document_title: The Rocky Horror Picture Show

question_text: who played dr. frankenfurter in the pop-culture film 'rocky horror picture show

question_tokens: who played dr. frankenfurter in the pop-culture film ' rocky horror picture show

text: The Rocky Horror Picture Show

text: Plot[edit]

text: A criminologist narrates the tale of the newly engaged couple Brad Majors and Janet Weiss who find themselves lost and with a flat tire on a cold and rainy late November evening, somewhere near Denton, Texas. Seeking a telephone, the couple walk to a nearby castle where they discover a group of strange and outlandish people who are holding an Annual Transylvanian Convention. They are soon swept into the world of Dr. Frank N. Furter, a self-proclaimed "sweet transvestite from Transsexual, Transylvania". The ensemble of convention attendees also includes servants Riff Raff, his sister Magenta, and a groupie named Columbia.

text: In his lab, Frank claims to have discovered the "secret to life itself". His creation, Rocky, is brought to life. The ensuing celebration is soon interrupted by Eddie (an ex-delivery boy, both Frank and Columbia's ex-lover, as well as partial brain donor to Rocky) who rides out of a deep freeze on a motorcycle. Eddie then proceeds to seduce Columbia, get the Transylvanians dancing and singing and intrigue Brad and Janet. When Rocky starts dancing and enjoying the performance, a jealous Frank kills Eddie with a pick. Columbia screams in horror, devastated by Eddie's death. Frank justifies killing Eddie as a "mercy killing" to Rocky and they depart to the bridal suite.

text: Brad and Janet are shown to separate bedrooms, where each is visited and seduced by Frank, who poses as Brad (when visiting Janet) and then as Janet (when visiting Brad). Janet, upset and emotional, wanders off to look for Brad, who she discovers, via a television monitor, is in bed with Frank. She then discovers Rocky, cowering in his birth tank, hiding from Riff Raff, who has been tormenting him. While tending to his wounds, Janet becomes intimate with Rocky, as Magenta and Columbia watch from their bedroom monitor.

text: After discovering that his creation is missing, Frank returns to the lab with Brad and Riff Raff, where Frank learns that an intruder has entered the building. Brad and Janet's old high school science teacher, Dr. Everett Scott, has come looking for his nephew, Eddie. Frank suspects that Dr. Scott investigates UFOs for the government. Upon learning of Brad and Janet's connection to Dr. Scott, Frank suspects them of working for him. Frank, Dr. Scott, Brad, and Riff Raff then discover Janet and Rocky together under the sheets in Rocky's birth tank, upsetting Frank and Brad. Magenta interrupts the reunion by sounding a massive gong and stating that dinner is prepared.

text: Rocky and the guests share an uncomfortable dinner, which they soon realize has been prepared from Eddie's mutilated remains. Janet runs screaming into Rocky's arms, provoking Frank to chase her through the halls. Janet, Brad, Dr. Scott, Rocky, and Columbia all meet in Frank's lab, where Frank captures them with the Medusa Transducer, transforming them into nude statues. After dressing them in cabaret costume, Frank "unfreezes" them, and they perform a live cabaret floor show, complete with an RKO tower and a swimming pool, with Frank as the leader.

text: Riff Raff and Magenta interrupt the performance, revealing themselves and Frank to be aliens from the planet Transsexual in the galaxy of Transylvania. They stage a coup and announce a plan to return to their home planet. In the process, they kill Columbia and Frank, who has "failed his mission". An enraged Rocky gathers Frank in his arms, climbs to the top of the tower, and plunges to his death in the pool below. Riff Raff and Magenta release Brad, Janet, and Dr. Scott, then depart by lifting off in the castle itself. The survivors are then left crawling in the dirt, and the narrator concludes that the human race is equivalent to insects crawling on the planet's surface, "lost in time, and lost in space... and meaning".

text: Cast[edit]

text:
Tim Curry as Dr. Frank N. Furter, a scientist
Susan Sarandon as Janet Weiss, a heroine
Barry Bostwick as Brad Majors, a hero
Richard O'Brien as Riff Raff, a handyman
Patricia Quinn as Magenta, a domestic
Nell Campbell as Columbia, a groupie (credited as Little Nell)
Jonathan Adams as Dr. Everett V. Scott, a rival scientist
Peter Hinwood as Rocky Horror, a creation
Meat Loaf as Eddie, an ex-delivery boy
Charles Gray as the Criminologist, an expert
Jeremy Newson as Ralph Hapschatt
Hilary Farr as Betty Munroe (credited as Hilary Labow)

text: Production[edit]

text: Concept and development[edit]

text: Richard O'Brien was living as an unemployed actor in London during the early 1970s. He wrote most of The Rocky Horror Show during one winter just to occupy himself.[7][8] Since his youth, O'Brien had loved science fiction and B horror movies. He wanted to combine elements of the unintentional humour of B horror movies, portentous dialogue of schlock-horror, Steve Reeves muscle flicks, and fifties rock and roll into his musical.[9] O'Brien conceived and wrote the play set against the backdrop of the glam era that had manifested itself throughout British popular culture in the 1970s.[10] Allowing his concept to come into being, O'Brien states "glam rock allowed me to be myself more".[11]

