document_title: List of Andi Mack episodes

question_text: how many episodes are in andi mack season 2

text: List of Andi Mack episodes

text: Series overview[edit]

text:
Season
Episodes
Originally aired

First aired
Last aired

1
12
April 7, 2017 (2017-04-07)
June 23, 2017 (2017-06-23)

2
TBA
October 27, 2017 (2017-10-27)
TBA

text: Episodes[edit]

text: Season 1 (2017)[edit]

text:
No.
overall
No. in
season
Title [1][2]
Directed by
Written by
Original air date [1][2]
Prod.
code [1][3]
U.S. viewers
(millions)

1

2
1

2
"13"

"Outside the Box"
Paul Hoen
Terri Minsky
April 7, 2017 (2017-04-07)
101

102
1.24[4]

As Andi Mack celebrates her 13th birthday, she gets a surprise visit from her sister, Bex, who announces she will be moving back in with their parents, Celia and Ham. Andi is thrilled about the news and wants to know what Bex has been up to. Bex shares a box of her memories with Andi, though before she does, Celia warns her about the secrets inside it which she does not want Andi to know. Bex later discovers Andi is infatuated with a boy named Jonah Beck and arranges to have her be with him, which includes a frisbee lesson with him. Jonah realizes how good Andi becomes and wants her to join the frisbee team at school, but as she decides whether to do so, she discovers he has a girlfriend named Amber. Feeling humiliated, Andi gets upset at Bex, who tells her it is okay not to be perfect. Andi feels better after Jonah texts her. Meanwhile, against Celia's warning, Bex shows Andi a picture hidden deep inside the box which shows Andi as a baby and Bex holding her; Andi finds out the truth about her sister, who is really her mother. This infuriates Celia and Ham, but they know they must come to terms with this revelation. After taking time to process this huge change in her life, Andi eventually becomes curious about who her father is, but Bex is not ready to tell her yet. It prompts Andi to take the box to see whether her father's picture is inside it.
Andi tells her friends, Cyrus and Buffy, that she has joined the school frisbee team with Jonah, but has yet to tell them about the more important, life-changing discovery concerning her and Bex. While hanging with Andi in her shack, Cyrus and Buffy come across the picture of Bex with the newborn Andi, concluding Bex has a "secret baby", but not knowing that baby is Andi. Meanwhile, Bex tries to fit in at dinner when Andi, Celia and Ham play a memory game during the meal. Andi tries to impress Jonah by giving him a bracelet she made, a gesture which upsets Amber as she sees the two together. Later, when Cyrus and Buffy keep harping about the secret baby, Andi reveals to them that she is the secret baby while also telling them that Amber is wearing the bracelet she gave to Jonah. Both Andi and Amber stare at each other for several minutes, diverting the attention away from the secret baby talk. Cyrus and Buffy eventually get back to Andi's revelation and have some questions about it.
Guest stars: Stoney Westmoreland as Ham, Emily Skinner as Amber, Anson Bagley as Gus
Note: Disney Channel premiered these episodes as part of a double-length special episode titled "Tomorrow Starts Today", but they have subsequently been aired and sold as separate regular-length episodes titled "13" and "Outside the Box".

3
3
"Shhh!"
David Warren
Erin Dunlap
April 14, 2017 (2017-04-14)
103
1.19[5]

Since the revelation that Bex is Andi's mother, Celia still does not want Andi to call her by different grandmother names. After seeing Mrs. Devlin is the librarian at Andi's school, and recalling that has not changed since she went there, Bex encourages Andi into watching scary movies, which Celia has kept Andi from experiencing. That evening, Andi watches a movie called Shhh!, with Bex there in case she gets too scared, though Bex ends up falling asleep. The movie indeed scares Andi so much, that the next day, she falls asleep in class and receives detention, which prevents her from attending her first Space Otters frisbee match with Jonah. Andi finds out detention is held in the library with Mrs. Devlin, whose "shhh" to quiet her winds up re-triggering her frightened state from the movie. Meanwhile, Buffy joins the track and field relay team and her obsession with winning becomes costly. Later, as Bex goes through a box of things from her youth, and Andi learns more about her, Andi also stumbles across a picture of someone from Bex's past whom she believes to be her father.
Guest star: Chelsea T. Zhang as Brittany

4
4
"Dancing in the Dark"
Paul Hoen
Phil Baker
April 21, 2017 (2017-04-21)
104
1.27[6]

After Andi questions Bex about the identify of the man in the photo she found, Bex is hesitant and continues to avoid discussion about Andi's father. Cyrus reveals the truth about Bex being Andi's mother to his mother, who later spreads the word across town. Andi receives supportive comments from Jonah and a lot of students at her school, while Celia has an even harder time coping with this fact after her neighbor calls her "grandma", which leads her and Ham to take time away from home. In their absence, Bex persuades Andi to have her first party at the house. The party is attended by Andi's schoolmates, Jonah, and even Amber. It turns bad when Amber wants to know who Andi's real father is and asks Andi to reveal him to the guests, causing Andi to retreat to the Andi Shack. As Bex starts to talk to Andi, Cyrus warns them that Celia and Ham have returned, and the partygoers are told to leave. During the confrontation, Celia is angered at what happened and walks off without saying anything. Ham sends Andi to bed while he helps Bex clean up. As Andi heads to her bedroom, Ham comments to Bex that they came home upon the Neighborhood Watch contacting them about party music that normally does not come from their home. When Bex tells him that Andi is persistent with questions about her father, Ham tells Bex that the man who fathered Andi knows she exists because he told him.
Guest stars: Stoney Westmoreland as Ham, Emily Skinner as Amber, Chelsea T. Zhang as Brittany, Garren Stitt as Marty

5
5
"It's Not About You"
Joe Menendez
Rayna McClendon
April 28, 2017 (2017-04-28)
105
1.40[7]

Bex is shocked that Ham informed Andi's father about Andi, but Ham made it clear that he needed to know and Andi needs to know about him. When Andi later questions Ham about her father, however, she gets no information. Although Ham has given Bex the email address of Andi's father, all that comes out of any communication is "hey".
Meanwhile, Jonah sets up Cyrus on a date with a girl named Iris, as part of a double date with Jonah and Amber. However, it goes sour when Cyrus gets sick on a carnival ride.
Buffy gets into trouble at school over her curly hair and is told by the vice-principal to change it. This leads to her not hanging out with Andi, who starts asking questions after she sees Buffy and Bex talking at the Fringe. It boils over when Andi sees the two in the bathroom at home, but she finds out none of what is going on is about her. Buffy reveals to Andi that she messed up her hair while using a flatiron to straighten it and she went to Bex to have her hair fixed, since Buffy's mother is overseas.
Andi later gives Bex a lesson on how to properly throw a frisbee. After Bex lets one fly, Andi goes to retrieve it and then sees Amber with a guy, but it is not Jonah.
Guest stars: Stoney Westmoreland as Ham, Emily Skinner as Amber, Molly Jackson as Iris
Absent: Lauren Tom as Celia Mack

6
6
"She Said, She Said"
Paul Hoen
Suzanne Weber
May 5, 2017 (2017-05-05)
106
1.41[8]

Andi is faced with telling Jonah about seeing Amber with another guy, and after she does, Jonah tells her he will be okay. When she later receives texts to see him at his school locker, Andi rushes to meet him, but also confronts Amber, who actually sent out the texts from Jonah's phone and makes her to be a liar. Hurt by Amber's treatment, Andi questions whether she should be talking to Jonah, even though he feels bad about what happened. She is so hurt, that she wants to stay home from school and gets help from Cyrus and Buffy to make her sick.
Meanwhile, Celia sees Bex is becoming more responsible around the house and later notices her working at the Fringe. Celia also notices Brittany, whom Bex babysat years ago, is Bex's boss.
While running track, Buffy meets a familiar face from Andi's party, Marty, who informs her that she is the fastest runner at school, for a girl. She finds herself in competition with Marty, who has the school's overall fastest time.
As Andi, Bex and Celia argue over Andi's going to school, they hear the doorbell. Bex answers to find a man at the door; it is Andi's father, Bowie. Bex introduces the two, informing them of their relationship, and they look at each other in surprise.
Guest stars: Emily Skinner as Amber, Chelsea T. Zhang as Brittany, Garren Stitt as Marty, Trent Garrett as Bowie

7
7
"Dad Influence"
Jerry O'Connell
Elena Song
May 12, 2017 (2017-05-12)
107
1.49[9]

Bowie is excited to know his daughter, Andi, by spending the day with her, but Celia reminds them it is a school day. Bowie manages to get Andi excused from school, right after she learns from Cyrus and Buffy that Jonah and Amber have broken up, and Jonah approaches her with news she hopes is good. When Cyrus and Buffy later realize Andi is not around, they text her to ask where she is and what Jonah told her, but Andi is wondering as much about Jonah and asks her friends to find out. They end up meddling instead, with Cyrus convincing Jonah to follow his heart, despite his insecurities from the break-up, hoping it will lead him to Andi. Meanwhile, Bowie makes the most of his day with Andi, but when she worries about Jonah, Bowie drives her back to school. After she discovers Jonah and Amber have reconciled, she asks Cyrus and Buffy how this could happen, but the two keep silent about their involvement. Andi also tells them she spent the day with her father, while feeling guilty about cutting their day short, realizing he had only the one day, since he is a traveling musician. After Andi talks with Bex about Bowie and learns more about their relationship, the two discover Bowie in Andi's shack.
Guest stars: Stoney Westmoreland as Ham, Emily Skinner as Amber, Trent Garrett as Bowie

8
8
"Terms of Embarrassment"
Adam Weissman
Sam Wolfson
May 19, 2017 (2017-05-19)
108
1.48[10]

Bowie decides to delay joining his 40-city tour with the Renaissance Boys to be with Andi and Bex, but Celia allows him to stay at the Mack house for only two days. During his extended stay, Bowie meets Andi's friends at school and her teammates on the Space Otters. He records a video with them in it and asks Andi about the boy she keeps talking about, but she feels uncomfortable about her father being around her all the time. On the other hand, Celia is having a change of heart about Bowie after he cooks one of her mother's recipes. Bex and Bowie later have a serious talk at the place the two were last together before their split, with Bowie wanting to be in Andi and Bex's lives more; Bex assures him that he is already a part of their lives. Meanwhile, Cyrus gets offended over a text from Jonah which called him "girly". Buffy works on making Cyrus more like a man, but when Cyrus later asks Jonah about the text, Jonah tells him that auto-correct messed up the text and he really meant to send "gnarly".
Bowie starts to realize he has overstayed his welcome after Andi catches him in her bedroom on her computer and wants him not to invade her privacy. When Bex looks at Andi's computer, she sees the video that Bowie made and gets emotional. That prompts Andi to take a look as well and to talk with Bowie afterward, only to find him gone.
Guest stars: Stoney Westmoreland as Ham, Trent Garrett as Bowie

