document_title: Pitch Perfect 3

question_text: who has a baby in pitch perfect 3

question_tokens: who has a baby in pitch perfect 3

text: Pitch Perfect 3

text: Plot[edit]

text: Three years after the events of the second movie, the Bellas have graduated college, but have jobs which they all hate. Desperate to see each other again to sing once more, Beca (Anna Kendrick), Fat Amy (Rebel Wilson), Chloe (Brittany Snow), Aubrey (Anna Camp), Lilly (Hana Mae Lee), Stacie (Alexis Knapp), Cynthia-Rose (Ester Dean), Florencia (Chrissie Fit), Jessica (Kelley Jakle), and Ashley (Shelley Regner) are all thrilled to learn that Emily (Hailee Steinfeld), now a senior at Barden and leader of the Barden Bellas, has seemingly asked for the Bellas to reunite at an event in New York Aquarium to sing with each other once more. Upon arriving at the reunion they are told that the reunion was not for the Bellas to sing together, but to watch Emily sing with the new Bellas.

text: They later gather at a bar in disappointment and Emily apologizes as she thought it would be the only way for them to see each other again. They all express how much they miss each other. Suddenly, Aubrey convinces them to join a USO performance accessed by her Army officer father. If they win the competition, they get to open for DJ Khaled. The Bellas gladly accept, all except for Stacie who is eight months pregnant at the moment and is unable to go with them. The Bellas later arrive at a hangar where two soldiers, Chicago (Matt Lanter) and Zeke (Troy Ian Hall) introduce them to their competition, revealed to be three other groups who use instruments, unlike the Bellas. When the band Evermoist, led by their leader Calamity (Ruby Rose) begin to mock and belittle the Bellas, the competitors are challenged to a riff-off by the Bellas, who leave defeated when the other groups compete using their musical instruments.

text: The Bellas are taken to a fancy hotel in Spain, where Chloe begins to catch an eye for Chicago. Fat Amy finds an old stuffed bunny sitting in her bed, which she recognizes as an old toy she used to hold when she was very little as her father Fergus (John Lithgow) sang her to sleep every night. Amy then realizes that her father is staying in the same hotel she is in and is shocked upon the discovery, seeing as how Fergus is an international criminal. Later that night, the Bellas are invited to a party at DJ Khaled's suite at the hotel, where Fat Amy splits with the group when she is called to be at a poker tournament. The tournament was set up by Fergus, who promptly begs for Amy to be back in his life. A hesitant Amy finally agrees to do so after seeing how much he has changed. Beca, after having her breasts grabbed by Chloe, who develops a friendship with DJ Khaled's music producer Theo (Guy Burnet), is taken to DJ Khaled's music editing room. Beca produces a mix which impresses Theo who is prompted to send the mix to DJ Khaled. Moments later, the party is thrown into chaos when Aubrey accidentally sets the suite on fire.

text: The Bellas are left in disgrace after the incident with no hopes of winning the competition until Stacie calls the girls to inform she has given birth to a baby girl and named her Bella. This motivates the Bellas to just perform their hearts out without trying to win. Back at the USO competition, the Bellas perform tremendously to adoring crowds through different performances, repairing their reputation and chances to win in the process. Fergus is accepted by Amy, who believes he came to one of their performances to see her. He accidentally reveals that he has not seen her perform at all, while confessing that he is only trying to acquire an offshore account Amy's mother set up which contains US$180 million. After Amy shuts out Fergus again, Chicago and Zeke escort her away from her father, who swears revenge on her. Meanwhile, only Beca is asked personally by DJ Khaled to open for him, disregarding the other Bellas. Beca politely declines the offer and leaves to her room. Later, the Bellas are taken away by a Frenchman in a dark grey van out onto a yacht in a nearby harbor. The yacht belongs to Fergus, who is using the Bellas as a means to get Amy to come for him. Amy and Beca hear of the kidnapping and decide to rescue the Bellas. Beca distracts Fergus by having the Bellas perform "Toxic" for him and two of his men, just as Amy sets the yacht to explode. The Bellas escape the yacht just before it blows. Fergus survives the explosion and is arrested for his crimes.

text: After the Bellas are rescued by the military, Fat Amy reveals DJ Khaled's proposition to Beca to the others. They encourage her to take the chance, and they all agree that now it's time to move on with their lives, with Amy using her bank account for multiple tributes to singers named Amy, Aubrey trying to be a birthing coach, Flo's juice cart becoming part of an international brand, Chloe getting accepted into vet school, Cynthia-Rose staying at the base to get into flight school, Emily going back to Barden to prepare for her upcoming abnormal psychology test while continuing her songwriting, and Lilly revealing that the reason she was quiet was because she was possessed by Satan and the yacht incident snapped her out of it, and that her real name is Ester. They know very well they'll be separated, but still be connected to each other as a family. Later at the USO's final performance, Beca opens for DJ Khaled and sings on stage, and afterwards brings up the Bellas onstage for the girls to sing their final performance with the other competitors gladly watching the Bellas sing "Freedom! '90" to their hearts content.

text: Gail (Elizabeth Banks) and John (John Michael Higgins) (who were the Bellas' public announcers in the previous installments) finish filming the Bellas as part of a documentary they have been making about the girls throughout the whole film, only to be appalled when John realizes they didn't record the Bellas' final performance, which was supposed to be the documentary's big ending. A series of mid credit scenes reveal the Bellas' separate story arcs closed out to their mostly happy endings, with Lilly hanging around with DJ Dragon Nutz, whom she flirted with earlier, Aubrey recconects with her father and Chloe and Chicago share a passionate kiss, much to the amusment of Beca, who is now the boss of Theo.

text: Cast[edit]

text: The Bellas[edit]

text:
Anna Kendrick as Beca Mitchell, an alumna and the former leader of The Barden Bellas, who works as a producer but quits due to creative differences, before joining the tour. She has been sharing an apartment in New York City with her best friends Chloe and Fat Amy for the last three years.
Rebel Wilson as Patricia "Fat Amy" Hobart, a comedic alumna of The Barden Bellas, from Australia. She held a one-woman show, "Fat Amy Winehouse", before joining the tour.
Brittany Snow as Chloe Beale, a Barden Bellas alumna and former co-leader, who longs for glory days with the Bellas. She applied to attend a vet school before joining the tour.
Anna Camp as Aubrey Posen, a Barden Bellas alumna and former leader, before Beca, who worked at the Lodge of Fallen Leaves. Through her father, The Bellas were invited to the USO tour.
Hailee Steinfeld as Emily Junk, a senior student at Barden University and the current leader of the new Barden Bellas, who joins her former seniors for the tour.
Ester Dean as Cynthia Rose Adams, a lesbian Barden Bellas alumna, who failed the Flight School simulation before joining the tour.
Hana Mae Lee as Lilly Onakuramara / Esther, a Barden Bellas alumna known for her quiet speaking voice and odd remarks. She worked as a tailor before joining the tour.
Kelley Jakle as Jessica Smith, a Barden Bellas alumna.
Shelley Regner as Ashley Jones, a Barden Bellas alumna.
Chrissie Fit as Florencia "Flo" Fuentes, a Barden Bellas alumna, from Guatemala. She worked at a juice truck before joining the tour.
Alexis Knapp as Stacie Conrad, a Barden Bellas alumna, known for being overly sexual. She works as a pilates instructor and despite wanting to, could not join the tour due to her pregnancy

