document_title: Queen (band)

question_text: when did queen's first song come out

question_tokens: when did queen 's first song come out

root

text: Queen (band)

text: History

text: 1968–1974: Early days

text: In 1968, guitarist Brian May, a student at London's Imperial College, and bassist Tim Staffell decided to form a band. May placed an advertisement on a college notice board for a "Mitch Mitchell/Ginger Baker type" drummer; Roger Taylor, a young dental student, auditioned and got the job. The group called themselves Smile.[1]

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text: While attending Ealing Art College, Tim Staffell became friends with Farrokh Bulsara, a fellow student who had assumed the English name of Freddie. Bulsara felt that he and the band had the same tastes and soon became a keen fan of Smile. In 1970, after Staffell left to join the band Humpy Bong, the remaining Smile members, encouraged by Bulsara, changed their name to "Queen" and performed their first gig on 18 July.[2] The band had a number of bass players during this period who did not fit with the band's chemistry. It was not until February 1971 that they settled on John Deacon and began to rehearse for their first album. They recorded four of their own songs, "Liar", "Keep Yourself Alive", "The Night Comes Down" and "Jesus", for a demo tape; no record companies were interested.[3] It was also around this time Freddie changed his surname to "Mercury", inspired by the line "Mother Mercury, look what they've done to me" in the song "My Fairy King".[4] On 2 July 1971, Queen played their first show in the classic line-up of Mercury, May, Taylor and Deacon at a Surrey college outside London.[5]

text: Having attended art college, Mercury also designed Queen's logo, called the Queen crest, shortly before the release of the band's first album.[6] The logo combines the zodiac signs of all four members: two lions for Leo (Deacon and Taylor), a crab for Cancer (May), and two fairies for Virgo (Mercury).[6] The lions embrace a stylised letter Q, the crab rests atop the letter with flames rising directly above it, and the fairies are each sheltering below a lion.[6] There is also a crown inside the Q and the whole logo is over-shadowed by an enormous phoenix. The whole symbol bears a passing resemblance to the Royal coat of arms of the United Kingdom, particularly with the lion supporters.[6] The original logo, as found on the reverse-side of the cover of the band's first album, was a simple line drawing. Later sleeves bore more intricate-coloured versions of the logo.[6][7]

text: In 1972, Queen entered discussions with Trident Studios after being spotted at De La Lane Studios by John Anthony. After these discussions, Norman Sheffield offered the band a management deal under Neptune Productions, a subsidiary of Trident, to manage the band and enable them to use the facilities at Trident to record new material, whilst the management searched for a record label to sign Queen. This suited both parties, as Trident were expanding into management, and under the deal, Queen were able to make use of the hi-tech recording facilities used by other musicians such as the Beatles and Elton John to produce new material.[8]

text: In 1973, Queen signed to a deal with Trident/EMI. By July of that year, they released their eponymous debut album, an effort influenced by heavy metal and progressive rock.[9] The album was received well by critics; Gordon Fletcher of Rolling Stone called it "superb",[10] and Chicago's Daily Herald called it an "above average debut".[11] However, it drew little mainstream attention, and the lead single "Keep Yourself Alive" sold poorly. Retrospectively, it is cited as the highlight of the album, and in 2008 Rolling Stone ranked it 31st in the "100 Greatest Guitar Songs of All Time", describing it as "an entire album's worth of riffs crammed into a single song".[12] The album was certified gold in the UK and the US.[13][14]

text:
"The March of the Black Queen"

A sample of "The March of the Black Queen" from Queen II (1974). The band's earlier songs (such as this) leaned more towards progressive rock and heavy metal compared to their later work.

Problems playing this file? See media help.

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text: The group's second LP, Queen II, was released in 1974, and features rock photographer Mick Rock's iconic image of the band on the cover.[15] This image would be used as the basis for the 1975 "Bohemian Rhapsody" music video production.[15][16] The album reached number five on the British album chart and became the first Queen album to chart in the UK.[13] The Freddie Mercury-written lead single "Seven Seas of Rhye" reached number ten in the UK, giving the band their first hit.[13] The album is the first real testament to the band's distinctive layered sound, and features long complex instrumental passages, fantasy-themed lyrics, and musical virtuosity.[17][18] Aside from its only single, the album also included the song "The March of the Black Queen", a six-minute epic which lacks a chorus. The Daily Vault described the number as "menacing".[19] Critical reaction was mixed; the Winnipeg Free Press, while praising the band's debut album, described Queen II as an "over-produced monstrosity".[20] Allmusic has described the album as a favourite among the band's hardcore fans,[21] and it is the first of three Queen albums to feature in the book 1001 Albums You Must Hear Before You Die.[22]

text: 1974–1976: Sheer Heart Attack to A Night at the Opera

text: In May 1974, a month into the band's first US tour opening for Mott the Hoople, Brian May collapsed and was diagnosed with hepatitis, forcing the cancellation of their remaining dates.[17] While recuperating, May was initially absent when the band started work on their third album, but he returned midway through the recording process.[23] Released in 1974, Sheer Heart Attack reached number two in the United Kingdom,[24] sold well throughout Europe, and went gold in the United States.[14] It gave the band their first real experience of international success, and was a hit on both sides of the Atlantic.[25] The album experimented with a variety of musical genres, including British music hall, heavy metal, ballads, ragtime, and Caribbean. At this point, Queen started to move away from the progressive tendencies of their first two releases into a more radio-friendly, song-orientated style.[26] Sheer Heart Attack introduced new sound and melody patterns that would be refined on their next album, A Night at the Opera.

text: The single "Killer Queen" from Sheer Heart Attack reached number two on the British charts,[13] and became their first US hit, reaching number 12 on the Billboard Hot 100.[27] It combines camp, vaudeville, and British music hall with May's guitar virtuosity. The album's second single, "Now I'm Here", a more traditional hard rock composition, was a number eleven hit in Britain, while the high speed rocker "Stone Cold Crazy" featuring May's uptempo riffs is a precursor to speed metal.[23][28] In recent years, the album has received acclaim from music publications: In 2006, Classic Rock ranked it number 28 in "The 100 Greatest British Rock Albums Ever",[29] and in 2007, Mojo ranked it No.88 in "The 100 Records That Changed the World".[30] It is also the second of three Queen albums to feature in the book 1001 Albums You Must Hear Before You Die.[22]

text: In January 1975, the band left for a world tour with each member in Zandra Rhodes-created costumes and accompanied with banks of lights and effects. They toured the US as headliners, and played in Canada for the first time,[31] after that they played in seven cities of Japan from mid-April to the start of May. In September, after an acrimonious split with Trident, the band negotiated themselves out of their Trident Studios contract and searched for new management. One of the options they considered was an offer from Led Zeppelin's manager, Peter Grant. Grant wanted them to sign with Led Zeppelin's own production company, Swan Song Records. The band found the contract unacceptable and instead contacted Elton John's manager, John Reid, who accepted the position.[32]

text: In late 1975, Queen recorded and released A Night at the Opera, taking its name from the popular Marx Brothers movie. At the time, it was the most expensive album ever produced.[33] Like its predecessor, the album features diverse musical styles and experimentation with stereo sound. In "The Prophet's Song", an eight-minute epic, the middle section is a canon, with simple phrases layered to create a full-choral sound. The Mercury penned ballad, "Love of My Life", featured a harp and overdubbed vocal harmonies.[34] The album was very successful in Britain,[13] and went triple platinum in the United States.[14] The British public voted it the 13th greatest album of all time in a 2004 Channel 4 poll.[35] It has also ranked highly in international polls; in a worldwide Guinness poll, it was voted the 19th greatest of all time,[36] while an ABC poll saw the Australian public vote it the 28th greatest of all time.[37] A Night at the Opera has frequently appeared in "greatest albums" lists reflecting the opinions of critics. Among other accolades, it was ranked number 16 in Q Magazine's "The 50 Best British Albums Ever" in 2004, and number 11 in Rolling Stone's "The 100 Greatest Albums of All Time" as featured in their Mexican edition in 2004.[38] It was also placed at No. 230 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time" in 2003.[39] A Night at the Opera is the third and final Queen album to be featured in the book 1001 Albums You Must Hear Before You Die.[22]

text: The album also featured the hit single "Bohemian Rhapsody", which was number one in the UK for nine weeks.[13] Mercury's close friend and advisor, Capital London radio DJ Kenny Everett, played a pivotal role in giving the single exposure.[40][41] It is the third-best-selling single of all time in the UK, surpassed only by Band Aid's "Do They Know It's Christmas?" and Elton John's "Candle in the Wind 1997", and is the best-selling commercial single in the UK. It also reached number nine in the United States (a 1992 re-release reached number two on the Billboard Hot 100 for five weeks).[27] It is the only single ever to sell a million copies on two separate occasions,[42] and became the Christmas number one twice in the UK, the only single ever to do so. "Bohemian Rhapsody" has been voted numerous times the greatest song of all time.[43][44] The band decided to make a video to help go with the single and hired Trilion,[45] a subsidiary of the former management company Trident Studios, using new technology to create the video; the result is generally considered to have been the first "true" music video ever produced,[46][47][48] and popularised the medium.[49] Although other bands, including the Beatles, had made short promotional films or videos of songs before, most of those were specifically made to be aired on specific television shows. On the impact of "Bohemian Rhapsody", Rolling Stone states: "Its influence cannot be overstated, practically inventing the music video seven years before MTV went on the air."[48] Ranking it number 31 on their list of the 50 key events in rock music history, The Guardian stated it ensured "videos would henceforth be a mandatory tool in the marketing of music".[50] The album's first track "Death on Two Legs" is said to have been written by Mercury about Norman Sheffield and the former management at Trident who helped make the video so popular because the band was broke despite the success of the previous album.[8][51] The second single from the album, "You're My Best Friend", the second song composed by John Deacon, and his first single, peaked at number sixteen in the United States[27] and went on to become a worldwide Top Ten hit.[42] The band's A Night at the Opera Tour began in November 1975, and covered Europe, the United States, Japan, and Australia.[52]

text: 1976–1979: A Day at the Races to Live Killers

text: By 1976, Queen were back in the studio recording A Day at the Races, which is often regarded as a sequel album to A Night at the Opera.[53][54] It again borrowed the name of a Marx Brothers movie, and its cover was similar to that of A Night at the Opera, a variation on the same Queen Crest.[55] The most recognisable of the Marx Brothers, Groucho Marx, invited Queen to visit him in his Los Angeles home in March 1977; there the band thanked him in person, and performed "'39" a cappella.[56] Musically, A Day at the Races was by both fans' and critics' standards a strong effort, reaching number one in the UK and Japan, and number five in the US.[13][55] The major hit on the album was "Somebody to Love", a gospel-inspired song in which Mercury, May, and Taylor multi-tracked their voices to create a 100-voice gospel choir. The song went to number two in the UK,[13] and number thirteen in the US.[27] The album also featured one of the band's heaviest songs, May's "Tie Your Mother Down", which became a staple of their live shows.[57][58]

