document_title: Burials and memorials in Westminster Abbey

question_text: who was the first person buried in westminster abbey

text: History[edit]

text: Henry III rebuilt Westminster Abbey in honour of the Royal Saint Edward the Confessor whose relics were placed in a shrine in the sanctuary and now lie in a burial vault beneath the 1268 Cosmati mosaic pavement, in front of the High Altar. Henry III himself was interred nearby in a superb chest tomb with effigial monument. Many of the Plantagenet kings of England, their wives and other relatives, were also buried in the Abbey. From the time of Edward the Confessor until the death of George II in 1760, most Kings and Queens of England were buried here, although there are exceptions (most notably Edward IV, Henry VIII and Charles I who are buried in St George's Chapel in Windsor Castle). All monarchs who died after George II were buried in Windsor; most were laid to rest in St George's Chapel, although Queen Victoria and Edward VIII are buried at Frogmore, where the Royal Family also has a private cemetery.

text: Since the Middle Ages, aristocrats were buried inside chapels, while monks and other people associated with the Abbey were buried in the Cloisters and other areas. One of these was Geoffrey Chaucer, who was buried here as he had apartments in the Abbey where he was employed as master of the King's Works. Other poets, writers and musicians were buried or memorialised around Chaucer in what became known as Poets' Corner. These include: W. H. Auden, William Blake, Robert Burns, Lord Byron, Charles Dickens, John Dryden, George Eliot, T. S. Eliot, Thomas Gray, Gerard Manley Hopkins, Samuel Johnson, John Keats, Rudyard Kipling, Jenny Lind, John Masefield, John Milton, Laurence Olivier, Alexander Pope, Nicholas Rowe, Percy Bysshe Shelley, Thomas Shadwell, William Shakespeare, Alfred Lord Tennyson and William Wordsworth. Abbey musicians such as Henry Purcell were also buried in their place of work.

text: Subsequently, it became one of Britain's most significant honours to be buried or commemorated here.[1] The practice of burying national figures in the Abbey began under Oliver Cromwell with the burial of Admiral Robert Blake in 1657.[2] The practice spread to include generals, admirals, politicians, doctors and scientists such as Isaac Newton, buried on 4 April 1727 and Charles Darwin buried 19 April 1882.

text: Eight British Prime Ministers are buried in the Abbey; William Pitt the Elder, William Pitt the Younger, George Canning, Henry John Temple, 3rd Viscount Palmerston, William Ewart Gladstone, Bonar Law, Neville Chamberlain and Clement Attlee.

text: During the early 20th century, for reasons of space, it became increasingly common to bury cremated remains rather than coffins. In 1905 the actor Sir Henry Irving was cremated and his ashes buried in the Abbey, thereby becoming the first person ever to be cremated prior to interment.[3] This marked a milestone as after the death of Sir Joseph Hooker in December 1911, the Dean and Chapter of Westminster Abbey chose to offer Hooker a grave near Charles Darwin's in the nave but also insisted that he be cremated before. His widow however declined and so Hooker's body was buried in the churchyard of St. Anne's Church, Kew. The majority of interments at the Abbey are of cremated remains, but some burials still take place – Frances Challen, wife of the Rev Sebastian Charles, Canon of Westminster, was buried alongside her husband in the south choir aisle in 2014.[4] Members of the Percy Family have a family vault, "The Northumberland Vault", in St Nicholas's chapel, within the Abbey.[5]

text: In the floor just inside the great west door, in the centre of the nave, is the tomb of The Unknown Warrior, an unidentified British soldier killed on a European battlefield during the First World War. He was buried in the Abbey on 11 November 1920. There are many graves in the floors of the Abbey, but this is the only grave on which it is forbidden to walk.[6]

text: Burials[edit]

text: See also: Category:Burials at Westminster Abbey

text: Monarchs and their consorts[edit]

text: The following English, Scottish and British Monarchs and their consorts are buried in the Abbey:

text:
Sæberht of Essex
St Edward the Confessor and his wife, Edith of Wessex
Henry III of England
Edward I of England and his wife, Eleanor of Castile
Edward III of England and his wife, Philippa of Hainault
Richard II of England and his wife, Anne of Bohemia
Henry V of England and his wife, Catherine of Valois
Edward V of England
Anne Neville, wife of Richard III
Henry VII of England and his wife, Elizabeth of York
Edward VI of England
Anne of Cleves, wife of King Henry VIII
Mary I of England

text: Elizabeth I of England

text: James VI & I of Scotland England and Ireland and his wife, Anne of Denmark

text:
Charles II of England and Scotland
Mary II of England and Scotland
William III of England and II of Scotland
Anne, Queen of Great Britain and her husband, Prince George of Denmark
George II of Great Britain and his wife, Caroline of Ansbach

text: Other monarchs and consorts[edit]

text:
Mary, Queen of Scots, mother of James VI & I
Elizabeth of Bohemia, daughter of James VI & I

text: Nave[edit]

text: The following are buried in the Nave:

text:
Alphonso, Earl of Chester (heart buried in Blackfriars, London)
Edmund Allenby, 1st Viscount Allenby
John André
Francis Atterbury
Clement Attlee, 1st Earl Attlee
Sir Charles Barry
Ernest Bevin
Andrew Bonar Law
Angela Georgina Burdett-Coutts
Neville Chamberlain
Thomas Cochrane, 10th Earl of Dundonald
Charles Cornewall
Charles Darwin
Joost de Blank
Freeman Freeman-Thomas, 1st Marquess of Willingdon
George Graham
Sir John Herschel
Ben Jonson (buried upright)
David Livingstone (heart buried in Zambia)
Charles Lyell
Sir Isaac Newton
James Stanhope, 1st Earl Stanhope & family
Herbert Plumer, 1st Viscount Plumer
Ernest Rutherford, 1st Baron Rutherford
Sir George Gilbert Scott
Robert Stephenson
Ludovic Stewart, 2nd Duke of Lennox
George Edmund Street
J. J. Thomson
William Thomson, 1st Baron Kelvin
Thomas Tompion
The Unknown Warrior
Beatrice Webb
Sidney James Webb, 1st Baron Passfield

text: North Transept[edit]

text: The following are buried in the North Transept:

text:
Robert Stewart, Viscount Castlereagh
George Canning
Charles John Canning, 1st Earl Canning
William Pitt, 1st Earl of Chatham
Charles James Fox
William Ewart Gladstone
Henry Grattan
Edmund Crouchback, 1st Earl of Lancaster
William Pitt the Younger
Sir John Malcolm
William Murray, 1st Earl of Mansfield
Sir Hugh Vaughan
William Wilberforce

text: South Transept[edit]

text: The following are buried in the South Transept which is known as Poets' Corner:

text:
Maj. John André
Robert Adam
Robert Browning
William Camden
Thomas Campbell
Geoffrey Chaucer
William Congreve
Abraham Cowley
William Davenant
John Denham
Charles Dickens
Michael Drayton
John Dryden
Adam Fox
David Garrick
John Gay
Gabriel Goodman
George Frederick Handel
Thomas Hardy (heart buried in Stinsford)
Sir Henry Irving
Dr Samuel Johnson
Rudyard Kipling
Thomas Macaulay
John Masefield
Anne Oldfield
Laurence Olivier, Baron Olivier
Thomas Parr
Richard Brinsley Sheridan
Edmund Spenser
Alfred Tennyson, 1st Baron Tennyson

text: Cloisters[edit]

text: The following are buried in the Cloisters:

text:
Edmund Ayrton[8]
Aphra Behn
Gen. John Burgoyne
Muzio Clementi
Benjamin Cooke
Robert Cooke
Percy Dearmer
Lord Fraser of Lonsdale
Howard Nixon
John Parsons
Johann Peter Salomon
William Shield
Herbert Thorndike
John Thorndike
William Turner
James Wright[9]

text: North Choir Aisle[edit]

text: The following are buried in the North Choir Aisle:

text:
John Blow
Henry Purcell
John Robinson
Ralph Vaughan Williams
William Sterndale Bennett

text: South Choir Aisle[edit]

text: The following are buried in the South Choir Aisle:

text:
Andrew Bell
James Kendall
Sir Paul Methuen
Admiral Sir Cloudesley Shovell
Dame Sybil Thorndike
Charles Whitworth, 1st Baron Whitworth[10]

text: Ambulatory Chapels[edit]

text: The following are buried in the Ambulatory Chapels:

text: St. John the Baptist Chapel[edit]

text:
Sir Thomas Cecil, 1st Earl of Exeter, KG, Lord Burghley (d. 1623)
Lady Dorothy Neville Cecil (d. 1608; 1st wife of Sir Thomas Cecil, daughter of John Neville, 4th Baron Latimer)

text: St. Nicholas' Chapel[edit]

text: Northumberland Vault[edit]

text: List of burials:[5]

text:
George Seymour, Viscount Beauchamp (d. 1745; only son of Algernon Seymour, 7th Duke of Somerset)
Algernon Seymour, 7th Duke of Somerset (d. 1750)
Frances Percy, Neé Thynne, Duchess of Somerset, (d. 1754; widow of 7th Duke)
Lady Elizabeth Anne Frances Percy, (d. 1761; daughter of the 1st Duke of Northumberland)
Elizabeth Percy, Neé Seymour, Duchess of Northumberland (d.1776)
Lady Elizabeth Percy, (d. 1779; daughter of Algernon Percy, 1st Earl of Beverley, at the time styled Lord Algernon Percy)
Lady Charlotte Percy, (d. 1781; daughter of Hugh Percy, 2nd Duke of Northumberland, at the time styled Earl Percy)
Hugh Percy, 1st Duke of Northumberland, (d. 1786)
Lord Henry Percy, (d. 1794; son of Hugh Percy, 2nd Duke of Northumberland)
Lady Louisa Margaret Percy, (d. 1796; daughter of Algernon Percy, 1st Earl of Beverley)
Lord Algernon James Percy, (d. 1805; son of George Percy, 5th Duke of Northumberland, 'at the time styled Lord Lovaine)
Lord Henry Algernon Pitt Percy, (d. 1809; son of George Percy, 5th Duke of Northumberland, 'at the time styled Lord Lovaine)
Lady Margaret Percy, (d. 1810; daughter of George Percy, 5th Duke of Northumberland, 'at the time styled Lord Lovaine)
Isabella Susanna Percy, Neé Burrell, Countess of Beverley, (d. 1810; Widow of Algernon Percy, 1st Earl of Beverley)
Hugh Percy, 2nd Duke of Northumberland (d. 1817)
Lady Elizabeth Percy, (d. 1820; daughter of Hugh Percy, 2nd Duke of Northumberland)
Frances Julia Percy, Neé Burrell, Duchess of Northumberland, (d. 1820; 2nd wife of the 2nd Duke of Northumberland)
Hugh Percy, 3rd Duke of Northumberland (d. 1847)
Lady Agnes Buller, Neé Percy, (d. 1856; daughter of Hugh Percy, 2nd Duke of Northumberland; wife of Major General F.T. Buller)
Algernon Percy, 4th Duke of Northumberland (d. 1865)
Charlotte Florentia Percy, Neé Clive, Duchess of Northumberland, (d. 1866)
George Percy, 5th Duke of Northumberland, (d. 1867)
General Lord Henry Hugh Manvers Percy VC KCB, (d. 1877)
Lady Louisa Percy, (d. 1883; daughter of George Percy, 5th Duke of Northumberland)
Louisa Percy, Neé Drummond, Duchess of Northumberland, (d. 1890; wife of Algernon George Percy, 6th Duke of Northumberland)
Algernon George Percy, 6th Duke of Northumberland, (d. 1899)
Alan Ian Percy, 8th Duke of Northumberland (d. 1930)
Helen Magdalen Percy, Neé Gordon-Lennox, Duchess of Northumberland, (d. 1965)
Hugh Algernon Percy, 10th Duke of Northumberland, (d. 1988)
Elizabeth Diana Percy, Neé Montagu Douglas Scott, Duchess of Northumberland, (d. 2012) Ashes interred

