document_title: Night at the Museum: Secret of the Tomb

question_text: night at the museum 3 ben stiller characters

text: Night at the Museum: Secret of the Tomb

text: Plot[edit]

text: In 1938 Egypt, a team of archaeologists discover the tomb of pharaoh Ahkmenrah, including a young Cecil Fredericks, finding the magical Tablet of Ahkmenrah. The locals warn the group that removing the tablet will end its magic. In present-day New York City, Larry Daley remains the night guard of the American Museum of Natural History. He, Theodore Roosevelt, Sacagawea, Attila the Hun, Jedediah, Octavius, Rexy the Tyrannosaurus rex skeleton and Dexter the capuchin monkey help re-open the Hayden Planetarium. A new wax Neanderthal resembling Larry named Laaa is introduced, identifying Larry as his father. Ahkmenrah shows Larry that the tablet is corroding, which later causes the exhibits to act erratically, causing mayhem at the planetarium's reopening. Afterwards, Larry catches his son Nick, who plans on taking a gap year to sort out his life, throwing a house party.

text: Larry reunites with Cecil, now in retirement, who realizes the end of the tablet's magic will cause the exhibits to become lifeless. Cecil explains that Ahkmenrah's parents, Merenkahre and Shepseheret, may be able to restore the tablet's power but that they are located in the British Museum. Larry convinces the museum's curator, Dr. McPhee, to let him ship Ahkmenrah to London to restore the tablet, convinced that McPhee knows its secrets. Larry and Nick travel to the British Museum, bypassing the night guard Tilly. To Larry's surprise, Roosevelt, Sacagawea, Attila, Jed, Octavius, Dexter, Rexy and Laaa have come as well, and Laaa is left to stand guard while the others search the museum, the tablet bringing its own exhibits to life.

text: They are joined by a wax Sir Lancelot, who helps them fight off aggressive museum exhibits like a Xiangliu statue and a Triceratops skeleton. Jedediah and Octavius fall through a ventilation shaft but are rescued from an erupting Pompeii model by Dexter. The group find Ahkmenrah's parents, learning the tablet's power can be regenerated by moonlight, since it is empowered through the magic of Khonsu. Lancelot mistakes the tablet for the Holy Grail and steals it, leaving to find Camelot. Larry and Laaa are locked in the employee break room by Tilly, but they escape, and Laaa remains behind to distract Tilly, during which they become attracted to each other.

text: Lancelot crashes a performance of the musical Camelot, starring Hugh Jackman and Alice Eve as King Arthur and Queen Guinevere, but Larry and the others chase him to the theatre roof, where the New York exhibits begin to die. Lancelot then sees that the quest was about them and gives the tablet back. The moonlight restores the tablet's power, saving the exhibits. They decide that Ahkmenrah and the tablet should stay with his parents, even if it means the New York exhibits will no longer come to life. Back in New York, Larry spends some final moments with his friends before sunrise.

text: Three years later, Larry, having taken the blame for the planetarium incident, thus giving McPhee his job back, now works as a teacher, and a traveling British Museum exhibit comes to New York. Tilly becomes the new night guard, and gives the tablet to Dr. McPhee, showing him its power and allowing the exhibits to awaken again to celebrate Ahkmenrah's reunion. Outside, Larry watches them party inside.

text: Cast[edit]

text:
Ben Stiller as Larry Daley, a security guard at the American Museum of Natural History.[4]
Stiller also plays Laaa, a Neanderthal who resembles Larry.
Robin Williams as Theodore Roosevelt, the Wax sculpture of the 26th President of the United States.[4]
Owen Wilson as Jedediah, a cowboy diorama miniature.[4]
Steve Coogan as Octavius, a Roman soldier miniature.[4]
Ricky Gervais as Dr. McPhee, the director of the Museum of Natural History.[4]
Rachael Harris as Madeline Phelps, the chairwoman of the American Museum of Natural History.
Dan Stevens as Sir Lancelot, the wax statue of the legendary Knight of the Round Table.[5]
Rebel Wilson as Tilly, the night security guard at the British Museum.[4]
Skyler Gisondo as Nick Daley, the son of Larry Daley.[6] He was previously played by Jake Cherry in the first two films.
Rami Malek as Ahkmenrah, the mummy of an ancient pharaoh.[4]
Patrick Gallagher as Attila the Hun, the statue of the leader of the Huns.[4]
Mizuo Peck as Sacagawea, the polyurethane model of the Lemhi Shoshone woman who is Theodore Roosevelt's girlfriend.[4]
Ben Kingsley as Merenkahre, the mummy of an ancient pharaoh and Ahkmenrah's father.[7]
Dick Van Dyke as Cecil Fredericks, a retired security guard from the first film.[8]
Percy Hynes White plays the younger Cecil Fredericks
Mickey Rooney as Gus, a retired security guard from the first film.[8]
Bill Cobbs as Reginald, a retired security guard from the first film.[8]
Andrea Martin as Rose, an archivist at the Museum of Natural History.
Brennan Elliott as Robert Fredericks, C.J.'s father in the prologue.
Matt Frewer as Archibald Stanley, an archeologist who accompanies Robert and Cecil in the prologue.
Anjali Jay as Shepseheret, the mummy of a Great Royal Wife of Merenkahre and mother of Ahkmenrah.
Crystal the Monkey as Dexter, a Capuchin monkey.
Hugh Jackman as Himself (uncredited)
Alice Eve as Herself (uncredited)

text: Voices[edit]

text:
Robin Williams as Garuda Artifact.
Brad Garrett as Easter Island Head.
Regina Taufen as New York Reporter.

text: Production[edit]

text: On January 21, 2010, co-writer Thomas Lennon said to Access Hollywood, "I think it's a really outstanding idea to do Night at the Museum 3, in fact. I wonder if someone's not even already working on a script for that. I cannot confirm that for a fact, but I cannot deny it for a fact either... It might be in the works."[9] In an October 2011 interview with The Hollywood Reporter, Stiller confirmed the sequel, however, he said that it was only in the "ideas stage".[10] In February 2013 it was announced that the film, directed by Shawn Levy, would be released on December 25, 2014.[11] On September 10, 2013, it was announced that shooting would start in February 2014.[12]

text: On November 8, 2013, actor Dan Stevens was cast as Lancelot.[5] On November 15, 2013, it was announced that Skyler Gisondo would be replacing Jake Cherry in the role of Nicky Daley.[6] On December 18, 2013, it was announced that Stiller, Robin Williams, and Ricky Gervais would be returning for the sequel.[13] On January 9, 2014, it was announced that Rebel Wilson would play a security guard in the British Museum.[4] On January 14, 2014, the film's release date was moved up from December 25, 2014, to December 19, 2014.[14] On January 23, 2014, it was announced Ben Kingsley would play an Egyptian Pharaoh at the British Museum.[15] Principal photography and production began on January 27, 2014.[16][17] On May 6, 2014, it was announced that the film would be titled Night at the Museum: Secret of the Tomb.[18] In May 2014, principal photography ended.[19] Shooting took place outside the British Museum in London, England, as well as on a sound stage at the Vancouver Film Studios in Vancouver, British Columbia for scenes taking place inside the museum.

text: Music[edit]

text: Alan Silvestri returned to score the final installment of the trilogy.[20][21]

text:
Night at the Museum: Secret of the Tomb (Original Motion Picture Soundtrack)Film score by Alan SilvestriReleased
January 6, 2015 (2015-01-06)Recorded
2014Genre
Film scoreLength
56:52Label
Varèse Sarabande

text: Track listing[edit]

text: Varèse Sarabande released a soundtrack album of the score on January 6, 2015.[22][23][24]

text: All tracks written by Alan Silvestri.

text: Night at the Museum: Secret of the Tomb (Original Motion Picture Soundtrack)No.TitleLength1."The Ahkmenrah Expedition"3:342."Performance Prep"2:023."LOL"2:224."The Grand Re-Opening"3:135."The End Will Come"2:196."Sneak And Greet"3:257."Sir Lancelot"3:338."Where Are Jed And Octavius?"2:509."Main Hall"3:2410."Xiangliu"3:4611."Male Bonding"2:1512."The Legend of the Tablet"3:1113."The Escher Fight"3:4514."Camelot"3:4915."The Quest"2:3516."Seeing Your Boy Become A Man"3:1417."Laaa Love"1:5318."A Farewell Kiss"2:4019."Teddy's Goodbye"3:02Total length:56:52

text: Release[edit]

text: The film premiered at the Ziegfeld Theatre in New York City on December 11, 2014.[25] It was then released on December 19, 2014 in the United States.[26]

text: Reception[edit]

text: Box office[edit]

text: Night at the Museum: Secret of the Tomb grossed $113.7 million in North America, and $249.5 million in other territories, for a worldwide total of $363.2 million against a budget of $127 million.[2]

text: In North America, early analysts were predicting a potential $25–$28 million opening.[27][28] In North America, the film was released on December 19, 2014 across 3,785 theaters.[29] It opened Friday, December 19, 2014 and earned $5.6 million on its opening day, placing at number three at the box office.[30] The film underperformed expectations during its opening weekend, earning $17.1 million, which was relatively lower than the openings of the original film ($30.4 million) and its sequel ($54.1 million).[31] The film debuted at number two at the box office behind The Hobbit: The Battle of the Five Armies.[32] According to 20th Century Fox, the movie's audience was 51% male, with 54% of the audience under the age of 25. In CinemaScore polls conducted during the opening weekend, cinema audiences gave the film an average grade of "B+", on an A+ to F scale.[32]

text: The film began its international rollout the same weekend as the North American premiere and earned $10.4 million from 27 markets in its opening weekend, debuting at #3 behind at the box office behind The Hobbit: The Battle of the Five Armies and Penguins of Madagascar.[33][34][35][36] The film expanded to an additional 40 markets in its second week and grossed $31.2 million.[37] It topped the box office outside North America in its fourth weekend with a total gross of $46.2 million, primarily because of China, where it opened at #1 with $26 million.[38] The other highest opening figures were from Mexico ($5.85 million), Brazil ($3.1 million), Malaysia ($3.07 million), the UK ($3 million), Australia ($2.8 million), Germany ($2.1 million) and Singapore ($2 million).[37][33][39]