text: During 1976, Queen played one of their most famous gigs, a free concert in Hyde Park, London.[59] A concert organised by the entrepreneur Richard Branson, it set an attendance record with 150,000 people confirmed in the audience.[59][60] On 1 December 1976, Queen were the intended guests on London's early evening Today programme, but they pulled out at the last-minute, which saw their late replacement on the show, EMI labelmate the Sex Pistols, give their infamous expletive-strewn interview with Bill Grundy.[61][62] During the A Day at the Races Tour in 1977, Queen performed sold-out shows at Madison Square Garden, New York, in February, and Earls Court, London, in June.[16][63]

text: The band's sixth studio album News of the World was released in 1977, which has gone four times platinum in the United States, and twice in the UK.[14] The album contained many songs tailor-made for live performance, including two of rock's most recognisable anthems, "We Will Rock You" and the rock ballad "We Are the Champions", both of which became enduring international sports anthems, and the latter reached number four in the US.[27][64] Queen commenced the News of the World Tour in October 1977, and Robert Hilburn of the Los Angeles Times called this concert tour the band's "most spectacularly staged and finely honed show".[65]

text: In 1978, the band released Jazz, which reached number two in the UK and number six on the Billboard 200 in the US.[66] The album included the hit singles "Fat Bottomed Girls" and "Bicycle Race" on a double-sided record. Queen rented Wimbledon Stadium for a day to shoot the video, with 65 female models hired to stage a nude bicycle race.[67] Reviews of the album in recent years have been more favourable.[68] Another notable track from Jazz, "Don't Stop Me Now", provides another example of the band's exuberant vocal harmonies.[69]

text: In 1978, Queen toured the US and Canada, and spent much of 1979 touring in Europe and Japan.[70] They released their first live album, Live Killers, in 1979; it went platinum twice in the US.[71] Queen also released the very successful single "Crazy Little Thing Called Love", a rockabilly inspired song done in the style of Elvis Presley.[72][73] The song made the top 10 in many countries, topped the Australian ARIA Charts for seven consecutive weeks, and was the band's first number one single in the United States where it topped the Billboard Hot 100 for four weeks.[27][74] Having written the song on guitar and played rhythm on the record, Mercury played rhythm guitar while performing the song live, which was the first time he ever played guitar in concert.[73] In December 1979, Queen played the opening night at the Concert for the People of Kampuchea in London, having accepted a request by the event's organiser Paul McCartney.[73]

text: 1980–1984: The Game to The Works

text: Queen began their 1980s career with The Game. It featured the singles "Crazy Little Thing Called Love" and "Another One Bites the Dust", both of which reached number one in the US.[27] After attending a Queen concert in Los Angeles, Michael Jackson suggested to Mercury backstage that "Another One Bites the Dust" be released as a single, and in October 1980 it spent three weeks at number one.[75] The album topped the Billboard 200 for five weeks,[76] and sold over four million copies in the US.[14] It was also the first appearance of a synthesiser on a Queen album. Heretofore, their albums featured a distinctive "No Synthesisers!" sleeve note. The note is widely assumed to reflect an anti-synth, pro-"hard"-rock stance by the band,[77] but was later revealed by producer Roy Thomas Baker to be an attempt to clarify that those albums' multi-layered solos were created with guitars, not synths, as record company executives kept assuming at the time.[78] In September 1980, Queen performed three sold-out shows at Madison Square Garden.[16] In 1980, Queen also released the soundtrack they had recorded for Flash Gordon.[79] At the 1981 American Music Awards in January, "Another One Bites the Dust" won the award for Favorite Pop/Rock Single, and Queen were nominated for Favorite Pop/Rock Band, Duo, or Group.[80]

text: In February 1981, Queen travelled to South America as part of The Game Tour, and became the first major rock band to play in Latin American stadiums.[70] The tour included five shows in Argentina, one of which drew the largest single concert crowd in Argentine history with an audience of 300,000 in Buenos Aires[81] and two concerts at the Morumbi Stadium in São Paulo, Brazil, where they played to an audience of more than 131,000 people in the first night (then the largest paying audience for a single band anywhere in the world)[82] and more than 120,000 people the following night.[83] In October of the same year, Queen performed for more than 150,000 fans on 9 October at Monterrey (Estadio Universitario) and 17 and 18 at Puebla (Estadio Zaragoza), Mexico.[84] On 24 and 25 November, Queen played two sell out nights at the Montreal Forum, Quebec, Canada.[85] One of Mercury's most notable performances of The Game's final track, "Save Me", took place in Montreal, and the concert is recorded in the live album, Queen Rock Montreal.[86]

text:
"It was very excessive [the style of life]. I think the excess leaked out from the music into life and became a need. Queen was a wonderful vehicle and a wonderful, magical combination, but I think it came close to destroying us all. [We] were the biggest thing in the world for a moment in time and everything that goes with that really messes up your mind somehow. We've all suffered. Freddie, obviously, went completely AWOL, which is why he got that terrible disease. He was utterly out of control for a while. In a way, all of us were out of control and [...] it screwed us up."

—Brian May on the most turbulent period in the band during the early 1980s.[87]

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text: Queen worked with David Bowie on the single "Under Pressure". The first-time collaboration with another artist was spontaneous, as Bowie happened to drop by the studio while Queen were recording.[88] Upon its release, the song was extremely successful, reaching number one in the UK and featuring at number 31 on VH1's 100 Greatest Songs of the '80s.[89]

text: In October that year, Queen released their first compilation album, titled Greatest Hits, which showcased the group's highlights from 1974 to 1981.[90] It is the best-selling album in UK Chart history, and has spent 450 weeks in the UK Album Chart.[91][92] The album is certified eight times platinum in the United States, and has sold over 25 million copies worldwide.[14][93] Taylor became the first member of the band to release his own solo album in 1981, titled Fun in Space.

text: In 1982, the band released the album Hot Space, a departure from their trademark seventies sound, this time being a mixture of rock, pop rock, dance, funk, and R&B.[94] Most of the album was recorded in Munich during the most turbulent period in the band's history, and Taylor and May lamented the new sound, with both being very critical of the influence Mercury's personal manager Paul Prenter had on the singer.[95] May was also scathing of Prenter, who was Mercury's manager from the early 1980s to 1984, for being dismissive of the importance of radio stations, such as the US networks, and their vital connection between the artist and the community, and for denying them access to Mercury.[96] Q magazine would list Hot Space as one of the top fifteen albums where great rock acts lost the plot.[97] On 14 and 15 September 1982, the band performed their last two gigs in the US with Mercury on lead vocals, those concerts were held at The Forum in Inglewood, California.[98] The band stopped touring North America after their Hot Space Tour, as their success there had waned, although they would perform on American television for the only time during the eighth-season premiere of Saturday Night Live on 25 September of the same year;[99] it became the final public performance of the band in North America before the death of their frontman. Queen left Elektra Records, their label in the US, Canada, Japan, Australia, and New Zealand, and signed onto EMI/Capitol Records.

text: After working steadily for over ten years, Queen decided that they would not perform any live shows in 1983.[100] During this time, they recorded a new album at the Record Plant Studios, Los Angeles and Musicland Studios, Munich, and several members of the band explored side projects and solo work. Taylor released his second solo album, Strange Frontier. May released the mini-album, Star Fleet Project, collaborating with Eddie Van Halen.[101]

text: In February 1984, Queen released their eleventh studio album, The Works, which included the successful singles "Radio Ga Ga", "Hammer to Fall" and "I Want to Break Free".[102][103] Despite these hit singles, the album failed to do well in the US, while in the UK it went triple platinum and remained in the albums chart for two years.[104]

text: That year, Queen began The Works Tour, the first tour to feature keyboardist Spike Edney as an extra live musician. The tour featured nine sold-out dates in October in Bophuthatswana, South Africa, at the arena in Sun City.[105][106] Upon returning to England, they were the subject of outrage, having played in South Africa during the height of apartheid and in violation of worldwide divestment efforts and a United Nations cultural boycott. The band responded to the critics by stating that they were playing music for fans in South Africa, and they also stressed that the concerts were played before integrated audiences.[107] Queen donated to a school for the deaf and blind as a philanthropic gesture but were fined by the British Musicians' Union and placed on the United Nations' blacklisted artists.[108]

text: 1985–1988: Live Aid and later years

text: In January 1985, the band headlined two nights of the first Rock in Rio festival at Rio de Janeiro, Brazil, and played in front of over 300,000 people each night.[109] The Boston Globe described it as a "mesmerising performance".[110] A selection of highlights of both nights was released on VHS with the title Queen: Live in Rio, and was later broadcast on MTV in the US.[110][111] In April and May 1985, Queen completed the Works Tour with sold-out shows in Australia and Japan.[112]

text:
"Queen were absolutely the best band of the day... they just went and smashed one hit after another... it was the perfect stage for Freddie: the whole world."

