document_title: Animal Farm

question_text: who changed the seven commandments in animal farm

text: Animal Farm

text: Plot summary

text: Old Major, the old boar on the Manor Farm, summons the animals on the farm together for a meeting, during which he refers to humans as "enemies" and teaches the animals a revolutionary song called "Beasts of England". When Major dies, two young pigs, Snowball and Napoleon, assume command and consider it a duty to prepare for the Rebellion. The animals revolt and drive the drunken and irresponsible farmer Mr. Jones from the farm, renaming it "Animal Farm". They adopt the Seven Commandments of Animalism, the most important of which is, "All animals are equal."

text: Snowball teaches the animals to read and write, while Napoleon educates young puppies on the principles of Animalism. Food is plentiful, and the farm runs smoothly. The pigs elevate themselves to positions of leadership and set aside special food items, ostensibly for their personal health.

text: Some time later, several men attack Animal Farm. Jones and his men are making an attempt to recapture the farm, aided by several other farmers who are terrified of similar animal revolts. Snowball and the animals, who are hiding in ambush, defeat the men by launching a surprise attack as soon as they enter the farmyard. Snowball's popularity soars, and this event is proclaimed "The Battle of the Cowshed". It is celebrated annually with the firing of a gun, on the anniversary of the Revolution.

text: Napoleon and Snowball vie for pre-eminence. When Snowball announces his plans to modernize the farm by building a windmill, Napoleon has his dogs chase Snowball away and declares himself leader.

text: Napoleon enacts changes to the governance structure of the farm, replacing meetings with a committee of pigs who will run the farm. Through a young pig named Squealer, Napoleon claims credit for the windmill idea. The animals work harder with the promise of easier lives with the windmill. When the animals find the windmill collapsed after a violent storm, Napoleon and Squealer convince the animals that Snowball is trying to sabotage their project. Once Snowball becomes a scapegoat, Napoleon begins to purge the farm with his dogs, killing animals he accuses of consorting with his old rival. When some animals recall the Battle of the Cowshed, Napoleon (who was nowhere to be found during the battle) frequently smears Snowball as a collaborator of Jones', while falsely representing himself as the hero of the battle. "Beasts of England" is replaced with an anthem glorifying Napoleon, who appears to be adopting the lifestyle of a man. The animals remain convinced that they are better off than they were under Mr. Jones.

text: Mr Frederick, one of the neighbouring farmers, attacks the farm, using blasting powder to blow up the restored windmill. Though the animals win the battle, they do so at great cost, as many, including Boxer the workhorse, are wounded. Despite his injuries, Boxer continues working harder and harder, until he collapses while working on the windmill. Napoleon sends for a van to take Boxer to the veterinary surgeon, explaining that better care can be given there. Benjamin, the cynical donkey who "could read as well as any pig",[9] notices that the van belongs to a knacker and attempts a futile rescue. Squealer quickly assures the animals that the van had been purchased from the knacker by an animal hospital, and the previous owner's signboard had not been repainted. In a subsequent report, Squealer reports sadly to the animals that Boxer died peacefully at the animal hospital; the pigs hold a festival one day after Boxer's death to further praise the glories of Animal Farm and have the animals work harder by taking on Boxer's ways. However, the truth was that Napoleon had engineered the sale of Boxer to the knacker, allowing him and his inner circle to acquire money to buy whisky for themselves. (In 1940s England, one way for farms to make money was to sell large animals to a knacker, who would kill the animal and boil its remains into animal glue.)

text: Years pass, and the windmill is rebuilt along with construction of another windmill, which makes the farm a good amount of income. However, the ideals which Snowball discussed, including stalls with electric lighting, heating and running water are forgotten, with Napoleon advocating that the happiest animals live simple lives. In addition to Boxer, many of the animals who participated in the Revolution are dead, as is Farmer Jones, who died in another part of England. The pigs start to resemble humans, as they walk upright, carry whips, and wear clothes. The Seven Commandments are abridged to a single phrase: "All animals are equal but some animals are more equal than others". Napoleon holds a dinner party for the pigs and local farmers, with whom he celebrates a new alliance. He abolishes the practice of the revolutionary traditions and restores the name "The Manor Farm". As the animals look from pigs to humans, they realise they can no longer distinguish between the two.

text: Characters

text: Pigs

text:
Old Major – An aged prize Middle White boar provides the inspiration that fuels the rebellion. He is an allegorical combination of Karl Marx, one of the creators of communism, and Vladimir Lenin, the communist leader of the Russian Revolution and the early Soviet nation, in that he draws up the principles of the revolution. His skull being put on revered public display recalls Lenin, whose embalmed body was put on display.[10][11]
Napoleon – "A large, rather fierce-looking Berkshire boar, the only Berkshire on the farm, not much of a talker, but with a reputation for getting his own way".[12] An allegory of Joseph Stalin,[10] Napoleon is the main villain of Animal Farm. In the first French version of Animal Farm, Napoleon is called César, the French form of Caesar,[4] although another translation has him as Napoléon.[13]
Snowball – Napoleon's rival and original head of the farm after Jones' overthrow. He is mainly based on Leon Trotsky,[10] but also combines elements from Lenin.[11]
Squealer – A small, white, fat porker who serves as Napoleon's second-in-command and minister of propaganda, holding a position similar to that of Vyacheslav Molotov.[10]
Minimus – A poetic pig who writes the second and third national anthems of Animal Farm after the singing of "Beasts of England" is banned.
The piglets – Hinted to be the children of Napoleon and are the first generation of animals subjugated to his idea of animal inequality.
The young pigs – Four pigs who complain about Napoleon's takeover of the farm but are quickly silenced and later executed, the first animals killed in Napoleon's farm purge. Based on the Great Purge of Grigori Zinoviev, Lev Kamenev, Nikolai Bukharin, and Alexei Rykov.
Pinkeye – A minor pig who is mentioned only once; he is the pig that tastes Napoleon's food to make sure it is not poisoned, in response to rumours about an assassination attempt on Napoleon.

text: Humans

text:
Mr Jones – A heavy drinker who is the original owner of Manor Farm, a farm in disrepair with farmhands who often loaf on the job. He is an allegory of Russian Tsar Nicholas II,[14] who abdicated following the February Revolution of 1917 and was murdered, along with the rest of his family, by the Bolsheviks on 17 July 1918. The animals revolt after Jones drinks so much he does not care for the animals.
Mr Frederick – The tough owner of Pinchfield, a small but well-kept neighbouring farm, who briefly enters into an alliance with Napoleon.[15][16][17][18] Animal Farm shares land boundaries with Pinchfield on one side and Foxwood on another, making Animal Farm a "buffer zone" between the two bickering farmers. The animals of Animal Farm are terrified of Frederick, as rumours abound of him abusing his animals and entertaining himself with cockfighting (a likely allegory for the human rights abuses of Adolf Hitler). Napoleon enters into an alliance with Frederick in order to sell surplus timber that Pilkington also sought, but is enraged to learn Frederick paid him in counterfeit money. Shortly after the swindling, Frederick and his men invade Animal Farm, killing many animals and detonating the windmill. The brief alliance and subsequent invasion may allude to the Molotov–Ribbentrop Pact and Operation Barbarossa.
Mr Pilkington – The easy-going but crafty and well-to-do owner of Foxwood, a large neighbouring farm overgrown with weeds. Unlike Frederick, Pilkington is wealthier and owns more land, but his farm is in need of care as opposed to Frederick's smaller but more efficiently-run farm. Although on bad terms with Frederick, Pilkington is also concerned about the animal revolution that deposed Jones, and worried that this could also happen to him.
Mr Whymper – A man hired by Napoleon to act as the liaison between Animal Farm and human society. At first he is used to acquire necessities that cannot be produced on the farm, such as dog biscuits and paraffin wax, but later he procures luxuries like alcohol for the pigs.

