document_title: Beauty and the Beast (2017 film)

question_text: who plays belle's dad in beauty and the beast

question_tokens: who plays belle 's dad in beauty and the beast

text: Beauty and the Beast (2017 film)

text: Plot[edit]

text: In Rococo-era France, an enchantress disguised as a beggar arrives at a ball and offers the host, a coldhearted prince, a rose for shelter. When he refuses, she transforms him into a beast and his servants into household objects, and erases the castle from the memories of their loved ones. She casts a spell on the rose and warns the prince that the curse will never lift unless he learns to love another, and earn their love in return, before the last petal falls.

text: Years later, in the village of Villeneuve, Belle dreams of adventure and brushes off advances from Gaston, an arrogant former soldier. Lost in the forest, Belle's father Maurice seeks refuge in the Beast's castle, but the Beast imprisons him for stealing a rose. Belle ventures out in search for him and finds him locked in the castle dungeon. The Beast agrees to let her take Maurice's place.

text: Belle befriends the castle's servants, who treat her to a spectacular dinner. When she wanders into the forbidden west wing and finds the rose, the Beast, enraged, scares her into the woods. She is cornered by wolves, but the Beast rescues her and is injured in the process. A friendship develops as Belle nurses his wounds. The Beast shows Belle a gift from the enchantress, a book that transports readers wherever they want. Belle uses it to visit her childhood home in Paris, where she discovers a plague doctor mask. Belle realises that she and her father were forced to leave her mother's deathbed as her mother succumbed to the plague.

text: In Villeneuve, Gaston sees rescuing Belle as an opportunity to win her hand in marriage and agrees to help Maurice. When Maurice learns of his ulterior motive and rejects him, Gaston abandons him to the wolves. Maurice is rescued by the beggar Agathe, but when he tells the townsfolk of Gaston's crime, Gaston convinces them to send Maurice to an insane asylum.

text: After sharing a romantic dance with the Beast, Belle discovers her father's predicament using a magic mirror. The Beast releases her to save Maurice, giving her the mirror to remember him with. At Villeneuve, Belle proves Maurice's sanity by revealing the Beast in the mirror to the townsfolk. Realizing that Belle loves the Beast, Gaston has her thrown into the asylum carriage with her father and rallies the villagers to follow him to the castle to slay the Beast. Maurice and Belle escape and Belle rushes back to the castle.

text: During the battle, Gaston abandons his companion LeFou, who then sides with the servants to fend off the villagers. Gaston attacks the Beast in his tower, who is too depressed to fight back, but regains his will upon seeing Belle return. He overpowers Gaston but spares his life before reuniting with Belle. However, Gaston fatally shoots the Beast from a bridge, but it collapses when the castle crumbles and he falls to his death. The Beast dies as the last petal falls and the servants become inanimate. When Belle tearfully professes her love to him, Agathe reveals herself as the enchantress and undoes the curse, repairing the crumbling castle and restoring the Beast's and servants' human forms and the villagers' memories. The Prince and Belle host a ball for the kingdom, where they dance happily.

text: Cast[edit]

text:
Emma Watson as Belle, a beautiful and benevolent bibliophile who develops feelings for the Beast and begins to see the humanity within him.

Daisy Duczmal portrays an infant Belle.

Dan Stevens as The Prince / Beast, a cold-hearted prince who is transformed into a hideous beast and forced to earn back his humanity by learning to truly love and be loved in return.[9][10]

Adam Mitchell[3] portrays the younger version of the Prince.

Luke Evans as Gaston, a narcissistic and arrogant hunter and veteran of the French Royal Army who is willing to go as far as it takes to have Belle as his trophy wife.
Kevin Kline as Maurice, Belle's protective widowed father.[11]

Jolyon Coy portrays the young Maurice.

Josh Gad as LeFou, Gaston's flamboyant and long-suffering sidekick who bolsters his friend's ego but gets very little in return.[12]
Ewan McGregor as Lumière, the Beast's charismatic bouteiller who has been transformed into a candelabra.[13]
Stanley Tucci as Maestro Cadenza, the neurotic court composer and Madame de Garderobe's husband who has been transformed into a harpsichord.[14]
Ian McKellen as Cogsworth, the Beast's gruff but loyal majordomo and the head of the household staff who has been transformed into a mantel clock.[15]
Emma Thompson as Mrs. Potts, the castle's motherly head housekeeper who has been transformed into a teapot.[11]
Audra McDonald as Madame de Garderobe, a world-renowned opera singer and Cadenza's wife who has been transformed into a wardrobe.[16]
Gugu Mbatha-Raw as Plumette, one of the castle maids and Lumière's lover who has been transformed into a feather duster.[17]
Nathan Mack as Chip, Mrs. Potts' plucky son who has been transformed into a teacup.[18]
Hattie Morahan as Agathe, an impoverished hermit and resident of Villeneuve who, in reality, is the Enchantress responsible for cursing the Prince.[19] Morahan also narrates the prologue.

Rita Davies portrays the Enchantress in her beggar woman form.

Adrian Schiller as Monsieur D'Arque, the sly warden of the local asylum who is bribed by Gaston to have Maurice institutionalized.[19]
Gerard Horan as Monsieur Jean Potts, an absent-minded potter and resident of Villeneuve who is later revealed to be Mrs. Potts' husband and Chip's father.
Haydn Gwynne as Clothilde, a fishmonger and resident of Villeneuve who is later revealed to be Cogsworth's wife.
Michael Jibson as the Tavern Keeper, the owner and keeper of Villeneuve's local tavern where Gaston and the village residents drink.
Ray Fearon as Père Robert, Villeneuve's local chaplain who encourages Belle to borrow the books in the chapel's meager library.
Sophie Reid, Rafaëlle Cohen, and Carla Nella as the Village Lasses, a trio of women who fawn over Gaston and have a jealousy for Belle.
Jimmy Johnston, Dean Street, and Alexis Loizon as Tom, Dick, and Stanley, a trio of men who serve as Gaston's henchmen.
Zoe Rainey as Belle's mother, Maurice's late wife who contracted the plague and died when Belle was an infant.
Clive Rowe as Cuisinier, the castle's head chef who has been transformed into a stove.
Gizmo as Frou-Frou, Maestro Cadenza's and Madame de Garderobe's pet Yorkshire Terrier who has been transformed into a footstool.
Thomas Padden as Chapeau, the Prince's valet who has been transformed into a coat rack.
Tom Turner[4] as The King, the Prince's father who, following his wife's death, raised his son to be just as selfish and arrogant as he was.
Harriet Jones as The Queen, the Prince's mother who died of an illness when he was a child.
Dale Branston as Baker, Villeneuve's residential baker.
Chris Andrew Mellon as Nasty Headmaster, the unnamed headmaster of an all boys school in Villeneuve that disapproves of Belle teaching a young girl how to read.
Vivian Parry as the Village Lass' Mother, an unnamed seamstress who is the mother of the Village Lasses.

text: Cast notes[edit]

text: ^ In the initial theatrical release, Mitchell was miscredited as Rudi Gooman in the cast, but listed under his real name in the soundtrack credits.[20]

text: ^ In the initial theatrical release, Turner is miscredited as Henry Garrett in the cast.[20]

text: Stephen Merchant also appeared in the film as Monsieur Toilette, a servant who was turned into a toilet. This character was cut from the film, but is featured in the deleted scenes.[21]

text: Production[edit]

text: Development[edit]

text: Previously, Disney had begun work on a film adaptation of the 1994 Broadway musical.[22][23] However, in a 2011 interview, composer Alan Menken stated the planned film version of the Beauty and the Beast stage musical "was canned".[24]

text: By April 2014, Walt Disney Pictures had already begun developing a new live-action version and remake of Beauty and the Beast after making other live-action fantasy films such as Alice in Wonderland, Maleficent, Cinderella and The Jungle Book.[25] In June 2014, Bill Condon was signed to direct the film from a script by Evan Spiliotopoulos.[26] Later in September of that same year, Stephen Chbosky (who had previously directed Watson in The Perks of Being a Wallflower) was hired to re-write the script.[27]

text: Before Condon was hired to direct the film, Disney approached him with a proposal to remake the film in a more radical way as Universal Studios had remade Snow White and the Huntsman (2012). Condon later explained that "after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially, they said, 'We're interested in a musical to a degree, but only half full of songs.' My interest was taking that film and doing it in this new medium—live-action—as a full-on musical movie. So I backed out for a minute, and they came back and said, 'No, no, no, we get it, let's pursue it that way.'"[28] Walt Disney Pictures president of production Sean Bailey credited Walt Disney Studios chairman Alan F. Horn with the decision to make the film as a musical: "We worked on this for five or six years, and for 18 months to two years, Beauty was a serious dramatic project, and the scripts were written to reflect that. It wasn't a musical at that time. But we just couldn't get it to click and it was Alan Horn who championed the idea of owning the Disney of it all. We realized there was a competitive advantage in the songs. What is wrong with making adults feel like kids again?"[29]

text: Casting[edit]