text: O'Brien showed a portion of the unfinished script to Australian director Jim Sharman, who decided to direct it at the small experimental space Upstairs at the Royal Court Theatre, Sloane Square, Chelsea, London, which was used as a project space for new work.[7] O'Brien had appeared briefly in Andrew Lloyd Webber's Jesus Christ Superstar, directed by Sharman, and the two also worked together in Sam Shepard's The Unseen Hand. Sharman would bring in production designer Brian Thomson.[12] The original creative team was then rounded out by costume designer Sue Blane, musical director Richard Hartley, and stage producer Michael White, who was brought in to produce. As the musical went into rehearsal, the working title, They Came from Denton High, was changed just before previews at the suggestion of Sharman to The Rocky Horror Show.[7][13]

text: Having premiered in the small sixty-seat Royal Court Theatre, it quickly moved to larger venues in London, transferring to the 230-seat Chelsea Classic Cinema on Kings Road on 14 August 1973, before finding a quasi-permanent home at the 500-seat King's Road Theatre from 3 November 1973, running for six years.[14] The musical made its U.S. debut in Los Angeles in 1974 before being played in New York City as well as other cities.[12] Producer and Ode Records owner Lou Adler attended the London production in the winter of 1973, escorted by friend Britt Ekland. He immediately decided to purchase the U.S. theatrical rights. His production would be staged at his Roxy Theatre in L.A.[15] In 1975, The Rocky Horror Show premiered on Broadway at the 1,000-seat Belasco Theatre.[16]

text: Filming and locations[edit]

text: The film was shot at Bray Studios and Oakley Court, a country house near Maidenhead, Berkshire, England, and at Elstree Studios[17] for post production,[18] from 21 October to 19 December 1974. Oakley Court, built in 1857 in the Victorian Gothic style, is known for a number of Hammer films.[19][20] Much of the location shooting took place there, although at the time the manor was not in good condition.[21] Much of the cast were from the original London stage production, including Tim Curry, who had decided that Dr Frank N. Furter should speak like the Queen of England, extravagantly posh.[11] Fox insisted on casting the two characters of Brad and Janet with American actors, Barry Bostwick and Susan Sarandon.[12]  Filming took place during autumn, which made conditions worse. During filming, Sarandon fell ill with pneumonia.[9] Filming of the laboratory scene and the title character's creation occurred on 30 October 1974.[22]

text: The film is both a parody and tribute to many of the science fiction and horror movies from the 1930s up to the 1970s.[7] The film production retains many aspects from the stage version such as production design and music, but adds new scenes not featured in the original stage play.[12] The film's plot, setting, and style echo those of the Hammer Horror films, which had their own instantly recognizable style (just as Universal Studios' horror films did).[23] The originally proposed opening sequence was to contain clips of various films mentioned in the lyrics, as well as the first few sequences shot in black and white, but this was deemed too expensive and scrapped.[12]

text: Costumes, make-up, and props[edit]

text: In the stage productions, actors generally did their own make-up; however, for the film, the producers chose Pierre La Roche, who had previously been a make-up artist for Mick Jagger and David Bowie, to redesign the make-up for each character.[24] Production stills were taken by rock photographer Mick Rock, who has published a number of books from his work.[25] In Rocky Horror; From Concept to Cult, designer Sue Blane discusses the Rocky Horror costumes' influence on punk music style. "[It was a] big part of the build-up [to punk]." She states that ripped fishnet stockings, glitter, and coloured hair were directly attributable to Rocky Horror.[7]

text: Some of the costumes from the film had been originally used in the stage production. Props and set pieces were reused from old Hammer Horror productions and others. The tank and dummy used for Rocky's birth originally appeared in The Revenge of Frankenstein (1958). These references to earlier productions, in addition to cutting costs, enhanced the cult status of the film.[26]

text: Costume designer Sue Blane was not keen on working for the film until she became aware that Curry, an old friend, was committed to the project. Curry and Blane had worked together in Glasgow's Citizens Theatre in a production of The Maids, for which Curry had worn a woman's corset. Blane arranged for the theatre to loan her the corset from the other production for Rocky Horror.[27] Blane admits that she did not conduct research for her designing, had never seen a science fiction film, and is acutely aware that her costumes for Brad and Janet may have been generalizations.