text: For the weekend of January 16, 2015, the film grossed $17.8 million, which includes a $3.9 million debut in South Korea.[40]

text: Critical response[edit]

text: On Rotten Tomatoes, the film received a 48% approval rating, based on 104 reviews, with an average score of 5/10. The site's critical consensus reads, "While not without its moments, Night at the Museum: Secret of the Tomb is a less-than-inspired sendoff for the trilogy."[41] On Metacritic, the film has a score of 47 out of 100, based on 33 critics, indicating "mixed or average reviews".[42] In CinemaScore polls conducted during the opening weekend, cinema audiences gave the film an average grade of "B+" on an A+ to F scale.[32]

text: Scott Foundas of Variety gave the film a positive review, praising the visual effects and calling the production values "topnotch", and admiring Guillermo Navarro's work. He added, "A most enjoyable capper to director Shawn Levy and producer Chris Columbus' cheerfully silly and sneakily smart family-entertainment juggernaut... offers little in the way of secrets of surprises, but should add much holiday cheer to Fox's box-office coffers."[43] Peter Bradshaw of The Guardian gave the film three stars out of five and said, "The third part in what absolutely no one is calling the Night at the Museum 'trilogy' turns out to be a good-natured and entertainingly surreal panto fantasy."[44] Glenn Kenny awarded the film 2½ stars out of 4 praising the Indiana Jones themed-set while criticizing the performances of the cast and said, "As talent-packed as any Night at the Museum picture may be—in this third installment... —one doesn't come to a movie of this sort expecting anybody's best work. Or at least one certainly shouldn't, because it won't materialize."[45] Stephanie Zacharek of The Village Voice gave the film a positive review, saying "The third installment, Night at the Museum: Secret of the Tomb may be the best, and even the generally wound-too-tight Ben Stiller – once again playing a bemused Museum of Natural History guard – is easy to tolerate."[46] Claudia Puig of USA Today gave the film two and a half stars out of four, saying "Where the previous films felt frenetic and forced, this outing feels breezier, more enjoyable and less contrived."[47] Joe Neumaier of the New York Daily News gave the film three out of five stars, saying "There's a serenity to museum visits, especially if it's a place you know and love. Night at the Museum: Secret of the Tomb, amazingly, recaptures that feeling in big-studio franchise form."[48]

text: Bill Goodykoontz of The Arizona Republic gave the film two out of five stars, saying "Night at the Museum: Secret of the Tomb is a rather lackluster affair, a cash grab that tries to aim a little higher but confuses sappy shortcuts with real emotion."[49] Joe McGovern of Entertainment Weekly gave the film a B, saying "It's kind of fun, unembarrassingly, and not least of all because the people who made it look like they had a good time doing so."[50] Tom Long of The Detroit News gave the film a B, saying "There are some key elements that make this Night at the Museum sequel work better than its predecessor."[51] Stephen Whitty of the Newark Star-Ledger gave the film two out of four stars, saying "The exhibits in this Night at the Museum may still come to life nightly. But their latest movie stays stubbornly inert."[52] Tom Russo of The Boston Globe gave the film two and a half stars out of four, saying "Seeing Ben Stiller, the late Robin Williams, and their magically roused gang together again, this time in London, is initially all about indulgent, nostalgic smiles rather than new wows. But then comes the movie's exceptionally clever and fresh final act, which delivers genuine surprise along with many laughs."[53] Robbie Collin of The Daily Telegraph gave the film three out of five stars, saying "The third Night at the Museum film starts strongly, with its heart in the past... It's an exciting opening, and perhaps too exciting for the film's own good. It's hard not to be disappointed when the plot moves back to the present and settles into the time-honoured formula of digitised creatures running riot and famous people in fancy dress doing shtick."[54] Michael Rechtshaffen of The Hollywood Reporter gave the film a negative review, saying "Despite relocating across the pond to the esteemed British Museum, the creaky Night at the Museum: Secret of the Tomb fails to capitalize on the comic potential provided by that change of venue."[55]

text: Ignatiy Vishnevetsky of The A.V. Club gave the film a C+, saying "Secret of the Tomb plays it as a source of corny jokes, pop-culture references, and father-son bonding moments. In other words, it's exactly the kind of film that shouldn't be expected to engage with its assorted bizarre subtexts – but what a movie it could be if it did."[56] Sara Stewart of the New York Post gave the film two out of four stars, saying "For piquing kids' interest in history and nature, you could do worse than this goofy Ben Stiller franchise. But its third installment is more meh than manic, too reliant on wide shots of the ragtag Museum of Natural History cohorts striding down corridors. You get the feeling returning director Shawn Levy is ready to hang it up."[57] Richard Roeper of the Chicago Sun-Times gave the film one and a half stars out of five, saying "The dialogue is schmaltzy and often painfully unfunny. The special effects are often so 1980s-bad, one wonders if it was a deliberate choice, to make the creepy visuals of sculptures dancing and paintings moving less frightening to young viewers. Time and again, terrific actors sink in the equivalent of cinematic quicksand, helpless against the sucking sound of this movie."[58] Drew Hunt of Slant Magazine gave the film one out of four stars, saying "None of the entries in the Night at the Museum series could ever pass for high art, but a wealth of comedic talent gave the first two installments a madcap energy that somewhat forgave their childish premises. Night at the Museum: Secret of the Tomb, the third and supposedly final edition in the franchise, is nothing more than an uncomfortably transparent contractual obligation."[59]

text: Accolades[edit]

text:
Award

Category

Recipient(s)

Result

Ref(s)

Teen Choice Awards

Choice Movie: Comedy

Nominated

[60]

Choice Movie Actor: Comedy

Ben Stiller

Nominated

Kids' Choice Awards

Favorite Movie Actor

Ben Stiller

Won

[61][62]

text: Home media[edit]

text: Night at the Museum: Secret of the Tomb was released on Blu-ray and DVD on March 10, 2015.[63] The film debuted in second place on the home media charts behind The Hunger Games: Mockingjay – Part 1.[64]


document_title: Howl's Moving Castle (film)

question_text: who does christian bale play in howl's moving castle

question_tokens: who does christian bale play in howl 's moving castle

root

text: Howl's Moving Castle (film)

text: Plot[edit]

text: Sophie, a young milliner, encounters a wizard named Howl on her way to visit her sister Lettie. Upon returning home, she meets the Witch of the Waste, who transforms her into a ninety-year-old woman. Seeking to break the curse, Sophie leaves home and sets off through the countryside. She meets a living scarecrow, whom she decides to call 'Turnip Head'. He leads her to Howl's moving castle, where she meets Howl's young apprentice Markl, and the fire-demon Calcifer, who is the source of the castle's magic. When Howl appears, Sophie announces that she has hired herself as a cleaning lady.

tag: p

text: Meanwhile, Sophie's nation is caught up in a war with a neighboring kingdom, who is searching for their missing prince. The King summons Howl to fight in the war; however, Howl decides to send Sophie to the King (under the pretense of being his mother) to tell him that Howl is too much of a coward to fight. Before leaving, he gives Sophie a charmed ring that connects her to Calcifer. Sophie meets Suliman, the king's advisor, and also the Witch of the Waste, whom Suliman punishes by draining all of her power, causing her to regress into a harmless old woman. Suliman warns that Howl will meet the same fate if he does not fight. Howl arrives to rescue Sophie; Suliman tries to trap him, but with Sophie's help, they escape along with the former witch.

text: Sophie learns that Howl's life is somehow bound to Calcifer's, and that Howl has been transforming into a bird-like creature in order to interfere with both sides in the war, but each transformation makes it more difficult for him to return to human form. Howl has the castle magically-linked to Sophie's home, parking the castle itself on the town's outskirts. A few days later, the town is bombed by enemy aircraft and Suliman's henchmen attack the abode. Howl heads out to protect the group; Sophie then moves everyone out of the abode and removes Calcifer from the fireplace, which collapses the castle. The witch realizes that Calcifer has Howl's heart, and grabs the fire demon; Sophie panics and pours water onto the witch, which douses Calcifer. The castle then splits in two; Sophie falls down a chasm and is separated from the group.

text: Following the charmed ring, Sophie wanders into a scene from the past: she sees a young Howl catch a falling star — Calcifer — and give him his heart. Sophie calls for them to find her in the future as she is teleported away. She returns to the present and finds Howl, and they reunite with the others. The witch returns Howl's heart, and Sophie places it back inside Howl, reviving him and freeing Calcifer, though he decides to stay. Sophie's curse is broken, and after she kisses Turnip Head on the cheek he reverts back to human form — revealed to be the missing prince from the enemy kingdom, who promptly heads for home. Suliman, watching through a crystal globe, decides to end the war. As the bombers are seen flying away, Howl and the others are seen high in the air in a new flying castle.

text: Voice cast[edit]

text:
Character
Japanese
English (Disney Release)

Sophie (Sofî) (young)[2]
Chieko Baisho
Emily Mortimer

Sophie (old)[2]
Jean Simmons

Howl (Hauru)[2]
Takuya Kimura
Christian Bale

Witch of the Waste (Arechi No Majo)[2]
Akihiro Miwa
Lauren Bacall

Calcifer (Karushifā)
Tatsuya Gashūin[2]
Billy Crystal

Markl (Marukuru)
Ryūnosuke Kamiki[2]
Josh Hutcherson

Madame Suliman (Sariman)[2]
Haruko Kato
Blythe Danner

Lettie
Yayoi Kazuki
Jena Malone[8]

Honey
Mayuno Yasokawa
Mari Devon

Prince Justin/Turnip Head (Kakashi No Kabu)
Yō Ōizumi[2]
Crispin Freeman[8]

