document_title: Tangled

question_text: who was the voice of rapunzel in tangled

text: Tangled

text: Plot[edit]

text: Long ago, a drop of sunlight became a golden flower capable of healing illness, decay, and injury. Hundreds of years later, the flower is still used by Mother Gothel to retain her youth, until soldiers from a nearby kingdom, Corona, steal it to heal their ailing queen. Shortly afterwards, the Queen gives birth to Princess Rapunzel. While attempting to recover the flower, Gothel discovers that Rapunzel's hair contains the flower's healing properties, and that cutting her hair destroys its power. Gothel takes the baby and raises her as her own daughter in an isolated tower. Once a year, the King and Queen release sky lanterns on Rapunzel's birthday, hoping for their daughter's return.

text: On the eve of her 18th birthday, Rapunzel requests to leave the tower and discover the source of the lanterns, but Gothel refuses, claiming that the outside world is a dangerous place. Meanwhile, a thief called Flynn Rider steals Rapunzel's crown from the kingdom and inadvertently discovers the tower after ditching his allies, the Stabbington brothers. Rapunzel captures Flynn and discovers and hides the crown, but is unaware of its significance. Rapunzel plans to take Flynn to Gothel to prove she can take care of herself, but before she can do so, Gothel becomes angry, quickly silencing Rapunzel. Rapunzel then asks for a special paint that will take Gothel three days' round trip to obtain and return, and Gothel accepts. Rapunzel convinces a reluctant Flynn to escort her to see the lanterns in exchange for the return of the crown.

text: Flynn takes Rapunzel to the Snuggly Duckling, a pub filled with frightening thugs, but who instead are charmed by Rapunzel's innocence. Royal soldiers led by one of the royal army's lead horses, Maximus, arrive in search of Flynn. Rapunzel and Flynn escape but are then trapped in a flooding cave. Resigned to his fate, Flynn reveals his real name: Eugene Fitzherbert. Rapunzel starts to reveal that her hair glows when she sings, but then realizes that this is their key to escape. Her hair provides enough light to find a way out of the cave. Eugene and Rapunzel take refuge in a forest where Gothel, now in league with the Stabbingtons, gives the crown to Rapunzel and suggests using it to challenge Eugene's interest in her.

text: Maximus finds the pair and tries to capture Eugene, but Rapunzel arranges a truce in honor of her 18th birthday. The group reaches the kingdom and enjoys the festivities, culminating in an evening cruise as the lanterns are released. There, Rapunzel gives Eugene the crown and after fulfilling her dream of seeing the lanterns in person, Rapunzel and Eugene realize they have fallen in love with each other and attempt to kiss until he sees the Stabbingtons on the shore. Eugene leaves Rapunzel and intends to hand them the crown. Instead, the brothers tie Eugene onto a boat and confront Rapunzel, saying that Eugene is escaping with the crown. Gothel sets a rescue by betraying the brothers and returns Rapunzel to the tower as Eugene and the Stabbingtons are captured.

text: Back home, Rapunzel recognizes the symbol of the kingdom, which she had incorporated into her paintings over the years. Realizing that she is the long-lost princess, she confronts Gothel. As Eugene is sentenced to death, the Duckling regulars help him escape. He is then carried back to Gothel's tower by Maximus. Eugene enters by climbing Rapunzel's hair, only to find Rapunzel bound and gagged. Gothel stabs Eugene and attempts to escape with Rapunzel, but Rapunzel agrees to lifelong captivity if she is allowed to heal Eugene. As Eugene slowly dies, he slices off Rapunzel's hair, destroying its magic and causing Gothel's age to catch up with her; she then trips and falls out of the window of the tower to her death, turning into dust in the process.

text: A heartbroken Rapunzel mourns for Eugene. However, her tears, which still contain a bit of the sun's power, land on his cheek and restore his life. The two return to the kingdom and Rapunzel reunites with her parents. The kingdom breaks out in celebration, and Eugene is pardoned for his crimes. Rapunzel and Eugene eventually marry.

text: Voice cast[edit]

text:
Mandy Moore as Rapunzel[8][9]

Delaney Rose Stein as young Rapunzel[10]

Zachary Levi as Eugene "Flynn Rider" Fitzherbert[8][9]
Donna Murphy as Mother Gothel[11]
Brad Garrett as Hook-Hand Thug[10]
Ron Perlman as the Stabbington brother with sideburns[10]
Jeffrey Tambor as Big Nose Thug[10]
Richard Kiel as Vladamir[10]
M. C. Gainey as Captain of the Guard[10]
Paul F. Tompkins as Short Thug[10]

text: Non-speaking animal characters include Rapunzel's pet chameleon Pascal, and Maximus, the horse of the head of the palace guard. Other non-speaking roles include Rapunzel's parents (the King and Queen of Corona), the other Stabbington brother, and Ulf the Mime Thug.

text: Development[edit]

text: Origins and conception[edit]

text: Glen Keane, the film's original director, first began working on the story for what became Tangled about 14 years prior to its release, then directed the film's development from 2002 to 2008.[12] In October 2003, the film was announced as Rapunzel Unbraided,[13][14] as a computer animated feature scheduled for a 2007 release[13][15] which Keane described as "a Shrek-like version of the film"[16] that revolved around an entirely different concept. Keane said of the original plot, "It was a fun, wonderful, witty version and we had a couple of great writers. But in my heart of hearts I believed there was something much more sincere and genuine to get out of the story, so we set it aside and went back to the roots of the original fairy tale."[17] In November 2005, Unbraided was pushed back to a summer 2009 release in order to give Keane "more time to work on the story."[18] According to Ed Catmull, at one point Michael Eisner himself had proposed using modern-day San Francisco as the initial setting at the start of the film and then somehow transporting the heroine into a fairy tale world, but Keane could not make that idea work.[19] The film was shut down about a week before Catmull and John Lasseter were placed in charge of the studio in January 2006, and one of their first decisions was to restart the project and ask Keane to keep going with the film.[19] It had originally been announced in April 2007 that Annie-nominated animator and story artist Dean Wellins would be co-directing the film alongside Glen Keane.[20] On October 9, 2008, it was reported that Keane and Wellins had stepped down as directors due to other commitments, and were replaced by the team of Byron Howard and Nathan Greno, director and storyboard director, respectively, of Disney's 2008 animated feature Bolt. Keane stayed on as an executive producer and animation supervisor, while Wellins moved on to developing other short and feature films.[21] After the film's release, Keane revealed that he had "stepped back" from the role of director because of a heart attack in 2008.[12]

text: Writing and character development[edit]

text: When asked about the character of Rapunzel, Mandy Moore said that Rapunzel was a relatable character and called her a "Renaissance, bohemian" woman[22] rather than a typical Disney princess:[23] Moore said "[Rapunzel] doesn't know she's a princess [until the end of the film]. She's just really sort of motivated to find out what else is out there beyond this crazy tower she's lived in for 18 years," and that "she's very independent, she can take care of herself, and she's definitely come up with really entertaining ways to keep herself busy."[23] Moore also stated that she herself had little influence on Rapunzel: "The character was developed way before I had anything to do with it."[22]

text: According to Greno, one of the most difficult problems during the development of the film's plot was how to get Rapunzel out of the tower without immediately ending the movie, in that she had thereby escaped Mother Gothel and did not have any other specific objectives to pursue.[24] At a meeting one day, animator John Ripa floated an idea which turned out to be the solution they had been looking for: the mysterious floating lanterns.[24]

text: Production[edit]

text: On September 10, 2009, it was announced that actress and singer-songwriter Mandy Moore had been cast as the voice of Rapunzel, and actor Zachary Levi would provide the voice of Flynn Rider.[8][9][25] Mandy Moore approached the project through auditioning, when she heard that a film about the story of Rapunzel was being made.[22][26] Moore later expressed that she had dreamed to be a Disney princess since she was young and said that with the role of Rapunzel, she had fulfilled her "ultimate childhood dream".[27] She described herself as a "girly fan" of Disney classics[27] like The Little Mermaid, Beauty and the Beast, Aladdin and The Lion King, and that it was an honor for her to be part of this "legacy"—the lineage of such Disney icons.[28] Since the film was going to be a musical, it was required that all auditionees had to read several scenes and perform a song of their choice, to ensure that the voice actors could both act and sing.[29][30] For this singing section, Moore chose "Help Me" by Joni Mitchell,[22] a song that she herself had covered on her fourth studio album, Coverage (2003).[31][32] Moore revealed that she had to attend several audition sessions[28][29] and described the experiences as "pretty fun" but didn't put much hope in getting the part because she believed there would be much competition for this role;[26] she just performed her best without any anxiety.[22] When she received a callback from Disney telling that she got the part, Moore described herself as being "over the moon": "I was working in New York at the time. I was with some friends and my husband—and I screamed as soon as I found out the news."[22]

text: The film reportedly cost more than $260 million to produce.[5]

text: Recording[edit]

text: In Tangled, as with most animated films, all voice actors had to record their dialogue separately from one another to avoid bleeding into each other's tracks.[33] Mandy Moore later recalled that during recording, she had never met Donna Murphy and only met Zachary Levi once when they recorded "I See the Light".[33] Moore thought that this was "a good exercise in employing your imagination".[34] When recording action scenes, the voice actors had to jog a little in place in order to make their voices sound realistic.[34] For the songs, Moore and Levi recorded on a soundstage with a 65-piece orchestra under the supervision of composer Alan Menken. They sang live with the orchestra for several times in order to help everyone "get a vibe" and a feel for the music and the singing, then were asked to go in isolation booths to record the actual tracks.[35][36] In order to aid animators in animating the characters, the filmmakers did interviews with the voice actors and filmed their facial expressions throughout the recording sessions.[34] Disney animated films are usually animated to synchronize with recorded dialogue rather than asking the vocal talent to synchronize their delivery to animation after it is rendered. Thus, Moore felt that the recording process was challenging because at that time she had no animation to look at except for a few sketches.[22]

text: Due to scheduling conflicts with other projects (Moore had to travel to different places such as London or New York, and Levi could only record on weekends for five hours once every six weeks), they did not necessarily record dialogue in the same order as in the final film. "[When I came in], maybe that sequence or scene had been recorded by Mandy (Moore) already, maybe it hadn't. We'd end up doing the same scene five times, depending," Levi said.[30] After watching the finished film, Moore was disappointed because she felt that her voice sounded "shrill", while Levi thought that his performance sounded "incredibly nasally".[34]

text: Animation[edit]

text: The film was made using computer-generated imagery (CGI), although Tangled was modeled on the traditional look of oil paintings on canvas. The Rococo paintings of French artist Jean-Honoré Fragonard, particularly The Swing, were used as references for the film's artistic style, a style described by Keane as "romantic and lush."[37] To create the impression of a painting, non-photorealistic rendering was used.[38]

text: Glen Keane originally wanted the film to be animated using a traditional 2D animation process. However, Disney executives David Stainton and Dick Cook announced that they would only approve the film for production if it were created using the 3D computer graphics.[39] In response to that demand, Glen Keane held a seminar called "The Best of Both Worlds", where he, with 50 Disney CGI artists and traditional artists, focused on the pros and cons of each style.[40] After the meeting, it was decided that the film would be made in 3D CG animation, but in a way as to become an extension of the traditional 2D Disney "aesthetic", a term which referred to the naturalistic animation that conforms to the fundamental principles of animation as documented by Frank Thomas and Ollie Johnston in the book The Illusion of Life: Disney Animation.[39]

