document_title: Big Hero 6 (film)

question_text: what city is big hero 6 set in

question_tokens: what city is big hero 6 set in

text: Big Hero 6 (film)

text: Plot[edit]

text: Hiro Hamada is a 14-year-old robotics genius living in the futuristic city of San Fransokyo. After graduating from high school, he spends much of his free time participating in illegal robot fights. To redirect Hiro, his elder brother Tadashi takes him to the research lab at the San Fransokyo Institute of Technology, where Hiro meets Tadashi's friends, GoGo, Wasabi, Honey Lemon, and Fred. Hiro also meets Professor Robert Callaghan, the head of the university's robotics program. Amazed, Hiro decides to apply to the university. To enroll, he signs up for the school's science fair and presents his project: microbots, swarms of tiny robots that can link together in any arrangement imaginable using a neuro-cranial transmitter. Hiro declines an offer from Alistair Krei, CEO of Krei Tech, to market the microbots, and Callaghan accepts him into the school. When a fire breaks out among the exhibits, Tadashi rushes in to save Callaghan, but the building explodes moments later, apparently killing both Tadashi and Callaghan.

text: Weeks later, a depressed Hiro inadvertently activates Baymax, the inflatable healthcare robot that Tadashi created, who follows Hiro's only remaining microbot to an abandoned warehouse. There, the two discover that someone has been mass-producing the microbots and are attacked by a man wearing a Kabuki mask who is controlling them. After they escape, Hiro equips Baymax with armor and a battle chip containing various karate moves and they track the masked man to the docks. GoGo, Wasabi, Honey Lemon, and Fred arrive, responding to a call from Baymax, and the masked man chases the group. The six escape to Fred's mansion where they decide to form a high-tech superhero team to combat the villain.

text: The group tracks the masked man, who they suspect to be Krei, to an abandoned Krei Tech laboratory on an island which had been used for teleportation research until a test pilot was lost in an accident. The masked man attacks, but the group manages to knock off his mask, revealing the man to be Callaghan who had stolen Hiro's microbots to shield himself from the explosion on campus. Hiro realizes that Tadashi died without reason, while Callaghan refuses to take responsibility for Tadashi's death. This prompts an enraged Hiro to remove Baymax's healthcare chip, leaving only the battle chip, and to order him to kill Callaghan. Honey re-installs the healthcare chip at the last second, preventing Baymax from carrying out the kill order. Callaghan escapes, and Hiro leaves with Baymax, intent on avenging Tadashi. Back home, Hiro tries to remove the healthcare chip again, but Baymax stops him and states that vengeance is not what Tadashi would have wanted. To calm him down, Baymax shows Hiro videos of Tadashi running numerous tests during Baymax's development as a demonstration of Tadashi's benevolence and legacy. A remorseful Hiro apologizes to his friends, who reassure him they will catch Callaghan the right way.

text: Video footage from the accident reveals that the pilot was Callaghan's daughter Abigail and that Callaghan is seeking revenge on Krei. Callaghan interrupts Krei at a public event and attempts to destroy his headquarters using Krei's teleportation portal. After a lengthy battle, the team deprives Callaghan of his microbots and the mask, saving Krei, but the portal remains active. Baymax detects Abigail inside, alive but in hyper-sleep, and leaps into the portal with Hiro to rescue her. They find Abigail's pod, but on the way back out, Baymax is struck by debris, damaging his armor and disabling his thrusters. Knowing that the portal will collapse, Baymax uses his armor's rocket fist to propel Hiro and Abigail back through the portal, forcing them to leave him behind. Callaghan is arrested while Abigail is taken to the hospital. Sometime later, Hiro discovers Baymax's personality chip clenched in the rocket fist. He rebuilds Baymax's body and the six friends continue their exploits through the city, fulfilling Tadashi's dream of helping those in need.

text: During the end credits, a series of newspaper headlines reveals that the university has awarded Hiro a grant and dedicated a building in Tadashi's honor, and that the team has continued protecting the city. In a post-credits scene, Fred discovers a hidden cache of superhero equipment in his family mansion. His father, a retired superhero, returns from vacation and says, "We have a lot to talk about."

text: Voice cast[edit]

text:
Ryan Potter as Hiro Hamada, a 14-year-old robotics prodigy. Speaking of the character, co-director Don Hall said "Hiro is transitioning from boy to man, it's a tough time for a kid and some teenagers develop that inevitable snarkiness and jaded attitude. Luckily Ryan is a very likeable kid. So no matter what he did, he was able to take the edge off the character in a way that made him authentic, but appealing".[11][12][13]
Scott Adsit as Baymax, an inflatable robot built by Tadashi as a medical assistant. Hall said, "Baymax views the world from one perspective — he just wants to help people, he sees Hiro as his patient". Producer Roy Conli said "The fact that his character is a robot limits how you can emote, but Scott was hilarious. He took those boundaries and was able to shape the language in a way that makes you feel Baymax's emotion and sense of humor. Scott was able to relay just how much Baymax cares".[11][12][14]
Daniel Henney as Tadashi Hamada, Hiro's older brother and Baymax's creator. On Hiro and Tadashi's relationship, Conli said "We really wanted them to be brothers first. Tadashi is a smart mentor. He very subtly introduces Hiro to his friends and what they do at San Fransokyo Tech. Once Hiro sees Wasabi, Honey, GoGo, and Fred in action, he realizes that there's a much bigger world out there than really interests him".[12][13][15]
T.J. Miller as Fred, a comic-book fan who is also team mascot at San Fransokyo Institute of Technology. Speaking of Miller, Williams said "He's a real student of comedy. There are a lot of layers to his performance, so Fred ended up becoming a richer character than anyone expected", both literally and metaphorically.[11][12][16][17]
Jamie Chung as GoGo, a tough, athletic student who specializes in electromagnetics. Hall said "She's definitely a woman of few words. We looked at bicycle messengers as inspiration for her character".[11][12][18][19][20]
Damon Wayans, Jr. as Wasabi, a smart, slightly neurotic youth who specializes in lasers. On the character, co-director Chris Williams said "He's actually the most conservative, cautious—he  [sic] the most normal among a group of brazen characters. So he really grounds the movie in the second act and becomes, in a way, the voice of the audience and points out that what they're doing is crazy".[11][12][21]
Genesis Rodriguez as Honey Lemon, a chemistry enthusiast at San Fransokyo Institute of Technology. Williams said "She's a glass-is-half-full kind of person. But she has this mad-scientist quality with a twinkle in her eye — there's more to Honey than it seems".[11][12][22]
James Cromwell as Professor Robert Callaghan, the head of a robotics program at San Fransokyo Institute of Technology who becomes an extremely powerful masked supervillain.[12][15] According to film merchandising, this supervillain alter ego is named "Yokai".[23]
Alan Tudyk as Alistair Krei, a pioneer entrepreneur, tech guru, and the CEO of Krei Tech and is always on the hunt for the next big thing.[12][15]
Maya Rudolph as Aunt Cass, Hiro and Tadashi's aunt and guardian.[12][15][19]
Stan Lee as Fred's father. Lee's likeness was used for the character.[24]
Katie Lowes as Abigail Callaghan, the daughter of Professor Callaghan and a test pilot for Krei Tech.[25]
Daniel Gerson as Sergeant Gerson, the desk sergeant for the San Fransokyo Police Department.[25]
Billy Bush as a newscaster[26]

text: Production[edit]

text: After Disney's acquisition of Marvel Entertainment in 2009, CEO Bob Iger encouraged the company's divisions to explore Marvel's properties for adaptation concepts.[27] By deliberately picking an obscure title, it would give them the freedom to come up with their own version.[28] While directing Winnie the Pooh, director Don Hall was scrolling through a Marvel database when he stumbled upon Big Hero 6, a comic he had never heard of before. "I just liked the title," he said. He pitched the concept to John Lasseter in 2011, as one of five ideas[29] for possible productions for Walt Disney Animation Studios, and this particular idea "struck a chord" with Lasseter, Hall, and Chris Williams.[30][31][32]

text: In June 2012, Disney confirmed that Walt Disney Animation Studios was adapting Marvel Comics' series and that the film had been commissioned into early stages of development.[33][34] Because they wanted the concept to feel new and fresh, head of story Paul Briggs (who also voiced Yama in the film[35]) only read a few issues of the comic, while screenwriter Robert Baird admitted he had not read the comic at all.[36]

text: Big Hero 6 was produced solely by Walt Disney Animation Studios,[37] although several members of Marvel's creative team were involved in the film's production including Joe Quesada, Marvel's chief creative officer, and Jeph Loeb, head of Marvel Television.[38][39] According to an interview with Axel Alonso by CBR,[40] Marvel did not have any plans to publish a tie-in comic.[41] Disney planned to reprint the Marvel version of Big Hero 6 themselves, but reportedly Marvel disagreed. They eventually came to agreement that Yen Press would publish the Japanese manga version of Big Hero 6 for Disney.[42]

text: Conversely, Lasseter dismissed the idea of a rift between the two companies, and producer Roy Conli stated that Marvel allowed Disney "complete freedom in structuring the story."[43][44] Disney Animation Studio President Andrew Millstein stated: "Hero is one example of what we've learned over the years and our embracing some of the Pixar DNA."[45] Regarding the film's story, Quesada stated, "The relationship between Hiro and his robot has a very Disney flavor to it…but it's combined with these Marvel heroic arcs."[30] The production team decided early on not to connect the film to the Marvel Cinematic Universe and instead set the film in a stand-alone universe.[46]

text: With respect to the design of Baymax, Hall mentioned in an interview, "I wanted a robot that we had never seen before and something to be wholly original. That's a tough thing to do, we've got a lot of robots in pop culture, everything from The Terminator to WALL-E to C-3PO on down the line and not to mention Japanese robots, I won't go into that. So I wanted to do something original." Even if they did not yet know what the robot should look like, artist Lisa Keene came up with the idea that it should be a huggable robot.[47]

text: Early on in the development process, Hall and the design team took a research trip to Carnegie Mellon University's Robotics Institute, where they met a team of DARPA-funded[48] researchers who were pioneering the new field of 'soft robotics' using inflatable vinyl,[49][50] which ultimately inspired Baymax's inflatable, vinyl, truly huggable design.[51][52][53] Hall stated that "I met a researcher who was working on soft robots. … It was an inflatable vinyl arm and the practical app would be in the healthcare industry as a nurse or doctor's assistant. He had me at vinyl. This particular researcher went into this long pitch but the minute he showed me that inflatable arm, I knew we had our huggable robot."[54] Hall stated that the technology "will have potential probably in the medical industry in the future, making robots that are very pliable and gentle and not going to hurt people when they pick them up."

