document_title: List of animal sounds

question_text: what sound does a snake make in english

question_tokens: what sound does a snake make in english

text: List of animal sounds

text: For a list of words relating to animal sounds, see the en:Animal sounds category of words in Wiktionary, the free dictionary.

text: This is a list of words used in the English language to represent the noises of particular animals, especially noises used by animals for communication. Words on the list are in the form of verbs, though many can also be used as nouns or interjections, including many onomatopoeias (additional ones here abbreviated "OP").

text:
Antelopes – snort[1]
Badgers – growl[2]
Bats – screech[3]
Bears – roar, growl
Bees – buzz[4]
Big cats (tigers, lions, jaguars & leopards) – roar,[5] growl,[6] snarl[7]
Bitterns – boom[8]
Cats – mew, meow, purr, hiss[9]
Chickens – cluck (female; OP:  cha-caw, bah-gawk [10]); crow [11] (male; OP: cock-a-doodle-doo)
Chimpanzees – scream
Chinchillas – squeak[12]
Cicadas – chirp[13]
Cattle/Cows – moo
Crickets – chirp
Crows – caw, cah[14]
Curlews – pipe[15]
Deer – bellow (buck)[9] bleat (doe, fawn)
Dogs/wolves – bark, howl, growl, bay (OP: arf, bow-wow, ruff, woof, yap)
Dolphins – click[16]
Donkeys/asses – hee-haw[17] also bray
Ducks – quack
Eagles – screech[18]
Elephants – trumpet
Elk – bugle (male),[19] bleat (calves)[20]
Ferrets – dook[21]
Frogs/toads – croak (OP: ribbit)
Giraffes – bleat[22]
Geese – honk, hiss[9]
Grasshoppers – chirp[23]
Guinea pigs – squeak[24]
Hamsters – squeak[25]
Hermit crabs – chirp[26]
Horses – neigh, whinny, nicker
Hippopotamuses – growl[9]
Hyenas – laugh

Linnets – chuckle[27]
Magpies – chatter[28]
Mice/rats – squeak
Monkeys – scream
Moose – bellow[29]
Mosquitos – buzz, whine[30][31]
Okapis – cough, bellow[32]
Oxen – moo[33]
Owls – hoot, hiss[9]
Parrots  – squawk, talking
Peacocks – scream[34]
Pigs/hogs – grunt, oink,[9][35] snort,[36] squeal
Pigeons – coo[9]
Prairie dogs – bark[37]
Rabbits/Hares – squeak[38]
Raccoons – trill[39]
Ravens – caw[33]
Rhinoceroses – bellow[9]
Rooks – caw[33]
Seals – bark[40]
Sheep/goats/lambs – bleat, baa[9]
Snakes – hiss[9]
Songbirds – chirrup, chirp, tweet, sing, warble (larks / warblers / wrens),[33][41] twitter (sparrows)[42]
Swans – cry,[33] hiss[9]
Tapirs – squeak[43]
Tarantulas – hiss[9]
Tokay geckos – croak[44]
Turkeys – gobble[9]
Vultures – scream[33]
Walruses – groan[9]
Whales – sing[9]
See also[edit]

Animal communication
Animal epithet
Bioacoustics
Cat organ & piganino
Cross-linguistic onomatopoeias
List of animal names
List of onomatopoeias
Old McDonald Had a Farm
The Fox (What Does the Fox Say?)
Zoomusicology

References[edit]

Jump up ^ Caro, Tim (2005). Antipredator Defenses in Birds and Mammals. University of Chicago Press. p. 250. ISBN 9780226094366.

Jump up ^ Schwartz, Charles Walsh; Schwartz, Elizabeth Reeder (2001). The Wild Mammals of Missouri (2nd revised ed.). University of Missouri Press. p. 316. ISBN 9780826213594.

Jump up ^ Boughman, Janette Wenrick; Wilkinson, Gerald S. (1999). "Social Influences on Foraging in Bats". Mammalian Social Learning: Comparative and Ecological Perspectives. University of Cambridge Press (72): 195.

Jump up ^ Hattersley, Roy (August 26, 2008). "Bees under Threat from Silent Killer". Daily Mail. p. 16. (Subscription required (help)).

Jump up ^ "Big Cat Facts". Animal Facts Encyclopedia. Copyright by Jenise Alongi. Retrieved March 17, 2016.

Jump up ^ Estes, Richard (1991). The Behavior Guide to African Mammals: Including Hoofed Mammals, Carnivores, Primates. University of California Press. p. 374. ISBN 9780520080850.

Jump up ^ Schaller, George B. (1967). The Deer and the Tiger. University of Chicago Press. p. 261. ISBN 9780226736570.

Jump up ^ Weightman, Gavin (January 18, 2002). "Townies Don't Need the Countryside". The Evening Standard. p. 13. (Subscription required (help)).

^ Jump up to: a b c d e f g h i j k l m n o Symons, Mitchell (2012). The Bumper Book For The Loo: Facts and figures, stats and stories – an unputdownable treat of trivia. Random House. p. 364. ISBN 9781448152711.

Jump up ^ Caughey, Melissa (2015). A Kid's Guide to Keeping Chickens: Best Breeds, Creating a Home, Care and Handling, Outdoor Fun, Crafts and Treats. Storey Publishing. p. 90

Jump up ^ Why Do Roosters Crow?: First Questions and Answers about Farms. Time-Life for Children. 1995. ISBN 9780783508993.

Jump up ^ Winter, Lisa. The Ultimate Guide To Chinchilla Care. Simple Sequence Books. p. 24.

Jump up ^ Power, Carla (September 4, 2000). "Ruins with A View". Newsweek International: 24.

Jump up ^ Holmes, Hannah (2005). Suburban Safari: A Year on the Lawn. Bloomsbury. p. 10. ISBN 9781596918115.

Jump up ^ White, Gilbert (1837). The natural history and antiquities of Selborne. With The naturalist's calendar and miscellaneous observations. p. 449.

Jump up ^ Wilson, Ben (1998). Dolphins of the World. Voyager Press. p. 29. ISBN 9780896585362.

Jump up ^ Metz, Lorijo (2011). Donkeys: Jennies, Jacks, and Foals. The Rosen Publishing Group. p. 10. ISBN 9781448806881.

Jump up ^ "Caught in the Act - to Capture Bald Eagles on Film, a Husband-and-Wife Team Has Spent Years Perfecting the Art of Anticipation". National Wildlife. 39 (2): 24. February–March 2001. (Subscription required (help)).

Jump up ^ Thomas, Jack Ward; Toweill, Dale (2002). Elk of North America, Ecology and Management. New York: HarperCollins. ISBN 0-8117-0571-4.

Jump up ^ Ballard, Jack (2012). Elk: A Falcon Field Guide. Morris Book Publishing. p. 47. ISBN 9780762776269. Elk vocalizations aren't reserved just for the bulls. Cows and ... Calves may respond to the cow calls with their own low bleats. When large ..

Jump up ^ Mathis, Christine; Morton, E. Lynn (2010). Ferrets. Barron's. p. 87. ISBN 9780764143328.

Jump up ^ Silverstein, Alvin; Silverstein, Virginia (1980). Nature's Champions: The Biggest, the Fastest, the Best. Random House. p. 19. ISBN 9780486428888.

Jump up ^ Heinrichs, Anna (2002). Grasshoppers. Compass Point Books. p. 4. ISBN 9780756501662.

Jump up ^ Gunter, Veronika Alica; Newcomb, Rain (2006). Pet Science: 50 Purr-fectly Woof-worthy Activities for You & Your Pets. Lark Books. p. 21. ISBN 9781579907860.

Jump up ^ Bartlett, Patricia Pope (2003). The Hamster Handbook. Barron's. p. 37. ISBN 9780764122941.

Jump up ^ Wilkins, Kelli A. (2007). Hermit Crabs For Dummies. Wiley Publishing. ISBN 9781118068267.

Jump up ^ Le Clerc, Georges Louis (1793). The natural history of birds, from the Fr. of the count de Buffon. p. 54.

Jump up ^ Birkhead, Tim (1991). The Magpies: The Ecology and Behaviour of Black-Billed and Yellow-Billed Magpies. T & AD Poyser. p. 250. ISBN 9781408137772.

Jump up ^ "Moose". International Wildlife Encyclopedia. Marshall Cavendish. 2002. p. 1656. (Subscription required (help)).

Jump up ^ "Postcards from the Edge". Backpacker. Vol. 24 no. 174. February 1999. p. 41.

Jump up ^ "Mosquito Whine Could Be the Sound of Love". npr.org. NPR. July 16, 2006. Retrieved September 16, 2017.

Jump up ^ Lindsey, Susan Lyndaker; Green, Mary Neel; Bennett, Cynthia L. (1999). The Okapi: Mysterious Animal of Congo-Zaire. University of Texas Press. p. 34. ISBN 9780292788329.

^ Jump up to: a b c d e f Rao, S. N. (2004). Strengthen Your English. V. V. K. Subburaj. p. 26. ISBN 9788172540531.

Jump up ^ Attarde, I. P. (2007). Encyclopedic Graded Grammar. 1. LULU. p. 25. ISBN 9781435707177.

Jump up ^ "Oink." Merriam-Webster. 26-01-2016.

Jump up ^ QA International Collectif. So Many Ways to Communicate - A new way to explore the animal kingdom. Québec Amerique. p. 29. ISBN 9782764409213.

Jump up ^ Valerie V. Tynes, ed. (2010). Behavior of Exotic Pets. Blackwell. p. 149. ISBN 9781118710135.

Jump up ^ Brewer, Ebenezer Cobham (2001). "Animals, Cries of". Wordsworth Dictionary of Phrase and Fable. Wordsworth Editions Ltd. p. 48. ISBN 9781840223101.

Jump up ^ Siegel, Mordecai (2004). The Cat Fanciers' Association Complete Cat Book. HarperCollins. p. 136. ISBN 9780062030399.

Jump up ^ McCausland, Jim (May 2005). "Hood Canal Hideaway: Between Seattle and the Olympics, an Unsung Getaway Just Got Better". Sunset. 214 (5): 64+. (Subscription required (help)).

Jump up ^ Stallcup, Rich (1993). Birds of California: A Guide to Viewing Distinctive Varieties. American Traveler. p. 38. ISBN 9781558381322.

Jump up ^ Sharma, S. D. (2007). A Text Book of Scientific and Technical Communication Writing for Engineers and Professionals (3rd ed.). Sarup & Sons. p. 365. ISBN 9788176257510.

Jump up ^ Endangered Wildlife and Plants of the World. Marshall Cavendish. 2001. p. 1460. ISBN 9780761471943.

Jump up ^ Perez, Larry (2012). Snake in the Grass: An Everglades Invasion. Pineapple Press. p. 55. ISBN 9781561645138.

External links[edit]

Look up Appendix:Animals in Wiktionary, the free dictionary.

Wikimedia Commons has media related to Audio files of animal sounds.
List of animal sounds to download, listen and use for free.
Multilingual list of animal sounds Derek Abbott, University of Adelaide
Multilingual recording of animal sounds – dog, rooster & donkey

text: Animal soundsLinguistics listsZoosemiotics

text: Pages containing links to subscription-only content


document_title: Records management

question_text: in what four areas may a record have value for an organization

root

text: Records management

text: Concepts of record[edit]

text: The concept of record is variously defined. The ISO 15489-1:2001 defines records as "information created, received, and maintained as evidence and information by an organization or person, in pursuance of legal obligations or in the transaction of business".[2] While there are many purposes of and benefits to records management, as both these definitions highlight, a key feature of records is their ability to serve as evidence of an event. Proper records management can help preserve this feature of records.

tag: p

text: Recent and comprehensive studies have defined records as "persistent representations of activities" as recorded or created by participants or observers.[5] This transactional view emphasizes the importance of context and process in the determination and meaning of records. In contrast, previous definitions have emphasized the evidential and informational properties of records.[6] In organizational contexts, records are materials created or received by an organization in the transaction of business, or in pursuit of or in compliance with legal obligations.[7][8] This organizational definition of record stems from the early theorization of archives as organic aggregations of records, that is "the written documents, drawings and printed matter, officially received or produced by an administrative body or one of its officials".[9][10]

text: Records management practices[edit]

text: A Records Manager is someone who is responsible for records management in an organization.[citation needed]

text: Section 4 of the ISO 15489-1:2001 states that records management includes:[citation needed]

text:
setting policies and standards
assigning responsibilities and authorities
establishing and promulgating procedures and guidelines
providing a range of services relating to the management and use of records
designing, implementing and administering specialized systems for managing records
integrating records management into business systems and processes

tag: ul

text: Thus, the practice of records management may involve:

text:
planning the information needs of an organization
identifying information requiring capture
creating, approving, and enforcing policies and practices regarding records, including their organization and disposal
developing a records storage plan, which includes the short and long-term housing of physical records and digital information
identifying, classifying, and storing records
coordinating access to records internally and outside of the organization, balancing the requirements of business confidentiality, data privacy, and public access.
identification and maintenance of records per a specified retention period
executing a retention policy on the disposal of records which are no longer required for operational reasons; according to organizational policies, statutory requirements, and other regulations this may involve either their destruction or permanent preservation in an archive.

