document_title: A Series of Unfortunate Events (TV series)

question_text: who plays charles a series of unfortunate events

text: Premise[edit]

text: When a mysterious fire kills their parents, the Baudelaire children are placed into the care of their distant relative Count Olaf, an actor who is determined to claim the family fortune for himself. Following Olaf's failed attempt and his plot being exposed, the Baudelaires set out to elude Olaf and uncover the mystery behind a secret society from their parents' past.

text: Cast and characters[edit]

text: Main[edit]

text:
Neil Patrick Harris as Count Olaf,[4] an actor determined to claim the Baudelaire fortune for himself. He has one eyebrow and a tattoo resembling an eye on his left ankle, which is frequently used to identify him when he is disguised.
Patrick Warburton as Lemony Snicket,[5] the narrator tasked with explaining the events during the lives of the Baudelaires.
Malina Weissman as Violet Baudelaire,[6] the eldest Baudelaire sibling and an inventor talented in mechanics.
Louis Hynes as Klaus Baudelaire,[6] the middle Baudelaire child, interested in literature and books.
K. Todd Freeman as Arthur Poe,[7] the family banker and executor of the Baudelaire parents who is in charge of placing the Baudelaires in the care of a suitable guardian.
Presley Smith as Sunny Baudelaire,[8] the infant child of the Baudelaires with unnaturally strong teeth. Tara Strong provides Sunny's babbling sound effects, the meaning of which is often translated in subtitles.[9]
Lucy Punch as Esmé Squalor, a wealthy financial advisor, who becomes an ally and love interest for Count Olaf.[10]
Avi Lake as Isadora Quagmire,[11] Duncan and Quigley's sister who loves writing poetry.
Dylan Kingwell as Duncan Quagmire, Isadora's brother. Duncan is a keen journalist.[11]

tag: ul

text: Recurring[edit]

text:
Will Arnett as Father,[12][13] a man who is trying to return home to his three children.
Cobie Smulders as Mother,[13] a woman who is trying to return home to her three children.
Usman Ally as the Hook-Handed Man,[14] a member of Count Olaf's theatre troupe with hooks instead of hands.
Matty Cardarople as the Henchperson of Indeterminate Gender,[14] another member of Count Olaf's theatre troupe.
Cleo King as Eleanora Poe, Arthur Poe's wife and the editor-in-chief of The Daily Punctilio, who loves pursuing sensationalist headlines.
John DeSantis as the Bald Man,[15] a large bald-headed man who is another member of Count Olaf's theatre troupe.
Jacqueline and Joyce Robbins as the White-Faced Women,[14] two elderly twins who are members of Count Olaf's theatre troupe.
Sara Canning as Jacquelyn, Mr. Poe's standoffish assistant and a member of the Baudelaire family's secret society. She possesses a spyglass.
Patrick Breen as Larry Your-Waiter, a member of the Baudelaire family's secret society who is seen working as a waiter at various establishments the Baudelaires visit, including the Anxious Clown and Café Salmonella.
Sara Rue as Olivia Caliban, a librarian at Prufrock Preparatory School who later enlists as a member of the Baudelaire family's secret society when she becomes invested in the Baudelaires' plight.[10][16][17]
Nathan Fillion as Jacques Snicket, the dashing adventurer brother of Lemony Snicket who enlists Olivia Caliban to help the Baudelaires.[10]

text: Guest[edit]

text: Introduced in season 1[edit]

text:
Joan Cusack as Justice Strauss,[18] a judge and Count Olaf's neighbor who helps the Baudelaires and is hopeful to adopt them.
Luke Camilleri as Gustav Sebald,[14] a member of the Baudelaire family's secret society and Monty's former assistant.
Aasif Mandvi as Montgomery "Uncle Monty" Montgomery,[19] a distant relative of the Baudelaires and enthusiastic herpetologist who claims to have spent his childhood with their late parents. He is a member of the Baudelaire family's secret society and possesses a spyglass.
Alfre Woodard as Aunt Josephine Anwhistle,[20] a distant relative of the Baudelaires at Lake Lachrymose who has many rational and irrational fears and a love of grammar. She is a member of the Baudelaire family's secret society.
Don Johnson as Sir,[21] the cigar-smoking owner of Lucky Smells Lumbermill.
Catherine O'Hara as Georgina Orwell,[22] an optometrist and Count Olaf's ex-girlfriend who hypnotizes the Lucky Smells Lumbermill workers so they never leave, also causing them to believe the Baudelaire parents set fire to Paltryville. O'Hara previously portrayed Justice Strauss in the 2004 film adaptation.
Rhys Darby as Charles,[12] Sir's partner.
Timothy Webber as Jimmy, a worker at Lucky Smells Lumbermill.
Chris Gauthier as Phil, an optimistic worker who befriends the Baudelaires during their stay at the Lucky Smells Lumbermill.
Loretta Walsh as Norma Rae, a worker at Lucky Smells Lumbermill.
Trent Redekop as Cesar, a worker at Lucky Smells Lumbermill.

text: Daniel Handler cameos as a fish head salesperson at Lake Lachrymose. Barry Sonnenfeld does a picture cameo as the late Ike Anwhistle in "The Wide Window" and appears as him in a flashback scene in "The Carnivorous Carnival" Pt. 1.[citation needed]

text: Introduced in season 2[edit]

text:
Barry Sonnenfeld as the voice of Mr. Tammerlane, a person that Arthur Poe talks to on the phone.
Roger Bart as Nero Feint, the violin-playing vice-principal of Prufrock Preparatory School and struggling musician with an egotistic personality and a love for excessive punishments.[10]
Kitana Turnbull as Carmelita Spats, an obnoxious, tutu-wearing student at Prufrock Preparatory School.[23]
Bronwen Smith as Miss Tench, Prufrock Preparatory School's gym teacher who is replaced in the post by a disguised Count Olaf while on her way back to Prufrock Preparatory School with the pep squad and the sports team.[17]
Malcolm Stewart as Mr. Remora, a teacher at Prufrock Preparatory School who specializes in teaching his personal anecdotes and is always seen eating a banana.[17]
BJ Harrison as Mrs. Bass, a teacher at Prufrock Preparatory School who specializes in measuring objects. She later becomes a bank robber.[17]
Tony Hale as Jerome Squalor, the timid husband of Esmé Squalor.[10]
Ithamar Enriquez as Hector, a skittish handyman and citizen of the Village of Fowl Devotees who befriends the Baudelaires.[16]
Mindy Sterling as Elder Anabelle, a member of the Village of Fowl Devotees' Council of Elders.[17]
Carol Mansell as Elder Jemma, a member of the Village of Fowl Devotees' Council of Elders.[17]
Ken Jenkins as Elder Sam, a member of the Village of Fowl Devotees' Council of Elders.[17]
Lossen Chambers as Mrs. Morrow, an inhabitant of the Village of Fowl Devotees that wears a pink robe.
Kevin Chamberlin as Mr. Lesko, an inhabitant of the Village of Fowl Devotees that wears plaid pants.
John Bobek as the bearded leader of the Volunteers Fighting Disease.[17]
Lauren McGibbon as the perky member of the Volunteers Fighting Disease.
Kerri Kenney-Silver as Babs, the Head of Human Resources and Hospital Administration at Heimlich Hospital.[17]
David Alan Grier as Hal, a visually-disabled file clerk who is employed in the Library of Records at Heimlich Hospital.[24]
Robbie Amell as Kevin, an ambidextrous "freak" who works at Caligari Carnival.[25]
Kevin Cahoon as Hugo, a hunchbacked "freak" who works at Caligari Carnival.[17]
Bonnie Morgan as Colette, a contortionist "freak" who works at Caligari Carnival.[17]
David Burtka as Mr. Willums, a heckler with a pimpled chin who attends Caligari Carnival. He is based on The Man With Pimples On His Chin from "The Carnivorous Carnival" book.[26]
Jill Morrison as Mrs. Willums, the wife of Mr. Willums.
Harper and Gideon Burtka-Harris as Trixie and Skip Willums, the children of Mr. Willums.[27]
Allison Williams as an as-yet-unidentified woman who arrives to see the Caligari Carnival engulfed in flames.[28]

text: Episodes[edit]

text:
Season
Episodes
Originally released

1
8
January 13, 2017 (2017-01-13)

2
10
March 30, 2018 (2018-03-30)

tag: table

text: Season 1 (2017)[edit]

text: The first season adapts the first four books of the novel series: The Bad Beginning, The Reptile Room, The Wide Window and The Miserable Mill.[29]

text:
No.
overall
No. in
season
Title
Directed by
Written by
Original release date

1
1
"The Bad Beginning: Part One"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Violet, Klaus, and Sunny Baudelaire receive the news that their parents have perished in a house fire from well-meaning but inept banker Arthur Poe. While exploring the ruins, Klaus finds a broken spyglass with an insignia of an eye embedded on the front. Shortly afterwards, they are sent to live with their distant relative Count Olaf, a cruel and vain amateur actor, who forces them into servitude. One night, the siblings prepare puttanesca for Olaf's theatre troupe only for him to demand roast beef upon arriving home. The children state that they were never asked to prepare roast beef, angering Olaf and prompting him to slap Klaus across the face when he protests about the sleeping arrangements. Meanwhile, a mother and father are held against their will by a mysterious captor.

