document_title: Transformers: Age of Extinction

question_text: who voices the autobots in transformers age of extinction

text: Transformers: Age of Extinction

text: Plot[edit]

text: Sixty five million years ago, an alien race known as the "Creators" used devices called Seeds to terraform planet Earth, effectively wiping out the dinosaurs and covering it with an alloy called Transformium. In the present day, geologist Darcy Tirrel excavates the Transformium for K.S.I. Industries, which uses it to build man-made artificial Transformer drones.

text: Five years after The Battle of Chicago, the humans have begun to view the Transformers as a threat, leading the U.S government to terminate all human-Autobot joint programs. Although the public believes that the Autobots have been granted sanctuary, they are being hunted by a rogue, vengeful and xenophobic CIA black ops division known as Cemetery Wind, led by opportunistic government official Harold Attinger, who believes that all Transformers should be exterminated regardless of their faction. They are aided by Lockdown, a Cybertronian bounty hunter working for the Creators, promising to give Attinger a Seed if his division manages to capture Optimus Prime. Cemetery Wind locates Ratchet in Mexico City and Lockdown kills him when he refuses to give up the whereabouts of Optimus Prime.

text: Optimus, damaged in Mexico City and disguised as a rundown semi-truck, is discovered in an abandoned theater by Cade Yeager, a financially struggling Texan inventor, and brings him back to the farm. While his teenage daughter Tessa and business partner Lucas Flannery encourage him to turn Optimus over to the authorities after realizing what he really is, Cade instead fixes Optimus, hoping to understand his technology and unexpectedly revives him. Still skeptical of Optimus and worried about Cade's safety, Lucas calls Cemetery Wind, who attacks and destroys the farm, but Optimus and Tessa's boyfriend, Irish rally car driver Shane Dyson, come to the family's aid. While on the run from Cemetery Wind and Lockdown, Lucas is killed by one of Lockdown's grenades. After escaping from their attackers, they take refuge in an abandoned gas station. Later, Optimus scans a passing truck and turns into a Western Star 5700 Phantom Custom truck with the original red and blue paint with flames. Afterwards, Optimus summons the surviving Autobots – Bumblebee, who has assumed an alternate form, Hound, Drift, and Crosshairs – who have come to distrust humans due to Cemetery Wind constantly hunting them down. Using a CIA drone which he stole during the home invasion, Cade discovers K.S.I.'s involvement in the attacks on the Autobots. Optimus vows to personally kill Attinger for his actions against his brethren.

text: Infiltrating K.S.I.'s headquarters in Chicago, Cade discovers the remains of Autobots and Decepticons are being melted down to make the drones. Joshua Joyce, the ambitious company CEO, is in league with Attinger to revolutionize global defenses and improve human society using the Seed. He has captured Brains and is using him and Megatron's head to create prototype Transformer soldiers Galvatron and Stinger. In a fit of rage, the Autobots storm the building, during which Bumblebee regains his original form by scanning a passing car, where they rescue Brains and destroy the laboratory, but they soon leave after Joshua announces that they are no longer needed. Attinger forces Joshua to deploy Galvatron and Stinger to attack the Autobots. During the battle, Galvatron's behavior becomes slightly erratic when he starts destroying vehicles. As Galvatron battles Optimus, it frees itself from control and speaks to Optimus. Lockdown then arrives and abducts Optimus while Galvatron and Stinger retreat; Tessa is inadvertently captured alongside Optimus in the midst of the chaos, leaving Cade and Shane devastated.

text: While Lockdown's large prison spacecraft hovers over Chicago to hand over the Seed, Cade, Shane, and the Autobots use this opportunity to sneak on board and rescue Optimus and Tessa. They hijack a smaller ship, containing a number of other Autobots called the Dinobots, just before Lockdown leaves Earth. The Autobots reveal to Cade that "Galvatron" is in fact Megatron, who had transferred his consciousness into the Galvatron drone after K.S.I. officials had accidentally revived him. They realize that Galvatron is plotting to use the Seed and the K.S.I. drones to conquer the world, by detonating the Seed in Hong Kong, as K.S.I. has brought it there to use it in the remote Mongolian desert to create vast amounts of usable Transformium. Cade informs Joshua of Megatron's presence, causing him to have a change of heart and agreeing to hand over the Seed with help from Darcy and his Chinese business associate Su Yueming. Meanwhile, Lockdown discovers that Optimus has escaped and stole a part of his ship, forcing him to return to Earth to retrieve them. Optimus decides for the Autobots to no longer help the humans because of how they revived Megatron, but Cade explains to Optimus why something unintentional is not a reason for him to lose faith in them. Back at the facility, Joshua gets into a disagreement with Attinger over the Seed, threatening to expose Attinger's nefarious activities, whilst Attinger deduces Joshua's plot to betray him. Galvatron unexpectedly reactivates himself and promptly takes control of the K.S.I. drones, and a battle follows in Hong Kong's streets between Cade's group, the Autobots, Cemetery Wind, Galvatron, and his drones. During the fight, Optimus gains the alliance of the Dinobots, who become essential to the Autobots' victory while Bumblebee kills Stinger.

text: Lockdown returns to capture Optimus and the Dinobots, using a large magnet in his ship that picks up and drops metal objects, causing destruction to the city. After disabling the magnet, Optimus fights Lockdown at an abandoned factory. In the ensuing duel, Optimus kills Attinger (who still angrily deems all Cybertronians aside from Lockdown as a threat) to save Cade, and avenging the deaths of his fellow Autobots. However, this allows Lockdown to pin Optimus down by impaling his chest with his own sword, damaging his spark. Cade, Bumblebee, Tessa, and Shane fight Lockdown, with Cade ending up fighting him one-on-one while Tessa and Shane use a tow truck to free Optimus, who kills Lockdown before using one of his grenades to finish off the remaining drones. Galvatron retreats, vowing to return. As Lockdown's ship leaves Earth, Optimus tells the Autobots to protect the Yeagers (with Joshua offering to help the Yeagers build a new home) and lets the Dinobots go, before flying away into space with the Seed to hide it away, sending a message to the Creators that he is coming for them.

text: Cast[edit]

text:
Mark Wahlberg as Cade Yeager
A single father and struggling inventor.[7]
Stanley Tucci as Joshua Joyce
The ambitiously arrogant head of KSI who wants to build his own Transformers.[8][9]
Kelsey Grammer as Harold Attinger
A paranoid CIA operative and government official who created the CIA black-ops unit, Cemetery Wind to eliminate all Transformers, Autobot or Decepticon, from Earth.[10]
Nicola Peltz as Tessa Yeager
Cade's daughter who is secretly dating Shane.
Jack Reynor as Shane Dyson
Tessa's boyfriend and an Irish rally car driver.[11][12]
Titus Welliver as James Savoy
A ruthless CIA Agent and second-in command of the Cemetery Wind working for Attinger.[13]
Sophia Myles as Darcy Tirrel
Joshua's geologist assistant and ex-girlfriend.[14][15]
Li Bingbing as Su Yueming (苏月明 Sū Yuèmíng)
The owner of the Chinese factory used by KSI to build their artificial Transformers.[16]
T. J. Miller as Lucas Flannery
Cade's best friend and a mechanic.[17]
James Bachman as Gill Wembley
A scientist working with Joshua Joyce at KSI.
Thomas Lennon as the Chief of Staff.

text: Greg Anderson, Melanie Specht and Victoria Summer play Joshua's assistants.[18][19] Han Geng portrays himself, playing the guitar and singing in a parked car that is magnetized by Lockdown's ship.[20] Edward T. Welburn plays a KSI executive.[21] Kevin Covais plays a motorist.[22]

text: Voices[edit]

text:
Peter Cullen as Optimus Prime
The leader of the Autobots who transforms into a rusty Marmon 97 semi truck and later, a blue and red Western Star 5700 XE semi-trailer truck with flame decals.[23][24][25][26][27]
Frank Welker as Galvatron
A human-made KSI Transformer drone intended to be modeled after Optimus Prime, but ultimately using data downloaded from the remains of Megatron. It is later revealed that the Galvatron drone has become possessed by the Decepticon leader, who molecularly transforms into a black and grey 2014 Freightliner Argosy cab over trailer truck.[26][27][28][29]
John Goodman as Hound
An Autobot commando unit who transforms into an Oshkosh Defense Medium Tactical Vehicle.[30][31][32]
Ken Watanabe as Drift
A Samurai-motif Autobot, tactician and a former Decepticon assassin who transforms into a black and blue 2013 Bugatti Veyron 16.4 Grand Sport Vitesse and a Sikorsky S-97 Raider Helicopter.
Robert Foxworth as Ratchet
The Autobot medical officer who transforms into a white and green 2004 Search and rescue Hummer H2 ambulance.
John DiMaggio as Crosshairs
An Autobot paratrooper and elite sniper who transforms into a black and green 2014 Chevrolet Corvette C7 Stingray.[24]
Mark Ryan as Lockdown
An extremely powerful, relentless, heavily enhanced, ruthless Cybertronian bounty hunter who transforms into a grey 2013 Lamborghini Aventador LP 700–4 Coupe and is hired by the mysterious Creators to bring Optimus Prime back to them.[24][26]
Reno Wilson voices Brains
A former Decepticon drone turned Autobot who has lost his right leg.[27]

text: Non-speaking characters[edit]

text:
Bumblebee
An Autobot scout and Optimus Primes' new second in command, who communicates through voice clips and sound bites via his radio who transforms into a modified 1967 Chevrolet Camaro and later, a 2016 Chevrolet Camaro concept.
Grimlock, the leader of the vicious Dinobots who transforms into a mechanical horned, fire-breathing Tyrannosaurus.[24][26]
Strafe
A Dinobot who specializes in assault infantry and transforms into a mechanical two-headed, two-tailed Pteranodon.[26][28]
Slug
The Dinobots' destroyer who transforms into a mechanical spiked and bestial Triceratops.[26][28]
Scorn
The Dinobots' demolition specialist who transforms into a mechanical three-sailed Spinosaurus.[26][28]
Stinger
a human-made KSI Transformer modeled after Bumblebee who later becomes a Decepticon and molecularly transforms into a red and black 2013 Pagani Huayra.[24][25][26][27]
Junkheap
A human-made KSI Transformer who has a three-man splitting technique and later becomes a Decepticon under Galvatron's control. It molecularly transforms into a Mack garbage truck of Waste Management, Inc.[33]
"Traxes"
A human-made KSI Transformers modeled after Roadbuster who later become Decepticons under Galvatron's control and molecularly transform into red, blue, black or white Chevrolet Traxes.[34]
"Two-Heads"
A two-headed human-made KSI Transformers modeled from the remains of Shockwave who later become Decepticons under Galvatron's control.
"KSI Bosses"
A human-made KSI Transformers modeled after Soundwave who later become Decepticons under Galvatron's control.
Steeljaws
the savage techno-organic wolf-like minions of Lockdown.