text: In January 2015, Emma Watson announced that she would be starring as Belle, the female lead.[30] Watson was the first choice of Walt Disney Studios chairman Alan F. Horn, as he had previously overseen Warner Bros. which released the eight Harry Potter films that co-starred Watson as Hermione Granger.[29] Two months later, Luke Evans and Dan Stevens were revealed to be in talks to play Gaston and the Beast respectively,[31][32] and Watson confirmed their casting the following day through tweets.[9][33] The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière and Cadenza, respectively.[12][11][16][15][17][13][14][34]

text: Susan Egan, who originated the role of Belle on Broadway, commented on the casting of Watson as "perfect".[35] Paige O'Hara, who voiced Belle in the original animated film and its sequels, offered to help Watson with her singing lessons.[36]

text: According to The Hollywood Reporter, Emma Watson was reportedly paid $3 million upfront, together with an agreement that her final take-home pay could rise as high as $15 million if the film generated gross box office income similar to Maleficent's $759 million worldwide gross.[37]

text: Filming[edit]

text: Principal photography on the film began at Shepperton Studios in Surrey, England, on May 18, 2015.[11][38][39] Filming with the principal actors concluded on August 21.[40][41] Six days later, co-producer Jack Morrissey confirmed that the film had officially wrapped production.[42]

text: The Beast was portrayed with a “more traditional motion capture puppeteering for the body and the physical orientation", where actor Dan Stevens was "in a forty-pound gray suit on stilts for much of the film". The facial capture for the Beast was done separately in order to "communicate the subtleties of the human face" and "[capture the] thought that occurs to him" which gets "through [to] the eyes, which are the last human element in the Beast.” The castle servants who are transformed into household objects were created with CGI animation.[6]

text: Before the release of the film, Bill Condon refilmed one certain sequence in the "Days of the Sun" number, due to confusion among test audiences caused by actress Harriet Jones, who looked similar to Hattie Morahan, who portrayed Agathe. In the original version of the scene, it was Jones' character, the Prince's mother, who sings the first verse of the song, with Rudi Goodman playing the young Prince and Henry Garrett playing his father; but in the reshot version of the scene, the singing part is given to the Prince (now played by Adam Mitchell). The King was also recast to Tom Turner, although Harriet Jones was still the Queen, albeit with dark hair. Both Goodman and Garrett's names were mistakenly featured in the original theatrical release's credits, but was later corrected in home releases.[20]

text: Music[edit]

text: When released in 1991, Beauty and the Beast marked a turning point for Walt Disney Pictures by appealing to millions of fans with its Oscar-winning musical score by lyricist Howard Ashman and composer Alan Menken. In Bill Condon's opinion, that original score was the key reason he agreed to direct a live-action version of the movie. "That score had more to reveal", he says, "You look at the songs and there's not a clunker in the group. In fact, Frank Rich described it as the best Broadway musical of 1991. The animated version was already darker and more modern than the previous Disney fairytales. Take that vision, put it into a new medium, make it a radical reinvention, something not just for the stage because it's not just being literal, now other elements come into play. It's not just having real actors do it".[43]

text: Condon initially prepared on only drawing inspiration from the original film, but he also planned to include most of the songs composed by Alan Menken, Howard Ashman and Tim Rice from the Broadway musical, with the intention of making the film as a "straight-forward, live-action, large-budget movie musical".[44] Menken returned to score the film's music, which features songs from the original film by him and Howard Ashman, plus new material written by Menken and Tim Rice.[45] Menken said the film will not include songs that were written for the Broadway musical and instead, created four new songs.[46] However, an instrumental version of the song "Home", which was written for the musical, is used during the scene where Belle first enters her room in the castle.[47]

text: On January 19, 2017, it was confirmed by both Disney and Céline Dion - singer of the original 1991 Beauty and the Beast duet song, with singer Peabo Bryson - that Dion would be performing one of the new original songs "How Does a Moment Last Forever" to play over the end titles.[48] She originally had doubts about whether or not to record the song due to the recent death of her husband and manager René Angélil, who had previously helped her secure the 1991 pop duet. While ultimately accepting the opportunity, she said: "[The] first Beauty and the Beast decision was made with my husband. Now I'm making decisions on my own. It's a little bit harder. I couldn't say yes right away, because I felt like I was kind of cheating in a way".[18] She eventually felt compelled to record the song because of the impact Beauty and the Beast has had on her career. According to Dion, "I was at the beginning of my career, it put me on the map, it put me where I am today".[9] Also, Josh Groban was announced to be performing the new original song "Evermore" on January 26, 2017.[49][50][51][52]

text: The 2017 film features a remake of the 1991 original song Beauty and the Beast recorded as a duet by Ariana Grande and John Legend.[53][54] Grande and Legend's updated version of the Beauty and the Beast title song is faithful to the original, Grammy-winning duet, performed by Céline Dion and Peabo Bryson for the 1991 Disney film.[55]

text: Emma Thompson also performed a rendition of "Beauty and the Beast", which was performed by Angela Lansbury in the original 1991 animated film release.[56]

text: Disney debuted the music video for Ariana Grande and John Legend's interpretation of the title song "Beauty and the Beast" on Freeform television network on March 5, 2017, and it has since attained over 100 million video views on the Vevo video hosting service.[56]

text: Release[edit]

text: On March 16, 2015, Disney announced the film would be released in 3D on March 17, 2017.[11] The first official presentation of the film took place at Disney's three-day D23 Expo in August 2015.[57]

text: The world premiere of Beauty and the Beast took place on February 23, 2017, at Spencer House in London, England;[58] and the film later premiered at the El Capitan Theatre in Hollywood, California, on March 2, 2017. The stream was broadcast onto YouTube.

text: A sing along version of the film released in over 1,200 US theaters nationwide on April 7, 2017.[59] The United Kingdom received the same version on April 21, 2017.[citation needed]

text: Marketing[edit]

text: Disney spent around $140 million for marketing the film worldwide.[60] Following an announcement on May 22, 2016,[61] Disney premiered the first official teaser trailer on Good Morning America the next day.[62] In its first 24 hours, the teaser trailer reached 91.8 million views, which topped the number of views seen in that amount of time in history, including for the teasers for other films distributed by Disney such as Avengers: Age of Ultron, Star Wars: The Force Awakens and Captain America: Civil War.[63] This record has since been broken by Thor: Ragnarok and It.[64] The first official teaser poster was released on July 7, 2016.[65] On November 2, 2016, Entertainment Weekly debuted the first official image on the cover of their magazine for the week along with nine new photos as well.[66][67] One week later, Emma Watson and Disney debuted a new poster for the film.[68] On November 14, 2016, the first theatrical trailer was released again on Good Morning America.[69] The trailer reached 127.6 million views in its first 24 hours, setting a new record as the trailer with the most views in one day, beating out Fifty Shades Darker.[70] This record has since been broken again by The Fate of the Furious.[71] A TV spot with Watson singing was shown during the 74th Golden Globe Awards.[72] Disney released the final trailer on January 30, 2017.[73]

text: Home media[edit]

text: Beauty and the Beast was released on Blu-ray, DVD and Digital HD on June 6, 2017.[74] The film debuted at No. 1 on the NPD VideoScan overall disc sales chart, with all other titles in the top 20, collectively, selling only 40% as many units as Beauty and the Beast.[75] The movie regained the top spot on the national home video sales charts during its third week of release.[76] The movie became available on Netflix on September 19, 2017.

text: Reception[edit]

text: Box office[edit]

text: Beauty and the Beast grossed $504 million in the United States and Canada and $758.6 million in other territories for a worldwide gross of $1.262 billion.[a] With a production budget of $160 million, it is the second-most expensive musical ever made; only Hello, Dolly! (1969) with a budget of $25 million ($165 million in 2016 dollars) cost more.[4] In just ten days, it became the highest-grossing live-action musical of all time, beating the nine-year-old record held by Mamma Mia!. It is currently the second biggest musical ever overall, behind Disney's Frozen (2013).[78] Worldwide, the film proved to be a global phenomenon, earning a total of $357 million over its four-day opening weekend from 56 markets. Critics said the film was playing like superhero movies amongst women. It was the second biggest March global opening, behind only Batman v Superman: Dawn of Justice, the thirteenth-biggest worldwide opening ever and the seventh-biggest for Disney.[79] This includes $21 million from IMAX plays on 1,026 screens, a new record for an IMAX PG title.[80] It surpassed the entire lifetime total of the original film in just six days.[81][82]

text: Beauty and the Beast is the 300th digitally remastered release in IMAX company's history, which began with the re-release of Apollo 13 in 2002. Its robust global debut helped push the company past $6 billion for the first time,[83] and led to analysts believing that the film had a shot of passing $1 billion worldwide from theatrical earnings.[84][85][86][87] On April 12, it passed the $1 billion threshold, becoming the first film of 2017, the fourteenth Disney film, and the twenty-ninth film overall to pass the mark. It became the first film since Rogue One (also a Disney property) in December 2016 to make over a billion dollars, and did so on its twenty-ninth day of release.[88][89][90] It is currently the highest-grossing film of 2017,[91] the highest-grossing March release,[92] the highest-grossing remake of all-time,[93] and the fifth biggest Disney film.[94] Even after inflation adjusted, it is still ahead of the $425 million gross ($760 million in 2017 dollars) of the original film.[93]