9
9
"She's Turning into You"
Michael Grossman
Erin Dunlap
June 2, 2017 (2017-06-02)
109
1.41[11]

Andi misses Bowie, and Bex helps to cheer her up. The two buy a variety of vintage clothes, which Celia disapproves and causes her to start questioning Bex's being back home. After enjoying quality time with Bex, Andi begins to wonder why her mother left home at the time of her birth, and while Bex does not reveal any details to Andi, things come out at home when Celia suggests that Bex moves out.
Meanwhile, Andi is concerned after Jonah passes her in the hallway at school without saying anything. She talks to him to find things are still okay between them. She also offers to help him come up with something for Amber's birthday, including how to express his emotions on her birthday card, but Andi is taken aback when Jonah thinks of her as a "pal" instead of something more.
Buffy's competitive nature hits a new low when she discovers one of her track shoes is missing and assumes Marty stole it. She retaliates by taking Marty's shoes and inflicting water damage on them. As for the missing shoe, Cyrus reveals it was in his mother's car, coming out of Buffy's bag during one of her rides home with him.
The episode concludes with Andi and Bex moving into a new apartment.
Guest star: Garren Stitt as Marty

10
10
"Home Away from Home"
Eyal Gordin
Phil Baker
June 9, 2017 (2017-06-09)
110
1.29[12]

Andi and Bex struggle with adjusting to their new home, and problems with the electricity and appliances are making matters worse. Andi has been removed from the home she has known for 13 years, and it is taking a toll, from issues about her laundry and the warm meals to her ability to work on her art. With her crafting supplies in the Andi Shack, she and Bex head back to the Mack house to retrieve them. Celia and Ham notice the two and are willing to welcome them back into their home, but Bex stands by her decision to move out, though she does apologize to Celia for taking Andi without giving her any notice. Ultimately, as Andi's mother, Bex begins to realize what is best for Andi and allows her to go back to Celia and Ham. After Celia returns Andi to be in her new home with Bex, Andi starts to embrace Bex as her mother.
Meanwhile, Cyrus wonders where he stands with Iris, thinking their relationship is over. Intending to spend the day at a sporting event with her, Jonah and Amber, he winds up going with just Jonah after Buffy declines to be his date and the other girls think he has moved on.
Guest star: Stoney Westmoreland as Ham

11
11
"Were We Ever?"
Paul Hoen
Sam Wolfson
June 16, 2017 (2017-06-16)
111
1.38[13]

A new principal, Dr. Metcalf, takes over at Andi's school. He meets Andi, Cyrus and Buffy, and tells Andi her leggings violate the school's dress code. Unaware at first about this dress code, the three eventually object to it when they see all the clothing prohibited. With Bex's help, they stage a protest at the school, with the participating students wearing prison outfits. As this is also happening on picture day, Cyrus gets concerned over how he will look, but Buffy convinces him to go with what they are wearing. Jonah reminds Andi about the team picture for the Space Otters, but when she shows up, he does not see her in the team's uniform and tells her to change into it. With Jonah so focused on the picture, Andi quickly realizes his indifference to her standing up to the dress code—a fight she wins after negotiating with Dr. Metcalf about making the policy more reasonable. Andi and her friends later find out the school will redo picture day in light of the protest.
Andi and Jonah have a more serious talk about what has happened, leading her to quit the Space Otters. She stands up to Jonah, wanting him to stop asking her to do things for him. When Jonah asks if they are still friends, Andi responds, "Were we ever?"
Guest star: Oliver Vaquer as Dr. Metcalf
Absent: Lauren Tom as Celia Mack

12
12
"Best Surprise Ever"
Vanessa Parise
Elena Song & Suzanne Weber
June 23, 2017 (2017-06-23)
112
1.94[14]

Jonah is feeling down following Andi's quitting the Space Otters and all but ignoring him after their talk. Even Amber cannot cheer him up, with her friend Kip belittling the sport he loves. Cyrus encourages Jonah to talk to Andi, but when it appears Jonah will have a chance to do so in the school hallway, he notices Andi's excitement about Bowie's return instead. Jonah becomes so depressed that he cancels the Space Otters practice. This also leads to his unequivocal break-up with Amber.
Meanwhile, Buffy gives Marty a new pair of shoes, her way of apologizing for what she did to his old ones, though Marty has wanted her to actually say she is sorry. They set a time to race each other to resolve who is faster, but when they worry about how they will react to the result, they call the race off.
Andi discovers the reason Bowie came back is tied to Bex, whom he noticed in pictures across several stops on his tour with the Renaissance Boys. Andi arranges for her parents to have a romantic evening, and she also hears a song Bowie wrote for Bex. The next morning, Andi asks Bex how the evening went and hopes the two will get back together, but Bex tells Andi it is unlikely because Bowie's unpredictability makes him inclined not to stay in one place. When Andi talks to Bowie, she realizes his feelings for Bex have changed little over the years, but Bowie agrees with what Bex told Andi. Still, there is hope when Andi sees Bowie unexpectedly take a ring out of one of the blazers he is trying on at a vintage store.
Guest stars: Emily Skinner as Amber, Trent Garrett as Bowie, Garren Stitt as Marty, CJ Strong as Kip
Absent: Lauren Tom as Celia Mack

text: Season 2 (2017–18)[edit]

text:
No.
overall
No. in
season
Title [1][2]
Directed by
Written by
Original air date [1][2]
Prod.
code [1][15]
U.S. viewers
(millions)

13
1
"Hey, Who Wants Pizza?"
Eyal Gordin
Terri Minsky
October 27, 2017 (2017-10-27)
2-99
1.62[16]

Andi talks to Bowie about proposing to Bex, while Cyrus introduces his girlfriend Iris to Andi and Buffy, and Jonah invites Andi, Cyrus and Buffy to a pizza party for the Space Otters. At first, Andi does not want to go to the party, but later changes her mind after talking with Bex. Following the party, Jonah reveals to Andi that he broke up with Amber for good, though Andi had some idea prior to the party when he returned the bracelet she made for him. Andi gives Jonah back the bracelet and gets serious about being with him.
While Cyrus is happy about seeing Andi and Jonah together again, as well as having Iris as his girlfriend, he reveals to Buffy that he is also unhappy. He confides in her that he is jealous because of his feelings for Jonah.
Bowie comes over to Andi and Bex's apartment with a pizza and, with Andi's help, finally asks Bex to marry him. Bex's response is simply "um...", but Andi is hopeful she will eventually say yes. Later, while at work, Bex receives another pizza from Bowie, who is also hopeful she will accept his proposal.
As Andi and her friends discover Amber as a waitress at The Spoon, Andi tells Buffy about how that is making her uncomfortable but also how nervous she is around Jonah. Buffy thinks Andi is not ready for a serious relationship yet. While the two are talking, Jonah is with Amber outside, which further upsets Andi. Although Jonah says nothing is going on, Buffy warns him not to hurt Andi, causing him to leave the diner. Andi later talks to Jonah and wants their relationship to grow without Amber standing in the way.
After having some time to think about Bowie's proposal, Bex reveals to Andi that she is not going to marry him.
Guest stars: Stoney Westmoreland as Ham, Trent Garrett as Bowie, Emily Skinner as Amber, Chelsea T. Zhang as Brittany, Molly Jackson as Iris

14
2
"Chinese New Year"
Eyal Gordin
Elena Song
November 3, 2017 (2017-11-03)
202
1.66[17]

Andi is disappointed about Bex saying no to Bowie's marriage proposal and wants Bex to tell Bowie as soon as possible, as he is unaware. With the approach of the Chinese New Year, and Andi and Bex's aunt Mei and cousin Ronald coming over to Celia's house, the news will have to wait. Andi invites Jonah to the new year event, but his not understanding the customs puts Celia on edge, as well as the idea of Andi even having a boyfriend. Meanwhile, Celia wants to show Mei that she can successfully host a Chinese New Year feast and is quite appreciative of Bowie's contributions for the occasion. After Bowie announces that he may have some good news to share, Celia uses the opportunity to make the event special, until Andi hints to Bowie what she already knows and announces to the rest that Bex and Bowie are not getting married. Bowie is saddened by this and leaves.
With track season over, Buffy decides to sign up to play basketball, though the school's team consists only of men. After some practice with Marty, Buffy lets him know how confident she is of making the team, despite her actually being nervous. She feels she needs to outperform the men to secure a spot.
Andi continues to be upset that Bex let Bowie go, but when finding something to eat, she rediscovers that picture which Bex tore up, making her even more upset. She wants to know whether the person in that picture is the reason behind Bex's decision not to marry Bowie.
Guest stars: Freda Foh Shen as Mei, Stoney Westmoreland as Ham, Trent Garrett as Bowie, Garren Stitt as Marty, Alan Ko as Ronald

15
3
"Friends Like These"
Adam Weissman
Phil Baker
November 10, 2017 (2017-11-10)
203
1.40[18]

Andi grows suspicious when Amber starts having a normal conversation with her. Jonah tells Andi that Amber just wants to be friends, but Andi thinks Amber has not gotten over Jonah. Andi, Cyrus and Buffy try another hangout place to avoid Amber at The Spoon.
Meanwhile, Buffy and Marty go through tryouts to make the basketball team, but Buffy gets annoyed by TJ, the team's captain. Despite feeling she will not make the team because of him, Buffy shares the good news with Andi and Cyrus when she does. Marty fails to make the team but is happy for Buffy.
Cyrus and Iris spend an evening together at her house and watch a movie. Things appear to go all right until he kisses her, after which he feels embarrassed by the way it happened and decides to leave.
Andi finds out more about the man in the picture Bex tore up, an ex-boyfriend named Gabriel. Bex has trouble letting him go and tells Andi he is the reason she is insecure about marrying anyone, including Bowie. Andi helps Bex find closure with Gabriel by placing his picture with those of her other ex-boyfriends in her box of memories, which leads to them taking out Bowie's picture.
Guest stars: Emily Skinner as Amber, Garren Stitt as Marty, Molly Jackson as Iris, Luke Mullen as TJ
Absent: Lauren Tom as Celia Mack

16
4
"Mama"
Eyal Gordin
Terri Minsky
November 17, 2017 (2017-11-17)
204
1.58[19]