text: Horses and donkeys

text:
Boxer – A loyal, kind, dedicated, extremely strong, hard working, and respectable cart-horse, although quite naive and gullible. Boxer does a large share of the physical labour on the farm. He is shown to hold the belief that 'Napoleon is always right'. At one point, he had challenged Squealer's statement that Snowball was always against the welfare of the farm, earning him an attack from Napoleon's dogs. But Boxer's immense strength repels the attack, worrying the pigs that their authority can be challenged. Boxer has been compared to the Stakhanovite movement. He has been described as "faithful and strong";[19] he believes any problem can be solved if he works harder.[20] When Boxer is injured, Napoleon sells him to a local knacker to buy himself whisky, and Squealer gives a moving account falsifying Boxer's death.
Mollie – A self-centred, self-indulgent and vain young white mare who quickly leaves for another farm after the revolution. She is only once mentioned again, in a manner similar to those who left Russia after the fall of the Tsar.
Clover – A gentle, caring female horse, who shows concern especially for Boxer, who often pushes himself too hard. Clover can read all the letters of the alphabet, but cannot "put words together". She seems to catch on to the sly tricks and schemes set up by Napoleon and Squealer.
Benjamin – A donkey, one of the oldest, wisest animals on the farm, and one of the few who can read properly. He is sceptical, temperamental and cynical: his most frequent remark is, "Life will go on as it has always gone on—that is, badly."[21] The academic Morris Dickstein has suggested there is "a touch of Orwell himself in this creature's timeless skepticism"[22] and indeed, friends called Orwell "Donkey George", "after his grumbling donkey Benjamin, in Animal Farm."[23]

text: Other animals

text:
Muriel – A wise old goat who is friends with all of the animals on the farm. She, like Benjamin and Snowball, is one of the few animals on the farm who can read.
The puppies – Offspring of Jessie and Bluebell, they were taken away at birth by Napoleon and reared by him to be his security force.
Moses – The raven, "Mr. Jones's especial pet, was a spy and a tale-bearer, but he was also a clever talker." Initially following Mrs. Jones into exile, he reappears several years later and resumes his role of talking but not working. He regales Animal Farm's denizens with tales of a wondrous place beyond the clouds called "Sugarcandy Mountain, that happy country where we poor animals shall rest forever from our labours!" Orwell portrays established religion as "the black raven of priestcraft—promising pie in the sky when you die, and faithfully serving whoever happens to be in power." Napoleon brings the raven back (Ch. IX), as Stalin brought back the Russian Orthodox Church.[22]
The sheep – They show limited understanding of the Animalism and the political atmosphere of the farm; yet nonetheless they blindly support Napoleon's ideals with vocal jingles during his speeches and meetings with Snowball. Some commentators[24] have compared the sheep to representations of state controlled press. Their constant bleating of "four legs good, two legs bad" was used as a device to drown out any opposition; analogous to simplistic headlines used in printed media of the age. Towards the latter section of the book, Squealer (the propagandist) trains the sheep to alter their slogan to "four legs good, two legs better", which they dutifully do. Symbolizing the state manipulation of media.
The hens – The hens are promised at the start of the revolution that they will get to keep their eggs, which are stolen from them under Mr Jones. However their eggs are soon taken from them under the premise of buying goods from outside Animal Farm. The hens are among the first to rebel against Napoleon.
The cows – The cows are enticed into the revolution by promises that their milk will not be stolen, but can be used to raise their own calves. Their milk is then stolen by the pigs, who learn to milk them. The milk is stirred into the pigs' mash every day, while the other animals are denied such luxuries.
The cat – Never seen to carry out any work, the cat is absent for long periods and is forgiven; because her excuses are so convincing and she "purred so affectionately that it was impossible not to believe in her good intentions."[25] She has no interest in the politics of the farm, and the only time she is recorded as having participated in an election, she is found to have actually "voted on both sides."[25]

text: Composition and publication

text: Origin

text: George Orwell wrote the manuscript in 1943 and 1944 subsequent to his experiences during the Spanish Civil War, which he described in Homage to Catalonia (1938). In the preface of a 1947 Ukrainian edition of Animal Farm, he explained how escaping the communist purges in Spain taught him "how easily totalitarian propaganda can control the opinion of enlightened people in democratic countries". This motivated Orwell to expose and strongly condemn what he saw as the Stalinist corruption of the original socialist ideals.[26]

text: Immediately prior to writing the book, Orwell had quit the BBC. He was also upset about a booklet for propagandists the Ministry of Information had put out. The booklet included instructions on how to quell ideological fears of the Soviet Union, such as directions to claim that the Red Terror was a figment of Nazi imagination.[27]

text: In the preface, Orwell also described the source of the idea of setting the book on a farm:[26]

text: ...I saw a little boy, perhaps ten years old, driving a huge carthorse along a narrow path, whipping it whenever it tried to turn. It struck me that if only such animals became aware of their strength we should have no power over them, and that men exploit animals in much the same way as the rich exploit the proletariat.

text: Efforts to find a publisher

text: Orwell initially encountered difficulty getting the manuscript published, largely due to fears that the book might upset the alliance between Britain, the United States, and the Soviet Union. Four publishers refused; one had initially accepted the work but declined it after consulting the Ministry of Information.[28][29] Eventually, Secker and Warburg published the first edition in 1945.

text: During the Second World War, it became clear to Orwell that anti-Soviet literature was not something which most major publishing houses would touch—including his regular publisher Gollancz. He also submitted the manuscript to Faber and Faber, where the poet T. S. Eliot (who was a director of the firm) rejected it; Eliot wrote back to Orwell praising the book's "good writing" and "fundamental integrity", but declared that they would only accept it for publication if they had some sympathy for the viewpoint "which I take to be generally Trotskyite". Eliot said he found the view "not convincing", and contended that the pigs were made out to be the best to run the farm; he posited that someone might argue "what was needed... was not more communism but more public-spirited pigs".[30][31] Orwell let André Deutsch, who was working for Nicholson & Watson in 1944, read the typescript, and Deutsch was convinced that Nicholson & Watson would want to publish it; however, they did not, and "lectured Orwell on what they perceived to be errors in Animal Farm."[32] In his London Letter on 17 April 1944 for Partisan Review, Orwell wrote that it was "now next door to impossible to get anything overtly anti-Russian printed. Anti-Russian books do appear, but mostly from Catholic publishing firms and always from a religious or frankly reactionary angle."

text: The publisher Jonathan Cape, who had initially accepted Animal Farm, subsequently rejected the book after an official at the British Ministry of Information warned him off[33]—although the civil servant who it is assumed gave the order was later found to be a Soviet spy.[34] Writing to Leonard Moore, a partner in the literary agency of Christy & Moore, publisher Jonathan Cape explained that the decision had been taken on the advice of a senior official in the Ministry of Information. Such flagrant anti-Soviet bias was unacceptable, and the choice of pigs as the dominant class was thought to be especially offensive. It may reasonably be assumed that the 'important official' was a man named Peter Smollett, who was later unmasked as a Soviet agent.[35] Orwell was suspicious of Smollett/Smolka, and he would be one of the names Orwell included in his list of Crypto-Communists and Fellow-Travellers sent to the Information Research Department in 1949. Born Hans Peter Smolka in Vienna in 1912, he came to Britain in 1933 as an NKVD agent with the codename 'Abo',[36] became a naturalised British subject in 1938, changed his name, and after the outbreak of World War II joined the Ministry of Information where he organised pro-Soviet propaganda, working with Kim Philby in 1943–45.[37] Smollett's family have rejected the accusation that he was a spy.[35] The publisher wrote to Orwell, saying:[33]

text: If the fable were addressed generally to dictators and dictatorships at large then publication would be all right, but the fable does follow, as I see now, so completely the progress of the Russian Soviets and their two dictators [Lenin and Stalin], that it can apply only to Russia, to the exclusion of the other dictatorships.

text: Another thing: it would be less offensive if the predominant caste in the fable were not pigs. I think the choice of pigs as the ruling caste will no doubt give offence to many people, and particularly to anyone who is a bit touchy, as undoubtedly the Russians are.

text: Frederic Warburg also faced pressures against publication, even from people in his own office and from his wife Pamela, who felt that it was not the moment for ingratitude towards Stalin and the heroic Red Army,[38] which had played a major part in defeating Hitler. A Russian translation was printed in the paper Posev, and in giving permission for a Russian translation of Animal Farm, Orwell refused in advance all royalties. A translation in Ukrainian, which was produced in Germany, was confiscated in large part by the American wartime authorities and handed over to the Soviet repatriation commission.[39]

text: In October 1945, Orwell wrote to Frederic Warburg expressing interest in pursuing the possibility that the political cartoonist David Low might illustrate Animal Farm. Low had written a letter saying that he had had "a good time with ANIMAL FARM—an excellent bit of satire—it would illustrate perfectly." Nothing came of this, and a trial issue produced by Secker & Warburg in 1956 illustrated by John Driver was abandoned, but the Folio Society published an edition in 1984 illustrated by Quentin Blake and an edition illustrated by the cartoonist Ralph Steadman was published by Secker & Warburg in 1995 to celebrate the fiftieth anniversary of the first edition of Animal Farm.[40]

text: Preface

text: Orwell originally wrote a preface complaining about British self-censorship and how the British people were suppressing criticism of the USSR, their World War II ally:

text: The sinister fact about literary censorship in England is that it is largely voluntary.... Things are kept right out of the British press, not because the Government intervenes but because of a general tacit agreement that 'it wouldn't do' to mention that particular fact.

