an Augusta National Club caddie,[55][56][57] who by club tradition was always an African American man.[20] Indeed, club co-founder Clifford Roberts is reputed to have said, "As long as I'm alive, golfers will be white, and caddies will be black."[58] Since 1983, players have been allowed the option of bringing their own caddie to the tournament.

text: The Masters requires caddies to wear a uniform consisting of a white jumpsuit, a green Masters cap, and white tennis shoes. The surname, and sometimes first initial, of each player is found on the back of his caddie's uniform. The defending champion always receives caddie number "1": other golfers get their caddie numbers from the order in which they register for the tournament. The other majors and some PGA Tour events formerly had a similar policy concerning caddies well into the 1970s;[59][60][61] the U.S. Open first allowed players to use their own caddies in 1976.[62][63]

text: Other traditions[edit]

text: The day after the tournament closes, The Bobby Jones Scholars from The University of St Andrews in Scotland play a four-ball round on the course – the last people to do so before the greenkeepers start the process of repairing and restoring the course to pre-tournament standard.[citation needed]

text: Format[edit]

text: The Masters is the first major championship of the year. Since 1948, its final round has been scheduled for the second Sunday of April, with several exceptions. It ended on the first Sunday four times (1952, 1957, 1958, 1959) and the 1979 and 1984 tournaments ended on April 15, the month's third Sunday.[2] The first edition in 1934 was held in late March and the next ten were in early April, with only the 1942 event scheduled to end on the second Sunday.

text: Similar to the other majors, the tournament consists of four rounds at 18 holes each, Thursday through Sunday (when there are no delays). The Masters has a relatively small field of contenders, when compared with other golf tournaments, so the competitors play in groups of three for the first two rounds (36 holes) and the field is not split to start on the 1st and 10th tees, unless weather shortens the available playing time. The tournament is unique in that it is the only major tournament conducted by a private club rather than a national golf organization like the PGA.[4]

text: After 36 holes of play, a cut-off score is calculated to reduce the size of the field for the weekend rounds. To "make the cut", players must be either in the top 50 places (ties counting), or within 10 strokes of the leader's score. These criteria have applied since 2013.[64] From 1957 to 1960, the top 40 scores (including ties) and those within 10 strokes of the leader made the cut. From 1961 to 2012, it was the top 44 (and ties) or within 10 strokes of the lead.[64] Before 1957, there was no 36-hole cut and all of the invitees played four rounds, if desired.[65]

text: Following the cut, an additional 36 holes are played over the final two days. Should the fourth round fail to produce a winner, all players tied for the lead enter a sudden-death playoff. Play begins on the 18th hole, followed by the adjacent 10th, repeating until one player remains. Adopted in 1976, the sudden-death playoff was originally formatted to start on the first hole,[66] but was not needed for the first three years. It was changed for 1979 to the inward (final) nine holes, starting at the tenth tee, where the television coverage began.[67] First employed that same year, the Masters' first sudden-death playoff ended on the eleventh green. The current arrangement, beginning at the 18th tee, was amended for 2004 and first used the following year. Through 2017, the eleven sudden-death playoffs have yet to advance past the second extra hole. Earlier playoffs were 18 holes on the following day, except for the first in 1935, which was 36 holes; the last 18-hole playoff was in 1970, and none of the full-round playoffs went to additional holes.

text: Course[edit]

text:
The golf course was formerly a plant nursery and each hole is named after the tree or shrub with which it has become associated.[6]
The course layout in 2014:

text:
Hole
Name
Yards
Par

Hole
Name
Yards
Par

1
Tea Olive
445
4

10
Camellia
495
4

2
Pink Dogwood
575
5
11
White Dogwood
505
4

3
Flowering Peach
350
4
12
Golden Bell
155
3

4
Flowering Crab Apple
240
3
13
Azalea
510
5

5
Magnolia
455
4
14
Chinese Fir
440
4

6
Juniper
180
3
15
Firethorn
530
5

7
Pampas
450
4
16
Redbud
170
3

8
Yellow Jasmine
570
5
17
Nandina
440
4

9
Carolina Cherry
460
4
18
Holly
465
4

Out
3,725
36
In
3,710
36

Source:[1][68]
Total
7,435
72

tag: table

text: Lengths of the course for the Masters at the start of each decade:

text:
2010: 7,435 yards (6,799 m)
2000: 6,985 yards (6,387 m)
1990: 6,905 yards (6,314 m)
1980: 7,040 yards (6,437 m)