Celia informs Andi and Bex about a closet clean-out at the Mack house, which happens to be on the anniversary of a day Bex wishes had never happened—the day she left 13 years earlier. Both Bex and Celia tell their versions of the story behind that day to Andi, which are completely different. Bex eventually reveals that her leaving was tied to Andi's first word as a baby, "mama", which was directed at Celia. Upon hearing that, Andi feels regret that she caused Bex to leave. Bex tells Andi that her decision was for the best as she wanted her to be happy, and Celia is thankful for the sacrifice Bex made to ensure Andi would be raised in a stable environment.
Meanwhile, Jonah teaches Cyrus how to skateboard, but when Cyrus is unable to control the skateboard's movement, he ends up getting hurt and going to the hospital. Buffy becomes a friend to her neighbor Millie through a community service project she is doing for school.
Later, Celia reveals to Bex that the clean-out was about more than their opportunity to reconcile about that day 13 years ago. She plans to sell the house and leaves it to Bex to tell Andi, news which will devastate her particularly because of AndiShack. Bex delays saying anything about it to Andi.
Guest stars: Stoney Westmoreland as Ham, Juliet Mills as Millie

17
5
"The Snorpion"
Eyal Gordin
Erin Dunlap
November 24, 2017 (2017-11-24)
205
1.18[20]

After overhearing part of a phone conversation Amber is having with her father, Andi decides to spend time with her by inviting her to a sleepover. Having warned Andi before about Amber by comparing her to a snake in one story, Buffy relays another story to Andi about a frog and a scorpion, and compares Amber to the scorpion—leading to the term "snorpion". At the sleepover, Amber tells Andi that her father lost his job, which is why she is working at The Spoon. With Andi enjoying Amber's company, the two decide to sneak out to an amusement park, where Amber convinces Andi to ride the ferris wheel. When Amber sees a call from Jonah on Andi's phone, she becomes furious and leaves Andi stranded. This lands Andi in police custody, and Bex and Bowie are left to discipline her after they get home, though Andi ends up deciding her punishment when they cannot come up with one. Meanwhile, Buffy is upset over her teammates not giving her the ball during a basketball game. When she confronts TJ about what she needs to do to change this, she realizes he simply does not want her on the team at all. Also, Bex is working toward her cosmetology certification. Her makeup skills also help Andi fool Amber by thinking that Andi injured herself trying to get down the ferris wheel.
Guest stars: Emily Skinner as Amber, Trent Garrett as Bowie, Luke Mullen as TJ
Absent: Lauren Tom as Celia Mack

18
6
"I Wanna Hold Your Wristband"
Joe Menendez
Sam Wolfson
December 1, 2017 (2017-12-01)
206
1.45[21]

Andi is nervous about holding hands with Jonah at school, but just as she is about to, the principal, Dr. Metcalf, splits the students into two separate groups, with Andi and Cyrus in group A, and Buffy and Jonah in group B. When Andi figures out that her group has luxuries while Jonah's group struggles over what they are dealt, she decides to switch groups and encourages the rest in her group to do the same, despite Dr. Metcalf's order for the two groups to stay separate. After chaos ensues in the cafeteria over cookies, Dr. Metcalf ends his exercise, getting across to the students that what group they belong in does not give them any advantage or disadvantage. He also asks them how he decided what group they went to, and while Andi contends it was random, she realizes his selections were alphabetically based. The school day ends with Andi and Jonah both holding hands, though Jonah admits having sweaty palms like Andi. When Andi returns home, Bex finally tells her that Celia and Ham are selling the house. The news devastates Andi, prompting her to return to AndiShack.
Guest stars: Trent Garrett as Bowie, Oliver Vaquer as Dr. Metcalf, Anson Bagley as Gus

19
7
"Head Over Heels"
Joe Menendez
Erin Dunlap
January 15, 2018 (2018-01-15)
207
1.31[22]

To help Andi take her mind off of Celia and Ham's plans to sell the Mack house, Jonah asks her on a date by inviting her to a virtual reality arcade. Buffy is also invited, but she brings Marty with her so she does not feel like a third wheel, making the occasion a double date, even though the two are not really dating. During his virtual reality adventure, Jonah slips and gets hurt. When Jonah refuses Andi's aid, she worries that he is upset with her after she briefly laughed at his mishap. Andi continues to worry and feels Jonah is avoiding her when she later gets no response to her texts. Despite Jonah denying that he is upset with her after she asked him twice, Andi turns to Bex, who tells her to ask a third time. Andi becomes frustrated waiting for Jonah at school, but when she finally has the chance, she trips and falls as she approaches him to ask the question again. Jonah briefly laughs but assures Andi that he is not upset with her. Meanwhile, Buffy feels comfortable being just friends with Marty but finds out he wants more in their relationship. Also, Cyrus asks Bex for her opinion about a screenplay he has written, but Bex's hesitation to tell him the truth about the script has him setting his sights on making the movie.
Guest stars: Garren Stitt as Marty, Chelsea T. Zhang as Brittany
Absent: Lauren Tom as Celia Mack

20
8
"There's a Mack in the Shack"
Paul Hoen
Elena Song
January 19, 2018 (2018-01-19)
208
1.28[23]

Andi decorates her shack with numerous paper cranes, hoping Celia and Ham will notice and change their mind about selling the house. While talking with Celia, Andi springs a deal of coming over to the house more often, news which delights Celia to the point of allowing Andi to choose her breakfast or dance to loud music. Celia even invites Andi to a tape tunnel exhibit which has her missing school and worrying Bex. When Ham finds out the true reason Andi has been spending more time at the house, he wonders why Celia did not fill him in, but when Bex comes up with a better idea to save Andi Shack, and Celia and Ham explain their plans of seeing the world, Andi begins to accept that selling the house may not be a bad idea. It turns out Celia and Ham need more time to decide where they will live, so they postpone selling the house.
Meanwhile, Buffy is asked by her math teacher to tutor a failing student. She bails when she discovers it is TJ, but as he is in jeopardy of being kicked off the basketball team, she will help him if, in return, he starts passing the ball to her during games. Also, Cyrus struggles with getting his chocolate chip muffin at school, but as another concession to Buffy, TJ gives Cyrus tips on claiming it.
After Andi, Bex and Celia have fun at a dance class Celia is taking, the three stop at The Spoon. Just as they are about to order some food, Andi sees Jonah enter the diner with a girl named Natalie.
Guest stars: Stoney Westmoreland as Ham, Luke Mullen as TJ, Shelby Simmons as Natalie

21
9
"You're the One That I Want"
Paul Hoen
Phil Baker
January 26, 2018 (2018-01-26)
209
1.28[24]

Andi finds out from Jonah that Natalie heads the ultimate frisbee team for another school in town, but is wary after Jonah says that Natalie is "just a friend". Amber warns Andi that while she was dating Jonah, he used the same words to refer to Andi. Buffy and Cyrus spy on both Jonah and Natalie at a gathering with "Furious George", one of the top ultimate discheads in the world, but cannot find anything that would make the two more than just friends. Meanwhile, Andi and Jonah have plans to go on a school trip to a Grease singalong, which Buffy and Cyrus are also attending, but Andi learns Jonah has been asked to take part in a video with Natalie and "Furious George", though Jonah says he can get out of it. Unsure whether he does, Andi races over to where the video is being shot, only to hear from Natalie that Jonah is going to the singalong, so she races back to catch the bus, which she almost misses.
Bex meets a woman named Miranda, who works at the same plant nursery Bowie does. When Miranda decides she wants to ask Bowie out and wonders how much Bex knows about him, Bex appears supportive, yet uncomfortable.
Guest stars: Emily Skinner as Amber, Trent Garrett as Bowie, Shelby Simmons as Natalie, Chloe Hurst as Miranda
Absent: Lauren Tom as Celia Mack

22
10
"A Good Hair Day"
Paul Hoen and Adam Weissman
Suzanne Weber
February 2, 2018 (2018-02-02)
210
1.21[25]

While Andi and Bowie are having breakfast at The Spoon, Andi discovers from Bowie's driver's license that it is his birthday. Bowie does not want to make a big deal out of it, but Andi wants to throw him a huge surprise party at Celia and Ham's place. She has Bex work out the details, while she attends a Renaissance Festival for most of the day with her friends. Bex sees Bowie at work and tries to get him to Celia and Ham's for a "plant emergency", but Bowie realizes she is trying to get him to the surprise party. Bex finds out the reason Bowie is not in a celebrating mood, as his father's birthday was on the same day but he died three years ago. Despite this, Bex encourages Bowie to come to the party for Andi's sake. He does and has a wonderful time, but he is greatly touched after Andi calls him "dad" for the first time.
Meanwhile, Buffy shows Jonah her competitive side in arm wrestling, where he also matches quite well, and later at the Renaissance Festival, they square off in a medieval-style tug o' war, which ends in a draw. Also, Cyrus tries to tell Iris about his true feelings for her, with Iris figuring out he does not like her like a girlfriend; the two are okay being just friends.
Guest stars: Stoney Westmoreland as Ham, Trent Garrett as Bowie, Molly Jackson as Iris

23
11
"Miniature Gulf"
Paul Hoen
Suzanne Weber
February 9, 2018 (2018-02-09)
211
1.14[26]

While Andi, Bex and Bowie are playing miniature golf, Bowie receives a phone call and Andi wonders who he is talking to. Sensing the body language from both of her parents, Andi is sure Bowie is seeing someone and tries to get information about it. Eventually, she finds out Bowie is dating Miranda and wants to meet her, but Bowie says it is too soon. Andi later has second thoughts about seeing Miranda because it may be too much for her to have possibly another parent-figure. When Andi and Bex go miniature golfing again, by themselves, Andi spots Bowie with Miranda and a little girl, whom she deduces is Miranda's daughter. Meanwhile, Cyrus is tapped by Dr. Metcalf to make an orientation video for new students of Jefferson Middle School and has Jonah film him, but Cyrus gets nervous in front of the camera. Also, Buffy's tutoring TJ gets nowhere as she realizes he is having difficulty even with basic math.
Guest stars: Trent Garrett as Bowie, Luke Mullen as TJ, Chloe Hurst as Miranda, Eden Grace Redfield as Morgan
Absent: Lauren Tom as Celia Mack

24
12
"We Were Never"
Michelle Manning
Sam Wolfson
February 16, 2018 (2018-02-16)
212
1.37[27]

