document_title: Star Wars: Episode I – The Phantom Menace

question_text: who plays the queen in star wars episode 1

text: Star Wars: Episode I – The Phantom Menace

text: Plot[edit]

text: The Trade Federation upsets order in the Galactic Republic by blockading the planet Naboo in preparation for a full-scale invasion. The Republic's leader, Supreme Chancellor Valorum, dispatches Jedi Master Qui-Gon Jinn and his apprentice, Obi-Wan Kenobi, to negotiate with Federation Viceroy Nute Gunray. Darth Sidious, a Sith Lord and the Trade Federation's secret adviser, orders the Viceroy to kill the Jedi and begin their invasion with an army of battle droids. The Jedi escape and flee to Naboo. During the invasion, Qui-Gon saves a Gungan outcast, Jar Jar Binks, from being run over and killed by a droid transport. Indebted to Qui-Gon, Jar Jar leads the Jedi to an underwater Gungan city. The Jedi unsuccessfully try to persuade the Gungan leader, Boss Nass, into helping the people of Naboo, though they are able to obtain transportation to Theed, the capital city on the surface. They rescue Queen Padmé Amidala, the ruler of the Naboo people, and escape the planet on her royal starship en route to the Republic capital planet of Coruscant.

text: Amidala's ship is damaged as they pass the Federation blockade and becomes unable to use its hyperdrive, landing for repairs on the desert planet Tatooine. Qui-Gon, Jar Jar, astromech droid R2-D2, and Padmé – disguised as one of her handmaidens – visit the settlement of Mos Espa to purchase new parts at a junk shop. They meet the shop's owner, Watto, and his nine-year-old slave, Anakin Skywalker, who is a gifted pilot and engineer, and who has created a protocol droid called C-3PO. Qui-Gon senses a strong presence of the Force within Anakin, and is convinced that he is the "chosen one" of the Jedi prophecy who will bring balance to the Force. Qui-Gon wagers Anakin's freedom with Watto in a Podrace, which Anakin wins. Anakin joins the group to be trained as a Jedi, leaving behind his mother, Shmi. En route to their starship, Qui-Gon encounters Darth Maul, Darth Sidious' apprentice, who was sent to capture Amidala. A duel ensues, but Qui-Gon quickly disengages and escapes on board the starship.

text: Qui-Gon and Obi-Wan escort Amidala to Coruscant so that she can plead her people's case to Chancellor Valorum and the Galactic Senate. Qui-Gon asks the Jedi Council for permission to train Anakin as a Jedi, but the Council refuses, concerned that Anakin is vulnerable to the dark side. Undaunted, Qui-Gon wants to relieve Obi-Wan from his tutorship and take up Anakin as his new disciple. Meanwhile, Naboo's Senator Palpatine persuades Amidala to make a vote of no confidence in Valorum to elect a more capable chancellor to resolve the crisis on Naboo. Though she is successful in pushing for the vote, Amidala grows frustrated with the corruption in the Senate and decides to return to Naboo. Qui-Gon and Obi-Wan are ordered by the Jedi Council to accompany the queen to Naboo, as well as to confirm the return of the Sith, whom they believe to be extinct.

text: On Naboo, Padmé reveals herself to the Gungans as Queen Amidala, and persuades them into an alliance against the Trade Federation. Jar Jar joins his people in a battle, despite being inept at combat, against the droid army while Padmé leads the hunt for Viceroy Gunray in Theed. During a battle in a starship hangar to free Naboo pilots, Anakin takes shelter in a vacant starfighter, and inadvertently triggers its autopilot, joining the battle against the Federation droid control ship in space. Anakin blunders into the hangar of the droid control ship and destroys the ship from within before escaping, deactivating the droid army. Meanwhile, Qui-Gon and Obi-Wan battle Darth Maul, who mortally wounds Qui-Gon, but is eventually killed by Obi-Wan and falls down a reactor shaft.

text: As he dies, Qui-Gon requests that Obi-Wan train Anakin. Subsequently, Palpatine is elected as the new Supreme Chancellor, and Gunray is arrested. Yoda promotes Obi-Wan to the rank of Jedi Knight and reluctantly accepts Anakin as Obi-Wan's apprentice. Padmé presents a gift of appreciation and friendship to the Gungans at a festive ceremony.

text: Cast[edit]

text:
Liam Neeson as Qui-Gon Jinn, a Jedi Master who discovers Anakin and insists that the boy be trained as a Jedi despite the Jedi Council's protests. Lucas originally wanted to cast an American actor in the role, but cast Irishman Neeson because he considered that Neeson had great skills and presence. Lucas said Neeson was a "master actor, who the other actors will look up to, who has got the qualities of strength that the character demands".[7]
Ewan McGregor as Obi-Wan Kenobi, Qui-Gon's Jedi Padawan, who holds his master in high regard but questions his motives at times. McGregor was cast from a shortlist of fifty actors, all of whom had to be compared to pictures of young Alec Guinness, who portrayed the elderly Obi-Wan, to make a believable younger version.[8] McGregor had a vocal coach to help his voice sound closer to Guinness'. He also studied several of Guinness' performances, from his early work and the Star Wars movies.[7]
Natalie Portman as Queen Padmé Amidala, the 14-year-old Queen of Naboo, who hopes to protect her planet from a blockade invasion made by the Trade Federation. Over 200 actresses auditioned for the role.[9] The Production notes stated; "The role required a young woman who could be believable as the ruler of that planet, but at the same time be vulnerable and open". Portman was chosen especially for her performances in Léon: The Professional (1994) and Beautiful Girls (1996), which impressed Lucas.[7] He stated, "I was looking for someone who was young, strong, along the lines of Leia [and] Natalie embodied all those traits and more".[7] Portman was unfamiliar with Star Wars before being cast,[7] but was enthusiastic about being cast as a character she expected to become a role model. Portman said, "It was wonderful playing a young queen with so much power. I think it will be good for young women to see a strong woman of action who is also smart and a leader."[10]
Jake Lloyd as Anakin Skywalker, a 9-year-old slave boy and a skilled pilot who dreams of becoming a Jedi. Hundreds of actors were tested[7] before the producers settled on Lloyd who Lucas considered met his requirements of "a good actor, enthusiastic and very energetic". Producer Rick McCallum said that Lloyd was "smart, mischievous and loves anything mechanical—just like Anakin."[11]
Ian McDiarmid as Senator Palpatine / Darth Sidious, a Senator of Naboo who is eventually elected Chancellor of the Republic. McDiarmid was surprised when Lucas approached him 16 years after Return of the Jedi to reprise the role of Palpatine because he had assumed that a younger actor would play the part in the prequel films.[12]
Anthony Daniels voices C-3PO, a protocol droid built by Anakin. He lacks a metal covering in this film; R2-D2 refers to it as being "naked". A puppeteer dressed in a color closely matching the background—in a manner similar to the Japanese puppet theater Bunraku—manipulated a skeletal C-3PO figure attached to his front while Daniels read his lines off-camera. The puppeteer was erased from the film during post-production.[11][13]
Kenny Baker as R2-D2, an astromech droid that saves Queen Amidala's ship when other droids fail. Before the film's production started, fans campaigned on the Internet to retain Baker as R2-D2; Lucas replied that the actor would remain. Baker is used for scenes where R2-D2 bends forwards and backwards and wobbles from side to side. Robots and a digital model were used in other shots.[14]
Pernilla August as Shmi Skywalker, Anakin's mother, who is concerned for her son's future and allows him to leave with the Jedi. August, a veteran of Swedish cinema, was chosen after auditioning with Liam Neeson. She was afraid of being rejected because of her accent.[15]
Frank Oz voices Yoda, the centuries-old leader of the Jedi Council who is apprehensive about allowing Anakin to be trained. Yoda was mostly portrayed as a puppet designed by Nick Dudman based on Stuart Freeborn's original design. Oz controlled the puppet's mouth and other parts were controlled by puppeteers using remote controls.[15] Lucas fitted Yoda's filming around Oz's schedule as he finished and promoted In & Out.[16] A computer-generated Yoda is featured in two distant shots. Warwick Davis portrays him in the scene in which Obi-Wan becomes a Jedi Knight.[17] Lucas said he originally wanted to use a full-time digital Yoda, but the attempts did not work well enough. On the Blu-ray release of The Phantom Menace, which was also used for the 3D reissue, a CG Yoda similar to the one from the other prequels is used instead.[18]
Ahmed Best as Jar Jar Binks, a clumsy Gungan exiled from his home and taken in by Qui-Gon and Obi-Wan. Best was hired after casting director Robin Gurland saw him on a Stomp performance in San Francisco.[11] Best was originally intended to provide motion capture data but his offer to voice the character was accepted. On the set, to provide references for the actors, Best was clothed in a suit made of foam and latex and a headpiece. Best's filmed performance was later replaced with the computer-generated character.[15] Best frequently improvised movements to make Jar Jar look as clumsy and comedic as possible.[11]
Oliver Ford Davies as Sio Bibble, the governor of Naboo.
Hugh Quarshie as Captain Panaka, Queen Amidala's chief of security at Theed Palace.
Samuel L. Jackson as Mace Windu, a high-ranking member of the Jedi Council who also opposes the training of Anakin.
Ray Park as Darth Maul, Darth Sidious' Sith apprentice who uses a double-bladed lightsaber, while Peter Serafinowicz provides Maul's voice.
Terence Stamp as Supreme Chancellor Valorum, the Chancellor of the Republic who commissions Obi-Wan and Qui-Gon to negotiate with the Trade Federation Viceroy. Lucas described the character as a "good man but he's beleaguered—a bit like [Bill] Clinton".[19]
Keira Knightley plays Sabé, one of Queen Amidala's handmaidens who serves as her decoy throughout the majority of the film.
Silas Carson portrays Nute Gunray, the Viceroy of the Trade Federation who leads Naboo's invasion and tries to force Queen Amidala to sign a treaty to legitimize the occupation. Carson also portrays three minor characters: Jedi Master Ki-Adi-Mundi, Trade Federation Senator Lott Dod, and an ill-fated pilot (the role for which Carson originally auditioned).[20]

