document_title: Mystery Science Theater 3000

question_text: who sings the theme song to mystery science theater 3000

question_tokens: who sings the theme song to mystery science theater 3000

text: Mystery Science Theater 3000

text: Premise[edit]

text: While the cast of MST3K has changed throughout its history, the premise of the show remains relatively unchanged: a human test subject—first Joel Robinson (Joel Hodgson), then Mike Nelson (Michael J. Nelson), and most recently Jonah Heston (Jonah Ray)—has been imprisoned aboard the spacecraft Satellite of Love by mad scientists and their henchmen (collectively called "the Mads") and is forced to watch a series of bad movies in order to find one that will drive the test subject insane.

text: To keep his sanity, Joel built himself a series of sentient robots (the "'bots") from parts aboard the Satellite, and who subsequently remain aboard with the other test subjects. The 'bots include Tom Servo, Crow T. Robot, Gypsy (who is in charge of running the satellite's operations) and Cambot, the silent recorder of the experiments. Crow and Servo join the human as they watch the film in the Satellite's theater, and to keep from going mad, the trio frequently comment and wisecrack atop it, a process known as "riffing". At regular intervals throughout the movie, the hosts leave the theater and return to the bridge of the spaceship to perform sketches ("host segments") that satirize the film being watched.

text: Format[edit]

text: The general format of an MST3K episode has remained the same throughout the series' run. Episodes are approximately 90 minutes in running time (excluding commercial breaks) and begin with a short introductory segment in which the human host and the 'bots interact with the Mads before being sent the movie. During Joel Hodgson and Jonah Ray's tenures as hosts (and for a brief period at the start of the Mike Nelson era), the hosts and the Mads engage in an "invention exchange" in which they each show off their latest inventions. Sirens and flashing lights ("Movie Sign") then signal the characters to enter the theater.

text: In the theater, the human host and 'bots' Tom and Crow sit in a row of theater seats, shown in silhouette along the bottom of the screen, an approach Hodgson called "Shadowrama". The three then riff on the film (which is sometimes accompanied by one or more shorts) as it plays for both them and the audience. Occasionally the silhouette format is used as a source of humor or as a means of creating unobtrusive censor bars for scenes containing nudity. The show transitions into and out of the theater via a "door sequence", a series of six doors that open or close as the camera (ostensibly Cambot) passes through them.

text: At regular intervals throughout the episode, the characters leave the theater and perform sketches usually inspired by the events of the film/short being shown, frequently making use of original songs and prop comedy. Some sketches bring in new or recurring characters or other devices; the host would consult an external camera "Rocket Number Nine" to show events happening outside the Satellite, and the "Hexfield Viewscreen" would be used to communicate with other characters from the ship's bridge. At the end of each sketch, "Movie Sign" is triggered again and the characters must re-enter the theater.

text: During Hodgson's period on the show, the final sketch aboard the Satellite often included reading of fan mail from the "MST3K Fan Club". Fan mail readings decreased during Mike Nelson's tenure as host and were dropped entirely once the show moved onto the Sci-Fi Channel. The final sketch of an episode typically ends on the Mads, with the lead Mad asking their lackey to "push the button" to end the transmission and transitioning to the credit sequence. After the credits, a humorous short clip from the presented film is replayed as a "stinger" to end the episode.

text: In 1995, a limited selection of episodes were repackaged into an hour-long show titled Mystery Science Theater Hour, meant to be better suited for syndication. In these, the original episode was split into two parts of roughly 45 minutes each excluding commercials. New skits leading and ending each episode incorporated Mike Nelson portraying television host Jack Perkins in a parody of Perkins' Biography series in mock flattery of the MST3K episode being shown.[3]

text: Production history[edit]

text: Concept[edit]

text: Hodgson is credited for devising the show's concept. Prior to the show, Hodgson was an up-and-coming comedian having moved to Los Angeles and made appearances on Late Night with David Letterman and Saturday Night Live. He had been invited by Brandon Tartikoff to be on a NBC sit-com co-starring Michael J. Fox, but Hodgson felt the material was not funny and declined.[4] He further became dissatisfied with the Hollywood attitudes when they tried to double their offer, acquiring what he called a "healthy disrespect" for the industry.[5][6] He moved back to Minneapolis-St Paul, taking a job in a T-shirt printing factory that allowed him to conceive of new comedy ideas while he was bored. One such idea was the basis of MST3K, a show to riff on movies and that would also allow him to showcase his own prop comedy-style humor.[5]

text: Hodgson said that part of the idea for MST3K came from the illustration for the song "I've Seen That Movie Too" (drawn by Mike Ross) in the liner notes from Elton John's Goodbye Yellow Brick Road album, showing silhouettes of two people in a theater watching a movie.[5] Hodgson also likened the show's setting to the idea of a pirate radio station broadcasting from space.[7] Hodgson credits Silent Running, a 1972 science-fiction film directed by Douglas Trumbull, as being perhaps the biggest direct influence on the show's concept. The film is set in the future and centers on a human, Freeman Lowell (Bruce Dern), who is the last crew member of a spaceship containing Earth's last surviving forests. His remaining companions consist only of three robot drones. MST3K and the Joel Robinson character occasionally reflected Lowell's hippie-like nature.[5][8] Hodgson wanted the feel of the show to appear homemade, and cited the example of a crude mountain prop used during the Saturday Night Live sketch "Night on Freak Mountain" that received a humorous reaction from the studio audience as the type of aesthetic he wanted for the show.[8]

text: Both old movies and music inspired several of the show's character names as developed by Hodgson. The show's name came from the promotional phrase "Mystery Scientist" used by magician Harlan Tarbell and a play on the name of Sun Ra's band, the Myth Science Arkestra.[8] The "3000" was added to spoof the common practice of adding "2000" to show and product names in light of the upcoming 21st century, and Hodgson thought it would set his show apart to make it "3000".[8] Dr. Forrester was named after the main character of The War of the Worlds. The Satellite of Love was named after the song of the same name by Lou Reed.[7] Crow T. Robot was inspired by the song "Crow" from Jim Carroll's Catholic Boy,[7] while Rocket Number 9's name was inspired by the original name of Sun Ra's album Interstellar Low Ways.[7]

text: The theater shots, the primary component of an episode, is filmed in "Shadowrama". The "seats" were a black-painted foamcore board sitting behind the seat (towards the camera) for the host, and stages for the Crow and Tom puppets. The human host wore black clothing while the robot puppets were painted black; the screen they watched was a white luma key screen as to create the appearance of silhouettes. The actors would follow the movie and the script through television monitors located in front of them, as to create the overall theater illusion.[9]

text: The "door sequence" was created to transition from skit segments to the theater segments, which Hodgson took inspiration from the Mickey Mouse Club, noting that the commonality to the title credits of Get Smart were coincidental.[8] In devising this sequence, this also led to Beaulieu creating the dogbone-like shape of the Satellite of Love with additional inspiration taken from the bone-to-ship transition in the film 2001: A Space Odyssey.[8] Hodgson had wanted to use a "motivated camera" for filming, a concept related to motivated lighting; in this mode, all the shots would appear to have been taken from an actual camera that was part of the scene to make the scene appear more realistic. This led to the creation of Cambot as a robot that the host would speak to during host segments or filming them while in the theater, and Rocket Number Nine to show footage outside of the Satellite of Love.[10]

text: The show's theme song, the "Love Theme from Mystery Science Theater 3000", was written by Hodgson and Weinstein, which helped to cement some of the broader narrative elements of the show, such as the Mads and Joel being part of an experiment.[7] The song was composed by Charlie Erickson with help from Hodgson in the style of Devo, The Replacements, and The Rivieras (particularly their cover of the song "California Sun") and sung by Hodgson.[7][8] Initial shows used foam letters to make the show's title, but they later created the spinning-moon logo out of a 2-foot (0.6m) diameter fiberglass ball, covered with foam insulation and the lettering cut from additional foam pieces. Hodgson felt they needed a filmed logo with the rotating effect as opposed to a flat 2D image, and though they had envisioned a more detailed prop, with the letters being the tops of buildings on this moon, they had no time or budget for a project of that complexity and went with what they had.[11] Musical numbers would also be used as part of the host segments, which Hodgson said came out naturally from the riffing process; they would find themselves at times singing along with the movie instead of just riffing at it, and took that to extend songs into the host segments.[7]

text: KTMA era (1988–1989)[edit]

text: Hodgson approached Jim Mallon, at the time the production manager of KTMA, a low-budget local television station, with his idea of a show based on riffing on movies, using robots that were created out of common objects.[5] Mallon agreed to help produce a pilot episode, and Hodgson hired on local area comedians J. Elvis Weinstein (initially going by Josh Weinstein but later changed to J. Elvis as to distinguish himself from Josh Weinstein, a well-known writer for The Simpsons)[12] and Trace Beaulieu to develop the pilot show.[5] By September 1988, Hodgson, Mallon, Weinstein, and Beaulieu shot a 30-minute pilot episode, using segments from the 1968 science-fiction film The Green Slime.[5] The robots and the set were built by Hodgson in an all-nighter. Joel watched the movie by himself, and was aided during the host segments by his robots, Crow (Beaulieu), Beeper, and Gypsy (Weinstein). Hodgson used the narrative that his character named "Joel Hodgson" (not yet using his character name of Robinson) had built the Satellite of Love and launched himself into space.[13] Camera work was by Kevin Murphy, who worked at television station KTMA. Murphy also created the first doorway sequence and theater seat design. These initial episodes were recorded at the since-defunct Paragon Cable studios and customer service center in Hopkins, Minnesota.