text: "When I designed Rocky, I never looked at any science fiction movies or comic books. One just automatically knows what spacesuits look like, the same way one intuitively knows how Americans dress. I had never been to the United States, but I had this fixed idea of how people looked there. Americans wore polyester so their clothes wouldn't crease, and their trousers were a bit too short. Since they're very keen on sports, white socks and white T-shirts played an integral part in their wardrobe. Of course, since doing Rocky I have been to the United States and admit it was a bit of a generalization, but my ideas worked perfectly for Brad and Janet."[27]

text: The budget for the film's costumes was US$1,600,[27] far more than the stage production budget, but having to double up on costumes the film production was expensive. For filming, corsets for the finale had to be doubled for the pool scene, with one version drying while the other was worn on set. While many of the costumes are exact replicas from the stage productions, other costumes were new to filming, such as Columbia's gold sequined swallow-tail coat and top hat and Magenta's maid's uniform.[27]

text: Blane was amazed by the recreation and understanding of her designs by fans.[27] When she first heard that people were dressing up, she thought it would be tacky, but was surprised to see the depth to which the fans went to recreate her designs. Rocky Horror fan Mina Credeur, who designs costumes and performed as Columbia for Houston’s performance group, states that "the best part is when everyone leaves with a big smile on their face", noting that there's "such a kitschiness and campiness that it seems to be winking at you".[28] The film still plays at many theatre locations and Rocky Horror costumes are often made for Halloween, although many require much time and effort to make.[29]

text: Title sequence[edit]

text: The film starts with the screen fading to black and oversized, disembodied female lips appear overdubbed with a male voice,[26][30] establishing the androgynous theme to be repeated as the film unfolds.[31] The opening scene and song, "Science Fiction/Double Feature", consists of the lips of Patricia Quinn (who appears in the film later as the character Magenta (in addition to the latter, appeared as 'Trixie' the Usherette in the original London production who sang the song)), but has the vocals of actor and Rocky Horror creator, Richard O'Brien (who appears as Magenta's brother Riff Raff). The lyrics refer to science fiction and horror films of the past and list several film titles from the 1930s to the 1970s, including The Day the Earth Stood Still, Flash Gordon, The Invisible Man, King Kong, It Came from Outer Space, Doctor X, Forbidden Planet, Tarantula, The Day of the Triffids, Curse of the Demon, and When Worlds Collide.[7] A second film poster was created using a set of red, lipstick painted lips with the tagline "A Different Set of Jaws", a spoof of the poster for the film Jaws (which was also released in 1975).[26] The lips of Former Playboy model Lorelei Shark are featured on the poster.[32]

text: Music[edit]

text: The soundtrack was released in 1975 by Ode Records and produced by Richard Hartley. The album peaked at No. 49 on the Billboard 200 in 1978.[33] It reached No. 12 on the Australian albums chart[34] and No. 11 on the New Zealand albums chart.[35] The album is described as the "definitive version of the [Rocky Horror] score."[36]

text:
"Science Fiction/Double Feature" – The Lips (those of Patricia Quinn; voice of Richard O'Brien)
"Dammit Janet" – Brad, Janet, and Chorus
"There's a Light (Over at the Frankenstein Place)" – Janet, Brad, Riff Raff, and Chorus
"The Time Warp" – Riff Raff, Magenta, The Criminologist, Columbia, and Transylvanians
"Sweet Transvestite" – Frank
"The Sword of Damocles" – Rocky and Transylvanians
"I Can Make You a Man" – Frank with Brad, Janet, Riff Raff, Magenta, and Columbia
"Hot Patootie – Bless My Soul" – Eddie and Transylvanians
"I Can Make You a Man (Reprise)" – Frank, Janet, and Transylvanians
"Touch-a, Touch-a, Touch-a, Touch Me" – Janet with Magenta, Columbia, Rocky, Brad, Frank, and Riff Raff
"Once in a While" (deleted scene) – Brad
"Eddie" – Dr. Scott, The Criminologist, Janet, Columbia, Frank, Rocky, Brad, Riff Raff, and Magenta
"Planet Schmanet Janet (Wise Up Janet Weiss)" – Frank
"Planet Hot Dog" – Janet, Brad, and Dr. Scott
"Rose Tint My World" – Columbia, Rocky, Janet, and Brad
"Fanfare/Don't Dream It, Be It" – Frank with Brad, Janet, Rocky, and Columbia
"Wild and Untamed Thing" – Frank with Brad, Janet, Rocky, Columbia, and Riff Raff
"I'm Going Home" – Frank and Chorus
"The Time Warp (Reprise)" – Riff Raff and Magenta
"Super Heroes" (only present in the original UK release) – Brad, Janet, and Chorus
"Science Fiction/Double Feature (Reprise)" – The Lips

text: Release[edit]

text: The film opened in the United Kingdom at Rialto Theater in London 14 August 1975 and in the United States on 26 September at the UA Westwood in Los Angeles, California. It did well at that location, but not elsewhere.[37] Before the midnight screenings' success, the film was withdrawn from its eight opening cities due to very small audiences, and its planned New York City opening on Halloween night was cancelled.[38] Fox re-released the film around college campuses on a double-bill with another rock music film parody, Brian De Palma's Phantom of the Paradise, but again it drew small audiences.[38]