Andi notices Jonah is not wearing the bracelet she gave him because it is falling apart. She offers to fix it, but Jonah tells her "no rush". After Celia and Ham sense something is wrong with Andi, Celia has Andi consult the I Ching and discovers her hexagram is one of a serious nature; Andi is left to interpret what that means.
Bex receives her cosmetology certificate and delivers the speech at her graduation. Celia and Ham attend the ceremony, and while Bex is shocked they are there after telling Andi not to invite them, she is pleased when they say they are proud of her.
Cyrus prepares for his bar mitzvah and has Jonah look over his wardrobe of suits. TJ is desperate to get his math homework done ahead of a basketball game, by attempting to cheat when he asks Buffy to do it for him. At the basketball game, TJ continues his stubbornness of not passing the ball to Buffy, but when he finally does, Buffy gets a huge surprise from her mother, who is briefly home from a tour of duty and appears at the game.
After Andi fixes the bracelet, Jonah tells her that it represents the two being "boyfriend" and "girlfriend", and he does not want to wear it because he is not into labels. This devastates Andi, and after she reflects on what Jonah has done for her, she feels they were never together in the first place.
Guest stars: Stoney Westmoreland as Ham, Luke Mullen as TJ, Siena Goines as Pat Driscoll

25
13
"Cyrus' Bash-Mitzvah!"
Paul Hoen
Terri Minsky
February 23, 2018 (2018-02-23)
213
1.39[28]

Andi continues to be troubled by Jonah when he avoids her during Cyrus' bar mitzvah and party. Cyrus tells Andi that Jonah has not actually broken up with her, but she feels otherwise. Andi also finds out Cyrus' secret concerning Jonah, which only Buffy had known.
Later at the party, Andi, Cyrus and Buffy see a fortune teller and discover one thing about each of their futures. Buffy is the most disturbed about what she finds out and hopes it will not come true, about her mother being deployed again. After Buffy confirms her mother is home for a while, she returns to the fortune teller, who reminds her about the whole vision, which suggests she is moving.
Andi wonders about having a real boyfriend, and the fortune teller indicates she will, soon. Cyrus and Buffy think it is Jonah, but Andi is not ready to talk to him. She starts spending time with Walker, a caricature artist at the party who gives her a beautiful picture he has drawn of her. Jonah becomes jealous, not knowing who this guy is, and when he asks Cyrus and Buffy about him, they have no clue either. Andi and Jonah finally talk about what is going on, but after Andi says her feelings for him have changed, Jonah suffers a panic attack. After the party, Jonah comes over to Andi's place and despite his opposition to labels, he asks her if she will be his girlfriend, to which she replies, "um...".
Meanwhile, Bowie works on discussing Miranda with both Andi and Bex. Despite his new relationship, he tells Andi, in writing he jotted down on a napkin during the party, that he could live without the "universe", but not her.
Guest stars: Stoney Westmoreland as Ham, Trent Garrett as Bowie, Luke Mullen as TJ, Darius Marcell as Walker, Peggy Ann Blow as Madame Le Doux, Danny Jacobs as Norman
Note: Before the "Mack Chat" that followed this episode, Asher Angel and Trent Garrett did a "Be Inspired" PSA about what to do if someone has a panic attack.


document_title: Black and Tan

question_text: what do they call a black and tan in ireland

root

text: Black and Tan

text: History[edit]

text: The term likely originated in England, where consumers have blended different beers since at least the seventeenth century.[1] The name "black and tan" had earlier been used to describe the coats of dogs, such as the black and tan coon-hound. The earliest recorded usage of the term in the drink context is from 1881, according to the Oxford English Dictionary, in the American magazine Puck.[2] The first recorded British use of the term to describe a drink is from 1889.[2]

tag: p

text: Preparation[edit]

text: The "layering" of Guinness on top of the pale ale or lager is possible because of the lower relative density of the Guinness.[1] The opposite scenario (where the layer on top is heavier than bottom) would produce the fluid mechanics phenomenon known as the Rayleigh-Taylor Instability.

text: To prepare a Black and Tan, fill a glass halfway with pale ale then add the stout. The top layer is best poured slowly over an upside-down tablespoon placed over the glass to avoid splashing and mixing the layers. A specially designed black-and-tan spoon is bent in the middle so that it can balance on the edge of the pint-glass for easier pouring.[1] Alternatively, the stout can be poured first so that the drinks are thoroughly mixed together.

text: Several American breweries currently make premixed Black and Tan, for example Yuengling's Original Black and Tan.[1]

text: Controversy[edit]

text: The name "Black and Tan" is not used in Ireland as a term for a mixture of two beers. The drink is instead referred to as a half and half.[1] Indeed, the drink has image problems in Ireland and elsewhere due to the association with the Royal Irish Constabulary Reserve Force, nicknamed the "Black and Tans", which was sent into Ireland in the early 1920s.[1] As a result, in Ireland the name is seen as contentious and disrespectful.[3]

text: In March 2006, Ben and Jerry's released an ice cream flavour in the United States for Saint Patrick's Day inspired by the drink; the name offended Irish nationalists because of the paramilitary association. Ben and Jerry's has since apologised. A spokesman told Reuters, "Any reference on our part to the British Army  [sic] unit was absolutely unintentional and no ill will was ever intended."[4] In March 2012, the drink's name once more came into the news when Nike, as part of an Irish themed set of designs, released a pair of shoes advertised as the "Black and Tan" and generating offence similar to the earlier Ben and Jerry's ice cream.[5]


document_title: Dolly (sheep)

question_text: how many babies did dolly the sheep have

text: Dolly (sheep)

text: Genesis

text: Dolly was cloned by Keith Campbell, Ian Wilmut and colleagues at the Roslin Institute, part of the University of Edinburgh, Scotland, and the biotechnology company PPL Therapeutics, based near Edinburgh. The funding for Dolly's cloning was provided by PPL Therapeutics and the UK's Ministry of Agriculture.[2] She was born on 5 July 1996 and died from a progressive lung disease five months before her seventh birthday.[3] She has been called "the world's most famous sheep" by sources including BBC News and Scientific American.[4][5]

text: The cell used as the donor for the cloning of Dolly was taken from a mammary gland, and the production of a healthy clone therefore proved that a cell taken from a specific part of the body could recreate a whole individual. On Dolly's name, Wilmut stated "Dolly is derived from a mammary gland cell and we couldn't think of a more impressive pair of glands than Dolly Parton's".[1]

text: Birth

text: Dolly was born on 5 July 1996 and had three mothers: one provided the egg, another the DNA, and a third carried the cloned embryo to term.[6] She was created using the technique of somatic cell nuclear transfer, where the cell nucleus from an adult cell is transferred into an unfertilized oocyte (developing egg cell) that has had its cell nucleus removed. The hybrid cell is then stimulated to divide by an electric shock, and when it develops into a blastocyst it is implanted in a surrogate mother.[7] Dolly was the first clone produced from a cell taken from an adult mammal.[8][9] The production of Dolly showed that genes in the nucleus of such a mature differentiated somatic cell are still capable of reverting to an embryonic totipotent state, creating a cell that can then go on to develop into any part of an animal.[10] Dolly's existence was announced to the public on 22 February 1997.[1] It gained much attention in the media. A commercial with Scottish scientists playing with sheep was aired on TV, and a special report in TIME Magazine featured Dolly the sheep.[2] Science featured Dolly as the breakthrough of the year. Even though Dolly was not the first animal cloned, she received media attention because she was the first cloned from an adult cell.[11]

text: Life

text: Dolly lived her entire life at the Roslin Institute in Edinburgh.[12] There she was bred with a Welsh Mountain ram and produced six lambs in total. Her first lamb, named Bonnie, was born in April 1998.[3] The next year Dolly produced twin lambs Sally and Rosie, and she gave birth to triplets Lucy, Darcy and Cotton in the year after that.[13] In late 2001, at the age of four, Dolly developed arthritis and began to walk stiffly. This was treated with anti-inflammatory drugs.[14]

text: Death

text: On 14 February 2003, Dolly was euthanised because she had a progressive lung disease and severe arthritis.[15] A Finn Dorset such as Dolly has a life expectancy of around 11 to 12 years, but Dolly lived 6.5 years. A post-mortem examination showed she had a form of lung cancer called ovine pulmonary adenocarcinoma, also known as Jaagsiekte,[16] which is a fairly common disease of sheep and is caused by the retrovirus JSRV.[17] Roslin scientists stated that they did not think there was a connection with Dolly being a clone, and that other sheep in the same flock had died of the same disease.[15] Such lung diseases are a particular danger for sheep kept indoors, and Dolly had to sleep inside for security reasons.

text: Some in the press speculated that a contributing factor to Dolly's death was that she could have been born with a genetic age of six years, the same age as the sheep from which she was cloned.[18] One basis for this idea was the finding that Dolly's telomeres were short, which is typically a result of the aging process.[19][20] The Roslin Institute stated that intensive health screening did not reveal any abnormalities in Dolly that could have come from advanced aging.[18]

text: In 2016 scientists reported no defects in thirteen cloned sheep, including four from the same cell line as Dolly. The first study to review the long-term health outcomes of cloning, the authors found no evidence of late-onset, non-communicable diseases other than some minor examples of osteoarthritis and concluded "We could find no evidence, therefore, of a detrimental long-term effect of cloning by SCNT on the health of aged offspring among our cohort."[21][22]

text: Legacy

text: After cloning was successfully demonstrated through the production of Dolly, many other large mammals were cloned, including pigs,[23][24] deer,[25] horses[26] and bulls.[27] The attempt to clone argali (mountain sheep) did not produce viable embryos. The attempt to clone a banteng bull was more successful, as were the attempts to clone mouflon (a form of wild sheep), both resulting in viable offspring.[28] The reprogramming process that cells need to go through during cloning is not perfect and embryos produced by nuclear transfer often show abnormal development.[29][30] Making cloned mammals was highly inefficient – in 1996 Dolly was the only lamb that survived to adulthood from 277 attempts. By 2014 Chinese scientists were reported to have 70–80% success rates cloning pigs[24] and in 2016, a Korean company, Sooam Biotech, was producing 500 cloned embryos a day.[31] Wilmut, who led the team that created Dolly, announced in 2007 that the nuclear transfer technique may never be sufficiently efficient for use in humans.[32]

text: Cloning may have uses in preserving endangered species and may become a viable tool for reviving extinct species.[33] In January 2009, scientists from the Centre of Food Technology and Research of Aragon, in northern Spain announced the cloning of the Pyrenean ibex, a form of wild mountain goat, which was officially declared extinct in 2000. Although the newborn ibex died shortly after birth due to physical defects in its lungs, it is the first time an extinct animal has been cloned, and may open doors for saving endangered and newly extinct species by resurrecting them from frozen tissue.[34][35]

text: In July 2016, four identical clones of Dolly (Daisy, Debbie, Dianna, and Denise) were alive and healthy at nine years old.[36][37]

text: Scientific American concluded in 2016 that the main legacy of Dolly the sheep has not been cloning of animals but in advances into stem cell research.[38] After Dolly, researchers realised that ordinary cells could be reprogrammed to induced pluripotent stem cells which can be grown into any tissue.[39]


document_title: Beauty and the Beast (2017 film)

question_text: who plays mrs. potts in the new beauty and the beast movie

text: Beauty and the Beast (2017 film)

text: Plot[edit]

text: In Rococo-era France, an enchantress disguised as a beggar arrives at a ball and offers the host, a coldhearted prince, a rose for shelter. When he refuses, she transforms him into a beast and his servants into household objects, and erases the castle from the memories of their loved ones. She casts a spell on the rose and warns the prince that the curse will never lift unless he learns to love another, and earn their love in return, before the last petal falls.