text: Hall mentioned that achieving a unique look for the mechanical armor took some time and "just trying to get something that felt like the personality of the character." Co-director Williams stated, "A big part of the design challenge is when he puts on the armor you want to feel that he's a very powerful intimidating presence…at the same time, design-wise he has to relate to the really adorable simple vinyl robot underneath."[55] Baymax's face design was inspired by a copper suzu bell that Hall noticed while at a Shinto shrine.[56]

text: According to Conli, Lasseter initially disliked Baymax's description (while low on battery power) of Hiro's cat as a "hairy baby," but Williams kept the line in anyway, and at the film's first test screening, Lasseter admitted that Williams was correct.[57]

text: According to Williams, Baymax was originally going to be introduced rather late in the film, but then story artist John Ripa conceived of a way for Baymax to meet Hiro much earlier.[58] The entire film became much stronger by establishing the relationship between Hiro and Baymax early on, but the filmmakers ended up having to reconstruct "a fair amount of the first act" in order to make that idea work.[58]

text: About ninety animators worked on the film at one point or another; some worked on the project for as long as two years.[59] In terms of the film's animation style and settings, the film combines Eastern world culture (predominantly Japanese) with Western world culture (predominantly California).[60] In May 2013, Disney released concept art and rendered footage of San Fransokyo from the film.[61] San Fransokyo, the futuristic mashup of San Francisco and Tokyo, was described by Hall as "an alternate version of San Francisco. Most of the technology is advanced, but much of it feels retro … Where Hiro lives, it feels like the Haight. I love the Painted ladies. We gave them a Japanese makeover; we put a cafe on the bottom of one. They live above a coffee shop." According to production designer Paul Felix, "The topography is exaggerated because what we do is caricature, I think the hills are 1½ times exaggerated. I don't think you could really walk up them … When you get to the downtown area, that's when you get the most Tokyo-fied, that pure, layered, dense kind of feeling of the commercial district there. When you get out of there, it becomes more San Francisco with the Japanese aesthetic. … (It's a bit like) Blade Runner, but contained to a few square blocks. You see the skyscrapers contrasted with the hills."[62]

text: The reason why Disney wanted to merge Tokyo (which is where the comic book version takes place) with San Francisco was partly because San Francisco had not been used by Marvel before, partly because of all the city's iconic aspects, and partly because they felt its aesthetics would blend well with Tokyo.[36] The filmmakers' idea was that San Fransokyo is based on an alternate history in which San Francisco was largely rebuilt by Japanese immigrants in the aftermath of the 1906 earthquake, although this premise is never stated in the film.[63]

text: To create San Fransokyo as a detailed digital simulation of an entire city, Disney purchased the actual assessor data for the entire city and county of San Francisco.[59] The final city contains over 83,000 buildings and 100,000 vehicles.[59]

text: A software program called Denizen was used to create over 700 distinctive characters[59] that populate the city.[64] Another one named Bonzai was responsible for the creation of the city's 250,000 trees,[65] while a new rendering system called Hyperion offered new illumination possibilities, like light shining through a translucent object (e.g. Baymax's vinyl covering).[66] Pixar's RenderMan was considered as a "Plan B" for the film's rendering, if Hyperion was not able to meet production deadlines.[8]

text: Development on Hyperion started in 2011 and was based upon research into multi-bounce complex global illumination originally conducted at Disney Research in Zürich.[59] Disney, in turn, had to assemble a new super-computing cluster just to handle Hyperion's immense processing demands, which consists of over 2,300 Linux workstations distributed across four data centers (three in Los Angeles and one in San Francisco).[59] Each workstation, as of 2014, included a pair of 2.4 GHz Intel Xeon processors, 256 GB of memory, and a pair of 300 GB solid-state drives configured as a RAID Level 0 array (i.e., to operate as a single 600 GB drive).[59] This was all backed by a central storage system with a capacity of five petabytes, which holds all digital assets as well as archival copies of all 54 Disney Animation films.[59]

text: The emotional climax that takes place in the middle of a wormhole portal is represented by the stylized interior of a mandelbulb.[67]

text: The post-credits scene was only added to the film in August 2014, late in production, after co-director Don Hall and his crew went to see Marvel Studios' Guardians of the Galaxy. He stated that "[i]t horrified us, that people were sat waiting for an end credits thing, because of the Marvel DNA. We didn't want people to leave the movie disappointed."[68]

text: Soundtrack[edit]

text:
Big Hero 6 (Original Motion Picture Soundtrack)

Soundtrack album by Henry Jackman

Released
November 4, 2014 (2014-11-04)

Recorded
2014

Genre
Film score

Length
53:57

Label
Walt Disney

Producer
Chris Montan

Walt Disney Animation Studios chronology

Frozen
(2013)Frozen2013
Big Hero 6
(2014)
Zootopia
(2016)Zootopia2016

Henry Jackman chronology

Captain America: The Winter Soldier
(2014) Captain America: The Winter Soldier2014
Big Hero 6
(2014) Big Hero 62014
The Interview
(2014) The Interview2014

Singles from Big Hero 6 (Original Motion Picture Soundtrack)

"Immortals"
Released: October 14, 2014

text: Henry Jackman composed the score for the film.[69] The soundtrack features an original song titled "Immortals" written and recorded by American rock band Fall Out Boy, which was released by Walt Disney Records on October 14, 2014.[70][71] The soundtrack album was digitally released by Walt Disney Records on November 4, 2014, and had a CD release on November 24.[72] While not part of the soundtrack, a brief instrumental section of "Eye of the Tiger" plays in the film.[73]

text: Track listing[edit]

text: All music composed by Henry Jackman (except "Immortals", performed by Fall Out Boy).

text:
No.
Title
Writer(s)
Artist
Length

1.
"Immortals"
Patrick Stump, Pete Wentz, Joe Trohman, Andy Hurley
Fall Out Boy
3:15

2.
"Hiro Hamada"

1:57

3.
"Nerd School"

2:12

4.
"Microbots"

1:46

5.
"Tadashi"

1:46

6.
"Inflatable Friend"

1:56

7.
"Huggable Detective"

1:35

8.
"The Masked Man"

1:29

9.
"One of the Family"

1:49

10.
"Upgrades"

2:27

11.
"The Streets of San Fransokyo"

4:08

12.
"To the Manor Born"

1:15

13.
"So Much More"

3:01

14.
"First Flight"

2:35

15.
"Silent Sparrow"

4:39

16.
"Family Reunion"

2:39

17.
"Big Hero 6"

6:57

18.
"I Am Satisfied with My Care"

5:29

19.
"Signs of Life"

1:14

20.
"Reboot"

1:48

Total length:
53:57

text: Release[edit]

text: Big Hero 6 premiered on October 23, 2014 as the opening film at the Tokyo International Film Festival.[74] The world premiere of Big Hero 6 in 3D took place at the Abu Dhabi Film Festival on October 31, 2014.[75] It was theatrically released in the United States and Canada on November 7, 2014[76] with limited IMAX international showings.[77] Theatrically, the film was accompanied by the Walt Disney Animation Studios short, Feast.[78]

text: For the South Korean release of the film, it was retitled Big Hero, to avoid the impression of being a sequel, and edited to remove indications of the characters' Japanese origin. This is owing to the tense relations between Korea and Japan. For instance, the protagonist's name, Hiro Hamada, was changed to "Hero Armada," and Japanese-language signage onscreen was changed to English. Nonetheless, the film caused some online controversy in South Korea, because of small images resembling the Rising Sun Flag in the protagonist's room.[79]

text: The film was released in China on February 28, 2015.[80]

text: Home media[edit]

text: Big Hero 6 was released in the United States by Walt Disney Studios Home Entertainment on Blu-ray and DVD on February 24, 2015.[81][82] Writer Steven T. Seagle, who co-created the comic book Big Hero 6, criticized the Blu-ray featurette documenting the origins of the group, for not mentioning him or co-creator Duncan Rouleau. Seagle also criticized the book Art of Big Hero 6 for the same omission.[83]

text: Reception[edit]

text: Box office[edit]

text: Big Hero 6 earned $222.5 million in North America and $435.3 million in other territories for a worldwide estimated total of $657.8 million.[4] Calculating in all expenses, Deadline estimated that the film made a profit of $187.34 million.[84] Worldwide, it is the highest-grossing animated film of 2014,[9] the third-highest-grossing non-Pixar animated film from Disney,[85] and the 16th-highest-grossing animated film of all time. By grossing over $500 million worldwide, it became the fourth Disney release of 2014 to do so; the other titles being Guardians of the Galaxy, Maleficent, and Captain America: The Winter Soldier.[86]

text: North America[edit]

text: In the U.S. and Canada, the film is the second-highest-grossing science-fiction animated film (behind 2008's WALL-E),[87] the second-highest-grossing animated superhero comedy film (behind 2004's The Incredibles),[88] and the second-highest-grossing Disney animated film (behind 2013's Frozen).[89] The film earned $1.4 million from late Thursday night showings, which is higher than the previews earned by Frozen ($1.2 million) and The Lego Movie ($400,000).[90][91] In its opening day on November 7, the film earned $15.8 million, debuting at number two behind Interstellar ($16.9 million).[92][93] Big Hero 6 topped the box office in its opening weekend, earning $56.2 million from 3,761 theaters ahead of Interstellar ($47.5 million);[94][95] it is Walt Disney Animation Studios' second-best opening behind Frozen ($67.4 million), both adjusted and unadjusted.[96][97][98][99]

text: On February 15, 2015, Big Hero 6 became the third-highest-grossing Disney animated film in both the U.S. and Canada, behind The Lion King and Frozen.[100][101]

text: Outside North America[edit]

text: Two weeks ahead of its North American release, Big Hero 6 was released in Russia (earned $4.8 million) and Ukraine (earned $0.2 million) in two days (October 25–26).[102] The main reason behind the early release was in order to take advantage of the two weeks of school holidays in Russia. Jeff Bock, box office analyst for Exhibitor Relations, said "For a two-day gross, that's huge. It's a giant number in Russia."[103] In its second weekend, the film added $4.8 million (up 1%) bringing its total nine-day cumulative audience to $10.3 million in Russia and $10.9 including its revenue from Ukraine.[104]

text: In its opening weekend, the film earned $7.6 million from seventeen markets for a first weekend worldwide total of $79.2 million, behind Interstellar ($132.2 million).[105] It went to number one in the Philippines, Vietnam, and Indonesia.[106] It opened with $4.8 million in Mexico.[107][108] In Japan, where the film is locally known as Baymax, it opened at second place behind Yo-Kai Watch: Tanjō no Himitsu da Nyan!, with $5.3 million, marking it the second-biggest Disney opening in Japan behind Frozen.[109][110] and topped the box office for six consecutive weekends.[111] The film opened in second place with $6 million ($6.8 million including previews) in the U.K., which is 15% lower than Frozen.[112] It opened at No. 1 with $14.8 million in China, which is the biggest opening for a Disney and Pixar animated film (breaking Frozen's record)[113] and topped the box office for three consecutive weekends.[114]

text: The film became the highest-grossing Disney animated film in Vietnam[107] and in China (surpassed by Zootopia)[115]),[9] the second-highest-grossing Disney animated film of all time in Russia,[106] in the Philippines (behind Toy Story 3),[107] and in Japan (behind Frozen).[9] In addition to being the second-highest-grossing Disney animated film, it is also the fifth-highest-grossing animated film of all time in China.[116] In total earnings, its biggest markets outside of the United States and Canada are China ($83.5 million) and Japan ($76 million).[117]

text: Critical response[edit]

text: The review aggregation website Rotten Tomatoes reports that 89% of critics gave the film a positive review based on 197 reviews, with an average score of 7.3/10. The site's consensus states: "Agreeably entertaining and brilliantly animated, Big Hero 6 is briskly-paced, action-packed, and often touching."[118] Metacritic, which assigns a normalized rating out of 100 from top reviews from mainstream critics, calculated a score of 74 based on 38 reviews, indicating "generally favorable reviews."[119]

