document_title: Anzac Day

question_text: where was the first anzac day service held

question_tokens: where was the first anzac day service held

text: Anzac Day

text: History[edit]

text: Anzac Day marks the anniversary of the first campaign that led to major casualties for Australian and New Zealand forces during the First World War. The acronym ANZAC stands for Australian and New Zealand Army Corps, whose soldiers were known as Anzacs. Anzac Day remains one of the most important national occasions of both Australia and New Zealand.[5]

text: Gallipoli campaign[edit]

text: In 1915, Australian and New Zealand soldiers formed part of an Allied expedition that set out to capture the Gallipoli Peninsula to open the way to the Black Sea for the Allied navies. The objective was to capture Constantinople, the capital of the Ottoman Empire, which was an ally of Germany during the war. The ANZAC force landed at Gallipoli on 25 April, meeting fierce resistance from the Ottoman Army commanded by Mustafa Kemal (later known as Atatürk).[6] What had been planned as a bold strike to knock the Ottomans out of the war quickly became a stalemate, and the campaign dragged on for eight months. At the end of 1915, the Allied forces were evacuated after both sides had suffered heavy casualties and endured great hardships. The Allied deaths totalled over 56,000, including 8,709 from Australia and 2,721 from New Zealand.[7][8] News of the landing at Gallipoli made a profound impact on Australians and New Zealanders at home and 25 April quickly became the day on which they remembered the sacrifice of those who had died in the war.

text: Though the Gallipoli campaign failed to achieve its military objectives of capturing Constantinople and knocking the Ottoman Empire out of the war, the actions of the Australian and New Zealand troops during the campaign bequeathed an intangible but powerful legacy. The creation of what became known as an "Anzac legend" became an important part of the national identity in both countries. This has shaped the way their citizens have viewed both their past and their understanding of the present. The heroism of the soldiers in the failed Gallipoli campaign made their sacrifices iconic in New Zealand memory, and is often credited with securing the psychological independence of the nation.[9][10]

text: Foundations[edit]

text: The first commemoration occurred in Adelaide, South Australia. It was the site of Australia's first built memorial to the Gallipoli landing, unveiled by Governor-General Sir Ronald Munro Ferguson on "Wattle Day", 7 September 1915, just over four months after the first landings. The monument was originally the centrepiece of the Wattle Day League's Gallipoli Memorial Wattle Grove, later known as "Wattle Grove", on Sir Lewis Cohen Avenue in the South Park Lands but in 1940 the Adelaide City Council moved the monument and its surrounding pergola to Lundie Garden, a lawned area off South Terrace near the junction with Anzac Highway. The original native pines and remnant seedlings of the original wattles still grow in "Wattle Grove".[11] Also in South Australia, Eight Hour Day, 13 October 1915, was renamed "Anzac Day" and a carnival was organised to raise money for the Wounded Soldiers Fund.[12][13]

text: The date 25 April was officially named Anzac Day in 1916; in that year it was marked by a wide variety of ceremonies and services in Australia and New Zealand, including a commemorative march through London involving Australian and New Zealand troops. In New Zealand it was gazetted as a half-day holiday.[14] Australian Great War battalion and brigade war diaries show that on this first anniversary, units including those on the front line, made efforts to solemnise the memory of those who were killed this day twelve months previously. A common format found in the war diaries by Australian and New Zealand soldiers for the day commenced with a dawn requiem mass, followed mid-morning with a commemorative service, and after lunch organised sports activities with the proceeds of any gambling going to Battalion funds. This occurred in Egypt as well.

text: In Queensland on 10 January 1916 Canon David John Garland was appointed the honorary secretary of the Anzac Day Commemoration Committee of Queensland (ADCCQ) at a public meeting which endorsed 25 April as be the date promoted as “Anzac Day” in 1916 and ever after. Devoted to the cause of a non-denominational commemoration that could be attended by the whole of Australian society, Garland worked amicably across all denominational divides, creating the framework for Anzac Day commemorative services.[15] Garland is specifically credited with initiating the Anzac Day march, the wreath-laying ceremonies at memorials and the special church services, the two minutes silence, and the luncheon for returned soldiers.[16] Garland intended the silence was used in lieu of a prayer to allow the Anzac Day service to be universally attended, allowing attendees to make a silent prayer or remembrance in accordance with their own beliefs. He particularly feared that the universality of the ceremony would fall victim to religious sectarian disputes.[17]

text: In London, in the same year, over 2,000 Australian and New Zealand troops marched through the streets of the city.[18] A London newspaper[which?] headline dubbed them "The Knights of Gallipoli". Marches were held all over Australia in 1916; wounded soldiers from Gallipoli attended the Sydney march in convoys of cars, accompanied by nurses. Over 2,000 people attended the service in Rotorua.[14] For the remaining years of the war, Anzac Day was used as an occasion for patriotic rallies and recruiting campaigns, and marches of serving members of the AIF were held in most cities. From 1916 onwards, in both Australia and New Zealand, Anzac memorials were held on or about 25 April, mainly organised by returned servicemen and school children in cooperation with local authorities.

text: Anzac Day was gazetted as a public holiday in New Zealand in 1920, through the Anzac Day Act, after lobbying by the New Zealand Returned Services' Association,[19] the RSA.[20] In Australia at the 1921 State Premiers' Conference, it was decided that Anzac Day would be observed on 25 April each year. However, it was not observed uniformly in all the states.

text: On 30 April 1915, when the first news of the landing reached New Zealand, a half-day holiday was declared and impromptu services were held.[14]

text: During the 1920s, Anzac Day became established as a National Day of Commemoration for the 60,000 Australians and 18,000 New Zealanders who died during the war. The first year in which all the Australian states observed some form of public holiday together on Anzac Day was 1927. By the mid-1930s, all the rituals now associated with the day—dawn vigils, marches, memorial services, reunions, sly two-up games—became part of Australian Anzac Day culture. New Zealand commemorations also adopted many of these rituals, with the dawn service being introduced from Australia in 1939.[20]

text: Anzac Day since World War II[edit]

text: With the coming of the Second World War, Anzac Day became a day on which to commemorate the lives of Australians and New Zealanders lost in that war as well and in subsequent wars. The meaning of the day has been further broadened to include those killed in all the military operations in which the countries have been involved.

text: Anzac Day was first commemorated at the Australian War Memorial in 1942, but, due to government orders preventing large public gatherings in case of Japanese air attack, it was a small affair and was neither a march nor a memorial service. Anzac Day has been annually commemorated at the Australian War Memorial ever since.[5]

text: In New Zealand, Anzac Day saw a surge in popularity immediately after World War II. However this was short-lived, and by the 1950s many New Zealanders had become antagonistic or indifferent towards the day. Much of this was linked to the legal ban on commerce on Anzac Day, and the banning by many local authorities of sports events and other entertainment on the day. Annoyance was particularly pronounced in 1953 and 1959, when Anzac Day fell on a Saturday. There was widespread public debate on the issue, with some people calling for the public holiday to be moved to the nearest Sunday or abolished altogether. In 1966 a new Anzac Day Act was passed, allowing sport and entertainment in the afternoon.[21]

text: From the 1960s, but especially in the 1970s and 1980s, Anzac Day became increasingly controversial in both Australia and New Zealand. Protests against the Vietnam War were common Anzac Day occurrences during the 1960s and 1970s.[22][23] In 1967, two members of the left-wing Progressive Youth Movement in Christchurch staged a minor protest at the Anzac Day ceremony, laying a wreath protesting against the Vietnam War. They were subsequently convicted of disorderly conduct. In 1978, a women's group laid a wreath dedicated to all the women raped and killed during war, and movements for feminism, gay rights, and peace used the occasion to draw attention to their respective causes at various times during the 1980s.[24] In the 1980s, Australian feminists used the annual Anzac Day march to protest against rape and violence in war and were banned from marching.[25][26]

text: Until 1981 Papua New Guinea commemorated its war dead on Anzac Day; however, since then Remembrance Day has been observed on 23 July, the date of the first action of the Papuan Infantry Battalion against the Japanese at Awala in 1942 during the Kokoda Track campaign.[27]

text: Revival[edit]

text: Following Australia's involvement in the Vietnam War, interest in Anzac Day reached its lowest point. On 26 April 1975 The Australian newspaper covered the passing of Anzac Day in a single story.[28] However, since the 1980s, attendance at Anzac Day has grown,[29] with an increasing number of those attending being young Australians,[30][31] many of whom attend ceremonies swathed in Australian flags, wearing green and gold T-shirts and beanies and with Australian flag tattoos imprinted on their skin.[32][33][34][35] This phenomenon has been perceived by some as a reflection of the desire of younger generations of Australians to honour the sacrifices made by the previous generations.[36]

text: Australians and New Zealanders recognise 25 April as a ceremonial occasion to reflect on the cost of war and to remember those who fought and lost their lives for their country. Commemorative services and marches are held at dawn, the time of the original landing, mainly at war memorials in cities and towns across both nations and the sites of some of Australia and New Zealand's more-recognised battles and greatest losses, such as Villers-Bretonneux in France[37] and Gallipoli in Turkey.[38]

text: One of the traditions of Anzac Day is the "gunfire breakfast" (coffee with rum added) which occurs shortly after many dawn ceremonies, and recalls the "breakfast" taken by many soldiers before facing battle. Later in the day, ex-servicemen and ex-servicewomen meet and join in marches through the major cities and many smaller centres.[39]

text: In 2018, female veterans were encouraged to march at the front of their sections. The By The Left initiative was launched following a number of reported cases where servicewomen had been challenged that they were wearing their medals on the wrong side, as people should wear their own medals on the left side of their chest, but people marching in place of their parents or other ancestors should wear that person's medals on the right side.[40]

text: Dawn service[edit]

text: This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2018) (Learn how and when to remove this template message)

text: After the First World War, returned soldiers sought the comradeship they felt in those quiet, peaceful moments before dawn. With symbolic links to the dawn landing at Gallipoli, a dawn stand-to or dawn ceremony became a common form of Anzac Day remembrance during the 1920s.

text: The first official dawn service was held at the Sydney Cenotaph in 1927. Dawn services were originally very simple and followed the operational ritual; in many cases they were restricted to veterans only. The daytime ceremony was for families and other well-wishers and the dawn service was for returned soldiers to remember and reflect among the comrades with whom they shared a special bond.