text: Although the first edition allowed space for the preface, it was not included,[28] and as of June 2009 most editions of the book have not included it.[41]

text: Secker and Warburg published the first edition of Animal Farm in 1945 without an introduction. However, the publisher had provided space for a preface in the author's proof composited from the manuscript. For reasons unknown, no preface was supplied, and the page numbers had to be renumbered at the last minute.[42][43]

text: In 1972, Ian Angus found the original typescript titled "The Freedom of the Press", and Bernard Crick published it, together with his own introduction, in The Times Literary Supplement on 15 September 1972[42] as "How the essay came to be written".[43][44] Orwell's essay criticised British self-censorship by the press, specifically the suppression of unflattering descriptions of Stalin and the Soviet government.[43] The same essay also appeared in the Italian 1976 edition of Animal Farm with another introduction by Crick, claiming to be the first edition with the preface.[42] Other publishers were still declining to publish it.[clarification needed]

text: Critical response

text: Contemporary reviews of the work were not universally positive. Writing in the American New Republic magazine, George Soule expressed his disappointment in the book, writing that it "puzzled and saddened me. It seemed on the whole dull. The allegory turned out to be a creaking machine for saying in a clumsy way things that have been said better directly." Soule believed that the animals were not consistent enough with their real world inspirations, and said, "It seems to me that the failure of this book (commercially it is already assured of tremendous success) arises from the fact that the satire deals not with something the author has experienced, but rather with stereotyped ideas about a country which he probably does not know very well".[45]

text: The Guardian on 24 August 1945 called Animal Farm "a delightfully humorous and caustic satire on the rule of the many by the few".[46] Tosco Fyvel, writing in Tribune on the same day, called the book "a gentle satire on a certain State and on the illusions of an age which may already be behind us." Julian Symons responded, on 7 September, "Should we not expect, in Tribune at least, acknowledgement of the fact that it is a satire not at all gentle upon a particular State—Soviet Russia? It seems to me that a reviewer should have the courage to identify Napoleon with Stalin, and Snowball with Trotsky, and express an opinion favourable or unfavourable to the author, upon a political ground. In a hundred years time perhaps, Animal Farm may be simply a fairy story, today it is a political satire with a good deal of point."

text: Animal Farm has been subject to much comment in the decades since these early remarks.[47]

text: Analysis

text: Animalism

text: The pigs Snowball, Napoleon, and Squealer adapt Old Major's ideas into "a complete system of thought", which they formally name Animalism, an allegoric reference to Communism. Soon after, Napoleon and Squealer partake in activities associated with the humans (drinking alcohol, sleeping in beds, trading), which were explicitly prohibited by the Seven Commandments. Squealer is employed to alter the Seven Commandments to account for this humanisation, an allusion to the Soviet government's revising of history in order to exercise control of the people's beliefs about themselves and their society.[48]

text: The original commandments are:

text:
Whatever goes upon two legs is an enemy.
Whatever goes upon four legs, or has wings, is a friend.
No animal shall wear clothes.
No animal shall sleep in a bed.
No animal shall drink alcohol.
No animal shall kill any other animal.
All animals are equal.

tag: ol

text: These commandments are also distilled into the maxim "Four legs good, two legs bad!" which is primarily used by the sheep on the farm, often to disrupt discussions and disagreements between animals on the nature of Animalism.

text: Later, Napoleon and his pigs secretly revise some commandments to clear themselves of accusations of law-breaking. The changed commandments are as follows, with the changes bolded:

text:
No animal shall sleep in a bed with sheets.
No animal shall drink alcohol to excess.
No animal shall kill any other animal without cause.

text: Eventually, these are replaced with the maxims, "All animals are equal but some animals are more equal than others", and "Four legs good, two legs better!" as the pigs become more human. This is an ironic twist to the original purpose of the Seven Commandments, which were supposed to keep order within Animal Farm by uniting the animals together against the humans and preventing animals from following the humans' evil habits. Through the revision of the commandments, Orwell demonstrates how simply political dogma can be turned into malleable propaganda.[49]

text: Significance and allegory

text: In the Eastern Bloc, both Animal Farm and later Nineteen Eighty-Four were on the list of forbidden books until the end of communist rule in 1989, and were only available via clandestine Samizdat networks.[citation needed]

text: Orwell biographer Jeffrey Meyers has written, "virtually every detail has political significance in this allegory." Orwell himself wrote in 1946, "Of course I intended it primarily as a satire on the Russian revolution..[and] that kind of revolution (violent conspiratorial revolution, led by unconsciously power hungry people) can only lead to a change of masters [-] revolutions only effect a radical improvement when the masses are alert."[50] In a preface for a 1947 Ukrainian edition, he stated, "... for the past ten years I have been convinced that the destruction of the Soviet myth was essential if we wanted a revival of the socialist movement. On my return from Spain [in 1937] I thought of exposing the Soviet myth in a story that could be easily understood by almost anyone and which could be easily translated into other languages."[51]

text: The revolt of the animals against Farmer Jones is Orwell's analogy with the October 1917 Bolshevik Revolution. The Battle of the Cowshed has been said to represent the allied invasion of Soviet Russia in 1918,[52] and the defeat of the White Russians in the Russian Civil War.[53] The pigs' rise to pre-eminence mirrors the rise of a Stalinist bureaucracy in the USSR, just as Napoleon's emergence as the farm's sole leader reflects Stalin's emergence. The pigs' appropriation of milk and apples for their own use, "the turning point of the story" as Orwell termed it in a letter to Dwight Macdonald,[50] stands as an analogy for the crushing of the left-wing 1921 Kronstadt revolt against the Bolsheviks,[54] and the difficult efforts of the animals to build the windmill suggest the various Five Year Plans. The puppies controlled by Napoleon parallel the nurture of the secret police in the Stalinist structure, and the pigs' treatment of the other animals on the farm recalls the internal terror faced by the populace in the 1930s.[55] In chapter seven, when the animals confess their nonexistent crimes and are killed, Orwell directly alludes to the purges, confessions and show trials of the late 1930s. These contributed to Orwell's conviction that the Bolshevik revolution had been corrupted and the Soviet system become rotten.[56]

text: Peter Edgerly Firchow and Peter Davison consider that the Battle of the Windmill represents the Great Patriotic War (World War II),[53] especially the Battle of Stalingrad and the Battle of Moscow.[52] During the battle, Orwell first wrote, "All the animals, including Napoleon" took cover. Orwell had the publisher alter this to "All the animals except Napoleon" in recognition of Stalin's decision to remain in Moscow during the German advance.[57] Orwell requested the change after he met Joseph Czapski in Paris in March 1945. Czapski, a survivor of the Katyn Massacre and an opponent of the Soviet regime, told Orwell, as Orwell wrote to Arthur Koestler, that it had been "the character [and] greatness of Stalin" that saved Russia from the German invasion.[58]

text: Other connections that writers have suggested illustrate Orwell's telescoping of Russian history from 1917 to 1943[60] include the wave of rebelliousness that ran through the countryside after the Rebellion, which stands for the abortive revolutions in Hungary and in Germany (Ch IV); the conflict between Napoleon and Snowball (Ch V), paralleling "the two rival and quasi-Messianic beliefs that seemed pitted against one another: Trotskyism, with its faith in the revolutionary vocation of the proletariat of the West; and Stalinism with its glorification of Russia's socialist destiny";[61] Napoleon's dealings with Whymper and the Willingdon markets (Ch VI), paralleling the Treaty of Rapallo; and Frederick's forged bank notes, paralleling the Hitler-Stalin non-aggression pact of August 1939, after which Frederick attacks Animal Farm without warning and destroys the windmill.[17]

text: The book's close, with the pigs and men in a kind of rapprochement, reflected Orwell's view of the 1943 Teheran Conference[62] that seemed to display the establishment of "the best possible relations between the USSR and the West"—but in reality were destined, as Orwell presciently predicted, to continue to unravel.[63] The disagreement between the allies and the start of the Cold War is suggested when Napoleon and Pilkington, both suspicious, "played an ace of spades simultaneously".[64]

text: Similarly, the music in the novel, starting with Beasts of England and the later anthems, parallels The Internationale and its adoption and repudiation by the Soviet authorities as the Anthem of the USSR in the 1920s and 1930s.

text: Adaptations

text: Films

text: Animal Farm has been adapted to film twice. Both differ from the novel and have been accused of taking significant liberties, including sanitising some aspects.

text:
Animal Farm (1954) is an animated feature in which Napoleon is apparently overthrown in a second revolution. In 1974, E. Howard Hunt revealed that he had been sent by the CIA's Psychological Warfare department to obtain the film rights from Orwell's widow, and the resulting 1954 animation was funded by the agency.[65]
Animal Farm (1999) is a TV live action version that shows Napoleon's regime collapsing in on itself, with the farm having new human owners, reflecting the collapse of Soviet communism.

