document_title: England at the FIFA World Cup

question_text: when did england last play in world cup semi final

question_tokens: when did england last play in world cup semi final

text: England at the FIFA World Cup

text: History[edit]

text: Brazil 1950[edit]

text: England's first qualifying campaign for the FIFA World Cup doubled as the 1950 British Home Championship. The series kicked off for England on 15 October 1949 at Ninian Park, Cardiff, against Wales. Stan Mortensen gave England the lead after twenty two minutes, and just seven minutes later, Jackie Milburn doubled the lead. This was the first goal of Milburn's hat trick, which left England 4–0 up with 20 minutes to play. Mal Griffiths scored a consolation goal for Wales ten minutes from time, but England held on for a comfortable victory.

text: A month later, England welcomed Ireland to Maine Road, and it began well for the home side as Jack Rowley scored inside six minutes. England were already 6–0 up, thanks to Jack Froggatt, two for Stan Pearson, Stan Mortensen and a second from Rowley, by the time Ireland struck back through Samuel Smyth after 55 minutes. Rowley added a third and a fourth to his tally in the three minutes following Smyth's goal, however, leaving the score at 8–1 at the hour mark. The frantic scoring rate calmed down after that, with only one apeice before the final whistle, with Stan Pearson completing his brace for England's ninth, and Bobby Brennan scoring for Ireland.

text: It was not until May 1950 that England travelled to Hampden Park to face Scotland, who were also undefeated after their games against Ireland and Wales. With the top two from the group qualifying, both teams were guaranteed progression to the finals, and the game was solely for the honour of winning the British Home Championship, and the seeding advantage to be enjoyed upon reaching Brazil. A solitary goal from Roy Bentley gave England the victory, the title and the top spot in the group.

text: 1950 Finals[edit]

text: England were seeded in pot one for the finals, which meant they were the favourites to progress from Group 2, which also contained Spain, Chile and the United States. England's campaign kicked off against Chile in Rio de Janeiro, and, as was expected, England cruised to a 2–0 victory, courtesy of goals from Stan Mortensen and Wilf Mannion.[citation needed]

text: Their troubles began four days later when they faced the Americans in Belo Horizonte in what has become one of the most famous matches of all time. Joe Gaetjens scored the only goal of the match to give the United States an unlikely victory, which has gone down as one of the World Cup's greatest upsets. A myth arose that the English newspapers were so confident of an English victory that when the result was telegrammed back, they assumed a misprint and printed the score as 10–1 in England's favour. However, this has proven to be untrue.[5]

text: This left England in a sticky situation prior to their final match, against Spain in Rio. They needed to win, and for Chile to beat the United States to stand any chance of going through, and even then they would need the goal averages to fall in their favour. As it turned out, no such calculations were necessary, despite Chile's victory, as Spain's Zarra scored the only goal of the game, eliminating England from the competition.

text: Switzerland 1954[edit]

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text: As with their first World Cup, England's qualifying for the 1954 edition also constituted the 1953–54 British Home Championship. They played Wales at Ninian Park as their first match once again, and the 4–1 result was the same. However, unlike four years earlier, it was the home side that went into the lead, after twenty two minutes through Ivor Allchurch. Despite being 1–0 down at half time, England scored four within eight minutes of the restart; two each for Dennis Wilshaw and Nat Lofthouse.

text: Goodison Park was the venue for England's home clash against Ireland, who were newly renamed Northern Ireland. Harold Hassall got England off to a good start with a goal after just ten minutes. Eddie McMorran put the Irish back on terms just before the hour mark, but Hassall completed his brace six minutes later. Lofthouse completed a comfortable 3–1 win for England.

text: With the top two in the group qualifying for the finals, the final game between England and Scotland, at Hampden Park, settled nothing except the placings within the group, despite Scotland having dropped a point with a 3–3 draw at home to Wales. Allan Brown put the home side ahead after just seven minutes, but it was all square again thanks to Ivor Broadis just four minutes later. Johnny Nicholls gave England the lead for the first time just after half time, and they began to extend a lead after Ronnie Allen's 68th-minute goal. Jimmy Mullen made the game all but certain seven minutes from time, and although Willie Ormond scored a consolation for Scotland with just 1 minute to play, England topped the competition for the second time in a row.

text: 1954 Finals[edit]

text: England were drawn in Group 4 for the finals, with hosts Switzerland, Italy and Belgium. In an odd twist, unique to the 1954 tournament, England and Italy, as the two seeded teams in the group, did not have to play each other.

text: Equally, Switzerland and Belgium did not have to play each other. England's first game in Switzerland was against Belgium in Basel, and they suffered a shock as Léopold Anoul put the Belgians into the lead after just five minutes. Ivor Broadis put the favourites back on terms just over twenty minutes later, and although Nat Lofthouse gave England the lead 10 minutes later, it was proving to be tougher than they had expected against the Belgians.

text: Broadis scored his second just after the hour, but Henri Coppens hit back four minutes later to keep Belgium in the game at only 3–2 down. Anoul completed his brace another four minutes after that to level the scores again. In another oddity peculiar to this World Cup, drawn matches in the group stage would go to extra time, and as such the teams played on with the score at 3–3.

text: Just one minute into the added period, Lofthouse added a fourth for England and they seemed to have won it, but Jimmy Dickinson scored an own goal three minutes later to put the score back at 4–4. It stayed this way until the extra period was up, and as penalty shoot-outs were yet to be invented and replays were not used in the group, the match was recorded as a draw.

text: England's second and final group game was against the hosts in Bern. This proved to be an easier game for the Three Lions, and they scored one goal in each half (from Jimmy Mullen and Dennis Wilshaw respectively) to give them a comfortable win of 2–0. As Switzerland (against England), Italy (against Switzerland) and Belgium (against Italy) had all lost one game, England progressed as group winners, along with Switzerland, who won a play-off against Italy.

text: England faced the winners of group three and defending champions Uruguay in the quarter-finals. Carlos Borges gave the South Americans the lead inside 5 minutes, but Lofthouse put England back on terms ten minutes later. England were clearly struggling, but held on until just before half time, when Obdulio Varela gave the lead back Uruguay.

text: Juan Alberto Schiaffino doubled the lead just after the break, but Tom Finney kept England's foot in the door with his sixty seventh-minute goal. However, it was all over after Javier Ambrois restored the two-goal lead with twelve minutes to play. The score remained at 4–2, and England were eliminated from the cup.

text: Sweden 1958[edit]

text: For the first time, England had to play against countries other than the Home Nations to reach the Finals in Sweden. They were drawn against the Republic of Ireland and Denmark. In the qualifying round, England won three out of the four games and drew the other. Four months before the World Cup, Roger Byrne, Duncan Edwards, David Pegg and Tommy Taylor all lost their lives in the Munich air disaster while playing for Manchester United. At the finals, which is the only tournament to have seen all Home Nations take part, the Home Nations were all drawn in different groups.

text: England were drawn against the Soviet Union (2–2), Brazil (0–0) and Austria (2–2), who finished third in the 1954 World Cup. At the end of the group stage, Soviet Union and England each had three points, and had scored four goals and conceded four goals. This meant there was a play-off to decide the second-placed team in the group, the winner to qualify. England lost the play-off 1–0 and were thus knocked out. The only consolation for England was that they were the only team to play the eventual winners Brazil and not lose.

text: Chile 1962[edit]

text: The third World Cup which took place in South America, saw England qualify by successfully qualifying from the group, which contained Portugal and Luxembourg, defeating Luxembourg on both occasions, and defeating Portugal at home, and drawing in Lisbon.

text: At the finals, England were drawn in a group with Hungary, Argentina and Bulgaria. England defeated Argentina 3-1, thanks to goals from Ron Flowers, Bobby Charlton and Jimmy Greaves,[6] before playing out a goalless draw with Bulgaria, and a 2–1 defeat to Hungary.[7]

text: England finished in second place behind Hungary and played the winners of group 3, defending champions Brazil, in the quarter-finals. Brazil scored first through Garrincha, before an equaliser for Gerry Hitchens before half time. However, second-half goals from Garrincha and Vavá meant Brazil won the game 3–1, and eliminated England from the competition.[8] This defeat was manager Walter Winterbottom's last game in charge. Winterbottom had led England to four World Cup Finals. From May 1963, Alf Ramsey became the manager of England.

text: England 1966[edit]

text: This section needs expansion. You can help by adding to it. (July 2018)

text: In the 1966 World Cup Finals, England used their home advantage and, under Ramsey, won their first, and only, World Cup title. England played all their games at Wembley Stadium in London, which became the last time that the hosts were granted this privilege. After drawing 0–0 in the opening game against former champions Uruguay, which started a run of four games all ending goalless. England then beat both France and Mexico 2–0 and qualified for the quarter-finals.[citation needed]

text: The quarter-finals saw England play Argentina, which ended in a 1–0 win to England. This match saw the start of the rivalry between England and Argentina, when Argentinian Antonio Rattín was dismissed by German referee Rudolf Kreitlein in a very fierce game. A 2–1 win against Portugal in the semi-final then followed. Portugal were the first team to score against England in the tournament. The final saw England play West Germany, with the result finishing in a 4–2 win for England, after extra time.[citation needed]

text: Mexico 1970[edit]

text: 1970 saw the first World Cup finals take place in North America and England qualified automatically for the tournament by winning the 1966 FIFA World Cup. England were drawn in a group with Romania, former world champions Brazil and Czechoslovakia. Each of the matches only saw one goal, with England defeating Romania and Czechoslovakia, and losing to Brazil. The quarter-final saw a repeat of the 1966 final, with England playing West Germany. England were hampered by the fact that first-choice goalkeeper Gordon Banks was ill, and Peter Bonetti played instead. England led 2–0 with goals by Alan Mullery and Martin Peters, but in the 70th minute, Franz Beckenbauer pulled one goal back for West Germany.

text: After Beckenbauer's goal, Ramsey substituted Bobby Charlton, who overtook Billy Wright as England's most capped player ever, with caps totalling 106. Uwe Seeler equalised for the Germans in the eighty first minute, thereby taking the game into extra time. During extra time, Gerd Müller scored the winning goal for West Germany which saw the German side win 3–2. This turned out to be Charlton's last game for England.[9]

text: West Germany 1974[edit]

text: For the first time, England did not qualify for a World Cup. In a group with Olympic champions Poland and Wales, England could not overtake Poland. After only drawing at home to Wales 1–1 and losing the first leg 2–0 to Poland, meant that England had to beat Poland at home, whilst Poland only needed to draw. Poland managed to withstand England's attacks in the first half, who had Martin Peters playing for them. Poland took the lead in the 57th minute with a goal from Jan Domarski.

