document_title: FIFA World Cup top goalscorers

question_text: who scored the most goals this world cup

root

text: FIFA World Cup top goalscorers

text: Overall top goalscorers[edit]

text:
Table key

♦

Denotes national top scorers at the World Cup

#

Denotes players who played for their national teams at the most recent tournament in 2018

[ ]

Denotes tournaments where the player was part of the squad, but did not play in a match

( )

Denotes tournaments where the player played in a match, but did not score a goal

tag: table

text:
Players with at least 5 goals at the FIFA World Cup tournaments[6][7]

Rank

Player

Team

Goalsscored

Matchesplayed

Goalsper game[nb 1]

Tournaments

Notes

1

Miroslav Klose♦

 Germany

16

24

0.67

2002, 2006, 2010, 2014

list[9]

2

Ronaldo♦

 Brazil

15

19

0.79

[1994], 1998, 2002, 2006

list[10]

3

Gerd Müller

 West Germany

14

13

1.08

1970, 1974

list[11]

4

Just Fontaine♦

 France

13

6

2.17

1958

list[12]

5

Pelé

 Brazil

12

14

0.86

1958, 1962, 1966, 1970

list[13]

6

Sándor Kocsis♦

 Hungary

11

5

2.20

1954

list[14]

Jürgen Klinsmann

 West Germany Germany

17

0.65

1990, 1994, 1998

list[15]

8

Helmut Rahn

 West Germany

10

10

1.00

1954, 1958

list[16]

Gary Lineker♦

 England

12

0.83

1986, 1990

list[17]

Gabriel Batistuta♦

 Argentina

12

0.83

1994, 1998, 2002

list[18]

Teófilo Cubillas♦

 Peru

13

0.77

1970, 1978, (1982)

list[19]

Thomas Müller#

 Germany

16

0.63

2010, 2014, (2018)

list[20][21]

Grzegorz Lato♦

 Poland

20

0.50

1974, 1978, 1982

list[22]

14

Eusébio♦

 Portugal

9

6

1.50

1966

list[23]

Christian Vieri♦

 Italy

9

1.00

1998, 2002

list[24]

Vavá

 Brazil

10

0.90

1958, 1962

[25]

David Villa♦

 Spain

12

0.75

2006, 2010, 2014

list[26]

Paolo Rossi♦

 Italy

14

0.64

1978, 1982, [1986]

list[27]

Jairzinho

 Brazil

16

0.56

(1966), 1970, 1974

list[28]

Roberto Baggio♦

 Italy

16

0.56

1990, 1994, 1998

list[29]

Karl-Heinz Rummenigge

 West Germany

19

0.47

1978, 1982, 1986

list[30]

Uwe Seeler

 West Germany

21

0.43

1958, 1962, 1966, 1970

[31]

23

Guillermo Stábile

 Argentina

8

4

2.00

1930

list[32]

Leônidas

 Brazil

5

1.60

1934, 1938

list[nb 2][34]

Ademir

 Brazil

6

1.33

1950

list[nb 3][37]

Óscar Míguez♦

 Uruguay

7

1.14

1950, 1954

[38]

Rivaldo

 Brazil

14

0.57

1998, 2002

list[39]

Rudi Völler

 West Germany Germany

15

0.53

1986, 1990,1994

list[40]

Diego Maradona

 Argentina

21

0.38

1982, 1986, (1990), 1994

list[41]

30

Oldřich Nejedlý♦

 Czechoslovakia

7

6

1.17

1934, 1938

[nb 4][42]

Lajos Tichy

 Hungary

8

0.88

1958, 1962, [1966]

list[43]

Careca

 Brazil

9

0.78

1986, 1990

[44]

Johnny Rep♦

 Netherlands

13

0.54

1974, 1978

[45]

Andrzej Szarmach

 Poland

13

0.54

1974, 1978, 1982

[46]

Luis Suárez#

 Uruguay

13

0.54

2010, 2014, 2018

list[47][48]

Hans Schäfer

 West Germany

15

0.47

1954, 1958, (1962)

[49]

Cristiano Ronaldo#

 Portugal

17

0.41

2006, 2010, 2014, 2018

list[48][50]

38

Josef Hügi♦

  Switzerland

6

3

2.00

1954

[51]

Oleg Salenko♦

 Russia

3

2.00

1994

list[52]

György Sárosi

 Hungary

5

1.20

1934, 1938

[53]

Max Morlock

 West Germany

5

1.20

1954

[54]

Erich Probst♦

 Austria

5

1.20

1954

[55]

Harry Kane#

 England

6

1.00

2018

list[56]

Salvatore Schillaci

 Italy

7

0.86

1990

list[57]

Davor Šuker♦

 Yugoslavia Croatia

8

0.75

[1990],1998, (2002)

list[nb 5][58]

James Rodríguez♦#

 Colombia

8

0.75

2014, (2018)

list[59][60]

Helmut Haller

 West Germany

9

0.67

(1962), 1966, (1970)

[61]

Hristo Stoichkov♦

 Bulgaria

10

0.60

1994, (1998)

list[62]

Diego Forlán

 Uruguay

10

0.60

2002, 2010, (2014)

list[63]

Neymar#

 Brazil

10

0.60

2014, 2018

list[48][64]

Asamoah Gyan♦

 Ghana

11

0.55

2006, 2010, 2014

list[65]

Dennis Bergkamp

 Netherlands

12

0.50

1994, 1998

list[66]

Rob Rensenbrink

 Netherlands

13

0.46

1974, 1978

[67]

Rivellino

 Brazil

15

0.40

1970, 1974, (1978)

[68]

Bebeto

 Brazil

15

0.40

(1990), 1994, 1998

list[69]

Arjen Robben

 Netherlands

15

0.40

2006, 2010, 2014

list[70]

Zbigniew Boniek

 Poland

16

0.38

1978, 1982, (1986)

list[71]

Thierry Henry

 France

17

0.35

1998, (2002), 2006, (2010)

list[72]

Wesley Sneijder

 Netherlands

17

0.35

(2006), 2010, 2014

list[73]

Robin van Persie

 Netherlands

17

0.35

2006, 2010, 2014

list[74]

Mario Kempes

 Argentina

18

0.33

(1974), 1978, (1982)

list[75]

Lionel Messi#

 Argentina

19

0.32

2006, (2010), 2014, 2018

list[48][76]

Lothar Matthäus

 West Germany Germany

25

0.24

(1982), 1986, 1990, 1994, (1998)

[77]

64

Pedro Cea

 Uruguay

5

4

1.25

1930

list[78]

Silvio Piola

 Italy

4

1.25

1938

[79]

Gyula Zsengellér

 Hungary

4

1.25

1938

[80]

Peter McParland♦

 Northern Ireland

5

1.00

1958

list[81]

Tomáš Skuhravý

 Czechoslovakia

5

1.00

1990

[82]

Juan Alberto Schiaffino

 Uruguay

6

0.83

1950, 1954

[83]

Geoff Hurst

 England

6

0.83

1966, 1970

list[84]

Jon Dahl Tomasson♦

 Denmark

6

0.83

2002, 2010

list[85]

Alessandro Altobelli

 Italy

7

0.71

1982, 1986

[86]

Kennet Andersson♦

 Sweden

7

0.71

1994

list[87]

Fernando Morientes

 Spain

7

0.71

1998, 2002

list[88]

Romário

 Brazil

8

0.63

(1990), 1994

list[89]

Marc Wilmots♦

 Belgium

8

0.63

[1990], (1994), 1998, 2002

list[90]

Mario Mandžukić#

 Croatia

8

0.63

2014, 2018

list[48][91]

Valentin Ivanov

 Soviet Union

9

0.56

1958, 1962

list[92]

Emilio Butragueño

 Spain

9

0.56

1986, (1990)

list[93]

Roger Milla♦

 Cameroon

9

0.56

(1982), 1990, 1994

[94]

Tim Cahill♦#

 Australia

9

0.56

2006, 2010, 2014, (2018)

list[95][96]

Hans Krankl

 Austria

10

0.50

1978, 1982

list[97]

Romelu Lukaku♦#

 Belgium

10

0.50

2014, 2018

list[98]

Ivan Perišić#

 Croatia

10

0.50

2014, 2018

list[48][99]

Raúl

 Spain

11

0.45

1998, 2002, 2006

list[100]

Garrincha

 Brazil

12

0.42

(1958), 1962, 1966

[101]

Johan Neeskens

 Netherlands

12

0.42

1974, (1978)

[102]

Fernando Hierro

 Spain

12

0.42

[1990], 1994, 1998, 2002

list[103]

Zinedine Zidane

 France

12

0.42

1998, (2002), 2006

[104]

Landon Donovan♦

 United States

12

0.42

2002, (2006), 2010

list[105]

Henrik Larsson♦

 Sweden

13

0.38

1994, 2002, 2006

list[106]

Michel Platini

 France

14

0.36

1978, 1982, 1986

[107]

Zico

 Brazil

14

0.36

1978, 1982, (1986)

[108]

Gonzalo Higuaín#

 Argentina

14

0.36

2010, 2014, (2018)

list[109][110]

Edinson Cavani#

 Uruguay

14

0.36

2010, 2014, 2018

list[48][111]

Lukas Podolski

 Germany

15

0.33

2006, 2010, (2014)

list[112]

Franz Beckenbauer

 West Germany

18

0.28

1966, 1970, (1974)

list[113]

text: Timeline[edit]

text:
Progressive list of footballers that have held the record for most goals scored at the FIFA World Cup final tournaments

