document_title: Statue of Liberty

question_text: when did the statue of liberty arrive in new york

question_tokens: when did the statue of liberty arrive in new york

text: Statue of Liberty

text: Design and construction process

text: Origin

text: According to the National Park Service, the idea for the Statue of Liberty was first proposed by Édouard René de Laboulaye the president of the French Anti-Slavery Society and a prominent and important political thinker of his time. The project is traced to a mid-1865 conversation between de Laboulaye, a staunch abolitionist and Frédéric Bartholdi, a sculptor. In after-dinner conversation at his home near Versailles, Laboulaye, an ardent supporter of the Union in the American Civil War, is supposed to have said: "If a monument should rise in the United States, as a memorial to their independence, I should think it only natural if it were built by united effort—a common work of both our nations."[7] The National Park Service, in a 2000 report, however, deemed this a legend traced to an 1885 fundraising pamphlet, and that the statue was most likely conceived in 1870.[8] In another essay on their website, the Park Service suggested that Laboulaye was minded to honor the Union victory and its consequences, "With the abolition of slavery and the Union's victory in the Civil War in 1865, Laboulaye's wishes of freedom and democracy were turning into a reality in the United States. In order to honor these achievements, Laboulaye proposed that a gift be built for the United States on behalf of France. Laboulaye hoped that by calling attention to the recent achievements of the United States, the French people would be inspired to call for their own democracy in the face of a repressive monarchy."[9]

text: According to sculptor Frédéric Auguste Bartholdi, who later recounted the story, Laboulaye's comment was not intended as a proposal, but it inspired Bartholdi.[7] Given the repressive nature of the regime of Napoleon III, Bartholdi took no immediate action on the idea except to discuss it with Laboulaye. Bartholdi was in any event busy with other possible projects; in the late 1860s, he approached Isma'il Pasha, Khedive of Egypt, with a plan to build Progress or Egypt Carrying the Light to Asia,[10] a huge lighthouse in the form of an ancient Egyptian female fellah or peasant, robed and holding a torch aloft, at the northern entrance to the Suez Canal in Port Said. Sketches and models were made of the proposed work, though it was never erected. There was a classical precedent for the Suez proposal, the Colossus of Rhodes: an ancient bronze statue of the Greek god of the sun, Helios. This statue is believed to have been over 100 feet (30 m) high, and it similarly stood at a harbor entrance and carried a light to guide ships.[11]

text: Any large project was further delayed by the Franco-Prussian War, in which Bartholdi served as a major of militia. In the war, Napoleon III was captured and deposed. Bartholdi's home province of Alsace was lost to the Prussians, and a more liberal republic was installed in France.[7] As Bartholdi had been planning a trip to the United States, he and Laboulaye decided the time was right to discuss the idea with influential Americans.[12] In June 1871, Bartholdi crossed the Atlantic, with letters of introduction signed by Laboulaye.[13]

text: Arriving at New York Harbor, Bartholdi focused on Bedloe's Island (now named Liberty Island) as a site for the statue, struck by the fact that vessels arriving in New York had to sail past it. He was delighted to learn that the island was owned by the United States government—it had been ceded by the New York State Legislature in 1800 for harbor defense. It was thus, as he put it in a letter to Laboulaye: "land common to all the states."[14] As well as meeting many influential New Yorkers, Bartholdi visited President Ulysses S. Grant, who assured him that it would not be difficult to obtain the site for the statue.[15] Bartholdi crossed the United States twice by rail, and met many Americans who he thought would be sympathetic to the project.[13] But he remained concerned that popular opinion on both sides of the Atlantic was insufficiently supportive of the proposal, and he and Laboulaye decided to wait before mounting a public campaign.[16]

text: Bartholdi had made a first model of his concept in 1870.[17] The son of a friend of Bartholdi's, U.S. artist John LaFarge, later maintained that Bartholdi made the first sketches for the statue during his U.S. visit at La Farge's Rhode Island studio. Bartholdi continued to develop the concept following his return to France.[17] He also worked on a number of sculptures designed to bolster French patriotism after the defeat by the Prussians. One of these was the Lion of Belfort, a monumental sculpture carved in sandstone below the fortress of Belfort, which during the war had resisted a Prussian siege for over three months. The defiant lion, 73 feet (22 m) long and half that in height, displays an emotional quality characteristic of Romanticism, which Bartholdi would later bring to the Statue of Liberty.[18]

text: Design, style, and symbolism

text: Bartholdi and Laboulaye considered how best to express the idea of American liberty.[19] In early American history, two female figures were frequently used as cultural symbols of the nation.[20] One of these symbols, the personified Columbia, was seen as an embodiment of the United States in the manner that Britannia was identified with the United Kingdom and Marianne came to represent France. Columbia had supplanted the earlier figure of an Indian princess, which had come to be regarded as uncivilized and derogatory toward Americans.[20] The other significant female icon in American culture was a representation of Liberty, derived from Libertas, the goddess of freedom widely worshipped in ancient Rome, especially among emancipated slaves. A Liberty figure adorned most American coins of the time,[19] and representations of Liberty appeared in popular and civic art, including Thomas Crawford's Statue of Freedom (1863) atop the dome of the United States Capitol Building.[19]

text: Artists of the 18th and 19th centuries striving to evoke republican ideals commonly used representations of Libertas as an allegorical symbol.[19] A figure of Liberty was also depicted on the Great Seal of France.[19] However, Bartholdi and Laboulaye avoided an image of revolutionary liberty such as that depicted in Eugène Delacroix's famed Liberty Leading the People (1830). In this painting, which commemorates France's Revolution of 1830, a half-clothed Liberty leads an armed mob over the bodies of the fallen.[20] Laboulaye had no sympathy for revolution, and so Bartholdi's figure would be fully dressed in flowing robes.[20] Instead of the impression of violence in the Delacroix work, Bartholdi wished to give the statue a peaceful appearance and chose a torch, representing progress, for the figure to hold.[21]

text: Crawford's statue was designed in the early 1850s. It was originally to be crowned with a pileus, the cap given to emancipated slaves in ancient Rome. Secretary of War Jefferson Davis, a Southerner who would later serve as President of the Confederate States of America, was concerned that the pileus would be taken as an abolitionist symbol. He ordered that it be changed to a helmet.[22] Delacroix's figure wears a pileus,[20] and Bartholdi at first considered placing one on his figure as well. Instead, he used a diadem, or crown, to top its head.[23] In so doing, he avoided a reference to Marianne, who invariably wears a pileus.[24] The seven rays form a halo or aureole.[25] They evoke the sun, the seven seas, and the seven continents,[26] and represent another means, besides the torch, whereby Liberty enlightens the world.[21]

text: Bartholdi's early models were all similar in concept: a female figure in neoclassical style representing liberty, wearing a stola and pella (gown and cloak, common in depictions of Roman goddesses) and holding a torch aloft. According to popular accounts, the face was modeled after that of Charlotte Beysser Bartholdi, the sculptor's mother,[27] but Regis Huber, the curator of the Bartholdi Museum is on record as saying that this, as well as other similar speculations, have no basis in fact.[28] He designed the figure with a strong, uncomplicated silhouette, which would be set off well by its dramatic harbor placement and allow passengers on vessels entering New York Bay to experience a changing perspective on the statue as they proceeded toward Manhattan. He gave it bold classical contours and applied simplified modeling, reflecting the huge scale of the project and its solemn purpose.[21] Bartholdi wrote of his technique:

text: The surfaces should be broad and simple, defined by a bold and clear design, accentuated in the important places. The enlargement of the details or their multiplicity is to be feared. By exaggerating the forms, in order to render them more clearly visible, or by enriching them with details, we would destroy the proportion of the work. Finally, the model, like the design, should have a summarized character, such as one would give to a rapid sketch. Only it is necessary that this character should be the product of volition and study, and that the artist, concentrating his knowledge, should find the form and the line in its greatest simplicity.[29]

text: Bartholdi made alterations in the design as the project evolved. Bartholdi considered having Liberty hold a broken chain, but decided this would be too divisive in the days after the Civil War. The erected statue does rise over a broken chain, half-hidden by her robes and difficult to see from the ground.[23] Bartholdi was initially uncertain of what to place in Liberty's left hand; he settled on a tabula ansata,[30] used to evoke the concept of law.[31] Though Bartholdi greatly admired the United States Constitution, he chose to inscribe "JULY IV MDCCLXXVI" on the tablet, thus associating the date of the country's Declaration of Independence with the concept of liberty.[30]

text: Bartholdi interested his friend and mentor, architect Eugène Viollet-le-Duc, in the project.[28] As chief engineer,[28] Viollet-le-Duc designed a brick pier within the statue, to which the skin would be anchored.[32] After consultations with the metalwork foundry Gaget, Gauthier & Co., Viollet-le-Duc chose the metal which would be used for the skin, copper sheets, and the method used to shape it, repoussé, in which the sheets were heated and then struck with wooden hammers.[28][33] An advantage of this choice was that the entire statue would be light for its volume, as the copper need be only 0.094 inches (2.4 mm) thick. Bartholdi had decided on a height of just over 151 feet (46 m) for the statue, double that of Italy's Sancarlone and the German statue of Arminius, both made with the same method.[34]

text: Announcement and early work

text: By 1875, France was enjoying improved political stability and a recovering postwar economy. Growing interest in the upcoming Centennial Exposition in Philadelphia led Laboulaye to decide it was time to seek public support.[35] In September 1875, he announced the project and the formation of the Franco-American Union as its fundraising arm. With the announcement, the statue was given a name, Liberty Enlightening the World.[36] The French would finance the statue; Americans would be expected to pay for the pedestal.[37] The announcement provoked a generally favorable reaction in France, though many Frenchmen resented the United States for not coming to their aid during the war with Prussia.[36] French monarchists opposed the statue, if for no other reason than it was proposed by the liberal Laboulaye, who had recently been elected a senator for life.[37] Laboulaye arranged events designed to appeal to the rich and powerful, including a special performance at the Paris Opera on April 25, 1876, that featured a new cantata by composer Charles Gounod. The piece was titled La Liberté éclairant le monde, the French version of the statue's announced name.[36]

text: Despite its initial focus on the elites, the Union was successful in raising funds from across French society. Schoolchildren and ordinary citizens gave, as did 181 French municipalities. Laboulaye's political allies supported the call, as did descendants of the French contingent in the American Revolutionary War. Less idealistically, contributions came from those who hoped for American support in the French attempt to build the Panama Canal. The copper may have come from multiple sources and some of it is said to have come from a mine in Visnes, Norway,[38] though this has not been conclusively determined after testing samples.[39] According to Cara Sutherland in her book on the statue for the Museum of the City of New York, 90,800 kilos (200,000 pounds) was needed to build the statue, and the French copper industrialist Eugène Secrétan donated 58,100 kilos (128,000 pounds) of copper.[40]

text: Although plans for the statue had not been finalized, Bartholdi moved forward with fabrication of the right arm, bearing the torch, and the head. Work began at the Gaget, Gauthier & Co. workshop.[41] In May 1876, Bartholdi traveled to the United States as a member of a French delegation to the Centennial Exhibition,[42] and arranged for a huge painting of the statue to be shown in New York as part of the Centennial festivities.[43] The arm did not arrive in Philadelphia until August; because of its late arrival, it was not listed in the exhibition catalogue, and while some reports correctly identified the work, others called it the "Colossal Arm" or "Bartholdi Electric Light". The exhibition grounds contained a number of monumental artworks to compete for fairgoers' interest, including an outsized fountain designed by Bartholdi.[44] Nevertheless, the arm proved popular in the exhibition's waning days, and visitors would climb up to the balcony of the torch to view the fairgrounds.[45] After the exhibition closed, the arm was transported to New York, where it remained on display in Madison Square Park for several years before it was returned to France to join the rest of the statue.[45]