text: Mallon met with KTMA station manager Donald O'Conner the next month and managed to get signed up for thirteen episodes. Show production was generally done on a 24-hour cycle, starting with Mallon offering a few films from KTMA's library for the writers to select from.[5] Riffing in these episodes was ad-libbed during filming using notes made during preliminary viewings of the selected film.[12] The show had some slight alterations from the pilot — the set was lit differently, the robots (now Crow, Servo and Gypsy) joined Joel in the theater, and a new doorway countdown sequence between the host and theater segments was shot. The puppeteers worked personalities into their robots: Crow (Beaulieu) was considered a robotic Groucho Marx, Tom Servo (Weinstein) as a "smarmy AM radio DJ", and Gypsy (Mallon) modeled after Mallon's mother had a "heart of gold" but would become disoriented when confronted with a difficult task.[5] The development of the show's theme song would lead to establishing elements for the show's ongoing premise, with Hodgson now portraying himself as the character Joel Robinson.[8]

text: Mystery Science Theater 3000 premiered at 6:00 p.m. on Thanksgiving Day, November 24, 1988 with its first episode, Invaders from the Deep, followed by a second episode, Revenge of the Mysterons from Mars at 8:00 p.m. Initially, the show's response was unknown, until Mallon set up a phone line for viewers to call in.[5] Response was so great that the initial run of 13 episodes was extended to 21, with the show running to May 1989. Hodgson and Mallon negotiated to secure the rights for the show for themselves, creating Best Brains, Inc., agreeing to split ownership of the idea equally.[5] During this time a fan club was set up and the show held its first live show at Scott Hansen's Comedy Gallery in Minneapolis, to a crowd of over 600.

text: Despite the show's success, the station's overall declining fortunes forced it to file for bankruptcy reorganization in July 1989.[14] At the same time, HBO was looking to build a stable of shows for their new Comedy Channel cable network. HBO approached Best Brains and requested a sample of their material.[5] Hodgson and Mallon provided a seven-minute demo reel, which led to the network greenlighting MST3K as one of the first two shows picked up by the network.

text: Comedy Central era (1989–1996)[edit]

text: The Comedy Central network offered Best Brains $35,000 per episode but allowed Best Brains to retain the show's rights.[6] Best Brains was also able to keep production local to Minnesota instead of the network's desire to film in New York City or Los Angeles, as it would have cost four times more per episodes, according to Hodgson.[15] Best Brains established an office and warehouse space in Eden Prairie for filming.[5][16] With an expanded but still limited budget, they were able to hire more writers, including Mike Nelson, Mary Jo Pehl, and Frank Conniff, and build more expansive sets and robot puppets.[5] They created the characters of Dr. Forrester (Beaulieu) and Dr. Erhardt (Weinstein) and crafted the larger narrative of each episode being an "experiment" they test on Joel.[12]

text: MST3K was considered Comedy Channel's signature program, generating positive press about the show despite the limited availability of the cable channel nationwide.[5] After the second season, The Comedy Channel and rival comedy cable network HA! merged to become Comedy Central. During this period, MST3K became the cable channel's signature series, expanding from 13 to 24 episodes a year. To take advantage of the show's status, Comedy Central ran "Turkey Day," a 30-hour marathon of MST3K episodes during Thanksgiving, 1991. This tradition would be continued through the rest of the Comedy Central era. Though the show did not draw large audience numbers compared to other programming on Comedy Central, such as reruns of Saturday Night Live, the dedicated fans and attention kept the show on the network.[6]

text: Mystery Science Theater 3000: The Movie was produced during the later half of the Comedy Central era and had a very limited theatrical release in 1996 through Universal Pictures. It featured Mike and the bots subjected to the film This Island Earth by Dr. Forrester. Though well received by critics and fans, the film was a financial disappointment due to its limited distribution.[17]

text: Writing and filming[edit]

text: The cable network was able to provide a wider library of films for Best Brains to riff from.[5] To assure that they would be able to produce a funny episode, at least one member of the staff would watch the suggested films completely, generally assuring that the movie would be prime for jokes throughout; Conniff stated that he often would have to watch twenty films in their entirety before selecting one to use for the show.[18] In one specific case, the second-season episode with the film Sidehackers, they had only skimmed the first part of the movie before making the decision to use it, and only later discovering that it contained a rape scene. They decided to stay committed to the film, but cut out the offending scene and had to explain the sudden absence of the affected character to the audience.[18] After that point, they carefully scrutinized entire films, and once one was selected and assured the rights, committed to completing the episode with that film.[5] Obtaining the rights was handled by the cable networks. Some licensing required buying film rights in packages, with the selected bad movies included in a catalog of otherwise good films, making the negotiations odd since the network was only interested in the bad film. Other times, the rights to the film were poorly documented, and the network would follow the chain of custody to locate the copyright owner as to secure broadcast rights.[5]

text: In contrast to the ad-libbing of riffs from KTMA, the riffs were scripted ahead of time by the writers.[5][12] An average episode (approximately 90 minutes running time) would contain more than 600 such riffs,[12] and some with upwards of 800 riffs.[19] Riffs were developed with the entire writing staff watching the film together several times through, giving off-the-cuff quips and jokes as the film went along, or identifying where additional material would be helpful for the comedy. The best jokes were polished into the script for the show.[5] Riffs were developed to keep in line with the characterization of Joel, Mike, and the 'bots.[5] Further, the writers tried to maintain respect for the films and avoided making negative riffs about them, taking into consideration that Joel, Mike, and the 'bots were companions to the audience while watching the movie, and they did not want to come off sounding like jerks even if the negative riff would be funny.[5][20] Hodgson stated that their goal in writing riffs is not to ridicule films as some often mistaken, and instead consider what they are doing as "a variety show built on the back of a movie".[21]

text: Production of an average episode of MST3K during the Comedy Central period took about five to nine days once the movie was selected and its rights secured.[19][22] The first few days were generally used for watching the film and scripting out the riffs and live action segments. The subsequent days were then generally used to start construction of any props or sets that would be needed for the live action segments while the writers honed the script. A full dress rehearsal would then be held, making sure the segments and props worked and fine tuning the script. The host segments would then be filmed on one day, and the theater segments on the next. A final day was used to review the completed work and correct any major flaws they caught before considering the episode complete.[22] Live scenes used only practical special effects, and there was minimal post-editing once filming was completed.[23]

text: Cast changes[edit]

text: Weinstein left the show after the first Comedy Channel season, reportedly in disagreement with Hodgson about using scripted rather than ad-libbed jokes.[14] Murphy replaced him as the voice of Tom Servo, portraying the 'bot as a cultured individual, while Dr. Erhardt was replaced with TV's Frank (Conniff).[5]

text: Hodgson decided to leave the series halfway through Season Five due to his dislike of being on-camera and his disagreements with producer Mallon over creative control of the program.[24][25] Hodgson also stated that Mallon's insistence to produce a feature film version of the show led to his departure, giving up his rights on the MST3K property to Mallon.[17] Hodgson later told an interviewer: "If I had the presence of mind to try and work it out, I would rather have stayed. 'Cause I didn't want to go, it just seemed like I needed to."[11] Though they held casting calls for a replacement for Hodgson on camera, the crew found that none of the potential actors really fit the role; instead, having reviewed a test run that Nelson had done with the 'bots, the crew agreed that having Nelson (who had already appeared in guest roles on the show) replace Hodgson would be the least jarring approach.[5] The replacement of Joel by Mike would lead to an oft-jokingly "Joel vs Mike flame war" among fans, similar to the "Kirk vs Picard" discussions in the Star Trek fandom.[26]

text: Conniff left the show after Season Six, looking to get into showwriting in Hollywood,[5][16] On screen, TV's Frank was soon replaced by Dr. Forrester's mother, Pearl (Pehl).

