document_title: Avatar (2009 film)

question_text: whats the name of the new avatar movie

question_tokens: whats the name of the new avatar movie

text: Avatar (2009 film)

text: Plot

text: By 2154, humans have depleted Earth's natural resources, leading to a severe energy crisis. The Resources Development Administration (RDA for short) mines for a valuable mineral — unobtanium — on Pandora, a densely forested habitable moon orbiting the gas giant Polyphemus in the Alpha Centauri star system.[10] Pandora, whose atmosphere is poisonous to humans, is inhabited by the Na'vi, a species of 10-foot tall (3.0 m), blue-skinned, sapient humanoids[34] that live in harmony with nature and worship a mother goddess named Eywa.

text: To explore Pandora's biosphere, scientists use Na'vi-human hybrids called "avatars," operated by genetically matched humans; Jake Sully, a paraplegic former Marine, replaces his deceased identical twin brother as an operator of one. Dr. Grace Augustine, head of the Avatar Program, considers Sully an inadequate replacement but accepts his assignment as a bodyguard. While protecting the avatars of Grace and fellow scientist Dr. Norm Spellman as they collect biological data, Jake's avatar is attacked by a thanator and flees into the forest, where he is rescued by Neytiri, a female Na'vi. Witnessing an auspicious sign, she takes him to her clan, whereupon Neytiri's mother Mo'at, the clan's spiritual leader, orders her daughter to initiate Jake into their society.

text: Colonel Miles Quaritch, head of RDA's private security force, promises Jake that the company will restore his legs if he gathers information about the Na'vi and the clan's gathering place, a giant tree called Hometree,[35] on grounds that it stands above the richest deposit of unobtanium in the area. When Grace learns of this, she transfers herself, Jake, and Norm to an outpost. Over the following three months, Jake grows to sympathize with the natives. After Jake is initiated into the tribe, he and Neytiri choose each other as mates, and soon afterward, Jake reveals his change of allegiance when he attempts to disable a bulldozer that threatens to destroy a sacred Na'vi site. When Quaritch shows a video recording of Jake's attack on the bulldozer to Administrator Parker Selfridge,[36] and another in which Jake admits that the Na'vi will never abandon Hometree, Selfridge orders Hometree destroyed.

text: Despite Grace's argument that destroying Hometree could damage the biological neural network native to Pandora, Selfridge gives Jake and Grace one hour to convince the Na'vi to evacuate before commencing the attack. While trying to warn the Na'vi, Jake confesses to being a spy and the Na'vi take him and Grace captive. Seeing this, Quaritch's men destroy Hometree, killing Neytiri's father (the clan chief) and many others. Mo'at frees Jake and Grace, but they are detached from their avatars and imprisoned by Quaritch's forces. Pilot Trudy Chacón, disgusted by Quaritch's brutality, carries them to Grace's outpost, but during the escape, Quaritch fires at them, hitting Grace.

text: To regain the Na'vi's trust, Jake connects his mind to that of Toruk, a dragon-like predator feared and honored by the Na'vi. Jake finds the refugees at the sacred Tree of Souls and pleads with Mo'at to heal Grace. The clan attempts to transfer Grace from her human body into her avatar with the aid of the Tree of Souls, but she dies before the process can be completed.

text: Supported by the new chief Tsu'tey, who acts as Jake's translator, Jake speaks to unite the clan and tells them to gather all of the clans to battle against the RDA. Noticing the impending gathering, Quaritch organizes a pre-emptive strike against the Tree of Souls, believing that its destruction will demoralize the natives. On the eve of battle, Jake prays to Eywa, via a neural connection to the Tree of Souls, to intercede on behalf of the Na'vi.

text: During the subsequent battle, the Na'vi suffer heavy casualties, including Tsu'tey and Trudy; but are rescued when Pandoran wildlife unexpectedly join the attack and overwhelm the humans, which Neytiri interprets as Eywa's answer to Jake's prayer. Jake destroys a makeshift bomber before it can reach the Tree of Souls; Quaritch escapes from his own damaged aircraft, wearing an AMP suit and breaks open the avatar link unit containing Jake's human body, exposing it to Pandora's poisonous atmosphere. Quaritch prepares to slit the throat of Jake's avatar, but Neytiri kills Quaritch and saves Jake from suffocation.

text: With the exceptions of Jake, Norm and a select few others, all humans are expelled from Pandora and sent back to Earth, after which Jake is permanently transferred into his avatar with the aid of the Tree of Souls.

text: Cast

text:
Sam Worthington as Jake Sully, a disabled former Marine who becomes part of the Avatar Program after his twin brother is killed. His military background helps the Na'vi warriors relate to him. Cameron cast the Australian actor after a worldwide search for promising young actors, preferring relative unknowns to keep the budget down.[37] Worthington, who was living in his car at the time,[38] auditioned twice early in development,[39] and he has signed on for possible sequels.[40] Cameron felt that because Worthington had not done a major film, he would give the character "a quality that is really real". Cameron said he "has that quality of being a guy you'd want to have a beer with, and he ultimately becomes a leader who transforms the world".[41]
Stephen Lang as Colonel Miles Quaritch, the head of the mining operation's security detail. Fiercely loyal to his military code, he has a profound disregard for Pandora's inhabitants that is evident in both his actions and his language. Lang had unsuccessfully auditioned for a role in Cameron's Aliens (1986), but the director remembered Lang and sought him for Avatar.[42] Michael Biehn, who was in Aliens, read the script and watched some of the 3-D footage with Cameron,[43] but was ultimately not cast in the role.
Sigourney Weaver as Dr. Grace Augustine, an exobiologist and head of the Avatar Program. She is also Sully's mentor and an advocate of peaceful relations with the Na'vi, having set up a school to teach them English.[44]
Michelle Rodriguez as Trudy Chacón, a combat pilot assigned to support the Avatar Program who is sympathetic to the Na'vi. Cameron had wanted to work with Rodriguez since seeing her in Girlfight.[42]
Giovanni Ribisi as Parker Selfridge, the corporate administrator for the RDA mining operation.[45] While he is at first willing to destroy the Na'vi civilization to preserve the company's bottom line, he is reluctant to authorize the attacks on the Na'vi and taint his image, doing so only after Quaritch persuades him that it is necessary, and the attacks will be humane. When the attacks are broadcast to the base, Selfridge displays discomfort at the violence.
Joel David Moore as Dr. Norm Spellman, a xenoanthropologist[46] who studies plant and animal life as part of the Avatar Program.[47] He arrives on Pandora at the same time as Sully and operates an avatar. Although he is expected to lead the diplomatic contact with the Na'vi, it turns out that Jake has the personality better suited to win the natives' respect.
Dileep Rao as Dr. Max Patel, a scientist who works in the Avatar Program and comes to support Jake's rebellion against the RDA.[48]

text:
Zoe Saldana as Neytiri, the daughter of the leader of the Omaticaya (the Na'vi clan central to the story). She is attracted to Jake because of his bravery, though frustrated with him for what she sees as his naiveté and stupidity. She serves as Jake's love interest.[49] The character, like all the Na'vi, was created using performance capture, and its visual aspect is entirely computer generated.[50] Saldana has also signed on for potential sequels.[51]
C. C. H. Pounder as Mo'at, the Omaticaya's spiritual leader, Neytiri's mother, and consort to clan leader Eytukan.[52]
Wes Studi as Eytukan, the Omaticaya's clan leader, Neytiri's father, and Mo'at's mate.
Laz Alonso as Tsu'tey, the finest warrior of the Omaticaya. He is heir to the chieftainship of the tribe. At the beginning of the film's story, he is betrothed to Neytiri.

text: Production

text: Origins

text: In 1994,[14] director James Cameron wrote an 80-page treatment for Avatar, drawing inspiration from "every single science fiction book" he had read in his childhood as well as from adventure novels by Edgar Rice Burroughs and H. Rider Haggard.[13] In August 1996, Cameron announced that after completing Titanic, he would film Avatar, which would make use of synthetic, or computer-generated, actors.[16] The project would cost $100 million and involve at least six actors in leading roles "who appear to be real but do not exist in the physical world".[53][verification needed] Visual effects house Digital Domain, with whom Cameron has a partnership, joined the project, which was supposed to begin production in mid-1997 for a 1999 release.[15] However, Cameron felt that the technology had not caught up with the story and vision that he intended to tell. He decided to concentrate on making documentaries and refining the technology for the next few years. It was revealed in a Bloomberg BusinessWeek cover story that 20th Century Fox had fronted $10 million to Cameron to film a proof-of-concept clip for Avatar, which he showed to Fox executives in October 2005.[54]

text: In February 2006, Cameron revealed that his film Project 880 was "a retooled version of Avatar", a film that he had tried to make years earlier,[55] citing the technological advances in the creation of the computer-generated characters Gollum, King Kong, and Davy Jones.[13] Cameron had chosen Avatar over his project Battle Angel after completing a five-day camera test in the previous year.[56]

text: Development

text: Wikinews has related news: Elvish, Klingon and Na'vi: Constructed languages gain foothold in film

text: From January to April 2006, Cameron worked on the script and developed a culture for the film's aliens, the Na'vi. Their language was created by Dr. Paul Frommer, a linguist at USC.[13] The Na'vi language has a lexicon of about 1000 words, with some 30 added by Cameron. The tongue's phonemes include ejective consonants (such as the "kx" in "skxawng") that are found in the Amharic language of Ethiopia, and the initial "ng" that Cameron may have taken from New Zealand Māori.[18] Actress Sigourney Weaver and the film's set designers met with Jodie S. Holt, professor of plant physiology at University of California, Riverside, to learn about the methods used by botanists to study and sample plants, and to discuss ways to explain the communication between Pandora's organisms depicted in the film.[57]

text: From 2005 to 2007, Cameron worked with a handful of designers, including famed fantasy illustrator Wayne Barlowe and renowned concept artist Jordu Schell, to shape the design of the Na'vi with paintings and physical sculptures when Cameron felt that 3-D brush renderings were not capturing his vision,[58] often working together in the kitchen of Cameron's Malibu home.[59] In July 2006, Cameron announced that he would film Avatar for a mid-2008 release and planned to begin principal photography with an established cast by February 2007.[60] The following August, the visual effects studio Weta Digital signed on to help Cameron produce Avatar.[61] Stan Winston, who had collaborated with Cameron in the past, joined Avatar to help with the film's designs.[62] Production design for the film took several years. The film had two different production designers, and two separate art departments, one of which focused on the flora and fauna of Pandora, and another that created human machines and human factors.[63] In September 2006, Cameron was announced to be using his own Reality Camera System to film in 3-D. The system would use two high-definition cameras in a single camera body to create depth perception.[64]

text: While these preparations were underway, Fox kept wavering in its commitment to Avatar because of its painful experience with cost overruns and delays on Cameron's previous picture, Titanic, even though Cameron rewrote the script to combine several characters together and offered to cut his fee in case the film flopped.[54] Cameron installed a traffic light with the amber signal lit outside of co-producer Jon Landau's office to represent the film's uncertain future.[54] In mid-2006, Fox told Cameron "in no uncertain terms that they were passing on this film," so he began shopping it around to other studios, and approached Walt Disney Studios, showing his proof-of-concept to then-chairman Dick Cook.[54] However, when Disney attempted to take over, Fox exercised its right of first refusal.[54] In October 2006, Fox finally agreed to commit to making Avatar after Ingenious Media agreed to back the film, which reduced Fox's financial exposure to less than half of the film's official $237 million budget.[54] After Fox accepted Avatar, one skeptical Fox executive shook his head and told Cameron and Landau, "I don't know if we're crazier for letting you do this, or if you're crazier for thinking you can do this ..."[65]

text:
External audio

James Cameron interviewed by F. X. Feeney on writing Avatar.