tag: ul

text: Additionally, Brian Blessed, Andy Secombe, and Lewis MacLeod voice, respectively, Boss Nass, the leader of the Gungan tribe who allies with the Naboo, Watto, a junk dealer on Tatooine who owns Anakin and his mother as slaves, and Sebulba, an aggressive, scheming podracer who is Anakin's rival. Greg Proops and Scott Capurro voice Fode and Beed, the two-headed announcer of the Boonta Eve Race. Matthew Wood appears as Bib Fortuna, alongside a CGI Jabba the Hutt. Dominic West plays a Naboo guard. Sofia Coppola appears as Saché, one of Amidala's handmaidens, and Ralph Brown appears as Ric Olié, the Queen's starship pilot. Christian Simpson appears as Lieutenant Gavyn Sykes. [21]

text: Production[edit]

text: Development[edit]

text: While writing the original Star Wars, Lucas realized the story was too vast in scope to be covered in one film. The original film was written to introduce a wider story arc that could be told in sequels on the chance that it became successful, so Star Wars evolved from the first film in the series to the first episode of the saga's second trilogy.[22][23] Lucas eventually negotiated a contract that allowed him to make two sequels, and over time had created an elaborate backstory to aid his writing process.[24] While writing The Empire Strikes Back, Lucas considered directions in which to take the story. In the original trilogy, Darth Vader was revealed to have been Anakin Skywalker, a once-powerful Jedi Knight, and a traitor to the Jedi Order.[25] With this backstory in place, Lucas decided the movies would work best as a trilogy.[26] In the final act of the trilogy's final episode, Return of the Jedi, Vader is ultimately redeemed through an act of sacrifice for Luke. This was in 1983, more than six years since the release of Star Wars. Lucas admitted to being "burned out" and announced he would take a break from working on the saga.[27]

text: Throughout the 1980s, George Lucas remarked he had no desire to return to Star Wars and had unofficially canceled his sequel trilogy by the time of Return of the Jedi. Because Lucas had developed most of the backstory, the idea of prequels continued to fascinate him.[28] In the early 1990s, Star Wars saw a resurgence in popularity in the wake of Dark Horse's comic line and Timothy Zahn's trilogy of novels. Lucas saw there was still a large audience for his idea of a prequel trilogy and with the development of special effects generated with computer-generated imagery (CGI), Lucas considered returning to his saga and directing the film.[29] In 1993, it was announced in Variety and other sources that he would be making the prequels. Lucas began outlining the story; Anakin Skywalker rather than Obi-Wan Kenobi would be the protagonist and the series would be a tragedy examining Darth Vader's origins. Lucas also began to change the prequels' timeline relative to the original series, "filling-in" the history, backstory, existing parallel or tangential to the originals and beginning a long story that started with Anakin's childhood and ended with his death. This was the final step toward turning the franchise into a saga.[30]

text: George Lucas began writing the new Star Wars trilogy on November 1, 1994. The screenplay of Star Wars was adapted from Lucas' 15-page outline that was written in 1976, which he designed to help him keep track of the characters' backstories and events that occurred before the original trilogy.[31] Anakin was first written as a twelve-year-old, but Lucas reduced his age to nine because he felt the lower age would better fit the plot point of Anakin being affected by his mother's separation from him. Eventually, Anakin's younger age led Lucas to rewrite his participation in the movie's major scenes.[32] The film's working title was The Beginning;[31] Lucas later revealed that its true title was The Phantom Menace; a reference to Palpatine hiding his true identity as an evil Sith Lord behind the facade of a well-intentioned public servant.[33]

text: The larger budget and possibilities opened up by the use of digital effects made Lucas "think about a much grander, more epic scale—"which is what I wanted Star Wars to be".[34] The story ended with five simultaneous, ongoing plots, one leading to another. The central plot is Palpatine's intent to become Chancellor, which leads to the Trade Federation's attack on Naboo, the Jedi being sent there, Anakin being met along the way, and the rise of the Sith Lords. As with the original trilogy, Lucas intended The Phantom Menace to illustrate several themes throughout the narrative. Duality is a frequent theme; Amidala is a queen who passes as a handmaiden, Palpatine plays on both sides of the war, among others. "Balance" is frequently suggested; Anakin is supposedly "the one" chosen to bring balance to the Force—Lucas said, "Anakin needed to have a mother, Obi-Wan needed a Master, Darth Sidious needed an apprentice" as without interaction and dialogue "you wouldn't have drama".[35]

text: In November 2015, Ron Howard confirmed that he, Robert Zemeckis and Steven Spielberg were approached by Lucas to direct The Phantom Menace. All three approached directors told Lucas that he should direct the film, as they each found the project "too daunting."[36]

text: Pre-production and design[edit]

text: Before Lucas had started writing, his producing partner Rick McCallum was preparing for the film. McCallum stated that his experience with The Young Indiana Jones Chronicles led to many of his decisions on The Phantom Menace, such as long-term deals with actors and soundstages, the employment of recent graduates with no film experience, and the creation of sets and landscapes with digital technology. In April 1994, McCallum started searching for artists in art, architecture and design schools, and in mid-year he began location scouting with production designer Gavin Bocquet. Industrial Light & Magic (ILM) art director Doug Chiang impressed McCallum the most and was hired as the design director.[37][38]

text: Within three to four months of Lucas beginning the writing process, Chiang and his design team started a two-year process of reviewing thousands of designs for the film.[39] Chiang stated that Lucas intended Episode I to be stylistically different from the other Star Wars films; it would be "richer and more like a period piece, since it was the history leading up to A New Hope". The three planets on which the story takes place—some with varied environments such as the human and Gungan cities of Naboo and three buildings in Coruscant. With the exception of the Gungan city, which had an art nouveau-inspired visual, these locations would be given distinctive looks with some basis in the real world. The concept drawings of Ralph McQuarrie for the original trilogy served as the basis for Mos Espa—which was also inspired by old Tunisian hotels and buildings and had touches such as a market place to differentiate it from A New Hope's Mos Eisley—and Coruscant, in particular a metropolis design which became the basis for the Senate.[40] Bocquet would later develop the work of Chiang's team and design the interiors, translating the concepts into construction blueprints with environments and architectural styles that had some basis in reality "to give the audience something to key into".[41] Some elements were directly inspired by the original trilogy; Lucas described the battle droids as predecessors to the Stormtroopers. Chiang uses that orientation to base the droids on the Imperial soldiers, only in the same style of stylized and elongated features seen in tribal African art.[34]

text: Terryl Whitlatch, who had a background on zoology and anatomy, was in charge of creature design. Many of the aliens are hybrids, combining features of real animals. At times entire food chains were developed even though only a small percentage of them would appear in the film. Whitlatch also designed detailed skeletons for the major characters and facial muscles on Jar Jar Binks as a reference for ILM's animators. Each creature would reflect its environment; those on Naboo were more beautiful because the planet is "lush and more animal-friendly", Tatooine has rough-looking creatures "with weather-beaten leathery skin to protect them from the harsh desert elements", and Coruscant has bipedal, human-looking aliens.[42]

text: Stunt coordinator Nick Gillard was recruited to create a new Jedi fighting style for the prequel trilogy. Gillard likened the lightsaber battles to a chess game "with every move being a check". Because of their short-range weapons, Gillard thought the Jedi would have had to develop a fighting style that merged every swordfighting style, such as kendo and other kenjutsu styles, with other swinging techniques, such as tennis swings and tree-chopping. While training Liam Neeson and Ewan McGregor, Gillard wrote a sequence which lasted around 60 seconds and intended to be around five or six sequences per fight.[43] Lucas later referred to the Jedi as "negotiators" rather than high-casualty soldiers. The preference of hand-to-hand combat was intended to give a spiritual and intellectual role to the Jedi.[43] Because Gillard thought the stunt jumps with the actors and stuntmen dangling from wires did not look realistic, air rams were used to propel them into the air instead.[44]

text: Lucas decided to make elaborate costumes because the film's society was more sophisticated than the one depicted in the original trilogy. Designer Trisha Biggar and her team created over 1,000 costumes that were inspired by various cultures.[45] Biggar worked closely with concept designer Iain McCaig to create a color palette for the inhabitants of each world: Tatooine followed A New Hope with sun-bleached sand colors, Coruscant had grays, browns and blacks, and Naboo had green and gold for humans while Gungans wore "a leathery look, like their skin". The Jedi costumes followed the tradition from the original film;[46] Obi-Wan's costume was inspired by the costume that was worn by Guinness. Lucas said he and Biggar would look at the conceptual art to "translat[e] all of these designs into cloth and fabric and materials that would actually work and not look silly". Biggar also consulted Gillard to ensure the costumes would accommodate action scenes, and consulted the creature department to find which fabrics "wouldn't wear too heavily" on the alien skins. A huge wardrobe department was set up at Leavesden Film Studios to create over 250 costumes for the main actors and 5,000 for the background ones.[47]

text: Nute Gunray's Thai accent was chosen after Lucas and McCallum listened to various languages to decide how the Neimodians would speak.[48] The character design of Watto was an amalgam of rejected ideas; his expressions were based on video footage of Secombe's voice acting, photographs of animation supervisor Rob Coleman imitating the character, and modeler Steve Alpin saying Watto's lines to a mirror.[49] Lucas described Sebulba's design as "a spider crossed with an orangutan crossed with a sloth",[50] with a camel-like face, and clothing inspired by medieval armor.[51]

text: Casting[edit]