Goals

Date

Player

Team

Match

Opponent

Previous goals

Ref

1

July 13, 1930

Lucien Laurent

 France

 1930 – Group stage

 Mexico

N/A

[nb 6]

Bart McGhee

 United States

 1930 – Group stage

 Belgium

Marcel Langiller

 France

 1930 – Group stage

 Mexico

André Maschinot

 France

 Mexico

Tom Florie

 United States

 1930 – Group stage

 Belgium

Bert Patenaude

 United States

 Belgium

Juan Carreño

 Mexico

 1930 – Group stage

 France

2

André Maschinot

 France

 Mexico

1930 vs Mexico

July 16, 1930

Carlos Vidal

 Chile

 1930 – Group stage

 Mexico

1930 vs Mexico

[116]

July 17, 1930

Ivan Bek

 Yugoslavia

 1930 – Group stage

 Bolivia

1930 vs Brazil

[117]

3

Bert Patenaude

 United States

 1930 – Group stage

 Paraguay

1930 vs Belgium, Paraguay

[118]

4

July 22, 1930

Guillermo Stábile

 Argentina

 1930 – Group stage

 Chile

1930 vs Mexico (3)

[119]

5

6

July 26, 1930

 1930 – Semi-final

 United States

7

8

July 30, 1930

 1930 – Final

 Uruguay

June 19, 1938

Leônidas

 Brazil

 1938 – 3rd place

 Sweden

1934 vs Spain1938 vs Poland (3), Czechoslovakia, Czechoslovakia, Sweden (2)

[120]

July 13, 1950

Ademir

 Brazil

 1950 – Final round

 Spain

1950 vs Mexico (2), Yugoslavia, Sweden (3), Spain

[37]

June 27, 1954

Sándor Kocsis

 Hungary

 1954 – Quarter-final

 Brazil

1954 vs South Korea (3), West Germany (4)

[121]

9

10

June 30, 1954

 1954 – Semi-final

 Uruguay

11

June 28, 1958

Just Fontaine

 France

 1958 – 3rd place

 West Germany

1958 vs Paraguay (3), Yugoslavia (2), Scotland, Northern Ireland (2), Brazil, West Germany

[122]

12

13

July 3, 1974

Gerd Müller

 West Germany

 1974 – Second round

 Poland

1970 vs Morocco, Bulgaria (3), Peru (3), England, Italy (2) 1974 vs Australia, Yugoslavia

[11]

14

July 7, 1974

 1974 – Final

 Netherlands

June 22, 2006

Ronaldo

 Brazil

 2006 – Group stage

 Japan

1998 vs Morocco, Chile (2), Netherlands  2002 vs Turkey, China, Costa Rica (2), Belgium, Turkey, Germany (2)  2006 vs Japan

[123]

15

June 27, 2006

 2006 – Round of 16

 Ghana

June 21, 2014

Miroslav Klose

 Germany

 2014 – Group stage

 Ghana

2002 vs Saudi Arabia (3), Ireland, Cameroon  2006 vs Costa Rica (2), Ecuador (2), Argentina  2010 vs Australia, England, Argentina (2)

[124]

16

July 8, 2014

 2014 – Semi-final

 Brazil

text: Top goalscorers for each tournament[edit]

text:
Top goalscorers at each FIFA World Cup final tournament[125][126][127]

World Cup

Player

Team

Goals scored

Matches played

Golden Boot

Other FIFA Awards

 Uruguay 1930

Guillermo Stábile

 Argentina

8

4

Silver Ball

 Italy 1934

Oldřich Nejedlý

 Czechoslovakia

5

4

Bronze Ball

 France 1938

Leônidas

 Brazil

7

5

Golden Ball

 Brazil 1950

Ademir

 Brazil

8

6

Bronze Ball

  Switzerland 1954

Sándor Kocsis

 Hungary

11

5

Silver Ball

 Sweden 1958

Just Fontaine

 France

13

6

Bronze Ball

 Chile 1962

Garrincha

 Brazil

4

6

Golden Ball

Vavá

 Brazil

6

Leonel Sánchez

 Chile

6

Bronze Ball

Flórián Albert

 Hungary

4

Best Young Player

Valentin Ivanov

 Soviet Union

4

Dražan Jerković

 Yugoslavia

6

 England 1966

Eusébio

 Portugal

9

6

Bronze Ball

 Mexico 1970

Gerd Müller

 West Germany

10

6

Best Young Player, Bronze Ball

 West Germany 1974

Grzegorz Lato

 Poland

7

7

 Argentina 1978

Mario Kempes

 Argentina

6

7

Golden Ball

 Spain 1982

Paolo Rossi

 Italy

6

7

Golden Ball

 Mexico 1986

Gary Lineker

 England

6

5

 Italy 1990

Salvatore Schillaci

 Italy

6

7

Golden Ball

 USA 1994

Hristo Stoichkov

 Bulgaria

6

7

Bronze Ball

Oleg Salenko

 Russia

3

 France 1998

Davor Šuker

 Croatia

6

7

Silver Ball

 South Korea and Japan 2002

Ronaldo

 Brazil

8

7

Silver Ball

 Germany 2006

Miroslav Klose

 Germany

5

7

 South Africa 2010

Thomas Müller

 Germany

5

6

Best Young Player

David Villa

 Spain

7

Silver Boot, Bronze Ball

Wesley Sneijder

 Netherlands

7

Bronze Boot, Silver Ball

Diego Forlán

 Uruguay

7

Golden Ball

 Brazil 2014

James Rodríguez

 Colombia

6

5

 Russia 2018

Harry Kane

 England

6

6


document_title: Victoria Smurfit

question_text: who played cruella de vil in once upon a time

text: Victoria Smurfit

text: Early life[edit]

text: Victoria Smurfit is part of the Smurfit family, one of the richest in Ireland, through Smurfit Kappa. The family, headed by Victoria's uncle Michael Smurfit, sponsors a number of sporting events including the Smurfit European Open and the Champion Hurdle. The family is also associated with Smurfit Business School in University College Dublin (UCD). She was educated at two Anglican schools, Saint Columba's College, Dublin[1] and St. George's School, Ascot, England. She did an A level in theatre studies and then went to the Bristol Old Vic theatre school.[2]

tag: p

text: Career[edit]

text: Smurfit gained fame for her role as Orla O'Connell in the BBC television series Ballykissangel from 1998–99. She played Nina in the 2003 movie Bulletproof Monk. From 2003 to 2009, Smurfit portrayed the lead role of Detective Chief Inspector Roisin Connor in the ITV police procedural Trial & Retribution.[3] She also guest starred in the BBC Radio 4 series Baldi. In 2011, Smurfit appeared in the Agatha Christie's Marple television episode "The Mirror Crack'd from Side to Side".

text: In 2013, Smurfit costarred as Lady Jane Wetherby in the NBC television period drama Dracula.[4] In 2014, she began playing the recurring guest role of villainess Cruella de Vil on ABC's Once Upon a Time.[5][6]

text: She is currently shooting for her role in Homecoming, a film she has described as a "mean girls for grownups." She plays Nikki, the "head mean girl."[7]

text: Personal life[edit]

text: Smurfit married advertising executive Douglas Baxter on 29 July 2000 in Surrey, England. She gave birth to their first child, daughter Evie Dorothy Baxter in Dublin, Ireland on 2 November 2004. A second daughter, Ridley Belle Baxter was born in May 2007.[8] Their third child, a boy, was born in November 2008 and named Flynn Alexander Baxter.[9]

text: In 2012, the family relocated to Santa Monica, California.[10] In February 2015 it was announced that Smurfit and her husband had filed for divorce.[11]

text: She writes an opinion blog for The Dubliner, which often features anecdotes from her personal life,[12] and is a patron of the children's charity World Vision Ireland.[13]

text: Filmography[edit]

text:
Year
Title
Role
Other notes

1995
The Run of the Country
Annagh
Feature film

1997
Ivanhoe
Rowena
TV series

1998
Berkeley Square
Hannah Randall
TV series

1998
Ballykissangel
Orla O'Connell
TV series, 1998–1999

2000
The Wedding Tackle
Clodagh
Feature film

2000
The Beach
Weather girl
Feature film

2000
North Square
Dr. Helen Ferryhough
TV series, 10 episodes

2000
Cold Feet
Jane Fitzpatrick
TV series, recurring role, 2000–2001

2002
About a Boy
Suzie
Feature film

2003
Bulletproof Monk
Nina
Feature film

2003
Trial & Retribution
DCI Roisin Connor
TV series, 2003–2009

2006
The Shell Seekers
Olivia Keeling
Mini-series

2009
The Clinic
Dr. Edel Swift
TV Series

2011
Agatha Christie's Marple
Ella Blunt
TV series, 1 episode ("The Mirror Crack'd from Side to Side")

2013
Dracula
Lady Jayne Wetherby
TV series

2014
The Mentalist
Monica Giraldi
TV series

2014–2018
Once Upon a Time
Cruella De Vil
Recurring role (Season 4 & 5 & 7):
14 episodes

2015
Homecoming
Nikki
Feature film

2017
The Lears
Diana
Feature Film

2018
Once Upon a Time
Cruella De Vil (Wish Realm)
Guest role (Season 7):
1 episode


document_title: Miracle on 34th Street

question_text: how many versions of miracle on 34th street are there

text: Miracle on 34th Street

text: Plot[edit]

text: Kris Kringle (Edmund Gwenn) is indignant to find that the man assigned to play Santa in the annual Macy's Thanksgiving Day Parade (Percy Helton) is intoxicated. When he complains to event director Doris Walker (Maureen O'Hara), she persuades Kris to take his place. He does so well, he is hired to play Santa at Macy's flagship New York City store on 34th Street.

