document_title: The Quiet Man

question_text: where was the movie the quiet man filmed in ireland

text: The Quiet Man

text: Plot[edit]

text: In the 1920s, Sean Thornton (John Wayne), an Irish-born American from Pittsburgh, travels to Ireland to reclaim his family's farm and his birthplace in Inisfree. He meets and falls in love with the fiery Mary Kate Danaher (Maureen O'Hara), the sister of the bullying, loud-mouthed landowner Squire "Red" Will Danaher (Victor McLaglen). Danaher, who had wanted the farm himself, is angry that the Widow Tillane (herself angered by Danaher's admission that he had discussed her in the local pub) accepts Sean's bid, and retaliates by refusing consent for his sister to marry. Several town locals, including the Catholic priest, Father Lonergan (Ward Bond), conspire to trick him into believing that the wealthy Widow Tillane (Mildred Natwick) wants to marry him, but only if Mary Kate is no longer living in his house. After learning the truth on Sean and Mary Kate's wedding day, an enraged Will refuses to give his sister her dowry which is made up of a large sum of money and her family possessions passed down from her mother.

text: Sean, unschooled in Irish customs, cares nothing about the dowry, but to Mary Kate the dowry represents her independence, identity, and pride. She feels passionately and intensely that the dowry is hers and is needed to validate her marriage to Sean. Angered and shamed by Sean's refusal to confront her brother and demand what is legally hers, she brands him a coward, and, despite living together, they are quickly estranged as husband and wife. In the morning they find that others in the village had visited Will and pressured him to return Mary Kate's furniture, but not her money.

text: Sean had been a boxer in the United States, a heavyweight challenger known as "Trooper Thorn". After accidentally killing an opponent in the ring, Sean hung up his gloves, vowing never to fight again. This is known to only one person in the village, the Church of Ireland minister, the Rev. Playfair (Arthur Shields), who once upon a time had been the lightweight champion and so understands Thornton's internal conflict over the fight.

text: In an attempt to force Sean to confront Will, Mary Kate leaves him and boards a train departing Castletown and headed to Dublin. Sean hears that she left for the station and drags her off the train. Followed by the crowding townspeople, he forces her to walk with him the five miles back to Inisfree and directly to the Danaher farm. Sean demands that Will hand over her dowry. When Will refuses, he throws Mary Kate back at Will, saying that "no dowry, no marriage" is their custom not his, shocking the two and shaming Will into finally paying the monetary part of his sister's dowry. Sean promptly throws the money into a nearby furnace which Mary Kate holds open, showing that Mary Kate never cared about the money, but only what it represented.

text: After a proud Mary Kate announces so all can hear, that she will now return home to prepare his supper, and departs, Will punches Sean, and a long, memorable fistfight ensues between the two, drawing crowds from miles around. They slug it out through the village, stop for a drink, brawl again, then, somewhat drunk, admit grudging mutual respect and the two return to Sean and Mary Kate's home for supper, where it is implied the rift is healed. Sean regains Mary Kate's love and respect. In the aftermath it is shown that Will and the Widow Tillane begin courting, and "peace is returned to Inisfree".

text: Cast[edit]

text:
John Wayne as Sean Thornton
Maureen O'Hara as Mary Kate Danaher
Barry Fitzgerald as Michaeleen "Óg" Flynn (Óg means "young" in Irish, which was used to denote between a father and son named the same, such as "Sr." and "Jr." are used in English)
Victor McLaglen as Squire "Red" Will Danaher
Ward Bond as Father Peter Lonergan
Mildred Natwick as the Widow Sarah Tillane
Francis Ford as Dan Tobin
Arthur Shields as Rev. Cyril Playfair
Eileen Crowe as Elizabeth Playfair
Charles FitzSimons as Hugh Forbes
James Fitzsimons (as James Lilburn) as Father Paul
Sean McClory as Owen Glynn
Emily Eby as Mave Campbell
Jack MacGowran as Ignatius Feeney
Philip Stainton as Anglican Bishop
May Craig as Fishwoman with Basket at Station
Paddy O'Donnell as Railway porter
Eric Gorman as Costello – Engine driver
Kevin Lawless as Engine fireman
Joseph O'Dea as Molouney – Train guard
Tony Canzoneri as Boxing Second (uncredited)
Frank Baker as Man in Bar (uncredited)
Ruth Clifford as Mother (uncredited)
Maureen Coyne as Dan Tobin's Daughter Ireland (uncredited)
Mimi Doyle as Dan Tobin's Daughter USA (uncredited)
Ken Curtis as Dermot Fahy (uncredited)
Douglas Evans as Ring Physician (uncredited)
Charles Ferguson as Danaher Brother (uncredited)
Robert Foy as Driver of Cart Across River (uncredited)
Sam Harris as General (uncredited)
D.R.O. Hatswell as Guppy (uncredited)
John Horan as Man at Railway Station (uncredited)
David Hughes as Police Constable (uncredited)
Billy Jones as Bugler (uncredited)
Tiny Jones as Nell (Maid) (uncredited)
Colin Kenny as Pub Extra (uncredited)
Patrick Wayne as Boy on Wagon at Horse Race (uncredited)
Michael Wayne as Teenage Boy at Races (uncredited)
Toni Wayne as Teenage Girl at Races (uncredited)
Melinda Wayne as Girl on Wagon at Horse Race (uncredited)
Mae Marsh as Father Paul's Mother (uncredited)
Jim Morrin as Roof Thatcher (uncredited)
Jim McVeigh as Man Following Cart Across River (uncredited)
Harry Tenbrook as Police Sergeant Hanan (uncredited)
Harry Tyler as Pat Cohan (Publican) (uncredited)
Al Murphy as Boxing Referee (uncredited)
Hank Worden as Boxing Trainer (uncredited)
Michael O'Brian as Musha Musha Man (uncredited)
Pat O'Malley as Man in Bar (uncredited)
Frank O'Connor as Ringside Photographer (uncredited)
Web Overlander as Hugh Bailey (Stationmaster) (uncredited)
Bob Perry as Trooper Thorn's Ringside Trainer (uncredited)
Darla Ridgeway as Girl (uncredited)
Freddy Ridgeway as Boy (uncredited)
Philip Stainton as Anglican Bishop (uncredited)
Jack Roper as Tony Gardello (Boxer) (uncredited)
Brick Sullivan as Townsman (uncredited)

text: Cast notes[edit]

text:
Charles Fitzsimons and James Fitzsimons were Maureen O'Hara's real life younger brothers. In this film, James was billed as James Lilburn, though he was later better known as James O'Hara. Barry Fitzgerald and Arthur Shields were also brothers in real life, and Francis Ford was John Ford's elder brother. Ken Curtis, later of Gunsmoke fame and newly married to John Ford's daughter Barbara, has a small role as Fahy, the village accordion player.
Wayne brought his four children along on location, and Ford gave them parts in the important race scene in the film:

Michael Wayne, 18, as teenage boy at races
Mary Antonia "Toni" Wayne, 16, as teenage girl at races
Patrick Wayne, 13, as teenage boy at races
Melinda Wayne, 12, as young girl at races

text: Production[edit]

text: The film was something of a departure for Wayne and Ford, who were both known mostly for Westerns and other action-oriented films. It was also a departure for Republic Pictures, which backed Ford in what was considered a risky venture at the time. It was the only time the studio, known for low budget B-movies, released a film that would receive an Oscar nomination for Best Picture.

text: Ford read the story in 1933 and soon purchased the rights to it for $10. The story's author was paid another $2,500 when Republic bought the idea, and he received a final payment of $3,750 when the film was actually made.[3] Republic Pictures agreed to finance the film with O'Hara and Wayne starring and Ford directing, but only if all three agreed to first film a Western with Republic. They did, and after completing Rio Grande, they headed for Ireland to start shooting.

text: One of the conditions that Republic placed on Ford was that the film run under two hours. However, the finished picture was two hours and nine minutes. When screening the film for Republic executives, Ford stopped the film at approximately two hours in, on the verge of the climactic fistfight. Republic executives relented and allowed the film to run its full length.[4] It was one of the few films that Republic filmed in Technicolor; most of the studio's other color films were made in a more economical process known as Trucolor.

text: The film employed many actors from the Irish theatre, including Barry Fitzgerald's brother, Arthur Shields, as well as extras from the Irish countryside, and it is one of the few Hollywood movies in which the Irish language can be heard.

text: Filming commenced on June 7, 1951. All of the outdoor scenes were shot on location in Ireland in County Mayo and County Galway. The inside scenes were filmed toward the end of July at the Republic Studios in Hollywood.

text: The story is set in the fictitious community of Inisfree. This is not the same as the Lake Isle of Innisfree, a place in Lough Gill on the Sligo–Leitrim border made famous by poet William Butler Yeats, which is a tiny island. Many scenes for the film were actually shot in and around the village of Cong, County Mayo, on the grounds of Cong's Ashford Castle. Cong is now a wealthy small town and the castle a 5-star luxury hotel. The connections with the film have led to the area becoming a tourist attraction. In 2008, a pub opened in the building used as the pub in the film (it had actually been a shop at the time when the movie was shot); the pub hosts daily re-runs of the film on DVD.[5] The Quiet Man Fan Club holds its annual general meeting in Ashford Castle. Other locations in the film include Thoor Ballylee, Co. Galway, home of poet W.B. Yeats for a period, Ballyglunin railway station near Tuam Co. Galway, which was filmed as Castletown station, and various places in Connemara Co. Galway and Co. Mayo. Among those are Lettergesh beach, where the horse race scene was filmed,[6] the Quiet Man Bridge, signposted off the N59 road between Maam Cross and Oughterard[7] and the "White O'Morn" cottage. The latter is located on R336 south of Maam, but has long ago fallen into ruin.[8]

text: The film also presents Ford's depiction of an idealized Irish society, with no social divisions based on class or religion. The Catholic priest, Father Lonergan, and the Protestant Rev. Playfair maintain a strong friendly relationship throughout the film – which represented the norm in what was then the Irish Free State. (Religious tensions occurred in the 1930s, but were the norm only in Northern Ireland.) The only allusions to Anglo-Irish animosity occur after the happy couple is married and a congratulatory toast expresses the wish that they live in "national freedom" (the term national has been censored from most editions)[6] and before the final donnybrook when Thornton demands his wife's dowry from Danaher. Danaher asks Hugh Forbes, who had been commander of the local Irish Republican Army unit during the fight to expel the British, "So the IRA is in this too, ah", to which Forbes replies, "If it were, not a scorched stone of your fine house would be standing."