text: Michael O'Sullivan of The Washington Post gave the film 3.5/4 stars, writing that "The real appeal of Big Hero 6 isn't its action. It's the central character's heart."[120] Maricar Estrella of Fort Worth Star-Telegram gave the film 5 stars, saying it "offers something for everyone: action, camaraderie, superheroes and villains. But mostly, Baymax offers a compassionate and healing voice for those suffering, and a hug that can be felt through the screen."[121] Peter Travers of Rolling Stone gave the film 3 out of 4 stars, stating, "The breakthrough star of the season is here. His name is Baymax and he's impossible not to love. The 3-D animated Big Hero 6 would be a ton less fun without this irresistible blob of roly-poly, robot charisma."[122] Kofi Outlaw of Screen Rant gave the film 4 out of 5 stars or "excellent," explaining that "Big Hero 6 combines Disney wonder and charm with Marvel awe and action to deliver a film that exhibits the best of both studios."[123] Alonso Duralde of The Wrap gave the film a positive review, calling it "sweet and sharp and exciting and hilarious" and says that the film "comes to the rescue of what's become a dreaded movie trope—the origin story—and launches the superhero tale to pleasurable new heights."[124] Calvin Wilson of St. Louis Post-Dispatch gave the film 3.5 of 4 stars, writing that "the storytelling is solid, propelled by characters that you come to care about. And that should make Big Hero 6 a big hit."[125]

text: Bill Goodykoontz of The Arizona Republic gave the film a positive review, writing, "Directors Don Hall and Chris Williams have made a terrific movie about a boy (Ryan Potter) and his robot friend, who seek answers to a deadly tragedy," calling it an "unexpectedly good treat."[126] Soren Anderson of The Seattle Times gave the film 3.5 out of 4 stars, saying that "Clever, colorful, fast on its feet, frequently very funny and sweet (but not excessively so), Big Hero 6 mixes its myriad influences into a final product that, while in no way original, is immensely entertaining."[127] Michael Rechtshaffen of The Hollywood Reporter gave the film a positive review, saying that "the funny and heartwarming story about the bond between a teen tech geek and a gentle robot represents another can't-miss proposition by Walt Disney Animation Studios."[128] Jon Niccum of The Kansas City Star gave the film 3.5 out of four stars, writing that while it "may hit a few familiar beats inherent to any superhero "origin story,"" it is still "the best animated film of the year, supplying The Incredibles-size adventure with a level of emotional bonding not seen since The Iron Giant," and that it "never runs low on battery power."[129] Elizabeth Weitzman of the Daily News gave the film 4 out of 5 stars, calling it a "charming animated adventure," saying that with "appealing 3D animation" and a smart and "sharp story and script," it is "one of the rare family films that can fairly boast of having it all: humor, heart and huggability."[130] Rafer Guzmán from Newsday gave the film 3 out of 4 stars, saying that "Marvel plus Disney plus John Lasseter equals an enjoyable jumble of kid-approved action," with "rich, vivid colors and filled with clever details."[131]

text: Accolades[edit]

text:
List of awards and nominations

Award
Category
Recipients and nominees
Result

87th Academy Awards
Best Animated Feature
Don Hall, Chris Williams and Roy Conli
Won

65th American Cinema Editors Awards[132]
Best Edited Animated Feature Film
Tim Mertens
Nominated

42nd Annual Annie Awards[133]
Best Animated Feature
Big Hero 6
Nominated

Animated Effects in an Animated Production
Michael Kaschalk, Peter DeMund, David Hutchins, Henrik Falt, John Kosnik
Won

Character Design in an Animated Feature Production
Shiyoon Kim, Jin Kim
Nominated

Directing in an Animated Feature Production
Don Hall & Chris Williams
Nominated

Storyboarding in an Animated Feature Production
Marc E. Smith
Nominated

Writing in an Animated Feature Production
Robert L. Baird, Daniel Gerson & Jordan Roberts
Nominated

Editorial in an Animated Feature Production
Tim Mertens
Nominated

68th British Academy Film Awards[134]
Best Animated Film

Nominated

Broadcast Film Critics Association
Best Animated Film
Big Hero 6
Nominated

72nd Golden Globe Awards[135]
Best Animated Feature Film
Big Hero 6
Nominated

Kids' Choice Awards
Favorite Animated Movie

Won

Nevada Film Critics Society
Best Animated Movie
Big Hero 6
Won

Women Film Critics Circle
Best Family Film
Big Hero 6
Won

Best Animated Female
GoGo Tomago played by, Jamie Chung
Nominated

Honey Lemon played by, Genesis Rodriguez
Nominated

Best Line in a Movie
"Stop Whining. Woman Up!" said by, Jamie Chung
Won

15th Phoenix Film Critics Society[136]
Best Animated Film
Big Hero 6
Nominated

Best Original Song
"Immortals" by Fall Out Boy
Nominated

19th Satellite Awards[137]
Best Motion Picture, Animated or Mixed Media
Big Hero 6
Nominated

Producers Guild of America
Best Outstanding Producer of Animated Theatrical Motion Pictures
Roy Conli
Nominated

13th Annual Visual Effects Society Awards[138]
Outstanding Animation in an Animated Feature Motion Picture
Don Hall, Chris Williams, Roy Conli, Zach Parrish
Won

Outstanding Models in any Motion Media Project
Brett Achorn, Minh Duong, Scott Watanabe, Larry Wu
Won

Outstanding Created Environment in an Animated Feature Motion Picture
Ralf Habel, David Hutchins, Michael Kaschalk, Olun Riley
Won

Outstanding Effects Simulations in an Animated Feature Motion Picture
Henrik Falt, David Hutchins, Michael Kaschalk, John Kosnik
Won

Outstanding Animated Character in an Animated Feature Motion Picture
Colin Eckart, John Kahwaty, Zach Parrish, Zack Petroc
Won

text: Other media[edit]

text: A Japanese manga adaptation of Big Hero 6 (which is titled Baymax (ベイマックス, Beimakkusu) in Japan), illustrated by Haruki Ueno, began serialization in Kodansha's Magazine Special from August 20, 2014. A prologue chapter was published in Weekly Shōnen Magazine on August 6, 2014.[139] According to the film's official Japanese website, the manga revealed plot details in Japan before anywhere else in the world.[140] The website also quoted the film's co-director Don Hall, to whom it referred as a manga fan, as saying that the film was Japanese-inspired.[140] Yen Press publishes the series in English.[141]

text: Video games[edit]

text:
A video game based on the film titled Big Hero 6: Battle in the Bay was released on October 28, 2014 for the Nintendo 3DS and Nintendo DS.[142] This game is set after the events of the film and is a side-scrolling beat 'em up game. Four of the six members are playable (with Baymax and Honey Lemon being non-playable), and the Touch Screen can be used to launch Honey Lemon's grenades in the heat of battle.
Hiro and Baymax from the film are also available in Disney Infinity: Marvel Super Heroes as playable Disney Originals characters in the Toy Box.[143][144]
A mobile game based on the film titled Big Hero 6: Bot Fight was also released on November 3, 2014. It takes place a year after the events of the film, where the heroes discover and battle runaway robots via match-3 battles.[145] It was later discontinued on February 3, 2016 due to the constraints of Disney Mobile's support team and the need to discontinue old games to release new ones.[146]
A world based on Big Hero 6 will make its debut appearance in Kingdom Hearts III. The world will continue the story from the events at the end of the film, with the villains taking control of the original Baymax body left behind in the portal space, turning it into a monstrous Heartless that the second Baymax and Sora fight.[147][148][149]

text: Toys[edit]

text: Vinyl toy company Funko released the first images of the toy figures via their Big Hero 6 Funko.[150] The POP Vinyl series collection features Hiro Hamada, GoGo Tomago, Wasabi, Honey Lemon, Fred, and a 6-inch Baymax.

text: Bandai released a number of action figures related to the film; these toys including a number of different Baymax figures. One is a soft plastic 10-inch version that includes a series of projected stills from the film on his stomach, which can be changed when the figure's arm is moved, and which emits accompanying sounds. Deluxe Flying Baymax, which retails for $39.99, depicts the armored version of the character and features lights and sounds that activate at the push of a button. Placing the Hiro figurine on his back changes the sounds into speech and when the figure is tilted, the sounds are those of flying. The Armor-Up Baymax (original retail cost $19.99) comes with 20 pieces of armor that can be assembled onto the robot by the owner. The other characters from the film, including the other members of team and Professor Callaghan (who is called Yokai) are issued in 4-inch action figures, each of which have eight points of articulation.[151]

text: Future[edit]

text: Projected film sequel[edit]

text: On February 18, 2015, the film's directors, Don Hall and Chris Williams, said a sequel was possible. Hall added, "Having said that, of course, we love these characters, and the thought of working with them again some day definitely has its appeal."[152] In March 2015, Genesis Rodriguez told MTV that a sequel was being considered, saying, "…There's nothing definitive. There's talks of something happening. We just don't know what yet."[153] In April 2015, Stan Lee mentioned a projected sequel as one of several that he understood were in Marvel's plans for upcoming films.[154]

text: Television follow-up[edit]

text: In March 2016, Disney announced that a Big Hero 6 television series was in development and will premiere on Disney XD in 2017. The series takes place immediately after the events of the film,[155] and is created by Kim Possible's Mark McCorkle and Bob Schooley, and executive produced by McCorkle, Schooley, and Nick Filippi.[156][157] The majority of the cast from the film will return to voice the characters, except for Wayans Jr. and Miller.[10]


document_title: Wonder Woman (2017 film)

question_text: what is the real name of wonder woman 2017

root

text: Wonder Woman (2017 film)

text: Plot[edit]

text: In present-day Paris, Diana Prince receives a photographic plate of herself during World War I, which prompts her to recall her past. The daughter of Queen Hippolyta, Diana was raised on the hidden island of Themyscira, home to the Amazonian race of warrior women created by Zeus to protect mankind. Hippolyta shares the Amazonian history with Diana, including how Ares, Zeus's son, became jealous of humanity and worked to orchestrate its destruction. When the other gods of Mount Olympus attempted to stop him, Ares killed all but Zeus, who managed to hurt Ares enough to force a retreat. Zeus left the Amazons a weapon, the "Godkiller", to prepare them for Ares' return.

tag: p

text: Hippolyta forbids Diana to train, then relents by having her sister Antiope train Diana, but so long as her training is more difficult than that received by any other warrior in the army. As a young woman in 1918, Diana rescues American pilot Captain Steve Trevor when his plane crashes off the Themyscira coast. He is pursued by a German cruiser. The Amazons kill the crew and Antiope sacrifices herself to save Diana. Steve is interrogated with the Lasso of Hestia. He reveals that a war is consuming the outside world, and that he is an Allied spy. He has stolen a notebook of the Spanish chief chemist Isabel Maru, who is attempting to engineer a deadlier form of mustard gas, under the orders of General Erich Ludendorff. Diana believes Ares is responsible for the war. She arms herself with the "Godkiller" sword, the lasso and her armor before leaving Themyscira with Steve to find and destroy Ares.