text: St Paul's Chapel[edit]

text: Katherine Percy, Neé Neville, Countess of Northumberland, (d. 1596; daughter of John Neville, 4th Baron Latimer; wife of Henry Percy, 8th Earl of Northumberland)[5]

text: Other Ambulatory Chapels[edit]

text:
Robert Aytoun
Eleanor de Bohun
Anne of Cleves
Lionel Cranfield, 1st Earl of Middlesex
John of Eltham, Earl of Cornwall
Sir Rowland Hill
Simon Langham
Edward Talbot, 8th Earl of Shrewsbury
William de Valence, 1st Earl of Pembroke
Catherine of Valois
George Villiers, 1st Duke of Buckingham
Katherine Villiers, Duchess of Buckingham

text: Henry VII's Lady Chapel[edit]

text: The following are buried in Henry VII's Chapel:

text:
Antoine Philippe, Duke of Montpensier, brother of French King Louis-Philippe I
Joseph Addison (buried in a vault in North Aisle; also a white marble statue in Poets' Corner)
Margaret Douglas, Countess of Lennox (buried, with her son Charles, in a tomb in South Aisle)
Hugh Dowding, 1st Baron Dowding
George Monck, 1st Duke of Albemarle (also memorial Henry VII Chapel, South Aisle)
George Savile, 1st Marquess of Halifax
Prince William, Duke of Gloucester (son of Queen Anne)
Viscount Trenchard
Maj. Gen. Charles Worsley (no memorial remains)

text: Memorials[edit]

text: The following are commemorated in the Abbey and/or had their Memorial Service in the Abbey, but were buried elsewhere:

text: Individuals[edit]

text:
Christopher Anstey, buried at St. Swithin's Church Bath, Somerset
Dame Peggy Ashcroft, cremated at Golders Green Crematorium, London
WH Auden, buried in Kirchstetten.
Jane Austen, buried in Winchester Cathedral, Hampshire
Robert, Lord Baden-Powell, buried in Nyeri, Kenya, and his wife Lady Olave Baden-Powell, whose ashes are also buried in Nyeri, Kenya.[11]
Stanley Baldwin, cremated at Golders Green Crematorium and ashes buried in Worcester Cathedral, Worcestershire
Admiral Robert Blake (on a stone memorial in the south choir aisle), initially buried in the Abbey but reburied in St Margaret's, Westminster in 1661.
William Booth, buried at Stoke Newington, London Borough of Hackney
Benjamin Britten, Baron Britten of Aldeburgh, buried at the parish church of Aldeburgh
Charlotte Brontë, Emily Jane Brontë, Anne Brontë; Charlotte and Emily are buried at Haworth, while Anne is buried at Scarborough
Lord Byron, buried at Hucknall, Nottinghamshire
Sir Winston Churchill, buried at Bladon, Oxfordshire
John Clare, buried in St Botolph's churchyard, Helpston, Cambridgeshire
James Cornewall, buried at sea off Toulon. His monument in the Abbey was the first ever to be erected by Parliament at public expense.[12]
Edward Cooke, buried in Calcutta
Noël Coward, buried on the grounds of his home Firefly Estate in Jamaica
William Cowper (in a stained glass window unveiled by George W. Childs in 1875), buried in East Dereham, Norfolk
Diana, Princess of Wales, buried at Althorp, Northamptonshire
Richard Dimbleby, buried in St Peter's churchyard, Lynchmere, West Sussex
Paul Dirac, buried in Tallahassee, Florida
Benjamin Disraeli, 1st Earl of Beaconsfield, buried at Hughenden Manor, Buckinghamshire
Sir Francis Drake, buried at sea off Portobelo, Panama
Sir Edward Elgar, buried in St Wulftan's RC Church in Little Malvern, Worcestershire
Sir John Franklin, presumably buried at sea near King William Island, Canada
Adam Lindsay Gordon, buried in Australia
George Green, mathematician, buried in his native Nottinghamshire.
John Harrison, buried in St John's Church in Hampstead, North London
Philip Larkin, buried in Cottingham municipal cemetery near Hull
Rev Evelyn Levett Sutton, prebendary of Westminster and chaplain to the House of Commons who collapsed after reading the ninth commandment during Sunday services and died the next day (in a monument)
C.S. Lewis, buried in the churchyard of Holy Trinity Church, Headington, Oxford
Jenny Lind, buried at Great Malvern, Worcestershire
Henry Wadsworth Longfellow, buried at Cambridge, Massachusetts
George Herbert (in a stained glass window unveiled by George W. Childs in 1875)
James Ramsay Macdonald, buried at Spynie, near Lossiemouth, Grampian
Sir Robert Menzies, cremated in Australia[13]
Louis Mountbatten, 1st Earl Mountbatten of Burma, buried in Romsey Abbey.
Pasquale Paoli, buried at Morosaglia, Corsica
William Shakespeare, buried at Stratford-upon-Avon, Warwickshire
Dylan Thomas (in a plaque unveiled in 1982), buried at Laugharne
Thomas Totty, buried at Portsmouth Garrison Chapel, Portsmouth, Hampshire
William Villettes, buried in Jamaica.[14]
Charles Wesley, buried at Old Marylebone, London
John Wesley, buried at City Road Chapel, London
Oscar Wilde (in a stained glass window unveiled in 1995), buried in Père Lachaise Cemetery, Paris
Gen. James Wolfe, buried at St Alfege Church, Greenwich, South-East London
Sir Adrian Boult, his body was willed to science

text: World War I Poets[edit]

text: Sixteen Great War poets are commemorated on a slate stone unveiled 11 November 1985, in the South Transept (Poets' Corner):[15]

text:
Richard Aldington, buried in France
Laurence Binyon, author of For the Fallen, buried in Reading, Berkshire
Edmund Blunden, buried in Long Melford, Suffolk
Rupert Brooke, author of The Soldier, buried in Skyros, Greece
Wilfrid Gibson
Robert Graves, author of I, Claudius and the only poet of the sixteen still living at the time of the commemoration, buried in Deià, Majorca, Spain
Julian Grenfell, buried in Boulogne-sur-Mer, France
Ivor Gurney, buried in Twigworth, Gloucestershire
David Jones, buried in Crofton Park, Lewisham
Robert Nichols
Wilfred Owen, author of Dulce et Decorum Est and Anthem for Doomed Youth, buried in Ors, France
Herbert Read, buried in Stonegrave, North Yorkshire
Isaac Rosenberg, buried in Pas de Calais, France
Siegfried Sassoon, buried in Mells, Somerset
Charles Sorley, also commemorated at the Loos Memorial
Edward Thomas, buried in Agny Military Cemetery, France

text: 20th Century Martyrs[edit]

text: Above the Great West Door, ten 20th-century Christian martyrs from across the world are depicted in statues; from left to right:

text:
St Maximilian Kolbe (d.1941)
 Manche Masemola (d.1928)
 Janani Luwum (d.1977)
 Grand Duchess St Elizabeth of Russia (d.1918)
 Martin Luther King, Jr (d.1968)
 Óscar Romero (d.1980)
 Dietrich Bonhoeffer (d.1945)
 Esther John (d.1960)
 Lucian Tapiedi (d.1942)
 Wang Zhiming (d.1973)

text: Formerly buried (removed)[edit]

text: King Harold I was originally buried in the Abbey, but his body was subsequently exhumed, beheaded, and thrown into a fen in June 1040. The body was later rescued and re-buried in the church of St Clement Danes in Westminster.

text: A number of Cromwellians were also buried in the Abbey but later removed, in 1661, on the orders of King Charles II, and buried in a pit in St Margaret's churchyard, adjoining the Abbey. A modern plaque on the exterior wall of the church records the names of those who were disinterred:

text:
Oliver Cromwell, Lord Protector
Admiral Robert Blake[16]
John Pym

text: In November 1869, at the request of the Dean of Westminster and with the approval of Queen Victoria, the philanthropist George Peabody was given a temporary burial in the Abbey, but later moved and buried in Salem, Massachusetts.

text: Notes[edit]

text:
Jump up ^ Dunton, Larkin (1896). The World and Its People. Silver, Burdett. p. 26.
Jump up ^ Westminster Abbey Mrs. A. Murray Smith, published 1904-08-30
Jump up ^ "Woking Crematorium". Internet. The Cremation Society of Great Britain. Retrieved 28 November 2010.
Jump up ^ "Sebastian Charles". Internet. The Dean and Chapter of Westminster. Retrieved 19 September 2015.
^ Jump up to: a b c Elizabeth, Duchess of Northumberland – Westminster Abbey
Jump up ^ "The Tomb of The Unknown Warrior". British Legion. Retrieved 29 August 2016.
^ Jump up to: a b Stanley, Arthur (1886). Westminster Abbey. London: John Murray. p. 499.
Jump up ^  Squire, William Barclay (1885). "Ayrton, Edmund". In Stephen, Leslie. Dictionary of National Biography. 02. London: Smith, Elder & Co. He was buried in the west cloisters of Westminster Abbey on 28 May.
Jump up ^ Cook, James F. (2004). Governors of Georgia: 1754–2004. Macon: Mercer University Press. ISBN 978-0-86554-954-8.
Jump up ^ "Charles Whitworth, Baron of Galway". Westminster Abbey – Charles Whitworth, Baron of Galway. Westminster Abbey. Retrieved 18 September 2014.
Jump up ^ Robert & Olave Baden-Powell – Westminster Abbey
Jump up ^ Coutu, Joan (2006). Persuasion and propaganda monuments and the eighteenth-century British Empire. Montréal: McGill-Queen's University Press. p. 160. ISBN 9780773576643.
Jump up ^ http://primeministers.naa.gov.au/primeministers/menzies/after-office.aspx%7C NAA - Former Prime Ministers Of Australia, Menzies after office - Retrieved 2016-02-06
Jump up ^ Villettes, William Ann, Oxford Dictionary of National Biography, Robert Holden and Desmond Gregory, (subscription required), Retrieved 9 September 2017
Jump up ^ "Poets". Net.lib.byu.edu. Retrieved 15 November 2012.
Jump up ^ Robert Blake – Westminster Abbey, Westminster Abbey

text: Religion in the City of WestminsterWestminster AbbeyBurials at Westminster AbbeyWorld Heritage Sites in LondonMonuments and memorials in London

text: Articles incorporating Cite DNB templatePages using div col without cols and colwidth parameters


document_title: Night at the Museum

question_text: where is the night of the museum filmed

question_tokens: where is the night of the museum filmed

root

text: Night at the Museum

text: Plot[edit]

text: Larry Daley is a divorced man from Brooklyn, hoping to find a good job to impress his ten-year-old son Nick, but his ex-wife Erica believing he is a bad example for their son. Larry is hired at the American Museum of Natural History to replace the retiring security guards Cecil Fredericks, Gus, and Reginald. Larry meets the museum’s neurotic curator Dr. McPhee, and very attractive museum docent Rebecca Hutman, who plans to write a dissertation on Sacagawea. On his first night, Cecil hands Larry an instruction manual on what to do in the museum, warning him not to let anything “in or out.”

tag: p

text: Larry soon discovers that at night, the museum’s exhibits come to life and cause havoc for him. Amongst the lively exhibits are a playful Tyrannosaurus skeleton named Rexy; a mischievous capuchin monkey named Dexter who destroys the instructions; the warring miniature factions of cowboys and legionnaires led by Jedediah and General Octavius; violent Attila the Hun and his army; a talking Easter Island Head that desires gum who calls Larry "dum dum"; the fire-seeking neanderthals; and a wax model of Theodore Roosevelt, who is in love with Sacagawea.

text: Roosevelt explains to Larry that the exhibits have come to life every night since the arrival of an Egyptian artifact, the Tablet of Akhmenrah, the mummified pharaoh trapped in his sarcophagus. He also explains to Larry that as night guard, it is his job to make sure that no exhibit sets foot out of the museum, otherwise they will disintegrate into dust if the sun rises while they are outside. The next day, Cecil advises Larry to research history to make up for the instructions’ destruction. He studies in libraries and from Rebecca. Larry puts his new knowledge to good use on his second night, but some of his plans backfire and the neanderthals set their exhibit on fire, leading to one becoming dust after venturing outside. After having doubts and almost getting fired the next day, Larry offers to introduce Sacagawea to Rebecca, but she thinks he is mocking her.