2
2
"The Bad Beginning: Part Two"[a]
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires attempt to convince Mr. Poe of Olaf's actions, only to be sent away when Poe dismisses their claims. When Olaf gives Violet the starring role in his latest theatrical production, which ends with the two main characters being married, the siblings realize that Olaf intends to acquire their fortune by marrying Violet for real. Klaus confronts Olaf, who threatens to kill Sunny if Violet doesn't follow through with his plans. At the very last minute, however, Violet signs the marriage certificate with her left hand, invalidating the proceedings due to the fact that she is right-handed. Mr. Poe's mysterious secretary Jacquelyn reveals they were intended to be put in the care of their distant relative Montgomery Montgomery. Meanwhile, Jacquelyn's ally Gustav is mysteriously drowned, after being hit by a poisoned dart.

3
3
"The Reptile Room: Part One"
Mark Palansky
Daniel Handler
January 13, 2017 (2017-01-13)

The Baudelaires are sent to live with their herpetologist uncle Montgomery Montgomery, who has recently come across a reptile he calls the Incredibly Deadly Viper. While attempting to learn more about Montgomery, Klaus discovers that the hedge maze in Montgomery's garden is exactly the same shape as the tattoo on Olaf's ankle. Olaf poses as Montgomery's new assistant Stephano and attempts to kidnap the Baudelaires, but Monty assures the Baudelaires that he recognizes Stephano as a threat. The four arrive at a movie theatre, where Monty deciphers a code sent for him through the subtitles of the film, using a spyglass identical to Klaus'. The message instructs him to bring the children to Peru. He fires Stephano shortly afterwards, believing him to be a spy sent to steal his research.

4
4
"The Reptile Room: Part Two"
Mark Palansky
Emily Fox
January 13, 2017 (2017-01-13)

Immediately after dismissing "Stephano," Montgomery notices that the door to his Reptile Room is ajar and investigates, only to be attacked by an unseen figure. The next day, the Baudelaires discover Olaf standing next to Montgomery's corpse. Olaf threatens to kill Sunny unless the siblings accompany him to Peru, but is prevented from carrying out his plan when Mr. Poe accidentally crashes into their car when they are trying to leave. Olaf's theatre troupe then arrives disguised as police and nurses, and claim Monty was killed by the Incredibly Deadly Viper, despite Monty's claim of it being completely harmless. While searching for proof of the snake's innocence, Klaus discovers a statue in Monty's hedge maze, and a photograph of Monty, both of them carrying spyglasses identical to Klaus'. Violet proves Olaf to be the murderer; however, he escapes via the hedge maze with Klaus' spyglass. While pursuing him, the Baudelaires meet Jacquelyn, who is posing as a statue. She tells them to seek answers on the spyglasses from their Aunt Josephine while she hunts down Olaf via underground passageways.

5
5
"The Wide Window: Part One"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

Mr. Poe takes the Baudelaires to live with their Aunt Josephine, an irrationally frightened woman who lives in a dilapidated house overlooking Lake Lachrymose. She refuses to answer questions about their parents, so the siblings pursue answers themselves around her house, and discover their parents were members of a secret organization, with spyglasses being used as useful devices. They are also shocked to find out that Josephine was once fierce and formidable, and developed her phobias after the death of her husband. Olaf, who has followed the Baudelaires, disguises himself as a sailor named Captain Sham before pretending to fall in love with Josephine. Despite the siblings' warnings, Josephine accepts his invitation to take her out for a fried egg sandwich. Later that night, the siblings discover that Josephine has jumped out the library's bay window and left a note informing them that "Captain Sham" is their new guardian.

6
6
"The Wide Window: Part Two"
Barry Sonnenfeld
Daniel Handler
January 13, 2017 (2017-01-13)

As Mr. Poe prepares to hand the Baudelaires over to "Captain Sham," the siblings discover the note has several grammatical errors, something Josephine would never do since she was obsessed with proper grammar. Mr. Poe takes the children to a restaurant and prepares to complete the transfer, but allows the siblings to leave after Larry, a waiter secretly a member of their parents' organization, triggers their allergy to peppermint. After returning to the house, the siblings decipher Josephine's suicide note and discover she is still alive moments before a hurricane sends the house teetering over the cliff. Escaping with a photograph of their parents standing in front of a lumber mill, the siblings find Josephine at a nearby cave, only to be confronted by Olaf, who abandons Josephine to be eaten alive by the leeches that inhabit Lake Lachrymose. Upon returning to shore, Olaf escapes after being unmasked in front of Mr. Poe while the Baudelaires sneak away and set out to find the lumber mill in the photograph.

7
7
"The Miserable Mill: Part One"
Bo Welch
Joe Tracz
January 13, 2017 (2017-01-13)

Upon arriving at the Lucky Smells Lumber Mill, the Baudelaires are forced to work by the owner Sir, who blames their parents for starting a fire that destroyed the entire town. While investigating the workers' unnaturally happy behavior, Klaus' glasses are broken by the Hook-Handed Man posing as Foreman Flacutono, and he visits local optometrist Georgina Orwell, who puts him into a hypnotic trance. Later that day, the siblings learn that two visitors are waiting to see them. Believing that their parents are still alive, the three are shocked to instead find Orwell and her receptionist "Shirley St. Ives," who is a poorly-disguised Olaf. Meanwhile, the mother and father who were previously held captive are revealed to be the parents of the Quagmire triplets, with whom they are reunited.

8
8
"The Miserable Mill: Part Two"
Bo Welch
Tatiana Suarez-Pico
January 13, 2017 (2017-01-13)

The Baudelaires discover the entire mill is under a hypnotic trance, ensuring they do not leave their jobs. Orwell and Olaf use a still-hypnotized Klaus to murder Sir's aide Charles, but Violet figures out how to break everyone's trance in the nick of time. The workers then storm the mill, causing Orwell to fall into the furnace and die. Sir, Olaf, and the Hook-Handed Man all escape in the chaos. Charles reveals the truth about the Baudelaires' role in the town, where they actually helped to fight the fire. The three siblings are reunited with Mr. Poe, and Jacquelyn sends Klaus the broken spyglass that Olaf stole from him. Poe then sends the three siblings to a dreary boarding school, which two of the three Quagmire siblings are also sent to, due to their house being burnt down by an unknown woman. The Quagmires' parents are revealed to be members of the organization. In the final scene, Lemony Snicket, Count Olaf, the Baudelaires and Mr. Poe sing the song "That's Not How the Story Goes."

text: Season 2 (2018)[edit]

text: The second season adapts books five through nine of the novel series: The Austere Academy, The Ersatz Elevator, The Vile Village, The Hostile Hospital, and The Carnivorous Carnival.[32]

text:
No.
overall
No. in
season
Title [b]
Directed by
Written by
Original release date

9
1
"The Austere Academy: Part 1"
Barry Sonnenfeld
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires are introduced to life at Prufrock Preparatory School, an unpleasant institution run by an unpleasant vice-principal named Nero and terrorized by an equally unpleasant student named Carmelita Spats. The school's only redeeming qualities are its friendly librarian, Olivia Caliban, and the surviving Quagmire triplets, Duncan and Isadora. During a lunch break, Klaus and Isadora discover that they are holding two halves of the same spyglass. The newfound friends quickly realize that they must track down a book on secret organizations to find the answers they seek—a book Jacquelyn sent Larry to give them, but which he carelessly misplaced. Meanwhile, Count Olaf and his troupe lurk around the grounds of the school, unable to enter the front doors due to an advanced computer system programmed by Nero to detect Olaf's presence. However, with Carmelita's help, Olaf finally gains entry and locks Larry in the cafeteria's walk-in refrigerator. He then dons his latest disguise: the school's new turban-wearing gym teacher.

10
2
"The Austere Academy: Part 2"
Barry Sonnenfeld
Joe Tracz
March 30, 2018 (2018-03-30)

Olaf is able to convince Nero to put the Baudelaires under a grueling exercise program, making the siblings run endless laps at night to prevent them from scheming against him, while also causing them to perform poorly in class from lack of sleep. Due to their slumping grades, Nero threatens to expel the Baudelaires if they fail a comprehensive exam to be given in front of the entire school, but because they must still exercise under Olaf's program, they know they will likely fail. The Quagmires offer to help, and that night take their place during exercises; however, their identity is discovered, and while hiding in the library, they find the copy of the book on secret organizations and read up on the purpose of the spyglass before they are caught by the Hook-Handed Man. The next day, with Mr. Poe in attendance, the Baudelaires readily pass the exam, and through it reveal Olaf's identity. Olaf and his gang then escape with the Quagmires, who try to shout the initials "V.F.D." from the backseat of Olaf's car. Meanwhile, Larry is rescued from the refrigerator with the help of Lemony's brother, Jacques, while Olivia walks off with the book on secret organizations that the Quagmires left behind.

11
3
"The Ersatz Elevator: Part 1"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

While a citywide manhunt for Count Olaf is underway, Mr. Poe takes the Baudelaires to the penthouse of Jerome Squalor and his trendy financial advisor wife Esmé. While being introduced to the Squalors, they find Olaf has already arrived, posing as a foreign auctioneer named Gunther. The Baudelaires theorize that Olaf is trying to kill Jerome so that he can marry Esmé and become their legal guardian again. They search the penthouse for the Quagmires to no avail, but Klaus becomes suspicious of an extra elevator that only seems to serve the penthouse. Meanwhile, Olivia tries to convince Mr. Poe about Olaf's scheme, which leads Jacquelyn to contact Jacques, who enlists her into their society. Esmé suggests they go out for lunch at a fashionable salmon-themed restaurant Cafe Salmonella, where Larry works to prolong their visit, giving Jacques and Olivia time to search the Squalor's building for the Quagmires. When the Baudelaires manage to sneak away and examine the second elevator, they learn that it is merely an empty shaft. With a makeshift parachute, they descend it to find the Quagmires locked in a cage at its bottom.

