document_title: And Then There Were None

question_text: who was the killer in and then there were none book

text: And Then There Were None

text: Premise[edit]

text: In the novel, a group of people are lured into coming to an island under different pretexts, e.g., offers of employment, to enjoy a late summer holiday, or to meet old friends. All have been complicit in the deaths of other human beings, but either escaped justice or committed an act that was not subject to legal sanction. The guests and two servants who are present are "charged" with their respective "crimes" by a gramophone recording after dinner the first night, and informed that they have been brought to the island to pay for their actions. They are the only people on the island, and cannot escape due to the distance from the mainland and the inclement weather, and gradually all ten are killed in turn, each in a manner that seems to parallel the deaths in the nursery rhyme. Nobody else seems to be left alive on the island by the time of the apparent last death. A confession, in the form of a postscript to the novel, unveils how the killings took place and who was responsible.

text: Plot summary[edit]

text: On a hot, early August day sometime in the late 1930s, eight people arrive on a small, isolated island off the Devon coast of England. Each appears to have an invitation tailored to his or her personal circumstances, such as an offer of employment or an unexpected late summer holiday. They are met by Thomas and Ethel Rogers, the butler and cook-housekeeper, who state that their hosts, Mr Ulick Norman Owen and his wife Mrs Una Nancy Owen, whom they have not yet met in person, have not arrived, but left instructions, which strikes all the guests as odd.

text: A framed copy of a nursery rhyme, "Ten Little Niggers"[8] (called "Ten Little Indians" or "Ten Little Soldiers" in later editions), hangs in every guest's room, and ten figurines sit on the dining room table. After supper, a gramophone (or "phonograph") record is played; it contains a recording that describes each visitor in turn, accuses each of having committed murder but escaping justice, and then asks if any of "the accused" wishes to offer a defence. All but Anthony Marston and Philip Lombard deny the charges, and Miss Brent refuses to discuss the matter.

text: They discover that none of them actually knows the Owens and conclude that the name "U.N. Owen" is shorthand for "Unknown". In the aftermath of the recording, Marston finishes his drink and immediately dies from cyanide poisoning. The remaining guests notice that one of the ten figurines is now broken, and the nursery rhyme appears to reflect the manner of death ("One choked his little self and then there were nine").

text: The next morning, Mrs Rogers' corpse is found in her bed; she had died in her sleep from an overdose of chloral hydrate. By lunchtime, General MacArthur is found dead, from a heavy blow to his head. Two more figurines are found to be broken, and again the deaths parallel the rhyme. Miss Brent, who had refused to speak with the men present, relates the account of the gramophone charge against her to Vera Claythorne, who later tells the others.

text: A search for "Mr Owen" shows that nobody else is on the island except the remaining seven. The island is a "bare rock" with no hiding places, and no one could have arrived or left; thus, they uncomfortably conclude that any one of the seven remaining persons is the killer. Justice Wargrave leads the group in determining that as of yet, none of them can definitively be ruled out as the murderer. The next morning, Rogers is found dead while chopping wood, and after breakfast, Miss Brent is found dead in the kitchen, where she had been left alone after complaining of feeling unwell; she had been injected with potassium cyanide via a hypodermic needle.

text: Wargrave then suggests searching all the rooms, and any potentially dangerous items they can think of are locked up. Lombard's gun is missing from his room. When Vera goes upstairs to take a bath, she is shocked by the touch and smell of seaweed left hanging from the ceiling of her room and screams; the remaining guests rush upstairs to her room. Wargrave, however, is still downstairs. The others find him seated, immobile and crudely dressed up in the attire of a judge. Wargrave is examined briefly by Dr Armstrong and pronounced dead from a gunshot to the forehead.

text: That night, Lombard appears surprised when he finds his gun returned to his room. Blore catches a glimpse of someone leaving the house but loses the trail. He then discovers Armstrong is absent from his room, and the remaining three guests conclude that Armstrong must be the killer. Vera, Blore, and Lombard decide to stay together at all times. In the morning, they unsuccessfully attempt to signal SOS to the mainland from outside by using a mirror and sunlight. Blore then decides to return to the house for food by himself—the others are not hungry—and is killed by a heavy bear-shaped clock statue that is pushed from Vera's window sill, crushing his skull.

text: Vera and Lombard are now confident that Armstrong is the killer. However, shortly afterwards, the duo come upon Armstrong's body washed up on the beach, which they do not immediately recognize due to decomposition. They realize that Armstrong could not have killed Blore. Panicked, each concludes the other must be the killer, overlooking that neither had the opportunity as they were together on the beach and when they found Blore's body. Quickly regaining her composure, Vera suggests moving the doctor's body past the shore, but this is a pretext. She manages to lift Lombard's gun. When Lombard lunges at her to get it back, she shoots him dead.

text: She returns to the house in a shaken dreamlike state, relieved to be alive. She finds a noose and chair arranged in her room, and a strong smell of the sea. With visions of her former lover, Hugo, urging her on, in a post-traumatic state, she adjusts the noose and kicks the chair out from under her.

text: Two Scotland Yard officials are puzzled by the identity of U.N. Owen. Although they can ostensibly reconstruct the deaths from Marston to Wargrave with the help of the victims' diaries and a coroner's careful report, they are forced to conclude that "U.N. Owen" was one of the victims, but are unable to determine which one. They note that the chair on which Vera stood to hang herself had been set back upright, indicating that someone—presumably the killer—was still alive on the island after her suicide.

text: In a postscript, a fishing ship picks up a bottle inside its trawling nets; the bottle contains a written confession of the killings, which is then sent to Scotland Yard. It is not clear how long after the killings the bottle was discovered.

text: In the confession, Justice Wargrave writes that he has long wished to set an unsolvable puzzle of murder, but is morally limited to victims who are themselves guilty and deserving of such an end. He explains how he tricked the gullible Dr. Armstrong into helping him fake his own death under the pretext that it would supposedly give him the freedom to help the group identify the killer, and also explains that after Vera died, he replaced the chair in her room neatly against the wall. Finally, he reveals how he used the gun and some elastic to ensure his own death matched the account in the guests' diaries. Although he wished to create an unsolvable mystery, he acknowledges in the missive a "pitiful human" need for recognition, hence the confession.

text: He also describes how his first chronological victim was actually Isaac Morris, the sleazy lawyer and drugs trafficker who anonymously purchased the island and arranged the invitations on his behalf. Morris was poisoned before Wargrave departed for the island. Wargrave's intention is that when the police arrive they will find ten bodies, with evidence that someone had been alive after each death, but nobody else on the island, and no way to trace the killer through his invitations or preparations. He states that, although there are three clues that could guide the police to the correct killer, he is confident they will be unable to do so and that the mystery will remain unsolved until the confession is retrieved.

text: Current published version of the rhyme[edit]

text:
Ten little Soldier Boys went out to dine;
One choked his little self and then there were nine.

Nine little Soldier Boys sat up very late;
One overslept himself and then there were eight.

Eight little Soldier Boys travelling in Devon;
One said he'd stay there and then there were seven.[9]

Seven little Soldier Boys chopping up sticks;
One chopped himself in halves and then there were six.

Six little Soldier Boys playing with a hive;
A bumblebee stung one and then there were five.

Five little Soldier Boys going in for law;
One got in Chancery and then there were four.

Four little Soldier Boys going out to sea;
A red herring swallowed one and then there were three.

Three little Soldier Boys walking in the zoo;
A big bear hugged one and then there were two.