1970: 6,980 yards (6,383 m)
1960: 6,980 yards (6,383 m)
1950: 6,900 yards (6,309 m)
1940: 6,800 yards (6,218 m)[1]

text:
The course was lengthened to 7,445 yards (6,808 m) in 2006. The first hole was shortened
by 10 yards (9 m) in 2009, resulting in the current length of 7,435 yards (6,799 m).

text: Course adjustments[edit]

text: As with many other courses, Augusta National's championship setup was lengthened in recent years. In 2001, the course measured 6,925 yards (6,332 m) and was extended to 7,270 yards (6,648 m) for 2002, and again in 2006 to 7,445 yards (6,808 m); 520 yards (475 m) longer than the 2001 course.[69][70] The changes attracted many critics, including the most successful players in Masters history, Jack Nicklaus, Arnold Palmer, Gary Player and Tiger Woods. Woods claimed that the "shorter hitters are going to struggle." Augusta National chairman Hootie Johnson was unperturbed, stating, "We are comfortable with what we are doing with the golf course." After a practice round, Gary Player defended the changes, saying, "There have been a lot of criticisms, but I think unjustly so, now I've played it.... The guys are basically having to hit the same second shots that Jack Nicklaus had to hit (in his prime)".[71]

text: Originally, the grass on the putting greens was the wide-bladed Bermuda. The greens lost speed, especially during the late 1970s, after the introduction of a healthier strain of narrow-bladed Bermuda, which thrived and grew thicker. In 1978, the greens on the par 3 course were reconstructed with bentgrass, a narrow-bladed species that could be mowed shorter, eliminating grain.[72] After this test run, the greens on the main course were replaced with bentgrass in time for the 1981 Masters. The bentgrass resulted in significantly faster putting surfaces, which has required a reduction in some of the contours of the greens over time.[72]

text: Just before the 1975 tournament, the common beige sand in the bunkers was replaced with the now-signature white feldspar. It is a quartz derivative of the mining of feldspar and is shipped in from North Carolina.[73]

text: Field[edit]

text: The Masters has the smallest field of the major championships, with 90–100 players. Unlike other majors, there are no alternates or qualifying tournaments. It is an invitational event, with invitations largely issued on an automatic basis to players who meet published criteria. The top 50 players in the Official World Golf Ranking are all invited.[74]

text: Past champions are always eligible, but since 2002 the Augusta National Golf Club has discouraged them from continuing to participate at an advanced age. Some will later become honorary starters.[75]

text:
Masters Tournament Champions (lifetime)
U.S. Open champions (five years)
The Open champions (five years)
PGA champions (five years)
Winners of the Players Championship (three years)
Current U.S. Amateur champion and runner-up
Current British Amateur champion
Current Asia-Pacific Amateur champion
Current U.S. Mid-Amateur champion
Current Latin America Amateur champion
The first 12 players, including ties, in the previous year's Masters Tournament
The first 4 players, including ties, in the previous year's U.S. Open
The first 4 players, including ties, in the previous year's Open Championship
The first 4 players, including ties, in the previous year's PGA Championship
Winners of PGA Tour regular-season and playoff events that award at least a full-point allocation for the FedEx Cup, starting with the RBC Heritage the week after the Masters to the Shell Houston Open the week beforehand.
Those qualifying for the previous year's season-ending Tour Championship (top 30 in FedEx Cup prior to tournament)
The 50 leaders on the Final Official World Golf Ranking for the previous calendar year
The 50 leaders on the Official World Golf Ranking published during the week prior to the current Masters Tournament

text: Most of the top current players will meet the criteria of multiple categories for invitation. The Masters Committee, at its discretion, can also invite any golfer not otherwise qualified, although in practice these invitations are currently reserved for international players.[77]

text: Changes for the 2014 tournament include invitations now being awarded to the autumn events in the PGA Tour, which now begin the wraparound season, tightening of qualifications (top 12 plus ties from the Masters, top 4 from the U.S. Open, Open Championship, and PGA Championship), and the top 30 on the PGA Tour now referencing the season-ending points before the Tour Championship, not the former annual money list.[64] The 2015 Masters added the winner of the newly established Latin America Amateur Championship, which effectively replaced the exemption for the United States Amateur Public Links Championship, which ended after the 2014 tournament. (The final Public Links champion played in the 2015 Masters.)[78]