text: Ignoring instructions to steer parents to buy from Macy's, Kris directs one shopper (Thelma Ritter) to a competitor. Impressed, she tells Julian Shellhammer (Philip Tonge), head of the toy department, that she will become a loyal customer.

text: Attorney Fred Gailey (John Payne), Doris' neighbor, takes the young divorcée's second-grade daughter Susan (Natalie Wood) to see Santa. Doris has raised her to not believe in fairy tales, but Susan's lack of faith is shaken after seeing Kris speak in Dutch with a girl who does not know English. Doris asks Kringle to tell Susan that he is not Santa, but he insists that he is.

text: Worried, Doris decides to fire him. However, Kris has generated so much positive publicity and goodwill for Macy's that a delighted Macy (Harry Antrim) promises Doris and Julian bonuses. To alleviate Doris's misgivings, Julian has Granville Sawyer (Porter Hall) administer a "psychological evaluation". Kris passes, but questions Sawyer's own mental health.

text: The store expands on the concept. To avoid looking greedy, competitor Gimbels implements the same policy, forcing Macy's and others to escalate. Eventually, Kris does the impossible: he reconciles bitter rivals Macy and Gimbel (Herbert Heyes).

text: Pierce (James Seay), the doctor at Kris' nursing home, assures Doris that Kris is harmless. Kris makes a pact with Fred – he will work on Susan's cynicism while Fred does the same with Doris, disillusioned by her failed marriage. When Susan reveals she wants a house, Kris reluctantly promises to do his best.

text: Kris learns that Sawyer has convinced young employee Alfred that he is mentally ill simply because he is kind-hearted. Finding Sawyer unwilling to budge, Kris hits him on the head with his cane. Sawyer exaggerates his pain in order to have Kris confined to Bellevue Hospital. Tricked into cooperating, and believing Doris to be in on the deception, Kris deliberately fails his examination and is recommended for permanent commitment. However, Fred persuades Kris not to give up.

text: At a hearing before Judge Henry X. Harper (Gene Lockhart), District Attorney Thomas Mara (Jerome Cowan) gets Kris to assert that he is Santa Claus and rests his case. Fred argues that Kris is not insane because he actually is Santa. Mara requests Harper rule that Santa does not exist. In private, Harper's political adviser, Charlie Halloran (William Frawley), warns him that doing so would be disastrous for his upcoming reelection bid. The judge buys time by hearing evidence.

text: Doris quarrels with Fred when he quits his job at a prestigious law firm to defend Kris. Fred calls Macy as a witness. When Mara asks if he believes Kris to be Santa, Macy starts to equivocate, but when pressed, he considers the business repercussions as well as the good Kris has done and states, "I do!" Afterward, Macy fires Sawyer. Fred then calls Mara's own young son (Bobby Hyatt), who testifies that his father told him that Santa was real. Mara concedes the point.

text: Mara then demands that Fred prove that Kris is "the one and only" Santa Claus on the basis of some competent authority. While Fred searches frantically, Susan writes Kris a letter to cheer him up, which Doris also signs. When a mail sorter (Jack Albertson) sees Susan's letter, he suggests they deliver the many letters to Santa taking up space in the dead letter office too. Fred presents Judge Harper with three of them, addressed simply to "Santa Claus" and delivered to Kris, asserting the Post Office has thus acknowledged that he is the Santa Claus. After mailmen dump another 21 full mailbags before him, Harper dismisses the case.

text: On Christmas morning, Susan is disappointed that Kris could not get her what she wanted. Kris gives Fred and Doris a route home that avoids traffic. Along the way, Susan sees her dream house with a "For Sale" sign in the front yard. Fred learns that Doris had encouraged Susan to have faith and suggests they get married and purchase the house. He then boasts that he must be a great lawyer since he proved Kris was Santa. However, when they spot a cane inside that looks just like Kris's, he is not so sure.

text: Cast[edit]

text:
Maureen O'Hara as Doris Walker
John Payne as Frederick M. "Fred" Gailey
Edmund Gwenn as Kris Kringle
Natalie Wood as Susan Walker
Porter Hall as Granville Sawyer
William Frawley as Charlie Halloran
Jerome Cowan as District Attorney Thomas Mara
Philip Tonge as Julian Shellhammer
Alvin Greenman as Alfred
Gene Lockhart as The Hon. Henry X. Harper
Harry Antrim as R. H. Macy
Herbert Heyes as Mr. Gimbel
James Seay as Dr. Pierce, a geriatrics physician at the Brooks Memorial Home for the Aged
Thelma Ritter as a harried shopper
Percy Helton as the drunken Santa Claus stand-in the parade
Ann Staunton as Mrs. Mara
Mary Field as Dutch Girl's Adopted Mother
Marlene Lyden as the Dutch Girl
Bobby Hyatt as Thomas Mara, Jr.
Theresa Harris as Cleo, the Walker's Maid/Housekeeper
Jack Albertson as the post office employee
Jeff Corey as Reporter
William Forrest as Dr. Rogers at Bellevue
Snub Pollard as mail-bearing Court Officer
Robert Karnes as 2nd Bellevue Intern
Jack Albertson as Al (uncredited)

tag: ul

text: Production[edit]

text: Although the film is set during the Christmas season, studio head Darryl F. Zanuck insisted that it be released in May, arguing that more people go to the movies in warmer weather. The studio rushed to promote it while keeping its Christmas setting a secret. Fox's promotional trailer depicted a fictional producer roaming the studio backlot and encountering such stars as Rex Harrison, Anne Baxter, Peggy Ann Garner, and Dick Haymes extolling the virtues of the film. In addition, the movie posters prominently featured O'Hara and Payne, with Gwenn's character kept in the background. The film opened in New York City at the Roxy Theatre on June 4, 1947.[4] By contrast, modern home video packaging has Gwenn and Wood dominating the imagery, with the DVD release having Kringle in his Santa Claus costume.

text: O'Hara was initially reluctant to take the role, having recently moved back to Ireland. She immediately changed her mind after reading the script[5] and came back to the United States for the film.

text: The Christmas window displays seen in the film were originally made by Steiff for Macy's. Macy's later sold the window displays to FAO Schwarz in New York. FAO Schwarz then sold the windows to the Marshall & Ilsley Bank of Milwaukee, Wisconsin, where they are on display every December in the bank's lobby on North Water Street.

text: The house shown at the end of the film is a 1703 square foot single family home built in 1943 at 24 Derby Road, Port Washington, New York. The home looks practically the same as it did in 1947, except that the roof line has been altered by the addition of a window.

text: Release[edit]

text: The film was re-released in theatres on December 20 and 23, 2015, as part of the "TCM Presents" series by Turner Classic Movies and Fathom Events.[6]

text: Reaction[edit]

text: Critical reception[edit]

text: This section needs expansion. You can help by adding to it. (November 2014)

text: Miracle on 34th Street received mostly positive reviews from critics. Bosley Crowther of The New York Times said: "For all those blasé skeptics who do not believe in Santa Claus—and likewise for all those natives who have grown cynical about New York—but most especially for all those patrons who have grown weary of the monotonies of the screen, let us heartily recommend the Roxy's new picture, Miracle on 34th Street. As a matter of fact, let's go further: let's catch its spirit and heartily proclaim that it is the freshest little picture in a long time, and maybe even the best comedy of this year."[7] Today, it is considered by many as one of the best films of 1947.[8][9] The film currently holds a 96% "Fresh" rating on the review aggregate website Rotten Tomatoes.[10]

text: The Catholic Legion of Decency gave the movie a "B", "morally objectionable in part" rating. This was mainly due to the fact that O'Hara was portraying a divorcée in the film.[11]

text: Awards and honors[edit]

text: The film won Academy Awards for Best Actor in a Supporting Role (Edmund Gwenn), Best Writing, Original Story (Valentine Davies) and Best Writing, Screenplay. It was also nominated for Best Picture, losing to Gentleman's Agreement.

text: It was ranked ninth by the American Film Institute on 100 Years... 100 Cheers, a list of America's most inspiring films.[12] Miracle on 34th Street was listed as the fifth best film in the fantasy genre in the American Film Institute's "Ten top Ten" lists in 2008.[13][14]

text: In 2005, Miracle on 34th Street was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[15][16]

text: American Film Institute Lists

text:
AFI's 100 Years...100 Movies – Nominated[17]
AFI's 100 Years of Film Scores – Nominated[18]
AFI's 100 Years...100 Cheers – #9
AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated[19]
AFI's 10 Top 10 – #5 Fantasy Film

text: Inaccuracies[edit]

text: In the book Reel Justice, the authors claim that Judge Harper could have dismissed the case early without the political repercussions he feared. In their theory, once the prosecutor rested his case immediately after Kris Kringle admitted in court simply that he believed he was Santa Claus, Judge Harper could have ruled that prosecution had forfeited its opportunity to prove that Kringle was dangerous (the basic point of such hearings; Kringle's actual mental state itself being irrelevant), and ordered him immediately released. However, this high standard for involuntary commitment was not instituted until 1975 with the U.S. Supreme Court's decision O'Connor v. Donaldson.

text: When demonstrating that he has taken several mental examinations in the past, Kris Kringle answers his own question about who was the Vice President under John Quincy Adams as Daniel D. Tompkins. Tompkins actually served under James Monroe. John C. Calhoun is the correct answer to Kringle's question. Tompkins was the 6th vice-president and Quincy Adams was the 6th president, leading to confusion in the script.[20]

text: Rowland Hussey Macy, called R. H. Macy in the film, died 70 years prior to the film (in 1877).[21]

text: Home media and colorization[edit]

text: Miracle on 34th Street was first released on VHS and laserdisc in 1987.