text: Cancellation[edit]

text: By the show's sixth season, Comedy Central had started creating an identity for its network under new leadership of Doug Herzog, which would lead to successful shows like Politically Incorrect, The Daily Show, and South Park, leaving MST3K as an oddity on the network taking up limited program space. Herzog, though stating that MST3K "helped put the network on the map" and that its fans were "passionate", believed it was necessary to change things around due to the show's declining and lackluster ratings.[27][28] The network cancelled MST3K after a six-episode seventh season.[5]

text: Sci-Fi Channel era (1997–1999)[edit]

text: The show staff continued to operate for as long as they still had finances to work with.[29] MST3K's fan base staged a write-in campaign to keep the show alive.[14] This effort led the Sci-Fi Channel, a subsidiary of USA Networks, to pick up the series. Rod Perth, the president of programming for USA Networks at that time, helped to bring the show to the Sci-Fi Channel, stating himself to be a huge fan of the show and believing that "the sci-fi genre took itself too seriously and that this show was a great way of lightening up our own presentation".[29]

text: Writing and production of the show remained relatively unchanged from the Comedy Central period. Before the new series 8 commenced filming, Beaulieu opted to leave the show, feeling that anything creative that would be produced by Best Brains would belong to Mallon, and wanted to have more creative ownership himself.[5] To replace Dr. Forrester, two new sidekicks to Pearl were introduced: Professor Bobo (Murphy) and the Observer a.k.a. "Brain Guy" (Corbett). In addition, Corbett took over Crow's voice and puppetry and Best Brains staffer Patrick Brantseg took over Gypsy in the middle of Season Eight.[30] With this replacement, the series' entire original cast had been turned over.

text: MST3K ran for three more seasons on the Sci-Fi Channel. During the Sci-Fi era, Best Brains found themselves more limited by the network: the pool of available films was smaller and they were required to use science fiction films,[31] and the USA Network executives managing the show wanted to see a story arc and had more demands on how the show should be produced.[5] Conflict between Best Brains and the network executives would eventually lead to the show's second cancellation.[5] Peter Keepnews, writing for The New York Times, noted that the frequent cast changes, as well as the poorer selection of films that were more dull than bizarre in their execution, had caused the show to lose its original appeal.[32] Another campaign to save the show was mounted, including several MST3K fans taking contributions for a full-page ad in the trade publication Daily Variety magazine, but was unsuccessful.[33]

text: The season 10 finale, Danger: Diabolik, premiered on August 8, 1999, during which, in the show's narrative, Pearl Forrester sent the Satellite of Love out of orbit, with Mike and the 'bots escaping and taking up residence in an apartment near Minnesota.[33] A "lost" episode produced earlier in the season but delayed due to rights, Merlin's Shop of Mystical Wonders, was the final season 10 episode of MST3K, broadcast on September 12, 1999.[14] Reruns continued to air on the Sci Fi Channel for several years, ending with The Screaming Skull on January 31, 2004. The shows later moved to syndication.

text: Revival (2017–present)[edit]

text: Kickstarter funding[edit]

text: Since around 2010, Hodgson had been trying to bring back MST3K, spurred on by fan appreciation of the cast and crew 25 years since the show's premiere and the success of his Cinematic Titanic project.[34] Hodgson also considered the timing to be ideal, with non-traditional outlets like Netflix picking up original series, and the success of crowd funding for entertainment projects.[35] However, Hodgson needed to reacquire the rights to the series, which then were still held by Mallon and Best Brains. By 2013, Hodgson was working closely with Shout! Factory, the distribution company handling the home media releases of MST3K, and completed negotiations with Mallon for the rights by August 2015, enabling a Kickstarter campaign to fund the revival to move forward.[23][36] Hodgson felt the Kickstarter approach was necessary so that the show's style and approach would be determined by fans rather than through a network if he had sought traditional broadcast funding, as well as to demonstrate the demand for the show through a successful campaign.[37][38][39]

text: The Kickstarter was launched in November 2015, seeking $2 million for the production of three episodes, with stretch goals with additional funding for 12 total episodes.[40] Hodgson estimated each episode would take $250,000 to make, in addition to five-figure movie licensing rights, in contrast to $100,000 needed for the original series.[37] The campaign reached its base funding within a week of its launch.[41] On the final day of the campaign, Hodgson and Shout! ran a streaming telethon which included appearances from the newly selected cast and crew, and various celebrities that supported the revival to help exceed the target funding levels for twelve episodes.[42] The campaign ended on December 11, 2015, with total funding of $5,764,229 from 48,270 backers, with an additional $600,000 in backer add-ons, which allowed Hodgson to plan two more additional episodes, including a Christmas episode, to bring the total season to fourteen episodes.[43][44] The Kickstarter became the largest one for Film & Video, surpassing the $5.70 million raised for the Veronica Mars film.[45]

text: Casting[edit]

text: Hodgson believed that the revival would need a wholly new cast, considering that the cast had completely turned over in the original series.[5][46] Comedian Jonah Ray played Jonah Heston, the new host aboard the Satellite of Love, watching and riffing on the films. Hodgson had met Ray while recording an episode of The Nerdist Podcast, and felt he would be a good fit.[41] The voices of Crow and Tom Servo were provided by comedians Hampton Yount and Baron Vaughn, respectively, both of whom Ray recommended to Hodgson. Hodgson felt it was important for Ray to have his say on who would play these parts, since it would help Ray be comfortable in the role.[34][47] Felicia Day played Kinga Forrester, Clayton Forrester's daughter and one of the new Mads in charge of the experiments, now operating out of a moon base known as "Moon 13".[48] Day had been one of the last to be cast, as Hodgson had scripted out the concept for Forrester's daughter while casting Ray and the others. Hodgson had met Day at the 2015 Salt Lake Comic Con, where she stated her love of MST3K to him. Hodgson had seen Day's performance in shows like The Guild and Dr. Horrible's Sing-Along Blog, and felt she matched his idea for the character he had envisioned.[34][47] Patton Oswalt played Kinga's henchman, Max, or as his character prefers to be known, "TV's Son of TV's Frank"; Hodgson had already planned to invite Oswalt, a longtime friend and self-professed MST3K fan, as a special guest writer for an episode of the revived series, but decided during the Kickstarter that he would also be a good fit on-camera.[37][49] Rebecca Hanson, an alum of The Second City, took the role of Gypsy as well as Synthia, a clone of Pearl Forrester that assists Kinga. Har Mar Superstar leads the "Skeleton Crew", a house band in Kinga's lair.[50]

text: Pehl, Corbett, and Murphy cameo on the revival, reprising their roles as Pearl, Brain Guy, and Professor Bobo, respectively.[51][52] Hodgson opened up to the show any of the other cast members to make cameo appearances or aid in the creative process. However, Nelson, Weinstein, and Beaulieu stated that they would not be involved with the MST3K revival;[53][54] Nelson said, "The brand does not belong to me, and I make and have made (almost) zero dollars off it since it stopped production in 1999."[54][55] Conniff noted on his Twitter that Shout! Factory would be "cutting [the former cast members] in, financially at least" on the profits from the series.[56] In addition, other cameos on the new episodes include Neil Patrick Harris, Jerry Seinfeld, and Mark Hamill.[57]

text: Writing and filming[edit]

text: Hodgson aimed to follow in the pattern of what made for fan-favorite episodes from the original series, borrowing equally from the Joel and Mike eras; he noted there were about thirty episodes that he and fans universally agreed were the show's best, and expects to use these as templates as the basis of the new show.[23] The new episodes include the Invention Exchange that had been part of the Joel era of the show. Additionally, while not required by the streaming format of Netflix, the new episodes include bumpers that would have wrapped around commercial breaks if shown on network television; Hodgson considered these breaks necessary as a "palate cleanser" as well as to support the narrative for Kinga attempting to commercialize on the MST3K brand.[58]

text: Behind the scenes, the lead writer was Elliott Kalan, former head writer for The Daily Show with Jon Stewart.[59] Dan Harmon and Joel McHale also wrote for the show, along with the on-screen cast members.[51][60] Hodgson also brought in guest writers for certain episodes that included Justin Roiland, Rob Schrab, Nell Scovell, Ernie Cline, Pat Rothfuss, and Dana Gould. Additionally, Paul & Storm and Robert Lopez composed original songs for the new episodes.[61]

text: The revival retains the live, handcrafted look from the original, a decision that Hodgson had to set down against others involved in production.[34] Set and prop designers included Wayne White, Pendleton Ward, Rebecca and Steven Sugar, and Guy Davis, while live and practical special effects were planned by Adam Savage.[23][62] Among other staff included returning MST3K crew, including: Charlie Erickson, who composed the original show's theme song and composed the new show's theme and other musical arrangements; Beez McKeever, who worked on the original show's props and designed costumes and props for the new show; Crist Ballas performed hair and makeup design; and Paul Chaplin, one of the show's original writers to help write the new shows, along with contributions from Pehl and Corbett.[60][63] Hodgson himself remained primarily off-camera as the executive producer for the remake, though does appear briefly as Ardy, one of Kinga's henchmen that send Jonah the episode's movie.[37] Hodgson was assisted by Kalan, Richard Foos, Bob Emmer, Garson Foos, Jonathan Stern, and Harold Buchholz. The revival was produced by the companies Satellite of Love, LLC, Alternaversal Productions, and Abominable Pictures.[51]

text: Production for the new season began on January 4, 2016, with movie selection and script writing.[64] The film selection was narrowed down to about twenty movies as of February 2016, with the rights secured to about half of them, while Shout! Factory was working to assure worldwide distribution rights for the others;[64] Hodgson noted that the films were more recent than those used on the original series, with "maybe one" from the 1950s/1960s, but did not want to reveal what these films are until the episodes are broadcast as to have the biggest comedic effect on the audience.[37]