12
4
"The Ersatz Elevator: Part 2"
Bo Welch
Daniel Handler
March 30, 2018 (2018-03-30)

The Baudelaires do not have the tools to free the Quagmires, so they ascend the shaft by turning the parachute into a hot-air balloon. They try to warn Esmé of Olaf's scheme, but learn too late that she is in cahoots with him and that they are planning to smuggle the Quagmires out of the city. Esmé pushes them down the elevator shaft, where they are caught in a net midway down. Sunny helps them to escape safely, and afterwards they find a secret passage that leads to the ashen ruins of their home. At the auction in Veblen Hall, the Baudelaires start a bidding war on a box labeled "V.F.D.", which they believe contains the Quagmires. Though they win the item, they find the box contains only doilies. In the aftermath, Olaf and his troupe escape with the Quagmires, who are hidden inside a red herring statue. The Baudelaires ask Jerome to help track down Olaf, but he is far too timid to do so, and gives up his guardianship of them. Mr. Poe tells the children that a village with the initials "V.F.D." is willing to raise them.

13
5
"The Vile Village: Part 1"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

Mr. Poe drops the Baudelaires off at the Village of Fowl Devotees, where the whole community will care for them collectively. The Baudelaires take up residence with Hector, a kindly handyman prone to fainting spells who is secretly building a self-sustaining hot-air mobile home, and soon begin finding clues written by the Quagmires themselves. Olaf, Esmé, and the troupe also arrive at the village, with Esmé disguising herself as the town's new chief of police. Jacques and Olivia also arrive and detain Olaf at the local jailhouse; the next day, the villagers learn of Olaf's capture and hold a town hall meeting, where Olaf appears in the disguise of Detective Dupin, tricking everyone into believing Jacques is Olaf. Jacques is sentenced to death, but Olivia convinces Esmé to free her and Jacques in exchange for the location of the Sugar Bowl, an object with ties to Esmé's past. Jacques stays behind to confront Olaf; however, the villain is unfazed by Jacques' offer of a truce, and he and Esmé incapacitate and kill him. The next morning, as the Baudelaires try to break into the jail to rescue Jacques, they are informed that "Olaf" has been murdered.

14
6
"The Vile Village: Part 2"
Barry Sonnenfeld
Sigrid Gilmer
March 30, 2018 (2018-03-30)

The disguised Olaf and Esmé quickly convince Mr. Poe and the town that the Baudelaires murdered Jacques/"Olaf," and they are promptly condemned to be burned at the stake. While in jail, the children instruct Hector to prepare his hot-air mobile home to help them escape. While Violet creates a battering ram to weaken the jail wall, Klaus deduces from their clues that the Quagmires are hidden inside a crow fountain in the village square. Larry and Jacquelyn arrive on the scene to distract the villagers long enough for the children to escape via a fire truck and follow Hector. The Baudelaires cover for the Quagmires as they use the truck's ladder to climb aboard the mobile home. As they do so, Olaf, Esmé, and the villagers arrive, and Esmé begins damaging Hector's home with a harpoon gun. Realizing their danger, the Baudelaires tell Hector to escape with the Quagmires. In thanks, the Quagmires try to throw their friends their notes about the secrets of V.F.D., but Esmé shoots them with a harpoon, scattering the pages and harming a crow. While the villagers accost the disguised villains over the injured bird, the Baudelaires collect as many of the ruined pages as they can and make their escape.

15
7
"The Hostile Hospital: Part 1"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

The Baudelaires hitch a ride with volunteer singing candy stripers heading to Heimlich Hospital. They learn that there is a Library of Records that collects and stores esoterica. After sneaking past the hospital's administrator Babs, they meet Hal, the man who runs the library. He welcomes their help, but forbids them to read material in storage. While Hal shows them the ropes, a film reel labeled "Snicket" arrives and catches the children's attention. Meanwhile, believing the Sugar Bowl to be in the hospital, Olaf and his troupe infiltrate the building. Desperate for answers, the children are forced to steal Hal's keys to access the library, where they find the film. It contains a debriefing of Jacques by a V.F.D. volunteer, with Jacques informing the interviewer that someone has survived a fire, which may or may not be the one that killed the Baudelaire's parents. However, before they can watch any further, they are interrupted by Esmé; as they try to escape, the library is ruined. Violet is captured by Olaf while Klaus and Sunny hide in a chute, in possession of the film.

16
8
"The Hostile Hospital: Part 2"
Alan Arkush
Joshua Conkel
March 30, 2018 (2018-03-30)

Olaf and Esmé hide Violet under a false name; to find her, Klaus disguises himself as "Dr. Faustus," with Sunny hidden in a sling underneath his coat. They eventually deduce which room Violet is in, but this is a trap laid by Olaf, who forces Klaus to operate on Violet inside an operating theater. Esmé promises to call off the scheme if Klaus can give her what he stole from the Library of Records, and he does so—only, it's not the Sugar Bowl that she has been searching for. Olaf, however, is interested in the Snicket film, and dashes off to watch it to learn its secret. Furious at its revelations, he burns the film, which also starts a fire in the hospital. The Baudelaires successfully evacuate the hospital and realize that their only chance to escape safely is in the trunk of Olaf's car. Hal is left depressed over the loss of the Library of Records. Elsewhere, an unknown person recovers the Sugar Bowl from the burning hospital.

17
9
"Carnivorous Carnival: Part 1"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

A flashback to a masked ball at the V.F.D. headquarters shows Lemony trying to warn Beatrice about Olaf. In the present, Olaf and his troupe arrive at the Caligari Carnival to speak with its fortune-teller, Madame Lulu, about the fire's survivor. Lulu, who is really Olivia in disguise, tells them to wait for the answer in the morning. The Baudelaires overhear this, and hoping to speak to Lulu as well, assume the identities of circus freaks, with Violet and Klaus as a two-headed person and Sunny as a wolf child. After calling V.F.D., Olivia is able to tell Olaf the next day that one of the Baudelaire parents did indeed survive the fire. Olaf then presents a freak show that proves disastrous, so he sets off to find a pack of roaming lions to help attract a larger crowd. This gives an opportunity for the children to sneak into Lulu's tent, where they discover films, books, and disguises belonging to the Volunteer Fire Department—the secret organization their parents and guardians belonged to. Olivia then appears and reveals her true identity to them.

18
10
"Carnivorous Carnival: Part 2"[c]
Loni Peristere
Joe Tracz
March 30, 2018 (2018-03-30)

Olivia explains to the Baudelaires that "Madame Lulu" is an alias used by V.F.D. agents to gather information. While Olivia admits she had to lie to Olaf about one of the children's parents surviving the fire, Jacques had asserted that there was a survivor, and they should head to the V.F.D. headquarters in the Mortmain Mountains to find them. Meanwhile, Olaf plans to throw one of the freaks into a pit filled with the hungry lions he has corralled, while Esmé connives to have Lulu killed. The next day, Olaf selects Violet and Klaus for the pit. When Olivia is told to push the children to the lions, she instead pushes them to safety, and is sent tumbling into the pit by Olaf for her troubles. As the children try to collect the V.F.D. materials from Lulu's tent, Olaf arrives and forces them to burn the tent down. Then, after placing Violet and Klaus in a towed caravan and taking Sunny in his car, Olaf has the other freaks cut the towing rope on a steep mountain path. At the same time, the last operative to pose as Madame Lulu arrives at the burning carnival as Lemony Snicket claims that she is someone he knows.

text: Season 3[edit]

text: The third season will adapt the final four books of the novel series[32] in seven episodes: The Slippery Slope, The Grim Grotto and The Penultimate Peril will be adapted into two episodes each, and The End will conclude the series with a longer single episode.[35] Barry Sonnenfeld will direct the episodes for The Penultimate Peril.[35] Liza Johnson and Jonathan Teplitzky will also direct episodes in the season.[36][37][38]

text: Production[edit]

text: Development[edit]

text: The thirteen A Series of Unfortunate Events novels, written by Daniel Handler under the pen name Lemony Snicket from 1999 to 2006, achieved success in young adult fiction around the same time as the Harry Potter novels. As such, the Snicket books had been optioned to be filmed before they were published.[39] This led to the development of a 2004 feature film, Lemony Snicket's A Series of Unfortunate Events, which covered the narratives of the first three novels in the series. Barry Sonnenfeld, who has expressed his love for the series, was originally slated to direct the feature film, and had hired Handler to write the screenplay.[40] About 10 months into production, shortly after the casting of Jim Carrey as Olaf, there was a "big crisis", according to Handler, which caused producer Scott Rudin to walk away and Sonnenfeld left the production under unclear terms.[39] With the film's completion in flux, its producing studios Paramount Pictures and DreamWorks fired Handler. While the film was eventually completed and released, sequels which would adapt the other novels in the series became unlikely due to "corporate shakeups" within DreamWorks, according to Handler, and the child actors that portrayed the Baudelaire children grew too old to star in a sequel.[40]

text: In November 2014, Netflix, in association with Paramount Television, announced its plans to adapt the novels into an original television series, with the author of the series, Daniel Handler, serving as executive producer.[41]

text: In September 2015, it was announced that Barry Sonnenfeld and Mark Hudis had agreed to helm the series. Hudis would serve as showrunner, Sonnenfeld as director, and both as executive producers,[42] with Handler writing some of the scripts along with working with the series' writing team.[32] However, in January 2016, Netflix announced that Hudis had left the project, with a replacement showrunner not named at the time.[4]