text: Music[edit]

text: Ford chose his friend, Hollywood composer Victor Young, to compose the score for the film. Young sprinkled the soundtrack with many Irish airs such as the "Rakes of Mallow" and "The Wild Colonial Boy". One piece of music, chosen by Ford himself, is most prominent: the melody the "Isle of Innisfree", written not by Young, but by the Irish policeman/songwriter Richard Farrelly. The melody of the "Isle of Innisfree", which is first heard over the opening credit sequence with Ashford Castle in the background, becomes the principal musical theme of The Quiet Man. The melody is reprised at least eleven times throughout the film.

text: The upbeat melody comically hummed by Michaeleen Oge Flynn and later played on the accordion is the "Rakes of Mallow".

text: A portion of the Irish version of "The Wild Colonial Boy" is played throughout the film.

text: When Maureen O'Hara died in October 2015, her family stated she listened to music from The Quiet Man during her final hours.[9] Filmmaker George A. Romero was also said to have died listening to the score.[10]

text: Box office[edit]

text: The film was a financial success, grossing $3.8 million in its first year of release. This was among the top ten grosses of the year.[11] It was the seventh most popular film for British audiences in 1952.[12]

text: Critical reception[edit]

text: The Quiet Man has a 90% approval rating on Rotten Tomatoes, with the critical consensus stated as, "Director John Ford and star John Wayne depart the Western for the Irish countryside, and the result is a beautifully photographed, often comedic romance."[13]

text: Academy Awards[edit]

text:
Award[14][15]
Person

Best Director
John Ford

Best Cinematography
Winton C. Hoch
Archie Stout

text:
Nominations

Best Picture
John Ford
Merian C. Cooper

Best Supporting Actor
Victor McLaglen

Best Art Direction
Frank Hotaling
John McCarthy Jr.
Charles S. Thompson

Best Sound
Daniel J. Bloomberg
(Republic Sound Department)

Best Adapted Screenplay
Frank S. Nugent

text: In popular culture[edit]

text: A kissing scene between Sean and Mary Kate is shown in E.T. the Extra-Terrestrial (1982) when E.T. watches television. E.T. is interested and moved by the scene; his telepathic contact with Elliot causes the boy to re-enact it while he is at school with a girl, portrayed by a young Erika Eleniak.

text: The film inspired Donnybrook!, a 1961 Broadway musical.

text: John Williams' score for the film 1941 (1979) borrows the Rakes of Mallow motif from The Quiet Man. It is used to show the building violence between the soldiers and sailors.

text: The film is referenced in the 2015 romantic drama film Brooklyn.

text: Irish author Des MacHale has written four books about the film.[16]

text: Home media[edit]

text: It was first released on DVD December 14, 1998 by Artisan Home Entertainment. It was also released 4 years later on a Collector's edition DVD on October 22, 2002 by Artisan. The Special features on this edition include "The Making of the Quiet Man" Documentary with Leonard Maltin, and "The Joy of Ireland" Documentary with Maureen O'Hara and Andrew V. McLaglen, and "Remembering The Quiet Man Montage".

text: On January 22, 2013 Olive Films released The Quiet Man on DVD and for the first time on Blu-ray, as a 60th Anniversary Special edition. It included the documentary "The Making of the Quiet Man" with Leonard Maltin.

text: In 2010 there was a documentary called Dreaming The Quiet Man made about the journey and making of The Quiet Man. It was narrated by Gabriel Byrne, and had interviews with Peter Bogdanovich, Martin Scorsese, Charles F. Fitzsimons, and Maureen O'Hara. It was released on DVD and Blu-ray for the first time on March 24, 2015.


document_title: List of Sahitya Akademi Award winners for English

question_text: when did mulk raj anand get sahitya academy award

root

text:
Sahitya Akademi Award

Award for contributions to Literature

Awarded for
Second-highest literary honour in India

Sponsored by
Sahitya Akademi, Government of India

Reward(s)
₹1 lakh (US$1,500)

First awarded
1960

Last awarded
2017

Highlights

Total awarded
56

First winner
R. P. Sethu Pillai

Last winner
Mamang Dai

Website
sahitya-akademi.gov.in

tag: table

text: The Sahitya Akademi Award is the second-highest literary honor in India. The Sahitya Akademi, India's National Academy of Letters, aims at "promoting Indian literature throughout the world". The Akademi annually confers on writers of "the most outstanding books of literary merit". The awards are given for works published in any of the 24 languages recognised by the akademi.[1] Instituted in 1954, the award recognizes and promotes excellence in writing and acknowledge new trends. The annual process of selecting awardees runs for the preceding twelve months. As of 2015, the award comprises a plaque and a cash prize of ₹1 lakh (US$1,500).[1][2]

tag: p

text: Recipients[edit]

text:
Year
Book
Writer
Category of Books

1960
The Guide
R. K. Narayan
Novel

1964
The Serpent and the Rope
Raja Rao
Novel

1965
The Tribal World of Verrier Elwin
Verrier Elwin
Autobiography

1967
Shadow From Ladakh
Bhabani Bhattacharya
Novel

1969
An Artist in Life
Niharranjan Ray
Biography

1971
Morning Face
Mulk Raj Anand
Novel

1975
Scholar Extraordinary
Nirad C. Chaudhuri
Biography

1976
Jawaharlal Nehru
Sarvepalli Gopal
Biography

1977
Azadi
Chaman Nahal
Novel

1978
Fire on the Mountain
Anita Desai
Novel

1979
Inside the Haveli
Rama Mehta
Novel

1980
On the Mother
K. R. Srinivasa Iyengar
Biography

1981
Relationship
Jayanta Mahapatra
Poetry

1982
The Last Labyrinth
Arun Joshi
Novel

1983
Latter-Day Psalms
Nissim Ezekiel
Poetry

1984
The Keeper of the Dead
Keki N. Daruwalla
Poetry

1985
Collected Poems
Kamala Das
Poetry

1986
Rich Like Us
Nayantara Sahgal
Novel

1987
Trapfalls In the Sky
Shiv K. Kumar
Poetry

1988
The Golden Gate
Vikram Seth
Novel

1989
The Shadow Lines
Amitav Ghosh
Novel

1990
That Long Silence
Shashi Deshpande
Novel

1991
The Trotter-Nama
I. Allan Sealy
Novel

1992
Our Trees Still Grow In Dehra
Ruskin Bond
Short Stories

1993
After Amnesia
G. N. Devy
Essays

1994
Serendip
Dom Moraes
Poetry

1996
Memories of Rain
Sunetra Gupta
Novel

1998
Final Solutions and Other Plays
Mahesh Dattani
Drama

1999
The Collected Poems
A. K. Ramanujan
Poetry

2000
Cuckold
Kiran Nagarkar
Novel

2001
Rajaji: A Life
Rajmohan Gandhi
Biography

2002
A New World
Amit Chaudhuri
Novel

2003
The Perishable Empire
Meenakshi Mukherjee
Essays

2004
The Mammaries of the Welfare State
Upamanyu Chatterjee
Novel

2005
The Algebra of Infinite Justice
Arundhati Roy
Essays

2006
The Sari Shop
Rupa Bajwa
Novel

2007
Disorderly Women
Malathi Rao
Novel

2009
Mahabharata: An Inquiry into the Human Condition
Chaturvedi Badrinath
Criticism

2010
The Book of Rachel
Esther David
Novel

2011
India after Gandhi[3]
Ramachandra Guha[4]
Historical Narrative

2012
These Errors are Correct
Jeet Thayil[5]
Poetry

2013
Laburnum For My Head
Temsula Ao[6]
Short stories

2014
Trying to Say Goodbye
Adil Jussawalla
Poetry

2015
Chronicle of a Corpse Bearer
Cyrus Mistry
Novel

2016
Em and the Big Hoom
Jerry Pinto
Novel

2017
The Black Hill
Mamang Dai[7]
Novel

text: Further reading[edit]

text: Sahitya Akademi Award

tag: ul


document_title: A Series of Unfortunate Events (TV series)

question_text: who plays aunt josephine in a series of unfortunate events tv show

text: Premise[edit]

text: When a mysterious fire kills their parents, the Baudelaire children are informed of this terrible news by their executor Arthur Poe and are placed into the care of their distant relative Count Olaf, an actor who is determined to claim the family fortune for himself. Following Olaf's failed attempt and his plot being exposed, the Baudelaires set out to elude Olaf and his followers while uncovering the mystery behind a secret society from their parents' past as they are placed in the custody of different guardians.