text: Filming and most of the production was completed over September and October 2016 in Los Angeles on a very condensed schedule.[65][66] In the revival, Ray, Yount, and Vaughn recorded the riffs for all fourteen episodes in a sound studio over a period of a week, allowing them to better synchronize the riffs with the film. This also helped to simplify the process of filming the theater segments, since they then only needed to act out their parts. The 'bots were controlled by multiple puppeteers both in the theater and in skits; Yount and Vaughn used radio-controlled equipment to move the 'bots' mouths, while members from The Jim Henson Company helped with manipulating the bodies, allowing them to achieve effects they could not do in the series' original run such as having Crow appear to walk on his own. All skits for the episodes were completed within a single day, which did not allow them for doing multiple takes unless necessary.[67]

text: Backers of the campaign at higher tiers were able to see the first episode at limited "Red Carpet Kickstarter Screening" events shown in a few theaters during February and March 2017.[66] The fourteen episodes were released on Netflix on April 14, 2017, though Kickstarter backers had the opportunity to see the episodes in the days preceding this.[68][38][51][69]

text: Cast[edit]

text:
Actress / Actor
Characters
Seasons

KTMA
Comedy Channel
Comedy Central
The Movie
Sci-Fi
Netflix

0
1
2
3
4
5
6
7
8
9
10
11

Joel Hodgson
Joel Robinson 1 (seasons 0-5, 10)
Ardy (season 11)
Main

Guest
Main

Trace Beaulieu
Crow T. Robot
Dr. Clayton Forrester
Main

J. Elvis Weinstein
Tom Servo
Dr. Laurence Erhardt
Gypsy (season 0)
Main

Jim Mallon
Gypsy

Main

Kevin Murphy
Tom Servo (seasons 2-10)
Professor Bobo

Main
Recurring

Frank Conniff
TV's Frank 2

Main

Guest

Michael J. Nelson
various bit parts (seasons 2-5)
Mike Nelson (seasons 5-10)

Recurring
Main

Mary Jo Pehl
Pearl Forrester

Guest
Main

Main
Recurring

Bill Corbett
Crow T. Robot (seasons 8-10)
Observer

Main
Recurring

Patrick Brantseg
Gypsy

Main

Jonah Ray
Jonah Heston

Main

Hampton Yount
(with Grant Baciocco and Carla Rudy)
Crow T. Robot

Main

Baron Vaughn
(with Russ Walko and Erik Kuska)
Tom Servo

Main

Rebecca Hanson
Gypsy (with Tim Blaney)
Synthia

Main

Felicia Day
Kinga Forrester

Main

Patton Oswalt
Max ("TV's Son of TV's Frank")

Main

text:
^ "Joel Hodgson" during season 0; Simply "Joel" (no last name) during Season 1.
^ Simply "Frank" during seasons 2 and 3.

tag: ol

text: Episodes[edit]

text: By the conclusion of the Sci-Fi era, a total of 197 MST3K episodes across ten seasons have been produced.[70] This does not include The Green Slime pilot episode, which was used to sell the concept to KTMA but otherwise was never broadcast.[71] The revived show currently consists of one season with fourteen episodes, bringing the total episode count to 211.

text: None of the KTMA episodes were rerun nationally or have been released onto home video due to rights issues. Some consider the first three KTMA episodes to be "missing episodes", as no fan copies are known to exist, but master copies of all these episodes still exist according to Mallon.[72] In November 2016, Hodgson reported that master copies of two of the episodes "Invaders from the Deep" and "Revenge of the Mysterons from Mars" had been found.[73] The episodes were made available to kickstarter backers of the new series on November 25, 2016.[74]

text: The credits in the first four seasons on Comedy Central included the phrase "Keep circulating the tapes" to encourage fans to share VHS tapings they made with others, despite the questionable copyright practice. Though the phrase was removed from the credits, the concept of "keep circulating the tapes" was held by the show's fans to continue to help introduce others to the show following its broadcast run.[70]

text: Turkey Day marathons[edit]

text: An annual event, in both the Comedy Central and Sci-Fi Channel eras, was the Turkey Day marathon that ran on or near the Thankgiving holiday. The marathon would show between six and twelve rebroadcasts of episodes, often with new interstitial material between the episodes from the cast and crew.[75]

text: Following its acquisition of the series rights, Shout! Factory has streamed Turkey Day marathons on Thanksgiving since 2013, broadcasting six of the MST3K episodes and wrapped with introductions from Hodgson alongside other cast members at times.[76][77] The 2015 Turkey Day coincided with the Kickstarter for the show's revival,[78] while the 2016 Turkey Day includes the revival's new host Ray co-hosting alongside Hodgson.[79]

text: Home video and digital releases[edit]

text: Home video releases of MST3K are complicated by the licensing rights of the featured film and any shorts, and as such many of the nationally televised episodes have not yet been released onto home video. Through the current distributor, Shout! Factory, over 100 of the films have been cleared for home media distribution.[80] With Shout's release of the 39th volume of MST3K episodes in 2017, the company anticipated that only about a dozen episodes from the original series' run will never make it to home video due to licensing rights of the movies featured.[81]

text: Original home media releases were issued by Rhino Entertainment, initially starting with single disc releases before switching to semi-regular four-episode volume set. According to Hodgson, the people at Rhino that were involved in the distribution of MST3K eventually left Rhino and joined with Shout!, helping to convince that publisher to acquire the rights from Rhino.[80] Since 2008, all releases of MST3K have been through Shout! (including some reprints of the first Rhino volume set) and have typically been multi-episode volumes or themed packs.

text: In 2014, 80 episodes of the show were made available for purchase or rental on the video streaming site Vimeo.[82] Shout! has uploaded some episodes to YouTube with annotations, as documented by The Annotated MST fansite, to explain some of the sources of the jokes in the riffs.[83] In February 2015, Shout! launched its own streaming service, Shout! Factory TV, of which selected episodes of MST3K were included on the service.[84] Selected episodes were also made available on demand through RiffTrax starting in November 2015.[85] Twenty episodes from previous MST3K seasons were released by Netflix in all regions in anticipation of the revival series.[86]

text: Adaptations[edit]

text: Syndication[edit]

text: In 1993, the show's staff selected 30 episodes to split into 60 one-hour segments for The Mystery Science Theater Hour. The repackaged series' first-run airings of these half-shows ran from November 1993 to July 1994. Reruns continued through December 1994, and it was syndicated to local stations from September 1995 to September 1996, allowing stations to run the series in a one-hour slot, or the original two hour version.[87] MST3K returned to television for the first time in ten years in July 2014, when RetroTV began broadcasting the series on Saturday nights, with an encore on Sunday evenings.[88] The following year, they started showing on regular PBS network affiliates.[89][90] In the summer of 2016, Sinclair Broadcast Group and MGM's joint venture sci-fi network Comet picked up the series for a weekly Sunday night double-run; by coincidence, Sinclair's WUCW in the Twin Cities, which had originated the series as KTMA-TV, carries Comet on their second subchannel, returning the series to its original home for the first time in 27 years.

text: Feature film[edit]

text: In 1996, Universal Studios released Mystery Science Theater 3000: The Movie, a film adaptation in which Mike and the bots riffed This Island Earth. The film was released on DVD in the United States by Image Entertainment. Universal Pictures re-released the film on DVD on May 6, 2008, with a new anamorphic widescreen transfer, Dolby Digital 5.1 Surround Sound mix, and the film's original trailer.[91]

text: Books[edit]

text: In 1996, the book, The Amazing Colossal Episode Guide (written by some MST3K cast members), was released, which contained a synopsis for every episode from seasons one through six, and even included some behind-the-scenes stories as well. In it, Kevin Murphy related two tales about celebrity reactions he encountered. In one, the cast went to a taping of Dennis Miller's eponymous show; when they were brought backstage to meet Miller, the comedian proceeded to criticize the MST3K cast for their choice of movie to mock in the then-recent episode "Space Travelers" (a re-branded version of the Oscar-winning film Marooned).[92] Murphy also discussed how he met Kurt Vonnegut, one of his literary heroes. When he had mentioned the show and its premise to Vonnegut, the author suggested that even people who work hard on bad films deserve some respect. Murphy then invited Vonnegut to dine with his group, which Vonnegut declined, claiming that he had other plans. When Murphy and friends ate later that night, he saw Vonnegut dining alone in the same restaurant, and remarked that he had been "faced...but nicely faced" by one of his literary heroes.[93]

text: Dark Horse Comics has announced it is planning a MST3K comic book series for initial release in 2017.[94]

text: Other appearances[edit]