Madge
Rio Kanno
Liliana Mumy

King of Ingary (Kokuō)
Akio Ōtsuka[2]
Mark Silverman

Hin[2]
Daijirō Harada
Frank Welker

tag: table

text: Themes[edit]

text: Pacifism[edit]

text: Howl's Moving Castle contains strong anti-war themes, influenced by Miyazaki's distaste for the 2003 Iraq War.[5][9][10] When he received an Oscar for Spirited Away, he said that he "had a great deal of rage about [the war]. So [he] felt some hesitation about the award."[5] Miyazaki identifies as a pacifist.[9][10][11] On the eve of the Iraq War, Miyazaki decided to make a film that he felt would be poorly received in the United States. Despite the film's success in that country, literary scholar Dani Cavallaro stated that Miyazaki was able to "create a film which ought, in principle, to have caused a certain unease among American audiences."[5] In the movie, Madame Suliman appears to have only sadistic motivations for creating conflict,[5] and despite being omniscient, is unable to recognize the idiocy of the war until the very end of the story. This reflects Miyazaki's desire to show real-world conflicts as also being somewhat arbitrary and fueled by the desires of capricious people.[12] Cavallaro stated that the depiction of the war carried "an unmistakable bitter taste."[5]

text: The universe of Howl's Moving Castle is depicted as not having clear-cut villains and heroes; instead, the characters are complex, and even those that are initially portrayed in a negative light, such as Howl, are shown as capable of change.[13] Matt Kimmich has stated, however, that the simplistic message of the film is that "war is bad."[11] A scene where Sophie is standing in a beautiful field of flowers is interrupted by a war machine, "a finger accusing empire as the destroyer of peace."[14] This portrayal is in strong contrast to other Miyazaki films like Princess Mononoke, which criticizes military conflict in a more nuanced manner.[11] Andrew Osmond stated that "Howl's pure-hearted anti-war stance is presented as nihilism with no alternative as he fights forces from each side and becomes the worst terror of all," in the form of the monstrous bird. By transforming into the bird, Howl risks losing his own humanity; Calcifer comments at one point that he will soon not be able to return to human form.[11] In contrast, Ashitaka in Princess Mononoke fights the demonic sickness with which he is afflicted, and tries to negotiate a peace between the two sides.[11] Osmond states that both films also point out the limits of masculinity, as exemplified by Howl and Ashitaka.[11]

text: Flight and critique of modernity[edit]

text: Like several other Miyazaki films,[13] Howl's Moving Castle reflects the director's love of flying.[15] Sequences in the film include both several aircraft of inventive design, as well as Howl transforming into a bird.[15] Miyazaki examines flight as a theme most directly in the later film The Wind Rises.[15] Miyazaki stated that he was attracted to military aircraft as a child, but that he grew to detest them because of the destructive purpose for which they are created.[15] Thus Howl's Moving Castle contains images both of aircraft shown as harmless, and large military craft depicted as ugly and destructive.[15] Cavallaro writes that Miyazaki wants to "portray flight as an object of admiration and awe," but that he is not "[blind] to its abuse by unscrupulous strategists and rulers."[15]

text: The nuanced view of flight is part of Miyazaki's broader critique of modern society and technology. Margaret Talbot writes that in person, Miyazaki exhibits "a profound dissatisfaction with modern life,"[13] particularly with the effects of technology and a disconnection from nature.[13] Many of his films depict technological hubris as among the roots of evil.[16] The battleships which are seen moving over the landscape are depicted as "gleaming with modernity and parading righteousness,"[17] but are then shown to be highly destructive.[17] In contrast, the semi-organic castle demonstrates "Miyazaki’s Taoist presentation of industrialism needing to be aligned with nature" according to Carl and Garrath Wilson.[17] Antonio Lioi writes that Miyazaki often depicts beautiful scenes in contrast to those containing symbols of modernity, such as the scene where Sophie's reverie is interrupted by a war machine. This contrast is part of an ecological criticism of modernity, but Miyazaki also offers an alternative, in the form of beautiful natural scenery.[14]

text: Old age and compassion[edit]

text: Miyazaki stated that an attractive aspect of the story of Howl's Moving Castle was the relatively positive light it shed on growing old.[13] When Sophie becomes old as a result of the witch's spell, she also feels more able to speak her mind. According to Miyazaki, old women are only infrequently allowed to dominate the screen as in Howl's Moving Castle, which made it a risky concept.[13] Elizabeth Parsons stated that the film disrupts the stereotype of "aged unattractiveness," when the artificially aged Sophie manages to rescue two attractive men (who come to love her) and to unintentionally end the war in her country.[18] Sophie's actions are those usually associated with grandmothers, such as being kind and nurturing to those around her, and engaging in housework; however, these actions are depicted as being powerful and heroic.[18] Sophie is one of several strong female protagonists in Miyazaki's films.[14] According to Parsons, this gives the film a feminist aspect as well.[18] Additionally, even though Sophie manages to make her presence in the castle legitimate by claiming to be a cleaning lady, the film goes on to show that the housework is equitably distributed, strengthening its feminist aspect.[18]

text: In 2013, Miyazaki stated that Howl's Moving Castle was his favorite creation, and explained his choice by saying "I wanted to convey the message that life is worth living, and I don't think that's changed."[6] In the film, Sophie is shown to overcome extreme challenges by learning to put the well-being of those she cares about above her own self-interest, a quality which Miyazaki refers to as devotion.[6] Several of the protagonists in Miyazaki's films, such as Ashitaka and San in Princess Mononoke and Sheeta and Pazu in Castle in the Sky learn to survive by learning the same lesson.[6] Cavallaro states that Miyazaki spreads this moral through the entire film, to convey human beings' ability to be compassionate, such as when the scarecrow holds an umbrella over Sophie's head when it rains.[6] Over the course of the film, Howl, its most vain and selfish character, also learns to put others before himself.[18] When Madame Suliman returns the Witch of the Waste to her true form as a decrepit old woman, Sophie takes her in and cares for her, despite the witch being responsible for Sophie's curse, thus strongly demonstrating the idea of compassion.[18] The witch then nearly destroys Howl through her selfish behavior, but also helps save the castle at the end. Parsons writes that "In Miyazaki's balancing act, old women can be powerful and weak, positive and negative, nurturing and selfish, maligned and loved; in short, they can not be simply categorized or stereotyped, and they can not be dismissed as fantasy malefactors embodied by evil witches."[18] They are also given a lot of space in the film as active characters, something not commonly found in western movies.[18]

text: Production[edit]

text: In September 2001, Studio Ghibli announced the production of two films. The first would become The Cat Returns and the second was an adaptation of Diana Wynne Jones' novel, Howl's Moving Castle.[19] A rumor persists that Miyazaki had an idea to do Howl's Moving Castle during a visit to Strasbourg Christmas market.[19] Toshio Suzuki, who produced Howl's Moving Castle, stated that Miyazaki was inspired to make the film when he read Jones' novel, and was struck by the image of a castle moving around the countryside.[20] The novel does not explain how the castle moved, and Miyazaki was interested in figuring out how the castle might move, which led to the image of a castle on chicken legs.[13] The complex moving castle changes and rearranges itself several times throughout the movie in response to Howl's eccentricity and the various situations.[19] The basic structure of the castle consists of more than 80 elements including turrets, a wagging tongue, cogwheels and chicken legs, that were rendered as digital objects.[19]

text: Mamoru Hosoda of Toei Animation was originally selected to direct the film, but quit the project after Studio Ghibli's executives rejected many of his concept ideas.[21] The film was shelved until Miyazaki took over.[21] The project resumed with production in February 2003.[19] It was scheduled to be completed in the spring of 2004, and released in the summer of that year.[21]

text: Miyazaki went to Colmar and Riquewihr in Alsace, France, to study the architecture and the surroundings for the setting of the film.[19] Additional inspiration came from the concepts of future technology in Albert Robida's work.[19] Commentators have stated that Miyazaki's imagery was influenced by his fondness for the "illusion art" of 19th century Europe.[22] Suzuki stated that unlike many Western films, in which the imagery went "from the general [to] the specific,"[13] Miyazaki employed a uniquely Japanese approach, frequently beginning with a very specific image and moving from there.[13] However, Howl's Moving Castle, and Miyazaki films in general, have a focus on realistic imagery in a way that other anime films do not.[13]

text: The film was produced digitally, but the original backgrounds were drawn by hand and painted prior to being digitized, and the characters were also drawn by hand prior to scanning them into the computer.[19] The 1400 storyboard cuts for the film were completed on 16 January 2004.[23] On 25 June the in-between animation was completed and checking was completed on 26 June.[24] Studio Ghibli used digital technology to run many copies of the still portions of a scene, a process which avoids inconsistencies between various still frames, but can create an impression of artificiality. Therefore, the studio chose to manually retouch the digitally altered images, recreating the "feel" of a hand-drawn image.[25]

text: Comparisons between film and novel[edit]

text: The film has several differences from the novel, partly due to the different requirements of the two media. Diana Wynne Jones' novel has a very large cast of characters, and several plot threads that were too complex to be transferred into the film.[26] As a result, characters such as Sophie's second sister Martha are left out, as is the plot thread involving Markl (who is called Michael in the novel, and depicted as an adolescent, rather than as a young boy) courting her.[27] Jones discussed the film with Studio Ghibli representatives, but did not have any input or involvement in the production of the film. Miyazaki traveled to England in the summer of 2004 to give Jones a private viewing of the finished film. She has been quoted as saying "It's fantastic. No, I have no input—I write books, not films. Yes, it will be different from the book—in fact it's likely to be very different, but that's as it should be. It will still be a fantastic film."[28]

text: The novel depicts Howl's castle as a tall, dark and sinister wizard's tower, very different from the complex image in the film. The film's castle may be seen as a parody of the machines seen in the movie, driven both by steam-engines and by magic. In the film, it is a "rotund collage of chimneys, roofs, steam pipes, and other odd appendages, borne along on mechanized bird legs"[27] that is similar to Baba Yaga's hut in the popular fairy tale. It is vaguely organic, and almost depicted as a life-form.[27] Similarly, Calcifer is a demonic figure in the book, as compared to the "endearing" persona and image that he has in the film.[27] Both film and novel try to render fantastic elements as mundane and ordinary things. Although they are set in a fantasy universe, the characters are often shown performing routine tasks, like cooking breakfast or washing up, in contrast to the heroic actions typical of a fantasy universe.[29] In the novel, Jones disrupts the fantasy-world setting by including scenes in which the characters travel to the real-world Wales. The movie, however, avoids this digression, and maintains a constant setting.[30]