text: Due to limitations in computer technology, especially regarding attempts to capture the complexity of a human form, many basic principles of animation used in traditionally animated movies had been absent from earlier CGI films; but technological advancements have made it easier to blend the two, combining the strengths of each style.[38] Keane stated repeatedly he was trying to make the computer "bend its knee to the artist" instead of having the computer dictate the artistic style and look of the film.[13] By making the computer become as "pliable as the pencil", Keane's vision of a "three-dimensional drawing" seemed within reach, with the artist controlling the technology. Many of the techniques and tools that were required to give the film the quality Keane demanded did not exist when the project was started, and Walt Disney Animation Studios had to create them on their own.[37] Keane said, "There’s no photoreal hair. I want luscious hair, and we are inventing new ways of doing that. I want to bring the warmth and intuitive feel of hand-drawn to CGI."[41]

text: One of the main goals of the animators was to create movement that mimicked the soft fluidity of the hand-drawn art found in older Disney animated films. Keane credited Disney 3D animator Kyle Strawitz with helping to combine CGI with the traditional hand-drawn style.[38] "He took the house from Snow White and built it and painted it so it looked like a flat painting that suddenly started to move, and it had dimension and kept all of the soft, round curves of the brushstrokes of watercolor. Kyle helped us get that Fragonard look of that girl on the swing… We are using subsurface scattering and global illumination and all of the latest techniques to pull off convincing human characters and rich environments."[37]

text: Rather than focusing on realism, the 3D team used an aesthetic approach.[38] Robert Newman, the film’s stereoscopic supervisor said that "We’re using depth more artistically than ever before, and we’re not as concerned with the literal transcription of depth between camera and projector as we are the interpretation of it." To do this, they used a new technique called multi-rigging, which is made up of multiple pairs of virtual cameras. Each pair is used individually on each separate element that adds depth to a scene, like background, foreground, and characters, without adjusting for the relation with the other pairs. When sandwiched together later in production, the result was something that would be visually impossible in the real world, but which created an appealing look to the film.[42]

text: As a counterpart to the appealing and cute design of Rapunzel,[43] the directors wanted to make Flynn Rider "the most handsome, most attractive male lead Disney has ever had."[44] They held a large "Hot Man Meeting" where they gathered about 30 women from the studio and asked them what they considered attractive in a man.[45] They brought in hundreds of images of their favourite male actors and celebrities, which were torn and pasted back again.[45][46] After much deliberation, his look was eventually narrowed down to one concept drawing.[44][45]

text: Technology development[edit]

text: Existing technology continued to present difficulties: in particular, animating hair turned out to be a challenge. Senior software engineer Kelly Ward spent six years writing programs to make it move the way they wanted.[47] As late as January 2010, the directors were still not sure if the Rapunzel character's length of hair was going to work. These problems were finally solved in March:[48] An improved version of a hair simulation program named Dynamic Wires, originally developed for Bolt, was eventually used. To make hair float believably in water, and to surmount other similar challenges, discrete differential geometry was used to produce the desired effects, freeing the animators from executing these specific tasks directly, which would have taken days instead of minutes.[49]

text: Music and soundtrack[edit]

text:
Tangled: Original Soundtrack

Soundtrack album by Various Artists

Released
November 16, 2010

Recorded
2010

Genre
Folk rock, medieval, soundtrack

Length
55:39

Label
Walt Disney

Producer
Chris Montan, Alan Menken, Scott Cutler, Anne Preven, Frank Wolf, Grace Potter, Mike Daly, Kevin Kliesch[50]

Walt Disney Animation Studios chronology

The Princess and the Frog
(2009)The Princess and the Frog2009
Tangled
(2010)
Winnie the Pooh
(2011)Winnie the Pooh2011

text:
Professional ratings

Review scores

Source
Rating

Filmtracks
[51]

text: The original score for the film was composed by Alan Menken with lyrics written by Glenn Slater.[52]

text: Menken said he attempted to blend medieval music with 1960s folk rock to create the new songs.[53]

text: Several songs were written, but eventually cut from the final film; "When Will My Life Begin?" replaced an earlier version called "What More Could I Ever Need?". Menken reported that that opening number went through five or six different versions.[54]

text: Elsewhere, Menken reported that there was originally a love song called "You Are My Forever" that Mother Gothel sang to Rapunzel in a motherly way, but was reprised later in the film by Flynn Rider in a romantic way. This idea was apparently replaced with the two songs "Mother Knows Best" and "I See the Light".[55]

text: The song "Something That I Want" performed by Grace Potter from Grace Potter and the Nocturnals is featured in the closing credits. This version features some of the lyrics that were re-written and sung by Potter herself. The Latin American Spanish version of the song, titled "Algo quiero querer", was recorded by Colombian pop-singer, Fanny Lú.[56]

text: The soundtrack peaked at number 44 on the Billboard 200, number 7 on the Soundtrack chart, and number 3 on the Kid Albums chart.[57][58][59]

text: Track listing[edit]

text: All tracks written by Alan Menken and Glenn Slater except track 20 which is written and composed by Grace Potter. All original scores composed by Menken[50].

text:
No.
Title
Performers
Length

1.
"When Will My Life Begin?"
Mandy Moore
2:32

2.
"When Will My Life Begin? (Reprise 1)[1]"
Moore
1:03

3.
"Mother Knows Best[2]"
Donna Murphy
3:10

4.
"When Will My Life Begin? (Reprise 2)"
Moore
2:06

5.
"I've Got a Dream"
Brad Garrett, Jeffrey Tambor, Moore, Zachary Levi, Company
3:11

6.
"Mother Knows Best (Reprise)"
Murphy
1:38

7.
"I See the Light"
Moore, Levi
3:44

8.
"Healing Incantation"
Moore
0:54

9.
"Flynn Wanted" (Score)
Alan Menken
2:51

10.
"Prologue" (Score & Song)
Menken, Murphy, Delaney Stein
2:02

11.
"Horse with No Rider" (Score)
Menken
1:57

12.
"Escape Route" (Score)
Menken
1:57

13.
"Campfire" (Score)
Menken
3:21

14.
"Kingdom Dance" (Score)
Menken
2:20

15.
"Waiting For the Lights" (Score)
Menken
2:47

16.
"Return to Mother" (Score)
Menken
2:06

17.
"Realization and Escape" (Score)
Menken
5:50

18.
"The Tear Heals" (Score & Song)
Menken, Moore
7:37

19.
"Kingdom Celebration" (Score)
Menken
1:50

20.
"Something That I Want"
Grace Potter
2:43

text:
[show]UK bonus track[60]

No.
Title
Performers
Length

21.
"I See The Light"
Shannon Saunders
3:38

text: Chart performance[edit]

text:
Chart (2010)
Peak
position

US Billboard 200[57]
44

US Billboard Soundtracks[58]
7

US Billboard Kids Albums[59]
3

text: Release[edit]

text: Home media[edit]

text: Tangled was released by Walt Disney Studios Home Entertainment as a four-disc combo pack on March 29, 2011. The combo pack includes a Blu-ray 3D, standard Blu-ray, DVD, and digital copy. A two-disc Blu-ray/DVD combo pack and single DVD are also available. Bonus features for the Blu-ray include deleted scenes, two alternate opening sequences, two extended songs, and an inside look at how the film was made. The DVD includes only the two Original Storybook Openings and the 50th Animated Feature Countdown.

text: Sales of Tangled in the US and Canada exceeded $95 million in DVD and Blu-ray sales, the highest-grossing DVD of the year 2011; its home video sales exceeded the film's earnings in its first week in theaters.[63] The film sold a record 2,970,052 units (the equivalent of $44,521,079) in its first week in North America, the largest opening for a 2011 DVD. It dominated for two weeks on the DVD sales chart and sold 6,657,331 units ($102,154,692) as of July 18, 2012.[64] It has also sold 2,518,522 Blu-ray units ($59,220,275) by May 29, 2011.[65] As of January 20, 2016, the film has earned a total of $215 million in home video sales in the United States and Canada ($155 million from DVD sales and $60 million from Blu-ray sales).[64]

text: Reception[edit]

text: Box office[edit]

text: Tangled premiered in Paris on November 17, exclusively screening at the Grand Rex theater two weeks in advance of its French wide release.[66] With over 3,800 tickets sold on its opening day, it set a new record for films showing in a single theater.[67] It had a worldwide opening weekend of $86.1 million,[68][69] and reached the summit of the worldwide box office once, on its eleventh weekend (Feb 4–6, 2011), with $24.9 million.[70][71] Tangled earned $200,821,936 in North America, and $390,973,000 in other countries, for a worldwide total of $591,794,936.[6] It was the third Disney film appearing in the Top 10 films of 2010.[72] As of 2017, it was the sixth-highest-grossing film worldwide produced by Walt Disney Animation Studios, behind Frozen, Zootopia, The Lion King, Big Hero 6, and Moana.[73]

text: Tangled earned $11.9 million on its opening Wednesday,[74] breaking the record for the largest pre-Thanksgiving Wednesday opening, a record previously held by Disney·Pixar's Toy Story 2.[75] In its first weekend of release, it earned $48.8 million (the highest opening for Walt Disney Animation Studios, surpassing The Lion King ($40.9 million), and later surpassed by both Wreck-It Ralph ($49 million) and Frozen ($67.4 million)), placing second for the period behind Harry Potter and the Deathly Hallows – Part 1, which earned $49.1 million.[76] Tangled had the sixth-highest opening weekend for a film that did not debut at #1.[77] Over the traditional Wednesday–Sunday Thanksgiving holiday period, it tallied $68.7 million, again finishing in second place.[76] Tangled also marked the second-largest 3-day and 5-day Thanksgiving opening after Toy Story 2.[76] During its second weekend (post-Thanksgiving), Tangled declined 56% to $21.6 million, although it jumped to first place at the box office.[78] With a final gross of $200.8 million, it is the tenth-highest-grossing film of 2010,[79] and the tenth 2010 film to pass the $200 million mark;[80] it was the fourth-slowest film to pass this mark.[81] Unadjusted for inflation, it is the eighth-highest-grossing film produced by Walt Disney Animation Studios, behind The Lion King ($422.8 million), Frozen ($400.7 million), Zootopia ($341.3 million), Moana ($248.7 million), Big Hero 6 ($221.3 million), Beauty and the Beast ($219 million), and Aladdin ($217.4 million).[82]

text: On its opening weekend, it earned $17.4 million in eight territories and ranked second for the weekend behind Harry Potter and the Deathly Hallows – Part 1 ($117.3 million).[83] It reached first place at the weekend box office outside North America three times in 2011.[84][85][86] It marked the seventh-highest-grossing 2010 film and the third-highest-grossing 2010 animated film.[87] In Russia and the CIS, it set an opening-weekend record among non-sequel animated films (first surpassed by Rio) and among Walt Disney Animation Studios films (surpassed by Frozen).[88] Its highest-grossing markets outside North America was Germany ($44.2 million), where it is the highest-grossing 2010 animated film,[89] followed by France and the Maghreb region ($39.4 million) and the UK, Ireland and Malta ($32.9 million).[90]

text: Critical reception[edit]

text: Rotten Tomatoes gives the film an approval rating of 89% based on 216 reviews and an average score of 7.5/10.[91] The site's consensus is: "While far from Disney's greatest film, Tangled is a visually stunning, thoroughly entertaining addition to the studio's classic animated canon."[91] Another review aggregator Metacritic, which assigns a weighted average score from 0–100 out of reviews from mainstream film critics, calculated a score of 71 based on 34 reviews.[92] According to CinemaScore polls conducted during the opening weekend, the average grade cinemagoers gave Tangled was an "A+" on an A+ to F scale.[93]