text: During his second trip to the United States, Bartholdi addressed a number of groups about the project, and urged the formation of American committees of the Franco-American Union.[46] Committees to raise money to pay for the foundation and pedestal were formed in New York, Boston, and Philadelphia.[47] The New York group eventually took on most of the responsibility for American fundraising and is often referred to as the "American Committee".[48] One of its members was 19-year-old Theodore Roosevelt, the future governor of New York and president of the United States.[46] On March 3, 1877, on his final full day in office, President Grant signed a joint resolution that authorized the President to accept the statue when it was presented by France and to select a site for it. President Rutherford B. Hayes, who took office the following day, selected the Bedloe's Island site that Bartholdi had proposed.[49]

text: Construction in France

text: On his return to Paris in 1877, Bartholdi concentrated on completing the head, which was exhibited at the 1878 Paris World's Fair. Fundraising continued, with models of the statue put on sale. Tickets to view the construction activity at the Gaget, Gauthier & Co. workshop were also offered.[50] The French government authorized a lottery; among the prizes were valuable silver plate and a terracotta model of the statue. By the end of 1879, about 250,000 francs had been raised.[51]

text: The head and arm had been built with assistance from Viollet-le-Duc, who fell ill in 1879. He soon died, leaving no indication of how he intended to transition from the copper skin to his proposed masonry pier.[52] The following year, Bartholdi was able to obtain the services of the innovative designer and builder Gustave Eiffel.[50] Eiffel and his structural engineer, Maurice Koechlin, decided to abandon the pier and instead build an iron truss tower. Eiffel opted not to use a completely rigid structure, which would force stresses to accumulate in the skin and lead eventually to cracking. A secondary skeleton was attached to the center pylon, then, to enable the statue to move slightly in the winds of New York Harbor and as the metal expanded on hot summer days, he loosely connected the support structure to the skin using flat iron bars[28] which culminated in a mesh of metal straps, known as "saddles", that were riveted to the skin, providing firm support. In a labor-intensive process, each saddle had to be crafted individually.[53][54] To prevent galvanic corrosion between the copper skin and the iron support structure, Eiffel insulated the skin with asbestos impregnated with shellac.[55]

text: Eiffel's design made the statue one of the earliest examples of curtain wall construction, in which the exterior of the structure is not load bearing, but is instead supported by an interior framework. He included two interior spiral staircases, to make it easier for visitors to reach the observation point in the crown.[56] Access to an observation platform surrounding the torch was also provided, but the narrowness of the arm allowed for only a single ladder, 40 feet (12 m) long.[57] As the pylon tower arose, Eiffel and Bartholdi coordinated their work carefully so that completed segments of skin would fit exactly on the support structure.[58] The components of the pylon tower were built in the Eiffel factory in the nearby Parisian suburb of Levallois-Perret.[59]

text: The change in structural material from masonry to iron allowed Bartholdi to change his plans for the statue's assembly. He had originally expected to assemble the skin on-site as the masonry pier was built; instead he decided to build the statue in France and have it disassembled and transported to the United States for reassembly in place on Bedloe's Island.[60]

text: In a symbolic act, the first rivet placed into the skin, fixing a copper plate onto the statue's big toe, was driven by United States Ambassador to France Levi P. Morton.[61] The skin was not, however, crafted in exact sequence from low to high; work proceeded on a number of segments simultaneously in a manner often confusing to visitors.[62] Some work was performed by contractors—one of the fingers was made to Bartholdi's exacting specifications by a coppersmith in the southern French town of Montauban.[63] By 1882, the statue was complete up to the waist, an event Barthodi celebrated by inviting reporters to lunch on a platform built within the statue.[64] Laboulaye died in 1883. He was succeeded as chairman of the French committee by Ferdinand de Lesseps, builder of the Suez Canal. The completed statue was formally presented to Ambassador Morton at a ceremony in Paris on July 4, 1884, and de Lesseps announced that the French government had agreed to pay for its transport to New York.[65] The statue remained intact in Paris pending sufficient progress on the pedestal; by January 1885, this had occurred and the statue was disassembled and crated for its ocean voyage.[66]

text: The committees in the United States faced great difficulties in obtaining funds for the construction of the pedestal. The Panic of 1873 had led to an economic depression that persisted through much of the decade. The Liberty statue project was not the only such undertaking that had difficulty raising money: construction of the obelisk later known as the Washington Monument sometimes stalled for years; it would ultimately take over three-and-a-half decades to complete.[67] There was criticism both of Bartholdi's statue and of the fact that the gift required Americans to foot the bill for the pedestal. In the years following the Civil War, most Americans preferred realistic artworks depicting heroes and events from the nation's history, rather than allegorical works like the Liberty statue.[67] There was also a feeling that Americans should design American public works—the selection of Italian-born Constantino Brumidi to decorate the Capitol had provoked intense criticism, even though he was a naturalized U.S. citizen.[68] Harper's Weekly declared its wish that "M. Bartholdi and our French cousins had 'gone the whole figure' while they were about it, and given us statue and pedestal at once."[69] The New York Times stated that "no true patriot can countenance any such expenditures for bronze females in the present state of our finances."[70] Faced with these criticisms, the American committees took little action for several years.[70]

text: Design

text: The foundation of Bartholdi's statue was to be laid inside Fort Wood, a disused army base on Bedloe's Island constructed between 1807 and 1811. Since 1823, it had rarely been used, though during the Civil War, it had served as a recruiting station.[71] The fortifications of the structure were in the shape of an eleven-point star. The statue's foundation and pedestal were aligned so that it would face southeast, greeting ships entering the harbor from the Atlantic Ocean.[72] In 1881, the New York committee commissioned Richard Morris Hunt to design the pedestal. Within months, Hunt submitted a detailed plan, indicating that he expected construction to take about nine months.[73] He proposed a pedestal 114 feet (35 m) in height; faced with money problems, the committee reduced that to 89 feet (27 m).[74]

text: Hunt's pedestal design contains elements of classical architecture, including Doric portals, as well as some elements influenced by Aztec architecture.[28] The large mass is fragmented with architectural detail, in order to focus attention on the statue.[74] In form, it is a truncated pyramid, 62 feet (19 m) square at the base and 39.4 feet (12.0 m) at the top. The four sides are identical in appearance. Above the door on each side, there are ten disks upon which Bartholdi proposed to place the coats of arms of the states (between 1876 and 1889, there were 38 U.S. states), although this was not done. Above that, a balcony was placed on each side, framed by pillars. Bartholdi placed an observation platform near the top of the pedestal, above which the statue itself rises.[75] According to author Louis Auchincloss, the pedestal "craggily evokes the power of an ancient Europe over which rises the dominating figure of the Statue of Liberty".[74] The committee hired former army General Charles Pomeroy Stone to oversee the construction work.[76] Construction on the 15-foot-deep (4.6 m) foundation began in 1883, and the pedestal's cornerstone was laid in 1884.[73] In Hunt's original conception, the pedestal was to have been made of solid granite. Financial concerns again forced him to revise his plans; the final design called for poured concrete walls, up to 20 feet (6.1 m) thick, faced with granite blocks.[77][78] This Stony Creek granite came from the Beattie Quarry in Branford, Connecticut.[79] The concrete mass was the largest poured to that time.[78]

text: Norwegian immigrant civil engineer Joachim Goschen Giæver designed the structural framework for the Statue of Liberty. His work involved design computations, detailed fabrication and construction drawings, and oversight of construction. In completing his engineering for the statue's frame, Giæver worked from drawings and sketches produced by Gustave Eiffel.[80]

text: Fundraising

text: Fundraising for the statue had begun in 1882. The committee organized a large number of money-raising events.[81] As part of one such effort, an auction of art and manuscripts, poet Emma Lazarus was asked to donate an original work. She initially declined, stating she could not write a poem about a statue. At the time, she was also involved in aiding refugees to New York who had fled anti-Semitic pogroms in eastern Europe. These refugees were forced to live in conditions that the wealthy Lazarus had never experienced. She saw a way to express her empathy for these refugees in terms of the statue.[82] The resulting sonnet, "The New Colossus", including the iconic lines "Give me your tired, your poor/Your huddled masses yearning to breathe free", is uniquely identified with the Statue of Liberty and is inscribed on a plaque in the museum in its base.[83]

text: Even with these efforts, fundraising lagged. Grover Cleveland, the governor of New York, vetoed a bill to provide $50,000 for the statue project in 1884. An attempt the next year to have Congress provide $100,000, sufficient to complete the project, also failed. The New York committee, with only $3,000 in the bank, suspended work on the pedestal. With the project in jeopardy, groups from other American cities, including Boston and Philadelphia, offered to pay the full cost of erecting the statue in return for relocating it.[84]

text: Joseph Pulitzer, publisher of the New York World, a New York newspaper, announced a drive to raise $100,000—the equivalent of $2.3 million today.[85] Pulitzer pledged to print the name of every contributor, no matter how small the amount given.[86] The drive captured the imagination of New Yorkers, especially when Pulitzer began publishing the notes he received from contributors. "A young girl alone in the world" donated "60 cents, the result of self denial."[87] One donor gave "five cents as a poor office boy's mite toward the Pedestal Fund." A group of children sent a dollar as "the money we saved to go to the circus with."[88] Another dollar was given by a "lonely and very aged woman."[87] Residents of a home for alcoholics in New York's rival city of Brooklyn—the cities would not merge until 1898—donated $15; other drinkers helped out through donation boxes in bars and saloons.[89] A kindergarten class in Davenport, Iowa, mailed the World a gift of $1.35.[87] As the donations flooded in, the committee resumed work on the pedestal.[90]

text: Construction

text: On June 17, 1885, the French steamer Isère, laden with the Statue of Liberty, reached the New York port safely. New Yorkers displayed their new-found enthusiasm for the statue, as the French vessel arrived with the crates holding the disassembled statue on board. Two hundred thousand people lined the docks and hundreds of boats put to sea to welcome the Isère.[91] [92] After five months of daily calls to donate to the statue fund, on August 11, 1885, the World announced that $102,000 had been raised from 120,000 donors, and that 80 percent of the total had been received in sums of less than one dollar.[93]

text: Even with the success of the fund drive, the pedestal was not completed until April 1886. Immediately thereafter, reassembly of the statue began. Eiffel's iron framework was anchored to steel I-beams within the concrete pedestal and assembled.[94] Once this was done, the sections of skin were carefully attached.[95] Due to the width of the pedestal, it was not possible to erect scaffolding, and workers dangled from ropes while installing the skin sections. Nevertheless, no one died during the construction.[96] Bartholdi had planned to put floodlights on the torch's balcony to illuminate it; a week before the dedication, the Army Corps of Engineers vetoed the proposal, fearing that ships' pilots passing the statue would be blinded. Instead, Bartholdi cut portholes in the torch—which was covered with gold leaf—and placed the lights inside them.[97] A power plant was installed on the island to light the torch and for other electrical needs.[98] After the skin was completed, renowned landscape architect Frederick Law Olmsted, co-designer of New York's Central Park and Brooklyn's Prospect Park, supervised a cleanup of Bedloe's Island in anticipation of the dedication.[99]

text: Dedication

text: A ceremony of dedication was held on the afternoon of October 28, 1886. President Grover Cleveland, the former New York governor, presided over the event.[100] On the morning of the dedication, a parade was held in New York City; estimates of the number of people who watched it ranged from several hundred thousand to a million. President Cleveland headed the procession, then stood in the reviewing stand to see bands and marchers from across America. General Stone was the grand marshal of the parade. The route began at Madison Square, once the venue for the arm, and proceeded to the Battery at the southern tip of Manhattan by way of Fifth Avenue and Broadway, with a slight detour so the parade could pass in front of the World building on Park Row. As the parade passed the New York Stock Exchange, traders threw ticker tape from the windows, beginning the New York tradition of the ticker-tape parade.[101]