text: In 1985, it became one of the first full-length black and white films to be colorized.[citation needed] The 4½ month process was carried out by Color Systems Technology, Inc..[22] In 1993, this version was released on laserdisc and VHS and was followed four years later by a "50th Anniversary Edition", remastered by THX.

text: The first DVD release was in October 1999, featuring the B&W version alongside the original theatrical trailer and a TV spot. In November 2006, it was re-released as a 2-disc "Special Edition" DVD, with disc one containing an "all new colorized version" carried out by Legend Films. The second disc had the original black-and-white version and numerous extras, including The 20th Century Fox Hour's 1955 TV remake. Both discs also included a full-length audio commentary by Maureen O'Hara. The B&W disc has since been re-released several times, including in a pairing with the 1994 remake.

text: In October 2009, 20th Century Fox released the B&W version on Blu-ray with all previous extras, bar the TV remake.[23]

text: Adaptations[edit]

text: There are four remakes of the movie and a Broadway musical. In addition, Lux Radio Theater broadcast an adaptation in 1947 which starred the original cast including Natalie Wood. In 1948 it was done again on Lux, without Natalie Wood's participation, and it was adapted as a half-hour radio play on two broadcasts of Screen Director's Playhouse, all featuring Edmund Gwenn in his screen role. In these production Kris correctly cites James Monroe as the President for whom Daniel D. Tompkins was the Vice-President. In addition, Samuel French, Inc. owns the rights to a stage version performed by community theaters and others.

text: A 1955 one-hour television adaptation of the movie starred Thomas Mitchell as Kris, Macdonald Carey as Fred, Teresa Wright as Doris, and Sandy Descher as Susan. This version did not show the drunken Santa at all. Titled "The Miracle on 34th Street", it originally aired as an episode of The 20th Century Fox Hour. It was later re-run as "Meet Mr. Kringle".

text: Ed Wynn played Kris in a 1959 television adaptation of the movie. Also featured was Orson Bean. It was broadcast live and in color on NBC the day after Thanksgiving. NBC made a kinescope of the program, probably for broadcasting opening night on the West Coast. The copy was in a large collection of kinescopes donated by NBC to the Library of Congress and recently unearthed by Richard Finegan, who reported his experiences in the December 2005 issue of Classic Images.

text: A 1963 Broadway musical version, entitled Here's Love, was written by Meredith Willson.

text: A 1973 television version featured Jane Alexander, David Hartman, Roddy McDowall, Sebastian Cabot as Kris (without his natural beard; he was forced to shave and wear a false beard for the role), Suzanne Davidson, Jim Backus, David Doyle and Tom Bosley. It was adapted by Jeb Rosebrook from the George Seaton screenplay, and directed by Fielder Cook. Mrs. Walker's first name is changed to Karen in this version. This would prove to be the final version in which the department store was actually Macy's. David Doyle, who played R. H. Macy in this version had played Mr. Sawyer in the original Broadway cast of Here's Love 10 years earlier.

text: A 1994 feature film starred Richard Attenborough, Elizabeth Perkins, Dylan McDermott, J. T. Walsh, Timothy Shea, James Remar, Jane Leeves, Simon Jones, William Windom and Mara Wilson. It was adapted by John Hughes from the Seaton script, and directed by Les Mayfield. Due to Macy's refusal to give permission to use its name, it was replaced by the fictitious "Cole's". Gimbels no longer existed by 1994 and was replaced with the fictional "Shopper's Express". Alvin Greenman (Alfred in the original version) played a doorman. This version had a more serious tone than the original and a large portion was rewritten, although the majority of the plot and characters remained intact. The film also added a subtext concerning religious faith.

text: The book was adapted into a stage play by Will Severin, Patricia Di Benedetto Snyder and John Vreeke in 2000. It is a favorite in many community and regional theaters during the Christmas season.[24] The characters' names are those used in the novella, and the stage setting is distinctly late 1940s. Production rights are held by Samuel French, Inc.[25]

text: The flagship Macy's Department Store at Herald Square in New York features a 30-minute puppet version of the story within its Santaland display, featuring the voice talents of Broadway stars Brian Stokes Mitchell and Victoria Clark.

text: Character names in different versions[edit]

text:
1947
1955
1959
1963 Broadway musical
1973
1994

Doris Walker
Karen Walker
Dorey Walker

Frederick M. Gailey
Bill Schaffner
Bryan Bedford

Kris Kringle

Susan Walker

Cleo

[eliminated]

Drunk Santa

[no name given]

[no name given]
Tony Falacchi

Julian Shellhammer
Mr. Shellhammer
Marvin Shellhammer
Horace Shellhammer
Donald Shellhammer

Mrs. Shellhammer
[eliminated]

Alfred

Alfred
[eliminated]

Granville Sawyer
Dr. Albert Sawyer
Dr. William Sawyer
Dr. Bartholomew Sawyer
Dr. Henry Sawyer
[eliminated]

R. H. Macy
Mr. Macy
R. H. Macy
C. F. Cole

Mr. Gimbel
Victor Landbergh

Dr. Pierce
[eliminated]
Dr. Pierce
[eliminated]

Hon. Henry X. Harper
Hon. Harper
Hon. Martin Group
Hon. Harper
Hon. Henry Harper

Charlie Halloran

Tammany O'Halloran

[eliminated]

Thomas Mara
Mr. Mara
Thomas Mara
Ed Collins

Mrs. Mara
[eliminated]

[eliminated]
Rebecca Collins

Macy's Department Store
Cole's Department Store

Gimbels Department Store
Shopper's Express


document_title: List of Family Guy cast members

question_text: who does voice for lois on family guy

question_tokens: who does voice for lois on family guy

text: List of Family Guy cast members

text: Current cast[edit]

text: From seasons 1 to 4, Family Guy had four main cast members. Since season 5, there have been five main cast members. The casting of Meg Griffin changed after season 1.

text: Seth MacFarlane[edit]

text: Seth MacFarlane voices four of the show's main characters: Peter Griffin, Brian Griffin, Stewie Griffin, and Glenn Quagmire.[1] MacFarlane chose to voice these characters himself, believing it would be easier to portray the voices he had already envisioned than for someone else to attempt it.[2] MacFarlane drew inspiration for the voice of Peter from a security guard he overheard talking while attending the Rhode Island School of Design.[3] Stewie's voice was based on the voice of English actor Rex Harrison,[4] especially his performance in the 1964 musical drama film My Fair Lady.[5] MacFarlane uses his own voice while portraying Brian.[2]

text: MacFarlane also provides the voices for various other recurring and one-time only characters, most prominently those of news anchor Tom Tucker, Lois' father Carter Pewterschmidt and Dr. Hartman.[6] He is the only voice to be in every episode.

text: Alex Borstein[edit]

text: Alex Borstein voices Lois Griffin, Asian correspondent Tricia Takanawa, Loretta Brown and Lois' mother Barbara Pewterschmidt.[7] Borstein was asked to provide a voice for the pilot while she was working on MADtv. She had not met MacFarlane or seen any of his artwork and said it was "really sight unseen".[8] At the time, Borstein performed in a stage show in Los Angeles, in which she played a redhead mother whose voice she had based on one of her cousins.[7][8] The voice was originally slower (and deeper for the original series), but when MacFarlane heard it, he replied "Make it a little less fucking annoying ... and speed it up, or every episode will last four hours."[7]

text: Mila Kunis[edit]

text: Mila Kunis is the voice of the character named Meg Griffin.[6] Kunis won the role after auditions and a slight rewrite of the character, in part due to her performance on That '70s Show.[9] MacFarlane called Kunis back after her first audition, instructing her to speak slower, and then told her to come back another time and enunciate more. Once she claimed that she had it under control, MacFarlane hired her.[9] Kunis described her character as "the scapegoat". She further explained, "Meg gets picked on a lot. But it's funny. It's like the middle child. She is constantly in the state of being an awkward 14-year-old, when you're kind of going through puberty and what-not. She's just in a perpetual mode of humiliation. And it's fun."[10]

text: Seth Green[edit]

text: Seth Green primarily plays Chris Griffin and Neil Goldman.[6][11] Green stated that he did an impression of the "Buffalo Bill" character from the thriller film The Silence of the Lambs during his audition.[12] His main inspiration for Chris' voice came from envisioning how "Buffalo Bill" would sound if he were speaking through a public address system at a McDonald's.[13]

text: Mike Henry[edit]

text: Mike Henry is the voice of Cleveland Brown, John Herbert The Pervert and other various characters. A Family Guy writer and producer, he began acting on the show as part of the recurring cast repertory (see below) but was promoted to main cast member in 2005. Since the cancellation of The Cleveland Show, he also voices Cleveland's step-son Rallo Tubbs on Family Guy.

text: Recurring cast[edit]

text: In addition to both its main cast and guest stars, Family Guy utilizes a deep bench of regularly appearing supporting voice actors. Some appear in nearly every episode each season, while others appear less frequently. Some of these actors specifically play recurring characters, while others mainly play background citizens of Quahog or characters in cutaway gags.

text: The current supporting cast repertory includes the following actors:

text:
Actor
Character(s)
No. of Episodes
(Out of 245 produced)
Notes

Benjamin, H. JonH. Jon Benjamin
Carl
14
Since 2005

Breckenridge, AlexandraAlexandra Breckenridge
Various
57
Since 2005. Currently voices most female “extras” not voiced by Alex Borstein.

