document_title: Oz the Great and Powerful

question_text: who played the monkey in oz the great and powerful

text: Oz the Great and Powerful

text: Plot[edit]

text: In 1905 Kansas, Oscar Diggs works as a magician in a traveling circus. As a storm approaches, the circus strongman learns Oscar has flirted with his wife and threatens him. Oscar escapes in a hot air balloon, but is sucked into a tornado that takes him to the Land of Oz. There he encounters the beautiful yet naïve witch Theodora, who believes him to be a wizard prophesied to become King of Oz by destroying the Wicked Witch who killed the previous king; the idea of being an immensely wealthy monarch makes Oscar immediately accept. En route to the Emerald City, Theodora falls in love with Oscar, though he does not reciprocate her feelings. They encounter the flying monkey Finley, who pledges a life debt to Oscar when he saves him from a lion. Oscar reveals his deception to Finley, forcing him to maintain the lie that he is a wizard.

text: At the Emerald City, Oscar meets Theodora's beautiful older sister, Evanora, who tells him that the Wicked Witch resides in the Dark Forest and can be killed by destroying her wand. Oscar and Finley are joined en route to the forest by China Girl, a young, living china doll whose village and family were destroyed by the Wicked Witch. The three reach the forest and, upon retrieving the wand, discover the "Wicked Witch" is Glinda the Good Witch, who identifies herself as the late king's daughter and Evanora as the true Wicked Witch. Evanora sees this with her crystal ball and tricks Theodora into thinking he is trying to court all three witches at once. She offers Theodora a magic green apple she says will remove her heartache. Theodora bites it and turns into a hideous green-skinned witch.

text: Glinda brings Oscar's group to her domain to escape Evanora's army of Winkies and flying baboons. She confides in Oscar that she knows he is not a wizard, but still believes he can help stop Evanora. He reluctantly takes charge of an "army" of Quadlings, Tinkers, and Munchkins. Theodora enters Glinda's domain and angrily reveals her new, hideous appearance to Oscar before threatening to kill him and his allies with the Emerald City's well-prepared army. Oscar despairs at his chances of victory, but after telling China Girl about the exploits of his hero Thomas Edison, he conceives a plan that relies on trickery and makes preparations with Glinda and his group.

text: Glinda and her subjects mount a fake attack on the Emerald City using a pulley-rig army of scarecrow puppets hidden by thick fog. The witches are tricked into sending their flying baboons through a poppy field that puts them to sleep. However, two baboons manage to capture Glinda, who is brought to the city square and chained. Meanwhile, Oscar infiltrates the Emerald City with his allies, but appears to abandon them in a hot air balloon loaded with gold, which Theodora destroys with a fireball. As the wicked sisters prepare to execute Glinda, Oscar appears before his friends, having faked his betrayal and death. Using a hidden smoke machine and image projector, he presents a giant image of his face as his "true" form, and a fireworks display to intimidate the Wicked Witches. Evanora fearfully hides in her castle while Theodora flees on her broom, unable to hurt the "invincible" wizard. Oscar calls to Theodora, offering that she would be welcome to return should she overcome her wickedness, which is met with defiance from Theodora, who flies away to the West, leaving Oscar saddened. China Girl frees Glinda, who engages Evanora in a magical duel. During the fight, Glinda destroys Evanora's emerald necklace, revealing her to be an old hag, and banishes her. Evanora is carried away by the two remaining flying baboons as she vows revenge.

text: Oscar, now ruler of Oz, uses his projector to sustain the belief that he is a powerful wizard. He also presents gifts to his friends: Master Tinker, who helped build his machines, receives Oscar's camping-tool jackknife; Knuck, the grumpy Munchkin herald, receives a mask with a smiley face; the long-suffering Finley receives Oscar's friendship along with his top hat; and China Girl accepts her friends as her new family. Finally, Oscar takes Glinda behind the curtains of his projector, thanking her for making him a better person, and they kiss.

text: Cast[edit]

text:
James Franco as Oscar Diggs, or "Oz", a philandering con artist, a stage magician, and a barnstormer[8] who is part of a traveling circus in the Midwest. He is whisked in a hot air balloon by a tornado to the Land of Oz, where he is believed to be a wizard destined to bring peace to the land, forcing him to overcome his dubious ethics to convince his peers he is the hero needed by the people of Oz. He eventually becomes what is known as the Wizard of Oz.
Michelle Williams as Glinda, the daughter of the late king. She rules and protects a peaceful kingdom in Oz inhabited by kind Quadlings, tinkers, and Munchkins. Oscar originally believed her to be the Wicked Witch responsible for terrorizing the land. She guides Oscar to achieve his destiny of defeating Evanora, becoming his love interest in the process.

Michelle Williams also plays Annie, an old flame of Oscar's and the future mother of Dorothy Gale.[9]

Rachel Weisz as Evanora, the protector of the Emerald City. Being the Wicked Witch of the East, she has a hideous form which she hides by wearing a necklace that gives her the appearance of a young woman. She deceives Oscar by framing Glinda for the King's murder and telling Oscar that Glinda is the Wicked Witch rather than herself.
Mila Kunis as Theodora, a naïve good witch who has the Land of Oz's best interests at heart. She believes that Oscar is the wizard prophesied to defeat the seemingly evil Glinda from the Dark Forest, developing an attraction to him in the process. Evanora gradually manipulates Theodora into thinking Oscar has betrayed her for Glinda, ushering her transformation into the Wicked Witch of the West.[10]
Zach Braff as the voice of Finley, a winged monkey who pledges an irrevocable life debt to Oscar, believing him to be the prophesied wizard, for saving him from the Cowardly Lion.[11] He quickly regrets his decision when Oscar reveals he is not a wizard, but nonetheless becomes his loyal ally.

Braff also plays Frank, Oscar's long-suffering yet loyal assistant in Kansas.

Bill Cobbs as the Master Tinker, the leader of the tinkers who are ruled by Glinda. He would later build the Tin Woodman.
Joey King as the voice of China Girl, a young, living china doll from China Town where everything, including its inhabitants, is made of china. Her home is destroyed by Evanora, leaving her its only survivor when she is found by Oscar, with whom she forms a strong friendship after he uses glue to fix her legs.

King also plays a girl in a wheelchair visiting Oscar's magic show in Kansas.

Tony Cox plays Knuck, the quick-tempered herald and fanfare player of Emerald City who is allied with Glinda.

text: Stephen R. Hart and Bruce Campbell play Winkie guards at the Emerald City.[12] Abigail Spencer plays May, Oscar's temporary magic assistant in Kansas and one of his several fleeting loves in the film.[12] Tim Holmes plays the strongman who attacks Oscar for trying to court his wife (played by Toni Wynne), prompting Oscar to take the hot air balloon that sends him to the Land of Oz.

text: Raimi, who often casts friends and actor-regulars in cameo roles, cast his brother Ted Raimi as a small-town skeptic at Oscar's magic show who yells "I see a wire!", two of his former teachers—Jim Moll and Jim Bird—as Emerald City townspeople, and the three actresses from his 1981 directorial debut The Evil Dead—Ellen Sandweiss, Betsy Baker and Theresa Tilly—as Quadling townspeople.[13]

text: Continuity[edit]

text: Oz the Great and Powerful features several artistic allusions, homages, and technical parallels to Baum's novels and the 1939 Metro-Goldwyn-Mayer film, The Wizard of Oz.

text: The film's opening sequence is presented in black and white. When Oscar is caught up in the tornado, the audio switches from monaural to stereo and eventually surround sound.[14] The film shifts to full color when Oscar arrives in Oz; additionally, the aspect ratio gradually widens from 4:3 Academy ratio to 2.35:1 widescreen.[15][16] As in the 1939 film, Glinda travels in giant bubbles, and the Emerald City is actually emerald; in the novel, characters wear tinted glasses to make it appear so. However, during the battle preparations sequence Oz can be seen wearing emerald goggles. The iconic green look of the Wicked Witch of the West is closer to her look in the classic film, as the Witch is a short, one-eyed crone in the novel. The Wicked Witches are portrayed as sisters, an idea which originated in the 1939 film. Also from the 1939 film is that several actors who play Oz characters make cameos in the Kansas segments, such as Frank (Zach Braff), Oscar's assistant whom he refers to as his "trained monkey" (Frank's "Oz" counterpart is the winged monkey Finley) and a young girl in a wheelchair (Joey King) who serves as the Kansas counterpart to China Girl (in Kansas, Oscar is unable to make the wheelchair-bound young girl walk, and gets a chance to do so when he repairs China Girl's broken legs). Annie (Michelle Williams), a woman wearing a gingham dress who inspires Oscar to be a good and great person, informs him that she has been proposed to by John Gale, presumably hinting at Dorothy Gale's parental lineage (Annie's "Oz" counterpart, Glinda, also inspires Oscar to be a better person).[17] Theodora (Mila Kunis), who became the Wicked Witch of the West after suffering from a "broken heart" caused by Oscar's "betrayal", has no Kansas counterpart. However, an unnamed woman who worked as Oscar's assistant at the time and suddenly left after suffering from a "broken heart", may be a possible reference to the existence of Theodora's unknown counterpart. The character of Miss Almira Gulch, who did not exist in Baum's novel, is the Kansas counterpart of the Wicked Witch of the West in the 1939 film.