text: With Pink Flamingos (1972) and Reefer Madness (1936) making money in midnight showings nationwide, a Fox executive, Tim Deegan, was able to talk distributors into midnight screenings,[31] starting in New York City on April Fools' Day of 1976.[38] The cult following started shortly after the film began its midnight run at the Waverly Theater in New York City.,[37] then spread to other counties in NYC, and to Uniondale, L.I. Rocky Horror was not only found in the larger cities but throughout the United States where many attendees would get in free if they arrived in costume. The western division of the film's release included the U.A. Cinemas in Fresno and Merced, the Cinema J. in Sacramento, California, and the Covell in Modesto. In New Orleans, an early organised performance group was active with the release there as well as in such cities as Pittsburgh, Pennsylvania, and Chicago (at the Biograph Theater). Before long nearly every screening of the film was accompanied by a live fan cast.[37]

text: The film is considered to be the longest-running release in film history.[39] It has never been pulled by 20th Century Fox from its original 1975 release, and it continues to play in cinemas.[40][41]

text: Home media[edit]

text: A Super 8 version of selected scenes of the film was made available.[42] In 1983, Ode Records released "The Rocky Horror Picture Show, Audience Par-Tic-I-Pation Album", recorded at the 8th Street Playhouse. The recording consisted of the film's audio and the standardised call-backs from the audience.[43]

text: A home video release was made available in 1987 in the UK.[44] In the US, the film (including documentary footage and extras) was released on VHS in November 8, 1990, retailing for $89.95.[45]

text: The film was released on DVD in 2000 for the film's 25th anniversary. A 35th Anniversary edition Blu-ray was released in the US on 19 October 2010. The disc includes a newly created 7.1 surround sound mix, the original theatrical mono sound mix, and a 4K/2K image transfer from the original camera negative. In addition, new content featuring karaoke and a fan performance were included.[46]

text: Reception, reaction and legacy[edit]

text: Critical reception[edit]

text: Chicago Sun-Times critic Roger Ebert noted that when first released, The Rocky Horror Picture Show was "ignored by pretty much everyone, including the future fanatics who would eventually count the hundreds of times they'd seen it". He considered it more a "long-running social phenomenon" than a movie, rating it 2.5 out of 4 stars.[47] Bill Henkin noted that Variety thought that the "campy hijinks" of the film seemed labored, and also mentioned that the San Francisco Chronicle's John Wasserman, who had liked the stage play in London, found the film "lacking both charm and dramatic impact". Newsweek called the film "tasteless, plotless and pointless" in 1978.[48]

text: Review aggregator website Rotten Tomatoes gives the film a rating of 80% based on 41 reviews.[49] A number of contemporary critics find it compelling and enjoyable because of its offbeat and bizarre qualities; the BBC summarised: "for those willing to experiment with something a little bit different, a little bit outré, The Rocky Horror Picture Show has a lot to offer".[50] The New York Times called it a "low-budget freak show/cult classic/cultural institution" and considered the songs featured in the film to be "catchy".[51] Geoff Andrew of Time Out noted that the "string of hummable songs gives it momentum, Gray's admirably straight-faced narrator holds it together, and a run on black lingerie takes care of almost everything else", rating it 4 out of 5 stars.[52] Dave Kehr of Chicago Reader on the other hand considered the wit to be "too weak to sustain a film" and thought that the "songs all sound the same".[53]

text: In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[54][55]

text: Cult phenomenon[edit]

text: New York City origins[edit]

text: The Rocky Horror Picture Show helped shape conditions of cult film's transition from art-house to grind-house style.[56] The film developed a cult following in 1976 at the Waverly Theatre in New York, which developed into a standardised ritual. According to J. Hoberman, author of Midnight Movies, it was after five months into the film's midnight run when lines began to be shouted by the audience. Louis Farese Jr., a normally quiet teacher who, upon seeing the character Janet place a newspaper over her head to protect herself from rain, yelled, "Buy an umbrella, you cheap bitch". Originally Louis and other Rocky Horror pioneers, including Amy Lazarus, Theresa Krakauskas, and Bill O'Brian, did this to entertain each other, each week trying to come up with something new to make each other laugh. This quickly caught on with other theater goers and thus began this self-proclaimed "counter point dialogue", which became standard practice and was repeated nearly verbatim at each screening.[8] Performance groups became a staple at Rocky Horror screenings due in part to the prominent New York City fan cast.[37] The New York City cast was originally run by former schoolteacher and stand-up comic Sal Piro and his friend Dori Hartley. Hartley who portrayed Dr. Frank N. Furter, was one of several performers, including Will Kohler as Brad Majors, Nora Poses as Janet, and Lilias Piro as Magenta in a flexible rotating cast.[37] The performances of the audience was scripted and actively discouraged improvising, being conformist in a similar way to the repressed characters.[57]

text: On Halloween in 1976, people attended in costume and talked back to the screen, and by mid-1978, Rocky Horror was playing in over 50 locations on Fridays and Saturdays at midnight. Newsletters were published by local performance groups, and fans gathered for Rocky Horror conventions.[38] By the end of 1979, there were twice-weekly showings at over 230 theatres.[38] The National Fan Club was established in 1977 and later merged with the International Fan Club. The fan publication The Transylvanian printed a number of issues, and a semi-regular poster magazine was published as well as an official magazine.[56]

text: Los Angeles, Hollywood[edit]

text: The Los Angeles area performance groups originated in 1977 at the Fox Theatre, where Michael Wolfson won a look-alike contest as Frank N. Furter, and won another at the Tiffany Theater on Sunset Boulevard. Wolfson's group eventually performed in all of the L.A. area theaters screening Rocky Horror, including the Balboa Theater in Balboa, The Cove at Hermosa Beach, and The Sands in Glendale. He was invited to perform at the Sombrero Playhouse in Phoenix, Arizona.