text: Cast and characters[edit]

text: Main[edit]

text:
Neil Patrick Harris as Count Olaf,[4] an actor determined to claim the Baudelaire fortune for himself. He has one eyebrow and a tattoo resembling an eye on his left ankle, which is frequently used to identify him when he is disguised.
Patrick Warburton as Lemony Snicket,[5] the narrator tasked with explaining the events during the lives of the Baudelaires.
Malina Weissman as Violet Baudelaire,[6] the eldest Baudelaire sibling and an inventor talented in mechanics.
Louis Hynes as Klaus Baudelaire,[6] the middle Baudelaire child, interested in literature and books.
K. Todd Freeman as Arthur Poe,[7] the family banker at Mulctuary Money Management and executor of the Baudelaire parents who is in charge of placing the Baudelaires in the care of a suitable guardian.
Presley Smith as Sunny Baudelaire,[8] the infant child of the Baudelaires with unnaturally strong teeth. Tara Strong provides Sunny's babbling sound effects, the meaning of which is often translated in subtitles.[9]
Lucy Punch as Esmé Squalor, a wealthy financial advisor, who becomes an ally and love interest for Count Olaf.[10]
Avi Lake as Isadora Quagmire,[11] Duncan and Quigley's sister who loves writing poetry.
Dylan Kingwell as Duncan Quagmire, Isadora's brother. Duncan is a keen journalist.[11]

text: Recurring[edit]

text:
Will Arnett as Father,[12][13] a man who is trying to return home to his three children.
Cobie Smulders as Mother,[13] a woman who is trying to return home to her three children.
Usman Ally as the Hook-Handed Man,[14] a member of Count Olaf's theatre troupe with hooks instead of hands.
Matty Cardarople as the Henchperson of Indeterminate Gender,[14] a member of Count Olaf's theatre troupe who doesn't have a specific gender.
Cleo King as Eleanora Poe, Arthur Poe's wife and the editor-in-chief of The Daily Punctilio who loves pursuing sensationalist headlines.
John DeSantis as the Bald Man,[15] a tall bald-headed man who is another member of Count Olaf's theatre troupe.
Jacqueline and Joyce Robbins as the White-Faced Women,[14] two elderly twins who are members of Count Olaf's theatre troupe.
Sara Canning as Jacquelyn, Mr. Poe's standoffish assistant and a member of the Baudelaire family's secret society. She possesses a spyglass.
Patrick Breen as Larry Your-Waiter, a member of the Baudelaire family's secret society who is seen working as a waiter at various establishments the Baudelaires visit including the Anxious Clown, Prufrock Preparatory's cafeteria, and Café Salmonella.
Sara Rue as Olivia Caliban, a librarian at Prufrock Preparatory School who later enlists as a member of the Baudelaire family's secret society when she becomes invested in the Baudelaires' plight and even becomes the latest Madame Lulu.[10][16][17]
Nathan Fillion as Jacques Snicket, the dashing adventurer brother of Lemony Snicket who enlists Olivia Caliban to help the Baudelaires.[10]

text: Guest[edit]

text: Introduced in season 1[edit]

text:
Joan Cusack as Justice Strauss,[18] a judge and Count Olaf's neighbor who helps the Baudelaires and is hopeful to adopt them.
Luke Camilleri as Gustav Sebald,[14] a member of the Baudelaire family's secret society and Monty's former assistant who made some films that had certain codes in it.
Aasif Mandvi as Montgomery "Uncle Monty" Montgomery,[19] a distant relative of the Baudelaires and enthusiastic herpetologist who claims to have spent his childhood with their late parents. He is a member of the Baudelaire family's secret society and possesses a spyglass.
Matthew Walker as the Ticket Seller, an unnamed Ticket Seller at Tedia's movie theater who is a friend of Montgomery and a member of the Baudelaire family's secret society. Mark Kandborg portrays him in a flashback seen in "The Carnivorous Carnival" Pt. 1.
Alfre Woodard as Aunt Josephine Anwhistle,[20] a distant relative of the Baudelaires at Lake Lachrymose who has many rational and irrational fears since the loss of her husband Ike and a love of grammar. She is a member of the Baudelaire family's secret society.
Don Johnson as Sir,[21] the cigar-smoking owner of Lucky Smells Lumbermill.
Catherine O'Hara as Georgina Orwell,[22] an optometrist and Count Olaf's ex-girlfriend who hypnotizes the Lucky Smells Lumbermill workers so they never leave, also causing them to believe the Baudelaire parents set fire to Paltryville. O'Hara previously portrayed Justice Strauss in the 2004 film adaptation.
Rhys Darby as Charles,[12] Sir's partner who is friendly towards the Baudelaires.
Timothy Webber as Jimmy, a worker at Lucky Smells Lumbermill.
Chris Gauthier as Phil, an optimistic worker who befriends the Baudelaires during their stay at the Lucky Smells Lumbermill.
Loretta Walsh as Norma Rae, a worker at Lucky Smells Lumbermill.
Trent Redekop as Cesar, a worker at Lucky Smells Lumbermill.

text: Daniel Handler cameos as a fish head salesperson at Lake Lachrymose. Barry Sonnenfeld does a picture cameo as the late Ike Anwhistle in "The Wide Window" and appears as him in a flashback scene in "The Carnivorous Carnival" Pt. 1.[citation needed]

text: Introduced in season 2[edit]

text:
Barry Sonnenfeld as the voice of Mr. Tammerlane, a person that Arthur Poe talks to on the phone.
Roger Bart as Nero Feint, the violin-playing vice-principal of Prufrock Preparatory School and struggling musician with an egotistic personality, a talent for mimicking what someone says in a high voice, and a love for excessive punishments.[10]
Kitana Turnbull as Carmelita Spats, an obnoxious, tutu-wearing student at Prufrock Preparatory School.[23]
Bronwen Smith as Miss Tench, Prufrock Preparatory School's gym teacher who is replaced in the post by a disguised Count Olaf while on her way back to Prufrock Preparatory School with the pep squad and the sports team.[17]
Malcolm Stewart as Mr. Remora, a teacher at Prufrock Preparatory School who specializes in teaching his personal anecdotes and is always seen eating a banana.[17]
BJ Harrison as Mrs. Bass, a teacher at Prufrock Preparatory School who specializes in measuring objects. She later becomes a bank robber.[17]
Tony Hale as Jerome Squalor, the timid husband of Esmé Squalor.[10]
Sage Brocklebank as Doorman, an unnamed doorman who works at 667 Dark Avenue.
Ithamar Enriquez as Hector, a skittish handyman and citizen of the Village of Fowl Devotees who befriends the Baudelaires.[16]
Mindy Sterling as Elder Anabelle, a member of the Village of Fowl Devotees' Council of Elders who often quotes "silence" when a non-police officer and/or a non-banker consultant attempts to violate the "No one may talk while on the platform" rule.[17]
Carol Mansell as Elder Jemma, a soft-spoken member of the Village of Fowl Devotees' Council of Elders.[17]
Ken Jenkins as Elder Sam, a gruff-speaking member of the Village of Fowl Devotees' Council of Elders.[17]
Lossen Chambers as Mrs. Morrow, an inhabitant of the Village of Fowl Devotees that wears a pink robe.
Kevin Chamberlin as Mr. Lesko, an inhabitant of the Village of Fowl Devotees that wears plaid pants.
Serge Houde as Milt, the shopkeeper of the Last Chance General Store in the Hinterlands.
Gabe Khouth as Lou, the newspaper delivery boy who brings the Daily Punctilio's newspapers to the Last Chance General Store.
John Bobek as the bearded leader of the Volunteers Fighting Disease.[17]
Lauren McGibbon as the perky member of the Volunteers Fighting Disease.
Kerri Kenney-Silver as Babs, the Head of Human Resources and Hospital Administration at Heimlich Hospital.[17]
David Alan Grier as Hal, a visually-disabled file clerk who is employed in the Library of Records at Heimlich Hospital.[24]
Robbie Amell as Kevin, an ambidextrous "freak" who works at Caligari Carnival.[25]
Kevin Cahoon as Hugo, a hunchbacked "freak" who works at Caligari Carnival.[17]
Bonnie Morgan as Colette, a contortionist "freak" who works at Caligari Carnival.[17]
David Burtka as Mr. Willums, a heckler with a pimpled chin who attends Caligari Carnival. He is based on The Man With Pimples On His Chin from "The Carnivorous Carnival" book.[26]
Jill Morrison as Mrs. Willums, the wife of Mr. Willums.
Harper and Gideon Burtka-Harris as Trixie and Skip Willums, the children of Mr. Willums.[27]
Allison Williams as an as-yet-unidentified woman who arrives to see the Caligari Carnival engulfed in flames.[28]

text: Episodes[edit]

text: SeasonEpisodesOriginally released18January 13, 2017 (2017-01-13)210March 30, 2018 (2018-03-30)

text: Season 1 (2017)[edit]

text: The first season adapts the first four books of the novel series: The Bad Beginning, The Reptile Room, The Wide Window and The Miserable Mill.[29]