text: A. O. Scott of The New York Times positively reviewed the film as "the 50th animated feature from Disney, and its look and spirit convey a modified, updated but nonetheless sincere and unmistakable quality of old-fashioned Disneyness."[94] Time film critic Richard Corliss wrote that Tangled "wades into the DreamWorks style of sitcom gags and anachronistic sass," while praising the film for achieving "the complex mix of romance, comedy, adventure and heart that defines the best Disney features."[95] Corliss included Tangled at 19 in a list of top 25 All-time Best Animated films.[96] Kenneth Turan from the Los Angeles Times awarded the film four stars out of five; he described the film as a "gorgeous computer-animated look that features rich landscapes and characters that look fuller and more lifelike than they have in the past."[97] Sandie Angulo Chen of Common Sense Media gave the film five out of five stars, writing, "Fantastic princess adventure is fun, with great messages."[98] Gael Cooper of NBC News expressed that Tangled may be the best Disney film of all time.[99]

text: James Berardinelli commented on his review website ReelViews that the film is "entertaining and enjoyable, but not groundbreaking." He also stated Rapunzel is "not as memorable as Snow White, Ariel, or Belle" as well as stating "the songs are neither catchy nor memorable."[100] Todd McCarthy, film reviewer for The Hollywood Reporter opened his review with, "It would have been nice if Disney's self-touted 50th animated feature were one of its best, a film that could stand with the studio's classics, but the world will have to make do with Tangled, a passably entertaining hodgepodge of old and new animation techniques, mixed sensibilities and hedged commercial calculations."[101]

text: Music[edit]

text: Music in the film received mixed reviews. Bill Graham from Collider.com praised them for their variations to the tempo and tone, memorable lyrics, and "blending old with new," However, he also stated that "the film’s constant mixture of tones can feel a bit off-putting for some."[102] Roth Cornet from ScreenRant was positive towards them, saying that "Alan Menken’s music is as catchy, uplifting and effecting as one would expect."[103] Scott of The New York Times positively reviewed the music, saying that it "takes you back to a charmed world of swoony longing and sprightly mischief," with a slick and efficient atmosphere and grace notes of self-conscious classicism.[94] Corliss from Time was also positive to the songs, noting that though "don't sound on first hearing like top-drawer Menken," the songs still "smoothly fill their functions." He described the opener, "When Will My Life Begin?," as the "heroine's 'I wanna' song," a Disney tradition that stretches back to Snow White's "Some Day My Prince Will Come." "I See the Light" was described as "a generically tuneful love ballad, which is sure to be nominated for a Best Song Oscar."[95]

text: James Berardinelli, on the other hand, negatively commented the songs as "neither catchy nor memorable."[100] Tim Robey from The Daily Telegraph gave a negative review, saying that they were only "OK—there’s nothing you want to whistle on the way home."[104] Peter Bradshaw from The Guardian, who gave the movie two out of five stars, described the songs as "sporting a laboured selection of Broadway-style show tunes," and hence are actually added for profit.[105]

text: Title change controversy[edit]

text: When first put into production, the film was promoted as having the title Rapunzel Unbraided, which was later changed to Rapunzel.[106] Disney's previous animated feature The Princess and the Frog in 2009, while being well-received by various critics[107] and taking in nearly $270 million worldwide was not as successful as Disney had hoped. Catmull would later admit in writing that Disney Animation's faith that The Princess and the Frog's excellent quality would bring in all audiences notwithstanding the word "princess" in the title was their version of "a stupid pill."[108] In order to market the film to both sexes and additional age groups, Disney changed the film's name from Rapunzel to Tangled while also emphasizing Flynn Rider, the film's prominent male character, showing that his story is just as important as Rapunzel's.[109] Disney was criticized for altering the classic title as a marketing strategy. Floyd Norman, a former Disney and Pixar animator and story artist, said, "The idea of changing the title of a classic like Rapunzel to Tangled is beyond stupid. I'm convinced they'll gain nothing from this except the public seeing Disney as desperately trying to find an audience."[110]

text: Justin Chang of Variety compared it to changing the title of The Little Mermaid to Beached.[111] Writing for the San Francisco Chronicle's blog, Margot Magowan accused Disney of sexism, writing, "Can you imagine if Disney…switched a movie title so it wouldn't risk highlighting a male star? It's awful that this kind of radical gender discrimination exists for our smallest people—little kids who come into this world with huge imaginations and aspirations, big dreams that get squashed by a bunch of billionaire guys who run massive entertainment franchises."[112]

text: On November 24, 2010, the day of the film's release, directors Nathan Greno and Byron Howard disputed reports that the title change was a marketing decision. They said they changed the title from Rapunzel to Tangled because Rapunzel is not the only main character in the film. They went on to say that you cannot call Toy Story "Buzz Lightyear," and they really needed a title that represented what the film is, and that it's a duo, and it stars Rapunzel and Flynn Rider.[113]

text: In March 2014, executive producer John Lasseter explained that Disney had changed the name to improve the film's appeal to the four quadrants: "There was an audience perception that these movies were just for little girls[,] but when boys, men, whatever actually see these movies[,] they like them. So on Rapunzel … we changed the name and we called it Tangled. We did marketing that made the people who would not normally show up say, 'Hey, this looks pretty good.'"[114]

text: Accolades[edit]

text: The film has been nominated for a number of awards. Hollywood Foreign Press Association nominated Tangled for two Golden Globe Awards, for Best Animated Feature Film and Best Original Song for "I See the Light", but lost to Toy Story 3 and Burlesque, respectively.[115] The film also received two nominations for the Broadcast Film Critics Association in the same categories, though lost to Toy Story 3 and 127 Hours,[116] as well as nominations for two Annie Awards, for Best Animated Feature Film and for Writing in a Feature Production.[117]

text: Tangled was also nominated for two Phoenix Film Critics Society Awards, Best Animated Film and Best Original Song for "I've Got a Dream," which it lost to Toy Story 3 and Burlesque.[118] "I See the Light" has been nominated for Best Original Song at the 83rd Academy Awards, but lost to "We Belong Together" from Toy Story 3.[119] It has also been nominated for 37th Saturn Award for Best Animated Film.[120]

text: Tangled won best 3D scene of the year at the second annual International 3D Society Creative Arts Awards.[121]

text: Tangled was also nominated for favorite film in the British Academy Children Awards for Favorite Film, competing against films like Harry Potter and the Deathly Hallows – Parts 1 & 2, Transformers: Dark of the Moon, Cars 2, and Kung Fu Panda 2.[122][123]

text:
Group
Category
Result

83rd Academy Awards[119]
Best Original Song ("I See the Light")
Nominated

38th Annie Awards[117]
Best Animated Feature Film

Writing in a Feature Production (Dan Fogelman)

British Academy Children's Awards (BAFTA)[122][123]
Favourite Film

Broadcast Film Critics Association Awards 2010[116]
Best Animated Feature Film

Best Song ("I See the Light")

68th Golden Globe Awards[115]
Best Animated Feature Film

Best Song ("I See the Light")

54th Grammy Awards[124]
Best Compilation Soundtrack for Visual Media

Best Song Written For Visual Media ("I See the Light")
Won

Las Vegas Film Critics Society[125]
Best Song ("I See the Light")

National Movie Awards 2011[126]
Animation

Phoenix Film Critics Society Awards[118]
Best Animated Film
Nominated

Best Original Song ("I've Got a Dream")

37th Saturn Awards[120]
Best Animated Film

2011 Teen Choice Awards[127]
Choice Animated Movie Voice (Zachary Levi)

9th Visual Effects Society Awards[128]
Outstanding Animation in an Animated Feature Motion Picture (Clay Kaytis, John Kahrs, Glen Keane, Roy Conli)

Outstanding Animated Character in an Animated Feature Motion Picture (Tony Smeed, Amy Smeed, Becky Bresee, Kira Lehtomaki for "Rapunzel")

text: Sequels and spin-offs[edit]

text: Video game[edit]

text: A video game based on the film was released on November 23, 2010, for Nintendo DS, Wii, and PC platforms by Disney Interactive Studios.[129]

text: Short film[edit]

text: Tangled Ever After is a short sequel released in 2012. The plot revolves around the wedding of Rapunzel and Flynn Rider. Pascal and Maximus lose the wedding rings and chase after them, causing massive collateral damage along the way.

text: Musical[edit]

text: An abridged stage adaptation entitled Tangled: The Musical premiered on board the Disney Magic of the Disney Cruise Line[130] in November 2015,[131] featuring three new songs written by Alan Menken and Glenn Slater.[132]

text: Television movie and series[edit]

text: Tangled: Before Ever After, a television movie set between the feature film and the short film, aired on March 10, 2017. It served as an introduction to a continuing television series, Tangled: The Series, that started airing on Disney Channel on March 24, 2017.[133]

text: Feature-length sequel development[edit]

text: In December 2014, Tangled's producer, Roy Conli, revealed that the production team had been "heavily pushed" for a feature-length sequel to the film, but when the writers and directors got together to develop one, they realized, "she [sic] cut her hair. It's over!"[134] Conli explained that at Disney Animation under Lasseter, it is always the filmmakers who decide whether they are ready to make a sequel (not marketing or merchandising).[134] In January 2015, Conli again provided a similar explanation when pressed on this point, and also mentioned that directors Greno and Howard ultimately "weren't really interested" in continuing the story.[135]


document_title: 2017–18 UEFA Champions League

question_text: when is the next round of the champions league draw

root

text: 2017–18 UEFA Champions League

text: Association team allocation[edit]

text: A total of 79 teams from 54 of the 55 UEFA member associations participate in the 2017–18 UEFA Champions League (the exception being Liechtenstein, which does not organise a domestic league).[2] The association ranking based on the UEFA country coefficients is used to determine the number of participating teams for each association:[3]

tag: p

text:
Associations 1–3 each have four teams qualify.
Associations 4–6 each have three teams qualify.
Associations 7–15 each have two teams qualify.
Associations 16–55 (except Liechtenstein) each have one team qualify.
The winners of the 2016–17 UEFA Champions League and 2016–17 UEFA Europa League are each given an additional entry if they do not qualify for the 2017–18 UEFA Champions League through their domestic league. Because a maximum of five teams from one association can enter the Champions League, if both the Champions League title holders and the Europa League title holders are from the same top three ranked association and finish outside the top four of their domestic league, the fourth-placed team of their association will be moved to the Europa League.[4] For this season:

The winners of the 2016–17 UEFA Champions League, Real Madrid, have qualified through their domestic league, meaning the additional entry for the Champions League title holders is not necessary.
The winners of the 2016–17 UEFA Europa League, Manchester United, did not qualify through their domestic league, meaning the additional entry for the Europa League title holders is necessary.

tag: ul

text: Kosovo, who became a UEFA member on 3 May 2016, made their debut in the UEFA Champions League.[5][6]

text: Association ranking[edit]

text: For the 2017–18 UEFA Champions League, the associations are allocated places according to their 2016 UEFA country coefficients, which takes into account their performance in European competitions from 2011–12 to 2015–16.[7][8]

text: Apart from the allocation based on the country coefficients, associations may have additional teams participating in the Champions League, as noted below:

text: (UEL) – Additional berth for UEFA Europa League title holders

text:
Rank
Association
Coeff.
Teams
Notes

1
 Spain
105.713
4

2
 Germany
80.177

3
 England
76.284
+1(UEL)

4
 Italy
70.439
3

5
 Portugal
53.082

6
 France
52.749

7
 Russia
51.082
2

8
 Ukraine
44.883

9
 Belgium
40.000

10
 Netherlands
35.563

11
 Turkey
34.600

12
 Switzerland
33.775

13
 Czech Republic
32.925

14
 Greece
29.700

15
 Romania
25.383

16
 Austria
25.100
1

17
 Croatia
23.875

18
 Poland
22.500

19
 Cyprus
22.175

Rank
Association
Coeff.
Teams
Notes

20
 Belarus
20.000
1

21
 Sweden
19.875

22
 Norway
19.250

23
 Israel
18.625

24
 Denmark
18.600

25
 Scotland
17.300

26
 Azerbaijan
14.875

27
 Serbia
14.625

28
 Kazakhstan
14.125

29
 Bulgaria
13.125

30
 Slovenia
13.125

31
 Slovakia
12.000

32
 Liechtenstein
10.500
0

33
 Hungary
9.875
1

34
 Moldova
9.125

35
 Iceland
8.750

36
 Georgia
8.125

37
 Finland
7.400

Rank
Association
Coeff.
Teams
Notes

38
 Bosnia and Herzegovina
7.125
1

39
 Albania
6.625

40
 Macedonia
6.000

41
 Republic of Ireland
5.450

42
 Latvia
5.375

43
 Luxembourg
5.250

44
 Montenegro
4.875

45
 Lithuania
4.625

46
 Northern Ireland
4.500

47
 Estonia
4.250

48
 Armenia
4.125

49
 Faroe Islands
3.625

50
 Malta
3.583

51
 Wales
3.500

52
 Gibraltar
1.000

53
 Andorra
0.999

54
 San Marino
0.333

55
 Kosovo
0.000

tag: table

text: Distribution[edit]

text: In the default access list, the Champions League title holders enter the group stage.[6] However, since Real Madrid already qualified for the group stage (as the champions of the 2016–17 La Liga), the Champions League title holders berth in the group stage is given to the Europa League title holders, Manchester United.[9][10][11]

text:
Teams entering in this round
Teams advancing from previous round

First qualifying round
(10 teams)