 Interview[66]

text: In December 2006, Cameron described Avatar as "a futuristic tale set on a planet 200 years hence ... an old-fashioned jungle adventure with an environmental conscience [that] aspires to a mythic level of storytelling".[67] The January 2007 press release described the film as "an emotional journey of redemption and revolution" and said the story is of "a wounded former Marine, thrust unwillingly into an effort to settle and exploit an exotic planet rich in biodiversity, who eventually crosses over to lead the indigenous race in a battle for survival". The story would be of an entire world complete with an ecosystem of phantasmagorical plants and creatures, and native people with a rich culture and language.[51]

text: Estimates put the cost of the film at about $280–310 million to produce and an estimated $150 million for marketing, noting that about $30 million in tax credits will lessen the financial impact on the studio and its financiers.[19][20][21] A studio spokesperson said that the budget was "$237 million, with $150 million for promotion, end of story."[3]

text: Themes and inspirations

text: Avatar is primarily an action-adventure journey of self-discovery, in the context of imperialism and deep ecology.[68] Cameron said his inspiration was "every single science fiction book I read as a kid", and that he was particularly striving to update the style of Edgar Rice Burroughs's John Carter series and the deep jungles of Pandora were visualized from Disney's 37th animated film, Tarzan.[39] He acknowledged that Avatar shares themes with the films At Play in the Fields of the Lord, The Emerald Forest, and Princess Mononoke, which feature clashes between cultures and civilizations, and with Dances with Wolves, where a battered soldier finds himself drawn to the culture he was initially fighting against.[69][70]

text: In a 2007 interview with Time magazine, Cameron was asked about the meaning of the term Avatar, to which he replied, "It's an incarnation of one of the Hindu gods taking a flesh form. In this film what that means is that the human technology in the future is capable of injecting a human's intelligence into a remotely located body, a biological body."[12]

text: The look of the Na'vi – the humanoids indigenous to Pandora – was inspired by a dream that Cameron's mother had, long before he started work on Avatar. In her dream, she saw a blue-skinned woman 12 feet (4 m) tall, which he thought was "kind of a cool image".[68] Also he said, "I just like blue. It's a good color ... plus, there's a connection to the Hindu deities,[71] which I like conceptually."[72] He included similar creatures in his first screenplay (written in 1976 or 1977), which featured a planet with a native population of "gorgeous" tall blue aliens. The Na'vi were based on them.[68]

text: For the love story between characters Jake and Neytiri, Cameron applied a star-crossed love theme, and acknowledged its similarity to the pairing of Jack and Rose from his film Titanic. An interviewer stated, "Both couples come from radically different cultures that are contemptuous of their relationship and are forced to choose sides between the competing communities."[73] Cameron felt that whether or not the Jake and Neytiri love story would be perceived as believable partially hinged on the physical attractiveness of Neytiri's alien appearance, which was developed by considering her appeal to the all-male crew of artists.[74] Though Cameron felt Jake and Neytiri do not fall in love right away, their portrayers (Worthington and Saldana) felt the characters do. Cameron said the two actors "had a great chemistry" during filming.[73]

text: For the film's floating "Hallelujah Mountains", the designers drew inspiration from "many different types of mountains, but mainly the karst limestone formations in China."[76] According to production designer Dylan Cole, the fictional floating rocks were inspired by Mount Huang (also known as Huangshan), Guilin, Zhangjiajie, among others around the world.[76] Director Cameron had noted the influence of the Chinese peaks on the design of the floating mountains.[77]

text: To create the interiors of the human mining colony on Pandora, production designers visited the Noble Clyde Boudreaux[78] oil platform in the Gulf of Mexico during June 2007. They photographed, measured and filmed every aspect of the platform, which was later replicated on-screen with photorealistic CGI during post-production.[79]

text: Cameron said that he wanted to make "something that has this spoonful of sugar of all the action and the adventure and all that" but also have a conscience "that maybe in the enjoying of it makes you think a little bit about the way you interact with nature and your fellow man". He added that "the Na'vi represent something that is our higher selves, or our aspirational selves, what we would like to think we are" and that even though there are good humans within the film, the humans "represent what we know to be the parts of ourselves that are trashing our world and maybe condemning ourselves to a grim future".[80]

text: Cameron acknowledges that Avatar implicitly criticizes the United States' role in the Iraq War and the impersonal nature of mechanized warfare in general. In reference to the use of the term shock and awe in the film, Cameron said, "We know what it feels like to launch the missiles. We don't know what it feels like for them to land on our home soil, not in America."[81] He said in later interviews, "... I think it's very patriotic to question a system that needs to be corralled ..."[82] and, "The film is definitely not anti-American."[83] A scene in the film portrays the violent destruction of the towering Na'vi Hometree, which collapses in flames after a missile attack, coating the landscape with ash and floating embers. Asked about the scene's resemblance to the September 11 attacks on the World Trade Center, Cameron said he had been "surprised at how much it did look like September 11".[81]

text: Filming

text: Principal photography for Avatar began in April 2007 in Los Angeles and Wellington, New Zealand. Cameron described the film as a hybrid with a full live-action shoot in combination with computer-generated characters and live environments. "Ideally at the end of the day the audience has no idea which they're looking at," Cameron said. The director indicated that he had already worked four months on nonprincipal scenes for the film.[84] The live action was shot with a modified version of the proprietary digital 3-D Fusion Camera System, developed by Cameron and Vince Pace.[85] In January 2007, Fox had announced that 3-D filming for Avatar would be done at 24 frames per second despite Cameron's strong opinion that a 3-D film requires higher frame rate to make strobing less noticeable.[86] According to Cameron, the film is composed of 60% computer-generated elements and 40% live action, as well as traditional miniatures.[87]

text: Motion-capture photography lasted 31 days at the Hughes Aircraft stage in Playa Vista in Los Angeles.[56][88] Live action photography began in October 2007 at Stone Street Studios in Wellington, New Zealand, and was scheduled to last 31 days.[89] More than a thousand people worked on the production.[88] In preparation of the filming sequences, all of the actors underwent professional training specific to their characters such as archery, horseback riding, firearm use, and hand-to-hand combat. They received language and dialect training in the Na'vi language created for the film.[90] Before shooting the film, Cameron also sent the cast to the Hawaiian tropical rainforests[91] to get a feel for a rainforest setting before shooting on the soundstage.[90]

text: During filming, Cameron made use of his virtual camera system, a new way of directing motion-capture filmmaking. The system shows the actors' virtual counterparts in their digital surroundings in real time, allowing the director to adjust and direct scenes just as if shooting live action. According to Cameron, "It's like a big, powerful game engine. If I want to fly through space, or change my perspective, I can. I can turn the whole scene into a living miniature and go through it on a 50 to 1 scale."[92] Using conventional techniques, the complete virtual world cannot be seen until the motion-capture of the actors is complete. Cameron said this process does not diminish the value or importance of acting. On the contrary, because there is no need for repeated camera and lighting setups, costume fittings and make-up touch-ups, scenes do not need to be interrupted repeatedly.[93] Cameron described the system as a "form of pure creation where if you want to move a tree or a mountain or the sky or change the time of day, you have complete control over the elements".[94]

text: Cameron gave fellow directors Steven Spielberg and Peter Jackson a chance to test the new technology.[67] Spielberg said, "I like to think of it as digital makeup, not augmented animation ... Motion capture brings the director back to a kind of intimacy that actors and directors only know when they're working in live theater."[93] Spielberg and George Lucas were also able to visit the set to watch Cameron direct with the equipment.[95]

text: To film the shots where CGI interacts with live action, a unique camera referred to as a "simulcam" was used, a merger of the 3-D fusion camera and the virtual camera systems. While filming live action in real time with the simulcam, the CGI images captured with the virtual camera or designed from scratch, are superimposed over the live action images as in augmented reality and shown on a small monitor, making it possible for the director to instruct the actors how to relate to the virtual material in the scene.[90]

text: Visual effects

text: A number of innovative visual effects techniques were used during production. According to Cameron, work on the film had been delayed since the 1990s to allow the techniques to reach the necessary degree of advancement to adequately portray his vision of the film.[15][16] The director planned to make use of photorealistic computer-generated characters, created using new motion capture animation technologies he had been developing in the 14 months leading up to December 2006.[92]

text: Innovations include a new system for lighting massive areas like Pandora's jungle,[97] a motion-capture stage or "volume" six times larger than any previously used, and an improved method of capturing facial expressions, enabling full performance capture. To achieve the face capturing, actors wore individually made skull caps fitted with a tiny camera positioned in front of the actors' faces; the information collected about their facial expressions and eyes is then transmitted to computers.[98] According to Cameron, the method allows the filmmakers to transfer 100% of the actors' physical performances to their digital counterparts.[99] Besides the performance capture data which were transferred directly to the computers, numerous reference cameras gave the digital artists multiple angles of each performance.[100] A technically challenging scene was near the end of the film when the computer-generated Neytiri held the live action Jake in human form, and attention was given to the details of the shadows and reflected light between them.[101]

text: The lead visual effects company was Weta Digital in Wellington, New Zealand, at one point employing 900 people to work on the film.[102] Because of the huge amount of data which needed to be stored, cataloged and available for everybody involved, even on the other side of the world, a new cloud computing and Digital Asset Management (DAM) system named Gaia was created by Microsoft especially for Avatar, which allowed the crews to keep track of and coordinate all stages in the digital processing.[103] To render Avatar, Weta used a 10,000 sq ft (930 m2) server farm making use of 4,000 Hewlett-Packard servers with 35,000 processor cores with 104 terabytes of RAM and three petabytes of network area storage running Ubuntu Linux, Grid Engine cluster manager, and 2 of the animation software and managers, Pixar's RenderMan and Pixar's Alfred queue management system.[104][105][106][107] The render farm occupies the 193rd to 197th spots in the TOP500 list of the world's most powerful supercomputers. A new texturing and paint software system, called Mari, was developed by The Foundry in cooperation with Weta.[108][109] Creating the Na'vi characters and the virtual world of Pandora required over a petabyte of digital storage,[110] and each minute of the final footage for Avatar occupies 17.28 gigabytes of storage.[111] Often, it would take each frame of the movie several hours to render.[112] To help finish preparing the special effects sequences on time, a number of other companies were brought on board, including Industrial Light & Magic, which worked alongside Weta Digital to create the battle sequences. ILM was responsible for the visual effects for many of the film's specialized vehicles and devised a new way to make CGI explosions.[113] Joe Letteri was the film's visual effects general supervisor.[114]

text: Music and soundtrack

text:
James Horner – "Jake Enters His Avatar World"

listen to a clip from the score of the 2009 film Avatar.