text: Miyazaki's biggest addition to the plot of the book was the use of the war as a large part of the plot. In the book, the war is only tangentially referred to; the king orders Howl to find the king's missing brother Justin, because Justin's military skills are needed for a forthcoming war.[31] Howl's frequent disappearances are because of his womanizing habits, which makes Sophie see him as a superficial and cowardly person.[31] In the film, however, Howl disappears from the scene in order to transform into a giant bird and disrupt the battle plans of both armies.[31]

text: The roles of several characters also differ between novel and film due to this plot change. The Witch of the Waste is the chief antagonist of the book, whereas in the film she is reduced by Madame Suliman's magic to an ultimately harmless old woman who evokes sympathy in the audience and in Sophie.[31] In contrast, the film conflates the novel's two characters of Mrs. Penstemmon and the wizard Suliman into Madame Suliman. Although Suliman comes closest to being a traditional villain in the film, she is shown as having ambiguous motivations, and reviewers have stated that the real villain is war itself.[31] Howl loses the "rakish" womanizing aspect that was a significant part of his character in the novel.[31] In contrast, Sophie becomes a more conventional figure in the film; she is less grumpy and outspoken, and demonstrates her love for Howl earlier and more explicitly.[31] The storyline in the novel of Sophie being a powerful sorceress in her own right is muted in the film, although she is still shown to have control over her curse.[7]

text: The thematic focus of the story also differs between the novel and the film. Reviewer Antonia Levi wrote that the experience of watching the film was similar to reading high quality fan fiction; although the characters and the setting were the same, the story was different.[7] Although in both cases the story begins with Sophie being a prisoner of her circumstances and of social norms, the challenges she faces are slightly different. Levi said that "Jones uses Sophie, Howl, and Calcifer in a fairytale format to tell a story about challenging class and gender expectations, Miyazaki uses the same characters to tell a story about personal loyalty, love, and war."[7]

text: Music[edit]

text: The score was composed and conducted by Joe Hisaishi, and performed by the New Japan Philharmonic.[32] The soundtrack CD was first released on 19 November 2004 by Tokuma Japan Communications. Hisaishi also composed and conducted a Howl's Moving Castle: Symphony Suite, an album published on 21 January 2004 which includes ten re-arranged pieces from the original soundtrack. He and Youmi Kimura also composed Howl's Moving Castle CD Maxi-Single, a CD single published on 27 October 2004 which includes the film's theme song, sung by Chieko Baisho (the Japanese voice actor for Sophie), its karaoke version, and a piano version of the film's main theme, "The Merry-Go-Round of Life".[33]

text: Release and reception[edit]

text: Box office[edit]

text: The film premiered at the 61st Venice Film Festival in 2004,[4] and was released in Japan on 20 November 2004.[3] The film grossed $14.5 million in its first week of release in Japan alone.[13] The film was distributed in Japan by Toho, and made $190,000,000 in that country.[3] It was distributed internationally by various companies, and made approximately an additional $45,000,000 outside Japan, for a worldwide total of $235,184,110.[3] The film was later dubbed into English by Pixar's Pete Docter.[34] It was distributed in the United States by Buena Vista, a subsidiary of Disney.[3] It was released on DVD on 10 March 2006.[8] It was one of the most commercially successful Japanese films ever made.[4] Soon after its release, it became the third most financially successful film in Japan, behind Titanic and Spirited Away.[16] GKIDS re-released the film on Blu-ray and DVD on 17 October 2017.[35]

text: Critical reception[edit]

text: The review aggregator website Rotten Tomatoes reports an 87% approval rating based on 172 reviews, with an average rating of 7.5/10. The website's critical consensus reads, "Exquisitely illustrated by master animator Miyazaki, Howl's Moving Castle will delight children with its fantastical story and touch the hearts and minds of older viewers as well."[8] The film also holds an 80/100 average on Metacritic, indicating "generally favorable reviews."[2]

text: USA Today critic Claudia Puig gave the film a positive review, praising it for its ability to blend "a childlike sense of wonder with sophisticated emotions and motives".[36] Helen McCarthy in 500 Essential Anime Movies said that the natural world was "beautifully represented", with "some absolutely breathtaking mountains and lakeside landscapes". She also praised the design of the Castle and added that Miyazaki added his own themes to the film: "man's relationship to nature, the futility of war, and the joy of flight".[37] Joel Morgenstern of The Wall Street Journal called the film "a moveable feast of delights".[38] Richard Corliss of TIME magazine wrote, "Palaces and shimmering lakes, warplanes and fire sprites all come to life at the breath of Miyazaki's graphic genius."[39] Writing for The Boston Globe, Ty Burr said, "At its best, 'Howl's Moving Castle' offers a rich fantasy of adolescent escape, of romance in the old and epic sense. At its worst, it's the most amazing 12-course meal you can't bring yourself to finish."[40] A.O. Scott of The New York Times wrote, "Admirers of [Hayao Miyazaki's] work, which is wildly imaginative, emotionally intense and surpassingly gentle, will find much to appreciate in this film because it demonstrates, once again, his visual ingenuity and his sensitivity as a storyteller. For newcomers to his world, "Howl's Moving Castle" is a fitting introduction to one of modern cinema's great enchanters."[41]

text: Conversely, Roger Ebert, also of the Chicago Sun-Times, gave it two and a half out of four stars, and called the film a "disappointment" compared to his recent movies.[42] Jonathan Trout of the BBC said, "Youngsters and Miyazaki fans will coo at the world's depth and rich surreality, but opaque plotting, and a tendency to mope with Sophie whilst Howl is off affecting events let the momentum of the first act vanish into thin air."[43] Writing for Salon, Stephanie Zacharek said, "the plot of "Howl's Moving Castle" meanders so listlessly that its details become less and less charming. Miyazaki's storytelling style resembles that of a breathless young tot who's fearlessly exercising his newfound powers of expression."[44] Stephen Hunter from The Washington Post criticized the plot of the film, saying "There is no story, or rather, there's no force to the story, which meanders almost casually this way and that for no apparent reason."[45] However, he said that the movie also empowered young women, and was "beautiful beyond telling."[45] David Rooney, writing in Variety, stated that "the narrative motor roars ahead in the opening hour and is more erratic thereafter," and suggested that better translation would help.[1] Literary scholar Matt Kimmich stated that the film came across as "uneasy compromise between two plots and two imaginations," referring to Jones' original story and Miyazaki's style of animation and storytelling.[46] However, he stated that those scenes which were not dependent either on Jones' original plot or Miyazaki's added plot threads found "a visual humor that recalls the verbal wit and lightness of Jones's novel,"[47] and that the "animation manages to free itself from the demands of the two plots—and flies."[47]

text: Top ten lists[edit]

text:
"There's a word for the kind of comic, dramatic, romantic, transporting visions Miyazaki achieves in Howl's: bliss."

—Peter Travers, Rolling Stone[34]

text: The film appeared on many critics' top ten lists of the best films of 2005.[48]

text:
2nd – Ella Taylor, LA Weekly (tie)
4th – Kenneth Turan, Los Angeles Times
5th – Tasha Robinson, The A.V. Club
6th – Lawrence Toppman, The Charlotte Observer
6th – Jonathan Rosenbaum, The Chicago Reader (tie)
8th – Michael Sragow, The Baltimore Sun
8th – Michael Wilmington, The Chicago Tribune
NA – Peter Rainer, The Christian Science Monitor (listed alphabetically)

tag: ul

text: Accolades [edit]

text:
Year
Award
Category
Result
Recipient
Reference

2004
61st Venice Film Festival
Osella Awards for Technical Achievement
Won
Howl's Moving Castle
[49]

Mainichi Film Awards
Best Japanese Movie Overall
(Readers' Choice Award)
Won
Howl's Moving Castle
[50]

Japan Media Arts Festival
Excellence Prize, Animation
Won
Howl's Moving Castle
[51]

2005
Tokyo Anime Award
Animation of the Year
Won
Howl's Moving Castle
[52]

Best Director
Won
Hayao Miyazaki
[52][53]

Best Voice Actor/Actress
Won
Chieko Baisho
[52][53]

Best Music
Won
Joe Hisaishi
[52][53]

Maui Film Festival
Audience Award
Won
Howl's Moving Castle
[52][53]

Seattle International Film Festival
Golden Space Needle Award
1st Runner-up
Howl's Moving Castle
[52][53]

2006
78th Academy Awards
Best Animated Feature
Nominated
Howl's Moving Castle
[54]

Saturn Awards
Best Animated Film
Nominated
Howl's Moving Castle
[55]

2007
Nebula Award
Best Script
Won
Hayao Miyazaki (script),
Cindy Davis Hewitt, and Donald H. Hewitt
(English translation)
[56]


document_title: Market structure

question_text: economists define as a market structure with a few large firms

text: Market structure

text: History[edit]

text: Market structure has historically emerged in two separate types of discussions in economics, that of Adam Smith on the one hand, and that of Karl Marx on the other hand. Adam Smith in his writing on economics stressed the importance of laissez-faire principles outlining the operation of the market in the absence of dominant political mechanisms of control, while Karl Marx discussed the working of the market in the presence of a controlled economy sometimes referred to as a command economy in the literature. Both types of market structure have been in historical evidence throughout the twentieth century and twenty-first century.

text: Types[edit]

text: The discussion of market structure in free economies as described by Adam Smith is often qualified or discussed in terms of patterns of market organization which serve the buyers and sellers in any particular form of the marketplace. Some types of market structure may be described using several recurrent types of descriptive organizational mechanism which may or may not dominate any particular market over time or at particular points in time, such as;

text: 1. Monopolistic competition, a type of imperfect competition such that many producers sell products or services that are differentiated from one another (e.g. by branding or quality) and hence are not perfect substitutes. In monopolistic competition, a firm takes the prices charged by its rivals as given and ignores the impact of its own prices on the prices of other. This market structure exists when there are multiple sellers who are attempting to seem different than each other.