—Bob Geldof, on Queen's performance at Live Aid.[113]

text: At Live Aid, held at Wembley on 13 July 1985, in front of the biggest-ever TV audience of 1.9 billion, Queen performed some of their greatest hits, during which the sold-out stadium audience of 72,000 people clapped, sang, and swayed in unison.[114][115] The show's organisers, Bob Geldof and Midge Ure, other musicians such as Elton John, Cliff Richard and Dave Grohl, and music journalists writing for the BBC, CNN, Rolling Stone, MTV, The Telegraph among others, stated that Queen stole the show.[116][117][118][119] An industry poll in 2005 ranked it the greatest rock performance of all time.[116][120] Mercury's powerful, sustained note during the a cappella section came to be known as "The Note Heard Round the World".[121]

text: When interviewed for Mojo magazine the band said the most amazing sight at Live Aid was to see the audience clapping to "Radio Ga Ga". Brian May stated: "I'd never seen anything like that in my life and it wasn't calculated either. We understood our audience and played to them but that was one of those weird accidents because of the (music) video. I remember thinking 'oh great, they've picked it up' and then I thought 'this is not a Queen audience'. This is a general audience who've bought tickets before they even knew we were on the bill. And they all did it. How did they know? Nobody told them to do it."[122]

text: The band, now revitalised by the response to Live Aid – a "shot in the arm" Roger Taylor called it,[122] — and the ensuing increase in record sales, ended 1985 by releasing the single "One Vision", which was the third time after "Stone Cold Crazy" and "Under Pressure (with David Bowie)" that all four bandmembers received a writing credit for the one song.[123][124] Also, a limited-edition boxed set containing all Queen albums to date was released under the title of The Complete Works. The package included previously unreleased material, most notably Queen's non-album single of Christmas 1984, titled "Thank God It's Christmas".[125]

text: In early 1986, Queen recorded the album A Kind of Magic, containing several reworkings of songs written for the fantasy action film Highlander.[127] The album was very successful, producing a string of hits, including the title track, "A Kind of Magic". Also charting from the album were "Who Wants to Live Forever" (featuring an orchestra conducted by Michael Kamen), "Friends Will Be Friends", and the de facto theme from Highlander, "Princes of the Universe".[128]

text: In summer of 1986, Queen went on their final tour with Freddie Mercury.[129][130] A sold-out tour in support of A Kind of Magic, once again they hired Spike Edney.[131][132] The Magic Tour's highlight was at Wembley Stadium in London and resulted in the live double album, Queen at Wembley, released on CD and as a live concert VHS/DVD, which has gone five times platinum in the US and four times platinum in the UK.[14][133] Queen could not book Wembley for a third night, but they did play at Knebworth Park. The show sold out within two hours and over 120,000 fans packed the park for what was Queen's final live performance with Mercury.[134][135] Queen began the tour at the Råsunda Stadium in Stockholm, Sweden, and during the tour the band performed a concert at Slane Castle, Ireland, in front of an audience of 95,000, which broke the venue's attendance record.[136] The band also played behind the Iron Curtain when they performed to a crowd of 80,000 at the Népstadion in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe.[137] More than one million people saw Queen on the tour—400,000 in the UK alone, a record at the time.[106]

text: After working on various solo projects during 1988 (including Mercury's collaboration with Montserrat Caballé, Barcelona), the band released The Miracle in 1989. The album continued the direction of A Kind of Magic, using a pop-rock sound mixed with a few heavy numbers. It spawned the European hits "I Want It All", "Breakthru", "The Invisible Man", "Scandal", and "The Miracle".[138] The Miracle also began a change in direction of Queen's songwriting philosophy. Since the band's beginning, nearly all songs had been written by and credited to a single member, with other members adding minimally. With The Miracle, the band's songwriting became more collaborative, and they vowed to credit the final product only to Queen as a group.[139]

text: 1988–1992: Mercury: illness, death, and tribute

text:
"There was all that time when we knew Freddie was on the way out, we kept our heads down."

—Brian May[140]

text: After fans noticed Mercury's increasingly gaunt appearance in 1988, the media reported that Mercury was seriously ill, with AIDS frequently being mentioned as a likely illness. Mercury flatly denied this, insisting he was merely "exhausted" and too busy to provide interviews; he was now 42 years old and had been heavily involved in music for nearly two decades.[141] Mercury had in fact been diagnosed as being HIV positive during 1987, but did not make his illness public and denied that anything was wrong. In spite of Mercury's illness, the band decided to continue making albums, starting with The Miracle (released in the summer of 1989) and continuing with Innuendo (released at the beginning of 1991). Despite his deteriorating health, the lead singer continued to contribute. For the last two albums made while Mercury was still alive, the band credited all songs to Queen, rather than specific members of the group, freeing them of internal conflict and differences. In 1990, Queen ended their contract with Capitol and signed with Disney's Hollywood Records, which has since remained the group's music catalogue owner in the United States and Canada.[142][143] In February that year, Mercury made his final public appearance when he joined the rest of Queen to collect the Brit Award for Outstanding Contribution to British Music. Throughout 1990, media reports persisted that Mercury was seriously ill, but the singer continued to deny that these reports were true.[144][145]

text: Innuendo was released in early 1991 with an eponymous number 1 UK hit and other charting singles released later in the year, which included "The Show Must Go On". This song, released as a forerunner to Greatest Hits II in October 1991, featured archive footage of Queen's performances between 1981 and 1989, and along with the manner of its lyrics, this continued to fuel the media reports that Mercury was dying, although this was still officially denied.[146][147] Mercury was increasingly ill and could barely walk when the band recorded "The Show Must Go On" in 1990. Because of this, May had concerns about whether he was physically capable of singing it.[148] Recalling Mercury's successful performance May states; "he went in and killed it, completely lacerated that vocal".[148] The rest of the band were ready to record when Mercury felt able to come into the studio, for an hour or two at a time. May says of Mercury: "He just kept saying. 'Write me more. Write me stuff. I want to just sing this and do it and when I am gone you can finish it off.’ He had no fear, really."[126] The band's second greatest hits compilation, Greatest Hits II, followed in October 1991, which is the eighth best-selling album of all time in the UK and has sold 16 million copies worldwide.[149][150][151]

text: On 23 November 1991, in a prepared statement made on his deathbed, Mercury confirmed that he had AIDS.[152] Within 24 hours of the statement, he died of bronchial pneumonia, which was brought on as a complication of AIDS.[153] His funeral service on 27 November in Kensal Green, West London was private, and held in accordance with the Zoroastrian religious faith of his family.[154][155] "Bohemian Rhapsody" was re-released as a single shortly after Mercury's death, with "These Are the Days of Our Lives" as the double A-side. The music video for "These Are the Days of Our Lives" contains Mercury's final scenes in front of the camera. This track had featured at the beginning of the year on the Innuendo album, and the video for it was recorded in May 1991 (which proved to be Mercury's final work with Queen).[156] The single went to number one in the UK, remaining there for five weeks – the only recording to top the Christmas chart twice and the only one to be number one in four different years (1975, 1976, 1991, and 1992).[157] Initial proceeds from the single – approximately £1,000,000 – were donated to the Terrence Higgins Trust, an AIDS charity.[158]

text: Queen's popularity was stimulated in North America when "Bohemian Rhapsody" was featured in the 1992 comedy film Wayne's World.[159] Its inclusion helped the song reach number two on the Billboard Hot 100 for five weeks in 1992 (including its 1976 chart run, it remained in the Hot 100 for a combined 41 weeks),[159] and won the band an MTV Award at the 1992 MTV Video Music Awards.[160] The compilation album Classic Queen also reached number four on the Billboard 200, and is certified three times platinum in the US.[14][159] Wayne's World footage was used to make a new music video for "Bohemian Rhapsody", with which the band and management were delighted.[161]

text: On 20 April 1992, The Freddie Mercury Tribute Concert was held at London's Wembley Stadium to a 72,000-strong crowd.[162] Performers, including Def Leppard, Robert Plant, Guns N' Roses, Elton John, David Bowie, George Michael, Annie Lennox, Seal, Extreme, and Metallica performed various Queen songs along with the three remaining Queen members (and Spike Edney.) The concert is listed in the Guinness Book of Records as "The largest rock star benefit concert",[163] as it was televised to over 1.2 billion viewers worldwide,[106] and raised over £20,000,000 for AIDS charities.[158]

text: 1995–2003: Made in Heaven to 46664 Concert

text: Queen's last album featuring Mercury, titled Made in Heaven, was finally released in 1995, four years after his death.[164] Featuring tracks such as "Too Much Love Will Kill You" and "Heaven for Everyone", it was constructed from Mercury's final recordings in 1991, material left over from their previous studio albums and re-worked material from May, Taylor, and Mercury's solo albums. The album also featured the song "Mother Love", the last vocal recording Mercury made, which he completed using a drum machine, over which May, Taylor and Deacon later added the instrumental track.[165] After completing the penultimate verse, Mercury had told the band he "wasn't feeling that great" and stated, "I will finish it when I come back, next time"; however, he never made it back into the studio, so May later recorded the final verse of the song.[126] Both stages of recording, before and after Mercury's death, were completed at the band's studio in Montreux, Switzerland.[166] The album reached No. 1 in the UK following its release, their ninth number one album, and sold 20 million copies worldwide.[167][168] On 25 November 1996, a statue of Mercury was unveiled in Montreux overlooking Lake Geneva, almost five years to the day since his death.[166][169]

text:
"You guys should go out and play again. It must be like having a Ferrari in the garage waiting for a driver."

—Elton John, on Queen being without a lead singer since the death of Freddie Mercury.[170]

text: In 1997, Queen returned to the studio to record "No-One but You (Only the Good Die Young)", a song dedicated to Mercury and all those that die too soon.[171] It was released as a bonus track on the Queen Rocks compilation album later that year.[172] In January 1997, Queen performed "The Show Must Go On" live with Elton John and the Béjart Ballet in Paris on a night Mercury was remembered, and it marked the last performance and public appearance of John Deacon, who chose to retire.[173] The Paris concert was only the second time Queen had played live since Mercury's death, prompting Elton John to urge them to perform again.[170]

text: Brian May and Roger Taylor performed together at several award ceremonies and charity concerts, sharing vocals with various guest singers. During this time, they were billed as Queen + followed by the guest singer's name. In 1998, the duo appeared at Luciano Pavarotti's benefit concert with May performing "Too Much Love Will Kill You" with Pavarotti, later playing "Radio Ga Ga", "We Will Rock You", and "We Are the Champions" with Zucchero. They again attended and performed at Pavarotti's benefit concert in Modena, Italy in May 2003.[174] Several of the guest singers recorded new versions of Queen's hits under the Queen + name, such as Robbie Williams providing vocals for "We Are the Champions" for the soundtrack of A Knight's Tale (2001).[175]

text: In 1999, a Greatest Hits III album was released. This featured, among others, "Queen + Wyclef Jean" on a rap version of "Another One Bites the Dust". A live version of "Somebody to Love" by George Michael and a live version of "The Show Must Go On" with Elton John were also featured in the album.[176] By this point, Queen's vast amount of record sales made them the second best selling artist in the UK of all time, behind the Beatles.[168] On 18 October 2002, Queen were awarded the 2,207th star on the Hollywood Walk of Fame, for their work in the music industry, which is located at 6358 Hollywood Blvd.[177] On 29 November 2003, May and Taylor performed at the 46664 Concert hosted by Nelson Mandela at Green Point Stadium, Cape Town, to raise awareness of the spread of HIV/AIDS in South Africa.[178] May and Taylor spent time at Mandela's home, discussing how Africa's problems might be approached, and two years later the band was made ambassadors for the 46664 cause.[178]

text: 2004–2009: Queen + Paul Rodgers

text: At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005 with Paul Rodgers (founder and former lead singer of Free and Bad Company). Brian May's website also stated that Rodgers would be "featured with" Queen as "Queen + Paul Rodgers", not replacing Mercury. The retired John Deacon would not be participating.[179] In November 2004, Queen were among the inaugural inductees into the UK Music Hall of Fame, and the award ceremony was the first event at which Rodgers joined May and Taylor as vocalist.[178][180]