text: Other referenced characters include the Scarecrow, who is built by the townspeople as a scare tactic, and the Tin Woodman, whose creator is the Master Tinker that can build "anything".[11] Similarly, various other races of Oz are depicted besides the Munchkins; the Quadlings, the china doll inhabitants of Dainty China Country, and the Winkies (who went unnamed in the classic film). Similarly, Glinda is referred to by her title in the novel (the Good Witch of the South), unlike the 1939 film, where her character's title is "Good Witch of the North" (due to her character being merged with the Good Witch of the North). Glinda is also the daughter of the late King of Oz, though in the novels, Ozma is the King's daughter. Theodora's tears leave streaks of scars on her face, reflecting her weakness to water in the original novel/film. Also, Oz is presented as a real place as it is in the novel, and not as a possible dream as the 1939 film implies.[18] Finally, the lion that attacks Finley but was warded off by Oz is a reference to the Cowardly Lion in the original novel and film.

text: Production[edit]

text: Disney's history with Oz[edit]

text: After the success of Snow White and the Seven Dwarfs in 1937, Walt Disney planned to produce an animated film based on the first of L. Frank Baum's Oz books. Roy O. Disney, chairman of the Walt Disney Productions, was informed by Baum's estate that they had sold the film rights to the first book to Samuel Goldwyn, who re-sold it to Louis B. Mayer in 1938.[19] The film was ironically approved due to the success of Snow White.[20] The project was developed by Metro-Goldwyn-Mayer (MGM) into the well-known musical adaptation and released the following year.

text: In 1954, when the film rights to Baum's remaining thirteen Oz books were made available, Walt Disney Productions acquired them[21] for use in Walt Disney's television series Disneyland which led to the live-action film Rainbow Road to Oz, which was abandoned and never completed.[22] Disney's history with the Oz series continued with the 1985 film Return to Oz, which performed poorly, both critically and commercially,[23][24][25] but has developed a cult following since its release.[26][27] After Return to Oz, Disney lost the film rights to the Oz books and they were subsequently reverted to the public domain.[28]

text: Development[edit]

text: Screenwriter Mitchell Kapner was intrigued by the prospect of exploring the origins of the Wizard of Oz character which he discussed in many meetings. After Wicked came out, Kapner felt he missed his window of opportunity.[29] In 2009, Kapner met with Joe Roth, who turned down his current pitches, request any other ideas he had. The discussion turned to what Kapner was reading which he indicated he was reading the Oz series to his kids. Roth was interested as he only knew about the first book. Kapner went through the plot of the novels, when Roth stopped him on the sixth novel in the series, The Emerald City of Oz, which had some of back story of the Wizard.[30] Producer Joe Roth became involved for nearly the same reason as Kapner, stating that "… during the years that I spent running Walt Disney Studios—I learned about how hard it was to find a fairy tale with a good strong male protagonist. You've got your Sleeping Beauties, your Cinderellas and your Alices. But a fairy tale with a male protagonist is very hard to come by. But with the origin story of the Wizard of Oz, here was a fairy tale story with a natural male protagonist. Which is why I knew that this was an idea for a movie that was genuinely worth pursuing."[30] Kapner and co-writer Palak Patel presented the idea to Sony Pictures but were turned down.[29] In 2009, the project was set up at Walt Disney Pictures when the studio's president of production, Sean Bailey commissioned Oz the Great and Powerful under the working title Brick during the tenure of then Walt Disney Studios chairman Dick Cook, who was succeeded by Rich Ross and later Alan Horn, a succession in management that a major studio release is rare to survive.[29] David Lindsay-Abaire was later hired to do a re-write.[28]

text: Roth initially sought out Robert Downey Jr. for the titular role of the Wizard in April 2010.[31] By summer of that year, Sam Raimi was hired to direct the film from a shortlist that reportedly included directors Sam Mendes and Adam Shankman.[31] In January 2011, Raimi met with Downey, but did not secure his casting.[29] With Downey's disinterest acknowledged, Johnny Depp was then approached due to his previous collaboration with the studio in the Pirates of the Caribbean franchise and Alice in Wonderland.[32] Depp liked the role but declined involvement, citing his commitment to another Disney tentpole film, The Lone Ranger.[29] The film was without a lead until February when James Franco entered final negotiations to star in the film (including a $7 million salary), five months before filming was scheduled to begin.[29] Franco and Raimi had previously worked together on the Spider-Man trilogy.[33] Franco received training with magician Lance Burton to prepare for the role.[29]

text: Screenwriter Kapner adopted information about the Wizard from L. Frank Baum's novels to conceptualize an original story. Raimi made sure that the film would also "nod lovingly" to the 1939 film and inserted several references and homages to that film.[34] Disney wanted to reduce the film's production budget to be approximately $200 million.[33] Casting calls were put out for local actors in Michigan.[35]

text: In June 2011, composer Danny Elfman was chosen to score Oz the Great and Powerful, despite Elfman and Raimi having had a falling-out over Spider-Man 2 (2004) and Elfman declaring that they would never again work together.[36]

text: Filming[edit]

text: Principal photography for Oz the Great and Powerful began July 25, 2011, at Raleigh Michigan Studios in Pontiac, Michigan, employing 3D cameras.[37]

text: Raimi opted to use practical sets in conjunction with computer-generated imagery during filming.[38] Physical sets were constructed so the actors could have a visual reference, as opposed to using green screen technology for every scene. Chroma key compositing was only used for background pieces.[37] Zach Braff and Joey King were on set, recording their dialogue simultaneously with the other actors, whenever their CG characters were present in a scene. Puppetry was employed for a physical version of the China Girl to serve as a visual key-point for actors to manipulate.[39] Braff wore a blue motion capture suit to create Finley's movements and had a camera close to his face for the flying sequences to obtain facial movements.

text: Art director Robert Stromberg, who worked on Avatar and Alice in Wonderland, drew inspiration from the films of Frank Capra and James Wong Howe to achieve the Art Deco design he envisioned for the Emerald City. Stromberg contrasted the colorful tonal qualities of Oz with the restrained appearance of Alice, affirming that although both films explore similar fantasy worlds, the overall atmosphere and landscape of each "are completely different."[40] In 2011, Stromberg and his team visited the Walt Disney archives during the pre-production phase to reference production art from Disney's animated films such as Pinocchio, Bambi, Fantasia, Cinderella, Sleeping Beauty, Alice in Wonderland, and Snow White and the Seven Dwarfs, drawing from designs and textures, in order to give certain settings in the film an affectionate nod to the classic Disney style.[41] Costume designer Gary Jones focused on authenticity with his wardrobe designs: "We started by doing a lot of research and having ideas of the ways (costumes) should look in order to be (historically accurate) but as we went on, we really began creating a whole new world."[42]

text:
My first instinct was, there are such iconic images in the Wizard of Oz movie, it would be wrong for us to re-create the Yellow Brick Road or the Emerald City in a different way. We had to go 180 degrees in the other direction. We're just going to have to make our own Oz.

Sam Raimi on recreating the Land of Oz under legalities.[29]

tag: div

text: Although the film is a spiritual prequel to the 1939 MGM film, The Wizard of Oz, it was not allowed legally to be considered as such. The filmmakers had to toe a fine line between calling the film to mind but not infringing upon it. To that end, Disney had a copyright expert on set to ensure no infringement occurred. The production team worked under the constraint of abiding by the stipulations set forth by Warner Bros., the legal owner of the rights to iconic elements of the 1939 film (via its Turner Entertainment sister company which purchased the MGM film library in 1986), including the ruby slippers worn by Judy Garland. Therefore, Disney was unable to use them nor any original character likenesses from the 1939 film.[43] This extended to the green of the Wicked Witch's skin, for which Disney used what its legal department considered a sufficiently different shade dubbed "Theostein" (a portmanteau of "Theodora" and "Frankenstein").[44] Additionally, the studio could not use the signature chin mole of Margaret Hamilton's portrayal of the Wicked Witch of the West, nor could they employ the yellow brick road's swirl design for Munchkinland.[39] The expert also ensured that the Emerald City was not too close in appearance to the Emerald City in the 1939 film.[citation needed]

text: While Warner and Disney did not engage in copyright battle, they did file rival trademarks. In October 2012, Disney filed a trademark on "Oz the Great and Powerful." One week later, Warner filed its own trademarks for "The Great and Powerful Oz." The U.S. Patent and Trademark Office suspended Warner's attempt at a trademark because Disney had filed basically the same one a week earlier.[45]

text: In addition to the legal issues, the film was also faced with delays when several cast members went on hiatus due to unrelated commitments and circumstances. Rachel Weisz left halfway through the shoot to film her entire role in The Bourne Legacy, Michelle Williams was required to promote the release of My Week with Marilyn, and Franco's father died during production. Roth compared the task of managing overlapping schedules to "being an air-traffic controller."[29] Mila Kunis's makeup and prosthetics were supervised by Greg Nicotero and demanded four hours to apply and another hour to remove, with Kunis taking nearly two months to fully recover from the subsequent removal of the makeup from her skin.[29][46] Raimi had to edit the frightening nature of several scenes to secure Disney's desired PG rating from the MPAA.[29] Sony Pictures Imageworks was contracted to create the film's visual effects.[47]

text: Music[edit]

text: Composer Danny Elfman noted that the film's score was accessibly quick to produce, with a majority of the music being written in six weeks.[48] Regarding the tonal quality of the score, Elfman stated, "We're going to take an approach that's old school but not self-consciously old-fashioned. Let the melodrama be melodrama, let everything be what it is. I also think there's the advantage that I'm able to write narratively, and when I'm able to write narratively I can also move quicker because that's my natural instincts, I can tell a story in the music."[49]

text: American singer-songwriter Mariah Carey recorded a promotional Pop single called "Almost Home" written by Carey, Simone Porter, Justin Gray, Lindsey Ray, Tor Erik Hermansen, and Mikkel Eriksen (a.k.a. Stargate) for the soundtrack of the film. The single was released on February 19, 2013 by Island Records.[50]

text: Soundtrack[edit]

text: The original soundtrack to Oz the Great and Powerful was released digitally and physically by Walt Disney Records on March 5, 2013.[51] The physical CD release was in association with Intrada Records.[52]

text:
Oz the Great and Powerful (Original Motion Picture Soundtrack)