Problems playing this file? See media help.

text: Composer James Horner scored the film, his third collaboration with Cameron after Aliens and Titanic.[115] Horner recorded parts of the score with a small chorus singing in the alien language Na'vi in March 2008.[116] He also worked with Wanda Bryant, an ethnomusicologist, to create a music culture for the alien race.[117] The first scoring sessions were planned to take place in early 2009.[118] During production, Horner promised Cameron that he would not work on any other project except for Avatar and reportedly worked on the score from four in the morning till ten at night throughout the process. He stated in an interview, "Avatar has been the most difficult film I have worked on and the biggest job I have undertaken."[119] Horner composed the score as two different scores merged into one. He first created a score that reflected the Na'vi way of sound and then combined it with a separate "traditional" score to drive the film.[90] British singer Leona Lewis was chosen to sing the theme song for the film, called "I See You". An accompanying music video, directed by Jake Nava, premiered December 15, 2009, on MySpace.[120]

text: Marketing

text: Promotions

text: The first photo of the film was released on August 14, 2009,[121] and Empire released exclusive images from the film in its October issue.[122] Cameron, producer Jon Landau, Zoe Saldana, Stephen Lang, and Sigourney Weaver appeared at a panel, moderated by Tom Rothman, at the 2009 San Diego Comic-Con on July 23. Twenty-five minutes of footage was screened[123] in Dolby 3D.[124] Weaver and Cameron appeared at additional panels to promote the film, speaking on the 23rd[125] and 24th[126] respectively. James Cameron announced at the Comic-Con Avatar Panel that August 21 will be 'Avatar Day'. On this day, the trailer was released in all theatrical formats. The official game trailer and toy line of the film were also unveiled on this day.[127]

text: The 129-second trailer was released online on August 20, 2009.[128] The new 210-second trailer was premiered in theatres on October 23, 2009, then soon after premiered online on Yahoo! on October 29, 2009, to positive reviews.[129][130] An extended version in IMAX 3D received overwhelmingly positive reviews.[128] The Hollywood Reporter said that audience expectations were coloured by "the [same] establishment skepticism that preceded Titanic" and suggested the showing reflected the desire for original storytelling.[131] The teaser has been among the most viewed trailers in the history of film marketing, reaching the first place of all trailers viewed on Apple.com with 4 million views.[132] On October 30, to celebrate the opening of the first 3-D cinema in Vietnam, Fox allowed Megastar Cinema to screen exclusive 16 minutes of Avatar to a number of press.[133] The three-and-a-half-minute trailer of the film premiered live on November 1, 2009, during a Dallas Cowboys football game at Cowboys Stadium in Arlington, Texas, on the Diamond Vision screen, one of the world's largest video displays, and to TV audiences viewing the game on Fox. It is said to be the largest live motion picture trailer viewing in history.[134]

text: The Coca-Cola Company collaborated with Fox to launch a worldwide marketing campaign to promote the film. The highlight of the campaign was the website AVTR.com. Specially marked bottles and cans of Coca-Cola Zero, when held in front of a webcam, enabled users to interact with the website's 3-D features using augmented reality (AR) technology.[135] The film was heavily promoted in an episode of the Fox Network series Bones in the episode "The Gamer In The Grease" (Season 5, Episode 9). Avatar star Joel David Moore has a recurring role on the program, and is seen in the episode anxiously awaiting the release of the film.[136] A week prior to the American release, Zoe Saldana promoted the film on Adult Swim when she was interviewed by an animated Space Ghost.[137] McDonald's had a promotion mentioned in television commercials in Europe called "Avatarize yourself", which encouraged people to go to the website set up by Oddcast, and use a photograph of themselves to change into a Na'vi.[138]

text: Books

text: Avatar: A Confidential Report on the Biological and Social History of Pandora, a 224-page book in the form of a field guide to the film's fictional setting of the planet of Pandora, was released by Harper Entertainment on November 24, 2009.[139] It is presented as a compilation of data collected by the humans about Pandora and the life on it, written by Maria Wilhelm and Dirk Mathison. HarperFestival also released Wilhelm's 48-page James Cameron's Avatar: The Reusable Scrapbook for children.[140] The Art of Avatar was released on November 30, 2009, by Abrams Books. The book features detailed production artwork from the film, including production sketches, illustrations by Lisa Fitzpatrick, and film stills. Producer Jon Landau wrote the foreword, Cameron wrote the epilogue, and director Peter Jackson wrote the preface.[141] In October 2010, Abrams Books also released The Making of Avatar, a 272-page book that detailed the film's production process and contains over 500 color photographs and illustrations.[142]

text: In a 2009 interview, Cameron said that he planned to write a novel version of Avatar after the film was released.[143] In February 2010, producer Jon Landau stated that Cameron plans a prequel novel for Avatar that will "lead up to telling the story of the movie, but it would go into much more depth about all the stories that we didn't have time to deal with", saying that "Jim wants to write a novel that is a big, epic story that fills in a lot of things".[144] In August 2013 it was announced that Cameron hired Steven Gould to pen four standalone novels to expand the Avatar universe.[145]

text: Video games

text: Cameron chose Ubisoft Montreal to create an Avatar game for the film in 2007. The filmmakers and game developers collaborated heavily, and Cameron decided to include some of Ubisoft's vehicle and creature designs in the film.[146] James Cameron's Avatar: The Game was released on December 1, 2009,[147] for most home video game consoles (PS3, Xbox 360, Wii, Nintendo DS, iPhone), Microsoft Windows and December 8 for PSP.

text: Action figures and postage stamps

text: Mattel Toys announced in December 2009 that it would be introducing a line of Avatar action figures.[148][149] Each action figure will be made with a 3-D web tag, called an i-TAG, that consumers can scan using a web cam, revealing unique on-screen content that is special to each specific action figure.[148] A series of toys representing six different characters from the film were also distributed globally in McDonald's Happy Meals.[150][151]

text: In December 2009, France Post released a special limited edition stamp based on Avatar, coinciding with the film's worldwide release.[152]

text: Release

text: Initial screening

text: Avatar premiered in London on December 10, 2009, and was released theatrically worldwide from December 16 to 18.[153] The film was originally set for release on May 22, 2009, during filming,[154] but was pushed back to allow more post-production time (the last shots were delivered in November),[97] and to give more time for theatres worldwide to install 3D projectors.[155] Cameron stated that the film's aspect ratio would be 1.78:1 for 3D screenings and that a 2.39:1 image would be extracted for 2D screenings.[156] However, a 3D 2.39:1 extract was approved for use with constant-image-height screens (i.e. screens which increase in width to display 2.39:1 films).[157] During a 3D preview showing in Germany on December 16, the movie's DRM 'protection' system failed, and some copies delivered could not be watched at all in the theaters. The problems were fixed in time for the public premiere.[158] Avatar was released in a total of 3,457 theatres in the US, of which 2,032 theatres ran it in 3D. In total 90% of all advance ticket sales for Avatar were for 3D screenings.[159]

text: Internationally, Avatar opened on a total of 14,604 screens in 106 territories, of which 3,671 were showing the film in 3D (producing 56% of the first weekend gross).[160][161] The film was simultaneously presented in IMAX 3D format, opening in 178 theaters in the United States on December 18. The international IMAX release included 58 theaters beginning on December 16, and 25 more theaters were to be added in the coming weeks.[162] The IMAX release was the company's widest to date, a total of 261 theaters worldwide. The previous IMAX record opening was Harry Potter and the Half-Blood Prince, which opened in 161 IMAX theatres in the US, and about 70 international.[163] 20th Century Fox Korea adapted and later released Avatar in 4D version, which included "moving seats, smells of explosives, sprinkling water, laser lights and wind".[22]

text: Box office

text: General

text: Avatar was released internationally on more than 14,000 screens.[164] It earned $3,537,000 from midnight screenings domestically (United States and Canada), with the initial 3D release limited to 2,200 screens.[165] The film earned $26,752,099 on its opening day, and $77,025,481 over its opening weekend, making it the second-largest December opening ever behind I Am Legend,[25][166] the largest domestic opening weekend for a film not based on a franchise (topping The Incredibles), the highest opening weekend for a film entirely in 3D (breaking Up's record),[167] the highest opening weekend for an environmentalist film (breaking The Day After Tomorrow's record),[168] and the 40th largest opening weekend in North America,[5] despite a blizzard that blanketed the East Coast of the United States and reportedly hurt its opening weekend results.[19][25][26] The film also set an IMAX opening weekend record, with 178 theaters generating approximately $9.5 million, 12% of the film's $77 million (at the time) North American gross on less than 3% of the screens.[162]

text: International markets generating opening weekend tallies of at least $10 million were for Russia ($19.7 million), France ($17.4 million), the UK ($13.8 million), Germany ($13.3 million), South Korea ($11.7 million), Australia ($11.5 million) and Spain ($11.0 million).[169] Avatar's worldwide gross was US$241.6 million after five days, the ninth largest opening-weekend gross of all time, and the largest for a non-franchise, non-sequel and original film.[170] 58 international IMAX screens generated an estimated $4.1 million during the opening weekend.[162]

text: Revenues in the film's second weekend decreased by only 1.8% in domestic markets, marking a rare occurrence,[171] earning $75,617,183, to remain in first place at the box office[172] and recording what was then the biggest second weekend of all time.[173] The film experienced another marginal decrease in revenue in its third weekend, dropping 9.4% to $68,490,688 domestically, remaining in first place at the box office,[174] to set a third-weekend record.[175]