text: Between 2005 and 2006, Queen + Paul Rodgers embarked on a world tour, which was the first time Queen toured since their last tour with Freddie Mercury in 1986.[181] The band's drummer Roger Taylor commented; "We never thought we would tour again, Paul [Rodgers] came along by chance and we seemed to have a chemistry. Paul is just such a great singer. He's not trying to be Freddie."[181] The first leg was in Europe, the second in Japan, and the third in the US in 2006.[182] Queen received the inaugural VH1 Rock Honors at the Mandalay Bay Events Center in Las Vegas, Nevada, on 25 May 2006.[183] The Foo Fighters paid homage to the band in performing "Tie Your Mother Down" to open the ceremony before being joined on stage by May, Taylor, and Paul Rodgers, who played a selection of Queen hits.[184]

text: On 15 August 2006, Brian May confirmed through his website and fan club that Queen + Paul Rodgers would begin producing their first studio album beginning in October, to be recorded at a "secret location".[185] Queen + Paul Rodgers performed at the Nelson Mandela 90th Birthday Tribute held in Hyde Park, London on 27 June 2008, to commemorate Mandela's ninetieth birthday, and again promote awareness of the HIV/AIDS pandemic.[186] The first Queen + Paul Rodgers album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the United States on 28 October 2008.[167] Following the release of the album, the band again went on a tour through Europe, opening on Kharkiv's Freedom Square in front of 350,000 Ukrainian fans.[187] The Kharkiv concert was later released on DVD.[187] The tour then moved to Russia, and the band performed two sold-out shows at the Moscow Arena.[188] Having completed the first leg of its extensive European tour, which saw the band play 15 sold-out dates across nine countries, the UK leg of the tour sold out within 90 minutes of going on sale and included three London dates, the first of which was The O2 on 13 October.[189] The last leg of the tour took place in South America, and included a sold-out concert at the Estadio José Amalfitani, Buenos Aires.[188]

text: Queen and Paul Rodgers officially split up without animosity on 12 May 2009.[190] Rodgers stated: "My arrangement with [Queen] was similar to my arrangement with Jimmy [Page] in The Firm in that it was never meant to be a permanent arrangement".[190] Rodgers did not rule out the possibility of working with Queen again.[191][192]

text: 2009–2011: Departure from EMI, 40th anniversary

text: On 20 May 2009, May and Taylor performed "We Are the Champions" live on the season finale of American Idol with winner Kris Allen and runner-up Adam Lambert providing a vocal duet.[193] In mid-2009, after the split of Queen + Paul Rodgers, the Queen online website announced a new greatest hits compilation named Absolute Greatest. The album was released on 16 November and peaked at number 3 in the official UK Chart.[194] The album contains 20 of Queen's biggest hits spanning their entire career and was released in four different formats: single disc, double disc (with commentary), double disc with feature book, and a vinyl record. Before its release, Queen ran an online competition to guess the track listing as a promotion for the album.[195]

text: On 30 October 2009, May wrote a fanclub letter on his website stating that Queen had no intentions to tour in 2010 but that there was a possibility of a performance.[196] He was quoted as saying, "The greatest debate, though, is always about when we will next play together as Queen. At the moment, in spite of the many rumours that are out there, we do not have plans to tour in 2010. The good news, though, is that Roger and I have a much closer mutual understanding these days—privately and professionally ... and all ideas are carefully considered. Music is never far away from us. As I write, there is an important one-off performance on offer, in the USA, and it remains to be decided whether we will take up this particular challenge. Every day, doors seem to open, and every day, we interact, perhaps more than ever before, with the world outside. It is a time of exciting transition in Rock music and in 'The Business'. It's good that the pulse still beats".[196] On 15 November 2009, May and Taylor performed "Bohemian Rhapsody" live on the British TV show The X Factor alongside the finalists.[197]

text:
"Many of you will have read bits and pieces on the internet about Queen changing record companies and so I wanted to confirm to you that the band have signed a new contract with Universal Music...we would like to thank the EMI team for all their hard work over the years, the many successes and the fond memories, and of course we look forward to continuing to work with EMI Music Publishing who take care of our songwriting affairs. Next year we start working with our new record company to celebrate Queen's 40th anniversary and we will be announcing full details of the plans over the next 3 months. As Brian has already said Queen's next moves will involve 'studio work, computers and live work."

—Jim Beach, Queen's Manager, on the change of record label.[198]

text: On 7 May 2010, May and Taylor announced that they were quitting their record label, EMI, after almost 40 years.[199] On 20 August 2010, Queen's manager Jim Beach put out a Newsletter stating that the band had signed a new contract with Universal Music.[198] During an interview for HARDtalk on the BBC on 22 September, May confirmed that the band's new deal was with Island Records, a subsidiary of Universal Music Group.[200][201] For the first time since the late 1980s, Queen's catalogue will have the same distributor worldwide, as their current North American label—Hollywood Records—is currently distributed by Universal (for a time in the late 1980s, Queen was on EMI-owned Capitol Records in the US).[202]

text: On 14 March 2011, which marked the band's 40th anniversary, Queen's first five albums were re-released in the UK and some other territories as remastered deluxe editions (the US versions were released on 17 May).[203] The second five albums of Queen's back catalogue were released worldwide on 27 June, with the exception of the US and Canada (27 September).[204][205] The final five were released in the UK on 5 September.[206]

text: In May 2011, Jane's Addiction vocalist Perry Farrell noted that Queen are currently scouting their once former and current live bassist Chris Chaney to join the band. Farrell stated: "I have to keep Chris away from Queen, who want him and they're not gonna get him unless we're not doing anything. Then they can have him."[207] In the same month, Paul Rodgers stated he may tour with Queen again in the near future.[208] At the 2011 Broadcast Music, Incorporated (BMI) Awards held in London on 4 October, Queen received the BMI Icon Award in recognition for their airplay success in the US.[209][210] At the 2011 MTV Europe Music Awards on 6 November, Queen received the Global Icon Award, which Katy Perry presented to Brian May.[211] Queen closed the awards ceremony, with Adam Lambert on vocals, performing "The Show Must Go On", "We Will Rock You" and "We Are the Champions".[211] The collaboration garnered a positive response from both fans and critics, resulting in speculation about future projects together.[212]

text: 2011–present: Queen + Adam Lambert, Queen Forever

text: On 25 and 26 April, May and Taylor appeared on the eleventh series of American Idol at the Nokia Theatre, Los Angeles, performing a Queen medley with the six finalists on the first show, and the following day performed "Somebody to Love" with the 'Queen Extravaganza' band.[213] Queen were scheduled to headline Sonisphere at Knebworth on 7 July 2012 with Adam Lambert[214] before the festival was cancelled.[215] Queen's final concert with Freddie Mercury was in Knebworth in 1986. Brian May commented, "It's a worthy challenge for us, and I'm sure Adam would meet with Freddie's approval."[212] Queen expressed disappointment at the cancellation and released a statement to the effect that they were looking to find another venue.[216] Queen + Adam Lambert played two shows at the Hammersmith Apollo, London on 11 and 12 July 2012.[217][218] Both shows sold out within 24 hours of tickets going on open sale.[219] A third London date was scheduled for 14 July.[220] On 30 June, Queen + Lambert performed in Kiev, Ukraine at a joint concert with Elton John for the Elena Pinchuk ANTIAIDS Foundation.[221] Queen also performed with Lambert on 3 July 2012 at Moscow's Olympic Stadium,[222][223] and on 7 July 2012 at the Municipal Stadium in Wroclaw, Poland.[224]

text: On 12 August 2012, Queen performed at the closing ceremony of the 2012 Summer Olympics in London.[225] The performance at London's Olympic Stadium opened with a special remastered video clip of Mercury on stage performing his call and response routine during their 1986 concert at Wembley Stadium.[226] Following this, May performed part of the "Brighton Rock" solo before being joined by Taylor and solo artist Jessie J for a performance of "We Will Rock You".[226][227]

text: On 20 September 2013, Queen + Adam Lambert performed at the iHeartRadio Music Festival at the MGM Grand Hotel & Casino in Las Vegas.[228] Queen + Adam Lambert toured North America in Summer 2014[229][230] and Australia and New Zealand in August/September 2014.[231] In an interview with Rolling Stone, May and Taylor said that although the tour with Lambert is a limited thing, they are open to him becoming an official member, and cutting new material with him.[232]

text: In November 2014 Queen released a new album Queen Forever.[233] The album is largely a compilation of previously-released material but features three new Queen tracks featuring vocals from Mercury with backing added by the surviving members of Queen. One new track, "There Must Be More To Life Than This", is a duet between Mercury and Michael Jackson.[234]

text: In 2016, the group embarked across Europe and Asia on the Queen + Adam Lambert 2016 Summer Festival Tour. This included closing the Isle of Wight Festival in England on 12 June where they performed "Who Wants to Live Forever" as a tribute to the victims of the mass shooting at a gay nightclub in Orlando, Florida earlier that day.[235] On 12 September they performed at the Park Hayarkon in Tel-Aviv, Israel for the first time in front of 58,000 people.[236] As part of the Queen + Adam Lambert Tour 2017-2018, the band toured North America in the summer of 2017, toured Europe in late 2017, before playing dates in Australia and New Zealand in February and March 2018.[237]

text: Music style and influences

text: Queen drew artistic influence from British rock acts of the 1960s and early 1970s, such as the Beatles, the Kinks, Cream, Led Zeppelin, Pink Floyd, the Who, Black Sabbath, Slade, Deep Purple, David Bowie, Genesis and Yes,[238] in addition to American guitarist Jimi Hendrix,[239] with Mercury also inspired by the gospel singer Aretha Franklin.[240] May referred to the Beatles as being "our bible in the way they used the studio and they painted pictures and this wonderful instinctive use of harmonies."[241] At their outset in the early 1970s, Queen's music has been characterised as "Led Zeppelin meets Yes" due to its combination of "acoustic/electric guitar extremes and fantasy-inspired multi-part song epics".[242]

text: Queen composed music that drew inspiration from many different genres of music, often with a tongue-in-cheek attitude.[243] The genres they have been associated with include progressive rock,[244][245] symphonic rock,[245][246] art rock,[18][247] glam rock,[244] hard rock,[244] heavy metal,[244] pop rock,[244] and psychedelic rock.[248] Queen also wrote songs that were inspired by diverse musical styles which are not typically associated with rock groups, such as opera,[249] music hall,[249] folk music,[250] gospel,[251] ragtime,[252] and dance/disco.[253] Their 1980 single "Another One Bites the Dust" became a major hit single in the funk rock genre.[254] Several Queen songs were written with audience participation in mind, such as "We Will Rock You" and "We Are the Champions".[255][256] Similarly, "Radio Ga Ga" became a live favourite because it would have "crowds clapping like they were at a Nuremberg rally".[257]

text:
"We Will Rock You"

A sample of "We Will Rock You". The stamping effects were created by the band overdubbing sounds of themselves stomping and clapping many times and adding delay effects to create a sound like many people were participating.