Film score by Danny Elfman

Released
March 5, 2013 (2013-03-05)

Recorded
2012

Studio
Sony Scoring Stage

Genre
Film score

Length
1:06:19

Label
Walt Disney

text: All music composed by Danny Elfman.

text:
No.
Title
Length

1.
"Main Titles"
2:57

2.
"A Serious Talk"
2:23

3.
"Oz Revealed"
1:58

4.
"A Strange World"
1:48

5.
"Where Am I?/Schmooze-A-Witch"
2:05

6.
"Fireside Dance"
1:19

7.
"Meeting Finley"
1:57

8.
"The Emerald Palace"
0:47

9.
"Amanece, Amanece / Dios de Pactos"
2:56

10.
"China Town"
3:07

11.
"A Con Job"
1:47

12.
"Glinda Revealed"
1:43

13.
"The Munchkin Welcome Song"
0:41

14.
"Bad Witch"
4:32

15.
"The Bubble Voyage"
2:48

16.
"Great Expectations/The Apple"
4:58

17.
"Meeting the Troops"
1:18

18.
"What Army"
0:29

19.
"Theodora's Entrance/Puppet Waltz"
1:51

20.
"A Threat"
2:07

21.
"Bedtime/The Preparation Montage"
7:00

22.
"Call to Arms"
2:13

23.
"Destruction"
2:38

24.
"Oz the Great and Powerful"
1:25

25.
"Fireworks/Witch Fight"
1:39

26.
"Time for Gifts"
5:54

27.
"End Credits from Oz"
1:59

Total length:
1:06:19

text: Release[edit]

text: In May 2011 before filming began, Walt Disney Studios Motion Pictures gave Oz the Great and Powerful a March 8, 2013 North American theatrical release date.[53] The film had its world premiere at the El Capitan Theatre in Hollywood on February 14, 2013.[12] Disney opened the film in wide release in 3,912 theaters.[54]

text: To promote the film, Disney partnered with the IMAX Corporation and HSN to coordinate a hot air balloon campaign across the United States beginning in California at the Walt Disney Studios lot in Burbank, stopping at four locations; the El Capitan Theatre during the world premiere, the Disneyland Resort in Anaheim, the Daytona International Speedway in Florida and Central Park in New York City.[55] Disney also promoted the film through its theme parks; Epcot's International Flower and Garden Festival featured a multi-purpose garden and play area themed to the film and Disney California Adventure hosted sample viewings inside the Muppet*Vision 3D theatre.[56][57] The estimated marketing campaign cost upwards of $100 million.[29]

text: Home media[edit]

text: Oz the Great and Powerful was released by Walt Disney Studios Home Entertainment on Blu-ray, Blu-ray 3D, DVD, and digital download on June 11, 2013.[58] The film is Disney's first home media release to exclude a physical digital copy disc and instead provides only a digital code for the download.[59] Oz the Great and Powerful debuted at number one in its first week of home media release in overall disc sales with 46% of its first week sales from Blu-ray Discs.[60] The film has earned $52 million in sales.[61]

text: Reception[edit]

text: Box office[edit]

text: Oz the Great and Powerful earned $234.9 million in the United States and Canada, and $258.4 million in other countries for a worldwide total of $493.3 million.[3] Worldwide, it was the thirteenth-highest-grossing film of 2013.[62] Calculating in all expenses, Deadline.com estimated that the film made a profit of $36.4 million.[63] It topped the box office on its worldwide opening weekend with $149 million.[64] Before its theatrical release, several media outlets reported that Oz the Great and Powerful was expected to duplicate the box office performance of 2010's Alice in Wonderland.[65][66][67] However, Oz accumulated less than half of Alice's worldwide gross.[68]

text: Preliminary reports had the film tracking for an $80–$100 million debut in North America.[69] The movie earned $2 million from 9 p.m. showings on Thursday night.[70] For its opening day, Oz the Great and Powerful grossed $24.1 million, the fourth-highest March opening day.[71] During its opening weekend, the film topped the box office with $79.1 million, the third-highest March opening weekend.[72] Despite the film's solid debut, which was larger than nearly all comparable titles, it clearly lagged behind Alice in Wonderland's opening ($116.1 million). The film's 3-D share of the opening weekend was 53%. Females made up 52% of the audience. Surprisingly, though, families only represented 41% of attendance, while couples accounted for 43%.[72] The film retained first place at the box office during its second weekend with $41.3 million.[73]

text: Outside North America, the film earned $69.9 million on its opening weekend from 46 territories. Among all markets, its highest-grossing debuts were achieved in Russia and the CIS ($14.7 million), China ($9.06 million),[74] France and the Maghreb region ($5.77 million).[75] The film's openings trailed Alice in Wonderland in all major markets except Russia and the CIS.[76] It retained first place at the box office outside North America for a second weekend.[77] In total grosses, Oz's largest countries are Russia and the CIS ($27.4 million), China ($25.9 million) and the UK, Ireland and Malta ($23.4 million).[75]

text: Critical response[edit]

text: On review aggregator Rotten Tomatoes, Oz the Great and Powerful received an approval rating of 59% based on 247 reviews, with an average rating of 6/10. The site's critical consensus reads, "It suffers from some tonal inconsistency and a deflated sense of wonder, but Oz the Great and Powerful still packs enough visual dazzle and clever wit to be entertaining in its own right."[78] On Metacritic the film holds a score of 44 out of 100, based on 42 critics, indicating "mixed to average reviews".[79] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[80]

text: Kim Newman, writing for Empire, gave the film 4 out of 5 stars and said, "If there are post-Harry Potter children who don't know or care about The Wizard Of Oz, they might be at sea with this story about a not-very-nice grownup in a magic land, but long-term Oz watchers will be enchanted and enthralled … Mila Kunis gets a gold star for excellence in bewitchery and Sam Raimi can settle securely behind the curtain as a mature master of illusion."[81] Critic Alonso Duralde also admired the movie: "That Oz the Great and Powerful is so thoroughly effective both on its own terms and as a prequel to one of the most beloved movies ever made indicates that this team has magic to match any witch or wizard."[82] Leonard Maltin on IndieWire claimed that "No movie ever can, or will, replace 1939's The Wizard Of Oz, but taken on its own terms, this eye-filling fantasy is an entertaining riff on how the Wizard of that immortal film found his way to Oz."[83] IGN rated the film 7.8 and said, "The film is expansive and larger-than-life in scope and so are the performances, overall. Franco in particular hams it up and is often playing to the balcony … The 3D is utilized just as it should be in a children's fantasy epic such as this – overtly, but with skill. Snowflakes, music boxes and mysterious animals all leap through the screen towards the audience as the story unfolds."[84]

text: Justin Chang of Variety had a mixed reaction, writing that the film "gets some mileage out of its game performances, luscious production design and the unfettered enthusiasm director Sam Raimi brings to a thin, simplistic origin story."[85] He also compared the film's scale with the Star Wars prequel trilogy adding, "In a real sense, Oz the Great and Powerful has a certain kinship with George Lucas's Star Wars prequels, in the way it presents a beautiful but borderline-sterile digital update of a world that was richer, purer and a lot more fun in lower-tech form. Here, too, the actors often look artificially superimposed against their CG backdrops, though the intensity of the fakery generates its own visual fascination."[85] /Film rated the film 7 out of 10, saying it had "many charms" while considering it to be "basically Army of Darkness: (Normal guy lands in magical land, is forced to go on quest to save that land.) But just when you see Raimi's kinetic, signature style starting to unleash, the story forces the film back into its Disney shell to play to the masses. We're left with a film that's entertaining, a little scarier than you'd expect, but extremely inconsistent."[86]

text: Richard Roeper, writing for Roger Ebert, noted the film's omnipresent visual effects but was largely disappointed by the performance of some cast members; "… to see Williams so bland and sugary as Glinda, and Kunis so flat and ineffectual as the heartsick Theodora …"[87] Marshall Fine of The Huffington Post was unimpressed, writing, "Oh, it's exciting enough for a six-year-old; anyone older, however, will already have been exposed to so much on TV, at the movies and on the Internet that this will seem like so much visual cotton-candy. Even a sophisticated grade-schooler will find these doings weak and overblown."[88] Similarly, Todd McCarthy criticized the characterization, writing that the film's supporting cast "can't begin to compare with their equivalents in the original … so the burden rests entirely upon Franco and Williams, whose dialogue exchanges are repetitive and feel tentative."[89] Entertainment Weekly agreed, giving the film a C+ and saying that the "miscast" Franco "lacks the humor, charm, and gee-whiz wonder we're meant to feel as he trades wisecracks with a flying monkey … and soars above a field of poppies in a giant soap bubble. If he's not enchanted, how are we supposed to be?" and complaining that "while Raimi's Oz is like retinal crack, he never seduces our hearts and minds."[8] Alisha Coelho of in.com gave the movie 2.5 stars, saying "Oz The Great and Powerful doesn't leave a lasting impression, but is an a-ok watch."[90]

text: Accolades[edit]

text:
Awards

Award
Date of ceremony
Category
Recipient and nominees
Result

Costume Designers Guild[91]
February 22, 2014
Excellence in Fantasy Film
Gary Jones and Michael Kutsche
Nominated

