document_title: Fair Debt Collection Practices Act

question_text: fair debt collection practices act debt collector definition

text: Fair Debt Collection Practices Act

text: People and entities covered by the FDCPA[edit]

text: The FDCPA broadly defines a debt collector as "any person who uses any instrumentality of interstate commerce or the mails in any business the principal purpose of which is the collection of any debts, or who regularly collects or attempts to collect, directly or indirectly, debts owed or due or asserted to be owed or due another."[5] While the FDCPA generally applies only to third party debt collectors—not internal collectors for an "original creditor"—some states, such as California,[6] have similar state consumer protection laws which mirror the FDCPA, and regulate original creditors. In addition, some federal courts have ruled that a collector of debt is not a "creditor" but is rather a "debt collector" under the FDCPA where the collector of debt buys defaulted debt from an original creditor for the purpose of debt collection.[7][8][9] The definitions and coverage have changed over time. The FDCPA itself contains numerous exceptions to the definition of a "debt collector," particularly after the October 13, 2006, passage of the Financial Services Regulatory Relief Act of 2006. Attorneys, originally explicitly exempted from the definition of a debt collector, have been included (to the extent that they otherwise meet the definition) since 1986.

text: The FDCPA's definitions of "consumers" and "debt" specifically restricts the coverage of the act to personal, family or household transactions.[10] Thus, debts owed by businesses (or by individuals for business purposes) are not subject to the FDCPA.

text: In the federal tax case of Smith v. United States, the United States Court of Appeals for the Fifth Circuit stated that the taxpayer's: ". . . . invocation of the Fair Debt Collection Act is entirely without merit, as the statute expressly excludes 'any officer or employee of the United States . . . to the extent that collecting or attempting to collect any debt is in the performance of his official duties' from the definition of 'debt collector.' 15 U.S.C. section 1692a(6)(C)."[11] In 1998, however, Congress amended the Internal Revenue Code by adding a new section 6304, "Fair Tax Collection Practices," which refers to and includes certain rules that are similar to some provisions of the Fair Debt Collection Practices Act.[12]

text: In Henson v. Santander Consumer USA Inc. the Supreme Court excluded collection companies that purchase consumer debt from the FDCPA when it unanimously held that a company may collect debts that it purchased for its own account without triggering the statutory definition of a "debt collector" under the Fair Debt Collection Practices Act.[13]

text: Prohibited conduct[edit]

text: The Act prohibits certain types of "abusive and deceptive" conduct when attempting to collect debts,[2] including the following:

text:
Hours for phone contact: contacting consumers by telephone outside of the hours of 8:00 a.m. to 9:00 p.m. local time. Additionally, if certain hours are inconvenient for consumers during the allowable time (those who work at night and sleep during the day) they may not be contacted during those times.[14]
Failure to cease communication upon request: communicating with consumers in any way (other than litigation) after receiving written notice that said consumer wishes no further communication or refuses to pay the alleged debt, with certain exceptions, including advising that collection efforts are being terminated or that the collector intends to file a lawsuit or pursue other remedies where permitted[15]
Causing a telephone to ring or engaging any person in telephone conversation repeatedly or continuously: with intent to annoy, abuse, or harass any person at the called number.[16]
Communicating with consumers at their place of employment after having been advised that this is unacceptable or prohibited by the employer[17]
Contacting consumer known to be represented by an attorney[18]
Communicating with consumer after request for validation has been made: communicating with the consumer or the pursuing collection efforts by the debt collector after receipt of a consumer's written request for verification of a debt made within the 30-day validation period (or for the name and address of the original creditor on a debt) and before the debt collector mails the consumer the requested verification or original creditor's name and address[19]
Misrepresentation or deceit: misrepresenting the debt or using deception to collect the debt, including a debt collector's misrepresentation that he or she is an attorney or law enforcement officer[20]
Publishing the consumer's name or address on a "bad debt" list[21]
Seeking unjustified amounts, which would include demanding any amounts not permitted under an applicable contract or as provided under applicable law[22]
Threatening arrest or legal action that is either not permitted or not actually contemplated[20]
Abusive or profane language used in the course of communication related to the debt[16]
Communication with third parties: revealing or discussing the nature of debts with third parties (other than the consumer's spouse or attorney)[23] (Collection agencies are allowed to contact neighbors or co-workers but only to obtain location information;[24] disreputable agencies often harass debtors with a "block party" or "office party" where they contact multiple neighbors or co-workers telling them they need to reach the debtor on an urgent matter.[25])
Contact by embarrassing media, such as communicating with a consumer regarding a debt by post card, or using any language or symbol, other than the debt collector’s address, on any envelope when communicating with a consumer by use of mail or by telegram, except that a debt collector may use his business name if such name does not indicate that he is in the debt collection business[26][27]
Reporting false information on a consumer's credit report or threatening to do so in the process of collection[28]

text: Required conduct[edit]

text: The Act requires debt collectors to do the following (among other requirements):

text:
Identify themselves and notify the consumer, in every communication, that the communication is from a debt collector, and in the initial communication that any information obtained will be used to effect collection of the debt[29]
Give the name and address of the original creditor (company to which the debt was originally payable) upon the consumer's written request made within 30 days of receipt of the §1692g notice;[19]
Notify the consumer of their right to dispute the debt (Section 809), in part or in full, with the debt collector. The 30-day "§1692g" notice is required to be sent by debt collectors within five days of the initial communication with the consumer, though in 2006 the definition of "initial communication" was amended to exclude "a formal pleading in a civil action" for purposes of triggering the §1692g notice,[30] complicating the matter where the debt collector is an attorney or law firm. The consumer's receipt of this notice starts the clock running on the 30-day right to demand verification of the debt from the debt collector.[19]
Provide verification of the debt[31] If a consumer sends a written dispute or request for verification within 30 days of receiving the §1692g notice, then the debt collector must either mail the consumer the requested verification information or cease collection efforts altogether. Such asserted disputes must also be reported by the creditor to any credit bureau that reports the debt. Verification should include at a minimum the amount owed and the name and address of the original creditor.[19]
File a lawsuit in a proper venue If a debt collector chooses to file a lawsuit, it may only be in a place where the consumer lives or signed the contract[32] Note, however, that this does not prevent the debt collector from being sued in other venues for violating the Act, such as when the consumer moves outside the venue and a letter demanding payment is forwarded to the new address, even if the debt collector is unaware of such a change in residence.[33]

text: Enforcement of the FDCPA[edit]

text: The Federal Trade Commission originally had the authority to administratively enforce the FDCPA using its powers under the Federal Trade Commission Act.[34] However, under the sweeping reforms of the 2010 Dodd-Frank Act, the FDCPA is enforced primarily by the Consumer Financial Protection Bureau.[35]

text: Aggrieved consumers may also file a private lawsuit in a state or federal court to collect damages (actual, statutory, attorney's fees, and court costs) from third-party debt collectors. The FDCPA is a strict liability law, which means that a consumer need not prove actual damages in order to claim statutory damages of up to $1,000 plus reasonable attorney fees if a debt collector is proven to have violated the FDCPA.[36] The collector may, however, escape penalty if it shows that the violation (or violations) was unintentional and the result of a "bona fide error" that occurred despite procedures designed to avoid the error at issue.[37][38]

text: Alternatively, if the consumer loses the lawsuit and the court determines that the consumer filed the case in bad faith and for the purposes of harassment, the court may then award attorney's fees to the debt collector.

text: Criticisms of the FDCPA[edit]

text: By consumer groups[edit]

text: Some consumer groups argue that the FDCPA does not go far enough, and does not provide sufficient deterrence against unscrupulous collection agencies. Consumer groups have complained that the maximum statutory damages contained in the original 1977 version of the law has not kept up with inflation; $1,000 in 1977 dollars is worth $4038 today.[39]

text: By the credit industry[edit]

text: Conversely, many in the credit industry and some courts have taken the stance that the FDCPA has often been used to file frivolous lawsuits and seek damages for minor technical violations and has, at times, seriously impeded their ability to collect valid debts.[40][41] Given the strict liability nature of the FDCPA, the collections industry and the insurance companies who provide liability coverage for them have repeatedly lobbied Congress to relax provisions of the law to reduce their civil exposure for these "hyper-technical" violations.[42]

text: The accounts receivable management industry has also raised concerns that the FDCPA contains contradictions that often lead to liability on the part of collection agencies in civil cases, especially when dealing with technology that did not exist when the law was written. For example, the FDCPA requires a collection agency to identify itself as such in any communication with a consumer. At the same time, a collection agency cannot disclose the debt of a consumer to anyone else. These two requirements are at odds when a collector leaves a message on an answering machine or voicemail system. If the collector identifies himself and his company, a third party could hear the message, thus resulting in a third party disclosure violation. Case law has tackled this issue but has not yet resolved it.[43]

text: Regulatory Agencies & the FDCPA[edit]

text: For its part, the Federal Trade Commission (FTC) produces an annual report to Congress of its findings with respect to its FDCPA enforcement activities. This report details consumer complaints to the FTC about alleged debt collector violations of the FDCPA. The 2013 report indicated that the FTC received 125,136 consumer complaints about third party debt collectors in 2012, which is an decrease from the 144,451 received in 2011.[44] The FTC receives more complaints about debt collectors than about any other specific industry, though the number of complaints represents a small percentage of the overall number of contacts by debt collectors with consumers.[45]

text: The FTC has authority to issue formal opinions regarding debt collectors' conduct under the FDCPA,[46] but the Dodd-Frank Wall Street Reform and Consumer Protection Act transfers authority for rule making to the new Consumer Financial Protection Bureau (CFPB) effective between January 21, 2011 and July 21, 2011. The FTC will retain FDCPA enforcement authority, but the CFPB will take over the FTC's advisory opinion function. Good faith conformity with a formal opinion of the FTC constitutes a second statutory defense under the FDCPA.[47] The FTC has only rarely exercised its authority to issue advisory opinions, however.[48] Prior to 2000, the FTC had not issued any advisory opinions regarding the FDCPA, it has issued only four such opinions through 2009.[48]


document_title: Physical Graffiti

question_text: where was the physical graffiti album cover shot

root

text: Physical Graffiti

text: Recording[edit]

text: The first attempt by Led Zeppelin to record songs for Physical Graffiti took place in November 1973 at Headley Grange in Hampshire, England, where they had previously recorded their untitled fourth album. The recording equipment consisted of Ronnie Lane's Mobile Studio. Guitarist and producer Jimmy Page and drummer John Bonham recorded an instrumental which was later reworked as "Kashmir" during this visit. However, these sessions came to a halt quickly and the studio time was turned over to Bad Company, who used it to record songs for their eponymous debut album.[2] The press reported that bassist / keyboardist John Paul Jones was ill and unable to record.[3] However, he became disillusioned with the group and fed up with touring, and told manager Peter Grant he was considering quitting.[a] Grant asked him to reconsider and take the rest of the year off to recuperate.[5]