text: Cameos[edit]

text: Ironhide, Arcee, Wheeljack Loader and Starscream make cameos, depicted on cards stamped with an X to indicate their deaths. The leader of the Wreckers, Leadfoot, makes a cameo voiced by Robert Foxworth in video footage shown after Cade steals the KSI spy drone, shown being killed by humans from Cemetery Wind. Sentinel Prime and Megatron's heads ares seen in the KSI labs, where they download data from the dead Transformers' remains. Barricade and some Decepticon Protoforms make cameos in footage from the Battle of Chicago. The Insecticons make a cameo, transferring data from Megatron's mind, infecting the Galvatron drone.

text: Production[edit]

text: Development[edit]

text: During production for Dark of the Moon, Shia LaBeouf and Bay confirmed that they would not return for a fourth installment of the franchise.[35] Roland Emmerich, Joe Johnston, Jon Turteltaub, Stephen Sommers, Louis Leterrier and David Yates were rumored to replace Bay.[36] Jason Statham was rumored to star in the fourth installment. Hasbro CEO Brian Goldner revealed that he was able to announce the film as he was talking with Steven Spielberg, Bay and Paramount.[37] There were rumors that the fourth and fifth installment would be shot back-to-back with Statham as the lead role, which he and Bay denied.[38] Spielberg hoped Bay would return for a fourth installment.[39]

text: After final negotiations with Bay to direct the film,[40] producer Lorenzo di Bonaventura confirmed that there would be a fourth film in the franchise.[41] In February 2012, Paramount Pictures and Michael Bay announced that Bay would be producing and directing a fourth Transformers film, scheduled for a June 27, 2014 release.[42][43] The film will not be a reboot but a sequel to Dark of the Moon,[12] taking place four years later.[44] Ehren Kruger and Steve Jablonsky returned to write the script and the score, respectively.[45] In April 2013, it was announced that China Movie Channel and Jiaflix Enterprises would co-produce the film with Paramount.[46][47]

text: On September 1, 2013, Fusible revealed three possible subtitles for the film, which were Last Stand, Future Cast, and Apocalypse. On September 2, TFW 2005 revealed one last possible title, Age of Extinction.[48][49] On September 3, 2013, Paramount released an official teaser poster for the film, revealing the title to be Transformers: Age of Extinction.[50]

text: Casting[edit]

text: In November 2012, Mark Wahlberg was cast in the film.[7] Also in November 2012, The Hollywood Reporter reported that casting had begun for two additional leads: the daughter to Wahlberg's character and her boyfriend, a race car driver. Isabelle Cornish, Nicola Peltz, Gabriella Wilde, and Margaret Qualley were all considered for the role of the daughter, while Luke Grimes, Landon Liboiron, Brenton Thwaites, Jack Reynor, and Hunter Parrish were all considered for the boyfriend. The leads are contracted for three films.[51] In January 2013, Reynor was cast as the boyfriend,[12] and in March 2013, Nicola Peltz was cast as Wahlberg's daughter.[52]

text: Peter Cullen reprises his role as the voice of Optimus Prime.[23] Glenn Morshower stated in September 2012 that he would appear in the next two films, reprising his role of General Morshower, but Morshower announced in May 2013 that he would not be able to appear in the new films due to a scheduling conflict.[53] In April 2013, Bay revealed that actor Stanley Tucci had joined the cast.[54] On May 1, 2013, actor Kelsey Grammer was cast as the lead human villain named Harold Attinger.[55] On May 6, 2013, actress Sophia Myles was cast in a major role.[14] That same month, Chinese actress Li Bingbing and comedian T. J. Miller joined the cast.[56] On July 14, 2013, Bay announced that Han Geng had joined the cast.[20] That same month, Titus Welliver also joined the cast.[13]

text: Filming[edit]

text: Bay announced that filming had begun on May 28, 2013, in Monument Valley, Utah. Detroit, Michigan, was used as a stand-in for Hong Kong[57] while McCormick Place in Chicago, Illinois, was re-dressed to portray a city in China.[58] The movie was the first feature film to be shot using smaller digital IMAX 3D cameras.[54] It also was shot in various other formats, including IMAX 70mm film cameras, digital stereo 3D, and anamorphic and spherical 35mm film.[59] From May 28 to June 24, 2013, Michael Bay uploaded photographs of several cars featured in the film, all apparently Autobots, to social networks including Facebook and Flickr. The film featured two unknown Autobots that transformed into a black and blue 2013 Bugatti Veyron Grand Sport Vitesse (going by production name "Drift"), and a green 2014 C7 Corvette Stingray concept (going by production name "Slingshot"). Also revealed was a truck from Western Star Trucks as Optimus Prime's new alternate mode. The Dinobots and Lockdown were confirmed to appear. On October 29, Michael Bay's Official Twitter Account tweeted that principal photography of Transformers 4 had been completed in Hong Kong, China and the cast and crew were heading to the Chinese mainland. (According to previous reports, they would be filming there for one week.)[60] Additional filming in Detroit began in early 2014; a pair of steamships (Columbia and Ste. Clair) which had once traveled between Detroit and Bois Blanc Island's amusement park were partially restored and used as props for the film.[61]

text: Incidents[edit]

text: On October 17, 2013, while filming in Hong Kong, Bay was assaulted by two brothers surnamed Mak, who demanded a payment of HK$100,000 (US$12,900). The elder brother also assaulted three police officers during the incident. Both brothers and a third man surnamed Chan were arrested on suspicion of assault, with the younger Mak also charged on suspicion of blackmail.[62] The Mak brothers pleaded guilty to both charges in February 2014 and were incarcerated, with the prosecutor noting that the case had attracted a great deal of media attention and affected Hong Kong's image.[63]

text: Post-production[edit]

text: Industrial Light & Magic's VFX supervisor Scott Farrar, who had also supervised the three prior films in the Transformers franchise, rendered the visual effects. He said the film contains about ninety minutes of visual effects (out of the movie's 165-minute length).[64] Farrer said it was the biggest project, using the largest crew, of his career, and noted that over five hundred crews had worked on it, using various facilities.[65]

text: The nine different formats used in the film included IMAX film, IMAX digital, single-frame anamorphic film, GoPros, crashcams, Red cameras on 3Ality stereo 3D gigs, and red cameras for 2D.[65]

text: Music[edit]

text: Like its predecessors, Steve Jablonsky composed the film's score, marking his sixth film collaboration with director Michael Bay, four of which are Transformers films. The film's score was praised by critics and fans. The soundtrack album sold more than 15,000 units worldwide. It is also the first Transformers film not to feature a Linkin Park song.

text: Skrillex worked on sound design for the film, having said that he was creating "the craziest Skrillex sounds I could ever make" and mentioned working on sounds for the Dinobots.[66][67]

text: Imagine Dragons wrote a single specifically for the film itself, titled "Battle Cry". The track "Leave Planet Earth Alone" samples the drum beat of Battle Cry so that the former serves as an intro to the latter as the credits start, though this version is only present in the film; Battle Cry isn't featured on the soundtrack album, and Leave Planet Earth Alone has a unique outro. No mashup version or otherwise is available for purchase. Imagine Dragons also worked with Steve Jablonsky and Hans Zimmer to contribute additional music to the film's score.[68]

text: Linkin Park's new single "Until It's Gone" is included in the video game soundtrack of the movie.[69]

text: On June 30, 2014, an extended play was digitally released on iTunes, featuring four tracks as a teaser for the full official score, which features variations of the four themes.[70] On July 4, 2014, the long play was released digitally on iTunes containing the full score of the film.[71] The soundtrack album was released on CD by record label La-La Land Records on October 7, 2014.

text: On November 20, 2014, Steve Jablonsky released a statement via Facebook saying that the score would no longer be available on iTunes and other digital music stores after it had reached its limit of 15,000 units before re-use fees would have to be paid. Jablonsky personally expressed his own disappointment in the turn of events, hoping there would be a way to eventually re-release the score, along with the score to Transformers: Dark of the Moon, which had also been removed from iTunes and other digital music stores several months prior when it too reached the 15,000 unit limit.[72]

text: Release[edit]

text: The film had its world premiere in Hong Kong on June 19, with a live concert by Imagine Dragons.[73]

text: Marketing[edit]

text: The first televised advertisement for Transformers: Age of Extinction aired during Super Bowl XLVIII. In a poll by Fandango, the spot was determined to be the most anticipated film trailer to be shown, receiving 48% of the vote in the poll.[74] The first official teaser trailer was released on March 4, 2014.[75] A viral marketing campaign was started for the film upon the teaser trailer's release.[76] On March 30, 2014, a shortened version of the teaser trailer was aired during the season 4 finale of The Walking Dead. Another shortened version of the teaser trailer was aired during the 2014 MTV Movie Awards.

text: Chevrolet aired a commercial at the New York International Auto Show featuring General Motors vehicles with clips from the film, along with putting them on display.[77]

text: Hasbro released an app on May 8 surrounding the film available for iOS and Android devices, allowing users to access exclusive material such as character biographies, images, and interviews with the stars, among other things.[78] A clip featuring never-before-seen scenes from the film and an interview with Imagine Dragons aired during The Voice on May 12, 2014.

text: DeNA and Hasbro teamed up to construct an official mobile video game for the film. The game was first announced on May 13, 2014, though, the title is still in active development.[79] Also on this date, Oreo launched a marketing campaign to promote the film.[80] This included a television commercial where a boy gives a wounded Optimus Prime an Oreo cookie to continue the fight.[81]

text: An exclusive theatrical trailer debuted on May 15 on iTunes Movie Trailers at 12:01 AM Pacific Standard Time.[82] On May 21, 2014, two television spots appeared online, both containing new footage from the film.[83] The film's viral campaign updated on May 22, showcasing all-new posters and realistic news reports of the damage done to Chicago from the third film.[84] Three more television spots, all sporting new footage, appeared online on May 30, 2014.[85][86][87]

text: Imagine Dragons's single for the film officially released online on June 2, 2014.[88]

text: Jack Reynor and Nicola Peltz made multiple appearances in the Twin Cities on June 8, 2014. During an appearance on the Canadian version of The Morning Show, both Reynor and Peltz promised big things that would please fans.[89] Kelsey Grammer made an appearance on The Late Show with David Letterman on June 9, 2014. During his visit, the very first clip from the film debuted, showcasing Grammer's character and Wahlberg's in a heated argument. During the first commercial break for the show, a brand new television spot aired.[90] On June 10, 2014, two television spots appeared online, both containing extensive new footage from the film.[citation needed]

text: At the Nickelodeon Kids' Choice Awards on March 29, 2014, Mark Wahlberg, who stars in the film, hosted the event. There was also a transmission from Peter Cullen as Optimus Prime, and Nicola Peltz and Jack Reynor assembled with Wahlberg to take out cannons that fired slime.

text: Three more television spots appeared online on June 14, 2014, containing new footage of the Dinobots transforming and of Lockdown speaking.[91] On June 17, a brand-new television spot aired on Comedy Central containing new footage.[citation needed] Another television spot appeared online on June 18, sporting new footage as well.[citation needed]

text: The film's unusual marketing strategy of letting people video the shooting of the film in select locations was the subject of film critic Kevin B. Lee's critical video essay Transformers: The Premake.[92]

text: Video games[edit]

text: In February 2014, Transformers: Rise of the Dark Spark, developed by Edge of Reality, published by Activision was announced as a companion to the film. It was released in June 2014 for Microsoft Windows, Nintendo 3DS, PlayStation 3, PlayStation 4, Wii U, Xbox 360, and Xbox One.[93]

text: In summer 2014, Rovio and Hasbro announced Angry Birds Transformers. The game has Transformers movie designs on two of the characters.