text: Additional characters[edit]

text:
Elizabeth Banks as Gail Abernathy-McKadden-Feinberger, an a cappella commentator making an insulting documentary about The Bellas
John Michael Higgins as John Smith, an a cappella commentator making an insulting documentary about The Bellas
John Lithgow as Fergus Hobart, Fat Amy's estranged criminal father
Matt Lanter as Chicago Walp, a U.S. soldier guiding the Bellas during the tour, and Chloe's love interest.
Guy Burnet as Theo, DJ Khaled's music producer, who takes a liking to Beca
DJ Khaled as himself
Troy Ian Hall as Zeke, a U.S. soldier, partners with Chicago
Michael Rose as Aubrey's father
Jessica Chaffin as Evan
Moises Arias as Pimp-Lo
Ruby Rose, Andy Allo, Venzella Joy Williams, and Hannah Fairlight as Calamity, Serenity, Charity, and Veracity, respectively, members of the band Evermoist
Whiskey Shivers as Saddle Up, a country-bluegrass-based band competing against the Bellas
Trinidad James and D.J. Looney as Young Sparrow and DJ Dragon Nutz, respectively

text: Production[edit]

text: On April 11, 2015, a month before the release of the second film, it was announced that Rebel Wilson would return for a third film, although she stated that she did not know if Anna Kendrick or other cast members would also reprise their roles. She added that she would be "up for a Fat Amy spin-off."[6] Director, star, and producer of the second film Elizabeth Banks acknowledged the possibility of a third film during promotion of Pitch Perfect 2, saying, "I will say, it would be disingenuous to say that no one’s talking about a Pitch Perfect 3; the possibility of it."[7]

text: On June 10, 2015, a third film was officially confirmed, and Kay Cannon was set to return to write the script.[8] On June 15, 2015, it was announced that Kendrick and Wilson would both reprise their roles,[9] and on July 28, 2015, Brittany Snow signed on to return. Paul Brooks again produced for Gold Circle Films, along with Max Handelman and Banks for Brownstone Productions.[10] On October 27, 2015, Banks was officially announced to return as director for the film, though she exited in that capacity on June 3, 2016.[11][12] On September 1, 2016, Trish Sie was confirmed to direct the film.[13] On December 13, 2016, it was reported that Ruby Rose was in talks to join the film, while Anna Camp also signed on to return for the sequel.[14][15] Cannon wrote the script with later drafts by Mike White and Dana Fox; White would eventually receive screenwriting credits alongside Cannon.[14] On January 5, 2017, a table read occurred, with Ester Dean, Hana Mae Lee, Chrissie Fit, Kelley Jakle, and Shelley Regner also being confirmed to reprise their roles,[16] and singer Andy Allo joining as Charity, a rival in a group opposing the Bellas.[17] While it was revealed by vocal director Deke Sharon that Alexis Knapp is returning, she wasn't spotted during the first month of filming, leading fans to show concerns that she might not be returning at all. However, on February 6, she posted a photo on Instagram, confirming her return, and was on set the following day.[18][19]

text: Filming[edit]

text: Principal photography on the film began on January 5, 2017, and took place in Atlanta, Georgia, and Cádiz, Spain and wrapped on April 3, 2017.[20][21][22]

text: Release[edit]

text: Pitch Perfect 3 was initially scheduled for July 21, and August 4, 2017. It had its world premiere in Sydney, Australia, on November 29, 2017,[23] and was released in the United States on December 22, 2017.[24]

text: Box office[edit]

text: As of March 3, 2018[update], Pitch Perfect 3 has grossed $104.9 million in the United States and Canada and $79 million in other territories, for a total of $183.9 million, against a production budget of $45 million.[2]

text: In the United States and Canada, Pitch Perfect 3 was released alongside the openings of Downsizing and Father Figures, and the wide expansions of The Shape of Water and Darkest Hour, and was projected to gross $27–35 million from 3,447 theaters in its opening weekend.[25][26] The film took in $2.1 million from Thursday night previews, about half of the $4.6 million earned by its predecessor. Over the three-day weekend, which included Christmas Eve, it grossed $19.9 million (down nearly 70% from the second film's $69.2 million debut), finishing third at the box office, behind Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle. It grossed an additional $6.5 million on Christmas Day, for a four-day total of $26.4 million.[27] It dropped 15% the following weekend, grossing $16.8 million, and a total of $21.7 million over the four-day New Year's frame.[28]

text: Critical response[edit]

text: On Rotten Tomatoes, the film has an approval rating of 31% based on 118 reviews and an average rating of 4.7/10. The website's critical consensus reads, "Pitch Perfect 3 strains to recapture the magic that helped the original spawn a franchise, but ends up sending this increasingly unnecessary trilogy out on a low note."[29] On Metacritic, the film has a weighted average score of 40 out of 100 based on 35 critics, indicating "mixed or average reviews".[30] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale, the same score earned by its predecessor.[27]

text: Owen Gleiberman of Variety praised the cast and said, "The new film doesn't add anything revolutionary to the Pitch Perfect formula. It still sounds like we're in middle-period Glee written by someone who finds Ryan Murphy too solemn. But as directed by Trish Sie, the movie is bubbly, it's fast, it's hella synthetic-clever, and it's an avid showcase for the personalities of its stars."[31]

text: In a review for The Hollywood Reporter, Frank Scheck wrote "...what started out as a charmingly offbeat comic premise has inevitably degenerated into the sort of crass commercialism that probably would make the Bellas themselves turn up their noses."[32]

text: Music[edit]

text: The official soundtrack was released on December 15, 2017.[33]

text:
No.
Title
Music
Length

1.
"Universal Fanfare"

The Bellas

0:38

2.
"Toxic"
The Bellas
3:21

3.
"Sit Still, Look Pretty"
The New Bellas
3:06

4.
"Riff Off (Get the Party Started/Shut Up and Dance/Ignition/Swing Down Sweet Chariot)/Fly Away/One More Night/Call Me/Love Me Harder/If I Were a Boy/Zombie/Stronger (What Doesn't Kill You)/Human/Wake Me Up/Grenade)"
The Bellas, Evermoist, Saddle Up, Young Sparrow and DJ Dragon Nutz & Soldiers
4:48