text: After Samuel L. Jackson expressed interest in appearing in a Star Wars film, he was approached by casting director Robin Gurland to play Windu.[11] Ray Park, a martial arts champion with experience in gymnastics and sword fighting, was originally a member of the stunt crew.[11] Stunt coordinator Nick Gillard filmed Park to demonstrate his conception of the lightsaber battles. Lucas and McCallum were so impressed with the test tape that they gave Park the role of Maul. His voice was considered "too squeaky" and was dubbed over in post-production by Peter Serafinowicz.[15] Keira Knightley's parents tried to convince her not to audition, but the teenage actress still sought a role since she was a Star Wars fan.[52] The casting was influenced by Knightley's remarkable similarity to Natalie Portman, with the actress admitting their mothers could not tell each other apart.[53] Knightley was reported to have "cried every single day" due to finding the wardrobe uncomfortable.[52]

text: Silas Carson was cast as Nute Gunray because another actor was uncomfortable with the costumes used by the Trade Federation characters, which were hot, exerted a lot of pressure on the bearer, and took about 15 minutes to apply. Hugh Quarshie considered the part of Panaka as "a good career move" and a production that would be fun to make.[54] Brian Blessed originally auditioned for the role of Sio Bibble, the Governor of Naboo,[55] for which he was considered "too loud".[56] Casting director Robin Gurland approached him to play Nass because it was a "bigger than life" character with "a kind of bravado".[57] Blessed described Nass as a "reluctant hero",[56] and a fun role to play.[58] Sofia Coppola, daughter of Lucas' long-time friend and creative partner Francis Ford Coppola, considers Lucas as "like an uncle to me". As she prepared the script for her directorial debut The Virgin Suicides, Sofia heard Lucas would make a new Star Wars film and asked him if she could accompany him during filming. Lucas offered Coppola a role in the royal entourage, which she accepted because it "seemed like a good vantage point to watch without getting in the way".[59]

text: Filming[edit]

text: Filming began on June 26, 1997, and ended on September 30 of that year, primarily taking place at Leavesden Film Studios in England. Leavesden was leased for a two and a half year period so the production company could leave the sets intact and return after principal photography had been completed.[60] The forest scenes on Naboo were filmed at Cassiobury Park in Watford, Hertfordshire.[61][62] Pick-ups were shot between August 1998 and February 1999 after Lucas screened a rough cut of the film for friends and colleagues in May 1998.[63] Most of the action and stunts were filmed by Roger Christian's second unit, which worked alongside the main unit instead of afterwards because of the high number of shots to be completed daily.[44]

text: The Tunisian desert was again used for the Tatooine scenes;[64] Mos Espa was built outside the city of Tozeur. On the night following the third day of shooting in Tozeur, an unexpected sandstorm destroyed many of the sets and props. The production was quickly rescheduled to allow for repairs and was able to leave Tunisia on the date originally planned.[65] The Italian Caserta Palace was used as the interior of the Theed City Naboo Palace;[64] it was used as a location for four days after it had been closed to visitors. Scenes with explosions were filmed on replica sets in Leavesden.[66]

text: A binder with the film's storyboards served as a reference for live-action filming, shots that would be filmed in front of a chroma key blue screen, and shots that would be composed using CGI. The sets were often built with the parts that would be required on screen; often they were built only up to the heights of the actors. Chroma key was extensively used for digital set extensions, backgrounds or scenes that required cinematographer David Tattersall to seek powerful lamps to light the sets and visual effects supervisor John Knoll to develop software that would remove the blue reflection from shiny floors. Knoll, who remained on set through most of the production, worked closely with Tatterstall to ensure that the shots were suitable to add effects later. The cameras were fitted with data capture models to provide technical data for the CGI artists.[67]

text: The Phantom Menace was the final Star Wars film to be shot on 35mm film until Episode VII (Star Wars: The Force Awakens). Some scenes, mostly of elements filmed by the special effects team, were shot on high definition, digital video tapes to test the performance of digital recordings, which Lucas and McCallum considered the next logical step because of the amount of digitizing—an expensive process compared to recording directly on digital media—for the compositing of computer-generated effects. All future films would be shot using Sony CineAlta high-definition video cameras.[68][69] Greg Proops and Scott Capurro were filmed wearing makeup and blue bodysuits so their heads could be joined in a computer-generated body. The visual effects crew did not like the original results and crafted Fode and Beed as an entirely computer generated alien.[70]

text: Editing took two years; Paul Martin Smith started the process in England and focused on dialogue-heavy scenes. Ben Burtt—who was also the film's sound editor—was responsible for action sequences under Lucas' supervision. Non-linear editing systems played a large part in translating Lucas' vision; he constantly tweaked, revised and reworked shots and scenes. The final sound mix was added in March 1999 and the following month the film was completed after the delivery of the remaining visual effects shots.[71]

text: Effects[edit]

text:
"Writing the script was much more enjoyable this time around because I wasn't constrained by anything. You can't write one of these movies without knowing how you're going to accomplish it. With CG at my disposal, I knew I could do whatever I wanted".

 —George Lucas[72]

tag: div

text: The film saw breakthrough in computer generated effects. About 1,950 of the shots in The Phantom Menace have visual effects. The scene in which toxic gas is released on the Jedi is the only sequence with no digital alteration.[50] The work was so extensive that three visual effects supervisors divided the workload among themselves—John Knoll supervised the on-set production and the podrace and space battle sequences, Dennis Muren supervised the underwater sequence and the ground battle, and Scott Squires, alongside teams assigned for miniature effects and character animation, worked on the lightsaber effects.[73]

text: Until the film's production, many special effects in the film industry were achieved using miniature models, matte paintings, and on-set visual effects—although other films had made extensive use of CGI. Knoll previewed 3,500 storyboards for the film; Lucas accompanied him to explain factors of the shots that would be practical and those which would be created through visual effects. Knoll later said that on hearing the explanations of the storyboards, he did not know how to accomplish what he had seen. The result was a mixture of original techniques and the newest digital techniques to make it difficult for the viewer to guess which technique was being used. Knoll and his visual effects team wrote new computer software, including cloth simulators to allow a realistic depiction of the digital characters' clothing, to create certain shots. Another goal was to create computer-generated characters that could act seamlessly with live-action actors. While filming scenes with CGI characters, Lucas would block the characters using their corresponding voice actors on-set. The voice actors were then removed and the live-action actors would perform the same scene alone. A CGI character would later be added into the shot to complete the conversation.[74] Lucas also used CGI to correct the physical presence of actors in certain scenes.[50] Practical models were used when their visuals helped with miniature sceneries for backgrounds, set extensions, and model vehicles that would be scanned to create the digital models or filmed to represent spaceships and podraces.[75]

text: Lucas, who had previously confronted problems with the props used to depict R2-D2, allowed ILM and the production's British special effects department to create their own versions of the robot. Nine R2-D2 models were created; one was for actor Kenny Baker to be dropped into, seven were built by ILM and featured two wheelchair motors capable of moving 440 pounds (200 kg), enabling it to run and be mostly used in stage sets, and the British studio produced a pneumatic R2-D2 that could shift from two to three legs and was mostly used in Tunisia because its motor drive system allowed it to drive over sand.[76]

text: Lucas originally planned to create many of the aliens with computer graphics, but those that would be more cost-effectively realized with masks and animatronics were created by Nick Dudman's creature effects team. These included the Neimodians, background characters in Mos Espa, the Jedi Council, and the Galactic Senate. Dudman's team was told where the creatures would be required six months before principal photography begun, and they rushed the production. The Neimodian suits, which were originally intended as digital characters, were delivered one day before they would be required on set. Dudman traveled to Skywalker Ranch to see the original creatures that could be reused, and read the script for a breakdown of scenes with practical creatures, leaving only the more outlandish designs to be created using CGI.[77]

text: To research for the podrace vehicles, the visual effects crew visited a jet aircraft junkyard outside Phoenix, Arizona and scavenged four Boeing 747 engines.[50] Life-sized replicas of the engines were built and sent to Tunisia to provide reference in the film. Except for Jake Lloyd inside a hydraulically controlled cockpit and a few practical podracer models, the entire podracing scene—which the effects crew designed to be as "out of this world" as possible—is computer-generated.[64][78]

text: Music[edit]

text: As with previous Star Wars films, Star Wars Episode I: The Phantom Menace's score was composed and conducted by John Williams. He started composing the score in October 1998 and began recording the music with the London Voices and London Symphony Orchestra at Abbey Road Studios on February 10, 1999. Williams decided to use electronic instruments such as synthesizers to enhance the sound and choral pieces to "capture the magical, mystical force that a regular orchestra might not have been able to provide", and create an atmosphere that was "more mysterious and mystical and less military" than those of the original trilogy.[79] One of the most notable tracks is "Duel of the Fates", which uses the chorus to give a religious, temple-like feel to the epic lightsaber duel. The track was made into a music video.[80] While composing Anakin's theme, Williams tried to reflect the innocence of his childhood and to foreshadow his transformation into Darth Vader by using slight suggestions of "The Imperial March" in the melody.[79]

text: The film's soundtrack was released by Sony Classical Records on May 4, 1999. This album featured the score, which Williams restructured as a listening experience; it is not presented in film order and omits many notable cues from the film because of the space restriction of the compact disc.[81] A two-disc "Ultimate Edition" was released on November 14, 2000. The set features almost the entire score as it is heard in the film, including all of the edits and loops that were made for the sound mix.[82]

text: Themes[edit]

text: Like previous Star Wars films, The Phantom Menace makes several references to historical events and films that George Lucas watched in his youth. The Star Wars films typically mix several concepts from different mythologies together.[83]