text: England equalised six minutes later, with a penalty converted by Allan Clarke. England were unable to score any more goals with goalkeeper Jan Tomaszewski keeping England at bay. Brian Clough had previously called Tomaszewski a "clown".[10] The commentator of the game then said "it's all over".[11] Poland took this good form to the finals and ended in third place. After failing to qualify, Alf Ramsey resigned from his post and after a time, where Ramsey and his predecessor had lasted a total of 29 years, no manager was able to last in the job for longer than eight years. This ended when Bobby Robson became England manager.[12]

text: Argentina 1978[edit]

text: England also did not qualify for the fourth World Cup which took place in South America. This time, England were denied by Italy, who had scored three more goals than England after both teams finished on the same points. Goals scored dictated who qualified after the head-to-head record between the two sides finished the same, following a 2–0 home win for each team. The lower-ranked teams in the group were Finland and Luxembourg, but the size of the wins against them proved to be decisive. Nevertheless, Ron Greenwood was given a second chance in charge of England, after taking the role in 1977.

text: Spain 1982[edit]

text: 1982 saw the first time where the European Qualifying Rounds were divided into groups of five teams, where the top two teams qualify for the World Cup. Greenwood used his second chance and took England to Spain by finishing second behind Hungary and above Romania, Switzerland and Norway.

text: At the finals, England won all three group games, defeating France 3-1, with a brace from Bryan Robson,[13] before beating Czechoslovakia 2–0, with a Jozef Barmos own goal, [14] and World Cup newcomers Kuwait 1–0, thanks to a Trevor Francis goal.[15]

text: The next round saw a second group stage consisting of three teams, a first time event at the World Cup. England drew with West Germany 0–0 and after the Germans beat Spain 2–1, England then had to beat Spain with a two-goal difference to progress to the next round. England, however, only managed a 0–0 draw against the Spanish. England remained unbeaten at the end of the tournament. After the World Cup, Ron Greenwood's time as England manager ended, and he was replaced by Bobby Robson.

text: Mexico 1986[edit]

text: 1986 saw the second World Cup to take place in Mexico. England qualified for Mexico 1986 by winning four games and drawing four times against Northern Ireland, who qualified in second place, Romania, Finland and Turkey. In Mexico, England lost their opening game to Portugal 1–0 and could only manage a goalless draw against Morocco. The final group game, however, saw England beat Poland 3–0, which is one of the three highest scores for England at the World Cup, with Gary Lineker scoring a hat-trick.

text: This result took England to second place and finished behind Morocco. England then also beat Paraguay 3–0 in the Round of 16. In the quarter-finals, England renewed their rivalry with Argentina in a game that has become notorious for the Argentina goals, both scored by Diego Maradona. Maradona's first goal, known as the Hand of God, was illegal and should not have counted, as he used his hand to punch the ball into the net. However, the referee missed this infringement, and ruled that the goal should stand. Maradona then made the score 2-0, famously dribbling from inside Argentina's half and around several English players before scoring. Gary Lineker pulled back the score to 2-1, but England ran out of time to equalise, and were eliminated. Nevertheless, Lineker finished with the Golden Boot by scoring six goals and thereby becoming England's first Golden Boot winner.

text: Italy 1990[edit]

text: By winning three and drawing three, England qualified for Italia '90, the second World Cup to be held in Italy, scoring ten goals and conceding none. England were unbeaten through qualification, winning three games, and drawing the remaining three, but still finished second to Sweden, whom they drew with twice.[16] England profited from Romania's 3–1 win over Denmark, who, had they won, would have qualified as the third-best second-placed team. West Germany and England were able to qualify for Italia '90 as the best second-placed teams in the groups with four teams.

text: Because a few years previously saw English hooligans at European competition matches, England were forced to play their group games on Sardinia and Sicily. In group F, was the European champions Netherlands, the Republic of Ireland and Egypt and England. After opening the tournament with a 1–1 draw against Ireland and a 0–0 draw against the Dutch, England then beat Egypt 1–0. This was Egypt's first appearance since the 1934 World Cup.[citation needed] England won the group with four points.[17]

text: In the next round, England had to play Belgium. The game went to extra time, and in the hundredth and nineteenth minute, David Platt scored the winning goal.[18] England also had to play extra time against Cameroon in the quarter-finals. Cameroon were the first African team to have reached the quarter-finals. England opened the scoring through David Platt, but Cameroon quickly turned around the game to lead 2-1. Lineker subsequently won and scored a penalty in the 83rd minute to ensure the game went to extra time. He then scored a second penalty, to see England reach the semi-finals.[19]

text: In the semi-finals, England met West Germany. There was no separating the two teams after 90 minutes, which made England the first team to have played extra time in three successive World Cup games. There was also no separating the two teams after extra time, thereby taking the game to penalties.[20]

text: Although English goalkeeper Peter Shilton dived the right way for every penalty, he was unable to save any. German goalkeeper Bodo Illgner, having failed to save any of England's first three penalties, saved England's fourth penalty, taken by Stuart Pearce. Olaf Thon then scored for Germany, meaning that England's Chris Waddle would have to score his fifth penalty and hope that Shilton saved the Germans' fifth penalty. However, Waddle's penalty missed completely, going high over the crossbar, thereby resulting in England's being knocked out of the competition.[20] The third-place playoff between England and Italy saw England lose their only game of the tournament in normal time. Even though this was England's best finish since the 1966 World Cup, Bobby Robson's time as England manager had come to an end.[21][22]

text: United States 1994[edit]

text: For the 1994 World Cup in the United States, under the leadership of new manager Graham Taylor, England surprisingly did not qualify for the tournament. In a group with six teams, England lost to Norway and the Netherlands, finishing third above Poland, Turkey and San Marino.

text: England went into their final game with San Marino knowing they would need a seven-goal victory and for Poland to beat the Netherlands in the other match in order to qualify.[23] In the game against San Marino, Davide Gualtieri scored against England after nine seconds, taking the lead for the outsiders. England went on to win 7–1, which was too small a goal margin. Additionally, despite the half-time score between the Poles and the Dutch being 1-1, the Dutch went on to win 3-1, meaning that however many goals England scored, they could still not qualify. Taylor's tenure in charge ended and he was replaced by Terry Venables, who was dismissed after England lost the semi-final of Euro 1996, hosted in England.[12]

text: France 1998[edit]

text: After missing out on the World Cup in 1994, England, managed by Glenn Hoddle, qualified for the World Cup in France. England were drawn in Group 2 of UEFA qualifying with Italy, Poland, Georgia and Moldova. England beat Poland, Georgia and Moldova both home and away, but a home defeat to Italy in their fourth match meant they went into the final qualifier at the Stadio Olimpico in Rome just a point ahead of the Azzurri and only needing a draw to qualify automatically; defeat would see them have to navigate a play-off to secure qualification. The match finished as a goalless draw and England finished top of the group.

text: At the finals in France, England played in Group G. England defeated Tunisia 2–0 in the first game, with goals from Alan Shearer and Paul Scholes.[24] Their second match saw England lose 2–1 to Romania; despite an 81st-minute equaliser from Michael Owen, Dan Petrescu scored a winner shortly before injury time. In their final group game, England defeated Colombia 2–0 in the decisive match, thanks to goals from midfielders Darren Anderton and David Beckham.[25] England finished second in Group G, which saw them qualify for the last 16 phase, and play the winner of 1998 FIFA World Cup Group H, Argentina.

text: In a fiery game containing six yellow cards and two penalties, David Beckham was controversially sent off in the 47th minute for what many felt was at most a yellow card offence, knocking over Diego Simeone.[26][27] Gabriel Batistuta opened the scoring from the penalty spot in the fifth minute of the game, before an equaliser also from the spot by Alan Shearer four minutes later. England took the lead through Owen, in the 16th minute. Argentina drew level through Javier Zanetti in injury time of the first half.

text: The game finished 2-2, and, as neither team were able to find a winner in extra time, penalties were needed to decide the team that qualified to the next round. While David Seaman did save one penalty, Argentine goalkeeper Carlos Roa managed to save two, including the vital one from David Batty, thereby knocking England out of the World Cup. Beckham subsequently received death threats and was sent bullets in the post.[28][29]

text: South Korea/Japan 2002[edit]

text: In 2002 the World Cup took place in Asia for the first time. England, under its first ever foreign manager in Swedish Sven-Göran Eriksson, were able to qualify for the tournament. England were drawn in Group 9, alongside Germany, Finland, Greece and Albania. In the last ever game in the original Wembley Stadium, (which closed after the match) England played Germany, losing 1–0, the only goal scored by Dietmar Hamann. The match was the last under the management of Kevin Keegan, who resigned at the end of the match, and was replaced by Eriksson.[30] By beating Germany 5–1 in Munich, England's qualifying campaign was revitalised, and they qualified automatically, by drawing 2–2 with Greece. Germany, who could only draw 0–0 with Finland, had to play a play-off game against Ukraine, with England qualifying ahead winning the group.

text: In Japan, England had to play against Eriksson's homeland, Sweden, and both settled out for a 1–1 draw. England and Beckham gained a measure of revenge for their previous 1998 defeat in defeating Argentina 1-0, thanks to a Beckham penalty. However, England could only manage a disappointing 0-0 draw against Nigeria, meaning that although they were able to qualify for the second round, where they played Denmark, they qualified as runners up, which meant that they would meet favourites Brazil in the quarter-finals if they qualified.