5.
"You Got It"
Young Sparrow and DJ Dragon Nutz
3:16

6.
"Ex's & Oh's"
Saddle Up
2:49

7.
"How a Heart Unbreaks"
Evermoist
3:44

8.
"Cheap Thrills"
The Bellas
3:40

9.
"I Don't Like It, I Love It"
The Bellas
3:59

10.
"Cake by the Ocean"
The Bellas
3:14

11.
"Freedom! '90"
The Bellas
5:16

12.
"Soy Yo"
Bomba Estéreo
2:41

13.
"Boom Boom (feat. Zedd)"
Iggy Azalea
3:08

14.
"Tribe"
Kim Viera
3:09

15.
"Score Suite From Pitch Perfect 3"
Christopher Lennertz
3:46

16.
"Silent Night (feat. 80fitz)"
Hana Mae Lee
1:50

17.
"Baby, It's Cold Outside"
Kelley Jakle & Shelley Regner
2:52

18.
"Feliz Navidad"
Chrissie Fit
2:37

19.
"Freedom! '90 x Cups"
The Bellas & The Voice Season 13 Top 12 Contestants
2:27

Total length:
60:30[34][35]


document_title: United States Supreme Court Building

question_text: above the west entrance to the u.s. supreme court building is the phrase

root

text: United States Supreme Court Building

text: History[edit]

text: Prior to the establishment of the Federal City, the United States government resided briefly in New York City. As such, the Supreme Court met there during this time in the Merchants Exchange Building. When the capital moved to Philadelphia, Pennsylvania, the Court moved with it and began meeting in Independence Hall, before settling in Old City Hall at 5th and Chestnut Streets from 1791 until 1800.[3]

tag: p

text: After the federal government moved to Washington, D.C., the court had no permanent meeting location until 1810. When the architect Benjamin Henry Latrobe built the second U.S. Senate chamber directly on top of the first US Senate chamber, the Supreme Court took up residence in what is now referred to as the Old Supreme Court Chamber from 1810 through 1860.[4] It remained in the Capitol until 1935, with the exception of a period from 1812 to 1819, during which the Court was absent from Washington because of the British invasion and the destruction of the Capitol during the War of 1812.[3]

text: In 1810, the Supreme Court first occupied the Old Supreme Court Chamber in the Capitol.[3] As the Senate expanded, it progressively outgrew its quarters. In 1860, after the new wings of the Capitol for the Senate and the House of Representatives had been completed, the Supreme Court moved to the Old Senate Chamber (as it is now known) where it remained until its move to the current Supreme Court building.

text: In 1929, Chief Justice William Howard Taft argued successfully for the Court to have its own headquarters to distance itself from Congress as an independent branch of government, but he did not live to see it built. The court was finally designed by Cass Gilbert, who created many other structures in the United States.[5]

text: Temple of Justice[edit]

text: The Supreme Court Building is located at 1 First Street, NE (former site of the Old Brick Capitol, across the street from the United States Capitol) and was designed by architect Cass Gilbert (as Gilbert's last major project; he died before it was completed). It rises four stories (92 ft (28 m)) above ground. The cornerstone was laid on October 13, 1932, and construction completed in 1935, having cost $94,000 under the $9,740,000 budget authorized by Congress. "The building was designed on a scale in keeping with the importance and dignity of the Court and the Judiciary as a coequal, independent branch of the United States Government, and as a symbol of 'the national ideal of justice in the highest sphere of activity.'"[3]

text: The Supreme Court Building is built in the Neoclassical style. The public façade is made of marble quarried from Vermont, and that of the non-public-facing courtyards, Georgia marble. Most of the interior spaces are lined with Alabama marble, except for the Courtroom itself, which is lined with Spanish ivory vein marble.[6] For the Courtroom's 24 columns, "Gilbert felt that only the ivory buff and golden marble from the Montarrenti quarries near Siena, Italy" would suffice. To this end, in May 1933, he petitioned the Italian Premier, Benito Mussolini, "to ask his assistance in guaranteeing that the Siena quarries sent nothing inferior to the official sample marble."

text: Not all the justices were thrilled by the new arrangements, the courtroom in particular. Harlan Fiske Stone complained it was "almost bombastically pretentious...Wholly inappropriate for a quiet group of old boys such as the Supreme Court." Another justice observed that he felt the court would be "nine black beetles in the Temple of Karnak," while still another complained that such pomp and ceremony suggested the justices ought to enter the courtroom riding on elephants. The New Yorker columnist Howard Brubaker noted at the time of its opening that it had "fine big windows to throw the New Deal out of."[7]

text: The west façade of the building (essentially, the "front" of the court, being the side which faces the Capitol) bears the motto "Equal Justice Under Law," while the east façade bears the motto "Justice, the Guardian of Liberty." On November 28, 2005, a basketball-sized chunk of marble weighing approximately 172 lb (78 kg) fell four stories from the west façade onto the steps of the Court; it had previously been part of the parapet above the word "under" in the "equal justice under law" engraving immediately above the figure of a Roman centurion carrying fasces. After the incident, planning was initiated to repair the west façade which includes cleaning, removal of debris and restoration. In 2012 scaffolding encased the west façade printed with a full-size photograph of the façade. The project was completed in 2013.[8]

text: The Supreme Court Building's facilities include:

text:
In the basement: maintenance facilities, garage, on-site mailroom.
On the first (or ground) floor: Public information office, the clerk's office, the publications unit, exhibit halls, cafeteria, gift shop and administrative offices.
On the second floor: the Great Hall, the courtroom, the conference room, and all of the justices' chambers except Justice Sotomayor (she swapped with Justice Ginsburg for a roomier office on the third floor).
On the third floor: The office of Justice Sotomayor, the office of the Reporter of Decisions, the legal office, and the offices of the law clerks. Also, the justices' dining and reading rooms are on this floor.
On the fourth floor: The court library
On the fifth floor: The Supreme Court gym, including a basketball court (named the "Highest Court in the Land")[9]

tag: ul

text: In addition, the Supreme Court Building maintains its own police force, the Supreme Court Police. Separate from the Capitol Police, the force was created in 1935 to look after the building and its personnel.

text: Sculptural program[edit]

text: Cass Gilbert's design for the building and its environs included an ambitious Beaux-Arts-styled sculptural program that included a large number and variety of both real and allegorical figures.