text: Before dawn the gathered veterans would be ordered to "stand-to" and two minutes of silence would follow. At the start of this time a lone bugler would play the Last Post and then concluded the service with Reveille. In more recent times the families and young people have been encouraged to take part in dawn services, and services in Australian capital cities have seen some of the largest turnouts ever. Reflecting this change, the ceremonies have become more elaborate, incorporating hymns, readings, pipers and rifle volleys. Others, though, have retained the simple format of the dawn stand-to, familiar to so many soldiers.

text: Typical modern dawn services follow a pattern that is now familiar to generations of Australians, containing the following features: introduction, hymn, prayer, an address, laying of wreaths, recitation, the playing of the Last Post, a minute of silence, Reveille, and the playing of both the New Zealand and Australian national anthems. At the Australian War Memorial, following events such as the Anzac Day and Remembrance Day services, families often place artificial red poppies beside the names of relatives on the Memorial's Roll of Honour. In Australia, sprigs of rosemary are often worn on lapels[41] and in New Zealand poppies have taken on this role.[42]

text: Commemoration[edit]

text: In Australia and New Zealand, Anzac Day commemoration features solemn "Dawn Services" or "Dawn Marches", a tradition started in Albany, Western Australia on 25 April 1923 and now held at war memorials around both countries, accompanied by thoughts of those lost at war to the ceremonial sounds of the Last Post on the bugle. The fourth stanza of Laurence Binyon's poem For the Fallen (known as the "Ode of Remembrance", or simply as "the Ode") is often recited.

text: Australia[edit]

text: Anzac Day is a national public holiday and is considered by many Australians to be one of the most solemn days of the year. Marches by veterans from all past wars, as well as current serving members of the Australian Defence Force and Reserves, with allied veterans as well as the Australian Defence Force Cadets and Australian Air League and supported by members of Scouts Australia, Guides Australia, and other service groups, are held in cities and towns nationwide. The Anzac Day March from each state capital is televised live with commentary. These events are generally followed by social gatherings of veterans, hosted either in a public house or in an RSL club, often including a traditional Australian gambling game called two-up, which was an extremely popular pastime with ANZAC soldiers. In most Australian states and territories, gambling is forbidden outside of licensed venues. However, due to the significance of this tradition, two-up is legal only on Anzac Day.

text: Despite federation being proclaimed in Australia in 1901, it is argued that the "national identity" of Australia was largely forged during the violent conflict of World War I,[32][43] and the most iconic event in the war for most Australians was the landing at Gallipoli. Dr. Paul Skrebels of the University of South Australia has noted that Anzac Day has continued to grow in popularity;[44] even the threat of a terrorist attack at the Gallipoli site in 2004[45] did not deter some 15,000 Australians from making the pilgrimage to Turkey to commemorate the fallen ANZAC troops.[46]

text: Although commemoration events are always held on 25 April, most states and territories currently observe a substitute public holiday on the following Monday when Anzac Day falls on a Sunday. When Anzac Day falls on Easter Monday, such as in 2011, the Easter Monday holiday is transferred to Tuesday.[47] This followed a 2008 meeting of the Council for the Australian Federation in which the states and territories made an in-principle agreement to work towards making this a universal practice.[48] However, in 2009, the Legislative Council of Tasmania rejected a bill amendment that would have enabled the substitute holiday in that state.[49]

text: Australian postage stamps[edit]

text: Australia Post has issued stamps over the years to commemorate Anzac Day, the first being in 1935 for the 20th anniversary of the Gallipoli landings.

text: The list of issued stamps includes:[better reference needed]

text:
1935 – 20th Anniversary (2 values) 2d Red and 1/- Black featuring the London Cenotaph.
1955 – the then current 3½d Purple Nursing commemorative stamp was privately overprinted with the words "ANZAC 1915–1955 40 YEARS LEST WE FORGET" and a value ranging from 1d to £1 was also added which was the fundraising amount in addition to the legal cost of stamp of which the denomination was 3½d. Eight values were issued and were intended to raise funds for the Anzac commemorations. It is believed these stamps were authorised by the secretary of a leading Melbourne RSL club.
1965 – 50th Anniversary (3 values) 5d Khaki, 8d Blue and 2/3 Maroon featuring Simpson and his donkey.
1990 – 75th Anniversary (5 values) 41¢ x 2, 65¢, $1, and $1.10 all featuring various Anzac themes.
2000 – ANZAC legends (4 values) 45¢ x 4 featuring Walter Parker, Roy Longmore, Alec Campbell and the Anzac medal.
2008 – five stamps depicting Australians showing respect and lines from the Ode of Remembrance[50]
2014–2018 – A Century of War[51]

2014 – Tri-services
2015 – War Animals
2016 – Vietnam War
2017 – Women in War
2018 – War Memorials – five base rate ($1) stamps depicting Cobbers Statue at Australian Memorial Park, Avenue of Honour in Ballarat, Tomb of the Unknown Australian Soldier, Canberra, Darwin Cenotaph, the Legacy Memorial at the Shrine of Remembrance in Melbourne[52]

text: Australian football[edit]

text: During many wars, Australian rules football matches have been played overseas in places like northern Africa, Vietnam, and Iraq as a celebration of Australian culture and as a bonding exercise between soldiers.[53][54][55]

text: The modern-day tradition began in 1995 and is played every year between traditional AFL rivals Collingwood and Essendon at the Melbourne Cricket Ground. This annual match is often considered the biggest of the AFL season outside of the finals, sometimes drawing bigger crowds than all but the Grand Final,[56] and often selling out in advance. A record crowd of 94,825 people attended the inaugural match in 1995.[57][58][59] The Anzac Medal is awarded to the player in the match who best exemplifies the Anzac spirit – skill, courage, self-sacrifice, teamwork and fair play. Collingwood hold the advantage 11 wins to 8 with one draw (in the inaugural year, 1995).

text: In 2013, St Kilda and the Sydney Swans played an Anzac Day game in Wellington, New Zealand, the first AFL game played for premiership points outside of Australia.[60] The winning team, Sydney, were presented with the inaugural Simpson-Henderson Trophy by the Prime Minister of New Zealand. The trophy was named after two notable Anzac soldiers: John Simpson Kirkpatrick and Richard Alexander Henderson.[61]

text: Rugby League football[edit]

text: From 1997, the Anzac Test, a rugby league test match, has commemorated Anzac Day, though it is typically played prior to Anzac Day. The match is always played between the Australian and New Zealand national teams, and has drawn attendances of between 20,000 and 45,000 in the past. The final Anzac test occurred in 2017.[62]

text: Domestically, matches have been played on Anzac Day since 1927 (with occasional exceptions). Since 2002, the National Rugby League (NRL) has followed the lead of the Australian Football League, hosting a match between traditional rivals St George Illawarra Dragons and the Sydney Roosters each year to commemorate Anzac Day in the Club ANZAC Game, although these two sides had previously met on Anzac Day several times as early as the 1970s. Since 2009, an additional Anzac Day game has been played between the Melbourne Storm and New Zealand Warriors.

text: New Zealand[edit]

text: New Zealand's Commemoration of Anzac Day[63] is similar. The number of New Zealanders attending Anzac Day events in New Zealand, and at Gallipoli, is increasing. For some, the day adds weight to the idea that war is futile.[64]

text: Dawn Marches and other memorials nationwide are typically attended by the New Zealand Defence Force, the New Zealand Cadet Forces, members of the New Zealand Police, New Zealand Fire Service, Order of St John Ambulance Service (Youth and Adult Volunteers) as well as Scouting New Zealand, GirlGuiding New Zealand and other uniformed community service groups including in most places the local Pipe Band to lead or accompany the March, and sometimes a Brass Band to accompany the hymns.

text: Anzac Day now promotes a sense of unity, perhaps more effectively than any other day on the national calendar. People whose politics, beliefs and aspirations are widely different can nevertheless share a genuine sorrow at the loss of so many lives in war.

text: Paper poppies are widely distributed by the Returned Services Association and worn as symbols of remembrance. This tradition follows that of the wearing of poppies on Remembrance Sunday in other Commonwealth countries.[65]

text: The day is a public holiday in New Zealand. Shops are prohibited from opening before 1 pm as per the Anzac Day Act 1966. A prior Act passed in 1949 prevented the holiday from being "Mondayised" (moved to the 26th or 27th should the 25th fall on a weekend),[66] although this drew criticism from trade unionists and Labour Party politicians.[67] In 2013, a member's bill introduced by Labour MP David Clark to Mondayise Anzac Day and Waitangi Day passed, despite opposition from the governing National Party.[68]

text: New Zealand's reason for having Anzac Day as its national commemoration day is different to Australia. In 1921 the poppies were ordered by the RSA for Armistice Day but arrived too late on the ship Westmorland. The RSA was stuck with the cost of 350,000 of these French made poppies and to get its money returned quickly it chose the next commemoration date available to sell them – Dardanelles Day, 25 April 1922. This date then stuck in the psyche of New Zealanders ever since. So Anzac Day in New Zealand was used by accident and not as a direct association to Anzac, Australia or Gallipoli. New Zealand did copy Australia in having dawn services 16 years later, despite New Zealand not landing at dawn at Gallipoli. Attempts have been made to revert to Armistice Day, commencing with the "Tomb for the Unknown Warrior" parade in 2004. But New Zealanders have resisted, unaware of its history. The reason for some wanting to revert is that other bigger battles and losses have since been ignored. Gallipoli accounted for 8% of New Zealand's war losses and 60% of those were not the result of direct combat.[69]

text: Turkey[edit]

text: In Turkey the name "ANZAC Cove" was officially recognised by the Turkish government on Anzac Day in 1985. In 1934, Kemal Atatürk delivered the following words to the first Australians, New Zealanders and British to visit the Gallipoli battlefields. This was later inscribed on a monolith at Ari Burnu Cemetery (ANZAC Beach) which was unveiled in 1985. The words also appear on the Kemal Atatürk Memorial, Canberra, and the Atatürk Memorial in Wellington:[70]

text: In 1990, to mark the 75th anniversary of the Gallipoli landing, Government officials from Australia and New Zealand (including Australian Prime Minister Bob Hawke[72][73] and New Zealand Governor-General Paul Reeves[74]) as well as most of the last surviving Gallipoli veterans, and many Australian and New Zealand tourists travelled to Turkey for a special Dawn Service at Gallipoli. The Gallipoli Dawn Service was held at the Ari Burnu War Cemetery at Anzac Cove, but the growing numbers of people attending resulted in the construction of a more spacious site on North Beach, known as the "Anzac Commemorative Site" in time for the year 2000 service.