text: At the Tiffany Theatre, the audience performance cast had the theater's full cooperation; the local performers entered early and without charge. The fan playing Frank for this theatre was a transgender performer,[37] D. Garret Gafford, who was out of work in 1978 and trying to raise the funds for a gender reassignment while spending the weekends performing at the Tiffany.[58] Presently, the live action rendition of The Rocky Horror Picture Show is available for attendance in various locations in Los Angeles, typically Saturday nights at Midnight.

text: San Francisco[edit]

text: In 1978 San Francisco, Rocky Horror moved from an earlier location to the Strand Theatre located near the Tenderloin on Market Street.[59] The performance group there, Double Feature/Celluloid Jam, was the first to act out and perform almost the entire film, unlike the New York cast at that time. The Strand cast was put together from former members of an early Berkeley group, disbanded due to less than enthusiastic management. Frank N. Furter was portrayed by Marni Scofidio, who, in 1979, attracted many of the older performers from Berkeley. Other members included Mishell Erickson and her twin sister Denise Erickson as Columbia and Magenta, Kathy Dolan as Janet, and Linda "Lou" Woods as Riff Raff. The Strand group performed at two large science fiction conventions in Los Angeles and San Francisco, were offered a spot at The Mabuhay, a local punk club, and performed for children's television of Argentina.[37]

text: Fan following[edit]

text: Rocky Horror is one of the last few western rites left that pertain to the carnivalesque.[60] Annual Rocky Horror conventions are held in varying locations lasting days. Tucson, Arizona has been host a number of times, including 1999 with "El Fishnet Fiesta", and "Queens of the Desert" held in 2006.[61] Vera Dika wrote that to the fans, Rocky Horror is ritualistic and comparable to a religious event, with a compulsive, repeated cycle of going home and coming back to see the film each weekend.[8] The audience call backs are similar to responses in church during a mass.[8] Many theatre troupes exist across the United States that produce shadow-cast performances where the actors play each part in the film in full costume and props as the movie plays on the big screen in a movie theatre.[62][63] These showings are typically once a week or once a month on a Saturday at midnight.

text: The film has a global following and remains popular.[64] Subcultures such as Rocky Horror have also found a place on the Internet.[65] Audience participation scripts for many cities are available to download on the Internet.[26] The Internet has a number of Rocky Horror fan-run websites with various quizzes and information specializing in different content allowing fans to participate at a unique level.[31]

text: Cultural influence[edit]

text: The Rocky Horror Picture Show has been featured in a number of other feature films and television series over the years. Episodes of The Simpsons, The Venture Bros., The Boondocks, Glee, The Drew Carey Show, That '70s Show, and American Dad! spotlight Rocky Horror, as do films such as Vice Squad, Halloween II (2009), and The Perks of Being a Wallflower.[45] The 1980 film Fame featured the audience reciting their callback lines to the screen and dancing the Time Warp,[66] the dance from the stage show and film, which has become a novelty dance at parties.[67]

text: "The Rocky Horror Glee Show" aired on 26 October 2010, as part of the second season of the TV series Glee, which recreated several scenes from the film, including the opening credits. It featured Barry Bostwick and Meat Loaf in cameo roles.[68]

text: "Bisexuality, The Rocky Horror Picture Show, and Me", by Elizabeth Reba Weise, is a piece in Bi Any Other Name: Bisexual People Speak Out (1991), an anthology edited by Loraine Hutchins and Lani Ka'ahumanu which is one of the seminal books[69][70] in the history of the modern bisexual rights movement.[71]

text: The Rocky Horror Picture Show remains a cultural phenomenon in both the U.S. and U.K.[72][73] Cult film participants are often people on the fringe of society that find connection and community at the screenings,[74] although the film attracts fans of differing backgrounds all over the world.[75]

text: Sequels[edit]

text: In 1979, Richard O'Brien wrote a projected sequel to the film entitled Rocky Horror Shows His Heels. This script would have featured the return of all of the characters from the original film, and O'Brien wished to largely use the original production team to make the new film, however Jim Sharman did not wish to revisit the original concept so directly, and Tim Curry did not wish to reprise his role.