10 champions from associations 46–55

Second qualifying round
(34 teams)

29 champions from associations 16–45 (except Liechtenstein)

5 winners from the first qualifying round

Third qualifying round
Champions Route
(20 teams)

3 champions from associations 13–15

17 winners from the second qualifying round

League Route
(10 teams)

9 runners-up from associations 7–15
1 third-placed team from association 6

Play-off round
Champions Route
(10 teams)

10 winners from the third qualifying round (Champions Route)

League Route
(10 teams)

2 third-placed teams from associations 4–5
3 fourth-placed teams from associations 1–3

5 winners from the third qualifying round (League Route)

Group stage
(32 teams)

12 champions from associations 1–12
6 runners-up from associations 1–6
3 third-placed teams from associations 1–3
Europa League title holders

5 winners from the play-off round (Champions Route)
5 winners from the play-off round (League Route)

Knockout phase
(16 teams)

8 group winners from the group stage
8 group runners-up from the group stage

text: Teams[edit]

text: League positions of the previous season shown in parentheses (TH: Champions League title holders; EL: Europa League title holders).[12][13]

text:
Group stage

 Real MadridTH (1st)
 Chelsea (1st)
 Porto (2nd)
 Feyenoord (1st)

 Barcelona (2nd)
 Tottenham Hotspur (2nd)
 Monaco (1st)[Note FRA]
 Beşiktaş (1st)

 Atlético Madrid (3rd)
 Manchester City (3rd)
 Paris Saint-Germain (2nd)
 Basel (1st)

 Bayern Munich (1st)
 Juventus (1st)
 Spartak Moscow (1st)
 Manchester United (EL)

 RB Leipzig (2nd)
 Roma (2nd)
 Shakhtar Donetsk (1st)

 Borussia Dortmund (3rd)
 Benfica (1st)
 Anderlecht (1st)

Play-off round

Champions Route
League Route

 Sevilla (4th)
 Liverpool (4th)
 Sporting CP (3rd)

 1899 Hoffenheim (4th)
 Napoli (3rd)

Third qualifying round

Champions Route
League Route

 Slavia Prague (1st)
 Nice (3rd)
 Ajax (2nd)
 AEK Athens (2nd)

 Olympiacos (1st)
 CSKA Moscow (2nd)
 İstanbul Başakşehir (2nd)
 Steaua București (2nd)

 Viitorul Constanța (1st)
 Dynamo Kyiv (2nd)
 Young Boys (2nd)

 Club Brugge (2nd)
 Viktoria Plzeň (2nd)

Second qualifying round

 Red Bull Salzburg (1st)
 Copenhagen (1st)
 Honvéd (1st)
 Dundalk (1st)

 Rijeka (1st)
 Celtic (1st)
 Sheriff Tiraspol (1st)
 Spartaks Jūrmala (1st)

 Legia Warsaw (1st)
 Qarabağ (1st)
 FH (1st)
 F91 Dudelange (1st)

 APOEL (1st)
 Partizan (1st)
 Samtredia (1st)
 Budućnost Podgorica (1st)

 BATE Borisov (1st)
 Astana (1st)
 IFK Mariehamn (1st)
 Žalgiris Vilnius (1st)

 Malmö FF (1st)
 Ludogorets Razgrad (1st)
 Zrinjski Mostar (1st)

 Rosenborg (1st)
 Maribor (1st)
 Kukësi (1st)

 Hapoel Be'er Sheva (1st)
 Žilina (1st)
 Vardar (1st)

First qualifying round

 Linfield (1st)
 Víkingur Gøta (1st)
 Europa FC (1st)
 Trepça'89 (1st)

 FCI Tallinn (1st)
 Hibernians (1st)
 FC Santa Coloma (1st)

 Alashkert (1st)
 The New Saints (1st)
 La Fiorita (1st)

text: ^ France (FRA): AS Monaco is a club based in Monaco (which is not a UEFA member), but participates in the Champions League through one of the berths for France (any coefficient points they earn count towards France's total).

tag: ol

text: Round and draw dates[edit]

text: The schedule of the competition is as follows (all draws are held at the UEFA headquarters in Nyon, Switzerland, unless stated otherwise).[6][14][15]

text:
Phase
Round
Draw date
First leg
Second leg

Qualifying
First qualifying round
19 June 2017
27–28 June 2017
4–5 July 2017

Second qualifying round
11–12 July 2017
18–19 July 2017

Third qualifying round
14 July 2017
25–26 July 2017
1–2 August 2017

Play-off
Play-off round
4 August 2017
15–16 August 2017
22–23 August 2017

Group stage
Matchday 1
24 August 2017
(Monaco)
12–13 September 2017

Matchday 2
26–27 September 2017

Matchday 3
17–18 October 2017

Matchday 4
31 October – 1 November 2017

Matchday 5
21–22 November 2017

Matchday 6
5–6 December 2017

Knockout phase
Round of 16
11 December 2017
13–14 & 20–21 February 2018
6–7 & 13–14 March 2018

Quarter-finals
16 March 2018
3–4 April 2018
10–11 April 2018

Semi-finals
13 April 2018
24–25 April 2018
1–2 May 2018

Final
26 May 2018 at NSC Olimpiyskiy Stadium, Kiev

text: Qualifying rounds[edit]

text: In the qualifying rounds and the play-off round, teams are divided into seeded and unseeded teams based on their 2017 UEFA club coefficients,[16][17][18] and then drawn into two-legged home-and-away ties. Teams from the same association cannot be drawn against each other.

text: First qualifying round[edit]

text: The draw for the first qualifying round was held on 19 June 2017, 12:00 CEST, at the UEFA headquarters in Nyon, Switzerland.[19]

text: The first legs were played on 27 and 28 June, and the second legs were played on 4 July 2017.

text:
Team 1
Agg.
Team 2
1st leg
2nd leg

Víkingur Gøta
6–2
 Trepça'89
2–1
4–1

Hibernians
3–0
 FCI Tallinn
2–0
1–0

Alashkert
2–1
 FC Santa Coloma
1–0
1–1

The New Saints
4–3
 Europa FC
1–2
3–1 (a.e.t.)

Linfield
1–0
 La Fiorita
1–0
0–0

text: Second qualifying round[edit]

text: The draw for the second qualifying round was held on 19 June 2017, 12:00 CEST (after the completion of the first qualifying round draw), at the UEFA headquarters in Nyon, Switzerland.[19]

text: The first legs were played on 11, 12 and 14 July, and the second legs were played on 18 and 19 July 2017.

text:
Team 1
Agg.
Team 2
1st leg
2nd leg

APOEL
2–0
 F91 Dudelange
1–0
1–0

Žalgiris Vilnius
3–5
 Ludogorets Razgrad
2–1
1–4

Qarabağ
6–0
 Samtredia
5–0
1–0

Partizan
2–0
 Budućnost Podgorica
2–0
0–0

Hibernians
0–6
 Red Bull Salzburg
0–3
0–3

Sheriff Tiraspol
2–2 (a)
 Kukësi
1–0
1–2

Spartaks Jūrmala
1–2[A]
 Astana
0–1
1–1

BATE Borisov
4–2
 Alashkert
1–1
3–1

Žilina
3–4
 Copenhagen
1–3
2–1

Hapoel Be'er Sheva
5–3
 Honvéd
2–1
3–2

Rijeka
7–1
 The New Saints
2–0
5–1

Malmö FF
2–4
 Vardar
1–1
1–3

Zrinjski Mostar
2–3
 Maribor
1–2
1–1

Dundalk
2–3
 Rosenborg
1–1
1–2 (a.e.t.)

FH
3–1
 Víkingur Gøta
1–1
2–0

Linfield
0–6
 Celtic
0–2
0–4

IFK Mariehamn
0–9
 Legia Warsaw
0–3
0–6

text: ^ Order of legs reversed after original draw.

text: Third qualifying round[edit]

text: The draw for the third qualifying round was held on 14 July 2017, 12:00 CEST, at the UEFA headquarters in Nyon, Switzerland.[20]

text: The third qualifying round was split into two separate sections: Champions Route (for league champions) and League Route (for league non-champions). The losing teams in both sections entered the 2017–18 UEFA Europa League play-off round.

text: The first legs were played on 25 and 26 July, and the second legs were played on 1 and 2 August 2017.

text:
Team 1
Agg.
Team 2
1st leg
2nd leg

Champions Route

Slavia Prague
2–2 (a)
 BATE Borisov
1–0
1–2

Astana
3–2
 Legia Warsaw
3–1
0–1

Maribor
2–0
 FH
1–0
1–0

Vardar
2–4[B]
 Copenhagen
1–0
1–4

Celtic
1–0
 Rosenborg
0–0
1–0

Hapoel Be'er Sheva
3–3 (a)
 Ludogorets Razgrad
2–0
1–3

Viitorul Constanța
1–4
 APOEL
1–0
0–4 (a.e.t.)