tag: p

text: The group reconvened at Headley Grange in January and February 1974, where they recorded eight tracks engineered by Ron Nevison.[6] Lead singer Robert Plant later referred to these eight tracks as "the belters", including "off-the-wall stuff that turned out really nice".[7] As with previous sessions at Headley Grange, the informal atmosphere allowed the group to improvise and develop material while recording. Sometimes the group would rehearse or record a track several times, discuss what went wrong or what could be improved and then realised they had worked out an alternative arrangement for it which was better. Bonham was a driving force at the sessions, regularly suggesting ideas or the best ways that a complicated arrangement could be played successfully. This led to him getting a lead songwriting credit on several tracks.[8]

text: The eight songs extended beyond the length of a conventional album, spanning three sides of an LP, so the group decided to create a double album, adding material they had recorded for previous albums but never issued. This included various jam sessions such as "Boogie With Stu" which Page thought would be unsuitable as a track on a single album.[9] Additional overdubs were laid down and the final mixing of the album was performed in July 1974 by Keith Harwood at Olympic Studios, London. The title "Physical Graffiti" was coined by Page to illustrate the whole physical and written energy that had gone into producing the set.[10]

text: Songs[edit]

text: The album spanned several years of recording and covered a range of musical styles, including hard rock ("Custard Pie", "The Rover", "The Wanton Song", "Sick Again", "Houses of the Holy"), eastern-influenced orchestral rock ("Kashmir"), progressive rock ("In the Light"), driving funk ("Trampled Under Foot"), acoustic rock and roll ("Boogie with Stu", "Black Country Woman"), love ballad ("Ten Years Gone"), blues rock ("In My Time of Dying"), soft rock ("Down by the Seaside"), country rock romp ("Night Flight"), and acoustic guitar instrumental ("Bron-Yr-Aur").[11][12][13]

text: Several tracks from the album became live staples at Led Zeppelin concerts. In particular, "In My Time of Dying", "Trampled Under Foot", "Kashmir", "Ten Years Gone", "Black Country Woman", and "Sick Again" became regular components of the band's live concert set lists following the release of the album.[14][15]

text: Side one[edit]

text: "Custard Pie" was recorded at Headley Grange in early 1974. The first take was played at a faster tempo than the finished version, with various improvised vocals. After a basic run-through, the group then discussed possibilities for rearranging it.[8] Page played the guitar solo through an ARP synthesiser, while Jones overdubbed a Hohner Clavinet part and Plant played harmonica.[10]

text: "The Rover" was written in 1970 at Bron-Yr-Aur, a cottage near Machynlleth, Wales. It was first recorded at Headley Grange in May 1970 as an acoustic number for Led Zeppelin III. It was reworked as an electric number in 1972 for Houses of the Holy, which formed the basis for the backing track.[16] Page subsequently added guitar overdubs in 1974 with Keith Harwood engineering.[10][b]

text: "In My Time of Dying" is based on a traditional song that Bob Dylan recorded on his debut album in 1962.[10] The track was recorded live, with Page later adding further slide guitar overdubs. The arranging and structuring was led by Bonham, who worked out where the various stop / start sections in the track should be, and how the group would know where to come back in. The very end of the song features his off-mic cough, causing the rest of the group to break down at that point. Bonham subsequently shouted "That's got to be the one, hasn't it?", feeling it was the best take.[17] It was left on the album to show fans that Led Zeppelin were a working band that took care in their recordings.[18]

text: Side two[edit]

text: "Houses of the Holy" was recorded as the title track for the album of the same name in June 1972 at Electric Lady Studios with Eddie Kramer engineering. It was left off that album because of its similarity to other tracks such as "Dancing Days", which were felt to be better. Unlike some of the other older material on Physical Graffiti, it required no further overdubbing or remixing.[10]

text: "Trampled Under Foot" developed from a jam session driven by Jones at the Clavinet. The song went through several arrangement changes before arriving at the version heard on the album, with the group rehearsing various different ideas and arguing about the overall style. Bonham decided the track was too "souly" and rearranged it into a funk style, suggesting that Page should play a guitar riff throughout in place of chords.[19] The lyrics are a series of double entendres around driving and cars. The song quickly became a popular live piece that was played at every live show from 1975 onwards, and was later revived by Plant for his solo tours.[10] It was released as a single in the US on 2 April (with "Black Country Woman" as the B-side) and was a top 40 hit.[20]

text: "Kashmir" was an idea from Page and Bonham, and was first attempted as an instrumental demo in late 1973. Plant wrote the lyrics while on holiday in Morocco. Jones played Mellotron on the track, and arranged strings and brass parts that were played by session musicians. The song was one of the most critically acclaimed on the album, and was played at every gig from 1975 onwards.[14] Page and Plant played it on their 1994 tour,[21] and it was reworked in 1998 by Sean "Puffy" Combs for his single "Come With Me" which featured Page on guitar.[22]

text: Side three[edit]

text: "In the Light" was recorded at Headley Grange in early 1974. It was initially called "In the Morning" and went through several rehearsals and takes to work out a basic structure. A drone / chant introduction was later added to the piece.[23]

text: "Bron-Yr-Aur" was a solo acoustic piece by Page, named after the cottage where he had composed and arranged much of Led Zeppelin III with Plant. It was recorded at Island Studios in mid-1970. The track was later used as background music in the group's film The Song Remains the Same.[24]

text: "Down by the Seaside" was originally written as an acoustic track at Bron-Yr-Aur in 1970, and was influenced by Neil Young. It was reworked as an electric track during sessions for the fourth album the following year. Page and Bonham led the arranging, changing tempo from the slow to fast section and then back again.[24]

text: "Ten Years Gone" was mostly composed by Plant about an old love affair, and was combined with an instrumental piece from Page, featuring overdubbed electric and acoustic guitar parts. When the track was performed live, Jones played a triple-neck guitar featuring mandolin, six- and twelve-string guitars, in order to try to reproduce the various guitar overdubs on the studio recording.[24]

text: Side four[edit]

text: "Night Flight" was recorded at Headley Grange in 1971 for the fourth album. Jones plays Hammond organ on the track, and Page plays guitar through a Leslie speaker.[24] Plant wrote the lyrics after reading a news headline entitled "Nuclear Damage Test Threat" and wondered why there seemed to be little peace and love in the world.[25]

text: "The Wanton Song" was built around a Page guitar riff. Unlike some of the other tracks recorded at the 1974 Headley Grange sessions, it was straightforward to arrange, with the group building the song around the riffs.[24]

text: "Boogie with Stu" was a jam session with Rolling Stones pianist Ian Stewart based around the Ritchie Valens song "Ooh My Head".[c] It was recorded in 1971 at Headley Grange during the same session that produced "Rock and Roll" for the fourth album.[24]

text: "Black Country Woman" was recorded in the garden at Stargroves in 1972 for Houses of the Holy, as part of the group's desire to work in "off the wall" locations outside a traditional studio environment. The track was nearly abandoned when an aeroplane cruised overhead, but it was left on the final recording for effect.[24]

text: "Sick Again" was written by Page and Plant about the 1973 tour and their experience with meeting groupies. The track was driven by Bonham's drumming and Page's guitar riffs.[24] The arrangement had been worked out before recording, and was straightforward to put down on tape.[8]

text: Unreleased material[edit]

text: As Physical Graffiti collected various out-takes from earlier albums, little was left over from the recording sessions that was not eventually released. An early arrangement of "Custard Pie", different from the final version, was reworked as "Hots on For Nowhere" on the following album, Presence.[27] A number of other outtakes from earlier album sessions that had not been put on Physical Graffiti were later included on the 1982 album Coda.[28]

text: Artwork and packaging[edit]

text: The album was originally released with a die-cut sleeve design depicting a New York City tenement block, through whose windows various cultural icons could be interchangeably viewed.[29] The album designer, Peter Corriston, was looking for a building that was symmetrical with interesting details, that was not obstructed by other objects and would fit the square album cover. He subsequently came up with the rest of the cover based on people moving in and out of the tenement, with various sleeves that could be placed under the main cover and filling the windows with various pieces of information.[30]

text: The two five-storey buildings photographed for the album cover are located at 96 and 98 St. Mark's Place in New York City.[10] The original photograph underwent a number of tweaks to arrive at the final image. The fifth floor of the building had to be cropped out to fit the square album cover format.[30]

text:
Eschewing the usual gatefold design in favour of a special die-cut cover, the original album jacket included four covers made up of two inners (for each disc), a middle insert cover and an outer cover. The middle insert cover is white and details all the album track listings and recording information. The outer cover has die-cut windows on the building, so when the middle cover is wrapped around the inner covers and slid into the outer cover, the title of the album is shown on the front cover, spelling out the name "Physical Graffiti".[10] Images in the windows touched upon a set of American icons and a range of Hollywood ephemera. Pictures of W. C. Fields and Buzz Aldrin alternated with the snapshots of Led Zeppelin.[29] Photographs of Lee Harvey Oswald, Marcel Duchamp and Pope Leo XIII are also featured.
Per the liner notes, package concept and design was by AGI/Mike Doud (London) and Peter Corriston (New York). Photography was by Elliot Erwitt, B. P. Fallen, and Roy Harper. "Tinting Extraordinaire:" Maurice Tate, and window illustration by Dave Heffernan.[31] In 1976 the album was nominated for a Grammy Award in the category of best album package.[32]

text: Release and critical reception[edit]

text: Professional ratingsReview scoresSourceRatingAllMusic[33]Christgau's Record GuideB+[34]The Daily Telegraph[35]Encyclopedia of Popular Music[36]MusicHound Rock4.5/5[37]Q[38]The Rolling Stone Album Guide[39]The Village VoiceB[40]

tag: table

text: Physical Graffiti was Led Zeppelin's first release on their own Swan Song Records label, which had been launched in May 1974. Until this point, all of Led Zeppelin's albums had been released on Atlantic Records, who would distribute Swan Song. The album was first announced to the press on 6 November with a planned release date of 29 November and an accompanying US tour (the band's tenth) starting in January.[41] Delays in the production of the album's sleeve design prevented its release prior to the commencement of the tour.[42] It was finally released on 24 February 1975.[41]

text: The album was a commercial and critical success, having built up a huge advance order following the delayed release date, and when eventually issued it reached No. 1 in the UK charts. In the US, it debuted at No. 3 on Billboard's Pop Albums chart, rising to No. 1 the following week and staying there for six weeks. [43] Physical Graffiti has since proven to be one of the most popular releases by the group, shipping 8 million copies in the United States.[44] It was the first album to go platinum on advance orders alone.[45] Shortly after its release, all previous Led Zeppelin albums simultaneously re-entered the top-200 album chart.[46]