text: Champions[edit]

text: The first winner of the Masters Tournament was Horton Smith in 1934, and he repeated in 1936. The player with the most Masters victories is Jack Nicklaus, who won six times between 1963 and 1986. Arnold Palmer and Tiger Woods have each won four, and Jimmy Demaret, Gary Player, Sam Snead, Nick Faldo, and Phil Mickelson have three titles to their name. Player was the tournament's first overseas winner with his first victory in 1961. Two-time champions include Byron Nelson, Ben Hogan, Tom Watson, Seve Ballesteros, Bernhard Langer, Ben Crenshaw, José María Olazábal, and Bubba Watson.[79]

text:
Year
Champion
Country
To par
Margin
of victory
Runner(s)-up
Winner's
share ($)

2017
Sergio García
 Spain
−9
Playoff
 Justin Rose
1,980,000

2016
Danny Willett
 England
−5
3 strokes
 Jordan Spieth
 Lee Westwood
1,800,000

2015
Jordan Spieth
 United States
–18
4 strokes
 Phil Mickelson
 Justin Rose
1,800,000

2014
Bubba Watson (2)
 United States
−8
3 strokes
 Jonas Blixt
 Jordan Spieth
1,620,000

2013
Adam Scott
 Australia
−9
Playoff
 Ángel Cabrera
1,440,000

2012
Bubba Watson
 United States
−10
Playoff
 Louis Oosthuizen
1,440,000

2011
Charl Schwartzel
 South Africa
−14
2 strokes
 Jason Day
 Adam Scott
1,440,000

2010
Phil Mickelson (3)
 United States
−16
3 strokes
 Lee Westwood
1,350,000

2009
Ángel Cabrera
 Argentina
−12
Playoff
 Kenny Perry
 Chad Campbell
1,350,000

2008
Trevor Immelman
 South Africa
−8
3 strokes
 Tiger Woods
1,350,000

2007
Zach Johnson
 United States
+1
2 strokes
 Retief Goosen
 Rory Sabbatini
 Tiger Woods
1,305,000

2006
Phil Mickelson (2)
 United States
−7
2 strokes
 Tim Clark
1,260,000

2005
Tiger Woods (4)
 United States
−12
Playoff
 Chris DiMarco
1,260,000

2004
Phil Mickelson
 United States
−9
1 stroke
 Ernie Els
1,117,000

2003
Mike Weir
 Canada
−7
Playoff
 Len Mattiace
1,080,000

2002
Tiger Woods (3)
 United States
−12
3 strokes
 Retief Goosen
1,008,000

2001
Tiger Woods (2)
 United States
−16
2 strokes
 David Duval
1,008,000

2000
Vijay Singh
 Fiji
−10
3 strokes
 Ernie Els
828,000

1999
José María Olazábal (2)
 Spain
−8
2 strokes
 Davis Love III
720,000

1998
Mark O'Meara
 United States
−9
1 stroke
 Fred Couples
 David Duval
576,000

1997
Tiger Woods
 United States
−18
12 strokes
 Tom Kite
486,000

1996
Nick Faldo (3)
 England
−12
5 strokes
 Greg Norman
450,000

1995
Ben Crenshaw (2)
 United States
−14
1 stroke
 Davis Love III
396,000

1994
José María Olazábal
 Spain
−9
2 strokes
 Tom Lehman
360,000

1993
Bernhard Langer (2)
 Germany
−11
4 strokes
 Chip Beck
306,000

1992
Fred Couples
 United States
−13
2 strokes
 Raymond Floyd
270,000

1991
Ian Woosnam
 Wales
−11
1 stroke
 José María Olazábal
243,000

1990
Nick Faldo (2)
 England
−10
Playoff
 Raymond Floyd
225,000