text: Avatar crossed the $1 billion mark on the 19th day of its international release, making it the first film to reach this mark in only 19 days.[176] It became the fifth film grossing more than $1 billion worldwide, and the only film of 2009 to do so.[177] In its fourth weekend, Avatar continued to lead the box office domestically, setting a new all-time fourth-weekend record of $50,306,217,[178] and becoming the highest-grossing 2009 release in the United States.[179] In the film's fifth weekend, it set the Martin Luther King Day weekend record, grossing $54,401,446,[180] and set a fifth-weekend record with a take of $42,785,612.[181] It held the top spot to set the sixth and seventh weekend records earning $34,944,081[182] and $31,280,029[183] respectively. It was the fastest film to gross $600 million domestically, on its 47th day in theatres.[184]

text: On January 31, it became the first film to earn over $2 billion worldwide,[185] and it became the first film to gross over $700 million in the U.S. and Canada, on February 27, after 72 days of release.[186] It remained at number one at the domestic box office for seven consecutive weeks – the most consecutive No. 1 weekends since Titanic spent 15 weekends at No.1 in 1997 and 1998[187] – and also spent 11 consecutive weekends at the top of the box office outside the United States and Canada, breaking the record of nine consecutive weekends set by Pirates of the Caribbean: Dead Man's Chest.[188] By the end of its first theatrical release Avatar had grossed $749,766,139 in the U.S. and Canada, and $1,999,298,189 in other territories, for a worldwide total of $2,749,064,328.[5]

text: Including the revenue from a re-release of Avatar featuring extended footage, Avatar grossed $760,507,625 in the U.S. and Canada, and $2,027,457,462 in other countries for a worldwide total of $2,787,965,087[5][6] with 72.7% of its total worldwide gross in international markets.[5][6] Avatar has set a number of box office records during its release: on January 25, 2010, it surpassed Titanic's worldwide gross to become the highest-grossing film of all time worldwide 41 days after its international release,[189][190][191] just two days after taking the foreign box office record.[192] On February 2, 47 days after its domestic release, Avatar surpassed Titanic to become the highest-grossing film of all time in Canada and the United States.[193] It became the highest-grossing film of all time in at least 30 other countries[194][195][196][197][198][199] and is the first film to earn over $2 billion in foreign box office receipts.[28] IMAX ticket sales account for $243.3 million of its worldwide gross,[200] more than double the previous record.[201]

text: Box Office Mojo estimates that after adjusting for the rise in average ticket prices, Avatar would be the 14th-highest-grossing film of all time in North America.[202] Box Office Mojo also observes that the higher ticket prices for 3D and IMAX screenings have had a significant impact on Avatar's gross; it estimated, on April 21, 2010, that Avatar had sold approximately 75 million tickets in North American theatres, more than any other film since 1999's Star Wars Episode I: The Phantom Menace.[203] On a worldwide basis, when Avatar's gross stood at $2 billion just 35 days into its run, The Daily Telegraph estimated its gross was surpassed by only Gone with the Wind ($3.0 billion), Titanic ($2.9 billion) and Star Wars ($2.2 billion) after adjusting for inflation to 2010 prices,[204] with Avatar ultimately winding up with $2.8 billion by the end of its run in 2010.[5] Reuters even placed it ahead of Titanic after adjusting the global total for inflation.[205]

text: Commercial analysis

text: Before its release, various film critics and fan communities predicted the film would be a significant disappointment at the box office, in line with predictions made for Cameron's previous blockbuster Titanic.[206][207][208] This criticism ranged from Avatar's film budget, to its concept and use of 3-D "blue cat people".[206][207] Slate magazine's Daniel Engber complimented the 3D effects, but criticized them for reminding him of certain CGI characters from the Star Wars prequel films and for having the "uncanny valley" effect.[209] The New York Times noted that 20th Century Fox executives had decided to release Alvin and the Chipmunks: The Squeakquel alongside Avatar, calling it a "secret weapon" to cover any unforeseeable losses at the box-office.[210]

text:
"I think if everybody was embracing the film before the fact, the film could never live up to that expectation ... Have them go with some sense of wanting to find the answer."

James Cameron on criticism of Avatar before its release.[207]

tag: div

text: Box office analysts, on the other hand, estimated that the film would be a box office success.[206][211] "The holy grail of 3-D has finally arrived," said an analyst for Exhibitor Relations. "This is why all these 3-D venues were built: for Avatar. This is the one. The behemoth."[211] The "cautionary estimate" was that Avatar would bring in around $60 million in its opening weekend. Others guessed higher.[211][212] There were also analysts who believed that the film's three-dimensionality would help its box office performance, given that recent 3D films had been successful.[206]

text: Cameron said he felt the pressure of the predictions, but that pressure is good for film-makers. "It makes us think about our audiences and what the audience wants," he stated. "We owe them a good time. We owe them a piece of good entertainment."[207] Although he felt Avatar would appeal to everyone and that the film could not afford to have a target demographic,[207] he especially wanted hard-core science-fiction fans to see it: "If I can just get 'em in the damn theater, the film will act on them in the way it's supposed to, in terms of taking them on an amazing journey and giving them this rich emotional experience."[213] Cameron was aware of the sentiment that Avatar would need significant "repeat business" just to make up for its budget and achieve box office success, and believed Avatar could inspire the same "sharing" reaction as Titanic. He said that film worked because, "When people have an experience that's very powerful in the movie theatre, they want to go share it. They want to grab their friend and bring them, so that they can enjoy it. They want to be the person to bring them the news that this is something worth having in their life."[207]

text: After the film's release and unusually strong box office performance over its first two weeks, it was debated as the one film capable of surpassing Titanic's worldwide gross, and its continued strength perplexed box office analysts.[214] Other films in recent years had been cited as contenders for surpassing Titanic, such as 2008's The Dark Knight,[215] but Avatar was considered the first film with a genuine chance to do so, and its numbers being aided by higher ticket prices for 3D screenings[214] did not fully explain its success to box office analysts. "Most films are considered to be healthy if they manage anything less than a 50% drop from their first weekend to their second. Dipping just 11% from the first to the third is unheard of," said Paul Dergarabedian, president of box-office analysis for Hollywood.com. "This is just unprecedented. I had to do a double take. I thought it was a miscalculation."[171] Analysts predicted second place for the film's worldwide gross, but most were uncertain about it surpassing Titanic because "Today's films flame out much faster than they did when Titanic was released."[171] Brandon Gray, president of Box Office Mojo, believed in the film's chances of becoming the highest-grossing film of all time, though he also believed it was too early to surmise because it had only played during the holidays. He said, "While Avatar may beat Titanic's record, it will be tough, and the film is unlikely to surpass Titanic in attendance. Ticket prices were about $3 cheaper in the late 1990s."[171] Cameron said he did not think it was realistic to "try to topple Titanic off its perch" because it "just struck some kind of chord" and there had been other good films in recent years.[216] He changed his prediction by mid-January. "It's gonna happen. It's just a matter of time," he said.[217]

text:
"You've got to compete head on with these other epic works of fantasy and fiction, the Tolkiens and the Star Wars and the Star Treks. People want a persistent alternate reality to invest themselves in and they want the detail that makes it rich and worth their time. They want to live somewhere else. Like Pandora."

James Cameron on the success of Avatar[218]

text: Though analysts have been unable to agree that Avatar's success is attributable to one primary factor, several explanations have been advanced. First, January is historically "the dumping ground for the year's weakest films", and this also applied to 2010.[219] Cameron himself said he decided to open the film in December so that it would have less competition from then to January.[207] Titanic capitalized on the same January predictability, and earned most of its gross in 1998.[219] Additionally, Avatar established itself as a "must-see" event. Gray said, "At this point, people who are going to see Avatar are going to see Avatar and would even if the slate was strong."[219] Marketing the film as a "novelty factor" also helped. Fox positioned the film as a cinematic event that should be seen in the theatres. "It's really hard to sell the idea that you can have the same experience at home," stated David Mumpower, an analyst at BoxOfficeProphets.com.[219] The "Oscar buzz" surrounding the film and international viewings helped. "Two-thirds of Titanic's haul was earned overseas, and Avatar [tracked] similarly ...Avatar opened in 106 markets globally and was No. 1 in all of them", and the markets "such as Russia, where Titanic saw modest receipts in 1997 and 1998, are white-hot today" with "more screens and moviegoers" than before.[219]

text: According to Variety, films in 3D accumulated $1.3 billion in 2009, "a threefold increase over 2008 and more than 10% of the total 2009 box-office gross". The increased ticket price – an average of $2 to $3 per ticket in most markets – helped the film.[219] Likewise, Entertainment Weekly attributed the film's success to 3D glasses, but also to its "astronomic word-of-mouth". Not only do some theaters charge up to $18.50 for IMAX tickets, but "the buzz" created by the new technology was the possible cause for sold-out screenings.[220] Gray said Avatar having no basis in previously established material makes its performance remarkable and even more impressive. "The movie might be derivative of many movies in its story and themes," he said, "but it had no direct antecedent like the other top-grossing films: Titanic (historical events), the Star Wars movies (an established film franchise), or The Lord of the Rings (literature). It was a tougher sell ..."[219]

text: Critical reception

text: The film received mostly positive reviews. On review aggregator Rotten Tomatoes, the film has a rating of 83% based on 293 reviews, with a rating average of 7.5/10. The site's consensus reads "It might be more impressive on a technical level than as a piece of storytelling, but Avatar reaffirms James Cameron's singular gift for imaginative, absorbing filmmaking."[221] On Metacritic — which assigns a weighted mean score — the film has a score of 83 out of 100 based on 35 critics, indicating "universal acclaim".[222] CinemaScore polls conducted during the opening weekend revealed the average grade cinemagoers gave Avatar was "A" on an A+ to F scale. Every demographic surveyed was reported to give this rating. These polls also indicated that the main draw of the film was its use of 3D.[223]

text: Roger Ebert of the Chicago Sun-Times called the film "extraordinary" and gave it four stars out of four. "Watching Avatar, I felt sort of the same as when I saw Star Wars in 1977," he said, adding that like Star Wars and The Lord of the Rings: The Fellowship of the Ring, the film "employs a new generation of special effects" and it "is not simply a sensational entertainment, although it is that. It's a technical breakthrough. It has a flat-out Green and anti-war message".[224] A. O. Scott of At The Movies also compared his viewing of the film to the first time he viewed Star Wars and he said "although the script is a little bit ... obvious," it was "part of what made it work".[225] Todd McCarthy of Variety praised the film, saying "The King of the World sets his sights on creating another world entirely in Avatar, and it's very much a place worth visiting."[226] Kirk Honeycutt of The Hollywood Reporter gave the film a positive review. "The screen is alive with more action and the soundtrack pops with more robust music than any dozen sci-fi shoot-'em-ups you care to mention," he stated.[227] Peter Travers of Rolling Stone awarded Avatar a three-and-a-half out of four star rating and wrote in his print review "It extends the possibilities of what movies can do. Cameron's talent may just be as big as his dreams."[228] Richard Corliss of Time magazine thought that the film was "the most vivid and convincing creation of a fantasy world ever seen in the history of moving pictures."[229] Kenneth Turan of the Los Angeles Times thought the film has "powerful" visual accomplishments but "flat dialogue" and "obvious characterization".[230] James Berardinelli of ReelViews praised the film and its story, giving it four out of four stars; he wrote "In 3-D, it's immersive – but the traditional film elements – story, character, editing, theme, emotional resonance, etc. – are presented with sufficient expertise to make even the 2-D version an engrossing 2½-hour experience."[231]