text: The group debuted several songs from Physical Graffiti live for the first time at a warm-up gig in Rotterdam, Netherlands on 11 January, a week before the US tour, which lasted until 27 March.[47] The tour was also successful, and was followed up by a series of shows at Earl's Court, London. Tickets for the shows sold out within four hours, described by promoter Mel Bush as "unprecedented demand in the history of rock music", so a further two dates were added.[47] The shows attracted rave reviews, and critics noted the band enjoyed playing the new material on Physical Graffiti more than the older songs.[48]

text: NME's Nick Kent reviewed the album three months before it was released. He speculated it could be the group's best work to date, saying "the album's tonal density is absolutely the toughest, most downright brutal I've heard all year".[49] In March 1975, Billboard magazine's reviewer wrote: "[Physical Graffiti] is a tour de force through a number of musical styles, from straight rock to blues to folky acoustic to orchestral sounds."[50] Similarly, Jim Miller stated in Rolling Stone that the double album was "the band's Tommy, Beggar's Banquet and Sgt. Pepper rolled into one: Physical Graffiti is Led Zeppelin's bid for artistic respectability".[51] Village Voice critic Robert Christgau was less impressed, writing that except for side two, the material often wanders into "wide tracks, misconceived opi, and so forth", and "after a while Robert Plant begins to grate".[34]

text: Plant later felt that Physical Graffiti represented the band at its creative peak, and has since said that it is his favourite Led Zeppelin album.[52] Page has also said the album was a "high-water mark" for the group, and the creative energy from jamming and gradually working out song structures together led to some strong material.[53] Reviewing the album for BBC Music in 2007, Chris Jones described it as "a towering monument to the glory of Zeppelin in their high-flying heyday".[54]

text: Accolades[edit]

text:
Publication

Country

Accolade

Year

Rank

Grammy Award

US

"Grammy Award for Best Recording Package"[55]

1976

Nominee

Rolling Stone

US

"The 500 Greatest Albums of All Time"[56]

2003

70

Pitchfork

US

"Top 100 Albums of the 1970s"[57]

2004

95

AllMusic

US

"Top Digital Albums"[58]

2012

20

AllMusic

US

"Top Pop Catalog"[59]

2012

3

AllMusic

US

"Billboard 200"[60]

2012

43

Classic Rock

UK

"100 Greatest Rock Album Ever"[61]

2001

5

Mojo

UK

"The 100 Greatest Albums Ever Made"[62]

1996

47

Q

UK

"100 Greatest Albums Ever"[63]

2003

41

Record Collector

UK

"Classic Albums from 21 Genres for the 21st century"[64]

2005

*

Robert Dimery

US

1001 Albums You Must Hear Before You Die[65]

2005

*

Q

UK

"100 Best Albums Ever"[66]

2006

57

Classic Rock

UK

"100 Greatest British Rock Album Ever"[67]

2006

7

Rock and Roll Hall of Fame

US

"The Definitive 200: Top 200 Albums of All-Time"[68]

2007

93

Guitar World

US

"Reader's Poll: 100 Greatest Guitar Albums"[69]

2006

9

text: (*) designates unordered lists.

text: Reissues[edit]

text: Professional ratingsAggregate scoresSourceRatingMetacritic97/100[70]Review scoresSourceRatingConsequence of SoundA–[71]The Guardian[72]Pitchfork10/10[73]Uncut8/10[74]

text: Physical Graffiti was first issued on CD in 1987. However, it was done without input from the band, used second and third-generation master tapes, and accidentally edited off the studio banter at the end of "In My Time of Dying". Page was unhappy with the lack of care over the CDs and decided he would produce new versions himself. He booked a week in May 1990 with engineer George Marino to remaster the entire back catalogue. "Houses of the Holy", "Tramped Under Foot" and "Kashmir" appeared on the 1990 compilation Remasters,[75] while the whole album was reissued on CD in 1994.[76]

text: An extended remastered version of Physical Graffiti was reissued on 23 February 2015, almost exactly forty years after the original album was released. The reissue comes in six formats: a standard two-CD edition, a deluxe three-CD edition, a standard two-LP version, a deluxe three-LP version, a super deluxe three-CD plus three-LP version with a hardback book, and as high resolution 96k/24-bit digital downloads. The deluxe and super deluxe editions feature bonus material containing alternative takes and arrangements of songs. The reissue was released with an altered colour version of the original album's artwork as its bonus disc's cover.[77]

text: Track listing[edit]

text: Standard edition[edit]

text: All tracks written by Jimmy Page and Robert Plant, except where noted.

text: Side one[76]No.TitleDate and locationLength1."Custard Pie"January–February 1974, Headley Grange, Hampshire4:132."The Rover"May 1972, Stargroves (Houses of the Holy outtake)5:363."In My Time of Dying" (John Bonham, John Paul Jones, Page, and Plant)January–February 1974, Headley Grange11:04

text: Side twoNo.TitleDate recordedLength4."Houses of the Holy"May 1972, Olympic Studios, London (Houses of the Holy outtake)4:015."Trampled Under Foot" (Jones, Page, and Plant)January–February 1974, Headley Grange5:356."Kashmir" (Bonham, Page, and Plant)January–February 1974, Headley Grange8:37[d]

text: Side threeNo.TitleDate recordedLength7."In the Light" (Jones, Page, and Plant)January–February 1974, Headley Grange8:448."Bron-Yr-Aur" (Page[e])July 1970, Island Studios, London (Led Zeppelin III outtake)2:069."Down by the Seaside"February 1971, Island Studios, London (Led Zeppelin IV outtake)5:1410."Ten Years Gone"January–February 1974, Headley Grange6:31

text: Side fourNo.TitleDate recordedLength11."Night Flight" (Jones, Page, and Plant)January 1971, Headley Grange (Led Zeppelin IV outtake)3:3612."The Wanton Song"January–February 1974, Headley Grange4:0613."Boogie with Stu" (Bonham, Jones, Page, Plant, Ian Stewart, Mrs Valens)January 1971, Headley Grange (Led Zeppelin IV outtake)3:5114."Black Country Woman"May 1972, Stargroves (Houses of the Holy outtake)4:2415."Sick Again"January–February 1974, Headley Grange4:43

text: Deluxe edition bonus disc[edit]

text: Reissued track listingNo.TitleWriter(s)Length1."Brandy & Coke" ("Trampled Under Foot") (Initial/Rough Mix)JonesPagePlant5:382."Sick Again" (Early Version)PagePlant2:203."In My Time of Dying" (Initial/Rough Mix)BonhamJonesPagePlant10:454."Houses of the Holy" (Rough Mix with Overdubs)PagePlant3:515."Everybody Makes It Through" ("In the Light") (Early Version/In Transit)JonesPagePlant6:296."Boogie with Stu" (Sunset Sound Mix)BonhamJonesPagePlantStewartValens3:367."Driving Through Kashmir" ("Kashmir") (Rough Orchestra Mix)BonhamPagePlant8:33Total length:41:29

text: Personnel[edit]

text:
Led Zeppelin

John Bonham – drums, percussion
John Paul Jones – bass guitar, keyboards, mandolin, acoustic guitar, string and brass arrangements
Jimmy Page – electric, acoustic, lap steel and slide guitars, production
Robert Plant – lead vocals, harmonica
Extra musicians

Ian Stewart – piano on "Boogie with Stu"
Engineers

George Chkiantz – engineering at Olympic (1972)
Keith Harwood – engineering at Olympic (1974)
Andy Johns – engineering at Island (1970 & 1971) and Headley Grange (1971)
Eddie Kramer – engineering at Stargroves (1972)
Ron Nevison – engineering at Headley Grange (1974)

Artwork

Peter Corriston – artwork, design, cover design
Mike Doud – artwork, design, cover design
Elliot Erwitt – photography
B. P. Fallon – photography
Roy Harper – photography
Dave Heffernan – illustrations
Others

Peter Grant – executive producer
George Marino and Jimmy Page – remastered CD release

text: Charts[edit]

text:
Chart (1975)

Peak position

Austrian Albums Chart[81]

2

Canadian RPM Albums Chart[82]

1

Danish Albums Chart[83]

10

French Albums Chart[84]

2

Italian Albums Chart[85]

17

Japanese Albums Chart[86]

13

New Zealand Top 50 Albums Chart[87]

3

Norwegian Albums Chart[88]

4

Spanish Albums Chart[89]

2

UK Albums Chart[90]

1

US Billboard 200 Albums Chart[91]

1

Chart (2015)

Peak position

Australian Albums Chart[92]

13

Austrian Albums Chart[93]

7

Danish Albums Chart[94]

31

French Albums Chart[95]

23

German Albums Chart[96]

4

New Zealand Albums Chart[97]

6

Norwegian Albums Chart[98]

12

Swiss Albums Chart[99]

8

US Billboard 200 Albums Chart[100]

11

text:
Year

Single

Chart

Position

1975

"Trampled Under Foot"

Billboard Hot 100

38[20]

text: Certifications[edit]

text:
Region

Certification
Certified units/Sales

Argentina (CAPIF)[101]

Gold

30,000^

France (SNEP)[102]

Gold

288,900[103]

Germany (BVMI)[104]

Gold

250,000^

United Kingdom (BPI)[105]

2× Platinum

600,000^

United States (RIAA)[44]

16× Platinum

8,000,000^

*sales figures based on certification alone^shipments figures based on certification alone


document_title: I'm Not Gonna Miss You

question_text: who wrote i'm not going to miss you

question_tokens: who wrote i 'm not going to miss you

text: I'm Not Gonna Miss You

text:
"I'm Not Gonna Miss You"Song by Glen Campbell and The Wrecking Crewfrom the album Glen Campbell: I'll Be Me soundtrackReleased
September 30, 2014Format
Digital downloadRecorded
January, 2013 Sunset SoundGenre
CountryLength
2:56[1]Songwriter(s)
Glen CampbellJulian RaymondProducer(s)
Raymond

text: "I'm Not Gonna Miss You" is a song recorded by American country music artist Glen Campbell and The Wrecking Crew. Co-written by Campbell and producer Julian Raymond, the song was released on September 30, 2014 for the soundtrack to the documentary Glen Campbell: I'll Be Me, which focuses on the singer's diagnosis of Alzheimer's disease and his final tour.[2]

text: "I'm Not Gonna Miss You" is the last song to be recorded by Campbell.[3] The song was nominated for Best Original Song at the 87th Academy Awards. During the ceremony, the song was performed by Tim McGraw.[4] It also won Grammy Award for Best Country Song.[5]

text: Background[edit]

text: "I'm Not Gonna Miss You" was initiated by Julian Raymond who pitched an idea of recording the song to James Keach, director of Glen Campbell: I'll Be Me, who eventually decided to use the footage of the recording session as one of the final scenes in the documentary.[2] Raymond discussed the inspiration behind the song:[2]

text:
“

[Campbell] had a hard day of people asking him about Alzheimer's and how he felt about it. He didn't talk too much about it, but came up to me and said, 'I don't know what everybody's worried about. It's not like I'm going to miss anyone, anyway.' [...] The song by design is simple. I knew we couldn't do something like "Wichita Lineman" that had complicated key changes or bigger-range stuff.