text:
No.overallNo. inseasonTitleDirected byWritten byOriginal release date11"The Bad Beginning: Part One"[a]Barry SonnenfeldDaniel HandlerJanuary 13, 2017 (2017-01-13)
Violet, Klaus, and Sunny Baudelaire receive the news that their parents have perished in a house fire from well-meaning but inept banker Arthur Poe. While exploring the ruins, Klaus finds a broken spyglass with an insignia of an eye embedded on the front. Shortly afterwards, they are sent to live with their distant relative Count Olaf, a cruel and vain amateur actor, who forces them into servitude. One night, the siblings prepare puttanesca for Olaf's theatre troupe only for him to demand roast beef upon arriving home. The children state that they were never asked to prepare roast beef, angering Olaf and prompting him to slap Klaus across the face when he protests about the sleeping arrangements. Meanwhile, a mother and father are held against their will by a mysterious captor.
22"The Bad Beginning: Part Two"[a]Barry SonnenfeldDaniel HandlerJanuary 13, 2017 (2017-01-13)
The Baudelaires attempt to convince Mr. Poe of Olaf's actions, only to be sent away when Poe dismisses their claims. When Olaf gives Violet the starring role in his latest theatrical production, which ends with the two main characters being married, the siblings realize that Olaf intends to acquire their fortune by marrying Violet for real. Klaus confronts Olaf, who threatens to kill Sunny if Violet doesn't follow through with his plans. At the very last minute, however, Violet signs the marriage certificate with her left hand, invalidating the proceedings due to the fact that she is right-handed. Mr. Poe's mysterious secretary Jacquelyn reveals they were intended to be put in the care of their distant relative Montgomery Montgomery. Meanwhile, Jacquelyn's ally Gustav is mysteriously drowned, after being hit by a poisoned dart.
33"The Reptile Room: Part One"Mark PalanskyDaniel HandlerJanuary 13, 2017 (2017-01-13)
The Baudelaires are sent to live with their herpetologist uncle Montgomery Montgomery, who has recently come across a reptile he calls the Incredibly Deadly Viper. While attempting to learn more about Montgomery, Klaus discovers that the hedge maze in Montgomery's garden is exactly the same shape as the tattoo on Olaf's ankle. Olaf poses as Montgomery's new assistant Stephano and attempts to kidnap the Baudelaires, but Monty assures the Baudelaires that he recognizes Stephano as a threat. The four arrive at a movie theatre, where Monty deciphers a code sent for him through the subtitles of the film, using a spyglass identical to Klaus'. The message instructs him to bring the children to Peru. He fires Stephano shortly afterwards, believing him to be a spy sent to steal his research.
44"The Reptile Room: Part Two"Mark PalanskyEmily FoxJanuary 13, 2017 (2017-01-13)
Immediately after dismissing "Stephano," Montgomery notices that the door to his Reptile Room is ajar and investigates, only to be attacked by an unseen figure. The next day, the Baudelaires discover Olaf standing next to Montgomery's corpse. Olaf threatens to kill Sunny unless the siblings accompany him to Peru, but is prevented from carrying out his plan when Mr. Poe accidentally crashes into their car when they are trying to leave. Olaf's theatre troupe then arrives disguised as police and nurses, and claim Monty was killed by the Incredibly Deadly Viper, despite Monty's claim of it being completely harmless. While searching for proof of the snake's innocence, Klaus discovers a statue in Monty's hedge maze, and a photograph of Monty, both of them carrying spyglasses identical to Klaus'. Violet proves Olaf to be the murderer; however, he escapes via the hedge maze with Klaus' spyglass. While pursuing him, the Baudelaires meet Jacquelyn, who is posing as a statue. She tells them to seek answers on the spyglasses from their Aunt Josephine while she hunts down Olaf via underground passageways.
55"The Wide Window: Part One"Barry SonnenfeldDaniel HandlerJanuary 13, 2017 (2017-01-13)
Mr. Poe takes the Baudelaires to live with their Aunt Josephine, an irrationally frightened woman who lives in a dilapidated house overlooking Lake Lachrymose. She refuses to answer questions about their parents, so the siblings pursue answers themselves around her house, and discover their parents were members of a secret organization, with spyglasses being used as useful devices. They are also shocked to find out that Josephine was once fierce and formidable, and developed her phobias after the death of her husband. Olaf, who has followed the Baudelaires, disguises himself as a sailor named Captain Sham before pretending to fall in love with Josephine. Despite the siblings' warnings, Josephine accepts his invitation to take her out for a fried egg sandwich. Later that night, the siblings discover that Josephine has jumped out the library's bay window and left a note informing them that "Captain Sham" is their new guardian.
66"The Wide Window: Part Two"Barry SonnenfeldDaniel HandlerJanuary 13, 2017 (2017-01-13)
As Mr. Poe prepares to hand the Baudelaires over to "Captain Sham," the siblings discover the note has several grammatical errors, something Josephine would never do since she was obsessed with proper grammar. Mr. Poe takes the children to a restaurant and prepares to complete the transfer, but allows the siblings to leave after Larry, a waiter secretly a member of their parents' organization, triggers their allergy to peppermint. After returning to the house, the siblings decipher Josephine's suicide note and discover she is still alive moments before a hurricane sends the house teetering over the cliff. Escaping with a photograph of their parents standing in front of a lumber mill, the siblings find Josephine at a nearby cave, only to be confronted by Olaf, who abandons Josephine to be eaten alive by the leeches that inhabit Lake Lachrymose. Upon returning to shore, Olaf escapes after being unmasked in front of Mr. Poe while the Baudelaires sneak away and set out to find the lumber mill in the photograph.
77"The Miserable Mill: Part One"Bo WelchJoe TraczJanuary 13, 2017 (2017-01-13)
Upon arriving at the Lucky Smells Lumber Mill, the Baudelaires are forced to work by the owner Sir, who blames their parents for starting a fire that destroyed the entire town. While investigating the workers' unnaturally happy behavior, Klaus' glasses are broken by the Hook-Handed Man posing as Foreman Flacutono, and he visits local optometrist Georgina Orwell, who puts him into a hypnotic trance. Later that day, the siblings learn that two visitors are waiting to see them. Believing that their parents are still alive, the three are shocked to instead find Orwell and her receptionist "Shirley St. Ives," who is a poorly-disguised Olaf. Meanwhile, the mother and father who were previously held captive are revealed to be the parents of the Quagmire triplets, with whom they are reunited.
88"The Miserable Mill: Part Two"Bo WelchTatiana Suarez-PicoJanuary 13, 2017 (2017-01-13)
The Baudelaires discover the entire mill is under a hypnotic trance, ensuring they do not leave their jobs. Orwell and Olaf use a still-hypnotized Klaus to murder Sir's aide Charles, but Violet figures out how to break everyone's trance in the nick of time. The workers then storm the mill, causing Orwell to fall into the furnace and die. Sir escapes in the chaos while Count Olaf and the Hook-Handed Man get away. Charles reveals the truth about the Baudelaires' role in the town, where they actually helped to fight the fire. The three siblings are reunited with Mr. Poe, and Jacquelyn sends Klaus the broken spyglass that Olaf stole from him. Poe then sends the three siblings to a dreary boarding school, which two of the three Quagmire siblings are also sent to, due to their house being burnt down by an unknown woman. The Quagmires' parents are revealed to be members of the organization. In the final scene, Lemony Snicket, Count Olaf, the Baudelaires and Mr. Poe sing the song "That's Not How the Story Goes."

text: Season 2 (2018)[edit]

text: The second season adapts books five through nine of the novel series: The Austere Academy, The Ersatz Elevator, The Vile Village, The Hostile Hospital, and The Carnivorous Carnival.[32]

