document_title: BBC Goal of the Season

question_text: who scored the best goal in premier league last season

text: BBC Goal of the Season

text: In English football, the Goal of the Season is an annual competition and award given on BBC's Match of the Day, in honour of the most spectacular goal scored that season. It is typically contested between the winners of the preceding ten Goals of the Month, although the goal can and has come from any game in the regular season, including international qualifiers and friendlies—potentially from the opening league games of the season to the end of the European season UEFA Champions League final. In several instances, the goal has come in the final game of the domestic season, the FA Cup Final, the most recent example of which is Steven Gerrard's last minute goal in 2006. However, in 1980-81 for example the superb goal scored by Ricky Villa in the FA Cup Final replay for Tottenham Hotspur against Manchester City could not be considered as voting had already taken place.[1]

tag: p

text: In general, the winning goal has occurred for an English side within the domestic English league or cups, although these are not particular rules—Kenny Dalglish's goal in 1982–83 for Scotland being an example. The goal usually comes from competitions to which the BBC holds television rights and which are shown under the Match of the Day banner—at present Premier League highlights and FA Cup live matches and highlights —although some have come from the equivalent Sportscene broadcast by BBC Scotland. Due to the lack of BBC European club football coverage, held predominantly by ITV and Sky, no goal of the season has ever been scored in European club competition despite many contenders.

text: Due to a transfer of broadcast rights, the entries for the 2001–02, 2002–03 and 2003–04 seasons were decided on ITV's The Premiership, which have been subsequently recognised by the BBC. When the BBC previously could not show league footage from 1988–89 to 1991–92, the winning goal in each season was scored in the FA Cup which they held the rights to. League rights holder ITV had its own competition during these seasons for Goal of the Season, broadcast on the Saint and Greavsie show. Previously the channels had shared league and cup rights (showing different matches to each other) and for many years ITV broadcast its own Golden Goals competition as an equivalent of Goal of the Season. From 2013–14 season onwards, the Goal of the Season has been chosen by a Twitter poll and the BBC Sport website. Jack Wilshere is the first player to win Goal of the Season in consecutive seasons (2013–14 and 2014–15) since the start of the Premier League.[2] The 1987-88 competition was unique in that all 10 goals shortlisted were scored by Liverpool players.[3] As of 2015-16, this is the only occasion where the contenders were made up entirely of goals scored by players for one club.

text: For several years in the late 2000s, the winner was not subject to public vote due to the 2007 Phone-in scandals. The winning goal was instead decided by pundits in the studio.

text: 2014–15 Goal of the Season controversy[edit]

text: On 24 May 2015, the final day of the 2014–15 season, Match of the Day held an online vote at around 11 pm GMT for the Goal of the Season award. Users were able to vote via the BBC website or via Twitter. The poll was quickly rigged by Arsenal supporters, many from the Far East, resulting in Jack Wilshere winning the award for his final day strike against West Bromwich Albion, despite not being the favourite.[4] Host Gary Lineker expressed surprise as he read out the winner, and pundit Alan Shearer suggested that Charlie Adam should have won the award for his 66-yard effort against Chelsea; fellow pundit Danny Murphy felt former Fulham teammate Bobby Zamora should have won.

text: The incident was labelled a "shambles" by Pete Smith of The Stoke Sentinel[5] who thought that Stoke City's Adam should have won, and a "concerted campaign by Arsenal fans" by Alan Pattullo of The Scotsman,[6] who also believed that the Scottish midfielder was deserving of the award. Mark Brus of Caught Offside also criticized the choice stating that a goal in a meaningless game should not have won Goal of the Season and that Juan Mata's acrobatic effort against Liverpool was worthy of the award.[7]

text: The following season, before the final episode of that season's Match of the Day, the programme's producers changed the rules to prevent a similar situation. The Goal of the Season award has since been decided by the pundits on the show, who will choose the winner based on the top three goals voted for by the public.[8]

text: List of winners[edit]

text:
Season
Scorer
Nationality
For
Against
Stadium
Competition
Date
Commentator
Notes

1970–71
Hunt, ErnieErnie Hunt
 England
Coventry City
Everton
Highfield Road
First Division
3 October 1970
Davies, BarryBarry Davies
[10]

1971–72
Radford, RonnieRonnie Radford
 England
Hereford United
Newcastle United
Edgar Street
FA Cup
5 February 1972
Motson, JohnJohn Motson
[11]

1972–73
Osgood, PeterPeter Osgood
 England
Chelsea
Arsenal
Stamford Bridge
FA Cup
17 March 1973
Coleman, DavidDavid Coleman

1973–74
Mullery, AlanAlan Mullery
 England
Fulham
Leicester City
Craven Cottage
FA Cup
26 January 1974
Motson, JohnJohn Motson
[12]

1974–75
Walsh, MickeyMickey Walsh
 Ireland
Blackpool
Sunderland
Bloomfield Road
Second Division
1 February 1975
Davies, BarryBarry Davies
[13]

1975–76
Francis, GerryGerry Francis
 England
Queens Park Rangers
Liverpool
Loftus Road
First Division
16 August 1975
Motson, JohnJohn Motson
[14]

1976–77
McDermott, TerryTerry McDermott
 England
Liverpool
Everton
Maine Road
FA Cup
23 April 1977
Motson, JohnJohn Motson
[15]

1977–78
Gemmill, ArchieArchie Gemmill
 Scotland
Nottingham Forest
Arsenal
City Ground
First Division
21 January 1978
Coleman, DavidDavid Coleman

1978–79
Kennedy, RayRay Kennedy
 England
Liverpool
Derby County
Baseball Ground
First Division
24 February 1979
Motson, JohnJohn Motson

1979–80
Fashanu, JustinJustin Fashanu
 England
Norwich City
Liverpool
Carrow Road
First Division
9 February 1980
Davies, BarryBarry Davies
[16]

1980–81
Morley, TonyTony Morley
 England
Aston Villa
Everton
Goodison Park
First Division
7 February 1981
Motson, JohnJohn Motson
[17]

1981–82
Regis, CyrilleCyrille Regis
 England
West Bromwich Albion
Norwich City
The Hawthorns
FA Cup
13 February 1982
Parry, AlanAlan Parry
[18][19]

1982–83
Dalglish, KennyKenny Dalglish
 Scotland
Scotland
Belgium
Heysel Stadium, Brussels
Euro 1984 qualifying
15 December 1982
Gubba, TonyTony Gubba

1983–84
Wallace, DannyDanny Wallace
 England
Southampton
Liverpool
The Dell
First Division
16 March 1984
Davies, BarryBarry Davies
[20]

1984–85
Sharp, GraemeGraeme Sharp
 Scotland
Everton
Liverpool
Anfield
First Division
20 October 1984
Motson, JohnJohn Motson
[21]