text: England played Denmark in the round of 16 defeating Denmark 3–0, thanks to goals from Micheal Owen, Rio Ferdinand, and Emile Heskey.[31] England played four-time World Cup winners and 1998 runners-up Brazil in the quarter-finals. Despite leading through a Michael Owen goal, a mistake by David Seaman saw England lose 2–1, and Brazil won their fourth World Cup match against England, and went on to win the tournament.[32]

text: Germany 2006[edit]

text: England were drawn into Group 6 of European qualifying for the 2006 World Cup. The group featured other home nations in Wales, and Northern Ireland, as well as Poland (who had eliminated England the last time the World Cup took place in Germany), Azerbaijan and Austria. England won eight of the 10 games, and qualified as group winners, in front of Portugal, despite drawing to Austria in Vienna, and losing to Northern Ireland in Belfast.[33]

text: In Germany, however, England were less convincing. England played in Group B, alongside Paraguay, Trinidad and Tobago, and Sweden. England started with a 1–0 win against Paraguay; which was won due to a 3rd minute own goal.[34] The second game against first time qualifiers Trinidad and Tobago saw England have to wait until the 83rd minute for England to take the lead, with Peter Crouch opened the scoring with a goal many felt was illegal, and the second goal of the game coming in added time from Steven Gerrard.[35][36] The last group game saw England play against Sweden, where an eventual 2-2 draw saw them qualify for the next round as group winners, thereby avoiding playing hosts Germany.[37]

text: In the last 16 stage, a free kick from David Beckham saw England win 1–0 against Ecuador and reach the quarter-finals, where they faced Portugal.[38] The game finished goalless, and England once again were knocked out on penalties and Portuguese goalkeeper Ricardo became the first goalkeeper to save three penalties in a penalty shoot-out. Ricardo saved from Frank Lampard, Steven Gerrard, and Jamie Carragher; the only England player who successfully converted his penalty was Owen Hargreaves. Portugal won the shoot-out 3-1, despite misses from Petit and Hugo Viana. This game was also Erickson's final match as England manager.[39]

text: South Africa 2010[edit]

text: Qualification for the first African World Cup went successfully for new England manager Fabio Capello, after previous manager Steve McClaren was unable to secure qualification to the Euro 2008. By winning nine times and only losing to Ukraine, England qualified ahead of Croatia, Belarus, Kazakhstan and Andorra. England's group was seen as a favourable one, containing comparatively much weaker teams.[40] However, England opened up their campaign with a 1–1 draw against the United States, thanks to a major error by goalkeeper Robert Green. They then drew 0–0 against Algeria and were booed off the field by their own fans, drawing the ire of striker Wayne Rooney.[41] England eventually qualified for the next round by beating Slovenia 1–0, but only qualified as runners up to the United States, thereby meaning they would draw favourites Germany.

text: In the second round match, Germany took the lead after 20 minutes after goalkeeper Manuel Neuer played the ball down the pitch to Miroslav Klose, who opened the scoring. The score became 2–0 to Germany after 32 minutes. Shortly after, England defender Matthew Upson scored a header. Later, Frank Lampard had a shot at goal which was disallowed despite crossing the line; which was confirmed on replays. German goalkeeper Manuel Neuer admitted subsequently he knew the ball had crossed the line, but decided to deceive the referee.[42] The German media reported it was "revenge for Wembley", while the English media criticised FIFA's refusal to implement goal-line technology. Ironically, despite his earlier opposition to goal-line technology, Sepp Blatter said that it should be introduced after a Ukrainian goal against England at Euro 2012 was ruled out.[43][42][44] As England tried to equalise, Germany used this to their advantage and scored two more goals. This became Germany's biggest win against England in a World Cup, winning 4-1.[45]

text: Brazil 2014[edit]

text: Under Roy Hodgson, who replaced Fabio Capello after Euro 2012 after a disagreement between Capello and The FA, England qualified for the second World Cup to be held in Brazil. Ukraine were again one of the opponents in the qualifying rounds. The other opponents included Montenegro, Poland, Moldova and San Marino. After winning six games and drawing four, England qualified unbeaten.[46]

text: The draw for the finals saw England have to play against Italy and Uruguay, both former world champions, which meant that it was the first ever time three World Champions were drawn in the same group, along with Costa Rica. England lost to Italy and Uruguay, and were thus knocked out after two games. The final match against Costa Rica finished as a goalless draw. This performance was statistically their worst ever performance at a World Cup, ending up with just one point after two losses to Uruguay and Italy and a goalless draw with Costa Rica in the dead rubber match, their lowest points total in the group stage of a world cup.[46]

text: Russia 2018[edit]

text: England played in UEFA Group F in qualification for the 2018 World Cup, in a group of six with Slovakia, Slovenia, Scotland, Lithuania and Malta, with only the winner of the group guaranteed qualification. England went into the qualification process under manager Sam Allardyce, only for Allardyce to leave the post after just one game due to controversy regarding discussing breaking FIFA rules.[47]

text: Under Allardyce's replacement, Gareth Southgate, England went undefeated throughout qualification, winning eight matches out of 10, drawing with Slovenia 0–0 in Ljubljana, and drawing 2–2 with Scotland in Glasgow thanks to a 90th-minute equaliser from Harry Kane.[48] This was the third successive major tournament that England were undefeated, having been undefeated in 2014 World Cup, and Euro 2016 qualifying.

text: 2018 Finals[edit]

text: Under Gareth Southgate, the England team began their tournament in group G against Tunisia. The game started well for England with a goal from Harry Kane in the 11th minute. Tunisia equalised through Sassi from the penalty spot in the 35th minute following a foul by Kyle Walker. Some controversy followed as various potential offences against Harry Kane, inside the penalty area were ignored by the referee and no VAR checks were carried out. England persevered and scored a second goal in the 91st minute, again by Harry Kane, resulting in a 2–1 victory.[49]

text: In the second group stage match, England surpassed their record for goals scored in a World Cup match by beating Panama 6-1. Jesse Lingard scored the third goal, John Stones scored the first and fourth goals and Harry Kane scored a hat-trick with the second, fifth and sixth goals.[50]

text: In the final group stage match, England narrowly lost 1-0 to Belgium. Adnan Januzaj scored the sole goal of the game; but with both teams having fielded reserve teams, with England specificially making 9 changes. Before the game media outlets stating that a loss could potentially become beneficial, as the winner would be in the half of the draw with four of the top seven sides in the world.[c][51][52] The result that meant Belgium topped the group and England finished second, setting up a last 16 clash with Group H winners Colombia.[53][54]

text: England played their last 16 match in the Otkritie Arena, Moscow, with the same team as against Tunisia. Harry Kane scored his sixth goal of the tournament, and the third penalty, after once again being fouled in the box from a corner, similarly as against Panama.[55] The score remained at 1-0, until stoppage time, where a header from Yerry Mina beat Jordan Pickford in goal to bring the game to extra time. Neither team managed to score in extra time, and the match went to penalties, which England won 4-3.[56] As well as being the first knockout match England had won at a major tournament since 2006 (last defeating Ecuador in the last 16); it was the first time England won a World Cup penalty shoot-out.[d][58] The match was notable for the heated atmosphere the game was played in, with a total of eight yellow cards being shown in the match.[e][59]

text: England played against Sweden in their quarter-final at Cosmos Arena, Samara on 7 July 2018.[57] They won the match 2–0, with defender Harry Maguire scoring his first England goal, a header scored from a corner, and Dele Alli a second header from close range. This would send them through to their third World Cup semi-final and their first since 1990, and third overall.[60] The team played Croatia in the semi-final, resulting in a 2–1 loss after extra time.[61] England would later finish fourth in the competition, the best result since 1990. England would lose again to Belgium in the 3rd place playoff, thanks to goals from Thomas Meunier and Eden Hazard, despite a Eric Dier shot being cleared off the line by Toby Alderweireld.[62]

text: The tournament would see England score nine goals from set-pieces – the most by a team in a single World Cup tournament since 1966.[63]

text: Records[edit]

text:
Year
Round
Position
GP
W
D*
L
GF
GA
GD

 1930
Not a FIFA member

 1934

 1938

 1950
Group stage
8th
3
1
0
2
2
2
0

 1954
Quarter-finals
7th
3
1
1
1
8
8
0

 1958
Group stage
11th
4
0
3
1
4
5
-1

 1962
Quarter-finals
8th
4
1
1
2
5
6
-1

 1966
Champions
1st
6
5
1
0
11
3
8

 1970
Quarter-finals
8th
4
2
0
2
4
4
0

 1974
Did not qualify

 1978

 1982
Second group stage
6th
5
3
2
0
6
1
5

 1986
Quarter-finals
8th
5
2
1
2
7
3
4

 1990
Semi finals
4th
7
3
3
1
8
6
2

 1994
Did not qualify

 1998
Round of 16
9th
4
2
1
1
7
4
3

  2002
Quarter-finals
6th
5
2
2
1
6
3
3

 2006
Quarter-finals
7th
5
3
2
0
6
2
4

 2010
Round of 16
13th
4
1
2
1
3
5
-2

 2014
Group stage
26th
3
0
1
2
2
4
-2

 2018
Semi-finals
4th
7
3
1
3
12
8
4

 2022
TBD

   2026

Total
15/21
1 title
69
29
21
19
91
64
27

text:
showEngland's World Cup record

First Match

 England 2–0 Chile  (25 June 1950; Rio de Janeiro, Brazil)

Biggest Win

 England 6–1 Panama  (24 June 2018; Nizhny Novgorod, Russia)

Biggest Defeat

 England 1-4 Germany  (27 June 2010; Bloemfontein, South Africa)

Best Result

Champions at the 1966 World Cup

Worst Result

Group stage in 1950, 1958 and 2014

text: By match[edit]

text:
Year

Round

Against

Score

Scorers

 1950
Group 2
 Chile
2–0
Mortensen, Mannion

 United States
0–1

 Spain
0–1

 1954
Group 4
 Belgium
4–4 (aet)
Broadis (2), Lofthouse (2)

  Switzerland
2–0
Mullen, Wilshaw

Quarter-final
 Uruguay
2–4
Lofthouse, Finney

 1958
Group 4
 Soviet Union
2–2
Kevan, Finney

 Brazil
0–0

 Austria
2–2
Haynes, Kevan

Play-off
 Soviet Union
0–1

 1962
Group 4
 Hungary
1–2
Flowers

 Argentina
3–1
Flowers, Charlton, Greaves

 Bulgaria
0–0

Quarter-final
 Brazil
1–3
Hitchens

 1966
Group 1
 Uruguay
0–0

 Mexico
2–0
Charlton, Hunt

 France
2–0
Hunt (2)

Quarter-final
 Argentina
1–0
Hurst

Semi-final
 Portugal
2–1
Charlton (2)

Final
 West Germany
4–2 (aet)
Hurst (3), Peters

 1970
Group 3
 Romania
1–0
Hurst

 Brazil
0–1

 Czechoslovakia
1–0
Clarke

Quarter-final
 West Germany
2–3 (aet)
Mullery, Peters

 1982
Group 4
 France
3–1
Robson (2), Mariner

 Czechoslovakia
2–0
Francis, Barmoš (o.g.)