text: A ballot was held to allocate passes for Australians and New Zealanders wishing to attend Anzac Day commemorations at Gallipoli in 2015. Of the 10,500 people that could be safely, securely and comfortably accommodated at the Anzac Commemorative Site, in 2015 this comprised places for 8,000 Australians, 2,000 New Zealanders and 500 official representatives of all nations involved in the Gallipoli campaign. Only those who received an offer of attendance passes attended the commemorations in 2015.[75]

text: Other overseas ceremonies[edit]

text: Antarctica[edit]

text: Scott Base holds a ceremony honouring the fallen on Anzac Day. Americans from the nearby McMurdo Station are often invited.[76]

text: Belgium[edit]

text: In Ypres – Belgium, the ANZAC-Day Ceremony is held at the Menin Gate at 11 A.M.

text: Brunei[edit]

text: In Muara, a pre-dawn service is held on 25 April at the Brunei-Australia Memorial as a remembrance of the servicemen and women of Australia and New Zealand. The commemoration is held on Muara Beach, the site where the Allied forces led by Australia's 9th Division landed in Brunei on 10 June 1945 as part of the campaign to liberate Borneo from the Japanese.[77]

text: Canada[edit]

text:
In Newfoundland, Canada, the Gallipoli offensive is commemorated each year on 25 April by the Royal Newfoundland Regiment who hold a march from Government House through the streets of St. John's ending at the National War Memorial. Members of both the Australian and New Zealand armed forces are invited each year to participate in the march and wreath laying ceremonies.
Calgary has had a Cenotaph Service annually at Central Park with participation from the local military.[78]
In Winnipeg, Manitoba Anzac service is held at the Royal Aviation Museum of Western Canada by the Down Under Club of Winnipeg.
In Edmonton, Alberta, Anzac dawn service is held annually at Edmonton City Hall Cenotaph.
In London, Ontario Anzac service is held at Wolseley Barracks, Royal Canadian Regiment (RCR) Memorial, 701 Oxford Street East, London.
In Toronto, Ontario, Anzac service is held at the Armour Heights Officers' Mess, Canadian Forces College.
In Vancouver, British Columbia, Anzac service is held at Victory Square, Vancouver.[79]
In Comox, British Columbia, Canada, "Vancouver Island Anzac Day" is held on the Saturday closest to 25 April. Hosted by the HMCS_Alberni Museum and Memorial, the ceremony is held at HMCS QUADRA in association with 19 Wing Comox.[80]

text: Cyprus[edit]

text: In Nicosia, the ANZAC Day dawn service is held at the Nicosia War Cemetery (Waynes Keep) at 05:00. The ceremony is usually attended by expatriates from both countries and by high-ranking officials of the UN peacekeeping mission deployed on the island.

text: Egypt[edit]

text: In Cairo, Egypt, Anzac Day is remembered by the expatriate New Zealand and Australian communities with a dawn ceremony held at the Old Cairo War Graves Cemetery, Abu Seifen Street, Old Cairo. New Zealand and Australian Embassies rotate hosting the service.

text: United Kingdom[edit]

text:
In London, England, a 5 am Dawn Service is held, alternating between the Australian War Memorial, and the more recently constructed New Zealand War Memorial, both of which are at Hyde Park Corner. The day is also marked by a 9 am Wreath Laying Ceremony and service at the Gallipoli Memorial in the crypt of St Paul's Cathedral[81] and an 11 am Wreath Laying Ceremony and Parade at The Cenotaph, Whitehall, both of which are attended by official representatives and veterans associations of Australia, New Zealand, the United Kingdom and other countries. The Wreath Laying Ceremony at the Cenotaph is directly followed by a Service of Commemoration and Thanksgiving at Westminster Abbey.[82] The Dawn Service, ceremony at the Cenotaph and the Service of Commemoration and Thanksgiving are usually attended by a member of the Royal Family representing the Queen, and by the High Commissioners of Australia and New Zealand.[83] Anzac Day has been officially observed in London since 1916, when King George V and Queen Mary attended the first commemorative service at the Abbey.[84]
In Tetbury, Gloucestershire, England, a March is held on the nearest Sunday to Anzac Day. The service is held in a graveyard with several war graves of service men from Australia and New Zealand. Veterans and cadets from the local ATC squadron attend.
In Oxford, Oxfordshire, England, an Anzac Day service is organised by the Oxford University Australia New Zealand Society. In 2015 the service was held at the University Church on 25 April, followed by dinner in Somerville College Hall.[85] Representatives of the Australian and New Zealand High Commissions attend and Australian, New Zealand, and Turkish students are all involved in the service.
A service of remembrance to commemorate Anzac Day and Gallipoli is held at the National Memorial Arboretum in Staffordshire, England, UK. This commences with a service in the chapel followed by wreath laying at the Gallipoli memorial.

text: France[edit]

text:
In France in the towns of Le Quesnoy and Longueval[86] and in the town of Villers-Bretonneux (on the next closest weekend) because on 25 April 1918, the village of Villers-Bretonneux was liberated by the Anzacs. The Australian Government holds an annual dawn service[37] at the Australian National Memorial just outside the small town of Villers-Bretonneux.
In French Polynesia, Anzac Day has been commemorated with an official ceremony held in Papeete since 2006.[87] The 2009 ceremony was attended by French Polynesia President Oscar Temaru, who praised the "courage and liberty" of Australian and New Zealand soldiers in a statement.[87]

text: Germany[edit]

text: In Germany, Anzac Day is commemorated in Berlin, at the Commonwealth Kriegsgräber, Charlottenburg. (Commonwealth War Graves).[88]

text: Hong Kong[edit]

text: In Hong Kong, a simple dawn commemorative service is held at The Cenotaph (Hong Kong) in Central, with a member of the Hong Kong Police Band playing the Last Post and Reveille from the balcony of the nearby Hong Kong Club.[89]

text: Ireland[edit]

text: In Ireland, Anzac Day is remembered by the expatriate New Zealand and Australian communities. In the absence of an official World War I remembrance, and in honour of Irish soldiers who fought and perished in the Dardanelles and elsewhere, Anzac Day commemorations are also attended by members of veterans groups and historical societies, including the Royal Dublin Fusiliers, O.N.E.T., the Royal British Legion, UN Veterans, and more. Since the mid-1980s, an evening service has been organised by the New Zealand-Ireland Association,[90] which currently takes place in St Ann's Church, Dawson St, Dublin 2. For the 90th anniversary in 2005, a daylight service was held for the first time in the re-furbished Grangegorman Military Cemetery, Dublin 7. A Turkish Hazel tree, planted by the Ambassadors of Australia, New Zealand and Turkey, commemorates this occasion. It can be found to the south of the limestone Memorial Wall. Since this date, a dawn service has been held at this location. At the Ballance House in County Antrim, the official New Zealand centre in Northern Ireland, a midday Anzac reception and act of remembrance takes place.

text: Israel[edit]

text: In Israel, a commemorative service is held at Jerusalem British War Cemetery on Anzac Day, attended by the ambassadors of Australia and New Zealand. It is also remembered at The Be'er-Sheva Anzac Memorial Centre.

text: Kiribati[edit]

text: In Kiribati, Anzac Day is commemorated at the Coast Watchers Memorial on the islet of Betio, Tarawa, hosted by the New Zealand and Australian High Commissions.

text: Malaysia[edit]

text: The Australian Borneo Exhibition Group organises annual trips for ANZAC veterans and students to commemorate World War II in the states of Sabah and Sarawak.[91]

text:
In Kuala Lumpur and Sandakan,[92] Anzac Day is a memorial day to honour the Australian, British, New Zealand and local soldiers who perished during the Second World War. A commemorative service will be held like Dawn Service and Gunfire Breakfast.
In Kota Kinabalu, a ceremony is held on 26 April at Jalan Tugu (Monument Street) to honour and remember the sacrifices of all freedom fighters including the contribution of Australia and New Zealand to the state of Sabah.[93]
In Kuching, a commemorative service was held at the World War II Heroes Graves Memorial in Jalan Taman Budaya (Culture Park Street) on 25 April.[94]
In Labuan, a commemorative service of Dawn and Twilight service are held on 25 April at the World War II Memorial, the final resting place of some 3,908 war heroes from Australia, Britain, New Zealand, India, Malaya along with those from Borneo and the Philippines who died during the occupation of British Borneo by the Japanese.[95]

text: Malta[edit]

text: In Malta Anzac day is commemorated at dawn in Floriana at the Anzac Monument at the Argotti Gardens.

text: Poland[edit]

text: In Warsaw every year, a joint ceremony is held with Australian, New Zealand and Polish representatives at the Tomb of the Unknown Soldier in Piłsudski Square.[96]

text: Singapore[edit]

text: In Kranji, an Anzac Day dawn service is held by the Australian and New Zealand communities in Singapore on 25 April at the Kranji War Memorial to commemorate the landings at Gallipoli during the First World War against the Ottoman Empire.[97] Memorial services are also held annually at the Kranji War Cemetery to commemorate those who died during the occupation of Singapore by the Japanese.[98]

text: Sudan[edit]

text: In South Sudan, Anzac Day is commemorated in the capital Juba at a dawn service at DaVinci by the Nile River by expats and friends of Australia alike.

text: Thailand[edit]

text: In Kanchanaburi, Thailand, a dawn service is held at Hellfire Pass, a rock cutting dug by allied Prisoners of War and Asian labourers for the Thai-Burma Railway. This cutting is where the greatest number of lives were lost during railway construction. The dawn service is followed by a "gunfire breakfast" (coffee with a shot (or two) of rum) recalling the 'breakfast' taken by many soldiers before facing battle. At 11 am a second ceremony is held at the main POW cemetery in the city of Kanchanaburi, where 6,982 POWs are buried, mostly British, Australian, Dutch and Canadians. Over the years, both services have been attended by some Anzac ex-POWs and their families travelling from Australia, as well as ambassadors from the Australian and New Zealand consulates, the Kanchanaburi Provincial Governor, and others. The closest Saturday to Anzac Day also sees the ex-POWs attend an Australian Rules football match between the Thailand Tigers AFL club and a team invited from neighbouring Asian countries.