1985–86
Robson, BryanBryan Robson
 England
England
Israel
Tel Aviv
Friendly
26 February 1986
Davies, BarryBarry Davies

1986–87
Houchen, KeithKeith Houchen
 England
Coventry City
Tottenham Hotspur
Wembley Stadium
FA Cup
16 May 1987
Motson, JohnJohn Motson

1987–88
Aldridge, JohnJohn Aldridge
 Ireland
Liverpool
Nottingham Forest
Hillsborough
FA Cup
9 April 1988
Motson, JohnJohn Motson

1988–89
Aldridge, JohnJohn Aldridge
 Ireland
Liverpool
Everton
Wembley Stadium
FA Cup
20 May 1989
Motson, JohnJohn Motson

1989–90
Wright, IanIan Wright
 England
Crystal Palace
Manchester United
Wembley Stadium
FA Cup
12 May 1990
Motson, JohnJohn Motson

1990–91
Gascoigne, PaulPaul Gascoigne
 England
Tottenham Hotspur
Arsenal
Wembley Stadium
FA Cup
14 April 1991
Davies, BarryBarry Davies

1991–92
Thomas, MickeyMickey Thomas
 Wales
Wrexham
Arsenal
Racecourse Ground
FA Cup
4 January 1992
Gubba, TonyTony Gubba
[22]

1992–93
Atkinson, DalianDalian Atkinson
 England
Aston Villa
Wimbledon
Selhurst Park
Premier League
3 October 1992
Tyldesley, CliveClive Tyldesley
[23]

1993–94
Wallace, RodRod Wallace
 England
Leeds United
Tottenham Hotspur
Elland Road
Premier League
17 April 1994
Sinstadt, GeraldGerald Sinstadt
[24]

1994–95
Le Tissier, MatthewMatthew Le Tissier
 England
Southampton
Blackburn Rovers
Ewood Park
Premier League
10 December 1994
Tyldesley, CliveClive Tyldesley
[25][26]

1995–96
Yeboah, TonyTony Yeboah
 Ghana
Leeds United
Wimbledon
Selhurst Park
Premier League
23 September 1995
Davies, BarryBarry Davies
[24]

1996–97
Sinclair, TrevorTrevor Sinclair
 England
Queens Park Rangers
Barnsley
Loftus Road
FA Cup
25 January 1997
Motson, JohnJohn Motson
[14]

1997–98
Bergkamp, DennisDennis Bergkamp
 Netherlands
Arsenal
Leicester City
Filbert Street
Premier League
27 August 1997
Gubba, TonyTony Gubba
[27]

1998–99
Giggs, RyanRyan Giggs
 Wales
Manchester United
Arsenal
Villa Park
FA Cup
14 April 1999
Champion, JonJon Champion
[27]

1999–2000
Di Canio, PaoloPaolo Di Canio
 Italy
West Ham United
Wimbledon
Upton Park
Premier League
26 March 2000
Brotherton, SimonSimon Brotherton
[28]

2000–01
Bartlett, ShaunShaun Bartlett
 South Africa
Charlton Athletic
Leicester City
The Valley
Premier League
1 April 2001
Champion, JonJon Champion
[29]

2001–02
Bergkamp, DennisDennis Bergkamp
 Netherlands
Arsenal
Newcastle United
St James' Park
Premier League
2 March 2002
Mowbray, GuyGuy Mowbray
[23]

2002–03
Henry, ThierryThierry Henry
 France
Arsenal
Tottenham Hotspur
Highbury
Premier League
16 November 2002
Tyldesley, CliveClive Tyldesley
[30]

2003–04
Hamann, DietmarDietmar Hamann
 Germany
Liverpool
Portsmouth
Anfield
Premier League
17 March 2004
Tyldesley, CliveClive Tyldesley
[31]

2004–05
Rooney, WayneWayne Rooney
 England
Manchester United
Middlesbrough
Old Trafford
FA Cup
29 January 2005
Motson, JohnJohn Motson
[32]

2005–06
Gerrard, StevenSteven Gerrard
 England
Liverpool
West Ham United
Millennium Stadium
FA Cup
13 May 2006
Motson, JohnJohn Motson
[33]

2006–07
Rooney, WayneWayne Rooney
 England
Manchester United
Bolton Wanderers
Old Trafford
Premier League
17 March 2007
Wilson, SteveSteve Wilson
[34]

2007–08
Adebayor, EmmanuelEmmanuel Adebayor
 Togo
Arsenal
Tottenham Hotspur
White Hart Lane
Premier League
15 September 2007
Motson, JohnJohn Motson
[35]

2008–09
Johnson, GlenGlen Johnson
 England
Portsmouth
Hull City
Fratton Park
Premier League
22 November 2008
Brotherton, SimonSimon Brotherton
[36]

2009–10
Figueroa, MaynorMaynor Figueroa
 Honduras
Wigan Athletic
Stoke City
Britannia Stadium
Premier League
12 December 2009
Gubba, TonyTony Gubba
[37]

2010–11
Rooney, WayneWayne Rooney
 England
Manchester United
Manchester City
Old Trafford
Premier League
12 February 2011
Wilson, SteveSteve Wilson
[38]

2011–12
Cissé, PapissPapiss Cissé
 Senegal
Newcastle United
Chelsea
Stamford Bridge
Premier League
2 May 2012
Wilson, SteveSteve Wilson
[39]

2012–13
van Persie, RobinRobin van Persie
 Netherlands
Manchester United
Aston Villa
Old Trafford
Premier League
22 April 2013
Mowbray, GuyGuy Mowbray
[9]

2013–14
Wilshere, JackJack Wilshere
 England
Arsenal
Norwich City
Emirates Stadium
Premier League
19 October 2013
Pearce, JonathanJonathan Pearce
[40]

2014–15
Wilshere, JackJack Wilshere
 England
Arsenal
West Bromwich Albion
Emirates Stadium
Premier League
24 May 2015
Motson, JohnJohn Motson
[9]

2015–16
Alli, DeleDele Alli
 England
Tottenham Hotspur
Crystal Palace
Selhurst Park
Premier League
23 January 2016
Green, AlanAlan Green
[41]

2016–17
Can, EmreEmre Can
 Germany
Liverpool
Watford
Vicarage Road
Premier League
1 May 2017
Fisher, MartinMartin Fisher
[42]


document_title: Mobile identification number

question_text: what is a min number on a cell phone

question_tokens: what is a min number on a cell phone

root

text: Mobile identification number

text: This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009) (Learn how and when to remove this template message)

tag: table

text: The mobile identification number (MIN) or mobile subscription identification number (MSIN) refers to the 10-digit unique number that a wireless carrier uses to identify a mobile phone, which is the last part of the international mobile subscriber identity (IMSI). The MIN is a number that uniquely identifies a mobile phone working under TIA standards for cellular and PCS technologies. (e.g. EIA/TIA–553 analog, IS–136 TDMA, IS–95 or IS-2000 CDMA). It can also be called the MSID (Mobile Station ID) or IMSI_S (Short IMSI).