text: In London, they deliver Maru's notebook to the Supreme War Council, where Sir Patrick Morgan is trying to negotiate an armistice with Germany. Diana translates Maru's notes and reveals that the Germans plan to release the deadly gas at the War Front. Although forbidden by his commanders to act, Steve, with secret funding from Sir Patrick, recruits spy Sameer, marksman Charlie, and smuggler Chief to help prevent the gas from being released. When the team reaches the Western Front in Belgium, they are halted by the enemy lines. Diana goes alone through No Man's Land and captures the enemy trench, allowing the Allied forces to help her liberate the village of Veld. The team briefly celebrates, while Diana and Steve grow closer romantically and spend the night together.

text: The team learns a gala will be held at the nearby German High Command. Steve and Diana each infiltrate the party, with Steve intending to locate the gas and destroy it while Diana intends to kill Ludendorff, believing that he is Ares and killing him will end the war. Steve stops her to avoid jeopardizing the mission. Ludendorff then unleashes the gas on Veld, killing its inhabitants. Outraged, and blaming Steve for intervening, Diana pursues Ludendorff to a base where the gas is being loaded into a bomber aircraft bound for London. Diana fights and kills Ludendorff but is confused when his death does not stop the war.

text: Sir Patrick appears and reveals himself as Ares. He tells Diana that although he has subtly given humans ideas and inspirations using Ludendorff and Maru as pawns, it is ultimately their decision to cause violence as they are inherently corrupt. She attempts to kill Ares with the Godkiller sword but he destroys it. Ares reveals Diana to be the "Godkiller", as the daughter of Zeus and Queen Hippolyta, but he fails to persuade her to help him destroy humankind to restore paradise on Earth. While the two battle, the others on Steve's team destroy Maru's laboratory. Steve pilots the bomber carrying the gas to a safe altitude and detonates it, sacrificing himself. Ares attempts to direct Diana's rage and grief at Steve's death by convincing her to kill Maru, but memories of her experience with Steve cause her to realize that mankind has good within it. She spares Maru and redirects Ares' lightning into him, killing him. Later, the team celebrates the end of the war. In the present day, Diana sends an email to Bruce Wayne thanking him for the photographic plate of her and Steve, and reaffirms her new mission to protect and give to the world.

text: Cast[edit]

text: Gal Gadot as Diana Prince / Wonder Woman:

tag: ul

text: Chris Pine as Steve Trevor:

text: Robin Wright as Antiope:

text: Danny Huston as General Erich Ludendorff:

text: David Thewlis as Ares:

text: Connie Nielsen as Hippolyta:

text: Elena Anaya as Isabel Maru / Doctor Poison:

text: Lucy Davis as Etta Candy:

text: Saïd Taghmaoui as Sameer:

text: Ewen Bremner as Charlie:

text: Eugene Brave Rock as Chief Napi:

text: Lisa Loven Kongsli as Menalippe:

text: Additionally, James Cosmo appears as Field Marshal Haig, Mayling Ng as Orana, Florence Kasumba as Acantha, Madeleine Vall Beijner as Egeria, Hayley Jane Warnes as Aella and Ann Wolfe as Artemis, all of whom are Amazons.[61][62][63][64] Dutch model Doutzen Kroes portrays the Amazon Venelia.[63] Samantha Jo was cast as the Amazonian Euboea, and previously played the Kryptonina, Car-Vex, in Man of Steel.[65] Zack Snyder also makes a brief cameo appearance in the film as an unnamed soldier.[66]

text: Production[edit]

text: Background[edit]

text: Development for a live action Wonder Woman feature film began in 1996, with Ivan Reitman attached as producer and possible director.[67] In 1999 the project became attached to Jon Cohen, who adapted Wonder Woman for producer Joel Silver, with the hope that Sandra Bullock would star.[68] By 2001, Todd Alcott was hired to write the screenplay, with Silver Pictures backing the project.[69] At that time, performers such as Mariah Carey and Catherine Zeta-Jones were also rumored to be possible candidates for the role of Wonder Woman.[70] Leonard Goldberg, however, focused on Bullock[71] who said that she was approached for the role. In addition, wrestler Chyna also expressed interest. Lucy Lawless, the star of Xena: Warrior Princess, was also under consideration, though she stated that she would have been more interested if Wonder Woman was portrayed as a "flawed hero."[72] The screenplay went through various drafts written by Alcott, Cohen, Becky Johnston, and Philip Levens,[73] and by August 2003, Levens had been replaced by screenwriter Laeta Kalogridis.[74]

text: In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film,[75] with a reported salary was of $2 to $3 million.[76] Since Whedon was directing Serenity at the time, and required time to research Wonder Woman's background, he did not begin the screenplay until late 2005.[77][78][79] Early drafts of his screenplay included Steve Trevor as the narrator, a fierce battle between Diana and her mother over Trevor's welfare, and after leaving Themyscira, his need to frequently rescue a Diana rendered helpless by the modern world.[80] Whedon was not able to complete a final version of his screenplay however, and left the project in 2007.[81][82]

text: Although Whedon stated in May 2005 that he would not cast the part of Wonder Woman until he finished the script,[83] actors such as Kate Beckinsale were linked to the part.[84] A few years later in 2010 however, Whedon admitted that he did have an actress in mind for the part, stating that "Wonder Woman was basically Angelina Jolie."[80][85] A few years later in May 2017, Indie Ground Films leaked a version of Whedon's script in-progress online.[86] Some reacted negatively to it on social media in June 2017, shortly after the release of Patty Jenkins version of the film.[87][88][89][90][91] When asked about this response to his script, Jenkins said in a June 2017 interview that she has not read it and that Whedon is "in the DC universe now, and I don't think there's any reason to go there [...] It was what it was. I'm lucky that I'm the person who got to do it. But I don't see what would be beneficial about comparing what he would've done versus what I would have done."[92][93]

text: A day before Whedon's departure from Wonder Woman, Warner Bros. and Silver Pictures purchased a spec script for the film written by Matthew Jennison and Brent Strickland. Set during World War II, the script impressed executives at Silver Pictures.[82] However, Silver stated that he had purchased the script because he did not want the rights reverting; while stating the script had good ideas, Silver did not want the film to be a period piece.[94] By April 2008, Silver hired Jennison and Strickland to write a new script set in contemporary times that would not depict Wonder Woman's origin, but explore Paradise Island's history.[95] In November 2008, Beyoncé met with representatives from DC Comics and Warner Bros., to discuss her interest in portraying Wonder Woman.[96]

text: In 2010, Warner Bros. stated that a film was in development, along with films based on DC Comics superheroes the Flash and Aquaman.[97] Both Wonder Woman and Aquaman were still under consideration for solo film subjects as of June 2013.[98] DC Chief Diane Nelson said Wonder Woman "has been, since I started, one of the top three priorities for DC and for Warner Bros. We are still trying right now, but she's tricky."[99] On October 5, 2013, WB chairman Kevin Tsujihara said he wanted to get Wonder Woman in a film or on TV.[100] Shortly afterward, Paul Feig said he had pitched the studio an idea for Wonder Woman as an action-comedy film.[101][102] The studio then began to search for female directors to direct the film.[103] While Michelle MacLaren was the studio's initial choice to direct (and while she initially indicated interest),[104][105][106] she eventually left the project due to creative differences.[107]

text: Development[edit]

text: In 2015, Patty Jenkins accepted an offer to direct Wonder Woman,[108] based on a screenplay by Allan Heinberg and a story co-written by Heinberg, Zack Snyder, Geoff Johns and Jason Fuchs.[109] Of this version, Gadot stated that,

text: for a long time, people didn't know how to approach the story. When Patty and I had our creative conversations about the character, we realized that Diana can still be a normal woman, one with very high values, but still a woman. She can be sensitive. She is smart and independent and emotional. She can be confused. She can lose her confidence. She can have confidence. She is everything. She has a human heart.[5]

text: This version was conceived of as a prequel to the first live-action, theatrical appearance of Wonder Woman, in the 2016 film, Batman v Superman: Dawn of Justice,[110] placing Wonder Woman in the 1910s and World War I (a decision which differs from her comic book origins as a supporter of the Allies during World War II).[111] As for story development, Jenkins credits the stories by the character's creator William Moulton Marston in the 1940s and George Perez's seminal stories in the 1980s in which he modernized the character.[112] In addition, it follows some aspects of DC Comics' origin changes in The New 52 reboot, where Diana is the daughter of Zeus.[10][113] Jenkins cited Richard Donner's Superman as an inspiration.[114]

text: Casting[edit]

text:
"I remember when I read in the news that Wonder Woman had been cast and my heart sank [...] I'm sure we wouldn't have made the same choice. And then I started paying attention to her, and watching her and looking at her and it was just unbelievable. Frankly, I think they did a better job than I could have because I don't know that I would have scoured the earth as hard to find her [...] They were looking for all the same things I would have looked for—all the values that Wonder Woman stands for exuding from someone in an honest way, and boy did they find it [...] She shares every quality with Wonder Woman and that's no joke. It's one of those rare things. You need someone who can appear to be Wonder Woman on screen [...] Every once in a while, there's superhero casting that transcends, because that person is so authentic to the character that it becomes identified with them, like Lynda Carter or Christopher Reeve."

– Director Patty Jenkins[115] in response to the interview questions: "Let’s talk a bit about Gal. You inherited her from Zack Snyder. Was it difficult to not get to choose your own Wonder Woman?" and "What is it about Gal that makes her such a good fit?"

tag: div

text: In late 2013, Zack Snyder cast Gal Gadot in the role of Wonder Woman for the 2016 film, Batman v Superman: Dawn of Justice over Élodie Yung and Olga Kurylenko.[116][117][118][119] Some fans initially reacted to this choice by criticizing Gadot's appearance.[120] Snyder would later comment on his decision to cast Gadot, stating that he

text: tested a bunch of actresses, as you can imagine. But the thing with Gal is that she's strong, she's beautiful, and she's a kind person, which is interesting, but fierce at the same time. It's that combination of being fierce but kind at the same time that we were looking for.[121]

text: Gadot described Diana as having "the heart of a human so she can be emotional, she's curious, she's compassionate, she loves people. And then she has the powers of a goddess. She's all for good, she fights for good."[5] She also said that Diana has "many strengths and powers, but at the end of the day she's a woman with a lot of emotional intelligence".[122] As to how her character is different from her appearance in Batman v Superman: Dawn of Justice, Gadot said "We go back 100 years to when she's more naive", further explaining, "She's this young idealist. She's pure. Very different to the experienced, super-confident, grown-up woman you've seen".[123] Gadot underwent a diet and training regimen, practiced different martial arts and gained 17 pounds of muscle for the role.[124][125] Gadot was previously offered a different role (as a villain) in Man of Steel, which she declined because she was pregnant at the time; this allowed her to later be cast as Wonder Woman in the film's follow-up.[126] Gadot signed a three-picture deal.[118] She was only paid a base salary of $300,000 for the film itself.[127]

text: Chris Pine was cast as Steve Trevor,[19][128] a character he described as a "rogue-ish, cynical realist who's seen the awful brutish nature of modern civilization" and added that he is a "worldly guy, a charming guy".[129] He signed a multi-picture deal.[19] Lucy Davis' performance as Etta Candy is the first live-action cinematic portrayal of the character.[130] As well, Elena Anaya's performance as Doctor Poison is the cinematic debut of that character. Nicole Kidman was in negotiations for the role of Queen Hippolyta, but was forced to drop out due to scheduling conflicts with Big Little Lies.[131][132]

text: Filming[edit]