text: The first season consists of eight episodes,[5] with two episodes adapting each of the first four books of the series.[29] Handler considered this more in line with how he had written the books in the manner of a serialized melodrama, citing The Perils of Pauline as one of his influences in writing the book series.[43] In January 2017, Handler revealed that he was writing the series' second season, to consist of ten episodes adapting the fifth through ninth books of the series. A third season would adapt the remaining novels of the series, which Handler hoped "to get the go-ahead to do" since "given how quickly young actors age and change, we're trying to film everything as quickly as possible."[32] In March 2017, Netflix revealed the series had been renewed for a second season by releasing a video on their social media pointing to a viral marketing website, where a letter written by Snicket revealed the decision.[44] A month later, the series was "quietly" renewed for a third season,[45] which Harris confirmed would be the final one for the series.[46]

text: Casting[edit]

text: On December 3, 2015, an open casting call was announced for the roles of Violet and Klaus Baudelaire.[47] In January 2016, Netflix announced that Neil Patrick Harris had been cast as Count Olaf and Malina Weissman and Louis Hynes were cast as Violet and Klaus.[4][6] Handler had first considered Harris for the role of Olaf after seeing him perform the opening number "It's Not Just for Gays Anymore", at the 65th Tony Awards in 2011, noting "I just immediately saw someone who could pull off a million things at once" as was necessary for the character of Olaf, who utilizes various disguises and accents in his quest to steal the Baudelaire fortune.[48]

text: In March 2016, K. Todd Freeman was cast as Mr. Poe,[7] followed shortly after by the casting of Patrick Warburton as Lemony Snicket,[5] and Aasif Mandvi as Uncle Monty.[19] In September 2016, it was revealed that Dylan Kingwell and Avi Lake were cast as the Quagmire siblings, Duncan and Isadora, respectively.[11] In November 2016, Handler revealed Catherine O'Hara, Don Johnson, and Alfre Woodard had been cast as Dr. Georgina Orwell,[22] Sir,[21] and Aunt Josephine, respectively;[20] O'Hara had previously portrayed Justice Strauss in the 2004 film adaptation of A Series of Unfortunate Events.[22] It was also revealed that Presley Smith would play Sunny Baudelaire,[8] whose quasi-nonsensical lines are voiced by Tara Strong,[9] and Rhys Darby would play Charles, Sir's partner.[12]

text: Filming[edit]

text: Production began in May 2016 in Vancouver, British Columbia,[49][50] and in August 2016 several cast members expressed through social media that filming had finished.[51] Filming for the second season began in April 2017.[52] The third season began filming on January 5, 2018.[53]

text: One aspect of the series of books that the production team wanted to be captured in the series was the notion of a lack of specific time period or geography for the settings; Handler stated that he wrote enough for establishing set pieces, but purposely left more specific details vague "in order for young readers to fill in the blanks themselves." Sonnenfeld wanted to capture that same sense of ambiguous time and place, and he and his team worked to try to define a set of subjective rules of what elements could be included. Sonnenfeld brought on Bo Welch, production designer for Edward Scissorhands, which Handler considered to capture the same sense of a "familiar but completely imaginary" suburban setting he had in mind for his books. While the production team used computer-generated imagery where needed, they attempted to avoid this use where possible, such as by using large painted backdrops, by key scenic artist John E. Wilcox, rather than employing green screen filming.[43]

text: Music[edit]

text: In April 2016, Nick Urata was initially reported to be composing music for the series.[54] Once the first season was released, it was revealed that Urata collaborated with Daniel Handler to compose the main title theme, "Look Away", as well as various original songs that appear throughout the series, with Handler contributing the lyrics. The first season's original score was composed by James Newton Howard, with his frequent collaborators Sven Faulconer and Chris Bacon filling in to score certain episodes.[55] In the second season, Jim Dooley joined the production as composer and subsequently wrote the music for all ten episodes.[56]

text: "Look Away", the theme song for the opening titles of the series, is performed by Neil Patrick Harris.[55] In keeping with the tone of the book series, the song warns the viewer against continuing to watch the unpleasant story any further.[57] The lyrics of one verse of the song change for each pair of episodes, comprising a brief synopsis of those episodes' premise. [58]

text: Visual effects[edit]

text: Zoic Studios created visual effects for the series, including the effects for many of Sunny Baudelaire's actions.[59] Tippett Studio also did work on the series, including the effects for the destruction of Josephine's house, landscape shots of Lake Lachrymose and some of the more movement heavy Sunny Baudelaire shots.[60]

text: Release[edit]

text: All eight episodes of the first season of A Series of Unfortunate Events were released worldwide on Netflix on January 13, 2017,[18] in Ultra HD 4K.[61] The second season was released on March 30, 2018.[62]

text: Marketing[edit]

text: On July 5, 2015 a video titled "An Unfortunate Teaser" was uploaded to YouTube by a user named "Eleanora Poe". Netflix quickly released a statement saying "This was not released from Netflix." Media outlets were almost unanimous in agreement that the trailer was fan-made.[63][64][65][66] However, Caitlin Petrakovitz of CNET argued that the trailer may be real and that Netflix's carefully worded denial was a marketing campaign, noting the user name "Eleanora Poe" being the same as a character from the series, and that a vinyl record seen in the trailer was of The Gothic Archies, a band who provided the theme music for the audio books of A Series of Unfortunate Events.[67] The trailer was later revealed to be a spec promo, similar to a spec script, by an independent commercial director, whom Netflix contracted to make a title sequence for the series after the video's popularity, though they did not go ahead with the concept.[68]

text: In October 2016, Netflix released the first teaser trailer for A Series of Unfortunate Events, where Warburton narrates the events of the series as Lemony Snicket.[18] A trailer, featuring footage from the series and Neil Patrick Harris's character, Count Olaf, was released by Netflix in November 2016,[69] followed shortly by the first full trailer.[8] The second trailer was released in December 2016,[70] followed by a "holiday-themed" trailer from Count Olaf leading fans to a viral marketing website for the fictional Valorous Farms Dairy, which featured four holiday e-cards for download.[71]

text: Reception[edit]

text: Audience viewership[edit]

text: As Netflix does not reveal subscriber viewership numbers for any of their original series, Symphony Technology Group compiled data for the first season based on people using software on their devices that measure television viewing by detecting a program's sound. According to Symphony, 3.755 million viewers age 18-49 were watching an episode of A Series of Unfortunate Events over the average minute in its first weekend of release.[72]

text: Critical response[edit]

text: Season 1[edit]

text: The first season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the season an approval rating of 94% based on 62 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "Enjoyably dark, A Series of Unfortunate Events matches the source material's narrative as well as its tone, leaving viewers with a wonderfully weird, dry, gothic comedy."[73] On Metacritic the season has a score of 81 out of 100, based on 23 critics, indicating "universal acclaim".[74]

text: Erik Adams of The A.V. Club awarded the season a B and praised it for treating "mature themes like grief, loss, and disappointment with sardonic honesty." Adams compared the program positively to the Adam West Batman series, calling it "kids stuff with adult sophistication, driven by two-part stories, outrageous visuals, and the scenery-chewing of big-name guest stars".[75] Ben Travers of Indiewire gave the series an A-, saying that it "proves as inspirational and endearing as it claims to be forlorn and heartbreaking". Brian Lowry of CNN praised the showrunners for "infusing the show with a lemony-fresh feel, conjuring a series similar to the fantastical tone of Pushing Daisies". Lowry wrote that "the show proves a good deal of fun" and that "Harris dives into his over-the-top character with considerable gusto." He also argued that the series improved upon the 2004 film.[76]

text: Several critics praised the television series as a better adaptation of the books than the 2004 feature film, which starred Jim Carrey as Count Olaf. Kelly Lawler of USA Today felt the television format gave the stories more room to develop, the addition of Warburton as the fourth wall-breaking Snicket helped to convey some of the wordplay humor used in the books, and Harris's portrayal of Olaf was "much more dynamic, and creepier" than Carrey's version.[77] The Verge's Chaim Gartenburg said that the show follows the books much more faithfully than the film, and "nails down the tone that made the stories so special".[78] Los Angeles Times writer Robert Lloyd felt that the backgrounds of Sonnenfeld and Welch made them "the right people for this job, set in a milieu that is hard to fix in time, except to say it is not now", in capturing the tones of the book compared to the feature film.[79]

text: Nick Allen of RogerEbert.com, on the other hand, gave the series a negative review, calling it "an unfunny parody of sadness" that is "never as clever as it wants to be" and would only appeal to fans of the books.[80] Caroline Framke of Vox Media praised the series for its unique and weird visuals, but found the show's tone, pacing and performances to be haphazard and considered the show to be "literally, a series of unfortunate events".[81]

text: Season 2[edit]

text: As with the first season, the second season of A Series of Unfortunate Events received critical acclaim. Review aggregator Rotten Tomatoes gives the second season an approval rating of 100% based on 13 reviews, with an average rating of 7.8/10.[82] Clarisse Loughrey of The Independent praised the show as one that "essentially deals with thoughtful, intelligent young people battling to speak up against an illogical world." While observing that the "show may revel in the miserable", she opined "that the purpose of its own morbidity is to offer the assurance that hope lives in even the darkest of places." Loughrey also credited the show's expanded storyline for the Baudelaires' adult allies for "plumping up" the episodes' narrative arcs and deepening the show's emotional impact.[83]

text: Tristram Fane Saunders of The Telegraph awarded the second season four out of five stars. He described the show as a "gothic treat [that] also offers a wicked line in absurdist humour, and the most gorgeously toybox-like set designs you’ll find anywhere outside a Wes Anderson film."[84] Radio Times reviewer Huw Fullerton praised the series for its faithfulness to the original novels. While praising the improved CGI used to make Presley Smith's character Sunny Baudelaire react better to situations, he criticized the addition of supporting "good" characters such as Nathan Fillion's Jacques Snicket and Sara Canning's Jacquelyn for "undercutting the bleakness and loneliness that characterized the novels."[85]

text: Rohan Naahar of the Hindustan Times described A Series of Unfortunate Events as "one of the most lavish originals in Netflix's bottomless catalogue, created by fans, for fans." He also praised Neil Patrick Harris' performance as Count Olaf.[86] The Den of Geek reviewer Michael Ahr praised tortoise-shell 'amphibiophones' and stone marimbas score for giving the television series its primal sound.[87] IGN reviewer Jonathon Dornbush criticized the second season's formulaic plot structure and lack of the insightful observations compared to the first season. He also praised several of the second season's episodes particularly "The Ersatz Elevator", "The Hostile Hospital", and "The Carnivorous Carnival" for smartly twisting the story formula and deepening the novel series' mythology. Dornbush also praised the performance of guest stars such as Lucy Punch and Patrick Warburton and awarded the second season 7.2 stars.[88]

text: Awards and nominations[edit]

text:
Year
Award
Category
Nominee
Result
Ref

2017
Leo Awards
Best Visual Effects in a Dramatic Series
Luis Alejandro Guevara, Bob Habros, Cale Jacox, Ron Simonson, Jeffrey De Guzman
Nominated
[89]