text: 2. Oligopoly, in which a market is run by a small number of firms that together control the majority of the market share.

text:
Duopoly, a special case of an oligopoly with two firms.
Monopsony, when there is only a single buyer in a market.
Oligopsony, a market where many sellers can be present but meet only a few buyers.

text: 3. Monopoly, where there is only one provider of a product or service.

text: Natural monopoly, a monopoly in which economies of scale cause efficiency to increase continuously with the size of the firm. A firm is a natural monopoly if it is able to serve the entire market demand at a lower cost than any combination of two or more smaller, more specialized firms.

text: 4. Perfect competition, a theoretical market structure that features low barriers to entry, identical products with no differentiation, an unlimited number of producers and consumers, and a perfectly elastic demand curve.[1]

text: Elements and concerns[edit]

text: The imperfectly competitive structure is quite identical to the realistic market conditions where some monopolistic competitors, monopolists, oligopolists, and duopolists exist and dominate the market conditions. The elements of Market Structure include the number and size distribution of firms, entry conditions, and the extent of differentiation.

text: These somewhat abstract concerns tend to determine some but not all details of a specific concrete market system where buyers and sellers actually meet and commit to trade. Competition is useful because it reveals actual customer demand and induces the seller (operator) to provide service quality levels and price levels that buyers (customers) want, typically subject to the seller’s financial need to cover its costs. In other words, competition can align the seller’s interests with the buyer’s interests and can cause the seller to reveal his true costs and other private information. In the absence of perfect competition, three basic approaches can be adopted to deal with problems related to the control of market power and an asymmetry between the government and the operator with respect to objectives and information: (a) subjecting the operator to competitive pressures, (b) gathering information on the operator and the market, and (c) applying incentive regulation.[2]

text:
Quick Reference to Basic Market Structures

Market Structure
Seller Entry Barriers
Seller Number
Buyer Entry Barriers
Buyer Number

Perfect Competition
No
Many
No
Many

Monopolistic competition
No
Many
No
Many

Monopoly
Yes
One
No
Many

Duopoly
Yes
Two
No
Many

Oligopoly
Yes
Few
No
Many

Monopsony
No
Many
Yes
One

Oligopsony
No
Many
Yes
Few

text: The correct sequence of the market structure from most to least competitive is perfect competition, imperfect competition, oligopoly, and pure monopoly.

text: The main criteria by which one can distinguish between different market structures are: the number and size of producers and consumers in the market, the type of goods and services being traded, and the degree to which information can flow freely.


document_title: The Voice (U.S. TV series)

question_text: who was the winning coach on the voice last season

question_tokens: who was the winning coach on the voice last season

text: The Voice (U.S. TV series)

text: Conception

text: An adaptation of the Dutch show The Voice of Holland, NBC announced the show under the name The Voice of America in December 2010;[7] its name was soon shortened to The Voice.[8] In each season, the winner receives $100,000 and a record deal with Universal Republic Records (seasons 1 & 2), Universal Music Group (season 3–present).

text: Selection process and format

text: Each season begins with the "Blind Auditions," where coaches form their team of artists (8 in season 1, 12 in season 2 and seasons 4-12, and 16 in season 3) whom they mentor through the remainder of the season. The coaches' chairs are faced towards the audience during artists' performances; those interested in an artist press their button, which turns their chair towards the artist and illuminates the bottom of the chair to read "I want you." At the conclusion of the performance, an artist either defaults to the only coach who turned around, or selects his or her coach if more than one coach expresses interest.[9]

text: In the "Battle Rounds," each coach pairs two of his or her team members to perform together, then chooses one to advance in the competition. In each season, coaches are assisted by celebrity advisors that are different each season. In the first season, coaches sit alongside their respective advisors in the battle stage. However, starting with the second season, the advisors no longer join the coaches in the battle stage. A new element was added in season three; coaches were given two "steals", allowing each coach to select two individuals who were eliminated during a battle round by another coach.

text: The Knockout Rounds were also introduced in season three. A pair of artists within a team are selected to sing individual performances in succession. They are not told until a few minutes prior to their performances who their partner is. The artists get to choose their own songs in this round, although they continue to get help and advice from their respective coaches. At the conclusion of the performances, coaches would decide which one of each pair gets to advance to the next round.[9] Just like in the battle rounds, the coaches can steal one eliminated artist from another coach starting with season five.

text: The "Battles, Round 2" were introduced to replace the Knockout Rounds in season six.[9] Similar to the Knockout Rounds, each singer is paired randomly within their team. One celebrity key adviser also assists all four of the coaches and their teams in preparation of these rounds. Coaches give each Battle pairing a list of songs and each pair must agree on which song to sing.[10] Each coach can still decide which of their singers in each pair will advance to the next round. The coaches are also allowed one steal.[11] However, the Knockouts were brought back in season seven.

text: In the final live performance phase of the competition, artists perform in weekly shows, where public voting narrows to a final group of artists and eventually declares a winner.[9] The coaches have the power to save one artist that had not received the public's vote that week. As of season two, these artists would give a last chance performance to win their coach's save. However, in deciding who moves on to the final four phase, the television audience and the coaches have equal say. With one team member remaining for each coach, the contestants compete against each other in the finale, where the outcome is decided solely by public vote. In the first two seasons, one contestant from each team would advance to the final four. Due to the possibility of having multiple potential winners on the same team, eliminations were adjusted in season three to eliminate contestants who earned the lowest number of votes, thus not guaranteeing a coach and a contestant in the (reduced) final three (having reverted to four since season seven).[12]

text: Voting system

text: In a first for a music competition series, NBC and Universal Republic Records offered fans of the show the ability to vote for their favorite artists by purchasing the studio versions of the songs that they perform on the live show each week via the iTunes Store. Alternative methods of voting can be done through toll-free phone calls (until season 8), text messaging, the show's app, and through online votes via NBC.com and Facebook. Each method is limited to ten votes per user. Voting lasts until noon EST the next day.

text: As of the top 12 results show of season three, producers made changes in the voting system with regards to iTunes singles purchases. Previous voting via iTunes purchases of contestant performances had previously only counted singly during the official voting window and only accredited to the live show in concern. If a competitor's performance charts within the Top 10 of the iTunes "Top 200 Singles Chart" during this window, it will be given an iTunes bonus that multiplies iTunes votes made by ten. Starting in season five, the iTunes bonus multiplier is now five for the studio versions of the songs performed by the competitors. The finale's vote count will include a 'Cumulative iTunes Vote Total' of all singles (from top 12 onwards) purchased during and outside of the various voting windows, with iTunes bonuses previously earned.[13]

text: Only the studio recording of the contestants' performances, not the live performance, are available on iTunes. In the first season, the battle rounds were recorded in the studio with both artists in the pairing. However, from season two on, only the winner's version of the song from the battle round is released. Season seven reverted to the old style of both artists. With the introduction of the Knockout Rounds in season three, where each contestant sang a separate song, only the winner's single is released.

text: The "Instant Save" was introduced in season five. During the live elimination episodes, viewers are given a five-minute window to vote for the contestants in danger of elimination by using their Twitter account to decide which contestant will move on to the next show, starting with the Top 12. Home viewers can only vote once per account for one contestant of their choice.

text: Coaches and hosts

text: Coaches

text: CeeLo Green of Gnarls Barkley and Adam Levine of Maroon 5 became the first confirmed coaches in February 2011,[14] followed by Christina Aguilera[15] and Blake Shelton in March.[16] Aguilera and Green did not return for season four and were replaced by Shakira and Usher as substitute coaches.[17] Aguilera and Green then returned for season five, while Shakira and Usher returned for season six.[18][19] In an interview with Ellen DeGeneres in February 2014, Green revealed that he would not be returning to The Voice.[20] On March 31, 2014, it was announced that Pharrell Williams would become Green's replacement.[21] On April 19, 2014, it was announced that No Doubt's Gwen Stefani would replace Aguilera in season seven due to her pregnancy.[22] On May 20, 2014, Shakira and Usher confirmed that after season six, they would focus on their music.[23][24] On March 25, 2016, Miley Cyrus confirmed that following her role as key advisor during the tenth season that she would be joining the series once again in its eleventh season as a coach, replacing Christina Aguilera.[25] That same day, Alicia Keys was also announced to be joining the series as a coach for the eleventh season.[26] On October 18, 2016, it was announced that Stefani would re-join the coaches' panel for the series' twelfth season, alongside returning coaches Keys, Levine and Shelton; it was also confirmed that Cyrus would return for the thirteenth season.[4]

text: On April 27, 2017, in an interview published by TV Insider, Keys confirmed that the twelfth season would be her last. She stated, "Who knows what the future holds, but I know this one is my final season."[27] On May 10, 2017, NBC announced that Jennifer Hudson would join the coaches lineup for the series' thirteenth season.[28] On May 11, 2017, it was announced that Kelly Clarkson would be a coach in season fourteen in 2018.[29]

text:
Adam Levine

CeeLo Green (2011–2013)

Christina Aguilera (2011–2016)

Blake Shelton

Shakira (2013–2014)

Usher (2013–2014)

Gwen Stefani (2014–2015, 2017)

Pharrell Williams (2014–2016)

Miley Cyrus (2016–)

Alicia Keys (2016–2017)

Jennifer Hudson (2017)

text: Hosts

text: Carson Daly has hosted the series since the inaugural season.[30] Alison Haislip served as the original "backstage, online and social media correspondent"[31] and was replaced by Christina Milian. Milian did not return for season five, at which point Daly assumed her duties as the social media correspondent.[32][33]

text:
Carson Daly

Alison Haislip (2011)

Christina Milian (2012–2013)

text: Coaches' advisors

text: Battle round advisors are first listed; additional advisors and their roles are denoted by superscripts.

text:
Season 1[34]

Team Adam – Adam Blackstone
Team Blake – Reba McEntire
Team CeeLo – Monica
Team Christina – Sia