Brennan, JohnnyJohnny Brennan
Goldman, MortMort Goldman, Horace the bartender
77

Callaghan, SteveSteve Callaghan
Various
37
Also the current showrunner and executive producer of Family Guy and former showrunner/EP of American Dad!. [14]

Garman, RalphRalph Garman
Various
138

Lakin, ChristineChristine Lakin
Kinney, JoyceJoyce Kinney
23
Since 2010.

LaMarr, PhilPhil LaMarr
Williams, OllieOllie Williams and the Quahog judge
56

MacFarlane, RachaelRachael MacFarlane
Olivia and various women
54
Formerly one of the most frequent female voices. She reduced her number of appearances per season after joining American Dad! in 2005 but still appears several times per season. Seth MacFarlane's sister.

Osment, EmilyEmily Osment
Various
14
Since 2012.

Richardson, Kevin MichaelKevin Michael Richardson
Jerome and Cleveland Jr.
30
Since 2009.

Sheridan, ChrisChris Sheridan
Various
33
Also a Family Guy writer.

Smith, DannyDanny Smith
Various, including Evil Monkey, Al Harrington and Ernie, the Giant Chicken
189
Also a Family Guy writer.

Sulkin, AlecAlec Sulkin
Christ, JesusJesus Christ and various others
147
Also a Family Guy writer.

Tatasciore, FredFred Tatasciore
Various
36

Tilly, JenniferJennifer Tilly
Swanson, BonnieBonnie Swanson
42
Has recurred as the Griffin's neighbor since the first season.

Viener, JohnJohn Viener
Various
182
Since 2005, he has been one of the most frequently heard male voices aside from Seth MacFarlane. Also a Family Guy writer.

Warburton, PatrickPatrick Warburton
Swanson, JoeJoe Swanson
163
Has appeared as the Griffins' neighbor since the first season, and usually appears in most episodes each season. Warburton is the most frequently appearing one-character actor in the supporting repertory.

Wingert, WallyWally Wingert
Various
41

text: In addition to the above, the following actors were formerly regularly recurring voice actors in the series:

text:
Actor
Character(s)
No. of Episodes
Notes

Alan, LoriLori Alan
Simmons, DianeDiane Simmons
63
Left the show in season nine when her character was killed off. Was replaced in the series' context by Christine Lakin's Joyce Kinney

Alazraqui, CarlosCarlos Alazraqui
Weed, Mr.Mr. Weed
10
Peter's first boss, Mr. Weed, was killed off early in the series' run.

Barrymore, DrewDrew Barrymore
Russell, JillianJillian Russell
12
Played Jillian, Brian's former girlfriend. The character still appears in background roles

Cole, GaryGary Cole
Various
38
Cole appeared frequently in the earlier seasons, but still pops up now and then to play Meg and Chris' principal, Mr. Shepherd.

Hartman, ButchButch Hartman
Various
8

Henry, MikeMike Henry
Cleveland Brown, Herbert, Bruce, and various others

Was promoted to main cast in 2005. Also a Family Guy writer.

Hentemann, MarkMark Hentemann
Opie and various others
45
Recently left Family Guy to work on another Seth MacFarlane project. Also a Family Guy writer.

Fisher, CarrieCarrie Fisher
Angela
19
Has recurred as Peter's boss several times per season since 2005. Died in 2016.

Strong, TaraTara Strong
Various, as well as Meg's singing voice
21
Appeared frequently in the first four seasons. Returned briefly in 2010-2011 and again for one episode in 2014.

Sullivan, NicoleNicole Sullivan
Goldman, MurielMuriel Goldman
27
Muriel was killed off in season nine.

Whitman, MaeMae Whitman
Various
10
Was a recurring younger female voice for several seasons between 2007-2010.

Wild, WellesleyWellesley Wild
Various
14
No longer a recurring voice (since 2013). He was a producer, but left the show.

Wilhoit, LisaLisa Wilhoit
D'Amico, ConnieConnie D'Amico
15
Meg's bully Connie has not appeared in the series since 2013.

West, AdamAdam West
Mayor West, AdamAdam West
93
Played a warped version of himself as the mayor of Quahog. Died in 2017.

text: Recurring guest voices[edit]

text: The recurring guest voices include Adam Carolla as Death, Patrick Stewart as Susie Swanson, Scott Grimes as Kevin Swanson and Sanaa Lathan as Donna Tubbs Brown. Previous recurring guests included Phyllis Diller in three episodes as Peter's Mother, Thelma, and Charles Durning as Peter's father, Francis. Both characters have since died, but Durning returned once to play Francis as a ghost. Early in the show's run, Fred Willard and Jane Lynch had a recurring role as a family of nudists. James Woods as James Woods.

text: Casting changes[edit]

text:
Lacey Chabert voiced Meg for the first production season (14 episodes), but, because of a contractual agreement, was never credited.[15] Chabert left the series due to time constraints with her acting role in Party of Five, as well as schoolwork.[16]
Norm Macdonald voiced the character of Death in a second season episode of Family Guy. He was subsequently replaced by Adam Carolla in all other appearances.
Jon Cryer originally voiced Kevin Swanson in his first appearance, before the role was passed temporarily onto Seth MacFarlane. The character was written out of the series for several years, with Scott Grimes taking over the voice when the character returned.
Fairuza Balk was the original voice of high school bully Connie D'Amico until Lisa Wilhoit took over the character in the third season.

text: Awards and nominations[edit]

text:
Year
Actor
Award
Category
Role
Result
Ref.

2000
Seth MacFarlane
Primetime Emmy Award
Outstanding Voice-Over Performance
Stewie Griffin
Won
[17]

2009
Seth MacFarlane
Primetime Emmy Award
Outstanding Voice-Over Performance
Peter Griffin
Won
[18]

2006
Seth MacFarlane
Annie Award
Best Voice Acting in an Animated Television Production
Stewie Griffin
Won
[19]

2007
Mila Kunis
Annie Award
Voice Acting in an Animated Television Production
Meg Griffin
Won
[20]


document_title: New Girl

question_text: where did coach go in season 1 of new girl

text: New Girl

text: Plot[edit]

text: Jessica "Jess" Day (Zooey Deschanel) is a bubbly teacher in her early 30s who comes home to find her boyfriend, Spencer, with another woman and leaves him immediately to look for somewhere else to live. Answering an ad for a new roommate on Craigslist, she moves into a loft in Los Angeles with three men around the same age as her: Nick, Schmidt, and Coach. After the pilot episode, Winston, a former roommate and Nick's childhood friend, replaces Coach, who had vacated the apartment to live with his girlfriend. Cece, Jess's childhood best friend and a successful fashion model, frequently visits Jess and the guys.

text: The series follows the group's interactions with each other and their romantic relationships. Midway through season 1, Schmidt and Cece get involved in a mostly sexual relationship but break up at the end of the season. In Season 2, Jess is laid off from her teaching job; she and the others get involved in mostly temporary relationships, although Cece enters an arranged marriage engagement to Shivrang that is broken up at the wedding in the season 2 finale. Jess and Nick become attracted to each other, making their relationship official at the end of season 2, and it lasts through most of season 3. Coach returns to the loft in season 3 after revealing that he had broken up with his girlfriend and stays through season 4 where he moves out to be with another girl. After bouncing around several random jobs, Winston works to become a police officer with the LAPD, and falls in love with his partner Aly. At the end of season 4, Schmidt proposes to Cece, and they marry at the end of season 5. Also, in season 5, while Jess is on jury duty, the group brings in temporary roommate Reagan Lucas, whom Nick becomes interested in. In season 6, Schmidt and Cece buy a house that they have to remodel, living with the gang in the meantime. Season 7 advances the storyline three years later where Schmidt and Cece have a three-year-old daughter named Ruth, Winston and Aly are expecting their first baby, and Nick tries to find the right time to propose to Jess.

text: Cast and characters[edit]

text: The principal cast of New Girl includes:

text:
Zooey Deschanel as Jessica "Jess" Day: a bubbly, offbeat teacher in her early thirties who is originally from Portland, Oregon. In the premiere episode, she moves into the guys' apartment where Nick, Schmidt, and Coach help her move on from a painful break-up with her boyfriend, Spencer.
Jake Johnson as Nick Miller: Jess's roommate who works as a bartender. At the start of the series, he struggles from a break-up with his long-term girlfriend Caroline.
Max Greenfield as Schmidt: Jess's roommate who is an overly confident ladies' man. He is a successful marketing associate in a female-dominated office.
Damon Wayans Jr. as Coach: a cocky and driven former athlete who works as a personal trainer. He appears briefly in the "Pilot" episode as a roommate, but has left in the second episode. After a break-up with his girlfriend, Coach returns to the loft after two years away and reintegrates himself back into the lives of his former roommates. Wayans once again departed the main cast this time at the end of season 4 but returns as a guest after that.
Hannah Simone as Cece Parikh: a fashion model and Jess' best friend since childhood. In spite of their differences, Cece is a very loyal and protective friend to Jess. Initially skeptical of Jess' new roommates, Cece becomes interested in Schmidt.
Lamorne Morris as Winston Bishop: a former basketball player and Nick's childhood friend from Chicago. Losing his post as point guard for a team in the Latvian Basketball League, he returns to America and moves back into the guys' apartment in the second episode.
Danielle and Rhiannon Rockoff as Ruth: Schmidt and Cece's three year old daughter, appearing in the seventh and final season.