text:
Supreme Court flagpole bases, and bronze doors in the east and west façades by John Donnelly.
East pediment: Justice, the Guardian of Liberty by Hermon Atkins MacNeil
West pediment: Equal Justice Under the Law by Robert Ingersoll Aitken. This work includes a portrait of Cass Gilbert, third from the left in the pediment. It also contains a self-portrait of Robert Ingersoll Aitken third from the right.
Seated figures: The Authority of Law (south side) and The Contemplation of Justice (north side) by James Earle Fraser
Great Hall: Busts of each of the Chief Justices of the United States in alcoves on either side of the Hall. These marble works are periodically appropriated by the Congress. The most recent addition was Chief Justice Rehnquist's bust in December 2009 to the far end of the north side of the Hall, just to the left of the Courtroom doors.
Courtroom friezes: The South Wall Frieze includes figures of lawgivers from the ancient world and includes Menes, Hammurabi, Moses, Solomon, Lycurgus, Solon, Draco, Confucius, and Augustus. The North Wall Frieze shows lawgivers from the Middle Ages on and includes representations of Justinian, Muhammad, Charlemagne, John, King of England, Louis IX of France, Hugo Grotius, Sir William Blackstone, John Marshall, and Napoleon. The Moses frieze depicts him holding the Ten Commandments, although only commandments six through ten, usually considered the more secular commands, are visible. In 1997, the Council on American-Islamic Relations (CAIR) asked for the image of Muhammad to be removed from the marble frieze of the façade. While appreciating that Muhammad was included in the court's pantheon of 18 prominent lawgivers of history, CAIR noted that Islam discourages depictions of Muhammad in any artistic representation. CAIR also objected that Muhammad was shown with a sword, which they claimed reinforced stereotypes of Muslims as intolerant conquerors. Chief Justice William Rehnquist rejected the request to sandblast Muhammad, saying the artwork "was intended only to recognize him, among many other lawgivers, as an important figure in the history of law; it is not intended as a form of idol worship". The court later added a footnote to tourist materials, calling it "a well-intentioned attempt by the sculptor to honor Muhammad".[10]

text:
United States Supreme Court bronze doors.

The Supreme Court courtroom interior with its Siena marble.

View of the Alabama marble in the hallway.

One of two self-supporting spiral staircases in Alabama marble.

"Equal Justice Under Law" over the western façade.

"Justice the Guardian of Liberty" over the eastern façade.

Flagpole base.

The Contemplation of Justice statue.

The Authority of Law statue.

Aerial view of Washington D.C., showing position of the courthouse (lower left) in relation to the Capitol building.

tag: table

text: Public access to the building[edit]

text: On May 3, 2010, citing security concerns and as part of the building's modernization project, the Supreme Court announced that the public (including parties to the cases being argued, the attorneys who represent them, and visitors to Oral arguments or the building) would no longer be allowed to enter the building through the main door on top of the steps on the west side.[11] Visitors must now enter through ground-level doors located at the plaza, leading to a reinforced area for security screening. The main doors at the top of the steps may still be used to exit the building.[11] Justice Breyer released a statement, joined by Justice Ginsburg, expressing his opinion that although he recognizes the security concerns that led to the decision, he does not believe on balance that the closure is justified.[12] Calling the decision "dispiriting", he said he was not aware of any Supreme Court in the world that had closed its main entrance to the public.[12]

text: All visitors to the Court must pass through metal-detectors and have their belongings X-rayed. Cameras are permitted in the building, but no recording devices of any kind, audio, or visual, are ever permitted in the Courtroom. When the Court is not in session, visitors can walk through the Great Hall and public areas on the ground floor, including the cafeteria and a small movie theater presenting a documentary of the Court, and guided lectures are periodically given in the Courtroom, which is not otherwise accessible. The schedule for the lectures can be confirmed on the Court's website the day before a visit. The line for these tours forms in a designated area to the side of the Courtroom doors.[13]

text: When the Court is in session, the Great Hall is not open to the public, except for those attending Court. The arguments are typically held in two-week cycles of a 10 A.M. and 11 A.M. argument on Mondays, Tuesdays, and Wednesdays.[14] Depending on the significance of the case and the time of year (winter arguments are less popular), visitors should arrive at the Court anywhere from two hours in advance to, in extremely controversial cases, the night before. At some point in the morning, which is not predetermined, the Supreme Court Police Officers distribute numbered tickets. These serve as place-holders only and not a guarantee of admission. Visitors who have tickets may leave the area and return at the appointed time to line up in numerical order, usually one hour before the argument. At this time, there usually are several hundred persons waiting outside the Court, most of whom are not able to observe either argument.[15] While the Courtroom does have seating for some 250 public visitors, in practice there are almost always large groups of students or officials that reduce that number, and visitors who are admitted to observe the first argument generally stay for the second argument, making the total seats available for the second argument generally very small. Just before the first argument, the officers divide the crowd into two lines: one is for those waiting with tickets to observe the entire argument, while the other is to observe a five-minute span of the argument while standing in the back of the Courtroom. Both lines remain in place during the first argument. Visitors must stand when the Justices enter and leave, and remain absolutely silent. Drowsy, noisy, or otherwise disruptive visitors are promptly removed by plainclothes officers.[13]

text: Since recording devices have been banned inside the courtroom, the fastest way for decisions of landmark cases to reach the press is through the Running of the Interns.[16]

text: On Sunday, January 13, 2002, a wild fox wandered into the building. Although spotted by a police officer and observed on video cameras, the fox eluded capture for more than a day.[17]


document_title: List of NCAA Division I men's basketball champions

question_text: who won the ncaa mens basketball championship in 2016

text: Championship games[edit]

text:
Legend for "Championship games" table below

Indicator
Meaning

*
Game was decided in an overtime period

Game was decided in a third overtime period

Score
Each score is linked to an article about that particular championship game, when available

Year
Each year is linked to an article about that particular NCAA Tournament

text:
Championship games, by year, showing winners and losers, final scores and venues

Year
Winning team
Winning head coach
Score
Losing team
Losing head coach
Venue
City
Ref.

1939
Oregon
Hobson, HowardHoward Hobson
046.3 !46–33
Ohio State
Olsen, HaroldHarold Olsen
Patten Gymnasium
Evanston, Illinois
[17]

1940
Indiana
McCracken, BranchBranch McCracken
060.3 !60–42
Kansas
Allen, PhogPhog Allen
Municipal Auditorium
Kansas City, Missouri
[18]

1941
Wisconsin
Foster, BudBud Foster
039 !39–34
Washington State
Friel, JackJack Friel
Municipal Auditorium
Kansas City, Missouri
[19]

1942
Stanford
Dean, EverettEverett Dean
053.2 !53–38
Dartmouth
Cowles, O. B.O. B. Cowles
Municipal Auditorium
Kansas City, Missouri
[20]

1943
Wyoming
Shelton, EverettEverett Shelton
046.2 !46–34
Georgetown
Ripley, ElmerElmer Ripley
Madison Square Garden
New York City, New York
[21]

1944
Utah
Peterson, VadalVadal Peterson
042 !42–40*
Dartmouth
Brown, EarlEarl Brown
Madison Square Garden
New York City, New York
[22][23]

1945
Oklahoma A&M
Iba, HenryHenry Iba
049 !49–45
NYU
Cann, HowardHoward Cann
Madison Square Garden
New York City, New York
[24]