text: Definition: The mobile identification number (MIN) is a number that is derived from the 10-digit directory telephone number assigned to a mobile station. The rules for deriving the MIN from the 10-digit telephone number are given in the IS-95 standard. MIN1 is the first or least significant 24 binary digits of the MIN. MIN2 is the second part of the MIN containing the 10 most significant binary digits. MIN1, and the ESN, along with other digital input, are used during the authentication process. The MIN is used to identify a mobile station.

text: In the case of analog cellular, the MIN is used to route the call. In most second generation systems, temporary numbers are assigned to the handset when routing calls as a security precaution.


document_title: Deuce Bigalow: Male Gigolo

question_text: who played tina the giant in deuce bigalow

text: Deuce Bigalow: Male Gigolo

text: Plot[edit]

text: Deuce Bigalow, an insecure fishtank cleaner (aquarist), is fired for cleaning the tank at a public aquarium in the nude. Deuce is unsuccessful in attracting women, so he attempts to keep himself busy at work. On a house call, he meets an Argentinean male prostitute Antoine Laconte. Antoine is going on a business trip, and so asks Deuce to care for his sick lionfish and protect his home while he is away. Deuce accidentally sets Antoine's kitchen on fire when trying to make a grilled cheese sandwich in the toaster, and breaks an expensive fish tank.

text: Fearing Antoine will kill him, Deuce is forced to find a way to pay for the damage. Low-rent pimp T.J. Hicks offers to help Deuce make enough money to buy a new fish tank, and convinces Deuce to take over the absent Antoine's role as a gigolo. Deuce decides to make the clients feel better about themselves, since he only desires to have sex with beautiful women.

text: Deuce meets unusual clients but he still manages to get along with them, despite there being no sex involved, by helping them with certain issues in their lives. The clients include Carol, a woman who is severely narcoleptic, Ruth, who has Tourette Syndrome with coprolalia, and therefore is afraid of socializing, Fluisa, an obese woman weighing close to 750 pounds, and Tina, another woman that has a pituitary gland disorder and is extremely tall. Deuce's list of clients gradually increases, with each client being satisfied by much more fulfilling measures due to his evasion of sex with them. However, Deuce falls in love with one of his clients, Kate (Arija Bareikis), who has a prosthetic leg. She later breaks up with Deuce when she finds out that he was a prostitute hired by her friends.

text: Meanwhile, Deuce is being stalked by Detective Chuck Fowler, who demands Antoine's "black book" of clients and threatens to take Deuce to jail if he does not comply. Deuce eventually helps Fowler please his wife by stripping and erotically dancing for her, and the two make amends. Deuce is still taken into custody on prostitution charges, as Fowler needs someone to bring in and Deuce's own refusal to betray his newfound friend, T.J. (whom Fowler described as another person of interest aside Deuce due to his previous acquaintance with Antoine), by turning him in. At the hearing, it is revealed that Deuce never slept with any of the clients except for Kate. Since Deuce gave back the money to Kate and was not paid for sex with her, he is cleared of all charges.

text: Using the money he made, Deuce restores Antoine's fish tank, although due to time constraints he is warned that the glass may not be installed properly. Unfortunately, Kate's blind roommate accidentally kills the prize fish in Antoine's aquarium when she starts the mixer in which the fish was being kept. Deuce buys a replacement fish and returns to Antoine's house just in time. Antoine is suspicious, but cannot figure out why. He taps the new aquarium and the glass shatters. Deuce then reveals his prostituting adventures to the bemused and furious Antoine. Enraged, Antoine tries to kill Deuce, and at one point shoots a crossbow bolt at him. The aforementioned overweight client, Fluisa, shows up, comes between the two men, and saves Deuce's life (she is not killed because the bolt hits her breasts, between which she has hidden a roast chicken). Antoine is then arrested by Detective Fowler, and Deuce marries Kate. The end sequences continues to follow the epilogue, Deuce's father becomes a male prostitute, Fluisa underwent extensive liposuction and is now working as a model in Victoria's Secret known as Naomi, Ruth opens up an all girls school for Tourette's, Carol manages to fulfill her dream trip to France, T.J. starts his own reality show dedicated to his experiences as a male prostitute and an incarcerated Antoine marries Tina.

text: Cast[edit]

text:
Rob Schneider as Deuce Bigalow
William Forsythe as Detective Charles "Chuck" Fowler
Eddie Griffin as Tiberius Jefferson "T.J." Hicks
Arija Bareikis as Kate
Oded Fehr as Antoine Laconte
Gail O'Grady as Claire
Richard Riehle as Robert "Bob" Bigalow
Jacqueline Obradors as Elaine Fowler
Big Boy as Fluisa aka Jabba
Amy Poehler as Ruth
Torsten Voges as Tina
Bree Turner as Allison
Andrew Shaifer as Neil
Allen Covert as Vic
Norm MacDonald as bartender
Elle King as Cookie Girl
Adam Sandler (voice) as Offscreen passerby

tag: ul

text: Production[edit]

text:
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This section needs expansion. You can help by adding to it. (December 2014)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2014) (Learn how and when to remove this template message)

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text: Deuce Bigalow: Male Gigolo is the first film released by the Happy Madison Productions film production company. Adam Sandler served as the film's executive producer. Sandler also shouted the insults "Freak!" and other offscreen lines.

text: Soundtrack[edit]

text:
Deuce Bigalow: Male GigoloSoundtrack album by Various ArtistsReleased
December 14, 1999 (1999-12-14)Recorded
1999Genre
SoundtrackLabel
Hollywood Records

text:
"Call Me" - Blondie
"Spill the Wine" - Eric Burdon and War
"You Sexy Thing" - Hot Chocolate
"Get Down Tonight" - KC and the Sunshine Band
"Let's Get It On" - Marvin Gaye
"I'm Not in Love" - 10cc
"Magnet and Steel" - Walter Egan
"No Worries" - Hepcat
"Can't Smile Without You" - Sean Beal
"Lift Me Up" - Jeff Lynne
"Call Me" - Emilia Maiello

tag: ol

text: Release[edit]

text: Box office[edit]

text: Deuce Bigalow: Male Gigolo opened theatrically on December 10, 1999 in 2,154 venues and earned $12,224,016 in its opening weekend, ranking third in the North American box office behind Toy Story 2's fourth weekend and fellow newcomer The Green Mile.[3] The film ended its run, having grossed $65,538,755 in the United States and Canada, and $27,400,000 overseas for a worldwide total of $92,938,755. Based on a $17 million budget, the film was a box office success.[2]