text: A nautical parade began at 12:45 p.m., and President Cleveland embarked on a yacht that took him across the harbor to Bedloe's Island for the dedication.[102] De Lesseps made the first speech, on behalf of the French committee, followed by the chairman of the New York committee, Senator William M. Evarts. A French flag draped across the statue's face was to be lowered to unveil the statue at the close of Evarts's speech, but Bartholdi mistook a pause as the conclusion and let the flag fall prematurely. The ensuing cheers put an end to Evarts's address.[101] President Cleveland spoke next, stating that the statue's "stream of light shall pierce the darkness of ignorance and man's oppression until Liberty enlightens the world".[103] Bartholdi, observed near the dais, was called upon to speak, but he declined. Orator Chauncey M. Depew concluded the speechmaking with a lengthy address.[104]

text: No members of the general public were permitted on the island during the ceremonies, which were reserved entirely for dignitaries. The only females granted access were Bartholdi's wife and de Lesseps's granddaughter; officials stated that they feared women might be injured in the crush of people. The restriction offended area suffragists, who chartered a boat and got as close as they could to the island. The group's leaders made speeches applauding the embodiment of Liberty as a woman and advocating women's right to vote.[103] A scheduled fireworks display was postponed until November 1 because of poor weather.[105]

text: Shortly after the dedication, The Cleveland Gazette, an African American newspaper, suggested that the statue's torch not be lit until the United States became a free nation "in reality":

text: "Liberty enlightening the world," indeed! The expression makes us sick. This government is a howling farce. It can not or rather does not protect its citizens within its own borders. Shove the Bartholdi statue, torch and all, into the ocean until the "liberty" of this country is such as to make it possible for an inoffensive and industrious colored man to earn a respectable living for himself and family, without being ku-kluxed, perhaps murdered, his daughter and wife outraged, and his property destroyed. The idea of the "liberty" of this country "enlightening the world," or even Patagonia, is ridiculous in the extreme.[106]

text: After dedication

text: Lighthouse Board and War Department (1886–1933)

text: When the torch was illuminated on the evening of the statue's dedication, it produced only a faint gleam, barely visible from Manhattan. The World characterized it as "more like a glowworm than a beacon."[98] Bartholdi suggested gilding the statue to increase its ability to reflect light, but this proved too expensive. The United States Lighthouse Board took over the Statue of Liberty in 1887 and pledged to install equipment to enhance the torch's effect; in spite of its efforts, the statue remained virtually invisible at night. When Bartholdi returned to the United States in 1893, he made additional suggestions, all of which proved ineffective. He did successfully lobby for improved lighting within the statue, allowing visitors to better appreciate Eiffel's design.[98] In 1901, President Theodore Roosevelt, once a member of the New York committee, ordered the statue's transfer to the War Department, as it had proved useless as a lighthouse.[107] A unit of the Army Signal Corps was stationed on Bedloe's Island until 1923, after which military police remained there while the island was under military jurisdiction.[108]

text: The statue rapidly became a landmark. Many immigrants who entered through New York saw it as a welcoming sight. Oral histories of immigrants record their feelings of exhilaration on first viewing the Statue of Liberty. One immigrant who arrived from Greece recalled,

text: I saw the Statue of Liberty. And I said to myself, "Lady, you're such a beautiful! [sic] You opened your arms and you get all the foreigners here. Give me a chance to prove that I am worth it, to do something, to be someone in America." And always that statue was on my mind.[109]

text: Originally, the statue was a dull copper color, but shortly after 1900 a green patina, also called verdigris, caused by the oxidation of the copper skin, began to spread. As early as 1902 it was mentioned in the press; by 1906 it had entirely covered the statue.[110] Believing that the patina was evidence of corrosion, Congress authorized US$62,800 (equivalent to $1,710,486 in 2017) for various repairs, and to paint the statue both inside and out.[111] There was considerable public protest against the proposed exterior painting.[112] The Army Corps of Engineers studied the patina for any ill effects to the statue and concluded that it protected the skin, "softened the outlines of the Statue and made it beautiful."[113] The statue was painted only on the inside. The Corps of Engineers also installed an elevator to take visitors from the base to the top of the pedestal.[113]

text: On July 30, 1916, during World War I, German saboteurs set off a disastrous explosion on the Black Tom peninsula in Jersey City, New Jersey, in what is now part of Liberty State Park, close to Bedloe's Island. Carloads of dynamite and other explosives that were being sent to Britain and France for their war efforts were detonated, and seven people were killed. The statue sustained minor damage, mostly to the torch-bearing right arm, and was closed for ten days. The cost to repair the statue and buildings on the island was about US$100,000 (equivalent to $2,248,930 in 2017). The narrow ascent to the torch was closed for public-safety reasons, and it has remained closed ever since.[104]

text: That same year, Ralph Pulitzer, who had succeeded his father Joseph as publisher of the World, began a drive to raise US$30,000 (equivalent to $674,679 in 2017) for an exterior lighting system to illuminate the statue at night. He claimed over 80,000 contributors, but failed to reach the goal. The difference was quietly made up by a gift from a wealthy donor—a fact that was not revealed until 1936. An underwater power cable brought electricity from the mainland and floodlights were placed along the walls of Fort Wood. Gutzon Borglum, who later sculpted Mount Rushmore, redesigned the torch, replacing much of the original copper with stained glass. On December 2, 1916, President Woodrow Wilson pressed the telegraph key that turned on the lights, successfully illuminating the statue.[114]

text: After the United States entered World War I in 1917, images of the statue were heavily used in both recruitment posters and the Liberty Bond drives that urged American citizens to support the war financially. This impressed upon the public the war's stated purpose—to secure liberty—and served as a reminder that embattled France had given the United States the statue.[115]

text: In 1924, President Calvin Coolidge used his authority under the Antiquities Act to declare the statue a National Monument.[107] The only successful suicide in the statue's history occurred five years later, when a man climbed out of one of the windows in the crown and jumped to his death, glancing off the statue's breast and landing on the base.[116]

text: Early National Park Service years (1933–1982)

text: In 1933, President Franklin Roosevelt ordered the statue to be transferred to the National Park Service (NPS). In 1937, the NPS gained jurisdiction over the rest of Bedloe's Island.[107] With the Army's departure, the NPS began to transform the island into a park.[117] The Works Progress Administration (WPA) demolished most of the old buildings, regraded and reseeded the eastern end of the island, and built granite steps for a new public entrance to the statue from its rear. The WPA also carried out restoration work within the statue, temporarily removing the rays from the statue's halo so their rusted supports could be replaced. Rusted cast-iron steps in the pedestal were replaced with new ones made of reinforced concrete;[118] the upper parts of the stairways within the statue were replaced, as well. Copper sheathing was installed to prevent further damage from rainwater that had been seeping into the pedestal.[119] The statue was closed to the public from May until December 1938.[118]

text: During World War II, the statue remained open to visitors, although it was not illuminated at night due to wartime blackouts. It was lit briefly on December 31, 1943, and on D-Day, June 6, 1944, when its lights flashed "dot-dot-dot-dash", the Morse code for V, for victory. New, powerful lighting was installed in 1944–1945, and beginning on V-E Day, the statue was once again illuminated after sunset. The lighting was for only a few hours each evening, and it was not until 1957 that the statue was illuminated every night, all night.[120] In 1946, the interior of the statue within reach of visitors was coated with a special plastic so that graffiti could be washed away.[119]

text: In 1956, an Act of Congress officially renamed Bedloe's Island as Liberty Island, a change advocated by Bartholdi generations earlier. The act also mentioned the efforts to found an American Museum of Immigration on the island, which backers took as federal approval of the project, though the government was slow to grant funds for it.[121] Nearby Ellis Island was made part of the Statue of Liberty National Monument by proclamation of President Lyndon Johnson in 1965.[107] In 1972, the immigration museum, in the statue's base, was finally opened in a ceremony led by President Richard Nixon. The museum's backers never provided it with an endowment to secure its future and it closed in 1991 after the opening of an immigration museum on Ellis Island.[94]

text: In 1970, Ivy Bottini led a demonstration at the statue where she and others from the National Organization for Women's New York chapter draped an enormous banner over a railing which read "WOMEN OF THE WORLD UNITE!"[122][123]

text: Beginning December 26, 1971, 15 anti-Vietnam War veterans occupied the statue, flying a US flag upside down from her crown. They left December 28 following a Federal Court order.[124] The statue was also several times taken over briefly by demonstrators publicizing causes such as Puerto Rican independence, opposition to abortion, and opposition to US intervention in Grenada. Demonstrations with the permission of the Park Service included a Gay Pride Parade rally and the annual Captive Baltic Nations rally.[125]

text: A powerful new lighting system was installed in advance of the American Bicentennial in 1976. The statue was the focal point for Operation Sail, a regatta of tall ships from all over the world that entered New York Harbor on July 4, 1976, and sailed around Liberty Island.[126] The day concluded with a spectacular display of fireworks near the statue.[127]

text: Renovation and rededication (1982–2000)

text: The statue was examined in great detail by French and American engineers as part of the planning for its centennial in 1986.[128] In 1982, it was announced that the statue was in need of considerable restoration. Careful study had revealed that the right arm had been improperly attached to the main structure. It was swaying more and more when strong winds blew and there was a significant risk of structural failure. In addition, the head had been installed 2 feet (0.61 m) off center, and one of the rays was wearing a hole in the right arm when the statue moved in the wind. The armature structure was badly corroded, and about two percent of the exterior plates needed to be replaced.[129] Although problems with the armature had been recognized as early as 1936, when cast iron replacements for some of the bars had been installed, much of the corrosion had been hidden by layers of paint applied over the years.[130]

text: In May 1982, President Ronald Reagan announced the formation of the Statue of Liberty–Ellis Island Centennial Commission, led by Chrysler Corporation chair Lee Iacocca, to raise the funds needed to complete the work.[131] Through its fundraising arm, the Statue of Liberty–Ellis Island Foundation, Inc., the group raised more than $350 million in donations.[132] The Statue of Liberty was one of the earliest beneficiaries of a cause marketing campaign. A 1983 promotion advertised that for each purchase made with an American Express card, the company would contribute one cent to the renovation of the statue. The campaign generated contributions of $1.7 million to the restoration project.[133]

text: In 1984, the statue was closed to the public for the duration of the renovation. Workers erected the world's largest free-standing scaffold,[28] which obscured the statue from view. Liquid nitrogen was used to remove layers of paint that had been applied to the interior of the copper skin over decades, leaving two layers of coal tar, originally applied to plug leaks and prevent corrosion. Blasting with baking soda powder removed the tar without further damaging the copper.[134] The restorers' work was hampered by the asbestos-based substance that Bartholdi had used—ineffectively, as inspections showed—to prevent galvanic corrosion. Workers within the statue had to wear protective gear, dubbed "moon suits", with self-contained breathing circuits.[135] Larger holes in the copper skin were repaired, and new copper was added where necessary.[136] The replacement skin was taken from a copper rooftop at Bell Labs, which had a patina that closely resembled the statue's; in exchange, the laboratory was provided some of the old copper skin for testing.[137] The torch, found to have been leaking water since the 1916 alterations, was replaced with an exact replica of Bartholdi's unaltered torch.[138] Consideration was given to replacing the arm and shoulder; the National Park Service insisted that they be repaired instead.[139] The original torch was removed and replaced in 1986 with the current one, whose flame is covered in 24-carat gold.[31] The torch reflects the sun's rays in daytime and is lighted by floodlights at night.[31]

text: The entire puddled iron armature designed by Gustave Eiffel was replaced. Low-carbon corrosion-resistant stainless steel bars that now hold the staples next to the skin are made of Ferralium, an alloy that bends slightly and returns to its original shape as the statue moves.[140] To prevent the ray and arm making contact, the ray was realigned by several degrees.[141] The lighting was again replaced—night-time illumination subsequently came from metal-halide lamps that send beams of light to particular parts of the pedestal or statue, showing off various details.[142] Access to the pedestal, which had been through a nondescript entrance built in the 1960s, was renovated to create a wide opening framed by a set of monumental bronze doors with designs symbolic of the renovation.[143] A modern elevator was installed, allowing handicapped access to the observation area of the pedestal.[144] An emergency elevator was installed within the statue, reaching up to the level of the shoulder.[145]