1946
Oklahoma A&M
Iba, HenryHenry Iba
043 !43–40
North Carolina
Carnevale, BenBen Carnevale
Madison Square Garden
New York City, New York
[25]

1947
Holy Cross
Julian, DoggieDoggie Julian
058.1 !58–47
Oklahoma
Drake, BruceBruce Drake
Madison Square Garden
New York City, New York
[26]

1948
Kentucky
Rupp, AdolphAdolph Rupp
058.2 !58–42
Baylor
Henderson, BillBill Henderson
Madison Square Garden
New York City, New York
[27]

1949
Kentucky
Rupp, AdolphAdolph Rupp
046.1 !46–36
Oklahoma A&M
Iba, HenryHenry Iba
Hec Edmundson Pavilion
Seattle, Washington
[28]

1950
CCNY
Holman, NatNat Holman
071.2 !71–68
Bradley
Anderson, ForddyForddy Anderson
Madison Square Garden
New York City, New York
[29]

1951
Kentucky
Rupp, AdolphAdolph Rupp
068.3 !68–58
Kansas State
Gardner, JackJack Gardner
Williams Arena
Minneapolis, Minnesota
[30]

1952
Kansas
Allen, PhogPhog Allen
080.3 !80–63
St. John's
McGuire, FrankFrank McGuire
Hec Edmundson Pavilion
Seattle, Washington
[31]

1953
Indiana
McCracken, BranchBranch McCracken
069 !69–68
Kansas
Allen, PhogPhog Allen
Municipal Auditorium
Kansas City, Missouri
[32]

1954
La Salle
Loeffler, KenKen Loeffler
092.2 !92–76
Bradley
Anderson, ForddyForddy Anderson
Municipal Auditorium
Kansas City, Missouri
[33]

1955
San Francisco
Woolpert, PhilPhil Woolpert
077.3 !77–63
La Salle
Loeffler, KenKen Loeffler
Municipal Auditorium
Kansas City, Missouri
[34]

1956
San Francisco
Woolpert, PhilPhil Woolpert
083.2 !83–71
Iowa
O'Connor, BuckyBucky O'Connor
McGaw Hall
Evanston, Illinois
[35]

1957
North Carolina
McGuire, FrankFrank McGuire
054.1 !54–53
Kansas
Harp, DickDick Harp
Municipal Auditorium
Kansas City, Missouri
[36]

1958
Kentucky
Rupp, AdolphAdolph Rupp
084.3 !84–72
Seattle
Castellani, JohnJohn Castellani
Freedom Hall
Louisville, Kentucky
[37]

1959
California
Newell, PetePete Newell
071.1 !71–70
West Virginia
Schaus, FredFred Schaus
Freedom Hall
Louisville, Kentucky
[38]

1960
Ohio State
Taylor, FredFred Taylor
075.4 !75–55
California
Newell, PetePete Newell
Cow Palace
Daly City, California
[39][40]

1961
Cincinnati
Jucker, EdEd Jucker
070 !70–65*
Ohio State
Taylor, FredFred Taylor
Municipal Auditorium
Kansas City, Missouri
[41]

1962
Cincinnati
Jucker, EdEd Jucker
071.4 !71–59
Ohio State
Taylor, FredFred Taylor
Freedom Hall
Louisville, Kentucky
[42]

1963
Loyola Chicago
Ireland, GeorgeGeorge Ireland
060.1 !60–58*
Cincinnati
Jucker, EdEd Jucker
Freedom Hall
Louisville, Kentucky
[43]

1964
UCLA
Wooden, JohnJohn Wooden
098 !98–83
Duke
Bubas, VicVic Bubas
Municipal Auditorium
Kansas City, Missouri
[44]

1965
UCLA
Wooden, JohnJohn Wooden
091 !91–80
Michigan
Strack, DaveDave Strack
Memorial Coliseum
Portland, Oregon
[45]

1966
Texas Western
Haskins, DonDon Haskins
072.2 !72–65
Kentucky
Rupp, AdolphAdolph Rupp
Cole Field House
College Park, Maryland
[46]

1967
UCLA
Wooden, JohnJohn Wooden
079 !79–64
Dayton
Donoher, DonDon Donoher
Freedom Hall
Louisville, Kentucky
[47]

1968
UCLA
Wooden, JohnJohn Wooden
078.2 !78–55
North Carolina
Smith, DeanDean Smith
Sports Arena
Los Angeles, California
[48]

1969
UCLA
Wooden, JohnJohn Wooden
092.3 !92–72
Purdue
King, GeorgeGeorge King
Freedom Hall
Louisville, Kentucky
[49]

1970
UCLA
Wooden, JohnJohn Wooden
080.2 !80–69
Jacksonville
Williams, JoeJoe Williams
Cole Field House
College Park, Maryland
[50]

1971
UCLA
Wooden, JohnJohn Wooden
068.2 !68–62
Villanova[a]
Kraft, JackJack Kraft
Astrodome
Houston, Texas
[51]

1972
UCLA
Wooden, JohnJohn Wooden
081.2 !81–76
Florida State
Durham, HughHugh Durham
Memorial Sports Arena
Los Angeles, California
[52]

1973
UCLA
Wooden, JohnJohn Wooden
087 !87–66
Memphis State
Bartow, GeneGene Bartow
St. Louis Arena
St. Louis, Missouri
[53]

1974
North Carolina State
Sloan, NormNorm Sloan
076.3 !76–64
Marquette
McGuire, AlAl McGuire
Greensboro Coliseum
Greensboro, North Carolina
[54]

1975
UCLA
Wooden, JohnJohn Wooden
092.1 !92–85
Kentucky
Hall, Joe B.Joe B. Hall
San Diego Sports Arena
San Diego, California
[55]

1976
Indiana
Knight, BobBob Knight
086 !86–68
Michigan
Orr, JohnnyJohnny Orr
Spectrum
Philadelphia, Pennsylvania
[56]

1977
Marquette
McGuire, AlAl McGuire
067 !67–59
North Carolina
Smith, DeanDean Smith
Omni Coliseum
Atlanta, Georgia
[57]

1978
Kentucky
Hall, Joe B.Joe B. Hall
094 !94–88
Duke
Foster, BillBill Foster
The Checkerdome
St. Louis, Missouri
[58]

1979
Michigan State
Heathcote, JudJud Heathcote
075.3 !75–64
Indiana State
Hodges, BillBill Hodges
Special Events Center
Salt Lake City, Utah
[59]

1980
Louisville
Crum, DennyDenny Crum
059 !59–54
UCLA[a]
Brown, LarryLarry Brown
Market Square Arena
Indianapolis, Indiana
[60]

1981
Indiana
Knight, BobBob Knight
063.2 !63–50
North Carolina
Smith, DeanDean Smith
Spectrum
Philadelphia, Pennsylvania
[61]