text: Years later, in the village of Villeneuve, Belle dreams of adventure and brushes off advances from Gaston, an arrogant former soldier. Lost in the forest, Belle's father Maurice seeks refuge in the Beast's castle, but the Beast imprisons him for stealing a rose from his garden as a birthday gift to Belle. Belle ventures out in search for him and finds him locked in the castle dungeon. The Beast agrees to let her take Maurice's place.

text: Belle befriends the castle's servants, who treat her to a spectacular dinner. When she wanders into the forbidden west wing and finds the rose, the Beast, enraged, scares her into the woods. She is cornered by wolves, but the Beast rescues her and is injured in the process. As Belle nurses his wounds, a friendship develops between them. The Beast shows Belle a gift from the enchantress, a book that transports readers wherever they want. Belle uses it to visit her childhood home in Paris, where she discovers a plague doctor mask and realises that she and her father were forced to leave her mother's deathbed when her mother succumbed to the plague.

text: In Villeneuve, Gaston sees rescuing Belle as an opportunity to win her hand in marriage and agrees to help Maurice. When Maurice learns of his ulterior motive and rejects him, Gaston abandons him to the wolves. Maurice is rescued by the herb-wife Agathe, but when he tells the townsfolk of Gaston's crime, but is unable to provide solid evidence, Gaston convinces them to send Maurice to an insane asylum.

text: After sharing a romantic dance with the Beast, Belle discovers her father's predicament using a magic mirror. The Beast releases her to save Maurice, giving her the mirror to remember him with. At Villeneuve, Belle proves Maurice's sanity by revealing the Beast in the mirror to the townsfolk. Realizing that Belle loves the Beast, Gaston has her thrown into the asylum carriage with her father and rallies the villagers to follow him to the castle to slay the Beast. Maurice and Belle escape, and Belle rushes back to the castle.

text: During the battle, Gaston abandons his companion LeFou, who then sides with the servants to fend off the villagers. Gaston attacks the Beast in his tower, who is too depressed to fight back, but regains his will upon seeing Belle return. He overpowers Gaston but spares his life before reuniting with Belle. However, Gaston fatally shoots the Beast from a bridge, but it collapses when the castle crumbles, and he falls to his death. The Beast dies as the last petal falls and the servants become inanimate. When Belle tearfully professes her love to him, Agathe reveals herself as the enchantress and undoes the curse, repairing the crumbling castle and restoring the Beast's and servants' human forms and the villagers' memories. The Prince and Belle host a ball for the kingdom, where they dance happily.

text: Cast[edit]

text:
Emma Watson as Belle, a beautiful and benevolent bibliophile who develops feelings for the Beast and begins to see the humanity within him.

Daisy Duczmal portrays an infant Belle.

Dan Stevens as The Prince / Beast, a cold-hearted prince who is transformed into a hideous beast and forced to earn back his humanity by learning to truly love and be loved in return.[9][10]

Adam Mitchell[3] portrays the younger version of the Prince.

Luke Evans as Gaston, a narcissistic and arrogant hunter and veteran of the French Royal Army who is willing to go as far as it takes to have Belle as his trophy wife.
Kevin Kline as Maurice, Belle's protective widowed father.[11]

Jolyon Coy portrays the young Maurice.

Josh Gad as LeFou, Gaston's flamboyant and long-suffering sidekick who bolsters his friend's ego but gets very little in return.[12]
Ewan McGregor as Lumière, the Beast's charismatic bouteiller who has been transformed into a candelabra.[13]
Stanley Tucci as Maestro Cadenza, the neurotic court composer and Madame de Garderobe's husband who has been transformed into a harpsichord.[14]
Audra McDonald as Madame de Garderobe, a world-renowned opera singer and Cadenza's wife who has been transformed into a wardrobe.[15]
Gugu Mbatha-Raw as Plumette, one of the castle maids and Lumière's lover who has been transformed into a feather duster.[16]
Ian McKellen as Cogsworth, the Beast's gruff but loyal majordomo and the head of the household staff who has been transformed into a mantel clock.[17]
Emma Thompson as Mrs. Potts, the castle's motherly head housekeeper who has been transformed into a teapot.[11]
Hattie Morahan as Agathe, an impoverished hermit and resident of Villeneuve who, in reality, is the Enchantress responsible for cursing the Prince.[18] Morahan also narrates the prologue.

Rita Davies portrays the Enchantress in her beggar woman form.

Nathan Mack as Chip, Mrs. Potts' plucky son who has been transformed into a teacup.[19]
Adrian Schiller as Monsieur D'Arque, the sly warden of the local asylum who is bribed by Gaston to have Maurice institutionalized.[18]
Gerard Horan as Monsieur Jean Potts, an absent-minded potter and resident of Villeneuve who is later revealed to be Mrs. Potts' husband and Chip's father.
Haydn Gwynne as Clothilde, a fishmonger and resident of Villeneuve who is later revealed to be Cogsworth's wife.
Michael Jibson as the Tavern Keeper, the owner and keeper of Villeneuve's local tavern where Gaston and the village residents drink.
Ray Fearon as Père Robert, Villeneuve's local chaplain who encourages Belle to borrow the books in the chapel's meager library.
Sophie Reid, Rafaëlle Cohen, and Carla Nella as the Village Lasses, a trio of women who fawn over Gaston and have a jealousy for Belle.
Jimmy Johnston, Dean Street, and Alexis Loizon as Tom, Dick, and Stanley, a trio of men who serve as Gaston's henchmen.
Zoe Rainey as Belle's mother, Maurice's late wife who contracted the plague and died when Belle was an infant.
Clive Rowe as Cuisinier, the castle's head chef who has been transformed into a stove.
Gizmo as Frou-Frou, Maestro Cadenza's and Madame de Garderobe's pet Yorkshire Terrier who has been transformed into a footstool.
Thomas Padden as Chapeau, the Prince's valet who has been transformed into a coat rack.
Tom Turner[4] as The King, the Prince's father who, following his wife's death, raised his son to be just as selfish and arrogant as he was.
Harriet Jones as The Queen, the Prince's mother who died of an illness when he was a child.
Dale Branston as Baker, Villeneuve's residential baker.
Chris Andrew Mellon as Nasty Headmaster, the unnamed headmaster of an all boys school in Villeneuve that disapproves of Belle teaching a young girl how to read.
Vivian Parry as the Village Lass' Mother, an unnamed seamstress who is the mother of the Village Lasses.

tag: ul

text: Cast notes[edit]

text: ^ In the initial theatrical release, Mitchell was miscredited as Rudi Gooman in the cast, but listed under his real name in the soundtrack credits.[20]

text: ^ In the initial theatrical release, Turner is miscredited as Henry Garrett in the cast.[20]

text: Stephen Merchant also appeared in the film as Monsieur Toilette, a servant who was turned into a toilet. This character was cut from the film, but is featured in the deleted scenes.[21]

text: Production[edit]

text: Development[edit]

text: Previously, Disney had begun work on a film adaptation of the 1994 Broadway musical.[22][23] However, in a 2011 interview, composer Alan Menken stated the planned film version of the Beauty and the Beast stage musical "was canned".[24]

text: By April 2014, Walt Disney Pictures had already begun developing a new live-action version and remake of Beauty and the Beast after making other live-action fantasy films such as Alice in Wonderland, Maleficent, Cinderella and The Jungle Book.[25] In June 2014, Bill Condon was signed to direct the film from a script by Evan Spiliotopoulos.[26] Later in September of that same year, Stephen Chbosky (who had previously directed Watson in The Perks of Being a Wallflower) was hired to re-write the script.[27]

text: Before Condon was hired to direct the film, Disney approached him with a proposal to remake the film in a more radical way as Universal Studios had remade Snow White and the Huntsman (2012). Condon later explained that "after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially, they said, 'We're interested in a musical to a degree, but only half full of songs.' My interest was taking that film and doing it in this new medium—live-action—as a full-on musical movie. So I backed out for a minute, and they came back and said, 'No, no, no, we get it, let's pursue it that way.'"[28] Walt Disney Pictures president of production Sean Bailey credited Walt Disney Studios chairman Alan F. Horn with the decision to make the film as a musical: "We worked on this for five or six years, and for 18 months to two years, Beauty was a serious dramatic project, and the scripts were written to reflect that. It wasn't a musical at that time. But we just couldn't get it to click and it was Alan Horn who championed the idea of owning the Disney of it all. We realized there was a competitive advantage in the songs. What is wrong with making adults feel like kids again?"[29]

text: Casting[edit]

text: In January 2015, Emma Watson announced that she would be starring as Belle, the female lead.[30] Watson was the first choice of Walt Disney Studios chairman Alan F. Horn, as he had previously overseen Warner Bros. which released the eight Harry Potter films that co-starred Watson as Hermione Granger.[29] Two months later, Luke Evans and Dan Stevens were revealed to be in talks to play Gaston and the Beast respectively,[31][32] and Watson confirmed their casting the following day through tweets.[9][33] The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière and Cadenza, respectively.[12][11][15][17][16][13][14][34]

text: Susan Egan, who originated the role of Belle on Broadway, commented on the casting of Watson as "perfect".[35] Paige O'Hara, who voiced Belle in the original animated film and its sequels, offered to help Watson with her singing lessons.[36]

text: According to The Hollywood Reporter, Emma Watson was reportedly paid $3 million upfront, together with an agreement that her final take-home pay could rise as high as $15 million if the film generated gross box office income similar to Maleficent's $759 million worldwide gross.[37]

text: Filming[edit]

text: Principal photography on the film began at Shepperton Studios in Surrey, United Kingdom, on May 18, 2015.[11][38][39] Filming with the principal actors concluded on August 21.[40][41] Six days later, co-producer Jack Morrissey confirmed that the film had officially wrapped production.[42]

text: The Beast was portrayed with a “more traditional motion capture puppeteering for the body and the physical orientation", where actor Dan Stevens was "in a forty-pound gray suit on stilts for much of the film". The facial capture for the Beast was done separately in order to "communicate the subtleties of the human face" and "[capture the] thought that occurs to him" which gets "through [to] the eyes, which are the last human element in the Beast.” The castle servants who are transformed into household objects were created with CGI animation.[6]