text: Production began on November 21, 2015,[133][134] under the working title Nightingale.[135][136] Among the film sets were Lower Halstow, Kent,[137] Australia House,[138] and the Sassi di Matera,[139] Castel del Monte[139] and Camerota[140] in Southern Italy. Matthew Jensen was the director of photography,[141] filming in the United Kingdom, France and Italy.[142] Production in London ended on March 13, 2016.[143] On March 20, 2016, filming was underway in Italy. In late April, filming took place at a museum in France, where a Wayne Enterprises truck was spotted alongside Gadot.[144] Production ended on May 9, 2016.[145] Patty Jenkins and director of photography Matt Jensen revealed that the film's look was inspired by painter John Singer Sargent.[146] Reshoots took place in November 2016, while Gadot was five months pregnant. A green cloth was placed over her stomach to edit out her pregnancy during post-production.[147]

text: To find the perfect location to shoot the Amazon island of Themyscira, the birthplace of Wonder Woman herself, the film's producers searched all over the world, finally settling on the Amalfi Coast: a stretch of coastline on the Tyrrhenian Sea, located in the Province of Salerno in Southern Italy.[148] It was chosen because most beaches in the world that sit below big cliffs disappear beneath the tide for part of every day. Production designer Aline Bonetto and her location manager Charles Somers considered 47 countries and visited several of them before they found what they were looking for. Bonetto explained that, "Italy had beautiful weather, a beautiful blue-green sea, not too much tide, not too much wave. Our effects team added some cliffs in post-production, and it was the perfect way to go".[149]

text: Post-production[edit]

text: Bill Westenhofer served as the visual effects supervisor for the film[150] and Martin Walsh served as editor.[141]

text: Music[edit]

text: On November 3, 2016, Rupert Gregson-Williams was hired to write and compose the film's music.[151] He was joined by Evan Jolly, Tom Howe,[152] Paul Mounsey,[153] and Andrew Kawczynski,[154] who provided additional music. The soundtrack was released on CD, digital, and vinyl the same day as the film.[155]

text: Australian musician Sia sang a song for the film, titled "To Be Human", featuring English musician Labrinth. Written by Florence Welch and Rick Nowels, the track is also featured on the soundtrack.[156]

text: Additional music featured in the film are: "Another Little Drink Wouldn't Do Us Any Harm" by Clifford Grey and Nat Ayer and performed by Edgar Trevor and Cecil Cooper; "Molly O'Morgan" written by Fred Godfrey and Will Letters and performed by Ella Retford; "It's a Long Way to Tipperary" written by Jack Judge and Harry Williams; "Sous les ponts de Paris" written by Jean Rodor and Vincent Scotto and performed by Lucienne Delyle; "I'll Walk Beside You" written by Edward Lockton and Alan Murray and performed by Ewen Bremner; "Green Grow the Rushes, O" written by Robert Burns and performed by Ewen Bremner; and "Schatzwalzer Op. 4" written by Johann Strauss II and performed by the Berlin String Quartet.[157] Also features samples from the movie's soundtrack "Is She with You" from Batman v Superman: Dawn of Justice composed by Hans Zimmer and Junkie XL.

text: Release[edit]

text: Wonder Woman had its world premiere on May 25, in Los Angeles.[158] The film's London premiere, which was scheduled to take place on May 31, 2017 at the Odeon Leicester Square, was cancelled due to the 2017 Manchester Arena bombing.[159] The film had its Latin America premiere in Mexico City on May 27. It was released in most of the world, including in IMAX,[160] on June 2, 2017, after originally being scheduled for June 23.[161][162] Belgium, Singapore and South Korea received the film first, with May 31 openings.[163][164][165] On April 17, it was announced that Wonder Woman would be released in China on June 2, the same day as its North American release.[166]

text: Marketing[edit]

text: The success of the superhero television series Supergirl informed the marketing and promotion strategy used for Wonder Woman.[167] According to Time Warner chief marketing officer Kristen O'Hara, they wanted to approach the Wonder Woman marketing campaign in a light manner, similar to how they did with Supergirl. O'Hara elaborated that the modest campaign route they took for Supergirl aided in establishing a large central fanbase among women well in advance of the series, which reportedly generated 5 million female superhero fans in one week.[167] They were then able to model over time, and grow that audience leading up to the 15 months later release of Wonder Woman.[167] Though neither the film nor the series are aimed exclusively at women, the latter's campaign gave them their first opportunity to begin collecting data about female superhero fans.[167] In May 2017, a promo for Wonder Woman was released during the season finale of Supergirl, featuring a remix of the song "These Boots Are Made for Walkin'" and Supergirl (Melissa Benoist) wearing Wonder Woman's boots.[168] The promo included an appearance by Lynda Carter, star of the 1970s Wonder Woman, who plays the American president on Supergirl.[168]

text: The costs for television advertisements for Wonder Woman are higher in comparison to that of previous DCEU film Suicide Squad. Warner Bros. has spent over $3 million on advertisements for Wonder Woman, whereas they spent $2.6 million on advertisements for Suicide Squad.[169]

text: Ticket selling site Fandango reported that Wonder Woman rounded the final leg of its marketing campaign as the most anticipated blockbuster of summer 2017, according to a poll conducted by 10,000 voters, the biggest survey in company history.[170] Separately, Fandango also found that 92% of people surveyed said that they are looking forward to seeing a film that features a standalone woman superhero, and 87% wished Hollywood would make more women-led superhero films.[171]

text: In May 2017, NASCAR driver Danica Patrick drove her No. 10 car with a Wonder Woman paint scheme at the Go Bowling 400 in Kansas and at the Monster Energy Open in Charlotte.[172]

text: Home media[edit]

text: The film was released on Digital HD on August 29, 2017 and on Blu-ray, Blu-Ray 3D, 4K Ultra-HD Blu-Ray and DVD on September 19, 2017.[173]

text: Controversies[edit]

text: Bans[edit]

text: On May 31, Wonder Woman was banned in Lebanon after the Campaign to Boycott Supporters of Israel asked the Lebanese government's Ministry of Economy and Trade to block the film because its star, Gal Gadot, had served in the Israeli military.[174] The Lebanese government did not, however, ban Gadot's Fast & Furious films which did screen in Lebanon.[175][176] On June 7, Variety reported that a Tunisian court suspended the theatrical release of Wonder Woman after a lawsuit brought by the Al-Chaab party and the Tunisian Association of Young Lawyers to have the film blocked due to Gadot's Israeli citizenship, military service, and public comments in support of the Israeli military during the 2014 war in Gaza.[177] Jordan was reportedly also considering a ban of the film and suspended screenings pending a decision,[178] but on June 11, Al Bawaba reported that the government decided not to do so, as there was no legal precedent for it.[179]

text: Women-only screenings[edit]

text: Some men were unhappy with women-only screenings held at the Alamo Drafthouse Cinema in Austin, with some opponents of the gender-restricted screening stating on platforms such as Facebook that such screenings were discriminatory against men.[180][181][182]

text: A gay Albany Law School professor initiated a complaint with Austin's Equal Employment and Fair Housing Office claiming discrimination against male prospective customers and employees of the theater.[183] The chain responded with an online statement saying the event "may have created confusion—we want everybody to see this film" and announced a similar event at their Brooklyn location. Tickets sold out in less than an hour, prompting the chain to schedule additional screenings.[180] On July 18, Alamo Drafthouse proposed settlement offers of a Wonder Woman DVD to the complainants, stating "Respondent did not realize that advertising a 'women's only' screening was a violation of discrimination laws"[184]

text: Reception[edit]

text: Box office[edit]

text: As of September 24, 2017[update], Wonder Woman has grossed $412 million in the United States and Canada and $408.4 million in other territories for a worldwide total of $820.4 million, against a production budget of $149 million.[4] Estimates for the number the film needed to surpass internationally in order to cover its production and promotional costs and break even ranged from $300 million[185] to $460 million.[186]

text: North America[edit]

text: In May 2017, early tracking had Wonder Woman opening with $65–75 million, and possibly as high as $105 million.[187][188][189][190][185] The film opened Friday, June 2, 2017, across 4,165 theaters and made $38.7 million on its opening day, including $3.7 million in IMAX. It was the biggest single-day gross for a woman-directed film, ahead of the $35.9 million opening Friday of Catherine Hardwicke's Twilight in 2008 and the biggest opening day for a woman-led comic book superhero film, ahead of Ghost in the Shell ($7 million).[191] This included $11 million it made from Thursday previews, also the best start for a film directed by a woman, surpassing Fifty Shades of Grey's $8.6 million which was directed by Sam Taylor-Johnson, and the third biggest of the year, behind Beauty and the Beast and Guardians of the Galaxy Vol. 2. Of that, $1.5 million came from IMAX screenings.[192][193]

text: Earning a total of $103.3 million on its opening weekend, the film recorded a number of records: the biggest domestic opening of all-time for a female director (surpassing previous record holder Fifty Shades of Grey by Sam Taylor-Johnson), the biggest DC Comics release without Batman or Superman (ahead of Constantine), the sixth-biggest non-sequel comic book superhero debut ever, as well as the sixth-biggest June debut weekend.[194] Its three-day opening alone made it the highest-grossing woman-led comic book superhero film ever (surpassing Ghost in the Shell).[195] It was also the 16th superhero film to cross $100 million in its domestic box office launch.[196] About 9% ($9 million) of the opening weekend came from IMAX screenings from 343 theaters.[197] In its second week the film grossed $58.5 million, again topping the box office. It marked a 43.3% drop for its second weekend at the box office, better than the average 50–60% decline superhero films tend to see, and was a better second weekend than Batman v Superman: Dawn of Justice ($51.3 million) and Suicide Squad ($43.5 million).[198] In its third weekend it grossed $40.8 million, finishing second behind newcomer Cars 3 ($53.5 million). It was the second best third weekend ever for Warner Bros. and was nearly double what Batman v Superman ($23.3 million), Suicide Squad ($20.9 million) and Man of Steel ($20.7 million) made in their third weekends. It earned $24.9 million and $15.7 million in its fourth and fifth weekends respectively, dropping just 39% and 36% despite facing rough competition from opening films Transformers: The Last Knight and Despicable Me 3.[199] It eventually became the highest-grossing film directed by a woman, surpassing the previous records of Jennifer Yuh Nelson's Kung Fu Panda 2 and Phyllida Lloyd's Mamma Mia!.[8] By August 8, the film had garnered $400 million in ticket sales, becoming the second female-fueled film (after Disney's Beauty and the Beast), Warner Bros.' third-biggest movie (after Christopher Nolan's The Dark Knight and The Dark Knight Rises), holding the record of the highest origin superhero film; supplanting the previous record held by Spider-Man (2002) and also becoming the highest-earning film with a female director in terms of domestic earnings, surpassing Frozen (2013).[200][201]

text: International[edit]

text: Internationally, the film was released day-and-date with its North American debut in 55 markets (72% of its total release), and was projected to debut with anywhere between $92–118 million.[185] It ended up opening to $125 million, including $38 million in China, $8.5 million in Korea, $8.4 million in Mexico, $8.3 million in Brazil and $7.5 million in the UK.[202] In its second week of release, the film brought in another $60 million, including holding the top spot on France, the UK, Australia and Brazil.[203] As of June 25, 2017, the biggest markets of Wonder Woman outside North America are China (US$90 million) followed by Brazil (US$34 million), UK (US$28 million) and Australia (US$24 million). In the Philippines, it broke 2017 box office record for highest earning non-holiday opening day – earning $4.7 million and becoming the 6th most successful commercial film of all time as well overtaking the record set by Batman v Superman: Dawn of Justice.[204][205][206] The film opened in its last market, Japan, on August 25 and debuted to $3.4 million, helping the international gross cross the $400 million mark.[207]