Red Bull Salzburg
1–1 (a)
 Rijeka
1–1
0–0

Qarabağ
2–1
 Sheriff Tiraspol
0–0
2–1

Partizan
3–5
 Olympiacos
1–3
2–2

League Route

Steaua București
6–3
 Viktoria Plzeň
2–2
4–1

Nice
3–3 (a)
 Ajax
1–1
2–2

Dynamo Kyiv
3–3 (a)
 Young Boys
3–1
0–2

AEK Athens
0–3
 CSKA Moscow
0–2
0–1

Club Brugge
3–5
 İstanbul Başakşehir
3–3
0–2

text: Play-off round[edit]

text: The draw for the play-off round was held on 4 August 2017, 12:00 CEST, at the UEFA headquarters in Nyon, Switzerland.[21]

text: The play-off round was split into two separate sections: Champions Route (for league champions) and League Route (for league non-champions). The losing teams in both sections entered the 2017–18 UEFA Europa League group stage.

text: The first legs were played on 15 and 16 August, and the second legs were played on 22 and 23 August 2017.

text:
Team 1
Agg.
Team 2
1st leg
2nd leg

Champions Route

Qarabağ
2–2 (a)
 Copenhagen
1–0
1–2

APOEL
2–0
 Slavia Prague
2–0
0–0

Olympiacos
3–1
 Rijeka
2–1
1–0

Celtic
8–4
 Astana
5–0
3–4

Hapoel Be'er Sheva
2–2 (a)
 Maribor
2–1
0–1

League Route

İstanbul Başakşehir
3–4
 Sevilla
1–2
2–2

Young Boys
0–3
 CSKA Moscow
0–1
0–2

Napoli
4–0
 Nice
2–0
2–0

1899 Hoffenheim
3–6
 Liverpool
1–2
2–4

Sporting CP
5–1
 Steaua București
0–0
5–1

text: Group stage[edit]

text: The draw for the group stage was held on 24 August 2017, 18:00 CEST, at the Grimaldi Forum in Monaco.[22] The 32 teams were drawn into eight groups of four, with the restriction that teams from the same association cannot be drawn against each other. For the draw, the teams were seeded into four pots based on the following principles (introduced starting 2015–16 season):[23][24]

text: Pot 1 contained the title holders and the champions of the top seven associations based on their 2016 UEFA country coefficients.[7][8] As the title holders, Real Madrid, are one of the champions of the top seven associations, the champions of the association ranked eighth are also seeded into Pot 1 (regulations Article 13.05).[3]

text: Pot 2, 3 and 4 contained the remaining teams, seeded based on their 2017 UEFA club coefficients.[16][17][18]

text: In each group, teams play against each other home-and-away in a round-robin format. The group winners and runners-up advance to the round of 16, while the third-placed teams enter the 2017–18 UEFA Europa League round of 32. The matchdays are 12–13 September, 26–27 September, 17–18 October, 31 October – 1 November, 21–22 November, and 5–6 December 2017.

text: The youth teams of the clubs that qualify for the group stage also participate in the 2017–18 UEFA Youth League, where they are joined by the youth domestic champions of the top 32 associations.

text: A total of 17 national associations are represented in the group stage. Qarabağ and RB Leipzig made their debut appearances in the group stage. Qarabağ are the first team from Azerbaijan to play in the Champions League group stage.[25]

text:
[show]Tiebreakers

Teams are ranked according to points (3 points for a win, 1 point for a draw, 0 points for a loss), and if tied on points, the following tiebreaking criteria are applied, in the order given, to determine the rankings (Regulations Articles 17.01):[3]

Points in head-to-head matches among tied teams;
Goal difference in head-to-head matches among tied teams;
Goals scored in head-to-head matches among tied teams;
Away goals scored in head-to-head matches among tied teams;
If more than two teams are tied, and after applying all head-to-head criteria above, a subset of teams are still tied, all head-to-head criteria above are reapplied exclusively to this subset of teams;
Goal difference in all group matches;
Goals scored in all group matches;
Away goals scored in all group matches;
Wins in all group matches;
Away wins in all group matches;
Disciplinary points (red card = 3 points, yellow card = 1 point, expulsion for two yellow cards in one match = 3 points);
UEFA club coefficient.

text: Group A[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

MU
CSM
BEN
BAS

1
 Manchester United
1
1
0
0
3
0
+3
3
Advance to knockout phase

—
5 Dec
31 Oct
3–0

2
 CSKA Moscow
1
1
0
0
2
1
+1
3

27 Sep
—
22 Nov
18 Oct

3
 Benfica
1
0
0
1
1
2
−1
0
Transfer to Europa League

18 Oct
1–2
—
5 Dec

4
 Basel
1
0
0
1
0
3
−3
0

22 Nov
31 Oct
27 Sep
—

text: Group B[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

PSG
BAY
AND
CEL

1
 Paris Saint-Germain
1
1
0
0
5
0
+5
3
Advance to knockout phase

—
27 Sep
31 Oct
22 Nov

2
 Bayern Munich
1
1
0
0
3
0
+3
3

5 Dec
—
3–0
18 Oct

3
 Anderlecht
1
0
0
1
0
3
−3
0
Transfer to Europa League

18 Oct
22 Nov
—
27 Sep

4
 Celtic
1
0
0
1
0
5
−5
0

0–5
31 Oct
5 Dec
—

text: Group C[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

CHE
ATL
ASR
QAR

1
 Chelsea
1
1
0
0
6
0
+6
3
Advance to knockout phase

—
5 Dec
18 Oct
6–0

2
 Atlético Madrid
1
0
1
0
0
0
0
1

27 Sep
—
22 Nov
31 Oct

3
 Roma
1
0
1
0
0
0
0
1
Transfer to Europa League

31 Oct
0–0
—
5 Dec

4
 Qarabağ
1
0
0
1
0
6
−6
0

22 Nov
18 Oct
27 Sep
—

text: Group D[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

BAR
SCP
OLY
JUV

1
 Barcelona
1
1
0
0
3
0
+3
3
Advance to knockout phase

—
5 Dec
18 Oct
3–0

2
 Sporting CP
1
1
0
0
3
2
+1
3

27 Sep
—
22 Nov
31 Oct

3
 Olympiacos
1
0
0
1
2
3
−1
0
Transfer to Europa League

31 Oct
2–3
—
5 Dec

4
 Juventus
1
0
0
1
0
3
−3
0

22 Nov
18 Oct
27 Sep
—

text: Group E[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

SEV
LIV
SPA
MAR

1
 Sevilla
1
0
1
0
2
2
0
1
Advance to knockout phase

—
21 Nov
1 Nov
26 Sep

2
 Liverpool
1
0
1
0
2
2
0
1

2–2
—
6 Dec
1 Nov

3
 Spartak Moscow
1
0
1
0
1
1
0
1
Transfer to Europa League

17 Oct
26 Sep
—
21 Nov

4
 Maribor
1
0
1
0
1
1
0
1

6 Dec
17 Oct
1–1
—

text: Group F[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

MC
SHA
NAP
FEY

1
 Manchester City
1
1
0
0
4
0
+4
3
Advance to knockout phase

—
26 Sep
17 Oct
21 Nov

2
 Shakhtar Donetsk
1
1
0
0
2
1
+1
3

6 Dec
—
2–1
1 Nov

3
 Napoli
1
0
0
1
1
2
−1
0
Transfer to Europa League

1 Nov
21 Nov
—
26 Sep

4
 Feyenoord
1
0
0
1
0
4
−4
0

0–4
17 Oct
6 Dec
—

text: Group G[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

BES
MON
RBL
POR

1
 Beşiktaş
1
1
0
0
3
1
+2
3
Advance to knockout phase

—
1 Nov
26 Sep
21 Nov

2
 Monaco
1
0
1
0
1
1
0
1

17 Oct
—
21 Nov
26 Sep

3
 RB Leipzig
1
0
1
0
1
1
0
1
Transfer to Europa League

6 Dec
1–1
—
17 Oct

4
 Porto
1
0
0
1
1
3
−2
0

1–3
6 Dec
1 Nov
—

text: Group H[edit]

text:
Pos
Team

v
t
e

Pld
W
D
L
GF
GA
GD
Pts
Qualification

RM
TOT
DOR
APO

1
 Real Madrid
1
1
0
0
3
0
+3
3
Advance to knockout phase

—
17 Oct
6 Dec
3–0

2
 Tottenham Hotspur
1
1
0
0
3
1
+2
3

1 Nov
—
3–1
6 Dec

3
 Borussia Dortmund
1
0
0
1
1
3
−2
0
Transfer to Europa League

26 Sep
21 Nov
—
1 Nov

4
 APOEL
1
0
0
1
0
3
−3
0

21 Nov
26 Sep
17 Oct
—

text: Knockout phase[edit]

text: In the knockout phase, teams play against each other over two legs on a home-and-away basis, except for the one-match final. The mechanism of the draws for each round is as follows:

text:
In the draw for the round of 16, the eight group winners are seeded, and the eight group runners-up are unseeded. The seeded teams are drawn against the unseeded teams, with the seeded teams hosting the second leg. Teams from the same group or the same association cannot be drawn against each other.
In the draws for the quarter-finals onwards, there are no seedings, and teams from the same group or the same association can be drawn against each other.

text: Round of 16[edit]

text: The draw for the round of 16 will be held on 11 December 2017, 12:00 CET, at the UEFA headquarters in Nyon, Switzerland.[26]

text: The first legs will be played on 13, 14, 20 and 21 February, and the second legs will be played on 6, 7, 13 and 14 March 2018.

text: Quarter-finals[edit]

text: The draw for the quarter-finals will be held on 16 March 2018, 12:00 CET, at the UEFA headquarters in Nyon, Switzerland.[27]

text: The first legs will be played on 3 and 4 April, and the second legs will be played on 10 and 11 April 2018.

text: Semi-finals[edit]

text: The draw for the semi-finals will be held on 13 April 2018, 12:00 CEST, at the UEFA headquarters in Nyon, Switzerland.[28]

text: The first legs will be played on 24 and 25 April, and the second legs will be played on 1 and 2 May 2018.

text: Final[edit]

text: The 2018 UEFA Champions League Final will be played at the NSC Olimpiyskiy Stadium in Kiev on 26 May 2018. The "home" team for the final (for administrative purposes) will be determined by an additional draw held after the semi-final draw.[28]

text: v

text:
26 May 2018 (2018-05-26)
21:45 EEST

text: v

text: NSC Olimpiyskiy Stadium, Kiev

text: Statistics[edit]

text: Statistics exclude qualifying rounds and play-off round.

text: Note: Players and teams in bold are still active in the competition.

text: Top goalscorers[edit]

text:
Rank
Player
Team
Goals
Minutes played

1
 Felipe Pardo
 Olympiacos
2
12

 Harry Kane
 Tottenham Hotspur
87

 Edinson Cavani
 Paris Saint-Germain
90

 Lionel Messi
 Barcelona
90

 Cristiano Ronaldo
 Real Madrid
90

 John Stones
 Manchester City
90

7
39 players
1
N/A


document_title: American Top Team

question_text: who is the owner of american top team

question_tokens: who is the owner of american top team

text: American Top Team

text: History[edit]

text: Ricardo Liborio, in 2001, left Brazilian Top Team to start ATT with hotel executive Dan Lambert as a partner. Lambert provided financial support and business expertise, while Liborio formed a small group of Brazilian fighters to join him in Coconut Creek. In just five years, ATT grew to a 20,000-square-foot (1,900 m2) headquarters, and over 40 affiliate gyms following their system of MMA training.[2]

text: Notable students[edit]

text:
Jessica Aguilar
Thiago Alves
Will Brooks
Mike Brown
Steve Bruno
Hayder Hassan
Roan Carneiro
Colby Covington
Nathan Coy
Dan Cramer
Marc Diakiese
Junior Dos Santos
Marcelo Garcia
Wilson Gouveia
Walt Harris
Jason High
Joanna Jędrzejczyk
Shawn Jordan
Denis Kang
Bobby Lashley
Muhammed Lawal
Douglas Lima
Hector Lombard
Jorge Masvidal
Derrick Mehmen
Cole Miller
Micah Miller
Steve Mocco
Jeff Monson
Amanda Nunes
Valerie Letourneau
Brad Pickett
Dustin Poirier
Santiago Ponzinibbio
Yoel Romero
Alessio Sakara
Shahbulat Shamhalaev
George Sotiropoulos
Glover Teixeira
Din Thomas
Gleison Tibau
Alexis Vila
Tyron Woodley
Rashid Magomedov
Gasan Umalatov
Muslim Salikhov
Andrei Arlovski

text: Awards[edit]

text:
AwakeningFighters.com WMMA Awards

2014 Gym of the Year[3]

text: MMA portal


document_title: Baby, It's Cold Outside

question_text: who sang baby its cold outside with dean martin

text: Baby, It's Cold Outside

text: History[edit]

text: During the 1940s, when Hollywood celebrities attended parties, they were expected to perform. In 1944, Frank Loesser wrote "Baby, It's Cold Outside" for him and his wife, Lynn Garland, to sing at a housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave. Loesser often introduced himself as the "evil of two Loessers" because of the role he played in the song.[1]

text: Garland wrote that after the first performance, "We become instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles. Parties were built around our being the closing act." In 1948, after years of performing the song, Loesser sold it to MGM for the 1949 romantic comedy Neptune's Daughter. Garland was furious. She wrote, "I felt as betrayed as if I'd caught him in bed with another woman."[1]

text: In the film, "Baby, It's Cold Outside" was sung by Esther Williams and Ricardo Montalbán, then by Betty Garrett and Red Skelton, who reversed the roles. The song won the Academy Award.[2][3]

text: Lyrics[edit]

text: The lyrics in this duet are designed to be heard as a conversation between two people, identified as "mouse" (usually female) and "wolf" (usually male) on the printed score; they are at the wolf's home and the mouse decides it is time to go home, but the wolf flirtatiously invites the mouse to stay as it is late and "it's cold outside." The mouse states that he/she has enjoyed the time and agrees at one point to another drink, but the mouse also says "the answer is no" and tries to return home, worried what family and neighbors will think.[4] Every line in the song features a statement from the mouse followed by a response from the wolf, which is musically known as a call and response song.