text: Before the release of the film, Bill Condon refilmed one certain sequence in the "Days of the Sun" number, due to confusion among test audiences caused by actress Harriet Jones, who looked similar to Hattie Morahan, who portrayed Agathe. In the original version of the scene, it was Jones's character, the Prince's mother, who sings the first verse of the song, with Rudi Goodman playing the young Prince and Henry Garrett playing his father; but in the reshot version of the scene, the singing part is given to the Prince (now played by Adam Mitchell). The King was also recast to Tom Turner, although Harriet Jones was still the Queen, albeit with dark hair. Both Goodman and Garrett's names were mistakenly featured in the original theatrical release's credits, but was later corrected in home releases.[20]

text: Music[edit]

text: When released in 1991, Beauty and the Beast marked a turning point for Walt Disney Pictures by appealing to millions of fans with its Oscar-winning musical score by lyricist Howard Ashman and composer Alan Menken. In Bill Condon's opinion, that original score was the key reason he agreed to direct a live-action version of the movie. "That score had more to reveal", he says, "You look at the songs and there's not a clunker in the group. In fact, Frank Rich described it as the best Broadway musical of 1991. The animated version was already darker and more modern than the previous Disney fairytales. Take that vision, put it into a new medium, make it a radical reinvention, something not just for the stage because it's not just being literal, now other elements come into play. It's not just having real actors do it".[43]

text: Condon initially prepared on only drawing inspiration from the original film, but he also planned to include most of the songs composed by Alan Menken, Howard Ashman and Tim Rice from the Broadway musical, with the intention of making the film as a "straight-forward, live-action, large-budget movie musical".[44] Menken returned to score the film's music, which features songs from the original film by him and Howard Ashman, plus new material written by Menken and Tim Rice.[45] Menken said the film will not include songs that were written for the Broadway musical and instead, created four new songs.[46] However, an instrumental version of the song "Home", which was written for the musical, is used during the scene where Belle first enters her room in the castle.[47]

text: On January 19, 2017, it was confirmed by both Disney and Céline Dion—singer of the original 1991 Beauty and the Beast duet song, with singer Peabo Bryson—that Dion would be performing one of the new original songs "How Does a Moment Last Forever" to play over the end titles.[48] She originally had doubts about whether or not to record the song due to the recent death of her husband and manager René Angélil, who had previously helped her secure the 1991 pop duet. While ultimately accepting the opportunity, she said: "[The] first Beauty and the Beast decision was made with my husband. Now I'm making decisions on my own. It's a little bit harder. I couldn't say yes right away, because I felt like I was kind of cheating in a way". She eventually felt compelled to record the song because of the impact Beauty and the Beast has had on her career. According to Dion, "I was at the beginning of my career, it put me on the map, it put me where I am today". Also, Josh Groban was announced to be performing the new original song "Evermore" on January 26, 2017.[49][50][51][52]

text: The 2017 film features a remake of the 1991 original song Beauty and the Beast recorded as a duet by Ariana Grande and John Legend.[53][54] Grande and Legend's updated version of the Beauty and the Beast title song is faithful to the original, Grammy-winning duet, performed by Céline Dion and Peabo Bryson for the 1991 Disney film.[55]

text: Emma Thompson also performed a rendition of "Beauty and the Beast", which was performed by Angela Lansbury in the original 1991 animated film release.[56]

text: Disney debuted the music video for Ariana Grande and John Legend's interpretation of the title song "Beauty and the Beast" on Freeform television network on March 5, 2017, and it has since attained over 100 million video views on the Vevo video-hosting service.[56]

text: Release[edit]

text: On March 16, 2015, Disney announced the film would be released in 3D on March 17, 2017.[11] The first official presentation of the film took place at Disney's three-day D23 Expo in August 2015.[57]

text: The world premiere of Beauty and the Beast took place on February 23, 2017, at Spencer House in London, United Kingdom;[58] and the film later premiered at the El Capitan Theatre in Hollywood, California, on March 2, 2017. The stream was broadcast onto YouTube.

text: A sing along version of the film released in over 1,200 US theaters nationwide on April 7, 2017.[59] The United Kingdom received the same version on April 21, 2017.[citation needed]

text: Marketing[edit]

text: Disney spent around $140 million for marketing the film worldwide.[60] Following an announcement on May 22, 2016,[61] Disney premiered the first official teaser trailer on Good Morning America the next day.[62] In its first 24 hours, the teaser trailer reached 91.8 million views, which topped the number of views seen in that amount of time in history, including for the teasers for other films distributed by Disney such as Avengers: Age of Ultron, Star Wars: The Force Awakens and Captain America: Civil War.[63] This record has since been broken by Thor: Ragnarok and It.[64] The first official teaser poster was released on July 7, 2016.[65] On November 2, 2016, Entertainment Weekly debuted the first official image on the cover of their magazine for the week along with nine new photos as well.[66][67] One week later, Emma Watson and Disney debuted a new poster for the film.[68] On November 14, 2016, the first theatrical trailer was released again on Good Morning America.[69] The trailer reached 127.6 million views in its first 24 hours, setting a new record as the trailer with the most views in one day, beating out Fifty Shades Darker.[70] This record has since been broken again by The Fate of the Furious.[71] A TV spot with Watson singing was shown during the 74th Golden Globe Awards.[72] Disney released the final trailer on January 30, 2017.[73]

text: Home media[edit]

text: Beauty and the Beast was released on Blu-ray, DVD and Digital HD on June 6, 2017.[74] The film debuted at No. 1 on the NPD VideoScan overall disc sales chart, with all other titles in the top 20, collectively, selling only 40% as many units as Beauty and the Beast.[75] The movie regained the top spot on the national home video sales charts during its third week of release.[76] The movie became available on Netflix on September 19, 2017.

text: Reception[edit]

text: Box office[edit]

text: Beauty and the Beast grossed $504 million in the United States and Canada and $759.4 million in other territories for a worldwide gross of $1.263 billion.[a] With a production budget of $160 million, it is the second-most expensive musical ever made; only Hello, Dolly! (1969) with a budget of $25 million ($165 million in 2016 dollars) cost more.[4] In just ten days, it became the highest-grossing live-action musical of all time, beating the nine-year-old record held by Mamma Mia!. It is currently the second-biggest musical ever overall, behind Disney's Frozen (2013).[78] Worldwide, the film proved to be a global phenomenon, earning a total of $357 million over its four-day opening weekend from 56 markets. Critics said the film was playing like superhero movies amongst women. It was the second biggest March global opening, behind only Batman v Superman: Dawn of Justice, the thirteenth-biggest worldwide opening ever and the seventh-biggest for Disney.[79] This includes $21 million from IMAX plays on 1,026 screens, a new record for an IMAX PG title.[80] It surpassed the entire lifetime total of the original film in just six days.[81][82]

text: Beauty and the Beast is the 300th digitally remastered release in IMAX company's history, which began with the re-release of Apollo 13 in 2002. Its robust global debut helped push the company past $6 billion for the first time,[83] and led to analysts believing that the film had a shot of passing $1 billion worldwide from theatrical earnings.[84][85][86][87] On April 12, it passed the $1 billion threshold, becoming the first film of 2017, the fourteenth Disney film, and the twenty-ninth film overall to pass the mark. It became the first film since Rogue One (also a Disney property) in December 2016 to make over a billion dollars, and did so on its twenty-ninth day of release.[88][89][90] It is currently the highest-grossing film of 2017,[91] the highest-grossing March release,[92] the highest-grossing remake of all-time,[93] and the fifth-biggest Disney film.[94] Even after inflation adjusted, it is still ahead of the $425 million gross ($760 million in 2017 dollars) of the original film.[93]

text: North America[edit]

text: In the United States and Canada, Beauty and the Beast topped Fandango's pre-sales and became the fastest-selling family film in the company's history, topping the studio's own animated film Finding Dory released the previous year. Early tracking had the film grossing around $100 million in its opening weekend, with some publications predicting it could reach $130 million.[95][96][97] By the time the film's release was 10 days away, analysts raised projections to as high as $150 million.[98][99] It earned $16.3 million from Thursday previews night, marking the biggest of 2017 (breaking Logan's record), the biggest ever for a Disney live-action film (breaking Maleficent's record), the second biggest ever for both a G or PG-rated film (behind the sixth Harry Potter film Harry Potter and the Half-Blood Prince which also starred Watson), and the third biggest ever in the month of March (behind Batman v Superman: Dawn of Justice and The Hunger Games).[100] An estimated 41% of the gross came from IMAX, 3D and premium large format screenings which began at 6 pm, while the rest—59%—came from regular 2D shows which began at 7 p.m.[101] The numbers were considered more impressive given that the film played during a school week.[102]

text: On its opening day, the film made $63.8 million from 4,210 theaters across 9,200 screens, marking the third biggest in the month of March, trailing behind Batman v Superman ($81.5 million) and The Hunger Games ($67 million).[103][104] It was also the biggest opening day ever for a film that wasn't PG-13, displacing the $58 million opening Wednesday of Harry Potter and the Half-Blood Prince. Its opening day alone (which includes Thursday's previews) almost matched the entire opening weekend of previous Disney live-action films, Maleficent ($69.4 million) and Cinderella ($67.9 million).[105] Unlike all previous four Disney live-action films witnessing a hike on their second day, Saturday, Beauty and the Beast actually fell 2%, but nevertheless, the dip was paltry, and the grosses are so much bigger compared to the other titles.[83] Earning a total of $174.8 million on its opening weekend, it defied all expectations and went on to set numerous notable records.[106] This includes the biggest opening of the year as well as the biggest for the month of March and pre-summer/spring opening, beating Batman v Superman,[107][108] the biggest start ever for a PG title (also for a family film), surpassing Finding Dory,[109] the biggest debut of all time for a female-fueled film, ahead of The Hunger Games: Catching Fire,[110] the biggest for a Disney live-action adaptation, ahead of Alice in Wonderland[110] and the biggest musical debut ever, supplanting Pitch Perfect 2. Furthermore, it is also Watson's highest-opening, beating Harry Potter and the Deathly Hallows – Part 2 same with Emma Thompson, director Bill Condon's biggest debut ever ahead of The Twilight Saga: Breaking Dawn – Part 2 and the biggest outside of summer, save for Star Wars: The Force Awakens, not accounting for inflation.[106]