text: The Jedi practice Zen-like meditation and martial arts, as did the ancient Japanese Samurai warriors. The name "Qui-Gon" adapts the term qigong, which refers to a Chinese discipline involving meditation and cultivation of the flow of the vital energy called "Chi" or "Qi" for healing, health and combat. The words Ch'i (Chinese), gi (Korean), ki (Japanese) and the Indian term "Prana" all refer to the energy that is thought to flow through all living things, from the source of all chi (or power) which is "The Way" or "The Tao" in Chinese philosophy. In Taoist philosophy, from The Way, yin and yang—the opposing but complementary aspects of reality or nature—are born. Unlike Chinese philosophy, in which yin and yang are not moral qualities, the ancient Persian philosophy of Zurvanism taught that the dualism of dark and light forces are locked in an eternal battle while being two sides (or evolutes) of the same "Force", the force of time itself (Zurvan)—the prime mover. These elements derive primarily from Eastern and Iranian religions and myths.[83]

text: There are many references to Christian beliefs in the film, such as the appearance of Darth Maul, whose design draws heavily from traditional depictions of the Christian devil, complete with red skin and horns.[83] Maul's facial tattoos were inspired by the indigenous peoples of Brazil.[84] The Star Wars film cycle features a similar Christian narrative involving Anakin Skywalker; he is the "chosen one"—the individual prophesied to bring balance to the Force—who was conceived of a virgin birth and is tempted to join the Sith. Anakin's fall from grace seemingly prevents him from fulfilling his destiny as the "chosen one" (until Return of the Jedi reveals the prophecy was ultimately true). The inspiration behind the story of the virgin birth parallels a concept developed by Joseph Campbell and his work on The Hero with a Thousand Faces, which heavily influenced Lucas' writing of the original Star Wars trilogy's outline.[83]

text: Japanese films such as Akira Kurosawa's The Hidden Fortress influenced the original Star Wars film; scholars say that The Phantom Menace was likewise influenced by Korean and Japanese culture. Film historians Geoff King and Tanya Krzywinska write, "The costume and make-up designs ... favour a mixture of the gothic and the oriental [sic] over anything very futuristic. The gothic is most strongly apparent in Darth Maul's demonic horns and the red and black make-up mask that borrows from the facial designs found in depictions of Japanese demons". King and Krzywinska say that "Qui-Gon's pony tail and Obi-Wan's position of apprentice further encourage a reading in terms of the Samurai tradition". They also say "Amidala, in keeping with her status and character, has a number of highly formal outfits ... to go with hair sculpted into a curve that frames make-up of a Japanese cast".[85]

text: Release[edit]

text: The release on May 19, 1999 of the first new Star Wars film in 16 years was accompanied by a considerable amount of attention.[86] Few film studios released films during the same week: DreamWorks and Universal Studios released The Love Letter on May 21 and Notting Hill on May 28, respectively.[87] The Love Letter was a commercial failure but Notting Hill fared better and followed The Phantom Menace closely in second place.[88] Employment consultant firm Challenger, Gray & Christmas estimated that 2.2 million full-time employees missed work to attend the film, resulting in a US$293 million loss of productivity. According to The Wall Street Journal, so many workers announced plans to view the premiere that many companies closed on the opening day.[89] Queue areas formed outside cinema theaters over a month before ticket sales began.[90]

text: More theater lines appeared when it was announced that cinemas were not allowed to sell tickets in advance until two weeks into the release. This was because of a fear that family theater-goers would be either unable to receive tickets or would be forced to pay higher prices for them. Instead, tickets were to be sold on a first-come-first-served basis.[91] However, after meetings with the National Association of Theatre Owners, Lucasfilm agreed to allow advance ticket sales on May 12, 1999, provided there was a limit of 12 tickets per customer.[92] As a result, some advance tickets were sold by scalpers at prices as high as US$100 apiece, which a distribution chief called "horrible" and said was exactly what they wanted to avoid.[93] Daily Variety reported that theater owners received strict instructions from Lucasfilm that the film could only play in the cinema's largest auditorium for the first 8–12 weeks, no honor passes were allowed for the first eight weeks, and they were obliged to send their payments to distributor 20th Century Fox within seven days.[94]

text: Despite worries about the film being finished on time, two weeks before its theatrical release Lucasfilm moved the release date from May 21 to 19, 1999. At the ShoWest Convention, Lucas said the change was intended to give the fans a "head start" by allowing them to view it during the week and allowing families to view it during weekends. Foreshadowing his future conversion to digital cinematography, Lucas said the film would be released on four digital projectors on June 18, 1999.[95] Eleven charity premieres were staged across the United States on May 16, 1999; receipts from the Los Angeles event, where corporate packages were available for between US$5,000 and US$25,000; proceeds were donated to the Elizabeth Glaser Pediatric AIDS Foundation.[96] Other charity premieres included the Dallas premiere for the Children's Medical Center, the Aubrey Fund for Pediatric Cancer Research at the Sloan-Kettering Hospital in New York, the Big Brother/Sister Association of the Philadelphia premiere, and the Children's National Medical Center in Washington, D.C. A statement said that tickets were sold at US$500 apiece and that certain sections of the theaters were set aside for disadvantaged children.[97]

text: Marketing[edit]

text: Lucasfilm spent US$20 million on the film's advertising campaign and made promotional licensing deals with Hasbro, Lego, Tricon Global Restaurants, and PepsiCo.[98] Lucasfilm also helped the Star Wars fan club to organize an event called Star Wars Celebration, which was held in Denver, Colorado between April 30 and May 2, 1999.[99]

text: The teaser trailer was released on selected screens accompanying Meet Joe Black on November 13, 1998, and media reported that people were paying full admission at theaters to see the trailer.[100] To keep fans from leaving before the movie was over, some theaters played the teaser an additional time after the film finished.[101] A second trailer was released on March 12, 1999, with the film Wing Commander. Again, many fans paid full theater admission to watch the new trailer.[102] A bootlegged version of the preview was leaked to the Internet the same day.[103] The next morning, the trailer was released on the film's official website and shortly afterwards the servers became overloaded.[104] The theatrical trailer caused even more media attention because it was premiered in theaters and screened at the ShoWest Convention in Las Vegas,[105] and was aired on Entertainment Tonight and Access Hollywood.[103]

text: The teaser poster, featuring Anakin with his shadow forming Darth Vader's silhouette, was released on November 10, 1998. After Lucas opted for a drawn theatrical poster, Drew Struzan, the artist responsible for the Special Edition posters, was commissioned to illustrate, and the poster was unveiled on March 11, 1999. Lucasfilm dictated that, contractually, Struzan's illustration was the only art the foreign distributors could use, and other than the text, it could not be modified in any way.[106]

text: Many tie-in adaptations, such as a LucasArts video game for the PlayStation and PC,[107] a pinball machine by Williams,[108] a four-part comic book adaptation by Dark Horse Comics,[109] and a junior novelization by Scholastic were released.[110] The film's official novelization was written by Terry Brooks, who met with Lucas before writing the book and receiving his approval and guidance. It included information about pending developments in the following two installments of the series.[111]

text: General Mills and Brisk were promotional partners in North America for the 2012 3D re-release but promotion was limited.[112][113] The film was extensively promoted in Japan; promotional products were sold by 7-Eleven, Domino's Pizza, Pepsi and Gari-Gari Kun.[114] Kellogg's promoted the film internationally,[115][116] and French restaurant Quick launched three Star Wars-themed burgers. Lucasfilm also partnered with Variety, the Children's Charity to raise funds for children through the sale of a special edition badge.[117]

text: Home media[edit]

text: The film was released worldwide on VHS between April 3 and 8, 2000. Two versions were released in North America on April 4—a standard pan and scan version and a widescreen Collector's Edition version. In its first two days of availability, the regular version sold 4.5 million copies and the limited edition sold 500,000.[118] It was the first Star Wars film to be officially released on DVD, on October 16, 2001. The special features included seven deleted scenes completed specifically for the DVD, a commentary track featuring Lucas and producer Rick McCallum, and several documentaries—including a full-length documentary entitled "The Beginning: Making Episode I". The Phantom Menace became the fastest selling DVD ever in the U.S.; 2.2 million copies were sold in its first week after release.[119]

text: The DVD version was re-released in a prequel trilogy box set on November 4, 2008.[120] A Laserdisc version of The Phantom Menace was released in Japan several months before it was available on DVD in the U.S.[121] The Star Wars films were released by 20th Century Fox Home Entertainment on Blu-ray Disc on September 16, 2011;[122] The Phantom Menace was restored to improve the picture quality and remove the magnification present on the previous DVD release, restoring approximately 8 percent of the picture to the frame.[123] In the Blu-ray release of The Phantom Menace, the Yoda puppet was replaced with a CGI model, making it consistent with the other films of the prequel trilogy.[124]

text: On April 7, 2015, Walt Disney Studios, 20th Century Fox, and Lucasfilm jointly announced the digital releases of the six released Star Wars films. Walt Disney Studios Home Entertainment released The Phantom Menace through the iTunes Store, Amazon Video, Vudu, Google Play, and Disney Movies Anywhere on April 10, 2015.[125]

text: 3D re-release[edit]

text: On September 28, 2010, it was announced that all six films in the series would be stereo-converted to 3D. These would be re-released in episode order, beginning with The Phantom Menace, which was released to cinemas in February 10, 2012.[126] Prime Focus Limited did the conversion under close supervision by ILM.[127] However, the 3D re-releases of Star Wars: Episode II – Attack of the Clones and Star Wars: Episode III – Revenge of the Sith were postponed after Lucasfilm was bought by The Walt Disney Company, which decided to focus on the development of Star Wars: The Force Awakens.[128]

text: Lucas stated the 3D re-release was "just a conversion" of the film's 2011 Blu-ray release and no additional changes were made.[129] Only a change to Anakin's magnetic wand during the podrace scene—its tip was sharpened to more accurately fit the original 2D photography to the new 3D image—was confirmed.[130]

text: Novelization[edit]