text: United States[edit]

text:
In the United States, Anzac Day is commemorated at the Los Angeles National Cemetery in Westwood, California. The New Zealand and Australian Consulates-General rotate hosting the service. The largest expatriate community of New Zealanders and Australians are in Southern California, hence this location.
In Santa Barbara, California, Anzac Day is remembered by the expatriate Australian and New Zealand communities. In the absence of an official World War I remembrance, several dignitaries from many countries including Australia, New Zealand and the U.S. attend an 11.11 am morning service held at the Elings Park Veteran's Memorial Walk on 25 April of each year.
In New York City, a small mid-morning tribute to Anzac Day is held in the roof garden at the Rockefeller Center British Empire Building in Rockefeller Plaza, 620 Fifth Avenue, overlooking St. Patrick's Cathedral, on the Sunday nearest 25 April; it is an annual tradition that has been held at this locale since 1950.
In Washington DC, Australian and New Zealand servicemen and women observe Anzac Day at a dawn service at the Korean War Veterans Memorial on 25 April each year.
In Hawaii the Marine Corps hosts an Anzac Day ceremony at the National Memorial Cemetery of the Pacific, known as "The Punchbowl", where several dignitaries from many countries including Australia, New Zealand, Canada, and the U.S. attend to commemorate the memory of all who have fallen for their country.
In San Francisco, there is an 11am service at the Log Cabin in the Presidio on the Sunday nearest 25 April. Dignitaries from Australia, New Zealand, Turkey, USA and England attend. It is followed by a BBQ picnic.
In Fort Rucker, a dawn service is held on 25 April led by the senior Australian liaison officer at the Fort Rucker memorial garden adjacent to the aviation museum. Invited to attend are all expatriate Australians, New Zealanders, veterans of the 135th assault helicopter company, a composite unit manned by U.S. Army and Royal Australian Navy personnel. Also senior officers of the Fort Rucker general staff. A gunfire breakfast consisting of coffee, rum, and biscuits is served prior to the service.

text: Criticism of some commemorations[edit]

text: From the beginning, there has been concern to protect the Anzac tradition from inappropriate use. In Australia, use of the word "Anzac" is regulated under the Protection of Word "Anzac" Act 1920.[99] The Protection of Word 'Anzac' Regulations 1921 state that: "no person may use the word 'Anzac', or any word resembling it, in connection with any trade, business, calling or profession or in connection with any entertainment or any lottery or art union or as the name or part of a name of any private residence, boat, vehicle of charitable or other institution, or other institution, or any building without the authority of the Minister for Veterans' Affairs". The maximum penalty is 12 months imprisonment, or $10,200 for a person and $51,000 for a corporation.[100]

text: For decades, there have been concerns that the participation of young people in Anzac Day events has injected a carnival element into what is traditionally a solemn occasion. The change was highlighted by a rock concert-style performance at the 2005 Anzac Cove commemoration during which attendees drank and slept between headstones. After the event the site was left strewn with rubbish.[101][102][103] In 2013, historian Jonathan King said that "escalating commercial pressures threaten to turn the centenary [of the landing at Gallipoli] into a Big Day Out."[104]

text: Over recent years, some historians and commentators have raised concerns over what they see as the increasing commercialisation of Anzac Day. In 2015, historian Dr Carolyn Holbrook stated that companies were seeking to associate themselves with Anzac Day as "Anzac is the most potent and popular brand going around in Australia today".[105] Historian Professor Joan Beaumont, researcher Jo Hawkins and historical commentator Dr David Stephens have argued that the Federal Government has not been sufficiently enforcing regulations which limit the extent to which companies can refer to Anzac Day, or use the word "Anzac", in their marketing.[105][106] There has been widespread public opposition to the more blatant attempts to commercialise Anzac Day, which has led to some products being withdrawn from sale. Many of the products associated with the centenary of the Gallipoli landings were also commercial failures.[107]

text: Criticism of Anzac Day[edit]

text: Anzac Day has been criticised by a number of Australians and New Zealanders.[108][109] At its inception, Anzac Day faced criticism from the Australian labour movement, and in the country at large, there was opposition to political exploitation of what was seen as a day of mourning.[110] One controversy occurred in 1960 with the publication of Alan Seymour's classic play, The One Day of the Year,[111] which dramatised the growing social divide in Australia and the questioning of old values. In the play, Anzac Day is critiqued by the central character, Hughie, as a day of drunken debauchery by returned soldiers and as a day when questions of what it means to be loyal to a nation or Empire must be raised. The play was scheduled to be performed at the inaugural Adelaide Festival of Arts, but after complaints from the Returned Services League, the governors of the Festival refused permission for this to occur.[112]

text: In October 2008, former Australian Prime Minister Paul Keating stated that he believes it is misguided for people to gather each year at Anzac Cove to commemorate the landing at Gallipoli, because it is "utter and complete nonsense" to suggest that the nation was "born again or even, redeemed there."[113] The then Australian Prime Minister Kevin Rudd rejected Keating's views, saying the Gallipoli campaign is "part of our national consciousness, it's part of our national psyche, it's part of our national identity, and I, for one, as Prime Minister of the country, am absolutely proud of it."[114]

text: Some critics have suggested that the revival in public interest in Anzac Day amongst the young results from the fact that younger Australians have not themselves experienced war.[115][116][117] Critics see the revival as part of a rise of unreflective nationalism in Australia which was particularly fostered by the then Australian Prime Minister John Howard.[118][119][120][121]

text: Other criticisms have revolved around a perceived overzealousness in Australian attachment to the event, either from participants unaware of the loss or when the focus is at the expense of remembrance of the contribution of New Zealand.[104] In 2005, then Prime Minister John Howard was criticised for shunning the New Zealand Anzac ceremony at Gallipoli,[122] preferring instead to spend his morning at a barbecue on the beach with Australian soldiers. In 2009, New Zealand historians noted that some Australian children were unaware that New Zealand was a part of ANZAC.[123] In 2012 a New Zealand journalist caused controversy following comments that Australian World War I soldiers were bludgers and thieves.[124]


document_title: Melisandre

question_text: what did the lady in red give birth to

question_tokens: what did the lady in red give birth to

root

text: Melisandre

text: Character description[edit]

text: Also known as "The Red Woman", Melisandre is a shadowbinder and a priestess of R'hllor in service to Stannis Baratheon. Originally from Asshai, she has prophetic powers that give her partial knowledge of future events. She is also referred to as a shadowbinder, being able to cast glamours and perform certain feats of dark magic. Melisandre is introduced in A Clash of Kings and serves as the third-person narrator for one chapter of A Dance with Dragons. She is described as a beautiful woman with red eyes, always dressing in red and rarely sleeping or eating. She possesses magical abilities, has prophetic visions from fire, and takes a militant stance against the other religions of Westeros.

tag: p

text: Overview[edit]

text: Melisandre is not a point-of-view character in the first four novels, her actions are witnessed and interpreted through the eyes of other characters such as Davos Seaworth and Jon Snow. In A Dance with Dragons, the fifth novel, she has a single point-of-view chapter. George R. R. Martin stated she will return as a viewpoint in future novels.[4]

text: Storylines[edit]

text: In the books[edit]

text: Early history and A Game of Thrones[edit]

text: Melisandre was born an unknown number of years before the start of the series, possibly with the name "Melony". As a child slave, she was sold to the Red Temple and trained for the priesthood. Believing Stannis Baratheon to be the reincarnation of Azor Ahai, a mythic messiah prophesied by her faith, she travels to his island stronghold, Dragonstone, during the events of A Game of Thrones.

text: A Clash of Kings[edit]

text: Melisandre converts Stannis's wife Selyse to her religion, along with several other members of Stannis' court. Stannis' maester Cressen, fearing Melisandre's power and her influence over him, tries to assassinate Melisandre with poison in a murder-suicide, and although Melisandre drinks most of the poison her powers allow her to survive. When Stannis' brother Renly also declares himself king, Melisandre has a vision of Renly defeating Stannis' host at King's Landing. She convinces Stannis to impregnate her, giving birth to a shadow demon that kills Renly. She also births another demon that kills Storm's End's castellan, Ser Cortnay Penrose, when he refuses to yield Storm's End. Ser Bryce Caron convinces Stannis to leave Melisandre at Dragonstone during the Battle of the Blackwater, which ends in Stannis' defeat. During the battle, Ser Garlan Tyrell dons Renly's armor and leads the Tyrell-Lannister vanguard, thus fulfilling Melisandre's earlier prophecy.

text: A Storm of Swords[edit]

text: Stannis' advisor Davos Seaworth blames Melisandre for Stannis' defeat and plans to assassinate her before Melisandre sees the plot in her flames and has him arrested. She attempts to persuade Stannis to sacrifice his bastard nephew Edric Storm to awaken stone dragons beneath Dragonstone. Stannis refuses, but allows her to leech him and burns the leeches to curse Stannis' rivals: Balon Greyjoy, Robb Stark, and Joffrey Baratheon. All three die in various circumstances soon after, but Davos smuggles Edric to Lys, fearing he will be sacrificed. Melisandre then accompanies Stannis and Davos to the Wall to defeat Mance Rayder's wildling host.

text: A Feast for Crows and A Dance With Dragons[edit]

text: Jon Snow swaps Mance Rayder's baby son with Gilly's baby, and sends the baby with Gilly, Samwell Tarly and Maester Aemon to Oldtown, to prevent Melisandre from burning the baby to perform fire magic. When Stannis orders Mance Rayder to be burned alive for deserting the Night's Watch, she uses her magic to secretly switch Mance's identity with Rattleshirt's, another wildling raider, resulting in Rattleshirt being burned instead. She later reveals this to Jon Snow, and sends Mance to Winterfell with six spearwives to rescue "Arya Stark" (actually Sansa Stark's handmaiden Jeyne Poole) from Ramsay Bolton. Melisandre remains at the Wall while Stannis marches on Winterfell. Noting that her powers are stronger at the Wall, she asks R'hllor for a vision of Azor Ahai, but only sees "Snow". She also warns Jon of having seen "daggers in the dark". Jon ignores her warnings, and is later stabbed by mutineers led by Bowen Marsh.

text: In the show[edit]

text: Melisandre is played by Dutch actress Carice van Houten in the television adaption of the book series.[5]

text: Season 2[edit]

text: In a ceremony on Dragonstone, Melisandre burns the statues of the Faith of the Seven, drawing the ire of Stannis' maester Cressen. Cressen attempts to poison her in a murder-suicide attempt; despite drinking the poison, Melisandre is unharmed. She convinces Stannis to impregnate her, giving birth to a shadow demon that kills Stannis' brother Renly, a rival claimant to the throne. However, Stannis' advisor Davos Seaworth counsels Stannis to leave Melisandre on Dragonstone when he attacks King's Landing; when the attack fails, Melisandre claims that Stannis' defeat was a result of not bringing her to the battle. Stannis attempts to strangle Melisandre in a fit of rage, before she makes him understand his role in Renly's death, and assures him that his betrayals will be worth it in the end.