text: On his third night, Larry brings Nick to the museum to watch the exhibits come to life, but they strangely do not. They catch Cecil, Gus, and Reginald stealing artifacts, who explain the tablet’s magic has allowed them to feel physically young in their old age, and plot to frame Larry for the theft while they enjoy a happy retirement. Nick activates the tablet, but Cecil steals it, locking Larry and Nick in the Egyptian exhibit. They free Akhmenrah, and rally the exhibits to stop the thieves and retrieve their colleagues who fled out into Central Park. Gus and Reginald are captured, but Cecil escapes by stagecoach.

text: Larry and several exhibits give chase, where they stop Cecil and recover the tablet, using its magic to escort all of the exhibits back into the museum before sunrise. Rebecca witnesses this and makes amends with Larry and is subsequently introduced to Sacagawea. The next day, McPhee fires Larry after watching news reports of sightings of the exhibits last night, but once they start to leave the museum, they find out that the reports have caused an increased number of visitors, and Larry is immediately rehired. Near the end of the end of the film, Larry, Nick, and the exhibits throw a party in the museum. During the credits, it is shown that Cecil, Gus, and Reginald have been forced to serve as museum janitors for their crimes.

text: Cast[edit]

text: Humans[edit]

text:
Ben Stiller as Larry Daley, a night-shift security guard at the American Museum of Natural History in New York.
Dick Van Dyke as Cecil Fredericks, a veteran security guard
Carla Gugino as Rebecca Hutman, a museum docent
Mickey Rooney as Gus, a veteran security guard
Bill Cobbs as Reginald, a veteran security guard
Jake Cherry as Nick Daley, Larry's son
Ricky Gervais as Dr. McPhee, the curator of the Museum of Natural History and Larry's boss
Kim Raver as Erica Daley, Larry's former wife
Charlie Murphy as the taxi-driver
Paul Rudd as Don, Erica's fiancé
Anne Meara as Debbie

tag: ul

text: Exhibits[edit]

text:
Robin Williams as a wax model of Theodore Roosevelt
Patrick Gallagher as a wax model of Attila the Hun
Rami Malek as the mummy of Pharaoh Ahkmenrah
Pierfrancesco Favino as a bronze statue of Christopher Columbus
Owen Wilson (uncredited) as Jedediah, a miniature cowboy figure
Steve Coogan as Octavius, a miniature Roman general figure
Mizuo Peck as a polyurethane model of Sacagawea
Kerry van der Griend, Dan Rizzuto, Matthew Harrison, and Jody Racicot as wax models of neanderthals
Martin Christopher as a wax model of Meriwether Lewis
Martin Sims as a wax model of William Clark
Randy Lee, Darryl Quon, Gerald Wong, and Paul Chih-Ping Cheng as wax models of the Huns
Brad Garrett as the voice of the Easter Island Head
Crystal the Monkey as Dexter, a stuffed capuchin monkey

text: Production[edit]

text: The building featured in the film, which was constructed on a sound stage in Burnaby, British Columbia, is based on the American Museum of Natural History in New York City, external shots of which were used in the movie.[2]

text: Trainers spent several weeks training Crystal, who plays the troublemaking monkey Dexter, to slap and bite Stiller in the film.

text: Robin Williams' Theodore Roosevelt costume closely resembles that of John Wayne's character in The Shootist.[3]

text: Director Shawn Levy credited Ben Stiller for the ensemble cast: "When actors hear that Ben Stiller is in a movie they want to work with him. It['s] a high-water mark and it absolutely draws actors in and I'm convinced that's a big part of why we got this cast."[4]

text: Music[edit]

text: Songs[edit]

text:
"Friday Night" - performed by McFly; not featured in American version of the film, but heard in some international cuts, used during the end credits. It can be heard on the American DVD on the Spanish dub.
"September" - performed by Earth, Wind and Fire; used before the end credits where everyone in the museum is partying.
"Weapon of Choice" - performed by Fatboy Slim; used in the scene where Larry returns to the museum for his second night and is preparing for the chaos.
"Tonight" - performed by Keke Palmer and Cham; used for the end credits.
"Eye of the Tiger" - performed by Ben Stiller; used in the scene where Larry is bored and messes around with the telephone at the front desk beatboxing the music.
An instrumental version of "Mandy" by Barry Manilow is used when Larry is standing in the elevator, while escaping from Attila the Hun.
"Ezekiel Saw Them Dry Bones" is the tune Larry whistles as he passes the empty T. rex exhibit on his first night.
"Camptown Races" by Stephen Foster is sung by the townspeople of the American West miniature diorama. This is a period-correct song.

text: Score[edit]

text: Alan Silvestri replaced John Ottman as score composer.[5] Silvestri's score was used for the teaser trailer of Horton Hears a Who!

text:
Night at the Museum (Original Motion Picture Soundtrack)Film score by Alan SilvestriReleased
December 19, 2006 (2006-12-19)Recorded
2006Genre
Film scoreLength
53:19Label
Varese Sarabande

tag: table

text: Track list[edit]

text: Varese Sarabande released a soundtrack album of the score on December 19, 2006.[6]

text: All tracks written by Alan Silvestri.

text: Night at the Museum (Original Motion Picture Soundtrack)No.TitleLength1."Night at the Museum"02:352."One of Those Days"00:493."An Ordinary Guy?"01:274."Tour of the Museum"02:355."Civil War Soldiers"04:086."Out of Africa"01:077."Meet Dexter"01:278."Mayan Warriors"00:579."Where's Rexy?"00:4810."West from Africa"01:4911."The Iron Horse"01:0612."Saved by Teddy"01:5713."Tablet of Akmenrah"00:3714."Tracking, Dear Boy"01:0815."Some Men Are Born Great"00:5016."Sunrise"00:4217."Study Up on History"02:1518."Teddy Likes Sacagawea"01:5319."Tearing Limbs"01:4520."Caveman on Fire"00:4321."Outrun the Sun"00:5822."Show You What I Do"02:5523."Tablet's Gone"02:4524."Theodore Roosevelt at Your Service"01:1125."This Is Your Moment"02:1026."Rally the Troops"01:0727."Tree Take Down"01:2128."Cecil's Escape"01:2629."Stage Coach"02:2830."Teddy in Two"01:1831."Cab Ride"00:5032."Big Fan"01:0333."Heroes Return"00:5434."A Great Man"00:5735."Full House"01:21Total length:53:19

text: Release[edit]

text: Night at the Museum had its premiere in New York City on December 17, 2006, in South Korea on December 21, 2006, on December 22, 2006 in United States, December 26, 2006 in UK, January 12, 2007 in Brazil, on February 14, 2007 in China and on March 17, 2007 in Japan.[7]

text: The film was released under the title of "Noche en el museo" in Spain, "Una notte al museo" in Italy, "La nuit au musée" in France, "Ночь в музее" in Russia and "Uma Noite no Museu" in Brazil.[7]

text: Box office[edit]

text: At the end of its box office run, Night at the Museum earned a gross of $250.9 million in the US and Canada and $323.6 million in other territories, for a worldwide total of  $574.5 million against a budget of $110 million.[1] It is also the highest-grossing film worldwide of the trilogy.[8]

text: It was the highest-grossing film in its opening weekend, grossing $30.8 million plating in 3,685 theaters, with a $8,258 per-theater average. For the four-day Christmas holiday weekend, it took in $42.2 million.[1] The movie was also released in IMAX large screen format, often on site at museums of science or natural history such as the Pacific Science Center in Seattle.

text: In its second weekend, Night at the Museum expanded into 83 more theaters and took in approximately $36.7 million, out-grossing its opening weekend. It maintained the top position in its third week, with an additional $23.7 million.[9]

text: During its opening weekend of December 15, 2006, the film grossed a figure of estimated $5 million, with the highest debut coming from South Korea ($5.04 million).[10] The biggest market in the other territories were the UK, Japan, South Korea, and Germany, where it grossed $40.8 million, $30 million, $25.7 million, $22.9 million.[11]

text: Critical reaction[edit]

text: Night at the Museum received mixed reviews from critics. On Rotten Tomatoes the film has an approval rating of 43%, based on 132 reviews, with an average rating of 5.3/10. The site's critical consensus reads, "Parents might call this either a spectacle-filled adventure or a shallow and vapid CG-fest, depending on whether they choose to embrace this on the same level as their kids".[12] On Metacritic, the film has a score of 48 out of 100, based on 28 critics, indicating "mixed or average reviews".[13]

text: James Berardinelli of Reelviews gave it 2 stars out of 4, and commented on Stiller's performance by stating "It might be fair to give Ben Stiller an 'A' for effort, but to call what he does in this movie "acting" is a misnomer. He does a lot of running around, occasionally falling down or bumping into things."[14] One positive review by William Arnold of the Seattle Post-Intelligencer, gave it a B-, and stated that the film was "Out to impress and delight a family audience with the pageantry of human and natural history, and that's a surprisingly worthy ambition for a Hollywood comedy."[15] In a case of life imitating art, museum officials at the American Museum of Natural History have credited the film for increasing the number of visitors during the holiday season by almost 20%. According to a museum official, between December 22, 2006, and January 2, 2007, there were 50,000 more visitors than during the same period the prior year.[16] CinemaScore polls conducted during the opening weekend, cinema audiences gave the film an average grade of "A-" on an A+ to F scale.[17]

text: Home media[edit]

text: The film was released on a 2-Disc DVD edition in the United Kingdom on April 2, 2007. It was released on 1-Disc and 2-Disc DVD editions and Blu-ray Disc format on April 24, 2007 elsewhere.

text: The film became the first non-Disney film to be reviewed by Ultimate Disney (now known as DVDizzy.com), due to the website dealing with other studios besides Disney.[18][19]

text: As of  6 December 2009[update], the film has sold 9,191,694 DVDs and grossed $153,566,058 in DVD sales.[20]

text: Awards[edit]

text:
Award

Category

Nominee

Result

Ref.

Saturn Awards

Best Fantasy Film
N/A
Nominated

ASCAP Award

Top Box Office Films
Alan Silvestri
Won

Artios

Best Feature Film Casting - Comedy
Ilene StargerCoreen Mayrs (Vancouver casting)Heike Brandstatter (Vancouver casting)
Won

Kids' Choice Awards

Favorite Movie
N/A
Nominated
[21]

MTV Movie Award

Best Comedic Performance
Ben Stiller
Nominated

National Movie Award

Best Comedy
N/A
Nominated

Teen Choice Award

Choice Movie: Comedy and Choice Movie Actor: Comedy
Ben Stiller
Nominated

Taurus Award

Hardest Hit
Greg Fitzpatrick
Nominated
[22]

Young Artist Award

Best Performance in a Feature Film - Young Actor Age Ten or Younger
Jake Cherry
Nominated
[23]

text: Sequels[edit]

text: The first installment in the trilogy, Night at the Museum was followed by a sequel titled Night at the Museum: Battle of the Smithsonian,[24] which was released on May 22, 2009 in North America. The third and final installment, Night at the Museum: Secret of the Tomb, was released on December 19, 2014 in North America.[25]

text: In 2016, The Hollywood Reporter stated that the Alibaba Pictures Group intended to remake the film. [26]


document_title: List of Bewitched characters

question_text: in bewitched who was the witch doctor that treats samantha

text: List of Bewitched characters

text: Samantha Stephens[edit]

text: Samantha Stephens (Elizabeth Montgomery) is a witch and the show's protagonist. She's married to a mortal named Darrin Stephens and has two magical children by him. Samantha often has difficulty adjusting to mortal life, even though she is trying to give up using her powers. She is perhaps the most sensible character in the show; she enjoys her mother's company and is able to take her jabs at mortal life with ease. She is optimistic and treats everyone with respect be they magical creatures, powerful witches and wizards, or ordinary people.