text: Critical response[edit]

text: Wonder Woman received largely positive reviews, with some critics calling it the best film in the DC Extended Universe, and praising Jenkins' direction and the performances and chemistry of Gadot and Pine.[7][211] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 92% based on 344 reviews, with an average rating of 7.6/10. The site's critical consensus reads, "Thrilling, earnest, and buoyed by Gal Gadot's charismatic performance, Wonder Woman succeeds in spectacular fashion."[212] It is the highest-rated superhero film on the site.[213][note 1] On Metacritic, which assigns a normalized rating, the film has a score of 76 out of 100, based on 50 critics, indicating "generally favorable reviews".[214] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[215]

text: Critics commented favorably on Gadot's performance and Chris Pine's Steve Trevor.[216][217][210] Andrew Barker of Variety found the film to be more lighthearted than recent DC Comics films: "Never prone to stewing in solitude, and taking more notes from Richard Donner than from Christopher Nolan, Patty Jenkins' Wonder Woman provides a welcome respite from DC's house style of grim darkness—boisterous, earnest, sometimes sloppy, yet consistently entertaining—with star Gal Gadot proving an inspired choice for this avatar of truth, justice, and the Amazonian way."[218] Vox stated "Trevor is the superhero girlfriend comic book movies need".[219] The San Francisco Chronicle's Mick LaSalle lauded the performances of Gadot, Pine, Huston, and Thewlis while commending the film's "different perspective" and humor.[220] Richard Roeper of Chicago Sun-Times described Gadot's performance as inspirational, heroic, heartfelt and endearing and the most "real" Wonder Woman portrayal.[221]

text: A. O. Scott of The New York Times wrote that it "briskly shakes off blockbuster branding imperatives and allows itself to be something relatively rare in the modern superhero cosmos. It feels less like yet another installment in an endless sequence of apocalyptic merchandising opportunities than like ... what's the word I'm looking for? A movie. A pretty good one, too."[222] Michael Phillips of Chicago Tribune compared the film to Captain America: The First Avenger, noting that as with "the first Captain America movie over in the Marvel Comics universe, DC's Wonder Woman offers the pleasures of period re-creation for a popular audience. Jenkins and her design team make 1918-era London; war-torn Belgium; the Ottoman Empire; and other locales look freshly realized, with a strong point of view. There are scenes here of dispossessed war refugees, witnessed by an astonished and heartbroken Diana, that carry unusual gravity for a comic book adaptation."[223] Katie Erbland of IndieWire commended its thematic depth, explaining that "Wonder Woman is a war movie. Patty Jenkins' first—and we hope not last—entry into the DC Expanded Universe is primarily set during World War I, but while the feature doesn't balk at war-time violence, it's the internal battles of its compelling heroine that are most vital."[224] Alonso Duralde of TheWrap similarly felt that, "Diana's scenes of action are thrilling precisely because they're meant to stop war, not to foment it; the idea of a demi-god using love to fight war might sound goofy in the abstract, but Jenkins makes the concept work."[225] Ann Hornaday of The Washington Post praised Gadot and Pine's performances as well the film's detailed plot and narrative while comparing of some slow-motion action sequences to The Matrix.[226] Stephanie Zacharek of Time magazine hailed the film as a "cut above nearly all the superhero movies that have been trotted out over the past few summers" while praising Gadot's performance as "charming" and "marvelous" and commending Jenkins' direction of the film as a step forward for women directors in directing big-budget blockbuster films in Hollywood.[227]

text: Elise Jost of Moviepilot observed that "Gadot's take on Wonder Woman is one of those unique cases of an actor merging with their story, similar to Robert Downey Jr.'s Tony Stark. Gal Gadot is Wonder Woman, and Wonder Woman is Gal Gadot."[210] Jost praised Gadot's interpretation of Wonder Woman as the one in which Gadot "absolutely nails the character's unwaveringly positive outlook on life. She's a force of nature who believes in the greater good; her conviction that she's meant to save the world is stronger than her bullet-deflecting shield. She's genuine, she's fun, she's the warm source of energy at the heart of the movie."[210] The Federalist suggests that Wonder Woman is "a story of Jesus". "The movie is wrapped up in faux Greek mythology, true, but there's no mistaking the Christology here."[228] "Perhaps Christ in the form of a beautiful and kick-ass Amazon is all that our contemporary society can handle right now", stated M. Hudson, a Christian feminist.[228] On HuffPost cultural critic, G. Roger Denson, who regards the superhero genre as a source of contemporary "Mainstream Mythopoetics" ("the making of new yet vitally meaningful, if not symbolic, stories filled with imagery reflecting, yet also shaping and advancing, the political, legal, moral and social practices of today"), wrote that the "No Man's Land" scene "that people are crying over in theaters and raving about afterward happens to be among the most powerfully mythopoetic scenes ever filmed at the same time it is one of the oldest myths to have been utilized by artists and writers after it had been invented by early military strategists and leaders." Specifically "used by director Patty Jenkins", the scene raises "the esteem for powerful yet compassionate women as heroes and leaders to a level equal with that of men for having won over a huge and adoring popular audience around the world".[229]

text: Steve Rose in The Guardian criticized the film for failing to explore the material's potential for "patriarchy-upending subversion".[230] Peter Travers of Rolling Stone criticized the film's over-reliance on exposition: "Wonder Woman is hobbled by a slogging origin story and action that only comes in fits and starts. Just when Gadot and director Patty Jenkins...are ready to kick ass, we get backstory."[231]

text: "Gas was intended to win the war. On that much Wonder Woman is absolutely right." said David Hambling in Popular Mechanics.[232] Rachel Becker of The Verge stated that despite the scientific liberties of using a "hydrogen-based" chemical weapon as a plot device, the film succeeds in evoking real and horrifying history. "First off, mustard gas is such a horrible, terrifying weapon, it doesn't need to be made more potent. But if you were a chemist bent on raining destruction on the Allied forces, you wouldn't do it by replacing the sulfur atom in mustard gas with a hydrogen atom. You'd know that sulfur is the linchpin holding together this poisonous molecule."[233]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref.

IndieWire Critic's Poll
December 19, 2016
Most Anticipated of 2017
Wonder Woman
Nominated
[234]

Golden Trailer Awards
June 6, 2017
Best of Show
Won
[235]
[236]

Best Fantasy / Adventure

Best Summer 2017 Blockbuster Poster

Teen Choice Awards
August 13, 2017
Choice Action Movie
[237]
[238]
[239]

Choice Action Movie Actor
Chris Pine

Choice Action Movie Actress
Gal Gadot

Choice Movie Ship
Gal Gadot & Chris Pine
Nominated

Choice Liplock
Chris Pine & Gal Gadot

Choice Summer Movie
Wonder Woman

Choice Summer Movie Actor
Chris Pine

Choice Summer Movie Actress
Gal Gadot

Dragon Awards
September 3, 2017
Best Science Fiction or Fantasy Movie
Wonder Woman
Won
[240]

tag: table

text: Sequel[edit]

text: Originally signed for three feature films, with Wonder Woman and Justice League being her second and third films, Gadot signed an extension to her contract for additional films.[241] Jenkins initially signed for only one film,[242] but in an interview with Variety, Geoff Johns revealed that he and Jenkins are writing the treatment for a Wonder Woman sequel and that he has a "cool idea for the second one". At the 2017 San Diego Comic Con, Warner Bros. officially announced a sequel would be released on December 13, 2019, and would be titled Wonder Woman 2.[9][243][244] Later, Jenkins was officially signed to return as director, with confirmation that Gadot will be returning as the titular role.[245] On August 19, 2017, actress Geena Davis stated that she would like very much to play a role in Wonder Woman 2 and that she is in talks with Jenkins about that matter.[246] Days later, the studio hired Dave Callaham to co-write the film's script with Jenkins and Johns.[247]

text: Notes[edit]

text: Jump up ^ This is by an adjusted Tomatometer with at least 20 reviews each that, uses a weighted Bayesian based formula to account for the differences in ratings.

tag: ol


document_title: List of Los Angeles Rams seasons

question_text: when was the last time the rams went to the playoffs

text: List of Los Angeles Rams seasons

text:
This article is part of series ofRams NFL franchise history
Cleveland Rams (1936–1945)

Los Angeles Rams (1946–1994)

St. Louis Rams (1995–2015)

Los Angeles Rams (2016–present)

List of seasons
vte

text: This article is a list of seasons completed by the Los Angeles Rams American football franchise (known as the Cleveland Rams from 1936 to 1945 and the St. Louis Rams from 1995 to 2015) in organized play. The list documents the season-by-season records of the Los Angeles Rams franchise from 1936 to present, including conference standings, division standings, postseason records, league awards for individual players or head coaches, and team awards for individual players. The Rams franchise was founded in Cleveland in 1936 when the team was playing in the newly formed American Football League (AFL). The franchise joined the National Football League (NFL) the following year. In 1943 operations were suspended due a depleted player roster due to World War II, and play resumed the following year. The Rams were the only team to suspend completely in 1943. The franchise has changed home cities thrice, moving to Los Angeles in 1946, moving to St. Louis in 1995, and returning to Los Angeles in 2016.

text: The franchise has had three periods of success in their history. The first period of came as the Cleveland Rams in NFL when they won the NFL Championship. This period continued until the 1950s as the Los Angeles Rams with them making the playoffs a further five times. The second period of success lasted over 20 years between 1966–1989 where the Rams made the playoffs 16 times and captured ten NFC Division titles including a then-record run of seven in a row from the 1973 season through the 1979 seasons (the New England Patriots broke the record with nine straight AFC East division titles from the 2009 season through the 2017 season). However, this period of success was marred by the fact that the franchise did not win the Super Bowl and only one Conference Championship. The most recent period of success began in 1999 as the St. Louis Rams when the Rams capped a surprisingly successful season (after going 4–12 the previous year) by winning Super Bowl XXXIV against the Tennessee Titans. This period continued until 2004 but the franchise failed to win another Super Bowl and suffered a surprise defeat to the New England Patriots in Super Bowl XXXVI.

text: Alternating with their successful periods, the Rams have experienced severe periods of failure. As the NFL Cleveland Rams they failed to record a single winning season until their final year in the city, whilst from 1956 to 1965 they never won as many games as they lost and in 1962 won just one game. Between 1990 and 1998, affected in part by failure to obtain stadium improvements in Los Angeles and a move to Missouri, the Rams had nine consecutive losing seasons, and after the collapse of "The Greatest Show on Turf" suffered thirteen consecutive seasons without a winning record between 2004 and 2016. Their three-season record between 2007 and 2009 of 6–42 was the worst over such a period between the Chicago Cardinals during World War II and the 4–44 Cleveland Browns from 2015 to 2017.

text: Over the course of the Rams’ 71-year history,[1] they have won 15 division titles. They have appeared in the postseason 27 times, winning three NFL Championships. During the Super Bowl era, they have played in three Super Bowls, winning one.

text: Seasons[edit]

text:
NFL Champions (1920–1969)