 Kuwait
1–0
Francis

Group B Round 2
 West Germany
0–0

 Spain
0–0

 1986
Group F
 Portugal
0–1

 Morocco
0–0

 Poland
3–0
Lineker (3)

Round of 16
 Paraguay
3–0
Lineker (2), Beardsley

Quarter-final
 Argentina
1–2
Lineker

 1990
Group F
 Republic of Ireland
1–1
Lineker

 Netherlands
0–0

 Egypt
1–0
Wright

Round of 16
 Belgium
1–0 (aet)
Platt

Quarter-final
 Cameroon
3–2 (aet)
Platt, Lineker (2)

Semi-final
 West Germany
1–1 (aet)[f]
Lineker

Third-place play-off
 Italy
1–2
Platt

 1998
Group G
 Tunisia
2–0
Shearer, Scholes

 Romania
1–2
Owen

 Colombia
2–0
Anderton, Beckham

Round of 16
 Argentina
2–2 (aet)[f]
Shearer, Owen

  2002
Group F
 Sweden
1–1
Campbell

 Argentina
1–0
Beckham

 Nigeria
0–0

Round of 16
 Denmark
3–0
Ferdinand, Owen, Heskey

Quarter-final
 Brazil
1–2
Owen

 2006
Group B
 Paraguay
1–0
Gamarra (o.g.)

 Trinidad and Tobago
2–0
Crouch, Gerrard

 Sweden
2–2
Cole, Gerrard

Round of 16
 Ecuador
1–0
Beckham

Quarter-final
 Portugal
0–0 (aet)[f]

 2010
Group C
 United States
1–1
Gerrard

 Algeria
0–0

 Slovenia
1–0
Defoe

Round of 16
 Germany
1–4
Upson

 2014
Group D
 Italy
1–2
Sturridge

 Uruguay
1–2
Rooney

 Costa Rica
0–0

 2018
Group G
 Tunisia
2–1
Kane (2)

 Panama
6–1
Stones (2), Kane (3), Lingard

 Belgium
0–1

Round of 16
 Colombia
1–1 (aet)[g]
Kane

Quarter-final
 Sweden
2–0
Maguire, Alli

Semi-final
 Croatia
1–2 (aet)
Trippier

Third-place play-off
 Belgium
0–2

text: By opponent[edit]

text:
Country

Played

Won

Drawn

Lost

GF

GA

GD

 Argentina
5
3
1
1
8
5
+3

 Germany
5
1
2
2
8
10
-2

 Brazil
4
0
1
3
2
6
-4

 Sweden
3
1
2
0
5
3
+2

 Belgium
4
1
1
2
5
7
-2

 Portugal
3
1
1
1
2
2
0

 Uruguay
3
0
1
2
3
6
-3

 France
2
2
0
0
5
1
+4

 Paraguay
2
2
0
0
4
0
+4

 Tunisia
2
2
0
0
4
1
+3

 Czechoslovakia
2
2
0
0
3
0
+3

 Colombia
2
1
1
0
3
1
+2

 Romania
2
1
0
1
2
2
0

 Soviet Union
2
0
1
1
2
3
-1

 United States
2
0
1
1
1
2
-1

 Spain
2
0
1
1
0
1
-1

 Italy
2
0
0
2
2
4
-2

 Panama
1
1
0
0
6
1
+5

 Poland
1
1
0
0
3
0
+3

 Denmark
1
1
0
0
3
0
+3

 Chile
1
1
0
0
2
0
+2

  Switzerland
1
1
0
0
2
0
+2

 Mexico
1
1
0
0
2
0
+2

 Trinidad and Tobago
1
1
0
0
2
0
+2

 Cameroon
1
1
0
0
3
2
+1

 Kuwait
1
1
0
0
1
0
+1

 Egypt
1
1
0
0
1
0
+1

 Ecuador
1
1
0
0
1
0
+1

 Slovenia
1
1
0
0
0
0
+1

 Austria
1
0
1
0
2
2
0

 Republic of Ireland
1
0
1
0
1
1
0

 Bulgaria
1
0
1
0
0
0
0

 Morocco
1
0
1
0
0
0
0

 Netherlands
1
0
1
0
0
0
0

 Nigeria
1
0
1
0
0
0
0

 Algeria
1
0
1
0
0
0
0

 Costa Rica
1
0
1
0
0
0
0

 Hungary
1
0
0
1
1
2
-1

 Croatia
1
0
0
1
1
2
-1

text: Last update: 14 July 2018

text: Players' honours[edit]

text: List of England players with the most appearances at World Cups[edit]

text:
No.

Name

Matches

World Cups

1
Peter Shilton
17
1982, 1986, 1990

2

Terry Butcher
14
1982, 1986, 1990

Bobby Charlton
14
1958, 1962, 1966, 1970

Ashley Cole
14
2002, 2006, 2010

Bobby Moore
14
1962, 1966, 1970

6
David Beckham
13
1998, 2002, 2006

7

Steven Gerrard
12
2006, 2010, 2014

Gary Lineker
12
1986, 1990

Michael Owen
12
1998, 2002, 2006

10
Chris Waddle
11
1986, 1990

text: List of England top goalscorers at World Cups[edit]

text:
No.

Name

Goals

World Cups

1
Gary Lineker
10
1986 (6) and 1990 (4)

2
Harry Kane
6
2018

3
Geoff Hurst
5
1966 (4) and 1970 (1)

4

Bobby Charlton
4
1962 (1) and 1966 (3)

Michael Owen
4
1998 (2) and 2002 (2)

6

Nat Lofthouse
3
1954

Roger Hunt
3
1966

David Platt
3
1990

David Beckham
3
1998, 2002 and 2006

Steven Gerrard
3
2006 (2) and 2010

11
Nine players
2

text: Current as of 3 July 2018 after the match against Colombia

text: List of England goals by tournament[edit]

text:
World Cup

Goalscorer(s)

1950

Wilf Mannion, Stan Mortensen

1954

Nat Lofthouse (3), Ivor Broadis (2), Tom Finney, Jimmy Mullen, Dennis Wilshaw

1958

Derek Kevan (2), Tom Finney, Johnny Haynes

1962

Ron Flowers (2), Bobby Charlton, Jimmy Greaves, Gerry Hitchens

1966

Geoff Hurst (4), Roger Hunt (3), Bobby Charlton (3), Martin Peters

1970

Allan Clarke, Geoff Hurst, Alan Mullery, Martin Peters

1982

Trevor Francis (2), Bryan Robson (2), Paul Mariner, Own Goal

1986

Gary Lineker (6), Peter Beardsley

1990

Gary Lineker (4), David Platt (3), Mark Wright

1998

Michael Owen (2), Alan Shearer (2), Darren Anderton, David Beckham, Paul Scholes

2002

Michael Owen (2), David Beckham, Sol Campbell, Rio Ferdinand, Emile Heskey

2006

Steven Gerrard (2), David Beckham, Joe Cole, Peter Crouch, Own Goal

2010

Jermain Defoe, Steven Gerrard, Matthew Upson

2014

Wayne Rooney, Daniel Sturridge

2018

Harry Kane (6), John Stones (2), Jesse Lingard, Harry Maguire, Dele Alli, Kieran Trippier

text: List of England players playing abroad at a World Cup[edit]

text: Historically, very few English World Cup squad members were playing for a club in a foreign league at the time of their selection to the national squad.[64]

text:
Year

Number (Country)

Players (Apps)

1950–1958

0

1962

1 (Italy)

Gerry Hitchens (2)

1966–1970

0

1982

1 (West Germany)

Tony Woodcock (2)

1986

2 (Italy)

Mark Hateley (3), Ray Wilkins

1990

5 (4 in Scotland, 1 in France)

Terry Butcher (5), Trevor Steven (3), Gary Stevens (2), Chris Woods (0); Chris Waddle (7)

1998

0

2002

1 (Germany)

Owen Hargreaves (2)

2006

2 (1 Spain, 1 Germany)

David Beckham (5); Owen Hargreaves (4)

2010

0

2014

1 (Scotland)

Fraser Forster (0)

2018

0

text: Team awards and records[edit]

text: Team Awards

text:
World Champions 1966
FIFA Fair Play Trophy 1990
FIFA Fair Play Trophy 1998 (shared)

text: Individual Awards

text:
Golden Ball 1966: Bobby Charlton
Silver Ball 1966: Bobby Moore
Golden Boot 1986: Gary Lineker
Golden Boot 2018: Harry Kane
Bronze Boot 1966: Geoff Hurst
Golden Glove 1966: Gordon Banks
Best Young Player Award 1998: Michael Owen

text: Team Records

text:
Most penalty shoot-outs lost: 3 (shared with Italy and Spain)
Biggest World Cup victory: 6-1 vs Panama, 2018 Group Stage [65]

text: Individual Records

text:
Only hattrick in a final: Geoff Hurst (1966 v West Germany)
Oldest captain: Peter Shilton (age 40 years and 292 days, 1990 v Italy)
Most clean sheets: Peter Shilton (10, 1982-1990) (shared with Fabien Barthez)

text: Refereeing[edit]

text: Four FIFA World Cup finals were officiated by English referees, more than by any other football association. The first Englishman to officiate a final, George Reader, is also the oldest World Cup referee to date, as he was 53 years and 236 days old at the 1950 decisive match between Uruguay and Brazil. The other final referees are William Ling (1954), Jack Taylor (1974) and Howard Webb (2010).

text: Arthur Ellis, who was a linesman at the 1950 final, is part of an elite group of referees who has been called up for three consecutive World Cups (1950–1958).


document_title: Beauty and the Beast (2017 film)

question_text: who played lumiere in the new beauty and the beast

root

text: Beauty and the Beast (2017 film)

text: Plot[edit]

text: In Rococo-era France, an enchantress disguised as a beggar arrives at a ball and offers the host, a coldhearted prince, a rose for shelter. When he refuses, she transforms him into a beast and his servants into household objects, and erases the castle from the memories of their loved ones. She casts a spell on the rose and warns the prince that the curse will never lift unless he learns to love another, and earn their love in return, before the last petal falls.

tag: p

text: Years later, in the village of Villeneuve, Belle dreams of adventure and brushes off advances from Gaston, an arrogant former soldier. Lost in the forest, Belle's father Maurice seeks refuge in the Beast's castle, but the Beast imprisons him for stealing a rose. Belle ventures out in search for him and finds him locked in the castle dungeon. The Beast agrees to let her take Maurice's place.