text: In 2012, a HFR-3D version of Animal Farm, potentially directed by Andy Serkis was announced.[66]

text: Radio dramatizations

text: A BBC radio version, produced by Rayner Heppenstall, was broadcast in January 1947. Orwell listened to the production at his home in Canonbury Square, London, with Hugh Gordon Porteous, amongst others. Orwell later wrote to Heppenstall that Porteous, "who had not read the book, grasped what was happening after a few minutes."[67]

text: A further radio production, again using Orwell's own dramatisation of the book, was broadcast in January 2013 on BBC Radio 4. Tamsin Greig narrated, and the cast included Nicky Henson as Napoleon, Toby Jones as the propagandist Squealer, and Ralph Ineson as Boxer.[68]

text: Stage productions

text: A theatrical version, with music by Richard Peaslee and lyrics by Adrian Mitchell, was staged at the National Theatre London on 25 April 1984, directed by Peter Hall. It toured nine cities in 1985.[69]

text: A solo version, adapted and performed by Guy Masterson, premièred at the Traverse Theatre Edinburgh in January 1995 and has toured worldwide since.[70][71]

text: Popular culture

text: Music

text: (Alphabetical by artist)

text:
The Boston Crusaders Drum and Bugle Corps' 2014 show was titled Animal Farm, based on the novel.[72]
Canadian-based band Boxer the Horse takes its name from a character in the novel.[73]
Dead prez based a song on their album Let's Get Free (2000), called "Animal in Man", on the novella, putting emphasis on how the other animals should not trust the pigs during a revolution.[74][75][76]
The lyrics of the song ″Arthur's Farm″ from the Half Man Half Biscuit album Back Again in the DHSS (1987) tell the story of Douglas Bader and Arthur Askey visiting Animal Farm. The song features the line "Four legs good, but no legs best" in apparent tribute to the two famous amputees.[77]
The song, "The Nature of the Beast", by the American metalcore band, Ice Nine Kills, was inspired by Animal Farm.[78]
Pink Floyd's album Animals (1977) was partially inspired by Animal Farm.[79] It categorises people as pigs, dogs, or sheep.
R.E.M.'s song "Disturbance at the Heron House" is based on Animal Farm.[clarification needed][80]
Radiohead's song "Optimistic" contains a lyric mentioning Animal Farm.[81]
The Clash used an image from the animated movie Animal Farm (1954) on their single "English Civil War".[82]

text: Television

text: (Alphabetical by program)

text:
In "The Daleks' Master Plan" (1966), an episode of the long-running British science fiction show Doctor Who, a character references the modified seventh commandment of Animal Farm, saying: "Though we are all equal partners with the Daleks on this great conquest, some of us are more equal than others."[83]
In the tenth episode of the second season of Johnny Bravo, "Aunt Katie's Farm" (1999), Johnny, while dressed in a pig costume, yells, "Four feet good! Two feet bad!".[84][85]
The Lost episode "Exposé" (2007), in season three, involves flashbacks with Nikki and Paulo involving an argument with Kate about the handgun case. During this scene, Dr. Leslie Arzt yells at Kate: "The pigs are walking," a reference to Animal Farm where Napoleon and his generals begin to adapt human characteristics and change their oath from "Four legs good, two legs bad" to "Four legs good, two legs better."[86][87]
The seventh episode (1998) of the second season of the HBO series Oz is titled "Animal Farm" in reference to the conniving and manipulation of the characters vying for control, similar to the characters of the novella.[88][89][90][91]
In the ninth episode of the fourth season of Sex and the City, "Sex and the Country" (2001), Carrie goes with her new boyfriend Aidan to his cottage, and informs her friends that it reminds her of Animal Farm, and would not be surprised to hear an outburst of "four legs good, two legs bad!"[92][93]
In the third episode of the first season of the X-Men animated series, "Enter Magneto" (1992), Beast is seen reading a copy of Animal Farm, is mocked by the prison guards for "reading a picture book", and is asked if he "sees any relatives in there" because they assume he is an illiterate animal.[94][95]

text: Video game

text: A video game adaptation of Animal Farm was announced in August 2017.[96] Fully authorised by the estate of George Orwell,[97] Animal Farm is created by an independent team formed specifically to deliver Orwell’s vision in an interactive format.[98][99]

text: Editions

text:
LCCN 46006290 (hardcover, 1946, First American Edition)
ISBN 0-451-51679-6 (paperback, 1956, Signet Classic)
ISBN 0-582-02173-1 (paper text, 1989)
ISBN 0-15-107255-8 (hardcover, 1990)
ISBN 0-582-06010-9 (paper text, 1991)
ISBN 0-679-42039-8 (hardcover, 1993)
ISBN 0-606-00102-6 (prebound, 1996)
ISBN 0-15-100217-7 (hardcover, 1996, Anniversary Edition)
ISBN 0-452-27750-7 (paperback, 1996, Anniversary Edition)
ISBN 0-451-52634-1 (mass market paperback, 1996, Anniversary Edition)
ISBN 0-582-53008-3 (1996)
ISBN 1-56000-520-3 (cloth text, 1998, Large Type Edition)
ISBN 0-7910-4774-1 (hardcover, 1999)
ISBN 0-451-52536-1 (paperback, 1999)
ISBN 0-7641-0819-0 (paperback, 1999)
ISBN 0-8220-7009-X (e-book, 1999)
ISBN 0-7587-7843-0 (hardcover, 2002)
ISBN 0-15-101026-9 (hardcover, 2003, with Nineteen Eighty-Four)
ISBN 0-452-28424-4 (paperback, 2003, Centennial Edition)
ISBN 0-8488-0120-2 (hardcover)
ISBN 0-03-055434-9 (hardcover) Animal Farm with Connections
ISBN 0-395-79677-6 (hardcover) Animal Farm & Related Readings, 1997
ISBN 0-582-43447-5 (hardcover, 2007)
ISBN 0-14-103349-5 (paperback, 2007)
ISBN 978-0-141-03613-7 (paperback, 2008)
ISBN 978-0-141-39305-6 (paperback, 2013, puffin books edition)

text: On 17 July 2009, Amazon.com withdrew certain Amazon Kindle titles, including Animal Farm and Nineteen Eighty-Four by George Orwell, from sale, refunded buyers, and remotely deleted items from purchasers' devices after discovering that the publisher lacked rights to publish the titles in question.[100] Notes and annotations for the books made by users on their devices were also deleted.[101] After the move prompted outcry and comparisons to Nineteen Eighty-Four itself, Amazon spokesman Drew Herdener stated that the company is "[c]hanging our systems so that in the future we will not remove books from customers' devices in these circumstances."[102]


document_title: The Great American Baking Show

question_text: who won the great american baking show 2017

root

text: The Great American Baking Show

text: Hosts and judges[edit]

text:
Hosts/Judges
Season

1
2
3

Current

Ayesha Curry

Host

Anthony Adams

Host

Johnny Iuzzini
Judge

Paul Hollywood

Judge

Former

Nia Vardalos
Host

Ian Gomez
Host

Mary Berry
Judge

tag: table

text: Season overview[edit]

text:
Season
Episodes
Premiere
Finale
Winner
Runners-up
Average viewers
(millions)[8]

1
4
November 30, 2015 (2015-11-30)
December 21, 2015 (2015-12-21)
Lauren Katz
Nicole Silva
3.97

Tim Samson

2
8
December 1, 2016 (2016-12-01)
January 12, 2017 (2017-01-12)
Amanda Faber
Stephanie Chen
4.39

3
2[9]
(4 unaired)
December 7, 2017 (2017-12-07)[6]
Vallery Lomas
Cindy Maliniak
3.84

Molly Brodak

text: Season 1 (2015)[edit]

text: Season 1 aired under the title The Great Holiday Baking Show and marked a return of the GBBO format to American television after the cancellation of CBS' 2013 series The American Baking Competition. Six bakers participated in the first ABC season. The season was won by Lauren Katz, beating out Nicole Silva and Tim Samson in the final three.

tag: p

text: Season 2 (2016-2017)[edit]

text: Season 2 returned the following year as The Great American Baking Show with ten bakers and an eight-week competition. The season was won by Amanda Faber, with Stephanie Chen as the runner-up.

text: Season 3 (2017)[edit]

text: The third season began airing December 7, 2017 with a two-hour premiere.[6] It is the first season hosted by Curry and Adams and for judge Hollywood who last appeared in the CBS version of the show in 2013. In addition, the season marks the return of baker Antoinette Love, who had to voluntarily leave the previous season due to a family death. The season was withdrawn from ABC's schedule on December 13, 2017 following allegations from former employees of sexual misconduct by Iuzzini.[7] ABC announced that it would not air the remaining episodes.[10] On December 21, 2017, the day the season finale was supposed to air, it was revealed that Vallery Lomas won the competition and Cindy Maliniak and Molly Brodak finished as runners-up.[11]


document_title: Rain (SWV song)

question_text: what is the song rain by swv about

question_tokens: what is the song rain by swv about

text: Rain (SWV song)

text:
"Rain"