Best Make-Up in a Dramatic Series
Rita Ciccozzi, Krista Seller, Tanya Hudson, Gitte Axen
Won

Best Hairstyling in a Dramatic Series
Julie Mchaffie, Dianne Holme, Jenine Lehfeldt
Won

Best Guest Performance by a Female in a Dramatic Series
Sara Canning
Nominated

Saturn Awards
Best New Media Television Series
A Series of Unfortunate Events
Nominated
[90]

Creative Arts Emmy Awards
Outstanding Music Composition for a Series
James Newton Howard
Nominated
[91]

Gold Derby TV Awards
Comedy Actor
Neil Patrick Harris
Nominated
[92]

Hollywood Music in Media Awards
Main Title Theme – TV Show/Limited Series
Nick Urata and Daniel Handler
Won
[93]

Peabody Awards
Children's & Youth Programming
A Series of Unfortunate Events
Won
[94]

2018
Satellite Awards
Best Actor in a Series - Comedy or Musical
Neil Patrick Harris
Nominated
[95]

text: Notes[edit]

text:
^ Jump up to: a b Netflix and critics name the first two episodes as "The Bad Beginning", following the title of the book, while the episode itself displays the name of "A Bad Beginning" after the opening credits.[30][31]
Jump up ^ Netflix names the episodes of the second season as Part 1 and Part 2, while the episodes themselves display the names as Part One and Part Two after the opening credits, following the format of the first season.
^ Jump up to: a b Netflix names the ninth and tenth episodes as "Carnivorous Carnival", while the episodes themselves display the name of "The Carnivorous Carnival" after the opening credits, following the title of the book.[33][34]

tag: ol


document_title: An Affair to Remember

question_text: where did the grandmother live in an affair to remember

root

text: An Affair to Remember

text: Plot[edit]

text: Nickie Ferrante (Cary Grant), a well-known playboy, meets Terry McKay (Deborah Kerr) aboard the transatlantic ocean liner SS Constitution en route from Europe to New York. Each is involved with someone else. After a series of meetings aboard the ship, they establish a friendship. When Terry joins Nickie on a brief visit to Janou, his grandmother, when the ship anchors near her home at Villefranche-sur-Mer on the Mediterranean coast, she sees Nickie with new eyes and their feelings become deeper. During their visit, Janou tells Terry that Nickie is a talented painter but destroys most of his paintings because they don't meet his standards. As the ship returns to New York City, they agree to reunite at the top of the Empire State Building in six months' time if they have succeeded in ending their relationships and starting new careers.

tag: p

text: On the day of their rendezvous, Terry, hurrying to reach the Empire State Building, is struck down by a car while crossing a street. Gravely injured, she is rushed to the hospital. Meanwhile, Nickie, waiting for her at the observation deck at the top of the building, is unaware of the accident and, after many hours, leaves at midnight, believing she has rejected him.

text: After the accident, Terry, now unable to walk, refuses to contact Nickie because of her disability. Instead, she finds work as a music teacher. Nickie has pursued his painting and has his work displayed by Courbet, an art shop owner. Six months after the accident, Terry sees Nickie with his former fiancée at the ballet, which she herself is attending with her former boyfriend. Nickie does not notice her condition because she is seated she only says hello as he passes her.

text: Nickie learns Terry's address and on Christmas Eve pays her a surprise visit. Although he tries to get her to explain her actions, Terry dodges the subject, never leaving the couch on which she sits. He gives her a shawl that Janou left for her after she died. As he is leaving, Nickie mentions a painting that he had been working on when they originally met, and that it was just given away to a woman who liked it but had no money. He is about to say that the woman was in a wheelchair when he pauses, suddenly suspecting why Terry has been sitting unmoving on the couch. He walks into her bedroom and sees the painting hanging on the wall. The film ends with the two in a tight embrace and Terry saying, "If you can paint, I can walk. Anything can happen, don't you think?"

text: Cast[edit]

text:
Cary Grant as Nicolò (Nickie) Ferrante
Deborah Kerr as Terry McKay
Richard Denning as Kenneth Bradley
Neva Patterson as Lois Clark
Cathleen Nesbitt as Grandmother Janou
Robert Q. Lewis as Himself (announcer)
Charles Watts as Ned Hathaway
Fortunio Bonanova as Courbet
Marni Nixon as Terry McKay (singing voice)

text: Production[edit]

text: The film was a remake of McCarey's 1939 film Love Affair, starring Irene Dunne and Charles Boyer. An Affair to Remember was almost identical to Love Affair on a scene-to-scene basis.[4] McCarey used the same screenplay as the original film, which was penned by Delmer Daves and Donald Ogden Stewart. Also, the character name "Terry McKay" appears in both films.

text: The theme song, "An Affair to Remember (Our Love Affair)", composed by Harry Warren and with lyrics by Leo McCarey and Harold Adamson, was sung by Vic Damone over opening credits and by Deborah Kerr during the film.

text: Soundtracks[edit]

text:
Continué

Sung by Marni Nixon (dubbing for Deborah Kerr)

The Tiny Scout (He Knows You Inside Out)
Tomorrow Land
You Make It Easy To Be True

text: Critical reaction[edit]

text: The film holds a 64% rating on Rotten Tomatoes based on 28 reviews.[5]

text: Awards and honors[edit]

text: The film was nominated for Best Cinematography, Best Costume Design, Best Original Song and Best Original Score at the 30th Academy Awards.

text: AFI's 100 Years...100 Passions – #5

text:
AFI's 100 Years...100 Movie Quotes:

"Oh, it was nobody's fault but my own. I was looking up. It was the nearest thing to heaven. You were there."—Nominated

text: Legacy[edit]

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2018) (Learn how and when to remove this template message)

text:
Nora Ephron's 1993 film Sleepless in Seattle, starring Tom Hanks and Meg Ryan, was partly inspired by An Affair to Remember, particularly the ending. References, clips and the theme song from the earlier film are used throughout.
A 1994 remake, reverting to the original title of Love Affair, starred Warren Beatty (who also wrote and produced) and his wife Annette Bening. The film also featured Katharine Hepburn in her last screen appearance, portraying the male protagonist's aunt; this character replaces the grandmother from the original film.
Mann, a 1999 Bollywood film starring Aamir Khan and Manisha Koirala, was almost a scene-by-scene copy of this film.
In 2009, the HBO film Grey Gardens licensed an aerial shot of The Pierre Hotel from this film.[6]
The Climax of 1980 Bollywood movie Ek Baar Kaho is inspired by the movie's climax.
A sound clip from this film, was used on Basement's 2011 album I Wish I Could Stay Here in the Song "Fading".
The teen drama TV series Gossip Girl features an episode in season three titled, "Last Tango, Then Paris" where the characters Chuck and Blair decide to rekindle their love and agree to meet on top of the Empire State Building at 7:01pm, just like the movie. However, Blair is unable to meet Chuck because her maid goes into labor on their way there. This results in their "final break-up".
In the TV series 30 Rock, the character Tracy Jordan claims to have starred in a remake of An Affair to Remember called "A Blaffair to Rememblack".
In the TV series Family Guy, there is a cutaway gag of what the movie would be like with cell phones. After being struck, Terry tells Nickie she's paralyzed. He abruptly ends the call and tosses the phone off the observation deck.


document_title: Jesse Stone (character)

question_text: who does the voice of jenn in the jesse stone movies

text: Jesse Stone (character)

text: Novels[edit]

text: By Robert B. Parker:

text:
Night Passage (September 1997) ISBN 978-0-399-14304-5
Trouble in Paradise (September 1998) ISBN 978-0-399-14433-2
Death in Paradise (October 2001) ISBN 978-0-399-14779-1
Stone Cold (October 2003) ISBN 978-0-399-15087-6
Sea Change (February 2006) ISBN 978-0-399-15267-2
High Profile (February 2007) ISBN 978-0-399-15404-1
Stranger In Paradise (February 2008) ISBN 978-0-399-15460-7
Night and Day (February 2009) ISBN 978-0-399-15541-3
Split Image (February 2010) ISBN 978-0-399-15623-6

text: By Michael Brandman:

text:
Robert B. Parker's Killing the Blues (September 2011) ISBN 978-0-399-15784-4
Robert B. Parker's Fool Me Twice (September 2012) ISBN 978-0-399-15949-7
Robert B. Parker's Damned If You Do (September 2013) ISBN 978-0-399-15950-3

text: By Reed Farrel Coleman

text:
Robert B. Parker's Blind Spot, G.P. Putnam (September 2014) ISBN 978-0-399-16945-8
Robert B. Parker's The Devil Wins, G.P. Putnam (2015)[6]
Robert B. Parker's Debt to Pay, G.P. Putnam (September 13, 2016) ISBN 978-0-399-17143-7
Robert B. Parker's The Hangman's Sonnet, G.P. Putnam (September 12, 2017) ISBN 978-0-399-17144-4

text: Television adaptations[edit]

text: This section's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia's guide to writing better articles for suggestions. (August 2013) (Learn how and when to remove this template message)