text: Records-management principles and automated records-management systems aid in the capture, classification, and ongoing management of records throughout their lifecycle. Such a system may be paper-based (such as index cards as used in a library), or may involve a computer system, such as an electronic records-management application.[citation needed]

text: Defensible solutions[edit]

text: A defensible solution is one that can be supported with clearly documented policies, processes and procedures that drive how and why work is performed, as well as one that has clearly documented proof of behavior patterns, proving that an organization follows such documented constraints to the best of their ability.[11]

text: While defensibility applies to all aspects of records life cycle, it is considered most important in the context of records destruction, where it is known as "defensible disposition" or "defensible destruction," and helps an organization explicitly justify and prove things like who destroys records, why they destroy them, how they destroy them, when they destroy them, and where they destroy them.[12]

text: Key records management terminology[edit]

text: The examples and perspective in this article may not represent a worldwide view of the subject. You may improve this article, discuss the issue on the talk page, or create a new article, as appropriate. (March 2016) (Learn how and when to remove this template message)

tag: table

text: Not all documents are records. A record is a document consciously retained as evidence of an action. Records management systems generally distinguish between records and non-records (convenience copies, rough drafts, duplicates), which do not need formal management. Many systems, especially for electronic records, require documents to be formally declared as a record so they can be managed. Once declared, a record cannot be changed and can only be disposed of within the rules of the system.

text: Records may be covered by access controls to regulate who can access them and under what circumstances. Physical controls may be used to keep confidential records secure – personnel files, for instance, which hold sensitive personal data, may be held in a locked cabinet with a control log to track access. Digital records systems may include role-based access controls, allowing permissions (to view, change and/or delete) to be allocated to staff depending on their role in the organisation. An audit trail showing all access and changes can be maintained to ensure the integrity of the records.

text: Just as the records of the organization come in a variety of formats, the storage of records can vary throughout the organization. File maintenance may be carried out by the owner, designee, a records repository, or clerk. Records may be managed in a centralized location, such as a records center or repository, or the control of records may be decentralized across various departments and locations within the entity. Records may be formally and discretely identified by coding and housed in folders specifically designed for optimum protection and storage capacity, or they may be casually identified and filed with no apparent indexing. Organizations that manage records casually find it difficult to access and retrieve information when needed. The inefficiency of filing maintenance and storage systems can prove to be costly in terms of wasted space and resources expended searching for records.

text: An inactive record is a record that is no longer needed to conduct current business but is being preserved until it meets the end of its retention period, such as when a project ends, a product line is retired, or the end of a fiscal reporting period is reached. These records may hold business, legal, fiscal, or historical value for the entity in the future and, therefore, are required to be maintained for a short or permanent duration. Records are managed according to the retention schedule. Once the life of a record has been satisfied according to its predetermined period and there are no legal holds pending, it is authorized for final disposition, which may include destruction, transfer, or permanent preservation.

text: A disaster recovery plan is a written and approved course of action to take after a disaster strikes that details how an organization will restore critical business functions and reclaim damaged or threatened records.

text: An active record is a record needed to perform current operations, subject to frequent use, and usually located near the user. In the past, 'records management' was sometimes used to refer only to the management of records which were no longer in everyday use but still needed to be kept – 'semi-current' or 'inactive' records, often stored in basements or offsite. More modern usage tends to refer to the entire 'lifecycle' of records – from the point of creation right through until their eventual disposal.

text: The format and media of records is generally irrelevant for the purposes of records management from the perspective that records must be identified and managed, regardless of their form. The ISO considers management of both physical and electronic records.[2] Also, section DL1.105 of the United States Department of Defense standard DoD 5015.02-STD (2007) defines Records Management as "the planning, controlling, directing, organizing, training, promoting, and other managerial activities involving the life cycle of information, including creation, maintenance (use, storage, retrieval), and disposal, regardless of media."[13]

text: Records life-cycle[edit]

text: The records life-cycle consists of discrete phases covering the life span of a record from its creation to its final disposition. In the creation phase, records growth is expounded by modern electronic systems. Records will continue to be created and captured by the organization at an explosive rate as it conducts the business of the organization. Correspondence regarding a product failure is written for internal leadership, financial statements and reports are generated for public and regulatory scrutiny, the old corporate logo is retired, and a new one – including color scheme and approved corporate font – takes its place in the organization's history.

text: Examples of records phases include those for creation of a record, modification of a record, movement of a record through its different states while in existence, and destruction of a record.

text: Throughout the records life cycle, issues such as security, privacy, disaster recovery, emerging technologies, and mergers are addressed by the records and information management professional responsible for organizational programs. Records and information management professionals are instrumental in controlling and safeguarding the information assets of the entity. They understand how to manage the creation, access, distribution, storage, and disposition of records and information in an efficient and cost-effective manner using records and information management methodology, principles, and best practices in compliance with records and information laws and regulations.

text: Classification[edit]

text: Records managers use classification or categorization of record types as a means of working with records.[citation needed] Such classifications assist in functions such as creation, organization, storage, retrieval, movement, and destruction of records.

text: At the highest level of classification are physical versus electronic records. (This is disputable; records are defined as such regardless of media. ISO 15489 and other best practices promulgate a functions based, rather than media based classification, because the law defines records as certain kinds of information regardless of media.)

text: Physical records are those records, such as paper, that can be touched and which take up physical space.

text: Electronic records, also often referred to as digital records, are those records that are generated with and used by information technology devices.

text: Classification of records is achieved through the design, maintenance, and application of taxonomies, which allow records managers to perform functions such as the categorization, tagging, segmenting, or grouping of records according to various traits.[14]

text: Enterprise records[edit]

text: Enterprise records represent those records that are common to most enterprises, regardless of their function, purpose, or sector. Such records often revolve around the day-to-day operations of an enterprise and cover areas such as but not limited litigation, employee management, consultant or contractor management, customer engagements, purchases, sales, and contracts.

text: The types of enterprises that produce and work with such records include but are not limited to for-profit companies, non-profit companies, and government agencies.

text: Industry records[edit]

text: Industry records represent those records that are common and apply only to a specific industry or set of industries. Examples include but are not limited to medical industry records (e.g., the Health Insurance Portability and Accountability Act), pharmaceutical industry records, and food industry records.

text: Legal hold records[edit]

text: Legal hold records are those records that are mandated, usually by legal counsel or compliance personnel, to be held for a period of time, either by a government or by an enterprise, and for the purposes of addressing potential issues associated with compliance audits and litigation. Such records are assigned Legal Hold traits that are in addition to classifications which are as a result of enterprise or industry classifications.

text: Legal hold data traits may include but are not limited to things such as legal hold flags (e.g. Legal Hold = True or False), the organization driving the legal hold, descriptions of why records must be legally held, what period of time records must be held for, and the hold location.

text: Managing physical records[edit]

text: Managing physical records involves different disciplines or capabilities and may draw on a variety of forms of expertise.

text: Commercially available products can manage records through all processes active, inactive, archival, retention scheduling and disposal. Some also utilize RFID technology for the tracking of the physical file.

text: Managing electronic records[edit]

text: The general principles of records management apply to records in any format. Digital records (almost always referred to as electronic records), however, raise specific issues. It is more difficult to ensure that the content, context and structure of records is preserved and protected when the records do not have a physical existence. This has important implications for the authenticity, reliability, and trustworthiness of records.

text: Much research is being conducted on the management of electronic records. The International Research on Permanent Authentic Records in Electronic Systems (InterPARES) Project is one example of such an initiative. Based at the School of Library, Archival and Information Studies at the University of British Columbia, in Vancouver, British Columbia, Canada, the InterPARES Project is a collaborative project between researchers all across the world committed to developing theories and methodologies to ensure the reliability, accuracy, and authenticity of electronic records.

text: Functional requirements for computer systems to manage electronic records have been produced by the US Department of Defense,[13] The United Kingdom's National Archives and the European Commission,[15] whose MoReq (Model Requirements for the Management of Electronic Records) specification has been translated into at least twelve languages funded by the European Commission.

text: Particular concerns exist about the ability to access and read electronic records over time, since the rapid pace of change in technology can make the software used to create the records obsolete, leaving the records unreadable. A considerable amount of research is being undertaken to address this, under the heading of digital preservation. The Public Record Office Victoria (PROV) located in Melbourne, Australia published the Victorian Electronic Records Strategy (VERS) which includes a standard for the preservation, long-term storage and access to permanent electronic records. The VERS standard has been adopted by all Victorian Government departments. A digital archive has been established by PROV to enable the general public to access permanent records. Archives New Zealand is also setting up a digital archive.

text: Electronic Tax Records are computer-based/non-paper versions of records required by tax agencies like the Internal Revenue Service. There is substantial confusion about what constitutes acceptable digital records for the IRS, as the concept is relatively new. The subject is discussed in Publication 583 and Bulletin 1997-13, but not in specific detail.

text: Businesses and individuals wishing to convert their paper records into scanned copies may be at risk if they do so. For example, it is unclear if an IRS auditor would accept a JPEG, PNG, or PDF format scanned copy of a purchase receipt for a deducted expense item.

text: Current issues[edit]

text: While public administration, healthcare and the legal profession have a long history of records management, the corporate sector has generally shown less interest. This has changed in recent years due to new compliance requirements, driven in part by scandals such as the Enron/Andersen affair and more recent problems at Morgan Stanley. Corporate records compliance issues including retention period requirements and the need to disclose information as a result of litigation have come to be seen as important. Statutes such as the US Sarbanes-Oxley Act have resulted in greater standardization of records management practices. Since the 1990s the shift towards electronic records has seen a need for close working relations between records managers and IT managers, particularly including the legal aspects, focused on compliance and risk management.

text: Privacy, data protection, and identity theft have become issues of increasing interest. The role of the records manager in the protection of an organization's records has grown as a result. The need to ensure personal information is not retained unnecessarily has brought greater focus to retention schedules and records disposal.

text: The increased importance of transparency and accountability in public administration, marked by the widespread adoption of Freedom of Information laws, has led to a focus on the need to manage records so that they can be easily accessed by the public. For instance, in the United Kingdom, Section 46 of the Freedom of Information Act 2000 required the government to publish a Code of Practice on Records Management for public authorities.[16] Similarly, European Union legislation on Data Protection and Environmental Information, requiring organisations to disclose information on request, create a need for effective management of such records.

text: Implementing required changes to organisational culture is a major challenge, since records management is often seen as an unnecessary or low priority administrative task that can be performed at the lowest levels within an organization. Reputational damage caused by poor records management has demonstrated that records management is the responsibility of all individuals within an organization.

text: An issue that has been very controversial among records managers has been the uncritical adoption of Electronic document and records management systems.

text: Another issue of great interest to records managers is the impact of the internet and related social media, such as wikis, blogs, forums, and companies such as Facebook and Twitter, on traditional records management practices, principles, and concepts, since many of these tools allow rapid creation and dissemination of records and, often, even in anonymous form.

text: A difficult challenge for many enterprises is tied to the tracking of records through their entire information life cycle so that it's clear, at all times, where a record exists or if it still exists at all. The tracking of records through their life cycles allows records management staff to understand when and how to apply records related rules, such as rules for legal hold or destruction.

text: As the world becomes more digital in nature, an ever-growing issue for the records management community is the conversion of existing or incoming paper records to electronic form. Such conversions are most often performed with the intent of saving storage costs, storage space, and in hopes of reducing records retrieval time.

text: Tools such as document scanners, optical character recognition software, and electronic document management systems are used to facilitate such conversions.

text: Education and certification[edit]

text: Many colleges and universities offer degree programs in library and information sciences which cover records management. Furthermore, there are professional organizations such as the Records and Information Management Professionals Australasia (RIMPA) and the Institute of Certified Records Managers which provides a separate, non-degreed, professional certification for practitioners, the Certified Records Manager designation or CRM. Additional educational opportunities in the form of a certificate program are also available from AIIM International, ARMA International, and from the Information and Records Management Society in Great Britain and Ireland. Education and training courses and workshops on scientific and technical records full life-cycle management and the Quality Electronic Records Practices Standards (Q-ERPS) are available from the Collaborative Electronic Notebook Systems Association.

text: The University of South Australia offers a Graduate Certificate, a graduate diploma, and an MSc in Business Information Management and Library and Information Management with a specialist stream in records management. The Australian National University offer a six-week e-learning course worldwide, in Electronic Document and Records Management.[17] In addition, Columbia University offers its Masters of Science in Information & Digital Resource Management (IDRM).

text: A recent addition to records management education in the United States is the 100% online Master of Archives and Records Administration (MARA) degree program, offered by the San Jose State University. Another is the Archives and Records Management specialization offered by the University of Michigan School of Information as part of their MSI (Masters of Science in Information) degree. Wayne State University in Detroit offers an on-line Records and Information Management graduate level certification program.