text: Reception[edit]

text: Critical reception[edit]

text: On review aggregator Rotten Tomatoes the film has an approval rating of 55% based on 212 reviews, with an average rating of 6/10. The site's critical consensus reads, "Burdened by exposition and populated with stock characters, The Phantom Menace gets the Star Wars prequels off to a bumpy – albeit visually dazzling – start."[131] On Metacritic, the film has a score of 51 out of 100, based on 36 critics, indicating "mixed or average reviews".[132] On both sites, it is the lowest-rated film in the Star Wars film series, excluding the animated feature The Clone Wars. Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[133]

text: Many aspects of the scripting and characters were criticized, especially that of Jar Jar Binks, who was regarded by many members of the older fan community as toyetic—a merchandising opportunity rather than a serious character.[134][135] Kenneth Turan of the Los Angeles Times described Binks as "a major miscue, a comic-relief character who's frankly not funny."[136] Drew Grant of Salon.com wrote "Perhaps the absolute creative freedom director George Lucas enjoyed while dreaming up the flick's 'comic' relief—with no studio execs and not many an independently minded actor involved—is a path to the dark side."[137]

text: Conversely, Roger Ebert of the Chicago Sun-Times gave it three-and-a-half stars out of four and called it "an astonishing achievement in imaginative filmmaking" and said "Lucas tells a good story." Ebert also wrote that "If some of the characters are less than compelling, perhaps that's inevitable" because it is the opening film in the new trilogy. He concluded his review by saying that rather than Star Trek films, filmmakers could "[g]ive me transparent underwater cities and vast hollow senatorial spheres any day."[138] Owen Gleiberman of Entertainment Weekly gave the film a "B" grade and complimented Liam Neeson's performance and the action scenes.[139] In an Entertainment Weekly review for the DVD release, Marc Bernardin gave the film a "C-", calling it "haplessly plotted, horribly written, and juvenile".[140] ReelViews' James Berardinelli wrote:

text: Looking at the big picture, in spite of all its flaws, The Phantom Menace is still among the best "bang for a buck" fun that can be had in a movie theater. It isn't as fresh as the original Star Wars nor does it have the thematic richness and narrative complexity of The Empire Strikes Back, but it is a distinct improvement over Return of the Jedi. In fact, after Return of the Jedi, I didn't have a burning desire to return to this galaxy 'far, far away', but, with The Phantom Menace, Lucas has revived my interest. Now, it's with genuine regret that I realize the next segment of the series is three long years away.[141]

text: Andrew Johnston of Time Out New York wrote "Let's face it: no film could ever match the expectations some have for Episode I – The Phantom Menace. Which isn't to say it's a disappointment: on the contrary, it's awesomely entertaining, provided you accept it on its own terms ... Like the original film, it's a Boy's Own adventure yarn with a corny but irresistible spiritual subtext. The effects and production design are stunning, but they always serve the story, not the other way around."[142] Susan Wloszczyna of USA Today said the film did "plenty right" and praised the characters Darth Maul and Watto.[143] David Cornelius of efilmcritic.com said the film's better moments "don't merely balance out the weaker ones—they topple them."[144] Colin Kennedy of Empire magazine said that despite problems with pacing and writing, "there is still much pleasure to be had watching our full-blown Jedi guides in action." He praised the visuals and Liam Neeson's performance, and said the duel between Darth Maul and the Jedi was "the saga's very best lightsaber battle".[145]

text: Empire magazine ranked The Phantom Menace on its list of "500 Greatest Movies of All Time",[146] while Entertainment Weekly and Comcast included the film on their lists of the worst movie sequels.[147][148] James Berardinelli wrote "The Phantom Menace was probably the most overhyped motion picture of the last decade (if not longer), and its reputation suffered as a result of its inability to satisfy unreasonable expectations."[149] William Arnold of the Seattle Post-Intelligencer agreed that the film's massive hype caused many of the negative reactions, saying "it built expectations that can't possibly be matched and scuttled [the] element of storytelling surprise." He also said the film was "well made and entertaining" and was much better than similar box office fare released around that year, such as The Mummy and The Matrix.[150]

text: The introduction of midi-chlorians—microscopic organisms that mediate use of the Force—in the film has been controversial among fans. Some viewed it as a concept that negates the Force's spiritual quality, although the film still portrays the Force as a mysterious entity using the midi-chlorians to communicate with living beings. Film historian Daniel Dinello says "Anathema to Star Wars fanatics who thought they reduced the Force to a kind of viral infection, midi-chlorians provide a biological interface, the link between physical bodies and spiritual energy."[151] Religion expert John D. Caputo writes "In the 'Gospel according to Lucas', a world is conjured up in which the intractable oppositions that have tormented religious thinkers for centuries are reconciled ... The gifts that the Jedi masters enjoy have a perfectly plausible scientific basis, even if its ways are mysterious: their bodily cells have a heavier than usual concentration of 'midi-chlorians'."[152]

text: After the film's release, there was controversy over whether several alien characters reflect racial stereotypes. For example, the oafish, slow-witted Jar Jar Binks had long droopy ears reminiscent of dreadlocks and spoke with what many perceived as a Caribbean patois reminiscent of Jamaican Creole.[153] The greedy and corrupt Neimoidians of the Trade Federation spoke with East Asian accents and the unprincipled trader Watto has been interpreted as a Jewish stereotype reminiscent of Charles Dickens' character Fagin. Lucas has denied all of these implications,[134] instead criticizing the American media for using opinions from the Internet as a reliable source for news stories. Lucas added that it reflected more the racism of the commenters than it does the movie;[154] however, animator Rob Coleman said he viewed footage of Alec Guinness as Fagin in Oliver Twist to inspire his animators in the creation of Watto.[155] Drew Grant described Jar Jar Binks as "[s]ervile and cowardly ... a black minstrel-ish stereotype on par with Stepin Fetchit."[137] Michael Eric Dyson, professor of African-American studies at Georgetown University, said the entire Gungan people seem oddly suggestive of a primitive African tribe. Dyson said "The leader of Jar Jar's tribe is a fat, bumbling buffoon with a rumbling voice, and he seems to be a caricature of a stereotypical African tribal chieftain."[156]

text: Box office performance[edit]

text: Despite its mixed critical reception, The Phantom Menace was a financial success, breaking many box office records in its debut. It broke The Lost World: Jurassic Park's records for the largest single-day gross for taking more than $28 million in the opening day and fastest to gross $100 million in five days. It grossed $64.8 million in its opening weekend, the second-ever highest at the time.[157] It also became the quickest film to reach the $200 million and $300 million marks, surpassing Independence Day (1996) and Titanic (1997) respectively.[158] The Phantom Menace was 1999's most successful film, staying in the Top 10 until August 5th (11 weeks total), earning $431.1 million in North America and $493.2 million in other territories, taking $924.3 million worldwide.[158] Box Office Mojo estimates that the film sold over 84.8 million tickets in the US in its initial theatrical run.[159] At that time, the film was the third highest-grossing film in North America behind Titanic and Star Wars (1977), and the second highest-grossing film worldwide behind Titanic without adjusting for inflation of ticket prices. When adjusted for ticket price inflation, it ranked as the 19th-highest-grossing film domestically, making it the fourth Star Wars film to be in the Inflation-Adjusted Top 20. Outside North America, the film grossed over $10 million in Australia ($25.9 million), Brazil ($10.4 million), France and Algeria ($43 million), Germany ($53.9 million), Italy ($12.9 million), Japan ($109.9 million), Mexico ($12 million), Spain ($25 million), and the United Kingdom and Ireland ($81.9 million).[160]

text: After its 3D re-release in 2012, the worldwide box office gross exceeded $1 billion.[161] Although in the intervening years, the film had lost some of its rankings in the lists of highest-grossing films, the 3D re-release returned it to the worldwide all-time Top 10 for several months.[162] In North America, its revenues overtook those of the original Star Wars as the saga's highest-grossing film when not adjusting for inflation of ticket prices, and is the tenth highest-grossing film in North America as of August 2017[update].[163] In North America, its ranking on the Adjusted for Ticket Price Inflation list climbed to 16th place—one place behind Return of the Jedi.[164] The 3D re-release, which premiered in February 2012, earned $43 million—$22.5 million of which was in North America—worldwide.[165] The 3D re-release earned US$102,727,119 worldwide—including $43.5 million in North America—and has increased the film's overall box office takings to $474.5 million domestically, and $552.5 million in other territories.[166] The film's earnings exceeded $1 billion worldwide on February 22, 2012, making it the first Star Wars film and the 11th film in history—excluding inflation—to do so.[161][166]

text: Accolades[edit]

text: The Phantom Menace was nominated for three Academy Awards: Best Sound Editing, Best Visual Effects, and Best Sound Mixing (Gary Rydstrom, Tom Johnson, Shawn Murphy, and John Midgley); all of which went to The Matrix.[167][168] The film won Saturn Awards for Best Costumes and Best Special Effects,[169] the MTV Movie Award for Best Action Scene,[170] and a Young Artist Award for Jake Lloyd's performance.[171] It was also nominated for—among others—the BAFTAs for Visual Effects and Sound,[172] and the Grammy Award for Best Score Soundtrack for Visual Media.[173] The film did however receive seven Golden Raspberry Award (Razzie) nominations for Worst Picture, Worst Director, Worst Screenplay, Worst Supporting Actor (Jake Lloyd as Anakin), Worst Supporting Actress (Sofia Coppola as Saché), Worst Screen Couple (Jake Lloyd and Natalie Portman), and Jar Jar Binks actor Ahmed Best won the Worst Supporting Actor category.[174]

text: Sequels[edit]

text: A sequel, Attack of the Clones, was released in 2002.[175] A second sequel, Revenge of the Sith, was released in 2005.[176] The story continues a decade later with Anakin Skywalker now grown to adulthood with the character now played by Hayden Christensen.[177][178]


document_title: FIFA World Cup awards

question_text: who won golden shoes in fifa world cup

question_tokens: who won golden shoes in fifa world cup

root

text: FIFA World Cup awards

text: Awards

text: There are currently five post-tournament awards, and one given during the tournament:[1]

tag: p

text:
the Golden Ball (currently commercially termed "adidas Golden Ball") for best player, first awarded in 1982;
the Golden Boot (currently commercially termed "adidas Golden Boot", previously known as the "adidas Golden Shoe" from 1982 to 2006) for top goal scorer, first awarded in 1982;
the Golden Glove Award (currently commercially termed "adidas Golden Glove"; previously known as the "Lev Yashin Award" from 1994 to 2006) for best goalkeeper, first awarded in 1994;
the Best Young Player (currently commercially termed as "Hyundai Best Young Player") award for best player under 21 years of age at the start of the calendar year, first awarded in 2006;
the FIFA Fair Play Trophy for the team that advanced to the second round with the best record of fair play, first awarded in 1970;
the Man of the Match Award (currently commercially termed as "Budweiser Man of the Match") for outstanding performance during each game of the tournament, first awarded in 2002.