text: Production[edit]

text: Conception[edit]

text: 20th Century Fox Television first approached playwright Elizabeth Meriwether in 2008 to develop a pilot that was eventually shelved. After Meriwether's success with the 2011 romantic comedy film  No Strings Attached, 20th Century Fox approached her once more, and she pitched an idea for a TV sitcom about an "offbeat girl moving in with three single guys",[4] inspired by her experience of "bouncing from Craigslist sublet to Craigslist sublet, for four years in L.A." when she was in her twenties.[5] This show was initially called Chicks and Dicks, and two of the characters were already similar to the final characters of Jess and Schmidt.[6] The initial idea was a Will & Grace-style comedy inspired by Meriwether's close friendship with a guy after their exes started dating each other.[7] The FOX network liked the script and pursued Zooey Deschanel for the role of Jess,[6] to whose story Meriwether felt most connected.[8] As the script developed, the plot moved on from being about the sexual endeavors of the roommates and became more socially oriented, so the title was changed to New Girl.[9]

text: As Fox greenlit the show in 2011[6] and ordered an initial 13 episodes,[10] Meriwether approached Jake Kasdan, whom she admired for his work on Freaks and Geeks blending comedy and emotion, to shoot the pilot and subsequent episodes.[6][11] 30 Rock's Brett Baer and Dave Finkel became co-showrunners, although Meriwether is still regarded as the voice behind New Girl.[6] According to The New Republic, Kasdan "helped develop the feel of the show, which is lit more darkly and cinematically than the average sitcom",[6] and Meriwether found the show working best "when you're laughing, but you're a little sad about it".[11] The show attempts to combine "comedy and drama as the five characters explore the difficulties of the decade between 30 and 40, which is when many people take their biggest steps toward maturity" in regards to relationships and careers,[12] which, unlike Friends, is giving the show a "built-in biological clock".[13] Kasdan said that "Their lives are moving forward, [but] they're still trying to hang on to some kind of crazy youth" although he does not "want them ever to seem pathetic."[6]

text: Screenwriters Stephanie Counts and Shari Gold filed an 87-page lawsuit in January 2014, claiming that New Girl was based on their 2006 script for a proposed television series.[14] There were a number of similarities, including the number of roommates, similar backgrounds, appearance, and ethnicity.  Additionally, Jess's long term partner in the New Girl pilot had the same name (Spencer) and they broke up for similar reasons (partner's infidelity).  Fox and talent agency William Morris Endeavor Entertainment LLC responded in April 2014 that in their view, the two works were not substantially similar and that any other similarities stemmed from non-protectable ideas, or scenes a faire. Thus, they pleaded that the judge dismiss the case.[15]  The case was dismissed with leave to amend in 2014.  An amended complaint was filed in 2014 and decided by summary judgment against Counts and Gold on December 30, 2015.[16]  In March, Counts and Gold were ordered to pay approximately $800,000 in attorney's fees.[17]

text: Casting[edit]

text: Movie actress and singer-songwriter Zooey Deschanel was in the process of developing an HBO show when she read the New Girl pilot script and responded to the material.[5][18] The character of Jess was not specifically written for Deschanel, but the producers found it a great match and did not need a lot of fine-tuning.[19] With the support from Fox, Meriwether wanted to make Jess a unique, interesting and funny female character[19][20] that would have been the side character on other shows.[21] Deschanel became a producer on the show and helped build the character,[7] requesting to not play the classic wife character who would be ignored by the guys she tries to keep out of trouble.[22] Meriwether's goal was to write about herself from an honest perspective,[20] with Jess mirroring her at the start and later Deschanel until Jess turned into a "hybrid of me and Zooey, the writers, and the editor".[23] Deschanel described Jess as a part of her, especially in regards to "the sort of enthusiasm and optimism" of her youth. She does not shy away from playing embarrassing scenes or being unattractive,[18] and Kasdan said that "This show advocates for the attractive dork."[19] Although Meriwether had always imagined the show as an ensemble show, Fox would later focus its first marketing push on Zooey Deschanel[24] and gave the show the promotional tagline "Simply Adorkable."[7]

text: With Kasdan's advice to cast good actors and write for them instead of shoehorning them into the other roles, Meriwether was prepared to deviate from her pitched characters during casting.[24] Basing Nick Miller on a friend also surnamed Miller,[25] she originally imagined Nick as the smartest one of the group who doesn't need to say that[26] and thought of him as "the everyman one, who's stepping away and commenting on what all the crazy people are doing around him."[24] She sent the New Girl pilot script to movie actor Jake Johnson, with whom she had enjoyed working on No Strings Attached.[27] As he had never auditioned for a TV pilot, she guided him through the audition process.[28] Casting was done mainly through chemistry tests, and Johnson auditioned with Max Greenfield, who impressed the producers in his first audition as Schmidt.[27] The actors auditioning for Schmidt were more varied in appearance than those auditioning for Nick,[28] and Johnson and Greenfield were initially worried that they looked too much alike.[29] Johnson got the role of Nick after he agreed to lose 15 pounds at the network's request;[30] Greenfield learned the same day that he was cast.[29]

text: Casting the role of the "Coach" character took longer.[27] Meriwether originally envisioned Coach as "a fat Jewish guy, like a manchild" and later as "this dumb jock [with] crazy rage problems".[24] David Neher (who would play Schmidt's so-called "fremesis," Benjamin, in two episodes) was among the 400 actors auditioning for Coach before the producers settled on Damon Wayans Jr.[27] Wayans was expecting his show, the ABC sitcom Happy Endings, to be canceled. When that show was renewed for a second season, Wayans' spot was replaced with Lamorne Morris,[31] who had also read for Coach but had been unavailable for filming the pilot.[19] Meriwether estimated that about 80 percent of the pilot would have needed to be re-shot in order to remove Wayans from the episode, since he was in one of the leading roles of the show.[31] As the producers also liked reflecting the frequent apartment changes in young people's lives,[19] Meriwether, 20th Century Fox and the studio decided to keep the characters and the plot of the pilot episode as they were.[31] Morris joined the show in the second episode of the series when the producers had already broken seven episodes without knowing what the actor was going to be able to do.[24] Wayans returned to New Girl in season 3 for a season-long arc after Happy Endings had been cancelled, and was officially added as a regular for season 4.[32]

text: Writing[edit]

text: The New Girl production offices are on the Fox lot in Los Angeles, next to those of Homeland.[12] New Girl had 11 writers during its first season[4] and 15 during the second season.[22] Stories are developed in a collaborative effort[4] and are aimed at viewers of all genders.[33] The first season had no planned story arcs, but focused on setting up the characters, while the second season was to show different sides of the characters.[4][34] Overarching storylines usually culminate at a season's end;[35] the actors are generally not told the ending.[36] Meriwether said the writers did not "have a lot of plans. I think we really just to try to go where the show wants to go."[24] The writers challenge themselves to create new stories and to change the show's dynamics to keep things fresh,[37] while aiming to be "as emotionally real as possible" with "Every story having to feel like it was grounded in some emotional arc as opposed to going from the joke into the story."[4] As the show's jokes rely on the actors' performance instead of perfectly constructed punch lines, Meriwether looks for the actors' strengths before writing.[37] The A story generally revolves around Jess and has an emotional core.[38] Still, Meriwether sees the show as an ensemble about friendship with "everybody having their own stories and people being interested in all of the characters."[23]

text: Each New Girl episode starts out as a pitch page, goes through stages of an outline and a final draft before being filmed and edited,[6] a process which may take weeks.[35] Each stage is approved by Meriwether and her co-showrunners, by the production company Chernin, the Fox studio and the Fox network.[6] One group of writers works on alternate punchlines ("alts"), while another group rebreaks a draft until they find the funniest and most emotionally resonant version. All characters are tried to be tied into the story, and determining their motivation is the major goal so that people will laugh. Before taking the script to the table read with the whole cast on Tuesday, the main writers of an episode continue working on the draft over the weekend and the executive producers polish it.[35] During the first season, Meriwether usually made a final pass at the draft alone because of her film and theater background.[4] The actors' performance influences new story ideas;[4] the actors may also hand in story ideas.[25]

text: Filming and editing[edit]

text: The main set, which was built for the pilot and is to represent a factory-turned-loft in downtown Los Angeles, got reused once the show was given a full season.[27] The apartment building exterior is the Binford Building, located at 837 Traction Avenue in the city's Arts District, with interior shots done in a studio set.[39][40][39]  The exterior shots for the bar where Nick works is of The Griffin, located in Atwater Village. The interior shots of the bar are originally from a restaurant called The Prince over in Koreatown, and were recreated in a studio set after the first season.[41][42]

text: As a single-camera comedy, New Girl is neither performed in front of a studio audience nor has a laugh track.[11] Some scenes are cross-covered (i.e. are filmed with a shooting camera on each person at the same time), to allow for better improvisations.[43] Handheld cameras are avoided for a more filmic look.[38]

text: The actors first receive the script in form of a table draft and film the episode the next Monday, by which time the story may have changed drastically.[26] The script keeps evolving during shooting.[44] The actors first perform scenes as written, then act out the alts or improvise,[5] to later allow the producers and editors to choose the gags that ultimately work best.[35] Morris estimated that 20 percent of each episode are improv.[45] Episodes are generally shot over five days,[38] which may increase to several weeks if weather conditions delay filming outdoor scenes.[35] The scenes are put together in the editing room until they achieve the emotional and comedic tone the producers are looking for.[12] The first cut of generally 27 minutes has to be cut down to the air version's 21 minutes and 35 seconds, which may air as little as a few days later. Only upon completion do the producers know what version ends up in the episode.[35]