Season 2[35]

Team Adam – Alanis Morissette, Robin Thicke
Team Blake – Kelly Clarkson, Miranda Lambert
Team CeeLo – Babyface, Ne-Yo
Team Christina – Jewel, Lionel Richie

Season 3[36][37][38]

Team Adam – Mary J. Blige
Team Blake – Michael Bublé, Scott Hendricks1
Team CeeLo – Rob Thomas, Jennifer Hudson1, Bill Withers2, Pat Monahan3
Team Christina – Billie Joe Armstrong, Ron Fair1

Season 4[39][40][41][42]

Team Adam – Hillary Scott4
Team Blake – Sheryl Crow4
Team Shakira – Joel Madden, CeeLo Green4
Team Usher – Pharrell Williams4, Aakomon Jones5, Taylor Swift6

Season 5[43][44]

Team Adam – Ryan Tedder
Team Blake – Cher
Team CeeLo – Miguel
Team Christina – Ed Sheeran

Season 6[45][46][47][48][49]

Team Adam – Aloe Blacc, Graham Nash8, James Valentine9
Team Blake – The Band Perry, Scott Hendricks8, Gwen Sebastian9
Team Shakira – Miranda Lambert
Team Usher – Jill Scott
Chris Martin7 (all coaches)

Season 7[50][51][52][53][54]

Team Adam – Stevie Nicks, Patrick Stump11
Team Blake – Little Big Town, Colbie Caillat11
Team Gwen – Gavin Rossdale, Christina Aguilera11
Team Pharrell – Alicia Keys, Diana Ross11
Taylor Swift10 (all coaches)

Season 8[55][56][57][58][59]

Team Adam – Ellie Goulding, Dave Stewart13, Usher14
Team Blake – Meghan Trainor, Scott Hendricks13, CeeLo Green 14
Team Pharrell – Lionel Richie, Ryan Tedder13, Gwen Stefani14
Team Christina – Nick Jonas, Mark Ronson13, Gwen Stefani14
Nate Ruess (all coaches)
Reba McEntire12 (all coaches)

Season 9[citation needed]

Team Adam – John Fogerty
Team Blake – Brad Paisley
Team Gwen – Selena Gomez
Team Pharrell – Missy Elliott
Rihanna (all coaches)
Dolly Parton (all coaches)

Season 10[citation needed]

Team Adam – Tori Kelly
Team Blake – Gwen Stefani
Team Pharrell – Diddy
Team Christina – Patti LaBelle
Miley Cyrus (all coaches)
Pink (all coaches)

Season 11[citation needed]

Team Adam – Sammy Hagar
Team Blake – Bette Midler
Team Miley – Joan Jett
Team Alicia – Charlie Puth
Tim McGraw and Faith Hill (all coaches)
Garth Brooks (all coaches)

Season 12[citation needed]

Team Adam – John Legend
Team Blake – Luke Bryan
Team Gwen – Celine Dion
Team Alicia – DJ Khaled
Shania Twain (all coaches)

Season 13[citation needed]

Team Adam – Joe Jonas
Team Blake – Rascal Flatts
Team Miley – Billy Ray Cyrus
Team Jennifer – Kelly Rowland

text:
[show]Notes

^1 During the week of the Top 10 performances, Cee Lo Green, Christina Aguilera and Blake Shelton brought in Jennifer Hudson, Ron Fair and Scott Hendricks respectively to help them coach their teams.

^2 During the week of the Top 8 performances, Cee Lo Green brought in Bill Withers to help coach his contestant Nicholas David on his performance of "Lean on Me".

^3 Due to being sick during the rehearsals of the Top 6, Cee Lo Green brought in Pat Monahan to coach his team for the week. Green did however pick the songs which his team members would sing that week and kept in touch with them by phone.

^4 The mentors of the Battle Rounds reprised their roles during the week of the Top 10 performances except Joel Madden who was working on The Voice in Australia. Shakira instead brought in Cee Lo Green to help coach her team that week.

^5 During the week of the Top 12 performances, Usher brought in his choreographer Aakomon Jones to help coach his team.

^6 During the week of the Top 6 performances, Taylor Swift attended Michelle Chamuel's rehearsal of "I Knew You Were Trouble".

^7 With the replacement of the Knockout Rounds with the "Battles, Round 2" in season 6, Coldplay frontman Chris Martin served as the sole advisor for every team.

^8 During the week of the Top 10 performances, all four coaches brought advisors to help coach their teams. Graham Nash helped Team Adam, busbee helped Team Shakira, Natural helped Team Usher, and Scott Hendricks helped Team Blake.

^9 During the week of the Top 8 performances, Adam Levine brought in fellow band member James Valentine and Blake Shelton brought in former season two contestant Gwen Sebastian to help coach their teams.

^10 With the return of the Knockout Rounds in season seven, Taylor Swift served as the sole advisor for every team.[60]

^11 During the week of the Top 10 performances, all four coaches brought advisors to help coach their teams.

^12 During the week of the Top 12 performances, Reba McEntire help all four coaches coaching the teams.

^13 During the week of the Top 10 performances, all four coaches brought advisors to help coach their teams. Dave Stewart helped Team Adam, Ryan Tedder helped Team Pharrell, Mark Ronson helped Team Christina, and Scott Hendricks helped Team Blake.

text: Series overview

text:
Team Adam
     Team Blake
     Team Christina

     Team CeeLo
     Team Shakira
     Team Usher

     Team Pharrell
     Team Gwen
     Team Miley

     Team Alicia
     Team Jennifer

text:
Season
First aired
Last aired
Winner
Runner-up
Other finalist(s)
Winning coach
Host(s)
Coaches

Main
Correspondent
1
2
3
4

1
April 26, 2011
June 29, 2011
Javier Colon
Dia Frampton
Vicci Martinez
Adam Levine
Carson Daly
Alison Haislip (backstage)
Adam
CeeLo
Christina
Blake

Beverly McClellan

2
February 5, 2012
May 8, 2012
Jermaine Paul
Juliet Simms
Tony Lucca
Blake Shelton
Christina Milian (backstage)

Chris Mann

3
September 10, 2012
December 18, 2012
Cassadee Pope
Terry McDermott
Nicholas David

4
March 25, 2013
June 18,
2013
Danielle Bradbery
Michelle Chamuel
The Swon Brothers
Shakira
Usher

5
September 23, 2013
December 17, 2013
Tessanne Chin
Jacquie Lee
Will Champlin
Adam Levine
Carson Daly
CeeLo
Christina

6
February 24, 2014
May 20, 2014
Josh Kaufman
Jake Worthington
Christina Grimmie
Usher
Shakira
Usher

7
September 22, 2014
December 16, 2014
Craig Wayne Boyd
Matt McAndrew
Chris Jamison
Blake Shelton
Gwen
Pharrell

Damien

8
February 23, 2015
May 19, 2015
Sawyer Fredericks
Meghan Linsey
Joshua Davis
Pharrell Williams
Pharrell
Christina

Koryn Hawthorne

9
September 21, 2015
December 15, 2015
Jordan Smith
Emily Ann Roberts
Barrett Baber
Adam Levine
Gwen
Pharrell

Jeffery Austin

10
February 29, 2016
May 24, 2016
Alisan Porter
Adam Wakefield
Hannah Huston
Christina Aguilera
Pharrell
Christina

Laith Al-Saadi

11
September 19, 2016
December 13, 2016
Sundance Head
Billy Gilman
Wé McDonald
Blake Shelton
Miley
Alicia

Josh Gallagher

12
February 27, 2017
May 23, 2017
Chris Blue
Lauren Duski
Aliyah Moulden
Alicia Keys
Gwen

Jesse Larson

13
September 25, 2017
December 19, 2017

Miley
Jennifer

text: Season synopses

text: Names in bold type indicate the winner of the season.

text: Season 1

text: The first season of The Voice premiered on April 26, 2011, and concluded on June 29. The coaching panel consisted of Christina Aguilera, Cee Lo Green, Adam Levine, and Blake Shelton. Carson Daly and Alison Haislip respectively appeared as the host and social media correspondent. Contestant auditions were held in Chicago, New York, Miami, Nashville, Minneapolis, Austin, Los Angeles, and Seattle during January and February.[61]

text: It delivered the highest 18–49 rating for a series premiere on a major broadcast network since Undercover Boss debuted after the Super Bowl in February 2010. It became the first new primetime series of the season (from ABC, CBS, NBC, or Fox) to increase in adults 18–49 and total viewers from its first week to its second. Owing to the strong performance of the show, NBC offered expanded two-hour live episodes beginning June 7, following America's Got Talent, with an additional results show.

text: Each coach was allowed to advance four top to the live shows:

text:
Team Adam
Team CeeLo
Team Christina
Team Blake

Javier Colon
Vicci Martinez
Beverly McClellan
Dia Frampton

Casey Weston
Nakia
Frenchie Davis
Xenia

Jeff Jenkins
Curtis Grimes
Lily Elise
Jared Blake

Devon Barley
The Thompson Sisters
Raquel Castro
Patrick Thomas

text: Four finalists were advanced to the final round. Javier Colon was announced as the winner of the season, while Dia Frampton was declared the runner-up. Third and fourth places were a draw between Vicci Martinez and Beverly McClellan.

text: Season 2

text: Season two premiered on February 5, 2012 as the lead-out program after Super Bowl XLVI; it concluded on May 8. The original coaching panel remained intact, while Haislip was replaced by Christina Milian as the social media correspondent. Its regular time slot held a 6.7 rating, 17 share in adults 18–49, 17.8 million viewers overall and winning every half-hour in adults 18–49, adults 18–34, adults 25–54 and total viewers versus first-run competition on ABC, CBS, Fox and CW. The shows' continued premiere on Monday delivered NBC's highest 18–49 rating in this time period, excluding Olympics, in nearly eight years (since February 16, 2004) and the network's biggest overall non-Olympic viewership in the slot since January 15, 2007. That season, Kia Motors, Sprint and Starbucks became the official sponsors of The Voice.