text: July 3–6, 1986, was designated "Liberty Weekend", marking the centennial of the statue and its reopening. President Reagan presided over the rededication, with French President François Mitterrand in attendance. July 4 saw a reprise of Operation Sail,[146] and the statue was reopened to the public on July 5.[147] In Reagan's dedication speech, he stated, "We are the keepers of the flame of liberty; we hold it high for the world to see."[146]

text: Closures and reopenings (2001–present)

text: Following the September 11 attacks, the statue and Liberty Island were immediately closed to the public. The island reopened at the end of 2001, while the pedestal and statue remained off-limits. The pedestal reopened in August 2004,[147] but the National Park Service announced that visitors could not safely be given access to the statue due to the difficulty of evacuation in an emergency. The Park Service adhered to that position through the remainder of the Bush administration.[148] New York Congressman Anthony Weiner made the statue's reopening a personal crusade.[149] On May 17, 2009, President Barack Obama's Secretary of the Interior, Ken Salazar, announced that as a "special gift" to America, the statue would be reopened to the public as of July 4, but that only a limited number of people would be permitted to ascend to the crown each day.[148]

text: The statue, including the pedestal and base, closed on October 29, 2011, for installation of new elevators and staircases and to bring other facilities, such as restrooms, up to code. The statue was reopened on October 28, 2012,[1][150][151] only to close again a day later due to Hurricane Sandy.[152] Although the storm did not harm the statue, it destroyed some of the infrastructure on both Liberty Island and Ellis Island, severely damaging the dock used by the ferries bearing visitors to the statue. On November 8, 2012, a Park Service spokesperson announced that both islands would remain closed for an indefinite period for repairs to be done.[153] Due to lack of electricity on Liberty Island, a generator was installed to power temporary floodlights to illuminate the statue at night. The superintendent of Statue of Liberty National Monument, David Luchsinger, whose home on the island was severely damaged, stated that it would be "optimistically ... months" before the island was reopened to the public.[154] The statue and Liberty Island reopened to the public on July 4, 2013.[155] Ellis Island remained closed for repairs for several more months but reopened in late October 2013.[156] For part of October 2013, Liberty Island was closed to the public due to the United States federal government shutdown of 2013, along with other federally funded museums, parks, monuments, construction projects and buildings.[157]

text: On October 7, 2016, construction started on a new Statue of Liberty museum on Liberty Island. The new $70 million, 26,000-square-foot (2,400 m2) museum will be able to accommodate all of the island's visitors when it opens in 2019, as opposed to the current museum, which only 20% of the island's visitors can visit.[158] The original torch will be relocated here, and in addition to exhibits relating to the statue's construction and history, there will be a theater where visitors can watch an aerial view of the statue.[158][159] The museum, designed by FXFOWLE Architects, will integrate with the parkland around it.[159] It is being funded privately by Diane von Fürstenberg, Michael Bloomberg, Jeff Bezos, Coca-Cola, NBCUniversal, the family of Laurence Tisch and Preston Robert Tisch, Mellody Hobson, and George Lucas.[160] Von Fürstenberg heads the fundraising for the museum, and the project had garnered more than $40 million in fundraising as of groundbreaking.[159]

text: Access and attributes

text: Location and tourism

text: The statue is situated in Upper New York Bay on Liberty Island south of Ellis Island, which together comprise the Statue of Liberty National Monument. Both islands were ceded by New York to the federal government in 1800.[161] As agreed in an 1834 compact between New York and New Jersey that set the state border at the bay's midpoint, the original islands remain New York territory despite their location on the New Jersey side of the state line. Liberty Island is one of the islands that are part of the borough of Manhattan in New York. Land created by reclamation added to the 2.3 acres (0.93 ha) original island at Ellis Island is New Jersey territory.[162]

text: No charge is made for entrance to the national monument, but there is a cost for the ferry service that all visitors must use, as private boats may not dock at the island. A concession was granted in 2007 to Statue Cruises to operate the transportation and ticketing facilities, replacing Circle Line, which had operated the service since 1953.[163] The ferries, which depart from Liberty State Park in Jersey City and Battery Park in Lower Manhattan, also stop at Ellis Island when it is open to the public, making a combined trip possible.[164] All ferry riders are subject to security screening, similar to airport procedures, prior to boarding.[165] Visitors intending to enter the statue's base and pedestal must obtain a complimentary museum/pedestal ticket along with their ferry ticket.[166] Those wishing to climb the staircase within the statue to the crown purchase a special ticket, which may be reserved up to a year in advance. A total of 240 people per day are permitted to ascend: ten per group, three groups per hour. Climbers may bring only medication and cameras—lockers are provided for other items—and must undergo a second security screening.[167]

text: Inscriptions, plaques, and dedications

text: There are several plaques and dedicatory tablets on or near the Statue of Liberty.

text:
A plaque on the copper just under the figure in front declares that it is a colossal statue representing Liberty, designed by Bartholdi and built by the Paris firm of Gaget, Gauthier et Cie (Cie is the French abbreviation analogous to Co.). [168]
A presentation tablet, also bearing Bartholdi's name, declares the statue is a gift from the people of the Republic of France that honors "the Alliance of the two Nations in achieving the Independence of the United States of America and attests their abiding friendship."[168]
A tablet placed by the New York committee commemorates the fundraising done to build the pedestal.[168]
The cornerstone bears a plaque placed by the Freemasons.[168]
In 1903, a bronze tablet that bears the text of Emma Lazarus's sonnet, "The New Colossus" (1883), was presented by friends of the poet. Until the 1986 renovation, it was mounted inside the pedestal; today it resides in the Statue of Liberty Museum, in the base.[168]
"The New Colossus" tablet is accompanied by a tablet given by the Emma Lazarus Commemorative Committee in 1977, celebrating the poet's life.[168]

text: A group of statues stands at the western end of the island, honoring those closely associated with the Statue of Liberty. Two Americans—Pulitzer and Lazarus—and three Frenchmen—Bartholdi, Eiffel, and Laboulaye—are depicted. They are the work of Maryland sculptor Phillip Ratner.[169]

text: UNESCO World Heritage Site

text: In 1984, the Statue of Liberty was designated a UNESCO World Heritage Site. The UNESCO "Statement of Significance" describes the statue as a "masterpiece of the human spirit" that "endures as a highly potent symbol—inspiring contemplation, debate and protest—of ideals such as liberty, peace, human rights, abolition of slavery, democracy and opportunity."[170]

text: Physical characteristics

text:
Feature[72]
U.S.
Metric

Height of copper statue
151 ft 1 in
46 m

Foundation of pedestal (ground level) to tip of torch
305 ft 1 in
93 m

Heel to top of head
111 ft 1 in
34 m

Height of hand
16 ft 5 in
5 m

Index finger
8 ft 1 in
2.44 m

Circumference at second joint
3 ft 6 in
1.07 m

Head from chin to cranium
17 ft 3 in
5.26 m

Head thickness from ear to ear
10 ft 0 in
3.05 m

Distance across the eye
2 ft 6 in
0.76 m

Length of nose
4 ft 6 in
1.48 m

Right arm length
42 ft 0 in
12.8 m

Right arm greatest thickness
12 ft 0 in
3.66 m

Thickness of waist
35 ft 0 in
10.67 m

Width of mouth
3 ft 0 in
0.91 m

Tablet, length
23 ft 7 in
7.19 m

Tablet, width
13 ft 7 in
4.14 m

Tablet, thickness
2 ft 0 in
0.61 m

Height of pedestal
89 ft 0 in
27.13 m

Height of foundation
65 ft 0 in
19.81 m

Weight of copper used in statue
60,000 pounds
27.22 tonnes

Weight of steel used in statue
250,000 pounds
113.4 tonnes

Total weight of statue
450,000 pounds
204.1 tonnes

Thickness of copper sheeting
3/32 of an inch
2.4 mm

text: Depictions

text: Hundreds of replicas of the Statue of Liberty are displayed worldwide.[171] A smaller version of the statue, one-fourth the height of the original, was given by the American community in Paris to that city. It now stands on the Île aux Cygnes, facing west toward her larger sister.[171] A replica 30 feet (9.1 m) tall stood atop the Liberty Warehouse on West 64th Street in Manhattan for many years;[171] it now resides at the Brooklyn Museum.[172] In a patriotic tribute, the Boy Scouts of America, as part of their Strengthen the Arm of Liberty campaign in 1949–1952, donated about two hundred replicas of the statue, made of stamped copper and 100 inches (2,500 mm) in height, to states and municipalities across the United States.[173] Though not a true replica, the statue known as the Goddess of Democracy temporarily erected during the Tiananmen Square protests of 1989 was similarly inspired by French democratic traditions—the sculptors took care to avoid a direct imitation of the Statue of Liberty.[174] Among other recreations of New York City structures, a replica of the statue is part of the exterior of the New York-New York Hotel and Casino in Las Vegas.[175]

text: As an American icon, the Statue of Liberty has been depicted on the country's coinage and stamps. It appeared on commemorative coins issued to mark its 1986 centennial, and on New York's 2001 entry in the state quarters series.[176] An image of the statue was chosen for the American Eagle platinum bullion coins in 1997, and it was placed on the reverse, or tails, side of the Presidential Dollar series of circulating coins.[26] Two images of the statue's torch appear on the current ten-dollar bill.[177] The statue's intended photographic depiction on a 2010 forever stamp proved instead to be of the replica at the Las Vegas casino.[178]

text: Depictions of the statue have been used by many regional institutions. Between 1986[179] and 2000,[180] New York State issued license plates with an outline of the statue to either the front or the side of the serial number.[179][180] The Women's National Basketball Association's New York Liberty use both the statue's name and its image in their logo, in which the torch's flame doubles as a basketball.[181] The New York Rangers of the National Hockey League depicted the statue's head on their third jersey, beginning in 1997.[182] The National Collegiate Athletic Association's 1996 Men's Basketball Final Four, played at New Jersey's Meadowlands Sports Complex, featured the statue in its logo.[183] The Libertarian Party of the United States uses the statue in its emblem.[184]

text: The statue is a frequent subject in popular culture. In music, it has been evoked to indicate support for American policies, as in Toby Keith's song "Courtesy of the Red, White and Blue (The Angry American)", and in opposition, appearing on the cover of the Dead Kennedys' album Bedtime for Democracy, which protested the Reagan administration.[185] In film, the torch is the setting for the climax of director Alfred Hitchcock's 1942 movie Saboteur.[186] The statue makes one of its most famous cinematic appearances in the 1968 picture Planet of the Apes, in which it is seen half-buried in sand.[185][187] It is knocked over in the science-fiction film Independence Day [188] and in Cloverfield the head is ripped off.[189] In Jack Finney's time-travel novel Time and Again, the right arm of the statue, on display in the early 1880s in Madison Square Park, plays a crucial role.[190] Robert Holdstock, consulting editor of The Encyclopedia of Science Fiction, wondered in 1979,

text: Where would science fiction be without the Statue of Liberty? For decades it has towered or crumbled above the wastelands of deserted [E]arth—giants have uprooted it, aliens have found it curious ... the symbol of Liberty, of optimism, has become a symbol of science fiction's pessimistic view of the future.[191]


document_title: Worst Cooks in America

question_text: worst cooks in america celebrity edition winner 2018

root

text: Worst Cooks in America

text: History[edit]

text: The show premiered on January 3, 2010. The show was initially hosted by chef Anne Burrell and chef Beau MacMillan in Season 1. MacMillan was replaced by chef Robert Irvine on Season 2, followed by chef Bobby Flay for Seasons 3–5. On November 20, 2014, a Food Network press release announced that chef Tyler Florence will be paired with chef Burrell to host Season 6, to debut on January 4, 2015. Burrell was the winning instructor in seasons 1, 2, 3, 6, 7 and 8 with Flay winning in Seasons 4–5. Rachael Ray and Burrell hosted the Season 7 special celebrity edition, which premiered September 23, 2015. During the finale of Season 7, a trailer previewing Season 8 was shown and was aired in January 2016 with the return of Tyler Florence.