text: Schools in Canada also provide specialized education opportunities in records management. The Faculty of Information at the University of Toronto allows students in the Master of Information program to concentrate their studies in Archives and Records Management. The School of Information Studies at McGill University also includes an Archival Management stream that is enriched in records management coursework. The University of British Columbia offers a Masters of Archival Studies including a concentration in Records Management.

text: Electronic records management systems[edit]

text: An Electronic Document and Records Management System is a computer program or set of programs used to track and store records. The term is distinguished from imaging and document management systems that specialize in paper capture and document management respectively. Electronic records management Systems commonly provide specialized security and auditing functionality tailored to the needs of records managers.

text: The National Archives and Records Administration (NARA) has endorsed the U.S. Department of Defense standard 5015.2 as an "adequate and appropriate basis for addressing the basic challenges of managing records in the automated environment that increasingly characterizes the creation and use of records."[18] Records Management Vendors can be certified as compliant with the DoD 5015.2-STD after verification from the Joint Interoperability Test Command which builds test case procedures, writes detailed and summary final reports on 5015.2-certified products, and performs on-site inspection of software.[19]

text: The National Archives in the UK has published two sets of functional requirements to promote the development of the electronic records management software market (1999 and 2002).[20] It ran a program to evaluate products against the 2002 requirements. While these requirements were initially formulated in collaboration with central government, they have been taken up with enthusiasm by many parts of the wider public sector in the UK and in other parts of the world. The testing program has now closed; The National Archives is no longer accepting applications for testing. The National Archives 2002 requirements remain current.

text: The European Commission has published "MoReq", the Model Requirements for Electronic Records and Document Management in 2001.[21] Although not a formal standard, it is widely regarded and referred to as a standard.[22][23][24][25][26] This was funded by the Commission's IDA program, and was developed at the instigation of the DLM Forum. A major update of MoReq, known as MoReq2, was published in February 2008.[27] This too was initiated by the DLM Forum and funded by the European Commission, on this occasion by its IDABC program (the successor to IDA).[28] A software testing framework and an XML schema accompany MoReq2; a software compliance testing regime was agreed at the DLM Forum conference in Toulouse in December 2008.

text: The National Archives of Australia (NAA) published the Functional Specifications for Electronic Records Management Systems Software (ERMS), and the associated Guidelines for Implementing the Functional Specifications for Electronic Records Management Systems Software, as exposure drafts in February 2006.[29]

text: Archives New Zealand published a 'discretionary best practice' Electronic Recordkeeping Systems Standard (Standard 5) in June 2005, issued under the authority of Section 27 of the Public Records Act 2005.[30]

text: Commercial records centers[edit]

text: Commercial records centers are facilities which provide services for the storage for paper records for organizations. In some cases, they also offer storage for records maintained in electronic formats. Commercial records centers provide high density storage for paper records and some offer climate controlled storage for sensitive non-paper and critical (vital) paper media. There is a trade organization for commercial records centers (for example, PRISM International), however, not all service providers are members.


document_title: List of National Basketball Association single-game assists leaders

question_text: record for most assists in a nba game

question_tokens: record for most assists in a nba game

text: This is a complete listing of National Basketball Association players who have recorded 23 or more assists in a game.

text: 23 different players have recorded 23 or more assists in a game. It has occurred 39 times in the regular season and five times in the playoffs.

text: John Stockton has performed the feat the most times (10), followed by Earvin "Magic" Johnson and Kevin Porter (6).

text:
^
Active NBA player

*
Inducted into the Naismith Memorial Basketball Hall of Fame

Occurred in playoff competition

Player's team lost the game

Min
Minutes played
Pts
Points
Reb
Rebounds

Stl
Steals
Blk
Blocks
Tov
Turnovers

Team FG%
Rest of team's field goal percentage (subtracting player's own shooting)

text:
Assists
Player
Team
Score
Opponent
Date
Min
Pts
Reb
Stl
Blk
Tov
Team FG%
Led the league in assists
Notes

30
Skiles, ScottScott Skiles
Orlando Magic
155–116
Denver Nuggets
000000001990-12-30-0000December 30, 1990
44
22
6
2
0
4
.574 (54–94)
No
[a]

29
Porter, KevinKevin Porter
New Jersey Nets
126–112
Houston Rockets
000000001978-02-24-0000February 24, 1978
48
14
5

.557 (44–79)
Yes
[b]

28
Cousy, BobBob Cousy*
Boston Celtics
173–139
Minneapolis Lakers
000000001959-02-27-0000February 27, 1959
45
31
5
–
–
–
.496 (62–125)
Yes
[c]

28
Rodgers, GuyGuy Rodgers*
San Francisco Warriors
109–114
St. Louis Hawks
000000001963-03-14-0000March 14, 1963
48
14
5
–
–
–
.588 (40–68)
Yes
[d]

28
Stockton, JohnJohn Stockton*
Utah Jazz
124–102
San Antonio Spurs
000000001991-01-15-0000January 15, 1991
39
20
3
8
0
5
.543 (44–81)
Yes
[e]

27
Huston, GeoffGeoff Huston
Cleveland Cavaliers
110–106
Golden State Warriors
000000001982-01-27-0000January 27, 1982
46
24
1

No

27
Stockton, JohnJohn Stockton* (2)
Utah Jazz
107–115
New York Knicks
000000001989-12-19-0000December 19, 1989
36
18
3
2
0
2
.582 (39–67)
Yes
[f]

26
Stockton, JohnJohn Stockton* (3)
Utah Jazz
123–128
Portland Trail Blazers
000000001988-04-14-0000April 14, 1988
45
17
3
2
0
2
.566 (47–83)
Yes

25
Rondo, RajonRajon Rondo^
New Orleans Pelicans
128–113
Brooklyn Nets
000000002017-12-27-0000December 27, 2017
30
2
7
1
0
3
.533 (48-90)
TBD

25
DiGregorio, ErnieErnie DiGregorio
Buffalo Braves
120–119
Portland Trail Blazers
000000001974-01-01-0000January 1, 1974
48
20
9

–

Yes
[g]

25
Porter, KevinKevin Porter (2)
Detroit Pistons
160–119
Boston Celtics
000000001979-03-09-0000March 9, 1979
37
30
3

Yes

25
Porter, KevinKevin Porter (3)
Detroit Pistons
105–116
Phoenix Suns
000000001979-04-01-0000April 1, 1979
46
13
3

Yes

25
Thomas, IsiahIsiah Thomas*
Detroit Pistons
124–119
Dallas Mavericks
000000001985-02-13-0000February 13, 1985
41
23
5
2
0
5
.533 (48–90)
Yes
[h]

25
McMillan, NateNate McMillan
Seattle SuperSonics
124–112
Los Angeles Clippers
000000001987-02-23-0000February 23, 1987
41
8
8
1
4
3
.449 (44–98)
No
[i]

25
Johnson, KevinKevin Johnson
Phoenix Suns
107–95
San Antonio Spurs
000000001994-04-06-0000April 6, 1994
41
16
3
0
0
4
.535 (38–71)
No

25
Kidd, JasonJason Kidd*
Dallas Mavericks
136–133
Utah Jazz
000000001996-02-08-0000February 8, 1996
49
20
4
4
0
5
.591 (39–66)
No
[j]

24
Rodgers, GuyGuy Rodgers* (2)
Chicago Bulls
110–107
New York Knicks
000000001966-12-21-0000December 21, 1966

18

–
–
–

Yes

24
Porter, KevinKevin Porter (4)
Washington Bullets
119–114
Detroit Pistons
000000001980-03-23-0000March 23, 1980
44
12
1

.562 (50–89)
No

24
Lucas, JohnJohn Lucas
San Antonio Spurs
157–154
Denver Nuggets
000000001984-04-15-0000April 15, 1984
28
0
0
2
0
2
.641 (66–103)
No
[k]

24
Johnson, Earvin "Magic"Earvin "Magic" Johnson*
Los Angeles Lakers
118–102
Phoenix Suns
000000001984-05-15-0000May 15, 1984
38
6
7
5
2
4
.586 (51–87)
–
[l]

24
Thomas, IsiahIsiah Thomas* (2)
Detroit Pistons
126–128
Washington Bullets
000000001985-02-07-0000February 7, 1985
50
25
10
2
1
2
.495 (48–97)
Yes
[m]

24
Stockton, JohnJohn Stockton* (4)
Utah Jazz
109–111
Los Angeles Lakers
000000001988-05-17-0000May 17, 1988
48
23
3
5
0
3
.515 (34–66)
–
[n]

24
Stockton, JohnJohn Stockton* (5)
Utah Jazz
102–104
Houston Rockets
000000001989-01-03-0000January 3, 1989
45
26
1
6
0
1
.508 (31–61)
Yes
[o]

24
Johnson, Earvin "Magic"Earvin "Magic" Johnson* (2)
Los Angeles Lakers
119–105
Denver Nuggets
000000001989-11-17-0000November 17, 1989
40
24
8
6
1
3
.533 (40–75)
No
[p]

24
Johnson, Earvin "Magic"Earvin "Magic" Johnson* (3)
Los Angeles Lakers
118–121
Phoenix Suns
000000001990-01-09-0000January 9, 1990
45
24
6
2
2
4
.452 (38–84)
No
[q]

24
Sessions, RamonRamon Sessions^
Milwaukee Bucks
135–151
Chicago Bulls
000000002008-04-14-0000April 14, 2008
44:27
20
8
1
1
2
.573 (43–75)
No
[r]

24
Rondo, RajonRajon Rondo^ (2)
Boston Celtics
105–101
New York Knicks
000000002010-10-29-0000October 29, 2010
45:20
10
10
1
0
7
.506 (40–79)
No
[s]

23
West, JerryJerry West*
Los Angeles Lakers
143–133
Philadelphia 76ers
000000001967-02-01-0000February 1, 1967

24
6
–
–
–
.567 (51–90)
No
[t]

23
Porter, KevinKevin Porter (5)
Detroit Pistons
131–119
Houston Rockets
000000001978-12-27-0000December 27, 1978
41
20
3

Yes

23
Porter, KevinKevin Porter (6)
Detroit Pistons
113–124
Los Angeles Lakers
000000001979-03-30-0000March 30, 1979
43
15
3

Yes

23
Archibald, Nate "Tiny"Nate "Tiny" Archibald*
Boston Celtics
145–144
Denver Nuggets
000000001982-02-05-0000February 5, 1982
38
15
4

No
[u]

23
Johnson, Earvin "Magic"Earvin "Magic" Johnson* (4)
Los Angeles Lakers
128–112
Seattle SuperSonics
000000001984-02-21-0000February 21, 1984
36
9
5
2
0
3
.628 (54–86)
Yes
[v]

23
Johnson, Earvin "Magic"Earvin "Magic" Johnson* (5)
Los Angeles Lakers
130–126
Portland Trail Blazers
000000001985-05-03-0000May 3, 1985
41
13
7
1
0
6
.566 (43–76)
–
[w]

23
Johnson, Earvin "Magic"Earvin "Magic" Johnson* (6)
Los Angeles Lakers
114–107
Dallas Mavericks
000000001988-04-20-0000April 20, 1988
42
8
10
0
1
8
.632 (43–68)
No
[x]

23
Lever, Lafayette "Fat"Lafayette "Fat" Lever
Denver Nuggets
139–121
Golden State Warriors
000000001989-04-21-0000April 21, 1989
42
15
13
5
0
1
.579 (55–95)
No
[y]

23
Stockton, JohnJohn Stockton* (6)
Utah Jazz
107–104
Los Angeles Lakers
000000001990-04-12-0000April 12, 1990
44
15
4
3
0
3
.521 (37–71)
Yes
[z]

23
Stockton, JohnJohn Stockton* (7)
Utah Jazz
105–95
Los Angeles Clippers
000000001990-12-08-0000December 8, 1990
41
27
3
4
0
1
.492 (31–63)
Yes
[aa]

23
Stockton, JohnJohn Stockton* (8)
Utah Jazz
135–108
Golden State Warriors
000000001991-11-29-0000November 29, 1991
36
21
2
2
1
4
.608 (48–79)
Yes

23
Stockton, JohnJohn Stockton* (9)
Utah Jazz
120–106
Minnesota Timberwolves
000000001992-04-17-0000April 17, 1992
36
9
2
5
0
4
.569 (41–72)
Yes

23
Blaylock, Daron "Mookie"Daron "Mookie" Blaylock
Atlanta Hawks
139–118
Utah Jazz
000000001993-03-06-0000March 6, 1993
37
11
0
4
0
2
.545 (48–88)
No

23
Stockton, JohnJohn Stockton* 10 !(10)
Utah Jazz
110–102
Portland Trail Blazers
000000001996-04-25-0000April 25, 1996
41
11
2
0
0
1
.581 (36–62)
–
[ab]

23
Van Exel, NickNick Van Exel
Los Angeles Lakers
95–82
Vancouver Grizzlies
000000001997-01-05-0000January 5, 1997
44
8
8
1
0
2
.500 (34–68)
No
[ac]

23
Tinsley, JamaalJamaal Tinsley
Indiana Pacers
110–103
Washington Wizards
000000002001-11-22-0000November 22, 2001
45
19
11
1
1
5
.541 (40–74)
No
[ad]

23
Nash, SteveSteve Nash*
Phoenix Suns
113–100
Los Angeles Lakers
000000002007-04-29-0000April 29, 2007
39:05
17
1
2
1
3
.493 (35–71)
–
[ae]

23
Rondo, RajonRajon Rondo^ (3)
Boston Celtics
105–103
San Antonio Spurs
000000002011-01-05-0000January 5, 2011
43:30
12
10
6
1
5
.615 (40–65)
No
[af]


document_title: List of national anthem performers at the Super Bowl

question_text: who sang the national anthem at superbowl 52

text: Performances[edit]

text:
No.
Year
Venue
Performer(s)[1]

I
1967
Los Angeles Memorial Coliseum, California
The Pride of Arizona, Michigan Marching Band, and UCLA choir

II
1968
Orange Bowl, Miami
GSU Tiger Marching Band

III
1969
Lloyd Geisler of the Washington National Symphony Orchestra[2]
An NFL.com reference ([1]) states that Anita Bryant performed the anthem, but NBC's broadcast of game, available from the Paley Center for Media's collection, shows that Geisler performed it.