Two little Soldier Boys sitting in the sun;
One got frizzled up and then there was one.[10]

One little Soldier Boy left all alone;
He went out and hanged himself and then there were none.[11]

text: Characters[edit]

text: The following details of the characters are based on the original novel. Backstories, backgrounds, and names vary with differing international adaptations, based on censorship, cultural norms, etc.

text:
Anthony James Marston, a handsome but amoral and irresponsible young man, killed two young children (John and Lucy Combes) while driving recklessly, for which he felt no real remorse and accepted no personal responsibility, complaining only that his driving licence had been suspended as a result. He was the first island victim, poisoned with potassium cyanide slipped into his drink while the guests were listening to the gramophone recording. ("One choked his little self ...")
Mrs Ethel Rogers, the cook/housekeeper and Thomas Rogers' wife, described as a pale and ghost-like woman who walks in mortal fear. She was dominated by her bullying husband, who coerced her into agreeing to withhold the medicine of a former employer (Miss Jennifer Brady, an elderly spinster) in order that they might collect an inheritance they knew she had left them in her will. Mrs Rogers was haunted by the crime for the rest of her life, and was the second victim, dying in her sleep from an overdose of chloral hydrate in her brandy. ("One overslept himself ...")
General John Gordon Macarthur, a retired World War I war hero, who sent his late wife's lover (a younger officer, Arthur Richmond) to his death by assigning him to a mission where it was practically guaranteed he would not survive. Leslie Macarthur had mistakenly put the wrong letters in the envelopes on one occasion when she wrote to both men at the same time. The general accepts that no one will leave the island alive, which he tells Vera Claythorne. Shortly thereafter, he is bludgeoned while left alone sitting along the shore. ("One said he'd stay there...")
Thomas Rogers, the butler and Ethel Rogers' husband. He dominated his weak-willed wife, and they killed their former elderly employer by withholding her medicine, causing the woman to die from heart failure, thus inheriting the money she bequeathed them in her will. Despite his wife's death, Rogers was still serving the others. In that capacity, he was killed when bludgeoned with an axe as he cut firewood in the woodshed. ("One chopped himself in halves ...")
Emily Caroline Brent, an elderly, religiously rigid, socially respectable spinster who accepted the vacation on Soldier Island largely due to financial constraints. Years earlier, she had dismissed her young maid, Beatrice Taylor, for becoming pregnant out of wedlock. Beatrice, who had already been rejected by her parents for the same reason, drowned herself, which Miss Brent considered an even worse sin. She refuses to discuss the matter with the gentlemen, telling them, "I have always acted in accordance with the dictates of my conscience. I have nothing with which to reproach myself." Later, she confides what happened regarding Beatrice Taylor to Vera Claythorne, who tells the others shortly before Miss Brent is found dead herself. She was sedated with chloral hydrate in her coffee, leaving her disorientated, before being injected in the neck with potassium cyanide while left alone in the kitchen, with one of Dr Armstrong's hypodermic syringes. The murderer also put a bee into the room. ("A bumblebee stung one...")
Dr Edward George Armstrong, a Harley Street doctor, responsible for the death of a patient, Louisa Mary Clees, after he operated on her while drunk many years earlier. Armstrong is asked by Justice Wargrave to help fake his death, on the pretext that this will leave the judge free to find the killer, but is fooled in doing so – while rendezvousing with the judge at night on a rocky cliff, the judge asks him if he sees a cave. When Armstrong looks, he is pushed by the other man into the sea, and is killed. ("A red herring swallowed one..."). His body goes missing for a while, leading the others to believe that he is the killer, but his corpse washes ashore at the end of the novel, sparking the final confrontation between Vera Claythorne and Philip Lombard in which the latter is killed.
William Henry Blore, a former police inspector and now a private investigator, was accused of falsifying his testimony in court for a bribe from a dangerous criminal gang, which resulted in an innocent man, James Landor, being convicted and sentenced to life imprisonment. Landor, who had a wife and young child, died shortly afterwards in prison. Using the alias "Davis" and claiming to have arrived from South Africa, as he was instructed to do, he is on the island for "security work". His true name is revealed on the gramophone recording. He denies the accusation against him from the gramophone recording, but later privately admits the truth to Lombard. He was crushed by a bear-shaped clock dropped from Vera's bedroom window onto the terrace below. ("A big bear hugged one...")
Philip Lombard, a soldier of fortune. Literally down to his last square meal, he comes to the island with a loaded revolver, as suggested by his invitation letter. Lombard is accused of causing the deaths of a number of East African tribesmen, after stealing their food and abandoning them to their deaths. He and Marston are the only guests to openly and immediately confirm that the accusations against them are true; neither feels any remorse. ("Story's quite true! I left 'em! Matter of self-preservation. We were lost in the bush. I and a couple of other fellows took what food there was and cleared out ... Not quite the act of a pukka sahib, I'm afraid. But self-preservation's a man's first duty. And natives don't mind dying, you know. They don't feel about it as Europeans do.") Lombard fulfilled the ninth referenced verse of the rhyme, shot to death on the beach by Vera, ("One got frizzled up ...") who believed him to be the murderer. Of all the "guests" he is the only one to theorize that "U.N. Owen" might be Wargrave, but the others reject this and it does him no good. He and Vera are the only guests not killed by Justice Wargrave. Technically he is the 8th person to die out of the ten guests.
Vera Elizabeth Claythorne, a cool, efficient, resourceful young woman who is on leave from her position as a sports mistress at a third-rate girls' school. She has largely worked at secretarial jobs ever since her job as a governess was ended by the death of her charge, Cyril Hamilton. Claythorne let the boy drown so his uncle Hugo Hamilton could inherit the family estate and marry her, but Hugo rejected her when he suspected her crime. In the penultimate scene of the novel, she manages to take Lombard's gun, and shoot him dead in what she believed was self-defence. She returns to the house, relieved she has survived. When she goes to her room, she finds a readied noose, complete with chair beneath it, suspended from a hook hanging from the ceiling. She, in what Wargrave, hidden from her sight, describes first hand as a post-traumatic state, sees and hears Hugo, her former lover, encouraging her. She adjusts the noose round her neck and kicks the chair away, fulfilling the rhyme's final verse ("One little Soldier Boy left all alone; He went and hanged himself and then there were none.")
Justice Lawrence John Wargrave, a retired judge, known as a "hanging judge" for liberally awarding the death penalty in murder cases. Wargrave is accused of influencing the jury to hand a guilty verdict to Edward Seton, a man many thought was innocent of his crime of killing an old woman, and sentencing him to death unfairly. However, as the two policemen discuss at Scotland Yard, new evidence after Seton's execution proved he was unmistakably guilty. He admits in his postscript that he has a lifelong hidden sadistic urge to cause death, but felt bound only to indulge it with guilty persons, and a lifelong wish to create a masterpiece of a mystery. Finding himself terminally ill, he creates a game in which, as island owner "U.N. Owen" (i.e., "Unknown"), he entices to an island various people who have been responsible for the deaths of other people, but escaped justice, through a third party agent, Isaac Morris, in order to be a murderer himself, and kill his "guests" in a way that would leave an almost-unsolvable mystery. After the deaths, he arranges the island so that each death appears to have a survivor. However out of what he admits is a "pitiful human need" for recognition, he also writes a confession, which he throws in the sea, and leaves to chance whether it will be found. His final act is to shoot himself in a way that matches the description of his death in some of the other guests' diaries, by using a rubber cord and handkerchief wrapped around the gun when he shoots himself in the head; the elastic will separate and attract no attention, and the gun and cloth will recoil a sufficient distance from him to avoid any suspicion of the true circumstances by the police.
Isaac Morris is an unethical lawyer hired by Wargrave to purchase the island (under the name "U.N. Owen"), arrange the gramophone recording, and make various necessary arrangements on his behalf, including gathering information on the near destitute Philip Lombard, to whom he gave some money to get by (with the promise of more to come) and recommended Lombard bring his gun to the island (a fateful proposition, without which events could not have developed as they did to make Wargrave's gambit successful). Morris's is actually the first death chronologically, as he died before the guests arrived on the island. Morris was responsible for the addiction and suicide of a young woman through his narcotics activities. The victim by chance was the daughter of a friend of Wargrave. A hypochondriac, he trusted "Mr Owen" sufficiently to accept the latter's lethal cocktail of pills, assured they would improve his health, although Wargrave would have had to get rid of him in any event.
Fred Narracott, the boatman who delivered the guests to the island. After doing so, he does not appear again in the story, although Inspector Maine notes it was Narracott who, sensing something seriously amiss, returned to the island as soon as the weather allowed, before he was scheduled to do, and found the bodies. Maine speculates that it was the normalcy and ordinariness of the guests that convinced Narracott to do so and ignore his orders to dismiss any signals requesting help.
Sir Thomas Legge and Inspector Maine, two Scotland Yard detectives who discuss the case in the epilogue. In their conversation, which takes place an unspecified amount of time after the events of the book (but before Wargrave's confession is found), they attempt to reason out the events of the case, but are dumbfounded and unable to solve the mystery. The name Legge is a symbolic name, because, in Italian, it means Law.