text: Belle befriends the castle's servants, who treat her to a spectacular dinner. When she wanders into the forbidden west wing and finds the rose, the Beast, enraged, scares her into the woods. She is cornered by wolves, but the Beast rescues her and is injured in the process. A friendship develops as Belle nurses his wounds. The Beast shows Belle a gift from the enchantress, a book that transports readers wherever they want. Belle uses it to visit her childhood home in Paris, where she discovers a plague doctor mask. Belle realises that she and her father were forced to leave her mother's deathbed as her mother succumbed to the plague.

text: In Villeneuve, Gaston sees rescuing Belle as an opportunity to win her hand in marriage and agrees to help Maurice. When Maurice learns of his ulterior motive and rejects him, Gaston abandons him to the wolves. Maurice is rescued by the beggar Agathe, but when he tells the townsfolk of Gaston's crime, Gaston convinces them to send Maurice to an insane asylum.

text: After sharing a romantic dance with the Beast, Belle discovers her father's predicament using a magic mirror. The Beast releases her to save Maurice, giving her the mirror to remember him with. At Villeneuve, Belle proves Maurice's sanity by revealing the Beast in the mirror to the townsfolk. Realizing that Belle loves the Beast, Gaston has her thrown into the asylum carriage with her father and rallies the villagers to follow him to the castle to slay the Beast. Maurice and Belle escape and Belle rushes back to the castle.

text: During the battle, Gaston abandons his companion LeFou, who then sides with the servants to fend off the villagers. Gaston attacks the Beast in his tower, who is too depressed to fight back, but regains his will upon seeing Belle return. He overpowers Gaston but spares his life before reuniting with Belle. However, Gaston fatally shoots the Beast from a bridge, but it collapses when the castle crumbles and he falls to his death. The Beast dies as the last petal falls and the servants become inanimate. When Belle tearfully professes her love to him, Agathe reveals herself as the enchantress and undoes the curse, repairing the crumbling castle and restoring the Beast's and servants' human forms and the villagers' memories. The Prince and Belle host a ball for the kingdom, where they dance happily.

text: Cast[edit]

text:
Emma Watson as Belle, a beautiful and benevolent bibliophile who develops feelings for the Beast and begins to see the humanity within him.

Daisy Duczmal portrays an infant Belle.

Dan Stevens as The Prince / Beast, a cold-hearted prince who is transformed into a hideous beast and forced to earn back his humanity by learning to truly love and be loved in return.[9][10]

Adam Mitchell[3] portrays the younger version of the Prince.

Luke Evans as Gaston, a narcissistic and arrogant hunter and veteran of the French Royal Army who is willing to go as far as it takes to have Belle as his trophy wife.
Kevin Kline as Maurice, Belle's protective widowed father.[11]

Jolyon Coy portrays the young Maurice.

Josh Gad as LeFou, Gaston's flamboyant and long-suffering sidekick who bolsters his friend's ego but gets very little in return.[12]
Ewan McGregor as Lumière, the Beast's charismatic bouteiller who has been transformed into a candelabra.[13]
Stanley Tucci as Maestro Cadenza, the neurotic court composer and Madame de Garderobe's husband who has been transformed into a harpsichord.[14]
Audra McDonald as Madame de Garderobe, a world-renowned opera singer and Cadenza's wife who has been transformed into a wardrobe.[15]
Gugu Mbatha-Raw as Plumette, one of the castle maids and Lumière's lover who has been transformed into a feather duster.[16]
Ian McKellen as Cogsworth, the Beast's gruff but loyal majordomo and the head of the household staff who has been transformed into a mantel clock.[17]
Emma Thompson as Mrs. Potts, the castle's motherly head housekeeper who has been transformed into a teapot.[11]
Hattie Morahan as Agathe, an impoverished hermit and resident of Villeneuve who, in reality, is the Enchantress responsible for cursing the Prince.[18] Morahan also narrates the prologue.

Rita Davies portrays the Enchantress in her beggar woman form.

Nathan Mack as Chip, Mrs. Potts' plucky son who has been transformed into a teacup.[19]
Adrian Schiller as Monsieur D'Arque, the sly warden of the local asylum who is bribed by Gaston to have Maurice institutionalized.[18]
Gerard Horan as Monsieur Jean Potts, an absent-minded potter and resident of Villeneuve who is later revealed to be Mrs. Potts' husband and Chip's father.
Haydn Gwynne as Clothilde, a fishmonger and resident of Villeneuve who is later revealed to be Cogsworth's wife.
Michael Jibson as the Tavern Keeper, the owner and keeper of Villeneuve's local tavern where Gaston and the village residents drink.
Ray Fearon as Père Robert, Villeneuve's local chaplain who encourages Belle to borrow the books in the chapel's meager library.
Sophie Reid, Rafaëlle Cohen, and Carla Nella as the Village Lasses, a trio of women who fawn over Gaston and have a jealousy for Belle.
Jimmy Johnston, Dean Street, and Alexis Loizon as Tom, Dick, and Stanley, a trio of men who serve as Gaston's henchmen.
Zoe Rainey as Belle's mother, Maurice's late wife who contracted the plague and died when Belle was an infant.
Clive Rowe as Cuisinier, the castle's head chef who has been transformed into a stove.
Gizmo as Frou-Frou, Maestro Cadenza's and Madame de Garderobe's pet Yorkshire Terrier who has been transformed into a footstool.
Thomas Padden as Chapeau, the Prince's valet who has been transformed into a coat rack.
Tom Turner[4] as The King, the Prince's father who, following his wife's death, raised his son to be just as selfish and arrogant as he was.
Harriet Jones as The Queen, the Prince's mother who died of an illness when he was a child.
Dale Branston as Baker, Villeneuve's residential baker.
Chris Andrew Mellon as Nasty Headmaster, the unnamed headmaster of an all boys school in Villeneuve that disapproves of Belle teaching a young girl how to read.
Vivian Parry as the Village Lass' Mother, an unnamed seamstress who is the mother of the Village Lasses.

tag: ul

text: Cast notes[edit]

text: ^ In the initial theatrical release, Mitchell was miscredited as Rudi Gooman in the cast, but listed under his real name in the soundtrack credits.[20]

text: ^ In the initial theatrical release, Turner is miscredited as Henry Garrett in the cast.[20]

text: Stephen Merchant also appeared in the film as Monsieur Toilette, a servant who was turned into a toilet. This character was cut from the film, but is featured in the deleted scenes.[21]

text: Production[edit]

text: Development[edit]

text: Previously, Disney had begun work on a film adaptation of the 1994 Broadway musical.[22][23] However, in a 2011 interview, composer Alan Menken stated the planned film version of the Beauty and the Beast stage musical "was canned".[24]

text: By April 2014, Walt Disney Pictures had already begun developing a new live-action version and remake of Beauty and the Beast after making other live-action fantasy films such as Alice in Wonderland, Maleficent, Cinderella and The Jungle Book.[25] In June 2014, Bill Condon was signed to direct the film from a script by Evan Spiliotopoulos.[26] Later in September of that same year, Stephen Chbosky (who had previously directed Watson in The Perks of Being a Wallflower) was hired to re-write the script.[27]

text: Before Condon was hired to direct the film, Disney approached him with a proposal to remake the film in a more radical way as Universal Studios had remade Snow White and the Huntsman (2012). Condon later explained that "after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially, they said, 'We're interested in a musical to a degree, but only half full of songs.' My interest was taking that film and doing it in this new medium—live-action—as a full-on musical movie. So I backed out for a minute, and they came back and said, 'No, no, no, we get it, let's pursue it that way.'"[28] Walt Disney Pictures president of production Sean Bailey credited Walt Disney Studios chairman Alan F. Horn with the decision to make the film as a musical: "We worked on this for five or six years, and for 18 months to two years, Beauty was a serious dramatic project, and the scripts were written to reflect that. It wasn't a musical at that time. But we just couldn't get it to click and it was Alan Horn who championed the idea of owning the Disney of it all. We realized there was a competitive advantage in the songs. What is wrong with making adults feel like kids again?"[29]

text: Casting[edit]

text: In January 2015, Emma Watson announced that she would be starring as Belle, the female lead.[30] Watson was the first choice of Walt Disney Studios chairman Alan F. Horn, as he had previously overseen Warner Bros. which released the eight Harry Potter films that co-starred Watson as Hermione Granger.[29] Two months later, Luke Evans and Dan Stevens were revealed to be in talks to play Gaston and the Beast respectively,[31][32] and Watson confirmed their casting the following day through tweets.[9][33] The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière and Cadenza, respectively.[12][11][15][17][16][13][14][34]

text: Susan Egan, who originated the role of Belle on Broadway, commented on the casting of Watson as "perfect".[35] Paige O'Hara, who voiced Belle in the original animated film and its sequels, offered to help Watson with her singing lessons.[36]

text: According to The Hollywood Reporter, Emma Watson was reportedly paid $3 million upfront, together with an agreement that her final take-home pay could rise as high as $15 million if the film generated gross box office income similar to Maleficent's $759 million worldwide gross.[37]

text: Filming[edit]

text: Principal photography on the film began at Shepperton Studios in Surrey, England, on May 18, 2015.[11][38][39] Filming with the principal actors concluded on August 21.[40][41] Six days later, co-producer Jack Morrissey confirmed that the film had officially wrapped production.[42]

text: The Beast was portrayed with a “more traditional motion capture puppeteering for the body and the physical orientation", where actor Dan Stevens was "in a forty-pound gray suit on stilts for much of the film". The facial capture for the Beast was done separately in order to "communicate the subtleties of the human face" and "[capture the] thought that occurs to him" which gets "through [to] the eyes, which are the last human element in the Beast.” The castle servants who are transformed into household objects were created with CGI animation.[6]

text: Before the release of the film, Bill Condon refilmed one certain sequence in the "Days of the Sun" number, due to confusion among test audiences caused by actress Harriet Jones, who looked similar to Hattie Morahan, who portrayed Agathe. In the original version of the scene, it was Jones's character, the Prince's mother, who sings the first verse of the song, with Rudi Goodman playing the young Prince and Henry Garrett playing his father; but in the reshot version of the scene, the singing part is given to the Prince (now played by Adam Mitchell). The King was also recast to Tom Turner, although Harriet Jones was still the Queen, albeit with dark hair. Both Goodman and Garrett's names were mistakenly featured in the original theatrical release's credits, but was later corrected in home releases.[20]