text: Season 3[edit]

text: Melisandre begins burning members of Stannis' court alive at Dragonstone. Davos, blaming Melisandre for Stannis' defeat, tries to assassinate her but fails and is imprisoned. She travels to the Riverlands to meet up with the Brotherhood without Banners, who have taken on Robert Baratheon's bastard Gendry as a blacksmith. During her meeting, Melisandre is astonished when the Red Priest Thoros of Myr reveals he has resurrected the Brotherhood's leader Ser Beric Dondarrion six times. Melisandre purchases Gendry from the Brotherhood, much to the fury of Gendry's friend Arya Stark. Melisandre uses Gendry's blood in a ritual to kill Stannis' rivals. However, before Gendry can be sacrificed, Davos helps him escape. Davos staves off his own execution by showing Stannis a letter from the Night's Watch, claiming that the White Walkers have returned. After burning the letter in the flames, Melisandre corroborates Davos' story, and declares that Stannis will have need of Davos in future.

text: Season 4[edit]

text: Melisandre accompanies Stannis, Davos and their army to the Wall. Before the Baratheon forces sail north, she convinces Selyse Baratheon to bring Stannis' daughter Shireen to the Wall with them, claiming that the Lord of Light has use for her.

text: Season 5[edit]

text: Melisandre presides over Mance Rayder's burning. She attempts to seduce Jon Snow, but he rejects her advances. She later joins Stannis and Davos on their mission to take Winterfell from the Boltons. When a large snowstorm delays their march, Melisandre suggests that Stannis sacrifice Shireen. Stannis initially refuses, but after a raiding party led by Ramsay Bolton burns their supplies, he gives in and allows her to burn Shireen at the stake. The blizzard lifts, but half of Stannis' army deserts and Selyse commits suicide out of guilt for Shireen's death. Melisandre flees to Castle Black, where her distraught demeanour leads Davos and Jon to realise that Stannis and Shireen are dead.

text: Season 6[edit]

text: Still reeling from Stannis' defeat, Melisandre is further shocked when Jon is assassinated by his officers, as she had had a vision of him fighting at Winterfell. In shock and suffering a crisis of faith, she returns to her chambers, removing her necklace and hence revealing her true form of an extremely old woman. Following the imprisonment of the mutineers by the wildlings, Davos persuades her to attempt a resurrection of Jon, which, to her shock, is ultimately successful. Melisandre comes to believe that the "prince that was promised" was not Stannis, but Jon, and dedicates herself to his service. Realizing that her constant meddling had done more harm than good, Melisandre works no magic without Jon's permission, nor does she try to convert anyone – including Snow – to worship the Lord of Light.

text: Melisandre joins Jon in his march on Winterfell to confront Ramsay Bolton. Although Jon forbids her from resurrecting him again if he falls. Melisandre says she will at least try, as the Lord of Light might still need him. In the aftermath of House Stark's recapture of Winterfell (which validates her vision), Melisandre is confronted by Davos, who has discovered that she burned Shireen at the stake. Jon Snow exiles her from the North, threatening to have her executed if she ever returns. Melisandre protests that she is now dedicated to the cause of defeating the White Walkers, but ultimately agrees to leave and rides south.

text: Season 7[edit]

text: Melisandre arrives on Dragonstone, which is now occupied by Daenerys Targaryen. Melisandre claims that both she and Jon (who has been crowned King in the North since her exile) are the "prince that was promised", and suggests that Daenerys summon Jon to Dragonstone to hear of his experiences fighting the White Walkers. When Jon and Davos arrive on Dragonstone to meet Daenerys, Melisandre avoids them and decides to return to Volantis. Although Daenerys' advisor Varys warns that Melisandre will not be safe if she ever returns to Westeros, she declares that she will eventually make one final journey to Westeros to die.

text: TV adaptation[edit]

text: Melisandre is played by the Dutch actress Carice van Houten in the television adaption of the series of books.[6]

text: Recognition and awards[edit]

text:
Year
Award
Category
Result
Ref.

2014
Screen Actors Guild Award
Outstanding Performance by an Ensemble in a Drama Series
Nominated
[7][8]

2016
Screen Actors Guild Award
Outstanding Performance by an Ensemble in a Drama Series
Nominated
[9]

2017
Screen Actors Guild Award
Outstanding Performance by an Ensemble in a Drama Series
Nominated
[10]

tag: table


document_title: The Jungle Book (2016 film)

question_text: who played the voice of the tiger in jungle book 2016

text: The Jungle Book (2016 film)

text: Plot[edit]

text: Mowgli is a "man cub" raised by the wolf Raksha and her pack, led by Akela, in an Indian jungle ever since he was brought to them as a baby by the black panther Bagheera. Bagheera trains Mowgli to learn the ways of the wolves, but the boy faces certain challenges and falls behind his wolf siblings, while Akela disapproves of him using human tricks like building tools instead of learning the ways of the pack.

text: One day, during the dry season, the jungle animals gather to drink the water that remains as part of a truce during a drought that enables the jungle's wildlife to drink without fear of being eaten by their predators. The truce is disrupted when a scarred tiger named Shere Khan arrives, detecting Mowgli's scent in the large crowd. Resentful against man for scarring him, he issues a warning that he will kill Mowgli at the end of the drought. After the drought ends, the wolves debate whether they should keep Mowgli or not. Mowgli decides to leave the jungle for the safety of his pack. Bagheera agrees with the decision and volunteers to guide him to the nearby man village.

text: En route, Shere Khan ambushes them and injures Bagheera, but Mowgli manages to escape. Later, Mowgli meets an enormous python named Kaa who hypnotizes him. While under her influence, Mowgli sees a vision of his father being mauled while protecting him from Shere Khan. The vision also warns of the destructive power of the "red flower" (fire). Kaa attempts to devour Mowgli, but she is attacked by a large brown sloth bear named Baloo, rescuing an unconscious Mowgli. Baloo and Mowgli bond while retrieving some difficult-to-access honey for Baloo, and the boy agrees to stay with Baloo until the winter season arrives. Upon learning that Mowgli has left the jungle, Shere Khan kills Akela and threatens the pack to lure Mowgli out.

text: Bagheera eventually finds Mowgli and Baloo and is angered that Mowgli has not joined the humans as agreed, but Baloo calms him down and persuades both of them to sleep on it. During the night, Mowgli finds a herd of Indian elephants gathered around a ditch and uses his vines to save a baby elephant from the ditch. Although Baloo and Bagheera are both impressed, Baloo realizes that he cannot guarantee Mowgli's safety after learning that he is being hunted by Shere Khan. Baloo agrees to push Mowgli away to get him to continue onward to the man village.

text: Mowgli is kidnapped by the "Bandar-log" (monkeys) who present him to their leader, a giant ape named King Louie. Assuming that all humans can make fire, King Louie offers Mowgli protection from Shere Khan in exchange for it. Baloo distracts King Louie while Bagheera tries to sneak him out, but their plan is discovered. As King Louie chases Mowgli through his temple, he informs Mowgli of Akela's death. King Louie's rampage eventually causes his temple to collapse on top of him. Furious that Baloo and Bagheera never told him about Akela's death, Mowgli goes to confront Shere Khan alone.

text: Mowgli steals a lit torch at the village to use as a weapon and heads back to the jungle, accidentally starting a wildfire in the process. He confronts Shere Khan, who argues that Mowgli has made himself the enemy of the jungle by causing the wildfire. Mowgli throws the torch into the water, giving Shere Khan the advantage. Baloo, Bagheera, and the wolf pack intervene and hold Shere Khan off, giving Mowgli enough time to set a trap. He lures Shere Khan up a dead tree and onto a branch, which breaks under the tiger's weight and Shere Khan falls into the fire to his death. Mowgli then directs the elephants to divert the river and put out the fire.

text: In the aftermath, Raksha becomes the new leader of the wolf pack. Mowgli decides to utilize his equipment and tricks for his own use, having found his true home and calling with his wolf family, Baloo, and Bagheera.

text: Cast[edit]

text:
Neel Sethi as Mowgli, a young boy who was raised by wolves.

Kendrick Reyes as toddler Mowgli

Ritesh Rajan as Mowgli's father

tag: ul

text: Voice cast[edit]

text:
Bill Murray as Baloo, a sloth bear who befriends Mowgli.
Ben Kingsley as Bagheera, a black panther who is Mowgli's mentor and protector.
Idris Elba as Shere Khan, a fearsome, scar-faced tiger with a grudge against Mowgli.
Lupita Nyong'o as Raksha, a female wolf who is Mowgli's adoptive mother.
Scarlett Johansson as Kaa, an enormous python.
Giancarlo Esposito as Akela, a male wolf who leads the pack.
Christopher Walken as King Louie, a giant ape who rules the Bandar-log.
Garry Shandling as Ikki, a porcupine that observes the Water Truce.[1]
Brighton Rose as Grey Brother, a wolf cub that is Mowgli's adoptive brother.[1]
Jon Favreau as Fred, a Pygmy Hog.[1]
Sam Raimi as a giant squirrel.[1]
Russell Peters as Rocky, a rhinoceros.[1]
Madeleine Favreau as Raquel, a rhinoceros.[1]
Sara Arrington as an antelope [1]

text: Emjay Anthony, Max Favreau, Chloe Hechter, Asher Blinkoff, Knox Gagnon, Sasha Schrieber, and Kai Schrieber voice the Young Wolves.[1]

text: Dee Bradley Baker, Artie Esposito, Sean Johnson, and Allan Trautman provide additional animal voices.[1]

text: Production[edit]

text: Development and casting[edit]

text:
"The idea of going out to the jungle and shooting this, it just felt like it wouldn't have the magic that the 1967 film had had. There was a dreamlike quality to it. There was a surreal quality to it. It was a high-water mark for character animation and to me, that's what I remember about it. And so I wanted to make sure we preserved that...But what [Alan] Horn said was: Look at the technology. Look at Life of Pi, Avatar. Why not use the technology to create a whole world that transports you? Let's really embrace this new technology and see what we can do if we push its limit."