text: In 1996, during promotion for Mystery Science Theater 3000: The Movie, Mike and the bots were interviewed in-character on MTV, and seen in silhouettes heckling footage from MTV News. Also that year, Joel Hodgson was a featured guest on Cartoon Network's Space Ghost Coast to Coast. In 1997, the E! network's Talk Soup show, starring John Henson, featured guest appearances from Mike, Crow, and Tom Servo.[citation needed] In 1997, the videogame magazine PlayStation Underground (Volume 2, Number 1) included a Best Brains-produced MST3K short on one of their promotional discs. The video opened with a host segment of Mike and the Bots playing some PlayStation games, only to go into the theater to riff on some videos from the magazine's past. The feature is about seven minutes long. An Easter egg on the disc has some behind-the-scenes footage of Best Brains filming the sequences.[95] Also that year, a new online animated web series, referred to as "The Bots Are Back!", was produced by Jim Mallon. The series planned a weekly adventure featuring Crow, Tom Servo, and Gypsy, with Mallon reprising his role as Gypsy and Paul Chaplin as Crow. However, only a handful of episodes were released, and the series was abandoned due to budget issues. The internet response to the webisodes was largely negative.[96]

text: Hodgson and the team for the 2017 revival announced an MST3K "Watch Out For Snakes Tour" during mid-2017 covering 29 cities in the United States and Canada. Jonah and the Bots riff on one of two movies live for audiences, either Eegah (which had already been featured on the original run of MST3K, and which popularized the riff "Watch out for snakes", but will feature new riffs for this tour) or an unannounced surprise film: Argoman the Fantastic Superman.[97] Day and Oswalt will make video appearances for these events.[98] The tour featured Jonah Ray, Hampton Yount and Rebecca Hanson reprising their roles as Jonah Heston, Crow and Gypsy/Synthia. Barron Vaughan was unavailable to perform Servo due to the birth of his child and the role was played by Tim Ryder.[99] The tour also featured Grant Baciocco as Terry the Bonehead, pre-recorded appearances from Felicia Day and Patton Oswalt as Kinga and Max, and a live introduction from Joel Hodgson.

text: Reception[edit]

text: In 2004, the show was listed as #11 in a featured TV Guide article, "25 Top Cult Shows Ever!", and included a sidebar which read, "Mike Nelson, writer and star (replacing creator Joel Hodgson), recently addressed a college audience: 'There was nobody over the age of 25. I had to ask, "Where are you seeing this show?" I guess we have some sort of timeless quality.'"[100] Three years later, TV Guide rewrote the article, and bumped MST3K to #13.[101] In 2007, the show was listed as one of Time magazine's "100 Best TV Shows of All-Time".[102] In 2012, the show was listed as #3 in Entertainment Weekly's "25 Best Cult TV Shows from the Past 25 Years", with the comment that "MST3K taught us that snarky commentary can be way more entertaining than the actual media."[103]

text: The 2017 relaunch was generally met with similar praise as the original series, keeping with the spirit of the show's premise but with enough improvements to make it accessible to modern audiences.[104][105][106]

text: Reactions by those parodied[edit]

text: The reactions of those parodied by MST3K has been mixed. Sandy Frank, who held the rights to several Gamera films parodied on the show, was "intensely displeased" by the mockery directed at him. (The crew once sang the "Sandy Frank Song", which said that Frank was "the source of all our pain", "thinks that people come from trees", Steven Spielberg "won't return his calls", and implied that he was too lazy to make his own films). Because of this, Frank reportedly refused to allow the shows to be rebroadcast once MST3K's rights ran out.[107] However, this may in fact be a rumor, as other rumors indicate that the Gamera films distribution rights prices were increased beyond what BBI could afford as a result of the show's success. According to Shout Factory, the Japanese movie studio Kadokawa Pictures were so horrified with MST3K's treatment of five Gamera films that they refused to let Shout release the episodes on home video. Brian Ward (one of the members of Shout! Factory) explained to fans on the forums of the official Shout! Factory website that they tried their best to convince them, but the Japanese take their Gamera films very seriously and do not appreciate their being mocked. However, eventually Shout was able to clear the episodes for a special 2011 release due to the rights in North America shifting away from the Japanese to another, North American entity that had no such qualms.[108]

text: Kevin Murphy had once said that Joe Don Baker wanted to beat up the writers of the show for attacking him during Mitchell.[109][110] Murphy later said Baker likely meant it in a joking manner, although Mike Nelson said that he deliberately avoided encountering Baker while the two happened to be staying at the same hotel.[111] Jeff Lieberman, director of Squirm, was also quite angry at the MST3K treatment of his film.[112]

text: Director Rick Sloane was shocked at his treatment at the conclusion of Hobgoblins, in which Sloane himself was mercilessly mocked over the film's end credits.[113] In a 2008 interview, however, Sloane clarified his comments, saying that "I laughed through the entire MST3K episode, until the very end. I wasn't expecting the humor to suddenly be at my own expense. I was mortified when they dragged out the cardboard cutout and pretended to do an interview with me. I was caught off guard. I had never seen them rip apart any other director before on the show." However, he credits the success of the MST3K episode with inspiring him to make a sequel to Hobgoblins, released in 2009.[114]

text: Others have been more positive: Robert Fiveson and Myrl Schriebman, producers of Parts: The Clonus Horror, said they were "flattered" to see the film appear on MST3K.[115] Actor Miles O'Keeffe, the star of the film Cave Dwellers, called Best Brains and personally requested a copy of the MST3K treatment of the film,[111] saying he enjoyed their skewering of what he had considered to be a surreal experience; according to Hodgson, O'Keeffe said his friends always heckled his performance in the film when it was on, and he appreciated the MST3K treatment.[15] In the form of an essay and E. E. Cummings-esque poem, Mike Nelson paid tribute to O'Keeffe with a humorous mix of adulation and fear.[116]

text: Rex Reason, star of This Island Earth, has also appeared at several MST3K events and credits MST3K with introducing the film to a new generation. The crew of Time Chasers held a party the night the MST3K treatment of their film aired and, while reactions were mixed, director David Giancola said, "Most of us were fans and knew what to expect and we roared with laughter and drank way too much. I had a blast, never laughed so hard in my life."[117]

text: Actor Adam West, star of the 1960s Batman TV series, co-starred in Zombie Nightmare, another film MST3K mocked. West apparently held no grudges, as he hosted the 1994 "Turkey Day" marathon in which the episode featuring Zombie Nightmare had its broadcast premiere. Mamie van Doren (who appeared in episode 112, Untamed Youth, and episode 601, Girls Town), Robert Vaughn (star of episode 315, Teenage Cave Man, which he called the worst movie ever made) and Beverly Garland (who had appeared in many MST3K-featured Roger Corman films) also hosted at the marathon.

text: Awards[edit]

text: In 1993, MST3K won a Peabody Award for "producing an ingenious eclectic series": "With references to everything from Proust to 'Gilligan's Island,' 'Mystery Science Theater 3000' fuses superb, clever writing with wonderfully terrible B-grade movies".[118] In 1994 and 1995, the show was nominated for the Primetime Emmy Award for Outstanding Individual Achievement in Writing for a Variety or Music Program, but lost both times to Dennis Miller Live.[119] Every year from 1992 to 1997, it was also nominated for CableACE Awards.[120][121] Its DVD releases have been nominated for Saturn Awards in 2004, 2006 and 2007.

text: Influence[edit]

text: Through MST3K, many obscure films have been more visible to the public, and several have since been considered some of the worst films ever made and are voted into the Bottom 100 on the Internet Movie Database.[122] Of note is Manos: The Hands of Fate, which was riffed on by MST3K in its fourth season. Manos was a very low-budget film produced by Hal Warren, a fertilizer salesman at the time, taking on a dare from a screenwriter friend to show that anyone could make a horror film. The film suffered from numerous production issues due to its limited filming equipment, and many critics describe the result using a riff from MST3K, in that "every frame of this movie looks like someone's last-known photograph".[123] The MST3K episode featuring Manos was considered one of its most popular and best episodes, and brought Manos into the public light as one of the worst films ever produced. The film gained a cult following, and presently there is an effort to restore the film to high-definition quality from its original film reels.[124] MST3K also riffed on three films directed by Coleman Francis; Red Zone Cuba, The Skydivers, and The Beast of Yucca Flats, which brought awareness of Francis' poor direction and low-budget films, similar to that of Ed Wood.[125] MST3K also brought to the limelight lackluster works by Bert I. Gordon, primarily giant monster B-movies, that gained attention through the show, and many Japanese kaiju movies imported and dubbed through producer Sandy Frank, particularly those in the Gamera series.[14]

text: MST3K's riffing style to poke fun at bad movies, films, and TV shows, have been used in other works.[126] In 2003, the television series Deadly Cinema, starring Jami Deadly, debuted, which featured the cast making fun of bad movies, MST3K-style. In 2004, the ESPN Classic series Cheap Seats, debuted, which featured two brothers making fun of clips of old sporting events, MST3K-style, and is noteworthy for containing an episode in which MST3K cast members briefly appeared in a cameo to make fun of the hosts' own skits. In 2008, the internet and direct-to-DVD comedy series Incognito Cinema Warriors XP, debuted, which used the same "host segment-movie segment" format the show established, while featuring completely original characters and plot. ICWXP gained a similar cult following, even earning the praises of former MST3K host Michael J. Nelson.[127] In 2010, the television series This Movie Sucks! (and its predecessor Ed's Nite In), starring Ed the Sock and co-hosts Liana K and Ron Sparks, debuted. It features the cast making fun of bad movies. Creator Steven Kerzner, however, was quick to point out that MST3K was not "the creator of this kind of format, they're just the most recent and most well-known".[128] In 2011, the theater silhouette motif was parodied by golf commentator and talk show host David Feherty in an episode of Feherty. He is shown sitting in front of a large screen and "riffing" while viewing footage of golfer Johnny Miller and is joined in the theater by his stuffed rooster (Frank) and his gnome statue (Costas).