text: It became the forty-third film to debut with over $100 million and the fifteenth film to open above $150 million. Its three-day opening alone surpassed the entire original North American run of the first film ($146 million; before the 3D re-release), instantly becoming the second-biggest film of the year, behind Logan ($184 million), and also the second-highest-grossing musical, behind Grease's $188 million cumulative gross in 1978.[111] Seventy percent of the total ticket sales came from 2D showings signifying that people who don't go to theaters frequently came out in bulk to watch the film. About 26% of the remaining tickets were for 3D. IMAX accounted for 7% ($12.5 million) of the total weekend's gross, setting a new record for a PG title, ahead of Alice in Wonderland ($12.1 million) while PLF repped 11% of the box office.[83] Seventy percent of the film's opening day demographic was female, dropping to 60% through the weekend.[110] According polling service PostTrak, about 84 percent of American parents who saw the film on its opening day said they would "definitely" recommend it for families.[112][113] The film's opening was credited to positive word of mouth from audiences, good reviews from critics, effective marketing which sold the title not just as a family film but also as a romantic drama, the cast's star power (especially Emma Watson), lack of competition, being the first family film since The Lego Batman Movie a month earlier, nostalgia, and the success and ubiquity of the first film and Disney's brand.[112][114]

text: On Monday, its fourth day of release, the film fell precipitously by 72% earning $13.5 million. The steep fall was due to a limited marketplace where only 11% K-12 and 15% colleges were off per ComScore. Nevertheless, it is the second-biggest March Monday, behind Batman v Superman ($15 million).[115] This was followed by the biggest March and pre-summer Tuesday with $17.8 million, a 32% increase from its previous day. The same day, the film passed $200 million in ticket sales.[116] It earned $228.6 million in the first week of release, the sixth-biggest seven-day gross of all time.[117] In its second weekend, the film continued to maintain the top positioning and fell gradually by 48% earning another $90.4 million to register the fourth-biggest second weekend of all time, and the third-biggest for Disney.[118] In terms of percentage drop, its 48% decline is the third-smallest drop for any film opening above $125 million (behind Finding Dory and The Force Awakens).[78] The hold was notable considering how the film was able to fend off three new wide releases: Power Rangers, Life, and CHiPs.[119] As a result, it passed the $300 million threshold becoming the first film of 2017 the pass said mark.[120] The film grossed $45.4 million in its third weekend, finally being overtaken for the top spot by newcomer The Boss Baby ($50.2 million).[121] On April 4, 2017, its nineteenth day of release, it passed the $400 million threshold becoming the first film of 2017 to do so.[122] By its fourth weekend, the film began was playing in 3,969 cinemas, a fall of 241 theaters from its previous weekend. Of those, approximately 1,200 cinemas were sing-along versions. It earned $26.3 million (-48%) and retained second place. By comparison, previous Disney films Moana (−8%) and Frozen (−2%) both witnessed mild percentage declines the weekend their sing-alone versions were released.[123] Its seventh weekend of release was in contemporaneous with another Emma Watson-starring new film The Circle.[124] That weekend, The Circle was number four, while Beauty and the Beast was at number six.[125] By May 28, the film had earned over $500 million in ticket sales becoming the first (and currently only) film of 2017, the third female-fueled film (after The Force Awakens and Rogue One: A Star Wars Story followed by Wonder Woman) and the eighth overall film in cinematic history to pass the mark.[126][127][128]

text: It has already become the biggest March release, dethroning The Hunger Games (2012),[129] the biggest musical film (both animated and live-action),[130] as well as the biggest film of 2017.[131]

text: Outside North America[edit]

text: Internationally, the film began playing on Thursday, March 16, 2017. Through Sunday, March 19, it had a total international opening of $182.3 million from 55 markets, 44 of which were major territories, far exceeding initial estimations of $100 million and opened at No. 1 in virtually all markets except Vietnam, Turkey, and India. Its launch is the second-biggest for the month of March, behind Batman v Superman ($256.5 million). In IMAX, it recorded the biggest debut for a PG title (although it carried varying certificate amongst different markets) with $8.5 million from 649 screens, the second-biggest for a PG title behind The Jungle Book.[132] In its second weekend, it fell just by 35% earning another $120.6 million and maintaining its first position hold. It added major markets like France and Australia.[133] It topped the international box office for three consecutive weekends[134] before finally being dethroned by Ghost in the Shell and The Boss Baby in its fourth weekend. Despite the fall, the film helped Disney push past the $1 billion thresold internationally for the first time in 2017.[135][90]

text: It scored the biggest opening day of the year in Hong Kong and the Philippines, the biggest March Thursday in Italy ($1 million, also the biggest Disney Thursday debut), the biggest March opening day in Austria, and the second-biggest in Germany ($1.1 million), Disney's biggest March in Denmark, the biggest Disney live-action debut in China ($12.6 million), the UK ($6.2 million), Mexico ($2.4 million) and Brazil ($1.8 million) and the third-biggest in South Korea with $1.2 million, behind only Pirates of the Caribbean: At World's End and Pirates of the Caribbean: On Stranger Tides.[136][137] In terms of opening weekend, the largest debut came from China ($44.8 million), followed by the UK ($24.3 million), Korea ($11.8 million), Mexico ($11.8 million), Australia ($11.1 million), Brazil ($11 million), Germany ($10.7 million), France ($8.4 million), Italy ($7.6 million), Philippines ($6.3 million), Russia ($6 million) and Spain ($5.8 million).[132][133]

text: In the United Kingdom and Ireland, the film recorded the biggest opening ever for a PG-rated film, the biggest Disney live-action opening of all time, the biggest March opening weekend, the biggest opening for a musical (ahead of 2012's Les Misérables), the number one opening of 2017 to date and the fifth-biggest-ever overall with £19.7 million ($24.5 million) from 639 theatres and almost twice that of The Jungle Book (£9.9 million).[138] This included the second-biggest Saturday ever (£7.9 million), only behind Star Wars: The Force Awakens.[139] It witnessed a decline in its second weekend, earning £12.33 million ($15.4 million). Though the film was falling at a faster rate than The Jungle Book, it had already surpassed the said film and its second weekend is the third-biggest ever (behind the two James Bond films Skyfall (2012) and Spectre).[140][133] In India, despite facing heavy competitions from four new Hindi releases, two Tamils films and a Malayalam and a Punjabi release, the film managed to take an occupancy of 15% on its opening day, an impressive feat despite tremendous competitions.[141][142][143] It earned around ₹1.5 crore (US$230,000) nett on its opening day from an estimated 600 screens which is more than the three Hindi releases—Machine, Trapped, and Aa Gaya Hero—combined.[144] Disney reported a total of ₹9.26 crore (US$1.4 million) gross for its opening weekend there. It was ahead of all new releases and second overall behind Bollywood film Badrinath Ki Dulhania.[145][146][147] In Russia, despite receiving a restrictive 16 rating, the film managed to deliver a very successful opening with $6 million.[148]

text: In China, expectations were high for the film. The release date was announced on January 24, giving Disney and local distributor China Film Group Corporation ample time—around two months—to market the film nationwide. The release date was strategically chosen to coincide with White Day. Preliminary reports suggested that it could open to $40–60 million in its opening weekend. Largely driven by young women, its opening day pre-sales outpaced that of The Jungle Book.[149] The original film was, however, never widely popular in the country.[150] Although China has occasionally blocked gay-themed content from streaming video services, in this case, Chinese censors decided to leave the gay scene intact. According to local box office tracker Ent Group, the film grossed an estimated $12.1 million on its opening day (Friday), representing 70% of the total receipts. Including previews, it made a total of $14.5 million from 100,000 screenings, which is 43% of all screenings in the country.[151] It climbed to $18.5 million on Saturday (102,700 showings) for a three-day total of $42.6 million, securing 60% of the total marketplace. Disney on the other hand reported a different figure of $44.8 million.[152][153] Either ways, it recorded the second-biggest opening for a Disney live-action film,[150] with $3.4 million coming from 386 IMAX screens.[132] Japan—a huge Disney market—served as the film's final market and opened there on April 21.[133] It debuted with a better-than-expected $12.5 million on its opening weekend helping the film push past the $1.1 billion threshold. An estimated $1.1 million came from IMAX screenings, the fourth-biggest ever in the country.[154][155] The two-day gross was $9.7 million, outstripping Frozen's previous record of $9.5 million.[156] Due to positive reviews, good word-of-mouth and benefitting from the Golden Week, the film saw a 9% increase on its second weekend. The hold was strong enough to fend off newcomer The Fate of the Furious from securing the top spot. The total there is now over $98 million after seven weekends[157][158][159] and is the biggest film release of the year and, overall, the eleventh-biggest of all time.[160] It topped the box office there for eight consecutive weekends.[161][162]

text: The only markets where the film did not top the weekend charts were Vietnam (behind Kong: Skull Island), Turkey (with two local movies and Logan ahead) and India (where Badrinath Ki Dulhania retained No. 1).[132] It topped the box office for four straight weekends in Germany, Korea, Austria, Finland, Poland, Portugal, Brazil, Venezuela, Bolivia, Switzerland and the UK (exclusive of previews).[135][163] In the Philippines, it emerged as the most successful commercial film of all time—both local and foreign—with over $13.5 million.[164] In just five weeks, the film became one of the top 10 highest-grossing film of all time in the United Kingdom and Ireland, ahead of all but one Harry Potter film (Deathly Hallows – Part 2) and all three The Lord of the Rings movies (which also starred Ian McKellen).[165] It is currently the eighth-biggest grosser with £70.1 million ($90 million), overtaking Mamma Mia! to become the biggest musical production ever there.[154][166] The biggest international earning markets following the UK are Japan ($108 million), China ($85.8 million), Brazil ($41.5 million), Korea ($37.5 million), and Australia ($35 million).[161] In Europe alone, the cumulative total is $267 million to become the second-highest-grossing film in the past year (behind Rogue One: A Star Wars Story).[154][157][167]

text: Critical response[edit]

text: Beauty and the Beast received generally positive reviews, with praise for the faithfulness to the original film with a few elements of the Broadway musical version, cast performances, visuals, Jacqueline Durran's costume designs, production design, Alan Menken's musical score and songs, though the designs of the Beast and the servants' household object forms received mixed reviews.[168][169] On review aggregator Rotten Tomatoes, the film has an approval rating of 71% based on 294 reviews, with an average rating of 6.6/10. The site's critical consensus reads, "With an enchanting cast, beautifully crafted songs, and a painterly eye for detail, Beauty and the Beast offers a faithful yet fresh retelling that honors its beloved source material."[170] On Metacritic, the film has a score of 65 out of 100, based on 47 critics, indicating "generally favorable reviews".[171] In CinemaScore polls, audiences gave the film an average grade of "A" on an A+ to F scale.[172][173]