text: Music[edit]

text: When released in 1991, Beauty and the Beast marked a turning point for Walt Disney Pictures by appealing to millions of fans with its Oscar-winning musical score by lyricist Howard Ashman and composer Alan Menken. In Bill Condon's opinion, that original score was the key reason he agreed to direct a live-action version of the movie. "That score had more to reveal", he says, "You look at the songs and there's not a clunker in the group. In fact, Frank Rich described it as the best Broadway musical of 1991. The animated version was already darker and more modern than the previous Disney fairytales. Take that vision, put it into a new medium, make it a radical reinvention, something not just for the stage because it's not just being literal, now other elements come into play. It's not just having real actors do it".[43]

text: Condon initially prepared on only drawing inspiration from the original film, but he also planned to include most of the songs composed by Alan Menken, Howard Ashman and Tim Rice from the Broadway musical, with the intention of making the film as a "straight-forward, live-action, large-budget movie musical".[44] Menken returned to score the film's music, which features songs from the original film by him and Howard Ashman, plus new material written by Menken and Tim Rice.[45] Menken said the film will not include songs that were written for the Broadway musical and instead, created four new songs.[46] However, an instrumental version of the song "Home", which was written for the musical, is used during the scene where Belle first enters her room in the castle.[47]

text: On January 19, 2017, it was confirmed by both Disney and Céline Dion—singer of the original 1991 Beauty and the Beast duet song, with singer Peabo Bryson—that Dion would be performing one of the new original songs "How Does a Moment Last Forever" to play over the end titles.[48] She originally had doubts about whether or not to record the song due to the recent death of her husband and manager René Angélil, who had previously helped her secure the 1991 pop duet. While ultimately accepting the opportunity, she said: "[The] first Beauty and the Beast decision was made with my husband. Now I'm making decisions on my own. It's a little bit harder. I couldn't say yes right away, because I felt like I was kind of cheating in a way". She eventually felt compelled to record the song because of the impact Beauty and the Beast has had on her career. According to Dion, "I was at the beginning of my career, it put me on the map, it put me where I am today". Also, Josh Groban was announced to be performing the new original song "Evermore" on January 26, 2017.[49][50][51][52]

text: The 2017 film features a remake of the 1991 original song Beauty and the Beast recorded as a duet by Ariana Grande and John Legend.[53][54] Grande and Legend's updated version of the Beauty and the Beast title song is faithful to the original, Grammy-winning duet, performed by Céline Dion and Peabo Bryson for the 1991 Disney film.[55]

text: Emma Thompson also performed a rendition of "Beauty and the Beast", which was performed by Angela Lansbury in the original 1991 animated film release.[56]

text: Disney debuted the music video for Ariana Grande and John Legend's interpretation of the title song "Beauty and the Beast" on Freeform television network on March 5, 2017, and it has since attained over 100 million video views on the Vevo video-hosting service.[56]

text: Release[edit]

text: On March 16, 2015, Disney announced the film would be released in 3D on March 17, 2017.[11] The first official presentation of the film took place at Disney's three-day D23 Expo in August 2015.[57]

text: The world premiere of Beauty and the Beast took place on February 23, 2017, at Spencer House in London, England;[58] and the film later premiered at the El Capitan Theatre in Hollywood, California, on March 2, 2017. The stream was broadcast onto YouTube.

text: A sing along version of the film released in over 1,200 US theaters nationwide on April 7, 2017.[59] The United Kingdom received the same version on April 21, 2017.[citation needed]

text: Marketing[edit]

text: Disney spent around $140 million for marketing the film worldwide.[60] Following an announcement on May 22, 2016,[61] Disney premiered the first official teaser trailer on Good Morning America the next day.[62] In its first 24 hours, the teaser trailer reached 91.8 million views, which topped the number of views seen in that amount of time in history, including for the teasers for other films distributed by Disney such as Avengers: Age of Ultron, Star Wars: The Force Awakens and Captain America: Civil War.[63] This record has since been broken by Thor: Ragnarok and It.[64] The first official teaser poster was released on July 7, 2016.[65] On November 2, 2016, Entertainment Weekly debuted the first official image on the cover of their magazine for the week along with nine new photos as well.[66][67] One week later, Emma Watson and Disney debuted a new poster for the film.[68] On November 14, 2016, the first theatrical trailer was released again on Good Morning America.[69] The trailer reached 127.6 million views in its first 24 hours, setting a new record as the trailer with the most views in one day, beating out Fifty Shades Darker.[70] This record has since been broken again by The Fate of the Furious.[71] A TV spot with Watson singing was shown during the 74th Golden Globe Awards.[72] Disney released the final trailer on January 30, 2017.[73]

text: Home media[edit]

text: Beauty and the Beast was released on Blu-ray, DVD and Digital HD on June 6, 2017.[74] The film debuted at No. 1 on the NPD VideoScan overall disc sales chart, with all other titles in the top 20, collectively, selling only 40% as many units as Beauty and the Beast.[75] The movie regained the top spot on the national home video sales charts during its third week of release.[76] The movie became available on Netflix on September 19, 2017.

text: Reception[edit]

text: Box office[edit]

text: Beauty and the Beast grossed $504 million in the United States and Canada and $758.6 million in other territories for a worldwide gross of $1.262 billion.[a] With a production budget of $160 million, it is the second-most expensive musical ever made; only Hello, Dolly! (1969) with a budget of $25 million ($165 million in 2016 dollars) cost more.[4] In just ten days, it became the highest-grossing live-action musical of all time, beating the nine-year-old record held by Mamma Mia!. It is currently the second-biggest musical ever overall, behind Disney's Frozen (2013).[78] Worldwide, the film proved to be a global phenomenon, earning a total of $357 million over its four-day opening weekend from 56 markets. Critics said the film was playing like superhero movies amongst women. It was the second biggest March global opening, behind only Batman v Superman: Dawn of Justice, the thirteenth-biggest worldwide opening ever and the seventh-biggest for Disney.[79] This includes $21 million from IMAX plays on 1,026 screens, a new record for an IMAX PG title.[80] It surpassed the entire lifetime total of the original film in just six days.[81][82]

text: Beauty and the Beast is the 300th digitally remastered release in IMAX company's history, which began with the re-release of Apollo 13 in 2002. Its robust global debut helped push the company past $6 billion for the first time,[83] and led to analysts believing that the film had a shot of passing $1 billion worldwide from theatrical earnings.[84][85][86][87] On April 12, it passed the $1 billion threshold, becoming the first film of 2017, the fourteenth Disney film, and the twenty-ninth film overall to pass the mark. It became the first film since Rogue One (also a Disney property) in December 2016 to make over a billion dollars, and did so on its twenty-ninth day of release.[88][89][90] It is currently the highest-grossing film of 2017,[91] the highest-grossing March release,[92] the highest-grossing remake of all-time,[93] and the fifth-biggest Disney film.[94] Even after inflation adjusted, it is still ahead of the $425 million gross ($760 million in 2017 dollars) of the original film.[93]

text: North America[edit]

text: In the United States and Canada, Beauty and the Beast topped Fandango's pre-sales and became the fastest-selling family film in the company's history, topping the studio's own animated film Finding Dory released the previous year. Early tracking had the film grossing around $100 million in its opening weekend, with some publications predicting it could reach $130 million.[95][96][97] By the time the film's release was 10 days away, analysts raised projections to as high as $150 million.[98][99] It earned $16.3 million from Thursday previews night, marking the biggest of 2017 (breaking Logan's record), the biggest ever for a Disney live-action film (breaking Maleficent's record), the second biggest ever for both a G or PG-rated film (behind the sixth Harry Potter film Harry Potter and the Half-Blood Prince which also starred Watson), and the third biggest ever in the month of March (behind Batman v Superman: Dawn of Justice and The Hunger Games).[100] An estimated 41% of the gross came from IMAX, 3D and premium large format screenings which began at 6 pm, while the rest—59%—came from regular 2D shows which began at 7 p.m.[101] The numbers were considered more impressive given that the film played during a school week.[102]

text: On its opening day, the film made $63.8 million from 4,210 theaters across 9,200 screens, marking the third biggest in the month of March, trailing behind Batman v Superman ($81.5 million) and The Hunger Games ($67 million).[103][104] It was also the biggest opening day ever for a film that wasn't PG-13, displacing the $58 million opening Wednesday of Harry Potter and the Half-Blood Prince. Its opening day alone (which includes Thursday's previews) almost matched the entire opening weekend of previous Disney live-action films, Maleficent ($69.4 million) and Cinderella ($67.9 million).[105] Unlike all previous four Disney live-action films witnessing a hike on their second day, Saturday, Beauty and the Beast actually fell 2%, but nevertheless, the dip was paltry, and the grosses are so much bigger compared to the other titles.[83] Earning a total of $174.8 million on its opening weekend, it defied all expectations and went on to set numerous notable records.[106] This includes the biggest opening of the year as well as the biggest for the month of March and pre-summer/spring opening, beating Batman v Superman,[107][108] the biggest start ever for a PG title (also for a family film), surpassing Finding Dory,[109] the biggest debut of all time for a female-fueled film, ahead of The Hunger Games: Catching Fire,[110] the biggest for a Disney live-action adaptation, ahead of Alice in Wonderland[110] and the biggest musical debut ever, supplanting Pitch Perfect 2. Furthermore, it is also Watson's highest-opening, beating Harry Potter and the Deathly Hallows – Part 2 same with Emma Thompson, director Bill Condon's biggest debut ever ahead of The Twilight Saga: Breaking Dawn – Part 2 and the biggest outside of summer, save for Star Wars: The Force Awakens, not accounting for inflation.[106]

text: It became the forty-third film to debut with over $100 million and the fifteenth film to open above $150 million. Its three-day opening alone surpassed the entire original North American run of the first film ($146 million; before the 3D re-release), instantly becoming the second-biggest film of the year, behind Logan ($184 million), and also the second-highest-grossing musical, behind Grease's $188 million cumulative gross in 1978.[111] Seventy percent of the total ticket sales came from 2D showings signifying that people who don't go to theaters frequently came out in bulk to watch the film. About 26% of the remaining tickets were for 3D. IMAX accounted for 7% ($12.5 million) of the total weekend's gross, setting a new record for a PG title, ahead of Alice in Wonderland ($12.1 million) while PLF repped 11% of the box office.[83] Seventy percent of the film's opening day demographic was female, dropping to 60% through the weekend.[110] According polling service PostTrak, about 84 percent of American parents who saw the film on its opening day said they would "definitely" recommend it for families.[112][113] The film's opening was credited to positive word of mouth from audiences, good reviews from critics, effective marketing which sold the title not just as a family film but also as a romantic drama, the cast's star power (especially Emma Watson), lack of competition, being the first family film since The Lego Batman Movie a month earlier, nostalgia, and the success and ubiquity of the first film and Disney's brand.[112][114]