1982
North Carolina
Smith, DeanDean Smith
063.1 !63–62
Georgetown
Thompson, JohnJohn Thompson
Louisiana Superdome
New Orleans, Louisiana
[62]

1983
North Carolina State
Valvano, JimJim Valvano
054.2 !54–52
Houston
Lewis, GuyGuy Lewis
University Arena
Albuquerque, New Mexico
[63]

1984
Georgetown
Thompson, JohnJohn Thompson
084.2 !84–75
Houston
Lewis, GuyGuy Lewis
Kingdome
Seattle, Washington
[64]

1985
Villanova
Massimino, RollieRollie Massimino
066 !66–64
Georgetown
Thompson, JohnJohn Thompson
Rupp Arena
Lexington, Kentucky
[65]

1986
Louisville
Crum, DennyDenny Crum
072.1 !72–69
Duke
Krzyzewski, MikeMike Krzyzewski
Reunion Arena
Dallas, Texas
[66]

1987
Indiana
Knight, BobBob Knight
074 !74–73
Syracuse
Boeheim, JimJim Boeheim
Louisiana Superdome
New Orleans, Louisiana
[67]

1988
Kansas
Brown, LarryLarry Brown
083.1 !83–79
Oklahoma
Tubbs, BillyBilly Tubbs
Kemper Arena
Kansas City, Missouri
[68]

1989
Michigan
Fisher, SteveSteve Fisher
080.1 !80–79*
Seton Hall
Carlesimo, P. J.P. J. Carlesimo
Kingdome
Seattle, Washington
[69]

1990
UNLV
Tarkanian, JerryJerry Tarkanian
103 !103–73
Duke
Krzyzewski, MikeMike Krzyzewski
McNichols Sports Arena
Denver, Colorado
[70]

1991
Duke
Krzyzewski, MikeMike Krzyzewski
072.2 !72–65
Kansas
Williams, RoyRoy Williams
Hoosier Dome
Indianapolis, Indiana
[71]

1992
Duke
Krzyzewski, MikeMike Krzyzewski
071.5 !71–51
Michigan[a]
Fisher, SteveSteve Fisher
Metrodome
Minneapolis, Minnesota
[72]

1993
North Carolina
Smith, DeanDean Smith
077.2 !77–71
Michigan[a]
Fisher, SteveSteve Fisher
Louisiana Superdome
New Orleans, Louisiana
[73]

1994
Arkansas
Richardson, NolanNolan Richardson
076.1 !76–72
Duke
Krzyzewski, MikeMike Krzyzewski
Charlotte Coliseum
Charlotte, North Carolina
[74]

1995
UCLA
Harrick, JimJim Harrick
089.1 !89–78
Arkansas
Richardson, NolanNolan Richardson
Kingdome
Seattle, Washington
[75]

1996
Kentucky
Pitino, RickRick Pitino
076.2 !76–67
Syracuse
Boeheim, JimJim Boeheim
Continental Airlines Arena
East Rutherford, New Jersey
[76]

1997
Arizona
Olson, LuteLute Olson
084.1 !84–79*
Kentucky
Pitino, RickRick Pitino
RCA Dome
Indianapolis, Indiana
[77]

1998
Kentucky
Smith, TubbyTubby Smith
078.1 !78–69
Utah
Majerus, RickRick Majerus
Alamodome
San Antonio, Texas
[78]

1999
Connecticut
Calhoun, JimJim Calhoun
077.1 !77–74
Duke
Krzyzewski, MikeMike Krzyzewski
Tropicana Field
St. Petersburg, Florida
[79]

2000
Michigan State
Izzo, TomTom Izzo
089.2 !89–76
Florida
Donovan, BillyBilly Donovan
RCA Dome
Indianapolis, Indiana
[80]

2001
Duke
Krzyzewski, MikeMike Krzyzewski
082.3 !82–72
Arizona
Olson, LuteLute Olson
Metrodome
Minneapolis, Minnesota
[81]

2002
Maryland
Williams, GaryGary Williams
064 !64–52
Indiana
Davis, MikeMike Davis
Georgia Dome
Atlanta, Georgia
[82]

2003
Syracuse
Boeheim, JimJim Boeheim
081.1 !81–78
Kansas
Williams, RoyRoy Williams
Louisiana Superdome
New Orleans, Louisiana
[83]

2004
Connecticut
Calhoun, JimJim Calhoun
082.2 !82–73
Georgia Tech
Hewitt, PaulPaul Hewitt
Alamodome
San Antonio, Texas
[84]

2005
North Carolina
Williams, RoyRoy Williams
075.1 !75–70
Illinois
Weber, BruceBruce Weber
Edward Jones Dome
St. Louis, Missouri
[85]

2006
Florida
Donovan, BillyBilly Donovan
073 !73–57
UCLA
Howland, BenBen Howland
RCA Dome
Indianapolis, Indiana
[86]

2007
Florida
Donovan, BillyBilly Donovan
084.2 !84–75
Ohio State
Matta, ThadThad Matta
Georgia Dome
Atlanta, Georgia
[87]

2008
Kansas
Self, BillBill Self
075.2 !75–68*
Memphis[a]
Calipari, JohnJohn Calipari
Alamodome
San Antonio, Texas
[88]

2009
North Carolina
Williams, RoyRoy Williams
089.3 !89–72
Michigan State
Izzo, TomTom Izzo
Ford Field
Detroit, Michigan
[89]

2010
Duke
Krzyzewski, MikeMike Krzyzewski
061 !61–59
Butler
Stevens, BradBrad Stevens
Lucas Oil Stadium
Indianapolis, Indiana
[90]

2011
Connecticut
Calhoun, JimJim Calhoun
053.1 !53–41
Butler
Stevens, BradBrad Stevens
Reliant Stadium
Houston, Texas
[91]

2012
Kentucky
Calipari, JohnJohn Calipari
067.1 !67–59
Kansas
Self, BillBill Self
Mercedes-Benz Superdome
New Orleans, Louisiana
[92]

2013
Louisville
Pitino, RickRick Pitino
082.1 !82–76
Michigan
Beilein, JohnJohn Beilein
Georgia Dome
Atlanta, Georgia
[93]

2014
Connecticut
Ollie, KevinKevin Ollie
060.2 !60–54
Kentucky
Calipari, JohnJohn Calipari
AT&T Stadium
Arlington, Texas
[94]

2015
Duke
Krzyzewski, MikeMike Krzyzewski
068.1 !68–63
Wisconsin
Ryan, BoBo Ryan
Lucas Oil Stadium
Indianapolis, Indiana
[95]