text: North America[edit]

text: In the United States and Canada, Beauty and the Beast topped Fandango's pre-sales and became the fastest-selling family film in the company's history, topping the studio's own animated film Finding Dory released the previous year. Early tracking had the film grossing around $100 million in its opening weekend, with some publications predicting it could reach $130 million.[95][96][97] By the time the film's release was 10 days away, analysts raised projections to as high as $150 million.[98][99] It earned $16.3 milion from Thursday previews night, marking the biggest of 2017 (breaking Logan's record), the biggest ever for a Disney live-action film (breaking Maleficent's record), the second biggest ever for both a G or PG-rated film (behind the sixth Harry Potter film Harry Potter and the Half-Blood Prince which also starred Watson), and the third biggest ever in the month of March (behind Batman v Superman: Dawn of Justice and The Hunger Games).[100] An estimated 41% of the gross came from IMAX, 3D and premium large format screenings which began at 6 pm, while the rest – 59% – came from regular 2D shows which began at 7 p.m.[101] The numbers were considered more impressive given that the film played during a school week.[102]

text: On its opening day, the film made $63.8 million from 4,210 theaters across 9,200 screens, marking the third biggest in the month of March, trailing behind Batman v Superman ($81.5 million) and The Hunger Games ($67 million).[103][104] It was also the biggest opening day ever for a film that wasn't PG-13, displacing the $58 million opening Wednesday of Harry Potter and the Half-Blood Prince. Its opening day alone (which includes Thursday's previews) almost matched the entire opening weekend of previous Disney live-action films, Maleficent ($69.4 million) and Cinderella ($67.9 million).[105] Unlike all previous four Disney live-action films witnessing a hike on their second day, Saturday, Beauty and the Beast actually fell -2%, but nevertheless, the dip was paltry, and the grosses are so much bigger compared to the other titles.[83] Earning a total of $174.8 million on its opening weekend, it defied all expectations and went on to set numerous notable records.[106] This includes the biggest opening of the year as well as the biggest for the month of March and pre-summer/spring opening, beating Batman v Superman,[107][108] the biggest start ever for a PG title (also for a family film), surpassing Finding Dory,[109] the biggest debut of all time for a female-fueled film, ahead of The Hunger Games: Catching Fire,[110] the biggest for a Disney live-action adaptation, ahead of Alice in Wonderland[110] and the biggest musical debut ever, supplanting Pitch Perfect 2. Furthermore, it is also Watson's highest-opening, beating Harry Potter and the Deathly Hallows – Part 2 same with Emma Thompson, director Bill Condon's biggest debut ever ahead of The Twilight Saga: Breaking Dawn – Part 2 and the biggest outside of summer, save for Star Wars: The Force Awakens, not accounting for inflation.[106]

text: It became the forty-third film to debut with over $100 million and the fifteenth film to open above $150 million. Its three-day opening alone surpassed the entire original North American run of the first film ($146 million; before the 3D re-release), instantly becoming the second biggest film of the year, behind Logan ($184 million), and also the second highest-grossing musical, behind Grease's $188 million cumulative gross in 1978.[111] 70% of the total ticket sales came from 2D showings signifying that people who don't go to theaters frequently came out in bulk to watch the film. About 26% of the remaining tickets were for 3D. IMAX accounted for 7% ($12.5 million) of the total weekend's gross, setting a new record for a PG title, ahead of Alice in Wonderland ($12.1 million) while PLF repped 11% of the box office.[83] 70% of the film's opening day demographic was female, dropping to 60% through the weekend.[110] According polling service PostTrak, about 84 percent of American parents who saw the film on its opening day said they would "definitely" recommend it for families.[112][113] The film's opening was credited to positive word of mouth from audiences, good reviews from critics, effective marketing which sold the title not just as a family film but also as a romantic drama, the cast's star power (especially Emma Watson), lack of competition, being the first family film since The Lego Batman Movie a month earlier, nostalgia, and the success and ubiquity of the first film and Disney's brand.[112][114]

text: On Monday, its fourth day of release, the film fell precipitously by 72% earning $13.5 million. The steep fall was due to a limited marketplace where only 11% K-12 and 15% colleges were off per ComScore. Nevertheless, it is the second biggest March Monday, behind Batman v Superman ($15 million).[115] This was followed by the biggest March and pre-summer Tuesday with $17.8 million, a +32% increase from its previous day. The same day, the film passed $200 million in ticket sales.[116] It earned $228.6 million in the first week of release, the sixth-biggest seven-day gross of all time.[117] In its second weekend, the film continued to maintain the top positioning and fell gradually by 48% earning another $90.4 million to register the fourth-biggest second weekend of all time, and the third-biggest for Disney.[118] In terms of percentage drop, its 48% decline is the third-smallest drop for any film opening above $125 million (behind Finding Dory and The Force Awakens).[78] The hold was notable considering how the film was able to fend off three new wide release; Power Rangers, Life, and CHiPs.[119] As a result, it passed the $300 million threshold becoming the first film of 2017 the pass said mark.[120] The film grossed $45.4 million in its third weekend, finally being overtaken for the top spot by newcomer The Boss Baby ($50.2 million).[121] On April 4, 2017, its nineteenth day of release, it passed the $400 million threshold becoming the first film of 2017 to do so.[122] By its fourth weekend, the film began was playing in 3,969 cinemas, a fall of 241 theaters from its previous weekend. Of those, approximately 1,200 cinemas were sing-along versions. It earned $26.3 million (-48%) and retained second place. By comparison, previous Disney films Moana (−8%) and Frozen (−2%) both witnessed mild percentage declines the weekend their sing-alone versions were released.[123] Its seventh weekend of release was in contemporaneous with another Emma Watson-starring new film The Circle.[124] That weekend, The Circle was number four, while Beauty and the Beast was at number six.[125] By May 28, the film had earned over $500 million in ticket sales becoming the first (and currently only) film of 2017, the third female-fueled film (after The Force Awakens and Rogue One: A Star Wars Story followed by Wonder Woman) and the eighth overall film in cinematic history to pass the mark.[126][127][128]

text: It has already become the biggest March release, dethroning The Hunger Games (2012),[129] the biggest musical film (both animated and live-action),[130] as well as the biggest film of 2017.[131]

text: Outside North America[edit]

text: Internationally, the film began playing on Thursday, March 16, 2017. Through Sunday, March 19, it had a total international opening of $182.3 million from 55 markets, 44 of which were major territories, far exceeding initial estimations of $100 million and opened at No. 1 in virtually all markets except Vietnam, Turkey, and India. Its launch is the second biggest for the month of March, behind Batman v Superman ($256.5 million). In IMAX, it recorded the biggest debut for a PG title (although it carried varying certificate amongst different markets) with $8.5 million from 649 screens, the second biggest for a PG title behind The Jungle Book.[132] In its second weekend, it fell just by -35% earning another $120.6 million and maintaining its first position hold. It added major markets like France and Australia.[133] It top the international box office for three consecutive weekends[134] before finally being dethroned by Ghost in the Shell and The Boss Baby in its fourth weekend. Despite the fall, the film helped Disney push past the $1 billion thresold internationally for the first time in 2017.[135][90]

text: It scored the biggest opening day of the year in Hong Kong and the Philippines, the biggest March Thursday in Italy ($1 million, also the biggest Disney Thursday debut), the biggest March opening day in Austria, and the second biggest in Germany ($1.1 million), Disney's biggest March in Denmark, the biggest Disney live-action debut in China ($12.6 million), the UK ($6.2 million), Mexico ($2.4 million) and Brazil ($1.8 million) and the third biggest in South Korea with $1.2 million, behind only Pirates of the Caribbean: At World's End and Pirates of the Caribbean: On Stranger Tides.[136][137] In terms of opening weekend, the largest debut came from China ($44.8 million), followed by the UK ($24.3 million), Korea ($11.8 million), Mexico ($11.8 million), Australia ($11.1 million), Brazil ($11 million), Germany ($10.7 million), France ($8.4 million), Italy ($7.6 million), Philippines ($6.3 million), Russia ($6 million) and Spain ($5.8 million).[132][133]

text: In the United Kingdom and Ireland, the film recorded the biggest opening ever for a PG film, the biggest Disney live-action opening of all time, the biggest March opening weekend, the biggest opening for a musical (ahead of 2012's Les Misérables), the number one opening of 2017 to date and the fifth-biggest ever overall with £19.7 million ($24.5 million) from 639 theatres and almost twice that of The Jungle Book (£9.9 million).[138] This included the second biggest Saturday ever (£7.9 million), only behind Star Wars: The Force Awakens.[139] It witnessed a decline in its second weekend, earning £12.33 million ($15.4 million). Though the film was falling at a faster rate than The Jungle Book, it had already surpassed the said film and its second weekend is the third biggest ever (behind the two James Bond films Skyfall (2012) and Spectre).[140][133] In India, despite facing heavy competitions from four new Hindi releases, two Tamils films and a Malayalam and a Punjabi release, the film managed to take an occupancy of 15% on its opening day, an impressive feat despite tremendous competitions.[141][142][143] It earned around ₹1.5 crore (US$230,000) nett on its opening day from an estimated 600 screens which is more than the three Hindi releases – Machine, Trapped and Aa Gaya Hero – combined.[144] Disney reported a total of ₹9.26 crore (US$1.4 million) gross for its opening weekend there. It was ahead of all new releases and second overall behind Bollywood film Badrinath Ki Dulhania.[145][146][147] In Russia, despite receiving a restrictive 16 rating, the film managed to deliver a very successful opening with $6 million.[148]