text: Darrin Stephens[edit]

text: Darrin Stephens (originally Dick York, seasons 1-5; later Dick Sargent, seasons 6-8) is a mortal married to Samantha. He did not know she was a witch until she told him after their marriage, and tries to dissuade her from using witchcraft as much as possible, preferring to live an ordinary, mortal life. He works as a Vice President/Account Executive at the McMann & Tate Advertising agency. Dick York was unable to continue his role as Darrin because of a severe back condition, the result of an accident during the filming of They Came To Cordura in 1959. Starting during the third season, York's disability caused ongoing shooting delays and script rewrites. After collapsing while filming the episode "Daddy Does His Thing" and being rushed to the hospital in January 1969, York left the show. Dick Sargent, who would go on to play Darrin in the sixth through eighth seasons, was cast for the role that same month.[1]

text: Endora[edit]

text: Endora (Agnes Moorehead), is Samantha's mother and Darrin's chief antagonist in the series. Like all witches, she never reveals her surname, indicating to Darrin that he would be unable to pronounce it. Endora finds mortals dull and disapproves of Darrin, as do many of Samantha's relatives. Endora refuses to even speak Darrin's name correctly, alternatively calling him "Derwood", "What's-his-name", "Darwin", "Dum-Dum", etc., all much to his annoyance. She refers to him as "Darrin" only eight times during the entire series.[2] Endora's ploys to provoke a breakup always fail as Samantha and Darrin's love overcomes every obstacle. Even though Endora casts countless farcical spells on Darrin, she never attempts to destroy him outright. During the first season, Endora threatens her warlock husband Maurice, after he destroys Darrin, saying that she will not have a human being on her conscience. It was one of the few times when Endora went out of her way to protect Darrin from Maurice (see episode 1-10).  Endora, once, let Maurice kiss her. But, when she realizes that, after he has kissed her and disappeared, she has contracted an illness which leaves her unable to use her powers, she is furious – until Maurice returns to gives her an antidote, and take her to "the place we used to go to on the Milky Way" to have dinner. She  doesn't get along with Darrin's mother, Phyllis Stephens, because she gets along too well with Phyllis' husband, Frank. But, they are civil to one another in, what Samantha calls, "killing one another with kindness". Endora does dote on her grandchildren, Tabitha and Adam; They call her "Grandmama".

text: Larry Tate[edit]

text: Larry Tate (David White) is Darrin's profit-obsessed boss and friend. Tate is a regular character. Tate's opinions turn on a dime to appease a client in an attempt to land a deal. However, there are two episodes that show evidence that Larry has deep feelings as well as having a sense of integrity. In the first season installment, "And Something Makes Three", Larry realizes he is to become a father for the first time and is almost overcome with joyful emotion. In the seventh season Christmas episode "Sisters at Heart", notwithstanding his obsession with the bottom line, Larry threatens to cancel an important client's account with McMann & Tate when he realizes the client is a racist.

text: Louise Tate[edit]

text:
Louise Tate (Irene Vernon, and, after Vernon's departure from the show, Kasey Rogers) is Larry's wife and Samantha's closest mortal friend. Louise Tate was played by Irene Vernon during the first two seasons and then replaced by Kasey Rogers, who wore a short black wig to appear similar to Vernon. According to Rogers,[3]
Bill Asher noticed her tugging at the wig and asked why she was wearing it. She laughed and said, "because you told me to." He replied, "Why don't you take it off!" and she played Louise with red hair for the show's final three seasons.

text: Gladys Kravitz[edit]

text: Gladys Kravitz, whose maiden name was Gruber, (played originally by Alice Pearce, and, after Pearce's death during the run of the show, Sandra Gould) is Samantha and Darrin's nosy neighbor who lives across the street. She often witnesses incidents of witchcraft but, by the time her husband Abner gets to the window, there is nothing to see, thus, he never believes her.

text: Abner Kravitz[edit]

text: Abner Kravitz (George Tobias) is Gladys's retired husband. He doesn't believe the stories his wife tells about Samantha being a witch. By the time she gets him to come to the window to see some magic she has just witnessed, it is all over. His sister, Harriet (Mary Grace Canfield), stayed with her brother once while Gladys was out of town (around the time Alice Pearce died). Harriet also witnessed some behavior that caused her to share her sister-in-law's opinion of their neighbors. Abner again disagreed just as he always did with his wife.

text: Aunt Clara[edit]

text: Aunt Clara (Marion Lorne) is the only one of Samantha's relatives for whom Darrin regularly shows tolerance (and the only relative who regularly tolerates him). She is Samantha's bumbling, elderly, absent-minded-but-lovable aunt. The well-meaning Aunt Clara's spells usually backfire, and her entrances and exits are often a grand fumble, such as entering via a chimney or colliding with a wall. She has a collection of over a thousand doorknobs (inspired by Lorne's real-life collection).

text: Tabitha Stephens[edit]

text: Tabitha Stephens (Erin Murphy) (spelled Tabatha in production credits until season 5) is the oldest daughter of Samantha and Darrin. She is born in season 2. She has supernatural powers. Tabitha Stephens' birth in the season 2 episode "And Then There Were Three" featured infant Cynthia Black in the role. For the remainder of the season, Tabitha was played by twins Heidi and Laura Gentry, followed by twins Tamar and Julie Young. Fraternal twin toddlers Diane Murphy and Erin Murphy were cast for the role at the beginning of season 3. In time, they began to look less alike, so Diane was dropped during season 4. Diane made several guest appearances in other roles, and filled in as Tabitha one last time in season 5's "Samantha Fights City Hall", because Erin had the mumps. Tabitha was played by Liberty Williams in the 1976 pilot and by Lisa Hartman in the 1977 series of the same name.

text: Adam Stephens[edit]

text: Adam Stephens (David Lawrence) is the youngest son of Samantha and Darrin. Just like his big sister and his mother, he has supernatural powers. In the Tabitha TV show pilot, he is played by Bruce Kimmel and he also possessed warlock powers and a mischievous nature, but in the series itself, he was played by David Ankrum, and was often the disapproving mortal figure of the family, much like their father, Darrin was.  Despite his entreaties to his sister to not use her powers, and his dismay when their Aunt Minerva (Karen Morrow) encouraged her to use them, he really does love his sister very much. A continuity error switched the birth order of Tabitha and Adam (in Bewitched, Tabitha is older and Adam is younger; in Tabitha, Adam is older and Tabitha is younger).

text: Serena[edit]

text: Serena (Elizabeth Montgomery) is Samantha's cousin on Maurice's side.[4] Serena is egocentric and looks like Samantha (except for a tattoo under her left eye). Also played by Montgomery, Serena is credited as "Pandora Spocks" (a spin on the phrase "Pandora's box") in many of her appearances from 1969 to 1971. Serena is first seen in episode, #54, "And Then There Were Three".[5] Serena is the antithesis of Samantha, in most episodes sporting a beauty mark on her cheek, raven-black cropped hair and mod mini-skirts. Ever mischievous, bawdy and irresponsible, Serena often flirts with Larry Tate (calling the white-haired Tate "Cotton-Top"), just for sport. She occasionally dates mortals, and has been known to flirt with Darrin, while pretending to be Samantha. Despite her conduct and frequent co-plotting with Endora, Serena has been known to assist Samantha and Darrin, although she finds them "both a bit square".

text: Uncle Arthur[edit]

text: Uncle Arthur (Paul Lynde), Endora's prank-loving brother, makes several appearances. Despite many practical jokes at Darrin's expense, Uncle Arthur has a less antagonistic relationship with him than Endora. In one episode, both Serena and Uncle Arthur go head-to-head with the Witches Council to support the Stephens' union, only to have their own powers suspended. Samantha is clearly very fond of her uncle, and vice versa.

text: Dr. Bombay[edit]

text: Dr. Hubert Bombay (Bernard Fox) is a witch doctor and womanizer, almost always accompanied by a buxom assistant in a nurse's outfit. He constantly cracks stale jokes. A strange occurrence or condition caused by a supernatural illness is occasionally used as a plot device, and his assistance is often sought. He could be summoned by the phrase: "Calling Dr. Bombay, calling Dr. Bombay. Emergency, come right away." His first name, Hubert, was revealed in the final episode of the spinoff "Tabitha" where he marries his mortal nurse.

text: Esmeralda[edit]

text: Esmeralda (Alice Ghostley) is the Stephens' anxiety-ridden and magically inept "Yoo-Hoo" maid. She is prone to uncontrolled bursts of magic (especially when she sneezes) and becomes invisible when she's nervous. Like Clara, her magic is unpredictable but, because her powers are weak the manifestations usually fade away in time. Esmeralda was introduced in 1969 after Lorne's death. Ghostley stated that she did not consider her character as a replacement for Clara.

text: Phyllis Stephens[edit]

text: Phyllis Stephens (Mabel Albertson) is Darrin's strait-laced mother who visits occasionally but never learns of Samantha's supernatural powers. Phyllis makes inopportune surprise visits (which often cause Samantha to use magic to clean up the house quickly). Phyllis often becomes discombobulated and complains of "a sick headache" after accidentally witnessing something inexplicable. She and Endora do not get along, as Endora often displays contempt for her mortal counterpart. Phyllis also once thought her husband was having an affair with Endora, which did not help relations between the two. They are civil to one another in what Samantha refers to as "killing each other with kindness".

text: Frank Stephens[edit]

text: Frank Stephens (Robert F. Simon, Roy Roberts) is Darrin's laid-back father. He loves musicals and operas and once, during the first season he and Endora go together to a musical, from which he doesn't come back that night. He and his wife, Phyllis, get near to a divorce, until Samantha and Endora use their magic to bring them back together.

text: Maurice[edit]

text: Maurice (Maurice Evans) is Samantha's father, an urbane thespian, and the only warlock in the House of Lords. He often embellishes his entrances and exits with strained Shakespearean verse. Bewitched is unique for pre-1970s sitcoms in that it portrays Endora and Maurice in, as Maurice describes to his private secretary, "an informal marriage". Maurice once introduces Endora as "her (Samantha's) mother", and Endora twice threatens, if she doesn't get what she wants, to "move back in" with Maurice, a prospect that terrifies him. In the episode "Samantha's Good News", Endora threatens to file for an "ectoplasmic interlocutory" (i.e. "divorce"), only to wrangle Maurice's affection. He is also a member of the Warlock's Club in London. Maurice refers to Darrin with incorrect names (like Endora), including "Duncan" and "Dustbin", with Endora going so far as to "correct" him, saying "that's Durwood". Once in the series he kisses Endora, and after takes her to "the little place, we used to go to on the Milky Way" (episode: "A Plague on Maurice and Samantha"). Like Endora, he dotes on his grandchildren, Tabitha and Adam, who are allowed to call him "Grandpa".

text: Aunt Enchantra and Aunt Hagatha[edit]

text: Aunt Enchantra and Aunt Hagatha are two of Samantha's other aunts. They occasionally ride in an antique car called "Macbeth" (sometimes driven by chauffeur Rasputin, other times operating sans driver), which enters the Stephens' home through the wall. Enchantra was played by three different actresses, including Estelle Winwood, while Hagatha was played by five, including Jane Connell, Reta Shaw, and Ysabel MacCloskey.

text: Apothecary[edit]

text: An unnamed witches' apothecary (Bernie Kopell) is an amorous old warlock from whom help for supernatural illnesses is occasionally sought. He appears in four episodes.

text: Betty[edit]

text: Betty, the secretary at McMann and Tate, was played by various actresses, including Jill Foster (ten appearances) and Marcia Wallace.[6]

text: Sheila Summers[edit]

text: Sheila Summers (Nancy Kovack) is Darrin's wealthy former fiancée and Samantha's nemesis. She appeared three times in the series (in the pilot episode ("I, Darrin, Take This Witch, Samantha", and in "Snob in the Grass", where she tries to seduce Darrin, only to be publicly humiliated by Samantha's witchcraft). She also appeared in the 1968 episode "If They Never Met".