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2013) (Learn how and when to remove this template message)

text:
This section contains information of unclear or questionable importance or relevance to the article's subject matter. Please help improve this section by clarifying or removing superfluous information. If importance cannot be established, the section is likely to be moved to another article, pseudo-redirected, or removed.
Find sources: "Jesse Stone" character – news · newspapers · books · scholar · JSTOR (August 2013) (Learn how and when to remove this template message)

text: CBS (and later the Hallmark Channel) adapted the novels as a series of movie specials starring Tom Selleck in the title role; the first was aired in 2005 and the most recent in 2015. Robert Harmon has directed all but one of the films (Dick Lowry directed Jesse Stone: Innocents Lost), and Jeff Beal has provided original music. Selections from the scores of all the movies to date were released on a limited edition CD by Varèse Sarabande in 2009.

text: The movies begin out of sequence but stay relatively true to storylines and character, with exceptions made mostly for television network viewing. With the fifth film, Selleck and Michael Brandman took over the screen writing, and took the films in new directions. The town council forced Jesse Stone out of his job as the Paradise Chief of Police. The council dubbed it "early retirement" and granted Stone a partial pension. (As a retired sworn officer, Stone was also granted the right to carry concealed firearms, without having a "concealed carry" permit, which he usually did). The head of the town council wanted to install his son-in-law as the new police chief.

text: Captain Healey hires Stone as an occasional "temporary consultant" to assist on certain state police investigations. Stone insists that he will get back his old job as chief. In the eighth film of the series, Stone is restored as the Chief of Police after the incumbent is murdered. The chairman of the town council asks Stone to return as Chief and catch the killer. Stone's buddy, his Golden Retriever Reggie (played by Joe the dog), watches over Stone and plays an important supporting role in the series.

text: Tom Selleck plays the character as straight from the novels as possible; he is older (late fifties/early sixties vs. late thirties in the books) than Stone. The author, Robert B. Parker, said that he found the Jesse Stone movies the most accurate television adaptations of his novels. On his blog, he wrote that "Tom nails the character".[7]

text: As Police Chief Stone, Tom Selleck carries a Smith & Wesson Model SW1911SC .45 pistol. Selleck is a veteran soldier (Army National Guard from 1967 to 1973) and a skilled shooter; he collects firearms. Most of the characters that Selleck has portrayed in television who carry a sidearm have carried a type of Model 1911A1 .45 pistol. In the early novels, Stone usually carries a .38 Special Smith & Wesson Model 36 snub-nosed revolver; the same firearm which he had used as a homicide detective with the LAPD. (Parker's private detective character Spenser also carried a snub-nosed Smith & Wesson Model 36 .38 Special revolver in the first thirteen "Spenser" novels.) In Parker's Killing the Blues, Stone has started carrying a 1911A1 Colt Commander .45 pistol.

text: The cast of the films has included the following regular characters:

text:
Kohl Sudduth as Officer Luther "Suitcase" Simpson.
Kathy Baker as Officer Rose Gammon.
Viola Davis as Officer Molly Crane. The character was replaced by Rose Gammon in Sea Change.
Vito Rezza as Officer Anthony D'Angelo, a Paradise Police deputy. The character was written out of the series in Benefit of the Doubt.
Stephen McHattie as Captain Healy, head of the Massachusetts State Police Homicide Division.
William Devane as Dr. Dix, a former cop turned therapist, whom Stone sees for help with his drinking and other personal issues.
Saul Rubinek as Hastings "Hasty" Hathaway, an auto salesman and formerly corrupt town council president who befriends Stone.
William Sadler as Gino Fish, an organized crime boss who likes Stone, despite them being on opposite sides of the law. Gino sometimes assists Stone on cases with information.

text: Filmography[edit]

text:
Stone Cold (February 20, 2005)
Jesse Stone: Night Passage (January 15, 2006) a prequel to Stone Cold
Jesse Stone: Death in Paradise (April 30, 2006)
Jesse Stone: Sea Change (May 22, 2007)
Jesse Stone: Thin Ice (March 1, 2009)
Jesse Stone: No Remorse (May 9, 2010)
Jesse Stone: Innocents Lost (May 22, 2011)
Jesse Stone: Benefit of the Doubt (May 20, 2012)
Jesse Stone: Lost in Paradise (October 18, 2015)[3]
TBA (2017)

text: Characters[edit]

text: A dark grey cell indicates the character was not in the film.

text:
Character
Film

Stone Cold
Night Passage
Death In Paradise
Sea Change
Thin Ice
No Remorse
Innocents Lost
Benefit of the Doubt
Lost in Paradise

Jesse Stone
Tom Selleck

"Suitcase" Simpson
Kohl Sudduth

Captain Healy
Stephen McHattie

Molly Crane
Viola Davis

Anthony D'Angelo
Vito Rezza

Vito Rezza

Dr. Perkins
John Beale

John Beale

Carter Hansen
Jeremy Ackerman

Jeremy Ackerman

Comden
Tom Gallant

Tom Gallant

Jenn
Sylvia Villagran
Gil Anderson

Gil Anderson

Reggie
Joe the Dog

Joe the Dog

Abby Taylor
Polly Shannon

H. Henry Uppman
David Christoffel

David Christoffel

David Christoffel

Hasty Hathaway

Saul Rubinek

Saul Rubinek

Saul Rubinek

Cissy Hathaway

Stephanie March

Krista Allen

Carol Genest

Liisa Repo-Martel

Dr. Dix

William Devane

Sister Mary John

Kerri Smith

Kerri Smith

Kerri Smith

Emily Bishop

Mae Whitman

Mae Whitman

Rose Gammon

Kathy Baker

Gino Fish

William Sadler

Alan Garner

Todd Hofley

Laura

Laura Kohoot

Laura Kohoot

Laura Kohoot

William Butler

Gary Levert

Jeff Geddis

Sydney Greenstreet

Leslie Hope

Leslie Hope

Steven

Christopher Killam

Thelma Gleffey

Gloria Reuben

Amanda

Christine Tizzard

Steve

Ned the Dog

text: Hiatus and relaunch[edit]

text: Although Jesse Stone: Benefit of the Doubt attracted nearly 13 million viewers when CBS aired it on May 20, 2012, producer Michael Brandman told Variety a few days later that he and Tom Selleck had been notified that CBS would not be ordering any more episodes. They said the film attracted older viewers, and CBS is moving away from movies and specials in favor of shorter duration TV series.[8] Selleck noted that the movies were expensive to produce, and he had his own money invested in the last few. Selleck said he was not finished with the Stone character.[9] When interviewed by NBC's "Popcornbiz" in August 2012, he said,

text: Well, right now CBS hasn't ordered another one. That's nothing new. They always seem to order them one at a time even though we kind of hit home runs, which is frustrating. So I'm not sure whether this is the last 'Jesse' or not. I don't think it will be, because there are so many other markets, cable and everything, that I think would want the series.[10]

text: On March 4, 2015, Hallmark Mysteries & Movies announced it had picked up a ninth film.[11] Selleck himself indicated he was grateful to Hallmark, however he had to produce the movie with $1 million less budget than what CBS provided for the last film done for the network. Only Selleck, Sohl Kudduth, William Devane, and William Sadler returned for the ninth film, with the balance of the cast being new characters. It aired on October 18, 2015.[3] Hallmark has the right to air a tenth film that is scheduled to be aired in 2017.[12]


document_title: Big Three (automobile manufacturers)

question_text: where does ford rank in the auto industry

text: Big Three (automobile manufacturers)

text: United States[edit]

text: General Motors, Ford Motor Company, and Fiat Chrysler Automobiles US are often referred to as the "Big Three," being the largest automakers in the United States. They were for a while the largest in the world and two of them are still a mainstay in the top five. The Big Three are also distinguished not just by their size and geography, but also by their business model. All three have their headquarters in the Detroit area.[5] The majority of their operations are unionized with the United Auto Workers and Canadian Auto Workers.

text: Ford has held the position of second-ranked automaker for the past 56 years, being relegated to third in North American sales after being overtaken by Toyota in 2007. That year, Toyota produced more vehicles than GM although GM still outsold Toyota that year. At that time, GM had 77 consecutive calendar years of top sales. For the first quarter of 2008, Toyota finally overtook GM in sales.[6][7] In the North American market, the Detroit automakers retained the top three spots, though their market share is dwindling.[8] Honda passed Chrysler for the fourth spot in 2008 US sales.[9][10] Since then, because of Toyota's controversy surrounding their recent unintended acceleration recall, Toyota has fallen back to fourth place in sales, with Honda trailing in fifth place, allowing the Detroit Three to reclaim their Big Three title.