”

text: The song was recorded over four takes within one day. The song also features the members of The Wrecking Crew, the band that Campbell has collaborated with before.[2] It was recorded in January 2013 in Los Angeles, and is part of the soundtrack for Glen Campbell: I'll Be Me which premiered on October 24, 2014.[6][7]

text: Accolades[edit]

text:
Year

Award

Category

Result

Ref.

2015

87th Academy Awards

Best Original Song

Nominated

[4]

2015

57th Annual Grammy Awards

Best Country Song

Won

[5]

2015

Best Song Written for Visual Media

Nominated

[5]

2015

19th Satellite Awards

Best Original Song

Nominated

[8]


document_title: Josh Hutcherson

question_text: who did josh hutcherson play in justice league

text: Josh Hutcherson

text: Early life

text: Born in Union, Kentucky, on October 12, 1992, Hutcherson is the elder son of Michelle (née Fightmaster), a former Delta Air Lines employee who now assists with Josh's career, and Chris Hutcherson, an analyst for the United States Environmental Protection Agency (EPA).[1][2] His parents, who were also born and raised in Kentucky, met in high school in Dry Ridge.[1][3] He has one younger brother, Connor.[4][5][6]

text: Hutcherson's interest in acting developed as a child despite his parents' concerns about the profession.[7][8] According to the actor himself, he had "loved the entertainment industry" from the age of four.[9] His father said that his son was compelled to perform for people from a very young age, possessing a personality that attracted people's attention. His mother said that he "bugged us so much" into becoming an actor,[10] but believed it was a phase he was going through and would grow out of.[11] Aged eight, Hutcherson went through the yellow pages and contacted an acting agency.[12] In January 2002, he and his mother met acting coach Bob Luke, who travelled from New York City to Kentucky to meet them.[12] Luke advised them to go to Los Angeles and begin auditioning Hutcherson for TV pilots. At the time, his only acting experience had been in a Kroger television commercial and a Vacation Bible School training film.[2] For three years, Hutcherson and his mother lived in Los Angeles' Oakwood apartments, a housing community that accommodates young child actors and their families.[12][13]

text: Most of Hutcherson's childhood was spent on film sets rather than in a classroom. He attended New Haven Elementary School in Union until he began his career at the age of nine, after which he began homeschooling, with his mother as his teacher.[10][14] He later returned to Kentucky to attend Ryle High School for one semester.[14][15] Hutcherson played on the high school's soccer team and has been a keen sports enthusiast since,[7][15] also displaying a passion for football and tennis.[16] At the age of 13, he participated in a triathlon.[16] He later said of his schooling experiences, "I know it's something kids have to deal with every single day but getting up at the same time every day and having to listen to teachers talk about things I could learn so much more easily on my own, I hated it."[14]

text: Career

text: 2002–2010: Early roles

text: After moving to Hollywood in 2002, Hutcherson appeared in various television commercials.[1] He landed his first major acting role as Nicky Harper in the 2002 pilot episode of House Blend, followed by minor roles in an episode of ER and the pilot episode of Becoming Glen.[17] The following year, he played leading role Charlie Logan in the television film Miracle Dogs, which was released on Animal Planet.[18] The film, Hutcherson's first, received a 79 percent approval rating on review aggregator Rotten Tomatoes.[19] Later that year, he starred opposite Peter Falk and Tim Daly in the television film, Wilder Days,[20] playing Falk's grandson who accompanies him on a turbulent road trip. Daly was impressed with the young Hutcherson, remarking, "He's an exceptional kid. He's a really good actor, and he's very smart and confident in himself."[2] Hutcherson's next role was as a boy dressed as Robin in his first feature film appearance, the well-reviewed independent film American Splendor,[21] which won the grand jury prize at the Sundance Film Festival.[22] His character in 2004's fantasy film The Polar Express, young Hero Boy, was created by motion-capture of his facial expressions and body movements.[23] The film starred Tom Hanks in the lead role and received mixed reviews from critics.[24] In the animated fantasy film Howl's Moving Castle, he voiced the character of Markl, working alongside two other lead characters Christian Bale and Billy Crystal.[25] All of his dialogue for the film was recorded in about eight consecutive hours.[16]

text: In 2005, Hutcherson appeared in several Hollywood films while trying to establish himself in the industry. He portrayed the minor role of Bucky Weston in the comedy Kicking & Screaming.[26] In 2005's Little Manhattan, he had a lead role alongside his younger brother, Connor.[6][27] Stella Papamichael of the BBC approved of his performance, saying that "Hutcherson's delivery is spot-on, showing a keen instinct for self-effacing humor that would make even Woody Allen feel that bit more inadequate",[28] but Variety columnist Brian Lowry felt that Hutcherson "might have looked cute on the page, but even with his Linus voice the language and tone [didn't] feel natural."[29] He next appeared in a lead role in Jon Favreau's Zathura: A Space Adventure, which he enjoyed filming owing to the number of special effects and stunts he was involved with.[30][31] Hutcherson received the Young Artist Award for "Best Performance in a Feature Film by a Leading Young Actor" for the film.[32]

text: Hutcherson's next appearance was in the comedy RV in early 2006, playing the son of Robin Williams's character Bob Munro.[33][34] He professed finding it difficult to concentrate during the production because he was "constantly laughing" at co-star Williams.[35] The film was not received favorably by critics and audiences; Variety said the film suffered from "blunt predictability and meager laughs".[36] He received his second Young Artist Award nomination for his role, but lost to Logan Lerman in Hoot.[37]

text: Hutcherson's breakthrough role in his career as a child actor came in 2007 when he portrayed Jesse Aarons in the fantasy drama Bridge to Terabithia.[17] The film was shot on location in New Zealand for three and a half months. Hutcherson said of the filming: "That was an amazing experience. It doesn't get any prettier than that. There were beaches everywhere and all sorts of forests. We took little road trips everywhere and just had a lot of fun."[38] He admitted to not having read the novel that the film is based upon before being cast.[39] Author Ann C. Paietta describes his character of Jesse Aarons as "an introverted boy with four sisters, a financially strapped family, and a real talent for drawing" whose life is turned around when Leslie Burke (AnnaSophia Robb) arrives, with whom he creates an imaginary utopian world.[40] Anne Hornaday of The Washington Post found his casting to be "a perfect fit" and commended how he portrayed the "sensitive, artistic, temperament" of his character,[41] while Miriam Di Nunzio of the Chicago Sun-Times noted the chemistry between Hutcherson and Robb, referring to them as a "dynamic duo".[42] He won his second Young Artist Award for "Best Performance in a Feature Film by a Leading Young Actor" for the film.[43] Hutcherson's next role was in Firehouse Dog (2007), in which he played Shane Fahey, a firefighter's son who befriends a dog. He has expressed his pleasure in working and bonding with the four different dogs who played his canine co-star.[44] The film received mixed reviews, although critics were favorable to Hutcherson.[45] Following the film, Carrie Rickey of The Philadelphia Inquirer referred to him as the "Jodie Foster of Generation Y", remarking that with "each successive film Hutcherson dives deeper into his reservoir of shame and hurt and hope, unnerving for one so young, but also unusually urgent for an actor of any age."[46]

text: In 2008, he appeared in the independent crime drama Winged Creatures (released as Fragments on DVD) alongside Dakota Fanning as they portrayed two teenage friends who survive a massacre,[47] and in Journey to the Center of the Earth, a 3D film adaptation of the novel of the same name where he portrayed a teen who travels to Iceland with an uncle he hardly knows, played by Brendan Fraser.[44][48] Over the next two years, he appeared as a boy named Steve "Leopard" Leonard who visits a freak show with his friends in the vampire fiction film adaptation of the book Cirque du Freak[49] and had a supporting role in the critically acclaimed The Kids Are All Right, portraying the son of a lesbian couple, played by Annette Bening and Julianne Moore.[50][51] According to Kaleem Aftab of The Independent, his role in the film was a pivotal point in his career and one of vital importance to continuing his career into adulthood.[8] Hutcherson expressed gratitude at being cast in the film, displaying satisfaction with the intimacy and creative freedom that independent films provide over studio films.[52] The film won the Golden Globe Award for Best Motion Picture – Musical or Comedy in 2010, and was a nominee for Best Picture at the 83rd Academy Awards.[53][54] Gregory Ellwood of entertainment site HitFix stated: "Hutcherson's charismatic wit and natural instincts shine and it's arguably the first film where he proves he's more than just another sharp-looking teen actor."[51]

text: 2011–present: The Hunger Games and breakthrough

text:
That role is so key to have a boy that can use language. That's how Peeta navigates the world, that's his gift, and Josh was the only one who could bring that to life in such a real and natural way.