text: Instead, in 1981, Sharman reunited with O'Brien to film Shock Treatment, a stand-alone feature that was not a direct sequel to the original film.[2] This film as originally conceived and written in 1980 under the title The Brad and Janet Show, using most of the songs from the original Rocky Horror Shows His Heels project with lyrical adjustments, and depicting the characters' continuing adventures in the town of Denton, however these plans had to be adjusted due to a Screen Actor's Guild strike. The eventual production would entail the entire film being shot within a sound stage. Shock Treatment was poorly received by critics and audiences upon release (in no small part due to the principal cast of Curry, Sarandon and Bostwick not returning) but over time has built a small cult following, though not nearly as strong as the first film.[76]

text: Ten years later, O'Brien wrote another script intended as a direct sequel to the cult classic entitled Revenge of the Old Queen.[77] Producer Michael White had hoped to begin work on the production and described the script as being "in the same style as the other one. It has reflections of the past in it."[78] Revenge of the Old Queen had apparently commenced pre-production, however after studio head Joe Roth was ousted from Fox in 1993, the project was shelved indefinitely. Although the script has not been published, bootleg copies can be read on the Internet, and one song from the project's original demo tape circulates among fans. The script is currently owned by Fox, which produced the two original films. Most individuals associated with the project, including O'Brien, agree that the film will probably never be made, owing to the failure of Shock Treatment and the aging of the original cast.[79]

text: Between 1999 and 2001, Richard O'Brien was working on a third attempted sequel project with the working title Rocky Horror: The Second Coming[80], first to be made as a stage production, with an option to create a film if met with success. This script would largely integrate plot elements from Rocky Horror Shows His Heels, but with all-new songs. O'Brien completed a first draft of this script (which was read by Terry Jones[81]) but had difficulties finalizing anything beyond the first act, and little more has been heard of this project since the mid-2000s.

text: In 2015, O'Brien produced Shock Treatment for the theatrical stage. The production premiered at the King’s Head theatre in Islington, London in the United Kingdom in the spring of 2015.[82][83]

text: Remake[edit]

text: On 10 April 2015, it was announced that the Fox Broadcasting Company would air a modern-day reimagining of the film, titled The Rocky Horror Picture Show: Let's Do the Time Warp Again.[84][85] On 22 October 2015, it was announced that the role of Dr. Frank N. Furter would be played by actress Laverne Cox.[86] Ryan McCartan and Victoria Justice play the roles of Brad and Janet, alongside Reeve Carney as Riff Raff and singer/model Staz Nair as Rocky.[87] Adam Lambert portrays Eddie.[88] Tim Curry, who portrayed Dr. Frank N. Furter in the film, portrays the Criminologist.[89] On 1 February 2016, it was announced that Broadway veteran Annaleigh Ashford would portray Columbia.[90] On 5 February 2016, Ben Vereen joined the cast as Dr. Everett von Scott.[91]

text: Kenny Ortega, best known for the High School Musical franchise and Michael Jackson's This Is It, directed, choreographed and executive-produced the remake; Lou Adler, who was an executive producer of the original film, has the same role for the new film. The film premiered on Fox on 20 October 2016.[92]


document_title: National Lampoon's Christmas Vacation

question_text: what is the bosses present in christmas vacation

root

text: National Lampoon's Christmas Vacation

text: Plot[edit]

text: With Christmas only a few weeks away, Chicago resident Clark Griswold decides it is time to get a Christmas tree. He gathers his wife Ellen, daughter Audrey, and son Rusty and drives out to the country where he picks out a huge tree. Realizing too late that they didn't bring any tools to cut the tree down, they are forced to uproot it instead, before driving home with the tree strapped to the roof of their car.

tag: p

text: Soon after, both Clark's and Ellen's parents arrive to spend Christmas, but their bickering quickly begins to annoy the family. Clark, however, maintains a positive attitude, determined to have a "fun old-fashioned family Christmas." He covers the house's entire exterior with 25,000 twinkle lights, which fail to work at first, as he has accidentally wired them through his garage's light switch. When they finally come on, they temporarily cause a citywide power shortage and create chaos for Clark's snobby neighbors, Todd and Margo. While standing on the front lawn admiring the lights, Clark is shocked to see Ellen's cousin Catherine and her husband Eddie, as they arrive unannounced with their children, Rocky and Ruby Sue, and their Rottweiler dog, Snot. Eddie later admits that they are living in the RV they drove, as he is broke and has been forced to sell his home. Clark offers to buy gifts for Eddie's kids so they can still enjoy Christmas.

text: Clark begins to wonder why his boss has not given him his yearly bonus, which he desperately needs to replace an advance payment he has made to install a swimming pool. After a disastrous Christmas Eve dinner, he finally receives an envelope from a company messenger, who had overlooked it the day before. Instead of the presumed bonus, the envelope contains a free year's membership for the Jelly of the Month Club. This prompts Clark to snap and go into a tirade about Frank, and out of anger, requests that he be delivered to the house so Clark can insult him to his face.

text: Eddie takes the request literally, drives to Frank's mansion, and kidnaps him. Clark confronts him about the cancellation of the employees' Christmas bonuses. Meanwhile, Frank's wife, Helen, calls the police, and a SWAT team storms the Griswold house and holds everyone at gunpoint. Frank decides not to press charges and explains the situation to his wife and the authorities, who scold him for his decision to scrap the bonuses, and decides to reinstate them (with Clark getting an add-on of 20% of his salary).