text: History of the publication's title[edit]

text: English-language versions[edit]

text: The novel was originally published in 1939 and early 1940 almost simultaneously, in the United Kingdom and the United States. In the UK it appeared under the title Ten Little Niggers, in book and newspaper serialized formats. The serialization was in 23 parts in the Daily Express from Tuesday 6 June to Saturday 1 July 1939. All of the instalments carried an illustration by "Prescott" with the first having an illustration of Burgh Island in Devon which inspired the setting of the story. The serialized version did not contain any chapter divisions.[12] The book retailed for seven shillings and six pence.

text: In the United States it was published under the title And Then There Were None, again in both book and serial formats. Both of the original US publications changed the title from that originally used in the UK, due to the offensiveness of the word in American culture, where it was more widely perceived as a racially loaded ethnic slur or insult compared to contemporary UK culture, and because of the pejorative connotations of the original blackface rhyme. The serialized version appeared in the Saturday Evening Post in seven parts from 20 May (Volume 211, Number 47) to 1 July 1939 (Volume 212, Number 1) with illustrations by Henry Raleigh, and the book was published in January 1940 by Dodd, Mead and Company for $2.[4][5][6]

text: In the original UK novel all references to "Indians" or "Soldiers" were originally "Nigger", including the island's name, the pivotal rhyme found by the visitors, and the ten figurines.[5] (In Chapter 7, Vera Claythorne becomes semi-hysterical at the mention by Miss Brent of "our black brothers", which is understandable only in the context of the original name.) The word "nigger" was already racially offensive in the United States by the start of the 20th century, and therefore the book's first US edition and first serialization changed the title to And Then There Were None and removed all references to the word from the book, as did the 1945 motion picture.[citation needed]

text: The book and its adaptations have since been released under various new names since the original publication, including Ten Little Indians (1946 play, Broadway performance and 1964 paperback book), Ten Little Soldiers and – the most widely used today – And Then There Were None.[citation needed] UK editions continued to use the work's original title until the 1980s; the first UK edition to use the alternative title And Then There Were None appeared in 1985 with a reprint of the 1963 Fontana Paperback.[13]

text:
Christie, Agatha (November 1939). Ten Little Niggers. London: Collins Crime Club. OCLC 152375426.  Hardback, 256 pp. (First edition.)
Christie, Agatha (January 1940). And Then There Were None. New York: Dodd, Mead. OCLC 1824276.  Hardback, 264 pp. (First US edition.)
Christie, Agatha (1944). And Then There Were None. New York: Pocket Books (Pocket number 261). Paperback, 173 pp.
Christie, Agatha (1947). Ten Little Niggers. London: Pan Books (Pan number 4). Paperback, 190 pp.
Christie, Agatha (1958). Ten Little Niggers. London: Penguin Books (Penguin number 1256). Paperback, 201 pp.
Christie, Agatha (1963). And Then There Were None. London: Fontana. OCLC 12503435.  Paperback, 190 pp. (The 1985 reprint was the first UK publication of the novel under the title And Then There Were None.)[13]
Christie, Agatha (1964). Ten Little Indians. New York: Pocket Books. OCLC 29462459.  (First publication of novel as Ten Little Indians.)
Christie, Agatha (1964). And Then There Were None. New York: Washington Square Press. Paperback, teacher's edition.
Christie, Agatha (1977). Ten Little Niggers (Greenway ed.). London: Collins Crime Club. ISBN 0-00-231835-0.  Collected works, Hardback, 252 pp. (Except for reprints of the 1963 Fontana paperback, this was one of the last English-language publications of the novel under the title Ten Little Niggers.)[14]
Christie, Agatha (1980). The Mysterious Affair at Styles; Ten Little Niggers; Dumb Witness. Sydney: Lansdowne Press. ISBN 0-7018-1453-5.  (Late use of the original title in an Australian edition.)
Christie, Agatha (1986). Ten Little Indians. New York: Pocket Books. ISBN 0-671-55222-8.  (Last publication of novel under the title Ten Little Indians.)

text: Foreign language versions[edit]

text: The original title (Ten Little Niggers) still survives in a few foreign-language versions of the novel, such as the Bulgarian title Десет малки негърчета, and was used in other languages for a time, for example in Dutch until the 1994 release of the 18th edition.[citation needed] The title Ten Little Negroes continues to be commonly used in foreign-language versions, for example in Spanish, Greek, Serbian, Romanian,[15] French[16] and Hungarian, as well as a 1987 Russian film adaptation Десять негритят (Desyat Negrityat). In 1999, the Slovak National Theatre staged the play under its original title but changed to A napokon nezostal už nik (And Then There Were None) mid-run.[17]

text: Literary significance and reception[edit]

text: And Then There Were None is one of Agatha Christie's best-known mysteries, widely considered her masterpiece and described by her as the most difficult of her books to have written.[2] Writing for The Times Literary Supplement of 11 November 1939, Maurice Percy Ashley stated, "If her latest story has scarcely any detection in it there is no scarcity of murders... There is a certain feeling of monotony inescapable in the regularity of the deaths which is better suited to a serialized newspaper story than a full-length novel. Yet there is an ingenious problem to solve in naming the murderer", he continued. "It will be an extremely astute reader who guesses correctly."[18]

text: Many other reviews were also complimentary; in The New York Times Book Review (25 February 1940), Isaac Anderson detailed the set-up of the plot up to the point where "the voice" accuses the ten "guests" of their past crimes or sins, which have all resulted in the deaths of other human beings, and then said, "When you read what happens after that you will not believe it, but you will keep on reading, and as one incredible event is followed by another even more incredible you will still keep on reading. The whole thing is utterly impossible and utterly fascinating. It is the most baffling mystery that Agatha Christie has ever written, and if any other writer has ever surpassed it for sheer puzzlement the name escapes our memory. We are referring, of course, to mysteries that have logical explanations, as this one has. It is a tall story, to be sure, but it could have happened."[19]