1989
Nick Faldo
 England
−5
Playoff
 Scott Hoch
200,000

1988
Sandy Lyle
 Scotland
−7
1 stroke
 Mark Calcavecchia
183,800

1987
Larry Mize
 United States
−3
Playoff
 Seve Ballesteros
 Greg Norman
162,000

1986
Jack Nicklaus (6)
 United States
−9
1 stroke
 Tom Kite
 Greg Norman
144,000

1985
Bernhard Langer
 West Germany
−6
2 strokes
 Seve Ballesteros
 Raymond Floyd
 Curtis Strange
126,000

1984
Ben Crenshaw
 United States
−11
2 strokes
 Tom Watson
108,000

1983
Seve Ballesteros (2)
 Spain
−8
4 strokes
 Ben Crenshaw
 Tom Kite
90,000

1982
Craig Stadler
 United States
−4
Playoff
 Dan Pohl
64,000

1981
Tom Watson (2)
 United States
−8
2 strokes
 Johnny Miller
 Jack Nicklaus
60,000

1980
Seve Ballesteros
 Spain
−13
4 strokes
 Gibby Gilbert
 Jack Newton
55,000

1979
Fuzzy Zoeller
 United States
−8
Playoff
 Ed Sneed
 Tom Watson
50,000

1978
Gary Player (3)
 South Africa
−11
1 stroke
 Rod Funseth
 Hubert Green
 Tom Watson
45,000

1977
Tom Watson
 United States
−12
2 strokes
 Jack Nicklaus
40,000

1976
Raymond Floyd
 United States
−17
8 strokes
 Ben Crenshaw
40,000

1975
Jack Nicklaus (5)
 United States
−12
1 stroke
 Johnny Miller
 Tom Weiskopf
40,000

1974
Gary Player (2)
 South Africa
−10
2 strokes
 Dave Stockton
 Tom Weiskopf
35,000

1973
Tommy Aaron
 United States
−5
1 stroke
 J. C. Snead
30,000

1972
Jack Nicklaus (4)
 United States
−2
3 strokes
 Bruce Crampton
 Bobby Mitchell
 Tom Weiskopf
25,000

1971
Charles Coody
 United States
−9
2 strokes
 Johnny Miller
 Jack Nicklaus
25,000

1970
Billy Casper
 United States
−9
Playoff
 Gene Littler
25,000

1969
George Archer
 United States
−7
1 stroke
 Billy Casper
 George Knudson
 Tom Weiskopf
20,000

1968
Bob Goalby
 United States
−11
1 stroke
 Roberto De Vicenzo
20,000

1967
Gay Brewer
 United States
−8
1 stroke
 Bobby Nichols
20,000

1966
Jack Nicklaus (3)
 United States
0 !E
Playoff
 Tommy Jacobs (2nd)
 Gay Brewer (3rd)
20,000

1965
Jack Nicklaus (2)
 United States
−17
9 strokes
 Arnold Palmer
 Gary Player
20,000

1964
Arnold Palmer (4)
 United States
−12
6 strokes
 Dave Marr
 Jack Nicklaus
20,000

1963
Jack Nicklaus
 United States
−2
1 stroke
 Tony Lema
20,000

1962
Arnold Palmer (3)
 United States
−8
Playoff
 Gary Player (2nd)
 Dow Finsterwald (3rd)
20,000

1961
Gary Player
 South Africa
−8
1 stroke
 Charles Coe (a)
 Arnold Palmer
20,000

1960
Arnold Palmer (2)
 United States
−6
1 stroke
 Ken Venturi
17,500

1959
Art Wall, Jr.
 United States
−4
1 stroke
 Cary Middlecoff
15,000

1958
Arnold Palmer
 United States
−4
1 stroke
 Doug Ford
 Fred Hawkins
11,250

1957
Doug Ford
 United States
−5
3 strokes
 Sam Snead
8,750

1956
Jack Burke, Jr.
 United States
+1
1 stroke
 Ken Venturi (a)
6,000

1955
Cary Middlecoff
 United States
−9
7 strokes
 Ben Hogan
5,000

1954
Sam Snead (3)