Super Bowl Champions (1970–present)

Conference Champions

Division Champions

Wild Card Berth

One-Game Playoff Berth

text:
Season

Team

League

Conference

Division

Regular season

Postseason results

Awards

Head coaches

Finish

Wins

Losses

Ties

Cleveland Rams

1936

1936

AFL

2nd

5

2

2

[2][3][4]

Damon Wetzel

1937

1937

NFL

West

5th

1

10

0

Hugo Bezdek

1938

1938

NFL

West

4th

4

7

0

Hugo Bezdek (0–3)  Art Lewis (4–4)

1939

1939

NFL

West

4th

5

5

1

Parker Hall (MVP)

Dutch Clark

1940

1940

NFL

West

4th

4

6

1

1941

1941

NFL

West

5th

2

9

0

1942

1942

NFL

West

3rd

5

6

0

1943

Team suspended operations due to World War II

1944

1944

NFL

West

4th

4

6

0

Aldo Donelli

1945

1945

NFL

West

1st

9

1

0

Won NFL Championship (1) (Redskins) 15–14

Adam Walsh (COY)Bob Waterfield (MVP)

Adam Walsh

Los Angeles Rams[5]

1946

1946

NFL

West

2nd

6

4

1

Adam Walsh

1947

1947

NFL

West

4th

6

6

0

Bob Snyder

1948

1948

NFL

West

3rd

6

5

1

Clark Shaughnessy

1949

1949

NFL

West

1st

8

2

2

Lost NFL Championship (Eagles) 0–14

1950

1950

NFL

National

1st

9

3

0

Won National Conference Playoff (Bears) 24–14Lost NFL Championship (at Browns) 28–30

Joe Stydahar

1951

1951

NFL

National

1st

8

4

0

Won NFL Championship (2) (Browns) 24–17

1952

1952

NFL

National

2nd

9

3

0

Lost National Conference Playoff (at Lions) 21–31

Hamp Pool (COY)

Joe Stydahar (0–1)  Hamp Pool (9–2)

1953

1953

NFL

Western

3rd

8

3

1

Hamp Pool

1954

1954

NFL

Western

4th

6

5

1

1955

1955

NFL

Western

1st

8

3

1

Lost NFL Championship (Browns) 14–38

Sid Gillman

1956

1956

NFL

Western

T-5th

4

8

0

1957

1957

NFL

Western

4th

6

6

0

1958

1958

NFL

Western

T-2nd

8

4

0

1959

1959

NFL

Western

6th

2

10

0

1960

1960

NFL

Western

6th

4

7

1

Bob Waterfield

1961

1961

NFL

Western

6th

4

10

0

1962

1962

NFL

Western

7th

1

12

1

Bob Waterfield (1–7)  Harland Svare (0–5–1)

1963

1963

NFL

Western

6th

5

9

0

Harland Svare

1964

1964

NFL

Western

5th

5

7

2

1965

1965

NFL

Western

7th

4

10

0

1966

1966

NFL

Western

3rd

8

6

0

George Allen

1967

1967

NFL

Western

Coastal

1st

11

1

2

Lost Conference Playoff Game (at Packers) 7–28

George Allen (COY)Deacon Jones (DPOY)

1968

1968

NFL

Western

Coastal

2nd

10

3

1

Deacon Jones (DPOY)

1969

1969

NFL

Western

Coastal

1st

11

3

0

Lost Conference Playoff Game (at Vikings) 20–23

Roman Gabriel (MVP)/(Rams MVP)

1970

1970

NFL

NFC

West

2nd

9

4

1

1971

1971

NFL

NFC

West

2nd

8

5

1

Isiah Robertson (DROY)

Tommy Prothro

1972

1972

NFL

NFC

West

3rd

6

7

1

1973

1973

NFL

NFC

West

1st

12

2

0

Lost Divisional Playoffs (at Cowboys) 16–27

Chuck Knox (COY)

Chuck Knox

1974

1974

NFL

NFC

West

1st

10

4

0

Won Divisional Playoffs (Redskins) 19–10Lost NFC Championship (at Vikings) 10–14

1975

1975

NFL

NFC

West

1st

12

2

0

Won Divisional Playoffs (Cardinals) 35–23Lost NFC Championship (Cowboys) 7–37

Jack Youngblood (DPOY)

1976

1976

NFL

NFC

West

1st

10

3

1

Won Divisional Playoffs (at Cowboys) 14–12Lost NFC Championship (at Vikings) 13–24

1977

1977

NFL

NFC

West

1st

10

4

0

Lost Divisional Playoffs (Vikings) 7–14

1978

1978

NFL

NFC

West

1st

12

4

0

Won Divisional Playoffs (Vikings) 34–10Lost NFC Championship (Cowboys) 0–28

Ray Malavasi

1979

1979

NFL

NFC

West

1st

9

7

0

Won Divisional Playoffs (at Cowboys) 21–19Won NFC Championship (at Buccaneers) 9–0Lost Super Bowl XIV (vs. Steelers) 19–31

1980

1980

NFL

NFC

West

2nd

11

5

0

Lost Wild Card Playoffs (at Cowboys) 13–34

1981

1981

NFL

NFC

West

3rd

6

10

0

1982[6]

1982

NFL

NFC

14th

2

7

0

1983

1983

NFL

NFC

West

2nd

9

7

0

Won Wild Card Playoffs (at Cowboys) 24–17Lost Divisional Playoffs (at Redskins) 7–51

Eric Dickerson (OROY)

John Robinson

1984

1984

NFL

NFC

West

2nd

10

6

0

Lost Wild Card Playoffs (Giants) 13–16

1985

1985

NFL

NFC

West

1st

11

5

0

Won Divisional Playoffs (Cowboys) 20–0Lost NFC Championship (at Bears) 0–24

1986

1986

NFL

NFC

West

2nd

10

6

0

Lost Wild Card Playoffs (at Redskins) 7–19

Eric Dickerson (OPOY)

1987[7]

1987

NFL

NFC

West

3rd

6

9

0

1988

1988

NFL

NFC

West

2nd

10

6

0

Lost Wild Card Playoffs (at Vikings) 17–28

1989

1989

NFL

NFC

West

2nd

11

5

0

Won Wild Card Playoffs (at Eagles) 21–7Won Divisional Playoffs (at Giants) 19–13Lost NFC Championship (at 49ers) 3–30

1990

1990

NFL

NFC

West

3rd

5

11

0

1991

1991

NFL

NFC

West

4th

3

13

0

1992

1992

NFL

NFC

West

4th

6

10

0

Chuck Knox

1993

1993

NFL

NFC

West

4th

5

11

0

Jerome Bettis (OROY)

1994

1994

NFL

NFC

West

4th

4

12

0

St. Louis Rams[8]

1995

1995

NFL

NFC

West

3rd

7

9

0

Rich Brooks

1996

1996

NFL

NFC

West

3rd

6

10

0

1997

1997

NFL

NFC

West

5th

5

11

0

Dick Vermeil

1998

1998

NFL

NFC

West

5th

4

12

0

1999

1999

NFL

NFC

West

1st

13

3

0

Won Divisional Playoffs (Vikings) 49–37Won NFC Championship (Buccaneers) 11–6Won Super Bowl XXXIV[9] (3) (vs. Titans) 23–16

Dick Vermeil (COY)Kurt Warner (MVP)/(SB MVP)Marshall Faulk (OPOY)

2000

2000

NFL

NFC

West

2nd

10

6

0

Lost Wild Card Playoffs (at Saints) 28–31

Marshall Faulk (MVP)/(OPOY)

Mike Martz

2001

2001

NFL

NFC

West

1st

14

2

0

Won Divisional Playoffs (Packers) 45–17Won NFC Championship (Eagles) 29–24Lost Super Bowl XXXVI (vs. Patriots) 17–20

Kurt Warner (MVP)Marshall Faulk (OPOY)

2002

2002

NFL

NFC

West

2nd

7

9

0

2003

2003

NFL

NFC

West

1st

12

4

0

Lost Divisional Playoffs (Panthers) 23–29 (2OT)

2004

2004

NFL

NFC

West

2nd

8

8

0

Won Wild Card Playoffs (at Seahawks) 27–20Lost Divisional Playoffs (at Falcons) 17–47

2005

2005

NFL

NFC

West

2nd

6

10

0

Mike Martz (2–3)  Joe Vitt (4–7)

2006

2006

NFL

NFC

West

2nd

8

8

0

Scott Linehan

2007

2007

NFL

NFC

West

4th

3

13

0

2008

2008

NFL

NFC

West

4th

2

14

0

Scott Linehan (0–4)  Jim Haslett (2–10)

2009

2009

NFL

NFC

West

4th

1

15

0

Steve Spagnuolo

2010

2010

NFL

NFC

West

2nd

7

9

0

Sam Bradford (OROY)

2011

2011

NFL

NFC

West

4th

2

14

0

2012

2012

NFL

NFC

West

3rd

7

8

1

Jeff Fisher

2013

2013

NFL

NFC

West

4th

7

9

0

2014

2014

NFL

NFC

West

4th

6

10

0

Aaron Donald (DROY)

2015

2015

NFL

NFC

West

3rd

7

9

0

Todd Gurley (OROY)

Los Angeles Rams[10]

2016

2016

NFL

NFC

West

3rd

4

12

0

Jeff Fisher (4–9)  John Fassel (0–3)

2017

2017

NFL

NFC

West

1st

11

5

0

Lost Wild Card Playoffs (Falcons) 13–26

Sean McVay (COY)Aaron Donald (DPOY)Todd Gurley (OPOY)

Sean McVay

Total15 division titles6 conference titles3 NFL titles and Super Bowl XXXIV win

544

553

21

(regular season)[11]

19

24

0

(playoffs)

563

577

21

(regular season and playoffs)[11]

text: Footnotes[edit]

text:
Jump up ^ The Rams spent one year in the AFL and seventy years in the NFL. The NFL does not officially recognize the one year they spent in the AFL.

Jump up ^ Boston Shamrocks forfeited Championship game due to players strike. Rams win championship by default. However, the Shamrocks, who finished with the best regular season record, are usually credited as the league champions in most subsequent records.

Jump up ^ Toney, Nick (January 12, 2016). "Want a crazy L.A. relocation story? Meet the 1946 Cleveland Rams". Fox Sports. Retrieved March 18, 2016.

Jump up ^ Clayman, Andrew (January 13, 2016). "The Cleveland Rams: Remembering the Original L.A. Move & a Rivalry Born". Waiting For Next Year. Retrieved March 18, 2016.

Jump up ^ Dan Reeves moved the team due to poor attendance; the Rams became the first NFL team based on the West Coast.

Jump up ^ 1982 was a strike-shortened season so the league was divided up into two conferences instead of its normal divisional alignment.

Jump up ^ The strike of 1987 reduced the regular season schedule from sixteen to fifteen games.

Jump up ^ The team had new logo featuring the Gateway Arch National Park (then known as the Jefferson National Expansion Memorial) for this season to honor the move to St. Louis

Jump up ^ This game featured The Tackle.

Jump up ^ The Rams moved back to Los Angeles prior to the start of the season.