text:
No.overallNo. inseasonTitle [b]Directed byWritten byOriginal release date91"The Austere Academy: Part 1"Barry SonnenfeldDaniel HandlerMarch 30, 2018 (2018-03-30)
The Baudelaires are introduced to life at Prufrock Preparatory School, an unpleasant institution run by an unpleasant vice-principal named Nero and terrorized by an equally unpleasant student named Carmelita Spats. The school's only redeeming qualities are its friendly librarian Olivia Caliban and the surviving Quagmire triplets Duncan and Isadora. During a lunch break, Klaus and Isadora discover that they are holding two halves of the same spyglass. The newfound friends quickly realize that they must track down a book on secret organizations to find the answers they seek—a book Jacquelyn sent Larry to give them, but which he carelessly misplaced. Meanwhile, Count Olaf and his troupe lurk around the grounds of the school, unable to enter the front doors due to an advanced computer system programmed by Nero to detect Olaf's presence. However, with Carmelita's help, Olaf finally gains entry and locks Larry in the cafeteria's walk-in refrigerator. He then dons his latest disguise: the school's new turban-wearing gym teacher named Coach Genghis.
102"The Austere Academy: Part 2"Barry SonnenfeldJoe TraczMarch 30, 2018 (2018-03-30)
Olaf is able to convince Nero to put the Baudelaires under a grueling exercise program, making the siblings run endless laps at night to prevent them from scheming against him, while also causing them to perform poorly in class from lack of sleep. Due to their slumping grades, Nero threatens to expel the Baudelaires if they fail a comprehensive exam to be given in front of the entire school, but because they must still exercise under Olaf's program, they know they will likely fail. The Quagmires offer to help, and that night take their place during exercises; however, their identity is discovered, and while hiding in the library, they find the copy of the book on secret organizations and read up on the purpose of the spyglass before they are caught by the Hook-Handed Man. The next day, with Mr. Poe in attendance, the Baudelaires readily pass the exam, and through it reveal Olaf's identity. Olaf and his gang then escape with the Quagmires, who try to shout the initials "V.F.D." from the backseat of Olaf's car. Meanwhile, Larry is rescued from the refrigerator with the help of Lemony's brother, Jacques, while Olivia walks off with the book on secret organizations that the Quagmires left behind.
113"The Ersatz Elevator: Part 1"Bo WelchDaniel HandlerMarch 30, 2018 (2018-03-30)
While a citywide manhunt for Count Olaf is underway, Mr. Poe takes the Baudelaires to the penthouse of Jerome Squalor and his trendy financial advisor wife Esmé. While being introduced to the Squalors, they find Olaf has already arrived, posing as a foreign auctioneer named Gunther. The Baudelaires theorize that Olaf is trying to kill Jerome so that he can marry Esmé and become their legal guardian again. They search the penthouse for the Quagmires to no avail, but Klaus becomes suspicious of an extra elevator that only seems to serve the penthouse. Meanwhile, Olivia tries to convince Mr. Poe about Olaf's scheme, which leads Jacquelyn to contact Jacques, who enlists her into their society. Esmé suggests they go out for lunch at a fashionable salmon-themed restaurant Cafe Salmonella, where Larry works to prolong their visit, giving Jacques and Olivia time to search the Squalor's building for the Quagmires. When the Baudelaires manage to sneak away and examine the second elevator, they learn that it is merely an empty shaft. With a makeshift parachute, they descend it to find the Quagmires locked in a cage at its bottom.
124"The Ersatz Elevator: Part 2"Bo WelchDaniel HandlerMarch 30, 2018 (2018-03-30)
The Baudelaires do not have the tools to free the Quagmires, so they ascend the shaft by turning the parachute into a hot-air balloon. They try to warn Esmé of Olaf's scheme, but learn too late that she is in cahoots with him and that they are planning to smuggle the Quagmires out of the city. Esmé pushes them down the elevator shaft, where they are caught in a net midway down. Sunny helps them to escape safely, and afterwards they find a secret passage that leads to the ashen ruins of their home. At the auction in Veblen Hall, the Baudelaires start a bidding war on a box labeled "V.F.D.", which they believe contains the Quagmires. Though they win the item, they find the box contains only doilies. In the aftermath, Olaf and his troupe escape with the Quagmires, who are hidden inside a red herring statue. The Baudelaires ask Jerome to help track down Olaf, but he is far too timid to do so, and gives up his guardianship of them. Mr. Poe tells the children that a village with the initials "V.F.D." is willing to raise them.
135"The Vile Village: Part 1"Barry SonnenfeldSigrid GilmerMarch 30, 2018 (2018-03-30)
Mr. Poe drops the Baudelaires off at the Village of Fowl Devotees, where the whole community will care for them collectively. The Baudelaires take up residence with Hector, a kindly handyman prone to fainting spells who is secretly building a self-sustaining hot-air mobile home. The Baudelaires soon begin finding clues written by the Quagmires themselves. Olaf, Esmé, and the troupe also arrive at the village, with Esmé disguising herself as the town's new chief of police. Jacques and Olivia also arrive and detain Olaf at the local jailhouse; the next day, the villagers learn of Olaf's capture and hold a town hall meeting, where Olaf appears in the disguise of Detective Dupin, tricking everyone into believing Jacques is Olaf. Jacques is sentenced to death, but Olivia convinces Esmé to free her and Jacques in exchange for the location of the Sugar Bowl, an object with ties to Esmé's past. Jacques stays behind to confront Olaf; however, the villain is unfazed by Jacques' offer of a truce, and he and Esmé incapacitate and kill him. The next morning, as the Baudelaires try to break into the jail to rescue Jacques, they are informed that "Olaf" has been murdered.
146"The Vile Village: Part 2"Barry SonnenfeldSigrid GilmerMarch 30, 2018 (2018-03-30)
The disguised Olaf and Esmé quickly convince Mr. Poe and the town that the Baudelaires murdered Jacques/"Olaf," and they are promptly condemned to be burned at the stake. While in jail, the children instruct Hector to prepare his hot-air mobile home to help them escape. While Violet creates a battering ram to weaken the jail wall, Klaus deduces from their clues that the Quagmires are hidden inside a crow fountain in the village square. Larry and Jacquelyn arrive on the scene to distract the villagers long enough for the children to escape via a fire truck and follow Hector. The Baudelaires cover for the Quagmires as they use the truck's ladder to climb aboard the mobile home. As they do so, Olaf, Esmé, and the villagers arrive, and Esmé begins damaging Hector's home with a harpoon gun. Realizing their danger, the Baudelaires tell Hector to escape with the Quagmires. In thanks, the Quagmires try to throw their friends their notes about the secrets of V.F.D., but Esmé shoots them with a harpoon, scattering the pages and harming a crow. While the villagers accost the disguised villains over the injured bird, the Baudelaires collect as many of the ruined pages as they can and make their escape.
157"The Hostile Hospital: Part 1"Allan ArkushJoshua ConkelMarch 30, 2018 (2018-03-30)
The Baudelaires hitch a ride with volunteer singing candy stripers heading to Heimlich Hospital. They learn that there is a Library of Records that collects and stores esoterica. After sneaking past the hospital's administrator Babs, they meet Hal, the man who runs the library. He welcomes their help, but forbids them to read material in storage. While Hal shows them the ropes, a film reel labeled "Snicket" arrives and catches the children's attention. Meanwhile, believing the Sugar Bowl to be in the hospital, Olaf and his troupe infiltrate the building. Desperate for answers, the children are forced to steal Hal's keys to access the library, where they find the film. It contains a debriefing of Jacques by a V.F.D. volunteer, with Jacques informing the interviewer that someone has survived a fire, which may or may not be the one that killed the Baudelaire's parents. However, before they can watch any further, they are interrupted by Esmé; as they try to escape, the library is ruined. Violet is captured by Olaf while Klaus and Sunny hide in a chute, in possession of the film.
168"The Hostile Hospital: Part 2"Allan ArkushJoshua ConkelMarch 30, 2018 (2018-03-30)
Olaf and Esmé hide Violet under a false name; to find her, Klaus disguises himself as "Dr. Faustus," with Sunny hidden in a sling underneath his coat. They eventually deduce which room Violet is in, but this is a trap laid by Olaf, who forces Klaus to operate on Violet inside an operating theater. Esmé promises to call off the scheme if Klaus can give her what he stole from the Library of Records, and he does so—only, it's not the Sugar Bowl that she has been searching for. Olaf, however, is interested in the Snicket film, and dashes off to watch it to learn its secret. Furious at its revelations, he burns the film, which also starts a fire in the hospital. The Baudelaires successfully evacuate the hospital and realize that their only chance to escape safely is in the trunk of Olaf's car. Hal is left depressed over the loss of the Library of Records. Elsewhere, an unknown person recovers the Sugar Bowl from the burning hospital.
179"Carnivorous Carnival: Part 1"[c]Loni PeristereJoe TraczMarch 30, 2018 (2018-03-30)
A flashback to a masked ball at the V.F.D. headquarters shows Lemony trying to warn Beatrice about Olaf. In the present, Olaf and his troupe arrive at the Caligari Carnival to speak with its fortune-teller, Madame Lulu, about the fire's survivor. Lulu, who is really Olivia in disguise, tells them to wait for the answer in the morning. The Baudelaires overhear this, and hoping to speak to Lulu as well, assume the identities of circus freaks, with Violet and Klaus as a two-headed person and Sunny as a wolf child. After calling V.F.D., Olivia is able to tell Olaf the next day that one of the Baudelaire parents did indeed survive the fire. Olaf then presents a freak show that proves disastrous, so he sets off to find a pack of roaming lions to help attract a larger crowd. This gives an opportunity for the children to sneak into Lulu's tent, where they discover films, books, and disguises belonging to the Volunteer Fire Department—the secret organization their parents and guardians belonged to. Olivia then appears and reveals her true identity to them.
1810"Carnivorous Carnival: Part 2"[c]Loni PeristereJoe TraczMarch 30, 2018 (2018-03-30)
Olivia explains to the Baudelaires that "Madame Lulu" is an alias used by V.F.D. agents to gather information. While Olivia admits she had to lie to Olaf about one of the children's parents surviving the fire, Jacques had asserted that there was a survivor, and they should head to the V.F.D. headquarters in the Mortmain Mountains to find them. Meanwhile, Olaf plans to throw one of the freaks into a pit filled with the hungry lions he has corralled, while Esmé connives to have Lulu killed. The next day, Olaf selects Violet and Klaus for the pit. When Olivia is told to push the children to the lions, she instead pushes them to safety, and is sent tumbling into the pit by Olaf for her troubles. As the children try to collect the V.F.D. materials from Lulu's tent, Olaf arrives and forces them to burn the tent down. Then, after placing Violet and Klaus in a towed caravan and taking Sunny in his car, Olaf has the other freaks cut the towing rope on a steep mountain path. At the same time, the previous operative to pose as Madame Lulu arrives at the burning carnival as Lemony Snicket claims that she is someone he knows.

text: Season 3[edit]

text: The third season will adapt the final four books of the novel series[32] in seven episodes: The Slippery Slope, The Grim Grotto and The Penultimate Peril will be adapted into two episodes each, and The End will conclude the series with a longer single episode.[35] Barry Sonnenfeld will direct the episodes for The Penultimate Peril.[35] Liza Johnson and Jonathan Teplitzky will also direct episodes in the season.[36][37][38]

text: Production[edit]

text: Development[edit]

text: The thirteen A Series of Unfortunate Events novels, written by Daniel Handler under the pen name Lemony Snicket from 1999 to 2006, achieved success in young adult fiction around the same time as the Harry Potter novels. As such, the Snicket books had been optioned to be filmed before they were published.[39] This led to the development of a 2004 feature film, Lemony Snicket's A Series of Unfortunate Events, which covered the narratives of the first three novels in the series. Barry Sonnenfeld, who has expressed his love for the series, was originally slated to direct the feature film, and had hired Handler to write the screenplay.[40] About 10 months into production, shortly after the casting of Jim Carrey as Olaf, there was a "big crisis", according to Handler, which caused producer Scott Rudin to walk away and Sonnenfeld left the production under unclear terms.[39] With the film's completion in flux, its producing studios Paramount Pictures and DreamWorks fired Handler. While the film was eventually completed and released, sequels which would adapt the other novels in the series became unlikely due to "corporate shakeups" within DreamWorks, according to Handler, and the child actors that portrayed the Baudelaire children grew too old to star in a sequel.[40]

text: In November 2014, Netflix, in association with Paramount Television, announced its plans to adapt the novels into an original television series, with the author of the series, Daniel Handler, serving as executive producer.[41]

text: In September 2015, it was announced that Barry Sonnenfeld and Mark Hudis had agreed to helm the series. Hudis would serve as showrunner, Sonnenfeld as director, and both as executive producers,[42] with Handler writing some of the scripts along with working with the series' writing team.[32] However, in January 2016, Netflix announced that Hudis had left the project, with a replacement showrunner not named at the time.[4]