text: Reception[edit]

text: Box office[edit]

text: Worldwide[edit]

text: Transformers: Age of Extinction grossed $245.4 million in the United States and Canada and $858.6 million in other countries for a worldwide total of $1.104 billion, against a budget of $210 million.[4] It was the only film of 2014 to earn over $1 billion at the box office worldwide.[94] Deadline.com calculated the net profit of the film to be $250.2 million, when factoring together all expenses and revenues for the film, making it the most profitable film of 2014.[94] Worldwide, in its opening weekend, the film earned $302.1 million, which is the 14th-highest ever, the highest in 2014, and the second-largest for Paramount behind Transformers: Dark of the Moon ($382.4 million).[95] It was the 17th-highest-grossing film worldwide, the highest-grossing film of 2014, the second-highest-grossing film in the Transformers film series, and the 11th-highest-grossing film of Paramount (domestically).[96] It is the second film in the Transformers installment to earn over $1 billion following Dark of the Moon[97] and the 19th film overall. Despite being a box office hit, it was considered by several box office experts to have fallen well below expectations.

text: North America[edit]

text: Transformers: Age of Extinction is the fifth-highest-grossing film of 2014 in the U.S. and Canada.[98] It was released on June 27, 2014 in across 4,233 theaters in North America. It earned $8.75 million from Thursday late-night run, which was the fifth-biggest of 2014.[99] On Friday, the film grossed an additional $31.25 million bringing its total day gross to $41.6 million, including $10.7 million from IMAX theaters. In its opening weekend, the film earned $100,038,390[nb 1] setting an opening record of 2014 (overtaken by The Hunger Games: Mockingjay – Part 1 with $121.9 million),[102] which is the fourth-highest opening for Paramount,[103] and the fifth-highest for a film released in June.[104] The opening-weekend audience was evenly split among those under and over the age of 25 (with 58%), male (64%), and under 18 (27%).[105] The film remained at the summit for two consecutive weekends before being overtaken by Dawn of the Planet of the Apes in its third weekend. It also crossed the $200 million mark in its third weekend, becoming the fifth film of 2014 to do so.[106][107] The film closed down its theatrical run on October 9, 2014[108] and earned a total of $245,439,076, making it the fifth-highest-grossing film of 2014 in the U.S.[108][109]

text: Outside North America[edit]

text: Outside North America, it is the highest-grossing film of 2014,[110] and the sixth-highest-grossing film.[111] Transformers: Age of Extinction earned $202.1 million in its opening weekend from 37 countries in 10,152 screens, which is 35% bigger than Dark of the Moon and marking the biggest overseas opening of 2014 (breaking X-Men: Days of Future Past's record set one month prior).[112] It scored the biggest IMAX overseas opening weekend with $16.6 million from 266 theaters (overtaken by Jurassic World).[112][113] The film topped the box office outside North America for four consecutive weekends despite coinciding with the 2014 FIFA World Cup before being overtaken by Dawn of the Planet of the Apes in its fifth weekend.[114]

text: International openings of over $5 million occurred in South Korea ($21.7 million), Brazil ($16.5 million), Germany ($11.2 million), Australia ($9.6 million), France ($8.8 million), Taiwan ($8.1 million), Malaysia ($6.7 million), Japan ($6.4 million), the Philippines ($5.7 million), India ($5.35 million), Hong Kong ($5.1 million), and Italy ($5 million).[112] In Russia, the film opened to number one with $21.7 million from 1,100 screens, which is the second-largest in the territory for which 3D accounted for 80% of the total gross. IMAX comprised $2.6 million of the total gross from 34 IMAX screens.[112] Its biggest opener outside the U.S. was in China, where it scored one of the biggest non-North American openings of all time with $91.2 million from 4,400 screens, which was once the second-biggest opening of all time there.[112][115] The film set an all-time IMAX opening record with $9.7 million.[112][116] After five days of its release, Age of Extinction surpassed its North American run with $134.5 million.[117][118] In China, the film earned an additional $50.9 million in its second weekend for a total of $212.8 million. In only 10 days of its release, it became the highest-grossing film in China with $222.74 million, thus overtaking Avatar's previous record.[119][120][121] Adding to the film's revenue and popularity were product placements of Chinese brands edited into the movie specifically for Chinese audiences.[122]

text: It became the highest-grossing film in China, with $301–$320 million[nb 2] in revenue surpassing 2009's record set by Avatar ($204 million),[124][129][130] until it was surpassed by Furious 7 in 2015 over $390 million.[131] It is also the first movie in China to gross more than $300 million at the box office.[132] A large part of the success in China has been attributed to the large fan base there and because of its accompanying animated TV series—which ran during the 1980s and 1990—was one of the highest-quality TV programs at that time which resulted in many children getting attached to it. Transformers toy merchandising was one of the first successful cases by a foreign company in China at its time, its line of transforming robot toys was highly sought-after, especially by boys.[133]

text: At the end of its theatrical run outside North America, the film earned $858,600,000 which is 77.8% of its total gross. In total earnings, the highest revenue came from China ($301 million), Russia ($45.2 million), South Korea ($43.3 million), Germany ($38.2 million), Mexico ($33.5 million), and the UK ($33.1 million).[134]

text: Authenticity over North American box office opening[edit]

text: The $100 million opening announced for Transformers: Age of Extinction is disputed within the industry. According to Rentrak—which has a direct line into the vast majority of theatres in the United States and Canada to track actual ticket sales—about 4,100 of the 4,233 theatres playing the film generated $95.9 million. The projected total from the Rentrak sales data would put the opening three-day weekend gross at around $97.5 million. For Transformers to have crossed the $100 million threshold, it would have needed to gross more than the nationwide average in the theatres not tracked by Rentrak. Some media outlets have elected to go with the Rentrak figure.[100][101]

text: Critical response[edit]

text: On review aggregation website Rotten Tomatoes the film has an approval rating of 18% based on 188 reviews, with an average rating of 3.9/10. The site's critical consensus reads, "With the fourth installment in Michael Bay's blockbuster Transformers franchise, nothing is in disguise: Fans of loud, effects-driven action will find satisfaction, and all others need not apply."[135] On Metacritic, the film has a score of 32 out of 100, based on 38 critics, indicating "generally unfavorable reviews".[136] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[137]

text: Richard Roeper gave the film a "D", saying that "the longer the movie goes on, the less interesting it becomes; it just wears you down. As we were finally reaching the 165-minute mark, all that noise and fury was about as exciting as the special effects in an Ed Wood movie."[138] Peter Travers of Rolling Stone gave the film zero out of four stars, calling it "the worst and most worthless Transformers movie yet."[139] Kyle Smith of the New York Post gave the film one-and-a-half out of four stars, commenting that "This series was never good, but it was once fun, or at least flashy. Now that its gears have gone rusty, it’s time for an Alien vs. Predator-style rethink."[140] A. O. Scott of The New York Times said in his review that "The story is scaffolding for the action and like every other standing structure, it is wrecked in a thunderous shower of metal, glass, masonry, and earth."[141]

text: Clarence Tsui of The Hollywood Reporter commented on his review that it "barely skirts the idea that humankind and planet Earth are about to be totally annihilated. What is extinguished is the audience's consciousness after being bombarded for nearly three hours with overwrought emotions ('There's a missile in the living room!' Tessa hollers — twice), bad one-liners, and battles that rarely rise above the banal. A trio of editors make a technical marvel out of the fight scenes, but can do little to link the story's multiple threads into something coherent."[142] Roth Cornet of IGN gave the film a score of 6.3 out of 10, praising the "slightly darker/surprising tone and Lockdown and his ship while criticizing the logic/script issues and long running time."[143] Joe Neumaier of the New York Daily News gave the film 1 out of five stars, commenting that "If the 'human scenes' all reek of adolescent dialogue and dopey snark masquerading as character development, it's a toss-up if that's better or worse than seeing clattering collections of caliginous junk."[144]

text: Home media[edit]

text: Transformers: Age of Extinction was released on Blu-ray, DVD, and Blu-ray 3D formats on September 30, 2014, in North America. The film was also released on digital download through iTunes and Google Play on September 16, 2014.

text: Accolades[edit]

text: This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2015) (Learn how and when to remove this template message)

text:
Award
Category
Recipients
Result

2014 Teen Choice Awards
Choice Movie: Villain
Kelsey Grammer
Nominated

Choice Movie: Breakout Star
Nicola Peltz
Nominated

Choice Summer Movie
Transformers: Age of Extinction
Nominated

Choice Summer Movie Star
Mark Wahlberg
Nominated

2014 Golden Trailer Awards
Best Summer 2014 Blockbuster Trailer
Paramount Pictures and Creative Buzz Industries
Nominated

2014 Hollywood Film Awards
Best Visual Effects of the Year
Scott Farrar
Won

2014 Houston Film Critics Society Awards
Worst Film
Transformers: Age of Extinction
Nominated

2015 Annie Awards
Outstanding Achievement, Animated Effects in a Live Action Production
Michael Balog, Jim Van Allen, Rick Hankins, and John Hansen
Nominated

2015 Satellite Awards
Best Visual Effects
John Frazier, Patrick Tubach, Scott Benza, and Scott Farrar
Nominated

Best Sound (Editing & Mixing)
Erik Aadahl, Ethan Van Der Ryn, and Peter J. Devlin
Nominated

2015 Golden Raspberry Awards
Worst Picture
Transformers: Age of Extinction
Nominated

Worst Director
Michael Bay
Won

Worst Supporting Actor
Kelsey Grammer (also for The Expendables 3, Legends of Oz: Dorothy's Return, and Think Like a Man Too)
Won

Worst Supporting Actress
Nicola Peltz
Nominated

Worst Screenplay
Ehren Kruger
Nominated

Worst Prequel, Remake, Rip-off or Sequel
Transformers: Age of Extinction
Nominated

Worst Screen Combo
Transformers: Age of Extinction
Nominated

text: Sequels[edit]

text: A fifth Transformers film, titled The Last Knight, was released on June 21, 2017 to poor reviews, with both Bay and Wahlberg stating it was their final entry of the series.

text: A spin-off film, Bumblebee, is scheduled for a December 21, 2018 release, while a sixth installment, Transformers 6, is scheduled for release for June 28, 2019.[145]


document_title: List of national parks of India

question_text: largest national park in india in terms of area

root

text: List of national parks of India

text: Definition[edit]

text: According to the Indian Ministry of Environment & Forests, a national park is "[a]n area, whether within a sanctuary or not, [that] can be notified by the state government to be constituted as a National Park, by reason of its ecological, faunal, floral, geomorphological, or zoological association or importance, needed to for the purpose of protecting & propagating or developing wildlife therein or its environment. No human activity is permitted inside the national park except for the ones permitted by the Chief Wildlife Warden of the state under the conditions given in CHAPTER IV, WPA 1972".[1]

tag: p

text: Map[edit]

text: List[edit]

text: List of national parks in India:[1]

text:
Name

State

Established

Area (in km2)

Notability

Anamudi Shola National Park
Kerala

2003
7.50

Anshi National Park
Karnataka

1987
417.34
The great Indian Hornbill, Tiger, Leopard, Black panther, Bear, Elephant, Deer, etc

Balphakram National Park
Meghalaya

1986
220
Wild water buffalo, Red panda, elephant and eight cat species, including the tiger and marbled cat

Bandhavgarh National Park
Madhya Pradesh

1968
446
1336 species of endemic plants

Bandipur National Park
Karnataka

1974
874.20
Chital, bengal tiger, gray langurs, Indian giant squirrel, gaur, leopard, sambar deer, indian elephants, honey buzzard, red-headed vulture

Bannerghatta National Park
Karnataka

1986
104.3

Tiger, sloth bear, peacock, elephant, sambar deer, mouse deer

Betla National Park
Jharkhand

1986
1135

Bhitarkanika National Park
Odisha

1988
145
Mangroves, saltwater crocodile, white crocodile, Indian python, black ibis, wild pigs, rhesus monkeys, olive ridley sea turtle, chital

Bison (Rajbari) National Park
Tripura

2007
31.63

Blackbuck National Park, Velavadar
Gujarat

1976
34.08
Hunting cheetahs, Blackbuck Lodge, the endangered Indian grey wolf, the nocturnal striped hyena, Indian fox, golden jackal, jungle cat and many small mammals like hare, gerbil, field mice, mongoose and hedgehog.