text: Avatar's underlying social and political themes attracted attention. Armond White of the New York Press wrote that Cameron used "villainous American characters" to "misrepresent facets of militarism, capitalism, and imperialism".[232][233] Russell D. Moore of The Christian Post concluded that "propaganda exists in the film" and stated "If you can get a theater full of people in Kentucky to stand and applaud the defeat of their country in war, then you've got some amazing special effects."[234] Some commentators sympathetic to anarcho-primitivism have even praised the film as a manifesto for their cause.[235][236] Adam Cohen of The New York Times was more positive about the film, calling its anti-imperialist message "a 22nd-century version of the American colonists vs. the British, India vs. the Raj, or Latin America vs. United Fruit".[237] Ross Douthat of The New York Times opined that the film is "Cameron's long apologia for pantheism ... Hollywood's religion of choice for a generation now",[238] while Saritha Prabhu of The Tennessean called the film a "misportrayal of pantheism and Eastern spirituality in general",[239] and Maxim Osipov of The Hindustan Times, on the contrary, commended the film's message for its overall consistency with the teachings of Hinduism in the Bhagavad Gita.[240] Annalee Newitz of io9 concluded that Avatar is another film that has the recurring "fantasy about race" whereby "some white guy" becomes the "most awesome" member of a non-white culture.[241] Michael Phillips of the Chicago Tribune called Avatar "the season's ideological Rorschach blot",[242] while Miranda Devine of The Sydney Morning Herald thought that "It [was] impossible to watch Avatar without being banged over the head with the director's ideological hammer."[243] Nidesh Lawtoo believed that an essential, yet less visible social theme that contributed to Avatar's success concerns contemporary fascinations with virtual avatars and "the transition from the world of reality to that of virtual reality.".[244]

text: Critics and audiences have cited similarities with other films, literature or media, describing the perceived connections in ways ranging from simple "borrowing" to outright plagiarism. Ty Burr of the Boston Globe called it "the same movie" as Dances with Wolves.[245] Like Dances with Wolves, Avatar has been characterized as being a "white savior" movie, in which a "backwards" native people is impotent without the leadership of a member of the invading white culture.[246][247] Parallels to the concept and use of an avatar are in Poul Anderson's 1957 novelette "Call Me Joe", in which a paralyzed man uses his mind from orbit to control an artificial body on Jupiter.[248][249] Cinema audiences in Russia have noted that Avatar has elements in common with the 1960s Noon Universe novels by Arkady and Boris Strugatsky, which are set in the 22nd century on a forested world called Pandora with a sentient indigenous species called the Nave.[250] Various reviews have compared Avatar to the films FernGully: The Last Rainforest,[251][252] Pocahontas[253] and The Last Samurai.[254] NPR's Morning Edition has compared the film to a montage of tropes, with one commentator stating that Avatar was made by "mixing a bunch of film scripts in a blender".[255] Gary Westfahl wrote that "the science fiction story that most closely resembles Avatar has to be Ursula K. Le Guin's novella "The Word for World Is Forest" (1972), another epic about a benevolent race of alien beings who happily inhabit dense forests while living in harmony with nature until they are attacked and slaughtered by invading human soldiers who believe that the only good gook is a dead gook."[256] The science fiction writer and editor Gardner Dozois said that along with the Anderson and Le Guin stories, the "mash-up" included Alan Dean Foster's 1975 novel, Midworld.[257] Some sources saw similarities to the artwork of Roger Dean, which featured fantastic images of floating rock formations and dragons.[258][259] In 2013, Dean sued Cameron and Fox, claiming that Pandora was inspired by 14 of his images. Dean sought damages of $50m.[260] Dean's case was dismissed in 2014, and The Hollywood Reporter noted that Cameron has won multiple Avatar idea theft cases.[261]

text: Avatar received compliments from filmmakers, with Steven Spielberg praising it as "the most evocative and amazing science-fiction movie since Star Wars" and others calling it "audacious and awe inspiring", "master class", and "brilliant". Noted art director-turned-filmmaker Roger Christian is also a noted fan of the film.[262] On the other hand, Duncan Jones said: "It's not in my top three James Cameron films. ... [A]t what point in the film did you have any doubt what was going to happen next?".[263] For French filmmaker Luc Besson, Avatar opened the doors for him to now create an adaptation of the graphic novel series Valérian and Laureline that technologically supports the scope of its source material, with Besson even throwing his original script in the trash and redoing it after seeing the film.[264] TIME ranked Avatar number 3 in their list of "The 10 Greatest Movies of the Millennium (Thus Far)"[265] also earning it a spot on the magazine's All-TIME 100 list,[266] and IGN listed Avatar as number 22 on their list of the top 25 Sci-Fi movies of all time.[267]

text: Accolades

text: Avatar won the 82nd Academy Awards for Best Art Direction, Best Cinematography, and Best Visual Effects, and was nominated for a total of nine, including Best Picture and Best Director.[30] Avatar also won the 67th Golden Globe Awards for Best Motion Picture – Drama and Best Director, and was nominated for two others.[268] At the 36th Saturn Awards, Avatar won all ten awards it was nominated for: Best Science Fiction Film, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Director, Best Writing, Best Music, Best Production Design and Best Special Effects.

text: The New York Film Critics Online honored the film with its Best Picture award.[269] The film also won the Critics' Choice Awards of the Broadcast Film Critics Association for Best Action Film and several technical categories, out of nine nominations.[270] It won two of the St. Louis Film Critics awards: Best Visual Effects and Most Original, Innovative or Creative Film.[271] The film also won the British Academy of Film and Television Arts (BAFTA) award for Production Design and Special Visual Effects, and was nominated for seven others, including Best Film and Director.[272] The film has received numerous other major awards, nominations and honors.

text: Extended theatrical re-release

text: In July 2010, Cameron confirmed that there would be an extended theatrical re-release of the film on August 27, 2010, exclusively in 3D theaters and IMAX 3D.[273] Avatar: Special Edition includes an additional nine minutes of footage, all of which is CG,[274] including an extension of the sex scene[275] and various other scenes that were cut from the original theatrical film.[274] This extended re-release resulted in the film's run time approaching the current IMAX platter maximum of 170 minutes, thereby leaving less time for the end credits. Cameron stated that the nine minutes of added scenes cost more than $1 million a minute to produce and finish.[4] During its 12-week re-release, Avatar: Special Edition grossed an additional $10.74 million in North America and $22.46 million overseas for a worldwide total of $33.2 million.[5]

text: Home media

text: 20th Century Fox Home Entertainment released the film on DVD and Blu-ray in the US on April 22, 2010[276] and in the UK on April 26.[277] The US release was not on a Tuesday as is the norm, but was done to coincide with Earth Day.[278] The first DVD and Blu-ray release does not contain any supplemental features other than the theatrical film and the disc menu in favor of and to make space for optimal picture and sound. The release also preserves the film's native 1.78:1 (16:9) format as Cameron felt that was the best format to watch the film.[279] The Blu-ray disc contains DRM (BD+ 5) which some Blu-ray players might not support without a firmware update.[280][281]

text: Avatar set a first-day launch record in the U.S. for Blu-ray sales at 1.5 million units sold, breaking the record previously held by The Dark Knight (600,000 units sold). First-day DVD and Blu-ray sales combined were over four million units sold.[282] In its first four days of release, sales of Avatar on Blu-ray reached 2.7 million in the United States and Canada – overtaking The Dark Knight to become the best ever selling Blu-ray release in the region.[283][284] The release later broke the Blu-ray sales record in the UK the following week.[285] In its first three weeks of release, the film sold a total of 19.7 million DVD and Blu-ray discs combined, a new record for sales in that period.[286] As of July 18, 2012, DVD sales (not including Blu-ray) totaled over 10.5 million units sold with $190,806,055 in revenue.[287] Avatar retained its record as the top-selling Blu-ray in the US market until January 2015 when Disney's Frozen surpassed it.[288]

text: The Avatar Three-Disc Extended Collector's Edition on DVD and Blu-ray was released on November 16, 2010. Three different versions of the film are present on the discs: the original theatrical cut, the special edition cut, and a collector's extended cut[289] (with the DVD set spreading them on two discs, but the Blu-ray set presenting them on a single disc). The collector's extended cut contains 6 more minutes of footage, thus making it 16 minutes longer than the original theatrical cut. Cameron mentioned, "you can sit down, and in a continuous screening of the film, watch it with the Earth opening". He stated the "Earth opening" is an additional 4½ minutes of scenes that were in the film for much of its production but were ultimately cut before the film's theatrical release.[290] The release also includes an additional 45 minutes of deleted scenes and other extras.[289]

text: Cameron initially stated that Avatar would be released in 3D around November 2010, but the studio issued a correction: "3-D is in the conceptual stage and Avatar will not be out on 3D Blu-ray in November."[291] In May 2010, Fox stated that the 3D version would be released some time in 2011.[286] It was later revealed that Fox had given Panasonic an exclusive license for the 3D Blu-ray version and only with the purchase of a Panasonic 3DTV. The length of Panasonic's exclusivity period is stated to last until February 2012.[292] On October 2010, Cameron stated that the standalone 3D Blu-ray would be the final version of the film's home release and that it was, "maybe one, two years out".[293] On Christmas Eve 2010, Avatar had its 3D television world premiere on Sky.[294][295][296]

text: On August 13, 2012, Cameron announced on Facebook that Avatar would be released globally on Blu-ray 3D.[297] The Blu-ray 3D version was finally released on October 16, 2012.[298]

text: Sequels

text: In 2006, Cameron stated that if Avatar was successful, he hoped to make two sequels to the film.[299] In 2010, he said the film's widespread success confirmed that he would do so.[300] He included certain scenes in the first film for future story follow-ups.[299][301] Cameron planned to shoot the sequels back-to-back and to begin work "once the novel is nailed down".[302] He stated that the sequels would widen the universe while exploring other moons of Polyphemus.[291] The first sequel would focus on the ocean of Pandora and also feature more of the rainforest.[303] He intended to capture footage for this sequel at the bottom of the Mariana Trench using a deepwater submersible.[304] In 2011, Cameron stated that he was just starting to design the ocean ecosystem of Pandora and the other worlds to be included in the story. The storyline, although continuing the environmental theme of the first film, would not be "strident" since the film will concentrate on entertainment.[305]