text: Union labor can result in higher labor costs than other multinational automakers, including those with plants in North America.[11] The 2005 Harbour Report estimated that Toyota's lead in labour productivity amounted to a cost advantage of $350 US to $500 US per vehicle over American manufacturers.[12] The UAW agreed to a two-tier wage in recent 2007 negotiations, something which the CAW has so far refused.[13] Delphi, which was spun off from GM in 1999, filed for Chapter 11 bankruptcy after the UAW refused to cut their wages and GM is expected to be liable for a $7 billion shortfall.[14][15][16]

text: In order to improve profits, the Detroit automakers made deals with unions to reduce wages while making pension and health care commitments. GM, for instance, at one time picked up the entire cost of funding health insurance premiums of its employees, their survivors and GM retirees, as the US did not have a universal health care system.[17] With most of these plans chronically underfunded in the late 1990s, the companies have tried to provide retirement packages to older workers, and made agreements with the UAW to transfer pension obligations to an independent trust.[18] In 2009, the CBC reported that the non-unionized Japanese automakers, with their younger American workforces and fewer retirees will continue to enjoy a cost advantage over the Big Three.[12]

text: Despite the history of their marques, many long running cars have been discontinued or relegated to fleet sales,[19] [20][21] as the Big Three shifted away resources from midsize and compact cars to lead the "SUV Craze". Since the late 1990s, over half of their profits have come from Sport utility vehicles, while they often could not break even on compact cars unless the buyer chose options. [22] Ron Harbour, in releasing the Oliver Wyman’s 2008 Harbour Report, stated that many small “econoboxes” of the past acted as loss leaders, but were designed to bring customers to the brand in the hopes they would stay loyal and move up to more profitable models. The report estimated that an automaker needed to sell ten small cars to make the same profit as one big vehicle, and that they had to produce small and mid-size cars profitably to succeed, something that the Detroit three had trouble doing.[23]

text: SUV sales peaked in 1999 but have not returned to that level ever since, due to high gas prices. The Big Three have suffered from perceived inferior initial quality and reliability compared to their Japanese counterparts, which has been difficult to overcome. They have also been slow to bring new vehicles to the market, while the Japanese are also considered the leader at producing smaller, fuel-efficient cars.[12]

text: Falling sales and market share have resulted in the Big Three's plants operating below capacity (GM's plants were at 85% in November 2005, well below the plants of its Asian competitors), leading to production cuts, plant closures and layoffs. They have been relying heavily on considerable incentives and subsidized leases to sell vehicles. which was crucial to keeping the plants running, which in turn drove a significant portion of the Michigan economy.[24] These promotional strategies, including rebates, employee pricing and 0% financing, have boosted sales but have also cut into profits. More importantly such promotions drain the automaker's cash reserves in the near term while in the long run the company suffers the stigma of selling vehicles because of low price instead of technical merit. Automakers have since been trying to scale back on incentives and raise prices, while cutting production. The subprime mortgage crisis and high oil prices in 2008 resulting in the plummeting popularity of best-selling trucks and SUVs, perhaps forcing automakers to continue offering heavy incentives to help clear excess inventory.[12][25]

text: The Big Three sued California Governor Arnold Schwarzenegger to prevent a tailpipe emissions requirement. In response, Governor Schwarzenegger told the Big Three to "get off their butt".[26]

text: In 2008, with high oil prices and a declining US economy due to the subprime mortgage crisis, the Big Three are rethinking their strategy, idling or converting light truck plants to make small cars.[11][27][28][29] Due to the declining residual value of their vehicles, Chrysler has stopped offering leases on its vehicles.[30]

text: In 2009, General Motors and Chrysler filed for and emerged from Chapter 11 restructuring in the United States. General Motors of Canada did not file for bankruptcy. The United States and Canadian government control are reported as temporary. On June 10, 2009, Chrysler Group LLC emerged from a Chapter 11 reorganization bankruptcy and was sold to the Italian automaker Fiat.[31][32] On June 3, 2011, Fiat bought out the remaining U.S. Treasury’s stake in Chrysler for $500 million increasing its ownership of the automaker to 53%.[33] On January 21, 2014, Fiat bought out the remaining stake in Chrysler Group that it did not already hold from the United Auto Workers' employee medical benefit retirement trust.[34]

text: Due to the corporate structure of Fiat Chrysler Automobiles which is no longer owned or controlled by US investors, some media sources now list Detroit as having a "Big Two" (GM and Ford) as opposed to a "Big Three".[35] Some media sources are now including Tesla in the "Big Three" because it is the third largest US owned automobile manufacturer with a valuation ($34.16B), much higher than FCA ($9.05B).[36][37]

text: Japan[edit]

text: Japanese automakers Toyota, Nissan, and Honda, among many others, have long been considered the leaders at producing smaller, fuel-efficient cars.[12] Their vehicles were brought to the forefront, due to the 1973 oil crisis which had a major impact on the auto industry. For instance, the Honda Civic was considered superior to American competitors such as the Chevrolet Vega and Ford Pinto. The Civic is the best-selling car in Canada for 12 years in a row.[12]

text: As well, the Nissan 240Z was introduced at a relatively low price compared to other foreign sports cars of the time (Jaguar, BMW, Porsche, etc.), while providing performance, reliability, and good looks. This broadened the image of Japanese car-makers beyond their econobox successes, as well as being credited as a catalyst for the import performance parts industry.

text: Before Honda unveiled Acura in 1986, Japanese automobiles exports were primarily economical in design and largely targeted at low-cost consumers. The Japanese big three created their luxury marques to challenge the established brands. Following Honda's lead, Toyota launched the Lexus name with the LS 400 which debuted at $38,000 in the U.S. (in some markets being priced against mid-sized six cylinder Mercedes-Benz and BMW models),[38] and was rated by Car and Driver magazine as better than both the $63,000 Mercedes-Benz W126 and the $55,000 BMW E32 in terms of ride, handling and performance.[39] It was generally regarded as a major shock to the European marques; BMW and Mercedes-Benz's U.S. sales figures dropped 29% and 19%, respectively, with the then-BMW chairman Eberhard von Kuenheim accusing Lexus of dumping in that market.[39] Nissan's Infiniti became a player on the luxury market mostly thanks to its popular Q45. The vehicle included a class-leading (at the time) 278 hp (207 kW) V8 engine, four wheel steering, the first active suspension system offered on a motor vehicle, and numerous interior luxury appointments. These made it competitive against the German imports like Audi, BMW and Mercedes-Benz, which by the time of Infiniti's release had overtaken Cadillac and Lincoln in dominating the luxury segment of the American market. In 1990, four years after the debut of the Legend and Integra, Acura introduced the NSX, a midship V6 powered, rear-wheel-drive sports car. The NSX, an acronym for "New Sports eXperimental", was billed as the first Japanese car capable of competing with Ferrari and Porsche. This vehicle served as a halo car for the Acura brand. The NSX was the world's first all-aluminum production car, and was also marketed and viewed by some as the "Everyday Supercar" thanks in part to its ease of use, quality and reliability, traits that were unheard of in the supercar segment at the time.[40]

text: The success of the Japanese automakers contributed to their American counterparts falling into a recession in the late 1970s. Unions and lobbyists in both North America and Europe put pressure on their government to restrict imports. In 1981, Japan agreed to Voluntary Export Restraints in order to preempt protectionism measures that the US may have taken, where it be tariffs or import quotas. Consequently, Japanese companies responded by investing heavily in US production facilities, as they were not subject to the VER. Unlike the plants of domestic automakers, Japanese plants are non-unionized (save for NUMMI), so they have lower wage expenses and do not face the risk of strikes.[41] The VER was lifted in 1994 upon agreement of all members of General Agreement on Tariffs and Trade (GATT).[42] Establishing US production facilities was also a significant step in improving public relations, along with philanthropy, lobbying efforts, and sharing technology.[43] Europe has still largely maintained its protectionism policies against Japanese cars, though their varies considerably.[39]

text: Toyota has always been by far Japan's largest automaker, and it recently overtook perennial world leader GM in both production and sales by early 2008. As the most aggressive of Japan's companies when it came to expanding into light trucks and luxury vehicles, this proved largely successful. Their high-end brand Lexus became the top-selling luxury marque worldwide in 2000, despite being only started up in 1989. Consequently, Toyota's stock price has traded at a much higher premium than other automakers.[44] Nissan regained its position on second place, financial difficulties in the late 1990s caused it to lose its place to Honda before. Nissan is Japan’s second largest automaker and ranks sixth in the world, behind Toyota, GM, Volkswagen, Ford, and Hyundai. Suzuki, Mazda, and Mitsubishi are in a distant fourth, fifth, and sixth place compared to the Japanese Big Three.[45]

text: Toyota, Honda, and Nissan are all in the BusinessWeek magazine's The 100 Top Global Brands by dollar value, as ranked by leading brand consultancy Interbrand. The Toyota marque was valued at US$22.67 billion, ranking it ninth among all global brand names - automotive or non-automotive, edging out that of Mercedes-Benz.[46][47] 2010 end of year production figures from the International Organization of Motor Vehicle Manufacturers shows that Toyota holds the number 1 spot, Nissan number 6, and Honda number 7.[45]

text: Germany[edit]

text: The German trio Audi, Mercedes-Benz and BMW are often referred to as "Germany's Big Three",[48] although the actual major automobile manufacturers are the Volkswagen Group (producer of Audi), Daimler AG (producer of Mercedes-Benz), and BMW.

text: Other major German manufacturers are Opel and Ford-Werke, but are not considered as part of this grouping, although they are among the top selling brands in Europe - they are both foreign-owned (Opel is a subsidiary of Groupe PSA, whilst Ford Werke is a wholly owned subsidiary of Ford Motor Company), and are largely Germany based and carry out much of their research and development in the nation.

text: Volkswagen Group has long been the largest automaker in Europe. As of 2007 it edged out Ford to rank third in the world after General Motors and Toyota. It is also the parent group of Audi, Porsche, SEAT, Škoda, Bugatti, Lamborghini and Bentley.