Single by SWV

from the album Release Some Tension

B-side
"Lose Myself"
"Lose My Cool" (Stoney's Pump Mix)
"Someone" (Mosso House Radio Edit)

Released
March 9, 1998 (1998-03-09)

Format

CD single
12" single
7" single
cassette single

Recorded
1997; Master Sound Studios
(Virginia Beach, Virginia)

Genre
R&B

Length
4:25

Label
RCA

Songwriter(s)

Brian Alexander Morgan
Jaco Pastorius

Producer(s)
Brian Alexander Morgan

SWV singles chronology

"Lose My Cool"
(1997)
"Rain"
(1998)
"Co-Sign"
(2011)

"Lose My Cool"
(1997)
"Rain"
(1998)
"Co-Sign"
(2011)

text: "Rain" is a 1998 single released by the group SWV. The musical backing track is based on Jaco Pastorius's "Portrait of Tracy." First heard in 1997 on the group's third album Release Some Tension, the song was released as a single the next year. It peaked at number 25 on the US Billboard Hot 100 singles chart and number 7 on the US Hot R&B Singles chart. Singer Tyrese appeared in the song's music video. He would later sing the hook on "Pullin' Me Back", a song by rapper Chingy, which sampled "Rain". Smooth jazz musician and guitarist Norman Brown covered the song on his 1999 album, Celebration. Toronto based producer duo Team Majestic Music, also sampled "Rain" for their song "Let It Fall." New York City house producer Baltra sampled it late 2016/early 2017.

text: Track listing[edit]

text: US Promo

text:
Rain (LP Version) 4:24
Rain (Instrumental) 4:54
Rain (A Cappella) 3:55
Rain (Suggested Callout Hook) 0:13

text: US CD

text:
Rain (LP Version) 4:25
Lose Myself (LP Version) 4:38

text: UK CD

text:
Rain (LP Version) 4:25
Lose My Cool (Stoney's Pump Mix) 6:53
Someone (Mosso House Radio Edit) 3:47


document_title: Legal status of tattooing in the United States

question_text: when can you get a tattoo in georgia

question_tokens: when can you get a tattoo in georgia

text: In the United States, there is no federal law regulating the practice of tattooing. However, all 50 states and the District of Columbia have statutory laws requiring a person receiving a tattoo be 18 years or older. This is partially based on the legal principle that a minor cannot enter into a legal contract or otherwise render informed consent for a procedure. Most states permit a person under the age of 18 to receive a tattoo with permission of a parent or guardian, but some states outright prohibit tattooing under a certain age regardless of permission, with the exception of medical necessity (such as markings placed for radiation therapy).

text: In all jurisdictions, individual tattooists may also choose to place additional restrictions based on their own moral feelings, such as refusing any clients under a specific age even with parental consent despite it being legal, or limiting the type and/or location of where they are willing to tattoo (such as refusing any work around intimate parts of the body). They may additionally refuse to perform specific artwork, including if they merely find it inappropriate or offensive, or refuse to work on a client that they suspect may be intoxicated. Artists sometimes claim their personal business restrictions are a matter of law even when it is not true, so as to avoid arguments with clients.

text:
Legal Restrictions on Tattooing & Body Modification by State

State
Minimum Age (with parent/guardian consent)
Form of Parent/Guardian Consent
Notes & Exceptions
Intoxicated/Impaired Individuals
Area of Law/Type of Penalty
Licensing & Regulation
Relevant Statute(s) and Rules

Alabama
none specified[1]
informed written consent, signed in presence of the artist/service provider or their agent[1][2]
Ear piercing exempt from Alabama body art laws & rules.[2][3]
cannot be tattooed, branded, or pierced[1][2]
Violations of Alabama Tattoo & Body Piercing laws are a class c misdemeanor, punishable by a fine of up to $100 and/or up to 90 days imprisonment for each violation.[4]
Alabama's Department of Public Health licenses Tattoo, body piercing, & body art facilities, and sets standards for their operation.[5]
Individual tattoo artists, piercers, etc. require a permit.[2]

Ala. Code § 22-1-17A[3][6]
State Board of Health rules on Body Art Practices and Facilities.[2]

Alaska
18 (piercing excepted)[7]
parent/guardian must both give written consent and be present during the procedure[7]
Minors may be pierced with parental consent [7]
no restriction[8]

Alaska Stat. § 08.13.217[7]

Arizona
none specified[9]
parent/guardian must be physically present[9]
Minors can have their ears pierced with the written or verbal consent of a parent/guardian, can have procedures prescribed by a health care provider.[9]
no restriction[9]
Violations are a class 6 felony.[9]
There are no health regulations for tattoo shops in Arizona. [10]
Tattoos. Ariz. Rev. Stat. § 13-3721[9]

Arkansas
16[11]
parent/guardian must both give written consent and be physically present[12]
none specified[12]
cannot be tattooed, branded, or pierced.[12]

Ark. Stat. Ann. §§ 20-27-1501 et seq.[12]

California
18 (piercing excepted)[13][14]
parent/guardian must be present during procedure
Minors may have their ears pierced with parental consent.[15] They may be pierced elsewhere with parental consent, but not on their genitals or nipples. Permanent cosmetics are permitted on nipples, when done by a cosmetic technician and with parental consent.[14]
no restriction

Body Art. Cal. Health & Safety Code § 119300 to 119328[6][15]
Cal. Penal Code 653[13]

Colorado
18 Express written consent of parent or guardian[16]
parent/guardian must be present during procedure
Persons who are "noticeably impaired" cannot have body art procedures[16]

Body Artists. Colo. Rev. Stat. § 25-4-2101 to 2103[6]

Connecticut
none specified
permission of parent or guardian[17][18]
Minors may have their ears pierced without parental consent[17]
Tattooing may only be performed by physicians, or by registered nurses & technicians working under the supervision of a physician.[18]

no restrictions

Conn. Gen. Stat. §19a-92a,[6][18]
Conn. Gen. Stat. §19a-92g[6][17]

District of Columbia
18 (ear piercing excepted)[19]
written consent (for ear piercing)[19]
minors may have their ears pierced with written parental consent[19]
no restrictions[19]

Body Artists. DC Code § 47-2853.76d[6][19]

Delaware
18[20]
notarized written consent to the specific procedure[20]
none specified[20]
cannot be tattooed, branded, or body pierced[20]

Del. Code Ann. Title 11, Ch 5 §1114(a)[6][20]
Del. Code Ann. Title 16, Ch 2 §122(3)(w)[6]

Florida
16[21]
Must be accompanied by parent or guardian who can show proof of guardianship, both parent and minor must present photo ID, and a consent form must be notarized.[21]
for medical or dental purposes by a licensed physician or dentist[21]
no restriction

Fla. Stat. § 381.00787[6]
Fla. Stat. §381.0775 et seq.[6] Fla. Stat. §381.075[6]

Georgia
18 (body piercing excepted)[22]
For body piercing: prior written consent of parent/guardian[23]
Minors may have their ears pierced without parental consent[23]
Minors may be body pierced with written parental consent[23]
Physicians and Osteopaths or technicians working under their direct supervision can give minors tattoos or produce scars for "medical or cosmetic purposes."[22]
No one can be tattooed within an inch of their eye socket.[24]

no restrictions

Ga. Code § 31-40-1 to 31-40-10[6]
Ga. Code § 16-12-5[6]
Ga. Code § 16-5-71.1[6]

Hawaii
none specified[25]
written consent of parent/guardian[25]

Hawaii Rev. Stat. § 321-13[6]
Hawaii Rev. Stat. § 321-379[6]

Idaho
18[26]
Written informed consent of parent/guardian, executed in the presence of the person performing the procedure, or their agent/employee.[26]
Minors can have their ears pierced without parental consent.[6]
Piercing for medical procedures exempt.[6]

no restrictions

Idaho Code § 18-1523 (2004)[6]

Illinois
18 (body piercings excepted)[27]
Written consent of parent/guardian (for body piercings)[27]
Minors cannot be present in places where tattooing or body piercing is done except in the presence of a parent/guardian.[27]
Minors can have their ears pierced without parent/guardian consent.[27]

no restrictions

Ill. Stat. 720 §5/12-10.1[6]
Ill. Stat. 410 §54/1 t0 54/999[6]

Indiana
none specified[28]
Parent/guardian must both be present during the procedure and provide written permission.[28]
Minors may have their ears pierced without parental consent.[28]
no restrictions