text: The sequels would continue to follow the characters of Jake and Neytiri.[306] Cameron implied that the humans would return as the antagonists of the story.[307] Worthington and Saldana signed on to reprise their roles in the sequels.[301] In 2010, Cameron confirmed that Sigourney Weaver[308] and Stephen Lang were also expected to return despite the demise of their characters.[309] The sequels were originally scheduled for release in December 2014 and 2015.[310] In 2011, Cameron stated his intention to film the sequels at a higher frame rate than the industry standard 24 frames per second, in order to add a heightened sense of reality.[311][312]

text: In 2012, Cameron first mentioned a possible third sequel.[313] That year, Cameron stated that the sequels were being written as "separate stories that have an overall arc inclusive of the first film", with the second having a clear conclusion instead of a cliffhanger to the next film. Cameron expected to release Avatar 2 in 2015.[314] In 2013, it was confirmed that there would be three sequels. Screenwriters were also announced: Josh Friedman for the first, Rick Jaffa and Amanda Silver for the second, and Shane Salerno for the third. Production was rescheduled for 2014 with the films to be released in December 2016, 2017, and 2018.[315] Steven Gould was engaged to write four novels based on the films.[316] Later that year, Cameron announced that the sequels would be filmed in New Zealand, with performance capture to take place in 2014. An agreement with the New Zealand government required at least one world premiere to be held in Wellington and at least NZ$500 million (approximately US$410 million at December 2013 exchange rates) to be spent on production activity in New Zealand, including live-action filming and visual effects. The New Zealand government announced it would raise its baseline tax rebate for filmmaking from 15% to 20%, with 25% available to international productions in some cases and 40% for New Zealand productions (as defined by section 18 of the New Zealand Film Commission Act 1978).[317][318]

text: In April 2014, Cameron expected to finish the three scripts within six weeks, stating that all three sequels would be in production simultaneously and were still slated for December 2016 to 2018 releases.[319][320] He stated that although Friedman, Jaffa and Silver, and Salerno are each co-writing one sequel with him, they at first all worked together on all three scripts: "I didn't assign each writer which film they were going to work on until the last day. I knew if I assigned them their scripts ahead of time, they'd tune out every time we were talking about the other movie."[321][322] "We... worked out every beat of the story across all three films so it all connects as one, sort of, three-film saga."[323] Cameron also stated that Weaver would be featured in all three sequels and that her character Grace Augustine would be alive.[324] In March 2015, however, Weaver said that she will play a new character in the next film.[325]

text: By 2015, the scheduled release dates for the sequels were each delayed by another year, with the first sequel expected to be released in December 2017; Cameron called the writing process "a complex job".[326][327] In June 2015, James Horner, who was reported to be engaged to write music for the franchise, was killed in a plane crash.[328] In December, Cameron stated that he was "doing another pass through all three scripts ... Just refining. That's in parallel with the design process. The design process is very mature at this point. We've been designing for about a year and a half. All the characters, settings and creatures are all pretty much [set]."[329] The following month, Fox announced a further release delay.[330]

text: As of February 2016, production of the sequels was scheduled to begin in April 2016 in New Zealand.[331] In April 2016, Cameron announced at CinemaCon that there will be four Avatar sequels, all of which will be filmed simultaneously, with release dates in December 2018, 2020, 2022 and 2023, respectively.[332][333] In late October 2016, it was reported that Cameron was going to push for "glasses-free 3D" with the sequels,[334] but he later disagreed with these rumors and did not think the technology would be there yet.[335]

text: In February 2017, the media website My Entertainment World stated that Avatar 2 had entered production and shooting would start on August 15, 2017, with Manhattan Beach, California as the main shooting location.[336][337][338][339][340] Cameron confirmed the upcoming shooting, and that the writing of all four sequels was now complete.[341] The following sequels are expected to start shooting right after Avatar 2 wraps filming.[342] The following month, Cameron revealed that Avatar 2 would not be released in 2018, as originally believed.[343] The sequel release dates were announced as starting on Dec. 18, 2020, for Avatar 2, Dec. 17, 2021 for Avatar 3, Dec. 20, 2024 for Avatar 4, and Dec. 19, 2025 for Avatar 5.[33] In June 2017, Jon Landau stated at the CineEurope conference that principal photography will begin on September 25, 2017.[344][345]

text: Related media

text: Stage adaptation

text: Toruk - The First Flight is an original stage production by the Montreal-based Cirque du Soleil which premiered in November 2015 and has been touring other cities since 2016. Inspired by Avatar, the story is set in Pandora's past, involving a prophecy concerning a threat to the Tree of Souls and a quest for totems from different tribes. Audience members can download an app in order to participate in show effects. On January 18, 2016, it was announced via the Toruk Facebook page that filming for an upcoming DVD has been completed and is currently undergoing editing.[346]

text: Theme park attraction

text: In 2011, Cameron, Lightstorm, and Fox entered an exclusive licensing agreement with The Walt Disney Company to feature Avatar-themed attractions at Walt Disney Parks and Resorts worldwide, including a themed land for Disney's Animal Kingdom in Lake Buena Vista, Florida. The area, known as Pandora – The World of Avatar, opened on May 27, 2017.[347][348]


document_title: Why Did I Get Married?

question_text: where was the movie why did i get married filmed

root

text: Why Did I Get Married?

text: Plot[edit]

text: The four couples, who are also best friends, converge in a house in the mountains for a week-long retreat that has become their ritual of sorts to help work out their marital problems and ask the question "Why did I get married?". Though the couples have committed to being physically present for the week, some of them have not been emotionally present in their respective marriages for quite some time. The week is not planned out in a well-programmed sequence, so the events unfold somewhat spontaneously, beginning with their "adventures" in getting up to the mountain retreat.

tag: p

text:
The first couple, over-worked Diane and ignored Terry, drive up together and argue most of the way because Dianne (a lawyer) refuses to stop working. She takes calls on her phone instead of talking to her husband Terry.
The second couple, over-the-top Angela and annoyed Marcus, take the train. Angela constantly argues with Marcus and anyone who dares to interrupt them.
The third couple is overweight Sheila and conceited Mike. Sheila has to get off the plane because of her weight and the requirement to purchase two seats so she drives the long distance in the snow, while her husband Mike continues flirting on the flight with Sheila's single friend, Trina.
The fourth couple is overly-perfect Patricia and depressed Gavin who arrive by limo cab. Their journey is not documented. However, right before they leave to go to the retreat, Gavin shows up to pick up Patricia at a lecture she was giving (she is the author of a book called "Why Did I Get Married?") and artlessly dodges a question about their own marriage.

tag: ul

text: Dianne falls asleep not long after arriving with her BlackBerry  close at hand and when her secretary calls while she is asleep, Terry tells the woman not to call them while they are on their vacation. When Patricia arrives, she goes up to wake Dianne while the men bond over the wine that Terry has poured for his wife. The sound of arguing signals the arrival of Angela and Marcus. When Mike arrives without Sheila, the other wives berate him and Trina for having left Shelia to drive alone. Sheila's husband shows clearly that he does not care for his wife at all. Her friends try to reach Sheila by phone but get her voice mail only.

text: Sheila is persistent to get to the retreat because she wants to make her marriage work. Providence leads her to Sheriff Troy Jackson's office. Due to the weather, the roads have been closed for the night and she has no choice but to spend the night in the office. That same night, Mike tiptoes, not unseen by Angela, to Trina's bedroom. Sheila arrives at the retreat house the following morning with Troy in tow. She introduces Troy to the others and tells them she has invited him to breakfast. Troy fast becomes a threat to Sheila's husband Mike, not because of Sheila, but because of Trina, with whom he is having an affair. Breakfast is a noisy affair with the arguing couples and Angela insulting Trina, the only single woman on the retreat, whom she instantly disliked.

text: Throughout the few days spent on retreat, there are spontaneous revelations. The infidelity of two of the husbands leads to a discussion by the men of the 80/20 rule.  This rule states that most men get 80% of what they need from a marriage yet they tend to go after the 20% that someone outside can provide for them because it appears to be more to them when it really isn't.

text: During a heated argument with Angela, Mike reveals several secrets the couples have been hiding from one another: Marcus had contracted an STD after he cheated on Angela with another woman, Dianne had her tubes tied after her daughter was born and didn't want a son and kept it a secret from Terry, and Gavin had criticized Patricia for not protecting their young son in a tragic car accident that killed him a year prior. Mike, whose secret was revealed that he cheated on Sheila with Trina, makes it clear he isn't attracted to his wife any longer. After all this, Angela reveals that she's the one who gave Marcus the STD after she slept with someone, then Marcus tries to choke Angela out of anger yelling how she's so evil. Mike then tells Sheila he wants a divorce, and she smashes a wine bottle over his head knocking him out.

text: All the couples suddenly decide they can't stay in the house any longer after all the secrets. Sheila checks into a local hotel to recover from the shock of her divorce and the realization that Mike has drained her bank account. She is in a depressed state when Troy goes to visit her. He takes her up to a mountain where she cries and mourns the loss of her love and the only life she knew.

text: The other couples head back home. Patricia and Gavin are barely speaking to each other because she was deemed "stupid" for not protecting their son in a tragic accident by Gavin; Patricia breaks down emotionally in his arms and eventually confesses that she was only trying to be perfect. They both agree to face the situation and soon reconcile. Angela and Marcus are still fighting, especially when Marcus' ex-girlfriend and baby mama, Keisha, shows up at Angela's salon, and disrespects her. Marcus finally stands up to both women, and manages to frighten Angela into realizing she is wrecking their life with her constant arguing by not showing up for a couple of days. Dianne and Terry fight again right before they leave the mountains because he had a paternity test done on their daughter, and later on Terry's birthday at their home; Terry moves out because Dianne forgot about his birthday and did not tell him about getting her tubes tied. Patricia meets up with Dianne and Angela, moping over their husbands, and gives them good counseling about the need to get back on track: making a list of both the good and bad things their husbands have done. The men drown all their sorrows in bottles.

text: In the mountains, Sheila settles into a new life at her new job at the general store owned by Troy's father and, while she realizes her own self-worth, the two bond. Angela cooks dinner for Marcus after finishing with her list, but he suspects she is trying to poison him. Eventually, they make up and set new conditions. Dianne goes to see Terry and begs him to come back after crying over her list. He plays with her head a little to get back at her, but they eventually reconcile as well.

text: Later, all the couples converge at a gala celebration for an award recently received by Patricia. Dianne, Patricia and Angela are shocked when Sheila arrives and introduces Troy as her husband and has successfully lost weight thanks to his help. Her very jealous ex-husband, Mike, although still with Trina, tries to weasel his way back into her good graces, but she tells him to go enjoy Trina as his "20", referring to the 80/20 rule. Patricia includes a confession of her love for Gavin, as well as a message of loving, respecting and trusting God in her acceptance speech.