IV
1970
Tulane Stadium, New Orleans
Al Hirt

V
1971
Orange Bowl, Miami
Tommy Loy (trumpet)

VI
1972
Tulane Stadium, New Orleans
U.S. Air Force Academy Chorale

VII
1973
Los Angeles Memorial Coliseum
Little Angels (children's choir) of Chicago's Holy Angels Church

VIII
1974
Rice Stadium, Houston, Texas
Charley Pride

IX
1975
Tulane Stadium, New Orleans
GSU Tiger Marching Band (2)

X
1976
Orange Bowl, Miami
Tom Sullivan

XI
1977
Rose Bowl, Pasadena, California
None (Vikki Carr sang "America the Beautiful")

XII
1978
Louisiana Superdome, New Orleans
Phyllis Kelly of Northeast Louisiana University

XIII
1979
Orange Bowl, Miami
The Colgate Thirteen

XIV
1980
Rose Bowl, Pasadena
Cheryl Ladd

XV
1981
Superdome, New Orleans
Helen O'Connell

XVI
1982
Pontiac Silverdome, Pontiac, Michigan
Diana Ross

XVII
1983
Rose Bowl, Pasadena
Leslie Easterbrook

XVIII
1984
Tampa Stadium, Tampa, Florida
Barry Manilow

XIX
1985
Stanford Stadium, Stanford, California
San Francisco Boys Chorus, San Francisco Girls Chorus, Piedmont Children's Chorus, and San Francisco Children's Chorus

XX
1986
Superdome, New Orleans
Wynton Marsalis (trumpet)

XXI
1987
Rose Bowl, Pasadena
Neil Diamond

XXII
1988
Jack Murphy Stadium, San Diego
Herb Alpert (trumpet)

XXIII
1989
Joe Robbie Stadium, Miami
Billy Joel

XXIV
1990
Superdome, New Orleans
Aaron Neville

XXV
1991
Tampa Stadium, Tampa
Whitney Houston with The Florida Orchestra directed by Jahja Ling

XXVI
1992
Metrodome, Minneapolis
Harry Connick, Jr.
ASL (American Sign Language): Lori Hilary

XXVII
1993
Rose Bowl, Pasadena
Garth Brooks
ASL: Marlee Matlin

XXVIII
1994
Georgia Dome, Atlanta
Natalie Cole
ASL: Courtney Keel Foley

XXIX
1995
Joe Robbie Stadium, Miami
Kathie Lee Gifford
ASL: Heather Whitestone

XXX
1996
Sun Devil Stadium, Tempe, Arizona
Vanessa L. Williams
ASL: Mary Kim Titla

XXXI
1997
Superdome, New Orleans
Luther Vandross
ASL: Erika Rachael Schwarz

XXXII
1998
Qualcomm Stadium, San Diego
Jewel
ASL: Phyllis Frelich

XXXIII
1999
Pro Player Stadium, Miami
Cher
ASL: Speaking Hands

XXXIV
2000
Georgia Dome, Atlanta
Faith Hill
ASL: Briarlake Elementary School Signing Choir

XXXV
2001
Raymond James Stadium, Tampa
Backstreet Boys
AASL: Tom Cooney

XXXVI
2002
Superdome, New Orleans
Mariah Carey
ASL: Joe Narcisse

XXXVII
2003
Qualcomm Stadium, San Diego
Dixie Chicks
ASL: Janet Maxwell

XXXVIII
2004
Reliant Stadium, Houston
Beyoncé
ASL: Suzanna Christy

XXXIX
2005
Alltel Stadium, Jacksonville, Florida
Combined choirs of the U.S. Military Academy, the U.S. Naval Academy, the U.S. Air Force Academy (2), and the U.S. Coast Guard Academy, and the U.S. Army Herald Trumpets
ASL: Wesley Tallent

XL
2006
Ford Field, Detroit
Aaron Neville (2) and Aretha Franklin,
Dr. John (piano accompaniment)
ASL: Angela LaGuardia

XLI
2007
Dolphin Stadium, Miami Gardens, Florida
Billy Joel (2)
ASL: Marlee Matlin (2)

XLII
2008
University of Phoenix Stadium, Glendale, Arizona
Jordin Sparks
ASL: A Dreamer[3]

XLIII
2009
Raymond James Stadium, Tampa, Florida
Jennifer Hudson
ASL: Kristen Santos

XLIV
2010
Sun Life Stadium, Miami Gardens
Carrie Underwood
ASL: Kinesha Battles

XLV
2011
Cowboys Stadium, Arlington, Texas
Christina Aguilera
ASL: Candice Villesca[4]

XLVI
2012
Lucas Oil Stadium, Indianapolis
Kelly Clarkson
ASL: Rachel Mazique[5]

XLVII
2013
Mercedes-Benz Superdome, New Orleans
Alicia Keys[6]
ASL: John Maucere[7]

XLVIII
2014
MetLife Stadium, East Rutherford, New Jersey
Renée Fleming
ASL: Amber Zion

XLIX
2015
University of Phoenix Stadium, Glendale, Arizona[8]
Idina Menzel
ASL: Treshelle Edmond[9]

50
2016
Levi's Stadium, Santa Clara, California
Lady Gaga
ASL: Marlee Matlin (3)[10]

LI
2017
NRG Stadium, Houston, Texas
Luke Bryan
ASL: Kriston Lee Pumphery[11].

LII
2018
U.S. Bank Stadium, Minneapolis, Minnesota
Pink
ASL: Alexandria Wailes[12].

text: Multiple and hometown performances[edit]

text: Acts that have performed three times:

text: Marlee Matlin (ASL), (XXVII, XLI, and 50)

text: Acts that have performed two times:

text:
GSU Tiger Marching Band (II and IX)
Billy Joel (XXIII and XLI)
Aaron Neville (XXIV and XL)
U.S. Air Force Academy Chorale[13] (VI and XXXIX)

text: Singers that performed in or near their hometown metropolitan area:

text:
Beyoncé (XXXVIII, Houston)
Aretha Franklin (XL, Detroit)
Al Hirt (IV, New Orleans)
Aaron Neville (XXIV & XL, New Orleans)
Diana Ross (XVI, Detroit)
Jordin Sparks (XLII, Phoenix)

text: Notable performances[edit]

text: The performance by Whitney Houston at Super Bowl XXV in 1991, during the Gulf War, had been for many years regarded as one of the best renditions ever.[14][15][16][17][18][19] It was released as a single a few weeks later, appeared on the album Whitney: The Greatest Hits, and was re-released as a single in 2001 shortly after the September 11 attacks.

text: The 1992 performance marked the first time American Sign Language was used alongside the lead singer.

text: Faith Hill performed the anthem at Super Bowl XXXIV in 2000.[20] It became popular in country radio. Following the September 11 attacks, her version entered the country singles chart at number 35, despite not being released as an official single, and reentered the same chart at number 49 in July 2002.[citation needed]

text: At Super Bowl XLVIII in 2014, in an emotional and groundbreaking performance, soprano Renée Fleming became the first opera singer to perform the national anthem,[21] scoring the highest ratings for a Fox Network program in its history, and the second-highest ratings for any television program in history.

text: Controversies[edit]

text: Just days after Super Bowl XXV, a report surfaced that Whitney Houston lip synced her performance. It was confirmed that she was actually singing into a dead microphone, but the performance heard in the stadium and on television was prerecorded.[22][14][15]

text: Since 1993, the NFL has required performers to supply a backup track.[14] This came after Garth Brooks walked out of the stadium prior to his XXVII performance. Only 45 minutes before kickoff, he refused to take the stage, due to a dispute with NBC. Brooks requested that the network premiere his new music video "We Shall Be Free" during the pregame. The network chose not to air the video, due to content some felt was disturbing imagery. Brooks had also refused to pre-record the anthem, which meant the league had nothing to play if he left. Television producers spotted Jon Bon Jovi in the grandstands, and were prepared to use him as a replacement. After last-minute negotiations, NBC agreed to air a clip of the video during the broadcast of the game,[23] and Brooks was coaxed back into the stadium and sang.[19]

text: Following the "wardrobe malfunction" controversy during Super Bowl XXXVIII in 2004, all scheduled performers for Super Bowl XXXIX were chosen under heavy scrutiny.[24] Game organizers decided not to use a popular music vocalist.[25] The combined choirs of the U.S. Military Academy, the Naval Academy, Air Force Academy, Coast Guard Academy, and the U.S. Army Herald Trumpets were invited to perform. This was the first time since the second inauguration of President Richard Nixon in 1973 that all four service academies sang together.[13][26]

text: Two days after Super Bowl XLIII, it was revealed that Jennifer Hudson also had lip synced.[14]

text: At the beginning of Super Bowl XLV, Christina Aguilera sang the lyrics incorrectly. Instead of singing "O'er the ramparts we watched, were so gallantly streaming", the pop star sang "What so proudly we watched at the twilight's last gleaming".[27][28] According to the New York Times, she also changed "gleaming" to "reaming".[29]

text: Other patriotic performances[edit]

text: The following Super Bowls featured other patriotic performances besides the national anthem. Since 2009, "America the Beautiful" is sung before the national anthem.[30]

text:
1969: Apollo 8 crew
1970: Apollo astronauts
1973: Apollo 17 crew

text:
1977: Vikki Carr (in place of the national anthem)
2001: Ray Charles
2002: Mary J. Blige, Marc Anthony and the Boston Pops Orchestra
2005: Alicia Keys and a tribute video to the recently deceased Ray Charles
2009: Faith Hill
2010: Queen Latifah
2011: Lea Michele
2012: Blake Shelton and Miranda Lambert
2013: Jennifer Hudson with the Sandy Hook Elementary School Chorus[31][32]
2014: Queen Latifah with the New Jersey Youth Chorus
2015: John Legend [9]
2016: U.S. Armed Forces Chorus [33]
2017: Phillipa Soo, Renee Elise Goldsberry and Jasmine Cephas Jones.[34]
2018: Leslie Odom Jr..[35].

text: 2003: Céline Dion


document_title: List of U.S. states and territories by poverty rate

question_text: which us region has the highest poverty rate

text: States and territories[edit]

text:
Rank
State
Poverty Rate
(by Household Income)
People in Poverty
by Household Income
(in thousands)
2014 Poverty Rates
(includes unrelated children)
Supplemental Poverty Measure (2010-2014 average)
(Geographically Adjusted)

-
United States
14.8%
45,950

16.0%[1][2]