tag: p

text: Season 1: 2010[edit]

text: Chefs Beau MacMillan and Anne Burrell lead an intense culinary boot camp. They have six recruits each, and every week they must eliminate one recruit from each of their teams until there is only one from each team left. The final two create a three-course meal to fool a panel of restaurant critics into believing that the meal was created by the acclaimed chefs.

text: Recruits[edit]

text: Twelve chefs competed in the first season of Worst Cooks in America. Hometowns and occupations are available from the Food Network website.[3][4] Chef Anne's team was known as the Red Team and Chef Beau's team was known as the Blue Team.

text:
Contestant
Age
Hometown
Occupation
Status

Rachel Coleman
23
Brooklyn, New York
Marketing Website editor
Winner February 1

Jennifer "Jenny" Cross
21
Philadelphia, Pennsylvania
Waitress
Runner-up February 1

Jennifer "Jen" Vecchio
38
Cumberland, Rhode Island
Dance Studio Owner
Eliminated January 31

Eddie Chang
32
Jersey City, New Jersey
IT project manager

Marque Hernandez
41
Brea, California
Director of Clinical Operations
Eliminated January 24

Rebecca Hooper
43
Sandy, Utah
Salon Owner

Sophia Gettys
27
Aurora, Colorado
Stay-at-home Mom
Eliminated January 17

Susie Shoman
53
Georgetown, South Carolina
Grants administrator and entrepreneur

Kelly Johnson
31
Scottsdale, Arizona
Corporate litigation attorney
Eliminated January 10

David Summey
29
Charlotte, North Carolina
Salesman

Wilhelmina Josephine
29
Aliso Viejo, California
Insurance claims adjuster
Eliminated January 3

Hamed Hamad
24
North Hollywood, California
Journalist and fashion consultant

tag: table

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6

1

Rachel

IN
IN
IN
IN
WIN
BTM
WIN
WINNER

2

Jenny*

IN
IN
IN
WIN
IN
BTM
WIN
RUNNER-UP

3

Jen

IN
IN
WIN
IN
WIN
WIN
OUT

4

Eddie

BTM
WIN
BTM
BTM
IN
WIN
OUT

5

Marque

WIN
WIN
BTM
BTM
IN
OUT

6

Rebecca

WIN
BTM
IN
WIN
IN
OUT

7

Sophia*

IN
IN
IN
OUT

8

Susie

IN
BTM
IN
OUT

9

Kelly

IN
OUT

10

David

BTM
OUT

11

Wilhelmina

OUT

12

Hamed

OUT

text: Season 2: 2011[edit]

text: Casting for season 2 of Worst Cooks in America was held at the LA Marriott Burbank Airport, Hotel & Convention Center on March 27, 2010.[5] The Food Network also began accepting online video applications for season 2.[6] Food Network's website announced that Robert Irvine would replace Beau MacMillan for season 2. Season 2 debuted on January 2, 2011.[7] In this season the chefs had eight recruits each.

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Joshie Berger
36
Brooklyn, New York
Attorney
Winner February 20

Georgann "Georg" Coleman
38
Chicago, Illinois
Speech pathologist
Runner-up February 20

Carlos Manuel
28
Atlanta, Georgia
Banker
Eliminated February 13

Kelsey Milos
22
Kings, Illinois
Hair stylist

Kat Rose
37
Newnan, Georgia
Stay-at-home mother
Eliminated February 6

Tyrone "Ty" Miller
33
Trenton, New Jersey
Property manager

Jennifer "Jen" MacLean
43
Sparta, New Jersey
Operating room nurse
Eliminated January 30

Kelly Gray
32
New York, New York
Aerobics instructor

Erika Rumsey
27
Elgin, Illinois
Account manager
Eliminated January 23

Anna Altomari
44
Aliso Viejo, California
RN Case manager

Priscilla Harden
60
Sugar Land, Texas
Retired teacher
Eliminated January 16

Matt Crespi
24
Philadelphia, Pennsylvania
PhD Student

Anthony Scinto
32
Crestwood, Illinois
Mechanical engineer
Eliminated January 9

Jeff Longcor
25
Somerville, Massachusetts
Environmental contractor

Lina Yu
28
Arcadia, California
Production manager
Eliminated January 2

Eric Ricupero
34
Quincy, Massachusetts
Bar owner

text: Contestant progress[edit]

text:
Episode

Rank
Contestant
1
2
3
4
5
6
7

1

Joshie

IN
IN
IN
WIN
WIN
9th
IN
IN
BTM
BTM
IN
WINNER

2

Georg

IN
WIN
IN
IN
IN
WIN
IN
WIN
BTM
WIN
WIN
RUNNER-UP

3

Carlos

IN
IN
WIN
WIN
IN
6th
WIN
WIN
WIN
WIN
OUT

4

Kelsey*

WIN
IN
IN
WIN
BTM
2nd
BTM
IN
WIN
IN
OUT

5

Kat*

WIN
IN
BTM
IN
IN
BTM
BTM
BTM
OUT

6

Ty

IN
IN
IN
IN
BTM
3rd
IN
BTM
OUT

7

Jen

IN
BTM
IN
WIN
IN
7th
IN
OUT

8

Kelly

IN
IN
IN
IN
IN
5th
WIN
OUT

9

Erika

BTM
WIN
IN
WIN
IN
8th
OUT

10

Anna

IN
IN
IN
IN
WIN
4th
OUT

11

Priscilla

IN
IN
BTM
WIN
OUT

12

Matt

BTM
IN
WIN
IN
OUT

13

Anthony

IN
IN
OUT

14

Jeff

IN
BTM
OUT

15

Lina

OUT

16

Eric

OUT

text: Differences between seasons 1 and 2[edit]

text: In the first episode, a group of selected novice cooks were to prepare a dish from scratch so the chefs would get an idea of how poor their skills were. After tasting all the items, the chefs took turns picking team members for their rival chef. The first season started off with 24 novice cooks but only the worst 12 were chosen for a team. In the second season, the first episode began with 16 amateurs and all took part for the remainder of that episode.

text: In the penultimate episode of the season, the remaining four recruits learned and replicated a dessert. After this, in the first season, the recruits had to instruct a group of high school students how to replicate the dessert recipe. In the second one, the recruits were assigned the dessert to serve after both chefs, and a special guest enjoyed a main dish.

text: After learning and replicating a dessert, the recruits had to prepare a meal for both chefs and a surprise guest, usually a spouse or other family member. The first season’s main dishes were an improved version of the recruits’ audition meal. The special guests in the second season got to choose what they wanted the students to make them.

text: Two recruits remained in the final episode and had to prepare an appetizer, main dish, and dessert for a panel of three food critics. The critics in season 1 thought that the final meal was prepared by the chefs until after they sampled all the courses. In season 2, the critics learned their meal was prepared by the recruits immediately after entering the restaurant.

text: Season 3: 2012[edit]

text: Anne Burrell and Bobby Flay hosted season 3 replacing Robert Irvine.[8][9]

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Kelli Powers
40
Los Angeles, California
Stay-at-home mother
Winner April 1

Vinnie Caligiuri
47
Philadelphia, Pennsylvania
Mortgage broker
Runner-up April 1

Melissa Rhodes
28
Naples, Florida
Nursing Student
Eliminated March 25

David Shelton
26
Longview, Texas
Unemployed

Tiffany Michelle
27
Los Angeles, California
Poker player and actress
Eliminated March 18

Dorothy Strouhal
38
Cove, Texas
Make-up artist

Anthony Schiano
33
Massapequa, New York
Mechanical engineer
Eliminated March 11

Benjamin Dennis
37
Dallas, Texas
Stay-at-home father
Quit March 11

Sean "Bennett" Bennett
36
New York City
Automotive Spokesperson
Eliminated March 4

Sarina Weeraprajuk
31
West Covina, California
Wedding photographer

Erica Weidner
53
Long Beach, New York
Court Reporter Student
Eliminated February 26

Robert "Bob" Tamke
44
Massapequa Park, New York
DJ

Sherrill Moss-Solomon
55
New York, New York
Fundraiser
Eliminated February 19

Rachel Margolin
31
New York, New York
Night Club Promoter

Richard Chen
55
Queens, New York
Attorney
Eliminated February 12

Libby Floyd
46
Eden Prairie, Minnesota
ShopNBC host[10]

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7
8

1

Kelli

WIN
IN
IN
IN
IN
IN
BTM
WIN
BTM
WIN
WIN
WIN
WIN
WINNER

2

Vinnie

IN
WIN
WIN
IN
IN
IN
WIN
IN
BTM
IN
WIN
WIN
WIN
RUNNER-UP

3

Melissa1

IN
IN
IN
IN
IN
IN
IN
WIN
WIN
IN
BTM
IN
OUT

4

David1

IN
IN
IN
BTM
IN
IN
WIN
WIN
IN
WIN
BTM
IN
OUT

5

Tiffany

WIN
IN
IN
WIN
IN
BTM
BTM
IN
BTM
IN
OUT

6

Dorothy

IN
IN
WIN
IN
BTM
WIN
IN
WIN
WIN
WIN
OUT

7

Anthony

IN
IN
IN
IN
IN
IN
IN
WIN
OUT

8

Benjamin

IN
IN
IN
IN
WIN
WIN
IN
IN

QUIT

9

Bennett

IN
IN
BTM
BTM
WIN
BTM
OUT

10

Sarina

BTM
IN
IN
IN
BTM
IN
OUT

11

Erica

IN
IN
BTM
IN
OUT

12

Bob

IN
WIN
IN
IN
OUT

13

Sherrill

IN
BTM
OUT

14

Rachel

BTM
BTM
OUT

15

Richard

OUT

16

Libby

OUT

text: ^Note 1 : In Episode 3, Team Bobby (blue team) won the first challenge, he therefore got to choose one person from Team Anne (red team) to go to his team, and then choose one person from his team to go to the other team. He chose David to go to Team Anne's team and chose Melissa from Team Anne's team to join his team.

text: Season 4: 2013[edit]

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Alina Bolshakova
28
Riga, Latvia
Caretaker/Actress
Winner March 31

Rasheeda Brown
30
Germantown, Maryland
Correctional Officer
Runner-up March 31

Chet Pourciau
40
New Orleans, Louisiana
Interior Designer
Eliminated March 24

Suzanne "Sue" Mangogna
42
Northport, New York
Single Mother

Carla Johnson
47
Long Beach, California
Alcohol & Drug Counselor
Eliminated March 17