text: Locations[edit]

text: Agnes Scott College, Decatur, Georgia, USA;  Atlanta, Georgia, USA; Pemberton, British Columbia, Canada; Vancouver, British Columbia, Canada; Whistler, British Columbia, Canada [1][2]

text: Couples cast[edit]

text: First Couple, The Brocks

text: Tyler Perry as Terry, a pediatrician & Sharon Leal as Dianne, an attorney.

text: Second Couple, The Agnews

text: Malik Yoba as Gavin, an architect & Janet Jackson as Patricia, a psychologist.

text: Third Couple, The Williams

text: Michael Jai White as Marcus, a former football player & Tasha Smith as Angela, owner of a hair salon.

text: Fourth Couple, last name unknown

text: Richard T. Jones as Mike, an entrepreneur & Jill Scott as Sheila, a housewife.

text: Single cast[edit]

text:
Lamman Rucker as Troy Jackson
Denise Boutte as Trina aka Tricka

text:
Keesha Sharp as Pam
Kaira Whitehead as Keisha
Sheri Mann Stewart

text: Production and development[edit]

text: Perry decided to take out many of the church and message scenes because he wanted the film to be "on a whole 'nother spiritual level--there's a whole 'nother connection to it." He said his writing has improved since the play.[3]

text: Perry invited experienced and neophyte African-American actors to a reading of an early script in order to field reactions, including Danny! and Tracee Ellis Ross.[4]

text: Reception[edit]

text: Critical response[edit]

text: Review aggregation website Rotten Tomatoes gives the film a score of 45% based on 42 reviews.[5] The consensus was "Despite some poignant observations on modern marriages, Why Did I Get Married? is too preachy and melodramatic." On Metacritic, the film had an average score of 54/100 based on reviews from 12 critics.[6] CinemaScore polls reported that the average grade moviegoers gave the film was an "A+" on an A+ to F scale.[7][8]

text: Paul Grenada said that while "there are times where the script seems stiff,...[the film] teaches without hammering, and you leave the movie feeling good about what you saw."[9] Giving the movie a B-, Entertainment Weekly said that Perry is of the "spell-everything-in-capital-letters and act-it-out-loudly schools," but added that "one performance glistens--Jill Scott's as the sad, heavyset Sheila, who locates the faith that's the source of love."[10] Time magazine gave the film a B and called it the "usual artless mix of broad comedy, teary confessions and spiritual uplift."[11]

text: Box office[edit]

text: In its opening weekend, the film grossed $21.4 million in 3,105 theaters in the United States and Canada, ranking #1 at the box office.[12] In its second weekend, the film slipped to #2 in the box office charts, with a gross of $12.1 million, bringing the 10-day total to over $38 million.[13] In total, the film domestically grossed $55,862,886.

text: Soundtrack[edit]

text: The soundtrack was released by Atlantic Records on October 2, 2007. Neither Janet Jackson nor Jill Scott are featured on the soundtrack. The soundtrack debuted at number 51 on Billboard 200, number seven on R&B/Hip-Hop Albums and number six on Soundtracks with 58,000 copies sold in first week.[14][15]

text:
Keith Sweat feat. Keyshia Cole - "Love U Better"
Babyface - "Sorry for the Stupid Things"
Anita Baker - "You Belong to Me"
Kelly Price - "Why"
Gerald Levert feat. Jaheim - "DJ Don't Remix"
Musiq Soulchild - "Betterman"
Tyrese Gibson - "One"
Hope - "Who Am I To Say"
Beyoncé - "Flaws And All"
Laura Izibor - "Mmm..."
Amel Larrieux - "No One Else"
Tamika Scott - "Why Did I Get Married"
Michael Bublé - "L-O-V-E"
Jennifer Holliday - "Givin' Up"

tag: ol

text: Home media[edit]

text: The film was released on DVD on February 12, 2008. The DVD includes subtitles in English and Spanish, as well as bloopers.

text: A Blu-ray was released on November 23, 2010.

text: Awards and nominations[edit]

text:
Image Awards
Outstanding Motion Picture (Nominated)
Outstanding Actress in a Motion Picture: Jill Scott (Nominated)
Outstanding Supporting Actor in a Motion Picture: Tyler Perry (Nominated)
Outstanding Supporting Actress in a Motion Picture: Janet Jackson (Winner)

text: Sequel[edit]

text: A sequel, titled Why Did I Get Married Too? starring Perry and Tasha Smith, was released on April 2, 2010.[16]

text: Subsequently, Perry created a comedy-drama television series based upon the two films titled Tyler Perry's For Better or Worse. The series, which stars White and Smith as Marcus and Angela, premiered on TBS on November 25, 2011.


document_title: Miracle on 34th Street

question_text: who played susan walker in miracle on 34th street

text: Miracle on 34th Street

text: Plot[edit]

text: Kris Kringle (Edmund Gwenn) is indignant to find that the man (Percy Helton) assigned to play Santa in the annual Macy's Thanksgiving Day Parade is intoxicated. When he complains to event director Doris Walker (Maureen O'Hara), she persuades Kris to take his place. He does so well, he is hired to play Santa at Macy's flagship New York City store on 34th Street.

text: Ignoring instructions to steer parents to buy from Macy's, Kris directs one shopper (Thelma Ritter) to a competitor. Impressed, she tells Julian Shellhammer (Philip Tonge), head of the toy department, that she will become a loyal customer.

text: Attorney Fred Gailey (John Payne), Doris's neighbor, takes the young divorcée's daughter Susan (Natalie Wood) to see Santa. Doris has raised her to not believe in fairy tales, but Susan is shaken after seeing Kris speak Dutch with a girl who does not know English. Doris asks Kringle to tell Susan that he is not Santa, but he insists that he is.

text: Worried, Doris decides to fire him. However, Kris has generated so much positive publicity and goodwill for Macy's that Macy (Harry Antrim) promises Doris and Julian bonuses. To alleviate Doris's misgivings, Julian has Granville Sawyer (Porter Hall) administer a "psychological evaluation". Kris passes, and questions Sawyer's own mental health.

text: The store expands on the concept. To avoid looking greedy, competitor Gimbels implements the same policy, forcing Macy's and others to escalate. Eventually, Kris does the impossible: he reconciles bitter rivals Macy and Gimbel (Herbert Heyes).

text: Pierce (James Seay), the doctor at Kris' nursing home, assures Doris that Kris is harmless. Kris makes a pact with Fred – he will work on Susan's cynicism while Fred does the same with Doris, disillusioned by her failed marriage. When Susan reveals she wants a house, Kris reluctantly promises to do his best.

text: Kris learns that Sawyer has convinced young employee Alfred that he is unstable simply because he is kind-hearted. Finding Sawyer unwilling to budge, Kris hits him on the head with Sawyer's umbrella, which was on the desk. Sawyer exaggerates his pain in order to have Kris confined to Bellevue Hospital. Tricked into cooperating, and believing Doris to be in on the deception, Kris deliberately fails his examination and is recommended for permanent commitment. However, Fred persuades Kris not to give up.

text: At a hearing before Judge Henry X. Harper (Gene Lockhart), District Attorney Thomas Mara (Jerome Cowan) gets Kris to assert that he is Santa Claus and rests his case. Fred argues that Kris is not insane because he actually is Santa. Mara requests Harper rule that Santa does not exist. In private, Harper's political adviser, Charlie Halloran (William Frawley), warns him that doing so would be disastrous for his upcoming reelection bid. The judge buys time by hearing evidence.

text: Doris quarrels with Fred when he quits his job at a prestigious law firm to defend Kris. Fred calls Macy as a witness. When Mara asks if he believes Kris to be Santa, Macy starts to equivocate, but when pressed, he remembers the good Kris has done and states, "I do!" Afterward, Macy fires Sawyer. Fred then calls Mara's own young son (Bobby Hyatt), who testifies that his father told him that Santa was real. Mara concedes the point.

text: Mara then demands that Fred prove that Kris is "the one and only" Santa Claus on the basis of some competent authority. While Fred searches frantically, Susan writes Kris a letter to cheer him up, which Doris also signs. When a mail sorter (Jack Albertson) sees Susan's letter, he suggests delivering the many letters to Santa taking up space in the dead letter office too. Fred presents Judge Harper with three of them (from 21 full mailbags), addressed simply to "Santa Claus" and delivered to Kris, asserting the Post Office has acknowledged that he is the Santa Claus. Harper dismisses the case.

text: On Christmas morning, Susan is disappointed that Kris could not get her what she wanted. Kris gives Fred and Doris a route home that avoids traffic. Along the way, Susan sees her dream house with a "For Sale" sign in the front yard. Fred learns that Doris had encouraged Susan to have faith and suggests they get married and purchase the house. He then boasts that he must be a great lawyer since he proved Kris was Santa. However, when they spot a cane inside that looks just like Kris's, he is not so sure.

text: Cast[edit]

text:
Maureen O'Hara as Doris Walker
John Payne as Frederick M. "Fred" Gailey
Edmund Gwenn as Kris Kringle
Gene Lockhart as The Hon. Henry X. Harper
Natalie Wood as Susan Walker
Porter Hall as Granville Sawyer
William Frawley as Charlie Halloran
Jerome Cowan as District Attorney Thomas Mara
Philip Tonge as Julian Shellhammer

text: Uncredited (alphabetically):

text:
Jack Albertson as "Al", the Post Office Mail Sorter
Harry Antrim as R. H. Macy
Lela Bliss as Mrs. Shellhammer
Jeff Corey as Reporter
Mary Field as Dutch Girl's Adopted Mother
William Forrest as Dr. Rogers at Bellevue
Alvin Greenman as Alfred
Theresa Harris as Cleo, the Walkers' maid/housekeeper
Percy Helton as Drunken Santa Claus
Herbert Heyes as Mr. Gimbel
Robert Karnes as 2nd Bellevue Intern
Snub Pollard as Mail-Bearing Court Officer
Thelma Ritter as Peter's Mother
James Seay as Dr. Pierce, physician at the Brooks Memorial Home for the Aged

text: Production[edit]

text: Although the film is set during the Christmas season, studio head Darryl F. Zanuck insisted that it be released in May, arguing that more people go to the movies in warmer weather. The studio rushed to promote it while keeping its Christmas setting a secret. Fox's promotional trailer depicted a fictional producer roaming the studio backlot and encountering such stars as Rex Harrison, Anne Baxter, Peggy Ann Garner, and Dick Haymes extolling the virtues of the film. In addition, the movie posters prominently featured O'Hara and Payne, with Gwenn's character kept in the background. The film opened in New York City at the Roxy Theatre on June 4, 1947.[6] By contrast, modern home video packaging has Gwenn and Wood dominating the imagery, with the DVD release having Kringle in his Santa Claus costume.