text: On Monday, its fourth day of release, the film fell precipitously by 72% earning $13.5 million. The steep fall was due to a limited marketplace where only 11% K-12 and 15% colleges were off per ComScore. Nevertheless, it is the second-biggest March Monday, behind Batman v Superman ($15 million).[115] This was followed by the biggest March and pre-summer Tuesday with $17.8 million, a 32% increase from its previous day. The same day, the film passed $200 million in ticket sales.[116] It earned $228.6 million in the first week of release, the sixth-biggest seven-day gross of all time.[117] In its second weekend, the film continued to maintain the top positioning and fell gradually by 48% earning another $90.4 million to register the fourth-biggest second weekend of all time, and the third-biggest for Disney.[118] In terms of percentage drop, its 48% decline is the third-smallest drop for any film opening above $125 million (behind Finding Dory and The Force Awakens).[78] The hold was notable considering how the film was able to fend off three new wide releases: Power Rangers, Life, and CHiPs.[119] As a result, it passed the $300 million threshold becoming the first film of 2017 the pass said mark.[120] The film grossed $45.4 million in its third weekend, finally being overtaken for the top spot by newcomer The Boss Baby ($50.2 million).[121] On April 4, 2017, its nineteenth day of release, it passed the $400 million threshold becoming the first film of 2017 to do so.[122] By its fourth weekend, the film began was playing in 3,969 cinemas, a fall of 241 theaters from its previous weekend. Of those, approximately 1,200 cinemas were sing-along versions. It earned $26.3 million (-48%) and retained second place. By comparison, previous Disney films Moana (−8%) and Frozen (−2%) both witnessed mild percentage declines the weekend their sing-alone versions were released.[123] Its seventh weekend of release was in contemporaneous with another Emma Watson-starring new film The Circle.[124] That weekend, The Circle was number four, while Beauty and the Beast was at number six.[125] By May 28, the film had earned over $500 million in ticket sales becoming the first (and currently only) film of 2017, the third female-fueled film (after The Force Awakens and Rogue One: A Star Wars Story followed by Wonder Woman) and the eighth overall film in cinematic history to pass the mark.[126][127][128]

text: It has already become the biggest March release, dethroning The Hunger Games (2012),[129] the biggest musical film (both animated and live-action),[130] as well as the biggest film of 2017.[131]

text: Outside North America[edit]

text: Internationally, the film began playing on Thursday, March 16, 2017. Through Sunday, March 19, it had a total international opening of $182.3 million from 55 markets, 44 of which were major territories, far exceeding initial estimations of $100 million and opened at No. 1 in virtually all markets except Vietnam, Turkey, and India. Its launch is the second-biggest for the month of March, behind Batman v Superman ($256.5 million). In IMAX, it recorded the biggest debut for a PG title (although it carried varying certificate amongst different markets) with $8.5 million from 649 screens, the second-biggest for a PG title behind The Jungle Book.[132] In its second weekend, it fell just by 35% earning another $120.6 million and maintaining its first position hold. It added major markets like France and Australia.[133] It topped the international box office for three consecutive weekends[134] before finally being dethroned by Ghost in the Shell and The Boss Baby in its fourth weekend. Despite the fall, the film helped Disney push past the $1 billion thresold internationally for the first time in 2017.[135][90]

text: It scored the biggest opening day of the year in Hong Kong and the Philippines, the biggest March Thursday in Italy ($1 million, also the biggest Disney Thursday debut), the biggest March opening day in Austria, and the second-biggest in Germany ($1.1 million), Disney's biggest March in Denmark, the biggest Disney live-action debut in China ($12.6 million), the UK ($6.2 million), Mexico ($2.4 million) and Brazil ($1.8 million) and the third-biggest in South Korea with $1.2 million, behind only Pirates of the Caribbean: At World's End and Pirates of the Caribbean: On Stranger Tides.[136][137] In terms of opening weekend, the largest debut came from China ($44.8 million), followed by the UK ($24.3 million), Korea ($11.8 million), Mexico ($11.8 million), Australia ($11.1 million), Brazil ($11 million), Germany ($10.7 million), France ($8.4 million), Italy ($7.6 million), Philippines ($6.3 million), Russia ($6 million) and Spain ($5.8 million).[132][133]

text: In the United Kingdom and Ireland, the film recorded the biggest opening ever for a PG-rated film, the biggest Disney live-action opening of all time, the biggest March opening weekend, the biggest opening for a musical (ahead of 2012's Les Misérables), the number one opening of 2017 to date and the fifth-biggest-ever overall with £19.7 million ($24.5 million) from 639 theatres and almost twice that of The Jungle Book (£9.9 million).[138] This included the second-biggest Saturday ever (£7.9 million), only behind Star Wars: The Force Awakens.[139] It witnessed a decline in its second weekend, earning £12.33 million ($15.4 million). Though the film was falling at a faster rate than The Jungle Book, it had already surpassed the said film and its second weekend is the third-biggest ever (behind the two James Bond films Skyfall (2012) and Spectre).[140][133] In India, despite facing heavy competitions from four new Hindi releases, two Tamils films and a Malayalam and a Punjabi release, the film managed to take an occupancy of 15% on its opening day, an impressive feat despite tremendous competitions.[141][142][143] It earned around ₹1.5 crore (US$230,000) nett on its opening day from an estimated 600 screens which is more than the three Hindi releases—Machine, Trapped, and Aa Gaya Hero—combined.[144] Disney reported a total of ₹9.26 crore (US$1.4 million) gross for its opening weekend there. It was ahead of all new releases and second overall behind Bollywood film Badrinath Ki Dulhania.[145][146][147] In Russia, despite receiving a restrictive 16 rating, the film managed to deliver a very successful opening with $6 million.[148]

text: In China, expectations were high for the film. The release date was announced on January 24, giving Disney and local distributor China Film Group Corporation ample time—around two months—to market the film nationwide. The release date was strategically chosen to coincide with White Day. Preliminary reports suggested that it could open to $40–60 million in its opening weekend. Largely driven by young women, its opening day pre-sales outpaced that of The Jungle Book.[149] The original film was, however, never widely popular in the country.[150] Although China has occasionally blocked gay-themed content from streaming video services, in this case, Chinese censors decided to leave the gay scene intact. According to local box office tracker Ent Group, the film grossed an estimated $12.1 million on its opening day (Friday), representing 70% of the total receipts. Including previews, it made a total of $14.5 million from 100,000 screenings, which is 43% of all screenings in the country.[151] It climbed to $18.5 million on Saturday (102,700 showings) for a three-day total of $42.6 million, securing 60% of the total marketplace. Disney on the other hand reported a different figure of $44.8 million.[152][153] Either ways, it recorded the second-biggest opening for a Disney live-action film,[150] with $3.4 million coming from 386 IMAX screens.[132] Japan—a huge Disney market—served as the film's final market and opened there on April 21.[133] It debuted with a better-than-expected $12.5 million on its opening weekend helping the film push past the $1.1 billion threshold. An estimated $1.1 million came from IMAX screenings, the fourth-biggest ever in the country.[154][155] The two-day gross was $9.7 million, outstripping Frozen's previous record of $9.5 million.[156] Due to positive reviews, good word-of-mouth and benefitting from the Golden Week, the film saw a 9% increase on its second weekend. The hold was strong enough to fend off newcomer The Fate of the Furious from securing the top spot. The total there is now over $98 million after seven weekends[157][158][159] and is the biggest film release of the year and, overall, the eleventh-biggest of all time.[160] It topped the box office there for eight consecutive weekends.[161][162]

text: The only markets where the film did not top the weekend charts were Vietnam (behind Kong: Skull Island), Turkey (with two local movies and Logan ahead) and India (where Badrinath Ki Dulhania retained No. 1).[132] It topped the box office for four straight weekends in Germany, Korea, Austria, Finland, Poland, Portugal, Brazil, Venezuela, Bolivia, Switzerland and the UK (exclusive of previews).[135][163] In the Philippines, it emerged as the most successful commercial film of all time—both local and foreign—with over $13.5 million.[164] In just five weeks, the film became one of the top 10 highest-grossing film of all time in the United Kingdom and Ireland, ahead of all but one Harry Potter film (Deathly Hallows – Part 2) and all three The Lord of the Rings movies (which also starred Ian McKellen).[165] It is currently the eighth-biggest grosser with £70.1 million ($90 million), overtaking Mamma Mia! to become the biggest musical production ever there.[154][166] The biggest international earning markets following the UK are Japan ($108 million), China ($85.8 million), Brazil ($41.5 million), Korea ($37.5 million), and Australia ($35 million).[161] In Europe alone, the cumulative total is $267 million to become the second-highest-grossing film in the past year (behind Rogue One: A Star Wars Story).[154][157][167]

text: Critical response[edit]

text: Beauty and the Beast received generally positive reviews, with praise for the faithfulness to the original film with a few elements of the Broadway musical version, cast performances, visuals, Jacqueline Durran's costume designs, Alan Menken's musical score and songs, though the designs of the Beast and the servants' household object forms received mixed reviews.[168][169] On review aggregator Rotten Tomatoes, the film has an approval rating of 71% based on 294 reviews, with an average rating of 6.6/10. The site's critical consensus reads, "With an enchanting cast, beautifully crafted songs, and a painterly eye for detail, Beauty and the Beast offers a faithful yet fresh retelling that honors its beloved source material."[170] On Metacritic, the film has a score of 65 out of 100, based on 47 critics, indicating "generally favorable reviews".[171] In CinemaScore polls, audiences gave the film an average grade of "A" on an A+ to F scale.[172][173]