Problems playing this file? See media help.

text: In 1963, the teenage Brian May and his father custom-built his signature guitar Red Special, which was purposely designed to feedback.[258][259] Sonic experimentation figured heavily in Queen's songs. A distinctive characteristic of Queen's music are the vocal harmonies which are usually composed of the voices of May, Mercury, and Taylor best heard on the studio albums A Night at the Opera and A Day at the Races. Some of the ground work for the development of this sound can be attributed to the producer Roy Thomas Baker and engineer Mike Stone.[260][261] Besides vocal harmonies, Queen were also known for multi-tracking voices to imitate the sound of a large choir through overdubs. For instance, according to Brian May, there are over 180 vocal overdubs in "Bohemian Rhapsody".[262] The band's vocal structures have been compared with the Beach Boys,[247][263] but May stated they were not "much of an influence".[241]

text: David Mallet directed a number of their music videos, some of which use footage from classic films: "Under Pressure" incorporates 1920s silent films, Sergei Eisenstein's Battleship Potemkin and F. W. Murnau's Nosferatu, the 1984 video for "Radio Ga Ga" includes footage from Fritz Lang's Metropolis (1927), while the 1995 video "Heaven for Everyone" shows footage from Georges Méliès' A Trip to the Moon (1902) and The Impossible Voyage (1904).[264] The first part of Mallet’s music video for “I Want to Break Free” spoofed the popular long-running British soap opera Coronation Street.[265] The music video for “Innuendo” combines stop motion animation with rotoscoping and band members appear as illustrations and images taken from earlier Queen music videos on a cinema screen in the same manner as in the British film Nineteen Eighty-Four.[266]

text: Legacy

text: In 2002, Queen's "Bohemian Rhapsody" was voted "the UK's favourite hit of all time" in a poll conducted by the Guinness World Records British Hit Singles Book.[267] In 2004, the song was inducted into the Grammy Hall of Fame.[268] Many scholars consider the "Bohemian Rhapsody" music video ground-breaking, crediting it with popularising the medium.[48][49] Rock historian Paul Fowles stated that the song is "widely credited as the first global hit single for which an accompanying video was central to the marketing strategy".[269] It has been hailed as launching the MTV age.[270] Acclaimed for their stadium rock, in 2005 an industry poll ranked Queen's performance at Live Aid in 1985 as the best live act in history.[255][271] In 2007, they were also voted the greatest British band in history by BBC Radio 2 listeners.[272]

text:
"If you have to go back and watch one performance it has to be Queen. That was not just a career-defining moment… rock ’n’ roll might have peaked right there. Freddie Mercury on stage at Live Aid is the summit of rock ’n’ roll. For a band some people said was washed up, that was just the most stunning, breathtaking, flawless, powerful, jubilant performance. It was everything you want in rock ’n’ roll."

—1980s MTV VJ Martha Quinn speaking in July 2015 on the 30th anniversary of Live Aid.[273]

text: As of 2005, according to the Guinness Book of World Records, Queen albums have spent a total of 1,322 weeks (twenty-six years) on the UK Album Charts, more time than any other musical act.[90][92] Also in 2005, with the release of their live album with Paul Rodgers, Queen moved into third place on the list of acts with the most aggregate time spent on the British record charts.[274]

text: In 2006, the Greatest Hits album was the all-time best-selling album in UK Chart history, with sales of 5,407,587 copies, over 604,295 more copies than its nearest competitor, the Beatles' Sgt. Pepper's Lonely Hearts Club Band.[91] Their Greatest Hits II album is the seventh best seller, with sales of 3,746,404 copies.[149][275]

text: The band have released a total of eighteen number one albums, eighteen number one singles, and ten number one DVDs worldwide, making them one of the world's best-selling music artists. Queen have sold over 150 million records, with some estimates in excess of 300 million records worldwide,[255][276][277][278][279] including 34.5 million albums in the US as of 2004.[280] Inducted into the Rock and Roll Hall of Fame in 2001, the band is the only group in which every member has composed more than one chart-topping single, and all four members were inducted into the Songwriters Hall of Fame in 2003.[281][282] In 2009, "We Will Rock You" and "We Are the Champions" were inducted into the Grammy Hall of Fame,[283][284] and the latter was voted the world's favourite song in a 2005 Sony Ericsson global music poll.[285] The band received Ivor Novello Awards for Outstanding Contribution to British Music, in 1987, and Outstanding Song Collection, in 2005, from the British Academy of Songwriters, Composers, and Authors.[286][287] In 2018 they were presented the Grammy Lifetime Achievement Award.[288]

text: Queen are one of the most bootlegged bands ever, according to Nick Weymouth, who manages the band's official website.[289] A 2001 survey discovered the existence of 12,225 websites dedicated to Queen bootlegs, the highest number for any band.[290] Bootleg recordings have contributed to the band's popularity in certain countries where Western music is censored, such as Iran.[291] In a project called Queen: The Top 100 Bootlegs, many of these have been made officially available to download for a nominal fee from Queen's website, with profits going to the Mercury Phoenix Trust.[289] Rolling Stone ranked Queen at number 52 on its list of the "100 Greatest Artists of All Time",[292] while ranking Mercury the 18th greatest singer,[148] and May the twenty-sixth greatest guitarist.[293] Queen were named 13th on VH1's 100 Greatest Artists of Hard Rock list,[294] and in 2010 were ranked 17th on VH1's 100 Greatest Artists of All Time list.[295] In 2012, Gigwise readers named Queen the best band of the past 60 years.[296]

text: Influence

text: Queen have been recognised as having made significant contributions to such genres as hard rock,[297] and heavy metal,[298] among others. Hence, the band have been cited as an influence by many other musicians. Moreover, like their music, the bands and artists that have claimed to be influenced by Queen and have expressed admiration for them are diverse, spanning different generations, countries, and genres, including heavy metal: Judas Priest,[299] Iron Maiden,[300] Metallica,[301] Dream Theater,[302] Trivium,[303] Megadeth,[304] Anthrax,[305] Faith No More,[306] Melvins,[307] Slipknot[308] and Rage Against the Machine;[309] hard rock: Guns N' Roses,[310] Def Leppard,[311] Van Halen,[312] Mötley Crüe,[313] Steve Vai,[314] the Cult,[315] the Darkness,[316] Kid Rock[317] and Foo Fighters;[318] alternative rock: Nirvana,[319] Radiohead,[320] Trent Reznor,[321] Muse,[322] Red Hot Chili Peppers,[323] Jane's Addiction,[324] the Flaming Lips,[325] and The Smashing Pumpkins;[326] shock rock: Marilyn Manson;[327] pop rock: Meat Loaf,[328] The Killers,[329] My Chemical Romance,[330] Fall Out Boy[331] and Panic! at the Disco;[332] and pop: Michael Jackson,[333] George Michael,[334] Robbie Williams,[335] Adele,[336] Lady Gaga,[337] Katy Perry,[338] Kesha,[339] Grimes,[340] and Psy.[341]

text: In the early 1970s, Queen helped spur the heavy metal genre's evolution by discarding much of its blues influence.[342][343] Queen's 1974 song "Stone Cold Crazy" has been cited as a precursor of speed metal.[344] Metallica recorded a cover version of "Stone Cold Crazy", which first appeared on the Rubáiyát: Elektra's 40th Anniversary album in 1990, and won their second Grammy Award for Best Metal Performance in 1991.[345] Thom Yorke of Radiohead received his first guitar at 7 years old, encouraged after seeing Brian May in a broadcast of a Queen concert.[320] At 10 years old, Yorke made his own homemade guitar, trying to imitate what May had done with his Red Special, but he was not satisfied with the result.[346] Subsequently, Queen was one of the first influences in the music of Radiohead.[320]

text: In other media

text: Musical theatre

text: In May 2002, a musical or "rock theatrical" based on the songs of Queen, titled We Will Rock You, opened at the Dominion Theatre on London's West End.[255] The musical was written by British comedian and author Ben Elton in collaboration with Brian May and Roger Taylor, and produced by Robert De Niro. It has since been staged in many cities around the world.[255] The launch of the musical coincided with Queen Elizabeth II's Golden Jubilee. As part of the Jubilee celebrations, Brian May performed a guitar solo of "God Save the Queen",[347] as featured on Queen's A Night at the Opera, from the roof of Buckingham Palace. The recording of this performance was used as video for the song on the 30th Anniversary DVD edition of A Night at the Opera.[348][349] Following the Las Vegas premiere on 8 September 2004, Queen were inducted into the Hollywood RockWalk in Sunset Boulevard, Los Angeles.[350]

text: The original London production was scheduled to close on Saturday, 7 October 2006, at the Dominion Theatre, but due to public demand, the show ran until May 2014.[351] We Will Rock You has become the longest running musical ever to run at this prime London theatre, overtaking the previous record holder, the musical Grease.[352] Brian May stated in 2008 that they were considering writing a sequel to We Will Rock You.[353] The musical toured around the UK in 2009, playing at Manchester Palace Theatre, Sunderland Empire, Birmingham Hippodrome, Bristol Hippodrome, and Edinburgh Playhouse.[354]

text: Sean Bovim created "Queen at the Ballet", a tribute to Mercury, which uses Queen's music as a soundtrack for the show's dancers, who interpret the stories behind tracks such as "Bohemian Rhapsody", "Radio Ga Ga", and "Killer Queen".[355] Queen's music also appears in the Off-Broadway production Power Balladz, most notably the song "We Are the Champions", with the show's two performers believing the song was "the apex of artistic achievement in its day".[356]

text: Digital realm

text: In conjunction with Electronic Arts, Queen released the computer game Queen: The eYe in 1998.[357] The music itself—tracks from Queen's vast catalogue, in many cases remixed into new instrumental versions—was by and large well received, but the game experience was hampered by poor gameplay. Adding to the problem was an extremely long development time, resulting in graphic elements that already seemed outdated by the time of release.[358]