– Suzanne Collins, The Hunger Games series author[55]

tag: div

text: On April 4, 2011, Lionsgate announced that Hutcherson had been cast as Peeta Mellark in The Hunger Games series, opposite Jennifer Lawrence as Katniss Everdeen.[56][57] He was eager to land the role, feeling that he related to the character extremely well.[1] In preparation for filming, he had to bleach his hair and gain 15 pounds.[58] Lawrence, a close friend, has always spoken highly of him as an actor; in regards to his portrayal of Peeta Mellark she stated, "He's charming, he's sweet, he's down to earth, he's normal. He embodies all of it and brings it all to Peeta ... he's got all those great qualities and every single one of them comes across in every line he says out loud as Peeta."[59] He became known for his pranks on set,[60] leading to an accident as he was play-fighting with Lawrence who kicked him in the head, unintentionally knocking him unconscious and giving him a concussion.[61] The initial film, The Hunger Games, was released on March 23, 2012, and went on to become one of the highest-grossing films of the year. Hutcherson received the MTV Movie Award for "Best Male Performance".[62] He was also awarded the 2012 NewNowNext award for "Next Mega Star" and the National Association of Theatre Owners's 2012 CinemaCon award for "Breakthrough Performer of the Year".[63][64] Peter Travers of Rolling Stone described the actor's portrayal saying, "[Hutcherson] brings humor and a bruised heart to a boy who needs to mature fast."[65]

text: Between landing the role in The Hunger Games and the film's release, he played a lead role and served as an executive producer for two films: Detention (2011) and The Forger (2012).[66][67] In Detention, he played the role of popular teenager Clapton Davis in a film the plot of which has been compared to 1985's The Breakfast Club.[68] His role in The Forger was as a 15-year-old orphan who finds himself in trouble until Alfred Molina's character comes to his aid. The film was not well received but the actors' chemistry together and their performance was.[69] He next reprised his role as Sean Anderson in the 2012 Journey to the Center of the Earth sequel, Journey 2: The Mysterious Island.[70][71] Hutcherson has always been vocal about his desire to work on films of all sorts of genres.[44] Regarding the switch from comedy-drama The Kids Are All Right to the Journey sequel, he stated: "For me, I like to do all different types of films and to go from having that awesome [indie] kind of thing that I love doing so much with great characters and a really great script to a bigger kind of studio film, to just cover the whole kind of spectrum of movies is really, really cool."[72] Although the film was largely panned,[73] it fared well commercially and his performance was well received, with Kofi Outlaw of Screenrant.com appreciating how he "does a good job holding the screen and portraying a somewhat layered protagonist".[74] Later in 2012, he appeared in Red Dawn, a remake of the 1984 film of the same name. The film was panned by critics, achieving only a 12 percent approval rating on Rotten Tomatoes, the lowest score of any film Hutcherson has acted in.[75][76]

text: In 2013, Hutcherson voiced the character Nod in the animated action-adventure 3D film Epic, loosely based on William Joyce's book, The Leaf Men and the Brave Good Bugs;[77][78] the film is his most commercially successful except for The Hunger Games series.[76] As filming approached for The Hunger Games sequel, The Hunger Games: Catching Fire, he enlisted celebrity trainer Bobby Strom to assist him in five hour-long workouts per week.[79] The film brought in $420 million at the North American box office, making it his most commercially successful film.[76] Todd Gilchrist of Indiewire proclaimed of the actor's performance that "Hutcherson's maturing talents achieve a parallelism with the character's self-actualization, proving subtler and more self-aware with every resigned decision he makes on behalf of the people around him that he loves."[80] Hutcherson received his second MTV Movie Award for "Best Male Performance" for his role in the sequel.[81]

text: On November 23, 2013, the day following The Hunger Games: Catching Fire's United States release, Hutcherson hosted an episode of Saturday Night Live.[82][83] His performance received mediocre reviews, with Mike Ryan of The Huffington Post stating that he did not really bring "anything special to the table except having a nice attitude", and John Surico of GQ remarking that "while the night didn't necessarily disappoint, it also didn't dazzle".[84][85]

text: Hutcherson again reprised his role in the two feature-length parts of the Mockingjay film adaptation. The Hunger Games: Mockingjay – Part 1 was released on November 21, 2014, and Part 2 followed on November 20, 2015.[86] His character goes through a significant personality change in the films, which provided him with an acting challenge; he said, "I'm nervous about portraying it because I've never gone crazy before in a movie."[87] Emily Yahr of The Washington Post spoke positively of his acting, by saying "Peeta's crazed expression is sure to haunt our nightmares for a long time,"[88] while David Edelstein of New York criticized his portrayal in relation to scenes with the other characters, saying "at least Josh Hutcherson's captured Peeta is mostly seen in interviews with Stanley Tucci's camp talk-show host on TV screens ... so the actor can't bring his lack of urgency to scenes with [Jennifer Lawrence]."[89]

text: Before filming the Mockingjay movies, Hutcherson filmed Escobar: Paradise Lost, a French-Spanish thriller, which was released on January 16, 2015, in the U.S.[90] He also served as an executive producer for the film, alongside first-time director Andrea Di Stefano, assisting with casting and blocking shots. Hutcherson said the opportunity "made [him] so hungry to do more like that".[91] In November 2017, Hutcherson began starring in the science fiction comedy series Future Man on the video on demand service Hulu.[92]

text: Personal life

text: Hutcherson has cited actor Jake Gyllenhaal as an inspiration,[39] admiring the way Gyllenhaal "has taken his career and the kind of jobs that he's taken".[7] He has also named actor, director, and producer Philip Seymour Hoffman as another of his inspirations.[93]

text: Hutcherson currently lives in Los Angeles, California.[94] In May 2012, he purchased the 1,861-square-foot (172.9 m2) $2.5 million former house of Heath Ledger in Laurel Canyon in the Hollywood Hills, a small ranch built in 1951.[94] He professes that his fame has not changed him as a person, stating, "I love my job more than anything in the world and I could never imagine doing anything else. So this whole thing is a very small price to pay compared to someone who has to go to an office to work."[8][14]

text: As a known ally to the LGBT (lesbian, gay, bisexual, and transgender) community, Hutcherson advocates the gay–straight alliance campaign "Straight But Not Narrow".[95][96] Since its formation, he has been its most active supporter.[97] His involvement with the LGBT community stems from his family ties; two of his uncles who were gay died of AIDS-related illnesses.[98] In April 2012, he became the youngest recipient of the Vanguard Award from GLAAD, given for promoting equal rights for LGBT people.[99] He was also awarded with Young Humanitarian Award at the 2015 unite4:humanity award ceremony.[100] Regarding his own sexuality, he considers himself to be "mostly straight" and does not believe in being limited by labels.[91] Hutcherson also worked alongside The Trevor Project and human-I-T in 2014 when he began his campaign "Power On", which serves to help young LGBT people from rural areas to form communities by donating old computers and cell phones to LGBT resource centers; he began the campaign by donating an old computer of his own.[101] Annually from 2012 through 2014, he has hosted the "Josh Hutcherson Celebrity Basketball Game" in Los Angeles, which raises funds and awareness for the "Straight But Not Narrow" campaign.[102] In November 2013, Hutcherson and Queen Latifah presented trophies together to four young community volunteers in a live ceremony at the fifth annual TeenNick HALO Awards at the Hollywood Palladium.[103]

text: Filmography

text: Film

text:
Year
Title
Role
Notes

2003
American Splendor
Robin

2004
Motocross Kids
TJ

2004
Polar Express, TheThe Polar Express
Young Hero Boy
Additional motion capture only

2005
One Last Ride
Joey

2005
Kicking & Screaming
Bucky Weston

2005
Howl's Moving Castle (in English)
Markl
Voice role

2005
Little Manhattan
Gabriel "Gabe" Burton

2005
Zathura: A Space Adventure
Walter Browning

2006
RV
Carl Munro

2007
Bridge to Terabithia
Jesse Aarons

2007
Firehouse Dog
Shane Fahey

2008
Winged Creatures
Jimmy Jaspersen

2008
Journey to the Center of the Earth
Sean Anderson

2009
Cirque du Freak: The Vampire's Assistant
Steve "Leopard" Leonard

2010
Kids Are All Right, TheThe Kids Are All Right
Laser Allgood

2010
Third Rule, TheThe Third Rule
Chuck
Short film

2011
Detention
Clapton Davis
Also executive producer

2012
Journey 2: The Mysterious Island
Sean Anderson

2012
Hunger Games, TheThe Hunger Games
Peeta Mellark

2012
7 Days in Havana
Teddy Atkins

2012
Forger, TheThe Forger
Joshua Mason
Also executive producer

2012
Red Dawn
Robert Kitner

2013
Epic
Nod
Voice role

2013
Hunger Games: Catching Fire, TheThe Hunger Games: Catching Fire
Peeta Mellark

2014
Hunger Games: Mockingjay – Part 1, TheThe Hunger Games: Mockingjay – Part 1
Peeta Mellark

2015
Escobar: Paradise Lost
Nick Brady
Also executive producer

2015
Hunger Games: Mockingjay – Part 2, TheThe Hunger Games: Mockingjay – Part 2
Peeta Mellark

2015
The Rusted
Max
Short film
Also executive producer

2016
In Dubious Battle
Vinnie

2017
The Disaster Artist
Philip Haldiman

2017
Tragedy Girls
Toby Mitchell

2018
The Long Home
Nathan Winer
Post-production

text: Television

text:
Year
Title
Role
Notes

2002
Becoming Glen
Young Glen
Pilot episode

2002
House Blend
Nicky Harper
Pilot episode

2002
ER
Matt
Episode: "First Snowfall"

2003
Division, TheThe Division
Matthew Inwood
Episode: "Till Death Do Us Part"

2003
Miracle Dogs
Charlie Logan
Television film

2003
Wilder Days
Chris Morse
Television film

2003
Line of Fire
Donny Rawlings
Episode: "Take the Money and Run"

2004
Eddie's Father
Eddie Corbett
Pilot episode

2004
Party Wagon
Toad E. Bartley
Voice role; Television film

2004
Justice League Unlimited
Van-El / Young Bruce Wayne
Voice role; Episode: "For the Man Who Has Everything"

2010
Third Rule, TheThe Third Rule
Chuck
Short film

2012
Punk'd
Himself
Episode: "Lucy Hale"

2013
Saturday Night Live
Host
Episode: "Josh Hutcherson/Haim"

2014
Face Off
Guest judge
Episode: "Let The Games Begin"

2017–present
Future Man
Josh Futturman
Main role
Also producer

text: Music videos

text:
Year
Video
Artist(s)
Notes

2016
Middle
DJ Snake ft. Bipolar Sunshine

text: Awards and nominations

text: During the first stage of Hutcherson's acting career, he received eight Young Artist Award nominations, four of which he won. He and the cast of 2010's The Kids Are All Right received eight nominations for "Best Cast" or "Best Ensemble" by eight different organizations including SAG-AFTRA and Broadcast Film Critics Association. For The Hunger Games, Hutcherson and his co-stars were nominated for ten awards, winning eight of them, including National Association of Theatre Owners' 2012 "Breakthrough Performer of the Year" and Logo TV's 2012 "Next Mega Star".

text:
Year
Organization
Award
Work
Result

2004
Young Artist Awards[104]
Best Performance in a TV Movie, Miniseries or Special – Leading Young Actor
Wilder Days
Nominated

2005
Young Artist Awards[105]
Best Performance in a Feature Film – Young Ensemble Cast
Motocross Kids
Nominated

2005
Young Artist Awards[105]
Outstanding Young Ensemble in a New Medium
The Polar Express
Won

2006
Young Artist Awards[32]
Best Performance in a Feature Film (Comedy or Drama) – Leading Young Actor
Zathura: A Space Adventure
Won

2007
Young Artist Awards[37]
Best Performance in a Feature Film – Leading Young Actor
RV
Nominated

2008
Young Artist Awards[43]
Best Performance in a Feature Film – Leading Young Actor
Bridge to Terabithia
Won

2008
Young Artist Awards[43]
Best Performance in a Feature Film – Young Ensemble Cast
Bridge to Terabithia
Won

2009
Young Artist Awards[106]
Best Performance in a Feature Film – Leading Young Actor
Journey to the Center of the Earth
Nominated