text: Such was the quality of Christie's work on this book that many compared it to her novel The Murder of Roger Ackroyd (1926). For instance, an unnamed reviewer in the Toronto Daily Star of 16 March 1940 said, "Others have written better mysteries than Agatha Christie, but no one can touch her for ingenious plot and surprise ending. With And Then There Were None... she is at her most ingenious and most surprising... is, indeed, considerably above the standard of her last few works and close to the Roger Ackroyd level."[20]

text: Other critics laud the use of plot twists and surprise endings. Maurice Richardson wrote a rhapsodic review in The Observer's issue of 5 November 1939 which began, "No wonder Agatha Christie's latest has sent her publishers into a vatic trance. We will refrain, however, from any invidious comparisons with Roger Ackroyd and be content with saying that Ten Little Niggers is one of the very best, most genuinely bewildering Christies yet written. We will also have to refrain from reviewing it thoroughly, as it is so full of shocks that even the mildest revelation would spoil some surprise from somebody, and I am sure that you would rather have your entertainment kept fresh than criticism pure." After stating the set-up of the plot, Richardson concluded, "Story telling and characterisation are right at the top of Mrs Christie's baleful form. Her plot may be highly artificial, but it is neat, brilliantly cunning, soundly constructed, and free from any of those red-herring false trails which sometimes disfigure her work."[3]

text: Robert Barnard, a recent critic, concurred with the reviews, describing the book as "Suspenseful and menacing detective-story-cum-thriller. The closed setting with the succession of deaths is here taken to its logical conclusion, and the dangers of ludicrousness and sheer reader-disbelief are skillfully avoided. Probably the best-known Christie, and justifiably among the most popular."[21]

text: The original title of the mystery (Ten Little Niggers) has long been abandoned as offensive in English-speaking countries and a number of others. Some critics have opined that Christie's original title and the setting on "Nigger Island" (later changed to "Indian Island" and "Soldier Island", variously) may be integral to the work. These aspects of the novel, argues Alison Light, "could be relied upon automatically to conjure up a thrilling 'otherness', a place where revelations about the 'dark side' of the English would be appropriate."[22] Unlike novels such as Heart of Darkness, "Christie's location is both more domesticated and privatized, taking for granted the construction of racial fears woven into psychic life as early as the nursery. If her story suggests how easy it is to play upon such fears, it is also a reminder of how intimately tied they are to sources of pleasure and enjoyment."[22]

text: In the "Binge!" article of Entertainment Weekly Issue #1343-44 (26 December 2014–3 January 2015), the writers picked And Then There Were None as an "EW favorite" on the list of the "Nine Great Christie Novels".[23]

text: Adaptations[edit]

text: And Then There Were None has had more adaptations than any other single work by Agatha Christie. Many adaptations incorporate changes to the story, such as using Christie's alternative ending from her 1943 stage play or changing the setting to locations other than an island.

text: Film[edit]

text: There have been numerous film adaptations of the novel, some comedic. Examples include:

text:
And Then There Were None (1945 film), René Clair's cinema adaptation, was a successful US production
Ten Little Indians (1965 film), is George Pollock's cinema adaptation
Gumnaam (1965, translation: Unknown or Anonymous) is an Indian suspense thriller film adaptation
Nadu Iravil (1970, translation: In the middle of the night), a Tamil adaptation directed by Sundaram Balachander[24]
And Then There Were None (1974 film), the first English-language colour version, directed by Peter Collinson
Desyat' Negrityat (1987, Десять негритят, Eng: "Ten Little Negroes") Stanislav Govorukhin's Russian adaptation keeps intact Christie's grim storyline and ending.
Ten Little Indians, a 1989 American version directed by Alan Birkinshaw
Aduthathu (2012) is a Tamil adaptation[25]
Aatagara (2015) is a Kannada film adaptation[26]

text: Radio[edit]

text:
The BBC broadcast "Ten Little Niggers" (1947), adapted by Ayton Whitaker, first aired as a Monday Matinee on the BBC Home Service on 27 December 1947 and as Saturday Night Theatre on the BBC Light Programme on 29 December.[27]
On 13 November 2010, as part of its Saturday Play series, BBC Radio 4 broadcast a 90-minute adaptation written by Joy Wilkinson. The production was directed by Mary Peate and featured, among others, Geoffrey Whitehead as Justice Wargrave, Lyndsey Marshal as Vera Claythorne, Alex Wyndham as Philip Lombard, John Rowe as Dr. Armstrong, and Joanna Monro as Emily Brent. In this production, which is extremely faithful to the novel, the rhyme is "Ten Little Soldier Boys".[citation needed]

text: Stage[edit]

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2016) (Learn how and when to remove this template message)

text:
And Then There Were None (1943 play) is Christie's adaptation of the story for the stage. She and the producers agreed that audiences might not flock to a tale with such a grim ending as the novel, nor would it work well dramatically as there would be no one left to tell the story. Thus, she reworked the ending for Lombard and Vera to be innocent of the crimes of which they were accused, survive, and fall in love with each other. Some of the names were also changed, e.g., General Macarthur became General McKenzie (possibly due to the real-life General Douglas MacArthur's then playing a prominent role in the ongoing World War II[citation needed]).
And Then There Were None (1944 play), Dundee Repertory Theatre Company was given special permission to restore the original ending of the novel. The company first performed a stage adaptation of the novel in 1944 under its original title.[28]
And Then There Were None (2005 play), On 14 October 2005, a new version of the play, written by Kevin Elyot and directed by Steven Pimlott, opened at the Gielgud Theatre in London. For this version, Elyot returned to the original story, restoring the nihilism of the original.[citation needed]

text: Television[edit]

text: Several variations of the original novel were adapted for television, three of which were British adaptations. The first of these, in 1949, was produced by the BBC[29]. The second was produced in 1959[30], by ITV. Both of those productions aired with Christie's original title. The third and most recent British adaptation aired as And Then There Were None on BBC One in December 2015, as a mini-series produced in cooperation with Acorn Media and Agatha Christie Productions. The 2015 production adhered more closely to the original plot, though there were several differences, and was the first English language film adaptation to feature an ending similar to that of the novel.[31]

text: On 25 and 26 March, 2017 TV Asahi in Japan aired そして誰もいなくなった (Soshite daremo inakunatta), a Japanese language adaptation by Nagasaka Shukei (長坂秀佳) of the original story set in modern times.[32][33]

text: Other media[edit]

text: The novel has been the inspiration for several video games. For the Apple II, Online Systems released the game Mystery House in 1980. On the PC, The Adventure Company released the video game Agatha Christie: And Then There Were None in 2005, the first in a series of PC games based on Christie novels. In February 2008, it was ported to the Wii console. The identity of the murderer is not that of the killer in the original book. The game player assumes the role of Patrick Naracott (brother of Fred Naracott, who is involved in a newly created subplot), who is stranded with the others when his boat is scuttled. This allows for alternate, more successful endings in which Naracott survives and is able to prevent the murders of the innocent Lombard and Claythorne. All endings depart markedly from the novel and previous adaptations in that the killer and motives are different.[citation needed]

text: And Then There Were None was released by HarperCollins as a graphic novel adaptation on 30 April 2009, adapted by François Rivière and illustrated by Frank Leclercq.[2]

text: Peká Editorial released a board game based on the book, created by Judit Hurtado and Fernando Chavarría, and illustrated by Esperanza Peinado.[34]

text: Timeline of adaptations[edit]

text:
type
Title
Year
Notes

Film
And Then There Were None
1945
American film and first cinema adaptation. Produced & directed by René Clair.