text: Critical reception[edit]

text: The film received negative reviews from critics. On review aggregator website Rotten Tomatoes, it holds a 23% score based on 75 reviews, with an average rating of 4/10. The site's consensus states: "According to critics, Deuce Bigalow is just too dumb and filled with old, tired gags."[4] Metacritic reports a 30 out of 100 rating based on 26 critics, indicating "generally unfavorable reviews".[5]

text: Roger Ebert of the Chicago Sun-Times gave the film one-and-a-half out of four stars, stating "It's the kind of picture those View n' Brew theaters were made for, as long as you don't View."[6] Kendall Morgan from The Dallas Morning News writes in her review, "Deuce Bigalow: Male Gigolo makes There's Something About Mary look like Masterpiece Theatre."[4]

text: Sequel[edit]

text: In 2005, a sequel, Deuce Bigalow: European Gigolo, was released by Columbia Pictures instead of Touchstone Pictures.


document_title: Big Hero 6 (film)

question_text: whats the name of the robot in big hero 6

text: Big Hero 6 (film)

text: Plot[edit]

text: Hiro Hamada is a 14-year-old robotics genius living in the futuristic city of San Fransokyo. After graduating from high school, he spends much of his free time participating in illegal robot fights. To redirect Hiro, his elder brother Tadashi takes him to the research lab at the San Fransokyo Institute of Technology, where Hiro meets Tadashi's friends, GoGo, Wasabi, Honey Lemon, and Fred. Hiro also meets Professor Robert Callaghan, the head of the university's robotics program. Amazed, Hiro decides to apply to the university. To enroll, he signs up for the school's science fair and presents his project: microbots, swarms of tiny robots that can link together in any arrangement imaginable using a neuro-cranial transmitter. Hiro declines an offer from Alistair Krei, CEO of Krei Tech, to market the microbots, and Callaghan accepts him into the school. When a fire breaks out among the exhibits, Tadashi rushes in to save Callaghan, but the building explodes moments later, apparently killing Tadashi and Callaghan, and injuring everyone else inside.

text: Weeks later, a depressed Hiro inadvertently activates Baymax, the inflatable healthcare robot that Tadashi created, who follows Hiro's only remaining microbot to an abandoned warehouse. There, the two discover that someone has been mass-producing the microbots and are attacked by a man wearing a Kabuki mask who is controlling them. After they escape, Hiro equips Baymax with armor and a battle chip containing various karate moves and they track the masked man to the docks. GoGo, Wasabi, Honey Lemon, and Fred arrive, responding to a call from Baymax, and the masked man chases the group. The six escape to Fred's mansion where they decide to form a high-tech superhero team to combat the villain.

text: The group tracks the masked man, who they suspect to be Krei, to an abandoned Krei Tech laboratory on an island which had been used for teleportation research until a test pilot was lost in an accident. The masked man attacks, but the group manages to knock off his mask, revealing the man to be Callaghan who had stolen Hiro's microbots to shield himself from the explosion on campus. Hiro realizes that Tadashi died without reason, while Callaghan refuses to take responsibility for Tadashi's death. This prompts an enraged Hiro to remove Baymax's healthcare chip, leaving only the battle chip, and to order him to kill Callaghan. Honey re-installs the healthcare chip at the last second, preventing Baymax from carrying out the kill order. Callaghan escapes, and Hiro leaves with Baymax, intent on avenging Tadashi. Back home, Hiro tries to remove the healthcare chip again, but Baymax stops him and states that vengeance is not what Tadashi would have wanted. To calm him down, Baymax shows Hiro videos of Tadashi running numerous tests during Baymax's development as a demonstration of Tadashi's benevolence and legacy. A remorseful Hiro apologizes to his friends, who reassure him they will catch Callaghan the right way.

text: Video footage from the accident reveals that the pilot was Callaghan's daughter Abigail and that Callaghan is seeking revenge on Krei. Callaghan interrupts Krei at a public event and attempts to destroy his headquarters using Krei's teleportation portal. After a lengthy battle, the team deprives Callaghan of his microbots and the mask, saving Krei, but the portal remains active. Baymax detects Abigail inside, alive but in hyper-sleep, and leaps into the portal with Hiro to rescue her. They find Abigail's pod, but on the way back out, Baymax is struck by debris, damaging his armor and disabling his thrusters. Knowing that the portal will collapse, Baymax uses his armor's rocket fist to propel Hiro and Abigail back through the portal, forcing them to leave him behind. Callaghan is arrested while Abigail is taken to the hospital. Sometime later, Hiro discovers Baymax's personality chip clenched in the rocket fist. He rebuilds Baymax's body and the six friends continue their exploits through the city, fulfilling Tadashi's dream of helping those in need.

text: During the end credits, a series of newspaper headlines reveals that the university has awarded Hiro a grant and dedicated a building in Tadashi's honor, and that the team has continued protecting the city. In a post-credits scene, Fred discovers a hidden cache of superhero equipment in his family mansion. His father, a retired superhero, returns from vacation and says, "We have a lot to talk about."

text: Voice cast[edit]