text: True American[edit]

text: True American is a fictional, convoluted drinking game that the New Girl characters first played in the season 1 episode "Normal". In September 2012, producer Brett Baer felt the concept of the game "deserves its own episode at some point", but the writers were reluctant to repeat the established rules and rather wanted to make it fresh.[46] A version for the 2012 U.S. Presidential Election was planned but never made.[8] The game's eventual second appearance in season 2's "Cooler" was played with the strip-poker version "Clinton Rules", but the exact rules remain unclear even to the actors.[47] True American with updated rules and the resulting hangover were featured in season 3's "Mars Landing". The writers started to do new True American episodes once each year.[48]

text: After "Normal" aired, internet sources began to summarize the rules for True American, which the characters described as a mix of a drinking game and Candy Land where the floor is lava; it also involves shouting the names of American presidents.[46][49] The idea of True American came from a New Girl writer who played a similar game in college. As she could not remember the game's exact rules, the writers focused on making the game as funny on the page as possible, but only established chanting "JFK! FDR!" and walking on chairs. As the cast did not understand the game during shooting, the writers created more rules on the spot, advised the actors to "have fun, dig in, jump in" and play it as if "they'd been playing this thing for years and years and years." The high-energy feel of the game and the amounts of coverage made filming True American more challenging for the actors than normal episodes. Producers Dave Finkel, Brett Baer, and writer Luvh Rakhe, came up with most of the obscure American history facts, but much was cut from the finished episode.[22][46]

text: Fox subsequently released a set of official rules for the game, which can be summarized "There are no real rules".[50] When the promotional New Girl True American Bus Tour went through 19 American cities in 2012,[51] the writers stated lack of time rather than not knowing the rules for not writing down the rules.[46] Liz Meriwether said the game would not be easier to comprehend in later appearances, as the writers' goal is to actually make it harder to understand. She agreed with The A.V. Club that "It's much funnier if the rules make no sense."[8] As more people attempted playing the game in real life,[46] Baer pointed out that most people were "getting too drunk too fast" and did not focus enough on strategy, so the writers were thinking of establishing more rules for guidance.[46] Meriwether advised to "just trust your hearts, get really wasted, and look inside yourselves. I think you'll find the rules were there all along."[11]

text: Relationships[edit]

text: Creator Elizabeth Meriwether sees Nick, Schmidt and Winston "on the weirder side of things".[52] The producers stated learning more about the characters by seeing the actors' work and that "We probably rely on them more than we should" to define the characters.[5] For example, the producers found more variety in Nick's character in season 1 and enjoyed Johnson's improvisations, so they relayed Coach's attributed rage issues to Nick.[12][24] Nick is a childhood friend of Winston, has been best friends with Schmidt since his college days and becomes close to Jess, so his character connects the most with the other loftmates and is often part of their stories.[43] Jake Johnson (Nick) noted the contrast to the original plans for his character, as season 1 turned Nick into "an idiot, he's not keeping anyone together",[53] and that he did not fully understand his character in season 1, partly because the character might not have figured himself out at the age of 30.[54] Johnson felt that initially it seemed like Nick hated Schmidt for being a douchebag, but the show later teamed them up like The Odd Couple, showing their genuine friendship and simultaneous idiocy as they get into trouble.[55] According to Johnson, he and Max Greenfield (Schmidt) "couldn't be more different [as actors] and it's very much like Nick and Schmidt, but we both really get a kick out of the other guy" on set.[56]

text: With Winston only being added late to the show, the writers developed the Nick–Winston dynamic in season 1 and sought to figure out Winston's relationship with the other loftmates in season 2.[24] The writers noticed late during the first season that Morris seemed better suited to play a smart character and act as the loft's voice of reason,[12][24] although Meriwether found that when Winston "finally does blow up, he's crazier than all of them"[24] and that he works better "in these kind of crazy, comedic runners, small pieces of the episode"[33] that contrast the relationship dramas of the other main characters.[57] The Winston–Schmidt friendship was developed significantly in the second half of season 2 when the story focus moved to Nick and Jess.[22] The Nick–Jess relationship affects the three guys' friendship as Nick starts being more considerate of Jess' feelings regarding shenanigans.[58] Damon Wayans Jr. was planned to reprise his role as Coach in at least four episodes in the third season,[59] according to Meriwether "at a time when the roommates are at odds with each other" and "The guys are all fighting for his friendship."[60] The three guys will get intimidated by Coach's return, as he has "this alpha male aggression" and is "that macho, tough-talking guy that they all think is so cool".[52]

text: With Meriwether's openness regarding straight and gay communities,[30] New Girl also plays with the guys' sexual orientation for humor. One of Winston's recurring alternate persona is Nick's gay lover "Theodore K. Mullens", which started out as an improv of Lamorne Morris (Winston).[24] Johnson thought that Nick and Schmidt had "a pretty funny bromance" with "their own little weird will-they-won't-they".[43] Greenfield improvised kissing Nick a lot in season 1 until that the writers started putting Schmidt–Nick kisses into the script,[29] so that they shared more kisses than Nick and Jess did in the first two seasons.[30] The season 2 episode "Models" came about when Meriwether thought the show "needed a love story between Nick and Schmidt or something. We wanted to tell it like a classic rom-com story about Nick and Schmidt and their love of each other".[13]

text: Release[edit]

text: Broadcast and ratings[edit]

text: The New Girl pilot was released via on-demand, iTunes, and TiVo on September 6, 2011[61] before its September 20 premiere on Fox in the United States and on City in Canada.[62] Other international broadcasters include Channel 4 and E4 in the United Kingdom,[63] RTÉ2 in the Republic of Ireland,[64] Network Ten and Eleven in Australia,[65] and Four in New Zealand.[66] The pilot episode drew 10.28 million U.S. viewers and a 4.8 adults 18–49 demo rating,[67] making it the highest-rated fall debut for a Fox scripted show since The Bernie Mac Show in 2001.[68] The second episode made New Girl the top-rated show on television in the marketing-important 18–49 demographic, improved the rating of its lead-in hit series Glee and beat the long-running hit series NCIS and Dancing with the Stars.[61][69] At this time, Fox ordered 11 additional episodes to the initial 13-episode order, bringing the first season to 24 episodes.[70]

text: The ratings dropped considerably when the show took a break for baseball, plunging almost 20 percent to a 2.1 rating in the 18–49 audience group.[71] During the 2011–12 television season, New Girl averaged 8.22 million viewers and a 4.2 adults 18–49 demo rating. In 18–49 demo, it ranked as the fifth highest rated show on Fox and 13th overall.[72] On April 9, 2012, New Girl was officially renewed for a second season of 24 episodes;[73] Fox ordered one more episode during the second half of the season.[74]

text: On March 4, 2013, the series was renewed for a third season,[75] which premiered on September 17, 2013. New Girl's ratings were cited as an example for changed audience behavior: when including its Live+7 (days) results instead of just Live+SD (same day), the show's viewership almost doubled in the week of October 13–20, 2013 by jumping 89 percent, that week's the biggest percentage gain, to a 3.6 demo rating.[76][77] The total audience of the episode "Sister" grew by 112 percent over thirty days on multi platforms, compared to the Live+SD rating of 3.4.[78] The post-Super Bowl episode "Prince" holds the show's Live+SD viewership record of 26.30 million viewers.[79] New Girl was renewed for a fourth season on March 7, 2014 and renewed for a fifth season on March 31, 2015.[80]

text:
Season
Timeslot (ET)

Episodes

First aired

Last aired
TV season
Rank
Avg. viewers(millions)
18–49 rating(average)

Date

Viewers(millions)

Date

Viewers(millions)

1
Tuesday 9:00 p.m.

24

September 20, 2011

10.28[81]

May 8, 2012

5.61[82]
2011–12
61
8.22[83]
4.2/11[72]

2
Tuesday 8:00 p.m. (premiere)Tuesday 9:00 p.m.

25

September 25, 2012

5.18[84]

May 14, 2013

4.06[85]
2012–13
77
5.85[86]
3.2/9[86]

3
Tuesday 9:00 p.m.

23

September 17, 2013

5.53[87]

May 6, 2014

2.39[88]
2013–14
103
4.61[89]
3.2[89]

4

22

September 16, 2014

3.04[90]

May 5, 2015

2.22[91]
2014–15
138
3.42[92]
1.8[92]

5
Tuesday 8:00 p.m. (1-15, 17, 19, 21)Tuesday 8:30 p.m. (16)Tuesday 9:00 p.m. (18, 20, 22)

22

January 5, 2016

3.33[93]

May 10, 2016

2.17[94]
2015–16
125
3.69[95]
1.8[95]

6
Tuesday 8:30 p.m. (1-10)Tuesday 8:00 p.m. (11-22)

22

September 20, 2016

2.31[96]

April 4, 2017

2.00[97]
2016–17
133
2.93[98]
1.5[98]

7
Tuesday 9:30 p.m. (1-4, 6, 8)Tuesday 9:00 p.m. (5, 7)

8

April 10, 2018

1.83[99]

May 15, 2018

1.47[100]
2017–18
171
2.18[101]
1.0[101]

text: Syndication[edit]

text: The series was added to TBS's line-up on August 17, 2015. Additionally, the sitcom was added to MTV in the fall of 2015.[102]

text: DVD releases[edit]

text:
Season

Episodes

DVD release date

Region 1

Region 2

Region 3

Region 4

Season 1 (2011–12)