TV
Ten Little Niggers
1949
BBC television production (IMDb)

TV
Ten Little Niggers
1959
ITV television production (IMDb)

TV
Ten Little Indians
1959
NBC television production (IMDb)

Film
Ten Little Indians
1965
British film and second cinema adaptation. Directed by George Pollock and produced by Harry Alan Towers; Pollock had previously handled four Miss Marple films starring Margaret Rutherford. Set in a mountain retreat in Austria.

Film (loosely based)
Gumnaam
1965
Uncredited Hindi film adaptation, which adds the characteristic "Bollywood" elements of comedy, music and dance to Christie's plot.[citation needed]

TV
Zehn kleine Negerlein
1969
West German television production (IMDb)

Film
And Then There Were None
1974
English language film by Peter Collinson and produced by Harry Alan Towers. First English-language color film version of the novel, based on a screenplay by Towers (writing as "Peter Welbeck"), who co-wrote the screenplay for the 1965 film. Set at a grand hotel in the Iranian desert.

TV
Ten Little Slaves (Achra Abid Zghar)
1974
Télé Liban TV series directed by Jean Fayyad, TV Adaptation by Latifeh Moultaka. (Facebook Page)

Film
Desyat' negrityat
Десять негритят
("Ten Little Negroes")
1987
Russian film version produced/directed by Stanislav Govorukhin, notable for being the first cinema adaptation to keep the novel's original plot and grim ending.

Film
Ten Little Indians
1989
British film, produced by Harry Towers and directed by Alan Birkinshaw, set on safari in the African savannah.

TV
Ten Little Slaves (Achra Abid Zghar)
2014
MTV Lebanon television production (MTV)

TV
And Then There Were None
2015
BBC One miniseries broadcast on three consecutive nights, directed by Craig Viveiros and adapted by Sarah Phelps. Similar to book, although not identical, with changes to backstories and actual murders on the island.

TV
Soshite Daremo Inakunatta
2017
Japanese TV Asahi miniseries broadcast on two consecutive nights, directed by Seiji Izumi and adapted by Hideka Nagasaka. (TV Asahi)

text: Parodies, references and related works[edit]

text: In 1930, The Ninth Guest by Owen Davis, premiered on Broadway. Its plot (and that of the 1934 film based on the play) strongly matches that of Christie's novel, including a recorded voice announcing to the invitees that their sins will be visited upon them by death. Davis's play was based on the novel The Invisible Host, by Gwen Bristow and Bruce Manning (also 1930), both of which predated Christie's novel by nine years.[35]

text: The 1933 K.B.S. Productions Sherlock Holmes film, A Study in Scarlet, predates the publication of Ten Little Indians and follows a strikingly similar plot;[36] it includes a scene where Holmes is shown a card with the hint: "Six little Indians ....bee stung one and then there were five"; the film predates the novel by six years. Though it is a Sherlock Holmes movie, the movie bears no resemblance to Arthur Conan Doyle's original story of the same name. In this case, the rhyme refers to "Ten Little Fat Boys". The author of the movie's screenplay, Robert Florey, "doubted that [Christie] had seen A Study in Scarlet, but he regarded it as a compliment if it had helped inspire her".[37]

text: Several parodies have been made. As early as autumn 1942, "World's Finest Comics" (#7, Fall Issue) had a Superman story by Jerry Siegel and Joe Shuster called "The Eight Doomed Men" which used Christie's basic structure and even borrowed a number of her victim's backgrounds, although Superman intervened to rescue half of the intended victims and the killer's motivation was changed to specific revenge. Siegel and Shuster anticipated the 1965 film by moving the locale to a mountain cabin and tossed in a Zeppelin-like dirigible – one location not yet used in adaptations of the story.

text: Another parody, the 1976 Broadway musical Something's Afoot, stars Tessie O'Shea as a female sleuth resembling Miss Marple. Something's Afoot takes place in a remote English estate, where six guests have been invited for the weekend. The guests, as well as three servants and a young man who claims to have wandered innocently onto the estate, are then murdered one by one, several in full view of the audience, with the murderer's surprise identity revealed at the end. For an encore, the murdered cast members perform a song, "I Owe It All to Agatha Christie".[citation needed]

text: In the 1967 The Avengers episode "The Superlative Seven"[38] John Steed is invited to a costume party aboard a chartered aeroplane. The aeroplane is being flown by remote control. Steed and the six other fancy-dressed guests, who are specialists in various combat styles, eventually land on a deserted island where they are informed that one of them is a trained assassin trying to kill them all. When the first murder is committed, Steed observes "Looks as though his back was broken". To which an off-screen protagonist responds, over a speaker, "Quite right, Mr Steed. And then there were six".[39] CSI:Crime Scene Investigation based an episode of the show's second season under the same name focusing on a gang of armed robbers stealing from casinos outside the Las Vegas metropolitan area with each criminal killing a member of the gang to keep more of the proceeds. The animated US sitcom Family Guy loosely parodied the novel in the 2010 episode And Then There Were Fewer in which a number of previously regular characters were killed off.

text: The 1998 anime film Case Closed: The Fourteenth Target is a combination of this story, with intended victims invited to a secluded island and the murderer hiding amongst them, and Christie's Hercule Poirot novel The A.B.C. Murders.

text: The sixth game of the Touhou Project series Embodiment of Scarlet Devil contains references to the Christie novel in the Extra boss, such as the title of the music being played called "U.N Owen Was Her?", an attack named "And Then There Were None" and also dialogues quoting the book.

text: The season 2 finale of the Australian TV show Miss Fisher's Murder Mysteries ("Murder under the Mistletoe", 2013) mirrors the plot of Christie's novel. Guests stranded in a secluded mansion are murdered one by one according to the circumstances described in the "12 Days of Christmas." Like in the Christie novel, the guests soon realize that the murderer must be among them, but the culprit escapes detection by means of a bluff involving one of the corpses. The episode follows the 1965 film Ten Little Indians in re-imagining the island as a snowed-in inaccessible chalet.

text: In Anthony Horowitz's detective series, The Diamond Brothers, the case I Know What You Did Last Wednesday pays homage to And Then There Were None; protagonist Nick Diamond accompanies his brother Tim to a school reunion on a lonely island where the various guests start dying in a manner that reflects back to a subject that they came first in at school (the person who came first in chemistry is poisoned, the one who came first in geography is crushed by a globe, etc.), with the killer revealed at the conclusion to be a former schoolfriend who came second in everything.

text: Sierra's Laura Bow adventure game has a similar plot, inspired by the novel, where some (although innocent) people are murdered by a serial killer who is also found dead before their true identity is revealed.