text: Two other awards were given between 1994 and 2006:[2]

text:
The Most Entertaining Team award for the team that has entertained the public the most, during the World Cup final tournament, as determined by a poll of the general public;
An All-Star Team comprising the best players of the tournament chosen  by the technical study group.

text: Golden Ball

text: The Golden Ball award is presented to the best player at each FIFA World Cup finals, with a shortlist drawn up by the FIFA technical committee and the winner voted for by representatives of the media. Those who finish as runners-up in the vote receive the Silver Ball and Bronze Ball awards as the second and third most outstanding players in the tournament respectively. The current award was introduced in the 1982 FIFA World Cup, sponsored by Adidas and France Football, though fifa.com also lists in their player articles as "golden ball winners" Kempes, Cruyff, Pelé, Bobby Charlton, Garrincha and Didi for 1978, 1974, 1970, 1966, 1962 and 1958 respectively.[3] Barcelona is the only club whose players have won the Golden Ball a record 3 times (Johan Cruyff in 1974, Romário in 1994, Lionel Messi in 2014).[4]

text:
Golden Ball[5]

World Cup

Golden Ball

Silver Ball

Bronze Ball

1930 Uruguay

 José Nasazzi

 Guillermo Stábile

 José Leandro Andrade

1934 Italy

 Giuseppe Meazza

 Matthias Sindelar

 Oldřich Nejedlý

1938 France

 Leônidas

 Silvio Piola

 György Sárosi

1950 Brazil

 Zizinho

 Juan Alberto Schiaffino

 Ademir

1954 Switzerland

 Ferenc Puskás

 Sándor Kocsis

 Fritz Walter

1958 Sweden

 Didi

 Pelé

 Just Fontaine

1962 Chile

 Garrincha

 Josef Masopust

 Leonel Sánchez

1966 England

 Bobby Charlton

 Bobby Moore

 Eusébio

1970 Mexico

 Pelé

 Gérson

 Gerd Müller

1974 West Germany

 Johan Cruyff

 Franz Beckenbauer

 Kazimierz Deyna

1978 Argentina

 Mario Kempes

 Paolo Rossi

 Dirceu

1982 Spain

 Paolo Rossi

 Falcão

 Karl-Heinz Rummenigge

1986 Mexico

 Diego Maradona

 Harald Schumacher

 Preben Elkjær Larsen

1990 Italy

 Salvatore Schillaci

 Lothar Matthäus

 Diego Maradona

1994 United States

 Romario

 Roberto Baggio

 Hristo Stoichkov

1998 France

 Ronaldo

 Davor Šuker

 Lilian Thuram

2002 Korea/Japan

 Oliver Kahn

 Ronaldo

 Hong Myung-bo

2006 Germany

 Zinedine Zidane

 Fabio Cannavaro

 Andrea Pirlo

2010 South Africa

 Diego Forlán

 Wesley Sneijder

 David Villa

2014 Brazil

 Lionel Messi

 Thomas Müller

 Arjen Robben

2018 Russia

 Luka Modrić

 Eden Hazard

 Antoine Griezmann

tag: table

text: Golden Boot

text: The Golden Boot or Golden Shoe Award goes to the top goalscorer of the FIFA World Cup. While every World Cup had a ranking of the goalscorers, the first time an award was given was in 1982,[6] under the name Golden Shoe.[3] It was rechristened Golden Boot in 2010.[7] FIFA sometimes lists the top goalscorers of previous Cups among the Golden Boot winners.[8]

text: If there is more than one player with the same number of goals, since 1994 the tie-breaker goes to the player without a penalty goal, if none has a penalty then the tie breaker goes to the person with more assists - with the FIFA Technical Study Group deciding whether an assist is to be counted as such.[9][10] If there is still more than one player, the tie-breaker since 2006 goes to the player who has played the least amount of time, which translates to a higher goal average.[11]

text:
Top Goalscorer[12][13]

World Cup

Top goalscorer

Goals

Runners-up

Goals

Third place

Goals

1930 Uruguay

 Guillermo Stábile

8

 Pedro Cea

5

 Bert Patenaude

4

1934 Italy

 Oldřich Nejedlý

5[a]

 Edmund Conen Angelo Schiavio

4

None

—

1938 France

 Leônidas

7[b]

 György Sárosi Gyula Zsengellér Silvio Piola

5

1950 Brazil

 Ademir

8[c]

 Óscar Míguez

 Alcides Ghiggia Chico Estanislau Basora Telmo Zarra

4

1954 Switzerland

 Sándor Kocsis

11

 Josef Hügi Max Morlock Erich Probst

6

None

—

1958 Sweden

 Just Fontaine

13

 Pelé Helmut Rahn

1962 Chile

 Flórián Albert Valentin Ivanov Garrincha Vavá Dražan Jerković Leonel Sánchez

4

None

—

1966 England

 Eusébio

9

 Helmut Haller

6

 Valeriy Porkujan Geoff Hurst Ferenc Bene Franz Beckenbauer

4

1970 Mexico

 Gerd Müller

10

 Jairzinho

7

 Teófilo Cubillas

5

1974 West Germany

 Grzegorz Lato

7

 Andrzej Szarmach Johan Neeskens

5

None

1978 Argentina[17]

 Mario Kempes

6

 Teófilo Cubillas

 Rob Rensenbrink

5

Golden Shoe[8]

World Cup

Golden Shoe

Goals

Silver Shoe

Goals

Bronze Shoe

Goals

1982 Spain

 Paolo Rossi

6

 Karl-Heinz Rummenigge

5

 Zico

4

1986 Mexico

 Gary Lineker

 Emilio Butragueño Careca Diego Maradona

None[18]

1990 Italy

 Salvatore Schillaci

 Tomáš Skuhravý

 Roger Milla  Gary Lineker

4

1994 United States

 Oleg Salenko[d] Hristo Stoichkov[e]

None

—

 Kennet Andersson Romário

5[f]

1998 France[20]

 Davor Šuker

 Gabriel Batistuta Christian Vieri

5

None[g]

2002 South Korea/Japan[21]

 Ronaldo

8[h]

 Miroslav Klose Rivaldo

2006 Germany[23]

 Miroslav Klose

5

 Hernán Crespo

3[i]

 Ronaldo

3[i]

Golden Boot[8]

World Cup

Golden Boot

Goals

Silver Boot

Goals

Bronze Boot

Goals

2010 South Africa

 Thomas Müller

5[j]

 David Villa

5[j]

 Wesley Sneijder

5[j]

2014 Brazil

 James Rodríguez

6

 Thomas Müller

5

 Neymar

4[k]

2018 Russia

 Harry Kane

 Antoine Griezmann

4[l]

 Romelu Lukaku

4[l]

Notes

Jump up ^ FIFA initially credited Nejedlý with only four goals, which would make him joint top scorer with Angelo Schiavio of Italy and Edmund Conen of Germany. However, FIFA changed it to five goals in November 2006, making Nejedlý the outright top scorer.[14]

Jump up ^ FIFA initially credited Leônidas with eight goals. However, in November 2006, FIFA confirmed that in the quarter-final tie against Czechoslovakia, he had scored once, not twice as FIFA had originally recorded, meaning he had scored only seven goals in total.[14]

Jump up ^ There was controversy regarding the number of goals Brazilian Ademir had scored in 1950, as a result of incomplete data concerning the Final Round game Brazil vs. Spain (6–1). The 5–0 goal had been credited to Jair, but is now credited to Ademir.[15][16]

Jump up ^ Salenko is the only player to win the award playing for a team that were eliminated in the group stages. His six goals are the only international goals he ever scored.

Jump up ^ Despite the assist tiebreaker, Salenko and Stoichkov remained tied with 6 goals and one assist each, and both received the Golden Shoe.[9]

Jump up ^ Romário and Andersson surpassed the other two players with five goals (Jürgen Klinsmann and Roberto Baggio) by having three assists each.[9][19]

Jump up ^ Both runners-up had the same number of assists, and each received the Silver Shoe.