text: In China, expectations were high for the film. The release date was announced on January 24, giving Disney and local distributor China Film Group Corporation ample time – around two months – to market the film nationwide. The release date was strategically chosen to coincide with White Day. Preliminary reports suggested that it could open to $40–60 million in its opening weekend. Largely driven by young women, its opening day pre-sales outpaced that of The Jungle Book.[149] The original film was however never widely popular in the country.[150] Although China has occasionally blocked gay-themed content from streaming video services, in this case, Chinese censors decided to leave the gay scene intact. According to local box office tracker Ent Group, the film grossed an estimated $12.1 million on its opening day (Friday), representing 70% of the total receipts. Including previews, it made a total of $14.5 million from 100,000 screenings, which is 43% of all screenings in the country.[151] It climbed to $18.5 million on Saturday (102,700 showings) for a three-day total of $42.6 million, securing 60% of the total marketplace. Disney on the other hand reported a different figure of $44.8 million.[152][153] Either ways, it recorded the second biggest opening for a Disney live-action film,[150] with $3.4 million coming from 386 IMAX screens.[132] Japan – a huge Disney market – served as the film's final market and opened there on April 21[133] It debuted with a better-than-expected $12.5 million on its opening weekend helping the film push past the $1.1 billion threshold. An estimated $1.1 million came from IMAX screenings, the fourth-biggest ever in the country.[154][155] The two day gross was $9.7 million, outstripping Frozen's previous record of $9.5 million.[156] Due to positive reviews, good word-of-mouth and benefitting from the Golden Week, the film saw a 9% increase on its second weekend. The hold was strong enough to fend off newcomer The Fate of the Furious from securing the top spot. The total there is now over $98 million after seven weekends[157][158][159] and is the biggest film release of the year and overall the eleventh biggest of all time.[160] It topped the box office there for eight consecutive weekends.[161][162]

text: The only markets where the film did not top the weekend charts were Vietnam (behind Kong: Skull Island), Turkey (with two local movies and Logan ahead) and India (where Badrinath Ki Dulhania retained No. 1).[132] It topped the box office for four straight weekends in Germany, Korea, Austria, Finland, Poland, Portugal, Brazil, Venezuela, Bolivia, Switzerland and the UK (exclusive of previews).[135][163] In the Philippines, it emerged as the most commercial successful film of all time – both local and foreign – with over $13.5 million.[164] In just five weeks, the film became one of the top 10 highest-grossing film of all time in the United Kingdom and Ireland, ahead of all but one Harry Potter film (Deathly Hallows – Part 2) and all three The Lord of the Rings movies (which also starred Ian McKellen).[165] It is currently the eighth biggest grosser with £70.1 million ($90 million), overtaking Mamma Mia! to become the biggest musical production ever there.[154][166] The biggest international earning markets following the UK are Japan ($108 million), China ($85.8 million), Brazil ($41.5 million), Korea ($37.5 million), and Australia ($35 million).[161] In Europe alone, the cumulative total is $267 million to become the second-highest-grossing film in the past 1 year (behind Rogue One: A Star Wars Story).[167][154][157]

text: Critical response[edit]

text: Beauty and the Beast received generally positive reviews, with praise for the faithfulness to the original film with a few elements of the Broadway musical version, cast performances, visuals, Jacqueline Durran's costume designs, Alan Menken's musical score and songs, though the designs of the Beast and the servants' household object forms received mixed reviews.[168][169] On review aggregator Rotten Tomatoes, the film has an approval rating of 71% based on 294 reviews, with an average rating of 6.6/10. The site's critical consensus reads, "With an enchanting cast, beautifully crafted songs, and a painterly eye for detail, Beauty and the Beast offers a faithful yet fresh retelling that honors its beloved source material."[170] On Metacritic, the film has a score of 65 out of 100, based on 47 critics, indicating "generally favorable reviews".[171] In CinemaScore polls, audiences gave the film an average grade of "A" on an A+ to F scale.[172][173]

text: Leslie Felperin of The Hollywood Reporter wrote: "It's a Michelin-triple-starred master class in patisserie skills that transforms the cinematic equivalent of a sugar rush into a kind of crystal-meth-like narcotic high that lasts about two hours." Felperin also praised the performances of Watson and Kline as well the special effects, costume designs and the sets while commended the inclusion of Gad's character of LeFou as the first LGBT character in Disney.[174] Owen Gleiberman of Variety, in his positive review of the film, wrote: "It's a lovingly crafted movie, and in many ways a good one, but before that it's an enraptured piece of old-is-new nostalgia." Gleiberman compared Steven's character of the Beast to a royal version of the titular character in The Elephant Man and the 1946 version of the Beast in Jean Cocteau's original adaptation.[175] A. O. Scott of The New York Times praised the performances of both Watson and Stevens, and wrote: "It looks good, moves gracefully and leaves a clean and invigorating aftertaste. I almost didn't recognize the flavor: I think the name for it is joy."[176] Likewise, The Washington Post's Ann Hornaday complimented Watson's performance, describing it as "alert and solemn" while noting her singing ability as "serviceable enough to get the job done".[177] Richard Roeper of Chicago Sun-Times awarded the film three and a half stars, lauded the performances of Watson and Thompson which he drew a comparison to Paige O'Hara's and Angela Lansbury's performances in the 1991 animated version while appreciating the performances of the other cast and also pointing out on its usage of the combination of motion capture and CGI technology as a big advantage which he stated: "Almost overwhelmingly lavish, beautifully staged and performed with exquisite timing and grace by the outstanding cast".[178] Mike Ryan of Uproxx praised the cast, production design and the new songs while noting the film doesn't try anything different, saying: "There's certainly nothing that new about this version of Beauty and the Beast (well, except it isn't a cartoon anymore), but it's a good recreation of a classic animated film that should leave most die-hards satisfied."[179] In her A- review, Nancy Churnin of The Dallas Morning News praised the film's emotional and thematic depth: "There's an emotional authenticity in director Bill Condon's live-action Beauty and the Beast film that helps you rediscover Disney's beloved 1991 animated film and 1994 stage show in fresh, stirring ways."[180]

text: Brian Truitt of USA Today commended the performances of Evans, Gad, McGregor and Thompson alongside Condon's affinity with musicals, the production design, visual effects featured in some of the song numbers including new songs made by the composers Alan Menken and Tim Rice, particularly Evermore which he described the new song with a potential for an Academy Award for Best Original Song.[181] Peter Travers of Rolling Stone rated the film three out of four stars which he deemed it as an "exhilarating gift" while he remarked that "Beauty and the Beast does justice to Disney's animated classic, even if some of the magic is M.I.A (Missing in Action)."[182] Stephanie Zacharek of Time magazine gave a positive review with a description as "Wild, Vivid and Crazy-Beautiful" as she wrote "Nearly everything about Beauty and the Beast is larger than life, to the point that watching it can be a little overwhelming." and added that "it’s loaded with feeling, almost like a brash interpretive dance expressing the passion and elation little girls (and some boys, too) must have felt upon seeing the earlier version."[183] The San Francisco Chronicle's Mick LaSalle struck an affirmative tone, calling it one of the joys of 2017, stating that "Beauty and the Beast creates an air of enchantment from its first moments, one that lingers and builds and takes on qualities of warmth and generosity as it goes along" while referring the film as "beautiful" and also praised the film for its emotional and psychological tone as well Steven's motion capture performance.[184] Tim Robey of The Daily Telegraph gave the film four stars out of five and wrote that "It dazzles on this chocolate box of a picture that feels almost greedy yet to make this film work, down to a sugar-rush finale to grasp the nettle and make an out-an-out, bells-and-whistles musical" while he praised the performances of Watson, McKellen, Thompson, McGregor, Evans and Gad.[185] Mark Hughes of Forbes also similarly praised the film which he wrote that "it could revive the story in a faithful but entirely new and unique way elevating the material beyond expectations, establishing itself as a cinematic equal to the original" and also complimented the importance of undertaking a renowned yet problematic masterpiece as well addressing changes in the elements of the story while acknowledging the film's effectiveness in resonating to the audiences.[186]

text: Several critics regarded the film as inferior to its 1991 animated predecessor. David Sims of The Atlantic wrote that the 2017 film "feels particularly egregious, in part, because it’s so slavishly devoted to the original; every time it falls short of its predecessor (which is quite often), it’s hard not to notice".[187] Michael Phillips of the Chicago Tribune said that the 2017 film "takes our knowledge and our interest in the material for granted. It zips from one number to another, throwing a ton of frenetically edited eye candy at the screen, charmlessly." Phillips wrote that the film featured some "less conspicuously talented" performers who are "stuck doing karaoke, or motion-capture work of middling quality", though he praised Kline's performance as the "best, sweetest thing in the movie; he brings a sense of calm, droll authority".[188] Peter Bradshaw of The Guardian praised Watson's performance and wrote that the film was "lit in that fascinatingly artificial honey-glow light, and it runs smoothly on rails – the kind of rails that bring in and out the stage sets for the lucrative Broadway touring version." In the same newspaper, Wendy Ide criticized the film as "ornate to the point of desperation" in its attempt to emulate the animated film.[189][190]

text: Chris Nashawaty of Entertainment Weekly gave the film a B-, writing that while the film looks "exceptionally great", he sensed that the new songs were "not transporting". He felt the film needed more life and depth, but praised Watson's and Steven's performances as the "film’s stronger elements".[191] Dana Schwartz of The Observer felt that some of the characters, such as Gaston and the Beast, had been watered down from the 1991 film, and that the additional backstory elements failed to "advance the plot or theme in any meaningful way" while adding considerable bloat. Schwartz considered the singing of the cast to be adequate but felt that their voices should have been dubbed over, especially for the complex songs.[192]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref.