text:
Ryan Potter as Hiro Hamada, a 14-year-old robotics prodigy. Speaking of the character, co-director Don Hall said "Hiro is transitioning from boy to man, it's a tough time for a kid and some teenagers develop that inevitable snarkiness and jaded attitude. Luckily Ryan is a very likeable kid. So no matter what he did, he was able to take the edge off the character in a way that made him authentic, but appealing".[11][12][13]
Scott Adsit as Baymax, an inflatable robot built by Tadashi as a medical assistant. Hall said, "Baymax views the world from one perspective — he just wants to help people, he sees Hiro as his patient". Producer Roy Conli said "The fact that his character is a robot limits how you can emote, but Scott was hilarious. He took those boundaries and was able to shape the language in a way that makes you feel Baymax's emotion and sense of humor. Scott was able to relay just how much Baymax cares".[11][12][14]
Daniel Henney as Tadashi Hamada, Hiro's older brother and Baymax's creator. On Hiro and Tadashi's relationship, Conli said "We really wanted them to be brothers first. Tadashi is a smart mentor. He very subtly introduces Hiro to his friends and what they do at San Fransokyo Tech. Once Hiro sees Wasabi, Honey, GoGo, and Fred in action, he realizes that there's a much bigger world out there than really interests him".[12][13][15]
T.J. Miller as Fred, a comic-book fan who is also team mascot at San Fransokyo Institute of Technology. Speaking of Miller, Williams said "He's a real student of comedy. There are a lot of layers to his performance, so Fred ended up becoming a richer character than anyone expected", both literally and metaphorically.[11][12][16][17]
Jamie Chung as GoGo, a tough, athletic student who specializes in electromagnetics. Hall said "She's definitely a woman of few words. We looked at bicycle messengers as inspiration for her character".[11][12][18][19][20]
Damon Wayans, Jr. as Wasabi, a smart, slightly neurotic youth who specializes in lasers. On the character, co-director Chris Williams said "He's actually the most conservative, cautious—he  [sic] the most normal among a group of brazen characters. So he really grounds the movie in the second act and becomes, in a way, the voice of the audience and points out that what they're doing is crazy".[11][12][21]
Genesis Rodriguez as Honey Lemon, a chemistry enthusiast at San Fransokyo Institute of Technology. Williams said "She's a glass-is-half-full kind of person. But she has this mad-scientist quality with a twinkle in her eye — there's more to Honey than it seems".[11][12][22]
James Cromwell as Professor Robert Callaghan, the head of a robotics program at San Fransokyo Institute of Technology who becomes an extremely powerful masked supervillain.[12][15] According to film merchandising, this supervillain alter ego is named "Yokai".[23]
Alan Tudyk as Alistair Krei, a pioneer entrepreneur, tech guru, and the CEO of Krei Tech and is always on the hunt for the next big thing.[12][15]
Maya Rudolph as Aunt Cass, Hiro and Tadashi's aunt and guardian.[12][15][19]
Stan Lee as Fred's father. Lee's likeness was used for the character.[24]
Katie Lowes as Abigail Callaghan, the daughter of Professor Callaghan and a test pilot for Krei Tech.[25]
Daniel Gerson as Sergeant Gerson, the desk sergeant for the San Fransokyo Police Department.[25]
Billy Bush as a newscaster[26]

text: Production[edit]

text: After Disney's acquisition of Marvel Entertainment in 2009, CEO Bob Iger encouraged the company's divisions to explore Marvel's properties for adaptation concepts.[27] By deliberately picking an obscure title, it would give them the freedom to come up with their own version.[28] While directing Winnie the Pooh, director Don Hall was scrolling through a Marvel database when he stumbled upon Big Hero 6, a comic he had never heard of before. "I just liked the title," he said. He pitched the concept to John Lasseter in 2011, as one of five ideas[29] for possible productions for Walt Disney Animation Studios, and this particular idea "struck a chord" with Lasseter, Hall, and Chris Williams.[30][31][32]

text: In June 2012, Disney confirmed that Walt Disney Animation Studios was adapting Marvel Comics' series and that the film had been commissioned into early stages of development.[33][34] Because they wanted the concept to feel new and fresh, head of story Paul Briggs (who also voiced Yama in the film[35]) only read a few issues of the comic, while screenwriter Robert Baird admitted he had not read the comic at all.[36]

text: Big Hero 6 was produced solely by Walt Disney Animation Studios,[37] although several members of Marvel's creative team were involved in the film's production including Joe Quesada, Marvel's chief creative officer, and Jeph Loeb, head of Marvel Television.[38][39] According to an interview with Axel Alonso by CBR,[40] Marvel did not have any plans to publish a tie-in comic.[41] Disney planned to reprint the Marvel version of Big Hero 6 themselves, but reportedly Marvel disagreed. They eventually came to agreement that Yen Press would publish the Japanese manga version of Big Hero 6 for Disney.[42]

text: Conversely, Lasseter dismissed the idea of a rift between the two companies, and producer Roy Conli stated that Marvel allowed Disney "complete freedom in structuring the story."[43][44] Disney Animation Studio President Andrew Millstein stated: "Hero is one example of what we've learned over the years and our embracing some of the Pixar DNA."[45] Regarding the film's story, Quesada stated, "The relationship between Hiro and his robot has a very Disney flavor to it…but it's combined with these Marvel heroic arcs."[30] The production team decided early on not to connect the film to the Marvel Cinematic Universe and instead set the film in a stand-alone universe.[46]

text: With respect to the design of Baymax, Hall mentioned in an interview, "I wanted a robot that we had never seen before and something to be wholly original. That's a tough thing to do, we've got a lot of robots in pop culture, everything from The Terminator to WALL-E to C-3PO on down the line and not to mention Japanese robots, I won't go into that. So I wanted to do something original." Even if they did not yet know what the robot should look like, artist Lisa Keene came up with the idea that it should be a huggable robot.[47]

text: Early on in the development process, Hall and the design team took a research trip to Carnegie Mellon University's Robotics Institute, where they met a team of DARPA-funded[48] researchers who were pioneering the new field of 'soft robotics' using inflatable vinyl,[49][50] which ultimately inspired Baymax's inflatable, vinyl, truly huggable design.[51][52][53] Hall stated that "I met a researcher who was working on soft robots. … It was an inflatable vinyl arm and the practical app would be in the healthcare industry as a nurse or doctor's assistant. He had me at vinyl. This particular researcher went into this long pitch but the minute he showed me that inflatable arm, I knew we had our huggable robot."[54] Hall stated that the technology "will have potential probably in the medical industry in the future, making robots that are very pliable and gentle and not going to hurt people when they pick them up."

text: Hall mentioned that achieving a unique look for the mechanical armor took some time and "just trying to get something that felt like the personality of the character." Co-director Williams stated, "A big part of the design challenge is when he puts on the armor you want to feel that he's a very powerful intimidating presence…at the same time, design-wise he has to relate to the really adorable simple vinyl robot underneath."[55] Baymax's face design was inspired by a copper suzu bell that Hall noticed while at a Shinto shrine.[56]

text: According to Conli, Lasseter initially disliked Baymax's description (while low on battery power) of Hiro's cat as a "hairy baby," but Williams kept the line in anyway, and at the film's first test screening, Lasseter admitted that Williams was correct.[57]

text: According to Williams, Baymax was originally going to be introduced rather late in the film, but then story artist John Ripa conceived of a way for Baymax to meet Hiro much earlier.[58] The entire film became much stronger by establishing the relationship between Hiro and Baymax early on, but the filmmakers ended up having to reconstruct "a fair amount of the first act" in order to make that idea work.[58]

text: About ninety animators worked on the film at one point or another; some worked on the project for as long as two years.[59] In terms of the film's animation style and settings, the film combines Eastern world culture (predominantly Japanese) with Western world culture (predominantly California).[60] In May 2013, Disney released concept art and rendered footage of San Fransokyo from the film.[61] San Fransokyo, the futuristic mashup of San Francisco and Tokyo, was described by Hall as "an alternate version of San Francisco. Most of the technology is advanced, but much of it feels retro … Where Hiro lives, it feels like the Haight. I love the Painted ladies. We gave them a Japanese makeover; we put a cafe on the bottom of one. They live above a coffee shop." According to production designer Paul Felix, "The topography is exaggerated because what we do is caricature, I think the hills are 1½ times exaggerated. I don't think you could really walk up them … When you get to the downtown area, that's when you get the most Tokyo-fied, that pure, layered, dense kind of feeling of the commercial district there. When you get out of there, it becomes more San Francisco with the Japanese aesthetic. … (It's a bit like) Blade Runner, but contained to a few square blocks. You see the skyscrapers contrasted with the hills."[62]