2016
Villanova
Jay Wright
077.1 !77–74
North Carolina
Williams, RoyRoy Williams
NRG Stadium
Houston, Texas
[96]

2017
North Carolina
Roy Williams
071.3 !71–65
Gonzaga
Mark Few
University of Phoenix Stadium
Glendale, Arizona
[97]

text: Multiple champions[edit]

text:
Teams that have won the championship more than once

Team
Wins
Years won

UCLA
11
1964, 1965, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1975, 1995

Kentucky
8
1948, 1949, 1951, 1958, 1978, 1996, 1998, 2012

North Carolina
6
1957, 1982, 1993, 2005, 2009, 2017

Duke
5
1991, 1992, 2001, 2010, 2015

Indiana
5
1940, 1953, 1976, 1981, 1987

Connecticut
4
1999, 2004, 2011, 2014

Louisville
3
1980, 1986, 2013

Kansas
3
1952, 1988, 2008

Cincinnati
2
1961, 1962

Florida
2
2006, 2007

Michigan State
2
1979, 2000

North Carolina State
2
1974, 1983

Oklahoma State[b]
2
1945, 1946

San Francisco
2
1955, 1956

Villanova
2
1985, 2016

text:
Coaches that have won the championship more than once

Team
Wins
Years won

Wooden, JohnJohn Wooden
10
1964, 1965, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1975

Krzyzewski, MikeMike Krzyzewski
5
1991, 1992, 2001, 2010, 2015

Rupp, AdolphAdolph Rupp
4
1948, 1949, 1951, 1958

Calhoun, JimJim Calhoun
3
1999, 2004, 2011

Knight, BobBob Knight
3
1976, 1981, 1987

Williams, RoyRoy Williams
3
2005, 2009, 2017

Crum, DennyDenny Crum
2
1980, 1986

Donovan, BillyBilly Donovan
2
2006, 2007

Iba, HenryHenry Iba
2
1945, 1946

Jucker, EdEd Jucker
2
1961, 1962

McCracken, BranchBranch McCracken
2
1940, 1953

Pitino, RickRick Pitino
2
1996, 2013

Smith, DeanDean Smith
2
1982, 1993

Woolpert, PhilPhil Woolpert
2
1955, 1956

text: Champions by conference status[edit]

text: Champions by conference at the time of tournaments[edit]

text:
Championships by conference membership at the time of tournaments

Conference
Wins
Years won
Ref(s)

Pac-12 Conference !Pac-12 Conference (1915–current)
15
1939, 1942, 1959, 1964, 1965, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1975, 1995, 1997
[17][38][98][99][100]

Atlantic Coast Conference !Atlantic Coast Conference (1953–current)
14
1957, 1974, 1982, 1983, 1991, 1992, 1993, 2001, 2002, 2005, 2009, 2010, 2015, 2017
[101][102][103][104][105]

Southeastern Conference !Southeastern Conference (1932–current)
11
1948, 1949, 1951, 1958, 1978, 1994, 1996, 1998, 2006, 2007, 2012
[106][107][108][109][110][111][112][113][114][115][116]

Big Ten Conference !Big Ten Conference (1896–current)
10
1940, 1941, 1953, 1960, 1976, 1979, 1981, 1987, 1989, 2000
[117]

Big East Conference !Big East Conference (1979–current)
8
1984, 1985, 1999, 2003, 2004, 2011, 2013, 2016
[93][118][119][120]

Independents
6
1944, 1947, 1954, 1963, 1966, 1977
[46][121][122][123][124][125]

Missouri Valley Conference !Missouri Valley Conference (1907–current)
4
1945, 1946, 1961, 1962
[126][127][128][129]

Big Eight Conference !Big 8 Conference (1907–1996)
2
1952, 1988
[31][68]

Metro Conference !Metro Conference (1975–1995)
2
1980, 1986
[130]

West Coast Conference !West Coast Conference (1952–current)
2
1955, 1956
[131]

American Athletic Conference !American Athletic Conference (2014–current)
1
2014
[94]

Big Twelve Conference !Big 12 Conference (1994–current)
1
2008
[132]

Big West Conference !Big West Conference (1969–current)
1
1990
[133]

Metropolitan New York Conference !Metropolitan New York Conference (1933–1963)
1
1950
[134]

Mountain States Conference !Mountain States Conference (1938–1962)
1
1943
[135]

text: Championships by current conference membership[edit]

text:
Championships by current conference membership

Conference
Wins
Years won
Ref(s)

Atlantic Coast Conference !Atlantic Coast Conference
17
1957, 1974, 1980, 1982, 1983, 1986, 1991, 1992, 1993, 2001, 2003, 2005, 2009, 2010, 2013, 2015, 2017
[136][137]

Pac-12 Conference !Pac-12 Conference
16
1939, 1942, 1944, 1959, 1964, 1965, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1975, 1995, 1997
[138][139]

Southeastern Conference !Southeastern Conference
11
1948, 1949, 1951, 1958, 1978, 1994, 1996, 1998, 2006, 2007, 2012
[140]

Big Ten Conference !Big Ten Conference
11
1940, 1941, 1953, 1960, 1976, 1979, 1981, 1987, 1989, 2000, 2002
[141]

American Athletic Conference
6
1961, 1962, 1999, 2004, 2011, 2014
[142][143][144]

Big Twelve Conference !Big 12 Conference
5
1945, 1946, 1952, 1988, 2008
[145][146][147]

Big East Conference
4
1977, 1984, 1985, 2016
[148][149]

Mountain West Conference !Mountain West Conference
2
1943, 1990
[150][151]

West Coast Conference !West Coast Conference
2
1955, 1956
[152]

Atlantic 10 Conference !Atlantic 10 Conference
1
1954
[153]

City University of New York Athletic Conference !City University of New York Athletic Conference
1
1950
[154]

Conference USA !Conference USA
1
1966
[155]

Missouri Valley Conference !Missouri Valley Conference
1
1963
[156]

Patriot League !Patriot League
1
1947
[157]

text: Championships by state[edit]

text:
Championships by state

State
Wins
Years won

California
15
1942, 1955, 1956, 1959, 1964, 1965, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1975, 1995

North Carolina
13
1957, 1974, 1982, 1983, 1991, 1992, 1993, 2001, 2005, 2009, 2010, 2015, 2017