text: Each coach was allowed to advance six top to the live shows:

text:
Team Adam
Team CeeLo
Team Christina
Team Blake

Tony Lucca
Juliet Simms
Chris Mann
Jermaine Paul

Katrina Parker
Jamar Rogers
Lindsey Pavao
Erin Willett

Mathai
Cheesa
Ashley de La Rosa
RaeLynn

Pip
James Massone
Jesse Campbell
Jordis Unga

Karla Davis
Erin Martin
Moses Stone
Charlotte Sometimes

Kim Yarbrough
Tony Vincent
Sera Hill
Naia Kete

text: Four finalists were advanced to the final round. Jermaine Paul was announced as the winner of the season, while Juliet Simms, Tony Lucca, and Chris Mann placed second, third, and fourth, respectively.

text: Season 3

text: Season three premiered on September 10, 2012, and concluded on December 18. All personnel returned from the previous season.

text: Each coach was allowed to advance five top to the live shows:

text:
Team Adam #afeeee
Team CeeLo
Team Christina
Team Blake

Amanda Brown
Nicholas David
Dez Duron
Cassadee Pope

Melanie Martinez
Trevin Hunte
Sylvia Yacoub
Terry McDermott

Bryan Keith
Cody Belew
Adriana Louise
Michaela Paige

Loren Allred
MacKenzie Bourg
De'Borah
Julio Cesar Castillo

Joselyn Rivera
Diego Val
Devyn DeLoera
Liz Davis

text: Three finalists were advanced to the final round. Cassadee Pope was announced as the winner of the season, while Terry McDermott and Nicholas David placed second and third, respectively.

text: Season 4

text: Season four premiered on March 25, 2013, and concluded on June 18. The coaching panel was modified for the first time in the series' history, with Shakira and Usher replacing Aguilera and Green during their hiatuses from the program. Daly and Milian continued appearing for their respective positions. 13.64 million viewers tuned in, up from last season by 1.36 million viewers.

text:
Team Adam
Team Shakira
Team Usher
Team Blake

Amber Carrington
Sasha Allen
Michelle Chamuel
Danielle Bradbery

Judith Hill
Kris Thomas
Josiah Hawley
The Swon Brothers

Sarah Simmons
Garrett Gardner
VEDO
Holly Tucker

Caroline Glaser
Karina Iglesias
Cáthia
Justin Rivers

text: Three finalists were advanced to the final round. Danielle Bradbery was announced as the winner of the season, while Michelle Chamuel and The Swon Brothers placed second and third, respectively.

text: Season 5

text: Season five premiered on September 23, 2013, and concluded on December 18. The original coaching panel was reinstated with the returns of Green and Aguilera which was promoted with an advertisement featuring the coaches' cover version of "Reunited" by Peaches & Herb.[62] However, Milian left her position as the social media correspondent before production began, at which point Daly assumed her former duties.

text:
Team Adam
Team CeeLo
Team Christina
Team Blake

Tessanne Chin
Caroline Pennell
Jacquie Lee
Cole Vosbury

Will Champlin
Kat Robichaud
Matthew Schuler
Ray Boundreaux

James Wolpert
Jonny Gray
Josh Logan
Austin Jenckes

Grey
Tamara Chauniece
Olivia Henken
Nic Hawk

Preston Pohl
Amber Nicole
Stephanie Anne Johnson
Shelbie Z

text: Three finalists were advanced to the final round. Tessanne Chin was announced as the winner of the season, while Jacquie Lee and Will Champlin placed second and third, respectively. This is also the first series in which Shelton did not have an act in the final.

text: Season 6

text: Season six premiered on February 24, 2014, and concluded on May 20, 2014.[63] After four seasons, Green departed the show and Aguilera took a hiatus. Shakira and Usher then returned to join Levine and Shelton as coaches, and Daly returned as host.

text: Each coach was allowed to advance three top to the live shows:

text:
Team Adam
Team Shakira
Team Usher
Team Blake

Christina Grimmie
Kristen Merlin
Josh Kaufman
Jake Worthington

Kat Perkins
Tess Boyer
Bria Kelly
Sisaundra Lewis

Delvin Choice
Dani Moz
T.J. Wilkins
Audra McLaughlin

text: Three finalists were advanced to the final round. Josh Kaufman was announced as the winner of the season, while Jake Worthington and Christina Grimmie placed second and third, respectively.

text: Season 7

text: Season seven premiered on September 22, 2014, and concluded on December 16, 2014.[64] Levine and Shelton returned as coaches, with Pharrell Williams and Gwen Stefani completing the panel.[21][22] Later that season Nissan became the official sponsor of The Voice, replacing Kia Motors.

text:
Team Adam
Team Gwen
Team Pharrell
Team Blake

Matt McAndrew
Taylor John Williams
DaNica Shirey
Craig Wayne Boyd

Chris Jamison
Ryan Sill
Luke Wade
Reagan James

Damien
Anita Antoinette
Sugar Joans
Jessie Pitts

Mia Pfirrman
Ricky Manning
Jean Kelley
Taylor Brashears

Taylor Phelan
Bryana Salaz
Elyjuh René
James David Carter

text: Four finalists were advanced to the final round. Craig Wayne Boyd was announced as the winner of the season, while Matt McAndrew, Chris Jamison, and Damien placed second, third, and fourth, respectively.

text: Season 8

text: Season eight premiered on February 23, 2015 and concluded on May 19, 2015. Levine and Shelton return as coaches for their eighth season, along with Williams and Aguilera who returns after a two-season break.

text:
Team Adam
Team Pharrell
Team Christina
Team Blake

Joshua Davis
Sawyer Fredericks
India Carney
Meghan Linsey

Deanna Johnson
Koryn Hawthorne
Kimberly Nichole
Hannah Kirby

Brian Johnson
Mia Z
Rob Taylor
Corey Kent White

Tonya Boyd-Cannon
Caitlin Caporale
Lexi Dávila
Brooke Adee

Nathan Hermida
Lowell Oakley
Sonic
Sarah Potenza

text: Four finalists were advanced to the final round. Sawyer Fredericks was announced as the winner of the season, while Meghan Linsey, Joshua Davis, and Koryn Hawthorne placed second, third, and fourth, respectively.

text: Season 9

text: Season nine premiered on September 21, 2015 and concluded on December 15, 2015, with coaches Levine, Shelton, Williams and Stefani.[65]

text: Each coach was allowed to advance five artists to the live shows. For the first time in the show history, the coaches had the chance to bring back four artists who were previously eliminated in the battles or the knockouts rounds. The four bring back artists performed in the live playoffs with the top 20 and had a chance to move on to the live shows along with the top 12:

text: Each coach was allowed to advance five plus one top to the live shows:

text:
Team Adam
Team Gwen
Team Pharrell
Team Blake

Jordan Smith
Jeffery Austin
Madi Davis
Emily Ann Roberts

Shelby Brown
Braiden Sunshine
Evan McKeel
Barrett Baber

Amy Vachal
Korin Bukowski
Mark Hood
Zach Seabaugh

Blaine Mitchell
Viktor Király
Celeste Betton
Ivonne Acero

Chance Peña
Ellie Lawrence
Riley Biederer
Morgan Frazier

Keith Semple
Regina Love
Darius Scott
Nadjah Nicole

text: Four finalists were advanced to the final round. Jordan Smith was announced as the winner of the season, while Emily Ann Roberts, Barrett Baber, and Jeffery Austin placed second, third, and fourth, respectively.

text: Season 10

text: Season ten premiered on February 29, 2016 and concluded on May 24, 2016,[66] with coaches Levine, Shelton, Williams and Aguilera.

text: Each coach was allowed to advance five artists to the live shows. Like the previous season, the coaches had the chance to bring back four artists who were previously eliminated in the battles or the knockouts rounds. The four bring back artists performed in the live playoffs with the top 20 and had a chance to move on to the live shows along with the top 12.

text:
Team Adam
Team Pharrell
Team Christina
Team Blake

Laith Al-Saadi
Hannah Huston
Alisan Porter
Adam Wakefield

Shalyah Fearing
Daniel Passino
Bryan Bautista
Mary Sarah

Owen Danoff
Emily Keener
Nick Hagelin
Paxton Ingram

Caroline Burns
Lacy Mandigo
Ryan Quinn
Katie Basden

Nate Butler
Moushumi
Kata Hay
Joe Maye

Brian Nhira
Caity Peters
Tamar Davis
Justin Whisnant

text: Four finalists were advanced to the final round. Alisan Porter was announced as the winner of the season, while Adam Wakefield, Hannah Huston, and Laith Al-Saadi placed second, third, and fourth, respectively.

text: Season 11

text: Season eleven premiered on September 19, 2016 and concluded on December 13, 2016 with coaches Levine, Shelton, and new coaches Miley Cyrus and Alicia Keys.[3][67]

text: Each coach was allowed to advance five to the live shows:

text:
Team Adam
Team Miley
Team Alicia
Team Blake

Billy Gilman
Ali Caldwell
Wé McDonald
Sundance Head

Josh Gallagher
Aaron Gibson
Christian Cuevas
Austin Allsup

Brendan Fletcher
Darby Walker
Sa'Rayah
Courtney Harrell

Riley Elmore
Sophia Urista
Kylie Rothfield
Dana Harper

Simone Gundy
Belle Jewel
Josh Halverson
Jason Warrior

text: Four finalists were advanced to the final round. Sundance Head was announced as the winner of the season, while Billy Gilman, Wé McDonald, and Josh Gallagher placed second, third, and fourth, respectively.

text: Season 12

text: Season twelve premiered on February 27, 2017[68] and concluded on May 23, with Gwen Stefani and Alicia Keys returning as coaches alongside Levine and Shelton.[4] Cyrus will be taking a break from the show; however, she will return as coach on the show's thirteenth season.[4]

text:
Team Adam
Team Gwen
Team Alicia
Team Blake

Jesse Larson
Brennley Brown
Chris Blue
Lauren Duski

Mark Isaiah
Hunter Plake
Vanessa Ferguson
Aliyah Moulden

Lilli Passero
Troy Ramey
Stephanie Rice
TSoul

Hanna Eyre
Johnny Gates
Jack Cassidy
Casi Joy

Johnny Hayes
JChosen
Ashley Levin
Aaliyah Rose

Josh West
Quizz Swanigan
Anatalia Villaranda
Felicia Temple

text: Four finalists were advanced to the final round. Chris Blue was announced as the winner of the season, while Lauren Duski, Aliyah Moulden, and Jesse Larson placed second, third, and fourth, respectively.