text: The reason why Disney wanted to merge Tokyo (which is where the comic book version takes place) with San Francisco was partly because San Francisco had not been used by Marvel before, partly because of all the city's iconic aspects, and partly because they felt its aesthetics would blend well with Tokyo.[36] The filmmakers' idea was that San Fransokyo is based on an alternate history in which San Francisco was largely rebuilt by Japanese immigrants in the aftermath of the 1906 earthquake, although this premise is never stated in the film.[63]

text: To create San Fransokyo as a detailed digital simulation of an entire city, Disney purchased the actual assessor data for the entire city and county of San Francisco.[59] The final city contains over 83,000 buildings and 100,000 vehicles.[59]

text: A software program called Denizen was used to create over 700 distinctive characters[59] that populate the city.[64] Another one named Bonzai was responsible for the creation of the city's 250,000 trees,[65] while a new rendering system called Hyperion offered new illumination possibilities, like light shining through a translucent object (e.g. Baymax's vinyl covering).[66] Pixar's RenderMan was considered as a "Plan B" for the film's rendering, if Hyperion was not able to meet production deadlines.[8]

text: Development on Hyperion started in 2011 and was based upon research into multi-bounce complex global illumination originally conducted at Disney Research in Zürich.[59] Disney, in turn, had to assemble a new super-computing cluster just to handle Hyperion's immense processing demands, which consists of over 2,300 Linux workstations distributed across four data centers (three in Los Angeles and one in San Francisco).[59] Each workstation, as of 2014, included a pair of 2.4 GHz Intel Xeon processors, 256 GB of memory, and a pair of 300 GB solid-state drives configured as a RAID Level 0 array (i.e., to operate as a single 600 GB drive).[59] This was all backed by a central storage system with a capacity of five petabytes, which holds all digital assets as well as archival copies of all 54 Disney Animation films.[59]

text: The emotional climax that takes place in the middle of a wormhole portal is represented by the stylized interior of a mandelbulb.[67]

text: The post-credits scene was only added to the film in August 2014, late in production, after co-director Don Hall and his crew went to see Marvel Studios' Guardians of the Galaxy. He stated that "[i]t horrified us, that people were sat waiting for an end credits thing, because of the Marvel DNA. We didn't want people to leave the movie disappointed."[68]

text: Soundtrack[edit]

text:
Big Hero 6 (Original Motion Picture Soundtrack)

Soundtrack album by Henry Jackman

Released
November 4, 2014 (2014-11-04)

Recorded
2014

Genre
Film score

Length
53:57

Label
Walt Disney

Producer
Chris Montan

Walt Disney Animation Studios chronology

Frozen
(2013)Frozen2013
Big Hero 6
(2014)
Zootopia
(2016)Zootopia2016

Henry Jackman chronology

Captain America: The Winter Soldier
(2014) Captain America: The Winter Soldier2014
Big Hero 6
(2014) Big Hero 62014
The Interview
(2014) The Interview2014

Singles from Big Hero 6 (Original Motion Picture Soundtrack)

"Immortals"
Released: October 14, 2014

text: Henry Jackman composed the score for the film.[69] The soundtrack features an original song titled "Immortals" written and recorded by American rock band Fall Out Boy, which was released by Walt Disney Records on October 14, 2014.[70][71] The soundtrack album was digitally released by Walt Disney Records on November 4, 2014, and had a CD release on November 24.[72] While not part of the soundtrack, a brief instrumental section of "Eye of the Tiger" plays in the film.[73]

text: Track listing[edit]

text: All music composed by Henry Jackman (except "Immortals", performed by Fall Out Boy).

text:
No.
Title
Writer(s)
Artist
Length

1.
"Immortals"
Patrick Stump, Pete Wentz, Joe Trohman, Andy Hurley
Fall Out Boy
3:15

2.
"Hiro Hamada"

1:57

3.
"Nerd School"

2:12

4.
"Microbots"

1:46

5.
"Tadashi"

1:46

6.
"Inflatable Friend"

1:56

7.
"Huggable Detective"

1:35

8.
"The Masked Man"

1:29

9.
"One of the Family"

1:49

10.
"Upgrades"

2:27

11.
"The Streets of San Fransokyo"

4:08

12.
"To the Manor Born"

1:15

13.
"So Much More"

3:01

14.
"First Flight"

2:35

15.
"Silent Sparrow"

4:39

16.
"Family Reunion"

2:39

17.
"Big Hero 6"

6:57

18.
"I Am Satisfied with My Care"

5:29

19.
"Signs of Life"

1:14

20.
"Reboot"

1:48

Total length:
53:57

text: Release[edit]

text: Big Hero 6 premiered on October 23, 2014 as the opening film at the Tokyo International Film Festival.[74] The world premiere of Big Hero 6 in 3D took place at the Abu Dhabi Film Festival on October 31, 2014.[75] It was theatrically released in the United States and Canada on November 7, 2014[76] with limited IMAX international showings.[77] Theatrically, the film was accompanied by the Walt Disney Animation Studios short, Feast.[78]

text: For the South Korean release of the film, it was retitled Big Hero, to avoid the impression of being a sequel, and edited to remove indications of the characters' Japanese origin. This is owing to the tense relations between Korea and Japan. For instance, the protagonist's name, Hiro Hamada, was changed to "Hero Armada," and Japanese-language signage onscreen was changed to English. Nonetheless, the film caused some online controversy in South Korea, because of small images resembling the Rising Sun Flag in the protagonist's room.[79]

text: The film was released in China on February 28, 2015.[80]

text: Home media[edit]

text: Big Hero 6 was released in the United States by Walt Disney Studios Home Entertainment on Blu-ray and DVD on February 24, 2015.[81][82] Writer Steven T. Seagle, who co-created the comic book Big Hero 6, criticized the Blu-ray featurette documenting the origins of the group, for not mentioning him or co-creator Duncan Rouleau. Seagle also criticized the book Art of Big Hero 6 for the same omission.[83]

text: Reception[edit]

text: Box office[edit]