Michael Haydin
25
Rye Brook, New York
Accountant

Carrie Lee Riggins
32
Carmel, New York
Ballerina/Actress
Eliminated March 10

Crystal Lonneberg
30
Weehawken, New Jersey
Actress/Artist

Aadip Desai
36
Sacramento, California
Writer/Musician
Eliminated March 3

Alex Stein
26
Dallas, Texas
Bail Bondsman

Michael "Big Mike" Paul
24
Thomson, Georgia
Woodworker
Eliminated February 24

Robert "Dr. Bob" Schaefer
58
Pleasant Hill, California
Chiropractor

Tim Burger
42
Novi, Michigan
Former Marine
Eliminated February 17

Diana De Rosa
62
Huntington, New York
Photographer

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7

1

Alina

BTM
WIN
WIN
IN
IN
IN
WIN
WIN
WIN
IN
WIN
WINNER

2

Rasheeda

IN
IN
BTM
IN
IN
WIN
WIN
WIN
BTM
WIN
WIN
RUNNER-UP

3

Chet

WIN
IN
IN
IN
WIN
WIN
IN
WIN
BTM
IN
OUT

4

Sue

IN
IN
WIN
BTM
BTM
IN
BTM
IN
WIN
WIN
OUT

5

Carla

IN
IN
BTM
WIN
IN
BTM
BTM
WIN
OUT

6

Michael

WIN
IN
IN
BTM
WIN
IN
BTM
IN
OUT

7

Carrie Lee

IN
IN
IN
IN
BTM
IN
OUT

8

Crystal

IN
WIN
IN
IN
IN
BTM
OUT

9

Aadip

IN
IN
IN
IN
OUT

10

Alex

IN
IN
IN
IN
OUT

11

Mike

IN
BTM
OUT

12

Bob

BTM
BTM
OUT

13

Tim

OUT

14

Diana

OUT

text: Season 5: 2014[edit]

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Amber Brauner
37
Redlands, California
Tattoo Artist
Winner March 31

Jamie Thomas
41
New York, New York
Flight Attendant
Runner-up March 31

Daniel "Danny" Beyda
43
Long Island, New York
Radiologist
Eliminated March 24

Mike Glazer
30
Chicago, Illinois
Writer

Carie Pullano-Keller
34
Chester, Virginia
Promotional Model
Eliminated March 17

Stephanie St. Aubin
26
Washington, DC
Secretary

Danielle Ruiz-Wiley
25
Staten Island, New York
Stay at Home Mom
Eliminated March 10

Carol Holder
64
New York, New York
Real Estate Broker

Joe Slaughter
28
Los Angeles, California
Actor/Dancer
Eliminated March 3

Ken Hsu
29
Seattle, Washington
Personal Trainer

Lance Green
31
New York, New York
Music Producer
Eliminated February 24

Benjamin "Benji" Hunter Brown III
29
Nashville, Tennessee
Live Music Booking Agent

Muneerah Warner
33
Philadelphia, Pennsylvania
Abstinence Advisor
Eliminated February 16

Casey Pentony
26
Hollywood, California
Nurse

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7

1

Amber

WIN
IN
IN
IN
WIN
WIN
BTM
IN
WIN
IN
WIN
WINNER

2

Jamie

WIN
IN
WIN
BTM
IN
IN
WIN
WIN
WIN
WIN
WIN
RUNNER-UP

3

Danny

IN
IN
BTM
IN
IN
WIN
WIN
WIN
BTM
IN
OUT

4

Mike

IN
IN
IN
WIN
WIN
IN
IN
IN
BTM
WIN
OUT

5

Carrie1

IN
IN
IN
IN
IN
IN
BTM
IN
OUT

6

Stephanie1

IN
IN
BTM
IN
IN
WIN
IN
IN
OUT

7

Danielle

IN
WIN
IN
IN
BTM
WIN
OUT

8

Carol

IN
WIN
IN
BTM
BTM
IN
OUT

9

Joe

IN
IN
WIN
WIN
OUT

10

Ken

IN
IN
IN
IN
OUT

11

Lance

BTM
IN
OUT

12

Benji

BTM
IN
OUT

13

Muneerah

OUT

14

Casey

OUT

text: ^Note 1 : In Episode 3 Team Anne (red team) won the first challenge, she therefore got to choose one person from Team Bobby (blue team) to go to her team, and then chose one person from her team to go to the other team. She chose Stephanie to go to Team Bobby's team and chose Carrie from Team Bobby's team to join her team.

text: Season 6: 2015[edit]

text: Tyler Florence joins Anne Burrell to host seasons 6, replacing Bobby Flay after 3 seasons. The season premiered on January 4, 2015 to 2,123,000 viewers.[11] The second episode was lower at 1,456,000 viewers,[12] with the third episode rising to 1,732,000 viewers[13] and the fourth episode reached 1,689,000 viewers.[14] the 5th episode reached 1,634,000 viewers. The sixth episode received 1.55 million viewers.[15]

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Kristen Redmond
25
Austin, Texas
Singer/Songwriter
Winner February 15

Genique Freeman
33
Fayetteville, North Carolina
Esthetician
Runner-up February 15

Leopold "Leo" Nunan
36
Rio de Janeiro, Brazil
Performance Artist
Eliminated February 8

Sarah Bettendorf
33
Los Angeles, California
Art Teacher

Norman Wilson
46
Detroit, Michigan
Executive Protection
Eliminated February 1

Sharif Dean
27
Los Angeles, California
Personal Trainer

David Eric Rosenberg
51
Las Vegas, Nevada
Theatre Usher
Eliminated January 25

Kortni Montgomery
25
New Orleans, Louisiana
Customer Service Rep

Michael "Six" Muldoon
25
Queens, New York
Magician
Eliminated January 18

Mike Kennedy
45
Scottsdale, Arizona
Private Investigator

Stephanie Streisand*
25
Los Angeles, California
Writer
Withdrew January 11

Susie Babin
61
Bush, Louisiana
Retired
Eliminated January 11

Jason Dixon
30
Chicago, Illinois
Artist
Eliminated January 5

Christina Oster
38
Zion, Illinois
Single Mom

text: Contestant Stephanie Streisand was deemed too ill to continue on January 11

tag: ul

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7

1

Kristen

IN
WIN
WIN
IN
IN
WIN
BTM
IN
WIN
WIN
WIN
WINNER

2

Genique

IN
IN
WIN
IN
IN
WIN
IN
IN
WIN
WIN
WIN
RUNNER-UP

3

Leo

IN
IN
IN
IN
IN
IN
WIN
IN
BTM
WIN
OUT

4

Sarah

WIN
IN
IN
BTM
BTM
IN
WIN
WIN
BTM
WIN
OUT

5

Norman

WIN
IN
IN
IN
BTM
IN
IN
WIN
OUT

6

Sharif

IN
WIN
BTM
WIN
IN
IN
BTM
IN
OUT

7

David

BTM
IN
BTM
IN
WIN
BTM
OUT

8

Kortni

BTM
IN
BTM
BTM
WIN
BTM
OUT

9

Six

IN
IN
IN
IN
OUT

10

Mike

IN
BTM
IN
IN
OUT

11

Stephanie

IN
IN
WDR

12

Susie

IN
BTM
OUT

13

Jason

OUT

14

Christina

OUT

text: Season 7: Celebrity Edition[edit]

text: Rachael Ray joins Anne Burrell to host season 7. The winner earns a $50,000 donation for their chosen charity. Because this season had only 7 total recruits, each team's worst recruit from that week's Main Dish challenge competed head to head in a quickfire elimination challenge instead of eliminating both recruits each week. This challenge involved more basic cooking techniques (e.g. knife skills) and the winner would be decided by a blind judging from both Anne and Rachael. The winning recruit stayed in the competition while the losing recruit was eliminated.

text: Recruits[edit]

text:
Contestant
Age
Occupation
Status

Jenni "JWoww" Farley
29
Reality Television Star
Winner October 28

Kendra Wilkinson
30
Former Playboy Model & Television Personality
Runner-up October 28

Ellen Cleghorne
49
Saturday Night Live Actress
Eliminated October 21

Barry Williams
60
The Brady Bunch Actor
Eliminated October 14

Chris Soules
33
The Bachelor Star
Eliminated October 7

Jaleel White
38
Actor, Television Host
Eliminated September 30

Dean Cain
48
Television Actor
Eliminated September 23

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6

1

Jenni

IN
WIN
IN
WIN
WIN
WINNER

2

Kendra

IN
WIN
BTM
WIN
BTM
RUNNER-UP

3

Ellen

WIN
IN
WIN
BTM
OUT

4

Barry

BTM
BTM
WIN
OUT

5

Chris

WIN
IN
OUT

6

Jaleel

IN
OUT

7

Dean

OUT

text: Season 8: 2016[edit]

text: Tyler Florence joins Anne Burrell to host season 8.

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Nick Slater
24
Rancho Cucamonga, California
Construction Worker
Winner February 14

Lawrence Crawford
26
Deptford, New Jersey
Army Combat Medic
Runner-up February 14

Ginny Meerman
50
Millersville, Maryland
Project Supervisor
Eliminated February 7

Taylor Hooper
24
Boston, Massachusetts
Marine Veteran

Holgie Forrester
66
Twentynine Palms, California
Retired/Actress
Eliminated January 31

Chanda Havard
36
Chicago, Illinois
Real Estate Agent

Donna Koen
60
Newburyport, Massachusetts
Lunch Lady & Hairdresser
Eliminated January 24

Rachel Thomas
27
Tampa, Florida
Stay-at-Home Wife

Ernie Adkins
44
Mardela Springs, Maryland
Truck driver
Eliminated January 17

Glenda Galeano
40
Miami, Florida
Event Coordinator/Actress

Ty Snow
39
Pasadena, California
Special Education Teacher
Eliminated January 10

Cindy Nguyen
28
Las Vegas, Nevada
Bartender

David Fouts
42
Wales, Wisconsin
Senior Project Manager
Eliminated January 4

Jeni Erdman
51
Dousman, Wisconsin
Group Tour Coordinator

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7

1

Nick

WIN
WIN
IN
IN
IN
IN
IN
IN
TIE
WIN
WINNER

2

Lawrence

IN
IN
IN
IN
IN
IN
WIN
IN
BTM
WIN
RUNNER-UP

3

Ginny

WIN
BTM
WIN
IN
BTM
TIE
IN
WIN
WIN
OUT

4

Taylor

IN
IN
IN
IN
BTM
IN
WIN
WIN
TIE
OUT

5

Holgie

IN
WIN
IN
IN
IN
TIE
BTM
IN
OUT

6

Chanda

BTM
IN
IN
BTM
WIN
WIN
BTM
IN
OUT

7

Donna

IN
BTM
WIN
IN
IN
BTM
OUT

8

Rachel

BTM
IN
BTM
WIN
WIN
BTM
OUT

9

Ernie

IN
BTM
IN
IN
OUT

10

Glenda

IN
BTM
BTM
BTM
OUT

11

Ty

IN
IN
OUT

12

Cindy

IN
IN
OUT

13

David

OUT

14

Jeni

OUT

text: Season 9: Celebrity Edition 2[edit]

text: Rachael Ray returns with Anne Burrell to host season 2 of the Celebrity Edition. The winner earns a $50,000 donation for their chosen charity. The season premiered on September 14, 2016 to 1,185,000 viewers.[16]

text: Recruits[edit]

text:
Contestant
Age
Occupation
Status

Loni Love
44
The Real Co-Host & Comedian
Winner November 2

Nicole Sullivan
46
Former MadTV Star, Comedian, & Actress
Runner-up November 2

John Henson
49
Former Talk Soup & Wipeout host
Eliminated October 26

Mike Situation Sorrentino
34
Reality Television Personality

Matt Dallas
33
Television Actor & YouTube Personality
Eliminated October 19

Mindy Cohn
50
The Facts of Life & Scooby-Doo Actress
Eliminated October 12

Tommy Davidson
52
Comedian & Actor
Eliminated September 28

Barbara Eden
85
Film & Television Actress (I Dream of Jeannie & Harper Valley P.T.A.)
Eliminated September 21

Kenya Moore
45
Miss USA 1993 & The Real Housewives of Atlanta Star
Eliminated September 14

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7
8

1
Loni
IN
IN
TIE
IN
WIN
IN
IN
WINNER

2
Nicole
IN
WIN
IN
BTM
WIN
IN
IN
RUNNER-UP

3
John
WIN
WIN
BTM
WIN
IN
BTM
OUT

4
Mike
IN
BTM
WIN
WIN
IN
WIN
OUT

5
Matt
WIN
IN
IN
IN
BTM
OUT

6
Mindy
IN
IN
TIE
BTM
OUT

7
Tommy
IN
IN
OUT

8
Barbara
BTM
OUT

9
Kenya
OUT

text: Season 10: 2017[edit]

text: Rachael Ray joins Anne Burrell to host season 10. The season premiered on January 1, 2017.[17]