Jump up ^ During the tournament, after the group stage match against Costa Rica, Ronaldo logged a protest against the crediting of a goal as an own goal, and FIFA granted him the change.[22]

^ Jump up to: a b Eight players had scored three goals. Ronaldo, Crespo and Zinedine Zidane stood out for having one assist, and then the two recipients were determined by less playtime (308 minutes for Crespo, 411 for Ronaldo, 559 for Zidane).[24]

^ Jump up to: a b c Müller, Villa, Sneijder and Diego Forlán tied with five goals. Müller won by virtue of having more assists (3) than the rest (each had one). Villa won the Silver Boot due to playing fewer minutes than Sneijder, and Sneijder won the Bronze Boot due to having played fewer minutes than Forlán.[25]

Jump up ^ Neymar, Lionel Messi and Robin van Persie all had four goals in the tournament. Neymar received the Bronze Boot for playing fewer minutes than his competitors (480; Messi played 693 minutes, and Van Persie, 548).[26]

^ Jump up to: a b Griezmann, Lukaku, Denis Cheryshev, Cristiano Ronaldo and Kylian Mbappé tied with 4 goals. Griezmann won the Silver Boot by virtue of having more assists (2) than the rest (Lukaku had one, the rest had zero). Lukaku won the Bronze Boot due to having more assists (one) than Cheryshev, Ronaldo or Mbappé (zero).[27]

text: Golden Glove

text: The Golden Glove Award is awarded to the best goalkeeper of the tournament. The award was introduced with the name Lev Yashin Award in 1994, in honor of the late Soviet goalkeeper.[6] The FIFA Technical Study Group recognises the top goalkeeper of the tournament based on the player's performance throughout the final competition. Although goalkeepers have this specific award for their position, they are still eligible for the Golden Ball as well, as when Oliver Kahn was awarded in 2002. Although the Golden Glove Award was first awarded in 1994, every All-Star Team in World Cups prior to 1998 except 1990 included only one goalkeeper. In the event of a tie, the Golden Glove Award goes to the goalkeeper who progressed furthest in the competition. The next tiebreakers are saves made, then minutes played.

text:
World Cup

Golden Glove

1930 Uruguay

 Enrique Ballestrero

1934 Italy

 Ricardo Zamora

1938 France

 František Plánička

1950 Brazil

 Roque Máspoli

1954 Switzerland

 Gyula Grosics

1958 Sweden

 Harry Gregg

1962 Chile

 Viliam Schrojf

1966 England

 Gordon Banks

1970 Mexico

 Ladislao Mazurkiewicz

1974 West Germany

 Sepp Maier

1978 Argentina

 Ubaldo Fillol

1982 Spain

 Dino Zoff

1986 Mexico

 Jean-Marie Pfaff

1990 Italy

 Luis Gabelo Conejo Sergio Goycochea

1994 United States

 Michel Preud'homme

1998 France

 Fabien Barthez

2002 Korea/Japan

 Oliver Kahn

2006 Germany

 Gianluigi Buffon

2010 South Africa

 Iker Casillas

2014 Brazil

 Manuel Neuer

2018 Russia

 Thibaut Courtois

text: Best Young Player Award

text: The Best Young Player award was awarded for the first time at the 2006 World Cup in Germany and given to Germany's Lukas Podolski.[28] The award is given to the best player in the tournament who is at most 21 years old.  For the 2018 World Cup, this meant that the player had to have been born on or after 1 January 1997. The election took place on FIFA's official World Cup website with the help of The FIFA Technical Study Group.[29]

text: FIFA organised a survey on the Internet for users to choose the "best young player" of the World Cup, between 1958 and 2002, named the best young player of each tournament.[30] With 61% of the overall vote, the winner was Pelé, who finished ahead of the Peruvian Teófilo Cubillas, the best young player at Mexico 1970, and England's Michael Owen, who reached similar heights at France 98.[31]

text:
YPA[32]

World Cup

Best Young Player

Age

1958 Sweden

 Pelé

17

1962 Chile

 Flórián Albert

20

1966 England

 Franz Beckenbauer

20

1970 Mexico

 Teófilo Cubillas

21

1974 West Germany

 Władysław Żmuda

20

1978 Argentina

 Antonio Cabrini

1982 Spain

 Manuel Amoros

21

1986 Mexico

 Enzo Scifo

20

1990 Italy

 Robert Prosinečki

21

1994 United States

 Marc Overmars

1998 France

 Michael Owen

18

2002 Korea/Japan

 Landon Donovan

20

2006 Germany

 Lukas Podolski[28]

21

2010 South Africa

 Thomas Müller[33]

20

2014 Brazil

 Paul Pogba[34]

21

2018 Russia

 Kylian Mbappé[35]

19

text: FIFA Fair Play Trophy

text: The FIFA Fair Play Trophy is given to the team with the best record of fair play during the World Cup final tournament since 1970. Only teams that qualified for the second round are considered. The winners of this award earn the FIFA Fair Play Trophy, a diploma, a fair play medal for each player and official, and $50,000 worth of football equipment to be used for youth development.[36]

text: The appearance of the award was originally a certificate. From 1982 to 1990, it had been a golden trophy based on Sport Billy, a football-playing cartoon character from 1982 who became an icon for FIFA Fair play.[37][38] Ever since 1994, it is simply a trophy with an elegant footballer figure.[39] Peru was the first nation to win the award after receiving no yellow or red cards in the 1970 FIFA World Cup held in Mexico.[40]

text:
World Cup

FIFA Fair Play Trophy Winners

1970 Mexico

 Peru

1974 West Germany

 West Germany

1978 Argentina

 Argentina

1982 Spain

 Brazil

1986 Mexico

 Brazil

1990 Italy

 England

1994 United States

 Brazil

1998 France

 England France

2002 Korea/Japan

 Belgium

2006 Germany

 Brazil Spain

2010 South Africa

 Spain

2014 Brazil

 Colombia

2018 Russia

 Spain

text: Man of the Match

text: The Man of the Match award picks the outstanding player in every game of the tournament since 2002. While the inaugural two editions were chosen by the technical group,[41][42] the Man of the Match is since 2010 picked by an online poll on FIFA's website.[43][44]

text:
World Cup

Most Man of the Match wins

Wins

2002 South Korea/Japan

 Rivaldo

3

2006 Germany

 Andrea Pirlo

3

2010 South Africa

 Wesley Sneijder

4

2014 Brazil

 Lionel Messi

4

2018 Russia

 Antoine Griezmann Eden Hazard Harry Kane Luka Modrić

3

text: Total awardsAs of 15 July 2018

text:
Rank

Player

Country

MoM

WC with awards

1

Arjen Robben
 Netherlands
6
2006, 2010, 2014

Cristiano Ronaldo
 Portugal
2010, 2014, 2018

Lionel Messi
 Argentina
2010, 2014, 2018

4

Luis Suárez
 Uruguay
5
2010, 2014, 2018

5

Eden Hazard
 Belgium
4
2014, 2018

Keisuke Honda
 Japan
2010, 2014

James Rodríguez
 Colombia
2014, 2018

Miroslav Klose
 Germany
2002, 2006

Park Ji-sung
 South Korea
2002, 2006, 2010

Thomas Müller
 Germany
2010, 2014

Wesley Sneijder
 Netherlands
2010

text: By CountryAs of 15 July 2018

text:
Rank

Country

MoM

Players

1

 Brazil
22
14

 Germany
12

3

 France
17
11

4

 Spain
16
10

5

 Argentina
15
8

6

 England
14
12

7

 Mexico
12
10

 Netherlands
3

9

 South Korea
11
7

 Portugal
6

 United States
7

text: Most Entertaining Team

text: The FIFA Award for the Most Entertaining Team is a subjectively awarded prize for the team that had done the most to entertain the public with a positive approach to the game, organised through public participation in a poll[6] starting in 1994.[7]

text:
World Cup

Most Entertaining Team Award

1994 United States

 Brazil[23]

1998 France

 France[23]

2002 Korea/Japan

 South Korea[45]

2006 Germany

 Portugal[46]

2010 South Africa

 Germany[47]

2014 Brazil

 Colombia[48]

text: All-Star Team

text: The All-Star Team is a team of the best performers at the respective World Cup finals. The ways in which the FIFA All-Star team members have been chosen has varied from year to year.  A technical study group consisting of journalists - mostly from Europe and South America - and experts has historically chosen the team.[49] However, in 1994 FIFA decided to add an official squad, chosen by the FIFA technical group and under the brand name MasterCard All-Star Team.[50] For 1998, 2002 and 2006, substitute and reserve members were also nominated for full 22 and 23-player squads. The All-Star team wound up dropped prior to the 2010 tournament - coincidentally, three years after FIFA changed its sponsorship from MasterCard to Visa.[51]

text:
All Star Team

World Cup

Goalkeepers

Defenders

Midfielders

Forwards

1930 Uruguay

 Enrique Ballestrero

 José Nasazzi
 Milutin Ivković

 Luis Monti
 Álvaro Gestido
 José Leandro Andrade

 Pedro Cea
 Héctor Castro
 Héctor Scarone
 Guillermo Stábile
 Bert Patenaude

1934 Italy

 Ricardo Zamora

 Jacinto Quincoces
 Eraldo Monzeglio

 Luis Monti
 Attilio Ferraris
 Leonardo Cilaurren

 Giuseppe Meazza
 Raimundo Orsi
 Enrique Guaita
 Matthias Sindelar
 Oldřich Nejedlý