 United States
+1
Playoff
 Ben Hogan
5,000

1953
Ben Hogan (2)
 United States
−14
5 strokes
 Ed Oliver
4,000

1952
Sam Snead (2)
 United States
−2
4 strokes
 Jack Burke, Jr.
4,000

1951
Ben Hogan
 United States
−8
2 strokes
 Skee Riegel
3,000

1950
Jimmy Demaret (3)
 United States
−5
2 strokes
 Jim Ferrier
2,400

1949
Sam Snead
 United States
−6
3 strokes
 Johnny Bulla
 Lloyd Mangrum
2,750

1948
Claude Harmon
 United States
−9
5 strokes
 Cary Middlecoff
2,500

1947
Jimmy Demaret (2)
 United States
−7
2 strokes
 Byron Nelson
 Frank Stranahan (a)
2,500

1946
Herman Keiser
 United States
−6
1 stroke
 Ben Hogan
2,500

1943–45: Cancelled due to World War II

1942
Byron Nelson (2)
 United States
−8
Playoff
 Ben Hogan
1,500

1941
Craig Wood
 United States
−8
3 strokes
 Byron Nelson
1,500

1940
Jimmy Demaret
 United States
−8
4 strokes
 Lloyd Mangrum
1,500

1939
Ralph Guldahl
 United States
−9
1 stroke
 Sam Snead
1,500

1938
Henry Picard
 United States
−3
2 strokes
 Harry Cooper
 Ralph Guldahl
1,500

1937
Byron Nelson
 United States
−5
2 strokes
 Ralph Guldahl
1,500

1936
Horton Smith (2)
 United States
−3
1 stroke
 Harry Cooper
1,500

1935
Gene Sarazen
 United States
−6
Playoff
 Craig Wood
1,500

1934
Horton Smith
 United States
−4
2 strokes
 Craig Wood
1,500

text:
In the "Runner(s)-up" column, the years are sorted alphabetically, based on the name of the country of (1) that year's runner-up or (2) the first player listed, in years that have multiple runners-up.
The sudden-death format was adopted in 1976, first used in 1979, and revised in 2004.[80]

None of the 11 sudden-death playoffs has advanced past the second hole; four were decided at the first hole, seven at the second.

Playoffs prior to 1976 were full 18-hole rounds, except for 1935, which was 36 holes.

None of the 6 full-round playoffs were tied at the end of the round; the closest margin was one stroke in 1942 and 1954.
The 1962 playoff included three players Arnold Palmer, Gary Player and Dow Finsterwald. Palmer won the playoff with a round of 68, Player finished 2nd with a 71 and Finsterwald finished 3rd with a 77.
The 1966 playoff included three players Jack Nicklaus, Tommy Jacobs and Gay Brewer. Nicklaus won the playoff with a round of 70, Jacobs finished 2nd with a 72 and Brewer finished 3rd with a 78.

tag: ul

text: Low amateurs[edit]

text: In 1952 the Masters began presenting an award, known as the Silver Cup, to the lowest-scoring amateur to make the cut. In 1954 they began presenting an amateur silver medal to the low amateur runner-up. There have been six players to win low amateur and then go on to win the Masters as a professional. These players are Cary Middlecoff, Jack Nicklaus, Ben Crenshaw, Phil Mickelson, Tiger Woods and Sergio García.