text: Further, the riffing style from MST3K is considered part of the influence for DVD commentaries and successful YouTube reviewers and Let's Play-style commentators.[12] DVD releases for both Ghostbusters and Men in Black used a similar format to Shadowrama for an "in-vision" commentary features.[129][130] The concept of social television, where social media is integrated into the television viewing experience, was significantly influenced by MST3K.[131] This social media practice of live-tweeting riffs and jokes on broadcast shows, such as for films like Sharknado, has its roots in MST3K.[19][23][132][133] The MST3K approach has inspired Internet movie critics to create comedic movie reviews approaches, such as through RedLetterMedia and Screen Junkies which are considered more than just snarking on the movie but aim to help the viewer understand film and story techniques and their flawed use in poorly-received films.[134]

text: Public performances of live riffing have been hosted by various groups in different cities across the U.S. and Canada, including Cineprov (Atlanta, Georgia), Master Pancake Theater (Austin, TX), The Gentlemen Hecklers (Vancouver, BC Canada),[135] Counterclockwise Comedy (Kansas City, Missouri), FilmRoasters (Richmond, Virginia), Moxie Skinny Theatre 3000 (Springfield, Missouri), Riff Raff Theatre (Iowa City, Iowa), Twisted Flicks (Seattle, Washington), and Turkey Shoot (Metro Cinema at the Garneau, Edmonton, Alberta, Canada).[136][137][138] Canadian sketch comedy group Loading Ready Run produces the show Unskippable for The Escapist website, which applies the MST3K premise to video game cut scenes.

text: Fandom[edit]

text: MST3K, broadcasting during the emergence of the Internet for public use, developed a large fan base during its broadcast which continues to thrive since.[5] The show had already had its postal-based fan club, which people could write into and which some letters and drawings read on subsequent episodes, and the producers encouraged fans to share recordings with others.[5] At its peak, the "MST3K Fan Club" had over 50,000 members,[29] and Best Brains were receiving over 500 letters each week.[4] Fans of the show generally refer to themselves as "MSTies".[5] Usenet newsgroups rec.arts.tv.mst3k.misc and rec.arts.tv.mst3k.announce were established in the mid-1990s for announcements and discussions related to the show.[139][140][141] A type of fan fiction called MiSTings, in which fans would add humorous comments to other, typically bad, fan fiction works, was popular on these groups.[142] The fan-run website Satellite News continues to track news and information about the show and related projects from its cast members.[143] Another fan site, The Annotated MST, attempts to catalog and describe all the obscure popular culture references used in a given episode.[83]

text: In addition to the show's fandom, a number of celebrities have expressed their love for the show. One of the earliest known celebrity fans was Frank Zappa, who went so far as to telephone Best Brains, calling MST3K as "the funniest fucking thing on TV" according to Beaulieu.[5] Zappa became a friend of the show, and following his death episode 523 was dedicated to him. Other known celebrities fans include Al Gore, Penn Jillette, and Patton Oswalt.[5]

text: There were two official fan conventions in Minneapolis, run by the series' production company (called "ConventioCon ExpoFest-A-Rama" (1994) and "ConventioCon ExpoFest-A-Rama 2: Electric Bugaloo" (1996). At least 2,500 people attended the first convention.[5]

text: Related post-show projects[edit]

text: The various cast and crew from the show's broadcast run have continued to produce comedy works following the show. Two separate projects were launched that specifically borrowed on the theme of riffing on bad movies. After the short-lived The Film Crew in 2006, Nelson started RiffTrax, providing downloadable audio files containing MST3K-style riffs that the viewer would synchronize to their personal copy of a given popular movie (such as Star Wars: Episode I); this was done to avoid copyright and licensing issues with such films. RiffTrax's cast expanded to include Murphy and Corbett along with occasional guest stars, and were able to use a wider range of films, including films and shorts in the public domain, and films which they could get the license to stream and distribute. In addition, they launched production of RiffTrax Live shows for various films, where they performed their riffing in front of a live audience that was simultaneously broadcast to other movie theaters across the country and later made available as on-demand video. As of 2016[update], RiffTrax continues to offer new material and shows. As part of a tribute to their roots, RiffTrax has performed some works that previously appeared on MST3K, including Manos: the Hands of Fate, Santa Claus, and Time Chasers.

text: Similarly, Hodgson, after some experimental creative works such as The TV Wheel,[5] started Cinematic Titanic with Beaulieu, Weinstein, Conniff, and Pehl in 2007. Like MST3K, the five riffed on bad movies they were able to acquire the licenses for (including Santa Claus Conquers the Martians), which then were distributed through on-demand video and streaming options. They later did a number of live shows across the United States, some which were made available for digital demand. Production of Cinematic Titanic was shut down in January 2014.[144]

text: Other related projects by the MST3K crew following the show's end include: In 2000, most of the cast of the Sci-Fi era of the show collaborated on a humor website, Timmy Big Hands, that closed in 2001.[citation needed]

text: In 2001, Mike Nelson, Patrick Brantseg, Bill Corbett, Kevin Murphy and Paul Chaplin created The Adventures of Edward the Less, an animated parody of J. R. R. Tolkien's The Lord of the Rings and others in the fantasy genre, with additional vocals by Mary Jo Pehl and Mike Dodge, for the Sci Fi Channel website.[145]

text: In 2008, Bill Corbett and fellow writer Rob Greenberg wrote the screenplay for Meet Dave, a family comedy starring Eddie Murphy about a tiny Star Trek-like crew operating a spaceship that looks like a man. The captain of the crew and the spaceship were both played by Murphy. Originally conceived as a series called Starship Dave for SciFi.com, it was dropped in favor of Edward the Less. The script (along with the title) were changed drastically by studio executives and other writers, although Corbett and Greenberg received sole screenwriter credit.[5][146]

text: In 2010, Trace Beaulieu, Frank Conniff, Joel Hodgson, Mary Jo Pehl, Josh Weinstein, Beth McKeever and Clive Robertson voiced characters for Darkstar: The Interactive Movie, a computer game created by J. Allen Williams.[citation needed]

text: In 2013, Frank Conniff and animation historian Jerry Beck debuted Cartoon Dump,[147] a series of classically bad cartoons, which are also occasionally performed live.[148]

text: In 2015, Trace Beaulieu and Frank Conniff began performing together as "The Mads", riffing movies at live screenings across the U.S.[149]

text: Reunions[edit]

text: In 2008, to commemorate the show's 20th anniversary, the principal cast and writers from all eras of the show reunited for a panel discussion at the San Diego Comic-Con International, which was hosted by actor-comedian Patton Oswalt. The event was recorded and included as a bonus feature on the 20th Anniversary DVD release via Shout! Factory. Also that year, several original MST3K members (including Joel Hodgson, Trace Beaulieu and Frank Conniff) reunited to shoot a brief sketch to be included on the web-exclusive DVD release of The Giant Gila Monster.[150] The new disc was added to Volume 10 of the "MST3K Collection" DVD boxed set series, replacing the Godzilla vs. Megalon disc which could no longer be sold due to copyright conflicts. The new package was sold under the name "Volume 10.2", and the sketch was presented as a seminar to instruct consumers on how to "upgrade" their DVD set, which merely consists of "disposing" of the old disc and inserting the new one.

text: In 2013, Joel Hodgson and Trace Beaulieu reprised their roles as Joel Robinson and Crow T. Robot for cameo appearances in the fourth season of Arrested Development.[151]

text: As part of its live show events for 2016, RiffTrax presented a MST3K reunion at a live show in Minneapolis in June 2016. Hodgson, Bridget Nelson, Pehl, Conniff, and Beaulieu all joined the three regulars along with Jonah Ray from the revived series. The gathered cast riffed on a variety of shorts as part of the event.[152][153]


document_title: Star Wars Battlefront II (2017 video game)

question_text: where does the battlefront 2 campaign take place

root

text: Gameplay[edit]

text: Star Wars Battlefront II features a single-player story mode, a customizable character class system, and content based on The Force Awakens and The Last Jedi movies.[3] It also features vehicles and locations from the original, prequel, and sequel Star Wars movie trilogies. It also features heroes and villains that can be played based on characters from the Star Wars movies; the hero roster includes Luke Skywalker, Leia Organa, Han Solo, Chewbacca, Lando Calrissian, Yoda, and Rey, while the villain roster includes Darth Vader, Emperor Palpatine, Boba Fett, Bossk, Iden Versio, Darth Maul, and Kylo Ren at launch.[4]

tag: p

text: The game features a full campaign story mode unlike 2015's Battlefront. The game's single player protagonist, Iden Versio (Janina Gavankar), leader of an Imperial Special Forces group known as Inferno Squad, participates in multiple events in the 30 years leading up to The Force Awakens. There will be segments in the campaign where the player will be able to control other characters such as Luke Skywalker and Kylo Ren. Players can also play in arcade mode – an offline single player or local co-op where players can choose which side to play on and which battle to play in. Battles vary from team battles to onslaughts. Alternatively, players can choose to do a custom match, where they can change some of the settings and location.