^ Jump up to: a b 1937–present, excludes AFL team.


document_title: Union List

question_text: how many subjects are there in union list of india

text: Union List

text:
Part of a series on

Constitution of India

Preamble

Parts[show]
Fundamental Rights
PART
I ∙ II ∙ III ∙ IV ∙ IVA ∙ V ∙ VI ∙ VII
VIII ∙ IX ∙ IXA ∙ IXB ∙ X ∙ XI  ∙ XII ∙ XIII ∙ XIV
XV ∙ XVI ∙ XVIA ∙ XVII ∙ XVIII ∙ XIX ∙ XX ∙ XXI
XXII

Schedules[show]
First ∙ Second ∙ Third ∙ Fourth ∙ Fifth
Sixth ∙ Seventh ∙ Eighth ∙ Ninth
Tenth ∙ Eleventh ∙ Twelfth

Appendices[show]
I ∙ II ∙ III ∙ IV ∙ V

Amendments[show]
List ∙ 1 ∙ 2 ∙ 3 ∙ 4 ∙ 5 ∙ 6 ∙ 7 ∙ 8 ∙ 9 ∙ 10 ∙ 11 ∙ 12 ∙ 13 ∙ 14 ∙ 15 ∙ 16 ∙ 17 ∙ 18 ∙ 19 ∙ 20 ∙ 21 ∙ 22 ∙ 23 ∙ 24 ∙ 25 ∙ 26 ∙ 27 ∙ 28 ∙ 29 ∙ 30 ∙ 31 ∙ 32 ∙ 33 ∙ 34 ∙ 35 ∙ 36 ∙ 37 ∙ 38 ∙ 39 ∙ 40 ∙ 41 ∙ 42 ∙ 43 ∙ 44 ∙ 45 ∙ 46 ∙ 47 ∙ 48 ∙ 49 ∙ 50 ∙ 51 ∙ 52 ∙ 53 ∙ 54 ∙ 55 ∙ 56 ∙ 57 ∙ 58 ∙ 59 ∙ 60 ∙ 61 ∙ 62 ∙ 63 ∙ 64 ∙ 65 ∙ 66 ∙ 67 ∙ 68 ∙ 69 ∙ 70 ∙ 71 ∙ 72 ∙ 73 ∙ 74 ∙ 75 ∙ 76 ∙ 77 ∙ 78 ∙ 79 ∙ 80 ∙ 81 ∙ 82 ∙ 83 ∙ 84 ∙ 85 ∙ 86 ∙ 87 ∙ 88 ∙ 89 ∙ 90 ∙ 91 ∙ 92 ∙ 93 ∙ 94 ∙ 95 ∙ 96 ∙ 97 ∙ 98 ∙ 99 ∙ 100 ∙ 101

Related topics[show]

Union List
State List
Concurrent List
Basic structure doctrine
Uniform civil code

v
t
e

text: The Union List or List-I is a list of 100 items (the last item is numbered 97) given in Seventh Schedule in the Constitution of India on which Parliament has exclusive power to legislate. The legislative section is divided into three lists: Union List, State List and Concurrent List. Unlike the federal governments of the United States, Switzerland or Australia, residual powers remain with the Union Government, as with the Canadian federal government.[1]

text: There are 100 items on the list, of which one is no longer in force. These are:[2][3][4]

text: (a) petroleum crude; (b) high speed diesel; (c) motor spirit (commonly known as petrol); (d) natural gas; (e) aviation turbine fuel; and (f) tobacco and tobacco products


document_title: Sa Re Ga Ma Pa

question_text: who win the sa re ga ma pa season 13

question_tokens: who win the sa re ga ma pa season 13

text: Sa Re Ga Ma Pa

text:
Sa Re Ga Ma Pa

Sa Re Ga Ma Pa logo

Creative director(s)
Zee TV, Neeraj Sharma

Presented by

Sonu Nigam (1995-2000)
Amaan Ali Khan and Ayaan Ali Khan (2000-01)
Shaan (2001-06)
Aditya Narayan (2007-09, 2014-present)
Purab Kohli (2010)
Manish Paul (2010)
Javed Ali (2012-2013)

Opening theme
"Sa Re Ga Ma" by Sonu Nigam and Sadhana Sargam (1995-2000)
"Sa Re Ga Ma Pa" by Shaan and Sadhana Sargam (2000-06)
"Sa Re Ga Ma Pa" by Aditya Narayan and Shriram Iyer (2007-09)
"Sa Re Ga Ma Pa" by Javed Ali (2010-present)

Country of origin
India

No. of episodes
1000+

Production

Running time
approx. 52 minutes

Release

Original network
Zee TV

Picture format
480i (SDTV),

Original release
May 1, 1995

External links

Website
www.ozee.com/shows/sa-re-ga-ma-pa-lil-champs-2017/

text: Sa Re Ga Ma Pa is an Indian musical reality TV show. It started airing on Zee TV in 1995 as Sa Re Ga Ma.[1]

text: Series History[edit]

text: The first episode aired on May 1, 1995 and was hosted by Sonu Nigam.[2] In the year 1999, the show was hosted by the Bangash brothers, Amaan Ali Bangash and Ayaan Ali Bangash,[3] sons of legendary sarod-player Amjad Ali Khan. From 2002, Shaan started hosting the show.[4] Till 2005, the show used to follow a format wherein experts in the field of music would judge the contestants and score them. The format changed with the advent of Sa Re Ga Ma Pa Challenge 2005 which introduced the judges as mentors of different teams and scoring was primarily dependent on public voting. After Shaan quit hosting the show, the show was hosted by many others like Purab Kohli, Manish Paul,[5] Karan Singh Rathore, Archana Jani,[6] Vipul Roy,[7] Jay Soni[8] and even kids Dhairya Sorecha & Afsha Musani.[9] The most prominent names to host the show in later seasons were Javed Ali[10] and the current host Aditya Narayan[11]

text: The show has seen multiple variations over the years:

text:
Sa Re Ga Ma: Contestants were scored only by the expert judges. There were 8 prelim rounds, each consisting of 2 male singers and 2 female singers. One male winner and one female winner from each show competed in the semifinal rounds; there were a total of 4 semifinals. In the finals, there was one male winner and another female winner.
Sa Re Ga Ma Pa: 2 male singers, 2 female singers. The male and female winner would return the following episode and compete against a new challenger. At the start of this "roll-over" series, they had initially announced that anyone with over 10 wins would get an album; however, that never materialized.
Sa Re Ga Ma Pa Challenge: Teams were formed, each Gharana (team) had a judge who mentored them. Elimination was decided by public voting.
Sa Re Ga Ma Pa Ek Main Aur Ek Tu: A duet singing competition which featured some new contestants as well as old contestants from earlier seasons. Weekly elimination decided by public voting.
Sa Re Ga Ma Pa L'il Champs: A singing competition for young children, which judges the prodigious kids on the basis of their voice quality, singing talent and versatility in performance.
Sa Re Ga Ma Pa Challenge USA: The first instalment of Sa Re Ga Ma Pa Challenge series in USA.
Sa Re Ga Ma Pa Mega Challenge: A special season in which eight teams representing eight different states and consisting of total 24 talented contestants from past seasons of Sa Re Ga Ma Pa participated. The show was made to celebrate the 1000th episode of Sa Re Ga Ma Pa. Notable Indian singers and musicians were roped in to judge each of the episodes.

text: There have also been multiple regional versions in languages like Gujarati, Marathi, Bengali, Kannada, Punjabi, Tamil, and Telugu.

text:
#
Season
Year
Winner
Host
Judges

1
Sa Re Ga Ma
1995
Sanjeevani Bhelande
Sonu Nigam
Anu malik,udit narayan,kumar shanu

2
Sa Re Ga Ma
1996
Nobina Mirjankar
Sonu Nigam

3
Sa Re Ga Ma
1997
Mohammed Vakil
Sonu Nigam

4
Sa Re Ga Ma
1998
Bela Shende
Sonu Nigam

5
Sa Re Ga Ma
1999
Archana Udupa
Sonu Nigam

6
Sa Re Ga Ma
2000
Shreya Ghoshal
Sonu Nigam

7
Sa Re Ga Ma
2001
Anita Pundit
Amaan Ali Khan & Ayaan Ali Khan

8
Sa Re Ga Ma Pa: Golden Voice Hunt
2003
Arpita Mukherjee (singer) & Rahul Saxena
Shaan

9
Sa Re Ga Ma Pa World Series
2004
Hrishikesh Ranade & Ronkini Gupta
Shaan

10
Sa Re Ga Ma Pa Campus Special
2005
Twinkle Bajpai, Manish Bhatt
Shaan

11
Sa Re Ga Ma Pa Challenge 2005
2005
Debojit Saha
Shaan
Himesh Reshammiya, Jatin-Lalit, Aadesh Shrivastava, Ismail Darbar

12
Sa Re Ga Ma Pa Ek Main Aur Ek Tu
2006
Aishwarya Nigam & Ujjaini Mukherjee
Shaan, Ishita Arun
Hariharan, Lesle Lewis

13
Sa Re Ga Ma Pa L'il Champs
2006
Sanchita Bhattacharya
Shaan
Abhijeet Bhattacharya, Alka Yagnik, Bappi Lahiri

14
Sa Re Ga Ma Pa Challenge 2007
2007
Aneek Dhar
Aditya Narayan
Himesh Reshammiya, Ismail Darbar, Bappi Lahiri, Vishal-Shekhar

15
Sa Re Ga Ma Pa L'il Champs International
2007
Anamika Choudhari
Aditya Narayan
Suresh Wadkar, Sonu Nigam

16
Sa Re Ga Ma Pa Challenge USA 2008
2008
Darshana Menon
Aishwarya Nigam
Suresh Wadkar, Aadesh Srivastav

17
Sa Re Ga Ma Pa Challenge 2009
2009
Vaishali Mhade
Aditya Narayan
Himesh Reshammiya, Aadesh Srivastav, Shankar Mahadevan, Pritam

18
Sa Re Ga Ma Pa L'il Champs 2009
2009
Hemant Brijwasi
Dhairya Sorecha, Afsha Musani
Abhijeet Bhattacharya, Alka Yagnik

19
Sa Re Ga Ma Pa Mega Challenge
2009
Team Maharashtra - Vaishali Mhade, Kaushik Deshpande and Rohit Raut
Karan Singh Rathore and Archana Jani (first episode)
Vipul Roy and Manish Paul

Sonu Nigam, Pyarelal and Suresh Wadkar (finale)

20
Sa Re Ga Ma Pa Singing Superstar
2010
Kamal Khan
Purab Kohli, Manish Paul
Daler Mehndi, Vishal-Shekhar, Sajid-Wajid

21
Sa Re Ga Ma Pa L'il Champs 2011
2011
Azmat Hussain
Jay Soni
Adnan Sami, Kailash Kher, Javed Ali

22
Sa Re Ga Ma Pa 2012
2012
Jasraj Jayant Joshi
Javed Ali
Shankar Mahadevan, Rahul Ram, Sajid-Wajid

23
Sa Re Ga Ma Pa L'il Champs 2014
2014
Gagan Gopalkrishna Gaonkar
Aditya Narayan
Alka Yagnik (Mahaguru), Shaan, Monali Thakur

24
Sa Re Ga Ma Pa
2016
Kushal Paul
Aditya Narayan
Pritam, Sajid-Wajid, Mika

25
Sa Re Ga Ma Pa L'il Champs 2017
2017

Aditya Narayan
Himesh Reshammiya, Javed Ali, Neha Kakkar