text: Big Hero 6 earned $222.5 million in North America and $435.3 million in other territories for a worldwide estimated total of $657.8 million.[4] Calculating in all expenses, Deadline estimated that the film made a profit of $187.34 million.[84] Worldwide, it is the highest-grossing animated film of 2014,[9] the third-highest-grossing non-Pixar animated film from Disney,[85] and the 16th-highest-grossing animated film of all time. By grossing over $500 million worldwide, it became the fourth Disney release of 2014 to do so; the other titles being Guardians of the Galaxy, Maleficent, and Captain America: The Winter Soldier.[86]

text: North America[edit]

text: In the U.S. and Canada, the film is the second-highest-grossing science-fiction animated film (behind 2008's WALL-E),[87] the second-highest-grossing animated superhero comedy film (behind 2004's The Incredibles),[88] and the second-highest-grossing Disney animated film (behind 2013's Frozen).[89] The film earned $1.4 million from late Thursday night showings, which is higher than the previews earned by Frozen ($1.2 million) and The Lego Movie ($400,000).[90][91] In its opening day on November 7, the film earned $15.8 million, debuting at number two behind Interstellar ($16.9 million).[92][93] Big Hero 6 topped the box office in its opening weekend, earning $56.2 million from 3,761 theaters ahead of Interstellar ($47.5 million);[94][95] it is Walt Disney Animation Studios' second-best opening behind Frozen ($67.4 million), both adjusted and unadjusted.[96][97][98][99]

text: On February 15, 2015, Big Hero 6 became the third-highest-grossing Disney animated film in both the U.S. and Canada, behind The Lion King and Frozen.[100][101]

text: Outside North America[edit]

text: Two weeks ahead of its North American release, Big Hero 6 was released in Russia (earned $4.8 million) and Ukraine (earned $0.2 million) in two days (October 25–26).[102] The main reason behind the early release was in order to take advantage of the two weeks of school holidays in Russia. Jeff Bock, box office analyst for Exhibitor Relations, said "For a two-day gross, that's huge. It's a giant number in Russia."[103] In its second weekend, the film added $4.8 million (up 1%) bringing its total nine-day cumulative audience to $10.3 million in Russia and $10.9 including its revenue from Ukraine.[104]

text: In its opening weekend, the film earned $7.6 million from seventeen markets for a first weekend worldwide total of $79.2 million, behind Interstellar ($132.2 million).[105] It went to number one in the Philippines, Vietnam, and Indonesia.[106] It opened with $4.8 million in Mexico.[107][108] In Japan, where the film is locally known as Baymax, it opened at second place behind Yo-Kai Watch: Tanjō no Himitsu da Nyan!, with $5.3 million, marking it the second-biggest Disney opening in Japan behind Frozen.[109][110] and topped the box office for six consecutive weekends.[111] The film opened in second place with $6 million ($6.8 million including previews) in the U.K., which is 15% lower than Frozen.[112] It opened at No. 1 with $14.8 million in China, which is the biggest opening for a Disney and Pixar animated film (breaking Frozen's record)[113] and topped the box office for three consecutive weekends.[114]

text: The film became the highest-grossing Disney animated film in Vietnam[107] and in China (surpassed by Zootopia)[115]),[9] the second-highest-grossing Disney animated film of all time in Russia,[106] in the Philippines (behind Toy Story 3),[107] and in Japan (behind Frozen).[9] In addition to being the second-highest-grossing Disney animated film, it is also the fifth-highest-grossing animated film of all time in China.[116] In total earnings, its biggest markets outside of the United States and Canada are China ($83.5 million) and Japan ($76 million).[117]

text: Critical response[edit]

text: The review aggregation website Rotten Tomatoes reports that 89% of critics gave the film a positive review based on 197 reviews, with an average score of 7.3/10. The site's consensus states: "Agreeably entertaining and brilliantly animated, Big Hero 6 is briskly-paced, action-packed, and often touching."[118] Metacritic, which assigns a normalized rating out of 100 from top reviews from mainstream critics, calculated a score of 74 based on 38 reviews, indicating "generally favorable reviews."[119]

text: Michael O'Sullivan of The Washington Post gave the film 3.5/4 stars, writing that "The real appeal of Big Hero 6 isn't its action. It's the central character's heart."[120] Maricar Estrella of Fort Worth Star-Telegram gave the film 5 stars, saying it "offers something for everyone: action, camaraderie, superheroes and villains. But mostly, Baymax offers a compassionate and healing voice for those suffering, and a hug that can be felt through the screen."[121] Peter Travers of Rolling Stone gave the film 3 out of 4 stars, stating, "The breakthrough star of the season is here. His name is Baymax and he's impossible not to love. The 3-D animated Big Hero 6 would be a ton less fun without this irresistible blob of roly-poly, robot charisma."[122] Kofi Outlaw of Screen Rant gave the film 4 out of 5 stars or "excellent," explaining that "Big Hero 6 combines Disney wonder and charm with Marvel awe and action to deliver a film that exhibits the best of both studios."[123] Alonso Duralde of The Wrap gave the film a positive review, calling it "sweet and sharp and exciting and hilarious" and says that the film "comes to the rescue of what's become a dreaded movie trope—the origin story—and launches the superhero tale to pleasurable new heights."[124] Calvin Wilson of St. Louis Post-Dispatch gave the film 3.5 of 4 stars, writing that "the storytelling is solid, propelled by characters that you come to care about. And that should make Big Hero 6 a big hit."[125]

text: Bill Goodykoontz of The Arizona Republic gave the film a positive review, writing, "Directors Don Hall and Chris Williams have made a terrific movie about a boy (Ryan Potter) and his robot friend, who seek answers to a deadly tragedy," calling it an "unexpectedly good treat."[126] Soren Anderson of The Seattle Times gave the film 3.5 out of 4 stars, saying that "Clever, colorful, fast on its feet, frequently very funny and sweet (but not excessively so), Big Hero 6 mixes its myriad influences into a final product that, while in no way original, is immensely entertaining."[127] Michael Rechtshaffen of The Hollywood Reporter gave the film a positive review, saying that "the funny and heartwarming story about the bond between a teen tech geek and a gentle robot represents another can't-miss proposition by Walt Disney Animation Studios."[128] Jon Niccum of The Kansas City Star gave the film 3.5 out of four stars, writing that while it "may hit a few familiar beats inherent to any superhero "origin story,"" it is still "the best animated film of the year, supplying The Incredibles-size adventure with a level of emotional bonding not seen since The Iron Giant," and that it "never runs low on battery power."[129] Elizabeth Weitzman of the Daily News gave the film 4 out of 5 stars, calling it a "charming animated adventure," saying that with "appealing 3D animation" and a smart and "sharp story and script," it is "one of the rare family films that can fairly boast of having it all: humor, heart and huggability."[130] Rafer Guzmán from Newsday gave the film 3 out of 4 stars, saying that "Marvel plus Disney plus John Lasseter equals an enjoyable jumble of kid-approved action," with "rich, vivid colors and filled with clever details."[131]

text: Accolades[edit]

text:
List of awards and nominations

Award
Category
Recipients and nominees
Result

87th Academy Awards
Best Animated Feature
Don Hall, Chris Williams and Roy Conli
Won