text:
Year
Champion
Country
To par
Place

1934
Charlie Yates
 United States
+9
21

1935
Lawson Little
 United States
E
6

1936
Johnny Dawson
 United States
+6
9

1937
Charlie Yates (2)
 United States
+13
27

1938
Tommy Tailer
 United States
+10
19

1939
Chick Harbert
Charlie Yates (3)
 United States
 United States
+8
18

1940
Charlie Yates (4)
 United States
+5
17

1941
Dick Chapman
 United States
+9
19

1942
Charlie Yates (5)
 United States
+16
28

1943–45
Cancelled due to World War II

1946
Cary Middlecoff
 United States
+5
12

1947
Frank Stranahan
 United States
−5
2

1948
Skee Riegel
 United States
+5
13

1949
Charles Coe
Johnny Dawson (2)
 United States
 United States
+7
16

1950
Frank Stranahan (2)
 United States
+9
14

1951
Charles Coe (2)
 United States
+5
12

1952
Chuck Kocsis
 United States
+9
14

1953
Frank Stranahan (3)
Harvie Ward
 United States
 United States
+3
14

1954
Billy Joe Patton
 United States
+2
3

1955
Harvie Ward (2)
 United States
+2
7

1956
Ken Venturi
 United States
+2
2

1957
Harvie Ward (3)
 United States
E
4

1958
Billy Joe Patton (2)
 United States
E
8

1959
Charles Coe (3)
 United States
E
6

1960
Jack Nicklaus
Billy Joe Patton (3)
 United States
 United States
+5
13

1961
Charles Coe (4)
 United States
−7
2

1962
Charles Coe (5)
 United States
E
9

1963
Labron Harris, Jr.
 United States
+10
32

1964
Deane Beman
 United States
E
13

1965
Downing Gray
 United States
+6
31

1966
Jimmy Grant
 United States
+11
28

1967
Downing Gray (2)
 United States
+9
36

1968
Vinny Giles
 United States
E
22

1969
Bruce Fleisher
 United States
+12
44

1970
Charles Coe (6)
 United States
+4
23

1971
Steve Melnyk
 United States
+4
24

1972
Ben Crenshaw
 United States
+7
19

1973
Ben Crenshaw (2)
 United States
+7
24

1974
None made the cut

1975
George Burns
 United States
+4
30

1976
Curtis Strange
 United States
+3
15

1977
Bill Sander
 United States
+11
49

1978
Lindy Miller
 United States
−2
16

1979
Bobby Clampett
 United States
+2
23

1980
Jay Sigel
 United States
+1
26

1981
Jay Sigel (2)
 United States
+6
35

1982
Jodie Mudd
 United States
+6
20

1983
Jim Hallet
 United States
+9
40

1984
Rick Fehr
 United States
E
25

1985
Sam Randolph
 United States
+2
18

1986
Sam Randolph (2)
 United States
+5
36

1987
Bob Lewis
 United States
+21
54

1988
Jay Sigel (3)
 United States
+12
39

1989
None made the cut

1990
Chris Patton
 United States
+9
39

1991
Phil Mickelson
 United States
+2
46

1992
Manny Zerman
 South Africa
+6
59

1993
None made the cut

1994
John Harris
 United States
+17
50

1995
Tiger Woods
 United States
+5
41

1996
None made the cut

1997
None made the cut

1998
Matt Kuchar
 United States
E
21

1999
Sergio García
 Spain
+7
38

2000
David Gossett
 United States
+15
54

2001
None made the cut

2002
None made the cut

2003
Ricky Barnes
 United States
+3
21

2004
Casey Wittenberg
 United States
E
13

2005
Ryan Moore
 United States
−1
15

2006
None made the cut

2007
None made the cut

2008
None made the cut

2009
None made the cut

2010
Matteo Manassero
 Italy
+4
36

2011
Hideki Matsuyama
 Japan
−1
27

2012
Patrick Cantlay
 United States
+7
47

2013
Guan Tianlang
 China
+12
58

2014
Oliver Goss
 Australia
+10
49

2015
None made the cut

2016
Bryson DeChambeau
 United States
+5
21

2017
Stewart Hagestad
 United States
+6
36

text: Records[edit]

text: Jack Nicklaus has won the most Masters (six) and was 7004168840000000000♠46 years, 82 days old when he won in 1986, making him the oldest winner of the Masters.[21] Nicklaus is the record holder for the most top tens, with 22, and the most cuts made, with 37.[65][81] The youngest winner of the Masters is Tiger Woods, who was 7003777500000000000♠21 years, 104 days old when he won in 1997. In that year Woods also broke the records for the widest winning margin (12 strokes), and the lowest winning score, with 270 (−18). Jordan Spieth tied his score record in 2015.[82]

text: In 2013, Guan Tianlang became the youngest player ever to compete in the Masters, at age 7003528200000000000♠14 years, 168 days on the opening day of the tournament;[83] the following day, he became the youngest ever to make the cut at the Masters or any men's major championship.[84]

text: Gary Player holds the record for most appearances, with 52. Player also holds the record for the number of consecutive cuts made, with 23 between 1959 and 1982 (Player did not compete in 1973 as he was recovering from recent surgery). He shares this record with Fred Couples, who made his consecutive cuts between 1983 and 2007, not competing in 1987 and 1994.[65]

text: Nick Price and Greg Norman share the course record of 63, with their rounds coming in 1986 and 1996 respectively.