text: Season 13

text: The thirteenth season premiered on September 25, 2017, with new coach Jennifer Hudson, alongside Levine and Shelton, and returning coach Cyrus.

text: La Voz Kids

text: In 2013, American Spanish-language network Telemundo (a subsidiary of NBCUniversal Television Group) introduced a children's version of The Voice in Spanish called La Voz Kids. It featured Spanish-speaking American children from 7 to 15 years of age. Prizes include $50,000 cash for their education and a recording contract with Universal Music Group. The show debuted on May 5, 2013, and is hosted by Jorge Bernal (from ¡Suelta La Sopa!) and Daisy Fuentes. The coaches in season one were Prince Royce, Paulina Rubio, and Roberto Tapia. The first season aired 13 episodes with the season finale airing on July 28, 2013.[69][70]

text: Season two saw Natalia Jiménez replace Paulina Rubio as one of the coaches. The other coaches and hosts remained the same.[71]

text: For the show's third season, Daddy Yankee and Pedro Fernandez took Tapia and Royce's place as the new coaches along with season two veteran Natalia Jiménez.[72]

text: At their 2015 Upfronts, Telemundo announced that La Voz Kids would return for a fourth season, with all three Season 3 coaches returning.[73]

text: Series overview

text:
Team Royce
     Team Paulina
     Team Tapia

     Team Natalia
     Team Yankee
     Team Pedro

text:
Series
Premiere
Finale
Winner
Runners-up
Winning coach
Hosts
Coaches (chair's order)

1
2
3

1
May 5, 2013
July 28, 2013
Paola Guanche
Alanis Gonzáles
Prince Royce
Jorge Bernal
Daisy Fuentes
Prince
Royce
Paulina
Tapia

Alan Ponce

2
March 16, 2014
June 8, 2014
Amanda Mena
Leslie Mendoza
Natalia

Natalia Loya

3
March 15, 2015
June 7, 2015
Jonael Santiago
Shanty Zumaya
Natalia Jiménez
Yankee
Pedro

Franser Pazos

4
April 17, 2016
July 10, 2016
Christopher Rivera
Alejandra Gallardo

Axel Cabrera

text: Reception

text: In 2016, a New York Times study of the 50 TV shows with the most Facebook Likes found that The Voice "is most popular in North Dakota and least popular in New York. It was behind only Duck Dynasty and Fast N' Loud in its correlation with Trump voters".[74]

text: Awards and nominations

text: Ratings

text: The first season premiered strong at 11.78 million viewers, and actually grew upon that audience through its first season. In the 18–49 demographic, the show constantly found itself in the top 5. For its average season rating, the show landed itself as No. 20 with total viewers at nearly 12 million viewers. In the 18–49 rankings, the show was No. 4 at a 5.4 ranking.

text: The second season premiered on Super Bowl Sunday, February 5, 2012, and for a while managed to keep a 6.0 in the adults 18–49 demographic and 17 million viewers. Partnering The Voice with Smash (NBC's musical drama) helped NBC win the Monday night ratings. However, by Monday, April 9, the ratings had fallen to a 4.0 rating in the adult 18–49 demographic.

text: The third season premiered on Monday, September 10, 2012 to 12.28 million viewers and a 4.2 rating in the 18–49 demographic and has since then grown to a season high 4.8 rating in the 18–49 demographic on October 8, October 15 and 29, 2012 and a 4.9 rating in the finale. The Voice, along with NBC's new drama, Revolution has once again led NBC to win every Monday night of the season so far, just like it did last season. On Tuesdays, comedies Go On and The New Normal have been successful thanks to The Voice, leading NBC to be the only network of the Big 5 to grow in ratings from last season.

text: The fourth season premiered on Monday, March 25, 2013 to a 13.64 million viewer audience, scoring a 4.8 in the 18–49 demographic but fell back to a 12.41 million viewer audience. In the 18–49 demographic, this first episode had a 4.1 score.

text: The fifth season premiered on Monday, September 23, 2013 scoring 14.98 million viewers and a 5.1 in the 18–49 demographic.

text: The sixth season premiered on February 24, 2014 and was watched by 15.74 million viewers with a 4.7 rating in the 18–49 demographic. It was up from last season's premiere by .76 million viewers.

text: The seventh season premiered on September 22, 2014 and was watched by 12.95 million viewers with a 3.9 rating in the 18–49 demographic. It was down from last season's premiere by 2.91 million viewers.

text: The eighth season premiered on February 23, 2015, and was watched by 13.97 million viewers with a 4.1 rating in the 18–49 demographic. It was up from last season's premiere by 1.02 million viewers.

text: The ninth season premiered on September 21, 2015, and was watched by 12.37 million viewers with a 3.5 rating in the 18–49 demographic. It was down from last falls premiere by .48 million viewers.

text: The tenth season premiered on February 29, 2016, and was watched by 13.33 million viewers with a 3.4 rating in the 18–49 demographic. It was up from last season's premiere by .96 million viewers.

text: The eleventh season premiered on September 19, 2016, and was watched by 12.10 million viewers with a 3.3 rating in the 18–49 demographic. It is down from last season's premiere by 1.23 million viewers.

text: The twelfth season premiered on February 27, 2017, and was watched by 13.03 million viewers with a 3.1 in the 18–49 demographic. It was up from last season's premiere by .93 million viewers.

text:
Season
Timeslot (ET)
# Ep.
Premiered
Ended
TV season
Season ranking
Viewers
(in millions)

Date
Premiere viewers
(in millions)
Date
Finale viewers
(in millions)

1

Tuesday 9:00 pm
(eps. 1–2, 7–9, 11)
Tuesday 10:00 pm (eps. 3–6)
Wednesday 8:15 pm (ep. 10)
Wednesday 8:00 pm (finale)

12

April 26, 2011

11.78[75]

June 29, 2011

11.05[76]
2010–11
20
12.33[77]

2

Sunday 10:21 pm
Monday 8:00 pm
Tuesday 9:00 pm

21

February 5, 2012

37.61[78]

May 8, 2012

11.90[79]
2011–12
9
15.76[†][80]

3

Monday 8:00 pm
Tuesday 8:00 pm
Wednesday 8:00 pm
Thursday 8:00 pm (ep. 20)

32

September 10, 2012

12.28[81]

December 18, 2012[82]

14.13[83]
2012–13
10
14.24[84]

4

Monday 8:00 pm
Tuesday 8:00 pm

28

March 25, 2013

13.64[85]

June 18, 2013

15.59[86]

5

Monday 8:00 pm
Tuesday 8:00 pm
Tuesday 9:00 pm
Thursday 8:00 pm (ep. 15)

27

September 23, 2013

14.98[87]

December 17, 2013

14.01[88]
2013–14
7
14.57[89]

6

Monday 8:00 pm
Tuesday 8:00 pm

26

February 24, 2014

15.86[90]

May 20, 2014

11.69[91]

7
27

September 22, 2014

12.95[92]

December 16, 2014

12.88[93]
2014–15
12
13.80[94]

8
28

February 23, 2015

13.97[95]

May 19, 2015

11.56[96]

9

Monday 8:00 pm
Tuesday 8:00 pm
(eps. 2, 4, 6, 16–27)
Tuesday 9:00 pm
(eps. 8, 10, 12, 14)

27

September 21, 2015

12.37[97]

December 15, 2015

12.69[98]
2015–16
9
13.33[99]

10

Monday 8:00 pm
Tuesday 8:00 pm

28

February 29, 2016

13.33[100]

May 24, 2016

10.59[101]

11
26

September 19, 2016

12.10[102]

December 13, 2016

12.14[103]
2016–17
13
12.40[104]

12
28

February 27, 2017

13.03[105]

May 23, 2017

9.35[106]

13
TBA

September 25, 2017

TBA
December 2017
TBA
2017–18
TBA
TBA

text: †^ Including an episode that aired after a live broadcast of the Super Bowl:[107]

text:
10:19–10:30 = 46.786 million viewers (retention: 76.68% – football game itself reached a peak of 118.355 million viewers)
10:30–10:45 = 39.494 million viewers
10:45–11:00 = 36.310 million viewers
11:00–11:15 = 32.630 million viewers
11:15–11:21 = 31.792 million viewers

text: The Voice Live on Tour

text: This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2014) (Learn how and when to remove this template message)

text: In the final episode of the first season, Carson Daly announced a summer concert tour. This tour had six stops across the United States, including Los Angeles, Las Vegas, Chicago, Boston, Wallingford, and New York. The tour featured the top two finalists from each team, including Javier Colon, Dia Frampton, Vicci Martinez, Beverly McClellan, Xenia, Frenchie Davis, Nakia, and Casey Weston. Out of the six dates, the New York show was a sell-out. However, as overall ticket sales were lackluster, the tour was canceled in subsequent seasons. In 2014, the tour was resumed from June 21, 2014 to August 2, 2014, including the contestants of seasons five and six, and season one contestant Dia Frampton.

text: Video game

text: The Voice: I Want You is a video game based on the television show releasing on PlayStation 3, Xbox 360, Wii and Wii U on October 21, 2014 published by Activision. The game includes a microphone and it has songs from the show including songs performed by the coaches.

text: Broadcast

text: The show premiered in Canada on April 26, 2011 on CTV. In Asia, the series aired on August 21, 2011 on AXN, but later moves in Star World starting Season 11.[108] It premiered in New Zealand on July 16, 2011 on TV2, in Australia on August 9, 2011 on Go!, in South Africa on October 5, 2011 on SABC 3, and on March 31, 2012 in the Philippines on Studio 23 (now S+A).[109]