1
 New Hampshire
9.2%
117
9.5%
15.5%

2
 Maryland
10.4%
604
9.6%
10.1%

3
 Wyoming
10.6%
54
9.3%
9.3%

4
 Connecticut
10.8%
376
10.6%
12.5%[3][4][5]

5
  North Dakota
11.1%
79
11.0%
9.2%

6
 New Jersey
11.1%
972
13.7%
13.9%[6][7]

7
 Minnesota
11.4%
607
12.1%
9.7%

8
 Alaska
11.4%
81
12.1%
12.5%

9
 Hawaii
11.5%
158
12.6%
17.3%

10
 Massachusetts
11.7%
760
10.9%
13.8%

11
 Virginia
11.8%
955
10.8%
13.3%

12
 Utah
11.8%
341
9.8%
11.6%

13
 Colorado
12.1%
632
12.4%
13.7%

14
 Vermont
12.2%
72
9.7%
13.4%[8]

15
 Nebraska
12.3%
167
10.0%
9.8%[9][10]

16
 Iowa
12.3%
368
10.9%
8.6%

17
 Delaware
13.0%
118
12.4%
13.9%

18
 Wisconsin
13.2%
737
11.1%
10.8%

19
 Washington
13.2%
913
11.9%
12.2%

20
 Kansas
13.5%
381
13.9%
11.5%

21
 Pennsylvania
13.6%
1,679
11.2%
12.6%

22
 Maine
14.0%
181
11.6%
11.2%

23
 South Dakota
14.1%
115
14.3%
10.6%

24
 Illinois
14.3%
1,802
13.3%
15.2%

25
 Rhode Island
14.8%
149
13.2%
13.6%

26
 Idaho
14.8%
237
13.9%
11.8%

27
 Montana
15.2%
151
13.5%
12.1%

28
 Indiana
15.2%
968
16.4%
14.2%

29
 Nevada
15.4%
430
13.1%
19.8%

30
 Missouri
15.5%
908
15.6%
12.4%

31
 Ohio
15.8%
1,778
13.5%
13.2%

32
 New York
15.9%
2,760
15.9%
18.1%[11]

33
 Michigan
16.2%
1,567
27.6%
13.5%

34
 Oregon
16.4%
637
7.11%
10.3%

35
 California
16.4%
6,253
15.5%
23.8%

36
 Oklahoma
16.6%
623
13.0%
13.4%

37
 Florida
16.6%
3,231
14.6%
19.5%[12]

38
 Texas
17.2%
4,519
17.4%
16.4%

39
 North Carolina
17.2%
1,663
17.0%
14.2%

40
 South Carolina
17.9%
838
13.8%
15.8%

41
 Tennessee
18.2%
1,165
16.7%
15.5%

42
 Arizona
18.2%
1,195
21.3%
18.8%

43
 West Virginia
18.3%
328
16.0%
12.9%

44
 Georgia
18.4%
1,298
18.5%
18.2%

45
 District of Columbia
18.4%
114
18.0%
22.7%[13]

46
 Arkansas
18.7%
539
19.1%
16.5%

47
 Kentucky
19.0%
812
17.1%
13.6%

48
 Alabama
19.2%
905
16.8%
13.5%

49
 Louisiana
19.9%
898
14.3%
18.5%[14]

50
 New Mexico
20.6%
347
19.6%
16.1%

51
 Mississippi
21.9%
634
23.2%
16.1%[15]

52
 U.S. Virgin Islands[16]
22.4%
23.6
—
—

53
 Guam[17]
22.9%
35.8
—
—

54
 Puerto Rico[18]
43.5%
1,451.6
—
—

55
 Northern Mariana Islands[19]
52.3%
27.9
—
—

56
 American Samoa[20][A]
57.8%
31.8
—
—

text: Notes[edit]


document_title: 2016–17 Premier League

question_text: who got the most clean sheets in the premier league 2016/17

text: 2016–17 Premier League

text: Overview

text: Premier League rebranding

text: On 9 February 2016, the Premier League announced a rebrand; beginning with the 2016–17 season, the competition was known simply as the Premier League, without any sponsor's name attached. As part of the rebranding, a new logo was introduced.[8]

text: Ticket prices

text: From the beginning of the 2016–17 season, ticket prices for away fans were capped at £30 per ticket.[9]

text: Teams

text: Twenty teams competed in the league – the top seventeen teams from the previous season, as well as three teams promoted from the Championship.

text: Burnley became the first club to be promoted after a 1–0 win against Queens Park Rangers on 2 May 2016 meant they were guaranteed an automatic place.[10] They returned to the League after only a season's absence. Middlesbrough became the second club to be promoted, after a 1–1 draw with Brighton & Hove Albion meant they finished above them on goal difference and secured the second automatic spot. They played Premier League football for the first time since the 2008–09 season.[11] Hull City became the third and final club to be promoted, following a 1–0 win over Sheffield Wednesday in the Championship play-off final at Wembley Stadium on 28 May 2016, to secure their return to the Premier League after only a season's absence.[12]

text: The three promoted clubs replaced Newcastle United, Norwich City and Aston Villa. This was the first season in the Premier League era that former European Cup winners Aston Villa did not compete in the top flight of English football.[13]

text: Stadia and locations

text: West Ham United played for the first time at the London Stadium.[14] Although having a capacity of 60,010, for the first Premier League game this was limited to 57,000 due to safety fears following persistent standing by fans at West Ham's Europa League game played in early August.[15]

text: Stoke City announced that from the 2016–17 season the Britannia Stadium would be renamed to the bet365 Stadium.[16]

text: Tottenham Hotspur played at White Hart Lane with a reduced capacity, due to the north east corner of the stadium being dismantled to help facilitate building works for their new stadium being built adjacently.[17]

text:
Team
Location
Stadium
Capacity[18]

Bournemouth
Bournemouth
Dean Court
11,464

Arsenal
London
Emirates Stadium
60,432

Burnley
Burnley
Turf Moor
22,546

Chelsea
London
Stamford Bridge
41,623

Crystal Palace
London
Selhurst Park
26,309

Everton
Liverpool
Goodison Park
39,572

Hull City
Hull
KCOM Stadium
25,404

Leicester City
Leicester
King Power Stadium
32,500

Liverpool
Liverpool
Anfield
54,074

Manchester City
Manchester
City of Manchester Stadium
55,097

Manchester United
Manchester
Old Trafford
76,100

Middlesbrough
Middlesbrough
Riverside Stadium
35,100

Southampton
Southampton
St Mary's Stadium
32,689

Stoke City
Stoke-on-Trent
bet365 Stadium
28,383

Sunderland
Sunderland
Stadium of Light
49,000

Swansea City
Swansea
Liberty Stadium
20,972

Tottenham Hotspur
London
White Hart Lane
32,000

Watford
Watford
Vicarage Road
21,977

West Bromwich Albion
West Bromwich
The Hawthorns
26,500

West Ham United
London
London Stadium
57,000[15]

text: Personnel and kits

text:
Team
Manager1
Captain
Kit manufacturer
Shirt sponsor

Bournemouth
Howe, Eddie ! Eddie Howe
Francis, Simon ! Simon Francis[19]
JD Sports[20]
Mansion Group[21]

Arsenal
Wenger, Arsène ! Arsène Wenger
Koscielny, Laurent ! Laurent Koscielny2[22]
Puma[23]
Emirates[24]

Burnley
Dyche, Sean ! Sean Dyche
Heaton, Tom ! Tom Heaton[25]
Puma[26]
Dafabet[27]

Chelsea
Conte, Antonio ! Antonio Conte
Terry, John ! John Terry[28]
Adidas[29]
Yokohama[30]

Crystal Palace
 name !Sam Allardyce
Dann, Scott ! Scott Dann[31]
Macron[32]
Mansion Group[33]

Everton
Koeman, Ronald ! Ronald Koeman
Jagielka, Phil ! Phil Jagielka[34]
Umbro[35]
Chang[36]

Hull City
 Marco Silva
Dawson, Michael ! Michael Dawson[37]
Umbro[38]
SportPesa[39]

Leicester City
 Craig Shakespeare
Morgan, Wes ! Wes Morgan[40]
Puma[41]
King Power[42]

Liverpool
Klopp, Jürgen ! Jürgen Klopp
Henderson, Jordan ! Jordan Henderson[43]
New Balance[44]
Standard Chartered[45]

Manchester City
Guardiola, Pep ! Pep Guardiola
Kompany, Vincent ! Vincent Kompany[46]
Nike[47]
Etihad Airways[48]

Manchester United
Mourinho, José ! José Mourinho
Rooney, Wayne ! Wayne Rooney[49]
Adidas[50]
Chevrolet[51]

Middlesbrough
Agnew, Steve ! Steve Agnew (caretaker)
Leadbitter, Grant ! Grant Leadbitter[52]
Adidas[53]
Ramsdens[54]

Southampton
Puel, Claude ! Claude Puel
Davis, Steven ! Steven Davis
Under Armour[55]
Virgin Media[56]

Stoke City
Hughes, Mark ! Mark Hughes
Shawcross, Ryan ! Ryan Shawcross[57]
Macron[58]
bet365[59]

Sunderland
Moyes, David ! David Moyes
Oshea, John ! John O'Shea[60]
Adidas[61]
Dafabet[62]

Swansea City
Paul, Clement ! Paul Clement
Britton, Leon ! Leon Britton[63]
Joma[64]
BetEast[65]

Tottenham Hotspur
Pochettino, Mauricio ! Mauricio Pochettino
Lloris, Hugo ! Hugo Lloris[66]
Under Armour[67]
AIA[68]

Watford
Mazzarri, Walter ! Walter Mazzarri
Deeney, Troy ! Troy Deeney[69]
Dryworld[70]
138.com[71]

West Bromwich Albion
Pulis, Tony ! Tony Pulis
Fletcher, Darren ! Darren Fletcher[72]
Adidas[73]
UK-K8.com[74]

West Ham United
Bilic, Slaven ! Slaven Bilić
Noble, Mark ! Mark Noble[75]
Umbro[76]
Betway[77]

text:
1 According to current revision of List of current Premier League and English Football League managers.
2 Per Mertesacker is the official captain of Arsenal, but due to his season long injury, Laurent Koscielny filled in as captain for Arsenal.
Additionally, referee kits are made by Nike, sponsored by EA Sports, and Nike has a new match ball, the Ordem Premier League.

text: Managerial changes

text:
Team
Outgoing manager
Manner of
departure
Date of vacancy
Position in table
Incoming manager
Date of
appointment

Manchester United
 name !Louis van Gaal
Sacked
23 May 2016[78]
Pre-season
 name !José Mourinho
27 May 2016[79]

Southampton
 name !Ronald Koeman
Signed by Everton
14 June 2016[80]
 name !Claude Puel
30 June 2016[81]

Everton
 name !David Unsworth
End of caretaker spell
14 June 2016[82]
 name !Ronald Koeman
14 June 2016[82]

Chelsea
 name !Guus Hiddink
30 June 2016[83]
 name !Antonio Conte
1 July 2016[83]

Manchester City
 name !Manuel Pellegrini
End of contract
30 June 2016[84]
 name !Pep Guardiola
1 July 2016[85]

Watford
 name !Quique Sánchez Flores
Mutual consent
30 June 2016[86]
 name !Walter Mazzarri
1 July 2016[87]

Hull City
 name !Steve Bruce
Resigned
22 July 2016[88]
 name !Mike Phelan
22 July 2016[89][90]

Sunderland
 name !Sam Allardyce
Signed by England
22 July 2016[91]
 name !David Moyes
23 July 2016[92]

Swansea City
 name !Francesco Guidolin
Sacked
3 October 2016[93]
17th
 name !Bob Bradley
3 October 2016[93]

Crystal Palace
 name !Alan Pardew
22 December 2016[94]
17th
 name !Sam Allardyce
23 December 2016[95]

Swansea City
 name !Bob Bradley
27 December 2016[96]
19th
 name !Paul Clement
2 January 2017[97]

Hull City
 name !Mike Phelan
3 January 2017[98]
20th
 name !Marco Silva
5 January 2017[99]

Leicester City
 name !Claudio Ranieri
23 February 2017[100]
17th
 name !Craig Shakespeare
12 March 2017[101]

Middlesbrough
Karanka, Aitor  ! Aitor Karanka
16 March 2017[102]
19th
 name !Steve Agnew
16 March 2017[103]

text: Results

text: League table

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification or relegation

1
Chelsea (C)
38
30
3
5
85
33
+52
93
Qualification for the Champions League group stage

2
Tottenham Hotspur
38
26
8
4
86
26
+60
86

3
Manchester City
38
23
9
6
80
39
+41
78

4
Liverpool
38
22
10
6
78
42
+36
76
Qualification for the Champions League play-off round

5
Arsenal
38
23
6
9
77
44
+33
75
Qualification for the Europa League group stage[a]

6
Manchester United
38
18
15
5
54
29
+25
69
Qualification for the Champions League group stage[b]

7
Everton
38
17
10
11
62
44
+18
61
Qualification for the Europa League third qualifying round[c]

8
Southampton
38
12
10
16
41
48
−7
46

9
AFC Bournemouth
38
12
10
16
55
67
−12
46

10
West Bromwich Albion
38
12
9
17
43
51
−8
45

11
West Ham United
38
12
9
17
47
64
−17
45

12
Leicester City
38
12
8
18
48
63
−15
44

13
Stoke City
38
11
11
16
41
56
−15
44

14
Crystal Palace
38
12
5
21
50
63
−13
41

15
Swansea City
38
12
5
21
45
70
−25
41

16
Burnley
38
11
7
20
39
55
−16
40

17
Watford
38
11
7
20
40
68
−28
40

18
Hull City (R)
38
9
7
22
37
80
−43
34
Relegation to the EFL Championship

19
Middlesbrough (R)
38
5
13
20
27
53
−26
28

20
Sunderland (R)
38
6
6
26
29
69
−40
24

text:
Jump up ^ Arsenal qualified for the Europa League group stage by winning the 2016–17 FA Cup. As they had also qualified there by the virtue of their league position (5th), this spot was passed to the next-highest ranked team (6th), Manchester United.
Jump up ^ Manchester United qualified for the Champions League group stage by winning the 2016–17 UEFA Europa League. Based on their league position (6th), they would have received the spot above to enter the Europa League group stage. This spot was vacated without replacement as per UEFA regulations.
Jump up ^ Manchester United, winners of the 2016–17 EFL Cup, initially attained a spot in the Europa League third qualifying round. That was passed to the next-highest ranked team in the league not already qualified for UEFA competitions (7th-placed Everton).