— Jon Favreau on approaching the film's technical intent.[9]

tag: div

text: Walt Disney Pictures announced that a live-action adaptation of Rudyard Kipling's short story collection The Jungle Book was in development on July 9, 2013, with Justin Marks set to write the script.[10] The film would be Disney's second live-action adaptation of Kipling's works, following the 1994 film, the 1998 direct-to-video film Mowgli's Story and the studio's fourth overall after the 1967 animated musical.[11] Jon Favreau was confirmed as director on November 5, 2013.[12] Favreau as a child used to watch Disney's 1967 animated musical.[13] He felt the need to strike a balance between the two films by retaining the buoyant spirit of the 1967 film, including some of its memorable songs, while crafting a movie with more realism and peril. He also stressed the importance of nature and realized how things have shifted during Kipling's time and now, "In Kipling's time, nature was something to be overcome. Now nature is something to be protected."[13] He was encouraged by Walt Disney Studios chairman Alan Horn to take advantage of the film's setting and story as an opportunity to use the latest advancements in photorealistic rendering, computer-generated imagery, and motion capture technologies.[14] The story of the film is not independently taken from Kipling's works, but also borrows cinematic inspirations from other films, including the child-mentor relationship in Shane (1953), the establishment of rules in a dangerous world from Goodfellas (1990) and the use of a shadowy jungle figure in Apocalypse Now (1979).[13]

text: The cast was announced between March and August 2014, with Idris Elba being announced to voice Shere Khan during early stages and Bill Murray eventually confirmed as the voice of Baloo in August 2014. Between then, Scarlett Johansson, Ben Kingsley, and Christopher Walken were confirmed to play Kaa, Bagheera, and King Louie.[15][16][17][18] Favreau decided to cast Johansson to play Kaa, originally a male character, as he felt the original film was "a little too male-oriented."[19] Favreau and Marks noticed the lack of female characters in the 1967 film version and wanted to address that by featuring Raksha's character more prominently, as in Kipling's tales.[13] Lupita Nyong'o was cast as Raksha as Favreau believed her voice imbued the emotion required for the role, "Lupita has tremendous depth of emotion in her performance. There's an emotional underpinning she brings, and a strength, and we wanted that for this surrogate mother. Much of that comes from her voice."[20] Favreau also decided to change King Louie from an orangutan to a gigantopithecus due to the fact that orangutans are not native to India, where the story takes place.[6] His character was given a slight alteration from the 1967 film and was partly inspired by Marlon Brando's character Colonel Kurtz in Apocalypse Now,[13] as well as incorporating Walken's own physical mannerisms.[21] In regards to Louie's changes, Favreau stated, "We created this looming figure that was trying to extract the secret of fire from Mowgli. And also this gave Mowgli the idea that if he had fire, he could have power over Shere Khan, whether it was good or bad. So there was a Lord of the Rings aspect to that; the fire was almost like the ring in that was going to give someone ultimate power, but corrupt them as well as create destruction."[22] The film is dedicated to Garry Shandling, who voiced a porcupine in the film and died of a heart attack before the film's release.

text: The search for casting Mowgli was extensive, with thousands of children auditioning from the United States, the United Kingdom, New Zealand, and Canada. Eventually, newcomer Neel Sethi was confirmed for the role, with casting director Rebecca Williams describing him as embodying "the heart, humor, and daring of the character. He's warm and accessible, yet also has an intelligence well beyond his years and impressed us all with his ability to hold his own in any situation."[23] Sethi underwent parkour training in preparation for the role.[7] Pixar Animation Studios assisted in the development of the story, as well as providing suggestions for the film's end credits sequence.[24]

text: Filming and visual effects[edit]

text: Principal photography took place entirely on sound stages at L.A. Center Studios[22] in downtown Los Angeles.[20][25] The animal characters were created entirely in computer animation, with the assistance of footage of real animal movement, the actors recording their lines, and performance capture for reference.[6] The production team underwent a thorough process to realistically convey the animals' speaking, while still making them perceptually believable to the audience. Favreau researched earlier films featuring anthropomorphic animals—including Walt Disney's animated features, such as Snow White and the Seven Dwarfs and Bambi, as well as modern films such as Babe—and adopted certain techniques from those films into The Jungle Book.[22] Nearly 70 separate species of animals native to India are featured in the film, with several species being portrayed as "150% larger" than their actual counterparts.[22]

text: Jim Henson's Creature Shop was brought in to provide animal puppet figures for Sethi to act against, although none appear in the finished film.[26] The animal puppets were performed by Artie Esposito, Sean Johnson, Allan Trautman, and April Warren.[1] Favreau utilized motion capture with certain actors, expressing a desire to avoid overusing the technology in order to prevent evoking an uncanny valley effect.[6][19]

text: Moving Picture Company (MPC) and Weta Digital created the film's visual effects.[14] MPC developed new software for animating muscular structure in the animals.[22] Around 1,000 remote jungle locations in India were photographed and used as reference in post-production.[27] Weta was responsible for animating the King Louie sequence, with visual effects supervisor Keith Miller adding that, "It was important for Jon to see Christopher Walken in the creature. So we took some of the distinctive Walken facial features—iconic lines, wrinkles and folds—and integrated them into the animated character."[28] Favreau expressed desire in wanting the film's 3D shots to imbue the abilities of the multiplane camera system utilized in Disney's earlier animated films.[24] At Favreau's behest, the idea was extended into the film's version of the Walt Disney Pictures opening production logo, which was recreated as "a hand-painted, cel-animated multi-plane logo" in homage to the animated films of that era, also incorporating the word "Presents" in the same style as the 1967 film's opening credits.[24] The film's ending also features the original physical book that opened the 1967 film.[24]

text: Sound[edit]

text: Director Jon Favreau and composer John Debney sought to recreate the Fantasound experience Walt Disney, himself, had in mind. When mixing the soundtrack in Dolby Atmos, as Favreau said, "we isolated instruments when we could. And in the sound mix, we created a Fantasound mix. If you see the film in Atmos, you will feel that there are instruments that move around the theater."[29] A mention for Fantasound appears in the film's closing credits.

text: Music[edit]

text: The musical score for The Jungle Book was composed and conducted by frequent Favreau collaborator John Debney,[30] mostly drawing from George Bruns' original music. Though Favreau decided not to make the film a musical, nevertheless, he and Debney incorporated several songs from the 1967 animated film.[31] "The Bare Necessities," written by Terry Gilkyson, is performed by Murray and Sethi,[13] and a cover version by Dr. John is featured in the end credits. "I Wan'na Be Like You" and "Trust in Me"—written by the Sherman Brothers—are performed by Walken and Johansson, respectively; Richard M. Sherman wrote revised lyrics for Walken's version of "I Wan'na Be Like You."[13] Johansson's rendition of "Trust in Me" was produced by Mark Ronson and appears in the end credits only.[13]

text: Soundtrack[edit]

text:
The Jungle Book (Original Motion Picture Soundtrack)

Film score by John Debney

Released
April 15, 2016

Recorded
2015–16

Studio
Sony Pictures Studios (score)
Esplanade Studios, New Orleans
Chalice Recording Studios
Music Shed Studios, New Orleans

Genre
Orchestral, swing jazz

Length
74:17

Label
Walt Disney

Producer
John Debney

John Debney chronology

The Young Messiah
(2016) The Young Messiah2016
The Jungle Book
(2016) The Jungle Book2016
Mother's Day
(2016) Mother's Day2016

text: Walt Disney Records released the film's soundtrack on April 15, 2016.[32]

text: Track listing[edit]

text:
No.
Title
Writer(s)
Performer(s)
Length

1.
"The Bare Necessities"
Terry Gilkyson
Dr. John and The Nite Trippers
3:36

2.
"Trust in Me"
Richard M. Sherman, Robert B. Sherman
Scarlett Johansson
2:55

3.
"Main Titles[Note 1] / Jungle Run"
John Debney & George Bruns

2:27

4.
"Wolves / Law of the Jungle"
John Debney

2:16

5.
"Water Truce"
John Debney

3:40

6.
"Rains Return"
John Debney

1:46

7.
"Mowgli's Leaving / Elephant Theme"
John Debney

3:28

8.
"Shere Khan Attacks / Stampede"
John Debney

2:06

9.
"Kaa / Baloo to the Rescue"

5:21

10.
"Honeycomb Climb"

3:31

11.
"Man Village"

2:59

12.
"Mowgli and the Pit"

3:26

13.
"Monkeys Kidnap Mowgli"

1:52

14.
"Arriving at King Louie's Temple"

4:35

15.
"Cold Lair Chase"

4:03

16.
"Red Flower"

3:15

17.
"To the River"

3:05

18.
"Shere Khan's War Theme"

2:37

19.
"Shere Khan and the Fire"

4:52

20.
"Elephant Waterfall"

3:27

21.
"Mowgli Wins the Race"

0:41

22.
"Jungle Book Closes"

2:16

23.
"I Wan'na Be Like You"
Richard M. Sherman, Robert B. Sherman
Christopher Walken
3:02

24.
"The Bare Necessities"
Terry Gilkyson
Bill Murray, Kermit Ruffins
3:01

Total length:
74:17

text: Note 1. ^ Original "When You Wish Upon a Star" melody composed by Leigh Harline; Walt Disney Pictures logo melody composed by Mark Mancina.