text: Howard McMann[edit]

text: Howard McMann (Roland Winters, Leon Ames) is Larry Tate's business partner, and appears only twice during the series in "Man of the Year" and "What Makes Darrin Run".

text: Charlie Leach[edit]

text: Charlie Leach (Robert Strauss) is a conniving private investigator who attempts to blackmail Samantha, with disastrous results, in "Follow that Witch" and "Catnapped". In the first episode, he was working for a client of Darrin's who was considering hiring the advertising firm.  In the second episode, he caught Samantha using her powers. The Leaches were the reverse of the Kravitzes with Charlie convinced that Samantha was a witch, while his wife, Charmaine (Virginia Martin) was convinced that her husband was crazy. However, unlike the Kravitzes, Charlie used blackmail to get Samantha to give him what he wants, but it always backfired when Samantha used her powers to defeat him. After "Catnapped", Charlie and Charmaine were never seen or spoken of again.

text: Characters from history and other fiction[edit]

text: Thanks to witchcraft, a number of interesting characters were seen, including Benjamin Franklin, Franklin Pierce, George and Martha Washington, Paul Revere, Sigmund Freud, Julius Caesar, Queen Victoria and Prince Albert, Leonardo da Vinci, Napoleon, King Henry VIII, Cleopatra, Bonanno Pisano, Santa Claus, Jack of Jack and the Beanstalk, Mother Goose, The Artful Dodger, Hansel and Gretel, The Tooth Fairy, the Loch Ness Monster, a leprechaun, Prince Charming, Sleeping Beauty, Willie Mays (playing himself), and Boyce and Hart (playing themselves).

text: Cast[edit]

text:
Cast of Characters

Character

Actor(s)

No. of episodes

Main Characters

Samantha Stephens

Elizabeth Montgomery

254

Darrin Stephens

Dick York (1964–1969)Dick Sargent (1969–1972)

156 (York)84 (Sargent)

Endora

Agnes Moorehead

147

Larry Tate

David White

166

Recurring Characters

Tabitha Stephens

Cynthia Black (1966)Heidi and Laura Gentry (1966)Tamar and Julie Young (1966)Diane Murphy (1966–1968)Erin Murphy (1966–1972)

116

Gladys Kravitz

Alice Pearce (1964–1966)Sandra Gould (1966–1971)

27 (Pearce)29 (Gould)

Abner Kravitz

George Tobias (1964–1971)

55

Louise Tate

Irene Vernon (1964–1966)Kasey Rogers (1966–1972)

13 (Vernon)33 (Rogers)

Aunt Clara

Marion Lorne (1964–1968)

28

Serena

Elizabeth Montgomery (1966–1972)(credited as "Pandora Spocks")

24

Adam Stephens

unknown (1969–1970)Greg and David Lawrence (1970–1972)

24

Phyllis Stephens

Mabel Albertson (1964–1971)

19

Dr. Bombay

Bernard Fox (1967–1972)

18

Esmeralda

Alice Ghostley (1969–1972)

15

Frank Stephens

Robert F. Simon (1964–67, 1971)Roy Roberts (1967–1970)

13

Maurice

Maurice Evans

12

Uncle Arthur

Paul Lynde (1965–1971)

10


document_title: Daisy Buchanan

question_text: where did daisy grow up in the great gatsby

text: Daisy Buchanan

text: Appearances[edit]

text: The Great Gatsby[edit]

text: Daisy Fay was born into a wealthy Louisville family. By 1917, Daisy had several suitors of her same class, but fell in love with Jay Gatsby, a poor soldier. Before Gatsby left for war, Daisy promised to wait for him. After Gatsby started attending Trinity College, Oxford, Daisy sent him a letter revealing that she had married Tom Buchanan. During the marriage, Daisy gave birth to a daughter, Pammy, who Daisy had hoped would be "a beautiful little fool." Daisy and her family settled in East Egg, a wealthy old money enclave in Long Island.

text: After her cousin Nick Carraway arrives in West Egg, the neighboring island, he meets Gatsby, who by now has become extremely wealthy. Gatsby throws several large, extravagant parties in hopes that Daisy will attend.[2] Nick successfully sets up a meeting between Daisy and Jay at his neighboring cottage in West Egg where the two meet for the first time in five years, which leads to an affair.[3]

text: At the Buchanan home, Daisy, Tom, Gatsby, Nick and his girlfriend Jordan Baker decide to visit New York City, Tom taking Gatsby's yellow Rolls Royce with Jordan and Nick while Daisy and Gatsby drive alone. Once the group reach the city, they throw a party that turns into a confrontation between Daisy, Tom and Gatsby. Though Gatsby insisted that Daisy never loved Tom, Daisy admits that she loves both Tom and Gatsby. The party ends with Daisy driving Gatsby out of New York City in Tom's car, while Tom leaves with Nick and Jordan. Tom's mistress Myrtle Wilson, who earlier had a falling out with Tom, runs in front of Tom's car in hopes of reconciling with Tom. Daisy does not see her until it is too late, and runs her over. Daisy, panicked, drives away from the scene of the accident. In her home in East Egg, Gatsby assures her that he will take the blame. Tom tells George, Myrtle's husband, that it was Gatsby's car that killed Myrtle. George goes to Gatsby's home in West Egg and shoots Gatsby dead before turning the gun on himself. After Gatsby's murder, Daisy, Tom and their daughter leave East Egg, having no forwarding address.

text: Film and other adaptations[edit]

text: The first adaptation of The Great Gatsby was a silent film produced in 1926 and featured Lois Wilson as Daisy. The film is now considered lost.

text: In 1949, another film was made, starring Alan Ladd as Gatsby and Betty Field as Daisy.

text: Phyllis Kirk portrayed Daisy in a 1955 episode of the television series Robert Montgomery Presents adapting The Great Gatsby.

text: Jeanne Crain played Daisy in a 1958 episode of the television series Playhouse 90.

text: In the 1974 film adaptation, Daisy is portrayed by Mia Farrow. A photo of Farrow portraying Daisy appeared on the cover of the first issue of People magazine in promotion of the then-upcoming film. In the photo, Farrow holds a string of pearls in her hand while the pearls are also in her mouth.[4] It was later emulated in 2014 by Taylor Swift.[5] Farrow's performance as Daisy was met with mixed reception, Bruce Handy of Vanity Fair praising Farrow as being "full of vain flutter and the seductive instant intimacy of the careless rich"[6] while Leigh Paatsch of News.com.au thought Farrow missed Daisy "by a country mile."[7] While Vincent Canby of The New York Times wrote favorably of Farrow as Daisy, he added that Daisy "may be an impossible role, one that is much more easily accepted on the page than on the screen."[8]

text: Mira Sorvino played Daisy in the 2000 film adaptation.

text: In the 2013 film adaptation, Daisy is portrayed by Carey Mulligan.[9] Mulligan had two 90-minute auditions, which she found to be fun and served as her initial encounters with Leonardo DiCaprio, who portrayed Gatsby, and who read with her both days. Mulligan left the audition, unsure she had secured the role, but was satisfied to have played off DiCaprio.[10] Mulligan read the novel in preparation for auditioning for the role, finding the book to be accessible due to its length. Mulligan was familiar with the dislike some readers of The Great Gatsby had for the character, but felt she could not "think that about her, because I can't play her thinking she's awful." Mulligan strayed from watching Farrow's prior portrayal of Daisy, believing she might steal from Farrow's performance subconsciously for her own.[11] Director Baz Luhrmann confirmed Mulligan had been cast as Daisy in November 2010, one month after she acquired the role.[12] After the confirmation, Time assessed Mulligan as being attractive but in a childlike way, a contrast to Daisy's womanly beauty in the novel.[13] Todd McCarthy of The Hollywood Reporter in his review of the film wrote that viewers had their own ideals about Daisy's character and would debate whether Mulligan "has the beauty, the bearing, the dream qualities desired for the part, but she lucidly portrays the desperate tear Daisy feels between her unquestionable love for Gatsby and fear of her husband."[14]

text: Tricia Paoluccio portrayed Daisy in the American Masters episode "Novel Reflections: The American Dream". Starting in 2006, in the Simon Levy version of the play, Daisy was portrayed by Heidi Armbruster, who according to Quinton Skinner, "is full of loony momentary enthusiasms and a dangerous sensuality, though by the second act, Armbruster’s perf veers toward hollow mannerisms."[15] Daisy was portrayed by Monte McGrath in the 2012 version of the play, and her performance was met with acclaim.[16] Daisy is portrayed by Madeleine Herd in an adaptation by Independent Theater productions.[17]

text: Creation and conception[edit]

text: According to his own letters and diary entries, Fitzgerald's character of Daisy was based on Chicago socialite and debutante, Ginevra King.[18][19][1] He had met on a visit back home in St. Paul, Minnesota while enrolled as a student at Princeton University.[20] Immediately infatuated with her, according to his biographer Andrew Mizner, Fitzgerald "remained devoted to Ginevra as long as she would allow him to", wrote to her "daily the incoherent, expressive letters all young lovers write",[21] and she would become his inspiration for Daisy, as well as several other characters in his novels and short stories.[21][22]

text: The curator of Fitzgerald manuscripts and letters at Princeton, Don Skemer, has written that Ginerva "remained for Fitzgerald an archetype for the alluring, independent and upper class woman, ultimately unattainable by someone of a modest social background like himself", and that she "was a model for Daisy", as well as being "recognizable in many other [Fitzgerald] characters."[23]

text: There is also evidence of Daisy being partially based on Fitzgerald's wife Zelda.[24] Theresa Anne Fowler has written of the similarities that both Daisy and Zelda shared: "the Southern upbringing, the prominent family. And it is no secret that Scott borrowed liberally from Zelda’s early diaries and their own life for his stories."[24] And, when their daughter Scottie was born, Zelda, upon emerging from the anesthesia, was reported to have expressed her hope that their child would be a "beautiful little fool" -- one of Daisy's lines, among many others, that have been attributed to Zelda.[24]

text: Characterization[edit]

text: When first introduced, Daisy is shown to speak in a manner that is childlike and without any knowledge of what is correct. She fakes ignorance when speaking in Tom's presence but then reveals her actual feelings to Nick, including the fact that she had hoped her daughter would be unintelligent. From this, it is implied that her mannerisms are not some mere attempt at fooling those around her but actually contribute to an ongoing effort to serve as a role model toward her daughter and be directly responsible for her not learning much and becoming the "beautiful little fool" that she had aspired to have for a child. Daisy's motivations in wanting this are revealed by her to be that of hoping that her daughter is spared the unpleasant events that can occur in one's life and rooted in her view that she will not be affected by the emotional pain of her life as in being moronic, she cannot understand the events transpiring around her.

text: Though she is faithful to her husband in the years of their marriage leading up to Gatsby's return, she jumps nearly instantly at the chance of being able to have an affair with Gatsby. While it appears at first that this is a mere relationship of lust between two former lovers that are seeking to reignite an old flame, it is later revealed by Daisy's words to Tom after he learns of the relationship that she went along with it due to her feeling of neglect by her husband. Not only did her neglect drive her to the point of breaking a vow, but so did her ambitions to have an actual fulfilling relationship for the first time since shortly after she married, as Daisy reveals the lack of intimacy between her and Tom, further evidenced by his continued decline to show her any type of consideration in their shared appearances. Daisy's reluctance to accept Tom's claims of remorse demonstrate that her trust is not earned easily and the fact that she continues seeing Gatsby following this proves that she was not as concerned with the consequences of her cheating than that of her happiness.