tag: ol

text: Results table

text:
Home \ Away
ARS
BOU
BUR
CHE
CRY
EVE
HUL
LEI
LIV
MCI
MUN
MID
SOU
STK
SUN
SWA
TOT
WAT
WBA
WHU

Arsenal
—
3–1
2–1
3–0
2–0
3–1
2–0
1–0
3–4
2–2
2–0
0–0
2–1
3–1
2–0
3–2
1–1
1–2
1–0
3–0

Bournemouth
3–3
—
2–1
1–3
0–2
1–0
6–1
1–0
4–3
0–2
1–3
4–0
1–3
2–2
1–2
2–0
0–0
2–2
1–0
3–2

Burnley
0–1
3–2
—
1–1
3–2
2–1
1–1
1–0
2–0
1–2
0–2
1–0
1–0
1–0
4–1
0–1
0–2
2–0
2–2
1–2

Chelsea
3–1
3–0
3–0
—
1–2
5–0
2–0
3–0
1–2
2–1
4–0
3–0
4–2
4–2
5–1
3–1
2–1
4–3
1–0
2–1

Crystal Palace
3–0
1–1
0–2
0–1
—
0–1
4–0
2–2
2–4
1–2
1–2
1–0
3–0
4–1
0–4
1–2
0–1
1–0
0–1
0–1

Everton
2–1
6–3
3–1
0–3
1–1
—
4–0
4–2
0–1
4–0
1–1
3–1
3–0
1–0
2–0
1–1
1–1
1–0
3–0
2–0

Hull City
1–4
3–1
1–1
0–2
3–3
2–2
—
2–1
2–0
0–3
0–1
4–2
2–1
0–2
0–2
2–1
1–7
2–0
1–1
2–1

Leicester City
0–0
1–1
3–0
0–3
3–1
0–2
3–1
—
3–1
4–2
0–3
2–2
0–0
2–0
2–0
2–1
1–6
3–0
1–2
1–0

Liverpool
3–1
2–2
2–1
1–1
1–2
3–1
5–1
4–1
—
1–0
0–0
3–0
0–0
4–1
2–0
2–3
2–0
6–1
2–1
2–2

Manchester City
2–1
4–0
2–1
1–3
5–0
1–1
3–1
2–1
1–1
—
0–0
1–1
1–1
0–0
2–1
2–1
2–2
2–0
3–1
3–1

Manchester United
1–1
1–1
0–0
2–0
2–0
1–1
0–0
4–1
1–1
1–2
—
2–1
2–0
1–1
3–1
1–1
1–0
2–0
0–0
1–1

Middlesbrough
1–2
2–0
0–0
0–1
1–2
0–0
1–0
0–0
0–3
2–2
1–3
—
1–2
1–1
1–0
3–0
1–2
0–1
1–1
1–3

Southampton
0–2
0–0
3–1
0–2
3–1
1–0
0–0
3–0
0–0
0–3
0–0
1–0
—
0–1
1–1
1–0
1–4
1–1
1–2
1–3

Stoke City
1–4
0–1
2–0
1–2
1–0
1–1
3–1
2–2
1–2
1–4
1–1
2–0
0–0
—
2–0
3–1
0–4
2–0
1–1
0–0

Sunderland
1–4
0–1
0–0
0–1
2–3
0–3
3–0
2–1
2–2
0–2
0–3
1–2
0–4
1–3
—
0–2
0–0
1–0
1–1
2–2

Swansea City
0–4
0–3
3–2
2–2
5–4
1–0
0–2
2–0
1–2
1–3
1–3
0–0
2–1
2–0
3–0
—
1–3
0–0
2–1
1–4

Tottenham Hotspur
2–0
4–0
2–1
2–0
1–0
3–2
3–0
1–1
1–1
2–0
2–1
1–0
2–1
4–0
1–0
5–0
—
4–0
4–0
3–2

Watford
1–3
2–2
2–1
1–2
1–1
3–2
1–0
2–1
0–1
0–5
3–1
0–0
3–4
0–1
1–0
1–0
1–4
—
2–0
1–1

West Bromwich Albion
3–1
2–1
4–0
0–1
0–2
1–2
3–1
0–1
0–1
0–4
0–2
0–0
0–1
1–0
2–0
3–1
1–1
3–1
—
4–2

West Ham United
1–5
1–0
1–0
1–2
3–0
0–0
1–0
2–3
0–4
0–4
0–2
1–1
0–3
1–1
1–0
1–0
1–0
2–4
2–2
—

text: Season statistics

text: Scoring

text: Top scorers

text:
Rank
Player
Club
Goals[1]

1
 Harry Kane
Tottenham Hotspur
29

2
 Romelu Lukaku
Everton
25

3
 Alexis Sánchez
Arsenal
24

4
 Sergio Agüero
Manchester City
20

 Diego Costa
Chelsea

6
 Dele Alli
Tottenham Hotspur
18

7
 Zlatan Ibrahimović
Manchester United
17

8
 Eden Hazard
Chelsea
16

 Joshua King
Bournemouth

10
 Christian Benteke
Crystal Palace
15

 Jermain Defoe
Sunderland

 Fernando Llorente
Swansea City

text: Hat-tricks

text:
Player
For
Against
Result
Date
Ref

 Lukaku, RomeluRomelu Lukaku
Everton
Sunderland
3–0 (A)
000000002016-09-12-000012 September 2016
[105]

 Sánchez, AlexisAlexis Sánchez
Arsenal
West Ham United
5–1 (A)
000000002016-12-03-00003 December 2016
[106]

 Vardy, JamieJamie Vardy
Leicester City
Manchester City
4–2 (H)
000000002016-12-10-000010 December 2016
[107]

 Rondón, SalomónSalomón Rondón
West Bromwich Albion
Swansea City
3–1 (H)
000000002016-12-14-000014 December 2016
[108]

 Gray, AndreAndre Gray
Burnley
Sunderland
4–1 (H)
000000002016-12-31-000031 December 2016
[109]

 Kane, HarryHarry Kane
Tottenham Hotspur
West Bromwich Albion
4–0 (H)
000000002017-01-14-000014 January 2017
[110]

 Lukaku, RomeluRomelu Lukaku4
Everton
Bournemouth
6–3 (H)
000000002017-02-04-00004 February 2017
[111]

 Kane, HarryHarry Kane
Tottenham Hotspur
Stoke City
4–0 (H)
000000002017-02-26-000026 February 2017
[112]

 King, JoshuaJoshua King
Bournemouth
West Ham United
3–2 (H)
000000002017-03-11-000011 March 2017
[113]

 Kane, HarryHarry Kane4
Tottenham Hotspur
Leicester City
6–1 (A)
000000002017-05-18-000018 May 2017
[114]

 Kane, HarryHarry Kane
Tottenham Hotspur
Hull City
7–1 (A)
000000002017-05-21-000021 May 2017
[115]

text: 4 Player scored 4 goals; (H) – Home ; (A) – Away

text: Clean sheets

text:
Rank
Player
Club
Clean
sheets[116]

1
 Thibaut Courtois
Chelsea
16

2
 Hugo Lloris
Tottenham Hotspur
15

3
 David de Gea
Manchester United
14

 Fraser Forster
Southampton

5
 Petr Čech
Arsenal
12

6
 Tom Heaton
Burnley
10

 Joel Robles
Everton

8
 Artur Boruc
Bournemouth
9

 Lee Grant
Stoke City

 Simon Mignolet
Liverpool

text: Discipline

text: Player

text:
Most yellow cards: 14[117]

José Holebas (Watford)

Most red cards: 2[118]

Miguel Britos (Watford)
Fernandinho (Manchester City)
Granit Xhaka (Arsenal)

text: Club

text:
Most yellow cards: 84[119]

Watford

text:
Most red cards: 5[120]

Hull City
Watford
West Ham United

text: Awards

text: Monthly awards

text:
Month
Manager of the Month
Player of the Month
Goal of the Month
Reference

Manager
Club
Player
Club
Player
Club

August
 Mike Phelan
Hull City
 Raheem Sterling
Manchester City
 Cristhian Stuani
Middlesbrough
[121][122]

September
 Jürgen Klopp
Liverpool
 Son Heung-min
Tottenham Hotspur
 Jordan Henderson
Liverpool
[123][124]

October
 Antonio Conte
Chelsea
 Eden Hazard
Chelsea
 Dimitri Payet
West Ham United
[125][126][127]

November
 Antonio Conte
Chelsea
 Diego Costa
Chelsea
 Pedro
Chelsea
[128][129][130]

December
 Antonio Conte
Chelsea
 Zlatan Ibrahimović
Manchester United
 Henrikh Mkhitaryan
Manchester United
[131][132][133]

January
 Paul Clement
Swansea City
 Dele Alli
Tottenham Hotspur
 Andy Carroll
West Ham United
[134][135][136]

February
 Pep Guardiola
Manchester City
 Harry Kane
Tottenham Hotspur
 Eden Hazard
Chelsea
[137][138][139]

March
 Eddie Howe
Bournemouth
 Romelu Lukaku
Everton
 Andros Townsend
Crystal Palace
[140][141][142]

April
 Mauricio Pochettino
Tottenham Hotspur
 Son Heung-min
Tottenham Hotspur
 Pedro
Chelsea
[143][144][145]

text: Annual awards

text: Premier League Manager of the Season

text: The Premier League Manager of the Season was awarded to Antonio Conte.[146]

text: Premier League Player of the Season

text: The Premier League Player of the Season was awarded to N'Golo Kanté.[147]

text:
De Gea
Cahill
Walker
Luiz
Rose
Hazard
Alli
Kanté
Mané
Lukaku
Kane

PFA Team of the Year[148]

text: PFA Player of the Year

text: The PFA Players' Player of the Year was awarded to N'Golo Kanté.[149]

text: PFA Team of the Year

text: The PFA Team of the Year was:[148]

text:
Goalkeeper: David de Gea (Manchester United)
Defence: Kyle Walker (Tottenham Hotspur), Gary Cahill (Chelsea), David Luiz (Chelsea), Danny Rose (Tottenham Hotspur)
Midfield: Eden Hazard (Chelsea), Dele Alli (Tottenham Hotspur), N'Golo Kanté (Chelsea), Sadio Mané (Liverpool)
Attack: Harry Kane (Tottenham Hotspur), Romelu Lukaku (Everton)

text: PFA Young Player of the Year

text: The PFA Young Player of the Year was awarded to Dele Alli.[150]

text: FWA Footballer of the Year

text: The FWA Footballer of the Year was awarded to N'Golo Kanté.[151]


document_title: Horton Hears a Who! (film)

question_text: who plays horton in horton hears a who

question_tokens: who plays horton in horton hears a who

text: Horton Hears a Who! (film)

text: Plot[edit]

text: A dust speck is dislodged from its obscure place and sent adrift through the Jungle of Nool. At the same time, Horton the elephant, the jungle's eccentric nature teacher, takes a dip in the pool. The dust speck floats past him in the air, and he hears a tiny yelp coming from it. Believing that an entire society of microscopic creatures are living on that speck, he places it atop of a clover. Horton finds out the speck harbors the city of Whoville and its inhabitants, the Whos, led by Mayor Ned McDodd.

text: He has a wife, Sally, ninety six daughters (whose names all begin with the letter H), and one teenage son named JoJo. Despite being the oldest and next in line for the mayoral position, JoJo doesn't want to be the next mayor, and because he's so scared of disappointing his father, never talks. Once Horton begins carrying the speck with him, the city starts experiencing strange phenomena (earthquakes and changes in the weather), and the Mayor finds his attempts to caution Whoville challenged by the Town Council, led by the opportunistic yet condescending Chairman.

text: After he makes contact with Horton, the Mayor finds out from Dr. Mary Lou LaRue that Whoville will be destroyed if Horton does not find a "safer, more stable home". Horton resolves (with the help of his best friend Morton the mouse) to place the speck atop Mt. Nool, the safest place in the jungle. The head of the jungle, Jane Kangaroo, disbelieving Horton's beliefs and resenting him for overshadowing her authority, attempts several times to demand that Horton give up the speck, but Horton ignores her demands. Also taking force toward Horton are the Wickersham Brothers, a group of monkeys who love making misery. Eventually, the Kangaroo enlists a vulture named Vlad Vladikoff to get rid of the speck by force.

text: Vlad manages to steal the clover away from Horton and drops it into a massive field of identical pink clovers, causing an apocalyptic tremor in Whoville. After unsuccessfully picking nearly three million clovers, Horton eventually recovers the clover (exactly the 3,000,000th clover). The Kangaroo eventually finds out, thanks to Mrs. Quilligan, that Horton still has the speck, and decides to rally the jungle community into fighting Horton, saying that Horton's goal will lead to anarchy. Upon cornering him, the Kangaroo offers Horton an escape from punishment by renouncing Whoville's existence.