text: Under the supervision of May and Taylor, numerous restoration projects have been under way involving Queen's lengthy audio and video catalogue. DVD releases of their 1986 Wembley concert (titled Live at Wembley Stadium), 1982 Milton Keynes concert (Queen on Fire – Live at the Bowl), and two Greatest Video Hits (Volumes 1 and 2, spanning the 1970s and 1980s) have seen the band's music remixed into 5.1 and DTS surround sound. So far, only two of the band's albums, A Night at the Opera and The Game, have been fully remixed into high-resolution multichannel surround on DVD-Audio. A Night at the Opera was re-released with some revised 5.1 mixes and accompanying videos in 2005 for the 30th anniversary of the album's original release (CD+DVD-Video set). In 2007, a Blu-ray edition of Queen's previously released concerts, Queen Rock Montreal & Live Aid, was released, marking their first project in 1080p HD.[359]

text: Queen have been featured multiple times in the Guitar Hero franchise: a cover of "Killer Queen" in the original Guitar Hero, "We Are The Champions", "Fat Bottomed Girls", and the Paul Rodgers collaboration "C-lebrity" in a track pack for Guitar Hero World Tour, "Under Pressure" with David Bowie in Guitar Hero 5,[360] "I Want It All" in Guitar Hero: Van Halen,[361] "Stone Cold Crazy" in Guitar Hero: Metallica,[362] and "Bohemian Rhapsody" in Guitar Hero: Warriors of Rock.[363] On 13 October 2009, Brian May revealed there was "talk" going on "behind the scenes" about a dedicated Queen Rock Band game.[364]

text: Queen have also been featured multiple times in the Rock Band franchise: a track pack of 10 songs which are compatible with Rock Band, Rock Band 2, and Rock Band 3 (three of those are also compatible with Lego Rock Band). Their hit "Bohemian Rhapsody" was featured in Rock Band 3 with full harmony and keys support. The band also appeared in the video game Lego Rock Band as playable Lego avatars.[365]

text: In March 2009, Sony Computer Entertainment released a Queen branded version of the company's karaoke franchise, SingStar. The game, which is available on PlayStation 2 and PlayStation 3, is titled SingStar Queen and has 25 songs on the PS3 and 20 on the PS2.[366] "We Will Rock You" and other songs by Queen also appear in DJ Hero.[367]

text: "One Vision" was featured on the successful video game Grand Theft Auto IV on the fictional radio station Liberty Rock Radio 97.8,[368] while "Radio Ga Ga" features on Grand Theft Auto V character trailer for Michael and the game's soundtrack.[369]

text: Film and television

text: Queen contributed music directly to the films Flash Gordon (1980), with "Flash" as the theme song, and Highlander (the original 1986 film),[127][370] with "A Kind of Magic", "One Year of Love", "Who Wants to Live Forever", "Hammer to Fall", and the theme "Princes of the Universe", which was also used as the theme of the Highlander TV series (1992–1998).[371] In the United States, "Bohemian Rhapsody" was re-released as a single in 1992 after appearing in the comedy film Wayne's World.[159] The single subsequently reached number two on the Billboard Hot 100 (with "The Show Must Go On" as the first track on the single) and helped rekindle the band's popularity in North America.[159][372]

text: Several films have featured their songs performed by other artists. A version of "Somebody to Love" by Anne Hathaway was in the 2004 film Ella Enchanted.[373] In 2006, Brittany Murphy also recorded a cover of the same song for the 2006 film Happy Feet.[374] In 2001, a version of "The Show Must Go On" was performed by Jim Broadbent and Nicole Kidman in the film musical Moulin Rouge!.[375] The 2001 film A Knight's Tale has a version of "We Are the Champions" performed by Robbie Williams and Queen; the film also features "We Will Rock You" played by the medieval audience.[376]

text: "I Was Born to Love You" was used as the theme song of the Japanese television drama Pride on Fuji Television in 2004, starring Takuya Kimura and Yūko Takeuchi. The show's soundtrack also contained other songs by Queen.[377] "Don't Stop Me Now" has featured in the BBC television show Top Gear, and in 2005 the song was voted as "The Greatest Driving Song Ever" by the series' viewers.[378]

text: Keeping in a tradition of naming each season's episodes after songs by 1970s rock bands, the eighth and final season of That '70s Show had episodes named after Queen songs. "Bohemian Rhapsody" served as the season premiere.[379] The Simpsons has made storylines which have featured Queen songs such as "We Will Rock You", "We Are the Champions" (both sung by Homer), and "You're My Best Friend".[380]

text: On 11 April 2006, Brian May and Roger Taylor appeared on the American singing contest television show American Idol. Each contestant was required to sing a Queen song during that week of the competition. Songs which appeared on the show included "Bohemian Rhapsody", "Fat Bottomed Girls", "The Show Must Go On", "Who Wants to Live Forever", and "Innuendo". Brian May later criticised the show for editing specific scenes,[381] one of which made the group's time with contestant Ace Young look negative, despite it being the opposite. Taylor and May again appeared on the American Idol season 8 finale in May 2009, performing "We Are the Champions" with finalists Adam Lambert and Kris Allen.[193] On 15 November 2009, Brian May and Roger Taylor appeared on the singing contest television show The X Factor in the UK.[382]

text: In the autumn of 2009, Glee featured the fictional high school's show choir singing "Somebody to Love" as their second act performance in the episode "The Rhodes Not Taken". The performance was included on the show's Volume 1 soundtrack CD.[383] In June 2010, the choir performed "Another One Bites the Dust" in the episode "Funk".[384] The following week's episode, "Journey to Regionals", features a rival choir performing "Bohemian Rhapsody" in its entirety. The song was featured on the episode's EP. In May 2012, the choir performed "We Are the Champions" in the episode "Nationals", and the song features in The Graduation Album.[385]

text: In September 2010, Brian May announced in a BBC interview that Sacha Baron Cohen was to play Mercury in a film about the band.[386] Time commented with approval on his singing ability and visual similarity to Mercury.[387] However, in July 2013, Baron Cohen dropped out of the role due to "creative differences" between him and the surviving band members.[388] In December 2013, it was announced that Ben Whishaw, best known for playing Q in the James Bond film Skyfall, had been chosen to replace Cohen in the role of Mercury.[389] The motion picture is being written by Peter Morgan, who had been nominated for Oscars for his screenplays The Queen and Frost/Nixon. The film, which is being co-produced by Robert De Niro's TriBeCa Productions, will focus on Queen's formative years and the period leading up to the celebrated performance at the 1985 Live Aid concert.[390] On 4 November 2016, it was announced that the film was now backed by 20th Century Fox, New Regency and GK Films, with shooting set to have begun in early 2017. Mercury will be played by Rami Malek.[391]

text: Band members

text: Current members

text:
Brian May – guitar, keyboards, vocals (1970–present)
Roger Taylor – drums, guitar, keyboards, vocals (1970–present)

tag: ul

text: Former members

text:
Freddie Mercury – lead vocals, keyboards (1970–1991; his death)
John Deacon – bass, guitar, keyboards (1971–1997)

text: Long-term Queen + vocalists

text:
Paul Rodgers (2004–2009)
Adam Lambert (2011–present)

text: Other guest vocalists

text:
David Bowie (1981, 1992)
Annie Lennox (1992)
Lisa Stansfield (1992–1993)
George Michael (1992–1993)
Elton John (1992, 1997)
Zucchero (1992, 1998)
Robbie Williams (2001)
Kris Allen (2009)
Jessie J (2012)
Nate Ruess (2013)
Lady Gaga (2014) [392]

text: Touring members

text:
Morgan Fisher – keyboards, piano (1982)
Fred Mandel – keyboards, piano (1982)
Spike Edney – keyboards, piano, rhythm guitar, backing vocals (1984–present)
David Grosman – bass guitar (1998–2004)
Jamie Moses – rhythm guitar, backing vocals (1998–2009)
Danny Miranda – bass guitar, backing vocals (2005–2009)
Rufus Tiger Taylor – percussion, drums, backing vocals (2011–present)
Neil Fairclough – bass guitar, backing vocals (2011–present)

text: Early members

text:
Mike Grose – bass (1970)
Barry Mitchell – bass (1970–1971)
Doug Ewood Bogie – bass (1971)

text: Timeline

text: Awards and nominations

text: Tours

text:
Queen I Tour (1973–74)
Queen II Tour (1974)
Sheer Heart Attack Tour (1974–75)
A Night at the Opera Tour (1975–76)
Summer Gigs 1976 (1976)
A Day at the Races Tour (1977)
News of the World Tour (1977–78)
Jazz Tour (1978–79)
Crazy Tour (1979)
The Game Tour (1980–81)
Hot Space Tour (1982)
The Works Tour (1984–85)
The Magic Tour (1986)
Queen + Paul Rodgers Tour (2005–06)
Rock the Cosmos Tour (2008)
Queen + Adam Lambert Tour 2012 (2012)
Queen + Adam Lambert Tour 2014–2015 (2014–15)
Queen + Adam Lambert 2016 Summer Festival Tour (2016)
Queen + Adam Lambert Tour 2017–2018 (2017–18)

text: Discography

text:
Queen (1973)
Queen II (1974)
Sheer Heart Attack (1974)
A Night at the Opera (1975)
A Day at the Races (1976)
News of the World (1977)
Jazz (1978)
The Game (1980)
Flash Gordon (1980) – soundtrack
Hot Space (1982)
The Works (1984)
A Kind of Magic (1986)
The Miracle (1989)
Innuendo (1991)
Made in Heaven (1995)


document_title: The End of the F***ing World

question_text: who played james in the end of the world

text: The End of the F***ing World

text: Premise[edit]

text: James is a 17-year-old who believes he is a psychopath. He kills animals as a hobby, but grows bored of the practice. He decides he wants to try killing a human. He settles on Alyssa, a mouthy, rebellious 17-year-old classmate with issues of her own. She proposes they run away together, hoping for an adventure away from her turbulent home-life, and James agrees with the intention of finding an opportunity to kill her. They embark on a road trip across England, and begin to develop a relationship after a series of mishaps.

text: Cast and characters[edit]

text: Main[edit]

text:
Alex Lawther as James, a 17-year-old who believes he is a psychopath; the disturbed love interest of Alyssa.[2] Jack Veal portrays a young James.
Jessica Barden as Alyssa, a rebellious teenage girl. Initially James' intended victim but later his love interest.[2] Holly Beechey portrays a young Alyssa.
Gemma Whelan as DC Eunice Noon, Darego's police partner.
Wunmi Mosaku as DC Teri Darego, Noon's stern police partner.
Steve Oram as Phil, James' caring father.
Christine Bottomley as Gwen, Alyssa's mother.
Navin Chowdhry as Tony, Alyssa's abusive stepfather.
Barry Ward as Leslie Foley, Alyssa's estranged drug-dealing father.