Ind. Code Ann. §35-42-2-7[6][28]
Ind. Code Ann. §16-19-3-4.1[6][29]

Iowa
18[30]
n/a - minors cannot be tattooed[30]
Body piercing is not regulated by state law in Iowa, however county or city laws may regulate it.[31]
no restrictions

Iowa Code §135.37[6]
Iowa Code §135.37[6]

Kansas
16[32]
Parent/guardian must give written consent, written consent must be notarized, and the parent/guardian must be present during the procedure.[32]
Minors may have their ears pierced[33]
no restrictions

Kan. Stat. Ann. §65-1953[6]
Kan. Stat. Ann. §65-1940 to 65-1954[6]

Kentucky
16
Parent/guardian must give written, notarized consent.[34]
none (ear piercing also requires written, notarized consent).[35]

Ky. Rev. Stat. §211.760[6]
Ky. Rev. Stat. §194A.050; 211.760[6]

Louisiana
16
Parent or guardian must consent, and their presence during the procedure is required for tattoos, but not for body piercings.[36]

no restrictions

La. Rev. Stat. Ann. §14:93.2[6]
La. Rev. Stat. Ann. § 40:2831 et seq.[6]

Maine
18 (piercings excepted)[37]
For body piercings: prior legal consent of parent/guardian.[38]
Maine law does not require parent/guardian consent for ear piercing[39]
no restrictions

Me. Rev. Stat. Ann. Title 32 § 4201-4329[6]

Maryland
none specified[40]
written consent, which must be retained for 3 years.
Piercing of the ear lobe is exempt[41]
no restriction
Health Department Regulations
A license is not required, but any person performing tattooing or piercing must comply with all the relevant health code regulations[40]
COMAR 10.06.01.02 and 10.06.01.06

Massachusetts
18 (except body piercing other than genitalia)[42]
Minors cannot receive tattoo, branding, or scarification at all. For piercing of areas other than the genitalia, a parent may provide identification and sign the consent document.[42]
Physicians performing for treatment reasons and ear piercing are exempt from regulation.[42]
no restriction
County Health Department regulates body art, but all follow a model regulation set by the state.
Artists must have a permit, and establishments are subject to following specific health department regulations[42]
Model Regulations for Body Art Establishments[42]

Michigan
none specified[43]
Written, informed consent of parent/guardian. Must be executed (signed) in the presences of the person performing the procedure, or their employee.[43]

cannot be tattooed, branded, or body pierced.[43]

Mich. Comp. Laws § 333.13101 to 333.13112[44]

Minnesota
18 (piercings excepted)[45]
For piercings: presence of parent/guardian and a consent form are both required.[45]
Minors cannot be tattooed. They can be body pierced, but not in the nipples or genitals. Branding, scarification, suspension, subdermal implantation, microdermal, and tongue bifurcation are also prohibited for minors.[45]
cannot have any body art procedures.[45]

Minnesota Statutes 146B.07[45]

Mississippi
18
n/a - minors cannot be tattooed
piercing also prohibited except for the outer perimeter or lobe of the ear.
no restriction

Miss.Code Ann. §73-61

Missouri
none specified[46]
For both piercings and tattoos, parent/guardian must sign written consent in the presence of the person performing the procedure, or their employee.[46]

cannot be tattooed, branded or body pierced.[46]
violations are a misdemeanor, punishable with a fine of up to $500 (more for repeat offenses)[46]
The state director of the division of professional registration licenses all body artists, and sets rules & regulations for the operation of body art establishments.[47]
Mo. Rev. Stat. §324.520[46]

Montana
none specified[48]
Parent or guardian must give "explicit, in-person" consent.[48] Montana administrative rules also require that the parent/guardian be present throughout the procedure.[49]

cannot be tattooed or body pierced.[49]
A person who tattoos or body pierces a minor without parent/guardian consent is guilty of Unlawful transactions with children, punishable by a fine of up to $500 or six months in county jail, or both.[48]
Other violations of Montana body art laws are a misdemeanor, with punishments ranging from a fine of $50–100 for a first offense to $300 and/or 90 days in county jail for third and subsequent offense.[50]

Montana's Department of Health and Safety licenses and regulates body art establishments.[51] Local health boards may establish their own licensing and regulatory schemes in lieu of the state department's.[52]
Mont. Code Ann. §45-5-623[48]
Mont. Code Ann. §50-48-101 to 110[53]
Mont. Code Ann. §50-48-201 to 209[54]

Nebraska
none specified[55]
written consent, must be present during procedure
Piercing does not include the external parts of the ear[56]
No restrictions

Nebraska Revised Statute 38-1008, 38-1009, 38-1010, 38-1011, 38-1060, 38-10,165

Nevada
n/a[6]
n/a[6]
Nevada state law does not regulate tattoos, piercings, or other body art. Regional health districts may regulate the practice. The southern Nevada Health District, for example, does not allow minors below the age of 14 to be tattooed, and requires a parent or guardian to provide written consent and be present during the procedure for 14- to 18-year-olds. The southern Nevada district also bans tattoos on those who are under the influence of drugs or alcohol.[57]
n/a[6]

n/a[6]

New Hampshire
18 (piercings excepted)[58]
For piercings: parent/guardian must both sign written consent and be present during the procedure.
Minors cannot be tattooed or branded. They may be pierced with parent/guardian consent.[58] Minors may have their ears pierced without parent/guardian consent.[59]
no restrictions

N.H. Rev. Stat. Ann. § 314[6]

New Jersey
none specified[60]
written permission of parent/guardian is required for tattooing and body piercing.[60]
Parent/guardian must be present and sign written consent for ear piercings as well as for body piercing. Minors cannot have genital piercings even with parent/guardian consent.[61]
no restrictions
no restrictions
no restrictions
N.J. Stat. Ann. §2C:40-21
N.J.A.C. 8:27-1 et seq.
N.J. Stat. Ann. §26-1A-7[6]

New Mexico
none specified[62]
Written consent and presence during the procedure.
Medical procedures by physicians and ear piercing are exempt[63]
no restrictions
Administrative Regulations set by the Board of Barbers and Cosmetologists
All body artists are required to be licensed through the state, and are subject to regulations from the Board
Body Art Safe Practices Act. N.M. Stat. Ann. § 61-17B et seq.,[63] N.M. Administrative Code 16.36 et seq.[62]

New York
18 (piercings excepted) [64]
Minors cannot be tattooed with parent/guardian consent. For piercings: parent/guardian must give written consent, signed in presence of the body artist or body art establishment owner.[65]
Written parental consent is not required for ear piercings.[66]
no restrictions

New York Public Health Law, Article 4-A[6][65]
N.Y. Public Health Law §460-466[6]
N.Y. Penal Law § 260.21[6]

North Carolina
18 (piercings excepted)[67]
Minors cannot be tattooed, even with parent/guardian consent. "Prior consent" of parent/guardian is required for body piercings.[67]
Minors may have their ears pierced without parental consent.[67]
no restrictions

N.C. Gen. Stat. § 130A-283[68]
N.C. Gen. Stat. § 14-400[69]

North Dakota
none specified[70]
Parent/guardian must be present during the procedure and give written consent.[70]

cannot get tattoos or other body art[71]

N.D. Code §23-01-35[72]
N.D. Code §12.1-31-13[6][70]

Ohio
none specified[73]
Parent/guardian must both sign a consent form and "appear in person at the business at the time the procedure is performed."[73]
none - parent/guardian consent and presence is also required for ear piercings.[73]
no restrictions

Ohio Rev. Code Ann. §3730.01 to 3730.99[6][73]

Oklahoma
18 (piercings excepted)[74]
Minors cannot be tattooed, even with parent/guardian consent. For piercings: parent/guardian must both give written consent and be present during the procedure.[74]
Ear piercing is not governed/restricted by Oklahoma law.[74]
Scleral tattooing is illegal.[74]

cannot be tattooed.[74]

Okla. Stat. Title 21 §842.1, 842.2, 842.3[6]

Oregon
18 (piercings excepted)[75]
For piercings: parent/guardian must give written consent and present proof of identity.[76][77]
Minors can only be tattooed with the authorization of a physician.[75]
Scarification and dermal implants are prohibited[78]
Persons with sunburns or skin diseases or disorders cannot be tattooed or pierced.[75][77]
Minors cannot be pierced on the genitals or nipples, even with parent/guardian consent.[76]
Piercing on testes, deep shaft (corpus cavernosa), uvula, eyelids and sub-clavicle are all prohibited.[77]

cannot be tattooed or pierced.[75][77]
Violations of Oregon body art laws are a misdemeanor.[79]
Violations of Health Licensing Office rules are fined (various amounts).[80]