text: Although some critical analyses of the song have highlighted parts of the lyrics such as "What's in this drink?" and the wolf's unrelenting pressure to stay despite the mouse's repeated suggestions that she should go home,[5] others noted that cultural expectations of the time period were such that women were not socially permitted to spend the night with a boyfriend or fiancé, and that the mouse states that she wants to stay, while "What's in this drink?" was a common idiom of the period used to rebuke social expectations by blaming one's actions on the influence of alcohol.[5][6]

text: In at least one published version the tempo of the song is given as "Loesserando", a humorous reference to the composer's name.[7]

text: 1949 recordings[edit]

text: The version by Lynn Garland and Frank Loesser (credited as Lynn & Frank Loesser) was released by Mercury Records.[8]

text: The version by Don Cornell and Laura Leslie with the Sammy Kaye orchestra was recorded on April 12 and released by RCA Victor. It reached the Billboard Best Seller chart on June 24, 1949, and lasted 10 weeks on the chart, peaking at No. 13.[9]

text: The version by Ella Fitzgerald and Louis Jordan was recorded on April 28 and released by Decca Records. It reached the Billboard Best Seller chart on June 17, 1949, and lasted seven weeks on the chart, peaking at No. 17.[9]

text: The version by Margaret Whiting and Johnny Mercer was recorded on March 18 and released by Capitol Records. It reached the Billboard Best Seller chart on May 6, 1949, and lasted 19 weeks on the chart, peaking at No. 4.[9]

text: Other recordings[edit]

text: 1957: Sammy Davis Jr. and Carmen McRae on Boy Meets Girl[10][11]

text: 1959: Jack Marshall on his album Soundsville[12]

text: 1961: Ray Charles and Betty Carter on their self-titled album[13][3]

text: 1963: Al Hirt and Ann-Margret on the album Personalities[14]

text: 1999: Tom Jones and Cerys Matthews on Jones's album Reload[15]

text: 2002: Brian Setzer and Ann-Margret on Boogie Woogie Christmas[16]

text: 2003: Zooey Deschanel and Leon Redbone on the soundtrack for the film Elf[17]

text: 2004: Rod Stewart and Dolly Parton on his album Stardust: The Great American Songbook, Volume III[18]

text: 2008: Anne Murray and Michael Bublé on her album Anne Murray's Christmas Album.

text: 2009: Lady Antebellum[19]

text: 2009: Willie Nelson and Norah Jones on his album American Classic[20]

text: 2010: Chris Colfer and Darren Criss sang their version on the television program Glee in the episode "A Very Glee Christmas. During the previous month, the song was released on Glee: The Music, The Christmas Album. It entered the Hot 100 chart of Billboard magazine at No. 57 after the episode aired.[21]

text: 2011: She & Him (Zooey Deschanel and M. Ward) on their album A Very She & Him Christmas[22]

text: 2011: American Idol Season 10 alumni Haley Reinhart and Casey Abrams with a single, charting at No. 120 on the Billboard 200[23]

text: 2013: Lady Gaga and Joseph Gordon-Levitt on Lady Gaga and the Muppets Holiday Spectacular. Gaga also performed a version of the song with Tony Bennett in a 2015 Barnes & Noble commercial.[24]

text: 2013: Jimmy Fallon and Cecily Strong on Saturday Night Live. The song begins in the traditional manner, but after sex, roles reverse and Fallon tries to get Strong out of his apartment.[25][26]

text: 2013: Martina McBride recorded an overdubbed duet with Dean Martin with his version from 1959. McBride's version appears on The Classic Christmas Album (2013).[27]

text: 2014: Canadian pop singers Virginia to Vegas and Alyssa Reid with a single that charted at No. 5 on the Canadian Hot 100[28]

text: 2014: Seth MacFarlane and Sara Bareilles on his album Holiday for Swing[29]

text: 2014: Idina Menzel and Michael Bublé on her album Holiday Wishes (No. 78 on the Billboard Hot 100 and No. 1 on the Adult Contemporary chart, spending three weeks on top)[30]

text: 2014: Darius Rucker and Sheryl Crow on his album Home for the Holidays[31]

text: 2016: Brett Eldredge and Meghan Trainor on his album Glow[32]


document_title: List of Cleveland Cavaliers seasons

question_text: how many games did the cavs win last year

text: List of Cleveland Cavaliers seasons

text: Key[edit]

text:
Finish

Final position in league or division standings

(No.)

Number of games the coach coached

Italics

Season in progress

Losses

Number of regular season losses

AMVP

All-Star Game Most Valuable Player

COY

Coach of the Year

EOY

Executive of the Year

MVP

Most Valuable Player

FMVP

NBA Finals Most Valuable Player Award

ROY

Rookie of the Year

SPOR

Sportsmanship Award

JWKC

J. Walter Kennedy Citizenship Award

NBA Champions

Conference Champions

Division Champions

Playoff berth

text: Seasons[edit]

text: Note: Statistics are correct as of the 2017–18 season.

text:
Season

League

Conference

Finish

Division

Finish

Wins

Losses

Win%

GB

Playoffs

Awards

Ref.

1970–71

NBA

Eastern

8th

Central

4th

15

67

.183

27

—

—

[8]

1971–72

NBA

Eastern

7th

Central

4th

23

59

.280

15

—

—

[9]

1972–73

NBA

Eastern

6th

Central

4th

32

50

.390

20

—

—

[10]

1973–74

NBA

Eastern

7th

Central

4th

29

53

.354

18

—

—

[11]

1974–75

NBA

Eastern

6th

Central

3rd

40

42

.488

20

—

—

[12]

1975–76

NBA

Eastern

2nd

Central

1st

49

33

.598

—

Won Conference Semifinals (Bullets) 4–3Lost Conference Finals (Celtics) 4–2

Bill Fitch (COY)

[13]

1976–77

NBA

Eastern

6th

Central

4th

43

39

.524

6

Lost First Round (Bullets) 2–1

—

[14]

1977–78

NBA

Eastern

4th

Central

3rd

43

39

.524

9

Lost First Round (Knicks) 2–0

—

[15]

1978–79

NBA

Eastern

8th

Central

5th[nb 1]

30

52

.366

18

—

—

[17]

1979–80

NBA

Eastern

8th

Central

5th[nb 2]

37

45

.451

13

—

Austin Carr (JWKC)

[19]

1980–81

NBA

Eastern

9th

Central

5th

28

54

.341

32

—

—

[20]

1981–82

NBA

Eastern

11th

Central

6th

15

67

.183

40

—

—

[21]

1982–83

NBA

Eastern

10th

Central

5th

23

59

.280

28

—

—

[22]

1983–84

NBA

Eastern

9th

Central

4th

28

54

.341

22

—

—

[23]

1984–85

NBA

Eastern

8th

Central

4th

36

46

.439

23

Lost First Round (Celtics) 3–1

—

[24]

1985–86

NBA

Eastern

9th

Central

5th

29

53

.354

28

—

—

[25]

1986–87

NBA

Eastern

9th

Central

6th

31

51

.380

26

—

—

[26]

1987–88

NBA

Eastern

6th

Central

5th[nb 3]

42

40

.512

12

Lost First Round (Bulls) 3–2

—

[28]

1988–89

NBA

Eastern

3rd

Central

2nd

57

25

.695

6

Lost First Round (Bulls) 3–2

—

[29]

1989–90

NBA

Eastern

7th

Central

4th[nb 4]

42

40

.512

17

Lost First Round (76ers) 3–2

—

[31]

1990–91

NBA

Eastern

9th

Central

6th

33

49

.402

28

—

—

[32]

1991–92

NBA

Eastern

3rd

Central

2nd

57

25

.695

10

Won First Round (Nets) 3–1Won Conference Semifinals (Celtics) 4–3Lost Conference Finals (Bulls) 4–2

Wayne Embry (EOY)

[33]

1992–93

NBA

Eastern

3rd

Central

2nd

54

28

.658

3

Won First Round (Nets) 3–2Lost Conference Semifinals (Bulls) 4–0

—

[34]

1993–94

NBA

Eastern

6th

Central

4th[nb 5]

47

35

.573

10

Lost First Round (Bulls) 3–0

—

[36]

1994–95

NBA

Eastern

6th

Central

4th

43

39

.524

9

Lost First Round (Knicks) 3–1

—

[37]

1995–96

NBA

Eastern

4th

Central

3rd

47

35

.573

25

Lost First Round (Knicks) 3–0

—

[38]

1996–97

NBA

Eastern

9th

Central

5th

42

40

.512

27

—

Terrell Brandon (SPOR)

[39]

1997–98

NBA

Eastern

6th

Central

5th

47

35

.573

15

Lost First Round (Pacers) 3–1

Wayne Embry (EOY)

[40]

1998–99[nb 6]

NBA

Eastern

11th

Central

7th

22

28

.440

11

—

—

[41]

1999–00

NBA

Eastern

11th

Central

6th

32

50

.390

24

—

—

[42]

2000–01

NBA

Eastern

11th

Central

6th

30

52

.366

22

—

—

[43]

2001–02

NBA

Eastern

14th

Central

7th

29

53

.354

21

—

—

[44]

2002–03

NBA

Eastern

15th

Central

8th

17

65

.207

33

—

—

[45]

2003–04

NBA

Eastern

9th

Central

5th

35

47

.427

26

—

LeBron James (ROY)

[46]

2004–05

NBA

Eastern

9th

Central

4th

42

40

.512

12

—

Eric Snow (JWKC)

[47]

2005–06

NBA

Eastern

4th

Central

2nd

50

32

.610

14

Won First Round (Wizards) 4–2Lost Conference Semifinals (Pistons) 4–3

LeBron James (AMVP)

[48]

2006–07

NBA

Eastern

2nd

Central

2nd

50

32

.610

3

Won First Round (Wizards) 4–0Won Conference Semifinals (Nets) 4–2Won Conference Finals (Pistons) 4–2Lost NBA Finals (Spurs) 4–0

—

[49]

2007–08

NBA

Eastern

4th

Central

2nd

45

37

.549

14

Won First Round (Wizards) 4–2Lost Conference Semifinals (Celtics) 4–3

LeBron James (AMVP)

[50]

2008–09

NBA

Eastern

1st

Central

1st

66

16

.805

—

Won First Round (Pistons) 4–0Won Conference Semifinals (Hawks) 4–0Lost Conference Finals (Magic) 4–2

LeBron James (MVP)Mike Brown (COY)

[51]

2009–10

NBA

Eastern

1st

Central

1st

61

21

.744

—

Won First Round (Bulls) 4–1Lost Conference Semifinals (Celtics) 4–2

LeBron James (MVP)

[52]

2010–11

NBA

Eastern

15th

Central

5th

19

63

.232

43

—

—

[53]