text: The first season consists of eight episodes,[5] with two episodes adapting each of the first four books of the series.[29] Handler considered this more in line with how he had written the books in the manner of a serialized melodrama, citing The Perils of Pauline as one of his influences in writing the book series.[43] In January 2017, Handler revealed that he was writing the series' second season, to consist of ten episodes adapting the fifth through ninth books of the series. A third season would adapt the remaining novels of the series, which Handler hoped "to get the go-ahead to do" since "given how quickly young actors age and change, we're trying to film everything as quickly as possible."[32] In March 2017, Netflix revealed the series had been renewed for a second season by releasing a video on their social media pointing to a viral marketing website, where a letter written by Snicket revealed the decision.[44] A month later, the series was "quietly" renewed for a third season,[45] which Harris confirmed would be the final one for the series.[46]

text: Casting[edit]

text: On December 3, 2015, an open casting call was announced for the roles of Violet and Klaus Baudelaire.[47] In January 2016, Netflix announced that Neil Patrick Harris had been cast as Count Olaf and Malina Weissman and Louis Hynes were cast as Violet and Klaus.[4][6] Handler had first considered Harris for the role of Olaf after seeing him perform the opening number "It's Not Just for Gays Anymore", at the 65th Tony Awards in 2011, noting "I just immediately saw someone who could pull off a million things at once" as was necessary for the character of Olaf, who utilizes various disguises and accents in his quest to steal the Baudelaire fortune.[48]

text: In March 2016, K. Todd Freeman was cast as Mr. Poe,[7] followed shortly after by the casting of Patrick Warburton as Lemony Snicket,[5] and Aasif Mandvi as Uncle Monty.[19] In September 2016, it was revealed that Dylan Kingwell and Avi Lake were cast as the Quagmire siblings, Duncan and Isadora, respectively.[11] In November 2016, Handler revealed Catherine O'Hara, Don Johnson, and Alfre Woodard had been cast as Dr. Georgina Orwell,[22] Sir,[21] and Aunt Josephine, respectively;[20] O'Hara had previously portrayed Justice Strauss in the 2004 film adaptation of A Series of Unfortunate Events.[22] It was also revealed that Presley Smith would play Sunny Baudelaire,[8] whose quasi-nonsensical lines are voiced by Tara Strong,[9] and Rhys Darby would play Charles, Sir's partner.[12]

text: Filming[edit]

text: Production began in May 2016 in Vancouver, British Columbia,[49][50] and in August 2016 several cast members expressed through social media that filming had finished.[51] Filming for the second season began in April 2017.[52] The third season began filming on January 5, 2018.[53]

text: One aspect of the series of books that the production team wanted to be captured in the series was the notion of a lack of specific time period or geography for the settings; Handler stated that he wrote enough for establishing set pieces, but purposely left more specific details vague "in order for young readers to fill in the blanks themselves." Sonnenfeld wanted to capture that same sense of ambiguous time and place, and he and his team worked to try to define a set of subjective rules of what elements could be included. Sonnenfeld brought on Bo Welch, production designer for Edward Scissorhands, which Handler considered to capture the same sense of a "familiar but completely imaginary" suburban setting he had in mind for his books. While the production team used computer-generated imagery where needed, they attempted to avoid this use where possible, such as by using large painted backdrops, by key scenic artist John E. Wilcox, rather than employing green screen filming.[43]

text: Music[edit]

text: In April 2016, Nick Urata was initially reported to be composing music for the series.[54] Once the first season was released, it was revealed that Urata collaborated with Daniel Handler to compose the main title theme, "Look Away", as well as various original songs that appear throughout the series, with Handler contributing the lyrics. The first season's original score was composed by James Newton Howard, with his frequent collaborators Sven Faulconer and Chris Bacon filling in to score certain episodes.[55] In the second season, Jim Dooley joined the production as composer and subsequently wrote the music for all ten episodes.[56]

text: "Look Away", the theme song for the opening titles of the series, is performed by Neil Patrick Harris.[55] In keeping with the tone of the book series, the song warns the viewer against continuing to watch the unpleasant story any further.[57] The lyrics of one verse of the song change for each pair of episodes, comprising a brief synopsis of those episodes' premise. [58]

text: Visual effects[edit]

text: Zoic Studios created visual effects for the series, including the effects for many of Sunny Baudelaire's actions.[59] Tippett Studio also did work on the series, including the effects for the destruction of Josephine's house, landscape shots of Lake Lachrymose and some of the more movement heavy Sunny Baudelaire shots.[60]

text: Release[edit]

text: All eight episodes of the first season of A Series of Unfortunate Events were released worldwide on Netflix on January 13, 2017,[18] in Ultra HD 4K.[61] The second season was released on March 30, 2018.[62]

text: Marketing[edit]

text: On July 5, 2015 a video titled "An Unfortunate Teaser" was uploaded to YouTube by a user named "Eleanora Poe". Netflix quickly released a statement saying "This was not released from Netflix." Media outlets were almost unanimous in agreement that the trailer was fan-made.[63][64][65][66] However, Caitlin Petrakovitz of CNET argued that the trailer may be real and that Netflix's carefully worded denial was a marketing campaign, noting the user name "Eleanora Poe" being the same as a character from the series, and that a vinyl record seen in the trailer was of The Gothic Archies, a band who provided the theme music for the audio books of A Series of Unfortunate Events.[67] The trailer was later revealed to be a spec promo, similar to a spec script, by an independent commercial director, whom Netflix contracted to make a title sequence for the series after the video's popularity, though they did not go ahead with the concept.[68]

text: In October 2016, Netflix released the first teaser trailer for A Series of Unfortunate Events, where Warburton narrates the events of the series as Lemony Snicket.[18] A trailer, featuring footage from the series and Neil Patrick Harris's character, Count Olaf, was released by Netflix in November 2016,[69] followed shortly by the first full trailer.[8] The second trailer was released in December 2016,[70] followed by a "holiday-themed" trailer from Count Olaf leading fans to a viral marketing website for the fictional Valorous Farms Dairy, which featured four holiday e-cards for download.[71]

text: Reception[edit]

text: Audience viewership[edit]

text: As Netflix does not reveal subscriber viewership numbers for any of their original series, Symphony Technology Group compiled data for the first season based on people using software on their devices that measure television viewing by detecting a program's sound. According to Symphony, 3.755 million viewers age 18-49 were watching an episode of A Series of Unfortunate Events over the average minute in its first weekend of release.[72]

text: Critical response[edit]

text: Season 1[edit]

text: The first season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the season an approval rating of 94% based on 67 reviews, with an average rating of 8.06/10. The site's critical consensus reads, "Enjoyably dark, A Series of Unfortunate Events matches the source material's narrative as well as its tone, leaving viewers with a wonderfully weird, dry, gothic comedy."[73] On Metacritic the season has a score of 81 out of 100, based on 23 critics, indicating "universal acclaim".[74]

text: Erik Adams of The A.V. Club awarded the season a B and praised it for treating "mature themes like grief, loss, and disappointment with sardonic honesty." Adams compared the program positively to the Adam West Batman series, calling it "kids stuff with adult sophistication, driven by two-part stories, outrageous visuals, and the scenery-chewing of big-name guest stars".[75] Ben Travers of Indiewire gave the series an A-, saying that it "proves as inspirational and endearing as it claims to be forlorn and heartbreaking". Brian Lowry of CNN praised the showrunners for "infusing the show with a lemony-fresh feel, conjuring a series similar to the fantastical tone of Pushing Daisies". Lowry wrote that "the show proves a good deal of fun" and that "Harris dives into his over-the-top character with considerable gusto." He also argued that the series improved upon the 2004 film.[76]

text: Several critics praised the television series as a better adaptation of the books than the 2004 feature film, which starred Jim Carrey as Count Olaf. Kelly Lawler of USA Today felt the television format gave the stories more room to develop, the addition of Warburton as the fourth wall-breaking Snicket helped to convey some of the wordplay humor used in the books, and Harris's portrayal of Olaf was "much more dynamic, and creepier" than Carrey's version.[77] The Verge's Chaim Gartenburg said that the show follows the books much more faithfully than the film, and "nails down the tone that made the stories so special".[78] Los Angeles Times writer Robert Lloyd felt that the backgrounds of Sonnenfeld and Welch made them "the right people for this job, set in a milieu that is hard to fix in time, except to say it is not now", in capturing the tones of the book compared to the feature film.[79]

text: Nick Allen of RogerEbert.com, on the other hand, gave the series a negative review, calling it "an unfunny parody of sadness" that is "never as clever as it wants to be" and would only appeal to fans of the books.[80] Caroline Framke of Vox Media praised the series for its unique and weird visuals, but found the show's tone, pacing and performances to be haphazard and considered the show to be "literally, a series of unfortunate events".[81]

text: Season 2[edit]

text: As with the first season, the second season received critical acclaim. Review aggregator Rotten Tomatoes gives the second season an approval rating of 93% based on 15 reviews, with an average rating of 7.81/10. The site's critical consensus reads: "Season two of A Series of Unfortunate Events is as gothic, twisted and absurd as the first, to the delight of moody tweens of all ages."[82] Clarisse Loughrey of The Independent praised the show as one that "essentially deals with thoughtful, intelligent young people battling to speak up against an illogical world." While observing that the "show may revel in the miserable", she opined "that the purpose of its own morbidity is to offer the assurance that hope lives in even the darkest of places." Loughrey also credited the show's expanded storyline for the Baudelaires' adult allies for "plumping up" the episodes' narrative arcs and deepening the show's emotional impact.[83]