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Daniel Mar
35
Burbank, California
Photographer
Winner March 5

Ann Odogwu
34
Houston, Texas
Flight Attendant
Runner-Up March 5

Laura Docker
36
Fort Worth, Texas
Lawyer
Eliminated February 26

Mandy Thornton
24
Hanover, Massachusetts
Medical Assistant

Adam Cooke
32
Rancho Cucamonga, California
Auto Mechanic
Eliminated February 19

Brittany Lenore
27
Chicago, Illinois
Spiritual Speaker

Jeff West
36
Douglassville, Pennsylvania
Vending Machine President
Eliminated February 12

Kayla Kurtz
27
Kent, Ohio
Stay-at-Home Mom
Eliminated January 29

Maria Marcello
40
Torrance, California
Stay-at-Home Mom

Matt Josephs
35
Richmond, Virginia
Sports Radio Producer
Eliminated January 22

Jake Michaels
21
Manteno, Illinois
Model & Singer
Eliminated January 15

Jetta Linda Ostrofsky
66
Sacramento, California
Retired

Stephen Hawkins
67
Temecula, California
Retired
Eliminated January 8

Buffy Mykkanen
29
Portland, Oregon
Tech Support

Cedrick Miller
22
El Paso, Texas
Cashier
Eliminated January 1

Lester Turchin
65
Fort Lauderdale, Florida
Retired

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7
8
9
10

1

Daniel

IN
IN
WIN
BTM
BTM
IN
IN
IN
WIN
IN
IN
IN
WINNER

2

Ann

WIN
IN
IN
WIN
BTM
BTM
IN
BTM
IN
SAVE
IN
IN
RUNNER-UP

3

Mandy

IN
IN
IN
TIE
IN
WIN
WIN
BTM
IN
BTM
IN
OUT

4

Laura

IN
WIN
IN
IN
IN
WIN
IN
BTM
WIN
WIN
IN
OUT

5

Brittany

WIN
IN
IN
TIE
WIN
IN
IN
BTM
IN
WIN
OUT

6

Adam

IN
IN
BTM
BTM
IN
IN
IN
WIN
IN
IN
OUT

7

Jeff

IN
WIN
IN
IN
IN
BTM
IN
WIN
IN
OUT

8

Maria

IN
IN
WIN
IN
WIN
OUT

9

Kayla

IN
IN
IN
TIE
SAVE
OUT

10

Matt

IN
IN
IN
IN
OUT

11

Jetta

IN
IN
BTM
OUT

12

Jake

BTM
IN
IN
OUT

13

Stephen

BTM
IN
OUT

14

Buffy

IN
IN
OUT

15

Cedrick

OUT

16

Lester

OUT

text: In Episode 6, Both Chef Anne and Chef Rachael decided not to send anyone from their teams home.

text: Season 11: Celebrity Edition 3[edit]

text: Rachael Ray returns with Anne Burrell to host season 3 of the Celebrity Edition. The season premiered on August 23, 2017[18][19]

text: Recruits[edit]

text:
Contestant
Age
Occupation
Status

Perez Hilton
39
Gossip Blogger
Winner October 11

Melissa Peterman
46
Actress & Comedienne
Runner-up October 11

Nora Dunn
65
Actress & Comedienne
Eliminated October 4

Vivica A. Fox
53
Actress
Eliminated October 4

Sean Lowe
33
Reality Star
Eliminated September 27

Carmen Electra
45
Model & Actress
Withdrew September 13 due to injuries

Carson Kressley
47
TV Personality
Eliminated September 6

Erik Estrada
68
Star of CHiPs
Eliminated August 30

text: •Note: Vivica was originally eliminated on September 20. In Episode 7, airing on October 4, both Vivica and Sean returned to the competition for a redemption skill drill. Vivica won the drill, re-entered the competition and was then eliminated following the main challenge.

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7
8

1
Perez
IN
IN
IN
IN
IN
WIN
IN
IN
IN
IN
IN
IN
WIN
WINNER

2
Melissa
IN
WIN
IN
WIN
WIN
IN
SAVE
IN
BTM
IN
IN
IN
WIN
RUNNER-UP

3
Nora
SAVE
TIE
IN
IN
IN
IN
IN
IN
IN
IN
BTM
IN
OUT

4
Vivica
IN
IN
IN
IN
WIN
TIE
SAVE
IN
OUT

RTN
OUT

5
Sean
IN
IN
IN
IN
BTM
TIE
IN
IN
IN
IN
OUT

6
Carmen
BTM
IN
BTM
WIN
IN
WDR

7
Carson
IN
TIE
WIN
IN
OUT

8
Erik
IN
TIE
OUT

text: Season 12: 2018[edit]

text: Tyler Florence joins Anne Burrell to host season 12.

text: Recruits[edit]

text:
Contestant
Age
Hometown
Occupation
Status

Hazell Mckenzie
36
Brooklyn, New York
Graduate Student
Winner March 11

Steven Crowley
31
New York, New York
Real Estate Broker
Runner-Up March 11

Asaf Goren
25
Los Angeles, California
Dancer
Eliminated March 4

Sharon Shvarzman
32
Staten Island, New York
Drag Performer

Shatima Ruffin
34
Hampton Roads, Virginia
Receptionist
Eliminated February 25

Lacey Stout
28
Collinsville, Oklahoma
Stay-at-Home Mom

Robyn Hayden
31
Charleston, South Carolina
Balloon Artist
Eliminated February 18

Brandon Arroyo
27
Cleveland, Ohio
Sports Reporter
Eliminated February 11

Spencer Nick
25
Chicago, Illinois
Graduate Student

Sylvia Jefferies
47
Charleston, South Carolina
Stay-at-Home Mom
Quit January 28

Lily Frey
63
Anaheim, California
Retired
Eliminated January 28

Skyler Nick
25
Chicago, Illinois
Graduate Student
Eliminated January 21

Priscilla Nguyen
26
Hattiesburg, Mississippi
Receptionist
Eliminated January 14

Kevin Pettice
24
Charlotte, North Carolina
Administrative Assistant

Kayrene Curtis
44
Rocky River, Ohio
Stay-at-Home Mom
Eliminated January 7

Jonathan Farhat
37
Livermore, California
Safety Professional

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6
7
8
9
10

1

Hazell

WIN
IN
IN
IN
IN
IN
IN
WIN
WIN
WINNER

2

Steven

BTM
IN
WIN
IN
IN
BTM
WIN
WIN
WIN
RUNNER-UP

3

Sharon

WIN
IN
IN
WIN
WIN
IN
WIN
BTM
OUT

4

Asaf

IN
IN
WIN
IN
IN
WIN
IN
BTM
OUT

5

Lacey*

IN
IN
IN
IN
BTM
IN
WIN
OUT

6

Shatima

IN
IN
BTM
BTM
BTM
WIN
BTM
OUT

7

Robyn

IN
IN
IN
WIN
BTM
BTM
OUT

8

Brandon

IN
WIN
IN
BTM
WIN
OUT

9

Spencer*

BTM
IN
BTM
IN
BTM
OUT

10

Lily

IN
WIN
IN
OUT

11

Sylvia

IN
BTM
BTM
QUIT

12

Skyler

IN
BTM
OUT

13

Priscilla

IN
OUT

14

Kevin

IN
OUT

15

Jonathan

OUT

16

Kayrene

OUT

text: In episode 5, contestants Lacey and Spencer switch teams instead of being eliminated, Lacey on Chef Anne's Team and Spencer on Chef Tyler's team.

text: Season 13: Celebrity Edition 4[edit]

text: Tyler Florence returns with Anne Burrell to host season 4 of the Celebrity Edition. This is the first Celebrity Edition to not feature Rachael Ray as a judge. The season premiered on April 15, 2018.[20]

text: Recruits[edit]

text:
Contestant
Age
Occupation
Status

La Toya Jackson
61
Singer & Icon
Winner May 20

Ian Ziering
53
Actor
Runner-Up May 20

Catherine Bach
64
The Dukes of Hazzard Star
Eliminated May 13

Oscar Nunez
59
The Office Star

Maria Bamford
48
Comedienne
Eliminated May 6

Nolan Gould
19
Modern Family Star
Eliminated April 29

Bronson Pinchot
58
Actor
Eliminated April 22

text: Contestant progress[edit]

text:
Rank
Contestant
Episode

1
2
3
4
5
6

1

La Toya

WIN
WIN
WIN
WIN
WIN
WINNER

2

Ian

WIN
IN
WIN
WIN
WIN
RUNNER-UP

3

Catherine

IN
WIN
IN
BTM
OUT

4

Oscar

BTM
BTM
BTM
IN
OUT

5

Maria

IN
IN
IN
OUT

6

Nolan

SAVE
IN
OUT

7

Bronson

IN
OUT

text: Judging records[edit]

text:
Judge
Wins
Losses

Anne Burrell
8
5

Bobby Flay
2
1

Rachael Ray
2
2

Tyler Florence
1
3

Beau MacMillan
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Robert Irvine
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document_title: Love & Basketball

question_text: what college did monica go to in love and basketball

text: Love & Basketball

text: Plot[edit]

text: Monica (Sanaa Lathan) and Quincy (Omar Epps) have wanted to be professional basketball stars since they were kids. Monica wanted to play for the Los Angeles Lakers and wear Magic Johnson's number 32, and Quincy wanted to be like his father and play for the Clippers, wearing number 22. However, Monica has to work hard to establish herself, while Quincy was born with natural star potential. As the two struggle to reach their goals of playing professionally, they must also deal with their emotions for each other.

text: The film spans roughly thirteen years of friendship between childhood sweethearts Monica Wright and Quincy McCall. The first quarter of the story begins in 1981, when Monica (played as a youth by Kyla Pratt) and her family moved to Los Angeles in 1981 from Atlanta, Georgia, and quickly became acquainted with their new neighbors the McCalls, a wealthy family due to the success of Quincy's father Zeke, the star shooting guard for the Los Angeles Clippers. Quincy and Monica are drawn to each other instantly, sharing a love of the game: basketball. Quincy (played as a youth by Glendon Chattman) is shocked that a girl could ever love basketball as much as he did, and he is even more shocked when Monica plays so well. Although their first interaction results in Quincy angrily knocking her down during game point and accidentally scarring her face, they share their first kiss on the first day of school and end the "first quarter" of the story fighting in the grass.

text: The second quarter of the story begins in 1988, when both Monica and Quincy are the respective leaders of their high school teams. Scouts have taken clear notice of Quincy, who many see as one of the top prospects in the country. His popularity was not just evident on the court as he is extremely popular with the other students and could have any girl in school that he wanted, but he is still good friends and neighbors with Monica.

text: Monica, on the other hand, struggles with her fiery emotions on the court, which often resulted in technical fouls at critical moments of games, getting benched, and eventually pushing away many potential scouting opportunities due to her lack of control. Aside from her emotions on the court, she also struggles with the emotions she secretly still harbors for Quincy and struggles to express them as he is always surrounded by other girls. Monica also has problems with her mother Camille, who is a stay at home wife and mother. Ever since she was a little girl, Monica has been pressured by Camille to give up basketball and "act like a lady", to the point that Camille would force her to wear dresses and skirts against her will. This has continued into her high school years, with Camille still complaining that Monica is too much of a "tomboy" and needs to learn to be more feminine, which leaves Monica feeling hurt and resentful of her mother for not accepting her for who she is and refuses to embrace the domestic "housewife" work that her mother seems to enjoy so much. Through soul searching throughout the season, Monica learns to control her emotions and leads her team to the state championship game. However, both she and her team came up short leading them to a victory, leaving Monica devastated and in tears.