text: O'Hara was initially reluctant to take the role, having recently moved back to Ireland. She immediately changed her mind after reading the script[7] and came back to the United States for the film.

text: The Christmas window displays seen in the film were originally made by Steiff for Macy's. Macy's later sold the window displays to FAO Schwarz in New York. FAO Schwarz then sold the windows to the Marshall & Ilsley Bank of Milwaukee, Wisconsin, where they are on display every December in the bank's lobby on North Water Street.

text: The house shown at the end of the film is a 1703 square foot single family home built in 1943 at 24 Derby Road, Port Washington, New York. The home looks practically the same as it did in 1947, except that the roof line has been altered by the addition of a window.

text: Rowland Hussey Macy, called R. H. Macy in the film, died 70 years prior to the film (in 1877).[8]

text: Legal inaccuracies[edit]

text: In the book Reel Justice, the authors claim that Judge Harper could have dismissed the case early without the political repercussions he feared. In their theory, once the prosecutor rested his case immediately after Kris Kringle admitted in court simply that he believed he was Santa Claus, Judge Harper could have ruled that prosecution had forfeited its opportunity to prove that Kringle was dangerous (the basic point of such hearings; Kringle's actual mental state itself being irrelevant), and ordered him immediately released. However, this high standard for involuntary commitment was not instituted until 1975 with the U.S. Supreme Court's decision O'Connor v. Donaldson.

text: When demonstrating that he has taken several mental examinations in the past, Kris Kringle answers his own question about who was the Vice President under John Quincy Adams as Daniel D. Tompkins. Tompkins actually served under James Monroe. John C. Calhoun is the correct answer to Kringle's question. Tompkins was the 6th vice-president and Quincy Adams was the 6th president, leading to confusion in the script.[9]

text: Release[edit]

text: The film was re-released in theatres on December 20 and 23, 2015, as part of the "TCM Presents" series by Turner Classic Movies and Fathom Events.[10]

text: Reaction[edit]

text: Critical reception[edit]

text: This section needs expansion. You can help by adding to it. (November 2014)

tag: table

text: Miracle on 34th Street received mostly positive reviews from critics. Bosley Crowther of The New York Times said: "For all those blasé skeptics who do not believe in Santa Claus—and likewise for all those natives who have grown cynical about New York—but most especially for all those patrons who have grown weary of the monotonies of the screen, let us heartily recommend the Roxy's new picture, Miracle on 34th Street. As a matter of fact, let's go further: let's catch its spirit and heartily proclaim that it is the freshest little picture in a long time, and maybe even the best comedy of this year."[11] Today, it is considered by many as one of the best films of 1947.[12][13] The film currently holds a 96% "Fresh" rating on the review aggregate website Rotten Tomatoes.[14]

text: The Catholic Legion of Decency gave the movie a "B", "morally objectionable in part" rating. This was mainly due to the fact that O'Hara was portraying a divorcée in the film.[15]

text: Awards and honors[edit]

text: The film won Academy Awards for Best Actor in a Supporting Role (Edmund Gwenn), Best Writing, Original Story (Valentine Davies) and Best Writing, Screenplay. It was also nominated for Best Picture, losing to Gentleman's Agreement.

text: It was ranked ninth by the American Film Institute on 100 Years... 100 Cheers, a list of America's most inspiring films.[16] Miracle on 34th Street was listed as the fifth best film in the fantasy genre in the American Film Institute's "Ten top Ten" lists in 2008.[17][18]

text: In 2005, Miracle on 34th Street was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[19][20]

text: American Film Institute Lists

text:
AFI's 100 Years...100 Movies – Nominated[21]
AFI's 100 Years of Film Scores – Nominated[22]
AFI's 100 Years...100 Cheers – #9
AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated[23]
AFI's 10 Top 10 – #5 Fantasy Film

text: Home media and colorization[edit]

text: Miracle on 34th Street was first released on VHS and laserdisc in 1987.

text: In 1985, it became one of the first full-length black and white films to be colorized.[24] The 4½-month process was carried out by Color Systems Technology, Inc.[25] In 1993, this version was released on laserdisc and VHS and was followed four years later by a "50th Anniversary Edition", remastered by THX.

text: The first DVD release was in October 1999, featuring the B&W version alongside the original theatrical trailer and a TV spot. In November 2006, it was re-released as a two-disc "Special Edition" DVD, with disc one containing an "all new colorized version" carried out by Legend Films. The second disc had the original black-and-white version and numerous extras, including The 20th Century Fox Hour's 1955 TV remake. Both discs also included a full-length audio commentary by Maureen O'Hara. The B&W disc has since been re-released several times, including in a pairing with the 1994 remake.

text: In October 2009, 20th Century Fox released the B&W version on Blu-ray with all previous extras, bar the TV remake.[26]

text: Remake[edit]

text: A 1994 feature film starred Richard Attenborough, Elizabeth Perkins, Dylan McDermott, J. T. Walsh, Timothy Shea, James Remar, Jane Leeves, Simon Jones, William Windom and Mara Wilson. It was adapted by John Hughes from the Seaton script, and directed by Les Mayfield. Due to Macy's refusal to give permission to use its name, it was replaced by the fictitious "Cole's". Gimbels no longer existed by 1994 and was replaced with the fictional "Shopper's Express". Alvin Greenman (Alfred in the original version) played a doorman. This version had a more serious tone than the original and a large portion was rewritten, although the majority of the plot and characters remained intact. The film also added a subtext concerning religious faith.

text: In other media[edit]

text: There are four remakes of the movie and a Broadway musical.

text: Radio[edit]

text: Lux Radio Theater broadcast an adaptation in 1947 which starred the original cast including Natalie Wood. In 1948 it was done again on Lux, without Natalie Wood's participation, and it was adapted as a half-hour radio play on two broadcasts of Screen Director's Playhouse, all featuring Edmund Gwenn in his screen role. In these production Kris correctly cites James Monroe as the President for whom Daniel D. Tompkins was the Vice-President.

text: Theatre[edit]

text: A 1963 Broadway musical version, entitled Here's Love, was written by Meredith Willson.

text: The novella was adapted into a stage play by Will Severin, Patricia Di Benedetto Snyder and John Vreeke in 2000. It is a favorite in many community and regional theaters during the Christmas season.[27] The characters' names are those used in the novella, and the stage setting is distinctly late 1940s. Production rights are held by Samuel French, Inc.[28]

text: Television[edit]

text: A 1955 one-hour television adaptation of the movie starred Thomas Mitchell as Kris, Macdonald Carey as Fred, Teresa Wright as Doris, and Sandy Descher as Susan. This version did not show the drunken Santa at all. Titled "The Miracle on 34th Street", it originally aired as an episode of The 20th Century Fox Hour. It was later re-run as "Meet Mr. Kringle".

text: Ed Wynn played Kris in a 1959 television adaptation of the movie. Also featured was Orson Bean. It was broadcast live and in color on NBC the day after Thanksgiving. NBC made a kinescope of the program, probably for broadcasting opening night on the West Coast. The copy was in a large collection of kinescopes donated by NBC to the Library of Congress and recently unearthed by Richard Finegan, who reported his experiences in the December 2005 issue of Classic Images.

text: A 1973 television version featured Jane Alexander, David Hartman, Roddy McDowall, Sebastian Cabot as Kris (without his natural beard; he was forced to shave and wear a false beard for the role), Suzanne Davidson, Jim Backus, David Doyle and Tom Bosley. It was adapted by Jeb Rosebrook from the George Seaton screenplay, and directed by Fielder Cook. Mrs. Walker's first name is changed to Karen in this version. This would prove to be the final version in which the department store was actually Macy's. David Doyle, who played R. H. Macy in this version had played Mr. Sawyer in the original Broadway cast of Here's Love 10 years earlier.

text: Puppets[edit]

text: The flagship Macy's Department Store at Herald Square in New York features a 30-minute puppet version of the story within its Santaland display, featuring the voice talents of Broadway stars Brian Stokes Mitchell and Victoria Clark.

text: Changing character names[edit]

text:
1947
1955
1959
1963 Broadway musical
1973
1994

Doris Walker
Karen Walker
Dorey Walker

Frederick M. Gailey
Bill Schaffner
Bryan Bedford

Kris Kringle

Susan Walker

Cleo

[eliminated]

Drunk Santa

[no name given]

[no name given]
Tony Falacchi

Julian Shellhammer
Mr. Shellhammer
Marvin Shellhammer
Horace Shellhammer
Donald Shellhammer

Mrs. Shellhammer
[eliminated]

Alfred

Alfred
[eliminated]

Granville Sawyer
Dr. Albert Sawyer
Dr. William Sawyer
Dr. Bartholomew Sawyer
Dr. Henry Sawyer
[eliminated]

R. H. Macy
Mr. Macy
R. H. Macy
C. F. Cole

Mr. Gimbel
Victor Landbergh

Dr. Pierce
[eliminated]
Dr. Pierce
[eliminated]

Hon. Henry X. Harper
Hon. Harper
Hon. Martin Group
Hon. Harper
Hon. Henry Harper

Charlie Halloran

Tammany O'Halloran

[eliminated]

Thomas Mara
Mr. Mara
Thomas Mara
Ed Collins

Mrs. Mara
[eliminated]

[eliminated]
Rebecca Collins

Macy's Department Store
Cole's Department Store

Gimbels Department Store
Shopper's Express


document_title: What We Do in the Shadows (TV series)

question_text: what we do in the shadows fx cast

question_tokens: what we do in the shadows fx cast

text: What We Do in the Shadows (TV series)

text: Premise[edit]

text: What We Do in the Shadows is set in New York City and follows "three vampires who have been roommates for hundreds and hundreds of years."[1]

text: Cast and characters[edit]

text:
Kayvan Novak as Nandor
Matt Berry as Lazslo
Natasia Demetriou as Nadja
Harvey Guillen as Nandor’s assistant

text: Production[edit]

text: Development[edit]

text: On January 22, 2018, it was announced that FX had given the production a pilot order. The series is set to be written by Jemaine Clement and directed by Taika Waititi both of whom are also expected to executive produce alongside Scott Rudin, Paul Simms, Garrett Basch, and Eli Bush.[2]

text: On May 3, 2018, it was announced that FX had given the production a series order for a first season consisting of ten episodes, which is expected to premiere in the spring of 2019.[1]

text: Casting[edit]

text: Alongside the pilot order announcement, it was confirmed that Kayvan Novak, Matt Berry, Natasia Demetriou, and Harvey Guillen would star in the series.[2]