document_title: Peanut butter and jelly sandwich

question_text: where did the peanut butter and jelly sandwich originate

root

text: Peanut butter and jelly sandwich

text: History[edit]

text: Peanut butter was originally paired with a diverse set of foods, such as pimento, cheese, celery, watercress, and toasted crackers.[5] In a Good Housekeeping article published in May 1896, a recipe "urged homemakers to use a meat grinder to make peanut butter and spread the result on bread." The following month, the culinary magazine Table Talk published a "peanut butter sandwich recipe.[6][7] In the early 1900s, this sandwich was adopted down the class structure as the price of peanut butter dropped. It became popular with children by the 1920s as manufacturers began adding sugar to the peanut butter.[8] Since World War II, both peanut butter and jelly were found on US soldiers' military ration list.[9]

tag: p

text: Nutrition[edit]

text: A peanut butter and jelly sandwich made with white bread, two tablespoons each of peanut butter and strawberry jelly, provides 27% of a person's Recommended Daily Intake of fat and 22% of their calories.[1]

text: While roughly 50% of the calories are from fat, most of them come from monounsaturated fat and polyunsaturated fats, which have been linked positively with heart health.[10]

text:
Sandwich preparation

Close-up view of a cut peanut butter and jelly sandwich

tag: ul


document_title: Conan the Destroyer

question_text: where was the movie conan the destroyer filmed

text: Conan the Destroyer

text: Plot[edit]

text: Conan (Schwarzenegger) and his companion, the thief Malak (Walter), are confronted by Queen Taramis (Sarah Douglas) of Shadizar. She tests their combat ability with several of her guards. Satisfied, she tells Conan that she has a quest for him. He refuses her, but when she promises to resurrect his lost love, Valeria, Conan agrees to the quest. He is to escort the Queen's niece, Jehnna (Olivia d'Abo), a virgin, who is destined to restore the jeweled horn of the dreaming god Dagoth; a magic gem must first be retrieved that will locate the horn. Conan and Malak are joined by Bombaata (Chamberlain), the eunuch captain of Taramis's guard. Bombaata has secret orders to kill Conan once the gem is obtained.

text: Because the gem is secured in the fortress of a powerful wizard, Conan seeks the help of his friend, Akiro (Mako), the Wizard of the Mounds. Akiro has been captured by a tribe of cannibals, and must first be rescued. Afterward, the adventurers encounter Zula (Grace Jones), a powerful bandit warrior being tortured by vengeful villagers. Freeing Zula at Jehnna's request, Conan accepts the indebted warrior's offer to join their quest.

text: The adventurers travel to the castle of Toth-Amon (Pat Roach), where the gem is located. As they camp for the night, the wizard takes the form of a giant bird and kidnaps Jehnna. The others wake in time to see the bird enter the castle. Sneaking in through a water gate, they search the castle, but Conan is separated from the group, and the others are forced to watch him battle a fierce man-beast. Conan mortally wounds the creature, which is revealed as another form of Toth-Amon. With the wizard's death, the castle begins to disintegrate, forcing the group's hasty retreat. They are ambushed by Taramis's guards, but drive them off. Bombaata feigns ignorance about the attack. The gem reveals the location of the jeweled horn. Jehnna expresses romantic interest in Conan, but he rebuffs her and declares his devotion to Valeria.

text: They reach an ancient temple, where the horn is secured. Jehnna obtains it while Akiro deciphers engravings. He learns that Jehnna will be ritually sacrificed to awaken Dagoth. They are attacked by the priests who guard the horn. A secret exit is revealed, but Bombaata blocks the others' escape and seizes Jehnna. Despite this treachery, Conan and his allies escape from the priests and trek to Shadizar to rescue Jehnna.

text: Malak shows them a secret route to the throne room. Conan confronts Bombaata and kills him in combat. Zula impales the Grand Vizier (Jeff Corey) before he can sacrifice Jehnna. Because Bombaata and the Vizier were "impure sacrifices", the rising Dagoth (André the Giant) becomes distorted from a beautiful human form into a monstrous entity. Dagoth kills Taramis, then attacks Conan. Zula and Malak join the fight, but are effortlessly swept aside by the entity. Akiro tells Conan that the horn is the monster's power source, Conan leaps onto the demon's back and tears out Dagoth's horn, weakening the creature enough to kill him.

text: Afterwards, the newly crowned Queen Jehnna offers each of her companions a place in her new court: Zula will be the new captain of the guard, Akiro the queen's advisor, and Malak the court jester. Jehnna offers Conan marriage and the opportunity to rule the kingdom with her, but he declines and departs to find further adventures and his own place in the world.

text: Cast[edit]

text:
Arnold Schwarzenegger as Conan
Grace Jones as Zula
Wilt Chamberlain as Bombaata
Mako as Akiro
Tracey Walter as Malak
Sarah Douglas as Queen Taramis
Olivia d'Abo as Princess Jehnna
Pat Roach as Toth-Amon
Jeff Corey as Grand Vizier
Sven-Ole Thorsen as Togra
André the Giant as Dagoth
Ferdy Mayne as The Leader

text: Production[edit]

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2017) (Learn how and when to remove this template message)

tag: table

text: Toning down the violence[edit]

text: When John Milius, director of Conan the Barbarian, was unavailable, Dino De Laurentiis suggested Richard Fleischer to his daughter Raffaella De Laurentiis, who was producing Conan the Destroyer. Fleischer had already made Barabbas (1961) and Mandingo (1975) for Dino De Laurentiis.

text: Conan the Barbarian made about $40 million at the U.S. box office when it was released in 1982 with an R-rating, and an additional $50 million in foreign markets. Because Universal Pictures and producer Dino De Laurentiis thought it would have been even more successful if it had been less violent, they wanted to tone down the violence in the sequel. Conan the Destroyer originally received an R-rating like its predecessor, but the film was recut to secure a PG-rating. Fleischer delivered a movie that was less violent (and somewhat more humorous) than the first, although some scenes of violence have bloody results (the PG-13 rating did not exist until August of that same year). Carlo Rambaldi created the Dagoth monster.

text: Casting[edit]

text: Arnold Schwarzenegger and Mako Iwamatsu, who played the Wizard of the Mound and narrator in the first film, return from the first film, and Mako's character is now named. Sven-Ole Thorsen, who played Thorgrim in the first film, also returned, but this time he had to partially cover his face with a mask, as he was playing a different (yet more bearded) character. Singer Grace Jones performed the female warrior Zula, the last of her tribe. This was the first major role for seven-foot, one-inch-tall basketball player Wilt Chamberlain and the debut of Olivia d'Abo, who played the petulant teenaged princess.[3] David L. Lander was originally cast to play the foolish thief Malak, but due to his deteriorating health from the onset of multiple sclerosis, he was forced to quit the project, and the part was recast with Tracey Walter.[4] André the Giant played Dagoth, but was not credited in the film, as he was in costume.[5]

text: Photography[edit]

text: Conan the Destroyer was the fourth film on which British director of photography Jack Cardiff worked with Fleischer. Cardiff had already photographed The Vikings (1958), Crossed Swords (1977), and Amityville 3-D (1983) for the director. They worked together twice more on Million Dollar Mystery (1987), and Fleischer’s last film, the short Call from Space (1989), which was shot in the 65-mm Showscan process. Cardiff’s other notable films include John Huston's The African Queen (1951), King Vidor's War and Peace (1956), and Rambo: First Blood Part II (1985). However, he is best known for his extraordinary Technicolor photography on three films directed by Michael Powell and Emeric Pressburger in the 1940s — A Matter of Life and Death (1946), Black Narcissus (1947, for which Cardiff won an Oscar), and The Red Shoes (1948).