text: The family head outside, with Rocky and Ruby Sue believing they see Santa Claus in the distance. Clark tells them it's actually the Christmas Star and that he finally realizes what the holiday means to him. Uncle Lewis says the light is coming from the sewage treatment plant; reminding Clark that Eddie had been dumping his sewage into a storm drain. Before Clark can stop him, Uncle Lewis tosses a lit match, triggering an explosion. Aunt Bethany starts singing "The Star-Spangled Banner" and the whole family and the SWAT team join in, gazing at Clark's Santa Claus and reindeer set burning and flying into the distance. The entire family and the SWAT team members then celebrate inside the house, while Clark and Ellen happily share a Christmas kiss.

text: Cast[edit]

text:
Chevy Chase as Clark Griswold
Beverly D'Angelo as Ellen Griswold
Juliette Lewis as Audrey Griswold
Johnny Galecki as Russ Griswold
John Randolph as Clark W. Griswold Sr.
Diane Ladd as Nora Griswold
E.G. Marshall as Art Smith
Doris Roberts as Frances Smith
Randy Quaid as Cousin Eddie
Miriam Flynn as Cousin Catherine
Cody Burger as Rocky
Ellen Hamilton Latzen as Ruby Sue
William Hickey as Uncle Lewis
Mae Questel as Aunt Bethany
Sam McMurray as Bill
Nicholas Guest as Todd Chester
Julia Louis-Dreyfus as Margo Chester
Brian Doyle-Murray as Frank Shirley
Natalia Nogulich as Helen Shirley

tag: ul

text: Production[edit]

text: National Lampoon's Christmas Vacation originated from a short story by writer John Hughes called "Christmas '59," which was published in the December 1980 issue of National Lampoon magazine.[6] "The studio came to me and begged for another one, and I only agreed because I had a good story to base it on," said Hughes. "But those movies have become little more than Chevy Chase vehicles."[7] Director Chris Columbus initially was to direct the film, but due to a personality clash between him and Chevy Chase, Columbus left the film and was replaced by Chechik. Hughes eventually gave Columbus the script to Home Alone.[8].

text: Principal photography began on March 27, 1989 in Summit County, Colorado,[9] with footage shot in Silverthorne, Breckenridge, and Frisco.[10] From there the production moved to Warner Bros. Studio Facilities in Burbank, California, where the set of the Griswold family's house is located.[11]

text: Music[edit]

text: The musical score for National Lampoon's Christmas Vacation was composed by Angelo Badalamenti. It is the only installment of the Vacation film series not to include Lindsey Buckingham's "Holiday Road". In its place is a song entitled "Christmas Vacation" that was written for the movie by the husband-wife songwriting team of Barry Mann and Cynthia Weil and performed by Mavis Staples of The Staple Singers fame.[12] The song was covered in 2007 by High School Musical star Monique Coleman for the 2007 Christmas album Disney Channel Holiday.[13]

text: Despite several popular songs being present in the film, no official soundtrack album was released. In 1999, a bootleg copy containing music featured in the film along with select cuts of dialogue dubbed as the "10th Anniversary Limited Edition" began to appear on Internet auction sites with the claim that Warner Bros. and RedDotNet had pressed 20,000 CDs for Six Flags Magic Mountain employees to sell to customers entering the park.[14] However, while the discs were individually numbered out of 20,000, only 7,000 were sold as a part of an on demand production printed at gift shop kiosks within the park.[15] Forums on movie music sites such as SoundtrackCollector later declared the disc to be a bootleg due to its inaccuracies.[16] For instance, the cut "Christmas Vacation Medley" (claiming to be the work of composer Angelo Badalamenti) is really a track called "Christmas at Carnegie Hall" from Home Alone 2: Lost in New York by composer John Williams and does not actually contain any of Badalamenti's Christmas Vacation score.

text: Reception[edit]

text: Box office[edit]

text: The movie debuted at #2 at the box-office while grossing $11,750,203 during the opening weekend, behind Back to the Future Part II.[17] The movie eventually topped the box-office charts in its third week of release and remained #1 the following weekend. It went on to gross a total of $71,319,546 in the United States while showing in movie theaters.[18]

text: Critical response[edit]

text: At the time of the film's release, the film received mixed to positive reviews; however, over time, many have cited it as a Christmas classic. Review aggregator Rotten Tomatoes reports that 64% of 36 film critics have given the film a positive review, with a rating average of 6.2 out of 10. The site's consensus reads, "While Christmas Vacation may not be the most disciplined comedy, it's got enough laughs and good cheer to make for a solid seasonal treat."[19]

text: Entertainment magazine Variety responded positively to the film stating, "Solid family fare with plenty of yocks, National Lampoon's Christmas Vacation is Chevy Chase and brood doing what they do best. Despite the title, which links it to previous pics in the rambling Vacation series, this third entry is firmly rooted at the Griswold family homestead, where Clark Griswold (Chase) is engaged in a typical over-reaching attempt to give his family a perfect, old-fashioned Christmas."[20] Rita Kempley of The Washington Post gave the film a positive review explaining that "it will prove pater-familiar to fans of the 1983 original and the European Vacation sequel. Only it's a bit more whimsical."[21]