Both body artists and body art establishments are licensed by the Oregon Health Licensing Office.[81] With the assistance of a Board of Body Art practitioners, the Health Licensing Office also sets detailed rules and regulations for body art.[82]
Or. Rev. Stat. § 690.350 et seq
Or. Rev. Stat. § 690.401 to 410
Or. Rev. Stat. § 679.500[6]
Health Licensing Office Rules, especially Divisions 900, 905, 915 & 920[82]

Pennsylvania
none specified[83]
parent/guardian must both give consent and be present during the procedure.[83]

no restrictions

Pa. Cons. Stat. Title 18 § 6311[6][83]

Rhode Island
18 (piercings excepted)[84][85]
Minors cannot be tattooed.[84] For piercings: parent/guardian must both give consent and be present for the procedure.[85]

no restrictions
Tattooing a minor is a criminal offense (misdemeanor), maximum fine $300[84]
Tattooing and body art are regulated by the department of health, artists must be registered.[85]
RI Gen L § 23-1-39[85]
RI Gen L § 11-9-15[84]

South Carolina
18 (piercings excepted)[86][87]
Minors cannot be tattooed.[86] For piercings: parent/guardian must either give written, notarized consent or be present during the procedure.[87]
Head, face, and neck tattoos are illegal.[86]
cannot be tattooed or body pierced[86][88]
Under the Health Code, persons violating restrictions on tattooing and body piercing are guilty of a misdemeanor. Upon conviction, they may be fined up to $2500 or imprisoned for a year, or both.[86][87]
Tattoo and body piercing facilities are regulated by the Department of Health and Environmental Control. Tattoo facilities are licensed, body piercing facilities require a permit, and artists must be registered[89][90]
S.C. Code § 44-32-10 to 44-32-120[88]
S.C. Code § 44-34-10 to 44-34-110[91]

South Dakota
none specified[92]
Parent/guardian must sign a consent form.[92]

cannot be tattooed or pierced[93][94]
Tattooing a minor is a class 2 misdemeanor.[95]
Tattooing and Body Piercing are governed by Department of Health rules.[96] Municipalities may set stricter regulations, and have the authority to license body artists.[95]
S.D. Codified Laws Ann. §26-10-19[92]
S.D. Laws § 9-34-17[95]

Tennessee
18 (piercings excepted)[97][98]
For tattoos that cover an existing tattoo (see Notes & Exceptions): Parent/Guardian must be present during the procedure.[97]
For piercings: Parent/Guardian must give written consent, be present during the procedure.[98]

Minors over the age of sixteen may be tattooed to cover up an existing tattoo, with parent/guardian consent.[97]

Minors who lie about their age to be tattooed are guilty of a "delinquent act," are required to pay a fine of $50–$250 and serve at least 20 hours of community service.[97]
Tattooing a minor is a class a misdemeanor,[97] breach of body piercing law is a class b misdemeanor.[99]

Tattoo artists and body piercers are licensed by the state department of health, tattoo shops require a certificate from the local health department.[100][101]
Tenn. Code §§ 62-38-201-310[102]

Texas
18 (piercings excepted)[103][104]
For body piercings and for covering existing tattoos (see Notes & Exceptions): Parent/guardian must be present during procedure, sign an affidavit[103][104]
Ear piercing is exempt from body piercing statutes[105]
Minors may, with parent/guardian consent, be tattooed to cover up an existing tattoo that has offensive, gang-related, or drug-related content, or "other words, symbols, or markings that the person's parent or guardian considers would be in the best interest of the person to cover"[103]
Tongue splitting prohibited.[106]

Cannot be tattooed or pierced.[103][107]
Misrepresenting one's age to get a tattoo, or to get a piercing without parental consent, is a class B misdemeanor[103][104]
Violations of Texas tattooing & body piercing statute are a Class A misdemeanor, with each day of violation counting as a separate offense.[108]
Health Commissioner can impose a fine of up to $5000 on artists & shops for each violation[109]

Tattoo artists and body piercers must be registered with the Texas Department of Health[110] Tattoo and body piercing shops must be licensed[111]
Texas Health and Safety Code Ann. §146[112]

Utah
none specified[113]
Parent/guardian must be present during the procedure, give written permission, and provide proof of identity.[113]
Parental consent not required by law for ear piercing[113]

Tattooing or body piercing a minor is a class b misdemeanor, shops can be fined up to $1000 for each violation.[113]

Utah Code Ann. §76-10-2201[6]

Vermont
none specified[114]

Tattooists and body piercers must be registered.[114]
Vt. Stat. Ann. Title 26 §4101 to 4109[6][115]

Virginia
none specified[116]
Parent/Guardian must be present during the procedure.[116]
Virginia law does not limit minors' ability to have their ears pierced.[116]

Tattooing or body piercing a minor is a class 1 misdemeanor[116]
Tattoo artists and body piercers, as well as the operators of tattoo and body piercing establishments, are licensed by the state.[117][118]
Civic/local governments are empowered to regulate tattoo and body piercing establishments.[119]

Va. Code §54.1-700 et seq.
Va. Code §15.2-912
Va. Code § 18.2-371.3.[6]

Washington
18 (piercings excepted)[120]

cannot have tattoos, body piercings, or other body art.[121]

Wash. Code §26.28.085[120]
Wash. Code § 18.300[122]
Wash. Code § 246-145-001 to 060[123]
Wash. Code §70.54[124]

West Virginia
none specified[125]
parent/guardian must give written consent[125]

All persons receiving a tattoo must attest they are not under the influence of drugs or alcohol.[125]

Tattoo shop owners and body piercing studios must register with local board of health, and must be registered as a business with the state[126][127][128]
W. Va. Code §16-37
W. Va. Code §16-38[129]

Wisconsin
18[130]
n/a (tattooing not permitted under 18)
Physicians in the course of professional practice are exempt
no restriction
Tattooing a minor or even offering to do so is subject to a fine of up to $200
Artists must be satisfy training requirements and obtain a license from the health department. Establishments are subject to inspection and licensing[131]
Wisconsin Statutes & Annotations 948.70 and 252.235

Wyoming
none specified[132]
Verbal consent, presence during procedure.[132]
Procedures performed under the supervision of a licensed physician, and piercing of the ear, do not count as body art for this law.
no restriction[132]
Misdemeanor criminal offense, punishable by fine and prison time[132]

Wyoming Statute §14-3-107[132]


document_title: The Flintstones (film)

question_text: who played pebbles and bam bam in the flintstones movie

text: The Flintstones (film)

text: Plot[edit]

text: In Bedrock, Slate and Co. executive vice-president Cliff Vandercave and secretary Miss Stone discuss their plan to swindle the company of its vast fortune and flee, and that they need one of their employees to be responsible for it. Fred Flintstone loans his best friend and neighbor Barney Rubble money so that he and his wife Betty can adopt a child named Bamm-Bamm, who can only pronounce his own name. Although the child is initially difficult to control due to being raised by mastodons, as well as having super strength, he eventually warms up to his new family. Barney vows to repay his friend. Despite his mother-in-law Pearl Slaghoople's objections, Fred's wife Wilma remains supportive of his decision.

text: Cliff holds an aptitude test, where the worker with the highest mark will become the new vice president of the company. Barney gets the highest score but he switches his paper with Fred, who he knows will fail. Fred receives the promotion, but his first order is to dismiss Barney, since Barney now effectively has the lowest score. Fred doesn't want to fire him, but Vandercave tells Fred if he doesn't fire him, he will fire Barney for him and Fred will be fired too. Fred reluctantly accepts, but does his best to help Barney support his family, even inviting the Rubbles to live with them so that they can rent out their home. However, Fred's job and newfound wealth put a strain on his relationships with Wilma and the Rubbles. Cliff eventually tricks Fred into dismissing the workers, over the objections of his office Dictabird. Later, Barney confronts Fred after seeing worker riots on the news revealing that he switched tests with Fred and the Rubbles move out, despite having nowhere to live. Wilma and Pebbles also move out to her mother's house, leaving Fred behind.

text: Fred goes to the quarry and realizes his mistake and Cliff's plan, but also finds out that Cliff has manipulated events to make it look as if Fred stole the money, and has reported it to the police. A manhunt for Fred ensues by the police and the workers. Wilma and Betty see this on the news, and break into Slate and Co. to get the Dictabird, the only witness who can clear Fred's name, unaware that Cliff saw them from his office window. As Fred attempts to enter a cave where the workers are seeking refuge, they see through his disguise and attempt to hang him. Barney is almost hanged as well after he admits his part. Fred and Barney reconcile, but before they can be hanged, Wilma and Betty arrive with the Dictabird, who tells them the true story. The workers release Fred and Barney after realizing that Cliff was the one who fired them.