MTV Movie & TV Awards
May 7, 2017
Movie of the Year
Beauty and the Beast
Won
[193]

Best Actor in a Movie
Emma Watson

Best Kiss
Emma Watson and Dan Stevens
Nominated

Best Duo
Josh Gad and Luke Evans

Golden Trailer Awards
June 6, 2017
Best Animation/Family
Beauty and the Beast
[194]

Best Original Score

Best Animation/Family TV Spot

Best Fantasy Adventure TV Spot

Teen Choice Awards
August 13, 2017
Choice Movie: Fantasy
Won
[195]
[196]

Choice Movie: Fantasy Actor
Dan Stevens
Nominated

Choice Movie: Fantasy Actress
Emma Watson
Won

Choice Movie Villain
Luke Evans

Choice Movie Ship
Emma Watson and Dan Stevens

Choice Liplock

Choice Scene Stealer
Josh Gad
Nominated

Choice Hissy Fit
Luke Evans

Dan Stevens

text: Controversies[edit]

text: Gay character[edit]

text: Controversy erupted after director Bill Condon said there was a "gay moment" in the film, when LeFou briefly waltzes with Stanley, one of Gaston's friends.[197] Afterwards in an interview with Vulture.com, Condon stated, "Can I just say, I’m sort of sick of this. Because you’ve seen the movie—it's such a tiny thing, and it’s been overblown." Condon also added that Beauty and the Beast features much more diversity than just the highly-talked-about LeFou: "That was so important. We have interracial couples—this is a celebration of everybody's individuality, and that’s what’s exciting about it.”[198] GLAAD president and CEO Sarah Kate Ellis praised the move stating, "It is a small moment in the film, but it is a huge leap forward for the film industry."[199]

text: In Russia, Vitaly Milonov agitated the culture minister for banning the film,[200] but instead it was given a 16+ rating (children under the age of 16 can only be admitted to see it in theaters with accompanying adults).[201] Additionally, a theater in Henagar, Alabama did not screen the film because of the subplot.[202] In Malaysia, the Film Censorship Board insisted the "gay moment" scene be cut, prompting an indefinite postponement of its release by Disney, followed by their decision to withdraw it completely if it could not be released uncensored.[203][204][205] The studio moved the release date to March 30, to allow more time for Malaysia's censor board to make a decision on whether or not to release the film without changes.[206] The distributors and producers then submitted an appeal to the Film Appeal Committee of Malaysia, which allowed the film to be released without any cuts and a P13 rating on the grounds that the "gay element" was minor and did not affect the positive elements featured in the film.[207][208] In Kuwait, the movie was withdrawn from cinemas by National Cinema Company which owns most of the cinemas in the country. A board member of the company stated that the Ministry of Information's censorship department had requested it to stop its screening and edit it for things deemed offensive by it.[209]

text: There were also a number of boycotts against the film. A call to boycott on LifePetitions received over 129,000 signatures,[210] while the American Family Association featured a petition to boycott with the film, asking the public to help crowdfund a CGI version of Pilgrim's Progress instead.[211]

text: Belle and the Beast's relationship[edit]

text: Disney has sought to portray Belle as an empowered young woman,[212] but a debate questioning whether it is possible to fall in love with someone who is holding you prisoner, and whether this is a problematic theme, has resulted.[213] As was the case with the original animated film, one argument is that Belle suffers from Stockholm syndrome (a condition that causes hostages to develop a psychological alliance with their captors as a survival strategy during captivity). Emma Watson studied whether Belle is trapped in an abusive relationship with the Beast before signing on and concluded that she does not think the criticism fits this version of the folk tale.[214][215] Watson described Stockholm Syndrome as "where a prisoner will take on the characteristics of and fall in love with the captor. Belle actively argues and disagrees with [Beast] constantly. She has none of the characteristics of someone with Stockholm Syndrome because she keeps her independence, she keeps that freedom of thought", also adding that Belle defiantly "gives as good as she gets" before forming a friendship and romance with the Beast.[216]

text: Psychiatrist Frank Ochberg, who coined the term "Stockholm syndrome", said he does not think Belle exhibits the trauma symptoms of prisoners suffering from the syndrome because she does not go through a period of feeling that she is going to die.[217] Some therapists, while acknowledging that the pairing's relationship does not meet the clinical definition of Stockholm syndrome, argue that the relationship depicted is dysfunctional and abusive and does not model healthy romantic relationships for young viewers.[218][219] Constance Grady of Vox writes that Jeanne-Marie Leprince de Beaumont's Beauty and the Beast was a fairy tale originally written to prepare young girls in 18th century France for arranged marriages, and that the power disparity is amplified in the Disney version.[220] Anna Menta of Elite Daily argued that the Beast does not apologize to Belle for imprisoning, hurting, or manipulating her, and his treatment of Belle is not painted as wrong.[221]

text: Notes[edit]

text: ^ Jump up to: a b Beauty and the Beast at Box Office Mojo. Retrieved August 14, 2017.

tag: ol


question_text: where did bailey take the circus after barnum died

root

text: History[edit]

text: Predecessor circuses[edit]

text: Hachaliah Bailey appears to have established the first circus in the United States after he purchased an African Elephant, which he named "Old Bet", around 1806.[2] With it as his star attraction he formed the Bailey Circus, which also included a trained dog, several pigs, a horse and four wagons.[3] This was the impetus for what in time evolved into the Bailey component of what became the Ringling Bros. and Barnum & Bailey Circus.[3]

tag: p

text: P. T. Barnum, who as a boy had worked as a ticket seller for Hachaliah Bailey's show, had run the Barnum's American Museum from New York City since 1841 from the former Scudder's American Museum building.[2] Besides building up the existing exhibits, Barnum brought in animals to add zoo-like elements, and a freak show.[4] During this time, Barnum took the Museum on road tours, named "P.T. Barnum's Grand Traveling American Museum".[4] The Museum burned down in July 1865.[5] Though Barnum attempted to re-establish the Museum at another location in the city, it too burned down in 1868, and Barnum opted to retire from the museum business.

text: In 1871, Dan Castello and William Cameron Coup persuaded Barnum to come out of retirement as to lend his name, know-how and financial backing to the circus they had already created in Delavan, Wisconsin. The combined show was named "P.T. Barnum's Great Traveling Museum, Menagerie, Caravan, and Hippodrome".[4] As described by Barnum, Castello and Coup "had a show that was truly immense, and combined all the elements of museum, menagerie, variety performance, concert hall, and circus", and considered it to potentially be "the Greatest Show on Earth", which subsequently became part of the circus's name.[6]

text: Independently of Castello and Coup, James Anthony Bailey had teamed up with James E. Cooper to create the Cooper and Bailey Circus in the 1860s. The Cooper and Bailey Circus became the chief competitor to Barnum's circus. As Bailey's circus was outperforming his, Barnum sought to merge the circuses.[7] The two groups agreed to combine their shows on March 28, 1881.[8] Initially named "P.T. Barnum's Greatest Show On Earth, And The Great London Circus, Sanger's Royal British Menagerie and The Grand International Allied Shows United", it was eventually shortened to "Barnum and Bailey's Circus".[6] Bailey was instrumental in acquiring Jumbo, advertised as the world's largest elephant, for the show.[7] Barnum died in 1891 and Bailey then purchased the circus from his widow. Bailey continued touring the eastern United States until he took his circus to Europe. That tour started on December 27, 1897, and lasted until 1902.[7]

text: Separately, in 1884, five of the seven Ringling brothers had started a small circus in Baraboo, Wisconsin.[9][10] This was about the same time that Barnum & Bailey were at the peak of their popularity. Similar to dozens of small circuses that toured the Midwest and the Northeast at the time, the brothers moved their circus from town to town in small animal-drawn caravans. Their circus rapidly grew and they were soon able to move their circus by train, which allowed them to have the largest traveling amusement enterprise of that time. Bailey's European tour gave the Ringling brothers an opportunity to move their show from the Midwest to the eastern seaboard. Faced with the new competition, Bailey took his show west of the Rocky Mountains for the first time in 1905. He died the next year, and the circus was sold to the Ringling Brothers.[4]