text: Looking at Daisy’s character, one can see she did care for Gatsby, though maybe not as much as she ended up caring for Tom. Daisy was important to Gatsby because Daisy made Gatsby feel loved. Though no matter what Gatsby did to win Daisy’s affection, she married Tom and remained married to him despite Gatsby’s pursuit of her. “[Gatsby’s] efforts to attain Daisy…are no more successful, as she abandons him and he realizes too late that he has set his sights on the wrong goal.” [25] Daisy is “a woman who gives birth to a child, cheats on her husband, kills another person, and allows Gatsby to take the blame for her mistake.”[26] This says much about Daisy’s character, because Daisy seems to think that she can do what she wants without needing to worry about the consequences of her actions, nor how they affect other people. Beginning when Gatsby left the first time for the army, for she could never seem to find someone to fill the hole that which Gatsby had left: “Wild rumors were circulating about her…After that she didn’t play around with the soldiers any more but only with a few flat-footed, short sighted young men in town who couldn’t get into the army at all.” [27] Then there came the time for Daisy to marry Tom, but she wanted to “change’ her mind!” for she knew that she loved Gatsby still, but decided not to do anything about her conflicted heart.[28]

text: Daisy as a reference point[edit]

text: Daisy has become associated with wealth,[29] victims of marital affairs,[30] and glamor.[31][32] Since the Baz Luhrmann live action film was released, featuring Daisy with a bob cut, certain versions of the hairstyle are attributed to her.[33][34] Actress Carey Mulligan, who portrayed Daisy in the 2013 film adaptation, said Daisy was similar to members of the Kardashian family, later stating, "what I was trying to imply was that there’s an essence of part of the amazing business they run as the Kardashians is looking beautiful a lot and looking very present, presentational and perfect.”[35] Since the comparisons, members of the Kardashian family have been compared to Daisy.[36] Shaun Fitzpatrick of Bustle compared Daisy with the lead character in the novel Irresistible: The Jazz Age Life of Henrietta Bingham, even using images of Daisy when talking about actions of the character since as Fitzpatrick wrote, she was similar to "a character in an F. Scott Fitzgerald novel".[37] Inga Ting of The Sydney Morning Herald used an image of Mulligan as Daisy in an article titled, "Men want beauty, women want money: what we want from the opposite sex".[38] The character's physical description has become synonymous with 1920s culture.[39]

text: Reception[edit]

text: Emma Gray of The Huffington Post wrote of Daisy, "As F. Scott Fitzgerald's twisted 1920s version of a manic pixie dream girl, The Great Gatsby antiheroine has become one of the most discussed and polarizing female characters in American literature."[40] An afterward in the 1992 edition of the novel by publisher Charles Scribner III claimed that Fitzgerald blamed the initial commercial failure of The Great Gatsby on it containing "no important woman character and women control the fiction market at present.” The line was inferred that Fitzgerald did not believe it contained any sympathetic female characters.[41] Daisy has become a role model for young women who aspire to attain wealth, be considered physically attractive and fashionable and portray appealing personal qualities.[42] This desire has been critiqued due to the perceived outdatedness of the character,[43] her shallowness,[44] and for sending negative connotations.[45]

text: Daisy has been vilified for the consequences of her actions, such as directly and indirectly causing the deaths of several characters, and has even been considered the true antagonist of the novel. She ranked No. 1 on 10 On Screen Villains that Will Make Your Blood Boil, Part 2 on Moviepilot, a list consisting entirely of female film characters.[46] Bloom wrote that, although Daisy was not technically the villain of the story, "she still sucks, and if it weren’t for her a couple key players in the book would be alive at the end of it." Bloom then dedicated the subsequent list of her top ten detestable literary characters to Daisy.[47] Despite the criticism, some commentators have sympathized with the character. Katie Baker of The Daily Beast concluded that though Daisy lives and Gatsby dies, "in the end both Gatsby and Daisy have lost their youthful dreams, that sense of eternal possibility that made the summertimes sweet. And love her or hate her, there’s something to pity in that irrevocable fact."[41] Dave McGinn listed the character as one who needed their side of the story in their novel told, questioning if she really had a "voice full of money" as Gatsby claimed and wondered what her thoughts were on the love triangle between her, Gatsby and her husband.[48]


document_title: Danny Deever

question_text: who are the two characters who speak in danny deever

text: Danny Deever

text: Context[edit]

text: The poem was first published on 22 February 1890 in the Scots Observer,[1] in America later in the year, and printed as part of the Barrack-Room Ballads shortly thereafter.

text: It is generally read as being set in India, though it gives no details of the actual situation. Some research has suggested that the poem was written with a specific incident in mind, the execution of one Private Flaxman of The Leicestershire Regiment, at Lucknow in 1887. A number of details of this execution correspond to the occasion described by Kipling in the poem, and he later used a story similar to that of Flaxman's as a basis for the story Black Jack.[2]

text: Kipling apparently wrote the various Barrack-Room Ballads in early 1890, about a year since he had last been in India, and three years since Flaxman's execution. Though he wrote large amounts of occasional verse, he usually added a note beneath the title giving the context of the poem. Danny Deever does not have any such notes, but "Cleared" (a topical poem on the Parnell Commission), written in the same month as Danny Deever,[3] does. This suggests that it was not thought by Kipling to be inspired by a specific incident, though it is quite possible that he remembered the Flaxman case.

text: Summary[edit]

text: The form is a dialogue, between a young and inexperienced soldier (or soldiers; he is given as "Files-on-Parade", suggesting a group) and a more experienced and older NCO ("the Colour-Sergeant"). The setting is an execution, generally presumed to be somewhere in India; a soldier, one Danny Deever, has been tried and sentenced to death for murdering a fellow soldier in his sleep, and his battalion is paraded to see the hanging. This procedure strengthened discipline in the unit, by a process of deterrence, and helped inure inexperienced soldiers to the sight of death.

text: The young soldier is unaware of what is happening, at first – he asks why the bugles are blowing, and why the Sergeant looks so pale, but is told that Deever is being hanged, and that the regiment is drawn up in "[h]ollow square" to see it. He presses the Sergeant further, in the second verse – why are people breathing so hard? why are some men collapsing? These signs of the effect that watching the hanging has upon the men of the regiment are explained away by the Sergeant as being due to the cold weather or the bright sun. The voice is reassuring, keeping the young soldier calm in the sight of death, just as the Sergeant will calm him with his voice in combat.[2] In the third verse, Files thinks of Deever, saying that he slept alongside him, and drank with him, but the Sergeant reminds him that Deever is now alone, that he sleeps "out an' far to-night", and reminds the soldier of the magnitude of Deever's crime –

text: (Nine hundred was roughly the number of men in a single infantry battalion, and as regiments were formed on local lines, most would have been from the same county; it is thus emphasised that his crime is a black mark against both the regiment, as a whole, and against his comrades.) The fourth verse comes to the hanging; Files sees the body against the sun, and then feels his soul as it "whimpers" overhead; the term reflects a shudder in the ranks as they watch Deever die. Finally, the Sergeant moves the men away; though it is not directly mentioned in the poem, they would be marched past the corpse on the gallows[2] – reflecting that the recruits are shaking after their ordeal, and that "they'll want their beer to-day".

text: Structure[edit]

text: The poem is composed of four eight-line verses, containing a dialogue between two (or three) voices:

text: It is immediately noticeable that the poem is written in a vernacular English. Though the Barrack-Room Ballads have made this appear a common feature of Kipling's work, at the time it was quite unusual; this was the first of his published works to be written in the voice of the common soldier. The speech is not a direct representation of any single dialect, but it serves to give a very clear effect of a working class English voice of the period. Note the "taken of his buttons off", a deliberate error, to add to the stylised speech; it refers to the ceremony of military degradation, where the man to be executed is formally stripped of any marks of rank, such as his stripes, or of significant parts of his uniform – the buttons bore the regimental crest.

text: The four verses each consist of two questions asked by "Files" and answered by the Sergeant- a call-and-response form – and then another four lines of the Sergeant explaining, as above. In some interpretations, the second four lines are taken to be spoken by a third voice, another "file-on-parade".[2] Both the poem's rhythm and its rhyme scheme reinforce the idea of drilling infantry by giving the effect of feet marching generally but not perfectly in unison: Although the poem's overall meter is iambic, each line in the verses and, to the slightly lesser extent, the chorus features syllables with additional grammatical and phonetic emphasis that fit the rhythm of the "left, left, left right left" marching cadence. The first four lines always end with the same word, and the last four feature an aaab rhyme scheme with slightly lighter syllables that force the pace into a brisk march despite its somber mood (cf. the text of the poem's final chorus).[4] Eliot noted the imperfect rhyme scheme – parade and said do not quite rhyme – as strongly contributing to this effect, with the slight interruption supporting the feel of a large number of men marching together, not quite in harmony.[5]

text: Critical reaction[edit]

text: Danny Deever is often seen as one of Kipling's most powerful early works, and was greeted with acclaim when first published. David Masson, a professor of literature at the University of Edinburgh, is often reported (perhaps apocryphally) to have waved the magazine in which it appeared at his students, crying "Here's literature! Here's literature at last!". William Henley, the editor of the Scots Observer, is even said to have danced on his wooden leg when he first received the text.[1]

text: It was later commented on by William Butler Yeats, who noted that "[Kipling] interests a critical audience today by the grotesque tragedy of Danny Deever".[6] T. S. Eliot called the poem "technically (as well as in content) remarkable", holding it up as one of the best of Kipling's ballads.[5] Both Yeats and Eliot were writing shortly after Kipling's death, in 1936 and 1941, when critical opinion of his poetry was at a low point; both, nonetheless, drew out Danny Deever for attention as a significant work.

text: T. S. Eliot included the poem in his 1941 collection A Choice of Kipling's Verse.

text: Discussing that low critical opinion in a 1942 essay, George Orwell considered Danny Deever as an example of Kipling "at his worst, and also his most vital ... almost a shameful pleasure, like the taste for cheap sweets that some people secretly carry into middle life". He felt the work was an example of what he described as "good bad poetry"; verse which is essentially vulgar, yet undeniably seductive and "a sign of the emotional overlap between the intellectual and the ordinary man."[7]

text: Music[edit]

text: The Barrack-Room Ballads, as the name suggests, are songs of soldiers. Written by Kipling, they share a form and a style with traditional Army songs. Kipling was one of the first to pay attention to these works; Charles Carrington noted that in contrast to the songs of sailors, "no-one had thought of collecting genuine soldiers' songs, and when Kipling wrote in this traditional style it was not recognised as traditional".[8] Kipling himself was fond of singing his poetry, of writing it to fit the rhythm of a particular tune. In this specific case, the musical source has been suggested as the Army's "grotesque bawdy song" Barnacle Bill the Sailor, but it is possible that some other popular tune of the period was used.[9]

text: However, the ballads were not published with any music, and though they were quickly adapted to be sung, new musical settings were written; a musical setting by Walter Damrosch was described as "Teddy Roosevelt's favourite song", and is sometimes encountered on its own as a tune entitled They're Hanging Danny Deever in the Morning. To date, at least a dozen published recordings are known, made from 1893 to 1985.[10]

text: The tune "They're Hanging Danny Deever in the Morning" was played from the Campanile at UC Berkeley at the end of the last day of classes for the Spring Semester of 1930, and has been repeated every year since, with a certain ironic humor at the beginning of final exams week, making it one of the oldest campus traditions.[11]

text: The song is referenced in the book Starship Troopers when the Mobile Infantry hangs Dillinger for murder while the main character is in basic training.


document_title: Fez (That '70s Show)

question_text: who plays fez's friend from back home

question_tokens: who plays fez 's friend from back home

text: Fez (That '70s Show)

text: Origins[edit]

text: Fez was born on August 4, 1960. His real name is deemed unpronounceable by his friends, so they call him "Fez" (short for Foreign Exchange Student). The series' official web site explains the spelling "Fez" (as opposed to "Fes") as "poetic license".[2][3] Red usually calls him "the foreign kid", or by a random foreign (or Native American) name through various backgrounds (e.g. Hadji, Tonto, Anwar, Sabu, Muhammad Ali, Ali Baba, Pelé, Ahmad, Tutankhamun, etc.), which Fez does not mind, with one exception: he hates being called Tarzan because Tarzan is a white man. Eric's grandmother calls him "Desi".