text: Despite Horton's heartfelt speech when he refuses, the Kangaroo orders the animals to rope and cage him, and to have the speck and the Whos destroyed in a pot of boiling beezlenut oil. The Mayor enlists all of his people to make noise by shouting "We are here!", as well as playing a variety of instruments, so the animals may hear them, assisted by JoJo's "Symphonophone", an invention which creates a huge musical contribution (which reveals that JoJo's "true" passion is music), but still fails to penetrate the surface of the speck.

text: As Horton lies beaten and captured, the Kangaroo easily takes the clover, and drops it. Meanwhile, JoJo grabs the horn used to project Horton's voice, runs up the highest tower and screams "YOPP!", breaking through the sound barrier just seconds before the speck hits the oil.

text: The Kangaroo's son, Rudy grabs the clover and returns it to Horton. The animals finally hear the Whos and realize the truth and isolate the Kangaroo for tricking them. While being praised for his integrity by his neighbors, Horton even forgives the devastated Kangaroo, and she befriends him with a makeshift umbrella for Whoville. Here, the people of Whoville and the animals of Nool gather in song and recite the chorus from "Can't Fight This Feeling". The film ends with the narrator revealing that the Jungle of Nool, or rather Earth, is just one speck, like Whoville, among numerous others, floating in outer space.

text: Voice cast[edit]

text:
Jim Carrey as Horton the Elephant, an outgoing, big-hearted, loving, sweet, and thoughtful elephant and teacher in the Jungle of Nool. Horton has no tusks, lives by himself and possesses acute hearing abilities.
Steve Carell as Mayor Ned McDodd, the mayor of Whoville. He has 96 daughters, 1 son named JoJo and a wife named Sally.
Carol Burnett as Jane Kangaroo, who mistrusts Horton's inquisitive nature as a threat to her legal authority over Nool.
Will Arnett as Vlad Vladikoff, a Russian-accented[5] vulture hired by the Sour Kangaroo to steal Horton's clover.
Seth Rogen as Morton the Mouse, a mouse and Horton's best friend in the Jungle of Nool.
Dan Fogler as the Chairman of Whoville, dedicated to Whoville tradition and mistrustful of the Mayor.

Fogler also voices Yummo Wickersham, leader of the Wickersham ape tribe brothers.

Isla Fisher as Dr. Mary Lou LaRue, a professor at Who U.
Jonah Hill as Tommy, one of Horton's students.
Amy Poehler as Sally O'Malley, the Mayor's wife and mother to Jojo and her 96 daughters.
Jaime Pressly as Mrs. Quilligan, Jessica's mother.
Charles Osgood as the Narrator
Jesse McCartney as JoJo, the Mayor's son.
Josh Flitter as Rudy Kangaroo, the Sour Kangaroo's son.
Niecy Nash as Miss Yelp, the Mayor's assistant.
Laura Ortiz as Jessica Quilligan, Mrs. Quilligan's daughter and one of Horton's students.
Selena Gomez as Helga, one of the Mayor's 96 daughters.
Joey King as Katie, a cute, but eccentric little baby yak.
Bill Farmer as Willie, a bear and Tommy's dad.
Heather Goldenhersh as a Who Girl

text: Production[edit]

text: In March 2005, as Blue Sky Studios was completing Robots, the studio started courting Dr. Seuss' widow Audrey Geisel on getting the adaptation rights for Horton Hears a Who!.[6] The art director for Robots, Steve Martino, along with story consultant and additional scene director Jimmy Hayward,[7] created a model of protagonist Horton and some animation tests to showcase their design ideas to Geisel,[6] who eventually agreed on "a seven-figure deal" for both the book and its predecessor Horton Hatches the Egg. Cinco Paul and Ken Daurio were then hired to write the script,[8] to be directed by Hayward and Martino with a set release date of 2008.[7]

text: Geisel was credited as a supervising producer and watched production up close,[6] and also gave the directors full access to her late husband's archives, and thus they investigated on his original sketches, 3-D sculptures, work done for The 5,000 Fingers of Dr. T and even memos Dr. Seuss traded with Chuck Jones during the production of the Grinch TV special.[9] For references in doing the character animation, along with footage of the voice actors performing their lines, the Blue Sky animators recorded themselves performing the script in an "acting room" to see what of their body language could translate well into the film.[10]

text: To make Horton different from the mammoths Blue Sky worked with in the Ice Age series, the elephant would at times walk on two legs, in a way that it looked like "a fat man in an elephant suit". While the design had a major difference from the original book, with a bigger mouth to allow for wider facial expressions like those of Jim Carrey, as the directors noticed Horton's design in the book varied according to his emotion, the 3D wireframe tried to allow for the same effects.[11]

text: Soundtrack[edit]

text: The original score for the film's soundtrack album was composed by John Powell. A soundtrack, consisting of the film's score, was released on March 25, 2008, by Varèse Sarabande.[12][13] Near the end of the picture, the cast comes together and sings the song, "Can't Fight This Feeling" by REO Speedwagon.[14]

text:
Horton Hears a Who!
(Original Motion Picture Soundtrack)

Film score by John Powell

Released
March 25, 2008

Genre
Soundtrack

Length
59:56

Label
Varèse Sarabande

Producer
John Powell

text: Others songs featured in the film are:[15]

text:
Title
Performer

"Can't Fight This Feeling"
Jim Carrey, Steve Carell, Amy Poehler, Carol Burnett, Dan Fogler, Seth Rogen, Will Arnett and Jesse McCartney

"Quickie"
Thomas Foyer

"Swingville Sashay"
Muff & Rezz

"Agua Melao"
Gilberto Candido

"The Blue Danube"
Johann Strauß (as Johann Strauss II)

text: Reception[edit]

text: Critical reception[edit]

text: Review aggregator Rotten Tomatoes reports that 79% of critics gave the film positive reviews, based on 132 reviews. The site's consensus reads, "Horton Hears A Who! is both whimsical and heartwarming, and is the rare Dr. Seuss adaptation that stays true to the spirit of the source material."[16] Another review aggregator, Metacritic, calculated a score of 71 out of 100 based on 31 reviews, indicating "generally favorable reviews."[17] According to CinemaScore, the film version rated an "A-" on an "A+" to "F" scale.

text: Box office[edit]

text: Horton Hears a Who! grossed a total of $297 million on a $85 million budget. $155 million came from the United States and Canada, and $143 million from other territories.[18]

text: In its opening weekend, the film grossed $45 million in 3,954 theaters, averaging $11,384 per theater in the United States and Canada, and ranking #1 at the box office.[19]

text: The film previously had the fourth-largest opening weekend in March, behind Ice Age, Ice Age: The Meltdown and 300, and as of September 2012, it ranks on the 15th place.[20] In the United States and Canada, Horton Hears a Who! was also the #1 film its second weekend of release, grossing $25 million over the Easter frame, in 3,961 theaters and averaging $6,208 per venue. It dropped to #2 in its third weekend grossing $17.8 million in 3,826 theaters and averaging $4,637 per venue.

text: Interpretations[edit]

text: Horton Hears a Who!, like other Dr. Seuss creations, contains layered subtexts and messages. A major theme regards on learning about universal values between vastly different places and people, as shown by the quote "A person's a person, no matter how small". This is employed on many levels, primarily with Horton hearing a world in a speck, while also appearing with the Mayor's relationship with his son, and Sour Kangaroo learning the truth about Horton's beliefs.[21]

text: The movie characters display traditional gender roles. According to NPR host and father of three daughters Peter Sagal, "In a new subplot added by the filmmakers, the mayor of Whoville has 96 daughters. He has one son. Guess who gets all his attention? Guess who saves the day?"[22]

text: Awards[edit]

text:
Award
Category
Nominee
Result

Annie Award[23]
Best Animated Effects
Alen Lai
Nominated

Best Character Animation in a Feature Production
Jeff Gabor

Best Character Design in an Animated Feature Production
Sang Jun Lee

Best Music in an Animated Feature Production
John Powell

Best Writing in an Animated Feature Production
Cinco Paul and Ken Daurio

ASCAP Award[24]
Top Box Office Films
John Powell for Bolt, Hancock and Jumper
Won

Golden Trailer Award[25]
Best Animation/Family TV Spot for "Whomongous"
Horton Hears a Who!
Nominated

IFMCA Award[26]
Best Original Score for an Animated Feature Film
John Powell

Golden Reel Award[27]
Best Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR Animation in a Feature Film
Randy Thom (supervising sound editor, sound designer)
Dennis Leonard (supervising sound editor)
Jonathan Null (supervising dialogue/adr editor)
Sue Fox (supervising foley editor)
Thomas A. Carlson (music editor)
Steve Slanec (dialogue editor)
Colette D. Dahanne (sound effects editor)
Pete Horner (sound effects editor)
Kyrsten Mate (sound effects editor)
Mac Smith (sound effects editor)
Jeremy Bowker (foley editor)
Andrea Gard (foley editor)
Ronni Brown (foley artist)
Ellen Heuer (foley artist)
Dennie Thorpe (foley artist)
Jana Vance (foley artist)

OFCS Award[28]
Best Animated Feature
Horton Hears a Who!

Satellite Award[29]
Best Motion Picture, Animated or Mixed Media
Horton Hears a Who!

Best Original Score
John Powell

Young Artist Award[30]
Best Performance in a Voice-Over Role - Young Actress
Selena Gomez, Shelby Adamowsky and Joey King

text: Home media release[edit]

text: Dr. Seuss' Horton Hears a Who! was released on DVD and Blu-ray on December 9, 2008. Three versions of the DVD are available: a single-disc edition, a 2-disc special edition, and a gift set packaged with a Horton plush.[31]

text: A Blu-ray combo pack with a DVD and digital copy was released on October 11, 2011.[32] The home media included an Ice Age-related short film, Surviving Sid.

text: In the United States, the film earned $77,630,768 from DVD sales and $180,434 from Blu-ray sales for a total of $77,811,202 in video sales.[33]


document_title: Some Like It Hot

question_text: where did they film some like it hot

question_tokens: where did they film some like it hot

text: Some Like It Hot

text: Plot[edit]

text: It is February 1929 in the city of Chicago, during the era of prohibition. Joe (Tony Curtis) is an irresponsible jazz saxophone player, gambler and ladies' man; his friend Jerry (Jack Lemmon) is a sensible jazz double-bass player; both are working in a speakeasy (disguised as a funeral home) owned by mob gangster "Spats" Colombo (George Raft). When the joint is raided by the police after being tipped off by informant "Toothpick" Charlie (George E. Stone), Joe and Jerry flee—only to accidentally witness Spats and his henchmen exacting his revenge on "Toothpick" and his own gang (inspired by the real-life Saint Valentine's Day Massacre). Penniless and in a mad rush to get out of town, the two musicians take a job with Sweet Sue (Joan Shawlee) and her Society Syncopators, an all-female band headed to Miami. Disguised as women and renaming themselves Josephine and Daphne, they board a train with the band and their male manager, Bienstock. Before they board the train, Joe and Jerry notice Sugar Kane (Marilyn Monroe), the band's vocalist and ukulele player.

text: Joe and Jerry become enamored of Sugar and compete for her affection while maintaining their disguises. Sugar confides to Joe that she has sworn off male saxophone players, who have stolen her heart in the past and left her with "the fuzzy end of the lollipop". She has set her sights on finding a sweet, bespectacled millionaire in Florida. During the forbidden drinking and partying on the train, Josephine and Daphne become intimate friends with Sugar, and have to struggle to remember that they are supposed to be girls and cannot make a pass at her.

text: Once in Miami, Joe woos Sugar by assuming a second disguise as a millionaire named Junior, the heir to Shell Oil, while feigning disinterest in Sugar. An actual millionaire, the much-married aging mama's boy Osgood Fielding III, (Joe E. Brown) tries repeatedly to pick up Daphne, who rebuffs him. Osgood invites Daphne for a champagne supper on his yacht. Joe convinces Daphne to keep Osgood occupied onshore so that Junior can take Sugar to Osgood's yacht, passing it off as his. Once on the yacht, Junior explains to Sugar that, due to psychological trauma, he is impotent and frigid, but that he would marry anyone who could change that. Sugar tries to arouse some sexual response in Junior, and begins to succeed. Meanwhile, Daphne and Osgood dance the tango ("La Cumparsita") till dawn. When Joe and Jerry get back to the hotel, Jerry explains that Osgood has proposed marriage to Daphne and that he, as Daphne, has accepted, anticipating an instant divorce and huge cash settlement when his ruse is revealed. Joe convinces Jerry that he cannot actually marry Osgood.

text: The hotel hosts a conference for "Friends of Italian Opera", which is in fact a front for a major meeting of various branches of La Cosa Nostra. Spats and his gang from Chicago recognize Joe and Jerry as the witnesses to the Valentine's Day murders. Joe and Jerry, fearing for their lives, realize they must quit the band and leave the hotel. Joe breaks Sugar's heart by telling her that he, Junior, has to marry a woman of his father's choosing and move to Venezuela. After several chases, Joe and Jerry witness additional mob killings, this time of Spats and his boys. Joe, dressed as Josephine, sees Sugar onstage singing that she will never love again. He kisses her before he leaves, and Sugar realizes that Joe is both Josephine and Junior.