text: Ringling Bros. and Barnum & Bailey Circus[edit]

text: The Ringlings purchased the Barnum & Bailey Greatest Show on Earth in 1907 and ran the circuses separately until 1919. By that time, Charles Edward Ringling and John Nicholas Ringling were the only remaining brothers of the five who founded the circus. They decided that it was too difficult to run the two circuses independently, and on March 29, 1919, "Ringling Bros. and Barnum & Bailey Combined Shows" debuted in New York City. The posters declared, "The Ringling Bros. World's Greatest Shows and the Barnum & Bailey Greatest Show on Earth are now combined into one record-breaking giant of all exhibitions." Charles E. Ringling died in 1926, but the circus flourished through the Roaring Twenties.[citation needed]

text: John Ringling had the circus move its headquarters to Sarasota, Florida in 1927.[11]

text: In 1929, the American Circus Corporation signed a contract to perform in New York City. John Ringling purchased American Circus, owner of five circuses, for $1.7 million.[12]

text: In 1938, the circus made a lucrative offer to Frank Buck, a well-known adventurer and animal collector, to tour as their star attraction and to enter the show astride an elephant. He refused to join the American Federation of Actors, stating that he was "a scientist, not an actor." Though there was a threat of a strike if he did not join the union, he maintained that he would not compromise his principles, saying, "Don't get me wrong. I'm with the working man. I worked like a dog once myself. And my heart is with the fellow who works. But I don't want some ... union delegate telling me when to get on and off an elephant."[13] Eventually, the union gave Buck a special dispensation to introduce Gargantua the gorilla without registering as an actor.

text: The circus suffered during the 1930s due to the Great Depression, but managed to stay in business. After John Nicholas Ringling's death, his nephew, John Ringling North, managed the indebted circus twice, the first from 1937 to 1943.[14] Special dispensation was given to the circus by President Roosevelt to use the rails to operate in 1942, in spite of travel restrictions imposed as a result of World War II. Many of the most famous images from the circus that were published in magazine and posters were captured by American Photographer Maxwell Frederic Coplan, who traveled the world with the circus, capturing its beauty as well as its harsh realities.[citation needed]

text: North's cousin Robert took over the president of the show in 1943. North resumed the presidency of the circus in 1947.[14][15]

text: Hartford circus fire[edit]

text: The Hartford circus fire occurred on July 6, 1944, in Hartford, Connecticut, during an afternoon performance that was attended by approximately 7,500 to 8,700 people. It was one of the worst fire disasters in the history of the United States. Although the Hartford Fire Department responded quickly, the fire was exacerbated by the fact that the canvas circus tent had been waterproofed through a mixture of highly flammable paraffin and gasoline.[16] During the ensuing panic Emmett Kelly, the tramp clown, threw a bucket of water at the burning canvas tent, and a poignant photograph of his futile attempt was transmitted around the world as news spread of the disaster.[17] At least 167 people were killed in the disaster, and hundreds more were injured. Some of the dead remain unidentified to this day, even with modern DNA techniques.[18]

text: Actor and theater director Charles Nelson Reilly, who was thirteen years old at the time, survived the fire and dramatized it in the film on his stage show, "The Life of Reilly". In a 1997 interview, Reilly said that he rarely attended the theater, despite being a director, since the sound of a large audience in a theater reminded him of the large crowd at the circus before the disaster.[19]

text: In the following investigation, it was discovered that the tent had not been fireproofed. Ringling Bros. had applied to the Army, which had an absolute priority on the material, for enough fireproofing liquid to treat their Big Top. The Army had refused to release it to them. The circus had instead waterproofed their canvas using an older method of paraffin dissolved in gasoline and painted onto the canvas. The waterproofing worked, but as had been repeatedly shown it was horribly flammable.[20] Circus management was found to be negligent and several Ringling executives served sentences in jail. Ringling Brothers' management set aside all profits for the next ten years to pay the claims filed against the show by the City of Hartford and the survivors of the fire.[21]

text: Feld family[edit]

text: The post-war prosperity enjoyed by the rest of the nation was not shared by the circus as crowds dwindled and costs increased. Public tastes, influenced by the movies and television, abandoned the circus, which gave its last performance under the big top in Pittsburgh, Pennsylvania on July 16, 1956. An article in Life magazine reported that "a magical era had passed forever".[15] In 1956, when John Ringling North and Arthur Concello moved the circus from a tent show to an indoor operation, Irvin Feld was one of several promoters hired[22] to work the advance for select dates, mostly in the Detroit and Philadelphia areas.[citation needed] Irvin Feld and his brother, Israel Feld, had already made a name for themselves marketing and promoting D.C. area rock and roll shows.[23] In 1959, Ringling Bros. started wintering in Venice, Florida.[10]

text: In late 1967, Irvin Feld, Israel Feld, and Judge Roy Mark Hofheinz of Texas, together with backing from Richard C. Blum, the founder of Blum Capital, bought the company outright from North and the Ringling family interests for $8 million at a ceremony at Rome’s Colosseum.[22][23][24][25] Irving Feld immediately began making other changes to improve the quality and profitability of the show. Irvin got rid of the freak show so as not to capitalize on others' deformations and to become more family orientated. He got rid of the more routine acts.[26]

text: In 1968, with the craft of clowning seemingly neglected and with many of the clowns in their 50s, he established the Ringling Bros. and Barnum & Bailey Clown College.[10][26] A circus in Europe was purchased for $2 million just to have its star animal trainer, Gunther Gebel-Williams, for the core of his revamped circus. Soon, he split the show into two touring units, Red and Blue, which could tour the country independently.[26] The separate tours could also offer differing slates of acts and themes, enabling circus goers to view both tours where possible.[citation needed]

text: The company was taken public in 1969.[22] In 1970, Feld's only son Kenneth joined the company and became a co-producer.[27] The circus was sold to the Mattel company in 1971 for $40 million, but the Feld family was retained as management.[26]

text: After Walt Disney World opened near Orlando, Florida, in 1971, the circus attempted to cash in on the resulting tourism surge by opening Circus World theme park in nearby Haines City, which broke ground on April 26, 1973.[26][28] The theme park was expected to become the circus's winter home as well as to have the Clown College located there.[28][29] Mattel placed the circus corporation up for sale by December 1973 despite its profit contributions, as Mattel as a whole showed a $29.9 million loss in 1972. The park's opening was then delayed until 000000001974-02-01-0000February 1974.[28] Venture Out in America, Inc., a Gulf Oil recreational subsidiary, agreed to buy the combined shows in January 1974, and the opening was further pushed back to 1975.[29] While the Circus Showcase for Circus World opened on 000000001974-02-21-0000February 21, 1974,[30] Venture Out placed the purchase deal back into negotiations, and the opening of the whole complex was moved to an early 1976.[31]

text: By May 1980, the company expanded to three circuses by adding the one-ring International Circus Festival of Monte Carlo that debuted in Japan and Australia.[26] The Felds bought the circus back in 1982.[22] Irvin Feld died in 1984[32] and the company has since been run by Kenneth.

text: Circus World was never successful, as its standard carnival-type rides were no match for Disney's state-of-the-art attractions and was out of the way. The circus sold the park to Arizona developer James Monaghan in 1984.[33]

text: When in 1990 the Venice rail tracks could not support the show's train cars, the combined circus moved its winter base to the Florida State Fairgrounds in Tampa. In 1993, the clown college was moved from the Venice Arena to Baraboo, Wisconsin.[10] In 1995, the company founded the Center for Elephant Conservation (CEC).[34]

text: Clair George has testified in court that he worked as a consultant in the early 1990s for Kenneth Feld and the Ringling Brothers and Barnum & Bailey Circus. He was involved in the surveillance of Jan Pottker (a journalist who was writing about the Feld family) and of various animal rights groups such as PETA.[35]

text: After three years in Baraboo, the clown college operated at the Sarasota Opera House in Sarasota until 1998 before the program was suspended.[10] On 000000001999-02-26-0000February 26, 1999, the circus company started previewing Barnum's Kaleidoscape, a one ring, intimate, upscale circus performed under the tent;[36] designed to compete with similar upscale circuses such as Cirque du Soleil, Barnum's Kaleidoscape was not successful, and ceased performances after the end of 2000.[citation needed]

text: Nicole Feld became the first female producer of Ringling Circus in 2004. In 2009, Nicole and Alana Feld co-produced the circus.[23] In 2001, a group led by The Humane Society of the United States sued the circus over alleged mistreatment of elephants. The suit and a countersuit ended in 2014 with the circus winning a total of $25.2 million in settlements.[37] On March 3, 2015, the circus announced that all elephants would be retired in 2018 to the CEC,[34] but Ringling reversed the decision and retired the elephants in May 2016.[38]

text: Eight months after it retired the elephants, the circus announced on January 14, 2017, that the circus would close in May 2017, do 30 more performances, and would lay off more than 462 employees between March and May 2017.[39] The circus cited steeply declining ticket sales associated with the loss of the elephants combined with high operating costs as reasons for the closure, along with animal cruelty concerns.[39] On May 7, 2017, its "Circus Extreme" tour was shown for the last time in Providence, Rhode Island. The circus's last performance was its "Out of This World" tour at Nassau Veterans Memorial Coliseum on May 21, 2017.[37][40]