2010
Gotham Awards[107]
Best Cast Ensemble
The Kids Are All Right
Nominated

2010
Washington D.C. Area Film Critics Association[108]
Best Ensemble
The Kids Are All Right
Nominated

2010
Boston Society of Film Critics[109]
Best Cast
The Kids Are All Right
Nominated

2011
Alliance of Women Film Journalists[110]
Best Ensemble Cast
The Kids Are All Right
Won

2011
Broadcast Film Critics Association Awards[111]
Best Acting Ensemble
The Kids Are All Right
Nominated

2011
Screen Actors Guild Awards[112]
Outstanding Performance by a Cast in a Motion Picture
The Kids Are All Right
Nominated

2012
NewNowNext Awards[63]
Next Mega Star
The Hunger Games
Won

2012
CinemaCon Award[64]
Breakthrough Performer of the Year Award
The Hunger Games
Won

2012
MTV Movie Awards[62]
Best Cast
The Hunger Games
Nominated

2012
MTV Movie Awards[62]
Best Kiss
The Hunger Games
Nominated

2012
MTV Movie Awards[62]
Best Fight
The Hunger Games
Won

2012
MTV Movie Awards[62]
Best Male Performance
The Hunger Games
Won

2012
Teen Choice Awards[113]
Choice Movie: Liplock
The Hunger Games
Won

2012
Teen Choice Awards[113]
Choice Movie Actor: Sci-Fi/Fantasy
The Hunger Games
Won

2012
Do Something Awards[114]
Movie Star: Male
The Hunger Games
Won

2013
People's Choice Awards[115]
Favorite On-Screen Chemistry
The Hunger Games
Won

2014
MTV Movie Awards[81]
Best Performance
The Hunger Games: Catching Fire
Won

2014
Teen Choice Awards[116]
Choice Movie Actor: Sci-Fi/Fantasy
The Hunger Games: Catching Fire
Won

2015
Teen Choice Awards[117]
Choice Movie Actor: Sci-Fi/Fantasy
The Hunger Games: Mockingjay – Part 1
Won


document_title: Big Momma's House 2

question_text: who plays molly in big momma house 2

question_tokens: who plays molly in big momma house 2

text: Big Momma's House 2

text: Plot[edit]

text: Malcolm Turner (Martin Lawrence) has been assigned a desk job in public relations as an FBI agent, since he wants to live with his new wife, Sherry Pierce (Nia Long), during her delivery for the couple's new baby boy. Meanwhile, an incident occurs in Orange County, California, where Malcolm's old friend, Doug Hudson (Kirk B.R. Woller), has been killed while he was going undercover.

text: FBI agent Kevin Keneally (Zachary Levi) is doing surveillance on a former U.S. Army military intelligence specialist named Tom Fuller (Mark Moses), who has since retired and is working for a private corporation called National Agenda Software. The FBI has soon discovered that Tom is developing a computer worm which will create backdoors into the databases of all the branches of the U.S. government. Affected by his friend's death, Malcolm asks FBI chief, Crawford (Dan Lauria), to put him on the case, but Crawford refuses and tells him to stay away for safety analysis.

text: By eavesdropping via the webcam, Malcolm finds out that the FBI is sending one of the agents to infiltrate Fuller's house as a nanny. Giving Sherry the pretext of attending a safety conference in Phoenix, Arizona, Malcolm leaves for Orange County and takes the "Big Momma" costume with him.

text: Malcolm reprises his disguise as Big Momma from the original film and showing up at Fuller's house as Mrs. Fuller (Emily Procter) is interviewing several other candidates. Big Momma eliminates the three other applicants for the nanny position by pointing out the sexually attractive qualities of the first, the drug use of the second, and the FBI Agent's concealed firearm of the third.

text: Big Momma meets the three Fuller children: Molly (Kat Dennings), Carrie (Chloë Grace Moretz), and Andrew. After failing to perform the housekeeping tasks assigned to her, Big Momma is fired, and works all night cleaning up and makes a large breakfast. Upon seeing it the next day, Mrs. Fuller changes her mind when the family awakes to find this. Big Momma is soon accepted within the household and becomes a daily part of their lives. His tasks include accompanying Mrs. Fuller to the spa, taking the family to the beach, watching out for trouble, and simply playing a game of bingo as part of her routine.

text: After Big Momma finds out the password from Tom, Molly calls him who tells her that she needs her at a nightclub. Big Momma goes at once, only to find that Molly was lured by Fuller's bosses, who kidnaps her and Big Momma. Big Momma and Molly are tied up and placed in the back of the van.

text: Big Momma has a switchblade, which Molly reaches for and uses to free them. He sees that they are at the waterfront and witnesses Tom giving a disc to a man who puts it in his laptop and is granted full access to FBI data. Big Momma gets on a jet ski and jumps it onto the dock, sending it into two men, and landing on one himself. Big Momma helps Tom and they attempt to escape, but one of the men shot him. The FBI shows up, and Keneally gave Malcolm the handcuffs to put on Tom, but Malcolm tells the agent in charge that Tom's family was threatened, and that no charges should be filed. Malcolm and Keneally agree, and the case is closed.

text: Sometime later, Big Momma goes to the girls' state cheerleading championships. Their stuntwoman broke her leg, and Big Momma helps them out by doing the routine and winning the competition. He later leaves and gives the family a farewell letter saying he must go on, but to look out, because one day he might be back.

text: Cast[edit]

text:
Martin Lawrence as FBI Agent Malcolm Turner/Big Momma
Nia Long as Sherry Pierce Turner
Zachary Levi as Kevin Keneally
Mark Moses as Tom Fuller
Emily Procter as Leah Fuller
Kat Dennings as Molly Fuller
Chloë Grace Moretz as Carrie Fuller
Marisol Nichols as Liliana Morales
Jascha Washington as Trent Pierce
Sarah Joy Brown as Constance Stone
Kevin Durand as Oshima

tag: ul

text: Reception[edit]

text: Critical response[edit]

text: On Rotten Tomatoes, the film has an approval rating of 6% based on 72 reviews and an average rating of 3/10. The site's critical consensus reads, "Unfunny and unoriginal. In other words, a perfect piece of evidence for opponents of pointless movie sequels."[2] On Metacritic, the film has a score of 34 out of 100 based on 20 critics, indicating "generally unfavorable reviews".[3] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[4]

text: The film was nominated for a Golden Raspberry Awards in 2006 in the category "Worst Prequel or Sequel", but lost the trophy to Basic Instinct 2.

text: Its poor reception has been lampooned in The Onion.[5]

text: Box office[edit]

text: Big Momma's House 2 grossed $27,736,056 in its opening weekend ranking number one.[6] As of March 3, 2011, the film has grossed a total of $70,165,972 at the United States box office with a worldwide gross of $138,259,062.

text: Sequel[edit]

text: Big Mommas: Like Father, Like Son was released on February 18, 2011. Brandon T. Jackson was cast in the role of Trent, who was originally played by Jascha Washington. Nia Long also did not reprise her role, which resulted in her character, Sherry, being written out. The film received overwhelmingly negative reviews from film critics as well.


document_title: Hyundai Santa Fe

question_text: when did the hyundai santa fe change body style

text: Hyundai Santa Fe

text: First generation (SM, 2001–2006)[edit]

text:
First generation (SM)

Overview

Also called
Hyundai Santa Fe Classic (Russia)
Hawtai Santa Fe SUV (China)

Production
April 2000 – March 2006
2007–2012 (Russia)
2006–2015 (China)

Model years
2001–2006

Assembly
Ulsan, Korea
Taganrog, Russia (TagAZ)[4]
Cairo, Egypt (Ghabbour Group)
Biñan, Philippines

Designer
K.S. Kim[5]

Body and chassis

Platform
Hyundai-Kia Y4

Related
Hyundai Sonata (EF)
Hyundai Trajet
Kia Sorento

Powertrain

Engine
1.8 L 18K4G I4 turbo petrol (China)
2.0 L 4G94D I4 (China)
2.4 L Theta I4
3.5 L Sigma V6, 200 hp (150 kW)
2.7 L G6BA V6, 173 hp (129 kW)
2.0 L OED483Q I4 turbo diesel (China)
2.0L VM Motori CRDI I4 diesel

Transmission
4-speed automatic
5-speed automatic
5-speed manual

Dimensions

Wheelbase
2,620 mm (103.1 in)

Length
4,500 mm (177.2 in)

Width
1,820–1,845 mm (71.7–72.6 in)

Height
1,675 mm (65.9 in)
1,730 mm (68.1 in) (China)

text: In its first year in production, the Santa Fe was offered with one of two engine and transmission combinations. In North America, a fuel-efficient 2.4 L four-cylinder engine was standard equipment and could be mated with either a 5-speed manual or a 4-speed automatic. A 2,656 cc (2.656 L; 162.1 cu in) Delta V6 offered more power than the four-cylinder but was only available with the automatic. Front wheel drive was standard (with traction control optional with the V6) and 4WD was optional. A 2.0 L Common Rail Turbo Diesel (CRTD) was offered outside the United States. Australian Santa Fes went on sale in November 2000 with only one engine/transmission choice – a 2.7L V6 mated to a four-speed automatic transmission. 4WD was standard. A cheaper 2.4L four-cylinder joined the range several months later in 2001, but was only available with a manual transmission.

text: The Santa Fe entered its second year without any changes. Demand for the Santa Fe continued to be up but owners had several suggested changes for Hyundai.

text: In a rare mid-year model change, Hyundai increased the size of the fuel tank from 64 to 71 liters (17 to 19 U.S. gallons) and reorganized the location of the badges on the tailgate. The interior layout of the console and the position of the clock were also changed.

text: In 2003, Hyundai responded to some of the customer complaints and suggestions such as the fact that the hood used a prop and not gas struts, there was no light in the glove compartment, and the car itself did not have enough power. In 2003, Hyundai introduced the 3.5-liter V6 in addition to the other two gas engines in North America. The bigger engine came with a computer-controlled four-wheel drive system. Automatic transmission models were given a chrome shift gate surround as opposed to the matte silver plastic style used in the 2001 and 2002 models. A Monsoon high-performance sound system came standard on the mid-level GLS model and came with a 6-disc CD changer on the top-tier LX. Rounding out the changes in the 2003 model was the discontinuation of the highly unpopular Pine Green which in some owner circles has gained the nickname 'Yucky Green'. In Australia, the four-cylinder Santa Fe was dropped in 2003, due to slow sales, leaving the 2.7L V6 automatic as the only model.