text: Locations[edit]

text: Shooting took place in Mexico from November 1 to February 10, 1984.[3]

text: Deleted scenes[edit]

text: In the film, a camel is knocked to the ground, and after struggling to get back up, its hind legs are drawn forward with wires so that it is forced to sit down before falling to the ground. This sequence is cut from the U.K. version, although a later scene in which Conan apologizes to the camel is left in. Also cut is a double horse-fall in the opening battle.[citation needed] To secure a PG rating, Sarah Douglas said several scenes involving her character were cut, including a sex scene with Schwarzenegger, slapping Chamberlain, a virgin sacrifice, and the seduction of a statue.[6]

text: Music[edit]

text: The musical score of Conan The Destroyer was composed, conducted, and produced by Basil Poledouris, and it was performed by the orchestra Unione Musicisti Di Roma.[3]

text: Reception[edit]

text: Conan the Destroyer grossed $31 million in the U.S.[1] Schwarzenegger, Fleischer, and De Laurentiis subsequently teamed up again to make Red Sonja a year later. The film was nominated for two Razzie Awards, including Worst Supporting Actress and won Worst New Star for D'Abo.[7]

text: Roger Ebert rated the film 3 out of 4 stars and wrote that Conan the Destroyer is "sillier, funnier, and more entertaining" than the first film. In praising the film's use of character actors, Ebert singled out Jones, who he said brings rock star charisma to her role.[8] Variety called it "the ideal sword and sorcery picture" and also praised Jones.[9] Vincent Canby of The New York Times wrote that Schwarzenegger struggles with the film's more comedic tone.[10]

text: Rotten Tomatoes, which collects both contemporary and modern reviews, reports that 26% of 23 surveyed critics gave the film a positive review; the average rating is 4.4/10.[11]

text: Marvel Comics published a comic-book adaptation of the film by writer Michael Fleisher and artist John Buscema in Marvel Super Special #35 (Dec. 1984).[12] The adaptation was also available as a two-issue limited series.[13]

text: Roy Thomas and Gerry Conway wrote the original story treatment but were dissastified with the final screenplay by Stanley Mann and the finished film. They made their story into the graphic novel Conan the Barbarian: The Horn of Azoth, published in 1990, with art by Mike Docherty.[14] The names of the characters were changed to distance the graphic novel from the movie: Dagoth became Azoth, Jehnna became Natari, Zula became Shumballa, Bombaata became Strabo, Thoth-Amon became Rammon, and the characters of Queen Taramis and The Leader were combined into sorcerer Karanthes, father of Natari.

text: Robert Jordan wrote a novelization of the film in 1984 for Tor Books.

text: Conan the Conqueror[edit]

text: The third film in the Conan trilogy had been planned for a 1987 release with the title Conan the Conqueror. The director was to have been either Guy Hamilton or John Guillermin. Arnold Schwarzenegger, however, was committed to the film Predator, and De Laurentiis's contract with the star had expired after his obligation to Red Sonja and Raw Deal, and he was not keen to negotiate a new one. The third Conan film thus sank into development hell. The script was eventually turned into Kull the Conqueror.[15][16]

text: In popular culture[edit]

text: Kim Wayans' spoof portrayals of Grace Jones on the show In Living Color are based on Grace's performance of Zula in this film. In 1985, Australian heavy metal music group Prowler changed its name to Taramis after the character from this film.[17]


document_title: I'm a Celebrity...Get Me Out of Here! (Australian TV series)

question_text: who won i'm a celebrity get me out

question_tokens: who won i 'm a celebrity get me out

text: Format[edit]

text: The premise of the show is that there is a group of well known personalities living together in a specially constructed camp site in a jungle. During their time in the jungle they are isolated from the outside world and are not commonly aware of outside events. The contestants compete for $100,000 to be donated to a charity of their choosing, in addition to being personally reimbursed for their participation.[9] While in the jungle, some of the contestants (generally voted by the viewing public) compete in challenges for food and luxuries for the camp. These challenges often involve local wildlife and are meant to take the contestants out of their comfort zone. Each week one or more of the contestants are evicted from the jungle, based on viewer votes. In addition, if the contestants become overwhelmed by their situation they can leave the series by speaking the phrase "I'm a celebrity get me out of here!". However, it is reported that if contestants do quit they will have their income for participating in the series markedly reduced.[10] Throughout the show, additional contestants (called "intruders") enter the competition; and beginning with season two, some contestants are only included temporarily (i.e. having a guest appearance).[11] In the end, a final viewer vote occurs to determine the winner of the series, who is given the title of "King and/or Queen of the Jungle".

text: Tucker trials[edit]

text: The contestants take part in daily trials to earn food. These trials aim to test both physical and mental abilities. The winner is usually determined by the number of stars collected during the trial, with each star representing a meal earned by the winning contestant for their camp mates.

text: Celebrity chest challenges[edit]

text: Two or more celebrities are chosen to take part in the celebrity chest challenge to win luxuries for camp. Each challenge involves completing a task to win a chest to take back to camp. However, to win the luxury item in the chest, the campmates must correctly answer a question. If they fail to answer correctly, the luxury item is forfeited and a joke prize is won. The luxury item is "donated" by a celebrity from the outside.

text: Secret mission[edit]

text: This is a challenge where some celebrities have to take part without alerting the other celebrities - if they are successful in their 'missions', they are rewarded.

text: Mystery box[edit]

text: A mystery box sees a box delivered to the campsite, each time containing a different gift for the contestants.

text: Production[edit]

text: Broadcast[edit]

text: The show is broadcast Sunday to Thursday at 7.30 pm, with a weekly eviction show on Sunday (except for the first week, where the celebrities arrive in the 'jungle'). All shows are presented by Julia Morris & Chris Brown from a nearby studio. The program is live to AEDT States (New South Wales, Victoria, Tasmania and the Australian Capital Territory), in other states the program is delayed to accommodate local time zones.

text: The fallout zone[edit]

text: In addition to the television broadcast, for the first season a live feed from the camp site aired for an hour after the AEDT airing of the show on Ten's website and mobile app, titled The Fallout Zone but more commonly referred to as FOZ. The content of feed was available on the website after the fact so viewers in other states could watch the show after their airing of the main show. The feed was hosted by comedian Sam Mac and producer Ciaran "The Butcher" Flannery, also known as "The C-Word". On 8 and 12 March 2015, producer Dominic "The Domin8or" Sullivan filled in during Flannery's absence. The duo interact with viewers through Twitter, using the hashtag #FOZ. Mac and Flannery have no control over the shots used in the stream which has resulted in one episode featuring a 20-minute shot of a waterfall and, on 16 February 2015, a 15-minute conversation featuring a sound technician looking for Bob being picked up. On 5 March 2015 the show famously featured audio problems during which Mac and Flannery's voices fluctuated between chipmunk and Darth Vader filters for the first thirty minutes. The show's theme song is Highway to the Fallout Zone sung by Sam Mac. The show did not return for the second season.

text: Public voting[edit]

text: Throughout the show the public votes on who competes in the following tucker trial and who to evict from the campsite. Viewers can either vote via SMS (by texting the name of the celebrity to 1995 1010) or vote via Social Media (namely Facebook or Twitter) by using the celebrity's hashtag (#celeb[name]). Voting via social media is limited to 20 votes per account. For tucker trial voting, viewers vote for celebrity they wish to compete. For eviction voting, viewers vote for a celebrity to stay. Voting closes at approximately 7:30pm AEDT for Sunday's eviction vote and at approximately 8pm AEDT for voting on other days.

text: Prior to the premiere of the second season, it was announced that the voting process would change slightly compared to the inaugural season. SMS voting wil be used for both trial and eviction voting while Twitter voting will be used exclusively for trial voting. This change was implemented to even the playing field between celebrities with a larger international fan base (who are more likely to receive Twitter votes from said fan base) and celebrities with a smaller fan base who are only known in Australia.[12] However, this decision was later reversed, allowing Twitter and Facebook votes for the finals.[13]

text: Series overview[edit]

text: Winners crowned King or Queen of their respective year.