Buxa Tiger Reserve
West Bengal

1992
760

Campbell Bay National Park
Andaman and Nicobar Islands

1992
426.23

Chandoli National Park
Maharashtra

2004
317.67

Clouded Leopard National Park
Tripura

2003
5.08

Dachigam National Park
Jammu and Kashmir

1981
141
Only area where Kashmir stag is found[2]

Desert National Park
Rajasthan

1980
3162
Greatest attraction of the park is a bird called the great Indian bustard, an endangered species found only in India

Dibru-Saikhowa National Park
Assam

1999
340
Known for feral horse

Dudhwa National Park
Uttar Pradesh

1977
490.29
Tiger Panthera tigris, Sambhar Axis axis,Hog Deer Axis porcinus

Eravikulam National Park
Kerala

1978
97

Galathea National Park
Andaman and Nicobar Islands

1992
110

Gangotri National Park
Uttarakhand

1989
2390

Gir Forest National Park
Gujarat

1965
1412
Asiatic lion

Gorumara National Park
West Bengal

1994
79.45

Govind Pashu Vihar Wildlife Sanctuary
Uttarakhand

1990
472.08

Great Himalayan National Park
Himachal Pradesh,

1984
754.40
UNESCO World Heritage Site

Gugamal National Park
Maharashtra

1987
361.28

Guindy National Park
Tamil Nadu

1976
2.82

Gulf of Mannar Marine National Park
Tamil Nadu

1980
6.23

Guru Ghasidas (Sanjay) National Park
Chhattisgarh

1981
1440.71

Hemis National Park
Jammu and Kashmir

1981
4400

Inderkilla National Park
Himachal Pradesh

2010
104

Indra Gandhi Wildlife Sanctuary and National Park
Tamil Nadu

1989
117.10

Indravati National Park
Chhattisgarh

1981
1258.37
Wild Asian buffalo, tiger reserve, hill mynas

Jaldapara National Park
West Bengal

2012
216
Indian rhinoceros

Jim Corbett National Park
Uttarakhand

1936
1318.5
First national park in India (established in 1936 as Hailey National Park)

Kalesar National Park
Haryana

2003
100.88

Kanha National Park
Madhya Pradesh

1955
940

Kanger Ghati National Park
Chhattisgarh

1982
200

Kasu Brahmananda Reddy National Park
Telangana

1994
1.42

Kaziranga National Park
Assam

1974
858.98
Highest known tiger density in the World Indian rhinoceros, UNESCO World Heritage Site

Keibul Lamjao National Park
Manipur

1977
40
Only floating park in the world

Keoladeo National Park
Rajasthan

1981
28.73
UNESCO World Heritage Site

Khangchendzonga National Park
Sikkim

1977
1784
UNESCO World Heritage Site

Khirganga National Park
Himachal Pradesh

2010
710

Kishtwar National Park
Jammu and Kashmir

1981
400

Kudremukh National Park
Karnataka

1987
600.32

Madhav National Park
Madhya Pradesh

1959
375.22

Mahatma Gandhi Marine National Park
Andaman and Nicobar Islands

1983
281.50

Mahavir Harina Vanasthali National Park
Telangana

1994
14.59

Manas National Park
Assam

1990
950
UNESCO World Heritage Site

Mandla Plant Fossils National Park
Madhya Pradesh

1983
0.27

Marine National Park, Gulf of Kutch
Gujarat

1980
162.89

Mathikettan Shola National Park
Kerala

2003
12.82

Middle Button Island National Park
Andaman and Nicobar Islands

1987
44

Mollem National Park
Goa

1978
107

Mouling National Park
Arunachal Pradesh

1986
483

Mount Abu Wildlife Sanctuary
Rajasthan

1960
288.84

Mount Harriet National Park
Andaman and Nicobar Islands

1987
46.62
Important bird area as attributed by BirdLife International, new species frog named Rana CharlesDarwini

Mrugavani National Park
Telangana

1994
3.60

Mudumalai National Park
Tamil Nadu

1940
321.55

Mukundra Hills National Park
Rajasthan

2006
200.54

Mukurthi National Park
Tamil Nadu

2001
78.46
Nilgiri tahr

Murlen National Park
Mizoram

1991
100

Nagarhole National Park
Karnataka

1988
643.39

Namdapha National Park
Arunachal Pradesh

1974
1985.24

Nameri National Park
Assam

1978
137.07

Nanda Devi National Park
Uttarakhand

1982
630.33
UNESCO World Heritage Site, UNESCO World Biosphere Reserve

Navegaon National Park
Maharashtra

1975
133.88

Neora Valley National Park
West Bengal

1986
88

Nokrek National Park
Meghalaya

1986
47.48
UNESCO World Biosphere Reserve

North Button Island National Park
Andaman and Nicobar Islands

1979
0.44

Ntangki National Park
Nagaland

1993
202.02

Orang National Park
Assam

1999
78.81

Pambadum Shola National Park
Kerala

2003
1.32

Panna National Park
Madhya Pradesh

1981
542.67

Papikonda National Park
Andhra Pradesh

2008
1012.85

Pench National Park[3]
Madhya Pradesh

1977
758

Periyar National Park
Kerala

1982
305

Phawngpui Blue Mountain National Park
Mizoram

1992
50

Pin Valley National Park
Himachal Pradesh

1987
807.36

Rajaji National Park
Uttarakhand

1983
820
Mainly known for Elephants, Tigers, Leopards and several species of birds, reptiles and Mammals.

Rani Jhansi Marine National Park
Andaman and Nicobar Islands

1996
256.14

Ranthambore National Park
Rajasthan

1981
392

Saddle Peak National Park
Andaman and Nicobar Islands

1979
32.54

Salim Ali National Park
Jammu and Kashmir

1992
9.07

Sanjay National Park[4]
Madhya Pradesh

1981
466.7

Sanjay Gandhi National Park
Maharashtra

1969
104
, Asiatic Lion, Indian Leopard, Rhesus Macaque, Bonnet Macaque, Spotted Deer, Hanuman Langur, Indian Flying Fox, Indian Hare, Barking Deer, Porcupine, Palm Civet, Mouse Deer

Sariska Tiger Reserve
Rajasthan

1955
866

Satpura National Park
Madhya Pradesh

1981
524

Silent Valley National Park
Kerala

1980
237
Absence of noisy cicadas, hence the name 'Silent Valley'

Simbalbara National Park
Himachal Pradesh

2010
27.88

Sirohi National Park
Manipur

1982
41.30

Simlipal National Park
Odisha

1980
2750
Tiger, leopard, Asian elephant, sambar, barking deer, gaur, jungle cat, wild boar

Singalila National Park
West Bengal

1986
78.60

South Button Island National Park
Andaman and Nicobar Islands

1987
0.03
Dugong, dolphin, water monitor lizard, blue whale

Sri Venkateswara National Park
Andhra Pradesh

1989
353

Sultanpur National Park
Haryana

1989
1.43

Sundarbans National Park
West Bengal

1984
1330.12
UNESCO World Heritage Site

Tadoba National Park
Maharashtra

1955
625
Tigers

Valley of Flowers National Park
Uttarakhand

1982
87.50
UNESCO World Heritage Site

Valmiki National Park
Bihar

1976
898.45

Vansda National Park
Gujarat

1979
23.99

Van Vihar National Park
Madhya Pradesh

1983
4.48

tag: table


document_title: Gotta Travel On

question_text: who wrote the song gotta travel on

question_tokens: who wrote the song got ta travel on

text: Gotta Travel On

text:
"Gotta Travel On"Single by Billy GrammerB-side
"Chasing a Dream"Released
October 1958Genre
CountryLength
2:24Label
MonumentSongwriter(s)
Paul Clayton, The Weavers, Larry Ehrlich, Dave LazerBilly Grammer singles chronology

"Gotta Travel On" (1958)

"Bonaparte's Retreat" (1959)

"Gotta Travel On"(1958)

"Bonaparte's Retreat"(1959)

text: "Gotta Travel On" is a song written by Paul Clayton, The Weavers, Larry Ehrlich, and Dave Lazer and performed by Billy Grammer. It reached #4 on the U.S. pop chart, #5 on the U.S. country chart, #6 in Australia, and #14 on the U.S. R&B chart in 1959.[1]

text: The song ranked #53 on Billboard magazine's Top 100 singles of 1959.[2]

text: Other charting versions[edit]

text:
Bill Monroe & His Bluegrass Boys released a version of the song as a single in 1959 which reached #15 on the U.S. country chart.[3]
The Springfields released a version of the song as a single in 1962 which reached #114 on the U.S. pop chart.[4]
Timi Yuro released a version of the song as a single in 1963 which reached #64 on both the U.S. pop and R&B charts.[5]
Damita Jo released a version of the song as a single in 1965 which reached #119 on the U.S. pop chart.[6]

tag: ul

text: Other versions[edit]