text: Release[edit]

text: The film was originally scheduled for October 9, 2015, but the film's release date was later postponed by Walt Disney Studios Motion Pictures to April 15, 2016.[33][34] The film was released in the Dolby Vision format in Dolby Cinema in the United States,[35] and is the first film to be released in Dolby Vision 3D (in a few select theaters in New York City and Chicago).[36] The Jungle Book held its world premiere at the El Capitan Theatre on April 4, 2016.[37] It was released in 15 countries, a week ahead of its U.S. debut on April 15, in countries like Argentina, Australia, Russia, Malaysia, and most notably in India on April 8.[38] The release date in India was strategic for the film as it coincided with the Indian New Year and was a holiday in most parts of the country.[39] The film had a special Hindi version with famous actors giving their voices to the main characters, including Irrfan Khan as Baloo, Om Puri as Bagheera, Priyanka Chopra as Ka, Nana Patekar as Sher Khan and Shefali Shah as Raksha, for its Indian audiences as the book and the Disney series based on it had been immensely popular in India in 1990s. Disney India also commissioned a contemporary recording of "Jungle Jungle Baat Chali Hai" (originally used for the popular Indian version of Japanese anime series Jungle Book Shōnen Mowgli), overseen by the original Hindi song's composers Vishal Bhardwaj and Gulzar, and released it as part of the film's promotional campaign in India.[40][41]

text: Home media[edit]

text: The film was released digitally on August 23, 2016, and on DVD and Blu-ray on August 30 (August 22 in the UK[42]). A 3D Blu-ray was said to be coming by the end of the year.[43] The film topped the NPD VideoScan overall disc sales chart for two consecutive weeks.[44][45]

text: Reception[edit]

text: Box office[edit]

text: The film became a huge financial success and a sleeper hit.[46] It briefly held the record for the biggest remake of all time until the studio's own Beauty and the Beast surpassed it the following year.[47] It grossed $364 million in the United States and Canada and $602.5 million in other countries for a worldwide total of $966.6 million, against a budget of $175 million.[4] Worldwide, the film was released across 28,000 RealD 3D screens[36] and had an IMAX worldwide opening of $20.4 million from 901 IMAX screens, a new record for a PG film.[48] It grossed a total of $39 million in IMAX screens worldwide.[49] On May 13, it became the second film of 2016 (after the studio's own Zootopia) to pass the $800 million mark.[50][51] On June 10, it became the third film of 2016 after Zootopia and Captain America: Civil War to pass the $900 million mark.[52] Deadline.com calculated the net profit of the film to be $258 million, when factoring together all expenses and revenues for the film, making it the sixth-most profitable release of 2016.[53]

text: United States and Canada[edit]

text: Projections for its opening weekend in the United States and Canada were continuously revised upwards, starting from $60 million to as high as $88 million, with female and older male quadrants being the prime draw.[54][36][55][56] The Jungle Book was shown across 4,028 theaters of which 3,100 theaters (75%) were in 3D, including 376 IMAX screens, 463 premium large format screens, and 145 D-Box locations.[54][57][58] It opened Friday, April 15, 2016, on around 9,500 screens across 4,028 theaters, and earned $32.4 million, the fourth-biggest April Friday.[36][59] This includes $4.2 million from Thursday previews, the biggest preview number for a Disney live-adaptation film (tied with Maleficent),[60] an almost unheard-of for a PG title which rarely attracts many ticketbuyers later in the night.[61] In total, it earned $103.3 million in its opening weekend, exceeding expectations by 40% and recorded the biggest PG-rated April opening (breaking Hop's record), the second-biggest Disney live-action adaptation opening (behind Alice in Wonderland), and the second-biggest April opening (behind Furious 7).[36][62][63] It also performed exceptionally well in both 3D and IMAX formats, where they both generated an income of $44 million and $10.4 million of the film's opening-weekend gross, respectively, the later broke the record for the biggest April Disney release IMAX opening.[36][48] Notably, it also became the only second PG-rated release to ever open above $100 million (following Alice in Wonderland) and the third film of 2016 overall to open above $100 million (following Deadpool and Batman v Superman: Dawn of Justice).[36][64] It earned $130.7 million in its first full week, the second-biggest for a Disney live-action adaptation, behind only Alice in Wonderland's $146.6 million seven-day gross.[65]

text: Buoyed by excellent word of mouth and benefiting from spring break, it fell only by 40% in its second weekend earning $61.5 million, still maintaining the top position and far surpassing newcomer The Huntsman: Winter's War.[66] That puts The Jungle Book in the top fifteen second weekends of all time and in terms of films that opened above $100 million, it scored the fourth-smallest drop behind Shrek 2 (−33%), Spider-Man (−39%), and Star Wars: The Force Awakens (−39%).[67][68] Of those numbers, $5.6 million came from IMAX shows for a two weekend cumulative total of $18.4 million which represents about 10% of its entire North American box office gross.[66] It crossed $200 million on its twelfth day of release[69] and managed to hold the top spot for the third consecutive weekend with $43.7 million from 4,041 theaters (an addition of 13 more theaters), a fall of only 29%, outgrossing the next six pictures combined (including the openings of three newcomers)[70] and recorded the sixth-biggest third weekend of all time.[71] Moreover, the 29% drop is the smallest third-weekend drop (from its second weekend) for a $100 million opener ever.[71] Disney added an additional 103 theaters for the film's fourth weekend of release which propelled its theater count to 4,144 theaters,[72] but nevertheless, it was overtaken by Disney's own Captain America: Civil War after experiencing a 50% decline.[73][74] It passed $300 million on its thirtieth day of release, on May 14, as it continued to witness marginal declines in the wake of several new releases weekend after weekend.[75] It made 3.53 times its opening weekend numbers, which is one of the biggest of all time for a film opening above $100 million. It became one of the few surprise hits and one of the highest-grossing films of the year, alongside Finding Dory, The Secret Life of Pets, and Zootopia, centered around talking animals to dominate the year-end chart.[46]

text: Other countries[edit]

text: The film was released in approximately 70 countries.[76] Outside the US and Canada, it opened across 15 markets and 69 IMAX screens a week ahead of its US debut, and faced notable competition from newcomer The Huntsman: Winter's War and holdover Batman v Superman: Dawn of Justice, the latter of which was entering its third weekend. The reason behind the divided release pattern was because Disney wanted to get some space before Captain America: Civil War releases in early May, as well as availing school holidays and avoiding local competitors.[77] It eventually grossed $31.7 million, debuting at first place in all markets and second overall at the international box office, behind Dawn of Justice, which was playing across 67 markets.[77] In its second weekend, it expanded to an additional 49 countries (88% of its total marketplace) and grossed $138.6 million from 64 countries, easily topping the international box office, a bulk of it came from China.[78] Approximately 63% or $85 million of that came from 3D screenings, with the largest 3D opening haul represented by China (98%), Germany (83%), Brazil (73%), Russia (60%), Mexico (47%), and the UK (39%).[78] $10 million alone came from 525 IMAX screens, a record for a PG and April release.[48] It further continued to hold the top spot in its third weekend after adding another $98.9 million from 53 territories, falling only by a marginal 32%. IMAX generated another $6.1 million from 484 IMAX theaters for a three-weekend total of $20.6 million.[49] After three straight No. 1 runs, it was finally dethroned by the studio's Captain America: Civil War in its fourth weekend.[79]

text: In India, it scored the second-biggest opening day for a Hollywood film, earning $1.51 million (behind Avengers: Age of Ultron) from around 1,500 screens[80] and went on to score the second-biggest Hollywood opening weekend of all time, with $8.4 million from 1,600 screens, behind only Furious 7 in terms of local as well as U.S. currency,[81][82] performing better than expected and its initial $5–6 million opening projection.[80] Its opening weekend in India alone surpassed the entire lifetime total of Disney's other live-fantasy adaptations—Cinderella, Maleficent, Oz the Great and Powerful, and Alice in Wonderland—in the country.[77] It then went on to score the biggest opening and single week for a Hollywood film with $15.1 million.[76][83] In its second weekend, it dropped just by a mere 40% to $4.97 million.[84] In just ten days, it became the fourth-highest-grossing Hollywood film there with $21.2 million.[62] On Wednesday, April 19—its twelfth day of release—it surpassed Furious 7 to become the highest-grossing Hollywood/foreign release of all time there.[85][86] By the end of its theatrical run, the film made an estimated $38.8 million with half of its revenue—58%—coming from local dubbed versions, compared to Avengers: Age of Ultron, which saw 45% of its revenue from dubbed versions.[87]

text: In China, where the film was locally known as Fantasy Forest, expectations were high, with projections going as high $154–200 million or more.[88][89][90][91] Ultimately, it was unable to hit these marks.[75] Before the release of the film in the state, Disney had a very successful run at the box office with Zootopia the previous month, in which anthropomorphic animals were the central figure.[92] Forbes noted that The Jungle Book was precisely the sort of film that Chinese audiences love with its 3D visuals, heartwarming story, and talking animal cast.[89] It earned around $12 million on its opening day, including $300,000 worth of previews from 65,000 screenings.[89] Buoyed by good word of mouth and positive reception (albeit mostly from audiences with polarized reception from Chinese critics),[93] it rose 72% on its second day to $20 million.[91] Through its opening weekend it grossed $48.5 million, including $5.1 million from 279 IMAX screens, a new record for April release.[62][94] Its opening marked the biggest Walt Disney Pictures film opening ever,[95] the second-biggest for a family film (behind Kung Fu Panda 3), the second-biggest April debut (behind Furious 7), and the fourth-biggest Disney opening (behind Avengers: Age of Ultron, Iron Man 3, and Star Wars: The Force Awakens).[96] It topped the daily box office through the whole opening week and went on to remain at the top of the box office for a second weekend, after dropping by a mere 20% to $29.8 million, despite facing some competitions.[97] It ended its run there with a total of $150.1 million after thirty days of playing in theaters, adding $1.2 million on its last day. Albeit falling just below expectations, it nevertheless emerged as a huge financial success and becoming the fourth-biggest Disney release there.[75][98]

text: In the United Kingdom and Ireland, it had an opening weekend total of £9.9 million ($14.1 million) from 594 theaters[99] and in France with $8.1 million.[78] Elsewhere, the highest openings were recorded in Russia and the CIS ($7.4 million), Germany ($5.1 million), Spain ($3.9 million), Australia ($2.8 million), Argentina ($2.3 million), and in Malaysia, where it scored the biggest opening weekend for a live-action Disney film with $2.3 million.[77][78] In the UK, it became the first film of 2016 to earn over £5 million in three straight weekends and the first film since Jurassic World, Spectre, and Star Wars: The Force Awakens (all 2015 films) to achieve such an accomplishment,[100] and the first film of 2016 to earn above £40 million ($58 million).[101] In South Korea, it faced competition with Warcraft, but ended up debuting atop the charts with $6.2 million.[102] It has so far grossed a total of $18 million there.[103]

text: It opened in Japan on August 11, alongside the superhero film X-Men: Apocalypse[95][104] and delivered a four-day opening of $6.2 million from 676 screens ($3 million in two days), debuting at second place behind The Secret Life of Pets. Although the opening figure was considered mediocre, Deadline.com noted that Japan is a market that can see big multiples.[105][106] It fell just 30% in its second weekend earning $2.1 million for an eleven-day total of $13.7 million.[107][108]

text: In total earnings, its biggest markets outside of the US and Canada were China ($150.1 million), the United Kingdom ($66.2 million) and India ($38.8 million).[98] It was the highest-grossing film of 2016 in Europe with a total of $209 million,[109] the United Kingdom and Ireland,[110] and in India (although it was later surpassed by Sultan, in terms of Hollywood/imported films, it is still the biggest).[111]

text: Critical response[edit]