24

October 2, 2012

December 3, 2012

November 2, 2012

October 10, 2012

Season 2 (2012–13)

25

October 1, 2013

September 27, 2013

December 13, 2013

November 9, 2013

Season 3 (2013–14)

23

September 2, 2014

October 3, 2014

September 8, 2014

December 3, 2014

Season 4 (2014–15)

22

September 1, 2015

November 16, 2015

TBA

May 4, 2016

Season 5 (2015–16)

22

September 20, 2016

TBA

TBA

TBA

Season 6 (2016–17)

22

June 5, 2018

TBA

TBA

TBA

Season 7 (2018)

7

July 3, 2018

TBA

TBA

TBA

text: Tie-ins[edit]

text:
The Douche Journals: The Definitive Account of One Man's Genius, compiled of the many Schmidtisms from The Douchebag Jar, before Jess moved into the apartment. Released in 2012.[103] ISBN 9780062238672[104]
Season 6 episode 4 features a crossover with Brooklyn Nine-Nine, as Jess finds herself in a predicament while driving in New York City.[105]

text: Reception[edit]

text: Critical reception[edit]

text:
On the review aggregator website Rotten Tomatoes, season one holds an approval rating of 84% based on 32 reviews, with an average rating of 6.83/10.
The site's critical consensus reads, "Zooey Deschanel's offbeat style gets a worthy showcase in New Girl, and while it can get awfully cutesy at times, the show benefits from witty writing and a strong supporting cast."[106] Metacritic, which uses a weighted average, assigned the season a score of 66 out of 100 based on 25 critics, indicating "generally favorable reviews".[107]

text: In June 2011, New Girl was one of eight honorees in the "most exciting new series" category at the 1st Critics' Choice Television Awards, voted by journalists who had seen the pilots.[108] Robert Bianco of USA Today considered New Girl "fall's most promising new series" and praised how Deschanel and Meriwether "have shaped Jess into something we haven't quite seen before – a woman who is sweet yet crass, innocent yet sexy, beautiful yet clumsy, and brash yet irresistibly adorable." However, he noted how "Some people will be resistant to Deschanel's doe-eyed charm; others have a congenital need to insult anyone who most everyone else is praising, particularly if doing so gets them attention."[109] The Hollywood Reporter's Tim Goodman saw the show as a "mostly romantic comedy", and although Jess' adorability "might seem like a thin premise, [...] Meriwether manages to make the situations funny and lets Deschanel channel her charm – a winning combination."[110] David Wiegand of the San Francisco Chronicle would rather see the show tone down. He felt "the show's fundamental setup isn't all that inspired, but it could work with smarter writing and better direction, especially with regard to Deschanel", who, in his opinion, overplayed Jess' weird habits "to the point of overkill within the first 10 minutes of the show".[111]

text: Alan Sepinwall of HitFix considered New Girl "the best new comedy of the fall season, and the only new show I genuinely enjoyed from start to finish" because it was so well developed from the start. He praised Deschanel's "wonderful comic performance" and said that while the supporting actors "all bounce nicely off of Deschanel", the scenes without Deschanel around them fell flat for him.[112] Writing for the Daily News, David Hinckley lauded how none of the characters "settle in as the stereotypes they could easily become", and presumed that all of them would evolve and get smarter as the show progresses.[113] Lori Rack of the Chicago Sun-Times praised the actors' comedic timing and playing off each other. Despite the guys sounding "like nightmares" on paper, "they have endearing, vulnerable cores that make them likable, and occasionally, lovable. [...] New Girl didn't give me as many laugh-out-loud moments as some comedies", but instead made her "feel warm and fuzzy".[114] Rob Owen of the Pittsburgh Post-Gazette said the show's pilot was "more charming than hilarious" and "cuter than it is funny, but when it does conjure laughs, its style of humor is reminiscent of ABC's Happy Endings".[115]

text: Critics questioned the portrayal of Jess' girlishness early on.[6] Phillip Maciak of Slant Magazine initially expected New Girl as one of 2011's many new female-centric shows to "be an exemplar of this new age of empowerment, but found instead that "New Girl presents us with a narratively scattered, male fantasy of a show about a cooing woman-child in a polka-dot skirt who literally can't say the word 'penis' without giggling."[116] Meriwether stated it was not the show's goal to create a symbol and, pointing to gender double-standards, rejected opinions that Jess was emblematic of all women.[23] She "was really just writing about myself, and so my main goal is just to give Zooey, really fun, interesting things to do every week, and then just be really honest with myself about the character and present an interesting, funny female character on television."[20] Critics felt the first-season episode "Jess & Julia" was a meta reference to Jess' girliness and the initial "adorkable" ad campaign for New Girl,[8][117] but Meriwether stated the episode was more a response to a controversial New York magazine cover story about Deschanel's personality and her views on women's issues.[8]

text: Summarizing the first two seasons, Jon Caramanica of The New York Times said "Jess fit into no known mode, sitcom or interpersonal. For much of the [first] season, she remained a cipher. Her interactions with the rest of the crew were unfailingly odd—there was no common language, and that was the root of the show's comedic alchemy, or lack thereof. By the end of that first season, Jess' sharp angles had been sandpapered down a bit, but the show's second season [...] represented a change in approach that has rescued New Girl from its whimsy and turned it into one of the most reliable and reliably affecting sitcoms on television. At root, these changes sprang from the recognition that Ms. Deschanel's charms lie not in her quirk but in her empathy and warmth."[118] Variety's Cynthia Littleton summarized that "The show has drawn praise from critics for its deft mix of offbeat humor that captures the voice of contempo 20-somethings and laugh-out-loud moments, aided by Deschanel's flair for physical comedy."[119] The Huffington Post's Maureen Ryan said New Girl's second season was "doing an ace job of mixing sharp comedic moments and goofball weirdness with excellent character-building."[120]

text: Many critics considered Max Greenfield the show's breakout star in season 1;[7][12][23][121] The A.V. Club even named Greenfield's Schmidt "the year's breakout TV character" as a "douchebag with a heart of gold".[8] Salon described Schmidt as "a sort of self-created alpha male and a collection of beta male qualities [... which] are performed with such conviction they congeal into a sort of deranged machismo, one slathered in sandalwood-scented lotion. As part of this transition, Schmidt has gone from being a douchebag in the classic model—a guy who, in the pilot, constantly wanted to show off his pecs and scam girls, and seemed capable of doing so—to a douche of a more unique variety."[121] The Huffington Post's Maureen Ryan said how "Schmidt could have easily been 'the dumb guy', or the show could have exploited his status as an eminently mockable douche. But thanks to Max Greenfield's endearing depiction of the would-be ladykiller, there's a lot more the writers have been able to do with the character."[12] Caramanica lamented how Winston as the lone black character "is still an outlier, though far less so than in the first season. He's a sharp foil when other characters, especially Schmidt, get too racially comfortable."[118]

text:
On Rotten Tomatoes, season two holds an approval rating of 88% based on 16 reviews, with an average rating of 6.56/10.
The site's critical consensus reads, "New Girl's terrific ensemble cast remains its most valuable asset, and the show is buoyed by a deeper, more relatable central performance from lead Zooey Deschanel in its sophomore season."[122] After the teasing of the Nick–Jess relationship in the first season, critics named Jake Johnson the breakout star of season 2 as the characters' romance unfolded.[56][123] Saying that "Not since Ross and Rachel's tango on Friends has watching a comedy romance been so satisfying", The Hollywood Reporter said the producers "did the impossible by engaging their leads in a love story, which only strengthened the artistry of the single-cam comedy".[124] The New York Times said season 2 "erupted in fantastic and bizarre fits and starts" because of the characters' unmatched personalities, and lauded the writers for not playing up the will-they-or-won't-they dynamic. By emphasing how the characters got together, the show "made for hilarious setups [that occasionally led] to high-level Abbott and Costello slapstick. They have a modern love. [...] Together, they are fully functional. They make each other human."[118] The Huffington Post's Maureen Ryan was unconcerned about getting Jess and Nick together, as because of immaturity "they're bound to keep on making a lot of amusing and painful mistakes, sometimes with each other. Those choices can be both hilarious and sad, and New Girl has gotten a lot of mileage out of both those areas."[120] The continued Nick–Jess relationship was criticized in season 3 for dropping the characters' personalities, lack of tension,[125] and for neglecting the show's female friendship between Jess and Cece.[126] TV Guide's Natalie Abrams felt that during the first half of season 3 that "bringing them together caused that [former] spark [between them] to diminish",[127] while Hitfix's Alan Sepinwall and The A.V. Club's David Sims found that the show's perceived decline in quality had less to do with the Nick–Jess relationship but with the handling of Schmidt's cheating arc and the re-introduction of Coach.[128][129]

text:
On Rotten Tomatoes, season three holds an approval rating of 88% based on 14 reviews, with an average rating of 6.46/10.
The site's critical consensus reads, "Though it falls within a common sitcom template, New Girl brings laughter by spotlighting funny and genuine characters that are imperfect in relatable ways."[130] Season four holds an approval rating of 100% based on 10 reviews, with an average rating of 6.67/10. The site's critical consensus reads, "New Girl's fourth season benefits from a renewed cast chemistry reminiscent of season two."[131] The series' seventh and final season has an approval rating of 100% based on 10 reviews, with an average rating of 6.78, and a critical consensus of, "After seven years of friendship, New Girl signs off with a thoughtful, funny final season that bids a proper adieu to its colorful cast of characters."[132]

text: Awards and nominations[edit]

text: The show has been nominated for several awards, including five Golden Globe Awards and five Primetime Emmy Awards.