Golden Trailer Awards[92]
May 5, 2013
Best Animation/Family
"Witches"
Nominated

Best Animation/Family TV Spot
"Super Hybrid"
Nominated

"Music Box"
Nominated

Kids' Choice Awards[93]
March 29, 2014
Favorite Movie

Nominated

Favorite Movie Actress
Mila Kunis
Nominated

MTV Movie Awards[94]
April 13, 2014
Best Villain
Mila Kunis
Won

People's Choice Awards[95]
January 8, 2014
Best Family Film

Nominated

Phoenix Film Critics Society
December 17, 2013
Best Live Action Family Film

Won

Best Production Design
Robert Stromberg
Nominated

Satellite Awards[96]
February 24, 2014
Best Visual Effects
James Schwalm, Scott Stokdyk, Troy Saliba
Nominated

Best Art Direction and Production Design
Nancy Haigh, Robert Stromberg
Nominated

Best Costume Design
Gary Jones
Nominated

Saturn Awards
June 2014
Best Fantasy Film

Nominated

Best Music
Danny Elfman
Nominated

Best Production Design
Robert Stromberg
Nominated

Best Costume
Gary Jones
Nominated

Teen Choice Awards
August 11, 2013
Choice Movie – Sci-Fi/Fantasy

Nominated

Choice Movie Actor – Sci-Fi/Fantasy
James Franco
Nominated

Choice Movie Actress – Sci-Fi/Fantasy
Mila Kunis
Nominated

Michelle Williams
Nominated

Visual Effects Society
February 12, 2014
Outstanding Animated Character in a Live Action Feature Motion Picture
Troy Saliba, In-Ah Roediger, Carolyn Vale, Kevin Souls for "China Girl"
Nominated

text: Sequel[edit]

text: On March 7, 2013, Variety confirmed that Disney has already approved plans for a sequel, with Mitchell Kapner and Joe Roth returning as screenwriter and producer respectively.[97] Mila Kunis said during an interview with E! News, "We're all signed on for sequels."[98] On March 8, 2013, Sam Raimi told Bleeding Cool that he has no plans to direct the sequel, saying, "I did leave some loose ends for another director if they want to make the picture," and that "I was attracted to this story but I don't think the second one would have the thing I would need to get me interested."[99] On March 11, 2013, Kapner and Roth have said to the Los Angeles Times that the sequel will "absolutely not" involve Dorothy Gale, with Kapner pointing out that there are twenty years between the events of the first film and Dorothy's arrival, and "a lot can happen in that time."[100]


document_title: Expectancy violations theory

question_text: the three core concepts of expectancy violations theory are

question_tokens: the three core concepts of expectancy violations theory are

root

text: Expectancy violations theory

text: Components[edit]

text: The expectancy violations theory examines three main components in interpersonal communication situations: Expectancies, communicator reward valence, and violation valence.[9]

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text: Expectancy[edit]

text: Expectancy refers to what an individual anticipates will happen in a given situation. Expectancies are primarily based upon social norms and specific characteristics and idiosyncrasies of the communicators.[3][11]

text: Burgoon (1978) notes that people do not view others' behaviors as random. Rather, they have various expectations of how others should think and behave. EVT proposes that observation and interaction with others leads to expectancies. The two types of expectancies noted are predictive and prescriptive.[12] Predictive expectations are "behaviors we expect to see because they are the most typical," (Houser, 2005) and vary across cultures.[12] They let people know what to expect based upon what typically occurs within the context of a particular environment and relationship.[9] For example, a husband and wife may have an evening routine in which the husband always washes the dishes. If he were to ignore the dirty dishes one night, this might be seen as a predictive discrepancy. Prescriptive expectations, on the other hand, are based upon "beliefs about what behaviors should be performed" and "what is needed and desired" (Houser, 2005).[12] If a person walks into a police department to report a crime, the person will have an expectation that the police will file a report and follow up with an investigation.

text: When the theory was first proposed, EVT identified three factors which influence a person's expectations: Interactant variables, environmental variables, and variables related to the nature of the interaction.[13] Interactant variables are the traits of those persons involved in the communication, such as sex, attractiveness, race, culture, status, and age.[13][14] Environmental variables include the amount of space available and the nature of the territory surrounding the interaction. Interaction variables include social norms, purpose of the interaction, and formality of the situation.[13]

text: These factors later evolved into communicator characteristics, relational characteristics, and context.[9] Communicator characteristics include personal features such as an individual's appearance, personality and communication style.[9] It also includes factors such as age, sex and ethnic background.[9][15] Relational characteristics refer to factors such as similarity, familiarity, status and liking.[9] The type of relationship one individual shares within another (e.g. romantic, business or platonic), the previous experiences shared between the individuals, and how close they are with one another are also relational characteristics that influence expectations.[15] Context encompasses both environment and interaction characteristics.[15] Communicator characteristics lead to distinctions between males and females in assessing the extent to which their nonverbal expressions of power and dominance effect immediacy behaviors.[16] Immediacy cues such as conversational distance, lean, body orientation, gaze, and touch may differ between the genders as they create psychological closeness or distance between the interactants.[16]

text: Behavioural expectations may also shift depending on the environment one is experiencing. For example, a visit to a church will produce different expectations than a social function. The expected violations will therefore be altered. Similarly, expectations differ based on culture. In Europe, one may expect to be greeted with three kisses on alternating cheeks, but this is not the case in the United States.[17]

text: Communicator reward valence[edit]

text: The communicator reward valence is an evaluation one makes about the person who committed a violation of expectancy. Em Griffin summarizes the concept behind Communicator Reward Valence as "the sum of positive and negative attributes brought to the encounter plus the potential to reward or punish in the future".[9] The social exchange theory explains that individuals seek to reward some and seek to avoid punishing others.[18] When one individual interacts with another, Burgoon believes he or she will assess the "positive and negative attributes that person brings to the encounter".[9] If the person has the ability to reward or punish the receiver in the future, then the person has a positive reward valence. Rewards simply refer to the person's ability to provide a want or need. The term 'communicator reward valence' is used to describe the results of this assessment.[9] For example, people will feel encouraged during conversation when the listener is nodding, making eye contact, and responding actively. Conversely, if the listener is avoiding eye contact, yawning, and texting, it is implied they have no interest in the interaction and the speaker may feel violated.

text: When examining the context, relationship, and communicator's characteristics in a given encounter, individuals will arrive at an expectation for how that person should behave. Changing even one of these expectancy variables may lead to a different expectation.[19]

text: Violation valence[edit]

text: Behavior violations arouse and distract, calling attention to the qualities of the violator and the relationship between the interactants.[20] A key component of EVT is the notion of violation valence, or the association the receiver places on the behavior violation.[21] A violatee's response to an expectancy violation can be positive or negative, and is dependent on two conditions: positive or negative interpretation of the behavior and the nature (rewardingness) of the violator. Rewardingness of the violator is evaluated through many categories – attractiveness, prestige, ability to provide resources, or associated relationship. For instance, a violation of one's personal distance might have more positive valence if committed by a wealthy, powerful, physically appealing member of the opposite sex than a filthy, poor, homeless person with foul breath. The evaluation of the violation is based upon the relationship between the particular behavior and the valence of the actor.[20] A person's preinteractional expectancies, especially personal attributes, may cause a perceiver to evaluate the communication behavior of a target differently in terms of assigning positive and negative valenced expectancies.[22]

text: Another perspective of violation valence is that the perceived positive or negative value assigned to a breach of expectations is inconsequential of who the violator is.[9] This perspective places much greater weight on the act of the breach itself than the violator. The difference between the negative violation and the negative confirmation do not appear significant. Dis-confirmations tend to intensify the outcomes, especially in the positive violation condition.[19]

text: Arousal[edit]

text: Expectancy violations refer to actions which are noticeably discrepant from an expectancy and are classified as outside the range of expectancy. The term 'arousal value' is used to describe the consequences of deviations from expectations. When individuals' expectations are violated, their interests or attentions are aroused.[9]