text: Kid Rock lawsuit[edit]

text: While having no operations[when?], Ringling Bros. sued American musician Kid Rock over use of the trademarked slogan, "The Greatest Show On Earth", which was his tour name. Kid Rock then decided to change the name to the "American Rock N Roll" tour.[41]

text: Circus trains[edit]

text: The circus maintained two circus train-based shows, one each on its Red Unit and Blue Unit trains.[37] Each train was a mile long with roughly 60 cars: 36 passenger cars, 4 stock cars and 20 freight.[42] Rolling stock belonging to the circus displays the reporting mark "RBBX". The Blue and Red Tours presented a full three-ring production for two years each (taking off the month of December), visiting alternating major cities each year. Each train presented a different "edition" of the show, using a numbering scheme that dates back to circus origins in 1871—the first year of P.T. Barnum's show. The Blue Tour presented the even-numbered editions on a two-year tour (beginning each even-numbered year), and the Red Tour presented the odd-numbered editions on the same two-year tour (beginning each odd-numbered year).[citation needed]

text: In the 1950s there was one gigantic train system comprising three separate train loads that brought the main show to the big cities. The first train load consisted of 22 cars and had the tents and the workers to set them up; the second section comprised 28 cars and carried the canvasmen, ushers and sideshow workers; the third section had 19 sleeping cars for the performers.[43]

text: From 2003 to 2015 the circus also operated a truck-based Gold Tour presenting a scaled-back, single-ring version of the show designed to serve smaller markets deemed incapable of supporting the three-ring versions.[44]

text: After May 21, 2017, the train and its cars were either auctioned off or sold to scrappers. In March of 2018, Kirby Family Farms located in Williston, Florida bought some of the cars and planned to turn them into hotels.

text: Animal care and criticism[edit]

text: Many animal welfare and animal rights organizations are opposed to the use of wild animals in circuses. Many of these groups actively campaign against circuses by staging protests outside of venues over alleged animal rights violations. The groups argue that animals used in the circus are subjected to cruel and inhumane treatment during training, harsh conditions during transport, and a general lack of mental and physical stimulation.

text: Ringling Bros. and Barnum & Bailey was investigated following the death of a lion who died from heat and lack of water while the circus train was travelling through the Mojave Desert.[45] In 1998, the United States Department of Agriculture filed charges against Ringling Bros. for forcing a sick elephant to perform.[46] Ringling paid a $20,000 fine.[47]

text: In 2000, the American Society for the Prevention of Cruelty to Animals (ASPCA), PETA, and other animal groups sued the circus, alleging that it violated the Endangered Species Act by its treatment of Asian elephants in its circus.[48] These allegations were based primarily on the testimony of a circus barn worker. After years of litigation and a six-week non-jury trial, the Court dismissed the suit in a written decision in 2009, finding that the barn worker was not credible (ASPCA v. Feld Entm’t, Inc., 677 F. Supp. 2d 55 (D.D.C. 2009)).[49] Meanwhile, the circus learned during the trial that the animal rights groups had paid the barn worker $190,000 to be a plaintiff in the lawsuit. The circus then sued the animal rights groups under the Racketeer Influenced and Corrupt Organizations Act in 2007, accusing the groups of conspiracy to harm its business and other illegal acts.[48][49][50] In December 2012, the ASPCA agreed to pay the circus $9.2 million to settle its part of the lawsuit.[49] The 14-year course of litigation came to an end in May 2014 when The Humane Society of the United States and a number of other animal rights groups paid a $16  million settlement to the circus' parent company, Feld Entertainment.[51]

text: In 2011, the United States Department of Agriculture conducted an inspection of the circus's animals, facilities, and records, finding non-compliance with the agency's regulations. The company agreed to pay a $270,000 fine.[52] As part of the settlement, the circus must employ a full-time staff person to ensure compliance with the United States Animal Welfare Act of 1966, and all circus employees who work with or handle animals must complete training regarding compliance with the Act within 30 days of when they are hired.[53]

text: In March 2015, Feld Entertainment announced it would stop using elephants in their shows by 2018, stating that the 13 elephants that were part of their shows would be sent to the circus's Center for Elephant Conservation, which at that time housed over 40 elephants.[54][55][56] Feld stated that this action was not a result of the allegations by animal rights groups, but rather due to the patchwork of local laws regarding whether elephants could be used in entertainment shows.[57] Subsequently, the retirement was moved up to 2016, and the final performances with elephants occurred on May 1, 2016, with "Red Unit" herd performing at the Mohegan Sun Arena at Casey Plaza in Wilkes-Barre, Pennsylvania,[58] and the "Blue Unit" herd performing later in the day at the Dunkin' Donuts Center in Providence, Rhode Island.[59]

text: Suzy, a 6-year-old Siberian tiger who previously starred in the Ringling Bros. and Barnum & Bailey Circus, escaped from a convoy of trucks transporting her from Florida to Memphis International Airport on September 5, 2017. Seven tigers, six lions and one leopard were also part of the convoy to temporarily move the animals out of Florida ahead of Hurricane Irma.[60]

text: Film[edit]

text: In 1952, Paramount Pictures released the Cecil B. DeMille production The Greatest Show on Earth, which traced the traveling show through the setup and breakdown of several performances. The film starred Charlton Heston, Betty Hutton, James Stewart, and Emmett Kelly.

text: On August 17, 2011, 20th Century Fox announced that a biographical musical drama film entitled The Greatest Showman was in development.[61] Michael Gracey was set to direct, with Jenny Bicks and Bill Condon as writers.[62] Hugh Jackman plays P.T. Barnum, and produced the film,[61] with Michelle Williams portraying Barnum's wife, Charity.[63] Principal photography began in November 2016 and was released on December 20, 2017.[64]


document_title: Because of Mr. Terupt

question_text: where does because of mr. terupt take place

text: Because of Mr. Terupt

text: This article consists almost entirely of a plot summary. It should be expanded to provide more balanced coverage that includes real-world context. Please edit the article to focus on discussing the work rather than merely reiterating the plot. (February 2018) (Learn how and when to remove this template message)

tag: table

text:
Because of Mr. Terupt

Author
Rob Buyea

Country
United States

Language
English

Genre
Children's Fiction

Publication date

October 11, 2010

Media type
Print (hardback, paperback)

Pages
269

Followed by
Mr. Terupt Falls Again

text: Because of Mr. Terupt is the 2010 debut children's novel by Rob Buyea. Told through the eyes of seven students, it is about one year in the life of a fifth grade class and their new teacher at the fictitious Snow Hill School.

text: Plot[edit]

text: As the school year opens, the fifth grade class of Snow Hill School in Connecticut meets the new teacher, Mr. Terupt. Their reactions to him can vary. Peter, the class cut-up, tries to see what he can get away with and is impressed when Mr. Terupt is cool about correcting his behavior. Jessica, having just moved from California, appreciates the way he relates to her since he is also new, and Anna, who tries to stay in the background, likes the way he subtly draws her into class discussions. Luke is the most studious, so he appreciates the creative class projects Mr. Terupt devises, while the more morose Jeffrey just hopes to be ignored. Alexia is too concerned with manipulating the other girls to pay much attention to the new teacher and Danielle is too worried about being manipulated by Alexia.

text: After a while, all of the students warm up to Mr. Terupt, who has a way of engaging everyone and making them want to do better. He even gives them a party day as a reward to reaching certain goals and gets Mrs. Williams, the principal, to agree to let the class go outside to play in the snow on their reward day. When a game of roughhousing goes awry, Mr. Terupt is hit with an icy snowball and goes into a coma, having previously sustained a number of concussions as a high school and college wrestler.

text: The accident has a dramatic impact on all the students, who worry about the role they played. However, it soon becomes obvious that the teacher's influence on them continues even when he is unable to interact with them. Jeffrey, who has long felt guilty because his stem cell and bone marrow donations were unable to save his brother's life, finally reaches out to his grieving parents and tries to put his family together again. Danielle approaches her conservative, religious family in the hope of getting them to accept her friendship with Anna, whose single mother has been left out since becoming pregnant as a teenager. Alexia comes to terms with the events that have caused her to lie in order to manipulate and control others and learns to be a true friend, and Peter learns that students with learning disabilities are sometimes more wise than those in the school's "regular" classrooms.

text: As the school year draws to a close, the students reflect on how they have benefited from Mr. Terupt's influence and are thrilled when he arrives at school on the last day and the principal announces that he will be their teacher again in sixth grade.

text: Reception[edit]

text: The novel was a 2011 Middle Reader Honor Awards book of the E.B. White Read Aloud Award.[1]


document_title: List of oil fields

question_text: where is most oil found in the world

question_tokens: where is most oil found in the world

text: List of oil fields

text: This article needs to be updated. Please update this article to reflect recent events or newly available information. (November 2010)

text: This list of oil fields includes some major oil fields of the past and present.