text: The highest winning score of 289 (+1) has occurred three times: Sam Snead in 1954, Jack Burke, Jr. in 1956, and Zach Johnson in 2007. Anthony Kim holds the record for most birdies in a round with 11 in 2009 during his second round.[82]

text: There have been only four double eagles carded in the history of the Masters; the latest was by a contender in the fourth round in 2012. In the penultimate pairing with eventual champion Bubba Watson, Louis Oosthuizen's 260-yard (238 m) downhill 4 iron from the fairway made the left side of the green at the par-5 second hole, called Pink Dogwood, rolled downhill, and in.[85] The other two rare occurrences of this feat after Sarazen's double eagle on the fabled course's Fire Thorn hole in 1935: Bruce Devlin made double eagle from 248 yards (227 m) out with a 4-wood at the eighth hole (Yellow Jasmine) in the first round in 1967, while Jeff Maggert hit a 3-iron 222 yards (203 m) at the 13th hole (Azalea) in the fourth round in 1994.[86]

text: Three players share the record for most runner-up finishes with four: Ben Hogan (1942, 1946, 1954, 1955), Tom Weiskopf (1969, 1972, 1974, 1975), Jack Nicklaus (1964, 1971, 1977, 1981)

text: Broadcasting[edit]

text: United States television[edit]

text: CBS has televised the Masters in the United States every year since 1956,[87][88] when it used six cameras and covered only the final four holes. Tournament coverage of the first eight holes did not begin until 1993 because of resistance from the tournament organizers, but by 2006, more than 50 cameras were used. Chairman Jack Stephens felt that the back nine was always more "compelling", increased coverage would increase the need for sponsorship spending, and that broadcasting the front nine of the course on television would cut down on attendance and television viewership for the tournament.[87][89][90] USA Network added first- and second-round coverage in 1982.[91] The Masters has been broadcast every year in high-definition television since 2000, one of the first golf tournaments to ever hold that distinction.[citation needed] In 2008, ESPN replaced USA as broadcaster of early-round coverage. These broadcasts use the CBS Sports production staff and commentators, although then-ESPN personality Mike Tirico previously served as a studio host (replacing Bill Macatee's role under USA Network).[92][91]

text: In 2005, CBS broadcast the tournament with high-definition fixed and handheld wired cameras, as well as standard-definition wireless handheld cameras. In 2006, a webstream called "Amen Corner Live" began providing coverage of all players passing through holes 11, 12, and 13 through all four rounds.[93] This was the first full tournament multi-hole webcast from a major championship. In 2007, CBS added "Masters Extra," an extra hour of full-field bonus coverage daily on the internet, preceding the television broadcasts. In 2008, CBS added full coverage of holes 15 and 16 live on the web. In 2011, "Masters Extra" was dropped after officials gave ESPN an extra hour each day on Thursday and Friday. In 2016, the Amen Corner feed was broadcast in 4K ultra high definition exclusively on DirecTV—as one of the first live U.S. sports telecasts in the format.[94][95] A second channel of 4K coverage covering holes 15 and 16 was added in 2017.[96]

text: While Augusta National Golf Club has consistently chosen CBS as its U.S. broadcast partner, it has done so in successive one-year contracts. Former CBS Sports president Neal Pilson stated that their relationship had gotten to the point where they "could do our deal in hours".[87] Due to the lack of long-term contractual security, as well as the club's limited dependence on broadcast rights fees (owing to its affluent membership), it is widely held that CBS allows Augusta National greater control over the content of the broadcast, or at least performs some form of self-censorship, in order to maintain future rights. The club, however, has insisted it does not make any demands with respect to the content of the broadcast.[97][98] Despite this, announcers who have been deemed not to have acted with the decorum expected by the club have been removed, notably Jack Whitaker and Gary McCord,[97] and there also tends to be a lack of discussion of any controversy involving Augusta National, such as the 2003 Martha Burk protests.[98]

text: Coverage itself carries a more formal style than other golf telecasts; announcers refer to the gallery as patrons rather than as spectators or fans. Gallery itself is also used.[99] The club also disallows promotions for other network programs, or other forms of sponsored features.[99] Significant restrictions have been placed on the tournament's broadcast hours compared to other major championships. Only in the 21st century did the tournament allow CBS to air 18-hole coverage of the leaders, a standard at the other three majors.[97] Since 1982, CBS has used "Augusta" by Dave Loggins as the event telecast's distinctive theme music. Loggins originally came up with the song during his first trip to the Augusta course in 1981.[100]