2011–12[nb 7]

NBA

Eastern

13th

Central

5th

21

45

.318

29

—

Kyrie Irving (ROY)

[54]

2012–13

NBA

Eastern

13th

Central

5th

24

58

.293

25.5

—

—

[55]

2013–14

NBA

Eastern

10th

Central

3rd

33

49

.402

23

—

Kyrie Irving (AMVP)Luol Deng (JWKC)

[56]

2014–15

NBA

Eastern

 2nd

Central

1st

53

29

.646

—

Won First Round (Celtics) 4–0 Won Conference Semifinals (Bulls) 4–2 Won Conference Finals (Hawks) 4–0Lost  NBA Finals (Warriors) 4–2

—

[57]

2015–16

NBA

Eastern

 1st

Central

1st

57

25

.695

—

Won First Round (Pistons) 4–0 Won Conference Semifinals (Hawks) 4–0 Won Conference Finals (Raptors) 4–2 Won NBA Finals (Warriors) 4–3

LeBron James (FMVP)

[58]

2016–17

NBA

Eastern

 2nd

Central

1st

51

31

.622

—

Won First Round (Pacers) 4–0 Won Conference Semifinals (Raptors) 4–0 Won Conference Finals (Celtics) 4–1 Lost NBA Finals (Warriors) 4–1

LeBron James (JWKC)

[59]

2017–18

NBA

Eastern

 4th

Central

1st

50

32

.610

—

Won First Round (Pacers) 4–3 Won Conference Semifinals (Raptors) 4–0 Won Conference Finals (Celtics) 4–3 Lost NBA Finals (Warriors) 4–0

—

text: All-time records[edit]

text:
Statistic

Wins

Losses

Win%

Regular season results

1829

2059

.470

Post-season results

119

97

.551

Regular and post-season results

1948

2156

.475

text: Notes[edit]

text:
Jump up ^ The Cavaliers and the Pistons ended the 1978–79 season with identical 30–52 records.[16]

Jump up ^ The Cavaliers and the Pacers ended the 1979–80 season with identical 37–45 records.[18]

Jump up ^ The Cavaliers and the Bucks ended the 1987–88 season with identical 42–40 records.[27]

Jump up ^ The Cavaliers and the Pacers ended the 1989–90 season with identical 42–40 records.[30]

Jump up ^ The Cavaliers and the Pacers ended the 1993–94 season with identical 47–35 records.[35]

Jump up ^ Due to the circumstances of a lockout, the 1998–99 season was shortened to 50 games, with teams beginning play on February 5, 1999.

Jump up ^ Due to the circumstances of a lockout, the 2011–12 season was shortened to 66 games, with teams beginning play on December 25, 2011.


question_text: who wrote all i want for christmas is my two front teeth

text:
"All I Want for Christmas is My Two Front Teeth"

Single by Spike Jones & His City Slickers

Released
1948

Genre
Novelty, Christmas

Label
RCA Victor

Songwriter(s)
Donald Yetter Gardner

text: "All I Want for Christmas Is My Two Front Teeth" is a novelty Christmas song written in 1944 by Donald Yetter Gardner[1] while teaching music at public schools in Smithtown, New York. He asked his second grade class what they wanted for Christmas, and noticed that almost all of the students had at least one front tooth missing as they answered in a lisp. Gardner wrote the song in 30 minutes. In a 1995 interview, Gardner said, "I was amazed at the way that silly little song was picked up by the whole country."[2][3] The song was published in 1948 after an employee of Witmark music company heard Gardner sing it at a music teachers conference.[2][3]

text: The song was introduced in 1948 by singing group The Satisfiers on Perry Como's radio show,[4] and originally recorded by Spike Jones & His City Slickers on December 6, 1947, with lead vocal by George Rock. That version reached the top of the pop charts in 1948, and again in 1949.[3] The song has also been recorded by numerous other singers and performers, including Ray Stevens,[5] George Strait, Danny Kaye with The Andrews Sisters, Urbie Green, The Platters, Dread Zeppelin, The Kelly Family,[6] Nat King Cole (reportedly Gardner's favorite version),[2] The Chipmunks, the Hampton String Quartet, The Three Stooges, Kisdongs, and Count von Count of Sesame Street.

text: In the versions by Spike, The Chipmunks (Theodore on lead vocals), and Ray Stevens, the song ends with the performer shouting the words "Happy New Year!!!" Homer and Jethro parodied the song as "All I Want for Christmas Is My Upper Plate", on their 1968 album Cool Crazy Christmas.

text: Drag performer and singer RuPaul parodied the song on his Christmas album Ho, Ho, Ho. In his version, the singer lists "a litany of plastic surgery requests" that he would like to receive for the holiday.[7]

text: In 1986, the song title was parodied in "All I Want for Christmas Is a Dukla Prague Away Kit" by the band Half Man Half Biscuit on The Trumpton Riots EP.

text: Country music parodist Cledus T. Judd parodied the song on his 2002 Christmas album Cledus Navidad. Titled "All I Want for Christmas Is Two Gold Front Teef", Judd's parody is performed in rap.[citation needed]


document_title: Lady and the Tramp

question_text: where is lady and the tramp supposed to take place

text: Lady and the Tramp

text: Plot

text: On Christmas morning, 1909, in a quaint Midwestern town, Jim Dear gives his wife Darling an American cocker spaniel puppy that she names Lady. Lady enjoys a happy life with the couple and befriends two local neighborhood dogs, Jock, a Scottish terrier, and Trusty, a bloodhound. Meanwhile, across town, a stray mongrel called the Tramp lives on his own, dining on scraps from Tony's Italian restaurant and protecting his fellow strays Peg (a Pekingese) and Bull (a bulldog) from the local dogcatcher. One day, Lady is saddened after her owners begin treating her rather coldly. Jock and Trusty visit her and determine that their change in behavior is due to Darling expecting a baby. While Jock and Trusty try to explain what a baby is, Tramp interrupts the conversation and offers his own thoughts on the matter, making Jock and Trusty take an immediate dislike to the stray and order him out of the yard. As Tramp leaves, he reminds Lady that "when the baby moves in, the dog moves out."

text: Eventually, the baby arrives and the couple introduces Lady to the infant, of whom Lady grows fond. Soon after, Jim Dear and Darling leave for a trip, with their Aunt Sarah looking after the baby and the house. Aunt Sarah's two trouble-making Siamese cats, Si and Am, deliberately mess up the house and trick her into thinking that Lady attacked them. Aunt Sarah then takes Lady to a pet shop to get a muzzle. Terrifed, Lady flees, only to be pursued by a trio of stray dogs. Tramp rescues her and finds a beaver at the local zoo who can remove the muzzle. Later, Tramp shows Lady how he lives "footloose and collar-free", eventually leading into a candlelit dinner at Tony's. Lady begins to fall in love with Tramp, but she chooses to return home in order to watch over the baby. Tramp offers to escort Lady back home, but when Tramp decides to chase hens around a farmyard for fun, Lady is captured by the dog catcher and brought to the local dog pound. While at the pound, the other dogs (including Peg and Bull, who have been caught) reveal to Lady that Tramp previously had multiple girlfriends and feel it is unlikely he will ever settle down. She is eventually claimed by Aunt Sarah, who chains her in the backyard as punishment for running away.

text: Jock and Trusty visit to comfort Lady, but when Tramp arrives to apologize, Lady angrily confronts him about his past girlfriends and failure to rescue her from the pound. Tramp sadly leaves, but immediately thereafter a rat sneaks into the house. Lady sees the rat and barks frantically at it, but Aunt Sarah tells her to be quiet. Tramp hears her barking and rushes back, entering the house and cornering the rat in the nursery. Lady breaks free and rushes to the nursery, where Tramp inadvertently knocks over the baby's crib before ultimately killing the rat. The commotion alerts Aunt Sarah, who sees both dogs and thinks they are responsible. She pushes Tramp in a closet and locks Lady in the basement, then calls the pound to take Tramp away. Jim Dear and Darling return home as the dog catcher departs, and when they release Lady, she leads them to the dead rat. Overhearing everything, Jock and Trusty chase after the dog catcher's wagon. The dogs are able to track down the wagon and scare the horses, causing the wagon to crash. Jim Dear arrives in a taxi with Lady, and she reunites with Tramp, but their joy is short-lived when they find Trusty pinned underneath the wagon's wheel, motionless, with Jock howling mournfully.

text: That Christmas, Tramp has been adopted into the family, and he and Lady have started their own family, with three daughters who look like Lady and a son who looks similar to Tramp. Jock comes to see the family along with Trusty, who is still alive and merely suffered a broken leg, which is still healing. Thanks to the puppies, Trusty has a fresh audience for his old stories about his Grandpappy Old Reliable, but he has forgotten them.

text: Cast

text:
Barbara Luddy as Lady
Larry Roberts as Tramp
Bill Thompson as Jock, Joe, Dachsie, Policeman
Bill Baucom as Trusty
Verna Felton as Aunt Sarah
George Givot as Tony
Lee Millar as Jim Dear, Dogcatcher
Peggy Lee as Darling, Si and Am, Peg
Stan Freberg as the beaver
Alan Reed as Boris
Thurl Ravenscroft as Al the alligator
Dallas McKennon as Toughy, Pedro, Professor, Hyena
The Mellomen (Thurl Ravenscroft, Bill Lee, Max Smith, Bob Hamlin and Bob Stevens) as Dog Chorus

text: Production

text: Story development

text: In 1937, Disney story man Joe Grant came up with an idea inspired by the antics of his English Springer Spaniel Lady, and how she got "shoved aside" by Joe's new baby. He approached Walt Disney with sketches of Lady. Disney enjoyed the sketches and commissioned Grant to start story development on a new animated feature entitled Lady.[3] Through the late 1930s and early 1940s, Joe Grant and other artists worked on the story, taking a variety of approaches, but Disney was not pleased with any of them, primarily because he thought Lady was too sweet, and there was not enough action.[3]

text: In the early 1940s, Walt read the short story written by Ward Greene, "Happy Dan, The Whistling Dog", in Cosmopolitan magazine.[4] He thought Grant's story would be improved if Lady fell in love with a cynical dog character like the one in Greene's story and bought the rights to it.[5] The cynical dog had various names during development, including Homer, Rags, and Bozo, before "Tramp" was chosen.[4]

text: The finished film is slightly different from what was originally planned. Lady was to have only one next-door neighbor, a Ralph Bellamy-type canine named Hubert. Hubert was later replaced by Jock and Trusty. Aunt Sarah was the traditional overbearing mother-in-law. In the final film, she is softened to a busybody. Aunt Sarah's Nip and Tuck were later renamed Si and Am.[4] Originally, Lady's owners were called Jim Brown and Elizabeth. These were changed to highlight Lady's point of view. They were briefly referred to as "Mister" and "Missis" before settling on the names "Jim Dear" and "Darling". To maintain a dog's perspective, Darling and Jim's faces are rarely shown, similar to Mammy Two Shoes in the Tom and Jerry cartoons. The rat was a somewhat comic character in early sketches, but became a great deal more frightening, due to the need to raise dramatic tension. A scene created but then deleted was one in which after Trusty says "Everybody knows, a dog's best friend is his human", Tramp describes a world in which the roles of both dogs and humans are switched; the dogs are the masters and vice versa.[3] There was a love triangle among Lady, Tramp, and a Russian wolfhound named Boris (who appears in the dog pound in the final version).[6]

text: The film's opening sequence, in which Darling unwraps a hat box on Christmas morning and finds Lady inside, is inspired by an incident when Walt Disney presented his wife Lily with a Chow puppy as a gift in a hat box.[7]