text: Guest[edit]

text:
Kierston Wareing as Debbie, Leslie's ex-girlfriend with whom he has a child.
Geoff Bell as Martin, a family man and creep who gives Alyssa and James a ride.
Alex Sawyer as Topher, a young man Alyssa meets and attempts to engage in sexual activity with.
Jonathan Aris as Dr. Clive Koch, an author, professor, serial killer and James' first human victim.
Eileen Davies as Flora, Clive's mother.
Earl Cave as Frodo, a miserable petrol station employee.
Felicity Montagu as the manager of the petrol station.
Alex Beckett as Jonno, one of Leslie's buyers.
Leon Annor as Emil, an imposing store security guard whom Alyssa is caught by.
Matt King as DC Eddie Onslow.
Kelly Harrison as James' dead mother.
Zerina Imsirovic as Alyssa's baby-stepsister.

text: Episodes[edit]

text:
No.
Episode
Directed by
Written by
Original release date

1
Episode 1
Jonathan Entwistle
Charlie Covell
24 October 2017 (2017-10-24)[a]

James is a 17-year-old who believes he is a psychopath, having once intentionally burned his hand in a deep fryer in order to feel something, and has been killing animals since he was 8 years old. At school, he encounters Alyssa, a rebellious new schoolmate and decides that he will kill her next. He gets closer to her by feigning romantic interest and the two start dating. When Alyssa asks James to perform cunnilingus on her the next day, he begins preparing his knife and working out how he will kill her. However she arrives late as she was stuck at a party at her house where her stepfather tells her how it will be better if she just left. After this incident, she reaches James's home later than planned, and blurts out her desire to leave town with or without him and asks if he is in, wanting him to say yes. Resolving that he could kill her later, he accepts and steals his father Phil's car and punches him in the face, something he has always wanted to do.

2
Episode 2
Jonathan Entwistle
Charlie Covell
24 October 2017 (2017-10-24)

With their newfound freedom, Alyssa and James go play laser tag but end up having to dine and dash at a restaurant after realising they have spent all their money. After crashing their car, they hitchhike in the van of Martin, a middle-aged man who Alyssa does not take kindly to. While in the toilets of the restaurant they have stopped at for food, Martin follows James and asks about his burnt hand, before smelling it and putting it on his crotch; James is submissive, despite being disgusted by it. Alyssa sees this and blackmails Martin into giving her his wallet. After booking a hotel room, Alyssa goes to the bathroom and cries, while James waits with his knife by the door, hesitantly. He does not try to kill her. Alyssa calls home and her stepfather Tony answers. He denies her request to speak to her mother, Gwen, implying his dominance over her mother. Alyssa asks James whether he wants her or just goes along with her; he replies that he wants her. She decides to go see her biological father, Leslie, who she has not seen since she was 8 years old and James agrees to join her.

3
Episode 3
Jonathan Entwistle
Charlie Covell
24 October 2017 (2017-10-24)

After leaving the hotel, Alyssa argues against buying train tickets to her father's house, internally fearing that he will not recognise or welcome her. The duo break into the spacious and empty house of author Clive Koch. Later that day, Alyssa attempts to give James a blowjob but leaves, angrily, when a picture of Koch puts him off. During her walk, Alyssa meets Topher and brings him to the house, vindictively announcing to James that she will have sex with Topher. Distraught, he looks around the house and finds Polaroids and a camcorder with footage of victims, revealing Koch to be a serial rapist. Meanwhile, Alyssa becomes disinterested in Topher and stops before intercourse. Topher leaves angrily. While Alyssa is asleep, James tries to kill her, but he cannot because he knows he is falling in love with her. Koch returns home and suspecting a break-in, arms himself; James hides under the bed. When Koch questions Alyssa upon finding her in bed, she lies and says she is alone. Koch becomes malevolent, attempting to rape her. James stabs him in the neck with a knife, killing Koch, and saving Alyssa.

4
Episode 4
Jonathan Entwistle
Charlie Covell
24 October 2017 (2017-10-24)

After unsuccessfully trying to move Koch's body out of the bedroom, James and Alyssa meticulously clean the house to remove evidence of their stay. James shows Alyssa the Polaroids and footage proving that Koch might have hurt her, and they resolve to leave the evidence by his body. James hides the knife in the pool drain. When she questions him about the knife, he does not answer. Koch's mother, Flora, arrives at the house and discovers his body; she destroys the Polaroids but not the footage. The police, led by detective constables Eunice Noon and Teri Darego, investigate and later question Topher where he reveals Alyssa's and James's identity and presence at the house. They decide to put out a request for sightings or crimes "involving two teenagers" while putting Alyssa and James on the Missing Persons list. Despite James's attempts, Alyssa becomes distrustful of him and deserts him. He begins to realise the increasing influence of his emotions. Paying a group of teenagers to beat him up, he also realises his growing interest in her. James decides to report a murder to police, coming to the realization that he is not in fact a psychopath.

5
Episode 5
Jonathan Entwistle & Lucy Tcherniak
Charlie Covell
24 October 2017 (2017-10-24)

At the police station, James changes his mind about reporting Koch's murder and instead describes his mother's suicide as the "murder" he was referring to. In a flashback, his mother, Vanessa, killed herself in front of him eleven years before by driving her car into a pond. Thinking of Alyssa, James leaves the police station and returns to the cafe. Meanwhile, Phil is questioned by Noon and Darego about James, as well as informed about his car. He also confirms the inclusion of Alyssa. They also question Tony, who is rather nonchalant and self-absorbed, before moving to Gwen about Alyssa. Concurrently, Alyssa is caught by Emil, a security officer, while attempting to shoplift clean underwear, but is eventually let go. She returns to the cafe to find James waiting. Although without money, both reconcile and decide to go to Leslie. Meanwhile, investigators find James's knife at Koch's house.

6
Episode 6
Lucy Tcherniak
Charlie Covell
24 October 2017 (2017-10-24)

James hotwires a car and the duo begin making their way to Alyssa's father's house. They stop at a petrol station after running low on fuel. When Jocelyn, the petrol station manager, begins suspecting that they stole the car and have no money, James fakes carrying a gun to lock her in the toilet with the help of Jocelyn's co-worker, Frodo. However, when he wants to join, they wait until he is distracted to dash. Noon and Donaghue question Flora again about Clive, this time with years-old accusations of sexual assault against him. She rejects the allegations as lies and insists that the two leave. On their way to Leslie's, Alyssa calls Gwen and tells her that she will never return home. At the police station, Flora gives Noon the camcorder, having a change of heart. When Noon raises the possibility that the killing was in self-defence, Darego says that this would result in a count of manslaughter instead. After finding Leslie has moved out of his previous home, James and Alyssa eventually make it to his coastside mobile home.

7
Episode 7
Lucy Tcherniak
Charlie Covell
24 October 2017 (2017-10-24)

James gives Alyssa and Leslie space while they reconcile with each other. Leslie is revealed to be a drug dealer, as well as a non-conforming individual himself. Meanwhile, Tony, Gwen and Phil are emotionally shaken after being shown CCTV footage of the petrol station robbery. Both Darego and Noon plan for the police to stakeout Leslie's former residence, assuming that both have not arrived. On the drive to Leslie's former residence, it becomes clear that Darego's law-abiding morality and stubbornness are clashing against Noon's open-minded and sympathetic morals. As Alyssa and Leslie reconnect at a nearby bar, James begins feeling distant to Alyssa. At Leslie's former residence, Debbie denies seeing the duo or knowing Leslie's whereabouts to Noon and Darego. She goes to the bar to demand support for their illegitimate son, Milton. When questioned by Alyssa, Leslie takes off in his truck, running over a dog in the process. Although he has killed many animals before, James is unable to euthanise it with a rock; Alyssa does it instead. Bitter, Debbie reveals to Noon Leslie's location, later, and she drives there without Darego. Leslie sees a news report about Alyssa and James on the television.

8
Episode 8
Lucy Tcherniak
Charlie Covell
24 October 2017 (2017-10-24)

James and Alyssa bury the dog at the beach, then passionately and sincerely make out. At dawn, ruminating about their current situation, they decide to take the boat owned by Leslie and leave the country. When they ask Leslie for the boat keys, he reveals to them his knowledge of their crime then secretly calls 999 and tries to induce their confession. James deduces this and confesses while taking the blame upon himself. Noon, listening in, arrives at the scene and tries to convince both to be willingly arrested for manslaughter while Leslie tries to convince Alyssa to let James be arrested instead. Alyssa asks Noon if she were to go with her idea, would James and her still be together. When Noon tells that that would be unlikely, Alyssa knocks her out with Leslie's shotgun, takes his boat keys and runs to the boat with James, only to find that the tide had gone out. With the police armed response unit closing in, James knocks Alyssa down with the gun in an attempt to take all the blame and runs across the beach. In a voiceover, James claims that he has realized what people mean to each other. A gunshot is heard as the episode then fades to black.

text: Jump up ^ The first episode had a special premiere on Channel 4 alongside its release on All 4 with the rest of the programme.[3]

tag: ol

text: Production[edit]

text: Development[edit]

text: The series was based on the work of the same name by Charles Forsman. Originally self-published as a series of mini-comics, the series was published as a graphic novel by Fantagraphics Books in 2013. It was republished in hardback in 2017, in anticipation of the television series.[4]

text: While Forsman was publishing the mini-comics, Jonathan Entwistle contacted him about adapting it to a visual format – the original idea was to make an American film, and later a web series was considered. A film was pitched to Film4, and Entwistle was given funding for a short.[5] Made in 2014,[6] it featured some cast and crew who continued their roles for the television series. Entwistle directed and Dominic Buchanan was producer;[7] Jessica Barden played Alyssa. However, instead of Alex Lawther, James was played by Craig Roberts.[8]

text: Though the short was well-received, no production companies wanted to invest in the idea as a full-length film.[5] Entwistle and Buchanan decided to make a television series with Clerkenwell Films, following which Channel 4 and then Netflix became involved. Forsman had no official role in the show's production, wanting to continue working on his comics, though Entwistle would regularly consult him and keep him updated.[9]

text: The programme's plot differs from that of Forsman's comics. In print, the children kill a satanist serial killer, whose wife was a police officer; instead the television series features police officers Eunice Noon and Teri Darego, and does not show the serial killer to be a satanist.[10] Another major difference is the ending of the graphic novel: the satanist police officer chases after James, and the two begin to attack each other, while police try to break up the fight. There is then a gunshot. In the final scene, Alyssa's mother talks about her daughter being safe from James, while Alyssa is seen carving the name "JAMES" into her arm. Some critics interpreted this to mean that James was dead,[10] but Forsman sees the ending as ambiguous.[9]