text: A flashback episode shows when Fez first meets the others. They rescue him from a janitor's closet where several bullies have hung him on a coat hook. The bullies had asked him if he wanted to hang out; he tells the group he "shouldn't have said yes". Moments later, he states his real name, which is drowned out by a long, ringing school bell (what Valderrama was actually saying was the first names of the main actors who appear in the show), after which Hyde (hearing the name) says "OK... I'm not going to remember that." The only known fact about his name is, as he states in the episode "Killer Queen", the first five K's of his last name are silent. His name has no consonants, only vowels.

text: Valderrama has stated that he fabricated the accent he used on the show so that no one could identify which country his character is from, a mystery the show creators deliberately kept a secret.

text: Fez's host parents, Matthew (Kevin Farley) and Rebecca Erdman (Shannon Holt) appear only in one episode "Drive In".

text: Fez's homeland[edit]

text: Fez's secret country of origin is one of the longest running gags on the show.[4] Through all eight seasons, Fez's nationality remains a mystery, even to his closest friends, and the continual hints and clues Fez drops about his country only leave them more confused. In the episode "Eric's Birthday," Kitty, fantasizing about Eric's friends causing trouble, imagines Fez saying, "in my home country of...wherever it is I'm from; I can never tell..." Much is revealed in the episode "Love of My Life," where one of Fez's compatriots (played by Justin Long) comes for a visit. In the first teaser, when his friend suggests that he goes home, he says "Yes, I will go to Brazil...and then catch a flight home." In the final teaser, when Hyde finally asks them, "Where the hell are you guys from?", his friend says that the name depends on whether you ask the British or the Dutch. But the British won't say it, Fez explains, because they hate the island, and no one understands a word the Dutch say. The friend has a heavy English accent; Fez's explanation to this is that his friend is from the west side of the island.

text: Fez is often assumed to be of Hispanic or Latino descent; it is never revealed if this is so, though earlier episodes, such as "Sunday, Bloody Sunday," imply he can speak Spanish. In "Eric's Burger Job," during a job interview at Fatso Burger, Fez claims he can speak Dutch. In "The Immigrant Song," Fez retells his catch phrase ("I said good day!") in his native tongue, which sounds like gibberish.

text: Personality[edit]

text: Initially burdened by cultural barriers, Fez is fascinated by American life and thinks the knowledge he gains from America makes him superior to other people from his island. In an early episode, he suggests he would one day return to his home country "and rule with an iron fist." Fez is openly regarded as weird by his friends. He exhibits a creepy side, which manifests itself in Fez spying on Kelso and Eric when they are making out with their girlfriends (with Kelso even allowing him to do so). More than once he is caught hiding in Donna's closet. He frequently complains about being lonely and love-starved.

text: Later on, Fez develops metrosexual habits, appreciating stylish clothes and at times appearing vain and narcissistic about his looks. He shares an antagonistic relationship with his landlord Fenton (played by Jim Rash) because of a previous dispute over what Fez described as "a pair of pants that made my butt look like an oil painting." Fez shows off his superior dancing skills in numerous episodes.


document_title: You Don't Own Me

question_text: what is the song you don't own me about

question_tokens: what is the song you do n 't own me about

text: You Don't Own Me

text: Lyrics[edit]

text: The song expresses a threatened emancipation, as the singer tells a lover that he does not own her, that he is not to tell her what to do or what to say, and that he is not to put her on display. The song's lyrics became an inspiration for younger women and are sometimes cited as a factor in the second wave feminist movement.[2] Gore said, "My take on the song was: I'm 17, what a wonderful thing, to stand up on a stage and shake your finger at people and sing you don't own me."[3] In Gore's obituary, The New York Times referred to "You Don't Own Me" as "indelibly defiant".[4]

text: Chart performance[edit]

text: The song reached number two on the Billboard Hot 100 in the United States. The song remained at number two for three consecutive weeks on February 1, 1964, unable to overcome the Beatles' hit, "I Want to Hold Your Hand" and it became Gore's second most successful hit, next to "It's My Party". The song was Gore's last top-ten single.[5][6]

text:
Chart (1964)

Peakposition

US Billboard Hot 100[7]

2

text: Covers[edit]

text: Joan Jett version[edit]

text:
Joan Jett released a cover of the song on her debut album, originally titled Joan Jett, but re-released as Bad Reputation. The first release of her well known single I Love Rock 'n' Roll was a Europe only release double A side with You Don't Own Me released in 1979.
Joan's version is fairly true to the original, the level of defiant independence remains in the vocals although with Joan's distinct vocal style.

text: André Hazes version[edit]

text: André Hazes recorded a Dutch-language version of the song in 1981 for his album Gewoon André; "Zeg Maar Niets Meer" was popular in Europe, and reached number 2 in the Dutch charts in early 1982. In 1998, Eva Pilarová sung a Czech version under the name "Cesta končí" on the album Requiem.

text: Grace and G-Eazy version[edit]

text:
"You Don't Own Me"
Single by Grace featuring G-Eazyfrom the album FMAReleased
March 17, 2015 (2015-03-17)Format
Digital downloadRecorded
2015Genre
Hip hop soulR&BLength
3:19Label
RCASMESongwriter(s)
John MadaraDavid WhiteGerald GillumProducer(s)
Quincy JonesParker IghileGrace singles chronology

"You Don't Own Me" (2015)

"Dirty Harry" (2015)

"You Don't Own Me"(2015)

"Dirty Harry"(2015)

G-Eazy singles chronology

"Fuck with U"(2014) Fuck with U2014

"You Don't Own Me"(2015) You Don't Own Me2015

"You Got Me"(2015) You Got Me2015

text: The song was covered by Australian singer and songwriter Grace and was released as her debut single. It features American rapper G-Eazy. Grace's version was produced by Quincy Jones, who also produced the original recording by Lesley Gore, and Parker Ighile. It was released on March 17, 2015 one month after Lesley Gore died, and peaked at number one on the ARIA Charts, later being certified 3× Platinum by the ARIA.[8] The song was also a success in New Zealand, peaking at number five for two consecutive weeks, and in the United Kingdom, peaking at number four.

text: In an interview with House of Fraser, Grace said "[Quincy Jones] told me how the song came out during the feminist movement and how it was such a strong statement. I loved the song, started researching Lesley Gore and fell in love with her as an artist. [You Don't Own Me] really inspired me."[9]

text:
The song was released worldwide on March 17, 2015. It grew to prominence in the UK when it was used in the 2015 House of Fraser Christmas advert.[9] It was also performed by The X Factor contestant Lauren Murray on November 28, 2015 and Matt Terry on October 8, 2016. The increased exposure for the song helped it rise to a peak of number four on the UK Singles Chart. The song was featured in the third trailer for the 2016 film Suicide Squad [10]
and appeared on the film's soundtrack album.[11]

text: The song was featured in the opening of Riverdale's eighth episode in March 2017.

text: A music video directed by Taylor Cohen was released on June 1, 2015.[12]

text: Charts and certifications[edit]

text: Weekly charts[edit]

text:
Chart (2015–16)

Peakposition

Australia (ARIA)[13]

1

Austria (Ö3 Austria Top 40)[14]

55

Belgium (Ultratip Flanders)[15]

42

Canada (Canadian Hot 100)[16]

45

Czech Republic (Singles Digitál Top 100)[17]

52

France (SNEP)[18]

182

Hungary (Single Top 40)[19]

32

Ireland (IRMA)[20]

13

Italy (FIMI)[21]

89

New Zealand (Recorded Music NZ)[22]

5

Portugal (AFP)[23]

62

Scotland (Official Charts Company)[24]

3

Slovakia (Rádio Top 100)[25]

50

Slovakia (Singles Digitál Top 100)[26]

38

Spain (PROMUSICAE)[27]

19

Switzerland (Schweizer Hitparade)[28]

60

UK Singles (Official Charts Company)[29]

4

US Billboard Hot 100[30]

57

US Mainstream Top 40 (Billboard)[31]

22

text: Year-end charts[edit]

text:
Chart (2015)

Position

Australia (ARIA)[32]

26

New Zealand (Recorded Music NZ)[33]

43

Chart (2016)

Position

UK Singles (Official Charts Company)[34]

87

text: Certifications[edit]

text:
Region

Certification
Certified units/Sales

Australia (ARIA)[35]

3× Platinum

210,000^

Canada (Music Canada)[36]

Platinum

80,000^

Italy (FIMI)[37]

Gold

25,000*

New Zealand (RMNZ)[38]

Platinum

15,000*

Poland (ZPAV)[39]

2× Platinum

40,000*

United Kingdom (BPI)[40]

Platinum

600,000

United States (RIAA)[41]

Platinum

1,000,000

*sales figures based on certification alone^shipments figures based on certification alonesales+streaming figures based on certification alone


document_title: List of National Basketball Association single-game rebounding leaders

question_text: who had the most rebounds in a game

question_tokens: who had the most rebounds in a game

text: This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources. (December 2016)

text: This is a list of National Basketball Association players who have had 38 or more rebounds in a single game.

text: Multiple occurrences: Wilt Chamberlain 29 times (four times in the playoffs) and Bill Russell 23 times (seven times in the playoffs).

text: The NBA did not record rebounds until the 1950–51 season.

text:
^
Active NBA player

*
Inducted into the Naismith Memorial Basketball Hall of Fame

Occurred in playoff competition

text:
Rebounds
Player
Team
Date
Opponent
Notes

55
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-11-24-0000November 24, 1960
Boston Celtics
Record set in a losing effort; grabbed 31 rebounds in one half; scored 34 points.

51
Russell, BillBill Russell*
Boston Celtics
000000001960-02-05-0000February 5, 1960
Syracuse Nationals
Set a then-record.

49
Russell, BillBill Russell*
Boston Celtics
000000001957-11-16-0000November 16, 1957
Philadelphia Warriors
Set a then-record for rebounds in a game; set a still-standing record of 32 rebounds in a single half.

49
Russell, BillBill Russell*
Boston Celtics
000000001965-03-11-0000March 11, 1965
Detroit Pistons

45
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-02-06-0000February 6, 1960
Syracuse Nationals
Single-game record for a rookie; scored 44 points; the fourth quadruple double-double in NBA history.

45
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001961-01-21-0000January 21, 1961
Los Angeles Lakers
Scored 56 points; the fifth quadruple double-double in NBA history.

43
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001959-11-10-0000November 10, 1959
New York Knicks
Set a then-record for a rookie; scored 39 points.

43
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001961-12-08-0000December 8, 1961
Los Angeles Lakers
Triple overtime; Chamberlain also scored a then-record 78 points in the game; the sixth quadruple double-double in NBA history.

43
Russell, BillBill Russell*
Boston Celtics
000000001963-01-20-0000January 20, 1963
Los Angeles Lakers

43
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001965-03-06-0000March 6, 1965
Boston Celtics

42
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-01-15-0000January 15, 1960
Boston Celtics
Rookie season; scored 44 points; the second quadruple double-double in NBA history.

42
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-01-25-0000January 25, 1960
Detroit Pistons
Rookie season; Chamberlain also scored a rookie record 58 points in the same game; the third quadruple double-double in NBA history.

42
Thurmond, NateNate Thurmond*
San Francisco Warriors
000000001965-11-09-0000November 9, 1965
Detroit Pistons

42
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001966-01-14-0000January 14, 1966
Boston Celtics
Scored 37 points.

42
Chamberlain, WiltWilt Chamberlain*
Los Angeles Lakers
000000001969-03-07-0000March 7, 1969
Boston Celtics
Overtime.

41
Russell, BillBill Russell*
Boston Celtics
000000001958-02-12-0000February 12, 1958
Syracuse Nationals

41
Chamberlain, WiltWilt Chamberlain*
San Francisco Warriors
000000001962-10-26-0000October 26, 1962
Detroit Pistons
Overtime; scored 50 points; the seventh quadruple double-double in NBA history.

41
Russell, BillBill Russell*
Boston Celtics
000000001965-03-14-0000March 14, 1965
San Francisco Warriors

41
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001967-04-05-0000April 5, 1967
Boston Celtics
Game 3 victory in the Eastern Division finals.