text: Instead of the paid Season Pass downloadable content (DLC) seen in the 2015 predecessor, this game is expanded with free DLC provided to all players with a free EA account.[5][6] Lead actress Janina Gavankar stated that the DLC would be free to all players, using a seasonal structure similar to Overwatch and Rainbow Six Siege. The first season, released in December 13, 2017, was based on the movie Star Wars: The Last Jedi, and included Finn and Captain Phasma as heroes, the planet Crait as a ground map, and a space map above D'Qar.[7]

text: Multiplayer[edit]

text: Star Wars Battlefront II features five multiplayer game modes with the largest supporting up to 40 simultaneous players. Galactic Assault is centered around unique set pieces set across the eleven planets and locations featuring all three Star Wars eras involving a team of 20 attackers against 20 defenders. In Starfighter Assault, battles take place in space and planetary atmospheres involving 12 attackers against 12 defenders, both teams being reinforced with an additional 20 AI ships. Strike has players battling in close quarter scenarios involving a team of eight attackers aiming to capture a unique objective from a team of eight defenders; essentially one team capture the flag. Heroes vs. Villains is a team deathmatch mode involving the heroes and villains in Star Wars Battlefront II based off Star Wars characters, where four light side heroes fight four dark side villains. Blast, the final mode, is standard team deathmatch between two teams of 10 players in which teams try to reach 100 total combined eliminations before the enemy team can. Alongside an update released on February 19, 2018, a new temporary game mode, Jetpack Cargo, was released, in which two teams of eight battle to capture cargo while all players are equipped with a jet-pack.

text: Campaign[edit]

text: The single-player story mode campaign in Star Wars Battlefront II takes place in the Star Wars galaxy, beginning around the time of Return of the Jedi, but largely between it and Star Wars: The Force Awakens. Emperor Palpatine plots to lure an unsuspecting Rebel Alliance fleet into a trap using himself and the second Death Star, being constructed above the Forest Moon of Endor, as bait, seeking to crush the Rebellion against his Galactic Empire once and for all. The Imperial Special Forces commando unit Inferno Squad, led by Commander Iden Versio, daughter of Admiral Garrick Versio, and made up of Agents Gideon Hask and Del Meeko, is crucial to the success of this planned Battle of Endor, but the Empire underestimates the strength of the Rebellion as its fleet gathers at Sullust.

text: Plot[edit]

text: Iden Versio is being interrogated for the codes to unlock an Imperial transmission aboard a Rebel Mon Calamari Star Cruiser. She activates her droid, which sneaks to her cell and frees her. Iden had allowed herself to be captured in order to erase the Imperial transmission, which would reveal the Emperor's plan at Endor. She successfully erases it, then escapes the ship by launching herself into space where she is intercepted by the Corvus, the flagship of Inferno Squad. Iden confirms the mission's success to Gideon Hask and Del Meeko, other members of her squad.

text: Later on Endor, Iden, Hask, and Meeko secure the perimeter around the ruined shield generator, and watch with shock and horror as the second Death Star explodes. Vice Admiral Sloane orders a full retreat, and Inferno Squad recovers TIE fighters to escape the planet, which is being overrun by Rebel forces. The Corvus is attacked during their escape, but Inferno fends off Rebel bombers. Iden meets with her father, Admiral Garrick Versio, on his Star Destroyer Eviscerator.

text: Admiral Versio confirms to Iden that the Emperor has died. A messenger droid displays a hologram of the late Emperor issuing his last command: to begin Operation: Cinder. Admiral Versio sends Iden to an Imperial shipyard to protect Moff Raythe and his Star Destroyer Dauntless, which hosts experimental satellites vital to the success of Operation: Cinder. The Dauntless comes under attack from a Rebel Star Cruiser, but Iden is able to board it with Hask and disable its ion cannons. Afterwards, they are ordered to attack the Imperial shipyard in order to free the Star Destroyer from the locked clamps. Afterwards, the Dauntless opens fire on the Rebel cruiser, destroying it.

text: Meeko is sent to Pillio and ordered to destroy one of the Emperor's hidden bases. He encounters Luke Skywalker, who helps him disarm the base's defenses and fend off the local wildlife. They discover that the base contains the Emperor's spoils of conquest. Meeko and Luke part amicably, and Meeko begins to question the Empire's goals and motives. Following this, Iden and Inferno Squad are sent to the Imperial-controlled world of Vardos, in order to retrieve Protectorate Gleb. As the satellites for Operation Cinder begin destroying the planet with terrible storms, Iden and Meeko try to evacuate the civilians in addition to Gleb, causing Agent Hask to betray them. Disillusioned by the Empire's attack on Vardos, Iden and Meeko escape off world, now traitors to the Empire. They seek out the Rebel Alliance and are taken to General Lando Calrissian, who gives them the choice to help stop Operation: Cinder, or to escape and make new lives for themselves. Choosing to help, they aid Leia Organa in protecting Naboo, destroying the satellites for Operation: Cinder and reactivating the planet's defenses. After Naboo is liberated, Inferno Squad joins the New Republic.

text: Iden and Inferno Squad are then sent to Takodana to find Han Solo, who was extracting an Imperial defector carrying critical data in hopes of liberating Kashyyyk and freeing the Wookiees. The data also reveals that Admiral Versio is commanding Imperial operations on Bespin and Sullust. Iden and Del infiltrate Bespin with the intent of capturing Admiral Versio, but he and Hask manage to escape. Meanwhile, Lando investigates the hidden Imperial weapons cache on Sullust, only to find a weapons factory which he destroys. These operations cripple the Imperial fleet, which makes a last stand at Jakku. During the battle, Iden shoots down Hask and boards the Eviscerator, intending to rescue her father. Admiral Versio decides to go down with his ship, feeling obligated to die with the Empire he fought to protect. He instead urges Iden to escape and live a new life, commending her for seeing the weakness of the Empire. Iden takes an escape pod and reunites with Del at the end of the battle. The two embrace and kiss, as the battle marks the end of the Galactic Empire.

text: Many decades later, Del is captured on Pillio by Protectorate Gleb, who hands him over to Kylo Ren and the First Order. Ren uses the Force to interrogate Del about the location of the map leading to Luke Skywalker. Once Ren succeeds, he leaves Del in the custody of Hask, who survived getting shot down at Jakku. Hask expresses disgust at Del choosing to father a daughter with Iden instead of becoming a soldier and kills him, but not before Del warns him not to confront Iden. Hask then warns Gleb that the Republic cannot find out about "Project Resurrection" and orders her to leave the Corvus on Pillio as bait to lure Iden out of hiding.

text: Resurrection[edit]

text: Shriv, now an agent for the Resistance, discovers the abandoned Corvus and informs Iden and her daughter, Zay. Shriv also reveals that Del had been helping the Resistance investigate rumors of mass disappearances that may be connected to Project Resurrection before disappearing himself. They head to Athulla, where Del was last seen, to investigate. However, they are ambushed by a Jinata Security fleet. Iden and Zay destroy the fleet and capture the flagship. The surviving Jinata Security crew admit that they had been kidnapping children on the behalf of the First Order, and that Project Resurrection had been moved to Vardos.

text: Iden, Zay, and Shriv return to Vardos. Iden has Zay stay behind on the Corvus while she and Shriv investigate the surface, where they see a bright red light appear in the sky. Iden and Shriv discover Gleb's dead body and are then captured by Hask, who taunts them by telling them that he killed Gleb and Del and the First Order has already destroyed the Senate and the Hosnian System- the red lights from earlier (as seen in The Force Awakens). He then orders his Star Destroyer the Retribution to destroy the Corvus along with Zay. Jinata Security personnel, angry at the First Order betraying them, attack Hask's men, giving Iden and Shriv an opportunity to escape. They rescue Zay who managed to eject in an escape pod before the Corvus was destroyed, and they board the Retribution.