text: In 1949, Grant left the studio, yet Disney story men were continually pulling Grant's original drawings and story off the shelf to retool.[3] A solid story began taking shape in 1953,[5] based on Grant's storyboards and Greene's short story.[3] Greene later wrote a novelization of the film that was released two years before the film itself, at Walt Disney's insistence, so that audiences would be familiar with the story.[8] Grant did not receive film credit for his story work, an issue that animation director Eric Goldberg hoped to rectify in the Lady and the Tramp Platinum Edition's behind-the-scenes vignette that explained Grant's role.[3]

text: Singer Peggy Lee not only voiced four characters but co-wrote six songs for the movie.[9]

text: Animation

text: As they had done with deer on Bambi, the animators studied many dogs of different breeds to capture the movement and personality of dogs. Although the spaghetti eating sequence is probably now the best known scene from the film, Walt Disney was prepared to cut it, thinking that it would not be romantic and that dogs eating spaghetti would look silly. Animator Frank Thomas was against Walt's decision and animated the entire scene himself without any lay-outs. Walt was impressed by Thomas's work and how he romanticized the scene and kept the scene in.[3] On viewing the first take of the scene, the animators felt that the action should be slowed down, so an apprentice trainee was assigned to create "half numbers" in between many of the original frames.[10]

text: Originally, the background artist was supposed to be Mary Blair and she did some inspirational sketches for the film. However, she left the studio to become a children's book illustrator in 1953. Claude Coats was then appointed as the key background artist. Coats made models of the interiors of Jim Dear and Darling's house, and shot photos and film at a low perspective as reference to maintain a dog's view.[8] Eyvind Earle (who later became the art director of Disney's Sleeping Beauty) did almost 50 miniature concept sketches for the Bella Notte sequence and was a key contributor to the film.[8]

text: CinemaScope

text: Originally, Lady and the Tramp was planned to be filmed in a regular full frame aspect ratio. However, due to the growing interest of widescreen film among movie-goers, Disney decided to animate the film in CinemaScope making Lady and the Tramp the first animated feature filmed in the process.[4] This new innovation presented additional problems for the animators: the expansion of space created more realism but gave fewer closeups.[5] It also made it difficult for a single character to dominate the screen so that groups had to be spread out to keep the screen from appearing sparse.[4] Longer takes become necessary since constant jump-cutting would seem too busy or annoying.[2] Layout artists essentially had to reinvent their technique. Animators had to remember that they had to move their characters across a background instead of the background passing behind them.[5] Yet the animators overcame these obstacles during the action scenes, such as Tramp killing the rat.[2]

text: More problems arose as the premiere date got closer since not all theaters had the capability to show CinemaScope at the time. Upon learning this, Walt issued two versions of the film: one in widescreen, and another in the Academy ratio. This involved gathering the layout artists to restructure key scenes when characters were on the edges of the screen.[11]

text: Release

text: Lady and the Tramp was originally released to theaters on June 22, 1955. At the time, the film took in a higher figure than any other Disney animated feature since Snow White and the Seven Dwarfs,[12] earning an estimated $7.5 million in rentals at the North American box office in 1955.[13] An episode of Disneyland called "A Story of Dogs" aired before the film's release.[14] The film was also reissued to theaters in 1962, 1972, 1980, and 1986. Lady and the Tramp also played a limited engagement in select Cinemark Theatres from February 16–18, 2013.[15]

text: Home media

text: Lady and the Tramp was first released on North American VHS and Laserdisc in 1987 as part of the Walt Disney Classics video series and in the UK in 1990. It was released on VHS in 1998 as part of the Walt Disney Masterpiece Collection video series. A Disney Limited Issue series DVD of the film was released on November 23, 1999.

text: After the first release on video tapes, Peggy Lee sought performance and song royalties on the video sales. Disney CEO Eisner refused, thus she filed suite in 1988. Eventually in 1992, the California Court of Appeals order Disney to pay Lee $3.2 million in compensation or about a 4% on the video sales.[9]

text: Lady and the Tramp was remastered and restored for DVD on February 28, 2006, as the seventh installment of Disney's Platinum Editions series.[16] One million copies of the Platinum Edition were sold on February 28, 2006.[17] The Platinum Edition DVD went on moratorium on January 31, 2007, along with the 2006 DVD reissue of the film's sequel Lady and the Tramp II: Scamp's Adventure.[18]

text: Lady and the Tramp was released on Blu-ray on February 7, 2012 as a part of Disney's Diamond Editions series.[19] A standalone 1-disc DVD edition was released on March 20, 2012.[20][21]

text: Reception

text: Critical reception

text: Despite being an enormous success at the box office, the film was also initially panned by critics: one indicated that the dogs had "the dimensions of hippos," another that "the artists' work is below par".[22]

text: However, the film has since gone on to become regarded as a classic. The sequence of Lady and Tramp sharing a plate of spaghetti — climaxed by an accidental kiss as they swallow opposite ends of the same strand of spaghetti — is considered an iconic scene in American film history.

text: Lady and the Tramp was named number 95 out of the "100 Greatest Love Stories of All Time" by the American Film Institute in their 100 Years...100 Passions special, as one of only two animated films to appear on the list, along with Disney's Beauty and the Beast which ranked 34th.[23] In 2010, Rhapsody called its accompanying soundtrack one of the all-time great Disney & Pixar soundtracks.[24] In June 2011, TIME named it one of "The 25 All-TIME Best Animated Films".[25]

text: The review aggregator website Rotten Tomatoes reported that the film received an 89% approval rating with an average rating of 7.6/10 based on 38 reviews. The website's consensus states that "A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience."[26]

text: Accolades

text:
Year
Ceremony
Award
Result

1956
BAFTA Awards[27]
Best Animated Film
Nominated

David di Donatello Awards[28]
Best Foreign Producer
(Walt Disney)
Won

2006
Satellite Awards[29]
Best Youth DVD
Nominated

text:
AFI's 100 Years...100 Movies – Nominated[30]
AFI's 100 Years...100 Passions – No. 95
AFI's 100 Years...100 Songs:

He's a Tramp – Nominated[31]

AFI's Greatest Movie Musicals – Nominated[32]
AFI's 10 Top 10 – Nominated Animated Film[33]

text: Music

text:
Lady and the Tramp

Soundtrack album by Various artists

Released
9 September 1997

Genre
Classical

Length
48:00

Label
Walt Disney

Producer
Ted Kryczko (executive)

text:
Professional ratings

Review scores

Source
Rating

AllMusic
[34]

text: The score for the film was composed and conducted by Oliver Wallace. Recording artist Peggy Lee wrote the songs with Sonny Burke and assisted with the score as well.[4] In the film, she sings "La La Lu", "The Siamese Cat Song", and "He's a Tramp".[35] She helped promote the film on the Disney TV series, explaining her work with the score and singing a few of the film's numbers.[4] These appearances are available as part of the Lady and the Tramp Platinum Edition DVD set.

text: On November 16, 1988, Peggy Lee sued the Walt Disney Company for breach of contract, claiming that she retained the rights to transcriptions of the music, arguing that videotape editions were transcriptions.[36] After a protracted legal battle, she was awarded $2.3 million in 1991.[37]

text: The remastered soundtrack of Lady and the Tramp was released on CD by Walt Disney Records on September 9, 1997, and was released as a digital download on September 26, 2006.[38]

text: Track listing

text:
No.
Title
Length

1.
"Main Title (Bella Notte) / The Wag of a Dog's Tail"
2:03

2.
"Peace on Earth (Silent Night)"
1:01

3.
"It Has a Ribbon / Lady to Bed / A Few Mornings Later"
3:53

4.
"Sunday / The Rat / Morning Paper"
1:44

5.
"A New Blue Collar / Lady Talks To Jock & Trusty / It's Jim Dear"
3:17

6.
"What a Day! / Breakfast at Tony's"
1:05

7.
"Warning / Breakout / Snob Hill / A Wee Bairn"
2:44

8.
"Countdown to B-Day"
2:05

9.
"Baby's First Morning / What Is a Baby / La La Lu"
3:11

10.
"Going Away / Aunt Sarah"
1:51

11.
"The Siamese Cat Song / What's Going on Down There?"
2:35

12.
"The Muzzle / Wrong Side of the Tracks"
1:54

13.
"You Poor Kid / He's Not My Dog"
1:23

14.
"Through the Zoo / A Log Puller"
1:59

15.
"Footloose and Collar-Free / A Night at the Restaurant / Bella Notte"
4:22

16.
"It's Morning / Ever Chase Chickens / Caught"
2:51

17.
"Home Sweet Home"
1:30

18.
"The Pound"
1:27

19.
"What a Dog / He's a Tramp"
2:24

20.
"In the Doghouse / The Rat Returns / Falsely Accused / We've Got to Stop That Wagon / Trusty's Sacrifice"
6:05

21.
"Watch the Birdie / Visitors"
2:05

22.
"Finale (Peace on Earth)"
0:31

Total length:
48:00

text: Sequel

text: On February 27, 2001, Disney Television Animation released a direct-to-video sequel to the film entitled Lady and the Tramp II: Scamp's Adventure. Produced 46 years after its predecessor, the film centers on the adventures of Lady and Tramp's only son, Scamp, who desires to be a wild dog. He runs away from his family and joins a gang of junkyard dogs to fulfill his longing for freedom and a life without rules. Reviews for the sequel were generally mixed to negative, with critics panning its plot.


document_title: Tiptoe Through the Tulips

question_text: when was the song tiptoe through the tulips made

text: Tiptoe Through the Tulips

text: This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2008) (Learn how and when to remove this template message)

text:
Tip Toe Through the Tulips with Me
by Joe Burke & Al DubinGenre
Popular song from the 1929 film Gold Diggers of BroadwayPublisher
M. Witmark & Sons (New York)

text: "Tiptoe Through the Tulips", also known as "Tip Toe Through the Tulips with Me", is a popular song published in 1929. The song was written by Al Dubin (lyrics) and Joe Burke (music) and made popular by guitarist Nick Lucas.

text: Recording history[edit]

text: "Crooning Troubadour" Nick Lucas topped the US charts with "Tiptoe Through the Tulips" in 1929, after introducing the song in the musical "talkie" film Gold Diggers of Broadway. Lucas's recording held the #1 position for 10 weeks.[1] Other artists charted with the song in 1929, including Jean Goldkette (#5), Johnny Marvin (#11), and Roy Fox (#18).

text: The song was used in Sinkin' in the Bathtub, the first Looney Tunes cartoon short, in 1930.  It is also heard in the opening scene of the 1945 film Confidential Agent.

text: The song was revived in 1967 by the California rock group The Humane Society and in 1968 by Tiny Tim, whose version charted at #17 that year, becoming his signature song, which he would continue to perform throughout his career. The song was also later covered by The Bonzo Dog Doo-Dah Band.

text: In popular culture[edit]

text: This article appears to contain trivial, minor, or unrelated references to popular culture. Please reorganize this content to explain the subject's impact on popular culture, using references to reliable sources, rather than simply listing appearances. Unsourced material may be challenged and removed. (April 2017)

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2017) (Learn how and when to remove this template message)

text: The song is sung by Dr. Smith and again by the Robot in the Lost in Space episode "Space Circus"[2]

text: The song is mentioned in the 1997 book Harry Potter and the Philosopher's Stone.[3] Vernon Dursley hums the song while boarding up small cracks around the front and back doors of his house so he can stop letters from Hogwarts reaching Harry.

text: Comedian Otto Waalkes sang a version, similar to that from Tiny Tim in his program Otto[4]

text: In The Witcher 3: Wild Hunt, the phrase "I like to tiptoe through the tulips" is one of Geralt's speech options for the pass-phrase to enter the Putrid Grove in Novigrad (though not the correct one).[5]

text: In the 2011 film Wrecked, the song is played on the radio.[6]

text: The song is featured in the 2010 horror film Insidious.[7][better source needed]