text:
Harry Belafonte released a version of the song on his 1958 EP Belafonte.[7]
Joe Gordon released a version of the song as a single in 1959, but it did not chart.[8]
Rose And Cal Maddox featuring The Jack Wayne Band released a version of the song as a single in 1959, but it did not chart.[9]
The Weavers released a version of the song on their 1959 EP Travelling with The Weavers Volume 1.[10]
Bert Berns released a version of the song as the B-side to his 1960 single "The Legend of the Alamo".[11]
Bobby Bare released a version of the song on his 1963 EP Meet Bobby Bare.[12]
Trini Lopez released a version of the song on his 1963 album Trini Lopez at PJ's as part of a medley with "Down by the Riverside", "Marianne", "When the Saints Go Marching In", and "Volare".
Towa Carson released a version of the song entitled "Jag Måste Ge Mej Av" as the B-side to her 1964 single "Hjärta".[13]
Milly Scott released a version of the song entitled "Ik Moet Verder" as the B-side to her 1964 single "Kom Huil Dan".[14]
Carola released a version of the song entitled "Nyt Nostan Kytkimen" as a single in 1964, but it did not chart.[15]
Pete Fountain released a version of the song as the B-side to his 1965 single "Mae".[16]
Boots Randolph released a version of the song on his 1965 EP More Yakety Sax.[17]
Ray Bryant Trio released a version of the song as the B-side to his 1966 single "It Was a Very Good Year".[18]
Larry Ramos released a version of the song as the B-side to his 1966 single "It'll Take a Little Time".[19]
Allen Toussaint released a version of the song as the B-side to his 1968 single "Get Out of My Life, Woman".[20]
Jerry Naylor released a version of the song as the B-side to his 1969 single "Posters on the Wall".[21]


document_title: History of Monday Night Football

question_text: who defeated the new york jets on the first televised monday night football game

question_tokens: who defeated the new york jets on the first televised monday night football game

text: History of Monday Night Football

text: During the early 1960s, NFL Commissioner Pete Rozelle envisioned the possibility of playing at least one game weekly during prime time that could be viewed by a greater television audience (while the NFL had scheduled Saturday night games on the DuMont Television Network in 1953 and 1954, poor ratings and the dissolution of DuMont led to those games being eliminated by the time CBS took over the rights in 1956). An early bid by the league in 1964 to play on Friday nights was soundly defeated, with critics charging that such telecasts would damage the attendance at high school football games. Undaunted, Rozelle decided to experiment with the concept of playing on Monday night, scheduling the Green Bay Packers and Detroit Lions for a game on September 28, 1964. While the game was not televised, it drew a sellout crowd of 59,203 spectators to Tiger Stadium, the largest crowd ever to watch a professional football game in Detroit up to that point.

text: Two years later, Rozelle would build on this success as the NFL began a four-year experiment of playing on Monday night, scheduling one game in prime time on CBS during the 1966 and 1967 seasons, and two contests during each of the next two years. NBC followed suit in 1968 and 1969 with games involving American Football League teams.

text: During subsequent negotiations on a new television contract that would begin in 1970 (coinciding with a merger between the NFL and AFL), Rozelle concentrated on signing a weekly Monday night deal with one of the three major networks. After sensing reluctance from both NBC and CBS in disturbing their regular programming schedules, Rozelle spoke with ABC.

text: Despite the network's status at the time as the lowest-rated of the three major broadcast networks, ABC was also reluctant to enter the risky venture. It was only after Rozelle used the threat of signing a deal with the independent Hughes Sports Network, an entity bankrolled by reclusive businessman Howard Hughes, did ABC sign a contract for the scheduled games. Speculation was that had Rozelle signed with Hughes, many ABC affiliates would have pre-empted the network's Monday lineup in favor of the games, severely damaging potential ratings.

text: After the final contract for Monday Night Football was signed, ABC Sports producer Roone Arledge immediately saw possibilities for the new program. Setting out to create an entertainment "spectacle" as much as a simple sports broadcast, Arledge hired Chet Forte, who would serve as director of the program for over 22 years. Arledge also ordered twice the usual number of cameras to cover the game, expanded the regular two-man broadcasting booth to three, and used extensive graphic design within the show as well as instant replay.

text: Prior to 1978, Monday night games were not scheduled in the final week (Week 14) of the regular season. From 1974 to 1977, a Saturday night game was scheduled for Week 14 and televised live by ABC in lieu of a game on Monday night.

text: Cosell, Jackson, and Meredith[edit]

text: Looking for a lightning rod to garner attention, Arledge hired controversial New York City sportscaster Howard Cosell as a commentator, along with veteran football play-by-play announcer Keith Jackson. Arledge had tried to lure Curt Gowdy and then Vin Scully to ABC for the MNF play-by-play role, but settled for Jackson after they proved unable to break their respective existing contracts with NBC Sports and the Los Angeles Dodgers. Jack Buck was also considered, but when Arledge assistant Chuck Howard telephoned Buck with the job offer, Buck refused to respond due to anger at his treatment by ABC during an earlier stint with the network.[1] Arledge's original choice for the third member of the trio, Frank Gifford, was unavailable since he was still under contract to CBS Sports. However, Gifford suggested former Dallas Cowboys quarterback Don Meredith, setting the stage for years of fireworks between the often-pompous Cosell and the laid-back Meredith.

text: Monday Night Football first aired on ABC on September 21, 1970, with a game between the New York Jets and the Browns in Cleveland. Advertisers were charged US$65,000 per minute by ABC during the clash, a cost that proved to be a bargain when the contest collected 33% of the viewing audience. The Browns defeated the Jets, 31-21 in a game which featured a 94-yard kickoff return for a touchdown by the Browns' Homer Jones and was punctuated when Billy Andrews intercepted Joe Namath late in the fourth quarter and returned it 25 yards for the clinching touchdown. However, Cleveland viewers saw different programming on WEWS-TV, because of the NFL's blackout rules of the time (this would apply for all games through the end of the 1972 season; beginning in 1973, home games could be televised if tickets were sold out 72 hours before kickoff).

text: One of the trademarks of Monday Night Football is a music cue used during the opening teasers of each program, a Johnny Pearson-composition titled "Heavy Action", originally a KPM production library cue (and also used as the theme music for the BBC programme Superstars), which MNF began using in 1975.

text: That success would continue over the course of the season, helping establish a phenomenon on Monday nights in the fall: movie attendance dropped, bowling leagues shifted to Tuesday nights and a Seattle hospital established an unwritten rule of no births during games.[citation needed]

text: Cosell's presence initially caused Henry Ford II, chairman of the Ford Motor Company, the program's main sponsor, to ask for his removal. ABC refused, and Ford had a change of heart once the show's ratings were made public. Cosell dodged another controversy when he appeared to be intoxicated on-air during the November 23 game between the New York Giants and Philadelphia Eagles. Already ill, Cosell drank at a promotional party prior to the game, then ended up vomiting on Don Meredith's cowboy boots near the end of the first half. Jackson and Meredith ended up announcing the rest of the contest.

text: Cosell, Gifford, and Meredith[edit]

text: In 1971, Frank Gifford became available after his contract with CBS Sports concluded; Arledge brought him to ABC to serve as play-by-play announcer, replacing Jackson (who returned to broadcasting college football for the network, which he continued to do for the next 35 seasons). The former New York Giant had been an NFL analyst for CBS during the 1960s but had never called play-by-play prior to joining Monday Night Football. In that capacity for Monday Night Football from 1971 to 1985, Gifford was often criticized for his see-no-evil approach in regard to discussing the NFL, earning him the dubious nickname "Faultless Frank." Regardless, Gifford would have the longest tenure of any broadcaster on the show, lasting until 1998.

text: Cosell's abrasive personality gave him enough recognition to host a live variety show on ABC in the fall of 1975. That show is remembered today only as a trivia question, as its title, Saturday Night Live, prevented a new late-night sketch comedy program on NBC from using that title until the ABC show was canceled. That seeming popularity was in contrast to the repeated criticisms in the media, as well as bar room contests in which winners were allowed to throw a brick through a television image of Cosell.

text: After beginning with critical acclaim, Meredith began to take his weekly assignments less seriously, while also beginning an acting career. By 1973, his motivation for the broadcasts seemed highly suspect, given incidents during a trio of contests. On October 29, Meredith was drinking during the Buffalo Bills–Kansas City Chiefs game, which was preceded one week earlier by his pre-game analysis of the Denver Broncos–Oakland Raiders game: "We're in the Mile High City and I sure am" – a not-so-subtle reference to his use of marijuana at the time. Finally, during the Pittsburgh Steelers–Washington Redskins game on November 5, he referred to U.S. President Richard Nixon as "Tricky Dick."

text: Cosell, Gifford, Williamson, and Karras[edit]

text: Don Meredith would be absent from Monday Night Football for a broadcasting and acting career on rival NBC from 1974 to 1976. Fred Williamson, a former Kansas City Chiefs defensive back nicknamed "The Hammer" for his often-brutal hits, was selected by ABC to replace Meredith in 1974, but following a few pre-season broadcasts, proved so inarticulate that he was relieved of his duties prior to the start of the regular season, becoming the first MNF personality not to last an entire season (much less no part of the regular season at all). Williamson was replaced by fellow Gary, Indiana native Alex Karras, formerly of the Detroit Lions. The highlight of Williamson's MNF career was probably at the introductory press conference where he quipped that he was hired to "bring some color to the booth."

text: Karras made his debut on September 16, 1974 and immediately made an impact when he jokingly referred to Oakland Raiders' defensive lineman Otis Sistrunk as having attended "The University of Mars." That would essentially be the high point of Karras' three-year tenure, with a developing movie career often distracting him from showing any improvement (in reality, Sistrunk did not attend any college but enlisted in the United States Marine Corps after high school and played semi-professional football before getting a tryout with the Raiders; the Raiders team guide listed his college alma mater as "U.S. Mars").

text: Cosell, Gifford, Meredith, and Tarkenton[edit]

text: Meredith returned to the ABC booth in 1977, but seemed to lack the enthusiasm that had marked his first stint from 1970 to 1973. While the NFL moved to a 16-week schedule in 1978, Meredith was contractually obligated to work only 14 games, leaving Cosell and Gifford to work games as a duo or with newly retired Fran Tarkenton beginning in 1979.

text: From 1977 to 1986, ABC also aired occasional NFL games on Thursday, Saturday and Sunday nights. Each of these telecasts would be billed by the network as a "Special Thursday/Saturday/Sunday Night Edition of Monday Night Football".

text: One of the more somber contests in the run of the series came on November 27, 1978 when the San Francisco 49ers hosted the Pittsburgh Steelers. Earlier in the day, San Francisco mayor George Moscone and City Supervisor Harvey Milk had been murdered at City Hall. Despite the complaints that followed, the NFL chose to play the game, a decision that mirrored the league's decision to play its scheduled games during the weekend following the assassination of President John F. Kennedy 15 years earlier.

text: The opening contest of the 1979 season saw a poignant moment as former New England Patriots wide receiver Darryl Stingley was introduced to a sellout crowd at the Patriots' Schaefer Stadium. Stingley had been paralyzed in a preseason game the year before and was making his first visit to the stadium since the accident.

text: John Lennon tragedy[edit]

text: One of the most remembered moments in Monday Night Football history occurred on December 8, 1980, yet had nothing to do with the game or football in general. During a game between the Miami Dolphins and New England Patriots, Howard Cosell broke the news of famed Beatle John Lennon's assassination,[2] news that stunned a nationwide audience.

text:
“
Yes, we have to say it. Remember, this is just a football game, no matter who wins or loses. An unspeakable tragedy confirmed to us by ABC News in New York City: John Lennon, outside of his apartment building on the West Side of New York City, the most famous perhaps, of all of The Beatles, shot twice in the back, rushed to Roosevelt Hospital, dead ... on ... arrival.
”

text: In 1974, Lennon had appeared in the Monday Night Football broadcast booth and was briefly interviewed by Cosell.