text: Later on, Monica begins to recover from the defeat with the help of her older sister, Lena, who gives her a makeover and even finds a college friend to take her to her spring dance. With nothing more than a new hair style and a dress, Monica shows up to the spring dance looking as beautiful as ever. Despite having a date of his own, Quincy notices her and immediately walks over to her to compliment her new appearance but doesn't hesitate to comment on her date. They both show jealousy towards each others' dates and part ways. Later that night, they both speak outside her window and reveal to each other how their dates didn't meet their needs. She also lets him know that she has a letter from University of Southern California (USC) and insists on him to open it. After the letter reveals that she has been accepted, he finally stated that USC was also his choice. As they move in to congratulate each other with a hug, Monica mistakes the gesture as a kiss and that leads to them finally acting on their feelings for one another by making love to each other. It was Monica's first time.

text: The third quarter of the story follows Quincy and Monica to their freshman year at USC in 1988-89, where they are managing themselves as athletes, students, and a couple. Again, the same problems seem to present themselves, this time on a bigger stage. While Quincy finds instant success on the court, as well as more and more female admirers, Monica struggles for playing time, being the backup to USC's senior guard, Sidra O'Neal. To make matters worse, she falls on the bad side of the head coach, Ellie Davis, both for showing off and for her lack of defense. Her relationship with Quincy becomes more and more strained as Quincy struggles to deal with the media attention surrounding his father, who is trying to convince Quincy to finish college before going pro, and a paternity suit against him from a former lover. Quincy feels betrayed by his father for lying to him and threatens to leave school for the NBA early, despite his father begging him not to sacrifice his education just to spite him. Zeke mentions that his mom was only nineteen when she was pregnant with Quincy and he wasn't ready for a family, but he stayed anyway. Monica finally earns the starting point guard spot at the end of the season. However, Quincy can't be happy for her, because he blames her for not being there for him when he was having problems with his father. Monica is hurt deeply by Quincy, leading the two of them to go their separate ways.

text: The fourth quarter of the story follows the characters through the early 1990s, a few years before the establishment of the WNBA. In 1993, Monica's prospects for professional basketball lie exclusively in the IWBA, the International Women's Basketball Association, while Quincy steps into the pros at home. Monica settles into her new life in Barcelona, where she struggles to cope with the everyday grind of playing overseas away from family and friends. She misses home, but can't imagine a life that didn't include basketball. (Sidra points out that their teammate at USC, Big Toni, quit the previous year and now works at a bookstore). She tries to adapt to her surroundings as a local sports celebrity and the focal point of the team's offense. She leads her team to a dominant victory in the championship game at the end of the season. Despite all of her personal success, she starts to realize that her love for basketball isn't the same as it was before.

text: Having left USC after his freshman season, Quincy is now in his fifth year in the pros, trying to find a role with his new team, the Los Angeles Lakers. The moment he finally finds some playing time, he injures himself landing awkwardly after a slam-dunk and tearing his ACL. His family rushes to the hospital to be with him, but his now divorced parents still have bad blood when they see each other. After Monica hears about Quincy's injury, she flies home to see him.

text: Monica goes to the hospital to visit Quincy, and is stunned to hear of Quincy's engagement and to meet his fiancée (Tyra Banks). After her meeting with Quincy, Monica soon realizes that her feelings for him still exist. Monica also clashes with her mother Camille again over old resentments, causing Camille to remark that she had to give up her own dreams after having children and resenting Monica for not appreciating the sacrifices she made for her family, with Monica counter-arguing that Camille never made her feel loved and accepted, because she kept trying to force her to give up her goals for a stereotypical "woman's role" in life that she didn't want. Over the next few months, Quincy undergoes rehabilitation, while the day of his wedding draws closer. By this time, Monica has decided to give up basketball and work at a bank with her dad instead. When questioned by Quincy, she states that it was no longer fun for her. However, Quincy does not understand, stating that he never knew anyone who loved basketball as much as she did. After seeing how truly unhappy her youngest daughter is without either basketball or Quincy (or both) in her life, Camille finally relents and encourages Monica to fight for her dreams and the man she loves. Quincy and Monica meet up, this time as friends, and reminisce over their shared past. At this point, Quincy has recovered from his injury, and Monica finally steps up with an ultimatum. She challenges him to one final game on the court, but this time, the stakes are higher: if he loses, he calls off the wedding and chooses Monica; if not, he marries his fiancée. Her reasoning is that if he loses, it would be, because he let her win, which would mean that, deep down, he really doesn't want to get married, because he still loves her. Quincy agrees and beats her in the game, but can no longer be apart from Monica and chooses her instead. The phrase "double or nothing" brings a whole new meaning to the game.

text: The film fast-forwards to five years later in 1998. Monica has finally gone pro in the WNBA, which was created two years earlier by the NBA in 1996. The movie ends with Quincy helping their baby daughter cheer on Monica during her game. The back of her jersey is seen with the name "Wright-McCall", showing that Monica and Quincy got married. In the closing post-credit scene, Quincy and Monica's toddler daughter is seen in the backyard, running and putting her basketball into her toy basketball hoop.

text: Cast[edit]

text: Cast and crew adapted from AllRovi.[1]

text:
Sanaa Lathan as Monica Wright

Kyla Pratt as Young Monica

Omar Epps as Quincy McCall

Glenndon Chatman as Young Quincy

Alfre Woodard as Camille Wright, Monica's mom
Dennis Haysbert as Zeke McCall, Quincy's father
Debbi Morgan as Nona McCall, Quincy's mother
Harry J. Lenix as Nathan Wright, Monica's dad
Boris Kodjoe as Jason
Gabrielle Union as Shawnee
Monica Calhoun as Kerry
Regina Hall as Lena Wright, Monica's sister
Christine Dunford as Coach Davis
Tyra Banks as Karen, Quincy's fiancé
Al Foster as Coach Hiserman

text: Production[edit]

text: From August 1999 to October 1999

text: This section is empty. You can help by adding to it. (January 2013)

text: Soundtrack[edit]

text: Love & Basketball is the soundtrack to the film, released April 18, 2000, on Overbrook Entertainment and New Line Records.[2] Production for the album came from several recording artists, including Raphael Saadiq, Angie Stone, Zapp, and Steve "Silk" Hurley.[3] In the US, the album peaked at number 45 on the Billboard 200 and number 15 on R&B/Hip-Hop Albums.[4] Stacia Proefrock of Allmusic gave the album a three-of-five star review, saying "Songs like MeShell Ndege'ocello's 'Fool of Me' help punctuate this story of childhood friends who love each other almost as much as they love the game of basketball. Other highlights of the soundtrack include songs from MC Lyte, Al Green, and Rufus."[5]

text: Release[edit]

text: Love & Basketball was released in the United States on April 21, 2000.[6]

text: Reception[edit]

text: Reviews[edit]

text: Love & Basketball received generally favorable reviews from film critics.[7] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film received an average score of 70, based on 28 reviews, which indicates "generally favorable".[7] At Rotten Tomatoes, which is similar to Metacritic, the film received an aggregated score of 82%, based on 87 reviews stating, "Confident directing and acting deliver an insightful look at young athletes."[8] Film reviewer Lisa Schwarzbaum of Entertainment Weekly gave Love & Basketball an A- review.[9] She enjoyed how the film portrayed women's sports in general and says "The speed and wiliness of the game itself ensure that movies about men who shoot hoops are exciting, but the novelty of watching women bring their own physical grace to the contest is a turn-on."[9] Schwarzbaum also appreciated Prince-Bythewood's directing skills, claiming "[She] is also vigilant and honest about the hard sacrifices made in pursuit of sexual equality. And for that, she scores big in her first pro game."[9]

text: Rachel Deahl of AllRovi gave the film 3.5 out of 5 stars. In her review she complimented Epps and Lathan on their performances, and said, "Love & Basketball serves as a somber reminder of how few films exist (much less love stories, much less ones that focus on the female perspective) about multi-dimensional African-American characters outside the ghetto."[6] Film critic Desson Howe of The Washington Post's Entertainment Guide wrote, "Love and Basketball had moments of such tenderness and sophistication, complimented [sic] by such romantic dreaminess between lead performers Omar Epps and Sanaa Lathan. First-time filmmaker Gina Prince-Bythewood's film joins such films as The Best Man and The Wood, which look for the class, not the crass, in African American life." Howe gave the film a favorable review.[10]

text: New York Post film critic Jonathan Foreman gave the film a mixed review; he appreciated how the film "effectively conveys the excitement of basketball from a player's point of view", but says it's filled with fake-sounding dialogue you only find in the cheesiest TV movies."[11] Roger Ebert, film critic of the Chicago Sun-Times, says "The film is not as taut as it could have been, but I prefer its emotional perception to the pumped-up sports clichés I was sort of expecting. It's about the pressures of being a star athlete; the whole life, not the game highlights. I'm not sure I quite believe the final shot, though. I think the girl suits up for the sequel." Ebert gave the film three out of four stars.[12] Robert Wilonsky of the Dallas Observer gave the film a negative review, saying, "[it] is a film built upon transitions so weak and obvious it's astonishing the entire thing doesn't collapse on itself. You want to root for it, as you would any rookie underdog, but it offers nothing to cheer for."[13] He also elaborates on the acting, stating "Omar Epps possesses a chiseled body and a blank stare [...] Lathan is only slightly better, but she's stuck in a hollow role."[13]

text: Box office[edit]

text: Love & Basketball was released in North America on April 21, 2000 to 1,237 theaters.[14] It grossed $3,176,000 its first day and ending its North American weekend with $8,139,180, which was the second-highest grossing movie of the April 21–23, 2000 weekend, only behind U-571.[15] Love & Basketball grossed $27,459,615 in the United States, which is ninth all-time for a basketball film and thirty-seventh all-time for a sports drama.[14] The film grossed $27,728,118 worldwide; $268,503 (1%) was grossed outside of the United States.[14]

text: Awards[edit]

text:
Year
Nominee/work
Award
Result

2001
Sanaa Lathan
Best Actress
Won[16]

text:
Year
Nominee/work
Award
Result

2001
Love & Basketball
Best Film
Won[17]

Love & Basketball
Best Film Poster
Won[17]

Love & Basketball
Best Soundtrack
Won[17]

Sanaa Lathan
Theatrical – Best Actress
Won[17]

Gina Prince-Bythewood
Theatrical – Best Director
Won[17]

"Fool of Me" (Meshell Ndegeocello)
Best Song
Won[17]

text:
Year
Nominee/work
Award
Result

2000
Love & Basketball
Sundance Film Category
Won[18]

text:
Year
Nominee/work
Award
Result

2000
Gina Prince-Bythewood
Best First Screenplay
Won[19]

text:
Year
Nominee/work
Award
Result

2001
D. Stevens
Best Drama Poster
Won[16]

text:
Year
Nominee/work
Award
Result

2001
Film
Outstanding Motion Picture
Nominated[20]

Omar Epps
Outstanding Actor in a Motion Picture
Nominated[20]

Sanaa Lathan
Outstanding Actress in a Motion Picture
Won[21]

Alfre Woodard
Outstanding Supporting Actress in a Motion Picture
Won[21]

Kyla Pratt
Outstanding Youth Actor/Actress
Nominated[20]


document_title: Area codes 732 and 848

question_text: where is area code 732 located in usa

question_tokens: where is area code 732 located in usa

text: Area codes 732 and 848

text: This article relates to area codes in Central New Jersey in the United States.

text: Area code 732 was created on June 1, 1997, as the result of a split in New Jersey area code 908,[1] and became mandatory on December 6 of that year. The area includes Middlesex, Somerset, and Union counties in Central Jersey, and Monmouth and northern Ocean counties on the Jersey Shore.

text: Area code 848 is an overlay code for this region that was created in 2001 as the pool of 732 numbers began to diminish drastically.[2]

text: The 732/848 and 908 area codes generally define the Central Jersey region while 609/856 and 973/201 generally mark South Jersey and North Jersey, respectively.