text: Daimler AG holds major stakes in other automakers including Mitsubishi Fuso.

text: BMW also produces Mini branded vehicles, and has been the parent company of Rolls-Royce Motor Cars since 1998.

text: BMW, Mercedes-Benz and Audi make up about 80% of the global luxury market.[48]

text: Notes[edit]

text:
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Jump up ^ John D. Stoll; Liz Rappaport & Matthew Dolan (July 30, 2008). "GM, Ford Scale Back Car Leases as Era Ends - WSJ.com". Wsj.com. Retrieved 2008-11-01.
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Jump up ^ Arnold Schwarzenegger at LA Auto Show 60 Minutes Interview Energy Green - YouTube video
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Jump up ^ Plummeting Resale Values Lead Chrysler to End Leases. 27 July 2008. Nick Bunkley. 26 July 2008.
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document_title: Three-point field goal

question_text: when did the three point line start in high school

text: Three-point field goal

text: History[edit]

text: The three-point line was first tested at the collegiate level in 1945 in a game between Columbia and Fordham, but it was not kept as a rule. At the direction of Abe Saperstein, the American Basketball League became the first basketball league to institute the rule in 1961. Its three-point line was a radius of 25 feet (7.62 m) from the baskets, except along the sides.[2] The Eastern Professional Basketball League followed in its 1963–64 season.

text:
The three-point shot later became popularized by the American Basketball Association (ABA), introduced in its inaugural 1967–68 season.[3][4] ABA commissioner George Mikan stated the three-pointer "would give the smaller player a chance to score and open up the defense to make the game more enjoyable for the fans."[5] During the 1970s, the ABA used the three-point shot, along with the slam dunk, as a marketing tool to compete with the NBA; its ninth and final season concluded in the spring of
1976.[6][7][8]

text: Three years later in June 1979, the NBA adopted the three-point line for a one-year trial for the 1979–80 season,[9][10][11] despite the view of many that it was a gimmick.[12] Chris Ford of the Boston Celtics is widely credited with making the first three-point shot in NBA history on October 12, 1979; the season opener at Boston Garden was more noted for the debut of Larry Bird (and two new head coaches).[13][14] Rick Barry of the Houston Rockets, in his final season, also made one in the same game, and Kevin Grevey of the Washington Bullets made one that Friday night as well.[14][15]

text: The sport's international governing body, FIBA, introduced the three-point line in 1984, at 6.25 m (20 ft 6 in), and it made its Olympic debut in 1988 in Seoul, South Korea.

text: The NCAA's Southern Conference became the first collegiate conference to use the three-point rule, adopting a 22-foot (6.71 m) line for the 1980–81 season.[16][17] Ronnie Carr of Western Carolina was the first to score a three-point field goal in college basketball history on November 29, 1980.[17][18][19] Over the following five years, NCAA conferences differed in their use of the rule and distance required for a three-pointer. The line was as close as 17 ft 9 in (5.41 m) in the Atlantic Coast Conference (ACC), and as far away as 22 ft (6.71 m) in the Big Sky.[20][21][22][23]

text: Used only in conference play for several years, it was adopted by the NCAA in April 1986 for the 1986–87 season at 19 ft 9 in (6.02 m)[24][25][26][27] and was first used in the NCAA Tournament in March 1987.[28] The NCAA adopted the three-pointer in women's basketball on an experimental basis for that season at the same distance, and made its use mandatory beginning in 1987–88.[29]  In 2007, the NCAA lengthened the men's distance by a foot to 20 ft 9 in (6.32 m), effective with the 2008–09 season,[30] and the women's line was moved to match the men's in 2011–12.[29] American high schools, along with elementary and middle schools, adopted a 19 ft 9 in (6.02 m) line nationally in 1987, a year after the NCAA.[31] The NCAA used the FIBA three-point line (see below) in the National Invitation Tournament (NIT) in 2018.[32]

text: For three seasons beginning in 1994–95, the NBA attempted to address decreased scoring by shortening the distance of the line from 23 ft 9 in (7.24 m) (22 ft (6.71 m) at the corners) to a uniform 22 ft (6.71 m) around the basket. From the 1997–98 season on, the NBA reverted the line to its original distance of 23 ft 9 in (22 ft at the corners, with a 3-inch differential). Ray Allen is currently the NBA all-time leader in career made three-pointers with 2,973.[33]

text: In 2008, FIBA announced that the distance would be increased by 50 cm (19.7 in) to 6.75 m (22 ft 1 3⁄4 in), with the change being phased in beginning in October 2010. In December 2012, the WNBA announced that it would be using the FIBA distance, starting in 2013; by 2017, the line at corners were lengthened to match the NBA. The NBA has discussed adding a four-point line, according to president Rod Thorn.[34]

text: In the NBA, three-point field goals have become increasingly more frequent along the years, with effectiveness increasing slightly. The 1979–80 season had an average 0.8 three-point goals per game and 2.8 attempts (29% effectiveness). The 1989–90 season had an average 2.2 three-point goals per game and 6.6 attempts (33% effectiveness). The 1999–2000 season had an average 4.8 three-point goals per game and 13.7 attempts (35% effectiveness). The 2009-10 season had an average 6.4 three-point goals per game and 18.1 attempts (36% effectiveness). The 2016–17 season had an average 9.7 three-point goals per game and 27.0 attempts (36% effectiveness).[35]

text: Rule specifications[edit]

text:
A three-point line consists of an arc at a set radius measured from the point on the floor directly below the center of the basket, and two parallel lines equidistant from each sideline extending from the nearest end line to the point at which they intersect the arc. In the NBA and FIBA standard, the arc spans the width of the court until it is a specified minimum distance from each sideline. The three-point line then becomes parallel to the sidelines from those points to the baseline. The unusual formation of the three-point line at these levels allows players some space from which to attempt a three-point shot at the corners of the court; the arc would be less than 2 feet (0.61 m) from each sideline at the corners if it was a continuous arc. In the NCAA and American high school standards, the arc spans 180° around the basket, then becomes parallel to the sidelines from the plane of the basket center to the baseline (4 feet 3 inches or 1.30 metres in college, 5 feet 3 inches or 1.60 metres in high schools).
The distance of the three-point line to the center of the hoop varies by level:

text:
Arc radius

Minimum distancefrom sidelines

NBA

23 ft 9 in (7.24 m)

3 ft 0 in (0.91 m)

[36]

FIBA, WNBA

22 ft 2 in (6.76 m)

4 ft 1 in (1.24 m)

[37]

NCAA

20 ft 9 in (6.32 m)

4 ft 3 in (1.30 m)

[38]

U.S. high schools

19 ft 9 in (6.02 m)

5 ft 3 in (1.60 m)

[39]

text: A player's feet must be completely behind the three-point line at the time of the shot or jump in order to make a three-point attempt; if the player's feet are on or in front of the line, it is a two-point attempt. A player is allowed to jump from outside the line and land inside the line to make a three-point attempt, as long as the ball is released in mid-air.

text: An official raises his/her arm with three fingers extended to signal the shot attempt. If the attempt is successful, he/she raises his/her other arm with all fingers fully extended in manner similar to a football official signifying successful field goal to indicate the three-point goal. The official must recognize it for it to count as three points. Instant replay has sometimes been used, depending on league rules. The NBA,[40] WNBA, FIBA and the NCAA specifically allow replay for this purpose. In NBA, FIBA, and WNBA games, video replay does not have to occur immediately following a shot; play can continue and the officials can adjust the scoring later in the game, after reviewing the video. However, in late game situations, play may be paused pending a review.

text: If a shooter is fouled while attempting a three-pointer and subsequently misses the shot, the shooter is awarded three free-throw attempts. If a player completes a three-pointer while being fouled, the player is awarded one free-throw for a possible 4-point play. Conceivably, if a player completed a three-pointer while being fouled, and that foul was ruled as either a Flagrant 1 or a Flagrant 2 foul, the player would be awarded two free throws for a possible 5-point play.

text: Related concepts[edit]

text: Major League Lacrosse features a two-point line which forms a 15-yard (14 m) arc around the front of the goal. Shots taken from behind this line count for two points, as opposed to the standard one point.

text: In gridiron football, a standard field goal is worth three points; various professional and semi-pro leagues have experimented with four-point field goals. NFL Europe and the Stars Football League adopted a rule similar to basketball's three-point line in which an additional point was awarded for longer field goals; in both leagues any field goal of 50 yards (46 m) or more was worth four points. The Arena Football League awards four points for any successful drop kicked field goal (like the three-point shot, the drop kick is more challenging than a standard place kick, as the bounce of the ball makes a kick less predictable, and arena football also uses narrower goal posts for all kicks than the outdoor game does).

text: During the existence of the World Hockey Association in the 1970s, there were proposals for two-point hockey goals for shots taken beyond an established distance (one proposal was a 44-foot (13.4m) arc, which would have intersected the faceoff circles), but this proposal gained little support and faded after the WHA merged with the NHL. It was widely believed that long-distance shots in hockey had little direct relation to skill (usually resulting more from goalies' vision being screened or obscured), plus with the lower scoring intrinsic to the sport a two-point goal was seen as disruptive of the structure of the game.

text: The Super Goal is a similar concept in Australian rules football, in which a 50-meter (55 yd) arc determines the value of a goal; within the arc, it is the usual 6 points, but 9 points are scored for a "super goal" scored from outside the arc. To date the super goal is only used in pre-season games and not in the season proper.[41]

text: The National Professional Soccer League II, which awarded two points for all goals except those on the power play, also used a three-point line, drawn 45 feet (14 m) from the goal. It has since been adopted by some other indoor soccer leagues.