1938 France

 František Plánička

 Pietro Rava
 Alfredo Foni
 Domingos da Guia

 Michele Andreolo
 Ugo Locatelli

 Silvio Piola
 Gino Colaussi
 György Sárosi
 Gyula Zsengellér
 Leônidas

1950 Brazil

 Roque Máspoli

 Erik Nilsson
 José Parra
 Víctor Rodríguez Andrade

 Obdulio Varela
 Bauer
 Alcides Ghiggia
 Jair

 Zizinho
 Ademir
 Juan Alberto Schiaffino

1954 Switzerland

 Gyula Grosics

 Ernst Ocwirk
 Djalma Santos
 José Santamaría

 Fritz Walter
 József Bozsik
 Nándor Hidegkuti
 Zoltán Czibor

 Helmut Rahn
 Ferenc Puskás
 Sándor Kocsis

1958 Sweden

 Harry Gregg

 Djalma Santos
 Bellini
 Nílton Santos

 Danny Blanchflower
 Didi
 Gunnar Gren
 Raymond Kopa

 Pelé
 Garrincha
 Just Fontaine

1962 Chile

 Viliam Schrojf

 Djalma Santos
 Cesare Maldini
 Valery Voronin
 Karl-Heinz Schnellinger

 Mário Zagallo
 Zito
 Josef Masopust

 Vavá
 Garrincha
 Leonel Sánchez

1966 England

 Gordon Banks

 George Cohen
 Bobby Moore
 Vicente
 Silvio Marzolini

 Franz Beckenbauer
 Mário Coluna
 Bobby Charlton

 Flórián Albert
 Uwe Seeler
 Eusébio

1970 Mexico

 Ladislao Mazurkiewicz

 Carlos Alberto
 Atilio Ancheta
 Franz Beckenbauer
 Giacinto Facchetti

 Gérson
 Rivellino
 Bobby Charlton

 Pelé
 Gerd Müller
 Jairzinho

1974 West Germany

 Sepp Maier

 Ruud Krol
 Paul Breitner
 Elias Figueroa[52]
 Franz Beckenbauer
 Berti Vogts

 Wolfgang Overath
 Kazimierz Deyna
 Johan Neeskens

 Rob Rensenbrink
 Johan Cruyff
 Grzegorz Lato

1978 Argentina

 Ubaldo Fillol

 Berti Vogts
 Ruud Krol
 Daniel Passarella
 Alberto Tarantini

 Dirceu
 Teófilo Cubillas
 Rob Rensenbrink

 Roberto Bettega
 Paolo Rossi
 Mario Kempes

1982 Spain

 Dino Zoff

 Luizinho
 Júnior
 Claudio Gentile
 Fulvio Collovati

 Zbigniew Boniek
 Falcão
 Michel Platini
 Zico

 Paolo Rossi
 Karl-Heinz Rummenigge

1986 Mexico

 Jean-Marie Pfaff

 Josimar
 Manuel Amoros
 Júlio César

 Jan Ceulemans
 Jean Tigana
 Michel Platini
 Diego Maradona

 Preben Elkjær Larsen
 Emilio Butragueño
 Gary Lineker

1990 Italy

 Sergio Goycochea
 Luis Gabelo Conejo

 Andreas Brehme
 Paolo Maldini
 Franco Baresi

 Diego Maradona
 Lothar Matthäus
 Dragan Stojković
 Paul Gascoigne

 Salvatore Schillaci
 Roger Milla
 Jürgen Klinsmann

text:
MasterCard All Star Team

World Cup

Goalkeepers

Defenders

Midfielders

Forwards

1994 United States[50]

 Michel Preud'homme

 Jorginho
 Márcio Santos
 Paolo Maldini

 Dunga
 Krasimir Balakov
 Gheorghe Hagi
 Tomas Brolin

 Romário
 Hristo Stoichkov
 Roberto Baggio

1998 France[53](1)

 Fabien Barthez
 José Luis Chilavert

 Roberto Carlos
 Marcel Desailly
 Lilian Thuram
 Frank de Boer
 Carlos Gamarra

 Dunga
 Rivaldo
 Michael Laudrup
 Zinedine Zidane
 Edgar Davids

 Ronaldo
 Davor Šuker
 Brian Laudrup
 Dennis Bergkamp

2002 Korea/Japan[54](2)

 Oliver Kahn
 Rüştü Reçber

 Roberto Carlos
 Sol Campbell
 Fernando Hierro
 Hong Myung-bo
 Alpay Özalan

 Rivaldo
 Ronaldinho
 Michael Ballack
 Claudio Reyna
 Yoo Sang-chul

 Ronaldo
 Miroslav Klose
 El Hadji Diouf
 Hasan Şaş

2006 Germany[55]

 Gianluigi Buffon
 Jens Lehmann
 Ricardo

 Roberto Ayala
 John Terry
 Lilian Thuram
 Philipp Lahm
 Fabio Cannavaro
 Gianluca Zambrotta
 Ricardo Carvalho

 Zé Roberto
 Patrick Vieira
 Zinedine Zidane
 Michael Ballack
 Andrea Pirlo
 Gennaro Gattuso
 Luís Figo
 Maniche

 Hernán Crespo
 Thierry Henry
 Miroslav Klose
 Luca Toni
 Francesco Totti

text: 1 In addition to the 16 of the All-Star Team, 6 reserves were listed:  Edwin van der Sar,  Juan Sebastián Verón,  Thierry Henry,  Jay-Jay Okocha,  Michael Owen, and  Christian Vieri.[53]

text: 2 Again there were seven reserves:  Iker Casillas,  Cafu,  Dietmar Hamann,  Joaquín,  Hidetoshi Nakata,  Landon Donovan, and  Marc Wilmots.[54]

text: In 2010, an equivalent of the All Star Team was an online poll to FIFA.com Club members named "Dream Team", sponsored by Yingli.[56] The Dream Team poll returned the following edition sponsored by Oi,[57] and again in 2018 sponsored by Hisense.[58]

text:
Dream Team

World Cup

Goalkeepers

Defenders

Midfielders

Forwards

Manager

2010 South Africa[56]

 Iker Casillas

 Philipp Lahm  Sergio Ramos  Carles Puyol  Maicon

 Xavi  Bastian Schweinsteiger  Wesley Sneijder  Andrés Iniesta

 David Villa  Diego Forlán

 Vicente del Bosque

2014 Brazil[57]

 Manuel Neuer

 Marcelo Mats Hummels Thiago Silva David Luiz

 Ángel Di María Toni Kroos James Rodríguez

 Lionel Messi Thomas Müller Neymar

 Joachim Löw

2018 Russia[59]

 Thibaut Courtois

 Raphaël Varane  Thiago Silva  Diego Godín  Marcelo

 Luka Modrić  Philippe Coutinho  Kevin De Bruyne

 Kylian Mbappé  Harry Kane  Cristiano Ronaldo

text: While FIFA did not release an official list for 2014, official sponsor Castrol published a team of the tournament based on their Castrol Performance Index, which evaluates players' performances through statistical data.[60]

text:
Castrol Index Top 11

World Cup

Goalkeepers

Defenders

Midfielders

Forwards

2014 Brazil[60]

 Manuel Neuer

 Marcos Rojo Mats Hummels Thiago Silva Stefan de Vrij

 Oscar Toni Kroos Philipp Lahm James Rodríguez

 Arjen Robben Thomas Müller

text:
Fantasy McDonald’s Overall XI

World Cup

Goalkeepers

Defenders

Midfielders

Forwards

2018 Russia[61]

 Thibaut Courtois

 Andreas Granqvist Raphaël Varane Thiago Silva Yerry Mina

 Denis Cheryshev Philippe Coutinho Luka Modrić

 Harry Kane Eden Hazard Antoine Griezmann

text:
Only two players have been named in three separate All-Star teams whose selection only included the starting eleven: Djalma Santos in 1954, 1958 and 1962, Franz Beckenbauer in 1966, 1970 and 1974. Philipp Lahm also achieved it in 2006, 2010 and 2014. However, the 2006 edition listed 23 players and 2014 had two All-Star team listed. Lahm's name has only been in one of these.
21 players have been named in two separate All-Star teams: Luis Monti (1930 and 1934; representing Argentina and Italy respectively); Garrincha (1958 and 1962); Pelé (1958 and 1970); Bobby Charlton (1966 and 1970); Ruud Krol and Rob Rensenbrink (1974 and 1978); Berti Vogts (1974 and 1978); Paolo Rossi (1978 and 1982); Michel Platini (1982 and 1986); Diego Maradona (1986 and 1990); Paolo Maldini (1990 and 1994); Dunga (1994 and 1998); Roberto Carlos, Rivaldo, and Ronaldo (1998 and 2002); Lilian Thuram and Zinedine Zidane (1998 and 2006); Michael Ballack and Miroslav Klose (2002 and 2006); Marcelo and Thiago Silva (2014 and 2018).
Pelé hold the record of the longest time between being named in two separate All-Star teams by 12 years apart (1958 and 1970).
Uruguay in 1930 and 1950,  Spain in 2010 and Germany in 2014 are the only teams to have had a player in every position on the All-Star Team. Germany and Italy achieved it in 2006, however, the 2006 edition listed 23 players.
Uruguay in 1930 and Italy in 2006 have the most players selected in the All-Star Team with 7 players each. However, the 1930 selection only had 11 players overall, while the 2006 selection had 23.
37 different Brazilian players have been named in All-Star teams, Brazil is also the nation with most nominations with 44 nominees in every position except goalkeeper.
Only two Asian players have been named in All-Star teams, Hong Myung-bo and Yoo Sang-chul of South Korea. Another Asian player Hidetoshi Nakata has been named in reserves. All three players were selected in 2002.
Similarly, only two African players have been named in All-Star teams, Roger Milla from Cameroon in 1990 and El Hadji Diouf from Senegal in 2002.
Only one player on the victorious 1986 Argentina team, Diego Maradona, was selected in that year's All-Star team.
Uniquely, brothers Brian Laudrup and Michael Laudrup were both selected for the All Star Team from Denmark in 1998.
Similarly, Cesare Maldini and Paolo Maldini are the only father and son players that were both selected for the All Star Team from Italy, in 1962 and 1990, 1994 respectively.
Uniquely, Argentinian compatriots Diego Maradona (1979 and 1986) and Lionel Messi (2005 and 2014) are the only players that won the Golden Ball award at both FIFA World Cup and FIFA World Youth Championship.

text: Goal of the Tournament

text:
World Cup

Player

Scored against

Source

2006 Germany

 Maxi Rodríguez

 Mexico

[62]

2010 South Africa

 Diego Forlan

 Germany

2014 Brazil

 James Rodriguez

 Uruguay

2018 Russia

 Benjamin Pavard

 Argentina