text: Cliff kidnaps Pebbles and Bamm-Bamm and demands the Dictabird in exchange for the children's safe return. Fred and Barney confront Cliff at the quarry, where Cliff has tied Pebbles and Bamm-Bamm to a huge machine. Though they hand him the Dictabird, Cliff activates the machine to stall them. Barney rescues the children while Fred destroys the machine. The Dictabird escapes from Cliff and lures him back to the quarry, where Miss Stone knocks him out, having had a change of heart after learning that Cliff was planning to betray her. The police arrive and Cliff attempts to flee, but he is petrified by a substance falling from the machine.

text: With the Dictabird's help, all charges against Fred are dropped, while Miss Stone is arrested as Cliff's accomplice, though Fred is confident she will be granted leniency for helping them stop Cliff. Impressed with the substance that Fred inadvertently created by destroying the machine, Mr. Slate dubs the substance "concrete" in honor of his daughter Concretia and makes plans to produce it with Fred as the president of its division, thus ending the Stone Age. Having realized the negatives of his wealth and status as a vice president, Fred declines and asks that the workers be rehired and given the job benefits he initially set out to achieve, which is granted. As the Flintstones and Rubbles have finally made amends, Fred and Barney get into a humorous quarrel when Fred once again asks Barney for a small amount of money for breakfast.

text: Cast[edit]

text:
John Goodman as Fred Flintstone
Rick Moranis as Barney Rubble
Elizabeth Perkins as Wilma Flintstone
Rosie O'Donnell as Betty Rubble
Kyle MacLachlan as Cliff Vandercave
Halle Berry as Miss Stone
Elizabeth Taylor as Pearl Slaghoople
Mel Blanc as Dino (archive audio); Blanc previously supplied the voice of Barney in the original series.
Elaine & Melanie Silver as Pebbles Flintstone
Hlynur & Marinó Sigurðsson as Bamm-Bamm Rubble

Elizabeth Daily provides Bamm-Bamm's voice, though uncredited

Dann Florek as Mr. Slate
Richard Moll as Hoagie
Irwin Keyes as Joe Rockhead
Jim Doughan as Maitre d'
Harvey Korman as the Dictabird (voice); Korman previously voiced the Great Gazoo in the original series.
Jonathan Winters as Grizzled Man, a co-worker of Fred and Barney's
Jack O'Halloran as Yeti
The B-52's as The BC-52's
Jean Vander Pyl as Mrs. Feldspar; Vander Pyl previously voiced Wilma in the original series.
Laraine Newman as Susan Rock
Jay Leno as a talk show host
William Hanna as a boardroom executive
Joseph Barbera as a man driving a Mersandes
Sam Raimi as Cliff Vandercave look-alike

tag: ul

text: Production[edit]

text: Development and writing[edit]

text: In 1985, producers Keith Barish and Joel Silver bought the rights for a live-action feature film version of The Flintstones and commissioned Steven E. de Souza to write a script with Richard Donner hired to direct. De Souza's script was eventually rejected and Mitch Markowitz was hired to write a script. Said to be a cross of The Grapes of Wrath, Markowitz commented that "I don't even remember it that well, but Fred and Barney leave their town during a terrible depression and go across the country, or whatever that damn prehistoric thing is, looking for jobs. They wind up in trailer parks trying to keep their families together. They exhibit moments of heroism and poignancy". Markowitz's version was apparently too sentimental for director Donner, who disliked it.[3] Eventually, the rights were bought by Amblin Entertainment and Steven Spielberg who, after working with Goodman on Always, was determined to cast him in the lead as Fred. Brian Levant was hired as director, knowing he was the right person because of his love for the original series. They knew he was an avid fan of the series because of his Flintstones items collection and the knowledge he had from the series.

text: When Levant was hired, all previous scripts were thrown out. Levant then recruited what he called an "all-star writing team" which consisted of his writer friends from television shows such as Family Ties, Night Court, and Happy Days. "This is a sitcom on steroids", said Levant. "We were just trying to improve it." Dubbed the Flintstone Eight, the group wrote a new draft but four more round table sessions ensued, each of which was attended by new talent. Lowell Ganz and Babaloo Mandel took home a reported $100,000 for just two days work.[4] Rick Moranis was also present at Levant's roundtables, and later described the film as "one of those scripts that had about 18 writers".[5] The effects for Dino, Dictabird, and the other prehistoric creatures were provided by Jim Henson's Creature Shop.

text: Casting[edit]

text: Actors John Candy, Jim Belushi, Dan Aykroyd, Bill Murray, and Chevy Chase were all considered for the role of Fred Flintstone, but John Candy had died before production began,[6][7] the last four actors were all deemed too skinny and a fat suit was deemed too inappropriate to be used. If Goodman had turned the role down, the film would not have been made.[6] Geena Davis, Faith Ford, and Catherine O'Hara were all considered for the role of Wilma. Elizabeth Perkins won the role.[8] Danny DeVito was the original first choice for Barney, but he turned down the role as he felt he was too gruff to do the character properly and reportedly suggested Rick Moranis for the role.[6] DeVito was also considered for Fred Flintstone.[9] Although Janine Turner was considered, Rosie O'Donnell won the role of Betty Rubble with her impersonation of the cartoon character's signature giggle.[6] Both Tracey Ullman and Daphne Zuniga were also considered for the role.[8] Sharon Stone was to play Miss Stone, but turned it down because of scheduling conflicts.[6][10] The role was also offered to Nicole Kidman.[6] Anna Nicole Smith was also considered.[6] Both Audrey Meadows and Elizabeth Montgomery were considered for the role of Pearl Slaghoople.[8]

text: Reception[edit]

text: Critical response[edit]

text: The film review aggregator website Rotten Tomatoes gave the film a 23% "Rotten" rating based on 44 reviews with an average rating of 3.7/10.[11] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 38 out of 100, which indicates "generally unfavorable reviews", based on 15 reviews.[12] On Siskel and Ebert, Gene Siskel of the Chicago Tribune and Roger Ebert of the Chicago Sun-Times gave the film two marginal thumbs down. They both mentioned that its main story lines (embezzlement, mother-in-law problems, office politics and extra-marital affairs) were storylines for adult films, and ones that children would not be able to understand. However, many critics praised the film's look, faithfulness to the cartoon, Rosanna Norton's costume designs and Goodman's performance.[13][14][15][16] A few reviews were positive, including Time magazine which said "The Flintstones is fun", and Joel Siegel from Good Morning America who called the film "pre-historical, hysterical... great fun".

text: Box office[edit]

text: Despite the negative reviews, The Flintstones was a box office success, grossing $130,531,208 domestically, including the $37,182,745 it made during its 4-day Memorial Day opening weekend in 1994. It performed even better internationally, making another $211,100,000 overseas, for a total of $341,631,208 worldwide, against a $46 million budget.[2][17]

text: Accolades[edit]

text: O'Donnell won the Golden Raspberry Award for Worst Supporting Actress for her performance in this film. The film also won Worst Screenplay and was nominated for two others: Taylor as Golden Raspberry Award for Worst Supporting Actress (the second performance in the film nominated for this award) and for the film as Worst Remake or Sequel. However, the film also received four Saturn Award nominations, including Best Fantasy Film, Best Costume Design and Best Supporting Actress for O'Donnell's and Berry's performances. In a 1997 interview, Joseph Barbera, co-creator of The Flintstones and co-founder of Hanna-Barbera Productions, stated that, although he was impressed by the film's visuals, he felt the story "wasn't as good as I could have made it."[18]

text: Marketing[edit]

text: McDonald's marketed a number of Flintstones promotions for the film, including the return of the McRib sandwich and the "Grand Poobah Meal" combo with it, a line of premium glass mugs, and toys based on characters and locations from the film. In the commercials and released items for the Flintstones promotion, McDonald's was renamed "RocDonald's" with stone age imagery, similarly to other businesses and proper names in the Flintstones franchise. A video game based on the film was developed by Ocean software and released for the Super Nintendo Entertainment System, Game Boy and Mega Drive/Genesis (Sega Channel exclusive) in 1995. In the United Kingdom, Tetley promoted adverts with audio from the film, including mugs starring characters from the film. Jurassic Park, the name of another movie was also seen briefly as a park in the film.

text: Home media releases[edit]

text: The film was released, first on VHS and LaserDisc on November 8, 1994 by MCA/Universal Home Video. It later made its debut on DVD on September 24, 1999 and finally to Blu-ray on August 19, 2014.[19]

text: Prequel[edit]

text: A prequel, The Flintstones in Viva Rock Vegas, was released in 2000. The original main cast did not reprise their roles of the characters, though O'Donnell provided the voice of an octopus who gave massages to younger versions of Wilma and Betty. Irwin Keyes returned as Joe Rockhead, the only cast member to reprise his role from the first film. Unlike its predecessor, it disappointed at the box office.