text: Iden fights her desire to get revenge on Hask and instead focuses on stealing any useful data from the ship to aid the Resistance. They hack a computer terminal and discover that Project Resurrection is an operation by the First Order to kidnap children from across the galaxy and indoctrinate them into stormtroopers. In addition, they discover that the First Order has built up a massive fleet large enough to retake the galaxy. Finally, they find the plans for a First Order Dreadnought and steal them. Shriv then goes to secure an escape craft while Iden and Zay plant explosive charges on the Retribution's hyperspace generators. Hask ambushes them but is killed by Iden. The destruction of the hyperspace generators pulls the Retribution out of hyperspace near Starkiller Base right as the Resistance destroys it. Iden reveals that she had been mortally wounded during the battle with Hask. She gives the Dreadnought plans to Zay and orders her to escape without her before dying.

text: Zay and Shriv link up with the Resistance and hand over the Dreadnought plans to Leia. She then orders them to head to the Outer Rim to gather more allies for the Resistance.

text: Development and marketing[edit]

text: On May 10, 2016, the development of Star Wars Battlefront II was announced, led by EA DICE in collaboration with Criterion Games and Jade Raymond's Motive Studios.[8] The sequel to 2015's rebooted Star Wars Battlefront features content from the sequel trilogy of films.[9] Creative director Bernd Diemer has stated that the company has replaced the Season Pass system of paid expansion of content, because that system was determined to have "fragmented" the player community of the 2015 predecessor game. The new expansion system is designed to allow all players "to play longer".[6] Executive producer Matthew Webster announced on April 15, 2017 at Star Wars Celebration that the worldwide release of the game would be November 17, 2017.[10] The Battlefront II beta test period started on October 4, 2017, for players who pre-ordered the game. It was expanded to an open beta on October 6, and ran until October 11.[11][12] A 10-hour trial version was made available to EA Access and Origin Access subscribers on November 9, 2017.[13]

text: A tie-in novel, Star Wars Battlefront II: Inferno Squad, was released on July 25, 2017. Written by Christie Golden, it serves as a direct prelude to the game and follows the exploits of the Galactic Empire's titular squad as it seeks to eliminate what was left of Saw Gerrera's rebel cell after the events of the 2016 film Rogue One.[14]

text: On November 10, 2017, Electronic Arts announced the first in a series of free downloadable content for the game, featuring the planets D'Qar and Crait and the playable hero characters Finn and Captain Phasma. This content is a direct tie-in to December's Star Wars: The Last Jedi.[15]

text: Reception[edit]

text:
Reception

Aggregate score

Aggregator
Score

Metacritic
(PS4) 68/100[16]
(XONE) 69/100[17]
(PC) 67/100[18]

Review scores

Publication
Score

Destructoid
5/10[23]

EGM
7/10[19]

Game Informer
6.5/10[20]

Game Revolution
[21]

GameSpot
6/10[24]

GamesRadar+
[22]

IGN
6.5/10[25]

PC Gamer (US)
63/100[26]

tag: table

text: Star Wars Battlefront II received "mixed or average" reviews, according to review aggregator Metacritic.[18][16][17] Metacritic user reviews for the PlayStation 4 version reached a low rating of 0.8/10, labelled as "overwhelming dislike", due to the controversies and review bombing.[27][28]

text: In his 4/5 star review for GamesRadar, Andy Hartup praised the multiplayer but criticized the single player modes, saying the game has a "very strong multiplayer offering tarnished by overly complicated character progression, and a lavish, beautiful story campaign lacking in substance or subtlety."[22] GameRevolution felt the campaign started strong but weakened as it progressed, praising the multiplayer gameplay while criticizing the micro-transactions, loot box progression system, and locking of heroes.[21]

text: For EGM's review, Nick Plessas praised the multiplayer combat, balancing, and variety, but criticized the game's sustained focus around loot crates.[19] Andrew Reiner of Game Informer gave the game 6.5/10, writing "Answering the call for more content, Star Wars Battlefront II offers a full campaign and more than enough multiplayer material, but the entire experience is brought down by microtransactions."[20] IGN's Tom Marks also gave the game 6.5/10, saying "Star Wars Battlefront 2 has great feeling blasters, but its progression system makes firing them an unsatisfying grind."[25]

text: The game was nominated for "Best Shooter", "Best Graphics" and "Best Multiplayer" in IGN's Best of 2017 Awards,[29][30][31] and was a runner-up for "Most Disappointing Game" in Giant Bomb's 2017 Game of the Year Awards.[32] In Game Informer's Reader's Choice Best of 2017 Awards, fewer readers voted for the game for "Best Co-op Multiplayer".[33] The website also awarded the game for "Best Graphics", "Best Audio" and "Biggest Disappointment" in their 2017 Shooter of the Year Awards.[34]

text: Sales[edit]

text: In the US, Star Wars Battlefront II was the second best-selling title in November behind rival first-person shooter Call of Duty: WWII.[35] Within its first week on sale in Japan, the PlayStation 4 version sold 38,769 copies, placing it at number four on the all format sales chart.[36]

text: Accolades[edit]

text:
Year
Award
Category
Result
Ref

2017
Game Critics Awards
Best Action Game
Nominated
[37][38]

Best Online Multiplayer
Won

Gamescom 2017
Best Action Game
Nominated
[39]

Best Multiplayer Game
Nominated

Golden Joystick Awards
Most Wanted Game
Nominated
[40]

Global Game Awards 2017
Best Multiplayer
2nd Place
[41]

Best Shooter
4th Place
[42]

2018
21st Annual D.I.C.E. Awards
Outstanding Achievement in Character (Iden Versio)
Nominated
[43][44]

Outstanding Achievement in Sound Design
Nominated

2018 SXSW Gaming Awards
Excellence in Convergence
Pending
[45]

text: Microtransactions controversy[edit]

text: During pre-release beta trials, the game's publisher EA was criticized by gamers and the gaming press for introducing a loot box monetization scheme that gives players substantial gameplay advantages through items purchased in-game with real money.[46] Although such items could also be purchased with in-game currency, players would on average have to "grind" for approximately 40 hours to unlock a single player character such as Darth Vader.[47] Responding to the controversy, developers had adjusted the number of in-game items a player receives through playing the game. However, after the game went into pre-release a number of players and journalists who received the pre-release copy of the game reported various controversial gameplay features, such as rewards being unrelated to the player's performance in the game.[48] The poorly weighed reward system combined with a weak inactivity detection allowed many players to use rubber bands to tightly tie their game controllers for automatically farming points during multiplayer battles, ruining the experience of other active online players.[49]

text: On November 12, 2017, a Reddit user complained that although they spent US$80 to purchase the Deluxe Edition of the game, Darth Vader remained inaccessible for play, and the use of this character required a large amount of in-game credits. Players estimated that it would take 40 hours of gameplay to accumulate enough credits to unlock a single hero.[50] In response to the community's backlash, EA's Community Team defended the controversial changes by saying their intent to make users earn credits to unlock heroes was to give users a sense of "pride and accomplishment" after unlocking a hero.[51][52] This led to many Reddit users becoming frustrated at the response, which generated more than 674,000 downvotes,[53] making it the most downvoted comment in the site's history.[54][55][56] In response to the community's outrage, EA lowered the cost of credits to unlock heroes by 75%.[57][58] However, the credits rewarded for completing the campaign were also reduced.[59]

text: On the day before release, EA disabled micro-transactions entirely, citing players' concerns that they gave buyers unfair advantages. They stated their intent to reintroduce them at a later date after unspecified changes had been made.[60]

text: The uproar from social media and poor press reception on its microtransactions had a negative impact on EA's share price which dropped by 2.5% on the launch day of the game. Analysts in Wall Street also lowered their expectation of the game's financial prospect.[61] A Wall Street analyst writing for CNBC noted how video games are still the cheapest entertainment medium per hour of use, and even with the added microtransactions, playing Battlefront II was still notably cheaper than paying to see the theatrical release of a film.[62]

text: By the end of November 2017, EA had lost $3 billion in stock value since the launch of the game.[63]

text: Government response[edit]

text: On November 15, two days before release, the Belgian gambling regulator announced that it was investigating the game, alongside Overwatch, to determine whether loot boxes constituted unlicensed gambling. In response to the investigation, EA claimed that Battlefront II's loot boxes do not constitute gambling.[64] The Minister of Justice of Belgium Koen Geens expressed that if they prove loot boxes violate gambling laws he would start working on banning loot boxes in any future video games sold in the entire European Union.[65][66]

text: Reacting to the conclusion of the Belgian gambling regulator's investigation, the head of Dutch Gambling commission announced a start of their own investigation of Battlefront II and the issue in general, and asked parents "to keep an eye at the games their children play".[67] Chris Lee, a member of the Hawaii House of Representatives, called Star Wars: Battlefront II "an online casino designed to trap little kids" and announced his intention to ban such practices in the state of Hawaii.[68] Another representative compared playing Battlefront II to smoking cigarettes, saying: "We didn't allow Joe Camel to encourage your kids to smoke cigarettes, and we shouldn't allow Star Wars to encourage your kids to gamble."[69][70] Singapore's National Council on Problem Gambling are currently monitoring the situation following the uproar on the game, as loot boxes currently do not fall under the Remote Gambling Act.[71] Authorities in Australia are also investigating the situation.[72]