Kentucky
11
1948, 1949, 1951, 1958, 1978, 1980, 1986, 1996, 1998, 2012, 2013

Indiana
5
1940, 1953, 1976, 1981, 1987

Connecticut
4
1999, 2004, 2011, 2014

Ohio
3
1960, 1961, 1962

Kansas
3
1952, 1988, 2008

Michigan
3
1979, 1989, 2000

Pennsylvania
3
1954, 1985, 2016

Oklahoma
2
1945, 1946

Wisconsin
2
1941, 1977

New York
2
1950, 2003

Florida
2
2006, 2007

Oregon
1
1939

Wyoming
1
1943

Utah
1
1944

Massachusetts
1
1947

Illinois
1
1963

Texas
1
1966

Washington, D.C.
1
1984

Nevada
1
1990

Arkansas
1
1994

Arizona
1
1997

Maryland
1
2002


document_title: Eleanor (automobile)

question_text: how many eleanor cars were used in gone in 60 seconds

text: Eleanor (automobile)

text: Eleanor - 1974 film[edit]

text: Though four Mustangs are portrayed in the film as "Eleanor" targets, only two cars were used for filming the movie, with license plates and tires alternated as necessary. Of these two, one car was modified for the stunt driving necessitated by the final chase and wrecked in said process, while the other was kept intact for all external "beauty shots." The latter car was also used for all but two interior shots.[3]

text: Prepping the two 1971 Mustangs for the film[edit]

text: Both 1971 Mustang Sportsroofs used in the film (neither car has been proven to be a Mach 1, as often assumed) were bought in 1971, but - as it was three years before Halicki could raise sufficient funds to start filming - each car was facelifted with 1973 grilles for the film. Both cars retain their 1971 front bumper and valance panels, as retrofitting the 1973 parts to the car would have required swapping the fenders as well.[2]

text: As with the liberties taken with the body modifications, Halicki's paint scheme on both cars were similar - but not identical - to Ford factory offerings. Both cars received blackout treatment to the lower bodyside - resembling Mach 1's and base models equipped with the Exterior Decor Group - and a unique blackout treatment to the standard hood; not seen on any factory 1971-1973 Mustang. Additionally, neither car wears any identifiable badging spelling the "Mustang" name in type, though the pony badge and "Ford Motor Company" hubcaps are visible in the film.[2]

text: Despite rumors that both cars were painted in Ford's Medium Yellow Gold, Halicki - in a 1974 interview - stated that the cars were painted "generic school bus yellow" to save money.[4]

text: Stunt Eleanor[edit]

text: The modified car required 250 hours of labor before it was ready for the film.[5] All body panels were removed[6] in order to install a roll cage throughout the Mustang's stock unibody. The transmission was also chained in for safety. An adjustable camera rig was mounted in the back seat to capture footage from the internal “driver's point of view.”

text: The wrecked Eleanor was equipped with a base interior and no instrumentation package, but utilized seats from the Mustang's deluxe interior package; sourced from the beauty car. Conversely, the beauty car had deluxe interior, with the standard seats from the stunt car swapped into it.

text: Other safety modifications included:[7]

text:
Heavy duty Simpson shoulder harness
Deadbolt door locks
Aftermarket hood pins
24-volt electrical system
On-board first-aid kit
Electrical kill switches
Individual locking rear brakes[8]
Fish plating of the undercarriage - 3” x 3/8” steel

text: The interior of the stunt car is seen only once in the film, when Halicki - as Maindrian Pace - places his hands against the windshield when cornered by the Long Beach police. The rollcage is clearly visible against the A-pillar. All other interior shots were executed with the "beauty" car, generally on alternate filming dates.

text: Additional history[edit]

text: The stunt car survives to this day,[9] despite two serious incidents during filming:

text: The first occurred during a stunt wherein "Eleanor" cuts across multiple lanes of freeway traffic. The stunt driver leading the "traffic" overshot his mark during the take, clipping the Mustang and causing it to careen into a nearby light pole. Halicki was rendered unconscious from the impact, but filming resumed the following week - utilizing this accident as part of the final film.[10] Halicki's first words - upon regaining consciousness - were "Did we get coverage?"[11]

text: Following the incident with the light pole, Halicki compressed multiple vertibrae after performing the impressive 128-foot jump in the closing minutes of the film. The modified Mustang survived, despite  the rough nose landing.[12]

text: Beauty Eleanor[edit]

text: The second car was left absolutely stock - as noted by cinematographer Jack Vacek in the film's DVD commentary - and was not modified extensively other than the obligatory matching paint job, grille change, and seat swap with the stunt car.

text: Though this car was not damaged during filming, Halicki stated (in 1974, at the film's premiere) that the car was crushed.[4]

text: Plates worn in the film[edit]

text: California[edit]

text:
869 FLA
613 HSO  (Airport Eleanor)
614 HSO  (Hal McClain[13] Eleanor)
359 JRA
820 FUA  (Eleanor at car wash)

text: New York[edit]

text: RMH 100  (Fake plates affixed to 820 FUA)

text: Eleanor - 2000 film[edit]

text: In 1995, Denice Halicki licensed the rights of the 1974 film to Disney for a remake of the same name. The new 2000 Gone in 60 Seconds film, produced by Jerry Bruckheimer, features Nicolas Cage as master auto thief Randall "Memphis" Raines. Both films share plot similarities about a crew of thieves who steal a large order of cars (48 in the original, 50 in the 2000 film) and deliver them to the Long Beach docks. Once again, the "Eleanor" name is given to the film's featured car; now a Dupont Pepper Grey 1967 Ford Mustang fastback, depicted as a Shelby GT500, with a customized body kit designed by Steve Stanford.[14]

text: Screen-used vehicles[edit]

text: Depending on the source, either eleven[15] or twelve[16] cars were built by Cinema Vehicle Services for the film (not including CVS's creation of one additional Eleanor clone - with a Ford 428 - for producer Bruckheimer).[17] Nine were shells, and three were built as fully functional vehicles.[17] Seven were reported to have "survived the filming [and] made it back to Cinema Vehicle Services" according to research by Mustangandfords.com.[18]

text: Of the surviving vehicles, three cars have been offered to the public with claims of originality and screen-use in the film, as follows:

text:
Cinema Vehicle Services number[19]
VIN
Sales history

?
7R02S211287
Sold at Barrett-Jackson's 2009 Scottsdale, AZ auction for $216,700.[20]

7
7R02C173895
Sold at COYS Autosport International January 2012 auction (Birmingham, UK) for £95,000.[21] Later offered at Mecum's Austin, Texas auction on December 12, 2014; did not meet reserve at $380,000 USD.[15]

9
7R02C179710
Sold at Mecum's Indianapolis auction on May 18, 2013 for $1,000,000 USD. Touted as the "main" hero car in the film and used for promotional photographs.[22][19][23]

text: All three claim to be functional builds for the film.[24][21][22] Whether the two wrecked cars were rebuilt - or whether surviving shells were built up into functional cars - remains unknown and unpublicized.

text: A fourth car, VIN #7F02C229830, last offered for sale in Dubai, also claims originality to the film. This car has not been authenticated.[25][26]

text: 2007-2009 Classic Recreations manufactured Eleanor mustangs under license by Halicki Films/Eleanor Licensing. After two years Classic Recreations terminated the licensing agreement. Classic Recreations produced two models of the Eleanor Mustang (535 model,750 model).

text: License plate numbers[edit]

text: California[edit]

text:
LYN 274
ELNOR 2