65th American Cinema Editors Awards[132]
Best Edited Animated Feature Film
Tim Mertens
Nominated

42nd Annual Annie Awards[133]
Best Animated Feature
Big Hero 6
Nominated

Animated Effects in an Animated Production
Michael Kaschalk, Peter DeMund, David Hutchins, Henrik Falt, John Kosnik
Won

Character Design in an Animated Feature Production
Shiyoon Kim, Jin Kim
Nominated

Directing in an Animated Feature Production
Don Hall & Chris Williams
Nominated

Storyboarding in an Animated Feature Production
Marc E. Smith
Nominated

Writing in an Animated Feature Production
Robert L. Baird, Daniel Gerson & Jordan Roberts
Nominated

Editorial in an Animated Feature Production
Tim Mertens
Nominated

68th British Academy Film Awards[134]
Best Animated Film

Nominated

Broadcast Film Critics Association
Best Animated Film
Big Hero 6
Nominated

72nd Golden Globe Awards[135]
Best Animated Feature Film
Big Hero 6
Nominated

Kids' Choice Awards
Favorite Animated Movie

Won

Nevada Film Critics Society
Best Animated Movie
Big Hero 6
Won

Women Film Critics Circle
Best Family Film
Big Hero 6
Won

Best Animated Female
GoGo Tomago played by, Jamie Chung
Nominated

Honey Lemon played by, Genesis Rodriguez
Nominated

Best Line in a Movie
"Stop Whining. Woman Up!" said by, Jamie Chung
Won

15th Phoenix Film Critics Society[136]
Best Animated Film
Big Hero 6
Nominated

Best Original Song
"Immortals" by Fall Out Boy
Nominated

19th Satellite Awards[137]
Best Motion Picture, Animated or Mixed Media
Big Hero 6
Nominated

Producers Guild of America
Best Outstanding Producer of Animated Theatrical Motion Pictures
Roy Conli
Nominated

13th Annual Visual Effects Society Awards[138]
Outstanding Animation in an Animated Feature Motion Picture
Don Hall, Chris Williams, Roy Conli, Zach Parrish
Won

Outstanding Models in any Motion Media Project
Brett Achorn, Minh Duong, Scott Watanabe, Larry Wu
Won

Outstanding Created Environment in an Animated Feature Motion Picture
Ralf Habel, David Hutchins, Michael Kaschalk, Olun Riley
Won

Outstanding Effects Simulations in an Animated Feature Motion Picture
Henrik Falt, David Hutchins, Michael Kaschalk, John Kosnik
Won

Outstanding Animated Character in an Animated Feature Motion Picture
Colin Eckart, John Kahwaty, Zach Parrish, Zack Petroc
Won

text: Other media[edit]

text: A Japanese manga adaptation of Big Hero 6 (which is titled Baymax (ベイマックス, Beimakkusu) in Japan), illustrated by Haruki Ueno, began serialization in Kodansha's Magazine Special from August 20, 2014. A prologue chapter was published in Weekly Shōnen Magazine on August 6, 2014.[139] According to the film's official Japanese website, the manga revealed plot details in Japan before anywhere else in the world.[140] The website also quoted the film's co-director Don Hall, to whom it referred as a manga fan, as saying that the film was Japanese-inspired.[140] Yen Press publishes the series in English.[141]

text: Video games[edit]

text:
A video game based on the film titled Big Hero 6 Battle in the Bay was released on October 28, 2014 for the Nintendo 3DS and Nintendo DS.[142] This game is set after the events of the film and is a side-scrolling beat 'em up game. Four of the six members are playable (with Baymax and Honey Lemon being non-playable), and the Touch Screen can be used to launch Honey Lemon's grenades in the heat of battle.
Hiro and Baymax from the film are also available in Disney Infinity: Marvel Super Heroes as playable Disney Originals characters in the Toy Box.[143][144]
A mobile game based on the film titled Big Hero 6: Bot Fight was also released on November 3, 2014. It takes place a year after the events of the film, where the heroes discover and battle runaway robots via match-3 battles.[145] It was later discontinued on February 3, 2016 due to the constraints of Disney Mobile's support team and the need to discontinue old games to release new ones.[146]
A world based on Big Hero 6 will make its debut appearance in Kingdom Hearts III. The world will continue the story from the events at the end of the film, with the villains taking control of the original Baymax body left behind in the portal space, turning it into a monstrous Heartless that the second Baymax and Sora fight.[147][148][149]

text: Toys[edit]

text: Vinyl toy company Funko released the first images of the toy figures via their Big Hero 6 Funko.[150] The POP Vinyl series collection features Hiro Hamada, GoGo Tomago, Wasabi, Honey Lemon, Fred, and a 6-inch Baymax.

text: Bandai released a number of action figures related to the film; these toys including a number of different Baymax figures. One is a soft plastic 10-inch version that includes a series of projected stills from the film on his stomach, which can be changed when the figure's arm is moved, and which emits accompanying sounds. Deluxe Flying Baymax, which retails for $39.99, depicts the armored version of the character and features lights and sounds that activate at the push of a button. Placing the Hiro figurine on his back changes the sounds into speech and when the figure is tilted, the sounds are those of flying. The Armor-Up Baymax (original retail cost $19.99) comes with 20 pieces of armor that can be assembled onto the robot by the owner. The other characters from the film, including the other members of team and Professor Callaghan (who is called Yokai) are issued in 4-inch action figures, each of which have eight points of articulation.[151]

text: Future[edit]

text: Projected film sequel[edit]

text: On February 18, 2015, the film's directors, Don Hall and Chris Williams, said a sequel was possible. Hall added, "Having said that, of course, we love these characters, and the thought of working with them again some day definitely has its appeal."[152] In March 2015, Genesis Rodriguez told MTV that a sequel was being considered, saying, "…There's nothing definitive. There's talks of something happening. We just don't know what yet."[153] In April 2015, Stan Lee mentioned a projected sequel as one of several that he understood were in Marvel's plans for upcoming films.[154]

text: Television follow-up[edit]

text: In March 2016, Disney announced that a Big Hero 6 television series was in development and will premiere on Disney XD in 2017. The series takes place immediately after the events of the film,[155] and is created by Kim Possible's Mark McCorkle and Bob Schooley, and executive produced by McCorkle, Schooley, and Nick Filippi.[156][157] The majority of the cast from the film will return to voice the characters, except for Wayans Jr. and Miller.[10]