text: Leslie Felperin of The Hollywood Reporter wrote: "It's a Michelin-triple-starred master class in patisserie skills that transforms the cinematic equivalent of a sugar rush into a kind of crystal-meth-like narcotic high that lasts about two hours." Felperin also praised the performances of Watson and Kline as well the special effects, costume designs and the sets while commended the inclusion of Gad's character of LeFou as the first LGBT character in Disney.[174] Owen Gleiberman of Variety, in his positive review of the film, wrote: "It's a lovingly crafted movie, and in many ways a good one, but before that it's an enraptured piece of old-is-new nostalgia." Gleiberman compared Steven's character of the Beast to a royal version of the titular character in The Elephant Man and the 1946 version of the Beast in Jean Cocteau's original adaptation.[175] A. O. Scott of The New York Times praised the performances of both Watson and Stevens, and wrote: "It looks good, moves gracefully and leaves a clean and invigorating aftertaste. I almost didn't recognize the flavor: I think the name for it is joy."[176] Likewise, The Washington Post's Ann Hornaday complimented Watson's performance, describing it as "alert and solemn" while noting her singing ability as "serviceable enough to get the job done".[177] Richard Roeper of Chicago Sun-Times awarded the film three and a half stars, lauded the performances of Watson and Thompson which he drew a comparison to Paige O'Hara's and Angela Lansbury's performances in the 1991 animated version while appreciating the performances of the other cast and also pointing out on its usage of the combination of motion capture and CGI technology as a big advantage which he stated: "Almost overwhelmingly lavish, beautifully staged and performed with exquisite timing and grace by the outstanding cast".[178] Mike Ryan of Uproxx praised the cast, production design and the new songs while noting the film doesn't try anything different, saying: "There's certainly nothing that new about this version of Beauty and the Beast (well, except it isn't a cartoon anymore), but it's a good recreation of a classic animated film that should leave most die-hards satisfied."[179] In her A- review, Nancy Churnin of The Dallas Morning News praised the film's emotional and thematic depth, remarking: "There's an emotional authenticity in director Bill Condon's live-action Beauty and the Beast film that helps you rediscover Disney's beloved 1991 animated film and 1994 stage show in fresh, stirring ways."[180] James Berardinelli of ReelViews described the 2017 version as "enthralling".[181]

text: Brian Truitt of USA Today commended the performances of Evans, Gad, McGregor and Thompson alongside Condon's affinity with musicals, the production design, visual effects featured in some of the song numbers including new songs made by the composers Alan Menken and Tim Rice, particularly Evermore which he described the new song with a potential for an Academy Award for Best Original Song.[182] Peter Travers of Rolling Stone rated the film three out of four stars which he deemed it as an "exhilarating gift" while he remarked that "Beauty and the Beast does justice to Disney's animated classic, even if some of the magic is M.I.A (Missing in Action)."[183] Stephanie Zacharek of Time magazine gave a positive review with a description as "Wild, Vivid and Crazy-Beautiful" as she wrote "Nearly everything about Beauty and the Beast is larger than life, to the point that watching it can be a little overwhelming." and added that "it’s loaded with feeling, almost like a brash interpretive dance expressing the passion and elation little girls (and some boys, too) must have felt upon seeing the earlier version."[184] The San Francisco Chronicle's Mick LaSalle struck an affirmative tone, calling it one of the joys of 2017, stating that "Beauty and the Beast creates an air of enchantment from its first moments, one that lingers and builds and takes on qualities of warmth and generosity as it goes along" while referring the film as "beautiful" and also praised the film for its emotional and psychological tone as well Steven's motion capture performance.[185] Tim Robey of The Daily Telegraph gave the film four stars out of five and wrote that "It dazzles on this chocolate box of a picture that feels almost greedy yet to make this film work, down to a sugar-rush finale to grasp the nettle and make an out-an-out, bells-and-whistles musical" while he praised the performances of Watson, McKellen, Thompson, McGregor, Evans and Gad.[186] Mark Hughes of Forbes also similarly praised the film which he wrote that "it could revive the story in a faithful but entirely new and unique way elevating the material beyond expectations, establishing itself as a cinematic equal to the original" and also complimented the importance of undertaking a renowned yet problematic masterpiece as well addressing changes in the elements of the story while acknowledging the film's effectiveness in resonating to the audiences.[187]

text: Several critics regarded the film as inferior to its 1991 animated predecessor. David Sims of The Atlantic wrote that the 2017 film "feels particularly egregious, in part, because it’s so slavishly devoted to the original; every time it falls short of its predecessor (which is quite often), it’s hard not to notice".[188] Michael Phillips of the Chicago Tribune said that the 2017 film "takes our knowledge and our interest in the material for granted. It zips from one number to another, throwing a ton of frenetically edited eye candy at the screen, charmlessly." Phillips wrote that the film featured some "less conspicuously talented" performers who are "stuck doing karaoke, or motion-capture work of middling quality", though he praised Kline's performance as the "best, sweetest thing in the movie; he brings a sense of calm, droll authority".[189] Peter Bradshaw of The Guardian praised Watson's performance and wrote that the film was "lit in that fascinatingly artificial honey-glow light, and it runs smoothly on rails—the kind of rails that bring in and out the stage sets for the lucrative Broadway touring version." In the same newspaper, Wendy Ide criticized the film as "ornate to the point of desperation" in its attempt to emulate the animated film.[190][191]

text: Chris Nashawaty of Entertainment Weekly gave the film a B-, writing that while the film looks "exceptionally great", he sensed that the new songs were "not transporting". He felt the film needed more life and depth, but praised Watson's and Steven's performances as the "film’s stronger elements".[192] Dana Schwartz of The New York Observer felt that some of the characters, such as Gaston and the Beast, had been watered down from the 1991 film, and that the additional backstory elements failed to "advance the plot or theme in any meaningful way" while adding considerable bloat. Schwartz considered the singing of the cast to be adequate but felt that their voices should have been dubbed over, especially for the complex songs.[193]

text: Accolades[edit]

text:
Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref.

MTV Movie & TV Awards
May 7, 2017
Movie of the Year
Beauty and the Beast
Won
[194]

Best Actor in a Movie
Emma Watson

Best Kiss
Emma Watson and Dan Stevens
Nominated

Best Duo
Josh Gad and Luke Evans

Golden Trailer Awards
June 6, 2017
Best Animation/Family
Beauty and the Beast
[195]

Best Original Score

Best Animation/Family TV Spot

Best Fantasy Adventure TV Spot

Teen Choice Awards
August 13, 2017
Choice Movie: Fantasy
Won
[196]
[197]

Choice Movie: Fantasy Actor
Dan Stevens
Nominated

Choice Movie: Fantasy Actress
Emma Watson
Won

Choice Movie Villain
Luke Evans

Choice Movie Ship
Emma Watson and Dan Stevens

Choice Liplock

Choice Scene Stealer
Josh Gad
Nominated

Choice Hissy Fit
Luke Evans

Dan Stevens

tag: table

text: Controversies[edit]

text: Gay character[edit]

text: Controversy erupted after director Bill Condon said there was a "gay moment" in the film, when LeFou briefly waltzes with Stanley, one of Gaston's friends.[198] Afterwards in an interview with Vulture.com, Condon stated, "Can I just say, I’m sort of sick of this. Because you’ve seen the movie—it's such a tiny thing, and it’s been overblown." Condon also added that Beauty and the Beast features much more diversity than just the highly talked-about LeFou: "That was so important. We have interracial couples—this is a celebration of everybody's individuality, and that’s what’s exciting about it.”[199] GLAAD president and CEO Sarah Kate Ellis praised the move stating, "It is a small moment in the film, but it is a huge leap forward for the film industry."[200]

text: In Russia, Vitaly Milonov agitated the culture minister for banning the film,[201] but instead it was given a 16+ rating (children under the age of 16 can only be admitted to see it in theaters with accompanying adults).[202] Additionally, a theater in Henagar, Alabama did not screen the film because of the subplot.[203] In Malaysia, the Film Censorship Board insisted the "gay moment" scene be cut, prompting an indefinite postponement of its release by Disney, followed by their decision to withdraw it completely if it could not be released uncensored.[204][205][206] The studio moved the release date to March 30, to allow more time for Malaysia's censor board to make a decision on whether or not to release the film without changes.[207] The distributors and producers then submitted an appeal to the Film Appeal Committee of Malaysia, which allowed the film to be released without any cuts and a P13 rating on the grounds that the "gay element" was minor and did not affect the positive elements featured in the film.[208][209] In Kuwait, the movie was withdrawn from cinemas by National Cinema Company which owns most of the cinemas in the country. A board member of the company stated that the Ministry of Information's censorship department had requested it to stop its screening and edit it for things deemed offensive by it.[210]

text: There were also a number of boycotts against the film. A call to boycott on LifePetitions received over 129,000 signatures,[211] while the American Family Association featured a petition to boycott with the film, asking the public to help crowdfund a CGI version of Pilgrim's Progress instead.[212]

text: Belle and the Beast's relationship[edit]

text: Disney has sought to portray Belle as an empowered young woman,[213] but a debate questioning whether it is possible to fall in love with someone who is holding you prisoner, and whether this is a problematic theme, has resulted.[214] As was the case with the original animated film, one argument is that Belle suffers from Stockholm syndrome (a condition that causes hostages to develop a psychological alliance with their captors as a survival strategy during captivity). Emma Watson studied whether Belle is trapped in an abusive relationship with the Beast before signing on and concluded that she does not think the criticism fits this version of the folk tale.[215][216] Watson described Stockholm Syndrome as "where a prisoner will take on the characteristics of and fall in love with the captor. Belle actively argues and disagrees with [Beast] constantly. She has none of the characteristics of someone with Stockholm Syndrome because she keeps her independence, she keeps that freedom of thought", also adding that Belle defiantly "gives as good as she gets" before forming a friendship and romance with the Beast.[217]

text: Psychiatrist Frank Ochberg, who coined the term "Stockholm syndrome", said he does not think Belle exhibits the trauma symptoms of prisoners suffering from the syndrome because she does not go through a period of feeling that she is going to die.[218] Some therapists, while acknowledging that the pairing's relationship does not meet the clinical definition of Stockholm syndrome, argue that the relationship depicted is dysfunctional and abusive and does not model healthy romantic relationships for young viewers.[219][220] Constance Grady of Vox writes that Jeanne-Marie Leprince de Beaumont's Beauty and the Beast was a fairy tale originally written to prepare young girls in 18th-century France for arranged marriages, and that the power disparity is amplified in the Disney version.[221] Anna Menta of Elite Daily argued that the Beast does not apologize to Belle for imprisoning, hurting, or manipulating her, and his treatment of Belle is not painted as wrong.[222]

text: Notes[edit]

text: ^ Jump up to: a b Beauty and the Beast at Box Office Mojo. Retrieved August 14, 2017.

tag: ol