text: When arousal occurs, one's interest or attention to the deviation increases, resulting in less attention paid to the message and more attention to the source of the arousal.[23] There are two kinds of arousals. Cognitive arousal is an idea that people will be mentally aware of the violation. Physical occurs when people have body actions and behaviors in response to the deviations from their expectations.[18]

text: Threat threshold[edit]

text: The occurrence of arousal is aligned with threats. Burgoon introduced the term "threat threshold" to explain that people have different levels of tolerance about distant violations. The threat threshold is high when people feel good even if they keep a very close distance with the violator, whereas people with low threat threshold will be sensitive and uncomfortable about the closeness of distance with the violator.[3]

text: Theoretical assumptions and viewpoints[edit]

text: Propositions[edit]

text: After assessing expectancy, violation valence, and communicator reward valence of a given situation, it becomes possible to make rather specific predictions about whether the individual who perceived the violation will reciprocate or compensate the behavior in question. Guerrero (1996) and Burgoon (2000) noticed that predictable patterns develop when considering reward valence and violation valence together.[24] Specifically, if the violation valence is perceived as positive and the communicator reward valence is also perceived as positive, the theory predicts individuals will reciprocate the positive behavior. For example, your boss gives you a big smile after you have given a presentation. Guerrero and Burgoon would predict that you would smile in return. Similarly, if you perceive the violation valence as negative and perceive the communicator reward valence as negative, the theory again predicts that you reciprocate the negative behavior. Thus, if a disliked coworker is grouchy and unpleasant towards you, you will likely reciprocate and be unpleasant in return.

text: Conversely, if one perceives a negative violation valence but views the communicator reward valence as positive, it is likely that the person will compensate for his or her partner's negative behavior. For example, one day your boss appears sullen and throws a stack of papers in front of you. Rather than grunt back, EVT predicts that you will compensate for your boss' negativity, perhaps by asking if everything is OK (Guerrero & Burgoon, 1996). More difficult to predict, however, is the situation in which a person who is viewed unfavorably violates another with positive behavior. In this situation, the receiver may reciprocate, giving the person the "benefit of the doubt."[19]

text: The assumptions discussed thus far can be summarized into six major propositions posited by Expectancy Violations Theory:[25]

text:
People develop expectations about verbal and nonverbal communication behavior from other people.
Violations of these expectations cause arousal and distraction, further leading the receiver to shift his or her attention to the other, the relationship, and the meaning of the violation.
Communicator reward valence determines the interpretation of ambiguous communication.
Communicator reward valence determines how the behavior is evaluated.
Violation valences are determined by three factors: (1) The evaluation of the behavior; (2) whether or not the behavior is more or less favorable than the expectation; and (3) the magnitude of the violation. A positive violation occurs when the behavior is more favorable than the expectation. A negative violation occurs when the behavior is less favorable.
Positive violations produce more favorable outcomes than behavior that matches expectations, and negative violations produce more unfavorable outcomes than behavior that matches expectations.

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text: Needs for personal space and affiliation[edit]

text: Expectancy violations theory builds upon a number of communication axioms.[19] EVT assumes that humans have two competing needs: A need for personal space and a need for affiliation.[3][19] Specifically, humans all need a certain amount of personal space, also referred to as distance or privacy.[3] People also desire a certain amount of closeness with others, or affiliation.[19] EVT seeks to explain 'personal space', and the meanings that are formed when expectations of appropriate personal space are infringed or violated.[19]

text: Another feature of personal space is territoriality. Territoriality refers to behavior which "is characterized by identification with a geographic area in a way that indicates ownership" (Hall, 1966).[26] In humans, territoriality refers to an individual's sense of ownership over physical items, space, objects or ideas, and defensive behavior in response to territorial invasions.[26] Territoriality involves three territory types: Primary territories, secondary territories and public territories.[27] Primary territories are considered exclusive to an individual.[26] Secondary territories are objects, spaces or places which "can be claimed temporarily" (Hall, 1966), but are neither central to the individual's life nor are exclusively owned.[26] Public territories are "available to almost anyone for temporary ownership".[26] Territoriality is frequently accompanied by prevention and reaction.[28] When an individual perceives one of their needs has been compromised, EVT predicts that they will react. For instance, when an offensive violation occurs, the individual tends to react as though protecting their territory.

text: Proxemics[edit]

text: EVT offers an opportunity to study how individuals communicate through personal space. This part of the theory explains the notion of "personal space" and our reactions to others who appear to "violate" our sense of personal space.[29] What we define as personal space, however, varies from culture to culture and from person to person. The "success" or "failure" of violations are linked to perceived attraction, credibility, influence and involvement. The context and purpose of interaction are relevant, as are the communicator characteristics of gender, relationships, status, social class, ethnicity and culture.[29] When it comes to different interactions between people, what each person expects out of the interaction will influence their individual willingness to risk violation. If a person feels comfortable in a situation, they are more likely to risk violation, and in turn will be rewarded for it.

text: Introduced by Edward Hall in 1966, Proxemics deals with the amount of distance between people as they interact with one another.[30] Spatial distance during an interaction can be an indication of what type of relationship exists between the people involved.

text: There are 4 different personal zones defined by Hall. These zones include:

text:
Intimate Distance: (0-18 inches) - This distance is for close, intimate encounters. Normally core family, close friends, lovers, or pets. People will normally share a unique level of comfort with one another.[31]
Personal Distance: (18 inches – 4 feet) - Reserved for conversations with friends, extended family, associates, and group discussions. The personal distance will give each person more space compared with the intimate distance, but is still close enough to involve touching one another.[31]
Social Distance: (4–10 feet) - This distance is reserved for newly formed groups, and new acquaintances and colleagues you may have just met. People generally do not engage physically with one another within this section.[31]
Public Distance: (10 feet to infinity) - Reserved for a public setting with large audiences, strangers, speeches, and theaters.

text: Many different cultures are influenced by Proxemics in different ways and respond differently to the same situation. In some cultures, those who have not formed close relationships may greet each other with kisses on the cheek, engaging one another well within the intimate range of proxemics. In other cultures, a custom greeting is a handshake which maintains a physical separation but is well within personal distance.[32] Across the Proxemic Zones, actions can be interpreted differently among different cultures. For example, Japanese people do not address others by their first names unless they have been given permission. Calling someone by their first name in Japan without permission is considered an insult. In the Japanese culture, they address people using their last name and 'san', which is equivalent to 'Mr.','Mrs.' and 'Ms.' in the English language. The way Japanese people address each other is an example of a verbal Proxemic zone. A Japanese person allowing another to call them by their first name is an example of intimate distance, because this is a privilege extended only someone very close to them.[33]

text: Applications[edit]

text: Interpersonal communication[edit]

text: It is important to note that EVT can apply to both non-relational interaction and close relationships. In 1998, more than twenty years after the theory was first published, several studies were conducted to catalog the types of expectancy violations commonly found in close relationships.[20] Expectations with friends formulate over time and are usually brought together by a series of observations of behavior and predictions on how that friend will act in the future. When these expectations are violated, it often can be damaging and dangerous for a close friendship. It can cause an end to the friendship and bring a strong negative experience in that person's life. After time and experiences with that friend we might suspect them to act consistently around me in the way they have always acted, that is until a violation to this expectation takes place. For example, when they begin “breaking promises or even acting in an inauthentic manner to impress others, can have aversive consequences for close relationships” (Cohen 2010). The fact is, we expect our friends to act in a social manner where they are adhere to all of our personal rules we set in our minds. That includes being nice, kind, considerate, and refraining from any comment that puts another down. This is a part of the personal rules we set within ourselves with a personal friendship, that is until we are in a different setting with that individual and they are around different people and the rules are broken. While this might be an offense in one’s eyes, it may not be offensive in the others. Each negative experience can deteriorate the relationship and allow more experiences where expectations are continually violated until the relationship is dissolved. Cohen said “the more that a friendship is voluntary, easily replaceable, and disconnected from external pressures to continue, the more vulnerable it is to expectancy violation damage” (Cohen, 2010). Someone will always look for the better option if a negative experience has taken place. The more you are invested in a friendship with someone the stronger the effect will have on the individual when expectations are violated. There is also an interesting perspective of expectation violation when you throw gender into the picture. A friend that shares the same sex as you usually has a completely different feel to the relationship than a friendship with members of the opposite sex. Women are generally less tolerant with members of the opposite sex when violations have taken place. Relationships over time, whether it be with the same sex or not, tend to fail when the other will fall away from the behaviors and norms that the other is used to. This can be shown with hostile attitudes, sharp comments, distancing away from the other, etc. Both parties are also capable of violating each other's expectations at the same time. It is not just one person in the relationship that perceives behavior as unusual. One can respond to a violation with another social violation, leaving the friendship in confusion of direction it is going.