text: During the 1980 season, Monday Night Football continued its tradition of featuring notable guests during the half-time show, from a variety of different industries and backgrounds. During a Thursday Night Football special in Houston, 2 days after Ronald Reagan was elected to the White House, Vice-President elect George H.W. Bush was interviewed in the broadcast booth at halftime. Prior to the election, none of the candidates were invited on the program due to equal time regulations governing appearances during campaigns. Later that same season in Southern California, movie star Bo Derek, well known for her role in the movie "Ten", was the half-time guest and was interviewed by Howard Cosell. Some of the production crew teasingly referred to the segment as "The Beauty and the Beast".

text: 1980 also marked some key personnel moves for the top-rated ABC show. It was the first season of Monday Night Football produced by Bob Goodrich, who would lead the production team for another 6 years. In addition, 1980 was the first year a woman joined the traveling production crew of over 40 cameramen, engineers, producers and directors. Alexis Denny, then a sophomore at Yale University, served as the stage manager of the telecasts and wrote the script for the half-time highlights that Howard Cosell would voice over in a style for which he was known throughout his career.

text: Rest of 1980s[edit]

text: The NFL's television contract renewal in 1982 also put ABC in the Super Bowl rotation for the first time, giving it the broadcast rights to Super Bowl XIX in 1985. A second renewal of the television contract gave them the rights to Super Bowl XXII in 1988.

text: From 1983 to 1986, ABC also aired a Friday night game in the final week (Week 16) of the regular season, in addition to the normal Monday night game.

text: Cosell, Gifford, Meredith, and Simpson[edit]

text: Cosell continued to draw criticism during Monday Night Football with one of his offhand comments during the September 5, 1983 game, igniting a controversy and laying the groundwork for his departure at the end of that season. In a game between the Washington Redskins and Dallas Cowboys, Cosell referred to Alvin Garrett, an African American wide receiver for the Redskins, as a "little monkey." Cosell noted that Garrett's small stature, and not his race, was the basis for his comment, citing the fact that he had used the term to describe his grandchildren. Later, a special on Howard Cosell showed him calling Mike Adamle (a white player) a "little monkey." Stung by the unrelenting barrage of remarks, Cosell claimed upon his departure from Monday Night Football that the NFL had become "a stagnant bore." In Cosell's book, I Never Played the Game, he devoted an entire chapter ("Monkey Business") to the Garrett episode. In the book, Cosell also said that ABC should have had the right to choose its own Monday Night schedule. In his mind, Monday Night Football is what elevated the NFL in popularity over Major League Baseball. He felt that this should have been ABC's reward for raising the league's profile.

text: That same year, O. J. Simpson replaced Tarkenton as a fill-in when Meredith or Cosell, who also was a broadcaster for the network's coverage of the Major League Baseball playoffs, was unavailable. The season would serve as a study in contrasts as one of the most exciting Monday night games ever was followed the next week by one of the most badly played in the run of the series. On October 17, 1983, the highest scoring game in Monday Night Football history took place in the Green Bay Packers-Washington Redskins game, with the Packers winning the game by a score of 48–47. One week later, the New York Giants and St. Louis Cardinals played for more than four hours before settling for a 20–20 overtime tie, MNF's only OT tie to date. The deadlock had come after dropped touchdown passes by Cardinal wide receivers Willard Harrell and Roy Green, and a trio of missed field goals by teammate Neil O'Donoghue, including two in the final 63 seconds of the overtime period.

text: Gifford, Meredith, and Simpson[edit]

text: When Cosell left prior to the start of the 1984 season, the trio of Gifford, Meredith and Simpson handled the duties. Cosell's departure seemed to have the greatest effect on Meredith, who many believed to be a poor analyst in his absence. Falling ratings also gave indications that much of the mystique that surrounded the weekly event had disappeared.

text: Gifford, Simpson, and Namath[edit]

text: After the 1984 season, ABC replaced Meredith with Joe Namath the following year, with the quarterback making his debut in the annual Pro Football Hall of Fame Game. In a coincidental twist, both Namath and Simpson were busy prior to the telecast with their induction into the shrine.

text: One of the more grisly moments in Monday Night Football history occurred during a game between the Washington Redskins and New York Giants on November 18, 1985, at RFK Stadium. Redskins quarterback Joe Theismann's career would end when Giants linebacker Lawrence Taylor reached from behind to drag him down and Taylor fell heavily on the quarterback's leg in the process. On the play, which viewers could see in a gruesome slow-motion replay, Theismann suffered a compound fracture of the tibia and fibula in his lower right leg.[3] The injury ended the playing career of Theismann, who had teamed with Gifford and Meredith on ABC's coverage of Super Bowl XIX in January 1985.

text: Two weeks after that painful memory, the program's most watched contest took place as the previously unbeaten Chicago Bears were defeated by the Miami Dolphins, which had not lost to a National Football Conference (NFC) team at home since 1976. That would turn out to be Chicago's only loss in 1985. The game broadcast earned a Nielsen rating of 29.6 with a 46 share.

text: Gifford and Michaels[edit]

text: Both Namath and Simpson would be replaced at the end of the 1985 NFL season, with critics noting their lack of journalistic skills in comparison to Cosell. In their place the following year came veteran broadcaster Al Michaels, who had previously anchored ABC's pregame coverage of Super Bowl XIX, and had been the lead play-by-play announcer of Monday Night Baseball since 1983. Michaels had also by this point, gained much notoriety at ABC for his 1980 "Miracle on Ice" broadcast.

text: Michaels served as the play-by-play announcer, teaming with Gifford for a two-man booth in 1986. During that season, the Miami Dolphins again made records with the biggest blowout in Monday Night Football history in a 45-3 rout of the then 10-1 New York Jets (the record was later tied and subsequently broken in 2005; see below). Also in 1986, when Al Michaels became unavailable because he was calling Major League Baseball's League Championship Series, Frank Gifford moved up into the play-by-play spot while Lynn Swann or O.J. Simpson filled-in as the color commentator. Gifford would once again call the play-by-play when Michaels was busy calling the World Series in 1987 and 1989 and the National League Championship Series in 1988.

text: Gifford, Michaels, and Dierdorf[edit]

text: In 1987, Gifford and Michaels were joined by Dan Dierdorf, returning the series to its original concept of three announcers in the booth. The trio would last for 11 seasons through the conclusion of the 1997 season. In 1989, television composer Edd Kalehoff created a new arrangement of Johnny Pearson's "Heavy Action", by that time fully synonymous with the series. This more or less replaced an original composition by Charles Fox. Also debuting in 1989 was Hank Williams, Jr. performing "All My Rowdy Friends Are Here on Monday Night", sung to the music of his 1984 hit "All My Rowdy Friends Are Coming Over Tonight."

text: As part of the league's television contract renewal with the network in 1989, ABC was awarded the television rights to Super Bowl XXV and Super Bowl XXIX, and the first round of NFL playoffs. The Monday Night Football announcing team anchored the telecasts, except for the first of two Wild Card Playoff games, in which ESPN's Sunday Night NFL crew of Mike Patrick and Joe Theismann presided over that telecast. However, the original crew for one of the two Wild Card Playoff games from 1990 to 1995 consisted of Brent Musburger and Dick Vermeil (both of whom did college football broadcasts for ABC during those two seasons).

text: From 1990 until 2005, ABC's MNF television package has included seventeen (eighteen in 1992 and 1993) regular season games (from 2003 until 2005, a Thursday game and 16 Mondays – no game on Week 17 because of playoff preparation disadvantages), the first two wild card playoff games (held on the first Saturday of the playoffs), and at times, the AFC–NFC Pro Bowl.

text: The October 17, 1994 episode between the Kansas City Chiefs and Denver Broncos featured a duel between two future Hall of Fame quarterbacks, Joe Montana and John Elway. With 1:29 left to play in the game, Elway scored on a 4-yard touchdown run to put the Broncos ahead 28–24. But then Montana led the Chiefs on a 75-yard drive to score the game-winning touchdown with just 8 seconds to play. The final score was Chiefs 31, Broncos 28.

text: The October 31, 1994 game between the Green Bay Packers and Chicago Bears is notable for a very windy/rainy game, which also featured the Crypt Keeper deliver the famous phase, and also remembered with a 36-yard TD run by Brett Favre, who had a sore hip that night. Later dubbed the Halloween Monsoon by Bear fans, the Packers crushed the Bears, 33-6.

text: In the 1995 MNF regular season opener between the Dallas Cowboys and New York Giants at the New Jersey Meadowlands, Cowboys owner Jerry Jones controversially brought Nike chairman Phil Knight down to the sidelines, representing Jones' individual deal with Nike, contrary to the NFL's policy of negotiating its marketing deals as a league.

text: In 1997, ABC began using a scoring bug showing the game clock and score throughout the entire broadcast.

text: Michaels, Dierdorf, and Esiason[edit]

text: In 1998, Lesley Visser became the first female commentator on Monday Night Football. She had been the first female beat writer in the NFL when she covered the New England Patriots for the Boston Globe in the mid-1970s, and was the first and only woman to handle a Super Bowl Trophy presentation when she was a sportscaster with CBS. Visser was followed by several women, notably Melissa Stark and Lisa Guerrero, on the sideline who were perceived as "eye candy", none of whom affected the ratings.

text: For the 1998 season, ABC pushed Monday Night Football back an hour (it has usually aired at 9:00 p.m. Eastern Time). A special pre-game show was created, Monday Night Blast, hosted by Chris Berman from the ESPN Zone restaurant in Baltimore. The game would start around 8:20 p.m. Eastern for this particular season. Despite leaving the booth, Frank Gifford stayed on one more year as a special contributor to the pre-game show, usually presenting a single segment.

text: A mildly infamous incident came during the final 1998 telecast when Dierdorf asked Michaels, prior to a halftime interview with Buffalo Bills quarterback Doug Flutie, "Are you gonna tell 'em how you're sick of all this B.C. [Boston College] stuff?" Michaels (thinking that they had gone into a commercial break and that his microphone was off) replied, "No shit."[citation needed]

text: Nielsen ratings data for the first 17 weeks of the 1998–99 television season showed that Monday Night Football averaged a 13.9 rating, down 8% from the 15.0 average rating for the broadcasts in 1997 – the previous standard in ratings futility. In actuality, MNF ratings had been hitting all-time record lows for the previous four years.

text: Michaels and Esiason[edit]

text: Beginning in 1999, Monday Night Football telecasts used a computer-generated yellow line to mark where a team needs to get a first down, a method first used by ABC sister cable channel ESPN. 1999 also saw the Pro Football Hall of Fame Game being moved from Saturday afternoon to Monday night. It would remain on Monday night through 2005.

text: Boomer Esiason replaced Gifford in 1998, and Dierdorf left for a return to CBS in 1999. Esiason's relationship with Michaels was questioned leading to his firing. Esiason and Michaels reportedly never got along, and it led to ABC firing Esiason shortly after calling Super Bowl XXXIV together.