text: Tristram Fane Saunders of The Telegraph awarded the second season four out of five stars. He described the show as a "gothic treat [that] also offers a wicked line in absurdist humour, and the most gorgeously toybox-like set designs you’ll find anywhere outside a Wes Anderson film."[84] Radio Times reviewer Huw Fullerton praised the series for its faithfulness to the original novels. While praising the improved CGI used to make Presley Smith's character Sunny Baudelaire react better to situations, he criticized the addition of supporting "good" characters such as Nathan Fillion's Jacques Snicket and Sara Canning's Jacquelyn for "undercutting the bleakness and loneliness that characterized the novels."[85]

text: Rohan Naahar of the Hindustan Times described A Series of Unfortunate Events as "one of the most lavish originals in Netflix's bottomless catalogue, created by fans, for fans."  He also praised Neil Patrick Harris' performance as Count Olaf.[86] The Den of Geek reviewer Michael Ahr praised tortoise-shell 'amphibiophones' and stone marimbas score for giving the television series its primal sound.[87] IGN reviewer Jonathon Dornbush criticized the second season's formulaic plot structure and lack of the insightful observations compared to the first season. He also praised several of the second season's episodes particularly "The Ersatz Elevator", "The Hostile Hospital", and "The Carnivorous Carnival" for smartly twisting the story formula and deepening the novel series' mythology. Dornbush also praised the performance of guest stars such as Lucy Punch and Patrick Warburton and awarded the second season 7.2 stars.[88]

text: Awards and nominations[edit]

text:
Year

Award

Category

Nominee

Result

Ref

2017

Leo Awards

Best Visual Effects in a Dramatic Series

Luis Alejandro Guevara, Bob Habros, Cale Jacox, Ron Simonson, Jeffrey De Guzman

Nominated

[89]

Best Make-Up in a Dramatic Series

Rita Ciccozzi, Krista Seller, Tanya Hudson, Gitte Axen

Won

Best Hairstyling in a Dramatic Series

Julie Mchaffie, Dianne Holme, Jenine Lehfeldt

Won

Best Guest Performance by a Female in a Dramatic Series

Sara Canning

Nominated

Saturn Awards

Best New Media Television Series

A Series of Unfortunate Events

Nominated

[90]

Creative Arts Emmy Awards

Outstanding Music Composition for a Series

James Newton Howard

Nominated

[91]

Gold Derby TV Awards

Comedy Actor

Neil Patrick Harris

Nominated

[92]

Hollywood Music in Media Awards

Main Title Theme – TV Show/Limited Series

Nick Urata and Daniel Handler

Won

[93]

Peabody Awards

Children's & Youth Programming

A Series of Unfortunate Events

Won

[94]

69th Primetime Emmy Awards

Music Composition For A Series (Original Dramatic Score)

James Newton Howard

Nominated

[95]

2018

Satellite Awards

Best Actor in a Series - Comedy or Musical

Neil Patrick Harris

Nominated

[96]

70th Primetime Emmy Awards

Outstanding Children's Program

A Series of Unfortunate Events

Nominated

[97]

70th Primetime Emmy Awards

Outstanding Fantasy/Sci-Fi Costumes

"The Vile Village: Part 1"

Nominated

[98]

text: Notes[edit]

text:
^ Jump up to: a b Netflix and critics name the first two episodes as "The Bad Beginning", following the title of the book, while the episode itself displays the name of "A Bad Beginning" after the opening credits.[30][31]

Jump up ^ Netflix names the episodes of the second season as Part 1 and Part 2, while the episodes themselves display the names as Part One and Part Two after the opening credits, following the format of the first season.

^ Jump up to: a b Netflix names the ninth and tenth episodes as "Carnivorous Carnival", while the episodes themselves display the name of "The Carnivorous Carnival" after the opening credits, following the title of the book.[33][34]

tag: ol


document_title: Happy Birthday to You

question_text: who owns the rights to the song happy birthday

text: Happy Birthday to You

text: History

text: Patty Hill was a kindergarten principal in Louisville, Kentucky, developing various teaching methods at what is now the Little Loomhouse;[6] her sister Mildred was a pianist and composer.[7] The sisters used "Good Morning to All" as a song that young children would find easy to sing.[8] The combination of melody and lyrics in "Happy Birthday to You" first appeared in print in 1912, and probably existed even earlier.[9]

text: None of the early appearances of the "Happy Birthday to You" lyrics included credits or copyright notices. The Summy Company registered a copyright in 1935, crediting authors Preston Ware Orem and Mrs. R. R. Forman. In 1988, Warner/Chappell Music purchased the company owning the copyright for US$25 million, with the value of "Happy Birthday" estimated at US$5 million.[10][11] Based on the 1935 copyright registration, Warner claimed that the United States copyright will not expire until 2030, and that unauthorized public performances of the song are illegal unless royalties are paid to Warner. In one specific instance in February 2010, the royalty for a single use was said to be US$700.[12] By one estimate, the song is the highest-earning single song in history, with estimated earnings since its creation of US$50 million.[13][14] In the European Union, the copyright for the song expired on January 1, 2017.[15]

text: The American copyright status of "Happy Birthday to You" began to draw more attention with the passage of the Sonny Bono Copyright Term Extension Act in 1998. When the U.S. Supreme Court upheld the Act in Eldred v. Ashcroft in 2003, Associate Justice Stephen Breyer specifically mentioned "Happy Birthday to You" in his dissenting opinion.[16] American law professor Robert Brauneis, who extensively researched the song, concluded in 2010 that "It is almost certainly no longer under copyright."[17] In 2013, based in large part on Brauneis's research, Good Morning to You Productions, a company producing a documentary about "Good Morning to All", sued Warner/Chappell for falsely claiming copyright to the song.[5][10] In September 2015, a federal judge declared that the Warner/Chappell copyright claim was invalid, ruling that the copyright registration applied only to a specific piano arrangement of the song, and not to its lyrics and melody. In 2016, Warner/Chappell settled for US $14 million, and the court declared that "Happy Birthday to You" was in the public domain.[18][19]

text: Lyrics

text: "Happy birthday to you"

text: The person whose birthday is being celebrated is filled in for "[NAME]". The earliest known publication used "John" as the example.

text: Lyrics with melody

text: Traditional variations

text: It is traditional, among English-speakers, that at a birthday party, the song "Happy Birthday to You" be sung to the birthday person by the other guests celebrating the birthday. More specifically, the birthday person is traditionally presented with a birthday cake with lit candles, with the number of candles sometimes corresponding to the age of the person. After the song is sung (usually just once), party guests sometimes add wishes like "and many more!" expressing the hope that the birthday person will enjoy a long life. The birthday person may be asked to make a wish ("Make a wish!")—which he or she does silently—and then is supposed to blow out the candles. Traditionally, blowing out the candles is believed (or is considered a lighthearted superstition) to ensure that the wish will come true.[21] Once the candles have been blown out, people may applaud, after which the cake may be served, often with the first piece being served to the person whose birthday it is.

text: In the United Kingdom, Ireland, Australia and New Zealand, immediately after "Happy Birthday" has been sung, it is traditional for one of the guests to enthusiastically lead with "Hip hip..." and then for all of the other guests to join in and say "... hooray!" This is normally repeated three times. In Canada, especially at young children's birthdays, immediately after "Happy Birthday" has been sung, the singers segue into "How old are you now? How old are you now? How old are you now-ow, how old are you now?" and then count up: "Are you one? Are you two? Are you..." until they reach the right age, at which the celebrant says "yes", and everybody else, who presumably know the right number, all cheer.[citation needed]

text: Copyright status

text: Both the music and lyrics are in public domain in both the European Union and United States. The copyright expired in the European Union on January 1, 2017. In the United States, a federal court ruled in 2016 that Warner/Chappell's copyright claim was invalid and there was no other claim to copyright.

text: The origins of "Happy Birthday to You" date back to at least the late 19th century, when two sisters, Patty and Mildred J. Hill, introduced the song "Good Morning to All" to Patty's kindergarten class in Kentucky.[10] Years later, in 1893, they published the tune in their songbook Song Stories for the Kindergarten. Kembrew McLeod stated that the Hill sisters likely copied the tune and lyrical idea from other popular and similar nineteenth-century songs that predated theirs, including Horace Waters' "Happy Greetings to All", "Good Night to You All" also from 1858, "A Happy New Year to All" from 1875, and "A Happy Greeting to All", published 1885. However, American law professor Robert Brauneis disputes this, noting that these earlier songs had quite different melodies.[22]

text: It is likely that teachers and students spontaneously adapted the published version of "Good Morning to All" to celebrate birthdays in the classroom, changing the lyrics to "Happy Birthday" in the process.[3] The complete text of "Happy Birthday to You" first appeared in print as the final four lines of Edith Goodyear Alger's poem "Roy's Birthday", published in her book A Primer of Work and Play, copyrighted by D. C. Heath in 1901, with no reference to the words being sung.[23] The first book including "Happy Birthday" lyrics set to the tune of "Good Morning to All" that bears a date of publication is from 1911 in The Elementary Worker and His Work, but earlier references exist to a song called "Happy Birthday to You" including an article from 1901 in the Inland Educator and Indiana School Journal.[24] Children's Praise and Worship, edited by Andrew Byers, Bessie L. Byrum and Anna E. Koglin, published the song in 1918. In 1924, Robert Coleman included "Good Morning to All" in a songbook with the birthday lyrics as a second verse. Coleman also published "Happy Birthday" in The American Hymnal in 1933.

text: In 1935, several specific piano arrangements and an unused second verse of "Happy Birthday to You" were copyrighted as a work for hire crediting Preston Ware Orem for the piano arrangements and Mrs. R. R. Forman for the lyrics by the Summy Company, the publisher of "Good Morning to All".[25][26] This served as the legal basis for claiming that Summy Company legally registered the copyright for the song, as well as the later renewal of these copyrights.[27] A later 2015 lawsuit would find this claim baseless. That specific new lyrics that also included the full text of "Happy Birthday to You", was a copyright on the derivative work. A 1957 acquisition of C.C. Birchard & Company saw Summy Company becoming the Summy-Birchard Company. A later corporate restructuring in the 1970s saw Summy-Birchard becoming a division of a new company: Birch Tree Group Limited.