text:
Support or confirmation is an act that provides social support in a particular time of need, such as sitting with a friend who is sick.
Criticism or accusation is critical of the receiver and accuse the individual of an offense. These are violations because they are accusations not expected. An example is a ball player telling a teammate he should have caught the ball rather than supportively giving him or her a slap on the back and offering words of encouragement.
Relationship intensification or escalation intensifies the commitment of the communicator. For instance, saying "I love you" signifies a deepening of a romantic relationship.
Relationship de-escalation signifies a decrease in commitment of the communicator. An example might be spending more time apart.
Relational transgressions are violations of the perceived rules of the relationship. Examples include having an affair, deception, or being disloyal.
Acts of devotion are unexpected overtures that imply specialness in the relationship. Buying flowers for no particular occasion falls into this category.
Acts of disregard show that the partner is unimportant. This could be as simple as excluding a partner or a friend from a collective activity.
Gestures of inclusion are actions that show an unexpected interest in having the other included in special activities or life. Examples include invitations to spend a special holiday with someone, disclosure of personal information, or inviting the partner to meet one's family.
Uncharacteristic relational behavior is unexpected action that is not consistent with the partner's perception of the relationship. A common example is one member of an opposite-sex friendship demanding a romantic relationship of the other.

text: In later review of the studies, the support or confirmation category was inserted into acts of devotion and included another category, uncharacteristic social behavior. These are acts that aren't relational but are unexpected, such as a quiet person raising his or her voice.[35]

text: In terms of the response to expectancy violations, the sensitivity of expectancy violations varies from genders. Research found that women are less tolerant than men when their expectation are violated by negative behaviors, regardless of the types of violations such as dishonesty and immorality.[36]

text: Romantic relationships[edit]

text: Expectancy violations happen frequently in romantic relationships. In relationships there is an unspoken expectation when interacting and that is the significant other will give their full undivided attention when in the presence of their significant other. As the new generation evolves we can see the face to face contact has changed. Unfortunately, with the access use of phones and social media the attention of individuals has shifted to their devices and continues to become worse. With the access to many mobile devices there has been an increase of lack of communication face to face. This has made it difficult for some relationships to grow and or has created conflict because the expectation of attention has been shifted. "Individuals expect conversational partners to be moderately involved in an interaction (Burgoon, Newton, Walther, & Baesler, 1989). Within existing relationships, partners rely on one another to show interest and immediacy in interactions (White, 2008). However, the presence of cell phones and the expectation to be constantly available (Ling, 2012) impacts partners' abilities to give full attention to one another" (Miller-Ott, A., & Kelly, L. 2015).

text: When romantic partners spend time together, both prefer gaining attention, intimacy, and feeling a close connection with each other. However, the usage of cell phones acts as a distractive behavior that drives romantic partner's attention to absent elements. Although romantic partners are more likely to be viewed as high reward communicators, their cell phone usage behaviors will be evaluated as negative in certain conditions and contexts.[37]

text: Regardless of where the romantic relationship takes place, people are likely to have negative valence about cell phone usage if their demand of attention and intimacy are violated.[37] The negative behaviors include texting, viewing news and playing games. In addition, large quantity of annoying cell phone usage during the date has great impact on romantic partner's negative valence towards the violated behaviors.[37] However, Miller-Ott and Kelly found that small amount of cell phone usage during date is acceptable, such as responding to a text message and quickly bringing attentiveness back to the date partner.[38] The same behavior in different occasions and contexts is viewed differently in terms of the degree of valence. Research found that same behavior is viewed as more negative in a restaurant than at home.[37] Since people are more likely to have higher expectations for undivided attention during formal contexts, using cell phone in formal dates will more negatively violate partner's expectations. Divided attention is acceptable in casual contexts – therefore, the degree of expectancy violations is low under a hanging out context.[38]

text: Cell phone usage[edit]

text: Cell phone usage behaviors that do not contradict intimate moment are viewed as positive violations, including sharing interesting messages and playing online games together. People have less negative valence on cell phone usage if they gain more reward from the behaviors.[37]

text: Research also found the most common response to the violated cell phone usage is to do nothing.[37] However, people have different reactions to the violations under different stages of romantic relationships. In the early stage of dating, people are more likely to respond by indirect messages and silence. While there are direct verbal responses when expectations are violated in established relationships.[38]

text: Sexual resistance[edit]

text: Sexual resistance is viewed as a typical expectancy violation in romantic relationships. In 2003, Bevan used EVT to evaluate the impact of sexual resistance on close relationships. The research focused on two considerations: relational contexts and directness of the messages.[39]

text: The research concluded that people who are resisted in a romantic relationship perceived the violation of sexual resistance as more negative and unexpected than those resisted in a regular cross-sex friendship. The reason might because romantic partners believe that they have clearer and deeper understanding of each other's expectations and degree of acceptance and tolerance. When it comes to message directness of sexual resistance, although the study did not find any significant difference of levels of violation valence and expectedness between direct and indirect messages, direct sexual resistance messages in close relationships proved to be more relationally important than indirect messages. Therefore, direct sexual resistance messages will be a harmful factor that affects the continuity of a romantic relationship.[39]

text: Computer-mediated communication and social media[edit]

text: As has previously been addressed, EVT has evolved tremendously over the years, expanding beyond its original induction when it focused on FtF communication and proxemics. The advancement of information and communications technology has provided tools for expressing oneself and conveying messages beyond just typing in text. As already discussed, arousal can divert one's attention or interest from a message to the source of the arousal.[9][23] Virtual realities created online through computer-mediated communication, especially those which evoke strong visual presence through media, can increase arousal levels, such as those with high violent or sexual content.[40] Just as people may use television viewing to increase or decrease arousal levels, people may use media in online communication to increase or decrease arousal levels.[41] People may interact with others online by assuming the identities of avatars which may take on completely different, alternate personalities. The differences in perceived intimateness, co-presence, and emotionally-based trust can very significantly between avatar communication and other communication modalities such as text chat, audio, and audio-visual.[42] The media options available to users when communicating with others online present a host of potential expectancy violations unique to CMC.

text: The introduction of social media networks such as Facebook and Twitter, as well as dating social networks such as Match.com and eHarmony, has greatly contributed to the increased use of computer-mediated communication (CMC) which now offers a context for studying communication devoid of nonverbal information. Though these media are relatively new, they have been in existence long enough for users to have developed norms and expectations about appropriate behaviors in the online world.[43] However, there has been a lag by researchers to study and understand these new established norms, which makes CMC rich with heuristic possibilities from a communications theory perspective.[43]

text: Ramirez and Wang studied the occurrence and timing of modality switching,[44] or shifts from online communication to FtF interaction, from the perspective of EVT.[45] Their research documented inconsistent findings which revealed in some instances relationships were enhanced and in others they were dampened, indicating the expectations, evaluations, and outcomes associated with initial modality switches varied amongst individuals.[45] Additionally, studies have found that when individuals who meet online meet face-to-face for the first time, the length of time spent communicating online can determine whether individuals will rate physical characteristics of each other positively or negatively.[45] Unlike FtF communication, CMC allows people to pretend to be connected with a person who violates their expectancy by ignoring violations or filtering news feed. Meanwhile, people can also cut the connection completely with someone who is not important by deleting friendship status when a serious violation occurs. A confrontation is much more likely for close friends than for acquaintances, and compensation is much more likely for acquaintances, a finding which contrasts typical EVT predictions.[46] Furthermore, EVT on the Internet environment is strongly related to online privacy issues.

text: Facebook[edit]

text: In social media such as Facebook, people are connected online with friends and sometimes strangers. Norm violations on Facebook may include too many status updates, overly emotional status updates or Wall posts, heated interactions, name calling through Facebook's public features, and tags on posts or pictures that might reflect negatively on an individual.[46] Research has also shown that the act of unfriending on Facebook is perceived as a highly negative expectancy violation, with the duration of the Facebook friendship and personal ties to the unfriending party dictating how negatively the act is perceived. Moreover, the importance of the violation was also found to dictate whether the unfriending person informed the other individual of their actions.[47]

text: In a study conducted by Fife, Nelson, and Bayles of focus groups from a Southeastern liberal arts university, five themes were ascertained regarding Facebook use and expectancy violations:[43]

text:
""Don't stalk' – and when you do, don't talk about it"

Though an understanding exists among Facebook participants that users will use the site to keep track of the behavior of others in a number of ways, excessive monitoring is likely to be perceived as an expectancy violation.

"Don't embarrass me with bad pictures"

Users may have the ability to control which pictures they post on their own Facebook page, but they do not have the ability to control what others post. Posting and "tagging" unflattering pictures of others may create expectancy violations.

"Don't mess up my profile"

Several participants expressed annoyance of others who alter their profiles knowing that their alterations could be perceived negatively, though they did not mention changing their passwords or protecting themselves in other ways.

"Choose an appropriate forum for messages"

Messages can be sent between Facebook participants through 'Facebook messages', which are not public, or 'wall postings', which can be viewed by anyone specified in the user's privacy controls. Posting messages which may be perceived as private, embarrassing, or inappropriate to a wall posting can create expectancy violations.

"Don't compete over number of friends"

Facebook users maintain a running total of 'friends' on their profile which is viewable to others. Engaging in comparisons with others over this statistic can create expectancy violations.