text: Janet Maslin of The New York Times gave the film a mediocre review explaining that the "third look at the quintessentially middle-American Griswold family, led by Clark and the very patient Ellen is only a weary shadow of the original National Lampoon's Vacation." Maslin went on to say that "the best thing the new film does is to bring back Cousin Eddie, the wily, scene-stealing slob whose disgusting habits are a source of considerable amusement."[22] Roger Ebert of the Chicago Sun-Times gave the film two out of four stars saying, "The movie is curious in how close it comes to delivering on its material: Sequence after sequence seems to contain all the necessary material, to be well on the way toward a payoff, and then it somehow doesn't work."[23]


document_title: Area codes 740 and 220

question_text: where is 740 area code in the united states

text: Area codes 740 and 220

text: This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2017) (Learn how and when to remove this template message)

tag: table

text: North American Area code 740 is a telephone area code serving southeastern and central Ohio. (Columbus and rate centers in Franklin County use the 614 area code.) 740 is the area code in the Ohio cities of Athens, Belpre, Chillicothe, Circleville, Coshocton, Delaware, Gallipolis, Heath, Ironton, Jackson, Lancaster, Laurelville, Logan, Marietta, Marion, Mount Vernon, Nelsonville, Newark, Newcomerstown, Pataskala, Portsmouth, Rockbridge, Steubenville, Washington Court House, Zanesville, Shadyside and surrounding areas.

text: History[edit]

text: Area code 740 was established on December 6, 1997; it split from area code 614 in 1998. On November 7, 2013, it was announced that the 740 area code would run out of numbers sometime in 2015. The Public Utilities Commission of Ohio chose to remedy the situation by implementing an overlay with area code 220, effective April 22, 2015. This requires all calls within the numbering plan area to be dialed using the full ten-digit telephone number.[1]


document_title: Winnie the Pooh (song)

question_text: who sang the original winnie the pooh theme song

text: Winnie the Pooh (song)

text: This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2010) (Learn how and when to remove this template message)

text:
"Winnie the Pooh"

Song

from the album Winnie the Pooh and the Honey Tree

Released
1966 (1966)

Label
Disneyland

Songwriter(s)
Robert & Richard Sherman

Winnie the Pooh and the Honey Tree track listing

"Winnie the Pooh"
(1)
"Up, Down and Touch the Ground"
(2)

text: "Winnie the Pooh" is the title song for the franchise of the same name. It is musically emblematic of the most successful branding Disney currently owns and has been used in most merchandising models of the brand since the song's first publication in 1966 in the musical film featurette Winnie the Pooh and the Honey Tree. In film, the song is generally utilized in the title sequence. The lyric gives an overview of the characters and the roles each plays in relation to Pooh himself. The song has been used in every theatrically released Pooh film as well as most of the television series. The songwriters are the Sherman Brothers, who have written the grand majority of Winnie the Pooh songs and musical numbers since 1966. It is unknown who performed the song. The song was also performed by Carly Simon. A music video was released for this version and it was included in The Many Adventures of Winnie the Pooh DVD.

text: Notably, Tigger is the only original character from the books (thus does not count Gopher, Kessie or Lumpy) not to be named in this song and is probably the reason he gets his own introduction song, "The Wonderful Thing About Tiggers", when he first appears in Winnie the Pooh and the Blustery Day. In the 2011 film Winnie the Pooh Tigger is finally named in the song, after Kanga and Roo, saying: "And Tigger, too."

text: The Rescue of Jessica McClure[edit]

text: In 1987 an eighteen month old, Texas infant named Jessica McClure fell into a well and it took forty-five hours to rescue her. The incident became national news over the four day ordeal. A mining engineer was eventually brought in to help supervise and coordinate the rescue effort. TV viewers watched as paramedics and rescuers, drilling experts and contractors worked tirelessly to save the baby’s life. Meanwhile, they were reassured when they heard Jessica voice singing “Winnie the Pooh” from deep in the well. As long as she was still singing, they knew she was still alive.[1] Forty-five hours after McClure fell into the well, the shaft and tunnel were finally completed.

text: Films that feature the song[edit]

text:
The Book of Pooh: Stories from the Heart
The Many Adventures of Winnie the Pooh
Piglet's Big Movie
Winnie the Pooh: A Very Merry Pooh Year
Pooh's Heffalump Halloween Movie
Pooh's Heffalump Movie
The Tigger Movie
Winnie the Pooh and Friends
Winnie the Pooh and Tigger Too!
Winnie the Pooh and a Day for Eeyore
Winnie the Pooh and the Blustery Day (instrumental only)
Winnie the Pooh and the Honey Tree
Winnie the Pooh: Seasons of Giving
Winnie the Pooh: Springtime with Roo
Winnie the Pooh