text: The film received praise for its visual effects, vocal performances, direction, musical score, and its faithfulness to the animated film.[116][117][118] On review aggregator Rotten Tomatoes, the film has an approval rating of 95%, based on 296 reviews, with an average rating of 7.7/10. The site's critical consensus reads, "As lovely to behold as it is engrossing to watch, The Jungle Book is the rare remake that actually improves upon its predecessors—all while setting a new standard for CGI."[119] On Metacritic, the film has a score of 77 out of 100, based on 49 critics, indicating "generally favorable reviews."[120] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Ninety-seven percent of the audience gave the film an A or a B. It got As from both the under- and over-25 crowd and A+ among those under 18 years of age, and also for the over-50 audience.[36]

text: Todd McCarthy of The Hollywood Reporter wrote, "Exceptionally beautiful to behold and bolstered by a stellar vocal cast, this umpteenth film rendition of Rudyard Kipling's tales of young Mowgli's adventures amongst the creatures of the Indian jungle proves entirely engaging, even if it's ultimately lacking in subtext and thematic heft."[121] Andrew Barker of Variety felt that this version "can't rival the woolly looseness of Disney's 1967 animated classic, of course, but it succeeds on its own so well that such comparisons are barely necessary."[122] Robbie Collin of The Telegraph gave the film four stars out of five, and deemed it "a sincere and full-hearted adaptation that returns to Kipling for fresh inspiration."[123] Alonso Duralde of The Wrap says "This 'Book' might lack the post-vaudeville razzamatazz of its predecessor, but director Jon Favreau and a team of effects wizards plunge us into one of the big screen's most engrossing artificial worlds since Avatar."[124] Peter Bradshaw, writing for The Guardian, gave the film four out of five stars and felt that the film had a touch of Apocalypto in it, finding the plot elements to be similar to those in The Lion King. He wrote that the film was "spectacular, exciting, funny and fun" and that it "handsomely revives the spirit of Disney's original film."[125] Pete Hammond of Deadline.com wrote that the film had laughs, excitement, an exceptional voice cast and, most importantly, a lot of heart, calling it a cinematic achievement like no other. He particularly praised Murray's performance and the visual effects, deeming it "simply astonishing."[126] Chris Nashawaty of Entertainment Weekly graded the film an "A–," calling it one of the biggest surprises of 2016. He, however, felt the two songs were rather unnecessary and distracting, and believed the film to be a little too frightening for children.[127]

text: Richard Roeper of Chicago Sun-Times awarded the film three-and-a-half stars, pointing out the CGI as the apex achievement of the film. He labelled it "a beautifully rendered, visually arresting take on Rudyard Kipling's oft-filmed tales" but found the musical numbers to be trivial, saying that without the musical numbers, the film might have been a more exhilarating streamlined adventure.[128] Los Angeles Times' Kenneth Turan remarked that "The Jungle Book is the kind of family film calculated to make even those without families wish they had one to take along."[129] Peter Travers of Rolling Stone awarded the film three-and-a-half stars out of four, labeling it scary and thrilling, yet unique and unforgettable, and adding that it "fills us with something rare in movies today—a sense of wonder."[130] The Village Voice's Bilge Ebiri hailed the film as fast and light and that it "manages to be just scary enough to make us feel the danger of solitude in the middle of a massive jungle, but never indulgent or gratuitous."[131] The New York Times' Manohla Dargis was less enthusiastic.[132] Cath Clarke of Time Out compared Elba's character of Shere Khan to Scar from The Lion King, calling him "baddie of the year."[133] Matt Zoller Seitz of RogerEbert.com also had high praise for Elba's portrayal of Shere Khan stating: "His loping menace is envisioned so powerfully that he'd be scary no matter what, but the character becomes a great villain through imaginative empathy. We understand and appreciate his point-of-view, even though carrying it out would mean the death of Mowgli."[114]

text: The film's visual effects and 3D photography were compared to those of Avatar, Gravity, Hugo, and Life of Pi.[116][124][134] Sarah Ward of Screen International wrote that the level of detail on display in the film "is likely to evoke the same jaw-dropping reaction as James Cameron's box office topper."[135] Entertainment Weekly called it "one of the few 3D movies that actually benefits from being in 3D."[127] The film also had a positive reception from Indian contemporary critics and publications,[136] such as The Times of India,[137] The Hindu,[138] India Today,[139] The Indian Express,[140] and The Economic Times.[141]

text: The film also had its share of negative reviews with most reviewers criticizing the inconsistent tone of the film and the director's indecision to stick to one vision. Sam C. Mac of Slant Magazine wrote, "Jon Favreau draws heavily on his film's animated predecessor for plot, characterizations, songs, and set pieces, but doesn't know how to fit these familiar elements into his own coherent vision".[142] Josh Spiegel of Movie Mezzanine also echoed these feelings, saying that the film "stumbles because the people involved aren't willing to fully commit to either making a near-shot-for-shot remake or going in a completely different direction".[143] Rene Rodriguez of the Miami Herald felt that the movie was soulless, writing that "The better these talking beasts look, the more the film resembles a gorgeous screen saver. You admire The Jungle Book, but you can't lose yourself in it".[144]

text: Accolades[edit]

text: Sequel[edit]

text: Following the film's early financial and critical success, the studio has begun working on a sequel. Jon Favreau is reported to return as director and Neel Sethi is reported to reprise his role as Mowgli, while screenwriter Justin Marks is also in negotiations to return.[145] It was announced on April 25, 2016 that Favreau and Marks will return to direct and write, and the sequel could potentially have a release sometime in 2019 and will be shot back-to-back with a remake of The Lion King.[146][147][148] However, it was reported in March 2017 that the sequel was put on hold in order for Favreau to instead focus mainly on The Lion King.[149]


document_title: Hoar Cross Hall

question_text: how many bedrooms does hoar cross hall have

text: Hoar Cross Hall

text:
Hoar Cross Hall

Hoar Cross Hall Spa Hotel

General information

Type
Hotel & day spa

Architectural style
Jacobean

Address
Maker Lane, Hoar Cross, DE13 8QS

Country
England

Construction started
1862

Completed
1871

Renovated
1993 (Extension)

Owner

Meynell family (1862–1954)
Stephen Joynes (1989 to present)

Technical details

Material
Red brick

Floor count
2(OG) 1(UG)

Design and construction

Architect
Henry Clutton

Other information

Number of rooms
96 bedrooms

Website

www.hoarcross.co.uk

Listed Building – Grade II

Designated
26 April 1984

Reference no.
1038508

text: Hoar Cross Hall is a 19th-century country mansion situated near the villages of Hoar Cross and Hamstall Ridware, Staffordshire which is operated as a hotel and spa, together with facilities for conferences and weddings. It is a Grade II listed building.

text: The original Hoar Cross estate comprised 490 acres and was bought for 18 pence in 1450 during Henry VI’s reign, including a moat and a drawbridge common in Tudor estate houses. It is reported that onlookers would simply turn up, just to set eyes on the building. It survived for nearly 300 years before being demolished in 1740.

text: From the early 17th century, Hoar Cross had been the first seat of the Ingram family whose principal residence was Temple Newsam, Leeds, West Riding of Yorkshire. In 1661 Henry Ingram was brought up as Baron Ingram and Viscount of Irvine. On the death of the 9th Viscount in 1778 the Viscountcy became extinct. The estates descended to his daughters and in 1841 to Hugo Charles Meynell (grandson of Hugo Meynell and son of Sir Hugo Meynell who had married Elizabeth Ingram in 1782). Upon inheritance Meynell incorporated "Ingram" into his surname to become Meynell Ingram.

text: In 1793 Hugo Meynell built what was to be called the ‘Old Hall’, a manor house for use as an occasional hunting lodge in the glorious Needwood Forest. This provides a real link to today’s property, which still features the Meynell Room.

text: When he died in 1808, Hugo’s eldest son, Hugo Francis Meynell Ingram inherited the estate. Not much changed at Hoar Cross until 1863 when he set about an ambitious construction plan for a new hall to celebrate his marriage to Lady Charlotte Wood,

text: She was the daughter of Charles Wood, 1st Viscount Halifax, who served as Chancellor of the Exchequer from 1846 to 1852. The Meynells were moving in august circles and Hugo appointed renowned architect Henry Clutton to oversee an ambitious building project to match their status.

text: The brief was to design an Elizabethan style house, with Jacobean overtones. Its lofty gables, cupolas, 48 chimneys and mullioned windows are good examples of the period style. Two large weather vanes were designed, overlooking the halls’ turrets, in the shape of the letters M and I, for Meynell Ingram.

text: The 114 ft Long Gallery runs along the north side of the house, and was typical in Tudor homes, as a place where the family, particularly during bad weather, could walk, play music, or sit and talk.

text: The private chapel is at the east end of the Long Gallery, off which came the private chapel, built in memory of Meynell’s son, by his widow, Charlotte Wood. The private chapel was designed again by Bodley, and completed in 1897, at of cost of almost £1,000.

text: Meynell Ingram died in 1871 and Lady Charlotte built the church in his memory. She remained in occupation of the hall until her death in 1904 when her nephew Frederick George Lindley Wood (later Meynell) inherited the estate.

text: In 1989, businessman Stephen Joynes bought the Hall and refurbished it, creating a new health spa in the Hall. In 2012, the business received an investment to create hotel amenities alongside the existing spa.


document_title: Sania

question_text: what is the meaning of sania in arabic

question_tokens: what is the meaning of sania in arabic

text: Sania

text:
SaniaGender
FemaleLanguage(s)
HindiUrduOriginMeaning
"brilliant""radiant""splendid"Region of origin
ArabicIndiaOther namesRelated names
Saniya

text: Sania (Urdu: ثانیہ , Hindi : सानिया) is a Hindu/Urdu Indian feminine given name, which means "brilliant", "radiant" and "splendid".

text: Notable people named Sania[edit]

text:
Sania Khan (born March 23, 1985), a Pakistani cricketer
Sania Mirza (born November 15, 1986), Indian tennis player
Sania Nishtar (born February 16, 1963), Pakistani academist, cardiologist and writer
Sania Saeed (born August 28, 1975), a Pakistani actress and anchor

text: Notable people named Saniya[edit]

text: Saniya Anklesaria (born September 30, 2001), Indian actress

text: Others[edit]

text: Sania Ramel Airport, a Moroccan airport

text: This given name–related article is a stub. You can help Wikipedia by expanding it.vte

text: Arabic feminine given namesPakistani feminine given namesUrdu feminine given namesHindu given namesIndian feminine given namesGiven name stubs

text: Articles containing Urdu-language textAll stub articles