text: Warner/Chappell Music acquired Birch Tree Group Limited in 1988 for US$25 million.[10][11] The company continued to insist that one cannot sing the "Happy Birthday to You" lyrics for profit without paying royalties: in 2008, Warner collected about US$5,000 per day (US$2 million per year) in royalties for the song.[28] Warner/Chappell claimed copyright for every use in film, television, radio, anywhere open to the public, and for any group where a substantial number of those in attendance are not family or friends of whoever is performing the song. Brauneis cited problems with the song's authorship and the notice and renewal of the copyright, and concluded: "It is almost certainly no longer under copyright."[3][17]

text: In the European Union, copyright lasts for the life of the author(s) plus 70 years; since Patty Hill (the last surviving author) died in 1946, the copyright in these countries expired on January 1, 2017.[29]

text: 2013 lawsuit

text: On June 13, 2013, documentary filmmaker Jennifer Nelson filed a putative class action suit in federal court for the Southern District of New York against Warner/Chappell in the name of her production company, Good Morning to You Productions.[5] As part of a documentary she was making about the song and its history, she had paid US$1,500 to secure the rights. Her complaint relied heavily on Brauneis's research, seeking not only the return of her money but all royalties collected by the company from other filmmakers since 2009.[10][30][31] A week later a similar case was filed in the Central District of California, Rupa Marya v. Warner Chappell Music Inc, Case No. 2:13-cv-04460.[32] Five weeks later, Nelson refiled the case there,[33] and the cases were combined.[34][35][36] As of April 2014, Warner's motion to dismiss had been denied without prejudice, and discovery began under an agreed plan with respect to Claim One, declaratory judgment as to whether "Happy Birthday to You" is in the public domain. The Motion Cut-Off as to Merits Issues on the Claim One deadline was November 7, 2014. After that, the court was expected to rule on the motion for summary judgment as to the merits issues on Claim One.[37] A jury trial was requested.[38]

text: On July 28, 2015, one day prior to a scheduled ruling, Nelson's attorneys Betsy Manifold and Mark Rifkin presented new evidence that they argued was conclusive proof that the song was in the public domain, "thus making it unnecessary for the Court to decide the scope or validity of the disputed copyrights, much less whether Patty Hill abandoned any copyright she may have had to the lyrics". Several weeks prior, they had been given access to documents held back from them by Warner/Chappell, which included a copy of the 15th edition of The Everyday Song Book, published in 1927. The book contained "Good Morning and Happy Birthday", but the copy was blurry, obscuring a line of text below the title. Manifold and Rifkin located a clearer copy of an older edition, published in 1922, that also contained the "Happy Birthday" lyrics. The previously obscured line was revealed to be the credit "Special permission through courtesy of The Clayton F Summy Co.". Manifold and Rifkin argued that because the music and lyrics were published without a valid copyright notice as was required at the time, "Happy Birthday" was in the public domain.[39]

text: Warner/Chappell disputed the evidence, arguing that unless there was "necessary authorization from the copyright owner", the "Happy Birthday" lyrics and sheet music would still be subject to common law copyright as an unpublished work, and that it was unknown whether the "special permission" from the Summy Company covered "Good Morning to All", "Happy Birthday", or both, thus alleging that the publication in The Everyday Song Book was unauthorized. The company also argued that it was not acting in bad faith in withholding the evidence of the 1927 publication.[40]

text: On September 22, 2015, federal judge George H. King ruled[41] that the Warner/Chappell copyright claim over the lyrics was invalid.[42][43] The 1935 copyright held by Warner/Chappell applied only to a specific piano arrangement of the song, not the lyrics or melody.[44] The court held that the question of whether the 1922 and 1927 publications were authorized, thus placing the song in the public domain, presented questions of fact that would need to be resolved at trial.[41] However, Warner/Chappell had failed to prove that it actually had ever held a copyright to the lyrics, so the court was able to grant summary judgment to the plaintiffs, thus resolving the case.[41]

text: Some initial news sources characterized the decision as ruling that the song was in the public domain,[44][45] but the decision did not go so far, holding only that Warner/Chappell did not prove they owned the copyright.[42] However, because there are no other claimants to the copyright, and the copyright to the melody long ago expired,[46] the plaintiffs suggested that the song was de facto in the public domain.[42] Also, the judge ruled that the song was not copyrighted by Summy Co., who had written in the song book, "Special permission through courtesy of the Clayton F. Summy Co." Since there was no evidence Summy Co. had copyright on the song, the song is still considered to be in the public domain.[47]

text: Prior to the lawsuit, Warner/Chappell had been earning $2 million a year licensing the song for commercial use,[45] with a notable example the $5,000 paid by the filmmakers of the 1994 documentary, Hoop Dreams,[48] in order to safely distribute the film.[49] On February 8, 2016, Warner/Chappell agreed to pay a settlement of $14 million to those who had licensed the song, and would allow a final judgment declaring the song to be in the public domain, with a final hearing scheduled in March 2016.[50][51] On June 28, 2016, the final settlement was officially granted and the court declared that the song was in the public domain.[19] The following week, Nelson's short-form documentary, Happy Birthday: my campaign to liberate the people's song, was published online by The Guardian.[52]

text: In the wake of their success, the lawyers involved in the "Happy Birthday" lawsuit filed similar lawsuits regarding "We Shall Overcome"[53] and "This Land Is Your Land".[54]

text: Public performances

text: One of the most famous performances of "Happy Birthday to You" was Marilyn Monroe's rendition to U.S. President John F. Kennedy in May 1962.[55] Another notable use was by comedy pianist Victor Borge, who played the song in styles of various composers,[56] or would begin playing Moonlight Sonata, smoothly transitioning into the song.[57]

text: The documentary film The Corporation states that Warner/Chappell charged up to US$10,000 for the song to appear in a film. Because of the copyright issue, filmmakers rarely showed complete singalongs of "Happy Birthday" in films, either substituting the public-domain "For He's a Jolly Good Fellow" or avoiding the song entirely. Before the song was copyrighted it was used freely, as in Bosko's Party, a Warner Bros. cartoon of 1932, where a chorus of animals sings it twice through. The copyright status of "Happy Birthday to You" is directly referenced in a 2009 episode of the TV series iCarly, "iMake Sam Girlier", in which the main character as well as others begin to sing the song to Sam but are prevented from doing so by Freddie, who says the song isn't public domain; "For She's a Jolly Good Fellow" is then sung instead.

text: In a 1998 episode of the television show Sports Night, "Intellectual Property", character Dan Rydell sings the song to his co-anchor during a telecast, forcing his network to pay royalties, and causing him to ask his colleagues to choose public-domain songs for him to sing for their birthdays.[58] The copyright is also referenced frequently in a Disney A.N.T. Farm episode where characters repeatedly try to sing the song, only to be stopped by others reminding them of the price. The melody of the song is also featured in The Wrong Trousers but was replaced with "For He's a Jolly Good Fellow" for DVD releases. The use of the song is a problem even if it is sung in a made-up language, as a Klingon-language version was nixed in pre-production from the 7th-season episode of Star Trek: The Next Generation called "Parallels", replaced with "For He's a Jolly Good Fellow" in Klingon. In the Futurama episode "I Second That Emotion", they poke fun at the song and its copyright by making their own version with the lyrics "What day is today? / It's (birthday person)'s birthday / What a day for a birthday / Let's all have some cake."

text: In The Goldbergs episode "Han Ukkah Solo", Erica Goldberg is challenged to write a Hanukkah song. She does, but her words are sung to the tune of "Happy Birthday To You". Her music teacher tells her she can't use it because "I'd have to pay those old ladies hundreds of thousands of dollars, and I've already spent our budget on construction paper."

text: In the 30 Rock episode "Goodbye, My Friend", TGS cast members begin to sing the song following an announcement about the royalty fee for singing "Happy Birthday to You" on a television show. The cast is interrupted after the first line by a character entering the scene.[citation needed] In the Community episode "Mixology Certification", a scene starts with the last two words of the song ("... to you"), implying it had been sung in its entirety, before Pierce confusedly asks, "How come we only sang the last two words?"[citation needed]

text: In the 1987 documentary Eyes on the Prize about the U.S. Civil Rights Movement, there was a birthday party scene in which Dr. Martin Luther King Jr.'s discouragement began to lift. After its initial release, the film was unavailable for sale or broadcast for many years because of the cost of clearing many copyrights, of which "Happy Birthday to You" was one. Grants in 2005 for copyright clearances[59] allowed PBS to rebroadcast the film as recently as February 2008.[60]

text: In 2010, the Western classical music conductor Zubin Mehta conducted the orchestra to play variations of Happy Birthday in the styles of various Western classical music composers including Wagner, Bach, Mozart and Beethoven, and in the Viennese, New Orleans and Hungarian composition styles.[61][62]

text: On August 5, 2013, the first anniversary of its landing on Mars, NASA's Curiosity rover celebrated its "birthday" when engineers at Goddard Space Flight Center used the Sample Analysis at Mars (SAM) instrument to cause the rover to "sing" Happy Birthday on the Martian surface.[63]

text: During the March 6, 2014 episode of the Comedy Central series The Colbert Report, Stephen Colbert planned to sing the song in honor of the 90th anniversary of its 1924 publication. Due to the copyright issues, Colbert instead performed his new "royalty-free" birthday song, which is set to "The Star-Spangled Banner".[64][65]