text: Key:

text:
Season
Presenters
Start date
End date
Days in camp
Campmates
Honour places

Winner
Second place
Third place

1
Chris Brown and Julia Morris
1 February 2015 (2015-02-01)
15 March 2015 (2015-03-15)
45
14
Freddie Flintoff
Barry Hall
Chrissie Swan

2
31 January 2016 (2016-01-31)
13 March 2016 (2016-03-13)
45
12
Brendan Fevola
Paul Harragon
Laurina Fleure

3
29 January 2017 (2017-01-29)
13 March 2017 (2017-03-13)
46
14
Casey Donovan
Dane Swan
Natalie Bassingthwaighte

4
28 January 2018 (2018-01-28)
12 March 2018 (2018-03-12)
45
15
Fiona O'Loughlin
Shannon Noll
Danny Green

5

2019
2019

text: Series results[edit]

text: Season 1 (2015)[edit]

text:
Celebrity
Known for
Day Entered
Day Exited
Result

 Freddie Flintoff
England and Wales cricketer
17
45
Winner

 Barry Hall
Former AFL forward
1
45
Runner-up

 Chrissie Swan
Television & radio broadcaster
1
45
Third Place

 Maureen McCormick
The Brady Bunch actress
1
42
Evicted 11th

 Joel Creasey
Comedian
1
41
Evicted 10th

 Anna Heinrich
The Bachelor Australia star
10
41
Evicted 9th

 Julie Goodwin
Chef & cookbook author
17
40
Evicted 8th

 Merv Hughes
Former test match cricketer
1
39
Evicted 7th

 Tyson Mayr
Model
1
38
Evicted 6th

 Andrew Daddo
Television & radio presenter
1
31
Evicted 5th

 Lauren Brant
Hi-5 singer
1
24
Evicted 4th

 Laura Dundovic
Miss Universe Australia 2008
1
17
Evicted 3rd

 Tim Robards
The Bachelor Australia star
10
17
Evicted 2nd

 Leisel Jones
Olympic swimmer
1
10
Evicted 1st

text: Season 2 (2016)[edit]

text:
Celebrity
Known for
Day Entered
Day Exited
Result

 Brendan Fevola
AFL full-forward
1
45
Winner

 Paul Harragon
Former NRL prop forward
1
45
Runner-up

 Laurina Fleure
The Bachelor Australia 2 star
1
45
Third Place

 Anthony Callea
Singer-songwriter
1
42
Evicted 9th

 Shane Warne
Retired international cricketer
2
41
Evicted 8th

 Havana Brown
DJ
1
40
Evicted 7th

 Jo Beth Taylor
Television presenter
1
39
Evicted 6th

 Val Lehman
Prisoner actress
1
38
Evicted 5th

 Dean Geyer
Glee actor
1
31
Evicted 4th

 Bonnie Lythgoe
So You Think You Can Dance Australia judge
1
24
Evicted 3rd

 Akmal Saleh
Comedian
1
17
Evicted 2nd

 Courtney Hancock
Ironwoman
1
10
Evicted 1st

text: Season 3 (2017)[edit]

text:
Celebrity
Known for
Day Entered
Day Exited
Result

 Casey Donovan
Singer-songwriter (Australian Idol Winner)
1
46
Winner

 Dane Swan
AFL Legend
1
46
Runner-Up

 Natalie Bassingthwaighte
Singer & Actress
1
46
Third Place

 Nazeem Hussain
Comedian
1
45
Evicted 11th

 Steve Price
Radio Shock Jock
1
42
Evicted 10th

 Lisa Curry
Olympic Swimmer
1
41
Evicted 9th

 Ash Pollard
My Kitchen Rules contestant
1
40
Evicted 8th

 Carson Kressley
TV Personality
25
39
Evicted 7th

 Tegan Martin
Beauty Queen
1
38
Evicted 6th

 Keira Maguire
The Bachelor Australia 4 star
19
35
Evicted 5th

 Kris Smith
TV Personality & Model
2
35
Evicted 4th

 Tziporah Malkah
Former Model
2
31
Evicted 3rd

 Jay Laga'aia
Actor & Singer
1
24
Evicted 2nd

 Tom Arnold
Hollywood Actor
1
17
Evicted 1st

text: Season 4 (2018)[edit]

text:
Celebrity
Known for
Day Entered
Day Exited
Result

 Fiona O'Loughlin
Comedian
1
45
Winner

 Shannon Noll
Singer
1
45
Runner-up

 Danny Green
Boxer
7
45
Third place

 Vicky Pattison
Reality TV Star (I'm a Celeb UK, Winner)
17
44
Evicted 10th

 Simone Holtznagel
Model
1
41
Evicted 9th

 Peter Rowsthorn
Actor & Comedian
1
40
Evicted 8th

 Jackie Gillies
Psychic & Reality TV Star
1
39
Evicted 7th

 Josh Gibson
AFL Player
1
38
Evicted 6th

 Paul Burrell
Former Royal Butler (I'm a Celeb UK, Runner Up)
17
37
Evicted 5th

 Lisa Oldfield
Reality TV Star
24
34
Evicted 4th

 David Oldfield
Former Politician
24
30
Evicted 3rd

 Kerry Armstrong
Actress
1
23
Evicted 2nd

 Tiffany Darwish
Singer
1
16
Evicted 1st

 Anthony Mundine
Boxer
2
12
Withdrew

 Bernard Tomic
Tennis Player
1
3
Withdrew

text: Season 5 (2019)[edit]

text: Ratings[edit]

text:
Season
Episodes
Premiere
Finale
Source

Premiere date
Premiere viewers
(Opening Night)
Rank
Premiere viewers
(Welcome to the Jungle)
Rank
Finale date
Finale viewers
(Grand final)
Rank
Finale viewers
(Winner announced)
Rank

1
31
1 February 2015 (2015-02-01)
1.199
4
1.136
5
15 March 2015 (2015-03-15)
0.999
8
1.144
3
[14][15]

2
31
31 January 2016 (2016-01-31)
1.324
3
1.081
5
13 March 2016 (2016-03-13)
0.719
8
0.858
6
[16][17]

3
32
29 January 2017 (2017-01-29)
1.103
7
0.963
8
13 March 2017
0.989
6
1.056
2
[18][19]

4
31
28 January 2018 (2018-01-28)
1.274
4
1.108
5
12 March 2018
0.684
11
0.804
8
[20][21]

5

2019

2019

text: Awards and nominations[edit]

text:
Year
Award
Category
Recipients and nominees
Result
Refs.

2016
Logie Awards of 2016
Best Reality Program
I'm a Celebrity...Get Me Out of Here!
Nominated
[22]

2017
Logie Awards of 2017
I'm a Celebrity...Get Me Out of Here!
Nominated
[23]

2018
Logie Awards of 2018
I'm a Celebrity...Get Me Out of Here!
N/A

text: Lawsuit[edit]

text: In June 2017, Tom Arnold filed a lawsuit against Network Ten and A List Entertainment for defrauding him for being on I'm a Celebrity...Get Me Out of Here!. Arnold claims that he was promised a payment of $425,000 and a comedy tour in Australia, however he was missing $140,000 in payment and that Network Ten backed out of the comedy tour.[24]