text: The list is incomplete; there are more than 65,000 oil and gas fields of all sizes in the world.[1] However, 94% of known oil is concentrated in fewer than 1500 giant and major fields.[2] Most of the world's largest oilfields are located in the Middle East, but there are also supergiant (>10 billion bbls) oilfields in Brazil, Mexico, Venezuela, Kazakhstan, and Russia.

text: Amounts listed below, in billions of barrels, are the estimated ultimate recoverable petroleum resources (proved reserves plus cumulative production), given historical production and current extraction technology. Oil shale reserves (perhaps 3 trillion barrels (4.8×1011 m3)) and coal reserves, both of which can be converted to liquid petroleum, are not included in this chart. Other non-conventional liquid fuel sources are similarly excluded from this list.

text: Oil fields greater than 1 billion barrels (160 million cubic metres)[edit]

text:
Field
Location
Discovered
Started production
Peaked
Recoverable oil, past and future (billion barrels)
Production (million barrels/day)
Rate of decline

Ghawar Field
Saudi Arabia
1948[3]
1951[3]
2005,[4] disputed[5]
88-104[6]
5[7]
8% per year[8]

Burgan Field
Kuwait
1937
1948
2005[9]
66-72[8]
1.7[10]
14% per year[citation needed]

Ahvaz Field
Iran
1958

1970s[11]
37
.750[12]

Gachsaran Field
Iran
1927
1930
1974
66[13]
0.480

Sugar Loaf field
Brazil
2007

~ 25-40[14]

not yet developed

Cantarell Field
Mexico
1976
1981
2004[15]
35[8] 18 billion recoverable
.340 [16]
peaked in 2004 at 2.14 million barrels per day (340,000 m3/d)[16]

Ku-Maloob-Zaap
Mexico
1979
1981
production still increasing

.867 [17]
production increasing, most productive Mexican oil field

Bolivar Coastal Field
Venezuela
1917
1922

30-32[8]
2.6-3[8]

Aghajari Field
Iran
1938
1940

28[18]
0.300

Lula Field
Brazil, Santos Basin
2007

5-8
0.1

Safaniya Oil Field
Kuwait/Saudi Arabia
1951

30
1.2

Esfandiar Field
Iran

30

Rumaila Field
Iraq
1953

17[19]
1.3[19]

Tengiz Field
Kazakhstan
1979
1993
2010
26-40[8]
.53[8]
expanding from 285k to 1.3 m bpd [20]

Kirkuk Field
Iraq
1927
1934

8.5
0.480

Shaybah Field
Saudi Arabia

15

Agha Jari Field
Iran
1937

8.7
.200

Majnoon Field
Iraq
1975

11-20[19]
0.5[19]

Samotlor Field
Russia, West Siberia
1965
1969
1980[21]
14-16
0.844 [22]
(depletion: 73%) [22] 5% decline per year (2008 - 2014)[23]

Shaikan Sheikh Adi Field
Iraq Kurdistan
2009
2013
production still increasing
4-6
0.04
production still increasing

Romashkino Field
Russia Volga-Ural
1948
1949
in decline
16-17
.301 (2006) [22]
depletion: 85% [22]

Prudhoe Bay
United States, Alaska
1967-68
1977
1988 [24]
25 (~13 recoverable)
0.66
11% per year[citation needed]

Sarir Field
Libya
1961
1961

12 (6.5 billion recoverable)

Priobskoye field
Russia, West Siberia
1982
2000

13
0.680 (2008)
14% depleted, production rapidly expanding[25]

Lyantorskoye field
Russia, West Siberia
1966
1979

13
0.168 (2004) [22]
depletion: 81% [22]

Abqaiq Field
Saudi Arabia

12
0.43[26]

Chicontepec Field
Mexico
1926

6.5 [16] (19 certified)[27]

Berri Field
Saudi Arabia

12

Zakum Field
Abu Dhabi, UAE
1965[28]
1967

12

West Qurna Field
Iraq
1973

15-21 [19]
0.18-0.25 (pot.)* civil war [19]

Manifa Field
Saudi Arabia

11

Fyodorovskoye Field
Russia, West Siberia
1971
1974

11
1.9 (197x)

East Baghdad Field
Iraq
1976

8 [19]
0-0.05 (pot.)* civil war [19]

Foroozan-Marjan Field
Saudi Arabia/Iran

10

Marlim Field
Brazil, Campos Basin

in decline
10-14

8% per year[29]

Awali
Bahrain

1

Azadegan Field
Iran
1999

5.2

Marun Field
Iran
1963

16
0.52

Mesopotamian Foredeep Basin
Kuwait

66-72

Minagish
Kuwait

2

Raudhatain
Kuwait

11

Sabriya
Kuwait

3.8-4

Yibal
Oman

1968

1

Mukhaizna Oil Field
Oman

1

Dukhan Field
Qatar

1939

2.2

Halfaya Field
Iraq

4.1

Az Zubayr Field
Iraq
1949

6

Nahr Umr Field
Iraq
1948

6

Abu-Sa'fah field
Saudi Arabia

6.1

Hassi Messaoud
Algeria
1956

9

Bouri Field
Libya
1976
1988

4.5
0.060

Kizomba Complex
Angola

2

Dalia (oil field)
Angola
1997

1

Belayim
Angola

>1

Zafiro
Angola

1

Zelten oil field
Libya
1956
1961

2.5

Agbami Field
Nigeria
1998
2008

0.8-1.2

Bonga Field
Nigeria
1996
2005

1.4

Azeri-Chirag-Guneshli
Azerbaijan
1985
1997

5.4
0.684

Karachaganak Field
Kazakhstan
1972

2.5

Kashagan Field
Kazakhstan
2000

30 [30]

Kurmangazy Field
Kazakhstan

6-7

Darkhan Field
Kazakhstan

9.5

Zhanazhol Field
Kazakhstan
1960
1987

3

Uzen Field
Kazakhstan

7

Kalamkas Field
Kazakhstan

3.2

Zhetybay Field
Kazakhstan

2.1

Nursultan Field
Kazakhstan

4.5

Ekofisk oil field
Norway
1969
1971
2006
3.3
0.127

Troll Vest
Norway
1979
1990
2003
1.4

Statfjord
Norway
1974
1979
1987
3.4

Gullfaks
Norway
1978
1986
1994
2.1

Oseberg
Norway
1979
1988

2.2

Snorre
Norway
1979
1992
2003
1.5

Mamontovskoye Field
Russia

8

Russkoye Field
Russia

2.5

Kamennoe Field
Russia

1.9

Vankor Field
Russia
1983
2009

3.8[31]

Vatyeganskoye Field
Russia

1.4

Tevlinsko-Russkinskoye Field
Russia

1.3

Sutorminskoye Field
Russia

1.3

Urengoy group
Russia

1

Ust-Balykskoe Field
Russia

>1

Tuymazinskoe Field
Russia

3

Arlanskoye Field
Russia

>2

South-Hilchuy Field
Russia

3.1

North-Dolginskoye Field
Russia

2.2

Nizhne-Chutinskoe Field
Russia

1.7

South-Dolginskoye Field
Russia

1.6

Prirazlomnoye Field
Russia
1989
2011

1.4

West-Matveevskoye Field
Russia

1.1

Sakhalin Islands
Russia

14

Odoptu
Russia

1

Arukutun-Dagi
Russia

1

Piltun-Astokhskoye Field
Russia
1986

1

Ayash Field East-Odoptu Field
Russia

4.5

Verhne-Chonskoye Field
Russia

1.3

Talakan Field
Russia

1.3

North-Caucasus Basin
Russia

1.7

Clair oilfield
United Kingdom
1977

5 (1.75 recoverable)

Forties oilfield
United Kingdom
1970

5

Jupiter field
Brazil
2008

7

Cupiagua/Cusiana
Colombia

1

Boscán Field, Venezuela
Venezuela
1946
1947

1.6

Pembina
Canada
1953
1953

Swan Hills
Canada

Rainbow Lake
Canada

Hibernia
Canada
1979
1997

3

Terra Nova Field
Canada
1984
2002

1.0

Kelly-Snyder / SACROC
United States, Texas

1.5

Bakken Oil Field
United States, North Dakota
1951

7.3 [32]

Yates Oil Field
United States, Texas
1926
1926
1929
3.0 (2.0 billion recovered; 1.0 reserve remaining)[33][34]

Kuparuk oil field
United States, Alaska
1969

6

Alpine
United States, Alaska

0.4-1

East Texas Oil Field
United States, Texas
1930

6

Spraberry Trend
United States, Texas
1943

10[35]

Wilmington Oil Field
United States, California
1932

3

South Belridge Oil Field
United States, California
1911

2[36]

Coalinga Oil Field
United States, California
1887

1

Elk Hills
United States, California
1911

1.5[36]

Kern River
United States, California
1899

2.5[36]

Midway-Sunset Field
United States, California
1894

3.4[36]

Thunder Horse Oil Field
United States, Gulf of Mexico
1999

1
0.25

Kingfish
Australia

1.2

Halibut
Australia

1

Daqing Field
China
1959
1960

16

depletion: 90%

Jidong Field
China

2.2

Tahe Field
China

8

Nanpu Oil Field
China

7.35

Wushi Oil Field
China
2015

Zafiro Field
Equatorial Guinea
1995

2004
1[37]