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text: In 2010, Stutzman and Kramer-Duffield examined college undergraduates' motivations to have friends-only profiles on Facebook. Having a friends-only profile is a practical method to enhance privacy management on Facebook. The two authors made distinctions between intended audience, to whom one hopes to disclose the Facebook profile, and expected audience, a group of people by whom one thinks the Facebook profile has been viewed.[48] The study indicated that "expectancy violations were identified as instances where an expected audience was not jointly identified as an intended audience".[48] Facebook networks were categorized into different levels: strong ties of family and intimate friends, weak ties comprising "casual friends and campus acquaintances", and outsiders such as "faculty or administrators". According to the study, expectancy violations by weak ties showed greater relevance to the establishment of a friends-only profile among college undergraduates, compared to other Facebook network ties.[48]

text: Electronic mail[edit]

text: Email has become one of the most widely used methods of communication within organizations and workplaces. When discussing expectancy violations with electronic e-mail, just as with other modes of communication, a distinction must be made between inadvertent violations of norms and purposeful violations, referred to as 'flaming'.[49] Flaming is defined as hostile and aggressive interactions via text-based CMC.[49]

text: One form of expectancy violation in email is the length of time between the sending of the initial email and the receiver's reply. Communicator reward valence plays a large part in how expectancy violations are handled in email communications. In computer-mediated communication, people have expectations to others’ online behaviors based on individual identity. In online contexts, violations are not simply assessed as positive or negative. Some violations are ambiguous such as e-mail response latency. In 2017, Nicholls and Rice stated that “when deviation is ambiguous, the communicator’s reward value will mediate the perceptions of the deviation.”[50]

text: Chronemic studies on email have shown that in organizations, responder status played a large part in how individuals reacted to various lapses in response to the previously sent email.[51] Long pauses between responses for high-status responders produced positive expectancy violation valence and long pauses from low-status responders produced a negative expectancy violation valence.[51][52] However, in the case of job interviews, long pauses between email for high-status candidates reflected negatively on their reviews. Expectations for email recipients to respond within a normative time limit illustrate the medium's capacity for expectancy violations to occur.[52]

text: Academic environment[edit]

text: Teacher anger[edit]

text: McPherson, Kearney, and Plax examined teacher anger in college classrooms through the lens of norm violations.[53][54] Naturally, teachers will become frustrated and angry with students in classrooms from time to time. How teachers express themselves and convey those emotions will determine how students respond and interpret those emotional demonstrations. The students judged the appropriateness of teachers' anger in classrooms in the modal expressions of distributive aggression, passive aggression, integrative assertion, and nonassertive denial.[54] Students rated the aggressive expressions as highly intense, destructive, and inappropriate (or non-normative), including such behaviors as sarcasm or putdowns (most frequently cited), verbal abuse, rude and condescending behaviors toward students, and acts intended to demoralize students.[54][55][56][57] The students described assertive displays as appropriate and less intense.[54] Although anger is often considered to be a negative emotion, teacher anger is not necessarily a violation of classroom norms.[54] Based on the study, intense and aggressive displays of teacher anger are considered socially inappropriate by students.[54] These perceived norm violations result in negative evaluations of the teacher and the course.[54] Because only integrative-assertive expressions of teacher anger were positively related to students' perceptions of appropriateness, the study concluded that teachers should avoid intense, aggressive anger displays and should rather assertively and directly discuss the problem with students.[54]

text: Teacher dress[edit]

text: Clothing is considered a form of nonverbal communication. Dress communicates status, hierarchy, credibility, and attractiveness. Specific social codes dictate what forms of dress are appropriate in various cross-cultural contexts.[58][59] When individuals wear clothing that is deemed inappropriate for a given situation, or when an individual's clothing does not seem to match their perceived status or attractiveness, this can constitute an expectancy violation.[58] Studies on clothing and teacher perceptions have shown that when teachers wear formal attire, students rate their credibility higher. However, for high-reward teachers, clothing formality did not raise perceptions of attractiveness.[58][59][60][61] Interestingly, students seem to retain information best when teachers are dressed moderately, and teacher value appears to derive from what grade students predict they will get from a teacher more so than clothing.[58][59]

text: Instructor credibility in college classroom[edit]

text: Generally, students have expectations to their instructors in college classroom. According to Sidelinger and Bolen, students might be dissatisfied about instructors who talk a lot during class.[62] After they did the research about the compulsive communication and communication satisfaction, they concluded that if an instructor is evaluated as credible by the students, his credibility decreases students’ dissatisfaction despite of his talkativeness. Particularly, instructor’s goodwill such as politeness and care for students is the most effective characteristic to alleviate students’ negative feelings towards a talkative instructor.[62]

text: Course ratings[edit]

text: Most American colleges and universities employ course rating surveys as a method to gauge teacher effectiveness and the degree to which students are satisfied with the pedagogy of their professors. Expectancy violation and violation valence play a part in course ratings because a wide range of expectancies exist for students while taking a course.[63] Common expectancies for students include stimulation and interest, instructor behavior, relevance of the course, and the student's expected and actual success in the course. A higher education study on EVT and course ratings analyzed 228 students in seven introductory sociology classes at a university of 25,000 students.[63] Since the courses were required for most students, were open to all students, used the same textbook, and met for the same length of time during the semester, expectancy violations in the classroom could be reported more accurately.[63] Some factors used to report the data included instructor personality, interestingness and informativeness of textbook materials, difficulty of lectures, lecturer speaking ability, and the ability to answer questions. At the end of the study, the only factor that affected course ratings was relevance.[63] Expectancies had virtually no effect otherwise on course evaluations. This reason could be attributed to the fact that students who found a course highly relevant were already interested in the subject area and were more motivated to do well.[63]

text: Nontraditional college students[edit]

text: EVT has been used to study the experiences of non-traditional college and university students who begin an undergraduate education over the age of 25. The study focused on the students' expectations of their professors and how they should behave in the classroom. Since nontraditional students often feel that they are different from their academic peers, and since the traditional university setting focuses on the 18-23-year-old demographic, studying nontraditional student classroom experiences can help higher education institutions instruct teachers on how to behave in the classroom.[64][65] Traditional and non-traditional students have been shown to expect teachers to make use of examples, provide feedback, and adequately prepare them for exams.[64] Both traditional and non-traditional students have been found to have their expectations for instructor clarity negatively violated.[64] Surprisingly, non-traditional students differed from traditional students by responding negatively to affinity-seeking behaviors and believed that instructors should be less concerned with making class more fun and enjoyable.

text: Student disclosures in college classroom[edit]

text: In 2013, Frisby and Sidelinger conducted a research about student disclosures in college classroom, which discussed about what kinds of student disclosures would violate peers’ expectations and their perceptions about the disclosers.[66] According to the study, those who make inappropriate disclosures violate others’ expectations most in a classroom environment. Inappropriate disclosures are described as high frequent, negative, offensive and irrelevant topics. Disclosers of inappropriate information are more likely to be described as incompetent students, and they are less likeable than students who disclose appropriate information that are related to course materials.[66]

text: College admissions[edit]

text: A 2008 study of the top 500 US colleges by Kaplan found that 10% of admissions offices checked applicants' social networking site (SNS) profiles, and 38% of those saw information that reduced the applicants' prospects for admission.[46] In 2011, a college student was cited for underage drinking after campus police found pictures on Facebook of the student holding a beer.[46]

text: Profanity use[edit]

text: Swearing and cursing are some of the most readily observable instances of verbal expectancy violations. Examples of swearing expectancy violations include U.S. Vice President Dick Cheney telling Patrick Leahy, Senator of Vermont, to "go fuck yourself",[67][68] actor Christian Bale's lashing out toward a bystander who walked in front of the camera while he was filming,[68] and U.S. Vice President Joe Biden's remarks during a live broadcast of his speech congratulating U.S. President Barack Obama on passage of the health care reform bill, commenting that it was a "big fucking deal".[68][69] Expletives also vary among different cultures, so valence of expectancy violations involving swearing may differ when used in different contexts.[68]

text: In workplaces[edit]

text: Swearing is common among many workplaces. Swearing has been identified functionally as one of several ways to express emotion in response to workplace stress, to convey verbal aggression, or to engage in deviant workplace behavior (Johnson, 2012). In formal work settings, people have much stronger feelings that their expectations are violated by swearing than in casual occasions. Expletives are more prevalent in unstructured conversations than in more structured, task-oriented ones (Johnson, 2012). The use of profanity has been shown to influence the perceptions of speakers. It may also have emotional impact on the user and the audience.[68][70][71] Research has shown that profanity users appear less trustworthy, less sociable, and less educated.[68][70][72] The more swearing messages one expresses that violate respondent's expectations in workplaces, the more negative evaluations the respondent will generate about the speaker's incompetency.[73] These traits are likely to appear as fixed among profanity users.[68] Moreover, the content of the swearing messages also poses great impact on the extent of expectancy violations in formal work settings. The verbal messages include words related to sex, excretion and profaneness. Research found that respondents experience highest level of surprise about the swearing with sexual expressions. Thus their expectations are more likely to be violated by sexual swearing than excretory and profane words. A more productive approach than focusing on whether a specific word is offensive may be to make sure that those engaging in workplace swearing are aware of how they and their messages might be perceived in multiple ways (Johnson, 2012).[73]

text: Evaluation of media figures[edit]

text: Expectancy violations are tightly related to the changes of people's evaluation on their relationships with media figures. In 2010, Cohen made comparisons between relationships with friends and media figures in order to find similarities and differences of people's reactions when their expectations are violated in these two relationships. Violations were generally divided in three categories: social violations such as making offensive comments, trust violations such as making up stories about their life experience, and moral violations such as cheating in a marital relationship or drunk driving.[36]