text: Hyundai continued to post sales records with the Santa Fe as it rolled into 2004 with very minor changes. The manual climate controls on the base GL and mid-line GLS were revised very slightly. The remote keyless entry system was given a confirmation 'chirp' when the 'LOCK' button on the remote was pressed twice.

text: Midway through the year the AM/FM antenna was moved from on the glass in the rear driver's side window to a three-inch (76 mm) rubber antenna in the center of the roof just above the tailgate.

text: The Santa Fe received its final facelift for 2005. Changes were made to the grille, taillights, rear bumper, interior instrument cluster. The instrument cluster was redesigned with the speedometer now reading 140 mph (earlier models only indicated 130 mph) and a better-designed toll ticket slot in the driver's sun visor. Both sun visors also received extensions so the sun could be blocked out better when coming in from the side. The base Santa Fe was discontinued that time, making way for the Tucson.

text: In Australia, all models received body-colored (painted) bumpers from 2005 on. The color 'Sandstone' was discontinued in favor of a slightly different color named 'Mocha Frost'. The GL trim was dropped as was the four-cylinder engine and its respective 5-speed manual transmission. The 2.7 L V6 took over duties as the base engine. A passenger airbag cutoff that prevents the airbag from deploying if the seat is unoccupied (or occupied by a small person) was also added. A 3-point seatbelt was added to the center rear seating position, as well. The calendar function, housed in the overhead console was removed and a compass took its place.

text: The last year of this Santa Fe saw few changes. Two colors were discontinued for 2006, Merlot and Canyon Red. A rare color, Dark Emerald Green, was introduced mid-year. It did not appear in any sales brochures and could have only been ordered by a dealership. The LX trim level was renamed 'Limited' and got a corresponding tailgate badge, a first for the Santa Fe of any trim level. Another first was the availability of a monochromatic paint scheme, a departure from the contrasting gray cladding previously standard. The monochromatic option was only available on the Limited in black. In total, these options ran $1900, pushing the Santa Fe's total asking price to nearly $30,000.

text: In Europe, the new Santa Fe model was launched in April as a 2006 model, offering a new 2.2-litre diesel engine and updated 2.7-litre petrol V6.

text: Hawtai[edit]

text: Part of a joint venture with Hyundai Motors that began in 2002, a Chinese company, Hawtai Motor, manufactured the first-generation Santa Fe.[6] While it did make Hyundai-branded models for sale on the Chinese market,[6] one of the versions it debuted under its own brand name in 2009 was the Santa Fe C9.[7] Utilizing a Rover-acquired engine, it may have been priced at a significant discount to those bearing the Hyundai name.[8]

text: Hyundai ended its partnership with Hawtai in 2010 and production ended in 2015.[9]

text: Second generation (CM, 2007–2012)[edit]

text:
Second Generation (CM)

Overview

Also called
Inokom Santa Fe (Malaysia)
Hawtai Santa Fe (China)

Production
April 2006–2012
November 2014–present (China)

Model years
2007–2012
2015–present (China)

Assembly
Ulsan, Korea
Montgomery, Alabama, United States
West Point, Georgia, United States
Kulim, Malaysia
Cairo, Egypt (Ghabbour Group)

Body and chassis

Related
Hyundai Sonata
Hyundai Veracruz/ix55
Hyundai Grandeur/Azera
Kia Optima
Kia Carens
Kia Sorento

Powertrain

Engine
1.5L 4G15[10] I4 (China)
1.5L 15S4G[11] I4 (China)
2.0L 4G94[12] I4 (China)
2.4L Theta II 174 hp (130 kW) I4 petrol
2.7L Mu V6 185 hp (138 kW) petrol
3.3L Lambda V6 242 hp (180 kW) petrol
3.5L Lambda II V6 276 hp (206 kW) petrol
2.0L OED483Q[13] I4 turbo diesel (China)
2.2L CRDI VGT 150 hp (110 kW) I4 diesel
2.2L CRDI VGT 155 hp (116 kW) I4 diesel
2.2L CRDI VGT R-Line 200 hp (150 kW) I4 diesel

Transmission
6-speed manual
5-speed manual
6-speed automatic (2010 model)
5-speed automatic
4-speed automatic

Dimensions

Wheelbase
2,700 mm (106.3 in)
2,660 mm (104.7 in) (Hawtai Santa Fe and Santa Fe 5)
2,640 mm (103.9 in) (Hawtai Santa Fe 7)

Length
4,675 mm (184.1 in)
4,426 mm (174.3 in) (Hawtai Santa Fe and Santa Fe 5)

Width
1,890 mm (74.4 in)
1,862 mm (73.3 in) (Hawtai Santa Fe and Santa Fe 5)
1,876 mm (73.9 in) (Hawtai Santa Fe 7)

Height
1,725 mm (67.9 in)
1,709 mm (67.3 in) (Hawtai Santa Fe)
1,683 mm (66.3 in) (Hawtai Santa Fe 5)
1,730 mm (68.1 in) (Hawtai Santa Fe 7)

text: The next-generation 2007 Santa Fe debuted at the 2006 North American International Auto Show in Detroit. The first production Santa Fe rolled off Hyundai's Montgomery, Alabama assembly line on April 18, 2006. It shares this assembly line with the current generation Hyundai Sonata. The new generation sheds the old style's quirky design in favor of a more contemporary look.

text: In the United States, the new generation is offered in GLS, SE, and Limited versions.[14] The new Santa Fe sees the return of a manual transmission, but only when mated with the 2,656 cc (2.656 L; 162.1 cu in) V6. The 3,342 cc (3.342 L; 203.9 cu in)[15] V6 (a retuned version of the same engine found in the Sonata) is standard on the SE and Limited and comes only with a 5-speed automatic. Both 2WD and AWD models with a 3.3 L have a fuel economy of 19 mpg‑US (12 L/100 km; 23 mpg‑imp) city and 24 mpg‑US (9.8 L/100 km; 29 mpg‑imp) highway.[15] The 2.2l diesel engine (not available in the US) with 186 hp (139 kW) has mixed cycle of 7.2l and a city cycle of 8.0l. The 4WD is a Borg-Warner Torque Management device, which diverts power to the wheels with best grip according to the amount of slip. If the front wheels spin slightly, 10% of the torque will transfer to the rear axle. If the front wheels start to slip a lot, 50% of the torque will transfer to the rear axle. Body lean in turns, a problem with the previous generation, has been reduced in the new Santa Fe. Both road and wind noise have also been reduced.

text: Newly standard on the latest iteration of the Santa Fe are all the safety features the previous model lacked or charged as extra. Electronic Stability Control (ESC), side-curtain airbags for all seating rows, a tire pressure monitor, active front head restraints, and anti-lock brakes are all standard.[14] A heated windshield wiper grid located in the front wipers' 'park' position helps to thaw ice buildup on the blades in colder climates. Some features like the tailgate flip glass and the lower body cladding were not integrated into the new model.

text: The interior has been upgraded as well with blue-lit dashboard controls (unlike the green color used in other Hyundai models), a gated shifter pattern, illuminated cup holders, and higher quality leather on Limited models. The rear seat head restraints caused visibility problems in the previous model due to their size. The new style features 'shingled' head rests that when lowered completely, sit flush with the top of the seat, helping to maximize rear visibility. The middle rear seating position now comes with its own head restraint and a three-point seat belt built in. LATCH child seat anchors are also standard, and an optional 50/50 third row seat allows Santa Fe to seat seven passengers.

text: Pricing remained competitive despite the upward move in size and feature content.

text: In Malaysia, Hyundai Santa Fe is available as a Complete knock down model rebadged as Inokom Santa Fe. The Inokom Santa Fe is only available in CRDi 2.2-liter I4 Diesel and 2.7-liter V6.

text: For 2008, only minor changes were applied to the Santa Fe. A navigation system made by LG was offered and the Infinity sound system and the power glass sunroof were made standard on Limited models.[16] The non-metallic white paint trim was dropped, leaving the pearl white as the only white color available on the Santa Fe.

text: 2009 saw only minor changes for the Santa Fe. The 16" wheels on the base GLS model (USA specification) were dropped and replaced with black steel wheels and plastic covers. Additionally, the GLS received black plastic mirrors as opposed to the body-colored mirrors of the higher-tier SE and Limited models. This cut in equipment was rumored to be a countermeasure to offset the price increase of offering an iPod plug-in for the stereo system. Because of the black mirrors and wheel covers, the additional cost of the iPod adapter was negated, leaving the base price of the vehicle unchanged.

text: The Santa Fe topped the “20 least expensive 2009 vehicles to insure” list by Insure.com. According to research, the Santa Fe is the least expensive vehicle to insure. Low rates tend to reflect a vehicle’s safety.[17][18]

text: December 2009 saw the range go all-diesel, with a more economical ‘R’ series piezo electric injector-equipped 2.2-litre turbo-diesel four-cylinder producing 145 kW of power (up 27 per cent) at 3800rpm and 436Nm of torque at 1800rpm (421Nm for the manual).

text: A mid-cycle refresh designed in Germany for the Santa Fe was implemented for the 2010 model year. The grille now includes horizontal and vertical gridded bars as opposed to the horizontal two-bar grille on previous models, and grilles are now body-colored instead of black. New rear taillights include all-red taillight covers with extensive chrome outlay, and new 5 split-spoke alloy wheels have replaced the previous 5- and 6-spoke wheels. All Santa Fe's now include standard Bluetooth hands-free phone connectivity and steering wheel audio controls, new darker wood trim, and metallic steering wheel inlay. Gauges have been designed with a new lettering and numbering 'font' and backlight design. A new touch-screen navigation system with rear back-up camera was now available. Finally, for the US market, the optional third row seat has been discontinued, leaving the larger Veracruz the only currently sold Hyundai in the United States to seat more than five persons.[19]

text: Powertrain changes included a choice of the standard six-speed manual transmission or the optional six-speed automatic transmission. Engine choices include a 2.4-litre four-cylinder and a 3.5-litre V6 engine. The latter engine is also used in the Kia Sorento. Both engines generate greater power while obtaining greater fuel economy than previous engine models. Sales began in early January 2010.

text: Only minor changes were applied to the Santa Fe for 2011. The 1050-watt Infinity sound system became standard on Limited trim whereas it had only been previously bundled with the optional navigation system. Five new colors were added, as well, including Moonstone Silver, Frost White Pearl, Sonoran Red, Mineral Gray, and Espresso Brown.

text: On September 1, 2010, North American production of the Santa Fe shifted to Kia's new West Point, Georgia assembly plant for the 2011 model year. This was done to free up production capacity at the Alabama plant for the new Sonata and new Elantra. The Santa Fe fills the void left for a Kia-built Hyundai sold in the United States & Canada after Hyundai ended production of the Entourage minivan in 2009. Kia, however, is 49.2% owned by Hyundai.