text: Leslie Felperin of The Hollywood Reporter wrote: "It's a Michelin-triple-starred master class in patisserie skills that transforms the cinematic equivalent of a sugar rush into a kind of crystal-meth-like narcotic high that lasts about two hours." Felperin also praised the performances of Watson and Kline as well the special effects, costume designs and the sets while commended the inclusion of Gad's character of LeFou as the first LGBT character in Disney.[174] Owen Gleiberman of Variety, in his positive review of the film, wrote: "It's a lovingly crafted movie, and in many ways a good one, but before that it's an enraptured piece of old-is-new nostalgia." Gleiberman compared Steven's character of the Beast to a royal version of the titular character in The Elephant Man and the 1946 version of the Beast in Jean Cocteau's original adaptation.[175] A. O. Scott of The New York Times praised the performances of both Watson and Stevens, and wrote: "It looks good, moves gracefully and leaves a clean and invigorating aftertaste. I almost didn't recognize the flavor: I think the name for it is joy."[176] Likewise, The Washington Post's Ann Hornaday complimented Watson's performance, describing it as "alert and solemn" while noting her singing ability as "serviceable enough to get the job done".[177] Richard Roeper of Chicago Sun-Times awarded the film three and a half stars, lauded the performances of Watson and Thompson which he drew a comparison to Paige O'Hara's and Angela Lansbury's performances in the 1991 animated version while appreciating the performances of the other cast and also pointing out on its usage of the combination of motion capture and CGI technology as a big advantage which he stated: "Almost overwhelmingly lavish, beautifully staged and performed with exquisite timing and grace by the outstanding cast".[178] Mike Ryan of Uproxx praised the cast, production design and the new songs while noting the film doesn't try anything different, saying: "There's certainly nothing that new about this version of Beauty and the Beast (well, except it isn't a cartoon anymore), but it's a good recreation of a classic animated film that should leave most die-hards satisfied."[179] In her A- review, Nancy Churnin of The Dallas Morning News praised the film's emotional and thematic depth, remarking: "There's an emotional authenticity in director Bill Condon's live-action Beauty and the Beast film that helps you rediscover Disney's beloved 1991 animated film and 1994 stage show in fresh, stirring ways."[180]

text: Brian Truitt of USA Today commended the performances of Evans, Gad, McGregor and Thompson alongside Condon's affinity with musicals, the production design, visual effects featured in some of the song numbers including new songs made by the composers Alan Menken and Tim Rice, particularly Evermore which he described the new song with a potential for an Academy Award for Best Original Song.[181] Peter Travers of Rolling Stone rated the film three out of four stars which he deemed it as an "exhilarating gift" while he remarked that "Beauty and the Beast does justice to Disney's animated classic, even if some of the magic is M.I.A (Missing in Action)."[182] Stephanie Zacharek of Time magazine gave a positive review with a description as "Wild, Vivid and Crazy-Beautiful" as she wrote "Nearly everything about Beauty and the Beast is larger than life, to the point that watching it can be a little overwhelming." and added that "it’s loaded with feeling, almost like a brash interpretive dance expressing the passion and elation little girls (and some boys, too) must have felt upon seeing the earlier version."[183] The San Francisco Chronicle's Mick LaSalle struck an affirmative tone, calling it one of the joys of 2017, stating that "Beauty and the Beast creates an air of enchantment from its first moments, one that lingers and builds and takes on qualities of warmth and generosity as it goes along" while referring the film as "beautiful" and also praised the film for its emotional and psychological tone as well Steven's motion capture performance.[184] Tim Robey of The Daily Telegraph gave the film four stars out of five and wrote that "It dazzles on this chocolate box of a picture that feels almost greedy yet to make this film work, down to a sugar-rush finale to grasp the nettle and make an out-an-out, bells-and-whistles musical" while he praised the performances of Watson, McKellen, Thompson, McGregor, Evans and Gad.[185] Mark Hughes of Forbes also similarly praised the film which he wrote that "it could revive the story in a faithful but entirely new and unique way elevating the material beyond expectations, establishing itself as a cinematic equal to the original" and also complimented the importance of undertaking a renowned yet problematic masterpiece as well addressing changes in the elements of the story while acknowledging the film's effectiveness in resonating to the audiences.[186]

text: Several critics regarded the film as inferior to its 1991 animated predecessor. David Sims of The Atlantic wrote that the 2017 film "feels particularly egregious, in part, because it’s so slavishly devoted to the original; every time it falls short of its predecessor (which is quite often), it’s hard not to notice".[187] Michael Phillips of the Chicago Tribune said that the 2017 film "takes our knowledge and our interest in the material for granted. It zips from one number to another, throwing a ton of frenetically edited eye candy at the screen, charmlessly." Phillips wrote that the film featured some "less conspicuously talented" performers who are "stuck doing karaoke, or motion-capture work of middling quality", though he praised Kline's performance as the "best, sweetest thing in the movie; he brings a sense of calm, droll authority".[188] Peter Bradshaw of The Guardian praised Watson's performance and wrote that the film was "lit in that fascinatingly artificial honey-glow light, and it runs smoothly on rails—the kind of rails that bring in and out the stage sets for the lucrative Broadway touring version." In the same newspaper, Wendy Ide criticized the film as "ornate to the point of desperation" in its attempt to emulate the animated film.[189][190]

text: Chris Nashawaty of Entertainment Weekly gave the film a B-, writing that while the film looks "exceptionally great", he sensed that the new songs were "not transporting". He felt the film needed more life and depth, but praised Watson's and Steven's performances as the "film’s stronger elements".[191] Dana Schwartz of The New York Observer felt that some of the characters, such as Gaston and the Beast, had been watered down from the 1991 film, and that the additional backstory elements failed to "advance the plot or theme in any meaningful way" while adding considerable bloat. Schwartz considered the singing of the cast to be adequate but felt that their voices should have been dubbed over, especially for the complex songs.[192]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref.

MTV Movie & TV Awards
May 7, 2017
Movie of the Year
Beauty and the Beast
Won
[193]

Best Actor in a Movie
Emma Watson

Best Kiss
Emma Watson and Dan Stevens
Nominated

Best Duo
Josh Gad and Luke Evans

Golden Trailer Awards
June 6, 2017
Best Animation/Family
Beauty and the Beast
[194]

Best Original Score

Best Animation/Family TV Spot

Best Fantasy Adventure TV Spot

Teen Choice Awards
August 13, 2017
Choice Movie: Fantasy
Won
[195]
[196]

Choice Movie: Fantasy Actor
Dan Stevens
Nominated

Choice Movie: Fantasy Actress
Emma Watson
Won

Choice Movie Villain
Luke Evans

Choice Movie Ship
Emma Watson and Dan Stevens

Choice Liplock

Choice Scene Stealer
Josh Gad
Nominated

Choice Hissy Fit
Luke Evans

Dan Stevens

tag: table

text: Controversies[edit]

text: Gay character[edit]

text: Controversy erupted after director Bill Condon said there was a "gay moment" in the film, when LeFou briefly waltzes with Stanley, one of Gaston's friends.[197] Afterwards in an interview with Vulture.com, Condon stated, "Can I just say, I’m sort of sick of this. Because you’ve seen the movie—it's such a tiny thing, and it’s been overblown." Condon also added that Beauty and the Beast features much more diversity than just the highly talked-about LeFou: "That was so important. We have interracial couples—this is a celebration of everybody's individuality, and that’s what’s exciting about it.”[198] GLAAD president and CEO Sarah Kate Ellis praised the move stating, "It is a small moment in the film, but it is a huge leap forward for the film industry."[199]

text: In Russia, Vitaly Milonov agitated the culture minister for banning the film,[200] but instead it was given a 16+ rating (children under the age of 16 can only be admitted to see it in theaters with accompanying adults).[201] Additionally, a theater in Henagar, Alabama did not screen the film because of the subplot.[202] In Malaysia, the Film Censorship Board insisted the "gay moment" scene be cut, prompting an indefinite postponement of its release by Disney, followed by their decision to withdraw it completely if it could not be released uncensored.[203][204][205] The studio moved the release date to March 30, to allow more time for Malaysia's censor board to make a decision on whether or not to release the film without changes.[206] The distributors and producers then submitted an appeal to the Film Appeal Committee of Malaysia, which allowed the film to be released without any cuts and a P13 rating on the grounds that the "gay element" was minor and did not affect the positive elements featured in the film.[207][208] In Kuwait, the movie was withdrawn from cinemas by National Cinema Company which owns most of the cinemas in the country. A board member of the company stated that the Ministry of Information's censorship department had requested it to stop its screening and edit it for things deemed offensive by it.[209]

text: There were also a number of boycotts against the film. A call to boycott on LifePetitions received over 129,000 signatures,[210] while the American Family Association featured a petition to boycott with the film, asking the public to help crowdfund a CGI version of Pilgrim's Progress instead.[211]

text: Belle and the Beast's relationship[edit]

text: Disney has sought to portray Belle as an empowered young woman,[212] but a debate questioning whether it is possible to fall in love with someone who is holding you prisoner, and whether this is a problematic theme, has resulted.[213] As was the case with the original animated film, one argument is that Belle suffers from Stockholm syndrome (a condition that causes hostages to develop a psychological alliance with their captors as a survival strategy during captivity). Emma Watson studied whether Belle is trapped in an abusive relationship with the Beast before signing on and concluded that she does not think the criticism fits this version of the folk tale.[214][215] Watson described Stockholm Syndrome as "where a prisoner will take on the characteristics of and fall in love with the captor. Belle actively argues and disagrees with [Beast] constantly. She has none of the characteristics of someone with Stockholm Syndrome because she keeps her independence, she keeps that freedom of thought", also adding that Belle defiantly "gives as good as she gets" before forming a friendship and romance with the Beast.[216]

text: Psychiatrist Frank Ochberg, who coined the term "Stockholm syndrome", said he does not think Belle exhibits the trauma symptoms of prisoners suffering from the syndrome because she does not go through a period of feeling that she is going to die.[217] Some therapists, while acknowledging that the pairing's relationship does not meet the clinical definition of Stockholm syndrome, argue that the relationship depicted is dysfunctional and abusive and does not model healthy romantic relationships for young viewers.[218][219] Constance Grady of Vox writes that Jeanne-Marie Leprince de Beaumont's Beauty and the Beast was a fairy tale originally written to prepare young girls in 18th-century France for arranged marriages, and that the power disparity is amplified in the Disney version.[220] Anna Menta of Elite Daily argued that the Beast does not apologize to Belle for imprisoning, hurting, or manipulating her, and his treatment of Belle is not painted as wrong.[221]

text: Notes[edit]

text: ^ Jump up to: a b Beauty and the Beast at Box Office Mojo. Retrieved August 14, 2017.

tag: ol