text: The club mandates minimal commercial interruption, currently limited to four minutes per hour (as opposed to the usual 12 or more); this is subsidized by selling exclusive sponsorship packages to three companies—in 2013, these "global sponsors" were IBM, ExxonMobil and AT&T.[99] In 2014, ExxonMobil was replaced as a global sponsor by Mercedes-Benz.[101] The club also sells separate sponsorship packages, which do not provide rights to air commercials on the U.S. telecasts, to two "international partners"; in 2014, those companies were Rolex and UPS (the latter of which replaced Mercedes-Benz upon that company's elevation to "global sponsor" status).[101] In the immediate aftermath of the Martha Burk controversy, there were no commercials during the 2003 and 2004 U.S. broadcasts.[97]

text: Radio coverage[edit]

text: WestwoodOne (previously Dial Global and CBS Radio) has provided live radio play-by-play coverage in the United States since 1956. This coverage can also be heard on the official Masters website. The network provides short two- or three-minute updates throughout the tournament, as well as longer three- and four-hour segments towards the end of the day.[102]

text: International television[edit]

text: The BBC has broadcast the Masters in the UK since 1986, and it also provides live radio commentary on the closing stages on Radio Five Live. With the 2007 launch of BBC HD, UK viewers can now watch the championship in that format. BBC Sport held the TV and radio rights through to 2010.[103] The BBC's coverage airs without commercials because it is financed by a licence fee. From the 2011 Masters, Sky Sports began broadcasting all four days, as well as the par 3 contest in HD and, for the first time ever, in 3D. The BBC will only have highlights of the first two days' play but will go head to head with Sky Sports, with full live coverage on the final two days of play.[104] In Ireland, Setanta Ireland previously showed all four rounds, and now since 2017 Eir Sport broadcast all four rounds live having previously broadcast the opening two rounds with RTÉ broadcasting the weekend coverage.[105]

text: In Canada, broadcast rights to the Masters are held by Bell Media, with coverage divided between TSN (cable), which carries live simulcasts and primetime encores of CBS and ESPN coverage for all four rounds, CTV (broadcast), which simulcasts CBS's coverage of the weekend rounds, and RDS, which carries French-language coverage. Prior to 2013, Canadian broadcast rights were held by a marketing company, Graham Sanborn Media,[106] which in turn bought time on the Global Television Network, TSN, and RDS (except for 2012 when French-language coverage aired on TVA and TVA Sports) to air the broadcasts, also selling all of the advertising for the Canadian broadcasts. This was an unusual arrangement in Canadian sports broadcasting, as in most cases broadcasters acquire their rights directly from the event organizers or through partnerships with international rightsholders, such as ESPN International (ESPN owns a minority stake in TSN). In 2013, Global and TSN began selling advertising directly, and jointly produced their own preview and highlights shows for Canadian audiences (while still carrying ESPN/CBS coverage for the tournament itself).[107][108]

text: On December 15, 2015, TSN parent company Bell Media announced that it had acquired exclusive Canadian rights to The Masters beginning 2016 under a multi-year deal. Broadcast television coverage will move to co-owned broadcast network CTV, while TSN uses its expanded five-channel service to carry supplemental feeds (including the Amen Corner feed and early coverage of each round) that were previously exclusive to digital platforms.[109][110]

text: In 53 countries, including much of Latin America, broadcast rights for the entire tournament are held by the ESPN International networks.[111]

text: Ticketing[edit]

text: Although tickets for the Masters are not expensive, they are very difficult to come by. Even the practice rounds can be difficult to get into. Applications for practice round tickets have to be made nearly a year in advance and the successful applicants are chosen by random ballot. Tickets to the actual tournament are sold only to members of a patrons list, which is closed. A waiting list for the patrons list was opened in 1972 and closed in 1978. It was reopened in 2000 and subsequently closed once again. In 2008, the Masters also began allowing children (between the ages of 8 and 16) to enter on tournament days free if they are accompanied by the patron who is the owner of his or her badge.[112]

text: The difficulty in acquiring Masters badges has made the tournament one of the largest events on the secondary-ticket market.[113] A majority of the badges for the Masters are delivered to the same group of patrons, fans, and members each year, and these perennial ticket holders sometimes decide to sell their badges through large ticket marketplaces such as StubHub, TicketCity, and VividSeats. Some of these marketplaces will allow fans to purchase a Masters badge for a single day, as opposed to the traditional 4-day pass.[114]