text: Filming[edit]

text: The first series began filming in April 2017 and concluded a few weeks before the show's release in October 2017. Though filmed in England, the programme has an American tone to it; Entwistle was inspired by Twin Peaks and Fargo. Episodes were filmed largely in suburban areas and across Surrey, with locations such as Woking, Bracknell and Longcross Studios.[5] Another filming location was Leysdown-on-Sea on the Isle of Sheppey.[11] Entwistle uses mostly close-up shots, particularly in early episodes where most frames feature only one character. He uses this for deadpan humour, by moving from face to face to get shots of characters' reactions.[5]

text: The series is set in the present day, but Entwistle aimed to make it feel like it could have been set "any time from 1988 to 2006". Additionally, diners have a 1970s-style design, and the soundtrack features songs from the 1950s, 60s and 70s, along with original music from Graham Coxon, the founding member of Blur. Entwistle describes Coxon's scores as "guitar-based suburban noir", and notes that more of his music is used in later episodes for the police officers.[5]

text: Potential continuation[edit]

text: The first series covered the entirety of the storyline in Forsman's original comics.[12] On 25 January 2018, Jonathan Entwistle spoke of the potential for a second series. He confirmed that "We're exploring and we're seeing what we can do to expand the world and see where we get to." Entwistle then went on to say that Netflix was enthusiastic about a second series of the show if one could be conceived.[13] Writer Charlie Covell said "I think there are a number of stories we could tell" and that she would "love to write more".[14] Actor Alex Lawther stated in an interview that he would be "very excited" for a second series, as it would give Covell "a chance to explore something from her imagination".[12]

text: Release[edit]

text: The eight-part programme premiered its first episode on Channel 4 in the United Kingdom on 24 October 2017, after which all eight episodes were released on All 4.[3] The End of the F***ing World was a co-production with Netflix[3] who exclusively released it internationally on 5 January 2018.[15] On that weekend, sales of the graphic novel rose considerably, with Fantagraphics Books selling out of the current print run according to Forsman.[9]

text: Reception[edit]

text: Critical response[edit]

text: The End of the F***ing World' currently holds an approval rating of 98% on review aggregator website Rotten Tomatoes based on 41 reviews, with an average rating of 8.21/10. The site's consensus states, "Misanthropy and humor blend perfectly in this romantically nihilistic show that proves that falling in love can feel like The End of the F***ing World."[16] Metacritic, which uses a weighted average, assigned a score of 81 out of 100, based on 11 critics, indicating "universal acclaim".[17][18]

text: Reviewer Daniel Fienberg of The Hollywood Reporter lauded the programme's writing, characters, and soundtrack, as well as praising the performances of Alex Lawther and Jessica Barden, calling it a "pitch-black, eight-episode comedy gem of a U.K. import."[19] Kelly Lawler of USA Today called it "batty fun," also praising Lawther and Barden's performances while praising the programme's surreal concept and execution.[20]


document_title: Life of the Party (2018 film)

question_text: who plays maya rudolphs husband in life of the party

text: Life of the Party (2018 film)

text: Plot[edit]

text:
After dropping off their daughter Maddie (Molly Gordon) to her senior year at Decatur University in Atlanta, Dan tells Deanna (Melissa McCarthy) that he wants a divorce because he has fallen in love with another woman, a realtor Marcie (Julie Bowen), and he also wants to sell their house under his name. Heartbroken, Deanna visits her parents Mike (Stephen Root) and Sandy (Jacki Weaver) to tell them what happened, but Mike is frustrated because Dan made Deanna drop out of her college because she was pregnant, as well as his overbearing ways during their marriage.
Deanna goes to see Maddie in her dorm to tell the news about her divorce and her plans to study again at the university to earn a degree in Archaeology. Maddie initially has doubts about her plan but she ultimately accepts it. Maddie introduces Deanna to her friends - Amanda (Adria Arjona), neurotic Debbie (Jessie Ennis), and Helen (Gillian Jacobs). Deanna later meets her agoraphobic and chronically depressed roommate Leonor (Heidi Gardner).

text: On the first day of school, she meets demeaning girls, Jennifer (Debby Ryan) and her friend Trina (Yani Simone), who mocks Deanna's age. Deanna later signed the divorce papers, with her best friend Christine, in front of Dan and Marcie. At night, Maddie and her friends take Deanna to the party, where she meets a boy named Jack (Luke Benward), who later falls in love with her and, the next day, they have sex inside the library. In another night, they attend an 80's-themed party where Deanna has a dance-off with Jennifer, resulting in earning the respect of her schoolmates. Deanna later has stage fright during her oral presentation and she faints.

text: While Deanna hanging out for the dinner with Christine, her husband, and their couple friends, Dan and Marcie unexpectedly show up, who declare that they are getting married. Jack turns out to be Marcie's son and knowing about Deanna sleeping with Jack, Marcie walks out in disgust. On the night of Dan and Marcie's wedding, Deanna and her friends get high from chocolate bark laced with weed, and they head to the reception, where they start wrecking the wedding hall. Dan, Marcie, and Maddie find them and Marcie tells Deanna she is cut off financially from Dan. Deanna is filled with shame, if only because of how Maddie saw her.

text: Deanna tries to make amends with Maddie, but she tells her that she is leaving college since she has no means of completing the rest of the year on her own. The girls then come up with a plan to throw a party to raise money to pay for Deanna's tuition. Since everyone is at Christina Aguilera concert, Helen posts the message on her Twitter, claiming Aguilera will be at the party after her show. Christine shows up with her husband, as do Mike and Sandy. Mike offers to give Deanna a 401K check to pay her tuition, but Deanna refuses to take it. The party is not a success until Aguilera (who ends up being Leonor’s cousin) arrives and she puts on a show with Deanna and the girls to an excited crowd.

text: Later on, Deanna is due to repeat her presentation in class. She is still nervous until Maddie, Helen, Amanda, Debbie, and all the sorority sisters show up to support her, and Deanna manages to give the presentation with ease. At the end of the year, Deanna and Maddie graduate together, with all their friends and family there to support them. Maddie encourages Deanna to throw her cap in the air. She does so, and it hits Dan in the face, knocking out an earring he was wearing while Marcie berates him for losing the expensive diamond stud.

text: Cast[edit]

text:
Melissa McCarthy as Deanna "Dee Rock" Miles (née Cook)
Molly Gordon as Maddie Miles, Dan and Deanna's daughter
Gillian Jacobs as Helen, a sorority sister who is older than the rest due to having been in a coma for eight years.
Maya Rudolph as Christine Davenport, Deanna's neurotic and heavy drinking best friend
Jessie Ennis as Debbie, a sorority sister with "issues"
Adria Arjona as Amanda, another sorority sister with "issues"
Debby Ryan as Jennifer, a "mean girl" in Deanna's archaeology class
Matt Walsh as Daniel "Dan" Miles, Deanna's ex-husband, Maddie's father
Julie Bowen as Marcie Strong, a real estate agent, Deanna's nemesis and Dan's lover
Stephen Root as Michael "Mike" Cook, Deanna's father and Maddie's grandfather
Jacki Weaver as Sandy Cook, Deanna's mother and Maddie's grandmother
Luke Benward as Jack Strong, a frat boy infatuated with Deanna
Jimmy O. Yang as Tyler, Maddie's boyfriend and Jack's friend
Chris Parnell as Wayne Truzack, Deanna's professor
Heidi Gardner as Leonor, Deanna's reclusive Goth roommate
Yani Smone as Trina, Jennifer's snarky sidekick
Damon Jones as Frank Davenport, Christine's husband
Ben Falcone as Dale, the Uber driver
Nat Faxon as Lance
Sarah Baker as Gildred
Karen Maruyama as Mediator
Steve Mallory as Bill
Courtney Patterson as Amy
Steve Falcone (Ben Falcone's real-life father) as Older Man #1 / Vince
Michael D. McCarthy (Melissa McCarthy's real-life father) as Older Man #2 / Dennis
Christina Aguilera as herself (cameo)

text: Production[edit]

text: Filming began in August 2016 in the metro Atlanta area. The sorority house used in the film is The Twelve Oaks Bed & Breakfast (www.thetwelveoaks.com) located in Covington, GA. The interior of the mansion was replicated in a warehouse in Decatur, GA for the interior scenes and the exterior scenes were filmed on location at the inn.[citation needed]

text: Release[edit]

text: Life of the Party was released on May 11, 2018.[5] The first official trailer for the film was released on February 5, 2018.[6]

text: Reception[edit]

text: Box office[edit]

text: Life of the Party grossed 52.9 million in the United States and Canada, and $12.8 million in other territories, for a worldwide total of $65.7 million.[3]

text: In the United States and Canada, Life of the Party was released alongside Breaking In, and was projected to gross $18–21 million from 3,656 theaters in its opening weekend.[7] It made $4.9 million on its first day, including $700,000 from Thursday night previews, down from the $985,000 McCarthy's The Boss grossed in March 2016, and similar to the $650,000 grossed by Snatched on the Thursday before the same weekend the previous year.[2] The film went on to debut to $17.9 million, and finished second behind Avengers: Infinity War ($62 million in its third week); 80% of its audience was over the age of 25, while 70% was female.[8] It fell 57% in its second weekend, to $7.6 million, finishing fourth at the box office,[9] and another 33% to $5.1 million in its third, finishing fifth.[10]

text: Critical response[edit]

text: On review aggregation website Rotten Tomatoes, the film has an approval rating of 38% based on 126 reviews, and an average rating of 5/10. The site's critical consensus reads, "Life of the Party's good-natured humor and abundance of onscreen talent aren't enough to make up for jumbled direction and a script that misses far more often than it hits."[11] On Metacritic, the film has a weighted average score of 46 out of 100, based on reviews from 32 critics, indicating "mixed or average reviews."[12] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, higher than the "C+" earned by each of McCarthy and Falcone's previous two film collaborations.[8]

text: Matt Zoller-Seitz of RogerEbert.com gave the film two out of four stars, calling it "the latest Melissa McCarthy star vehicle that fails to do justice to the sheer awesomeness of its leading lady."[13]

text: Leigh Monson from Birth.MoviesDeath wrote the next: "One hundred minutes of self-indulgence and tedium, even if it's well-meaning in its intentions." [14]

text: Accolades[edit]

text:
Award

Category

Recipient

Result

Teen Choice Awards

Choice Summer Movie

Nominated

Choice Summer Movie Actress

Melissa McCarthy

Nominated