text: Michaels, Fouts, and Miller[edit]

text: Unexpectedly, comedian Dennis Miller joined the cast in 2000, along with Dan Fouts.[4] The move was ultimately regarded as a bust by many viewers and commentators. ABC briefly considered adding radio personality Rush Limbaugh before Miller was added to the broadcast team, despite having no prior sports broadcast experience (Limbaugh would instead be assigned as a commentator to Sunday NFL Countdown on ABC sister ESPN). Miller demonstrated a knowledge of the game and its personalities, although at times he tended to lapse into sometimes obscure analogy-riddled streams of consciousness similar to the "rants" of his standup comedy act. ABC even set up a webpage dedicated to explaining Miller's sometimes obscure pop culture references. Soon, it would become apparent that Miller's comedy did not mix with football.

text: In June 2000, Lesley Visser's career suffered a highly publicized setback when she was famously bounced as the Monday Night Football sideline reporter for a less experienced, much younger woman and a man, who did not have as extensive journalistic credentials as Visser. "It was staggering to me", Visser later recalled. However, she wound up returning to CBS Sports, philosophical as ever. "You can have a short career if it's based on looks and youth", she said, "but legitimacy is what lasts." Which ABC replaced her with both Melissa Stark and Eric Dickerson. This was part of the overhaul when ABC brought back Don Ohlmeyer to serve as producer, who installed Dennis Miller as an analyst (for ultimately two unsuccessful seasons). She sued ABC Sports for age discrimination, with Howard Katz and Ohlmeyer being named as co-defendants.

text: As previously mentioned, in 2000, Don Ohlmeyer, the program's producer up until 1977 was brought back.[4] After spending time at NBC, Ohlmeyer was lured out of retirement to spark interest and provide some vigor to the broadcast. Besides the on-air talent, Ohlmeyer's changes included clips of players introducing themselves, new graphics and music. In another rather irreverent move, the scoring bug began incorporating nicknames for the teams, such as "Skins" and "Fins" (for the Washington Redskins and Miami Dolphins) instead of their respective common abbreviations, WSH and MIA.

text: On October 23, 2000, the New York Jets and Miami Dolphins competed in what is now known as The Monday Night Miracle Trailing 30–7 in the fourth quarter, Vinny Testaverde led the Jets to score 23 consecutive points to tie the game. After Miami scored another touchdown, Testaverde threw to offensive tackle Jumbo Elliott to tie the game at 37-all. At 1:08 a.m. Eastern Time, the game having crossed into Tuesday morning, John Hall kicked a field goal in overtime to win the game 40–37. It was the second biggest fourth quarter comeback in NFL history and biggest comeback in Jets' history. Arnold Schwarzenegger predicted the comeback at halftime, where he was appearing with the MNF crew to promote an upcoming movie. With the Jets already down by 20 points he said, "Wayne Chrebet will catch a pass and the Jets will win. They're a great team."[citation needed]

text: The 2001 season of MNF featured a season-long campaign promoting the anticipated 20,000th point scored in MNF history. Denver Broncos kicker Jason Elam completed the task with a field goal during a 38–28 loss at Oakland on November 5. The three points also put Elam over 1,000 points for his career. In addition, the scoring bug reverted to using the team abbreviations, as opposed to the nickname scheme used in the previous season.

text: Michaels and Madden[edit]

text: In 2002, both Dennis Miller and Dan Fouts were dropped and John Madden joined Al Michaels in a two-man booth. Madden was a coach for the Oakland Raiders, namesake of the seminal Madden NFL video game series, and a successful broadcaster for 21 years – first with CBS until 1993 and then with Fox – before joining Monday Night Football.

text: In 2002, the broadcast debuted the "Horse Trailer" award, in which a picture of the game's top performer(s) is displayed, as chosen by the broadcasting crew. During the fourth quarter of a preseason game early that season, Madden was joking about doing some recording in the "Horse Trailer", a term the producers used for one of the ABC production trucks. It was, in fact, a custom-built trailer designed from the shell of a horse trailer, but housed sophisticated electronic equipment inside it. By the first week of the regular season, an idea to decorate the plain white trailer with MNF decor, the entire MNF schedule, and a weekly MVP, was born. Immediately following each game, the winner(s) is chosen, and his picture is affixed to the trailer in the corresponding location. When Madden and Michaels went to NBC in 2006, they debuted a similar feature, the Rock Star – in which the photo of the player of the game was attached to the top of 30 Rockefeller Plaza in New York City (the "Horse Trailer" concept was reinstated for the 2007 season).

text: In addition to Fouts and Madden helming the regular season broadcasts, Brent Musburger and Gary Danielson served as commentators for that year's AFC Wild Card game, with Jack Arute serving as the sideline reporter.

text: After suffering through several years of dismal Pro Bowl ratings, ABC considered moving the game to Monday night. In February 2003, Madden declined to serve as color commentator for the game in Hawaii, citing his fear of flying; former MNF personality Dan Fouts took his place. The Pro Bowl held the following year was played on a Sunday as typical, but was moved to ABC's sister network ESPN.

text: In 2003, ABC and the NFL dropped the Monday Night Football game for the final week of the regular season. The move, which had been in effect for the first eight years of the broadcast (1970–1977), was the result of declining ratings, as well as problems involved for potential playoff teams, as there was a potential of only four days rest between their final regular season game and first-round playoff game. ABC replaced the telecast with an opening weekend Thursday night game, and in exchange ESPN got a Saturday night game on the final weekend.

text: Also during the 2003 season, Lisa Guerrero decided to leave Fox Sports Net's The Best Damn Sports Show Period to join the MNF television crew as a sideline reporter (replacing the pregnant Melissa Stark). Guerrero's performance on the broadcast was heavily criticized, and the following year (also in an apparent move away from the "eye candy" concept) ABC replaced her with longtime TV sports journalist Michele Tafoya. Guerrero defended herself by saying that the show hired her with the intention of going in a totally different direction with the job of sideline reporter – personality-driven and feature-driven – then discarded all of that and told her to just do the job in the usual fashion. She said that she never would have taken the job if she had known that they would change their minds like that. In 2005, Michele Tafoya sat out much of the season while on maternity leave, with Sam Ryan temporarily taking her place.

text: During the October 6, 2003 game between the Indianapolis Colts and Tampa Bay Buccaneers, Indianapolis was trailing 35–14 with 3:43 remaining. The Colts had returned a Tampa Bay kickoff 90 yard to the 11-yard line, setting up a quick score. The Colts recovered an onside kick and scored again to narrow the margin to 35–28. They forced a Bucs punt and with less than two minutes remaining, Peyton Manning led an 87-yard drive to score the game-tying touchdown with 35 seconds left in regulation. In overtime, kicker Mike Vanderjagt missed a 40-yard field goal, but Simeon Rice was called for a leaping penalty, a rarely seen unsportsmanlike conduct infraction that penalizes a player for running and jumping to block a kick and landing on other players. Vanderjagt's subsequent kick was batted and hit the upright, but fell in good, winning the game for the Colts. Vanderjagt went on to become the second kicker in NFL history not to miss either a field goal or extra point in a single season after Gary Anderson, who accomplished the feat in the 1998 season as a member of the Minnesota Vikings. Vanderjagt did not miss a kick in the playoffs either, making him the first kicker to accomplish that feat (Anderson missed a field goal in the 1998-99 NFC Championship Game).

text: On December 22, 2003, Green Bay Packers quarterback Brett Favre put on one of the most defining moments of his career (while also ranking among his greatest game ever). The day before the contest against the Oakland Raiders, his father, Irvin, died suddenly of a heart attack. Favre elected to play, passing for four touchdowns in the first half, and 399 yards for the game in a 41–7 destruction of the Raiders (receiving applause from the highly partisan "Raider Nation"). Afterwards, Brett said,

text:
“
I knew that my dad would have wanted me to play. I love him so much and I love this game. It's meant a great deal to me, to my dad, to my family, and I didn't expect this kind of performance. But I know he was watching tonight.
”

text: On November 15, 2004, controversy shrouded Philadelphia Eagles wide receiver Terrell Owens when he appeared with actress Nicollette Sheridan (one of the stars of the new hit ABC comedy-drama Desperate Housewives) in an introductory skit which opened that evening's MNF telecast, in which Owens and the Eagles played the Cowboys at Texas Stadium. The skit was widely condemned as being sexually suggestive (see video[5]) and ABC was forced to apologize for airing it (the Eagles went on to win the game, 49-21, with Owens catching three touchdown passes). However, on March 14, 2005, the Federal Communications Commission ruled that the skit did not violate decency standards, because it contained no outright nudity or foul language. Originally, John Madden was supposed to appear in the commercial.

text: For the 2005 season, which would become the network's final season as the MNF broadcaster and used through Super Bowl XL, ABC converted its scoring bug into a horizontal time-score banner placed across the bottom of the screen.

text: "Monday Night Massacre" (Seahawks)[edit]

text: On December 5, 2005, in a game dubbed "The Monday Night Massacre" by NFL Films, the Seattle Seahawks shut out the Philadelphia Eagles 42–0 with three defensive touchdowns (two interceptions, one fumble return) to tie the then-largest margin of victory mark in Monday Night Football history and set the mark for the greatest margin of victory in a Monday night shutout, as well as setting the NFL record for scoring the most points with less than 200 yards of offense. Andre Dyson scored twice for the Seahawks defense, once on a 72-yard interception return and the other on a 25-yard fumble return, earning himself the "Horse Trailer Player of the Game" as well as NFC defensive player of the week. A fourth interception return by Michael Boulware fell just short of tying another Seahawks NFL record of four defensive scores in a single game, set during a 45–0 victory over the Kansas City Chiefs in 1984. The defeat was the Eagles third worst in team history. This was due to the Eagles' major injuries including star quarterback Donovan McNabb and also the situation with Terrell Owens[clarify]. The Eagles also lost their star running back Brian Westbrook due to an injury in this game.

text: End of the ABC era[edit]

text: Despite high ratings, ABC lost millions of dollars on televising the games during the late 1990s and 2000s. The NFL also indicated that it wanted Sunday night to be the new night for its marquee game, because more people tend to watch television on Sundays, and games held on that night would be more conducive to flexible scheduling, a method by which some of the NFL's best games could be moved from the afternoon to the evening on Sunday on short notice. Given these factors, as well as the rise of ABC's ratings on Sunday night, and the network's wish of protecting its Desperate Housewives franchise (which they knew would be costly), on April 18, 2005, ABC and the NFL announced the end of their 36-year partnership, with the Monday Night Football broadcasts being moved to ESPN starting with the 2006 season;[6] the move was criticized some Disney shareholders (as well as NFL fans and purists). However, ESPN's ability to collect subscription fees from cable and satellite providers, in addition to selling commercials, made it more likely that ESPN could turn a profit on NFL telecasts, as opposed to ABC's heavy losses.