text: Sugar runs from the stage at the end of her performance and manages to jump into the launch from Osgood's yacht New Caledonia just as it is leaving the dock with Joe, Jerry, and Osgood. Joe tells Sugar that he is not good enough for her, that she would be getting the "fuzzy end of the lollipop" yet again, but Sugar wants him anyway. Jerry, for his part, comes up with a list of reasons why he and Osgood cannot get married, ranging from a smoking habit to infertility. Osgood dismisses them all; he loves Daphne and is determined to go through with the marriage. Exasperated, Jerry removes his wig and shouts, "I'm a man!". Osgood, unfazed, simply responds, "Well, nobody's perfect."

text: Cast[edit]

text:
Marilyn Monroe as Sugar "Kane" Kowalczyk, a ukulele player and singer
Tony Curtis as Joe/"Josephine"/"Shell Oil Junior", a saxophone player
Jack Lemmon as Jerry (Gerald)/"Daphne", a double bass player
George Raft as "Spats" Colombo, a mobster from Chicago
Pat O'Brien as Detective Mulligan
Joe E. Brown as Osgood Fielding III
Nehemiah Persoff as "Little Bonaparte," a mobster
Joan Shawlee as Sweet Sue, the bandleader of "Sweet Sue and Her Society Syncopators"
Dave Barry as Mister Beinstock, the band manager for "Sweet Sue and Her Society Syncopators"
Billy Gray as Sig Poliakoff, Joe and Jerry's agent in Chicago
Barbara Drew as Nellie Weinmeyer, Poliakoff's secretary
George E. Stone as "Toothpick" Charlie, a gangster who is killed by "Spats" Colombo
Mike Mazurki as Spats's henchman
Harry Wilson as Spats's henchman
Edward G. Robinson Jr. as Johnny Paradise, a gangster who kills "Spats" Colombo
Beverly Wills as Dolores, a trombone player, and Sugar's apartment friend
Al Breneman as the fresh bellboy (uncredited)[citation needed]
Tito Vuolo as Mr. Mozzarella, funeral director (uncredited)[citation needed]
Tom Kennedy as Mozzarella's bouncer (uncredited)[citation needed]
Grace Lee Whitney as Rosella (uncredited)

text: Soundtrack[edit]

text:
Some Like It Hot: Original MGM Motion Picture Soundtrack

Soundtrack album

Released
24 February 1998

Genre
Soundtrack
Jazz

Length
32:22

text: The soundtrack features 4 songs performed by Marilyn Monroe for the movie, 9 songs composed by Adolph Deutsch, as well as 2 songs performed by jazz artist Matty Malneck.[4]

text:
No.
Title
Length

1.
"Runnin' Wild" (Marilyn Monroe)
1:07

2.
"Medley: Sugar Blues/Running Wild" (Adolph Deutsch & His Orchestra)
1:32

3.
"Down Among the Sheltering Palms" (Adolph Deutsch & His Orchestra)
1:59

4.
"Randolph Street Rag" (Adolph Deutsch)
1:28

5.
"I Wanna Be Loved By You" (Marilyn Monroe)
2:58

6.
"Park Avenue Fantasy" (Adolph Deutsch & His Orchestra)
3:34

7.
"Medley: Down Among the Sheltering Palms / La Cumparsita / I Wanna Be Loved By You" (Adolph Deutsch & His Orchestra)
2:20

8.
"I'm Thru With Love" (Marilyn Monroe)
2:34

9.
"Medley: Sugar Blues / Tell the Whole Damn World" (Adolph Deutsch & His Orchestra)
3:25

10.
"Play It Again Charlie" (Adolph Deutsch)
1:49

11.
"Sweet Georgia Brown" (Matty Malneck & His Orchestra)
2:57

12.
"By the Beautiful Sea" (Adolph Deutsch & His Orchestra)
1:22

13.
"Park Avenue Fantasy (Reprise)" (Adolph Deutsch & His Orchestra)
2:10

14.
"Some Like It Hot" (Matty Malneck & His Orchestra)
1:46

15.
"Some Like It Hot (Single Version)" (Marilyn Monroe)
1:21

Total length:
32:22

text: Production[edit]

text: Pre-production[edit]

text: Billy Wilder wrote the script for the film Some Like it Hot.[5] The plot is based on a screenplay by Robert Thoeren and Michael Logan from the 1935 French film Fanfare of Love.[6] However, the original script for Fanfare of Love was untraceable, so Walter Mirisch found a copy of the 1951 German remake Fanfares of Love. He bought the rights to the script and Wilder worked with this to produce a new story.[6] Although Some Like It Hot has been seen as a remake of Fanfare of Love, as both films follow the story of two musicians in search of work,[5] Wilder was the creator of the gangster subplot that kept the musicians on the run.[7]

text: The studio hired Barbette, a famous female impersonator, to coach Lemmon and Curtis on gender illusion for the film.[6]

text: Marilyn Monroe worked for 10% of the gross in excess of $4 million, Tony Curtis for 5% of the gross over $2 million and Billy Wilder 17.5% of the first million after break-even and 20% thereafter.[8]

text: Casting[edit]

text: Tony Curtis was spotted by Billy Wilder while he was making the film Houdini (1953),[9] as he thought Tony would be perfect for the role of Joe. "I was sure Tony was right for it," explained Wilder, "because he was quite handsome, and when he tells Marilyn that he is one of the Shell Oil family, she has to be able to believe it".[10] Wilder's first idea for the role of Jerry was Frank Sinatra, but he never came to the audition.[11] Jerry Lewis and Danny Kaye were also considered for the role of Jerry. Finally, Wilder saw Jack Lemmon in the comedy Operation Mad Ball[12] and selected him for the role of Jerry. Billy Wilder and Jack Lemmon made numerous films together until 1981, among them The Apartment and several films with Walter Matthau.

text: According to York Film Notes, Billy Wilder and I.A.L. Diamond didn't expect such a big star as Marilyn Monroe to take the part of Sugar[5] in fact, Wilder said, "Mitzi Gaynor was who we had in mind. The word came that Marilyn wanted the part and then we had to have Marilyn."[13] Wilder and Monroe had already made the film The Seven Year Itch together in 1955.

text: Filming[edit]

text: The film was made in California during the summer and autumn of 1958.[14] Many scenes were shot at the Hotel del Coronado in San Diego which appeared as the "Seminole Ritz Hotel" in Miami in the film. The Hotel in San Diego fitted into the era of the 1920s and was near Hollywood, so Wilder chose it although it was not in Florida.

text: There were many problems with Marilyn Monroe, who lacked concentration and suffered from addiction to pills. She could not memorize many of her lines and required 47 takes to get "It's me, Sugar" correct, instead saying either "Sugar, it's me" or "It's Sugar, me". Tony Curtis and Jack Lemmon made bets during the filming how many takes Marilyn would need to get it right.[15] For the scene with Shell Jr. and Sugar at the beach three days for shooting were scheduled. Although Marilyn had plenty of complicated lines, the whole scene between Shell Jr. and Sugar was completely finished in only 20 minutes.[16] Monroe's acting coach Paula Strasberg and Monroe's husband Arthur Miller both tried to influence the production, which Wilder and other crew members found annoying.[17][18]

text: Billy Wilder said in 1959 about filming another movie with Marilyn Monroe: "I have discussed this with my doctor and my psychiatrist and they tell me I'm too old and too rich to go through this again."[19] But Wilder also admitted: "My Aunt Minnie would always be punctual and never hold up production, but who would pay to see my Aunt Minnie?"[20] He also stated that Monroe played her part wonderfully.[21]

text: The film's iconic closing line, "Nobody's perfect"—now ranked 78th on The Hollywood Reporter list of Hollywood's 100 Favorite Movie Lines—was never supposed to be in the final cut. Diamond and Wilder put it in the script as a "placeholder" until they could come up with something better, but never did.[22]

text: Style[edit]

text: With regards to sound design, there is a 'strong musical element'[5] in the film, with the soundtrack created by Adolph Deutsch. It has an authentic 1920s jazz feel using sharp, brassy strings to create tension in certain moments, for example whenever Spats' gangsters appear. In terms of cinematography and aesthetics, Billy Wilder chose to shoot the film in black and white as Jack Lemmon and Tony Curtis in full drag costume and make-up looked 'unacceptably grotesque' in early color tests.[5]

text: Reception[edit]

text: Some Like It Hot received widespread acclaim from critics, and is considered among the best films of all time. It received six Academy Award nominations, including Best Actor for Lemmon and Best Director and Best Screenplay for Wilder, the latter along with I.A.L. Diamond.[23] It was voted as the top comedy film by the American Film Institute on their list on AFI's 100 Years... 100 Laughs poll in 2000.[24]

text: By 1962, the film had grossed $14 million in the US.[25]

text: Roger Ebert wrote about the movie, "Wilder's 1959 comedy is one of the enduring treasures of the movies, a film of inspiration and meticulous craft."[26] John McCarten of The New Yorker referred to the film as "a jolly, carefree enterprise".[27] The Guardian's Richard Roud claims that Wilder comes "close to perfection" with the film.[28]

text: On Rotten Tomatoes, the film has an approval rating of 96% based on 51 reviews, and the average rating is 9 out of 10. The site's critical consensus reads, "Some Like It Hot: A spry, quick-witted farce that never drags."[29]

text: In 1989, this film became one of the first 25 inducted into the United States National Film Registry.[30]

text: Though sometimes said to have been "condemned" by the Roman Catholic Church's Legion of Decency, that body gave the film its less critical rating as "morally objectionable".[31]

text: In 2017, the BBC conducted an international survey for the best comedy in film history among 253 film critics from 50 countries, which ranked Some Like It Hot as number one.[32]

text: Awards and honors[edit]

text:
Date of ceremony
Award
Category
Recipients and nominees
Result

August 23 – September 6, 1959[33]
Venice Film Festival
Golden Lion
Some Like It Hot
Nominated

December 1959[34][35]
National Board of Review Awards
Top Ten Films
Some Like It Hot
Won

February 6, 1960[36][37]
Directors Guild of America Award
Outstanding Achievement in Feature Film
Billy Wilder
Nominated

1960[38]
British Academy Film Awards
Best Film from any Source
Some Like It Hot
Nominated

Best Foreign Actor
Jack Lemmon
Won

March 10, 1960[39][40]
Golden Globe Awards
Best Actor in a Motion Picture – Comedy or Musical
Jack Lemmon
Won

Best Actress in a Motion Picture – Comedy or Musical
Marilyn Monroe
Won

Best Motion Picture – Musical or Comedy
Some Like It Hot
Won

April 4, 1960[41]
Academy Awards
Best Director
Billy Wilder
Nominated

Best Actor
Jack Lemmon
Nominated

Best Adapted Screenplay
Billy Wilder, I. A. L. Diamond
Nominated

Best Cinematography – Black-and-white
Charles Lang, Jr.
Nominated

Best Art Direction – Black-and-white
Ted Haworth (Art Direction), Edward G. Boyle (Set Decoration)
Nominated

Best Costume Design—Black and white
Orry-Kelly
Won

May 6, 1960[42][43]
Writers Guild of America Awards
Best Written Comedy
Billy Wilder, I.A.L. Diamond
Won

September 28, 1960[44]
Laurel Awards
Top Female Comedy Performance
Marilyn Monroe (2nd place)
Won

Top Male Comedy Performance
Jack Lemmon (2nd place)
Won

Top Comedy
Some Like It Hot (3rd place)
Won

1960[44][45]
Bambi Awards
Best Actor—International
Tony Curtis (2nd place)
Nominated

text: The film is recognized by American Film Institute in these lists:

text:
1998: AFI's 100 Years...100 Movies – #14[46]
2000: AFI's 100 Years...100 Laughs – #1[47]
2005: AFI's 100 Years...100 Movie Quotes:

Osgood Fielding III: "Well, nobody's perfect." – #48[48]

2007: AFI's 100 Years...100 Movies (10th Anniversary Edition) – #22[49]

text: Adaptations[edit]

text: An unsold television pilot was filmed by Mirisch Productions in 1961 featuring Vic Damone and Tina Louise. As a favor to the production company, Jack Lemmon and Tony Curtis agreed to film cameo appearances, returning as their original characters, Daphne and Josephine, at the beginning of the pilot. Their appearance sees them in a hospital where Jerry (Lemmon) is being treated for his impacted back tooth and Joe (Curtis) is the same O blood type.[50]

text: In 1972, a musical play based on the screenplay of the film, entitled Sugar, opened on Broadway, and starred Elaine Joyce, Robert Morse, Tony Roberts and Cyril Ritchard, with book by Peter Stone, lyrics by Bob Merrill, and (all-new) music by Jule Styne. A 1991 stage production of this show in London featured Tommy Steele and retained the film's title. In 2002, the aging Tony Curtis performed in a stage production of the film, cast as the character originally played by Joe E. Brown (Osgood Fielding III).