text: Research indicated that in both friendships and relationships with media figures, social and trust violations are more offensive than moral violations. Specifically, people are more intolerable about moral violations from media figures than from their friends. According to the study, the reason for the intolerance is because relationships with media figures are relatively weak that people invest less on the relationships with media figures than on friendships.[36] The type of media figures is also an important factor to determine the changes of closeness with media figures. People have different expectations to various types of media figures. Research discussed that moral violations negatively influence relationships with athletes, damaging their positive and energetic appearance expected by the public. Social violations reduce closeness with TV hosts, whom people expect as amiable public figures.[36]

text: Health and self-improvement[edit]

text: Expectancy violation theory has even been applied to encouraging healthy habits and changing bad ones. In a study by Karolien van den Akker, Myrr van den Broek, Remco C. Havermans, and Anita Jansen, expectancy violation theory was tested to see if it was successful in changing ingrained cravings for chocolate. Although researchers did not find that expectancy violation mediated responses to chocolate cravings, they believe more research is needed to determine whether this theory is profitable for this kind of application to human behavior.[74]

text: Metatheoretical assumptions[edit]

text: Ontological assumptions[edit]

text: EVT assumes that humans have a certain degree of free will. This theory assumes that humans can assess and interpret the relationship and liking between themselves and their conversational partner, and then make a decision whether or not to violate the expectations of the other person. The theory holds that this decision depends on what outcome they would like to achieve.[75] This assumption is based on the interaction position. The interaction position is based on a person's initial stance toward an interaction as determined by a blend of personal Requirements, Expectations, and Desires (RED). These RED factors meld into our interaction position of what's needed, anticipated, and preferred.[75]

text: Epistemological assumptions[edit]

text: EVT assumes that there are norms for all communication activities and if these norms are violated, there will be specific, predictable outcomes.[24] EVT does not fully account for the overwhelming prevalence of reciprocity that has been found in interpersonal interactions. Secondly, it is silent on whether communicator valence supersedes behavior valence or vice versa when the two are incongruent, such as when a disliked partner engages in a positive violation.[24]

text: Axiological assumptions[edit]

text: This theory seeks to be value-neutral as supporting studies have been conducted empirically and sought to objectively describe how humans react when their expectations are violated.[3]

text: Critique[edit]

text: Predictability and testability[edit]

text: Expectancy violations theory has undergone scrutiny for its attempt to provide a covering law for certain aspects of interpersonal communication. Some critics of EVT believe most interactions between individuals are extremely complex and there are many contingencies to consider within the theory. This makes the prediction of behavioral outcomes of a particular situation virtually impossible to consistently predict.[76]

text: Another critique of the theory is the assumption that expectancy violations are mostly highly consequential acts, negative in nature, and cause uncertainty to increase between communicators. In actuality, research shows expectancy violations vary in frequency, seriousness, and valence. While it is true that many expectancy violations carry a negative valence, numerous are positive and actually reduce uncertainty because they provide additional information within the parameters of the particular relationship, context, and communicators.[77]

text: A First Look at Communication[edit]

text: Emory Griffin, the author of A First Look at Communication Theory, analyzed unpredictability in expectancy violations theory.[9] His test consisted in analyzing his interaction with four students who made various requests from him. The students were given the pseudonyms Andre, Belinda, Charlie and Dawn. They start with the letters A, B, C and D to represent the increasing distance between them and Griffin when making their requests.

text: Andre needed the author's endorsement for a graduate scholarship, and spoke to him from an intimate eyeball-to-eyeball distance. According to Burgoon's early model, Andre made a mistake when he crossed Griffin's threat threshold; the physical and psychological discomfort the lecturer might feel could have hurt his cause. However, later that day Griffin wrote the letter of recommendation.

text: Belinda needed help with a term paper for a class with another professor, and asked for it from a 2-foot distance. Just as Burgoon predicted, the narrow gap between Belinda and Griffin determined him to focus his attention on their rocky relationship, and her request was declined.

text: Charlie invited his lecturer to play water polo with other students, and he made the invitation from the right distance of 7 feet, just outside the range of interaction Griffin anticipated. However, his invitation was declined.

text: Dawn launched an invitation to Griffin to eat lunch together the next day, and she did this from across the room. According to the nonverbal expectancy violations model, launching an invitation from across the room would guarantee a poor response, but this time, the invitation was successful.

text: Griffin's attempt to apply Burgoon's original model to conversational distance between him and his students didn't meet with much success. The theoretical scoreboard read:

text: However, when Grifffin applied the revised EVT standards on his responses to "the proxemic violations of Andre, Belinda, Charlie, and Dawn," the scorecard "shows four hits and no misses."[78]

text: Related theories[edit]

text: Because EVT is sociopsychological in nature and focuses on social codes in both intrapersonal and interpersonal communication, it is closely related to communication theories such as cognitive dissonance and uncertainty reduction theory. Recently, this theory has undergone some reconstitution by Burgoon and her colleagues and has resulted in a newly proposed theory known as interaction adaptation theory,[79] which is a more comprehensive explanation of adaptation in interpersonal interaction.[76]

text: As mentioned above, EVT has strong roots in uncertainty reduction theory. The relationship between violation behavior and the level of uncertainty is under study. Research indicates that violations differ in their impact on uncertainty. To be more specific, incongruent negative violations heightened uncertainty, whereas congruent violations (both positive and negative) caused declines in uncertainty.[80] The theory also borrows from social exchange theory in that people seek reward out of interaction with others.

text: Two other theories share similar outlooks to EVT – Discrepancy-Arousal Theory and Patterson's social facilitation model (SFM). Like EVT, DAT explains that a receiver becomes aroused when a communicative behavior does not match the receiver's expectations. In DAT, these differences are called discrepancies instead of expectancy violations. Cognitive dissonance and EVT both try to explain why and how people react to unexpected information and adjust themselves during communication process.

text: The social facilitation model has a similar outlook and labels these differences as unstable changes. A key difference between the theories lies in the receiver's arousal level. Both DAT and SFM maintain that the receiver experiences a physiological response whereas EVT focuses on the attention shift of the receiver. EVT posits that expectancy violations occur frequently and are not always as serious as perceived through the lenses of other theories.

text: Anxiety/uncertainty management theory is the uncertainty and Anxiety people have towards each other, relating to EVT this anxiety and uncertainty can differ between cultures. Causing a violation for example violating someones personal distance or communicating ineffectively can cause uncertainty and anxiety.[9]

text: The popularity of computer-mediated communication (CMC) as means of conducting task-oriented and socially oriented interactions is a part of the social information processing (SIP) theory. Coined by Joseph Walther, the theory explores CMC's ability to fulfill many of the same functions as the more traditional forms of interaction, especially face-to-face (FtF) interaction.[81][82] SIP can be used in conjunction with EVT to examine interpersonal and hyperpersonal relationships established through CMC.

text: Further use and development of the theory[edit]

text: The concept of social norms marketing follows expectancy violation in that it is based upon the notion that messages containing facts that vary from perception of the norm will create a positive expectancy violation. Advertising, strategic communications, and public relations base social norms campaigns on this position.[83]

text: Interaction adaptation theory further explores expectancy violations. Developed by Burgoon to take a more comprehensive look at social interaction, IAT posits that people enter into interactions with requirements, expectations, and desires. These factors influence both the initial behavior as well as the response behavior. When faced with behavior that meets an individual's needs, expectations, or desires, the response behavior will be positive. When faced with behavior that does not meet an individual's needs, expectations, or desires, he or she can respond either positively or negatively depending on the degree of violation and positive or negative valence of the relationship.[84][85]

text: Expectancies exert significant influence on people's interaction patterns, on their impressions of one another, and on the outcomes of their interactions. People who can assume that they are well regarded by their audience are safer engaging in violations and more likely to profit from doing so than are those who are poorly regarded.[86] When the violation act is one that is likely to be ambiguous in its meaning or to carry multiple interpretations that are not uniformly positive or negative, then the reward valence of the communicator can be especially significant in moderating interpretations, evaluations, and subsequent outcomes.

text: EVT also applies to international experience in the workplace. “A foreign newcomer who has the necessary education, work experience, and international experience will be perceived as having the ability to make valuable contribution to the group’s task. Consequently, education, work experience and international experience will influence a foreign newcomer’s initial task-based group acceptance (Joardar, 2011). It can be argued that a person with significant international experience will be perceived as having had the opportunity to learn how to build valuable relationships in a cross-cultural setting. Hence, international experience will have effects on initial relationship-based group acceptance as well. Meaning, this will make for a more positive expectancy violation, in the workplace especially. EVT is also used as a framework to analyze the negative impact of mind reading expectations on romantic relationships. In 2015, Wright and Roloff explained the idea of mind reading expectations (MRE) that romantic partners should clearly know about each other's feelings even though they are not being informed. When relational partners have done something wrong without self-consciousness, people's expectations are violated. Particularly those who hold high value of MRE are more likely to become distressful once their relational partners are unaware of their violations to expectations. The study asserted that such kinds of violations related to MRE result in responses such as combative attitude and silent treatment, which is harmful to long-term romantic relationships.[87]