40
Russell, BillBill Russell*
Boston Celtics
000000001958-03-23-0000March 23, 1958
Philadelphia Warriors
Game 3 victory in the Eastern Division finals.

40
Russell, BillBill Russell*
Boston Celtics
000000001958-12-12-0000December 12, 1958
Cincinnati Royals
Overtime.

40
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001959-11-04-0000November 4, 1959
Syracuse Nationals
Set a then-record for a rookie; third game of career; scored 41 points; the first quadruple double-double in NBA history.

40
Russell, BillBill Russell*
Boston Celtics
000000001960-03-29-0000March 29, 1960
St. Louis Hawks
NBA Finals record (tie)

40
Russell, BillBill Russell*
Boston Celtics
000000001961-02-12-0000February 12, 1961
Philadelphia Warriors

40
Russell, BillBill Russell*
Boston Celtics
000000001962-04-18-0000April 18, 1962
Los Angeles Lakers
NBA Finals record (tie); game 7 overtime victory; Russell's 19 rebounds in a single quarter is the most of any NBA quarter — regular season or playoffs; scored 30 points.

40
Lucas, JerryJerry Lucas*
Cincinnati Royals
000000001964-02-29-0000February 29, 1964
Philadelphia 76ers
His rookie season.

40
Chamberlain, WiltWilt Chamberlain*
San Francisco Warriors
000000001964-11-22-0000November 22, 1964
Detroit Pistons
Scored 50 points; the eighth and final quadruple double-double in NBA history.

40
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001965-12-28-0000December 28, 1965
Boston Celtics
Scored 31 points.

39
Johnston, NeilNeil Johnston*
Philadelphia Warriors
000000001954-12-04-0000December 4, 1954
Syracuse Nationals
Set a then-record.

39
Russell, BillBill Russell*
Boston Celtics
000000001959-01-25-0000January 25, 1959
Detroit Pistons

39
Russell, BillBill Russell*
Boston Celtics
000000001959-12-19-0000December 19, 1959
New York Knicks

39
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001959-12-28-0000December 28, 1959
Cincinnati Royals
Rookie season; scored 39 points.

39
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-01-13-0000January 13, 1960
Syracuse Nationals
Rookie season; scored 42 points.

39
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-01-29-0000January 29, 1960
Boston Celtics
Rookie season; scored 43 points.

39
Russell, BillBill Russell*
Boston Celtics
000000001960-03-19-0000March 19, 1960
Philadelphia Warriors

39
Russell, BillBill Russell*
Boston Celtics
000000001961-03-23-0000March 23, 1961
Syracuse Nationals

39
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001961-11-04-0000November 4, 1961
Detroit Pistons
Scored 58 points.

39
Russell, BillBill Russell*
Boston Celtics
000000001961-12-21-0000December 21, 1961
New York Knicks

39
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001965-04-06-0000April 6, 1965
Boston Celtics
Scored 30 points.

38
Stokes, MauriceMaurice Stokes*
Rochester Royals
000000001956-01-14-0000January 14, 1956
Syracuse Nationals
Rookie season; triple-double, scored 26 points with 12 assists.

38
Russell, BillBill Russell*
Boston Celtics
000000001958-02-23-0000February 23, 1958
Philadelphia Warriors

38
Russell, BillBill Russell*
Boston Celtics
000000001959-12-04-0000December 4, 1959
New York Knicks

38
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-11-29-0000November 29, 1960
Los Angeles Lakers
Scored 44 points.

38
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001960-12-18-0000December 18, 1960
Cincinnati Royals
Scored 32 points.

38
Russell, BillBill Russell*
Boston Celtics
000000001961-04-11-0000April 11, 1961
St. Louis Hawks
Scored 30 points

38
Chamberlain, WiltWilt Chamberlain*
Philadelphia Warriors
000000001961-11-25-0000November 25, 1961
Chicago Packers
Scored 39 points.

38
Russell, BillBill Russell*
Boston Celtics
000000001963-02-21-0000February 21, 1963
San Francisco Warriors

38
Chamberlain, WiltWilt Chamberlain*
San Francisco Warriors
000000001963-02-21-0000February 21, 1963
Boston Celtics
Scored 40 points.

38
Russell, BillBill Russell*
Boston Celtics
000000001963-04-16-0000April 16, 1963
Los Angeles Lakers

38
Chamberlain, WiltWilt Chamberlain*
San Francisco Warriors
000000001964-04-24-0000April 24, 1964
Boston Celtics

38
Russell, BillBill Russell*
Boston Celtics
000000001965-01-30-0000January 30, 1965
New York Knicks

38
Russell, BillBill Russell*
Boston Celtics
000000001965-03-03-0000March 3, 1965
Los Angeles Lakers

38
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001967-03-02-0000March 2, 1967
San Francisco Warriors
Triple-double, scored 24 points with 13 assists.

38
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001967-04-16-0000April 16, 1967
San Francisco Warriors
Triple-double, scored 10 points with 10 assists; 26 rebounds in one half, setting the NBA Playoffs record.

38
Chamberlain, WiltWilt Chamberlain*
Philadelphia 76ers
000000001967-12-20-0000December 20, 1967
Seattle SuperSonics
Scored 53 points.

38
Chamberlain, WiltWilt Chamberlain*
Los Angeles Lakers
000000001969-03-09-0000March 9, 1969
Baltimore Bullets

text: Since 1973[edit]

text: This is a complete listing for total rebounds since the 1973–74 season, but it is not a complete listing for offensive or defensive rebounds.

text:
Rebounds
Off
Def
Player
Team
Date
Opponent
Score
Minutes played
Points
20-20
Led the league in rebounding
Notes

37
19
18
Malone, MosesMoses Malone*
Houston Rockets
000000001979-02-09-0000February 9, 1979
New Orleans Jazz
106–99
44
33
Yes
Yes
14 rebounds in the first quarter.

35
16
19
Oakley, CharlesCharles Oakley
Chicago Bulls
000000001988-04-22-0000April 22, 1988
Cleveland Cavaliers
103–107
41
26
Yes
No
Second to last game of season, in a season rebounding title battle, which he lost by a .03 margin to Michael Cage.

34
5
29
Abdul-Jabbar, KareemKareem Abdul-Jabbar*
Los Angeles Lakers
000000001975-12-14-0000December 14, 1975
Detroit Pistons
110–100
42
27
Yes
Yes
NBA single-game record for defensive rebounds.

34
18
16
Rodman, DennisDennis Rodman*
Detroit Pistons
000000001992-03-04-0000March 4, 1992
Indiana Pacers
110–107
45
10
No
Yes
Overtime. 21 rebounds in the second half, including 11 offensive rebounds.

34
8
26
Seikaly, RonyRony Seikaly
Miami Heat
000000001993-03-03-0000March 3, 1993
Washington Bullets
125–106
40
12
No
No
Seikaly outrebounded the opposing team, 34–30.

33
15
18
Nater, SwenSwen Nater
Milwaukee Bucks
000000001976-12-19-0000December 19, 1976
Atlanta Hawks
126–109
41
30
Yes
No

33
16
17
Willis, KevinKevin Willis
Atlanta Hawks
000000001992-02-19-0000February 19, 1992
Washington Bullets
102–103
45
20
Yes
No
Overtime. 11 offensive rebounds in a half.

33
8
25
Barkley, CharlesCharles Barkley*
Houston Rockets
000000001996-11-02-0000November 2, 1996
Phoenix Suns
110–95
45
20
Yes
No
Barkley outrebounded the opposing team 33–30, and played against his previous team for the first time.

32
4
28
Hayes, ElvinElvin Hayes*
Capital Bullets
000000001973-11-17-0000November 17, 1973
Atlanta Hawks
115–109
48
43
Yes
Yes
On Hayes's 28th birthday.

32
7
25
Parish, RobertRobert Parish*
Golden State Warriors
000000001979-03-30-0000March 30, 1979
New York Knicks
114–98
36
30
Yes
No
11 rebounds in the first quarter. 15 rebounds in the first half, 17 rebounds in the second half.

32
7
25
Nater, SwenSwen Nater (2)
San Diego Clippers
000000001979-12-14-0000December 14, 1979
Denver Nuggets
112–108
44
12
No
Yes
21 rebounds in the second half. 18 defensive rebounds in the second half, setting the NBA record. 11 defensive rebounds in the fourth quarter.

32
21
11
Malone, MosesMoses Malone* (2)
Houston Rockets
000000001982-02-11-0000February 11, 1982
Seattle SuperSonics
117–100
44
38
Yes
Yes
NBA single-game record for offensive rebounds; 11 offensive rebounds in one half, 10 in the other half. 15 total rebounds in the first half, 17 rebounds in the second half. Malone outrebounded the opposing team, 32–29.

32
12
20
Rodman, DennisDennis Rodman* (2)
Detroit Pistons
000000001992-01-28-0000January 28, 1992
Charlotte Hornets
100–95
50
16
No
Yes
Overtime.

32
9
23
Rodman, DennisDennis Rodman* (3)
San Antonio Spurs
000000001994-01-22-0000January 22, 1994
Dallas Mavericks
103–83
43
8
No
Yes
13 defensive rebounds in the first half.

31
14
17
Smith, LarryLarry Smith
Golden State Warriors
000000001981-03-28-0000March 28, 1981
Denver Nuggets
139–142
45
23
Yes
No
Rookie. Last Warriors home game of season.

31
11
20
Willis, KevinKevin Willis (2)
Atlanta Hawks
000000001991-12-03-0000December 3, 1991
Dallas Mavericks
103–99
40
29
Yes
No

31
9
22
Rodman, DennisDennis Rodman* (4)
Detroit Pistons
000000001992-03-14-0000March 14, 1992
Sacramento Kings
89–83
48
7
No
Yes

31
8
23
Mutombo, DikembeDikembe Mutombo*
Denver Nuggets
000000001996-03-26-0000March 26, 1996
Charlotte Hornets
112–119
51
16
No
No
Double overtime.

31
12
19
Love, KevinKevin Love^
Minnesota Timberwolves
000000002010-11-12-0000November 12, 2010
New York Knicks
112–103
40:39
31
Yes
Yes
15 rebounds in the third quarter, and 22 rebounds in the second half. 13 defensive rebounds in the second half.

30
11
19
Fox, JimJim Fox
Seattle SuperSonics
000000001973-12-26-0000December 26, 1973
Los Angeles Lakers
129–105
39
25
Yes
No

30
10
20
Johnson, George T.George T. Johnson
Golden State Warriors
000000001974-03-15-0000March 15, 1974
Los Angeles Lakers
112–107
48
14
No
No
Elmore Smith of the Lakers had 11 blocks in the same game.

30
6
24
Unseld, WesWes Unseld*
Washington Bullets
000000001975-04-06-0000April 6, 1975
New Orleans Jazz
119–103
46
11
No
Yes
Last game of season; won season rebounding title over Dave Cowens by a .01 margin. 14 rebounds in the first half, 16 rebounds in the second half.

30
7
23
Abdul-Jabbar, KareemKareem Abdul-Jabbar* (2)
Los Angeles Lakers
000000001978-02-03-0000February 3, 1978
New Jersey Nets
105–99
48
37
Yes
No
Overtime.

30
10
20
Nater, SwenSwen Nater (3)
Buffalo Braves
000000001978-03-04-0000March 4, 1978
New Jersey Nets
111–107
44
27
Yes
No

30
11
19
Cage, MichaelMichael Cage
Los Angeles Clippers
000000001988-04-24-0000April 24, 1988
Seattle SuperSonics
100–109
48
8
No
Yes
Last game of season; won season rebounding title over Charles Oakley by a .03 margin.

30
11
19
Rodman, DennisDennis Rodman* (5)
San Antonio Spurs
000000001995-02-21-0000February 21, 1995
Houston Rockets
98–97
40
6
No
Yes

30
8
22
Bynum, AndrewAndrew Bynum^
Los Angeles Lakers
000000002012-04-11-0000April 11, 2012
San Antonio Spurs
98–84
36:41
16
No
No
19 rebounds in the first half.