text: The Santa Fe only received minor changes for 2012: The all-body colored grille (in North American markets) was straightened and received chrome accents while the textured strip below the headlights was changed from amber to clear. The interior received a new shift knob and downhill brake assist was added. The 2012 model will be discontinued by the end of the year, successfully ending production for the second generation.

text: Santa Fe Blue Hybrid[edit]

text: There is a Hyundai Santa Fe Blue Hybrid that is powered by gasoline engine coupled to a 30 kW (41 PS; 40 hp) electric motor. The Santa Fe blue Hybrid uses a 270 V lithium polymer battery.[20][21]

text: Recall[edit]

text: Hyundai is recalling almost 200,000 Santa Fe SUVs from 2007–2009 model years, because the front passenger airbags may not deploy in a crash due to a possible problem with the occupant classification system. The system gauges the size of a passenger and based on that whether an air bag should be deployed. A software update rectifies the issue.[22]

text: Safety award[edit]

text: The Second-generation Santa Fe earned "Top Safety Pick" award by the Insurance Institute for Highway Safety.[18] It also received maximum 5 star safety ratings by the National Highway Traffic Safety Administration (NHTSA).[23] The Hyundai Santa Fe earned maximum five star safety rating from Australasian New Car Assessment Program (ANCAP).[24]

text: The Second-generation Hyundai Santa Fe topped the “20 least expensive 2009 vehicles to insure” list by Insure.com.[17]

text: Marketing[edit]

text: Advertising Standards Bureau of Australia banned a Santa Fe TV commercial titled 'Restless' or 'Toddler' in 2007, which ASB argued that it promotes an illegal driving activity: a underaged person (a toddler) driving a car. He also picked up a hitchhiking toddler girl and both were wearing seatbelts instead of approved child restraints which also breached safety recommendations.[25][26] The ad was produced by Kim Thorp and Howard Greive from Assignment Group NZ and directed by Tony Williams from Sydney Film Company, with post via Frame Set + Match, Sydney.[27] The ad itself won the 2006 Fair Go Ad Awards in Best Ad Award category, and was also nominated in the top five in the Worst Ad category.[28]

text: Third generation (DM, NC, 2013–2018)[edit]

text:
Third generation (DM)

Overview

Also called
Hyundai Maxcruz (for long-wheelbase model, South Korean version)
Hyundai Grand Santa Fe (long-wheelbase model)

Production
June 2012–present (5-seat Sport version)
November 2012–present (7-seat LWB version)

Model years
2013–2018

Assembly
Ulsan, South Korea
West Point, Georgia, United States (Kia Motors)
Montgomery, Alabama, United States
Cairo, Egypt (Ghabbour Group)
Beijing, China (Beijing Hyundai)
Kulim, Malaysia(Hyundai Malaysia)
Kaliningrad, Russia (Avtotor)[29]
Tiaret, Algeria[30]

Body and chassis

Related
Kia Sorento

Powertrain

Engine
2.4 L Theta II MPI I4 174hp
2.4 L Theta II GDi I4 190hp
3.3 L Lambda II MPI V6 267hp
3.3 L Lambda II GDi V6 290hp
2.0 L Theta II Turbo I4 264hp
2.0L CRDI VGT R-Line I4 diesel 148hp,183hp
2.2L CRDI VGT R-Line I4 diesel 200hp

Transmission
6-speed automatic
6-speed manual

Dimensions

Wheelbase
2,700–2,800 mm (106.3–110.2 in)

Length
4,690–4,905 mm (184.6–193.1 in)

Width
1,880 mm (74.0 in)

Height
1,680–1,690 mm (66.1–66.5 in)

Chronology

Predecessor
Hyundai Veracruz (LWB)

text: Hyundai launched a redesign of the Santa Fe on February 14, 2012, and went on sale in June 2012 as a 2013 model. Unveiled at the 2012 New York Auto Show on April 4,[31] the third generation Santa Fe features two wheelbase variants: shorter 5-seat Sport variant and the long-wheelbase version (called Sante Fe XL in Canada) with three rows of seats and available seating for six or seven passengers. The longer Santa Fe also receives a unique grille design, optional 19 inch alloy wheels, flush dual exhaust tips, and a body shape that accentuates the crossover’s added passenger and cargo room hind-wise from the B-pillar. Both models feature the new "Storm Edge" design prototype, eventually to launch on all other models, and feature refreshed Santa Fe unibody crossover platform, akin to most of today's SUVs.

text: The 2013 Santa Fe Sport models arrives with an all four-cylinder engine lineup. The CUV’s standard engine is a 2.4 L developing 190 horsepower (142 kW), with a 264 horsepower (197 kW) 2.0 L turbo four on offer. Front-wheel drive is standard, with all-wheel drive being optional. The Santa Fe Sport has Hyundai’s Torque Vectoring Cornering Control feature for upgraded drive performance. Both engines shift through a six-speed automatic transmission (already found in the Azera sedan), returning up to 33 mpg‑US (7.1 L/100 km; 40 mpg‑imp) for the naturally aspirated model and 31 mpg‑US (7.6 L/100 km; 37 mpg‑imp) for the Santa Fe Sport 2.0T model. The long-wheelbase is offered in North America exclusively with a 3.3 L, 290 horsepower (216 kW) V6 engine, whose numbers were not beaten by a same-class vehicle so far.

text: The 2013 Santa Fe Sport went on sale in September 2012 for the North American market. The long-wheelbase variant would follow suit in November 2012 and went on sale in early 2013 after the Veracruz ended production.[32] The Korean-spec Santa Fe was launched in Asia since April 19, 2012, in short wheel base form with 7-seater capacity. Available engine types are a 2.0L E-VGT R-Line and 2.2L E-VGT R-Line diesel engines.[33]

text: In March 2013, the Santa Fe long-wheelbase variant was available in South Korea as the Maxcruz.[34]

text: Trim levels[edit]

text: As per Hyundai's website, the Hyundai Santa Fe and Santa Fe Sport are available in multiple trim levels:

text: The Santa Fe Sport is available in one basic trim level, but with two engines, and multiple packages that add many features. Basic equipment includes alloy wheels, an A/M-F/M stereo with CD/MP3 player, iPod/USB and auxiliary audio inputs, SiriusXM Satellite Radio, Bluetooth for phone and audio, voice command, six (6) speakers, cloth seating surfaces, and more. Features such as an upgraded sound system with upgraded touch-screen radio, a full, GPS navigational system, and leather-trimmed seating surfaces can be added to the basic Santa Fe Sport so that buyers can choose their ideal vehicle. Engine choices are either a 2.4L Gasoline Direct-Injection (GDi) Inline Four-Cylinder (I4) engine, or a 2.0L Turbocharged Inline Four-Cylinder (I4) engine, offered as the 2.4 and 2.0T trim levels, respectively.

text: The Santa Fe is available in two distinct trim levels: the SE (Formerly called the GLS until the 2016 model year), and the Limited. The SE includes alloy wheels, an A/M-F/M stereo with CD/MP3 player, iPod/USB and auxiliary audio inputs, SiriusXM Satellite Radio, Bluetooth for phone and audio, voice command, six (6) speakers, cloth seating surfaces, and more. Features such as an upgraded sound system with upgraded touch-screen radio, a full, GPS navigational system, and leather-trimmed seating surfaces can be added to the Santa Fe SE to further enhance this trim level. The Limited adds those features that are optional on the SE, while adding larger alloy wheels and wood interior trim. The Santa Fe is only available with the 3.3L V6 engine.

text:
2013 Hyundai Santa Fe LWB

2016 Hyundai Santa Fe LWB

Hyundai Santa Fe LWB (China)

Comparison between LWB (left) and Sport (right) platforms

text: 2017 model year Update[edit]

text: For the 2017 model, both the LWB Santa Fe and Santa Fe Sport has received a facelift with restyled headlights and taillights.

text:
MY17 facelift

MY17 facelift

text: Marketing[edit]

text: As part of the Super Bowl XLVII campaign, 3 TV commercials developed by INNOCEAN USA were premiered during Super Bowl XLVII:

text:
In "Epic Playdate", a father takes his family on a trip in a long-wheelbase Santa Fe consisting of various increasingly unorthodox activities, which include driving around in mud to getting away from bikers behind them and bowling in a human-sized inflatable hamster ball. The commercial features a cameo appearance by The Flaming Lips.[35]
In "Team", a young boy recruits his own team to take on a group of children who took his football, with the long-wheelbase Santa Fe being used to gather various members of his team, all of which are shown to do various tasks that would typically require adults (such as wrestling a bear, rescuing a man from a burning building and welding).[36]
In "Don't Tell", a father and his children in a short-wheelbase Santa Fe perform various activities to somewhat extreme extents, including skiing down a dangerous (black diamond-rated) ski trail and watching a horror film, during all of which the father tells his children, "Don't tell mom". In the last activity, the mother goes parasailing with her son, to whom she says, "Don't tell dad".[37]

text: Fourth generation (TM, 2019–present)[edit]

text:
Fourth generation (TM)

Overview

Also called
Hyundai Santa Fe XL (long wheelbase model)

Production
2018–present

Model years
2019–present

Assembly
Ulsan, South Korea

Powertrain

Engine
2.4 L Theta II GDi I4 185hp
2.0 L Theta II Turbo I4 232hp
2.2L CRDI VGT R-Line I4 diesel 200hp

Transmission
8-speed automatic

text: On February 21, 2018, Hyundai introduced pictures of the fourth generation Santa Fe in South Korea,[38] with the official introduction of the SUV to make its debut at the 88th Geneva Auto Show in March. In addition, the two versions of Santa Fe will be rebranded, with the five-door “Sport” model no longer used while the long wheelbase model is branded as “Santa Fe XL” (the latter to fill the midsize SUV void until a new SUV debuts in 2019). Both versions will arrive in North American dealerships starting in the Summer of 2018 as a 2019 model[39]

text: Hyundai also announced that a diesel fuel version of the Santa Fe will be available in the United States for the 2019 model year.[40]

text: One of Hyundai Motor's latest strategic models, the Santa Fe TM, is equipped with a highway driving aid system. Depending on the condition of the road, or traffic is stagnant, it is possible to disable the OSC function in a shorter period of time than usual.[41]

text: Sales[edit]

text:
Calendar year
United States[42]

2000
10,332

2001
56,017

2002
78,279

2003
101,278

2004
111,447

2005
68,006

2006
63,931

2007
92,421

2008
70,994

2009
80,343

2010
76,680

2011
74,391

2012
71,016

2013
88,844

2014
107,906

2015
118,134

2016
131,257

2017
133,171