text: The final Monday Night Football broadcast on ABC aired on December 26, 2005, when the New York Jets hosted the New England Patriots from Giants Stadium. Coincidentally, both the first and last ABC Monday Night Football game telecasts ended with a score of 31–21 with the Jets on the losing end. Vinny Testaverde holds the distinction of throwing the last TD pass in ABC's MNF telecast history; it was to wide receiver Laveranues Coles. Also, Testaverde's pass set an NFL record: most consecutive seasons with a touchdown pass, 19 seasons (1987–2005). Patriots linebacker Mike Vrabel set a record of note during that last ABC telecast, becoming the first player to catch two touchdown passes and record a quarterback sack in the same game. The final play of the ABC era was a Pats kneeldown by 44-year-old reserve quarterback Doug Flutie. John Madden said at the show's ending:

text:
“
They can take football away from ABC on Monday nights, but they can't take away the memories.
”

text: During its final NFL television contract, ABC was awarded the telecasts to Super Bowl XXXIV, Super Bowl XXXVII and Super Bowl XL. With the end of ABC's contract, the Super Bowl XL broadcast was the network's final NFL telecast until 2016, when they simulcasted ESPN's Wild Card game production.

text: Move to ESPN[edit]

text: The changes to the NFL's prime time broadcasts took place with the 2006 season, as ESPN began airing the Monday night games at the same time NBC assumed the rights to the Sunday night package from ESPN. The Sunday night game is now the "showcase" game of the week on the NFL schedule.

text: While the ESPN broadcasts still carry the MNF name and heritage, NBC (like ABC) is a broadcast network, whereas ESPN is a cable channel not freely available to all Americans, though per a cause in the NFL's broadcasting rules, many ESPN games air on a participating broadcast television station in the home markets of each team to allow viewers who do not subscribe to a pay television provider to view the game. For that reason, NBC gained rights to the Thursday night season-opening game, the Wild Card doubleheader that has traditionally aired on ABC, as well as a share of the rotating rights to the Super Bowl (with CBS and Fox also in the mix).

text: Tirico, Theismann, and Kornheiser[edit]

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2015) (Learn how and when to remove this template message)

text: ESPN had initially stated that its MNF team would consist of Al Michaels and Joe Theismann in the booth, with Michele Tafoya and Suzy Kolber serving as sideline reporters. However, on February 8, 2006, ESPN announced that former NBA studio host Mike Tirico would replace Michaels in the booth in 2006, joined by Theismann, and Tony Kornheiser. ESPN announced the following day that it had "traded" the contract of Michaels to NBC in exchange for some NBCUniversal properties, including rights to Ryder Cup coverage, and the return of the rights to Oswald the Lucky Rabbit (a Walt Disney creation) to ESPN parent The Walt Disney Company after nearly 80 years of Universal ownership.[7]

text: ESPN's first Monday night broadcast was a preseason game held on August 14, 2006, when the Oakland Raiders visited the Minnesota Vikings, publicized as the return of Randy Moss to Minnesota for the first time since the Vikings traded him after the 2004 season. The telecast debuted with brand-new graphics, including a time-score box placed in the lower center of the screen; a variation of the MNF graphics began to be used on almost all sporting events televised by ESPN and ABC (the former of which effectively took over full responsibility of ABC's sports division that year, which was rebranded as ESPN on ABC). The first regular season Monday Night Football game to air on ESPN was on September 11, 2006, featuring the visiting Minnesota Vikings at the Washington Redskins at FedExField, in which the Vikings won 19–16.

text: The September 25 edition of Monday Night Football highlighted the New Orleans Saints' first game back in the Louisiana Superdome following Hurricane Katrina to take on the Atlanta Falcons. The game had a Super Bowl-like atmosphere with performances by the Goo Goo Dolls, U2 and Green Day before the game. The NFL tapped producer Don Mischer and director Hamish Hamilton to produce the event. Former President George H. W. Bush handled the pregame coin toss. The Saints beat the Falcons 23–3 in what now ranks as one of the most-watched events in the history of cable television.

text: ESPN's October 23, 2006 game telecast between the New York Giants and Dallas Cowboys drew the largest audience in the history of cable television at the time, besting the previous mark set by a 1993 North American Free Trade Agreement (NAFTA) debate between Al Gore and Ross Perot. An average of 16,028,000 viewers (12.8 rating) watched as the Giants defeated the Cowboys, 36–22. ESPN's Monday Night Football telecasts now account for eight of the ten highest-rated programs in cable television history.

text: What would eventually be named the "NFL's comeback of the year" was played on Monday Night Football on October 16. Late in the third quarter, the massive underdog Arizona Cardinals led the Chicago Bears 23–3. Arizona seemed to have the game wrapped up, as rookie quarterback Matt Leinart was having a great day, and Arizona had forced six turnovers out of Chicago quarterback Rex Grossman. Chicago's defense then went on to score 14 points on fumble returns for touchdowns. With 2:58 left in the fourth quarter, and down 17–23, Chicago's Devin Hester returned a punt for a touchdown to take a 24–23 lead. Leinart then led the Cardinals down the field, only to have Neil Rackers miss a field goal, and Chicago went on to win.

text: At the conclusion of the 2006 season, ESPN had managed to secure all of the cable television audience records.[citation needed] Monday Night Football and its surrounding shoulder programming also became the most profitable franchise on cable television.

text: Tirico, Jaworski, and Kornheiser[edit]

text: Analyst and former NFL quarterback Ron Jaworski replaced Joe Theismann, who was offered a prominent football analyst job with ESPN, in the booth beginning with the 2007 season.[8]

text: On December 3, 2007, 17.5 million people watched the undefeated New England Patriots defeat the Baltimore Ravens, 27–24. The game became the most-watched single cable television program of all-time by total viewership, breaking the previous record set by the August 17 premiere of High School Musical 2, which was viewed by 17.2 million on ESPN corporate sibling Disney Channel (after the film was surpassed by the Patriots-Ravens game, High School Musical 2 retained the record as the highest-rated non-sports program in basic cable history).[9][10]

text: Revamp after disappointing 2007 season[edit]

text: After experiencing low ratings[11] and criticism[12] about the production during the 2007 season, ESPN announced that long-time sideline reporters Suzy Kolber and Michele Tafoya would have reduced roles for the 2008 season.[13]

text: As the 2008 season began, ESPN announced a new focus on covering the games as sporting events rather than as entertainment and cultural events. Among the changes were the removal of celebrity booth guests and a reduction in the number of sideline interviews. Tafoya and Kolber were retained to conduct those interviews and file reports from the field.[14] In addition, ESPN replaced the bottom center-screen time-score box introduced in 2006 (which was used until the 2008 preseason) with a horizontal time-score banner across the bottom of the screen.

text: The September 15, 2008 Eagles–Cowboys game, with a 13.3 rating and 18.6 million viewers, set a new record for the most-watched cable television program, surpassing the record set the previous October by the Patriots-Ravens game.[15]

text: 2008 election eve[edit]

text: The night before the 2008 United States Presidential Election, studio host Chris Berman interviewed both major party candidates, Republican nominee John McCain and Democratic nominee Barack Obama at halftime. The November 10, 2008 game featured the Washington Redskins losing to the Pittsburgh Steelers, 23-6.[16]

text: Tirico, Jaworski, and Gruden[edit]

text: 2009 season[edit]

text: Tony Kornheiser stepped down for the 2009 season and was replaced by former Oakland Raiders and Tampa Bay Buccaneers head coach Jon Gruden. The rest of the team remained intact.[17]

text: The October 5, 2009 Packers–Vikings game was the fourth ESPN MNF broadcast to become the most-watched program ever on a cable channel, with a 15.3 rating and 21.839 million viewers. The record stood until it was surpassed by the network's telecast of the BCS National Championship Game on January 10, 2011.[18][19][20]

text: 2010 season[edit]

text: "Monday Night Massacre" (Eagles)[edit]

text: On November 15, 2010, the Eagles visited the Redskins, in what was Donovan McNabb's second game against the Eagles since being traded on April 4 of that year. The Redskins won the first meeting that season by a score of 17-12; however, in the first half of the game, Eagles star quarterback Michael Vick suffered a rib injury knocking him out of the game, resulting in Kevin Kolb taking over. After the game, McNabb gave a post-game speech in the locker room in which he stated the Eagles made a mistake by trading him. Before the game, McNabb signed a five-year contract extension worth $78 million, after being benched in the fourth quarter just a week earlier. The very first play of the game Vick threw an 88-yard touchdown pass to DeSean Jackson.

text: The Redskins were criticized for their lack of coverage because the Eagles were known for going deep on the first play; the Eagles' next two possessions led to touchdowns. The very first play of the second quarter, with Philadelphia up 28-0, saw Vick throw a 48-yard touchdown to Jeremy Maclin. With Philadelphia up 45-21 at halftime, Vick threw a three-yard touchdown to Jason Avant in the third quarter to make the score 52-21. During the play, Vick scrambled, waiting for someone to get open when Albert Haynesworth (who signed a six-year $100 million contract with the Redskins the year prior) had fallen down and continued to lie on the field as Vick continued to scramble. The very next Redskins possession had McNabb throw a pick six to Dimitri Patterson, helping the Eagles score seven points.

text: The Redskins went on to score one more touchdown, however their seven-point run was not able to stop Philadelphia, which defeated Washington 59-28. McNabb finished the game with 295 yards on 17 for 31, along with two touchdowns and three interceptions. The Eagles finished with 593 offense yards (setting a new team record); Vick went 20 of 28 for 333 yards throwing four touchdowns, and also ran for 80 yards and two touchdowns on eight carries. He became the first player with at least 300 yards passing, 50 yards rushing four passing touchdowns and two rushing touchdowns in a game. Vick's performance in the game also moved him past Steve Young for second place on the all-time list for rushing yards by a quarterback.

text: Secondary broadcast teams[edit]

text: Since the program's move to ESPN in 2006, the network has broadcast two games in a doubleheader on the opening week of the season, with the second game using separate announcers and production staff that are not used for the rest of the schedule. On September 11, 2006, the announcers for the second game were Brad Nessler, Ron Jaworski and Dick Vermeil. On September 10, 2007, the team of Mike Greenberg and Mike Golic (co-hosts of Mike and Mike in the Morning) presided alongside Mike Ditka. For both games, Bonnie Bernstein was the sideline reporter.

text: Greenberg, Golic and Ditka served as the secondary team for the September 8, 2008 game, with Suzy Kolber on the sidelines. The September 14, 2009 game had Steve Young join Greenberg, Golic and Kolber. On September 13, 2010, Nessler and Trent Dilfer teamed to call the second game, with Kolber again on the sidelines.

text: Hank Williams Jr. controversy[edit]

text: On October 3, 2011, Hank Williams Jr. made controversial remarks during an interview on Fox News Channel's Fox & Friends, when talking about a golf outing he went on that summer with Barack Obama, John Boehner, Joe Biden and John Kasich. Williams compared President Obama and Speaker of the House Boehner golfing together to "Hitler playing golf with [Israeli prime minister] Netanyahu", stressing their philosophical and political differences.[21][22] On October 6, 2011, ESPN subsequently announced that it would stop using "All My Rowdy Friends" as its theme song (as the song is still owned by Williams) and drop Williams from the show's opening. Williams commented on the matter: "After reading hundreds of e-mails, I have made my decision... By pulling my opening October 3, [ESPN] stepped on the toes of the First Amendment Freedom of Speech, so therefore me, my song, and All My Rowdy Friends are out of here. It's been a great run."[23] MNF was absent an opening sequence from Week 4 through the end of that season.

text: In 2017, ESPN re-hired Hank Williams Jr. for the intro.